WEBVTT - #54 - Dierks Bentley 

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<v Speaker 1>Here you go. All right, Welcome to episode Fits for

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<v Speaker 1>Bobby Cast with Derek Spentley. We're having my theme song

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<v Speaker 1>be Bones from the radio. We's got him. No, that

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<v Speaker 1>was where TV show the whole different thing. We still

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<v Speaker 1>have that. We're still out there. It's still your podcast.

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<v Speaker 1>Was like, where's my but that was Dark's wrote a

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<v Speaker 1>song for a TV pilot that we're still in the

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<v Speaker 1>middle of. And so I was like, heyp and so

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<v Speaker 1>you made a song but it still exists. Just nobody's

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<v Speaker 1>heard it yet because I'm not. We're on lockdown with

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<v Speaker 1>that thing until July because you had it sign a

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<v Speaker 1>contract where nobody can see or hear anything. Un told Joe,

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<v Speaker 1>there was me and some of the guys of the

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<v Speaker 1>band d and whole culture. It'll play real kind of

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<v Speaker 1>came up a little theme song for you, but uh,

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<v Speaker 1>hopefully I'll hear that. One day, I was talking to

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<v Speaker 1>someone that uh Sarah at c m A, and she

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<v Speaker 1>was talking about how you guys used to work at

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<v Speaker 1>Nahville Network together. So this is what we were just

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<v Speaker 1>talking before my stand up show on Saturday Night, Congratulations

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<v Speaker 1>by the with yeah yeah, yeah, and she was like hey,

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<v Speaker 1>because she was like he's Dirk's coming. And I was like, no,

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<v Speaker 1>I think Dirk's on the road. I guess everybody assumes

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<v Speaker 1>if I'm in talent, you're gonna come to the show.

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<v Speaker 1>She was like, hey's Dirk's coming. I was like, he

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<v Speaker 1>has not would have been there. He's not coming, He's

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<v Speaker 1>he's on the road. And she said, you know, Dirk's

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<v Speaker 1>used to and I know you were used working in

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<v Speaker 1>Nashvial nightwork, but she was like, you know, he used

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<v Speaker 1>to leave CDs on everybody's chairs all the time, like

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<v Speaker 1>you would. He would leave and he would just leave

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<v Speaker 1>music on everybody's chairs that we would all have it

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<v Speaker 1>and hear it. Was that to get people to actually

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<v Speaker 1>hear the music or was that because you liked them

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<v Speaker 1>as friends and you wanted to hear your music. No,

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<v Speaker 1>that was me trying to get it, you know, just

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<v Speaker 1>opening every door possible. And I definitely wanted to hear it,

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<v Speaker 1>but I was trying to get something going and not

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<v Speaker 1>really in a desperate way, just like you know, I

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<v Speaker 1>was working on music, and yeah, Sarah, anyone I thought

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<v Speaker 1>could like be of help with, like you know, of

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<v Speaker 1>hearing that and help me maybe putting someone's hands or

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<v Speaker 1>getting get kicked out of doors. It was the point.

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<v Speaker 1>But I can't leave you remembers that. Yeah, we worked

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<v Speaker 1>at team in the buildings gone. We used to work

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<v Speaker 1>as across Street and the Opery House. And when Tina

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<v Speaker 1>and cmt we're gonna all pack together. And I was

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<v Speaker 1>just doing anything I could at that point, Um, you know,

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<v Speaker 1>recording songs. I was playing downtown on Lower Broadway. I

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<v Speaker 1>was writing it. Uh you know as cap and the

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<v Speaker 1>little writers whom they have upstairs for they allow anyone

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<v Speaker 1>to write in So it's just kind of a thing.

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<v Speaker 1>I'm just a shotgun blast of putting my stuff out

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<v Speaker 1>there and seeing what would stick. And I'm sorry but

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<v Speaker 1>my voice, by the way, but I just did three

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<v Speaker 1>shows in a row and travel back today from South Dakota,

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<v Speaker 1>and my voice is a little fried. Do you when

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<v Speaker 1>you try? You always fly back. You always fly your

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<v Speaker 1>own plane back, always fly the band now, I always

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<v Speaker 1>fly that. I don't know what your thing is a

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<v Speaker 1>flying if there's some deep it's one of two things,

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<v Speaker 1>because I don't I don't understand the flying thing with

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<v Speaker 1>you and so much so, and I think you're probably

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<v Speaker 1>good pilot. I mean, you have to be right. They

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<v Speaker 1>also called them those little planes like you know, law

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<v Speaker 1>your killers, because you get just that, you get enough

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<v Speaker 1>and out there. Yeah, it's man of the flying thing

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<v Speaker 1>is so um it's you know, it's a whole another show,

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<v Speaker 1>but it is, you know, it's it's a it's a manifestation.

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<v Speaker 1>That's something that I put out there a long time ago.

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<v Speaker 1>And um, I think it's one of the United Sharing

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<v Speaker 1>Commons manifesting our realities and and and it starts with

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<v Speaker 1>small things. Start off me just when I was nineteen,

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<v Speaker 1>want to get my pilots license. And it took me

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<v Speaker 1>three years to get it. Why do you want to

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<v Speaker 1>get a pilots I just wanted to fly. I just

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<v Speaker 1>had that when I was when I was a kid,

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<v Speaker 1>I made model airplanes. I just wanted and I just

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<v Speaker 1>wanted to fly. And it took me three years just

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<v Speaker 1>because it took time and money to do it. I

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<v Speaker 1>got my pilots license, and then I just stopped flying

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<v Speaker 1>because I didn't have a mission. And then I flew

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<v Speaker 1>with Kenneth Chesney one time, coming back from the show

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<v Speaker 1>in a private jet, my first time ever in a jet.

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<v Speaker 1>I was like, this was unbelievable. It was back in

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<v Speaker 1>two thousand three was me, Keith and Kenny in a plane.

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<v Speaker 1>It was awesome. I was like, whoa, this is what

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<v Speaker 1>I want, you know, And so I've done this with

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<v Speaker 1>a couple of things. I made my password on my computer.

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<v Speaker 1>When we landed, we went to like a different terminal

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<v Speaker 1>right where jets go, and it was a place called Signature.

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<v Speaker 1>It was like a that's where it's like a the

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<v Speaker 1>the little general aviation plane for a place for jets.

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<v Speaker 1>And I wrote, I made signature my password in my computer.

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<v Speaker 1>And so every time I get on my computer at

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<v Speaker 1>a type of words signature, and I was like, I'm

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<v Speaker 1>gonna get I wanna I want to own a jet.

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<v Speaker 1>And uh, you know, my career kind of stalled out

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<v Speaker 1>around two thousand and eight and that dream I was

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<v Speaker 1>looking at that's never gonna happen. I'm never going on

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<v Speaker 1>a jet school. But uh, you know, that dream kind

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<v Speaker 1>of went away. And I was planning a gig somewhere

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<v Speaker 1>with halfway to Hazard of all people, and a little

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<v Speaker 1>plane flew overhead and these guys like I always look

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<v Speaker 1>at the planes, and these guys, that's Tim McGraw's, that's

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<v Speaker 1>he's Tim's up there flying that plane to the gig today.

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<v Speaker 1>It was a charity gig we are doing. I was like,

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<v Speaker 1>Tim McGraw has his own COLOGN. He's not flying around

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<v Speaker 1>in a little six cylinder prop plane by him, you know.

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<v Speaker 1>And sure enough it's Tim McGraw and he's like, yeah,

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<v Speaker 1>I'm getting polostle license. And he was flying the school

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<v Speaker 1>plane and getting my pilot's license and he was flying

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<v Speaker 1>the plane. Oh, he was an instructor flying to a

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<v Speaker 1>gig multitasking. And so I went out the next day

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<v Speaker 1>and started flying with that instructor and I just fell

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<v Speaker 1>back and love with flying again. And I had had

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<v Speaker 1>a kid at this point to every was born. So

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<v Speaker 1>I was looking for ways to kind of cut the

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<v Speaker 1>corners off some of my travel. At this point, I

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<v Speaker 1>was flying south west all the time, and so I

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<v Speaker 1>started flying a small plane NonStop because of a of

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<v Speaker 1>a McGraw and I put about five six, seven or

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<v Speaker 1>hours and not playing find everywhere, And a long story short,

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<v Speaker 1>how things you put them out to the the universe that

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<v Speaker 1>they come back to you. I was flying out of

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<v Speaker 1>a hair. I flew a commercial plane indo hair, went

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<v Speaker 1>around to the other side of the airport and jumped

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<v Speaker 1>in my plane, a little prop plane that someone had

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<v Speaker 1>met me with to fly to a gig in a

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<v Speaker 1>small town, and I was using the bathroom at the

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<v Speaker 1>urinal and I looked up and the word signature was

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<v Speaker 1>above the urinal and I was like, oh, my God,

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<v Speaker 1>Like it totally worked out in the way I wasn't expecting.

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<v Speaker 1>I thought I was gonna be in the back of

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<v Speaker 1>a jet, you know, that was my my what I

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<v Speaker 1>was manifesting, hoping to manifest end up being in the

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<v Speaker 1>front left seat of a prop plane, which is way cool.

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<v Speaker 1>I robly be the pilot than a passenger. And uh,

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<v Speaker 1>it's just it's crazy to even things out there like that.

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<v Speaker 1>And they come around and now and they continue to evolve.

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<v Speaker 1>I've met, you know, I met the guys at SESSAM,

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<v Speaker 1>became friends with the the guy that runs the company,

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<v Speaker 1>and find a little bit different plane now that I

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<v Speaker 1>can actually hold all the guys in my band, they're

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<v Speaker 1>they're all brave enough to fly with me. And I

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<v Speaker 1>have another pilot that flies with us too, so there's

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<v Speaker 1>two us up front. The plane is just because we

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<v Speaker 1>were together in Vegas and you're like, hey, we're leaving

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<v Speaker 1>at four pm. Tomorrow if you want to. I was like, dude,

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<v Speaker 1>I appreciate the offer. I don't want to get in

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<v Speaker 1>a small plane like that, Like I don't feel comfortable.

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<v Speaker 1>Yeah you if you flew, you know, for me and

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<v Speaker 1>the guys of the band, it's you know, it's we

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<v Speaker 1>have kids, and it's just like I remember the first

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<v Speaker 1>tie I took a guitar player with me, our old

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<v Speaker 1>guitar player, Brian Lason. He's like, I'll go up with

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<v Speaker 1>you one time when it's perfectly clear and we don't

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<v Speaker 1>go a mile from the airport. I was like, all right,

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<v Speaker 1>we'll see about that. I flew him home one night

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<v Speaker 1>for my gig, so you got to be home at

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<v Speaker 1>midnight instead of getting home the next day on the

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<v Speaker 1>bus at like ten am. I called him Velcrove because

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<v Speaker 1>I could not get him out of the seat. He

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<v Speaker 1>was stuck to that seat. Every time I was flying

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<v Speaker 1>in ice, rain, snow, he was always like the first

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<v Speaker 1>one wanted to go, because it's a time machine. If

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<v Speaker 1>you've got kids in this business, um, you have to

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<v Speaker 1>be two places at once. It's definitely just and maybe

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<v Speaker 1>not that plane, but you know, sometimes work if they're

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<v Speaker 1>somewhere out to get quick. They'll send a plane. Yeah,

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<v Speaker 1>and they'll go, hey, we need you New York to

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<v Speaker 1>Los Angeles and then we need you back in New York.

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<v Speaker 1>So they'll send their plane and I'll just get shipped around.

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<v Speaker 1>It's again, it's a change like it is, and it's

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<v Speaker 1>a total luxury, and it's crazy even talking about it,

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<v Speaker 1>but it is for me. I want to be as

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<v Speaker 1>successful as a dad as I am, as I feel

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<v Speaker 1>like as I've been as a as a singer entertainer.

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<v Speaker 1>And to do that, you have to be present. You

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<v Speaker 1>have to be there. You can't talk about it. You

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<v Speaker 1>have to be there for the make the breakfast. You

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<v Speaker 1>gotta be there to go the games. You gotta be

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<v Speaker 1>there to do all the the little things, the tiny

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<v Speaker 1>things and the dumb things. And uh a lot of math,

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<v Speaker 1>all right? Are you doing math all the time up

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<v Speaker 1>there or not? Really? I'm just a calculator the whole time.

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<v Speaker 1>I'm going to nobody Austin, you know, I fly with

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<v Speaker 1>This is such a help. I mean, it's when you've

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<v Speaker 1>got a two man crew, it really helps out a lot.

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<v Speaker 1>But we've got a great product and find Assessina Plaine

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<v Speaker 1>and it's it's it's really reliable, great people in the

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<v Speaker 1>great service, and it is just it makes and I

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<v Speaker 1>fly the whole band with me too. Those guys go

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<v Speaker 1>with me everywhere, and so when we walk on stage,

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<v Speaker 1>they're in a great mood because their families are happy,

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<v Speaker 1>their wives are in good spirits with their kids that

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<v Speaker 1>morning we hit the stage. It makes for a better show.

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<v Speaker 1>I mean, it makes it's a win win for us,

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<v Speaker 1>for our fans and obviously for our kids. So it's

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<v Speaker 1>it's kind of at this point of my career, it's

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<v Speaker 1>one has to you know that they go hand in hand.

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<v Speaker 1>How do you do your band? Because so I have

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<v Speaker 1>are a little stupid band, and I have a couple

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<v Speaker 1>of people that I keep on all the time, my

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<v Speaker 1>drummer or my bassist. They're just my drummer and my

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<v Speaker 1>basis cool. But do you but everybody else kind of

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<v Speaker 1>trickles in and out. I pay them, you know, they

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<v Speaker 1>have to get paid differently because some do some shows.

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<v Speaker 1>Is your whole band like on a retainer? Like do

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<v Speaker 1>you pay them a salary? Yeah? Yeah, yeah, So they're

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<v Speaker 1>like your people. Yeah, that's I mean, I've always been

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<v Speaker 1>a band guy. When I was playing down over Broadway.

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<v Speaker 1>I just like being in the band, you know, I

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<v Speaker 1>love at a list of like, you know, a hundred

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<v Speaker 1>guys that've met over the year the years of being

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<v Speaker 1>down there. If I needed to steel player, I'd call

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<v Speaker 1>Rusty dan Meyer. If I needed up by a bass player,

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<v Speaker 1>I'd call this guy. And so I just I've always

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<v Speaker 1>loved musicians. They're my favorite people. They're just to be

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<v Speaker 1>a great musician, you have to learn from all the

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<v Speaker 1>people before you, so it really humbles you to a degree.

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<v Speaker 1>You know, you don't think you're the greatest guy ever

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<v Speaker 1>because you have to study all the people that came

0:08:52.200 --> 0:08:54.360
<v Speaker 1>before you to get good. So they're just great people.

0:08:54.400 --> 0:08:56.120
<v Speaker 1>They're fun to be around. They don't know how to egos,

0:08:56.880 --> 0:08:59.840
<v Speaker 1>but you pay them, they get company. Yes, it wasn't

0:08:59.880 --> 0:09:01.240
<v Speaker 1>the right thing. When you actually get a band, you

0:09:01.280 --> 0:09:02.720
<v Speaker 1>go from paying the day rates when you can actually

0:09:02.720 --> 0:09:04.520
<v Speaker 1>put them on salary. It's like the best feelings. It's

0:09:04.520 --> 0:09:06.319
<v Speaker 1>a big deal for them beyond salary, and so yeah,

0:09:06.360 --> 0:09:09.080
<v Speaker 1>they get you're gonna pay the salaries without the whole year,

0:09:09.080 --> 0:09:12.320
<v Speaker 1>whether we're touring or not. It's awesome. If they came

0:09:12.360 --> 0:09:14.120
<v Speaker 1>to you and said, hey, Dirk's listen I'm gonna leave them,

0:09:14.120 --> 0:09:16.280
<v Speaker 1>gonna go over to Urban. No one's leaves my band

0:09:18.200 --> 0:09:21.120
<v Speaker 1>because they just enjoyed them, because because they love we

0:09:21.280 --> 0:09:23.320
<v Speaker 1>have a great vibe together. We're super close. Were as

0:09:23.320 --> 0:09:26.800
<v Speaker 1>close it's probably your morning shows. And they get paid

0:09:26.880 --> 0:09:29.640
<v Speaker 1>really well. And they fly everywhere with me to every

0:09:29.679 --> 0:09:32.760
<v Speaker 1>gate when I fly a lot. So they're their lifestyle.

0:09:34.520 --> 0:09:36.240
<v Speaker 1>You're get you get in the lifestyle that makes them

0:09:36.240 --> 0:09:38.559
<v Speaker 1>want to stay. There's no gig out there that anyone

0:09:38.559 --> 0:09:41.280
<v Speaker 1>in my band would ever take. You could toss the

0:09:41.440 --> 0:09:43.640
<v Speaker 1>greatest rock band out there. They would never take that gig.

0:09:45.040 --> 0:09:47.520
<v Speaker 1>I treat them like they're those guys are my That

0:09:47.840 --> 0:09:49.640
<v Speaker 1>is all my dude times, all my broad times with

0:09:49.679 --> 0:09:51.319
<v Speaker 1>the guys in the band as there who I do

0:09:51.400 --> 0:09:53.240
<v Speaker 1>all my stuff with. That's when I come home and like,

0:09:53.280 --> 0:09:56.120
<v Speaker 1>I don't need to see any ever, males. I'm good.

0:09:56.200 --> 0:09:58.400
<v Speaker 1>I've been with my guys all weekend. We had a

0:09:58.440 --> 0:10:01.720
<v Speaker 1>great time. We went and saw out Rushmore. We were

0:10:01.760 --> 0:10:04.040
<v Speaker 1>in hiking, we play video games, we and we were

0:10:04.120 --> 0:10:06.280
<v Speaker 1>going through this shared experience together. When I walk on stage,

0:10:06.320 --> 0:10:08.199
<v Speaker 1>that's like a you know, I have a lot of

0:10:08.280 --> 0:10:10.840
<v Speaker 1>other friends with these guys. We have a shared experience

0:10:10.880 --> 0:10:13.280
<v Speaker 1>of going out there every day and having to you know,

0:10:13.440 --> 0:10:15.599
<v Speaker 1>run this marathon and crack this rock and break it

0:10:15.679 --> 0:10:17.360
<v Speaker 1>up in the little pieces over and over again. In

0:10:17.440 --> 0:10:19.319
<v Speaker 1>find ways to do it where it makes it fun

0:10:19.440 --> 0:10:21.600
<v Speaker 1>for us continually. It's kind of like a therapy session

0:10:21.600 --> 0:10:23.280
<v Speaker 1>in a way, if you really are trying to do

0:10:23.360 --> 0:10:25.640
<v Speaker 1>it in an honest and sincere way that the live

0:10:25.679 --> 0:10:27.560
<v Speaker 1>show that is, and not just put on a show,

0:10:27.640 --> 0:10:29.959
<v Speaker 1>but go through an experience with your fans and with

0:10:30.080 --> 0:10:33.960
<v Speaker 1>your fellow bandmates. Um, it's uh. I really approached that way.

0:10:34.000 --> 0:10:36.600
<v Speaker 1>Obviously it's my deal, but I approach it as a band,

0:10:36.760 --> 0:10:39.120
<v Speaker 1>from the way we interact on stage to even where

0:10:39.120 --> 0:10:41.480
<v Speaker 1>their mics are placed on stage up near mind not

0:10:42.200 --> 0:10:44.000
<v Speaker 1>wait in the back, you know, we're it's more like

0:10:44.080 --> 0:10:46.480
<v Speaker 1>a level. Yeah, I think of Pearl Jam. I try

0:10:46.520 --> 0:10:49.360
<v Speaker 1>to keep it up tight and close like that. So

0:10:49.559 --> 0:10:51.520
<v Speaker 1>if you're a way of doing dude stuff, is there

0:10:51.520 --> 0:10:53.599
<v Speaker 1>any resentment from your wife if she's at home with

0:10:53.679 --> 0:10:55.120
<v Speaker 1>the kids and she's like, you get to go and

0:10:55.160 --> 0:10:57.560
<v Speaker 1>do dudes. I know you're working, but still you're doing

0:10:57.720 --> 0:10:59.960
<v Speaker 1>dude fun stuff and then you come home and she's

0:11:00.040 --> 0:11:02.560
<v Speaker 1>with kids. Totally Yeah, I mean I won't say resentment,

0:11:02.600 --> 0:11:05.079
<v Speaker 1>but there's there's I mean there's I have to be

0:11:05.160 --> 0:11:07.439
<v Speaker 1>honest about it and transparent about it because I am I.

0:11:07.720 --> 0:11:09.319
<v Speaker 1>I am doing my job. This is what I do.

0:11:09.520 --> 0:11:11.320
<v Speaker 1>But I love what I do. I mean I love.

0:11:11.840 --> 0:11:13.760
<v Speaker 1>There's nothing like be on stage with your guys and

0:11:14.040 --> 0:11:17.120
<v Speaker 1>your fans, and and I gotta do stuff. You know,

0:11:17.240 --> 0:11:20.959
<v Speaker 1>there's there's work. But yeah, like I when hiking yesterday

0:11:21.000 --> 0:11:23.680
<v Speaker 1>and the Black Hills in the mountains outside of rapid

0:11:23.720 --> 0:11:26.040
<v Speaker 1>city of South Dakota, and I was in billions of

0:11:26.040 --> 0:11:31.320
<v Speaker 1>Montana two days ago, hiking through just beautiful um mountains,

0:11:31.320 --> 0:11:33.520
<v Speaker 1>A run there, hills around there and just and I

0:11:33.600 --> 0:11:35.079
<v Speaker 1>just tell her this stuff. I'm not trying to hide

0:11:35.080 --> 0:11:36.679
<v Speaker 1>it from them. Like I noticed untying all week in

0:11:36.679 --> 0:11:38.360
<v Speaker 1>a Nashville and here I am like in like seventi

0:11:38.400 --> 0:11:40.719
<v Speaker 1>five agree weather and like Montana probably my one of

0:11:40.720 --> 0:11:43.520
<v Speaker 1>my favorite states in the whole country. And so when

0:11:43.559 --> 0:11:45.320
<v Speaker 1>I come home, I just I'm ready for a battle, man.

0:11:45.320 --> 0:11:47.320
<v Speaker 1>I'm ready to help out any way I possibly can.

0:11:47.400 --> 0:11:49.319
<v Speaker 1>I wake up every morning at four or forty four

0:11:49.559 --> 0:11:51.280
<v Speaker 1>so I can go get my workout in, be done

0:11:51.320 --> 0:11:53.600
<v Speaker 1>by six, and be home like ready to be fully

0:11:53.679 --> 0:11:56.599
<v Speaker 1>engaged in like the drama of having three kids and

0:11:56.720 --> 0:11:59.160
<v Speaker 1>three dogs and all the work that goes into trying

0:11:59.160 --> 0:12:02.280
<v Speaker 1>to make that house you know, run great and everyone

0:12:02.360 --> 0:12:04.760
<v Speaker 1>have great days. So I owere a lot and she

0:12:04.920 --> 0:12:07.120
<v Speaker 1>it's if I ever were to win award um, the

0:12:07.200 --> 0:12:11.199
<v Speaker 1>only reason I loved one Keith Urban, I ever do

0:12:11.240 --> 0:12:13.320
<v Speaker 1>win an award, UM, I would want to go up

0:12:13.320 --> 0:12:15.920
<v Speaker 1>there just to thank her because it's incredible. Man. She

0:12:16.280 --> 0:12:19.400
<v Speaker 1>it's it's it's hard man, um, any all moms out there,

0:12:19.400 --> 0:12:22.719
<v Speaker 1>any any parent, Um, that's the hardest gig man. You

0:12:22.800 --> 0:12:25.280
<v Speaker 1>know you, I know how hard you work. It's insane.

0:12:25.480 --> 0:12:28.240
<v Speaker 1>Your your work ethic and I you know, I work

0:12:28.280 --> 0:12:30.480
<v Speaker 1>really hard too. But I think when that when you

0:12:30.520 --> 0:12:32.600
<v Speaker 1>have kids, like it's a whole little level because there's

0:12:32.600 --> 0:12:35.679
<v Speaker 1>such a responsibility there. I mean, you're basically growing this

0:12:36.160 --> 0:12:39.120
<v Speaker 1>creature and your input is so important and you don't

0:12:39.640 --> 0:12:42.240
<v Speaker 1>ever get a break. I mean, you're you're it's seven.

