WEBVTT - Dirty Dancing with Emily Ruskowski

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<v Speaker 1>On the Bell Cast. The questions asked if movies have

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<v Speaker 1>women in um, are all their discussions just boyfriends and husbands?

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<v Speaker 1>What do they have? Individualism, the patriarchy ze and best

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<v Speaker 1>start changing it with the Betel Cast. Hi, and welcome

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<v Speaker 1>to the Bechdel Cast. My name is Caitlin and we

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<v Speaker 1>are recording an intro for an episode that we did live.

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<v Speaker 1>We did a live episode for the Women in Comedy

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<v Speaker 1>Festival in Boston, Massachusetts at Improv Boston. It was so

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<v Speaker 1>much fun. This happened in late April. We had a

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<v Speaker 1>great time. It was our first live episode, which brings

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<v Speaker 1>us to why we're recording the intro in Los Angeles. Well,

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<v Speaker 1>the audio quality turned out to be not super great,

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<v Speaker 1>So which are bad? We didn't check stuff and we

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<v Speaker 1>you know, we're learning. I would like to blame the

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<v Speaker 1>patriarchy we're learning, I would. Yeah. I'm triggered. Yeah, as

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<v Speaker 1>always I'm triggered, never not triggered, right acast great? Sure, Yeah,

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<v Speaker 1>So recording this little intro, We're gonna do some stuff

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<v Speaker 1>at the top, like reintroduce our guests and things like that.

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<v Speaker 1>But yeah, we apologize for the audio quality being not

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<v Speaker 1>super great. Fortunately, the best audio quality that came out

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<v Speaker 1>of it, which shout out to Caitlin for sifting through

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<v Speaker 1>all the audio of us yelling, but our guests audio

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<v Speaker 1>came out pretty well, and so most of her sage

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<v Speaker 1>points remain intact. Indeed, also shout out to our producer

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<v Speaker 1>Aristotle for always giving us great audio quality. We didn't

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<v Speaker 1>know how good we had it until he was gone,

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<v Speaker 1>So true, that's how it always is. But thank you

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<v Speaker 1>to the Women in Comedy Festival for letting us do it.

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<v Speaker 1>Thank you to Improv Boston for having us, and thank

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<v Speaker 1>you to our guest Emily Riskowski, who is a good

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<v Speaker 1>friend of both of ours. She is a comic Boston.

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<v Speaker 1>She's so funny. She's spent on two dub Queens. She

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<v Speaker 1>does shows all around the city. She's originally out of DC.

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<v Speaker 1>She's just she's a goddess. She's the best. We're so

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<v Speaker 1>happy we had. She brought us the movie Dirty Dancing.

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<v Speaker 1>And also we and I know we always say we're

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<v Speaker 1>gonna put it in the description, but we have a

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<v Speaker 1>great picture of the three of us for this one.

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<v Speaker 1>She brought us Dirty Dancing, and she dressed as Patrick Swayze.

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<v Speaker 1>She dressed in all black CAUs played as Johnny Castle.

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<v Speaker 1>It was unbelievable, and she came out to the stage.

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<v Speaker 1>We called her up in the stage. We had no

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<v Speaker 1>idea this was happening. Came out to the stage carrying

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<v Speaker 1>a watermelon, which is a reference a movie. Yeah, she

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<v Speaker 1>was doing Baby and Johnny Castle at the same time.

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<v Speaker 1>She's that good. She's that good. We have to do

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<v Speaker 1>a little bit more of the I have to start

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<v Speaker 1>with the recap. The live episode picks up when I'm

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<v Speaker 1>like in the middle of the famous Okay cap. It's

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<v Speaker 1>so funny, Like we sound like garbage in the recording,

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<v Speaker 1>like pretty universally because we're always like and our guests

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<v Speaker 1>were very cool, very composed. Mostly I think I'm like

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<v Speaker 1>talked about Jerry Orbach in this episode. So you didn't

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<v Speaker 1>miss anything, you can confirm. Yeah. So Dirty Dancing is

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<v Speaker 1>a story about a character named Baby played by Jennifer Gray.

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<v Speaker 1>She and her rich family go to a rich people camp.

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<v Speaker 1>Jerry Orbach is her father. They go to this summer

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<v Speaker 1>camp to learn about how to dance and how to

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<v Speaker 1>wear wigs and other things. Yeah, wigs outside, that's offensive,

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<v Speaker 1>wigs outside, wigs but like outside, Yeah, I love it.

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<v Speaker 1>Sold she's like, oh, I wanna. I want to hang

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<v Speaker 1>out with these cool people. They seem to be dancing.

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<v Speaker 1>So there's a six sex Yes, the sexy poor. This

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<v Speaker 1>is a new this is it doesn't exist in the

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<v Speaker 1>real world, but it's prevalent in this camp. Fuckable poor.

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<v Speaker 1>I'm glad you brought it up because it's it's an

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<v Speaker 1>important thing that we do address. So she's like, who

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<v Speaker 1>are these people who are dancing? All cool and they're

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<v Speaker 1>hot and they're poor because they're like the work staff.

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<v Speaker 1>They're the teachers who teach the dance class and the

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<v Speaker 1>white stuff, all this stuff. She's like, I want to

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<v Speaker 1>get in with this group. And the main one, the

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<v Speaker 1>coolest one, is the king of the hot pores. His

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<v Speaker 1>name is Johnny Castle Baby, and he has a friend

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<v Speaker 1>named Penny. And Penny finds herself in a situation where

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<v Speaker 1>she is pregnant and she does not want to be

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<v Speaker 1>because she got pregnant by this character named Robbie who

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<v Speaker 1>was a piece of ship, not sexy or poor. Hey hey,

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<v Speaker 1>So Baby's like, I want to help. I'm gonna help

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<v Speaker 1>with this. She's like, here, I'm gonna get some money

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<v Speaker 1>for you. The thing is, though, there's a oh, the

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<v Speaker 1>traveling abortion is he's like a carnival guy. He comes around,

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<v Speaker 1>he tours nuns up, He's like Bruce Springsteen. He comes

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<v Speaker 1>to your town every so often and it gives you

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<v Speaker 1>an abortion. Is he good at abortions? No? But he

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<v Speaker 1>is the amazing Traveling Abortionists. But there's also some very

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<v Speaker 1>interesting context for that that we'll get into, which made

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<v Speaker 1>me feel bad for, you know, saying what I just did,

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<v Speaker 1>which is the traveling Abortionists in a fun way, and

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<v Speaker 1>then an audience, remember, gave us some incredible context and

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<v Speaker 1>now we can share it. But I also got to

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<v Speaker 1>do the thing. Yes, So so the thing is Johnny

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<v Speaker 1>and his like dancing partner Penny have this gig that

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<v Speaker 1>they have to do on a Thursday. But oh no,

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<v Speaker 1>that's the only day that the Traveling Abortionists comes to town.

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<v Speaker 1>Crazy plot hole. So Penny goes off and gets her

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<v Speaker 1>traveling abortion. Meanwhile, Baby, they're like, well, someone suggests as

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<v Speaker 1>a joke, like what if you dance in her place?

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<v Speaker 1>What if you learn these dances? Baby? And she's like

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<v Speaker 1>a counsels like, no freaking way, I'm king poor, I

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<v Speaker 1>don't know dance with baby rich. But then it ends

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<v Speaker 1>up happening anyway because she's like, I'm going to prove myself.

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<v Speaker 1>And then they start training. There's a bunch of training

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<v Speaker 1>montages and then this is pretty much where yes, that's

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<v Speaker 1>the longest training montage every all butts, so many butts,

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<v Speaker 1>equal opportunity to male female. We're looking at a lot

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<v Speaker 1>of butts. Love it, love it. Very horny movie too,

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<v Speaker 1>but no depth, no horny. Depth is now unfortunately horny.