0:12:42.280 --> 0:12:45.599
<v Speaker 1>You don't even sleep because someone's having a nightmare, some

0:12:45.720 --> 0:12:47.720
<v Speaker 1>mighty bee the bed. You know, you hear a sound,

0:12:48.080 --> 0:12:51.520
<v Speaker 1>dogs barking. It's just it's so it's twenty seven, it's

0:12:51.559 --> 0:12:54.360
<v Speaker 1>so hard. So unless you're gone for three days and

0:12:54.400 --> 0:12:56.599
<v Speaker 1>it's like you're a vacation. So for me, I'm not

0:12:56.679 --> 0:12:58.480
<v Speaker 1>saying for me, I'm saying for her. No, for me,

0:12:58.760 --> 0:13:00.240
<v Speaker 1>it's like I gotta you know, it's kind of like

0:13:00.240 --> 0:13:01.719
<v Speaker 1>pulling the repcord and you get to go on the

0:13:01.800 --> 0:13:04.360
<v Speaker 1>road and so you're out there and you can get

0:13:04.400 --> 0:13:06.719
<v Speaker 1>stuff done and you can choose to either you know,

0:13:06.880 --> 0:13:08.920
<v Speaker 1>party or work out or you know. There's a lot

0:13:08.920 --> 0:13:10.880
<v Speaker 1>of freedoms with that. So um, yeah, I just try

0:13:10.920 --> 0:13:13.040
<v Speaker 1>to be really transparent with her and honest that what

0:13:13.160 --> 0:13:16.640
<v Speaker 1>I'm doing, and she's super supportive at the same time. Yeah,

0:13:16.800 --> 0:13:19.160
<v Speaker 1>it's it's it's stuff and I can get that break

0:13:19.480 --> 0:13:22.080
<v Speaker 1>you mentioned a minute ago in two thousand and eight

0:13:22.160 --> 0:13:26.120
<v Speaker 1>when you said your career stalled. M hm nine, yeah,

0:13:26.160 --> 0:13:29.520
<v Speaker 1>eight or nine, because right now we see you as

0:13:29.600 --> 0:13:31.959
<v Speaker 1>the guy who has You're now in the A it's

0:13:31.960 --> 0:13:33.160
<v Speaker 1>hard to be in the A group. You're in the

0:13:33.200 --> 0:13:34.920
<v Speaker 1>A group. You're now in the A group. I think

0:13:34.960 --> 0:13:37.920
<v Speaker 1>you're a recent addition, just speaking frankly to the your

0:13:37.920 --> 0:13:42.520
<v Speaker 1>region addition to A group. Plus you're you really are

0:13:42.559 --> 0:13:44.320
<v Speaker 1>on the I wouldn't tell you if you are. Plus

0:13:45.040 --> 0:13:46.920
<v Speaker 1>you're in the you're in the you're in the like

0:13:47.040 --> 0:13:49.360
<v Speaker 1>you're in that mix of is he going to be

0:13:49.440 --> 0:13:52.560
<v Speaker 1>in the entertain of your category? Now it's not. He's

0:13:52.600 --> 0:13:54.640
<v Speaker 1>for sure gonna be nominated, Like you know, Luke is

0:13:54.679 --> 0:13:57.439
<v Speaker 1>going to be nominated and probably gonna win, and he

0:13:57.480 --> 0:13:59.360
<v Speaker 1>didn't win the a c mL Dean did. But like

0:13:59.480 --> 0:14:00.920
<v Speaker 1>you know, Luke gonna but you're on that is he

0:14:00.960 --> 0:14:03.080
<v Speaker 1>gonna be in? And it's happened in the last couple

0:14:03.120 --> 0:14:07.000
<v Speaker 1>of years, But it's but you're like the consummate grinder. Yeah,

0:14:07.120 --> 0:14:09.000
<v Speaker 1>I'm used the word a lot. It's like the hockey

0:14:09.000 --> 0:14:11.640
<v Speaker 1>player that goes down there and not the slapshot guy

0:14:11.720 --> 0:14:14.120
<v Speaker 1>from out top, not the fancy ford that's getting the

0:14:14.240 --> 0:14:15.800
<v Speaker 1>sweet goals with the guy that goes down the corner

0:14:15.840 --> 0:14:17.480
<v Speaker 1>and digs the pucks out. You know. That's probably that's

0:14:17.480 --> 0:14:19.400
<v Speaker 1>when my play hockey here in town, in my little league,

0:14:19.440 --> 0:14:21.400
<v Speaker 1>at the er league. That's kind of my role in

0:14:21.440 --> 0:14:23.600
<v Speaker 1>real life on that hockey team. And uh, I think

0:14:23.640 --> 0:14:26.600
<v Speaker 1>in my career, yes, it's all about it's about grinding.

0:14:26.640 --> 0:14:30.760
<v Speaker 1>My favorite quote, um is was written on a was

0:14:30.760 --> 0:14:33.960
<v Speaker 1>it Calvin Coolist quote? It's about you know, persistence and determinations.

0:14:34.160 --> 0:14:36.440
<v Speaker 1>You know, education and talent and genius can't take the

0:14:36.760 --> 0:14:40.240
<v Speaker 1>place of persistence and determination. That is the key to

0:14:40.600 --> 0:14:43.840
<v Speaker 1>my success for sure, and I know probably for yours

0:14:43.880 --> 0:14:45.520
<v Speaker 1>as well. I mean, there's no reason why I should

0:14:45.520 --> 0:14:47.720
<v Speaker 1>be a country singer or a pilot. But you know,

0:14:47.760 --> 0:14:49.640
<v Speaker 1>there's just things that um, I wanted to do. And

0:14:49.920 --> 0:14:53.160
<v Speaker 1>if you work harder than anyone else, UM, you've got

0:14:53.200 --> 0:14:55.360
<v Speaker 1>a better chance of making that happen. What what happened

0:14:55.400 --> 0:14:57.320
<v Speaker 1>in two thousand eight, two thousand nine, and your mind

0:14:57.560 --> 0:15:00.440
<v Speaker 1>that you took a step back. You know, I went

0:15:00.480 --> 0:15:02.560
<v Speaker 1>out on the road with UM. I play a thousand

0:15:02.600 --> 0:15:04.120
<v Speaker 1>eights in my own. I went out the road with Kenny,

0:15:04.440 --> 0:15:06.040
<v Speaker 1>and then I went on the road towards straight and

0:15:06.080 --> 0:15:07.640
<v Speaker 1>I went back on the road with Kenny. And that's

0:15:07.760 --> 0:15:10.080
<v Speaker 1>usually that's usually the platform to jump off of, you know,

0:15:10.080 --> 0:15:13.440
<v Speaker 1>And that's where urban flats everyone went through Kenny back

0:15:13.480 --> 0:15:15.160
<v Speaker 1>when those when we were starting off. If you got

0:15:15.160 --> 0:15:17.320
<v Speaker 1>the Kenny gig boom, you were a couple of years

0:15:17.360 --> 0:15:19.240
<v Speaker 1>in near you be headlining on your own. And you know,

0:15:19.320 --> 0:15:20.960
<v Speaker 1>we're really looking like a two thousand and eight would

0:15:20.960 --> 0:15:22.400
<v Speaker 1>be bringing out some video and it's gonna be this

0:15:22.560 --> 0:15:25.880
<v Speaker 1>kind of the ground swell and really, uh it's for

0:15:26.440 --> 0:15:28.720
<v Speaker 1>you know, it's just the songs weren't there. That's what

0:15:28.840 --> 0:15:31.880
<v Speaker 1>it comes down to. Um. I was writing pretty much

0:15:31.920 --> 0:15:35.440
<v Speaker 1>all my own songs, working lout with some some friends

0:15:35.520 --> 0:15:37.880
<v Speaker 1>mine here in town. And and it's not their fault either,

0:15:37.880 --> 0:15:39.840
<v Speaker 1>it's it's it's nobody's fault. I'm so happy that things

0:15:39.880 --> 0:15:42.000
<v Speaker 1>are what they are. But I think I discovered you

0:15:42.120 --> 0:15:44.120
<v Speaker 1>can't tour. I think I was in my mind, I

0:15:44.200 --> 0:15:47.080
<v Speaker 1>was trying to make albums that would um be jet

0:15:47.160 --> 0:15:49.840
<v Speaker 1>fuel for the for touring, Like how can this album?

0:15:49.920 --> 0:15:54.000
<v Speaker 1>How can this song lead to headlining? And that's and

0:15:54.200 --> 0:15:55.680
<v Speaker 1>you know, I need, I need the song and help

0:15:55.720 --> 0:15:57.960
<v Speaker 1>me get there. And that's just a terrible way to

0:15:58.000 --> 0:16:00.200
<v Speaker 1>make records. And nothing against those records. Those records still

0:16:00.240 --> 0:16:01.760
<v Speaker 1>sound like some of are so some of my favorite

0:16:01.800 --> 0:16:05.200
<v Speaker 1>signing records, but as far as singles go, and songs

0:16:05.240 --> 0:16:08.320
<v Speaker 1>are gonna move the needle and really, uh, you know,

0:16:08.440 --> 0:16:12.480
<v Speaker 1>and I feel like I just needed to reset. Um.

0:16:12.680 --> 0:16:14.840
<v Speaker 1>I don't know, you know, I just I was you

0:16:14.920 --> 0:16:16.800
<v Speaker 1>can only work so hard, man. I was working so

0:16:16.880 --> 0:16:20.000
<v Speaker 1>hard on the road, touring NonStop. Um, you know, jumping

0:16:20.080 --> 0:16:22.920
<v Speaker 1>off stage, I'm stage diving, I'm pulling fans up. I'm just,

0:16:23.880 --> 0:16:25.720
<v Speaker 1>you know, known as the hard was working man in

0:16:25.800 --> 0:16:28.120
<v Speaker 1>country music. We did like forty one shows and forty

0:16:28.200 --> 0:16:29.880
<v Speaker 1>five days one time. I mean, I'm out there all

0:16:29.920 --> 0:16:31.760
<v Speaker 1>the time, and I'm trying to rush back here and

0:16:31.800 --> 0:16:33.640
<v Speaker 1>make records and then go back out there again, and

0:16:33.680 --> 0:16:36.000
<v Speaker 1>it just it just doesn't It just doesn't work that way.

0:16:36.080 --> 0:16:38.360
<v Speaker 1>So I was on the road two thousand eight or

0:16:38.440 --> 0:16:41.600
<v Speaker 1>nine with Paisley and uh I said, I tried my

0:16:41.680 --> 0:16:44.360
<v Speaker 1>headline thing. It just wasn't working. So I was like, okay, retreat.

0:16:45.040 --> 0:16:47.760
<v Speaker 1>Brad was had a chance to go with Brad and

0:16:47.840 --> 0:16:49.800
<v Speaker 1>I was on that tour and uh I was opening

0:16:49.840 --> 0:16:52.000
<v Speaker 1>for him, and there's a lot going on that tour.

0:16:52.040 --> 0:16:54.880
<v Speaker 1>Weren't really getting a chance to sound check um, and

0:16:55.600 --> 0:16:58.120
<v Speaker 1>it was just the vibe of my band just crashed.

0:16:58.200 --> 0:17:00.240
<v Speaker 1>It was kind of the tour that just everyone like,

0:17:00.640 --> 0:17:02.480
<v Speaker 1>you know, we're just only playing for forty five minutes,

0:17:03.080 --> 0:17:06.080
<v Speaker 1>and it's just the songs weren't really there. And I

0:17:06.240 --> 0:17:07.600
<v Speaker 1>just was like at the back of my bus one

0:17:07.680 --> 0:17:09.960
<v Speaker 1>day and I remember thinking, I'm gonna make a bluegrass record.

0:17:09.960 --> 0:17:11.960
<v Speaker 1>I wanna make a bluegrass record and a country record,

0:17:12.000 --> 0:17:14.159
<v Speaker 1>and just I need to get creative. That's why I

0:17:14.240 --> 0:17:16.199
<v Speaker 1>kept thinking, is I need to get creative because when

0:17:16.240 --> 0:17:19.440
<v Speaker 1>you're you're in that opening slot, especially after you've headlined

0:17:19.440 --> 0:17:20.639
<v Speaker 1>for a little while, it's tough to go back and

0:17:20.720 --> 0:17:23.199
<v Speaker 1>just do fourty five minutes of the same show every night.

0:17:23.400 --> 0:17:24.520
<v Speaker 1>You know, you're trying to make the most of that

0:17:24.560 --> 0:17:26.160
<v Speaker 1>forty five minutes, so you kind of get locked into

0:17:26.200 --> 0:17:30.400
<v Speaker 1>doing the same show and just killed all of us. So, um,

0:17:30.640 --> 0:17:32.800
<v Speaker 1>I left and mid uh end up making just just

0:17:32.920 --> 0:17:35.680
<v Speaker 1>a bluegrass record, and uh really, and I went back

0:17:35.760 --> 0:17:37.840
<v Speaker 1>in the process of making that, being off the grid

0:17:38.359 --> 0:17:41.240
<v Speaker 1>and not worrying about singles or touring or anything, just

0:17:41.280 --> 0:17:43.600
<v Speaker 1>trying to make a great record that stood alone up

0:17:43.840 --> 0:17:48.679
<v Speaker 1>by itself, it was existed just for for itself. Totally

0:17:48.840 --> 0:17:51.720
<v Speaker 1>rechanged my thinking. And um, you know, I started looking

0:17:51.720 --> 0:17:54.760
<v Speaker 1>around people like Miranda Lambert and she only writes half

0:17:54.800 --> 0:17:57.639
<v Speaker 1>her album if even that, you know, and and Lady

0:17:57.720 --> 0:18:00.080
<v Speaker 1>A and these people at the time, we're like, you know,

0:18:01.160 --> 0:18:03.800
<v Speaker 1>they're collecting great songs. You know, they came to realize

0:18:03.840 --> 0:18:06.600
<v Speaker 1>that after your second album, you can't write an entire album.

0:18:07.320 --> 0:18:08.760
<v Speaker 1>Just did no time in your touring all the time,

0:18:09.200 --> 0:18:11.240
<v Speaker 1>so many of the responsibilities I hadn't know. I was

0:18:11.280 --> 0:18:13.640
<v Speaker 1>married at this point with kids too. So the blue

0:18:13.680 --> 0:18:15.080
<v Speaker 1>Grass record, you know, I was working the guy have

0:18:15.200 --> 0:18:17.720
<v Speaker 1>John randall Um, one of my best friends, and he

0:18:18.000 --> 0:18:20.919
<v Speaker 1>was bringing me great songs from Christofferson and Buddy Miller,

0:18:21.000 --> 0:18:23.280
<v Speaker 1>and just like we started making a collection of of

0:18:23.359 --> 0:18:25.520
<v Speaker 1>an album that had my input but also had songs

0:18:25.560 --> 0:18:27.399
<v Speaker 1>that kind of rounded out what I was trying to

0:18:27.480 --> 0:18:30.080
<v Speaker 1>say or the field of the album. And I carried

0:18:30.119 --> 0:18:32.640
<v Speaker 1>it on with working with Ross Comperman into the next

0:18:32.680 --> 0:18:36.159
<v Speaker 1>couple albums and uh, really trying to make albums that

0:18:36.960 --> 0:18:40.000
<v Speaker 1>don't worry about touring, dorry about anything. Who cares? Just

0:18:40.160 --> 0:18:42.440
<v Speaker 1>make a great record? And U and one of the

0:18:42.480 --> 0:18:45.639
<v Speaker 1>great things. Now I don't know a lister, but wheream

0:18:45.760 --> 0:18:48.520
<v Speaker 1>my careers. There's the better off you are doing touring

0:18:48.600 --> 0:18:50.320
<v Speaker 1>and and the more of you you have those fans

0:18:50.359 --> 0:18:52.480
<v Speaker 1>and more freedom you have to say, who cares, Let's

0:18:52.520 --> 0:18:54.440
<v Speaker 1>make the record you really want to make. I feel

0:18:54.440 --> 0:18:56.440
<v Speaker 1>like that's why Keith is Um is making like his

0:18:56.520 --> 0:18:59.040
<v Speaker 1>best records, Keith Urban's records me just get better and

0:18:59.080 --> 0:19:00.760
<v Speaker 1>better each time because I like he's even more like

0:19:01.840 --> 0:19:04.480
<v Speaker 1>I don't care I'm gonna make great music that makes

0:19:04.600 --> 0:19:07.119
<v Speaker 1>me happy that I like and hopefully you like it too.

0:19:07.160 --> 0:19:09.560
<v Speaker 1>But there's no there's no math behind it. You know,

0:19:09.640 --> 0:19:11.760
<v Speaker 1>it's just totally it's pure arts. And you didn't have

0:19:11.800 --> 0:19:14.640
<v Speaker 1>to worry about where he's gonna get his next meal.

0:19:14.880 --> 0:19:16.920
<v Speaker 1>You know, he's just making great records. And I feel

0:19:16.920 --> 0:19:19.200
<v Speaker 1>like there's on both ends of the spectrum. When you're

0:19:19.200 --> 0:19:21.639
<v Speaker 1>first starting off and you're so hungry, and then when

0:19:21.640 --> 0:19:22.800
<v Speaker 1>you get to place you have a little bit of

0:19:22.800 --> 0:19:24.440
<v Speaker 1>success and you have that freedom that it brings you,

0:19:24.520 --> 0:19:26.160
<v Speaker 1>you can really make your best records, and I feel

0:19:26.200 --> 0:19:28.280
<v Speaker 1>like that's what's happening now. I'm not sure to answer

0:19:28.280 --> 0:19:32.320
<v Speaker 1>your questions, but well, I love him, man. It's hard

0:19:32.359 --> 0:19:33.359
<v Speaker 1>for me to be friends with him because I just

0:19:33.480 --> 0:19:36.000
<v Speaker 1>have so much respect for him. It's like we're good friends,

0:19:36.240 --> 0:19:38.720
<v Speaker 1>but at the same time, like you're Keith Urban, it's

0:19:38.760 --> 0:19:41.000
<v Speaker 1>almost it's almost like why do you This is the

0:19:41.240 --> 0:19:44.199
<v Speaker 1>feeling I have with him because him and I are

0:19:44.240 --> 0:19:46.600
<v Speaker 1>closer than him and than me and other arts, and

0:19:46.720 --> 0:19:48.480
<v Speaker 1>he's one of the guys that I like and we'll

0:19:48.480 --> 0:19:50.840
<v Speaker 1>talk too off the show. But that's like what I was, like,

0:19:50.880 --> 0:19:53.160
<v Speaker 1>why do you want to be friends with me? Eight

0:19:53.320 --> 0:19:56.480
<v Speaker 1>Like you're so smart, and you're so talented, and you're

0:19:56.560 --> 0:19:59.280
<v Speaker 1>so rich, Like everything about you was way better that

0:19:59.680 --> 0:20:01.200
<v Speaker 1>why would you want to be friends with me? That's

0:20:01.200 --> 0:20:03.960
<v Speaker 1>how I feel with him. He is um for me.

0:20:04.560 --> 0:20:07.879
<v Speaker 1>He's like a he's like a beacon. He's someone I

0:20:07.960 --> 0:20:11.840
<v Speaker 1>look up to for advice on just for for lifestyle

0:20:11.880 --> 0:20:14.440
<v Speaker 1>and management and how you approach things. And he's just

0:20:15.680 --> 0:20:18.520
<v Speaker 1>he's so present, which is something I always you know,

0:20:18.600 --> 0:20:21.160
<v Speaker 1>that's my main thing with anything I do, is trying

0:20:21.200 --> 0:20:23.159
<v Speaker 1>to be as president as possible in the moment that

0:20:23.200 --> 0:20:25.520
<v Speaker 1>I'm man, and he really is a true reflection of that.

0:20:25.520 --> 0:20:26.800
<v Speaker 1>I mean when when you speak to him, when you

0:20:26.840 --> 0:20:29.080
<v Speaker 1>talk to him, he's so focused on what you have

0:20:29.160 --> 0:20:33.119
<v Speaker 1>to say. He's listening, and uh, it's very uncommon in

0:20:33.200 --> 0:20:35.920
<v Speaker 1>this business full you know, singers and people are trying

0:20:35.960 --> 0:20:39.159
<v Speaker 1>to look at me, and you know, are have like

0:20:39.280 --> 0:20:40.920
<v Speaker 1>five seconds looking at your eyes and they're kind of

0:20:41.200 --> 0:20:43.119
<v Speaker 1>thinking about the next thing. He's just really focused and

0:20:43.160 --> 0:20:45.600
<v Speaker 1>present and has great advice and it's been through a lot,

0:20:45.720 --> 0:20:49.920
<v Speaker 1>so he can offer a good um good gems. But

0:20:49.960 --> 0:20:52.680
<v Speaker 1>whenever I see him at she's on a Sunday uh,

0:20:53.000 --> 0:20:54.480
<v Speaker 1>and we're doing some with our kids or something, and

0:20:54.560 --> 0:20:56.359
<v Speaker 1>I'm like coming off the road and just beat up

0:20:56.440 --> 0:20:59.800
<v Speaker 1>my brain. His brain is already functioning faster than mind. Anyway,

0:21:00.080 --> 0:21:02.160
<v Speaker 1>I'm coming off like no sleep, I'm tired. I'm trying

0:21:02.160 --> 0:21:05.320
<v Speaker 1>to make conversation with them, like hopefully's the one day

0:21:05.320 --> 0:21:07.680
<v Speaker 1>and I'm not like just so exhausted, because it'd be

0:21:07.720 --> 0:21:09.840
<v Speaker 1>fun to talk like I have an actually little conversation.

0:21:10.280 --> 0:21:12.280
<v Speaker 1>Take it, take a take drinking water here. Talk about

0:21:12.280 --> 0:21:14.240
<v Speaker 1>one hundred Flowers for a second. When you do one

0:21:14.240 --> 0:21:18.440
<v Speaker 1>of the show you one flowers. One hundred Flowers is

0:21:18.440 --> 0:21:20.600
<v Speaker 1>giving our listeners right now an exclusive thirty six for

0:21:20.680 --> 0:21:23.200
<v Speaker 1>thirty six off for thirty six storey roses for thirty

0:21:23.240 --> 0:21:25.399
<v Speaker 1>six bucks. It's a dollar for rose. So you just

0:21:25.480 --> 0:21:28.040
<v Speaker 1>pick your delivery date and one hundred Flowers will handle

0:21:28.080 --> 0:21:29.760
<v Speaker 1>the rest. Because Mother's Day is coming up, and there

0:21:29.840 --> 0:21:32.640
<v Speaker 1>was like your mom, your aunt, your mother in law,

0:21:33.080 --> 0:21:36.360
<v Speaker 1>your girlfriend. No, because I'm not a mom of a kid.

0:21:36.600 --> 0:21:39.399
<v Speaker 1>Oh yeah, yeah yeah Mother's Day. Yeah, Mother's Day. I

0:21:39.480 --> 0:21:42.800
<v Speaker 1>was trying to catch you there, no, no stunning storeby

0:21:42.920 --> 0:21:44.800
<v Speaker 1>Rose is the perfect way to surprise all the moms

0:21:44.840 --> 0:21:48.160
<v Speaker 1>in your life, your wife, all those people, refreshing mix

0:21:48.240 --> 0:21:51.520
<v Speaker 1>of all those colors like Pastel's one hundred flowers are

0:21:51.520 --> 0:21:54.320
<v Speaker 1>picked at their peak and shifted overnight to ensure fresh freshness.

0:21:54.520 --> 0:21:57.480
<v Speaker 1>Thirty six roses for thirty six dollars, but it expires

0:21:57.520 --> 0:21:59.920
<v Speaker 1>on Friday. If you hear this right now, the only

0:22:00.000 --> 0:22:04.040
<v Speaker 1>wars one percent smile guarantee. So call one hundred flowers

0:22:04.080 --> 0:22:07.439
<v Speaker 1>dot com slash bones one hundred flowers dot com slash

0:22:07.480 --> 0:22:11.560
<v Speaker 1>bones and again the offerance Friday, one hundred flowers dot

0:22:11.560 --> 0:22:13.480
<v Speaker 1>com and be sure about bones in and get the deal.

0:22:13.760 --> 0:22:15.480
<v Speaker 1>And again Mother's Day. You don't want to miss Mother's

0:22:15.560 --> 0:22:18.240
<v Speaker 1>Day for you can even impress like your your mother

0:22:18.320 --> 0:22:21.400
<v Speaker 1>in law. So there's that you have mother Day's coming

0:22:21.440 --> 0:22:23.280
<v Speaker 1>up for you. I know, yeah, I didn't realize that.

0:22:23.280 --> 0:22:25.560
<v Speaker 1>I'm glad you did that commercial. It's great your head.

0:22:25.560 --> 0:22:28.480
<v Speaker 1>It starts spending. Did you watch um? So, speaking of,

0:22:28.680 --> 0:22:31.879
<v Speaker 1>do you watch Big Little Liars? Big Little Liars? I

0:22:32.000 --> 0:22:34.040
<v Speaker 1>need to. I know Ross loves it and he's freaking

0:22:34.040 --> 0:22:35.880
<v Speaker 1>out about every time we write. He's like talks about

0:22:35.880 --> 0:22:38.200
<v Speaker 1>it and everyone's talking about us. That's the show. I've

0:22:38.240 --> 0:22:40.440
<v Speaker 1>only seen like half the first episode and it just

0:22:40.800 --> 0:22:42.359
<v Speaker 1>so it hasn't hooked you, you know, I need to

0:22:42.359 --> 0:22:45.359
<v Speaker 1>get it. Took me two episodes. Yeah, I've seen it

0:22:45.400 --> 0:22:46.920
<v Speaker 1>all now. I know. I don't tell how many to

0:22:46.920 --> 0:22:49.200
<v Speaker 1>see it. I want to tell you I'm not you

0:22:49.240 --> 0:22:51.520
<v Speaker 1>know what, I'm just watching. I'm just not watching Friday Lights,

0:22:51.920 --> 0:22:54.800
<v Speaker 1>which is like ten years old. I've never so good,

0:22:54.880 --> 0:22:57.480
<v Speaker 1>but I'm so and I would like. It takes while

0:22:57.520 --> 0:22:59.040
<v Speaker 1>to get into things like that's that's a ten year

0:22:59.040 --> 0:23:00.760
<v Speaker 1>old show. I'm just not getting to it, but I

0:23:00.880 --> 0:23:03.199
<v Speaker 1>not think I would love it. But it's like there

0:23:03.200 --> 0:23:05.200
<v Speaker 1>are so many new good thou right now. I know,

0:23:05.280 --> 0:23:07.760
<v Speaker 1>it's unbelievable. We're good friends of Connie. She's like a

0:23:07.800 --> 0:23:09.840
<v Speaker 1>good friend of ours, and my wife and Connie are

0:23:09.880 --> 0:23:11.480
<v Speaker 1>great friends, and she's just one of my favorite people.

0:23:11.480 --> 0:23:13.159
<v Speaker 1>And always feel so bad they hadn't really seen that

0:23:13.200 --> 0:23:16.200
<v Speaker 1>show because it's so good and she's her acting that

0:23:16.400 --> 0:23:18.199
<v Speaker 1>is just unbelievable. But yeah, I need to check out

0:23:18.520 --> 0:23:21.400
<v Speaker 1>Big Little Lies. It's it's incredible, right, So it's really

0:23:21.440 --> 0:23:25.359
<v Speaker 1>it's really good. But it's weird because again I've gotten

0:23:25.400 --> 0:23:27.760
<v Speaker 1>to know Nicole a bit, but it's weird to se

0:23:27.840 --> 0:23:31.000
<v Speaker 1>your neck on TV and something I gotta feel weird.

0:23:31.280 --> 0:23:32.639
<v Speaker 1>I feel like I should turn my head when I

0:23:33.520 --> 0:23:38.440
<v Speaker 1>because I'm like, she's she's an actress. Bro, that's what

0:23:38.480 --> 0:23:40.920
<v Speaker 1>they do. Man, They're able to somehow. They're just that's

0:23:40.960 --> 0:23:43.359
<v Speaker 1>then their their body is just a tool to use

0:23:43.440 --> 0:23:45.280
<v Speaker 1>to project their art. Man. They don't look at it

0:23:45.359 --> 0:23:47.840
<v Speaker 1>like we do. But again I do. I'm like, I

0:23:47.960 --> 0:23:53.000
<v Speaker 1>do feel that way. And man, it's just it's the

0:23:53.040 --> 0:23:55.840
<v Speaker 1>whole thing is weird for me. Yeah, well that's weird

0:23:55.920 --> 0:23:58.040
<v Speaker 1>for her. So what about like, Okay, so let's the

0:23:58.160 --> 0:23:59.840
<v Speaker 1>music video. You got another girl in me video? That's

0:23:59.840 --> 0:24:01.919
<v Speaker 1>not your why it's weird for me. I'm not an

0:24:01.920 --> 0:24:04.240
<v Speaker 1>actor though, but I'm talking about the acting part. Like,

0:24:04.520 --> 0:24:07.080
<v Speaker 1>what about like that? I'll say funny so funny story, Um,

0:24:07.840 --> 0:24:09.399
<v Speaker 1>there's I had a song called trying to Stop Your

0:24:09.480 --> 0:24:11.520
<v Speaker 1>Leaving um, and I did it with Trey fan Joy.

0:24:11.640 --> 0:24:13.800
<v Speaker 1>It was a great friend of ours, great data director.

0:24:14.320 --> 0:24:16.840
<v Speaker 1>And we're shooting over on Chantanooga and my I just

0:24:16.920 --> 0:24:18.600
<v Speaker 1>got married. My wife's on the bus and I was

0:24:18.640 --> 0:24:20.640
<v Speaker 1>in there for the first shoot. All is a five

0:24:20.720 --> 0:24:23.160
<v Speaker 1>third in the morning and it's like two story motel

0:24:23.359 --> 0:24:27.400
<v Speaker 1>at the middle of the outside of Shantanooga and I'm

0:24:27.480 --> 0:24:30.640
<v Speaker 1>in there. There's the girls in there, and Cassie comes

0:24:30.680 --> 0:24:32.080
<v Speaker 1>and I told her to bring some clothing off the

0:24:32.080 --> 0:24:34.080
<v Speaker 1>bus and to wear it. She comes in and Tray goes, oh, no, no, no,

0:24:34.240 --> 0:24:36.520
<v Speaker 1>this first thing is just gonna be boxers. And my

0:24:36.600 --> 0:24:39.240
<v Speaker 1>wife's like my new wife is like okay, and she

0:24:39.400 --> 0:24:42.200
<v Speaker 1>walks out and goes back in the bus and Trey goes,

0:24:42.800 --> 0:24:45.439
<v Speaker 1>dirks and this girl high, nice to meet you. How

0:24:45.480 --> 0:24:47.760
<v Speaker 1>you doing. There's like three dudes around, like those kind

0:24:47.800 --> 0:24:50.000
<v Speaker 1>of like porn cameras, you know, just like the smallest

0:24:50.040 --> 0:24:52.840
<v Speaker 1>bill coming and like in this shady like kind of

0:24:52.920 --> 0:24:56.960
<v Speaker 1>pastel floral bedspread, kind of a motel place. Dirk's this

0:24:57.000 --> 0:24:59.760
<v Speaker 1>doesn't come a little closer. This isn't raining on Sunday.

0:25:00.480 --> 0:25:04.520
<v Speaker 1>This is effing all right, and she put on lives Zeppelin,

0:25:04.960 --> 0:25:08.359
<v Speaker 1>go I'm with this girl. I just got married. She's like,

0:25:08.640 --> 0:25:11.159
<v Speaker 1>you know, in trade, it's like, okay, if you're not

0:25:11.200 --> 0:25:13.880
<v Speaker 1>gonna kiss her, well you lick his lick his chest

0:25:13.920 --> 0:25:15.639
<v Speaker 1>and look at like up towards his neck, so like

0:25:15.760 --> 0:25:18.680
<v Speaker 1>she's this girl is like licking me and I'm just

0:25:18.800 --> 0:25:20.480
<v Speaker 1>like I'm not trying to do anything, and like, you know,

0:25:20.520 --> 0:25:22.119
<v Speaker 1>because I gotta go right back in the bus and

0:25:22.160 --> 0:25:23.680
<v Speaker 1>tell my wife what just happened. You know, I can't.

0:25:23.720 --> 0:25:25.280
<v Speaker 1>I'm gonna lie about this is gonna be on TV.

0:25:26.359 --> 0:25:28.440
<v Speaker 1>Come back in the bus, and it's like, so, how'd

0:25:28.480 --> 0:25:32.639
<v Speaker 1>that go? I'm like, well, yeah, it was. It was something.

0:25:32.760 --> 0:25:34.040
<v Speaker 1>And I think that was one of the last videos

0:25:34.080 --> 0:25:37.960
<v Speaker 1>I did where it's not I'm all. I'll do whatever

0:25:38.040 --> 0:25:42.359
<v Speaker 1>it takes to help to help the song, not commercially,

0:25:42.400 --> 0:25:44.359
<v Speaker 1>but just the story. You know, the song is all

0:25:44.400 --> 0:25:45.920
<v Speaker 1>that matters in this towns all that matters me. And

0:25:46.000 --> 0:25:48.520
<v Speaker 1>there's a video that that can help tell that story

0:25:48.560 --> 0:25:49.879
<v Speaker 1>about it, and I'll do whatever it takes. You know,

0:25:49.960 --> 0:25:54.240
<v Speaker 1>I'll go anywhere, do anything. But I'm just not an actor.

0:25:54.520 --> 0:25:58.840
<v Speaker 1>And if you look at keys videos, just recently did

0:25:58.880 --> 0:26:01.440
<v Speaker 1>he start kind of going back into some acting stuff.

0:26:01.480 --> 0:26:03.920
<v Speaker 1>For many, many, many years, Keith would just play guitar

0:26:04.440 --> 0:26:06.680
<v Speaker 1>and let the actors do the acting, let the singer

0:26:06.720 --> 0:26:08.720
<v Speaker 1>to the singing and make a great story video, not

0:26:09.040 --> 0:26:11.280
<v Speaker 1>trying to do the whole thing. And I don't respect

0:26:11.320 --> 0:26:12.639
<v Speaker 1>to that. And it makes sense because I'm not very

0:26:13.359 --> 0:26:15.960
<v Speaker 1>very good actor. If there's a hot girl licking your

0:26:16.040 --> 0:26:18.840
<v Speaker 1>neck and you're in your boxers like band aids. But

0:26:18.920 --> 0:26:21.159
<v Speaker 1>how do you constill your pasties? You know what? Just

0:26:21.359 --> 0:26:24.119
<v Speaker 1>mind control Jedi mind contro But I don't have I

0:26:24.160 --> 0:26:26.399
<v Speaker 1>don't have it. I have it, I know no. And

0:26:26.480 --> 0:26:32.520
<v Speaker 1>that's it's like I'm just have to like baseball, baseball, baseball.

0:26:34.359 --> 0:26:37.280
<v Speaker 1>It's total, just like it's Jedi mind control. It's not

0:26:37.320 --> 0:26:39.560
<v Speaker 1>gonna happen. I can't let it happen. I have some

0:26:39.640 --> 0:26:41.960
<v Speaker 1>songs here, Oh man, there's a play some other stuff.

0:26:42.480 --> 0:26:44.879
<v Speaker 1>How about this one right here? Put that cross my

0:26:45.000 --> 0:26:49.200
<v Speaker 1>mind a little, dude, because I was thinking. First thought

0:26:49.240 --> 0:26:51.639
<v Speaker 1>that comes when you hear this up here, Red reverse Um,

0:26:51.720 --> 0:26:53.760
<v Speaker 1>great song right here in town. Really, without Bread, I

0:26:53.800 --> 0:26:56.800
<v Speaker 1>wouldn't have anything. He Um really took me under his

0:26:57.080 --> 0:26:59.000
<v Speaker 1>wing as a writer, and I learned so much from

0:26:59.000 --> 0:27:00.800
<v Speaker 1>Bread about writing. And this was back when like when

0:27:00.800 --> 0:27:03.159
<v Speaker 1>we had like the shoe box tape recorders, you know,

0:27:04.080 --> 0:27:07.439
<v Speaker 1>and and pen and paper, and he told me how

0:27:07.480 --> 0:27:09.080
<v Speaker 1>to write. One of the things he thought was just

0:27:09.160 --> 0:27:11.880
<v Speaker 1>to think out loud on paper, don't talk the whole

0:27:11.920 --> 0:27:14.280
<v Speaker 1>time when you're writing songs with somebody, Just to work

0:27:14.359 --> 0:27:17.440
<v Speaker 1>on something when you got an idea. Maybe. But I

0:27:17.480 --> 0:27:19.399
<v Speaker 1>remember playing that for Autumn House, who was an A

0:27:19.600 --> 0:27:21.359
<v Speaker 1>R at a Capital. I found her outside exit and

0:27:21.440 --> 0:27:23.960
<v Speaker 1>I got my guitar, ran out to her exit in

0:27:24.400 --> 0:27:26.080
<v Speaker 1>she came out of there. I sat it down on

0:27:26.119 --> 0:27:28.320
<v Speaker 1>my tailgate, play her that song acoustically. I was going

0:27:28.359 --> 0:27:29.920
<v Speaker 1>to the studio the next day, and she's like, cut

0:27:30.000 --> 0:27:32.920
<v Speaker 1>that song. That's so you run out to some prominent

0:27:33.000 --> 0:27:35.239
<v Speaker 1>person here in town, say hey, stop and have her

0:27:35.280 --> 0:27:36.960
<v Speaker 1>watch you sing a song. She's A and R. She

0:27:37.000 --> 0:27:39.920
<v Speaker 1>still is over Capitol Records, and uh, and I she

0:27:40.000 --> 0:27:42.240
<v Speaker 1>was in the club, I think, exited and hearing listen

0:27:42.280 --> 0:27:44.200
<v Speaker 1>to somebody. I texted her art and text I called

0:27:44.240 --> 0:27:46.800
<v Speaker 1>her and she met me outside and I played it

0:27:46.840 --> 0:27:49.880
<v Speaker 1>for acoustically, like outside the club. And because I thought

0:27:49.880 --> 0:27:52.760
<v Speaker 1>it was it could be a big hit. Oddly enough,

0:27:52.840 --> 0:27:54.119
<v Speaker 1>I fought really hard for that not to be the

0:27:54.160 --> 0:27:56.480
<v Speaker 1>first single. So what did you want to be? The

0:27:56.480 --> 0:27:58.280
<v Speaker 1>first song called Wish You Would Break, which is more

0:27:58.280 --> 0:28:01.239
<v Speaker 1>of a country thing. Um, you know, it's about your

0:28:01.280 --> 0:28:03.280
<v Speaker 1>wishing your your car steroid break because if you saw

0:28:03.320 --> 0:28:06.000
<v Speaker 1>and plays, you minded your girl wishing this picture frame

0:28:06.040 --> 0:28:07.760
<v Speaker 1>would break that keeps falling down, but you don't have

0:28:07.760 --> 0:28:09.200
<v Speaker 1>the heart to throw it away because it's the pictures

0:28:09.200 --> 0:28:11.240
<v Speaker 1>of two y'all. In the last verse is about wishing

0:28:11.240 --> 0:28:13.880
<v Speaker 1>your heart breaks you just move on. It's a great song.

0:28:14.000 --> 0:28:17.200
<v Speaker 1>And I wrote that with Brett but Duncan Mike Dungan

0:28:17.240 --> 0:28:19.920
<v Speaker 1>from capitals like we're going with was I thinking so?

0:28:20.600 --> 0:28:22.680
<v Speaker 1>And you're glad it did? Yeah? All right, here we go,

0:28:23.720 --> 0:28:28.119
<v Speaker 1>come a little closer. What makes me hear that song

0:28:28.200 --> 0:28:30.840
<v Speaker 1>makes me think Jesney I wrote that Brett Beavers, but

0:28:31.080 --> 0:28:33.080
<v Speaker 1>Chesney said that was a song that um when you

0:28:33.160 --> 0:28:34.479
<v Speaker 1>heard that come in the radio, that's the reason why

0:28:34.520 --> 0:28:38.960
<v Speaker 1>he took me back out on the road. And again, man,

0:28:39.000 --> 0:28:40.320
<v Speaker 1>and you do so many hey people will do this

0:28:40.400 --> 0:28:42.760
<v Speaker 1>to me too, But I haven't heard that. I want

0:28:42.760 --> 0:28:43.959
<v Speaker 1>to play this song a lot anymore. So I love

0:28:44.000 --> 0:28:46.080
<v Speaker 1>hearing that. It's a great song. You don't play talking.

0:28:46.400 --> 0:28:48.880
<v Speaker 1>It's a little slow. Can you say a little slow

0:28:48.920 --> 0:28:50.800
<v Speaker 1>because you feel like it takes the crowd down. You know,

0:28:51.320 --> 0:28:53.080
<v Speaker 1>you gotta make a roller coaster out there when you're

0:28:53.400 --> 0:28:55.040
<v Speaker 1>you gotta find a way to take people on a ride.

0:28:55.040 --> 0:28:57.560
<v Speaker 1>And you can only have you gotta pick your You know,

0:28:57.600 --> 0:28:59.640
<v Speaker 1>our show is so high energy, and that's but what

0:28:59.760 --> 0:29:02.120
<v Speaker 1>makes to show great is what makes those high energy

0:29:02.200 --> 0:29:05.960
<v Speaker 1>songs work is the real moments and and and that.

0:29:06.440 --> 0:29:07.920
<v Speaker 1>Then you can only have so many in that song.

0:29:08.080 --> 0:29:10.200
<v Speaker 1>Just there's just no room for that one right now?

0:29:10.880 --> 0:29:17.480
<v Speaker 1>All right? How I had this one man's part of

0:29:17.520 --> 0:29:19.200
<v Speaker 1>my favorite songs. Another song. I don't do the live

0:29:19.240 --> 0:29:22.000
<v Speaker 1>show anymore, but I do it usually earlier than night

0:29:22.040 --> 0:29:26.280
<v Speaker 1>in the acoustics show. But when I think of that video,

0:29:26.440 --> 0:29:27.800
<v Speaker 1>and I think that song with the video for it,

0:29:27.840 --> 0:29:30.920
<v Speaker 1>because there's a scene where I'm getting rained on by

0:29:30.960 --> 0:29:33.120
<v Speaker 1>the rain machine and there but you can tell there's

0:29:33.120 --> 0:29:36.800
<v Speaker 1>no other rain like anywhere else just coming on. It's

0:29:36.840 --> 0:29:39.960
<v Speaker 1>like the cartoon whenever it's such a great video, there's

0:29:39.960 --> 0:29:41.960
<v Speaker 1>just that one moment because you know, if you're you

0:29:42.400 --> 0:29:43.960
<v Speaker 1>care so much about the work you do, you're like

0:29:44.360 --> 0:29:46.520
<v Speaker 1>that one scene drives you crazy. But Chris Sticky do

0:29:46.600 --> 0:29:48.479
<v Speaker 1>that video. It's actually when the best videos we ever did.

0:29:49.040 --> 0:29:52.000
<v Speaker 1>And uh, that song is um. I love that song

0:29:52.120 --> 0:29:54.480
<v Speaker 1>and it's one of my favorite songs. But I usually

0:29:54.520 --> 0:29:56.800
<v Speaker 1>do it. I do a pre show acoustic performance for

0:29:56.920 --> 0:29:59.239
<v Speaker 1>some folks and I usually I'm doing that song. It's

0:29:59.240 --> 0:30:01.720
<v Speaker 1>a good one. I to watch John May a couple

0:30:01.720 --> 0:30:03.360
<v Speaker 1>of weeks ago, I know how was that I was

0:30:03.520 --> 0:30:05.480
<v Speaker 1>speaking to boners. Did you get one? I did move

0:30:05.480 --> 0:30:07.080
<v Speaker 1>a little bit through one at the whole time, the

0:30:07.120 --> 0:30:10.760
<v Speaker 1>whole day. It wasn't picture moved. It was fully the

0:30:14.040 --> 0:30:18.280
<v Speaker 1>It was like by act yeah, And so I went,

0:30:18.400 --> 0:30:22.040
<v Speaker 1>non't know my point where I was gonna get so funny, dude,

0:30:22.080 --> 0:30:25.720
<v Speaker 1>I had a genuinely had a but you went to

0:30:25.880 --> 0:30:28.640
<v Speaker 1>John Mayor, come so first, slow down. It was moments

0:30:28.800 --> 0:30:32.440
<v Speaker 1>I come back to it. I have no idea what

0:30:32.560 --> 0:30:34.880
<v Speaker 1>I was like, I had a point. He did he

0:30:34.960 --> 0:30:41.640
<v Speaker 1>did who? I don't know? Talking about this song. I

0:30:41.680 --> 0:30:43.840
<v Speaker 1>wrote that song and launched the Blown the same day

0:30:43.880 --> 0:30:48.800
<v Speaker 1>with Brett Pevers and Gonna Steve Bogarten. You know, it's

0:30:48.800 --> 0:30:50.720
<v Speaker 1>a great song. I would say it's one of the

0:30:50.800 --> 0:30:54.600
<v Speaker 1>songs that he could say more. I mean if I

0:30:54.720 --> 0:30:58.320
<v Speaker 1>was you know, it was a number one, but it

0:30:58.440 --> 0:31:01.000
<v Speaker 1>wasn't like a that was a lead single off an

0:31:01.000 --> 0:31:03.840
<v Speaker 1>album and it just wouldn't do much. But people still

0:31:03.840 --> 0:31:05.520
<v Speaker 1>love that song. I still do it live. But I

0:31:05.640 --> 0:31:07.200
<v Speaker 1>used that song for a lot of video content of

0:31:07.320 --> 0:31:11.000
<v Speaker 1>like our life on the Road. But that's a song

0:31:11.200 --> 0:31:14.520
<v Speaker 1>that if I'm being totally honest and critiquing myself I

0:31:14.680 --> 0:31:16.920
<v Speaker 1>just didn't say enough. You know. The verses need to

0:31:16.960 --> 0:31:20.760
<v Speaker 1>be more specific and more biting and more personal and

0:31:20.840 --> 0:31:24.240
<v Speaker 1>more um telling of who you are or the story

0:31:24.280 --> 0:31:27.600
<v Speaker 1>you're trying to tell and just not so um interchangeable,

0:31:28.840 --> 0:31:30.920
<v Speaker 1>so that that I love that song, but that I

0:31:31.040 --> 0:31:33.920
<v Speaker 1>was listening to. That's one thing. Every song you put

0:31:33.960 --> 0:31:35.480
<v Speaker 1>out I put up in this one on has to

0:31:35.520 --> 0:31:40.080
<v Speaker 1>be like say something really impact for or you know,

0:31:40.360 --> 0:31:42.160
<v Speaker 1>every line has to be just perfect. I know what

0:31:42.200 --> 0:31:44.240
<v Speaker 1>it is everyone. It was. So I went to John

0:31:44.280 --> 0:31:46.880
<v Speaker 1>Mayer and he had these packages. He was that they

0:31:46.960 --> 0:31:49.680
<v Speaker 1>sell right, and it was like, I didn't buy one

0:31:49.720 --> 0:31:53.560
<v Speaker 1>of them. I'm lucky. Yeah, I got to go hang

0:31:53.600 --> 0:31:56.480
<v Speaker 1>out and so but it was like, if you're a

0:31:56.560 --> 0:31:59.200
<v Speaker 1>super fan, you could pay like bucks and you could

0:31:59.200 --> 0:32:01.120
<v Speaker 1>go walk back still age and get like a banana

0:32:01.200 --> 0:32:02.800
<v Speaker 1>and touch John's I don't know what do you do?

0:32:03.160 --> 0:32:04.760
<v Speaker 1>Is there a little tour but you to see stuff

0:32:05.280 --> 0:32:08.920
<v Speaker 1>it's yes, child guitar and you pay hundred dollars to

0:32:08.920 --> 0:32:10.640
<v Speaker 1>do that and then you get you meet it me.

0:32:10.760 --> 0:32:13.280
<v Speaker 1>Whatever do you do that part of it where you're

0:32:13.320 --> 0:32:16.520
<v Speaker 1>like pay because it is worth something to get the experience.

0:32:16.880 --> 0:32:19.240
<v Speaker 1>We do a thing where you pay extra hundred dollars,

0:32:19.320 --> 0:32:21.400
<v Speaker 1>but you're paying. You come back to the rooms. You

0:32:21.440 --> 0:32:23.360
<v Speaker 1>get you get to come in before anybody else. There's

0:32:23.800 --> 0:32:27.160
<v Speaker 1>beer and alcohol and some food. And I've seen that room. Yeah,

0:32:27.160 --> 0:32:29.960
<v Speaker 1>and there's like a little photo booth charge more. I

0:32:30.000 --> 0:32:32.320
<v Speaker 1>saw people just paying money out the butt for mayor.