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<v Speaker 1>Not a lot of depth, pretty surface horny. So that's

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<v Speaker 1>where we kind of pick up on the live episodes,

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<v Speaker 1>so we will transition into that. Please enjoy, Emily Riskowski,

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<v Speaker 1>you kind of dodged a bullet with all the your

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<v Speaker 1>Box Talk which is my new podcast, check it out

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<v Speaker 1>or rock Talk. Yeah, enjoy, enjoy. Then what happens surprised?

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<v Speaker 1>The traveling abortion is not too good? No, not too good.

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<v Speaker 1>He he he messes it up. We're not told exactly how,

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<v Speaker 1>and that's probably for the bass, but it's like real bad.

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<v Speaker 1>So how they get to do the abortion is because

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<v Speaker 1>baby went to her dad and asked for the money.

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<v Speaker 1>He lied to Jerry O. She lied to Jerry or

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<v Speaker 1>box one. Let's just take a moment. What do you

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<v Speaker 1>ever seen one or get You don't why the Jerry

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<v Speaker 1>or Back can get away in it? Well? Yeah, so

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<v Speaker 1>so yeah, she lies to her dad about because he

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<v Speaker 1>asked if it's illegal, and he is daddy. She gets

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<v Speaker 1>his to She calls him daddy the whole movie, So

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<v Speaker 1>there's that, but she al says Terry Orbank, so it's

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<v Speaker 1>like he's everyone's Daddy's every America's daddy. He's your daddy.

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<v Speaker 1>So Jerry or Back winds up paying for this abortion

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<v Speaker 1>and then he goes and finds out what his money

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<v Speaker 1>was for, and he freaks out and he, like everyone else,

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<v Speaker 1>assumes that Johnny's the one who got Penny pregnant. I

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<v Speaker 1>see why Jerry Orback was upset. No one communicates with him,

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<v Speaker 1>no one gives it to him straight. And if you've

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<v Speaker 1>seen him in line where he needs you to give

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<v Speaker 1>it to him straight, he's like, I couldn't know when

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<v Speaker 1>I'm wrong. Yeah, he band's baby from like hanging out

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<v Speaker 1>with him. So what does she do. She starts having

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<v Speaker 1>sex with Johnny Castle like immediately like that. The Carmine

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<v Speaker 1>is also weird in this movie because it's like we're

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<v Speaker 1>here at the beginning of the summer. They're training the waiters.

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<v Speaker 1>The dance stuff just got here. But also Penny's already

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<v Speaker 1>pregnant by Robbie, So like when did that happen? A

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<v Speaker 1>whole summer passes. I would like to pay check a

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<v Speaker 1>little bit to the scene with the watermelon where Baby

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<v Speaker 1>meets Billy, who I love. Billy is Johnny Castle's cousin.

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<v Speaker 1>We assume his names Billy Castle, but we don't know

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<v Speaker 1>for sure. But Billy needs a sweetheart and doesn't find love. Uh,

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<v Speaker 1>he doesn't deserve it because he's shorter than Johnny according

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<v Speaker 1>to God to nineteen sixties lodgeing, since he's either he

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<v Speaker 1>is unsuckable. Uh, but you know, he's also attended like

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<v Speaker 1>the rest of hell. He's a working class babe. Like that.

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<v Speaker 1>There's a whole camp. It's like like weird looking which

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<v Speaker 1>people and very hot port people, which is which is great.

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<v Speaker 1>That's how I would like the whole world to be.

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<v Speaker 1>But so Billy says like, hey, I got these watermelons.

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<v Speaker 1>It's more articulate. I want to bring him into the

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<v Speaker 1>basement with me where everyone's fuck dancing, And then she

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<v Speaker 1>sees Johnny Castle and Penny dancing together, very sexually. They're

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<v Speaker 1>the best at fuck dancing and everyone knows it. And

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<v Speaker 1>then there's this moment where Baby asks Billy Castle or

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<v Speaker 1>aren't they together? And he's like, no, they were together

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<v Speaker 1>when they were kids, but not anymore. Immediately cut to

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<v Speaker 1>a shot of what looks like Patrick Swayzy, like going

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<v Speaker 1>down on Penny while holding her six ft in the air,

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<v Speaker 1>and Lan is and and Baby isn't like, are you sure?

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<v Speaker 1>Sus like there might be something there? How old is

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<v Speaker 1>Patrick Spazy in this movie? Oh? We telled all very

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<v Speaker 1>mus he's sucking a teenager? Or is it cute? Maybe

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<v Speaker 1>he's supposed to be like eighteen? Rights, probably he's actually thirty.

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<v Speaker 1>He looks much older than her. Yeah, I couldn't get

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<v Speaker 1>hold he was supposed to be, which again, because I

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<v Speaker 1>want to be on Jerry or box side at every

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<v Speaker 1>point in this movie. Again, I'm just like, you know what,

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<v Speaker 1>if a man of indeterminable age who I had already

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<v Speaker 1>known was a JIGGERO was pursuing my daughter, I too

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<v Speaker 1>would be like, hey, maybe not, you know so what

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<v Speaker 1>also we're so it all kind of culminates right there,

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<v Speaker 1>fucking everything's great, And then while it's start getting stolen

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<v Speaker 1>and they suspect that it is Johnny Castle. Baby comes rod,

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<v Speaker 1>she's like, we were together. He gets fired again. Is

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<v Speaker 1>it better to have stolen a wallet or had sex

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<v Speaker 1>a teenager? You know? Again? We eat that angel to

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<v Speaker 1>my mother like there's no winning friend. And then at

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<v Speaker 1>the end, Johnny comes back and he's like, I have

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<v Speaker 1>a speech to give and he gives it. It gives

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<v Speaker 1>that speech, and then before that he grabs Baby and

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<v Speaker 1>he says the famous line from the movie Nobody puts

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<v Speaker 1>Baby in a corner, and then he yanks her out

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<v Speaker 1>of the corner, which can exactly is it like literally,

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<v Speaker 1>because she's like sitting in a corner. She's literally in

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<v Speaker 1>a corner. And he's like that's not okay, And no

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<v Speaker 1>one's like why we just They're like, you're right and right,

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<v Speaker 1>there's a figurative corner. Is a literal corner? What does

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<v Speaker 1>he mean? I never understood this quote. She seemed to

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<v Speaker 1>be moved by it. I was openly crying. I love

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<v Speaker 1>the scene where Baby basically says, Okay, I've been sucking

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<v Speaker 1>the beefcake and Jerry roback and she's like, but you

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<v Speaker 1>suck too, and then Jerry about cries and you're just like, oh,

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<v Speaker 1>he's so raw. Uh that or the aftermath is that

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<v Speaker 1>kind of bothered me because then, uh, first of all,

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<v Speaker 1>Johnny has given like the big climactic speech at the end.

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<v Speaker 1>Baby isn't even though she's the main character. You think

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<v Speaker 1>she would have this like cathartic moment to be like,

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<v Speaker 1>I'm tired of well when I'm putting me in the

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<v Speaker 1>corner figuratively right as you will. She has a speech

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<v Speaker 1>she could give, we just never hear it, or she's

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<v Speaker 1>gonna say dad, not like to everybody in a big way, right,

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<v Speaker 1>And there was I mean, and again, it's like, I

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<v Speaker 1>never wanted to sound like we're cutting a movie slack

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<v Speaker 1>when they're not doing the right thing and they're not

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<v Speaker 1>doing right by their female characters. But this movie does

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<v Speaker 1>take place in nineteen sixty three, which sort of shifts

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<v Speaker 1>the context a little bit. The more I thought about

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<v Speaker 1>certain scenes where in ninete, I mean to me, it

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<v Speaker 1>was kind of impressive that parents were so on board

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<v Speaker 1>with both of their daughters going to college and like

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<v Speaker 1>really making careers for themselves, and and and and But

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<v Speaker 1>then on on the other hand, that they are actually

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<v Speaker 1>trying to Harry them off. But but I don't know,

0:13:17.320 --> 0:13:19.719
<v Speaker 1>and I I mean, we weren't. We weren't around O

0:13:19.720 --> 0:13:24.520
<v Speaker 1>carry I'm four years old, but I I don't know.