0:32:32.960 --> 0:32:34.440
<v Speaker 1>You know, it's a tough thing, you don't. You want

0:32:34.440 --> 0:32:36.080
<v Speaker 1>to keep your ticket prices as low as possible, and

0:32:36.200 --> 0:32:39.080
<v Speaker 1>and and and that's the whole thing out there. Like

0:32:39.320 --> 0:32:41.560
<v Speaker 1>one thing is they still think about Garth Brooks is

0:32:42.320 --> 0:32:44.720
<v Speaker 1>low ticket prices. Man, it's the coolest thing. You want

0:32:44.720 --> 0:32:46.080
<v Speaker 1>to keep low. But that's not the ticket though. That's

0:32:46.080 --> 0:32:47.400
<v Speaker 1>what that's for the rich. But but if you want

0:32:47.440 --> 0:32:48.920
<v Speaker 1>to like, yeah, if you want to, like you know,

0:32:48.960 --> 0:32:50.400
<v Speaker 1>if I go to see if I go to see

0:32:50.400 --> 0:32:52.360
<v Speaker 1>you two or something that they offered like some sort

0:32:52.360 --> 0:32:54.600
<v Speaker 1>of like backstage thing, I would want that because I'm

0:32:54.600 --> 0:32:57.440
<v Speaker 1>a super fan, you know. Um. But yeah, it's and

0:32:57.640 --> 0:32:59.120
<v Speaker 1>I think the fans that one. It's a cool deal

0:32:59.160 --> 0:33:00.880
<v Speaker 1>because we we we do a lot. I used to

0:33:00.880 --> 0:33:02.680
<v Speaker 1>be just be by myself on guitar. But the guys

0:33:02.720 --> 0:33:05.080
<v Speaker 1>in my band, they're sitting around there, like one guy

0:33:05.080 --> 0:33:06.800
<v Speaker 1>I've been started playing with me on the guitar because

0:33:06.840 --> 0:33:07.960
<v Speaker 1>he's like, I don't have anything to do, and I'd

0:33:07.960 --> 0:33:09.880
<v Speaker 1>love to go pick. And then Cassie came out and

0:33:09.880 --> 0:33:11.760
<v Speaker 1>started playing bass and and a kick drum, and then

0:33:12.000 --> 0:33:13.960
<v Speaker 1>Dan bars fiddle. It's like a full show. Now we

0:33:14.040 --> 0:33:15.959
<v Speaker 1>play like forty minutes. It's like a really fun Why

0:33:16.040 --> 0:33:18.280
<v Speaker 1>your voice it sucks on Monday, You're playing six shows

0:33:18.320 --> 0:33:21.160
<v Speaker 1>in three days. Yeah, well yeah, we're and we do

0:33:21.240 --> 0:33:24.000
<v Speaker 1>a lot of backstage just kind of playing as well,

0:33:24.080 --> 0:33:26.280
<v Speaker 1>so it's kind of fried. But it's for them. It's

0:33:26.280 --> 0:33:28.320
<v Speaker 1>really fun. It's really it's it's what's cool about it's

0:33:28.320 --> 0:33:30.760
<v Speaker 1>it's acoustic. Um, I mean it's plugged into it's acoustic,

0:33:30.800 --> 0:33:33.760
<v Speaker 1>and it's I'm taking requests. We're telling jokes and telling stories,

0:33:33.800 --> 0:33:35.880
<v Speaker 1>and it's it's long. It's my it's only supposed to

0:33:35.880 --> 0:33:38.320
<v Speaker 1>be fifte minutes, depends up being like sometimes in thirty

0:33:38.400 --> 0:33:41.360
<v Speaker 1>forty minutes. Yeah. I know in the Nashville show, you

0:33:41.440 --> 0:33:43.440
<v Speaker 1>got really sick before the show, and yeah, I can't.

0:33:43.440 --> 0:33:45.240
<v Speaker 1>I think I can't. No, I did the acoustic thing

0:33:45.280 --> 0:33:46.720
<v Speaker 1>that night, but it was a little bit of a stretch.

0:33:46.800 --> 0:33:48.120
<v Speaker 1>I'm not even gonna say. I was just like, how

0:33:48.160 --> 0:33:50.000
<v Speaker 1>do you do? Because I remember talking to you before

0:33:50.000 --> 0:33:51.239
<v Speaker 1>the show and you're like, I have literally have an

0:33:51.240 --> 0:33:53.520
<v Speaker 1>ivy bag. You took a picture of that. You had water,

0:33:53.840 --> 0:33:56.360
<v Speaker 1>you were hooked up. Yeah, the needle in you. I

0:33:56.400 --> 0:33:58.680
<v Speaker 1>did an ivy and a steroid at twelve and the

0:33:58.720 --> 0:34:00.480
<v Speaker 1>start at at six. It's like, you're worst nightmare. Like

0:34:00.520 --> 0:34:03.080
<v Speaker 1>you just play Nashville, playing your hometown show, and it's

0:34:03.120 --> 0:34:08.439
<v Speaker 1>like to have no voice. It's it was. It makes

0:34:08.480 --> 0:34:11.160
<v Speaker 1>me like get the gs. Just thinking about that moment

0:34:11.600 --> 0:34:13.719
<v Speaker 1>end up being a great night. It was such soil

0:34:13.800 --> 0:34:16.920
<v Speaker 1>cathartic that actually, when your voice starts working, you're like, Wow,

0:34:16.920 --> 0:34:18.640
<v Speaker 1>I'm gonna make it. This is gonna happen. But leading

0:34:18.719 --> 0:34:20.800
<v Speaker 1>up to the whole day was it was terrible. But

0:34:21.160 --> 0:34:23.600
<v Speaker 1>I was able to do the acoustic deal and I

0:34:23.640 --> 0:34:26.160
<v Speaker 1>said to cancel some ingreets and stuff. My cow louds

0:34:26.200 --> 0:34:29.160
<v Speaker 1>the mower coming through the microphones. You can't there's there's

0:34:29.160 --> 0:34:32.520
<v Speaker 1>something where my house. So it's and my name listen,

0:34:32.560 --> 0:34:34.200
<v Speaker 1>what would you do in the situation? That's great? Views

0:34:34.280 --> 0:34:38.560
<v Speaker 1>up here by the way, Yeah, this is the cool.

0:34:38.640 --> 0:34:41.200
<v Speaker 1>It's the top floor, so it's cool. Yeah. So but

0:34:41.280 --> 0:34:42.520
<v Speaker 1>my neighbor, I'm gonna tell you, what would you do

0:34:42.560 --> 0:34:44.000
<v Speaker 1>in this situation. I don't know if you have neighbors

0:34:44.040 --> 0:34:48.400
<v Speaker 1>that you say. I got neighbors broken. So the a

0:34:48.640 --> 0:34:52.640
<v Speaker 1>trash cans and they're this neighbor. I live in a

0:34:52.800 --> 0:34:56.200
<v Speaker 1>nice house, but this neighborhood is still growing, so it's

0:34:56.239 --> 0:34:59.520
<v Speaker 1>all different kinds of houses and so they're in no

0:34:59.680 --> 0:35:01.640
<v Speaker 1>h a cause it's not like a super great neighborhood. No.

0:35:01.760 --> 0:35:05.040
<v Speaker 1>I mean, I love where you lives. You're just part

0:35:05.040 --> 0:35:08.839
<v Speaker 1>of the gang over here. Yeah, so I'm just part

0:35:08.840 --> 0:35:10.480
<v Speaker 1>of the crew. I thought there might be a gate

0:35:10.560 --> 0:35:13.680
<v Speaker 1>or something. There wasn't. There wasn't. There was one point

0:35:13.719 --> 0:35:15.200
<v Speaker 1>Attigaate at one point when I moved here, they maybe

0:35:15.440 --> 0:35:17.680
<v Speaker 1>and have a security, a secured place in my contract

0:35:17.719 --> 0:35:20.480
<v Speaker 1>because if you know, just getting jumped. So I lived

0:35:20.520 --> 0:35:22.560
<v Speaker 1>there and I lived downtown and place flooded. Let me

0:35:22.600 --> 0:35:25.480
<v Speaker 1>get to my point here. My girlfriend was out and

0:35:25.520 --> 0:35:27.520
<v Speaker 1>my neighbor comes over to the house and starts knocks

0:35:27.560 --> 0:35:30.160
<v Speaker 1>on the door, and Lindsay's here and she's like, yeah, hello,

0:35:30.719 --> 0:35:33.280
<v Speaker 1>how your trash cans are they? When when it storms

0:35:33.320 --> 0:35:36.360
<v Speaker 1>they dump over And so there's like cardboard and we

0:35:36.440 --> 0:35:38.080
<v Speaker 1>don't like that. So she was like, okay, great. So

0:35:38.480 --> 0:35:41.080
<v Speaker 1>my girlfriend like gets bungee cables and straps them to

0:35:41.120 --> 0:35:45.480
<v Speaker 1>the wood and liked whatever. So then my neighbor has

0:35:45.640 --> 0:35:47.880
<v Speaker 1>sends a note to her because she gives her. She's like, hey,

0:35:47.880 --> 0:35:51.359
<v Speaker 1>if you need anything, here's my cell phone number right there.

0:35:51.920 --> 0:35:54.399
<v Speaker 1>And so my neighbors in the text of her going hey,

0:35:54.640 --> 0:35:57.239
<v Speaker 1>do you need a lawn service? And I was like,

0:35:57.360 --> 0:36:01.080
<v Speaker 1>you gotta be kidding me. She texted the neighbor text lindsay, no,

0:36:01.239 --> 0:36:04.879
<v Speaker 1>we're good. Thanks. What would you have done? Because my listen,

0:36:04.920 --> 0:36:06.800
<v Speaker 1>my y'all wasn't in the best shape, but it was

0:36:06.880 --> 0:36:09.399
<v Speaker 1>just now lawnmowing time. Dude. I would let that grow.

0:36:10.040 --> 0:36:11.640
<v Speaker 1>I would just let it grow. What are you talking

0:36:11.680 --> 0:36:14.800
<v Speaker 1>about me that she talked me out of it? That

0:36:14.840 --> 0:36:17.880
<v Speaker 1>would really? That would that would not That would not

0:36:17.920 --> 0:36:20.359
<v Speaker 1>sit well with me, Like, just you do you, I'll

0:36:20.400 --> 0:36:22.520
<v Speaker 1>do me. And my dog has to have a backyard too,

0:36:22.520 --> 0:36:24.239
<v Speaker 1>so I thought about bulling like one little square for

0:36:24.360 --> 0:36:28.000
<v Speaker 1>him and letting the rest grow up. But you know,

0:36:28.080 --> 0:36:30.600
<v Speaker 1>everybody kind of leaves everybody alone over here. Yeah, man,

0:36:31.400 --> 0:36:33.800
<v Speaker 1>thanks Mike, Do you is that a weird thing? For

0:36:33.880 --> 0:36:37.879
<v Speaker 1>you that people know where Dark Smiley lives. You know. Um,

0:36:40.040 --> 0:36:42.040
<v Speaker 1>I struggled that a little bit. But it's it's all good.

0:36:42.080 --> 0:36:45.680
<v Speaker 1>I mean country music fans are so we're lucky. Not fans, neighbors.

0:36:46.520 --> 0:36:51.919
<v Speaker 1>Uh no, we're pretty I'm walking my dogs and because

0:36:51.960 --> 0:36:54.960
<v Speaker 1>of riding the street and everyone's everyone's pretty cool about it. Mean,

0:36:55.000 --> 0:36:57.240
<v Speaker 1>it's yeah, it's no, it's not problem for me. Was famous.

0:36:58.520 --> 0:37:03.279
<v Speaker 1>Um no, big gate. I've never been over. The people

0:37:03.280 --> 0:37:04.440
<v Speaker 1>say I should get a gate, but I don't have

0:37:04.440 --> 0:37:07.480
<v Speaker 1>a gate. M Yeah, your kids will have to have

0:37:07.560 --> 0:37:09.480
<v Speaker 1>like go carts. Get the buses drive by a little

0:37:09.480 --> 0:37:11.520
<v Speaker 1>bit of stuff like that. Like what buses it's country

0:37:11.520 --> 0:37:14.080
<v Speaker 1>and Western tour buses. They come by your house and

0:37:14.120 --> 0:37:19.160
<v Speaker 1>say that's where. Oh no, I mused to be like

0:37:19.200 --> 0:37:21.600
<v Speaker 1>six seven times a day out. I don't think they

0:37:21.600 --> 0:37:24.120
<v Speaker 1>can get around up here, but yeah they can by

0:37:24.120 --> 0:37:25.719
<v Speaker 1>a little bit. You know, there's those folks in there.

0:37:27.120 --> 0:37:30.600
<v Speaker 1>It's all good. It is all good. N I like,

0:37:30.800 --> 0:37:33.080
<v Speaker 1>our listeners are the greatest, but it's when you get

0:37:33.200 --> 0:37:38.640
<v Speaker 1>the one point the point one percent of person who Yeah,

0:37:38.719 --> 0:37:40.080
<v Speaker 1>but I should say too. I have a lot of

0:37:40.120 --> 0:37:42.120
<v Speaker 1>security features and I have guns as well. Too. I

0:37:42.160 --> 0:37:45.560
<v Speaker 1>mean we're we're recording stuff. I can't believe these things

0:37:45.719 --> 0:37:48.440
<v Speaker 1>drive by your house. Like I would call them at

0:37:48.440 --> 0:37:50.960
<v Speaker 1>their work and be like, hey, listen, no, let's not

0:37:51.040 --> 0:37:52.880
<v Speaker 1>do this. There's a time I was you got those

0:37:52.880 --> 0:37:54.680
<v Speaker 1>thoughts like gonna put like nails in the road or

0:37:54.719 --> 0:37:57.920
<v Speaker 1>somebody that's no, I never had that thought. I never

0:37:58.000 --> 0:38:00.800
<v Speaker 1>had all put nails in the road. Well I have,

0:38:00.960 --> 0:38:03.960
<v Speaker 1>I've gone, I've gone, I'm gone drive for a place

0:38:04.000 --> 0:38:05.719
<v Speaker 1>in my life now. I'm like, it's all it's it's

0:38:05.719 --> 0:38:08.239
<v Speaker 1>all good. But you can go the other direction well

0:38:08.280 --> 0:38:09.520
<v Speaker 1>as well, and do it like what guys like web

0:38:09.600 --> 0:38:11.880
<v Speaker 1>piers big countries sing. In the sixties, he used to

0:38:11.880 --> 0:38:14.040
<v Speaker 1>have bus to stop his house and selling pool water.

0:38:14.239 --> 0:38:17.040
<v Speaker 1>He would literally jarve, like little what was cool? For

0:38:17.160 --> 0:38:19.040
<v Speaker 1>five dollars, you can have some web piers to pool water?

0:38:19.120 --> 0:38:20.920
<v Speaker 1>So does that? You know this doesn't work out for me?

0:38:21.680 --> 0:38:23.239
<v Speaker 1>Maybe I'll start selling us some Uh I don't have

0:38:23.280 --> 0:38:27.480
<v Speaker 1>a pool, I'll start selling uh grass clippings. Speaking of yards,

0:38:27.719 --> 0:38:30.000
<v Speaker 1>your love blue apron? Oh that's the next Did I

0:38:30.120 --> 0:38:32.440
<v Speaker 1>use that all the time? I swear to guy, I

0:38:32.520 --> 0:38:34.640
<v Speaker 1>have a box because it comes like twice a week

0:38:34.640 --> 0:38:37.680
<v Speaker 1>for the big box. It's kind of a waste. Derk

0:38:37.800 --> 0:38:40.759
<v Speaker 1>is doing the Blue Okay, I'll talk. I want to

0:38:40.760 --> 0:38:44.239
<v Speaker 1>talk about YouTube per scon um so Blue Apron, you

0:38:44.320 --> 0:38:47.360
<v Speaker 1>get it, honestly, I honestly what is Apron? It's a

0:38:47.480 --> 0:38:50.480
<v Speaker 1>it's why I like some of the vegetarian options. That's

0:38:50.560 --> 0:38:52.839
<v Speaker 1>my wife's vegetarian. But it's just a food delivery service

0:38:52.880 --> 0:38:54.600
<v Speaker 1>that comes in a box. That's cool, and it has

0:38:54.600 --> 0:38:57.320
<v Speaker 1>a bunch of like it's cold as as ice packets

0:38:57.360 --> 0:38:59.359
<v Speaker 1>in there, and has a bunch of different like food options.

0:38:59.360 --> 0:39:01.200
<v Speaker 1>They're pretty easy to make. If you're not pretty good

0:39:01.320 --> 0:39:03.480
<v Speaker 1>Blue Apron, that's good. You get this guy over here,

0:39:03.800 --> 0:39:06.040
<v Speaker 1>he Dirk says, like us, I'm not very good cook.

0:39:06.080 --> 0:39:08.799
<v Speaker 1>I make mostly ppu J sandwiches and spaghetti. But Blue

0:39:08.800 --> 0:39:11.279
<v Speaker 1>Apron I may actually able to fall instructions and put

0:39:11.320 --> 0:39:13.319
<v Speaker 1>together pretty good meal. It's like he's reading the page,

0:39:14.400 --> 0:39:17.640
<v Speaker 1>so listen. Not all ingredients are created equal. Fresh high

0:39:17.680 --> 0:39:20.120
<v Speaker 1>quality agredients make the difference, and so Blue Apron is

0:39:20.120 --> 0:39:22.359
<v Speaker 1>affordable to if you're on a budget, like Dirk sist.

0:39:22.400 --> 0:39:24.719
<v Speaker 1>For less than ten bucks per person per meal, Blue

0:39:24.719 --> 0:39:27.560
<v Speaker 1>Apron deliver seasonal recipes with preportion ingredients, like he says,

0:39:27.600 --> 0:39:29.560
<v Speaker 1>and there's a card to that actually tells me how

0:39:29.600 --> 0:39:30.960
<v Speaker 1>to make that. Without the card, I would make nothing.

0:39:31.160 --> 0:39:32.719
<v Speaker 1>I would know how to make nothing. And I can

0:39:32.800 --> 0:39:35.680
<v Speaker 1>make mid these crazy meals if you're a vegetarian or

0:39:35.880 --> 0:39:37.640
<v Speaker 1>I get I like some of the seafood stuff too,

0:39:38.000 --> 0:39:40.200
<v Speaker 1>but the car tells you how to do it and

0:39:40.400 --> 0:39:42.080
<v Speaker 1>they deliver right now. Check out this week's men. You

0:39:42.120 --> 0:39:44.280
<v Speaker 1>get the first three meals for free with free shipping

0:39:44.520 --> 0:39:47.239
<v Speaker 1>Blue Apron dot Com slash Bobby, Blue Apron dot Com

0:39:47.440 --> 0:39:51.239
<v Speaker 1>slash Bobby and so I get, do you have to cook?

0:39:51.280 --> 0:39:53.000
<v Speaker 1>Do you ever? Do you put the kids launches together? Ever?

0:39:53.960 --> 0:39:57.360
<v Speaker 1>H my wife does does launches the morning? Or did

0:39:57.680 --> 0:39:59.440
<v Speaker 1>me tag team? This is as a it's a full

0:39:59.520 --> 0:40:02.080
<v Speaker 1>on tag team session in the morning, so everyone's kind

0:40:02.080 --> 0:40:03.480
<v Speaker 1>of a little bit everything, But it seems like she

0:40:03.560 --> 0:40:05.719
<v Speaker 1>usually makes the PB and J sandwich. What's it too?

0:40:05.760 --> 0:40:07.680
<v Speaker 1>Because everybody knows you as the guy that does the music.

0:40:07.760 --> 0:40:10.160
<v Speaker 1>But what's a Tuesday like for you? Get up at

0:40:10.160 --> 0:40:12.759
<v Speaker 1>four forty four, gives me one minute to give me

0:40:12.840 --> 0:40:15.239
<v Speaker 1>thirty seconds complain and and talk about I don't want

0:40:15.239 --> 0:40:16.840
<v Speaker 1>to get up, and gives me thirty seconds to actually

0:40:17.760 --> 0:40:19.520
<v Speaker 1>start think about the positives of how I feel after

0:40:19.560 --> 0:40:21.719
<v Speaker 1>I work out. I go the gym do a group

0:40:21.800 --> 0:40:25.920
<v Speaker 1>workout from five to do a group work out. Do

0:40:26.000 --> 0:40:28.640
<v Speaker 1>people stare at you and go there's exper I don't know,

0:40:29.000 --> 0:40:31.759
<v Speaker 1>that's all. No one cares. I mean, it's all it's

0:40:31.760 --> 0:40:34.680
<v Speaker 1>all good, good. Everyone's there. People are working at five

0:40:34.680 --> 0:40:36.640
<v Speaker 1>o'clock in the morning. They don't care who I am

0:40:36.800 --> 0:40:38.640
<v Speaker 1>there there how you said like, I want to tell

0:40:38.640 --> 0:40:40.759
<v Speaker 1>a yoga glasses now, and I was terrible. I'm terrible

0:40:40.880 --> 0:40:43.040
<v Speaker 1>yoga right at three of you. I'm embarrassed because I'm

0:40:43.040 --> 0:40:44.279
<v Speaker 1>not good at it. Three people coming to me and

0:40:44.320 --> 0:40:46.000
<v Speaker 1>be like, hey, five, we're doing you know, And I'm

0:40:46.000 --> 0:40:48.600
<v Speaker 1>just humiliated because they were watching. They maybe you just

0:40:48.680 --> 0:40:52.560
<v Speaker 1>don't know. No, I don't that, you know. It's all.

0:40:52.640 --> 0:40:55.960
<v Speaker 1>It's all just regular people and no one. Again, it's

0:40:56.040 --> 0:40:58.279
<v Speaker 1>five o'clock the morning. These people are not they're there

0:40:58.440 --> 0:41:01.080
<v Speaker 1>to work out. They're not really that Danish and who

0:41:01.120 --> 0:41:03.600
<v Speaker 1>else is there. It's a really hard workout. It's freaking exhausting.

0:41:04.760 --> 0:41:08.439
<v Speaker 1>I get home and I, you know, hopefully everyone's still

0:41:08.440 --> 0:41:11.040
<v Speaker 1>asleep because they need to be sleep. But my house

0:41:11.160 --> 0:41:13.279
<v Speaker 1>always has gotten up so early, and uh, we just

0:41:13.400 --> 0:41:14.719
<v Speaker 1>you know, trying to get that morning time. It's kind

0:41:14.719 --> 0:41:16.239
<v Speaker 1>of like that's kind of some people that family dinner.

0:41:16.280 --> 0:41:18.640
<v Speaker 1>For us, like breakfast is like the time we're most

0:41:18.680 --> 0:41:22.320
<v Speaker 1>together doing stuff and and you know, just trying to

0:41:22.680 --> 0:41:25.520
<v Speaker 1>it's a dance with the food and the dogs and

0:41:25.840 --> 0:41:27.680
<v Speaker 1>just trying to make the morning great and get the

0:41:27.719 --> 0:41:30.960
<v Speaker 1>door in positive spirits and get those guys off to school.

0:41:30.960 --> 0:41:34.760
<v Speaker 1>And then I come back and start working on stuff.

0:41:34.840 --> 0:41:37.360
<v Speaker 1>But what does that mean? Working on steps writing songs

0:41:37.400 --> 0:41:38.839
<v Speaker 1>and right, no, I'm trying to work on the record.

0:41:38.880 --> 0:41:41.520
<v Speaker 1>So I'm writing with like tomorrom right with Casey Bethard

0:41:41.560 --> 0:41:45.520
<v Speaker 1>and Jaren Johnson and but you know, uh and just

0:41:45.560 --> 0:41:47.479
<v Speaker 1>trying to catch up on on life that I've missed

0:41:47.520 --> 0:41:50.960
<v Speaker 1>from being from being down the road. Um, so that's

0:41:51.000 --> 0:41:53.000
<v Speaker 1>pretty much what Tuesday morning looks like, you know. Then

0:41:53.040 --> 0:41:54.920
<v Speaker 1>and trying to catch with cast too, you know, doing

0:41:54.920 --> 0:41:56.640
<v Speaker 1>stuff with her, just dumb stuff. I don't know. It

0:41:56.760 --> 0:41:59.520
<v Speaker 1>was running errands, you know, gonna do some more groceries

0:41:59.600 --> 0:42:03.160
<v Speaker 1>or stuff. I don't know, take him someone's shoes get

0:42:03.200 --> 0:42:08.719
<v Speaker 1>fixed the shoe store. Uh, just stuff, man, will you

0:42:09.000 --> 0:42:11.360
<v Speaker 1>right with somebody else for them? At this point, or

0:42:11.400 --> 0:42:13.720
<v Speaker 1>you just right for yourself? I just right for myself.