0:13:25.080 --> 0:13:27.199
<v Speaker 1>Putting it in context of the time it was supposed

0:13:27.200 --> 0:13:29.840
<v Speaker 1>to take place, even though it takes place in the sixties,

0:13:29.880 --> 0:13:33.720
<v Speaker 1>it feels a very seven movie. Like all the hair,

0:13:34.800 --> 0:13:39.680
<v Speaker 1>any outfits are that they're like besie and carry me

0:13:39.760 --> 0:13:44.920
<v Speaker 1>not dead yet, So you're like, Okay, you know, I'm

0:13:44.960 --> 0:13:46.960
<v Speaker 1>telling you President Kennedy is not dead yet, so you

0:13:46.960 --> 0:13:48.640
<v Speaker 1>can be like, I mean, I can enjoy this now.

0:13:49.880 --> 0:13:53.319
<v Speaker 1>It was a simple time. It's important actually, So I

0:13:53.320 --> 0:13:56.720
<v Speaker 1>think the female characters in this movie are great, Like

0:13:56.800 --> 0:13:59.560
<v Speaker 1>I think they're really I think Yanny is awesome. I

0:13:59.559 --> 0:14:03.280
<v Speaker 1>think they like the main character is named after Francis Perkins,

0:14:03.320 --> 0:14:06.240
<v Speaker 1>first woman in the Cabinet FDRs Labor secretary, Like that's

0:14:06.240 --> 0:14:09.000
<v Speaker 1>our main character. But then again they call her baby

0:14:09.120 --> 0:14:13.439
<v Speaker 1>like so the parts that you're like, I like that.

0:14:13.880 --> 0:14:17.800
<v Speaker 1>A lot of times Hollywood films, we'll be like, oh,

0:14:17.920 --> 0:14:20.280
<v Speaker 1>character is pregnant, Well, she's only got one option and

0:14:20.320 --> 0:14:23.760
<v Speaker 1>that's to have the baby. And the way the abortion

0:14:24.040 --> 0:14:27.560
<v Speaker 1>is approached in this movie is and it's not made

0:14:27.560 --> 0:14:31.080
<v Speaker 1>out to be the issue that a movie in nineteen

0:14:31.120 --> 0:14:33.480
<v Speaker 1>sixty three or eighty seven could have made it out

0:14:33.480 --> 0:14:36.240
<v Speaker 1>to be as this big like is it ethical to

0:14:36.280 --> 0:14:39.760
<v Speaker 1>do it? Like baby is immediately like, oh, we've gotta

0:14:39.800 --> 0:14:42.920
<v Speaker 1>get you money to get this abortion. And then when

0:14:43.040 --> 0:14:45.520
<v Speaker 1>Penny finds out, you know, like there's a moment of

0:14:45.960 --> 0:14:47.800
<v Speaker 1>back and forth, But the only reason there's a back

0:14:47.840 --> 0:14:49.120
<v Speaker 1>and forth or whether they she'll do it or not

0:14:49.560 --> 0:14:52.640
<v Speaker 1>is because her whole year's salary runs on one dance

0:14:52.680 --> 0:14:56.760
<v Speaker 1>gig has nothing to do with the ethics of abortion.

0:14:57.400 --> 0:15:00.000
<v Speaker 1>And I was, I mean, I hadn't seen this movie

0:15:00.000 --> 0:15:03.240
<v Speaker 1>in like ten years, and I will surprised that it

0:15:03.280 --> 0:15:06.960
<v Speaker 1>will dealt with that maturely of like that didn't become

0:15:07.000 --> 0:15:10.560
<v Speaker 1>a focal point of it. Well, even when her dad

0:15:10.680 --> 0:15:14.920
<v Speaker 1>is criticizing what happened, it's not like there's no big

0:15:14.920 --> 0:15:17.120
<v Speaker 1>abortion is wrong, but you just like you're hanging around

0:15:17.160 --> 0:15:21.200
<v Speaker 1>with unsavory people, primarily the guys. Because he doesn't seem

0:15:21.200 --> 0:15:24.320
<v Speaker 1>to be judgmental whatsoever towards Penny, and that he helps her.

0:15:24.320 --> 0:15:26.080
<v Speaker 1>He comes to check on her the next day. He

0:15:26.120 --> 0:15:28.000
<v Speaker 1>cares for her in a very kind way, but he

0:15:28.120 --> 0:15:30.840
<v Speaker 1>thinks these guys, like he's like, these are unsavory people,

0:15:31.160 --> 0:15:33.800
<v Speaker 1>and that's what she has the conversation when she says

0:15:33.840 --> 0:15:36.760
<v Speaker 1>you let me down to that's sort of what she's

0:15:36.760 --> 0:15:39.440
<v Speaker 1>talking about is you taught me to help people into

0:15:39.520 --> 0:15:43.160
<v Speaker 1>care and you judged them without knowing them. So that's

0:15:43.200 --> 0:15:45.400
<v Speaker 1>where and I like that too. Again, there wasn't this

0:15:45.440 --> 0:15:48.600
<v Speaker 1>big like moral issue around the abortion. It was this

0:15:48.640 --> 0:15:51.920
<v Speaker 1>is something. This is their reality that Robbie has completely

0:15:51.920 --> 0:15:55.080
<v Speaker 1>removed himself from and that Penny now has to deal with.

0:15:55.160 --> 0:15:58.360
<v Speaker 1>Baby is gonna come and help her and Baby sense

0:15:58.440 --> 0:16:01.600
<v Speaker 1>his judgment on behalf of her add who helped very

0:16:01.680 --> 0:16:04.480
<v Speaker 1>much in Safe Paint. But she's angry with him that

0:16:04.560 --> 0:16:07.000
<v Speaker 1>he's looking down on people, and she's like, you taught

0:16:07.040 --> 0:16:09.520
<v Speaker 1>me not to be that person. You can't be that

0:16:09.560 --> 0:16:12.040
<v Speaker 1>person either. And Jerry knows when he's wrong. He does,

0:16:12.160 --> 0:16:14.480
<v Speaker 1>he admits it. He said he's wrong, he says he's wrong,

0:16:14.520 --> 0:16:17.800
<v Speaker 1>but he doesn't apologize to Baby then, and only does

0:16:17.840 --> 0:16:20.920
<v Speaker 1>he Uh. The only time he like changes his mind

0:16:20.960 --> 0:16:23.760
<v Speaker 1>about the whole thing is when was the name Robbie

0:16:23.920 --> 0:16:27.280
<v Speaker 1>is like, oh, thanks for helping out with the Penny thing. Uh,

0:16:27.320 --> 0:16:29.600
<v Speaker 1>I was the one who it's only at that point

0:16:29.640 --> 0:16:32.600
<v Speaker 1>whenever Jerry's like, oh, well, if this rich boy is

0:16:32.680 --> 0:16:37.640
<v Speaker 1>telling me that what really happened, that's and I believe it. Well,

0:16:37.680 --> 0:16:39.960
<v Speaker 1>that's another tricky thing too, because it's like it is

0:16:40.040 --> 0:16:43.520
<v Speaker 1>his teenage daughter who he seems to trust throughout the

0:16:43.640 --> 0:16:47.280
<v Speaker 1>movie until he finds out that she has lied to him,

0:16:47.720 --> 0:16:50.240
<v Speaker 1>And it's like, I don't know. I mean, if you're

0:16:50.280 --> 0:16:52.120
<v Speaker 1>a parent and you find out your kid has lied

0:16:52.120 --> 0:16:55.560
<v Speaker 1>to you about one big thing, it's hard to be like, well,

0:16:55.600 --> 0:16:58.200
<v Speaker 1>but probably everything else is the truth because I don't

0:16:58.240 --> 0:17:04.320
<v Speaker 1>I mean, teenagers are big, dry liars, so I don't know,

0:17:04.400 --> 0:17:07.800
<v Speaker 1>Like I could see that both ways. Even when he

0:17:07.800 --> 0:17:10.440
<v Speaker 1>said who's responsible for this girl? Like Penny's grown woman?