0:42:13.760 --> 0:42:15.960
<v Speaker 1>I don't think I'm I think enough writer, right for

0:42:16.000 --> 0:42:17.680
<v Speaker 1>the people. I'd love to get a cut from somebody else,

0:42:17.760 --> 0:42:19.960
<v Speaker 1>but I think, hey, when I see someone else right,

0:42:20.000 --> 0:42:21.840
<v Speaker 1>when I see another artist name on a song, my

0:42:21.920 --> 0:42:24.040
<v Speaker 1>first thought is like, how come this song wasn't good

0:42:24.120 --> 0:42:25.759
<v Speaker 1>enough for you? But you're pitching up to me, you know?

0:42:26.520 --> 0:42:29.399
<v Speaker 1>And second I don't. I just don't all the time.

0:42:29.440 --> 0:42:32.280
<v Speaker 1>And I don't think I mean from Ryan. With guys

0:42:32.360 --> 0:42:34.960
<v Speaker 1>like John Knight and Ross comprom every day, I'm sure

0:42:34.960 --> 0:42:36.960
<v Speaker 1>I could get something cut by somebody else because those

0:42:36.960 --> 0:42:38.480
<v Speaker 1>guys are on fire. But I just right for me,

0:42:38.760 --> 0:42:41.399
<v Speaker 1>I asked, because I guess three or four days ago

0:42:41.440 --> 0:42:43.000
<v Speaker 1>you text them like, hey, let's that's right, let's me

0:42:43.040 --> 0:42:44.960
<v Speaker 1>and you right? And I was like, what did I say?

0:42:45.560 --> 0:42:47.200
<v Speaker 1>You can test exactly what I said back to you.

0:42:47.440 --> 0:42:49.560
<v Speaker 1>You said, hey, let's write. What was my response? He said, no,

0:42:49.719 --> 0:42:51.239
<v Speaker 1>I'm not good enough for somebody, And I said, I

0:42:51.360 --> 0:42:54.280
<v Speaker 1>don't deserve to have to sit and write with Dirks

0:42:54.320 --> 0:42:57.239
<v Speaker 1>and Ross. That's that's the only do anything. I would

0:42:57.320 --> 0:42:58.800
<v Speaker 1>never I only do stuff now at this point my

0:42:58.840 --> 0:43:01.719
<v Speaker 1>career that like interests me excited, excise me. It's fun.

0:43:02.360 --> 0:43:04.080
<v Speaker 1>And the idea of you mean, Ross in a room

0:43:04.520 --> 0:43:06.520
<v Speaker 1>running would just be really fun because he's such a

0:43:06.600 --> 0:43:10.000
<v Speaker 1>positive guy. Some people in this town that you could

0:43:10.040 --> 0:43:12.000
<v Speaker 1>write like that's what I was like. I was like, no,

0:43:12.200 --> 0:43:14.560
<v Speaker 1>I don't think we could get something really great. Maybe

0:43:14.680 --> 0:43:16.680
<v Speaker 1>really we could get something really good, but I don't

0:43:16.719 --> 0:43:19.440
<v Speaker 1>deserve that. It's not about deserve. Of course you deserve it.

0:43:19.480 --> 0:43:21.399
<v Speaker 1>You don't. We don't. We don't deserve anything we're doing.

0:43:21.440 --> 0:43:26.160
<v Speaker 1>We're doing well, we work for and make it happen.

0:43:26.520 --> 0:43:35.160
<v Speaker 1>And our Jake mom where fight? I Oh, you know

0:43:35.200 --> 0:43:37.080
<v Speaker 1>what I mean? You deserve to be that? I would

0:43:37.080 --> 0:43:39.960
<v Speaker 1>you not deserve to be in that room because not

0:43:40.160 --> 0:43:44.880
<v Speaker 1>to do that, I mean you're on stage by yourself

0:43:44.960 --> 0:43:48.000
<v Speaker 1>doing comedy, which is probably sounds like the living like

0:43:48.280 --> 0:43:49.920
<v Speaker 1>that sounds like hell to me. It sounds like like

0:43:50.040 --> 0:43:51.800
<v Speaker 1>my dad, sound like hill, do you stuff before you

0:43:51.840 --> 0:43:52.920
<v Speaker 1>want to do? And I was like, dude, come out,

0:43:53.160 --> 0:43:54.520
<v Speaker 1>you can never do that. I had tell to the

0:43:54.640 --> 0:43:57.359
<v Speaker 1>jokes on stage and they usually bomb and I usually say, Okay,

0:43:57.480 --> 0:43:59.320
<v Speaker 1>I'll get back to this thing, thanks for listening. So

0:44:00.000 --> 0:44:01.640
<v Speaker 1>but you know, I don't know. I don't think this

0:44:01.719 --> 0:44:04.080
<v Speaker 1>matter deserves it does a matter of it would be fun.

0:44:05.000 --> 0:44:07.680
<v Speaker 1>You say you're a you two super fan. How is

0:44:07.680 --> 0:44:10.560
<v Speaker 1>that your favorite band? I think it is. Yeah, I

0:44:10.600 --> 0:44:13.960
<v Speaker 1>think there's my favorite band. What's your I have a rule?

0:44:14.239 --> 0:44:16.640
<v Speaker 1>Your favorite bank, your favorite song for them? Can't be

0:44:16.680 --> 0:44:21.080
<v Speaker 1>a huge radio song. Oh gosh on Earth? No no, no,

0:44:21.120 --> 0:44:22.680
<v Speaker 1>I asked much favorite song? I shouldn't told you the

0:44:22.719 --> 0:44:24.719
<v Speaker 1>rule before I told you the Probably a song called

0:44:24.760 --> 0:44:29.839
<v Speaker 1>peace on Earth? Why? Um, that's just how it's kind

0:44:29.880 --> 0:44:31.880
<v Speaker 1>of a really morbid song, but it's just about how

0:44:32.000 --> 0:44:34.560
<v Speaker 1>there's never really will be peace on Earth. I got

0:44:34.600 --> 0:44:36.400
<v Speaker 1>it all up here, I have whatever whatever. That's my

0:44:36.480 --> 0:44:42.040
<v Speaker 1>favorite record right there? From man we get on this computer.

0:44:42.040 --> 0:44:43.960
<v Speaker 1>I gotta going through Alexa right now? You have an Alexa.

0:44:44.080 --> 0:44:46.759
<v Speaker 1>Kite is so good to go? Let's play kite? Well,

0:44:46.760 --> 0:44:49.839
<v Speaker 1>hold on, it's like a song for your kids, Mike,

0:44:49.920 --> 0:44:51.560
<v Speaker 1>what's happening over here? But what what? But did I

0:44:51.600 --> 0:44:54.840
<v Speaker 1>not push right this computer? That's playing a little bit?

0:44:55.040 --> 0:44:58.759
<v Speaker 1>Can you hear it? Oh? There it is? Is that

0:44:58.920 --> 0:45:05.239
<v Speaker 1>Peace on Earth? I had the volumes too. I mean, okay,

0:45:05.560 --> 0:45:06.839
<v Speaker 1>if I had to pick on that list or there

0:45:06.840 --> 0:45:09.680
<v Speaker 1>would probably be it would probably be Kupe. This is

0:45:09.760 --> 0:45:12.960
<v Speaker 1>a later YouTube record though, and this is your favorite

0:45:13.000 --> 0:45:15.080
<v Speaker 1>hut because I remember playing this on the way told

0:45:15.120 --> 0:45:17.920
<v Speaker 1>me like I have to go back and I mean cool,

0:45:18.880 --> 0:45:22.600
<v Speaker 1>I mean so good. Yeah, I don't love about them.

0:45:22.640 --> 0:45:24.879
<v Speaker 1>It's just their energy as a band, and you watch

0:45:25.000 --> 0:45:26.880
<v Speaker 1>them play, it's like how many shows you been too?

0:45:28.040 --> 0:45:34.319
<v Speaker 1>Not that many? I'm five us probably been at four. Yeah, yeah,

0:45:34.520 --> 0:45:36.120
<v Speaker 1>he said my name at the National show. I had

0:45:36.160 --> 0:45:39.520
<v Speaker 1>dinner with them the night before. Oh wow, Yeah, it's

0:45:39.560 --> 0:45:41.800
<v Speaker 1>pretty Uh, it's pretty amazing. Let's do this because we

0:45:41.880 --> 0:45:44.040
<v Speaker 1>do this on the show, the biggest name dropper story,

0:45:44.440 --> 0:45:46.120
<v Speaker 1>because I don't know if it's bigger than Bono, So

0:45:46.160 --> 0:45:48.520
<v Speaker 1>I'm gonna I'm gonna that one does not count because

0:45:48.520 --> 0:45:50.040
<v Speaker 1>I'd like to hear more about that. But let's take

0:45:50.080 --> 0:45:53.680
<v Speaker 1>Bonno out of the names. Yeah, biggest name dropper story.

0:45:55.280 --> 0:45:58.399
<v Speaker 1>Um gosh, man, I mean I don't have that many

0:45:58.480 --> 0:46:00.680
<v Speaker 1>famous like no, no, the what you do you have

0:46:00.840 --> 0:46:03.560
<v Speaker 1>to I have coins? I mean give me like one

0:46:03.600 --> 0:46:05.799
<v Speaker 1>of yours. Let me think about her saying like, um, okay,

0:46:05.840 --> 0:46:08.080
<v Speaker 1>I'll give you as you think about it. So I

0:46:08.160 --> 0:46:10.360
<v Speaker 1>went to yeah, I don't care. I've talked about. I

0:46:10.440 --> 0:46:13.720
<v Speaker 1>went to Augusta with John Legend. Yeah, and we still

0:46:13.920 --> 0:46:15.840
<v Speaker 1>you know, there were four of us and it was

0:46:15.960 --> 0:46:18.640
<v Speaker 1>me Andy Erotic, John Legend and another buddy. But we

0:46:18.719 --> 0:46:20.600
<v Speaker 1>just we was there for two days hanging out watching

0:46:20.640 --> 0:46:23.000
<v Speaker 1>golf and I was and I don't I mentioned it

0:46:23.040 --> 0:46:25.120
<v Speaker 1>because I don't like but it's that's a pretty cool.

0:46:25.160 --> 0:46:26.799
<v Speaker 1>And we sat around the house for two days hanging out.

0:46:26.800 --> 0:46:28.600
<v Speaker 1>I had had a glass of wine with Phil Mickelson

0:46:28.640 --> 0:46:33.080
<v Speaker 1>one time with the golf and um, then that's not

0:46:33.239 --> 0:46:35.160
<v Speaker 1>that's not that called Peyton Manning is a friend that

0:46:35.200 --> 0:46:38.799
<v Speaker 1>account that's cool friends. I went fishing. I went fishing

0:46:38.800 --> 0:46:41.480
<v Speaker 1>all day long with Peyton Manning up in a northern

0:46:42.040 --> 0:46:46.480
<v Speaker 1>uh Canada but British Columbia. We fished for like gigantic

0:46:46.520 --> 0:46:48.720
<v Speaker 1>fish for half the day. So that'd be my biggest

0:46:48.760 --> 0:46:53.839
<v Speaker 1>Probably what's Manning like? He's totally cool? Yes, So he's

0:46:53.840 --> 0:46:55.719
<v Speaker 1>just like the guy on the Papa John's commercial. Man

0:46:55.800 --> 0:46:58.480
<v Speaker 1>He's like laid back and funny and good stories and

0:46:58.560 --> 0:47:00.799
<v Speaker 1>easy to be around. And I had dinner with Eli

0:47:00.960 --> 0:47:05.520
<v Speaker 1>once at Peyton super Bowl, which one in Miami. I

0:47:05.640 --> 0:47:14.880
<v Speaker 1>went Archie, Eli and and Cooper because Peyton was playing,

0:47:15.600 --> 0:47:19.239
<v Speaker 1>and so we went and had dinner the night before. Yeah,

0:47:19.320 --> 0:47:22.320
<v Speaker 1>and I just remember Eli being so big and like

0:47:22.480 --> 0:47:26.000
<v Speaker 1>he doesn't look big on TV's those are monsters, I

0:47:26.080 --> 0:47:29.520
<v Speaker 1>mean Peyton's monster. Peyton. So and we actually watched the

0:47:29.640 --> 0:47:32.080
<v Speaker 1>very first game of the year this last year with

0:47:32.160 --> 0:47:35.320
<v Speaker 1>Peyton in a suite in Denver and we were watching

0:47:35.400 --> 0:47:37.000
<v Speaker 1>it was so, you guys are real friend, like you

0:47:37.000 --> 0:47:40.239
<v Speaker 1>would call Peyton? Yeah, I texted the moment. Yeah. Do

0:47:40.440 --> 0:47:42.799
<v Speaker 1>you still get nervous texting him? No, like like he's

0:47:42.840 --> 0:47:45.080
<v Speaker 1>gonna judge you, Like your text has to be right on. No, No,

0:47:45.239 --> 0:47:47.359
<v Speaker 1>I do not. I know because there are a couple

0:47:47.360 --> 0:47:49.359
<v Speaker 1>people I feel like that with them, like oh right,

0:47:49.440 --> 0:47:52.920
<v Speaker 1>timing don't do too often? And do you respond to

0:47:52.920 --> 0:47:55.919
<v Speaker 1>their texts? There? You know you right back right away?

0:47:56.440 --> 0:47:59.720
<v Speaker 1>Give it a second or you respond knowing the knockna

0:47:59.719 --> 0:48:01.839
<v Speaker 1>respond back? That's okay because you're kind of in feor

0:48:01.880 --> 0:48:04.640
<v Speaker 1>in this relationship. Um, that's a funny one though, Like

0:48:04.680 --> 0:48:06.080
<v Speaker 1>who do you have that relate because I can tell

0:48:06.080 --> 0:48:07.520
<v Speaker 1>your mind too, Like, who do you have that relationship

0:48:07.560 --> 0:48:10.320
<v Speaker 1>with where it's like I have their number? Well, certainly

0:48:10.400 --> 0:48:13.600
<v Speaker 1>with him with with with Bono, I like, I texted him,

0:48:13.840 --> 0:48:16.800
<v Speaker 1>I mean I used to like that's another one. Like

0:48:16.880 --> 0:48:20.200
<v Speaker 1>I kind of kind of manifested that meeting him because

0:48:20.200 --> 0:48:21.640
<v Speaker 1>I used to like carry. I saw him the one

0:48:21.680 --> 0:48:24.880
<v Speaker 1>time in all places in Hawaii. I finished and he

0:48:24.960 --> 0:48:27.200
<v Speaker 1>went saw Pearl jam And and Youtuboe together in Hawaii

0:48:27.239 --> 0:48:29.919
<v Speaker 1>with the same show. Yeah. It was in two thousand seven,

0:48:30.360 --> 0:48:32.000
<v Speaker 1>and I had had a CD in my back and

0:48:32.080 --> 0:48:33.680
<v Speaker 1>my jeans because I was like, I know, I'm gonna

0:48:34.040 --> 0:48:35.520
<v Speaker 1>I'm gonna pitch in this song because I want to

0:48:35.520 --> 0:48:38.040
<v Speaker 1>get what you wanted to pitch a song sing on

0:48:38.080 --> 0:48:40.600
<v Speaker 1>my record. Yeah, and I finally made that. I actually

0:48:40.680 --> 0:48:43.239
<v Speaker 1>finally Uh there's a song on my last record called

0:48:43.400 --> 0:48:45.600
<v Speaker 1>Here on Earth. And I sent to him and he

0:48:45.680 --> 0:48:48.320
<v Speaker 1>wrote back, this is a you know, he's one of

0:48:48.320 --> 0:48:50.600
<v Speaker 1>those guys who can just say like in in three lines,

0:48:50.680 --> 0:48:52.799
<v Speaker 1>every line is like so profound, it's like so well

0:48:52.840 --> 0:48:55.279
<v Speaker 1>written and just he's on a different level. And I

0:48:55.920 --> 0:48:57.960
<v Speaker 1>of course emailed back this long thing, but hey, we're

0:48:57.960 --> 0:48:59.960
<v Speaker 1>coming to Ireland's go to go to We'll go to

0:49:00.040 --> 0:49:03.000
<v Speaker 1>a pub and all this stuff, beerds and stuff. Yeah,

0:49:03.040 --> 0:49:04.759
<v Speaker 1>I didn't get that response, but he's I think he's

0:49:04.760 --> 0:49:07.719
<v Speaker 1>pretty busy, but um, yeah, those I know what you're

0:49:07.719 --> 0:49:10.880
<v Speaker 1>talking about. Give me one more because it's like you

0:49:11.400 --> 0:49:12.719
<v Speaker 1>have to look at the time on your clock and

0:49:12.920 --> 0:49:14.920
<v Speaker 1>you're like, okay, you figure if he didn't do with

0:49:14.960 --> 0:49:16.840
<v Speaker 1>his family, well a text bothers in here with his family,

0:49:17.680 --> 0:49:20.480
<v Speaker 1>does he even want to hear from me? I know, like, like,

0:49:21.480 --> 0:49:25.560
<v Speaker 1>h we're just talking about We're just talking about family

0:49:25.600 --> 0:49:28.360
<v Speaker 1>supper on the road yesterday. But Steve ms Mar drummer,

0:49:28.640 --> 0:49:30.680
<v Speaker 1>He's like, I think I've kind of fan girl James

0:49:30.760 --> 0:49:32.960
<v Speaker 1>Neal a little too much. Who's the hockey player for

0:49:33.000 --> 0:49:35.480
<v Speaker 1>the Preds. He's like, yeah, I'm kind of like I

0:49:35.520 --> 0:49:37.279
<v Speaker 1>don't know him that well. And I keep texting like

0:49:39.120 --> 0:49:41.520
<v Speaker 1>you're so awesome, and he's like, I think I got

0:49:41.600 --> 0:49:43.120
<v Speaker 1>it back off a little bit. It's like, yeah, let

0:49:43.160 --> 0:49:46.160
<v Speaker 1>me texting. I texted me like he run me back.

0:49:46.280 --> 0:49:48.759
<v Speaker 1>But yeah, everyone is guilty of that too a little bit.

0:49:48.840 --> 0:49:51.040
<v Speaker 1>But I can't think of nobody else. You're gonna add

0:49:51.080 --> 0:49:53.960
<v Speaker 1>it us? No, I'm trying to, man, I'm I'm terrible

0:49:54.080 --> 0:49:57.719
<v Speaker 1>text me. I've been like bought a flip phone. I

0:49:57.840 --> 0:50:00.839
<v Speaker 1>love iPhones and I love Apple and we live for him.

0:50:00.840 --> 0:50:02.360
<v Speaker 1>But I'm like that's why I paying how much I

0:50:02.440 --> 0:50:03.880
<v Speaker 1>love your show. Like this is such a gretit of

0:50:03.920 --> 0:50:10.600
<v Speaker 1>this podcast because I'm good. I've been like trying to

0:50:10.600 --> 0:50:12.080
<v Speaker 1>do like one day week when I'm just on my

0:50:12.560 --> 0:50:14.680
<v Speaker 1>flipphone for the whole day and it's so hard. But

0:50:14.840 --> 0:50:18.279
<v Speaker 1>it's just like I am so over, you know, it's

0:50:18.320 --> 0:50:21.000
<v Speaker 1>a love hey relationship with the technology was texting and

0:50:21.080 --> 0:50:22.839
<v Speaker 1>I text so many people, but like that's not really

0:50:23.480 --> 0:50:25.200
<v Speaker 1>is that really? And maybe we're keeping up, but is

0:50:25.280 --> 0:50:27.360
<v Speaker 1>that really? I don't have an hour conversation with somebody

0:50:27.360 --> 0:50:29.400
<v Speaker 1>to have, like a real conversation is better than nothing

0:50:29.680 --> 0:50:32.240
<v Speaker 1>because at the pace that you're going and people always

0:50:32.239 --> 0:50:35.239
<v Speaker 1>go out, phones are one of our phones actually keeping

0:50:35.280 --> 0:50:37.400
<v Speaker 1>us two people that we would never talk to, but

0:50:37.840 --> 0:50:39.480
<v Speaker 1>I do. So I have kids now to this, so

0:50:39.560 --> 0:50:43.239
<v Speaker 1>I know there's guys out there and Silkon Valley their geniuses.

0:50:43.320 --> 0:50:45.239
<v Speaker 1>It's been their whole lives to thinking about it. How

0:50:45.320 --> 0:50:47.880
<v Speaker 1>can I make an eight year old completely addicted to

0:50:47.960 --> 0:50:51.120
<v Speaker 1>this device? And these are smart, smart people working with

0:50:51.239 --> 0:50:54.480
<v Speaker 1>unlimited funds and on their coding all the time. And

0:50:55.080 --> 0:50:57.640
<v Speaker 1>my daughter gets on an iPad and it's completely hooked

0:50:57.680 --> 0:51:00.359
<v Speaker 1>at some game and She's just an experiment. These people

0:51:00.440 --> 0:51:02.359
<v Speaker 1>the same Instagram and stuff they got going on where

0:51:02.560 --> 0:51:04.640
<v Speaker 1>you're trying to keep the streak alive. You know how

0:51:04.800 --> 0:51:06.600
<v Speaker 1>many days in a row if you texted this you

0:51:06.680 --> 0:51:09.960
<v Speaker 1>know whatever Instagram this person. It's like it's all geared

0:51:10.000 --> 0:51:12.839
<v Speaker 1>towards where we grew up without this stuff, so our

0:51:12.880 --> 0:51:14.480
<v Speaker 1>brains had a chance to function. But when you see

0:51:14.520 --> 0:51:17.880
<v Speaker 1>it through your kids and how it's just not right. Man.

0:51:18.000 --> 0:51:19.719
<v Speaker 1>So I have to lead by example. If I have

0:51:19.840 --> 0:51:22.600
<v Speaker 1>my phone out, it just takes once once or your

0:51:22.640 --> 0:51:25.320
<v Speaker 1>times so your kid to go dad, you know, so sorry,

0:51:25.560 --> 0:51:27.200
<v Speaker 1>you just feel like the worst person. So I don't

0:51:27.239 --> 0:51:28.800
<v Speaker 1>even take that phone in the house, Like I just

0:51:28.920 --> 0:51:31.040
<v Speaker 1>I'm all, I have a flip phone. My wife has

0:51:31.080 --> 0:51:33.760
<v Speaker 1>the number, Mary has the number, and it's like anyone

0:51:33.840 --> 0:51:36.480
<v Speaker 1>needs me and my wife, you know, they can get

0:51:36.520 --> 0:51:39.160
<v Speaker 1>touched me. But it's the freedom is unbelievable. But yeah,

0:51:39.160 --> 0:51:42.040
<v Speaker 1>as far as friends go, you know, I've been emailing more.

0:51:42.080 --> 0:51:44.560
<v Speaker 1>I just like I am better off on email. I

0:51:44.560 --> 0:51:47.120
<v Speaker 1>will write longer emails. Just do it through that because

0:51:47.120 --> 0:51:49.400
<v Speaker 1>I gotta sit down and not just constantly just like

0:51:50.239 --> 0:51:52.400
<v Speaker 1>on that thing. Drist me crazy? Do your kids doing

0:51:52.440 --> 0:51:53.759
<v Speaker 1>to bring it today. I'm to bring my flipphone, but

0:51:53.800 --> 0:51:55.879
<v Speaker 1>I forgot it. They do and that purchases like where

0:51:55.920 --> 0:51:57.200
<v Speaker 1>they buy the things inside the game, and then you

0:51:57.239 --> 0:51:58.799
<v Speaker 1>get the bill and you're like whoa. And then then

0:51:58.920 --> 0:52:00.640
<v Speaker 1>then they don't do I pad. The only get iPads

0:52:00.680 --> 0:52:04.000
<v Speaker 1>on weekends and not that much. But bill very everything

0:52:04.120 --> 0:52:05.480
<v Speaker 1>has to come through me, so I think I'll have

0:52:05.560 --> 0:52:07.880
<v Speaker 1>to prove whatever if she gets there's no buying anything.

0:52:07.920 --> 0:52:10.520
<v Speaker 1>It's just these little games they buy. They get for

0:52:10.640 --> 0:52:13.719
<v Speaker 1>free that these people out there pumping, and then they

0:52:14.080 --> 0:52:15.640
<v Speaker 1>they want to buy on stuff inside of it. We

0:52:15.680 --> 0:52:18.120
<v Speaker 1>don't do that, but it's scary. Man. I hate it.