0:17:10.600 --> 0:17:13.119
<v Speaker 1>But I think he in the context of when it

0:17:13.160 --> 0:17:17.000
<v Speaker 1>was supposed to take place, he saw this woman who

0:17:17.080 --> 0:17:18.919
<v Speaker 1>was left because he said, you got her in trouble,

0:17:19.320 --> 0:17:22.159
<v Speaker 1>Like you left this woman to deal with this by herself,

0:17:22.560 --> 0:17:25.040
<v Speaker 1>You sent her to this butcher. He's at the same

0:17:25.080 --> 0:17:27.399
<v Speaker 1>time get that nineteen sixty three mentality of like, you

0:17:27.480 --> 0:17:30.240
<v Speaker 1>take care of women and women can't really take care

0:17:30.240 --> 0:17:33.639
<v Speaker 1>of themselves. But he also encourages his daughters to be

0:17:33.760 --> 0:17:36.919
<v Speaker 1>more than that because Robbie tells him accidentally, he believes

0:17:37.000 --> 0:17:39.160
<v Speaker 1>rob because Robbie tells Robbie didn't mean to tell him,

0:17:39.240 --> 0:17:41.879
<v Speaker 1>because Robbie was like, I thought you knew, because he's like, hey,

0:17:41.920 --> 0:17:44.320
<v Speaker 1>thanks for dealing with it, and he I think, in

0:17:44.359 --> 0:17:48.840
<v Speaker 1>that moment, had that realization. Robbie thinks he and Dr

0:17:48.880 --> 0:17:51.320
<v Speaker 1>Housman are the same. Robbie thinks they're in this like

0:17:51.400 --> 0:17:53.760
<v Speaker 1>old boys club, like, hey, thanks for taking care of that.

0:17:54.000 --> 0:17:55.919
<v Speaker 1>And Dr Housman is kind of yanked out of that,

0:17:55.960 --> 0:17:58.160
<v Speaker 1>and it's like, this guy is the piece of ship,

0:17:58.600 --> 0:18:01.760
<v Speaker 1>not the guy I thought, but everybody assumed. As far

0:18:01.800 --> 0:18:06.040
<v Speaker 1>as I think that his character is doing pretty well

0:18:06.080 --> 0:18:09.240
<v Speaker 1>given the era he is we're to believe he's living in,

0:18:09.320 --> 0:18:11.320
<v Speaker 1>and it's like, it's definitely not perfect, and there is.

0:18:11.800 --> 0:18:15.359
<v Speaker 1>I mean, I wouldn't say that he considers men and

0:18:15.400 --> 0:18:18.560
<v Speaker 1>women to be completely equal. It's pretty clearly that that

0:18:18.720 --> 0:18:22.000
<v Speaker 1>is not the case for him. But but as far

0:18:22.080 --> 0:18:26.240
<v Speaker 1>as nineteen sixty three, dealing with a teenage daughter who's

0:18:26.320 --> 0:18:31.560
<v Speaker 1>clearly intelligent and you know, fucking up as any teenager would,

0:18:31.640 --> 0:18:38.520
<v Speaker 1>but I never stake as a teenager have been having

0:18:38.520 --> 0:18:44.960
<v Speaker 1>sex with Patrick Swayze and seeking like there's so there's

0:18:44.960 --> 0:18:50.160
<v Speaker 1>a conflict between Swayzey and Albak, which, first of all unhooked.

0:18:52.000 --> 0:18:56.159
<v Speaker 1>The whole reason that that problem arises is because when

0:18:56.520 --> 0:19:00.520
<v Speaker 1>Jerry Oba comes to see what's going on after Penny's

0:19:00.800 --> 0:19:04.480
<v Speaker 1>traveling abortionist thing doesn't goal well. But when he he

0:19:04.520 --> 0:19:07.679
<v Speaker 1>goes to try to patch that situation up, he asked, yeah, like,

0:19:07.840 --> 0:19:11.280
<v Speaker 1>who's responsible for this girl, which is a vague question,

0:19:11.480 --> 0:19:14.800
<v Speaker 1>and Patrick Sprayzy says me because he's her best friend

0:19:14.960 --> 0:19:17.000
<v Speaker 1>and sort of views himself as the one who looks

0:19:17.000 --> 0:19:21.040
<v Speaker 1>out for her, and had Patrick saysy at any point

0:19:21.160 --> 0:19:24.320
<v Speaker 1>just said that was what I meant when I said

0:19:24.359 --> 0:19:28.000
<v Speaker 1>that we could have saved an hour of conflict between

0:19:28.040 --> 0:19:30.399
<v Speaker 1>the two of them. I think one of the themes

0:19:30.400 --> 0:19:33.720
<v Speaker 1>of the movie is integrity and who hasn't who doesn't

0:19:33.720 --> 0:19:35.879
<v Speaker 1>And he sees robbed like you very clearly the villain

0:19:36.240 --> 0:19:40.560
<v Speaker 1>is the guy with no integrity who reads yeah, exactly right,

0:19:40.640 --> 0:19:44.240
<v Speaker 1>the guy with no integrity. And then the working class

0:19:44.240 --> 0:19:46.240
<v Speaker 1>people that everyone's looking down are the ones that have

0:19:46.280 --> 0:19:49.119
<v Speaker 1>the integrity, like and part of the reason they didn't

0:19:49.160 --> 0:19:53.119
<v Speaker 1>tell everybody that it's Robbie is because it's Penny's private information,

0:19:53.480 --> 0:19:55.680
<v Speaker 1>and she didn't want anybody to know, so they didn't

0:19:55.680 --> 0:19:57.760
<v Speaker 1>tell anybody, even though it would have been so much easier.

0:19:57.800 --> 0:20:00.560
<v Speaker 1>That's why when Baby is encouraging he said to stay

0:20:00.600 --> 0:20:02.639
<v Speaker 1>away from Robbie and not have sex with him, she

0:20:02.760 --> 0:20:06.280
<v Speaker 1>doesn't say he knocked somebody up, because it's Penny's business.

0:20:06.800 --> 0:20:09.800
<v Speaker 1>And if Penny doesn't want anybody to know, nobody has

0:20:09.800 --> 0:20:12.720
<v Speaker 1>a right to tell anybody, even if it would make

0:20:12.800 --> 0:20:15.399
<v Speaker 1>everything so much easier. And that's why, like there's this

0:20:15.440 --> 0:20:18.200
<v Speaker 1>big sense of like right and wrong, they never wrap

0:20:18.200 --> 0:20:20.399
<v Speaker 1>abortion into that and be like abortion is wrong. So

0:20:20.440 --> 0:20:22.119
<v Speaker 1>I thought that was a great It's a movie that

0:20:22.160 --> 0:20:25.320
<v Speaker 1>deals with right and wrong and morality that doesn't put

0:20:25.359 --> 0:20:27.879
<v Speaker 1>that judgment on abortion, to which I thought was really interested.

0:20:27.960 --> 0:20:31.919
<v Speaker 1>Were in such an easy choice to make. And another

0:20:32.000 --> 0:20:35.080
<v Speaker 1>thing about the very sexy poor that we have in

0:20:35.119 --> 0:20:41.160
<v Speaker 1>this movie is that they, unlike the you know, looking rich,

0:20:41.600 --> 0:20:45.120
<v Speaker 1>with the exception of Jerry Roback, is that the very

0:20:45.160 --> 0:20:48.720
<v Speaker 1>sexy poor all have a lot of respect for each

0:20:48.720 --> 0:20:52.000
<v Speaker 1>other and and treat each other way more fairly than

0:20:52.119 --> 0:20:56.679
<v Speaker 1>the upper echelon people do, where Patrick Swayzy and Penny,

0:20:56.720 --> 0:20:59.640
<v Speaker 1>and even even though I'm like, what is I get? Like,

0:21:00.000 --> 0:21:02.879
<v Speaker 1>there's a lot of positive male female friendships, but he

0:21:03.119 --> 0:21:05.880
<v Speaker 1>is almost evening her pill see like seven different times

0:21:05.880 --> 0:21:09.120
<v Speaker 1>in this movie, and it's like both friends. I was like, Okay,

0:21:09.200 --> 0:21:10.920
<v Speaker 1>I like that they did that. I agree with that,

0:21:11.760 --> 0:21:14.080
<v Speaker 1>but I like that they did that, that her character

0:21:14.200 --> 0:21:18.000
<v Speaker 1>exists not as anyone's romantic interest, Like there's a female

0:21:18.080 --> 0:21:21.800
<v Speaker 1>character who's not the main character who exists in these

0:21:21.960 --> 0:21:24.440
<v Speaker 1>like she forms this bond with Baby where they're clearly

0:21:24.440 --> 0:21:26.840
<v Speaker 1>women who have nothing in common at the beginning, and

0:21:26.920 --> 0:21:28.679
<v Speaker 1>Baby when Baby comes up to her and says, I

0:21:28.800 --> 0:21:32.760
<v Speaker 1>envy you. And Penny had just watched Robbie hitting on Lisa.

0:21:33.080 --> 0:21:35.920
<v Speaker 1>She's pregnant, she got kicked out of her house at sixteen,

0:21:36.400 --> 0:21:39.040
<v Speaker 1>and she like her life is a ship show. And

0:21:39.080 --> 0:21:42.880
<v Speaker 1>this doctor's daughter, rich girl who's at a summer resort

0:21:43.440 --> 0:21:46.719
<v Speaker 1>is saying, I envy you. Like that's where they start,

0:21:46.800 --> 0:21:48.719
<v Speaker 1>and I think they come so far as to this

0:21:48.760 --> 0:21:51.960
<v Speaker 1>place of like mutual respect for one another. And I

0:21:52.000 --> 0:21:54.560
<v Speaker 1>also like that when Johnny gives his speech at the end,

0:21:54.800 --> 0:21:57.879
<v Speaker 1>I don't think anybody mentions Baby's appearance in the movie

0:21:58.240 --> 0:22:01.000
<v Speaker 1>like at all, Like Johnny never says, you look like

0:22:01.440 --> 0:22:03.119
<v Speaker 1>He's like, this is why I love her. He doesn't,

0:22:03.880 --> 0:22:07.240
<v Speaker 1>You're so beautiful. He like, she has integrity, and she's smart,

0:22:07.359 --> 0:22:11.480
<v Speaker 1>and she's brave, and she helps people and she inspires

0:22:11.480 --> 0:22:13.480
<v Speaker 1>me to be a better person because she's such a

0:22:13.520 --> 0:22:16.399
<v Speaker 1>good person. Oh, I wanted to talk about the scene.

0:22:17.400 --> 0:22:19.600
<v Speaker 1>One of those scenes that does pass the BECTO test

0:22:20.080 --> 0:22:24.879
<v Speaker 1>is between Baby and Penny on the Thursday, which is

0:22:24.880 --> 0:22:27.800
<v Speaker 1>the only day to traveling abortionists can come. Uh and

0:22:27.800 --> 0:22:29.920
<v Speaker 1>and it's also when when Baby is about to do

0:22:30.680 --> 0:22:34.199
<v Speaker 1>the one show that everyone's income depends on. They have

0:22:34.320 --> 0:22:37.240
<v Speaker 1>this scene together that's that I thought was really nice

0:22:37.480 --> 0:22:41.720
<v Speaker 1>to a certain point where Penny is helping Baby get

0:22:41.760 --> 0:22:45.000
<v Speaker 1>ready and they're talking about dancing and Baby is nervous,

0:22:45.119 --> 0:22:49.040
<v Speaker 1>and then Penny the scene andy Penny saying I'm scared

0:22:49.080 --> 0:22:51.639
<v Speaker 1>to get an abortion, which apparently she should be this

0:22:51.720 --> 0:22:55.480
<v Speaker 1>traveling abortion this is not very good. But before that

0:22:56.119 --> 0:22:58.240
<v Speaker 1>she says a Penny like, I just want you to

0:22:58.320 --> 0:23:01.920
<v Speaker 1>know I don't really ape around, And I thought that

0:23:02.000 --> 0:23:04.760
<v Speaker 1>Robbie really loved me. And that doesn't seem like super

0:23:04.840 --> 0:23:11.000
<v Speaker 1>necessary to bring into it, because like it doesn't super matter,

0:23:11.560 --> 0:23:14.200
<v Speaker 1>which is kind of nit picky, But then again that

0:23:14.280 --> 0:23:16.920
<v Speaker 1>might also just speak to the relationship between these characters

0:23:16.960 --> 0:23:20.520
<v Speaker 1>where Penny probably feels like Richard people judge her and

0:23:20.600 --> 0:23:23.680
<v Speaker 1>assume that she would be like the type to sleep

0:23:23.720 --> 0:23:26.520
<v Speaker 1>around or however that's PERCEI what kind of goes back

0:23:26.560 --> 0:23:30.480
<v Speaker 1>to like the slat shaminess that exists in this movie

0:23:30.520 --> 0:23:32.439
<v Speaker 1>where it's like, I don't want you to think I'm

0:23:32.600 --> 0:23:35.840
<v Speaker 1>split opposite for me, I go and then saying, hey,

0:23:35.920 --> 0:23:44.520
<v Speaker 1>one I didn't say anymore. I don't like to be fair.

0:23:45.000 --> 0:23:48.639
<v Speaker 1>That's same we like the sexy porter. Do you have

0:23:48.720 --> 0:23:51.639
<v Speaker 1>a fear of being start shammed across the board? Because

0:23:51.640 --> 0:23:55.800
<v Speaker 1>then there is that weird seen in Swazies Cabin, which

0:23:55.960 --> 0:24:01.119
<v Speaker 1>is a book I would like to write. There's a

0:24:01.200 --> 0:24:06.280
<v Speaker 1>scene in Slazy's cabin after he and uh he and

0:24:06.359 --> 0:24:09.600
<v Speaker 1>Baby have had sex I hope with pretention who knows,

0:24:10.160 --> 0:24:13.199
<v Speaker 1>but Baby is like, you know, teasing him, and it's like,

0:24:13.240 --> 0:24:15.760
<v Speaker 1>how many women have you been with because and honestly,

0:24:15.760 --> 0:24:17.400
<v Speaker 1>I'm like, I want to know. We don't know how

0:24:17.400 --> 0:24:21.200
<v Speaker 1>old you are, and like maybe a ballpark figure will

0:24:21.240 --> 0:24:25.119
<v Speaker 1>be helpful, But Slayzy starts talking about something we are

0:24:25.200 --> 0:24:27.880
<v Speaker 1>you know, which is that he's low ki at Jiggio,

0:24:29.119 --> 0:24:33.320
<v Speaker 1>but then totally disclaims that. But basically he has this

0:24:33.440 --> 0:24:37.120
<v Speaker 1>weird speech where he's like, but you understand. You come

0:24:37.160 --> 0:24:40.680
<v Speaker 1>here and suddenly there's all these women and they're just

0:24:40.920 --> 0:24:43.560
<v Speaker 1>they're throwing themselves that you will. They're putting their key

0:24:43.600 --> 0:24:46.239
<v Speaker 1>cards in your pockets and you show up and you

0:24:46.280 --> 0:24:49.600
<v Speaker 1>think they love you. It's like, spazy, no, you don't.