0:52:18.120 --> 0:52:20.560
<v Speaker 1>I hate it for kids, man, I wis they could

0:52:20.560 --> 0:52:21.840
<v Speaker 1>grew up in a place we had the same thing

0:52:21.920 --> 0:52:23.680
<v Speaker 1>that our parents were thinking us, like, look at these

0:52:23.719 --> 0:52:26.960
<v Speaker 1>guys are cordless phones different? But it's different. It's just

0:52:27.080 --> 0:52:29.120
<v Speaker 1>like the music. Everybody's like, well the music is different,

0:52:29.280 --> 0:52:31.560
<v Speaker 1>but with the phone, man, the technology wasn't changing every day.

0:52:31.719 --> 0:52:34.160
<v Speaker 1>Every single day. They're doing software updates on your phone

0:52:34.200 --> 0:52:36.560
<v Speaker 1>to make it more addictive every day. Every there's guys,

0:52:36.680 --> 0:52:39.839
<v Speaker 1>right now, you're just you're not Bobby Bones. You're experimental.

0:52:40.239 --> 0:52:45.200
<v Speaker 1>Five six seven to this dude, like everybody buying your record,

0:52:45.560 --> 0:52:48.440
<v Speaker 1>and so is everybody that's streaming your music. They are too.

0:52:49.080 --> 0:52:52.320
<v Speaker 1>We're all looking at data from everything else and creating

0:52:52.360 --> 0:52:55.279
<v Speaker 1>our own lives from No. But man, I don't know

0:52:55.440 --> 0:52:57.239
<v Speaker 1>that's I just that's what I love this podcast. I

0:52:57.320 --> 0:53:01.239
<v Speaker 1>feel like it's just so much better than the texting Man.

0:53:01.640 --> 0:53:04.319
<v Speaker 1>And did you listen to the Ross Compermanent the whole thing? Yeah,

0:53:05.680 --> 0:53:07.879
<v Speaker 1>that is funny. I like that. I love I learned

0:53:07.920 --> 0:53:11.560
<v Speaker 1>what I learned more about Ross from your podcast, and

0:53:11.600 --> 0:53:13.759
<v Speaker 1>I I've doing Ross now since, you know, since I

0:53:13.840 --> 0:53:16.560
<v Speaker 1>got Tipping on back. I mean, I learned more from

0:53:16.640 --> 0:53:18.719
<v Speaker 1>that that interview. It's great. I mean that's what I've

0:53:18.719 --> 0:53:19.959
<v Speaker 1>been doing in my truck now. I was just driving

0:53:19.960 --> 0:53:22.640
<v Speaker 1>and listen to your podcast and telling about Tim Ferris

0:53:22.719 --> 0:53:25.160
<v Speaker 1>and some other people. It's like these it's such I

0:53:25.239 --> 0:53:28.080
<v Speaker 1>need to retool my brain because it's getting it's bad,

0:53:28.160 --> 0:53:29.680
<v Speaker 1>especially if you're a musician on the road. I mean,

0:53:29.800 --> 0:53:31.960
<v Speaker 1>the damn iPhone. It's just like you. We have a

0:53:32.400 --> 0:53:36.360
<v Speaker 1>a funny Instagram hashtag called band band members on phones,

0:53:36.520 --> 0:53:38.319
<v Speaker 1>and it's just like I took one to day from

0:53:38.560 --> 0:53:40.960
<v Speaker 1>We're up with this beautiful landscape in the middle of

0:53:41.320 --> 0:53:43.879
<v Speaker 1>South Dakota and the Black Hills and take a self

0:53:43.920 --> 0:53:47.280
<v Speaker 1>timer shot and to my guys are on their phone.

0:53:47.520 --> 0:53:51.200
<v Speaker 1>It's like we look around for one second, but it's

0:53:51.239 --> 0:53:53.520
<v Speaker 1>just you know, you're eating dinner, catering and just like,

0:53:54.680 --> 0:53:57.240
<v Speaker 1>but think of all the relationships you keep it because

0:53:57.280 --> 0:54:01.080
<v Speaker 1>of Derek Jeter's dating Madonna. That's cool. Yeah, it's like,

0:54:01.160 --> 0:54:02.600
<v Speaker 1>you know, I know stuff. I don't want to know it,

0:54:03.120 --> 0:54:05.319
<v Speaker 1>not anybody else. I don't want to know what it's

0:54:05.360 --> 0:54:06.960
<v Speaker 1>going on. I want to know, like what's happening to

0:54:07.000 --> 0:54:08.719
<v Speaker 1>people that I care about. So I don't know. I

0:54:08.800 --> 0:54:12.560
<v Speaker 1>gotta My relationship with technology is really something has to

0:54:12.600 --> 0:54:14.640
<v Speaker 1>be maintained all the time, especially once you get kids.

0:54:14.719 --> 0:54:16.839
<v Speaker 1>It really it's like that's the different story. I can't

0:54:16.880 --> 0:54:19.319
<v Speaker 1>argue about the kids I have. Any kids. You don't

0:54:19.320 --> 0:54:21.520
<v Speaker 1>want him on it, dude, especially girls. That's just I

0:54:21.560 --> 0:54:24.399
<v Speaker 1>don't think it's a fair medium for for girls in general,

0:54:24.480 --> 0:54:26.879
<v Speaker 1>all the dating apps and stuff. It's just who else,

0:54:27.080 --> 0:54:29.719
<v Speaker 1>Let's stay out of the format because you get into

0:54:29.760 --> 0:54:31.279
<v Speaker 1>a little mess here when you go, okay, who do

0:54:31.320 --> 0:54:32.600
<v Speaker 1>you look? Who else do you listen to? Out of

0:54:32.600 --> 0:54:33.920
<v Speaker 1>the pot so you love you too? Who else you like?

0:54:34.560 --> 0:54:38.719
<v Speaker 1>I mean, Bruno mars Is, He's guy's unbelievable. Why is

0:54:38.760 --> 0:54:43.080
<v Speaker 1>he unbelievable to you? He just has more talent. I

0:54:43.160 --> 0:54:46.520
<v Speaker 1>mean for performance wise, the guy just has He's just

0:54:46.600 --> 0:54:49.400
<v Speaker 1>so good. You know, the rest of us up there's

0:54:49.440 --> 0:54:52.720
<v Speaker 1>country singers up on stage without our guitars and doing stuff.

0:54:52.719 --> 0:54:54.359
<v Speaker 1>You know, I'm trying to feel the flow of a song,

0:54:54.440 --> 0:54:56.520
<v Speaker 1>and he's just like in his pinky just he has

0:54:56.600 --> 0:54:58.600
<v Speaker 1>more moves right there than the rest of us have. Like,

0:54:59.440 --> 0:55:02.759
<v Speaker 1>this guy's got it, man, and his songs are so good. Man.

0:55:03.200 --> 0:55:06.719
<v Speaker 1>There was a time he came into our show six

0:55:06.800 --> 0:55:10.000
<v Speaker 1>years ago, right and so not there you talking about.

0:55:10.360 --> 0:55:13.480
<v Speaker 1>So he was doing the bit where he could do

0:55:13.560 --> 0:55:15.920
<v Speaker 1>any song period. He was like his name of song

0:55:16.480 --> 0:55:18.360
<v Speaker 1>and I was like, okay, I have tiger and he

0:55:18.400 --> 0:55:19.960
<v Speaker 1>plays a lot of the tigers. He's like what else?

0:55:20.120 --> 0:55:23.960
<v Speaker 1>So he's a jukebox jew box and he did uh

0:55:24.520 --> 0:55:27.120
<v Speaker 1>Tina Turner and he was just nailing him and I

0:55:27.200 --> 0:55:28.719
<v Speaker 1>was and I was like, dude, what's what's he's like? Well,

0:55:29.040 --> 0:55:31.640
<v Speaker 1>because he grew up in a family bands, he was

0:55:31.719 --> 0:55:33.360
<v Speaker 1>like the youngest kid and they were like all his

0:55:33.440 --> 0:55:34.759
<v Speaker 1>whole family. They were all a band. He was like,

0:55:34.800 --> 0:55:38.680
<v Speaker 1>they're like an Elvis impersonators, and so he had all

0:55:38.800 --> 0:55:42.600
<v Speaker 1>the skill set and he's also super good and super smart.

0:55:42.640 --> 0:55:45.240
<v Speaker 1>And he's like, do you do the Disney school stuff?

0:55:45.560 --> 0:55:47.560
<v Speaker 1>Did you go to that like that? I don't think

0:55:47.640 --> 0:55:50.960
<v Speaker 1>he was one of the one of those kids. There's

0:55:51.000 --> 0:55:53.399
<v Speaker 1>a video if you google Bruno Mars on the Bobby

0:55:53.440 --> 0:55:57.160
<v Speaker 1>Bones Show. He crushes they did Michael Jackson, he did

0:55:57.320 --> 0:56:02.759
<v Speaker 1>um like Billy Jean. He's like, yeah, yeah, and so

0:56:02.880 --> 0:56:05.880
<v Speaker 1>he's playing with you. She was like, and he's just

0:56:06.000 --> 0:56:08.359
<v Speaker 1>crushing every song good. He's just it. He's just got

0:56:08.440 --> 0:56:13.640
<v Speaker 1>that thing man. And now the superstar. He is a superstar.

0:56:15.000 --> 0:56:17.279
<v Speaker 1>It's it's fun to watch like the it's it's even

0:56:17.320 --> 0:56:20.040
<v Speaker 1>fun to watch it now here in the country world

0:56:20.080 --> 0:56:22.240
<v Speaker 1>to watch and actually like be a part of people's

0:56:22.320 --> 0:56:25.200
<v Speaker 1>careers and see them go from just somebody who's getting

0:56:25.280 --> 0:56:27.680
<v Speaker 1>a deal or somebody who had doesn't have a deal yet.

0:56:27.719 --> 0:56:30.120
<v Speaker 1>Like you know, one of my first people here that

0:56:30.160 --> 0:56:31.840
<v Speaker 1>I actually met and she was just a kid. It

0:56:31.960 --> 0:56:34.480
<v Speaker 1>was Kelsey remember her being on his show singing an

0:56:34.480 --> 0:56:37.120
<v Speaker 1>acoustic version of the girl Crush or something. I don't know.

0:56:37.400 --> 0:56:39.960
<v Speaker 1>Maybe back she was on the tour every week. I

0:56:40.000 --> 0:56:42.120
<v Speaker 1>mean she didn't mount a song, but I remember talking

0:56:42.160 --> 0:56:43.640
<v Speaker 1>to her and she was she had to publish a deal.

0:56:44.080 --> 0:56:46.160
<v Speaker 1>And it's been cool to watching these artists like grow

0:56:46.280 --> 0:56:48.480
<v Speaker 1>and she's you know, got four number ones and then

0:56:48.800 --> 0:56:51.400
<v Speaker 1>and it's like it's like now she's a star. But

0:56:51.480 --> 0:56:53.399
<v Speaker 1>you've been able to see some who did you see

0:56:53.400 --> 0:56:56.960
<v Speaker 1>early on where you're like, oh, man, like I'm not

0:56:57.040 --> 0:56:58.960
<v Speaker 1>even that I wasn't that good when I started, and

0:56:59.000 --> 0:57:01.680
<v Speaker 1>they're gonna be a superstar. I mean all these guys,

0:57:01.800 --> 0:57:05.719
<v Speaker 1>I feel like Thomas Rhett Ah, you know, he just

0:57:05.920 --> 0:57:09.720
<v Speaker 1>has like, man, I may I got my deal with seven.

0:57:09.760 --> 0:57:12.520
<v Speaker 1>I'm such a late bloomer. I didn't have anything really

0:57:12.560 --> 0:57:14.320
<v Speaker 1>figured out. And even when I got you know, married,

0:57:14.440 --> 0:57:15.960
<v Speaker 1>and was just out there on the road and like

0:57:16.080 --> 0:57:18.920
<v Speaker 1>trying to like grapple with like how to make these

0:57:18.960 --> 0:57:21.280
<v Speaker 1>things all work. These guys make it look so effortlessly.

0:57:21.400 --> 0:57:26.080
<v Speaker 1>I mean Thomas with Lauren and he's balancing, he's he's

0:57:26.120 --> 0:57:28.480
<v Speaker 1>got to go on. Actually got him saying them there

0:57:28.560 --> 0:57:29.840
<v Speaker 1>night when he played down here in the sand and

0:57:29.920 --> 0:57:33.760
<v Speaker 1>after the game, right like and uh, he's just got

0:57:33.880 --> 0:57:36.280
<v Speaker 1>the show's tight. He's so good up there. He's he

0:57:36.480 --> 0:57:38.560
<v Speaker 1>just knows what he's doing and his personal life as

0:57:38.600 --> 0:57:41.520
<v Speaker 1>well as really like balanced and it's integrated into his

0:57:41.640 --> 0:57:45.240
<v Speaker 1>like is um his career and he just he's got

0:57:45.280 --> 0:57:47.680
<v Speaker 1>a lot. He's he's way away for the head that

0:57:47.760 --> 0:57:51.479
<v Speaker 1>I was like mentally developed as far at that age.

0:57:52.400 --> 0:57:55.240
<v Speaker 1>Last year he played My Heart Country Festival and and

0:57:55.400 --> 0:57:56.760
<v Speaker 1>see him because I don't get to see a lot

0:57:56.800 --> 0:57:58.360
<v Speaker 1>of you guys on the road because I'm also out

0:57:58.400 --> 0:58:01.840
<v Speaker 1>on the road or like I'm just tired, and it's

0:58:01.880 --> 0:58:03.760
<v Speaker 1>like what am I gonna do travel to New Hampshire

0:58:03.800 --> 0:58:05.680
<v Speaker 1>to watch you guys play? Like I just watched it,

0:58:06.000 --> 0:58:08.520
<v Speaker 1>go over to the house, Like it's so I don't

0:58:08.520 --> 0:58:11.440
<v Speaker 1>get to see shows that often. And that's not that's

0:58:11.480 --> 0:58:13.600
<v Speaker 1>kind of a but that's like a televised kind of situation.

0:58:14.000 --> 0:58:16.120
<v Speaker 1>It is. But he played a full stet and haven't

0:58:16.160 --> 0:58:18.600
<v Speaker 1>and I didn't see right, So it was so I

0:58:18.600 --> 0:58:20.680
<v Speaker 1>went up to after the show and I was like, dude,

0:58:20.800 --> 0:58:24.640
<v Speaker 1>like it was next level. He had grown so much

0:58:25.000 --> 0:58:28.240
<v Speaker 1>and it was so freaking good. Yeah he did, you know.

0:58:29.320 --> 0:58:30.960
<v Speaker 1>It was like kids do the darnest things, is what

0:58:30.960 --> 0:58:32.400
<v Speaker 1>I told him. It was like that show. It was

0:58:32.400 --> 0:58:35.760
<v Speaker 1>like it's like I watched a kid just like grow up.

0:58:36.280 --> 0:58:38.600
<v Speaker 1>We I was with him when he really was making

0:58:38.640 --> 0:58:41.240
<v Speaker 1>this transfer which he recently made with his music from

0:58:42.000 --> 0:58:43.720
<v Speaker 1>Fear at Jesus and some of the you know, kind

0:58:43.720 --> 0:58:45.720
<v Speaker 1>of breaking away and we're on the road together and

0:58:45.800 --> 0:58:47.440
<v Speaker 1>he was talking about new record and he's talking about

0:58:48.080 --> 0:58:49.640
<v Speaker 1>he was I mean, he was nervous. Man. I think

0:58:49.640 --> 0:58:51.560
<v Speaker 1>he's about to have a nervous breakdowns. He really was

0:58:51.760 --> 0:58:53.720
<v Speaker 1>going for a different sound and just trying different stuff,

0:58:53.720 --> 0:58:55.880
<v Speaker 1>and a lot of people, you know, transferred away from

0:58:55.960 --> 0:58:58.360
<v Speaker 1>kind of the the thing he was doing, the Georgia

0:58:58.400 --> 0:59:01.000
<v Speaker 1>Boy stuff into this personal he is now and a

0:59:01.040 --> 0:59:02.760
<v Speaker 1>lot of haters, you know, hating on him for the

0:59:02.840 --> 0:59:05.680
<v Speaker 1>things he was going forward, and I was always so

0:59:05.720 --> 0:59:08.040
<v Speaker 1>supportive because he really was going for his His goal

0:59:08.320 --> 0:59:10.560
<v Speaker 1>is high. He's not going for just he wants to

0:59:11.360 --> 0:59:13.160
<v Speaker 1>he's competitive. He wants to take down the takedown, the

0:59:13.200 --> 0:59:16.320
<v Speaker 1>top guys who or in his same you know league

0:59:16.360 --> 0:59:20.000
<v Speaker 1>and is his same crew. And he's like, I love

0:59:20.040 --> 0:59:21.520
<v Speaker 1>that I got this one song. It's a love song.

0:59:21.560 --> 0:59:23.080
<v Speaker 1>I think it's only that's to save man. This album

0:59:23.160 --> 0:59:24.800
<v Speaker 1>is no one's been like this albums I would be terrible,

0:59:24.800 --> 0:59:26.880
<v Speaker 1>but this one song is a love song and we'll

0:59:26.880 --> 0:59:28.640
<v Speaker 1>see how it goes. And it was of course die

0:59:28.680 --> 0:59:31.080
<v Speaker 1>happy man, and it's gonna changed everything for him. He's

0:59:31.160 --> 0:59:32.800
<v Speaker 1>he's dialing in him. Man. It's fun to watch him

0:59:32.840 --> 0:59:35.840
<v Speaker 1>like just keep getting more and more figured out who

0:59:35.880 --> 0:59:37.200
<v Speaker 1>he is and what he wants to do. What was

0:59:37.280 --> 0:59:38.960
<v Speaker 1>that for you? What was the song that you kind

0:59:38.960 --> 0:59:40.440
<v Speaker 1>of switched it up for You're like, oh boy, where

0:59:40.480 --> 0:59:43.840
<v Speaker 1>a different plant Field? Now? As man, I think, um,

0:59:44.800 --> 0:59:46.640
<v Speaker 1>my career has been so different than anyone else. As

0:59:46.680 --> 0:59:49.880
<v Speaker 1>I know, it's just been so such a long slow

0:59:50.000 --> 0:59:52.400
<v Speaker 1>what comes to mind where you're like king a plane

0:59:52.640 --> 0:59:56.360
<v Speaker 1>changed a lot for me? Uh, I'm getting drunk on plane,

0:59:57.200 --> 1:00:00.880
<v Speaker 1>I mean, but this song had a big like it's party.

1:00:02.080 --> 1:00:05.200
<v Speaker 1>Thank The most important song of my whole career and

1:00:05.240 --> 1:00:06.720
<v Speaker 1>I stay every night when I'm on stage is as

1:00:06.760 --> 1:00:09.240
<v Speaker 1>I Hold On. That's a song that like connects the

1:00:09.320 --> 1:00:12.840
<v Speaker 1>most of um, the most personal song for me. I

1:00:12.920 --> 1:00:15.840
<v Speaker 1>wrote a wraph my dad passed away, and the audience man,

1:00:15.920 --> 1:00:19.320
<v Speaker 1>those it's it's a song in the show where like

1:00:19.360 --> 1:00:21.360
<v Speaker 1>we're had a party. Thing's fun, it's awesome, We're all

1:00:21.360 --> 1:00:23.120
<v Speaker 1>fully connected because we're all having so much fun and

1:00:23.280 --> 1:00:25.560
<v Speaker 1>throwing a party. This song I play, it's just like

1:00:25.640 --> 1:00:28.360
<v Speaker 1>it loses in a different direction. It's it's it's more

1:00:28.440 --> 1:00:30.680
<v Speaker 1>just like this instead of it's it's like we just

1:00:30.800 --> 1:00:34.880
<v Speaker 1>come together over the shared sentiment of holding on the

1:00:34.960 --> 1:00:37.960
<v Speaker 1>things that that means something to you. It's the most

1:00:38.080 --> 1:00:42.040
<v Speaker 1>more important song important, but not the one you felt

1:00:42.040 --> 1:00:44.760
<v Speaker 1>flipped you like, oh boy, this is it. I remember

1:00:44.800 --> 1:00:46.040
<v Speaker 1>the day Drunk on a Plane like I heard it

1:00:46.120 --> 1:00:48.280
<v Speaker 1>in the first You brought it into the studio and

1:00:48.280 --> 1:00:49.840
<v Speaker 1>I hadn't been played yet, and and you were like,

1:00:49.920 --> 1:00:50.920
<v Speaker 1>what you hear this song? I was like, this is

1:00:50.960 --> 1:00:52.920
<v Speaker 1>a real song, Drunk on a Plane. I thought you

1:00:52.960 --> 1:00:56.000
<v Speaker 1>were messing with me. And I almost didn't put it

1:00:56.000 --> 1:00:58.480
<v Speaker 1>on the record. Who makes that call then to put

1:00:58.560 --> 1:01:01.400
<v Speaker 1>it on the record. It just you know, I'm I'm

1:01:01.480 --> 1:01:03.920
<v Speaker 1>so everyone I work with he's such an open communication.

1:01:04.000 --> 1:01:06.520
<v Speaker 1>If I like even the label with Mike and sending

1:01:06.560 --> 1:01:09.280
<v Speaker 1>everyone to Capital, If if I have doubts about something,

1:01:09.280 --> 1:01:11.400
<v Speaker 1>they don't immediately jump on that U set to promote

1:01:11.400 --> 1:01:13.760
<v Speaker 1>their agenda. Everyone just is like cool. We all work

1:01:13.800 --> 1:01:15.600
<v Speaker 1>out together and work with Mary and we just kind

1:01:15.600 --> 1:01:18.960
<v Speaker 1>of like and our tour of my um executive producer

1:01:19.040 --> 1:01:21.440
<v Speaker 1>and Ross and just okay, let's put it on there,

1:01:21.440 --> 1:01:23.080
<v Speaker 1>you know, but didn't make it a stingle a you're

1:01:23.080 --> 1:01:28.200
<v Speaker 1>talking about like complete left the center, No, remember something

1:01:28.400 --> 1:01:31.680
<v Speaker 1>like that's all. We'll never worked. Man, Rednecks don't fly like.

1:01:32.400 --> 1:01:33.640
<v Speaker 1>I don't know. I don't know if it will work either,

1:01:33.720 --> 1:01:35.800
<v Speaker 1>but it's it's I'm a pilot and I love you know.

1:01:35.880 --> 1:01:38.000
<v Speaker 1>At the time, I was them two drinks and it

1:01:38.120 --> 1:01:41.040
<v Speaker 1>was it was. But it's a huge song for me,

1:01:41.120 --> 1:01:44.200
<v Speaker 1>for sure. It was a monster. It was. It's a monster, yeah,

1:01:44.520 --> 1:01:46.800
<v Speaker 1>I mean and if it flew up the charts, yeah,

1:01:46.880 --> 1:01:49.080
<v Speaker 1>it was big. I remember the day it came on

1:01:49.160 --> 1:01:51.320
<v Speaker 1>the radio. We did a debut, like a world premiere

1:01:51.360 --> 1:01:52.760
<v Speaker 1>of it, and it played all day long. And I

1:01:52.760 --> 1:01:54.720
<v Speaker 1>won't say it is, but I was like, man, this

1:01:54.760 --> 1:01:56.760
<v Speaker 1>sounds really good, right, because I like things that are different.

1:01:57.320 --> 1:02:00.040
<v Speaker 1>I don't. I like taking big chances and hitting the

1:02:00.200 --> 1:02:03.000
<v Speaker 1>runs more so than being consistent and just you know,

1:02:03.520 --> 1:02:06.360
<v Speaker 1>having that three batting average. So it came I was like, man,

1:02:06.440 --> 1:02:07.880
<v Speaker 1>I love this song because this is the son like

1:02:07.920 --> 1:02:10.240
<v Speaker 1>anything else, and that one of the radio gaps with

1:02:10.240 --> 1:02:12.040
<v Speaker 1>a big radio guy. He was like, it sucks. Sucks,

1:02:13.040 --> 1:02:15.360
<v Speaker 1>like this is never gonna work. It's too weirdos No,

1:02:15.480 --> 1:02:19.520
<v Speaker 1>it's not. It wasn't right because but like I love this.