0:24:50.680 --> 0:24:53.400
<v Speaker 1>We don't think someone slips their key card in your

0:24:53.400 --> 0:24:57.640
<v Speaker 1>back pocket a known married person, and it's like, slazy,

0:24:57.760 --> 0:25:03.040
<v Speaker 1>come over because I love you like and and so

0:25:03.440 --> 0:25:06.240
<v Speaker 1>you know it's implied. Yeah, so you know sees he's

0:25:06.280 --> 0:25:09.240
<v Speaker 1>had sex with however many people we've done know how

0:25:09.240 --> 0:25:12.760
<v Speaker 1>old he is. But he implies that every time he's

0:25:12.800 --> 0:25:15.280
<v Speaker 1>had sex is because he thought he was in love

0:25:15.600 --> 0:25:19.000
<v Speaker 1>and then he got stiffed. In his defense and defense

0:25:19.080 --> 0:25:26.080
<v Speaker 1>is that's not in his defense because there's a moment

0:25:26.440 --> 0:25:29.760
<v Speaker 1>when also in that conversation he's like, oh, they're shoving

0:25:29.760 --> 0:25:33.280
<v Speaker 1>diamonds in your pocket and I was around from Titanic.

0:25:33.520 --> 0:25:36.680
<v Speaker 1>You show you love someone like giving them a diamond. Right,

0:25:36.760 --> 0:25:45.440
<v Speaker 1>that's true because caled In Hockley protagonist, he's also super poor, right,

0:25:45.560 --> 0:25:48.000
<v Speaker 1>so all the kids that they're super poor, when he's

0:25:48.000 --> 0:25:50.480
<v Speaker 1>like he's candy to stay a lot and he's like

0:25:51.800 --> 0:25:54.000
<v Speaker 1>to stay alive, and then he goes there and women

0:25:54.000 --> 0:25:56.680
<v Speaker 1>are just giving him all this. I think anybody in

0:25:56.720 --> 0:26:00.680
<v Speaker 1>that situation, like he's super overwhelmed by like like, during

0:26:00.720 --> 0:26:04.360
<v Speaker 1>the year, I'm flat broke, can barely survive, and then

0:26:04.400 --> 0:26:08.280
<v Speaker 1>all summer it's sex and money all over the place.

0:26:08.440 --> 0:26:10.679
<v Speaker 1>I think it's a weird. And I also think I

0:26:10.680 --> 0:26:13.479
<v Speaker 1>think that the scene in the locker room with Penny

0:26:13.480 --> 0:26:16.840
<v Speaker 1>and Baby, I liked that they did that the Penny

0:26:17.040 --> 0:26:19.200
<v Speaker 1>because before that a lot of her interactions you don't

0:26:19.240 --> 0:26:23.440
<v Speaker 1>know shit about me, and like she very quickly dismisses Baby,

0:26:23.520 --> 0:26:27.840
<v Speaker 1>and then you see her vulnerability when she's like she's

0:26:27.880 --> 0:26:31.440
<v Speaker 1>ashamed of herself because people have always treated her like that.

0:26:31.800 --> 0:26:34.719
<v Speaker 1>And I think that's where you see who Baby really is,

0:26:35.000 --> 0:26:38.280
<v Speaker 1>because Penny's expecting to be sleut shamed and that's why

0:26:38.320 --> 0:26:41.680
<v Speaker 1>she says it, because she's expecting Baby to judge her,

0:26:42.000 --> 0:26:44.359
<v Speaker 1>and at no point is she met with judgment by

0:26:44.400 --> 0:26:47.000
<v Speaker 1>Baby at all. And I think it shows you this

0:26:47.200 --> 0:26:49.640
<v Speaker 1>bond is developed between these women, and Baby isn't who

0:26:49.680 --> 0:26:52.359
<v Speaker 1>she thought she was, and she baby was never gonna

0:26:52.440 --> 0:26:55.879
<v Speaker 1>it wouldn't have occurred to baby to judge her. But

0:26:56.000 --> 0:26:58.880
<v Speaker 1>Penny's so used to everybody treating her like that her

0:26:58.880 --> 0:27:01.359
<v Speaker 1>whole life that she feels like she has to pre

0:27:01.440 --> 0:27:05.440
<v Speaker 1>empt it by addressing it. And that's like the sort

0:27:05.480 --> 0:27:07.680
<v Speaker 1>of speech that she gives the baby gives her dad

0:27:07.720 --> 0:27:10.080
<v Speaker 1>towards the end, when she's like, there's some things about

0:27:10.080 --> 0:27:12.119
<v Speaker 1>me that you may not like, and you don't know

0:27:12.160 --> 0:27:13.879
<v Speaker 1>about me, but if you love me, you have to

0:27:13.960 --> 0:27:17.240
<v Speaker 1>love all of me, basically saying I have sex now, daddy,

0:27:17.280 --> 0:27:23.080
<v Speaker 1>and you have to be okay with it. Sorry, daddy.

0:27:23.160 --> 0:27:29.320
<v Speaker 1>Daddy cries. Can we talk about how much emphasis is

0:27:29.359 --> 0:27:33.960
<v Speaker 1>post on the lift and how I want to develop

0:27:34.040 --> 0:27:41.800
<v Speaker 1>an app called the Lift similar to lift. Instead of

0:27:42.160 --> 0:27:45.680
<v Speaker 1>picking someone up in a car, you just pick them

0:27:45.720 --> 0:27:48.399
<v Speaker 1>up and lift them over your head, like say I

0:27:48.440 --> 0:27:50.200
<v Speaker 1>want that person to come pick me up and then

0:27:50.200 --> 0:27:54.960
<v Speaker 1>you get picked up. I will absolutely give you. Yes,

0:27:56.000 --> 0:27:58.960
<v Speaker 1>I liked the Lift. I mean, there are so many

0:27:59.000 --> 0:28:02.040
<v Speaker 1>montages in this but when they are like, well, I'm

0:28:02.040 --> 0:28:03.560
<v Speaker 1>trying you to the lift, this is where I first

0:28:03.600 --> 0:28:06.800
<v Speaker 1>started questioning, Wait a second, how old is he? When

0:28:06.800 --> 0:28:10.280
<v Speaker 1>he takes those seventeen year olds into the water and

0:28:10.359 --> 0:28:13.000
<v Speaker 1>it's like, okay, we're about to see some nips. How

0:28:13.040 --> 0:28:16.440
<v Speaker 1>old is this man again? Lifting this high school SENI

0:28:16.480 --> 0:28:22.160
<v Speaker 1>here that said very horny scene. Liked it because anyone else.

0:28:22.200 --> 0:28:25.160
<v Speaker 1>So many final thoughts about the movie. In the portrayal

0:28:25.240 --> 0:28:28.879
<v Speaker 1>of women, we establish it, Yes, the movie does pass

0:28:28.960 --> 0:28:33.520
<v Speaker 1>the back to textile. Maybe has conversations with her mother,

0:28:33.840 --> 0:28:36.760
<v Speaker 1>with her sister Lisa, and with Penny, all about things

0:28:36.760 --> 0:28:45.800
<v Speaker 1>that aren't men, say with the old gulf ter uh.

0:28:45.800 --> 0:28:47.840
<v Speaker 1>And then we wrote the movie on a scale of

0:28:47.920 --> 0:28:51.360
<v Speaker 1>zero to five nipples based on its portrayal of women.

0:28:53.040 --> 0:28:55.640
<v Speaker 1>Four okay, yeah, because I mean you can't give five

0:28:55.640 --> 0:28:58.160
<v Speaker 1>because it was three, so you're never gonna in there.

0:28:58.680 --> 0:29:02.560
<v Speaker 1>And he ordered are occasional Jerry moments where it's like, oh,

0:29:02.640 --> 0:29:05.640
<v Speaker 1>maybe just believe baby instead of corroborating it with three

0:29:05.640 --> 0:29:08.920
<v Speaker 1>different childs. But you know, eventually he does believe baby.