1:02:19.560 --> 1:02:21.360
<v Speaker 1>Like you know what song I loved yours it didn't

1:02:21.400 --> 1:02:24.240
<v Speaker 1>work for you was Bourbon it can Talk You with

1:02:24.400 --> 1:02:28.760
<v Speaker 1>You and Casey I loved that song. That album cycles

1:02:28.800 --> 1:02:30.480
<v Speaker 1>so fun because I put up Bourbon it didn't work,

1:02:30.520 --> 1:02:33.400
<v Speaker 1>pulled it back, put out I Hold On, which probably

1:02:33.840 --> 1:02:35.560
<v Speaker 1>was a huge song with me, then drunkla Plane, which

1:02:35.560 --> 1:02:38.960
<v Speaker 1>was honestly the biggest song on that album. But Bourbon,

1:02:39.280 --> 1:02:41.120
<v Speaker 1>it was a great song that Hillary Lindsay wrote, and

1:02:41.200 --> 1:02:43.320
<v Speaker 1>I just I love that song. And I had to

1:02:43.360 --> 1:02:45.000
<v Speaker 1>call her up. She's down an Orange beach. She had

1:02:45.000 --> 1:02:46.640
<v Speaker 1>a few drinks and I was like hey. She's like, hey,

1:02:46.680 --> 1:02:49.000
<v Speaker 1>what are you doing. And I was like, you're not

1:02:49.040 --> 1:02:51.960
<v Speaker 1>gonna believe this, but we're pulling that song and she

1:02:52.160 --> 1:02:54.480
<v Speaker 1>was like so confused. She's just like I thought the

1:02:54.520 --> 1:02:55.640
<v Speaker 1>next time I heard from you would be like the

1:02:55.760 --> 1:02:57.680
<v Speaker 1>number one party. I'm like, I have never had a

1:02:57.720 --> 1:03:00.520
<v Speaker 1>pull song for my life. But it's a little summer

1:03:00.640 --> 1:03:03.000
<v Speaker 1>and I'm getting all his feedback that the song is

1:03:03.040 --> 1:03:05.280
<v Speaker 1>too dark, and that's why I loved it, though I

1:03:05.360 --> 1:03:10.400
<v Speaker 1>know I love it too, and I just everyone's everyone around.

1:03:10.440 --> 1:03:12.160
<v Speaker 1>He's like, it's just not gonna work, and you've either

1:03:12.320 --> 1:03:14.560
<v Speaker 1>work it for thirty weeks and haven't die in the

1:03:14.640 --> 1:03:17.880
<v Speaker 1>thirties or make a change now. It was the first

1:03:17.920 --> 1:03:19.960
<v Speaker 1>song off the record, and um, I hate that. It

1:03:20.040 --> 1:03:23.520
<v Speaker 1>was a great tune, but yeah, just that's what happened.

1:03:23.560 --> 1:03:27.400
<v Speaker 1>Sometimes what for you because the article come in and say, hey,

1:03:27.520 --> 1:03:30.920
<v Speaker 1>this is like, for example, I think, who wasn't my

1:03:31.120 --> 1:03:34.640
<v Speaker 1>American kids like Kenny cut a little big Town had it,

1:03:35.520 --> 1:03:40.640
<v Speaker 1>and Kenny cut it, and so no, no, Kenny had it,

1:03:40.800 --> 1:03:42.680
<v Speaker 1>Like yeah, a little bit Gun had it. A little

1:03:42.680 --> 1:03:44.919
<v Speaker 1>bit Gun had it. Shane was telling the story. Okay,

1:03:44.920 --> 1:03:48.040
<v Speaker 1>now it's a little Shane had it. Shane, He's on

1:03:48.080 --> 1:03:52.880
<v Speaker 1>a flight and uh, he's on a flight with Kenny.

1:03:52.880 --> 1:03:54.640
<v Speaker 1>He plays a song for Ki. He's like, I gotta

1:03:54.680 --> 1:03:56.360
<v Speaker 1>have a song. But Shane's like, I'm too scared to

1:03:56.360 --> 1:03:58.400
<v Speaker 1>tell him little bit Guns already cut it. So he

1:03:58.480 --> 1:03:59.960
<v Speaker 1>has to call I have to call a little bit

1:04:00.000 --> 1:04:02.040
<v Speaker 1>down Kenny Caton like I would love to have this song,

1:04:02.640 --> 1:04:05.280
<v Speaker 1>and she's like oh, and Kenny's like I want to

1:04:05.320 --> 1:04:08.360
<v Speaker 1>make this the single. Yeah, And and he's like, it's

1:04:08.400 --> 1:04:10.200
<v Speaker 1>up to you, guys, it's your song. You've already started

1:04:10.240 --> 1:04:13.160
<v Speaker 1>paying your tracking it. And so a little bit down

1:04:13.200 --> 1:04:17.040
<v Speaker 1>gave the song American Kids to Kenny. So a lot

1:04:17.040 --> 1:04:18.680
<v Speaker 1>of people come to the stories like, man, I had

1:04:18.760 --> 1:04:20.400
<v Speaker 1>this song and then I was like, yeah, last minute,

1:04:20.440 --> 1:04:23.280
<v Speaker 1>I let it go. I have a bunch of songs

1:04:23.320 --> 1:04:26.200
<v Speaker 1>that like I heard, Because the main things if you're

1:04:26.200 --> 1:04:28.360
<v Speaker 1>picking singles you got are picking songs. You gotta pick

1:04:28.400 --> 1:04:30.240
<v Speaker 1>songs that are that are hits, but also their hits

1:04:30.280 --> 1:04:33.040
<v Speaker 1>for you, and that's that's that's how you get the

1:04:33.160 --> 1:04:35.040
<v Speaker 1>big hits. How the Park and I had three hundreds.

1:04:35.040 --> 1:04:37.440
<v Speaker 1>When you pick singles that are like made for you,

1:04:37.640 --> 1:04:39.360
<v Speaker 1>you think the song is like Don't Close your Eyes

1:04:39.440 --> 1:04:42.360
<v Speaker 1>by Keith Whitley, songs that like We're just that's the

1:04:42.440 --> 1:04:44.960
<v Speaker 1>single was made for that song. Um John Party's song

1:04:45.320 --> 1:04:47.280
<v Speaker 1>during my boots. I heard that song I think before

1:04:47.320 --> 1:04:49.600
<v Speaker 1>he before he cut it. And what did you think

1:04:49.640 --> 1:04:52.520
<v Speaker 1>when you heard it? Huge hit? This is a monster.

1:04:52.680 --> 1:04:54.959
<v Speaker 1>This is a huge song. There's a lining there about

1:04:54.960 --> 1:04:57.800
<v Speaker 1>a tractor, you know, I'm like, that is I don't

1:04:57.800 --> 1:04:59.680
<v Speaker 1>have that tractor. Factor. You know, I don't have that

1:04:59.720 --> 1:05:01.440
<v Speaker 1>things not what I do. So like I could either

1:05:01.480 --> 1:05:03.000
<v Speaker 1>try to change the song to make it work for

1:05:03.160 --> 1:05:05.400
<v Speaker 1>me or just let it go and hope those guys,

1:05:05.560 --> 1:05:07.280
<v Speaker 1>you know, I want the songwriters. I want them to

1:05:07.400 --> 1:05:10.320
<v Speaker 1>find for songwriters, man, they might get one or two

1:05:10.520 --> 1:05:13.280
<v Speaker 1>great Now these guys they probably get five great songs

1:05:13.360 --> 1:05:15.200
<v Speaker 1>a year. Right. I don't want to like stand in

1:05:15.200 --> 1:05:18.400
<v Speaker 1>the way someone's like baby and then tied up, because

1:05:19.080 --> 1:05:20.800
<v Speaker 1>that's the way Nashville used to be. People to hold

1:05:20.840 --> 1:05:23.919
<v Speaker 1>songs like years, you know, hold thirty or forty songs

1:05:23.960 --> 1:05:27.560
<v Speaker 1>to the record, and the hold was respected nowadays, and

1:05:27.800 --> 1:05:29.440
<v Speaker 1>as it should be. It's not like you either cut

1:05:29.480 --> 1:05:30.840
<v Speaker 1>it or you don't. And if you're just you know,

1:05:30.960 --> 1:05:32.960
<v Speaker 1>you're taking your time. I'm gonna picture to somebody else

1:05:33.000 --> 1:05:34.360
<v Speaker 1>and get them to cut it. You know. Songwriters have

1:05:34.440 --> 1:05:35.880
<v Speaker 1>more power now, I think than they did back and

1:05:36.600 --> 1:05:40.640
<v Speaker 1>in the late nineties. Um, but so that song Whiskey

1:05:40.680 --> 1:05:44.280
<v Speaker 1>Lullabys a song that came that I her and I

1:05:44.360 --> 1:05:47.240
<v Speaker 1>was like and then and and why why not that one? What? What?

1:05:47.360 --> 1:05:51.000
<v Speaker 1>What that just uh? I don't know just what you know,

1:05:51.000 --> 1:05:52.400
<v Speaker 1>I didn't hear it as to do what the way

1:05:52.440 --> 1:05:55.840
<v Speaker 1>Brad hurt it, which is genius. Um, it just wasn't

1:05:56.200 --> 1:05:58.480
<v Speaker 1>I don't know. I just didn't have it, didn't do it,

1:05:58.600 --> 1:05:59.960
<v Speaker 1>didn't do something for me. I don't know what it was.

1:06:00.240 --> 1:06:01.480
<v Speaker 1>But there's that happens all the time. But for me,

1:06:01.800 --> 1:06:04.160
<v Speaker 1>I'd never go, oh my gosh, I'm kicking myself. I'm

1:06:04.160 --> 1:06:07.480
<v Speaker 1>always like, I'm happy for that that song found the

1:06:07.600 --> 1:06:09.360
<v Speaker 1>right home and made its way. There's there's always another

1:06:09.440 --> 1:06:11.680
<v Speaker 1>song out there. Who have you heard the opposite where

1:06:11.720 --> 1:06:14.520
<v Speaker 1>you got this song? Because somebody else was like made

1:06:14.560 --> 1:06:16.360
<v Speaker 1>it a hit and they have to be a man.

1:06:16.440 --> 1:06:18.000
<v Speaker 1>You know, someone on the beach was a big deal.

1:06:18.280 --> 1:06:22.360
<v Speaker 1>It really was. Man, that was like, uh, you know,

1:06:22.440 --> 1:06:27.360
<v Speaker 1>I had the song on hold, and there's five guys

1:06:27.440 --> 1:06:28.720
<v Speaker 1>that wrote that song and there's a lot of people

1:06:28.760 --> 1:06:31.880
<v Speaker 1>wanted that song and I just who wanted it. Um

1:06:33.120 --> 1:06:36.240
<v Speaker 1>uh got wrote one of those the writers of the song. Uh,

1:06:36.640 --> 1:06:38.400
<v Speaker 1>I'm totally drawn a blake right now. My brain is,

1:06:38.960 --> 1:06:40.200
<v Speaker 1>so what happens when you're on the road for three

1:06:40.240 --> 1:06:42.800
<v Speaker 1>days straight. But well, actually, Michael Knox, I thinks I

1:06:42.880 --> 1:06:44.680
<v Speaker 1>think Michael Knox wanted it for one of his artists

1:06:44.680 --> 1:06:46.760
<v Speaker 1>and what it was and we kept saying that our

1:06:46.800 --> 1:06:48.960
<v Speaker 1>tour that luckily, I don't know if those battles my

1:06:49.400 --> 1:06:52.320
<v Speaker 1>U one of my producers really goes in the trenches

1:06:52.360 --> 1:06:53.960
<v Speaker 1>for that stuff. And it worked out. It was a

1:06:54.000 --> 1:06:55.920
<v Speaker 1>big hit for for me and it helps him go

1:06:55.960 --> 1:06:57.400
<v Speaker 1>on the road and kind of have a song and

1:06:57.440 --> 1:06:58.760
<v Speaker 1>talking about at the same time. You know, it's it's

1:06:58.760 --> 1:07:00.480
<v Speaker 1>to be tough when you're a new artist. You know,

1:07:01.000 --> 1:07:02.840
<v Speaker 1>a big song that it's different and you can kind

1:07:02.840 --> 1:07:05.680
<v Speaker 1>of set you apart from other people. Um, but I

1:07:05.720 --> 1:07:07.480
<v Speaker 1>hopefully they're happy there was a big hit. You know.

1:07:07.720 --> 1:07:09.560
<v Speaker 1>It's like Lady, you know, Lady has you Look Good?

1:07:10.680 --> 1:07:14.040
<v Speaker 1>And and that was Thomas Rhett's first that's his song,

1:07:14.240 --> 1:07:15.760
<v Speaker 1>and it was he didn't write it, he had it

1:07:16.640 --> 1:07:18.360
<v Speaker 1>and he was like he was gonna cut it. It's

1:07:18.360 --> 1:07:20.400
<v Speaker 1>awesome the whole, I mean and the whole. But every

1:07:20.480 --> 1:07:22.200
<v Speaker 1>artist does different things with it too. That's that's what

1:07:22.280 --> 1:07:24.080
<v Speaker 1>we don't know too, Like what are you going to

1:07:24.160 --> 1:07:26.280
<v Speaker 1>do different about? Like Kenny's totally was like this beach

1:07:26.320 --> 1:07:28.160
<v Speaker 1>five who who knows how a little big towne put

1:07:28.200 --> 1:07:30.080
<v Speaker 1>it and tracked it when what they would have had

1:07:30.120 --> 1:07:34.240
<v Speaker 1>as a part of this song and it's it's it's yeah, totally,

1:07:34.320 --> 1:07:35.920
<v Speaker 1>it's you know, I think all you can do. I mean,

1:07:36.040 --> 1:07:38.640
<v Speaker 1>it's just the business we're in in in life, in generals,

1:07:38.680 --> 1:07:42.160
<v Speaker 1>you have to like you cannot like hold like that.

1:07:42.280 --> 1:07:44.840
<v Speaker 1>You you gotta be have an attitude of gratitude and

1:07:44.920 --> 1:07:47.560
<v Speaker 1>be thankful for what you got. And if something it's

1:07:47.560 --> 1:07:49.760
<v Speaker 1>all meant to be, it's it's that's there's a reason

1:07:49.840 --> 1:07:52.520
<v Speaker 1>why you didn't cut that song. There's just want someone

1:07:52.520 --> 1:07:54.200
<v Speaker 1>else cut the song. And otherwise you your drivers so

1:07:54.280 --> 1:07:56.160
<v Speaker 1>crazy and you're wound be resentful and you're gonna be

1:07:56.360 --> 1:07:58.120
<v Speaker 1>You're you're playing a small game and you should be

1:07:58.160 --> 1:07:59.920
<v Speaker 1>playing a much bigger game where you're looking at a

1:08:00.080 --> 1:08:03.480
<v Speaker 1>macro view of it, not just this micro like song song, song,

1:08:03.600 --> 1:08:06.480
<v Speaker 1>song song. If you're you know, that's not that's not

1:08:06.560 --> 1:08:08.440
<v Speaker 1>the work. People trying to pitch you songs all the time.

1:08:08.520 --> 1:08:10.840
<v Speaker 1>Not not your people and not people that are in

1:08:11.360 --> 1:08:13.600
<v Speaker 1>your second tier. But like walking down the street people

1:08:14.040 --> 1:08:16.960
<v Speaker 1>I get stuff, Yeah, I get stuff from obviously it

1:08:17.040 --> 1:08:19.800
<v Speaker 1>shows and I my email address. A lot of people

1:08:19.840 --> 1:08:21.720
<v Speaker 1>have my email address. I get a lot of songs

1:08:21.760 --> 1:08:23.439
<v Speaker 1>out there and that I try to listen to them.

1:08:23.439 --> 1:08:25.519
<v Speaker 1>And but you do. Try to listen to them. Maybe

1:08:25.520 --> 1:08:28.120
<v Speaker 1>I'll I mean, I'm pretty quick. I mean I can

1:08:28.160 --> 1:08:29.640
<v Speaker 1>go seven eight seconds to know whether it's from me

1:08:29.720 --> 1:08:31.000
<v Speaker 1>or not. It might might be a great song, but

1:08:31.080 --> 1:08:32.960
<v Speaker 1>it's not for me. What about the legalities of it though,

1:08:32.960 --> 1:08:35.040
<v Speaker 1>because I have because listen, I write dumb songs, right,

1:08:35.040 --> 1:08:37.040
<v Speaker 1>I don't even on the road. Is someone like hands

1:08:37.080 --> 1:08:39.560
<v Speaker 1>me a CD, I don't touch it. I goes to

1:08:39.800 --> 1:08:42.160
<v Speaker 1>Tom or Jay round of my guys. And because you

1:08:42.240 --> 1:08:44.200
<v Speaker 1>have songwriters insurance, because if I have to have it,

1:08:44.280 --> 1:08:46.960
<v Speaker 1>you have it like crazy, right, you know, I don't

1:08:46.960 --> 1:08:48.960
<v Speaker 1>know if I have you for sure, if they're if

1:08:49.040 --> 1:08:52.519
<v Speaker 1>my business manager makes me have it, find out I know,

1:08:52.680 --> 1:08:54.160
<v Speaker 1>like talk to the guys in the town that have

1:08:54.280 --> 1:08:55.960
<v Speaker 1>it and they and they say, it's pretty amazing. But

1:08:56.080 --> 1:08:57.320
<v Speaker 1>I'll find out right now if I have it, I

1:08:57.360 --> 1:09:00.360
<v Speaker 1>don't think I do. And maybe my business it makes

1:09:00.400 --> 1:09:02.200
<v Speaker 1>me have it because she knows I probably actudally steal

1:09:02.200 --> 1:09:04.479
<v Speaker 1>a song and because I'm not good, she'd be like,

1:09:05.800 --> 1:09:08.280
<v Speaker 1>it's funny. You have to make sure. Yeah, I feel

1:09:08.320 --> 1:09:10.559
<v Speaker 1>fun it right now, I definitely have it. Let's see here,

1:09:10.640 --> 1:09:12.400
<v Speaker 1>let's mark throw a up more real quick? Ah, this

1:09:12.560 --> 1:09:14.920
<v Speaker 1>is not a single, but love the song. My favorite

1:09:14.960 --> 1:09:18.280
<v Speaker 1>songs on the record. I don't want to I'll be

1:09:18.360 --> 1:09:21.320
<v Speaker 1>the Moon because Ryan's been in here, just saw Maaron

1:09:21.479 --> 1:09:23.519
<v Speaker 1>Max stage it up and Thomas to show us like

1:09:24.479 --> 1:09:26.639
<v Speaker 1>Kimble untr a song together because it kind of ruins

1:09:26.720 --> 1:09:28.760
<v Speaker 1>the chance of us to be a single that I

1:09:28.840 --> 1:09:31.320
<v Speaker 1>text Ryan all the time. You know, I do have

1:09:31.360 --> 1:09:35.160
<v Speaker 1>songer insurance. Yeah there you go, Um, Ryan, you can

1:09:35.240 --> 1:09:37.559
<v Speaker 1>I keep up? And Uh, this is the best song.

1:09:39.280 --> 1:09:41.479
<v Speaker 1>He's been telling him for two years, Like the song means,

1:09:41.640 --> 1:09:43.439
<v Speaker 1>it's one of the best songs I've heard. It's such

1:09:43.479 --> 1:09:45.720
<v Speaker 1>a unique like take on it. And like you, I'm

1:09:45.720 --> 1:09:48.200
<v Speaker 1>always looking for songs are different, say that way you

1:09:48.280 --> 1:09:51.120
<v Speaker 1>haven't heard before. The idea of like I'll be the

1:09:51.200 --> 1:09:52.800
<v Speaker 1>moon man, that guy can be the sun. He can

1:09:52.840 --> 1:09:54.320
<v Speaker 1>be in your life during the daytime, but I'll be

1:09:54.439 --> 1:09:56.240
<v Speaker 1>there with you at night. And that's such a good idea.

1:09:56.280 --> 1:09:58.320
<v Speaker 1>And she kills it. She sings that they're part of

1:09:58.400 --> 1:10:00.840
<v Speaker 1>their so awesome and I wish it was a single.

1:10:00.920 --> 1:10:02.720
<v Speaker 1>Maybe maybe, I don't know, but I don't think so.

1:10:02.920 --> 1:10:04.720
<v Speaker 1>When the record came out, I love that song so much,

1:10:05.000 --> 1:10:06.639
<v Speaker 1>you know, And Mary Cammon sanging. I was like, you guess,

1:10:06.680 --> 1:10:08.519
<v Speaker 1>have you singing on the show? Like I love the show.

1:10:08.560 --> 1:10:11.439
<v Speaker 1>I love songs so much. Was like, I she's blown

1:10:11.560 --> 1:10:15.120
<v Speaker 1>up obviously, Yeah, but yeah she's reulatively new at that point, Ryan,

1:10:15.520 --> 1:10:17.200
<v Speaker 1>Ryan and I keep up. Yeah, I like that dude.

1:10:17.760 --> 1:10:19.439
<v Speaker 1>He's a good dude. I think I'm gonna see a

1:10:19.520 --> 1:10:22.880
<v Speaker 1>stage coach on Friday. So we got there. We're playing

1:10:22.920 --> 1:10:26.960
<v Speaker 1>on Saturday. Man, are you going in early? Yeah? I am.

1:10:27.960 --> 1:10:29.720
<v Speaker 1>What are you? Are you working or just hanging? We're

1:10:29.800 --> 1:10:32.280
<v Speaker 1>playing on Saturday night? What are you coming on Friday?

1:10:32.560 --> 1:10:34.080
<v Speaker 1>We're just we're just have to get there earlier because

1:10:34.120 --> 1:10:36.800
<v Speaker 1>it's such a big thing. You're coming on Friday night? Yeah,

1:10:36.840 --> 1:10:40.920
<v Speaker 1>work on fight? What are you playing on Friday? So

1:10:41.040 --> 1:10:42.479
<v Speaker 1>you're but you're the big You're the big name on

1:10:42.520 --> 1:10:44.599
<v Speaker 1>the top of that thing. The third time, finally, it's

1:10:44.640 --> 1:10:46.840
<v Speaker 1>not the top of the thing. That stage coach is

1:10:46.880 --> 1:10:49.200
<v Speaker 1>a tough gig. The ideal gig is the one right

1:10:49.240 --> 1:10:52.400
<v Speaker 1>before the last one, as it always is. Eight o'clock slot.

1:10:52.680 --> 1:10:56.360
<v Speaker 1>Son's still going down, they're still serving alcohol. People's buzzes

1:10:56.400 --> 1:10:58.040
<v Speaker 1>are still kind of going up a little bit. They're

1:10:58.040 --> 1:11:00.759
<v Speaker 1>in a good mood. Still ten fifteen. You know they're

1:11:00.880 --> 1:11:02.600
<v Speaker 1>they're like almost hung over this point. You have to

1:11:02.640 --> 1:11:04.800
<v Speaker 1>go out there and like just killed. You have to

1:11:04.880 --> 1:11:07.880
<v Speaker 1>kick their ass. You're one of the big names, like you,

1:11:07.920 --> 1:11:11.559
<v Speaker 1>there are three big names. It's Dirk Shania because that's

1:11:11.600 --> 1:11:14.600
<v Speaker 1>who's our night, and then maybe it's Ken. Yeah. The

1:11:14.680 --> 1:11:16.840
<v Speaker 1>first time I played there was it was daylight and

1:11:17.200 --> 1:11:20.720
<v Speaker 1>Taylor swiftled on before me. That that says a lot.

1:11:20.760 --> 1:11:22.080
<v Speaker 1>That was back in That was seven and I came

1:11:22.120 --> 1:11:24.960
<v Speaker 1>back and opened for Miranda, and then this time we're

1:11:24.960 --> 1:11:28.200
<v Speaker 1>finally headlining it. So look at that big deal, big night. Man,

1:11:28.320 --> 1:11:31.560
<v Speaker 1>it's crazy. Stage coaches one I've never been before and

1:11:31.600 --> 1:11:34.000
<v Speaker 1>then played like six months ago. It's fun and we

1:11:34.080 --> 1:11:35.639
<v Speaker 1>were like Oca, we were't gonna play a bunch of idiot.

1:11:35.720 --> 1:11:38.240
<v Speaker 1>I was just doing stand up. Yeah, it's and everybody's like,

1:11:38.240 --> 1:11:40.400
<v Speaker 1>come to do stage coach. Yeah, it's fun. We hope

1:11:40.439 --> 1:11:42.280
<v Speaker 1>you'll be in the night, will Yeah, I'll come. We'll

1:11:42.280 --> 1:11:43.639
<v Speaker 1>come out of the show. We're standing in front's house

1:11:43.720 --> 1:11:45.400
<v Speaker 1>close so we're just gonna about to walk over there

1:11:45.760 --> 1:11:48.000
<v Speaker 1>is I guess that walkable like can you watch? Yeah,

1:11:48.560 --> 1:11:50.320
<v Speaker 1>it was run back and forth. There's it's so much

1:11:50.360 --> 1:11:52.200
<v Speaker 1>going on the backstage is great. There's so many different bands,

1:11:52.200 --> 1:11:55.000
<v Speaker 1>and that's what's great. You got guys like yeah, when

1:11:55.040 --> 1:11:57.400
<v Speaker 1>I was give bluegrass bands playing, you got Jerry Lewis

1:11:57.520 --> 1:11:59.240
<v Speaker 1>is playing, You've got country. They do a great job

1:11:59.280 --> 1:12:02.839
<v Speaker 1>of really bringing like everybody in that's under the country umbrella.