0:29:08.960 --> 0:29:13.080
<v Speaker 1>Baby is an exception of person throughout, even when she

0:29:13.240 --> 0:29:16.800
<v Speaker 1>is helping man. She is you know, she she makes

0:29:16.840 --> 0:29:19.720
<v Speaker 1>every decision for herself, and I mean, she's the main

0:29:20.040 --> 0:29:22.800
<v Speaker 1>reason this movie is awesome. And Penny to Penny is

0:29:22.840 --> 0:29:26.640
<v Speaker 1>like an awesome character, which that they had done more

0:29:26.800 --> 0:29:30.600
<v Speaker 1>slash literally anything with her mom. I feel like they're

0:29:30.640 --> 0:29:35.120
<v Speaker 1>coming ja march March marches sidelined hard so and and

0:29:35.160 --> 0:29:37.800
<v Speaker 1>the sister's kind of a dummy, but we get to

0:29:37.800 --> 0:29:41.360
<v Speaker 1>see the you know, she comes around as well and yeah,

0:29:41.640 --> 0:29:44.640
<v Speaker 1>I'll skew up on your roof for okay. Yeah, I

0:29:44.680 --> 0:29:47.400
<v Speaker 1>don't know. It bugged me that, like the baby doesn't

0:29:47.400 --> 0:29:50.200
<v Speaker 1>get her like big speech at the end, like they

0:29:50.240 --> 0:29:52.680
<v Speaker 1>give that to Johnny, which maybe I don't know, he

0:29:52.760 --> 0:29:54.800
<v Speaker 1>kind of has more at stake. You could argue, I

0:29:54.800 --> 0:29:59.640
<v Speaker 1>don't know, like whole family's true, but I don't know.

0:30:00.280 --> 0:30:02.280
<v Speaker 1>I just I wish that she had more of like

0:30:02.720 --> 0:30:06.760
<v Speaker 1>a climactic moment. She does get the lift, but who

0:30:06.800 --> 0:30:09.000
<v Speaker 1>cares about the fucking lift? Oh, by the way, all

0:30:09.040 --> 0:30:13.880
<v Speaker 1>four of my nipples? Uh. Summer Jerry Irack young Hot

0:30:14.320 --> 0:30:18.120
<v Speaker 1>summer Jerry Alback old still hot. Cool. What I love

0:30:18.160 --> 0:30:22.280
<v Speaker 1>is she doesn't give Penny the money to impress Johnny,

0:30:22.320 --> 0:30:24.040
<v Speaker 1>Like she doesn't do what to like get it, like

0:30:24.120 --> 0:30:26.040
<v Speaker 1>to get this guy to like her. She does it

0:30:26.160 --> 0:30:28.640
<v Speaker 1>because it's what's right, and she doesn't hesitate at all.

0:30:28.840 --> 0:30:31.239
<v Speaker 1>I'm gonna give it four and a half because I

0:30:31.280 --> 0:30:33.520
<v Speaker 1>love again. I think the female characters. I wish they

0:30:33.560 --> 0:30:36.120
<v Speaker 1>had more time to do stuff together, but I think

0:30:36.560 --> 0:30:40.280
<v Speaker 1>Penny and Baby are phenomenal characters, and I love that

0:30:40.320 --> 0:30:42.320
<v Speaker 1>we got to sort of see that arc between them

0:30:42.800 --> 0:30:45.680
<v Speaker 1>and that Baby is consistent throughout and like who she is,

0:30:46.040 --> 0:30:49.560
<v Speaker 1>and she winds up teaching even the wisest man alive.

0:30:49.680 --> 0:30:54.400
<v Speaker 1>Jerry Arback, I Daddy, Jerry Arback loans a thing or

0:30:54.440 --> 0:31:02.000
<v Speaker 1>two about a thing or two. Daddy knows our news round.

0:31:02.440 --> 0:31:07.840
<v Speaker 1>Thank you so much for being here. So that was

0:31:07.880 --> 0:31:11.040
<v Speaker 1>our live episode. Thanks to everyone who came. It was

0:31:11.080 --> 0:31:13.600
<v Speaker 1>so much fun. We like did kind of a poll

0:31:13.640 --> 0:31:16.280
<v Speaker 1>at the beginning. They're like, who's listened to the podcast before?

0:31:16.560 --> 0:31:18.640
<v Speaker 1>And a bunch of people clapp and they're like, who hasn't?

0:31:18.720 --> 0:31:21.600
<v Speaker 1>And then several people clapp there like great, thank you

0:31:21.720 --> 0:31:25.280
<v Speaker 1>for just blindly going into this. And then we're like,

0:31:25.320 --> 0:31:28.480
<v Speaker 1>who has not seen Dirty Dancing before? And then several

0:31:28.520 --> 0:31:30.880
<v Speaker 1>people clapped. Some people didn't know what the podcast was

0:31:30.960 --> 0:31:33.640
<v Speaker 1>or the movie, and it's like, you know, your average

0:31:33.640 --> 0:31:35.560
<v Speaker 1>podcast host would be like, thank you so much for

0:31:35.600 --> 0:31:38.560
<v Speaker 1>taking your risk. Me what are you doing? Like? What

0:31:39.040 --> 0:31:43.320
<v Speaker 1>is one? Go get lunch. You had to pay money

0:31:43.320 --> 0:31:47.360
<v Speaker 1>to be here? Yeah, I do fist. I mean, I

0:31:47.400 --> 0:31:50.360
<v Speaker 1>would like to me they were very nice. They were

0:31:50.360 --> 0:31:52.840
<v Speaker 1>a great audience. I would like to assume that our podcast,

0:31:52.920 --> 0:31:55.520
<v Speaker 1>they probably just read the description and like this sounds

0:31:55.560 --> 0:31:57.560
<v Speaker 1>so great. I want to come to this no matter what.

0:31:57.680 --> 0:31:59.600
<v Speaker 1>I don't care if I haven't seen the movie. I

0:31:59.680 --> 0:32:01.880
<v Speaker 1>just to see these women talk. God, I want of

0:32:01.960 --> 0:32:05.440
<v Speaker 1>these women talk. I don't know if you guys are listening,

0:32:05.680 --> 0:32:08.120
<v Speaker 1>tell us why. Well, we had one audience member who

0:32:08.160 --> 0:32:11.800
<v Speaker 1>when we announced what movie we were doing, she audibly gasped,

0:32:12.320 --> 0:32:14.800
<v Speaker 1>and she ended up being this incredible source of information

0:32:15.320 --> 0:32:18.920
<v Speaker 1>which we can address now. So so in the live episode,

0:32:18.920 --> 0:32:21.400
<v Speaker 1>were you probably heard part of it? Um, A lot

0:32:21.440 --> 0:32:24.240
<v Speaker 1>of to Do is made about the traveling Abortionists. Abortion

0:32:24.360 --> 0:32:26.920
<v Speaker 1>is a key plot point in this movie and is

0:32:27.000 --> 0:32:31.600
<v Speaker 1>treated very responsibly, particularly for when the movie came out

0:32:31.600 --> 0:32:35.320
<v Speaker 1>in eighties, and and we pointed that out a number

0:32:35.320 --> 0:32:37.360
<v Speaker 1>of times, where Penny is having an abortion, but the

0:32:37.480 --> 0:32:40.240
<v Speaker 1>issue was never the abortion. It's the timing of the

0:32:40.280 --> 0:32:45.680
<v Speaker 1>abortion because of the whole traveling abortionist thing. And then, uh,

0:32:45.920 --> 0:32:50.000
<v Speaker 1>this same lovely woman who gasped when we said dirty

0:32:50.040 --> 0:32:53.240
<v Speaker 1>dancing approached after the show and let us know, and

0:32:53.240 --> 0:32:55.960
<v Speaker 1>then we researched it and found out more that that

0:32:56.200 --> 0:32:59.360
<v Speaker 1>was actually done very intentionally by the creators of the movie,

0:32:59.400 --> 0:33:02.360
<v Speaker 1>because in this I mean, this came out like Reagan era,

0:33:02.640 --> 0:33:05.920
<v Speaker 1>which is a very back and forth time for reproductive rights,

0:33:05.960 --> 0:33:09.040
<v Speaker 1>and so it was written very intentionally that way as

0:33:09.360 --> 0:33:15.040
<v Speaker 1>making abortion normalized and not a big deal that needs

0:33:15.040 --> 0:33:18.120
<v Speaker 1>to be harped on exactly. Yeah. Um. She mentioned that

0:33:18.360 --> 0:33:21.160
<v Speaker 1>this movie was sort of written and made a response

0:33:21.200 --> 0:33:24.120
<v Speaker 1>to a series of anti abortion protests that were happening

0:33:24.440 --> 0:33:27.400
<v Speaker 1>in the eighties, because the movie takes place in nineteen

0:33:27.440 --> 0:33:30.440
<v Speaker 1>sixty three, which is a few years before Roe v. Wade,

0:33:30.480 --> 0:33:34.040
<v Speaker 1>before abortion was made legal and more accessible, and you

0:33:34.080 --> 0:33:36.720
<v Speaker 1>didn't have to have these back alley abortions from these

0:33:36.760 --> 0:33:40.600
<v Speaker 1>traveling abortion is who really just mostly butchered women. Yeah.

0:33:40.640 --> 0:33:43.440
<v Speaker 1>She provided a lot of context information, So, um, I

0:33:43.440 --> 0:33:45.400
<v Speaker 1>wish we had gotten her name, but shout out if

0:33:45.400 --> 0:33:47.240
<v Speaker 1>you're listening, and I hope you're still listening, because you

0:33:47.280 --> 0:33:50.120
<v Speaker 1>were so great. Thank you for thank you for I mean,

0:33:50.280 --> 0:33:52.520
<v Speaker 1>and and to all of our listeners who reached out

0:33:52.520 --> 0:33:56.000
<v Speaker 1>to us and provide us with additional context. Helps us

0:33:56.160 --> 0:33:59.760
<v Speaker 1>helps you guys. It's great. We appreciated everything works out.

0:34:00.120 --> 0:34:02.320
<v Speaker 1>It reminds me, though, of a part that I had

0:34:02.360 --> 0:34:04.280
<v Speaker 1>to cut out of the live episode because the audio

0:34:04.360 --> 0:34:06.640
<v Speaker 1>was just I was, I think, screaming, so it was

0:34:06.920 --> 0:34:11.960
<v Speaker 1>very distorted. But there's a part in the movie where

0:34:12.520 --> 0:34:15.920
<v Speaker 1>Newman God I forget the actor's real name, but Newman

0:34:15.960 --> 0:34:20.360
<v Speaker 1>from Seinfeld he's and he is promoting this class that

0:34:20.400 --> 0:34:23.360
<v Speaker 1>you can take at this camp called the Psychology of

0:34:23.400 --> 0:34:26.880
<v Speaker 1>the Insult Comedian. It's like glossed over in the movie,

0:34:26.880 --> 0:34:29.200
<v Speaker 1>but like I honed in on this details, like, oh

0:34:29.200 --> 0:34:31.640
<v Speaker 1>my god, I want to take this class. I also

0:34:31.640 --> 0:34:34.120
<v Speaker 1>want to see a spinoff movie, a spinoff of Dirty

0:34:34.200 --> 0:34:40.319
<v Speaker 1>Dancing called something like Dirty Comedy or something better than that,

0:34:40.360 --> 0:34:44.919
<v Speaker 1>but it would be starting Jeff Ross. I just wanted

0:34:44.960 --> 0:34:48.160
<v Speaker 1>to see a movie about like a young woman who

0:34:48.200 --> 0:34:50.720
<v Speaker 1>goes to a camp and she she's like, oh, what's

0:34:50.719 --> 0:34:55.759
<v Speaker 1>this class psychology? But then there's a man who's like,

0:34:56.280 --> 0:34:58.920
<v Speaker 1>I'm the teacher of this class, like a four year

0:34:58.920 --> 0:35:03.359
<v Speaker 1>old road comic. This young woman who's like, don't let

0:35:03.400 --> 0:35:07.439
<v Speaker 1>young women anywhere near broad comics. They're dirty, stay away

0:35:07.440 --> 0:35:09.239
<v Speaker 1>from them. They're like, hey, won't open from me. I'll

0:35:09.239 --> 0:35:12.040
<v Speaker 1>give you. I'm not gonna get a car with you.

0:35:12.400 --> 0:35:14.080
<v Speaker 1>Oh there's a part that I had to cut out

0:35:14.080 --> 0:35:16.480
<v Speaker 1>where I literally just screamed. I was like, why is

0:35:16.520 --> 0:35:19.200
<v Speaker 1>the lift so important? The big lift Johnny Castle has

0:35:19.280 --> 0:35:21.799
<v Speaker 1>to lift baby up? Why is this so much emphasis

0:35:22.000 --> 0:35:25.239
<v Speaker 1>placed on it? And I scream, fuck the left, And

0:35:25.280 --> 0:35:27.839
<v Speaker 1>I just want everyone to know how angry I am

0:35:27.880 --> 0:35:31.720
<v Speaker 1>about you were mad about the lift and I wasn't

0:35:31.719 --> 0:35:34.360
<v Speaker 1>mad about the lift. Emily wasn't mad. Emily didn't yell once.

0:35:34.800 --> 0:35:36.880
<v Speaker 1>It's almost like she's got a control on herself that

0:35:36.920 --> 0:35:40.839
<v Speaker 1>we don't, and honestly, good for her. Good for her.

0:35:40.880 --> 0:35:43.280
<v Speaker 1>She's a smart lady. Yeah. Yeah, and she's a social

0:35:43.280 --> 0:35:46.759
<v Speaker 1>worker too, that's probably why she didn't. Yeah, she's she's cool,

0:35:46.760 --> 0:35:49.000
<v Speaker 1>calm and collected. She's got a degree in having her

0:35:49.000 --> 0:35:50.279
<v Speaker 1>ship together. Hey do you know what I have a

0:35:50.280 --> 0:36:00.799
<v Speaker 1>degree in? I don't care, but there's a master's screen

0:36:00.800 --> 0:36:06.440
<v Speaker 1>in screenwriting from Boston University. Yeah. So, yeah, this was

0:36:06.480 --> 0:36:08.799
<v Speaker 1>our episode about dirty dancing. We had so much fun.

0:36:08.840 --> 0:36:11.680
<v Speaker 1>To hope we do more live episodes in the future.

0:36:11.719 --> 0:36:14.040
<v Speaker 1>We'll let you know if that's the case, and we

0:36:14.360 --> 0:36:17.680
<v Speaker 1>will sound check next time. Yes, we sure will. You

0:36:17.719 --> 0:36:22.200
<v Speaker 1>can follow us on social media at back toel Cast,

0:36:22.360 --> 0:36:27.280
<v Speaker 1>on Instagram, ever expanding on Twitter, we have a Facebook.

0:36:27.440 --> 0:36:30.120
<v Speaker 1>You can like us there. We post articles and post things.

0:36:30.160 --> 0:36:34.200
<v Speaker 1>It's great. You can rate and listen and subscribe and

0:36:34.239 --> 0:36:37.759
<v Speaker 1>review us and all of those fun things on iTunes

0:36:38.480 --> 0:36:42.000
<v Speaker 1>and and you can follow me at Caitlin Garante. I

0:36:42.000 --> 0:36:46.240
<v Speaker 1>haven't plugged myself in a while. Hey, plug it, babyug

0:36:50.200 --> 0:36:53.799
<v Speaker 1>plugs out? What plugs out? Hogs out? You can take

0:36:53.840 --> 0:36:57.799
<v Speaker 1>your hog out and then type into your brother turn

0:36:57.960 --> 0:37:00.200
<v Speaker 1>dot com slash hammergra phone, I'll be there, are your

0:37:00.280 --> 0:37:02.600
<v Speaker 1>huggill be there? Uh? And then who knows, We'll just

0:37:02.640 --> 0:37:07.560
<v Speaker 1>let nature tickets course, all right, I think that will

0:37:07.640 --> 0:37:09.239
<v Speaker 1>do it. Okay, bye bye