1:12:02.960 --> 1:12:05.559
<v Speaker 1>So we're playing a lot of the Brian festivals this year. Yeah,

1:12:05.720 --> 1:12:08.280
<v Speaker 1>we're doing that Route ninety one and Faster Horses and

1:12:08.360 --> 1:12:11.280
<v Speaker 1>we're doing and so Connal's vessels are fun. Man, those

1:12:11.320 --> 1:12:14.000
<v Speaker 1>are particular great. He takes a lot of pride and

1:12:14.040 --> 1:12:16.200
<v Speaker 1>he makes the backstage vibe great. That's what that's what

1:12:16.320 --> 1:12:18.400
<v Speaker 1>you like, you can tell. And for the fan experience too,

1:12:18.439 --> 1:12:20.559
<v Speaker 1>you know, I mean I love all the vessels, they're great,

1:12:20.640 --> 1:12:24.000
<v Speaker 1>but having like festivals that aren't just the kind of

1:12:24.120 --> 1:12:26.479
<v Speaker 1>same feeling that kind of have this unique like ninety

1:12:26.479 --> 1:12:28.880
<v Speaker 1>one has its own feel and Faster Horse does its

1:12:28.920 --> 1:12:31.960
<v Speaker 1>feeling and Watershed has its feeling. The well, I'll go

1:12:32.120 --> 1:12:33.800
<v Speaker 1>with Brian and the golf cart and go drive around

1:12:33.880 --> 1:12:35.960
<v Speaker 1>people tailgating hole to show me where this is where

1:12:35.960 --> 1:12:37.559
<v Speaker 1>we set this place up. Just to get ice, man,

1:12:37.640 --> 1:12:39.200
<v Speaker 1>they get ice any time to one here and some

1:12:39.360 --> 1:12:41.400
<v Speaker 1>block and this is a pond they can go fishing,

1:12:41.400 --> 1:12:43.240
<v Speaker 1>and they can get fishing poles from right here and

1:12:43.360 --> 1:12:45.840
<v Speaker 1>go fishing this pond. And he really makes it unique.

1:12:45.920 --> 1:12:48.400
<v Speaker 1>And hopefully we're doing some thing together. I'm doing faster horses.

1:12:49.560 --> 1:12:52.559
<v Speaker 1>Maybe I'm doing watershed. I don't know. Does it feel

1:12:52.560 --> 1:12:54.840
<v Speaker 1>like you live two lives. I do live two lives

1:12:54.960 --> 1:12:58.400
<v Speaker 1>because it's like the normal dude during the middle of

1:12:58.479 --> 1:12:59.920
<v Speaker 1>the week and then the rock star in the week.

1:13:00.320 --> 1:13:03.080
<v Speaker 1>I'm literally I've had a chance to do like some

1:13:03.240 --> 1:13:05.640
<v Speaker 1>TV stuff and it would make for great TV, but

1:13:05.720 --> 1:13:07.080
<v Speaker 1>I just don't want to have like cameras on me.

1:13:07.160 --> 1:13:11.960
<v Speaker 1>But because of aviation and because and and I'm treating

1:13:11.960 --> 1:13:13.559
<v Speaker 1>myself on Who I am on the road is definitely

1:13:13.560 --> 1:13:16.080
<v Speaker 1>who I am my fans, I'm honestly in front of them,

1:13:16.160 --> 1:13:17.760
<v Speaker 1>and that's a big part of my personality. When I

1:13:17.800 --> 1:13:21.080
<v Speaker 1>get on stage and go crazy, um, but I am

1:13:21.520 --> 1:13:23.880
<v Speaker 1>literally I'll be I'll be flying home and the next

1:13:23.920 --> 1:13:26.400
<v Speaker 1>morning my kids are younger, I'll be like in a

1:13:26.479 --> 1:13:29.760
<v Speaker 1>mommy me class with a truly baton, you know, like

1:13:29.960 --> 1:13:32.080
<v Speaker 1>doing like the things, but no one the right mon

1:13:32.439 --> 1:13:34.320
<v Speaker 1>possibly think that I was doing this, you know, like

1:13:34.680 --> 1:13:36.280
<v Speaker 1>because I mean, I'm all in on the dad thing.

1:13:36.320 --> 1:13:38.640
<v Speaker 1>Like I I there's nothing beneath me, nothing I won't do.

1:13:38.760 --> 1:13:42.519
<v Speaker 1>I won't do anything, and so it's a it's definitely

1:13:42.880 --> 1:13:44.680
<v Speaker 1>I physically I am two places it once too. I

1:13:44.720 --> 1:13:46.760
<v Speaker 1>mean I get very little sleep. I know, I'm up

1:13:46.800 --> 1:13:49.840
<v Speaker 1>every morning early because I want to have a full

1:13:49.880 --> 1:13:51.960
<v Speaker 1>life here and one thing it takes a toll on

1:13:52.080 --> 1:13:55.640
<v Speaker 1>is the sleep. But I really am physically sometimes in

1:13:55.720 --> 1:13:57.720
<v Speaker 1>two places at the same time. I want to end

1:13:57.760 --> 1:14:00.800
<v Speaker 1>on this. And I wonder if guy a question for

1:14:00.840 --> 1:14:04.040
<v Speaker 1>you are cool? Uh, okay, let me head first and

1:14:04.080 --> 1:14:07.519
<v Speaker 1>then I'll come with you. Guys, what NAP? I walked

1:14:07.520 --> 1:14:09.639
<v Speaker 1>by your book every day and it was in my closet.

1:14:10.439 --> 1:14:14.439
<v Speaker 1>They're not symbol drives me crazy all the time I see,

1:14:14.439 --> 1:14:16.920
<v Speaker 1>I go do you get paid on that nap? Nothing?

1:14:17.120 --> 1:14:22.439
<v Speaker 1>Zero question zero. NAPA buys a studio sponsorship and it's

1:14:22.479 --> 1:14:24.439
<v Speaker 1>in there. And and I wanted that book to be

1:14:24.600 --> 1:14:28.080
<v Speaker 1>just random pictures. And so just like the book is

1:14:28.120 --> 1:14:30.920
<v Speaker 1>all random stories and I just want and NAPA, we

1:14:31.160 --> 1:14:33.160
<v Speaker 1>had to make the decision do we not choose the

1:14:33.200 --> 1:14:36.479
<v Speaker 1>picture because there's a logo, or do it is a

1:14:36.560 --> 1:14:38.479
<v Speaker 1>part of my life and a part of time, we

1:14:38.600 --> 1:14:40.960
<v Speaker 1>were like, you know what, they just I really like

1:14:41.120 --> 1:14:43.360
<v Speaker 1>working with an appo because they're fantastic, but also it

1:14:43.439 --> 1:14:45.920
<v Speaker 1>was like, you know, this is NAP Weirdly, they're a

1:14:45.960 --> 1:14:47.880
<v Speaker 1>big part of my life because they allowed me to eat.

1:14:48.160 --> 1:14:50.160
<v Speaker 1>The sponsors of the show allowed me to eat. We

1:14:50.240 --> 1:14:51.880
<v Speaker 1>had to have a meeting to go on the picture

1:14:51.880 --> 1:14:54.240
<v Speaker 1>of the book. There's a NAPI logo. Do we cut it?

1:14:54.280 --> 1:14:57.360
<v Speaker 1>Do we make it black? Absolutely? And it was just

1:14:57.600 --> 1:15:00.400
<v Speaker 1>I just tried in that book too. As much of

1:15:00.560 --> 1:15:03.600
<v Speaker 1>my life there really was just let it be. I

1:15:03.680 --> 1:15:05.439
<v Speaker 1>just see that all the time. I was like, it's

1:15:05.479 --> 1:15:07.160
<v Speaker 1>so funny what you got. That's so funny you asked

1:15:07.160 --> 1:15:08.439
<v Speaker 1>that because we had a whole meeting about that. I

1:15:08.520 --> 1:15:10.120
<v Speaker 1>was like, just let it be and no, no, no

1:15:10.200 --> 1:15:12.080
<v Speaker 1>money extra. We don't think we ever even told him.

1:15:12.920 --> 1:15:15.920
<v Speaker 1>They're happy. We know, yeah, um okay, might hear my question.

1:15:16.280 --> 1:15:18.600
<v Speaker 1>So when the a c MS happened and you were

1:15:18.640 --> 1:15:21.360
<v Speaker 1>you were hosting, I was back before presenting. It was

1:15:21.479 --> 1:15:23.559
<v Speaker 1>crazy how call him and chill you were in between.

1:15:24.040 --> 1:15:26.519
<v Speaker 1>We were just talking before going on and I just

1:15:26.560 --> 1:15:27.680
<v Speaker 1>got to go on do album in the year and

1:15:27.680 --> 1:15:29.000
<v Speaker 1>I was rooting for you, and I said publicly, I

1:15:29.000 --> 1:15:30.479
<v Speaker 1>wanted you to ain album in the year you didn't win,

1:15:30.520 --> 1:15:33.000
<v Speaker 1>which sucked, but I wanted you to win, and so

1:15:33.479 --> 1:15:35.240
<v Speaker 1>I opened I looked at the card ahead of time,

1:15:35.400 --> 1:15:37.320
<v Speaker 1>and I saw that it was Miranda who won, and

1:15:37.680 --> 1:15:39.960
<v Speaker 1>I went over to Mary and told her so as

1:15:40.000 --> 1:15:41.519
<v Speaker 1>if she wanted to tell you, so you wouldn't be like,

1:15:41.640 --> 1:15:43.960
<v Speaker 1>let did she tell you or did you see it live?

1:15:44.160 --> 1:15:50.160
<v Speaker 1>I mean because because I went over, you know, the

1:15:50.200 --> 1:15:53.400
<v Speaker 1>award show stuff. I'm I'm as competitive. I'm I'm I

1:15:53.439 --> 1:15:56.480
<v Speaker 1>don't know anyone more competitive than me. I'm really really competitive.

1:15:56.520 --> 1:15:58.320
<v Speaker 1>But and there's times I've lived and died by the

1:15:58.320 --> 1:16:00.120
<v Speaker 1>award shows. And I'm in a place now where I like,

1:16:00.560 --> 1:16:03.240
<v Speaker 1>I love being nominated. It's awesome. Winning would be nice,

1:16:03.320 --> 1:16:07.000
<v Speaker 1>but I'm minute to win much bigger, but it sucks

1:16:07.040 --> 1:16:08.880
<v Speaker 1>for you. Like I wanted you to be honest, man,

1:16:08.920 --> 1:16:12.479
<v Speaker 1>I'm like, yeah, I'd like once I can think people

1:16:12.560 --> 1:16:14.600
<v Speaker 1>like you have played you played. I don't you know

1:16:15.080 --> 1:16:17.000
<v Speaker 1>you've played songs and given a chance agat things. God's

1:16:17.040 --> 1:16:18.240
<v Speaker 1>going I want to think Mary, I want to take

1:16:18.280 --> 1:16:20.680
<v Speaker 1>my wife, but man, I just want to I want

1:16:20.720 --> 1:16:23.519
<v Speaker 1>to be honest. All that one you're gonna you're gonna

1:16:23.560 --> 1:16:25.600
<v Speaker 1>do all that. You get the trophy. That's great, but

1:16:25.720 --> 1:16:29.080
<v Speaker 1>winning in you can't just win when you have I'm winning.

1:16:29.080 --> 1:16:30.720
<v Speaker 1>I feel like I'm winning a life man. I have

1:16:30.840 --> 1:16:33.000
<v Speaker 1>Like I get to go to that and that's great.

1:16:33.000 --> 1:16:34.479
<v Speaker 1>And I I didn't win Album of the Year, but

1:16:34.960 --> 1:16:37.040
<v Speaker 1>when the show's over, I get to go back to,

1:16:37.240 --> 1:16:40.320
<v Speaker 1>like this great band I got to play. I agree,

1:16:40.760 --> 1:16:45.880
<v Speaker 1>it's awesome. That's my awesome. I'm just telling you. I

1:16:46.040 --> 1:16:49.000
<v Speaker 1>was like life, I was sad he didn't win, and

1:16:49.200 --> 1:16:51.840
<v Speaker 1>I was like, this is this is just boy looking

1:16:51.840 --> 1:16:53.600
<v Speaker 1>at a boy. And I was like, Mary, if you

1:16:53.640 --> 1:16:55.360
<v Speaker 1>want to tell him, I don't want to. I don't

1:16:55.360 --> 1:16:58.000
<v Speaker 1>want to, like on TV, like be like, if your

1:16:58.000 --> 1:17:00.639
<v Speaker 1>album's out the same year Moreno's out, you're not. You're

1:17:00.640 --> 1:17:02.160
<v Speaker 1>not gonna get a way. That's the way it goes,

1:17:02.240 --> 1:17:04.479
<v Speaker 1>and it deserves certainly. So. She makes great records, got

1:17:04.479 --> 1:17:06.559
<v Speaker 1>a great voice. He's a great friend and I'm happy

1:17:06.640 --> 1:17:08.760
<v Speaker 1>for she. And it was a double out. As an

1:17:08.840 --> 1:17:10.960
<v Speaker 1>art piece, it was a fantastic art piece. I'm just

1:17:11.160 --> 1:17:13.400
<v Speaker 1>saying for you. I looked I wanted to see it

1:17:13.439 --> 1:17:15.000
<v Speaker 1>that I went and told Mary your manager. I was like,

1:17:15.040 --> 1:17:16.519
<v Speaker 1>he didn't win. So if you want to tell him,

1:17:16.840 --> 1:17:19.080
<v Speaker 1>just so she's used to, you're not winning. My sister

1:17:19.160 --> 1:17:21.920
<v Speaker 1>calls me the Susan Lucci of of country music, so hey,

1:17:22.080 --> 1:17:25.240
<v Speaker 1>better be that than nothing else. But I I'm I'm

1:17:25.320 --> 1:17:27.479
<v Speaker 1>so appreciative every worship been nominated for it, him saying

1:17:27.479 --> 1:17:28.960
<v Speaker 1>this in all honesty, But I would tell any younger

1:17:29.040 --> 1:17:31.479
<v Speaker 1>artists out there, do not make that your goal. Do

1:17:31.600 --> 1:17:34.200
<v Speaker 1>not look at Kenny. He never want anything to like

1:17:34.720 --> 1:17:36.720
<v Speaker 1>he was already playing stadiums, lutism and a whole lot

1:17:36.760 --> 1:17:39.720
<v Speaker 1>of stuff. He did start winning till he's already playing stadiums, Like,

1:17:39.760 --> 1:17:43.160
<v Speaker 1>do not focus on winning a piece of hard word.

1:17:43.200 --> 1:17:44.960
<v Speaker 1>It's so silly, and it's a lot of it's voted on.

1:17:45.400 --> 1:17:48.000
<v Speaker 1>As you know, I'm not gonna tell the listeners, you know,

1:17:48.120 --> 1:17:49.559
<v Speaker 1>just enjoy your stick. You don't want to see how

1:17:49.600 --> 1:17:51.960
<v Speaker 1>it's made. It's it's not a free process that stuff

1:17:51.960 --> 1:17:54.200
<v Speaker 1>gulds vote on. It's really not, and it's it's not

1:17:55.640 --> 1:17:58.559
<v Speaker 1>the true judge of Like what is good is your audience.

1:17:58.600 --> 1:17:59.840
<v Speaker 1>When you go out there and you stand front that

1:17:59.880 --> 1:18:02.200
<v Speaker 1>my phone and they sing songs back to you. That's

1:18:02.240 --> 1:18:04.040
<v Speaker 1>what any younger artist should be focused on. And that's

1:18:04.040 --> 1:18:05.640
<v Speaker 1>what I focus on. There's times the middle of my

1:18:05.680 --> 1:18:07.840
<v Speaker 1>career where I didn't and I got frustrated, but I

1:18:09.080 --> 1:18:11.840
<v Speaker 1>I don't. I don't care. It's hard. Just popped up

1:18:11.840 --> 1:18:15.080
<v Speaker 1>on notifications. It's the best one choruses of all time,

1:18:15.240 --> 1:18:19.000
<v Speaker 1>like hooks of songs. Now it's not even country songs.

1:18:19.080 --> 1:18:21.080
<v Speaker 1>Like if I say Ashley Simpson pieces of Meat, remember

1:18:21.080 --> 1:18:25.000
<v Speaker 1>the course that song? Yeah? I mean, and I don't.

1:18:25.280 --> 1:18:26.880
<v Speaker 1>I'm just looking through some of this list. I mean,

1:18:26.960 --> 1:18:30.280
<v Speaker 1>I can sing all like the Muana soundtrack. I have kids.

1:18:30.320 --> 1:18:32.680
<v Speaker 1>I bet you know all that. I mean, I can sing. Yeah,

1:18:32.680 --> 1:18:33.800
<v Speaker 1>I want to get here and see the top of

1:18:33.800 --> 1:18:37.240
<v Speaker 1>these real quick. I can sing here we go, all right,

1:18:37.240 --> 1:18:40.280
<v Speaker 1>here we go top ten? You ready. Miley talks Wrecking

1:18:40.320 --> 1:18:42.840
<v Speaker 1>Ball that everybody knows that they came in like a rick.

1:18:45.040 --> 1:18:47.599
<v Speaker 1>Don't your voice ride with me? You know that one?

1:18:49.560 --> 1:18:51.160
<v Speaker 1>If you want to come and take a rib with me?

1:18:52.120 --> 1:18:54.960
<v Speaker 1>You know the Nelly Nell? Yeah, sort of. Georgia Lins

1:18:55.000 --> 1:18:57.120
<v Speaker 1>already got to say I was a flow rider, Oh

1:18:57.200 --> 1:19:01.200
<v Speaker 1>flow right alright? R Kelly Ignisia Rex. I don't know.

1:19:01.600 --> 1:19:04.640
<v Speaker 1>I'm not trying to be like Piani or something he has.

1:19:04.800 --> 1:19:07.599
<v Speaker 1>He has a whole video. Yeah, he has a whole life.

1:19:08.600 --> 1:19:10.680
<v Speaker 1>You notice that, I'm like the wrong. I listened like

1:19:10.800 --> 1:19:15.240
<v Speaker 1>flattened scrugs. I'm like, I don't know anything about they say,

1:19:15.479 --> 1:19:19.320
<v Speaker 1>Katie very teenage dream. Uh yeah, I know a song

1:19:19.600 --> 1:19:22.280
<v Speaker 1>is give me a little piece. This is a top

1:19:22.360 --> 1:19:28.400
<v Speaker 1>for me. That's it. Yeah, I wouldn't like how about

1:19:28.400 --> 1:19:32.360
<v Speaker 1>Empire state of Mind, the whole the jay Z stuff, Yeah,

1:19:32.439 --> 1:19:33.880
<v Speaker 1>this whole his things so good that the one about

1:19:33.880 --> 1:19:39.519
<v Speaker 1>ambience min ambience in New York, Concrete Jungle mad or

1:19:39.600 --> 1:19:41.920
<v Speaker 1>the top five. Then you can't this when you get

1:19:42.040 --> 1:19:45.720
<v Speaker 1>I bet Jimmy where all the middle? Oh you don't

1:19:45.760 --> 1:19:51.000
<v Speaker 1>get to it just takes sometimes you do that that? Yeah,

1:19:51.320 --> 1:19:53.639
<v Speaker 1>don you do that? Your show? Uh were part of it? Yeah,

1:19:53.640 --> 1:19:54.960
<v Speaker 1>we did parts of all kinds of I am like,

1:19:55.080 --> 1:20:00.519
<v Speaker 1>I'm honestly this is not outcast, Miss Jackson. No, I'm sorry,

1:20:00.560 --> 1:20:04.800
<v Speaker 1>Miss Jackson. Who I am for real? Never meant to

1:20:05.040 --> 1:20:07.120
<v Speaker 1>make your mama you know that one? Oh my gosh, No,

1:20:07.280 --> 1:20:10.280
<v Speaker 1>I know Rosald Kentucky and uh you know, no Skinner Blues.

1:20:10.360 --> 1:20:14.599
<v Speaker 1>I'm just killer, Mr Brightside because I missed love the killer.

1:20:14.680 --> 1:20:16.840
<v Speaker 1>You know you guys, no, but I saw them play.

1:20:16.840 --> 1:20:18.479
<v Speaker 1>When they play the like the great thing to living

1:20:18.479 --> 1:20:20.120
<v Speaker 1>in Nashville, you see, like everyone comes through the rhyme,

1:20:20.160 --> 1:20:21.760
<v Speaker 1>and I saw them play the rhyme and they're still

1:20:21.840 --> 1:20:24.040
<v Speaker 1>on their way up. It was it was awesome man.

1:20:24.280 --> 1:20:26.479
<v Speaker 1>Number two, since you've been gone, Kelly Clarkson, since you've

1:20:26.520 --> 1:20:29.000
<v Speaker 1>been and number one is Carly Ray Jackson called me

1:20:29.080 --> 1:20:34.320
<v Speaker 1>maybe my son's favorite song. I know, I know, I

1:20:34.400 --> 1:20:36.000
<v Speaker 1>know that a song as my son Knox is three.

1:20:36.680 --> 1:20:38.760
<v Speaker 1>Call me maybe. We listen to call me maybe, like

1:20:38.840 --> 1:20:40.920
<v Speaker 1>it's still ten times in the car, but we just

1:20:40.960 --> 1:20:44.959
<v Speaker 1>got into it. Hey, I just met you. This is crazy,

1:20:45.439 --> 1:20:49.360
<v Speaker 1>but here's my number, so call me maybe. And oh

1:20:49.479 --> 1:20:53.320
<v Speaker 1>the other boys try to chase me, but here's my number.

1:20:54.000 --> 1:20:57.439
<v Speaker 1>Call me maybe. And before you came into my life

1:20:58.160 --> 1:21:01.640
<v Speaker 1>so bad. You should know that. I mean, I know

1:21:01.760 --> 1:21:05.680
<v Speaker 1>the whole thing, man, But that's it's embarrassing. My son

1:21:05.760 --> 1:21:07.439
<v Speaker 1>loves that song. I think it must you know what

1:21:07.520 --> 1:21:09.200
<v Speaker 1>it was in the movie Sing. That's the reason why

1:21:09.200 --> 1:21:10.639
<v Speaker 1>I know there's a TV show a movie called Sing.

1:21:10.920 --> 1:21:13.839
<v Speaker 1>It's like a cartoons and it's so good and oh

1:21:13.920 --> 1:21:16.280
<v Speaker 1>my gosh, Matthew McConaughey, go back to your original thing

1:21:16.320 --> 1:21:19.479
<v Speaker 1>about people you text and what text you back Matthew McConaughey.

1:21:19.520 --> 1:21:21.719
<v Speaker 1>So I did a thing for him called matt Jack

1:21:22.320 --> 1:21:25.599
<v Speaker 1>and Mac. It's in Austin. Austin. Yeah, it's Mac Brown,

1:21:25.880 --> 1:21:28.640
<v Speaker 1>Matthew McConaughey. And I'm so glad this happened because I

1:21:28.640 --> 1:21:31.240
<v Speaker 1>can tell you the story so anyway, and he like, uh,

1:21:31.840 --> 1:21:34.160
<v Speaker 1>you know, it's really hard to couldn't do it. As

1:21:34.200 --> 1:21:36.360
<v Speaker 1>the schedules are working out with he all three of

1:21:36.400 --> 1:21:39.400
<v Speaker 1>them like called me texting one day and Matthew McConaughey

1:21:39.520 --> 1:21:41.960
<v Speaker 1>like called me, like, whoa Connie just called me? This

1:21:42.080 --> 1:21:45.080
<v Speaker 1>is crazy. He's texted me. I decided to do it.

1:21:45.280 --> 1:21:47.519
<v Speaker 1>Text little bit leading up to it. Well, then afterwards

1:21:47.560 --> 1:21:49.840
<v Speaker 1>I hadn't you know, I watched the movie sing you know,

1:21:50.120 --> 1:21:51.799
<v Speaker 1>he was the voice of them in the main characters,

1:21:51.840 --> 1:21:55.240
<v Speaker 1>and I was like, how do you put this Bravo

1:21:56.479 --> 1:22:01.960
<v Speaker 1>sing so good, Bravo, Bravo and an idiot Bravo. I

1:22:01.960 --> 1:22:03.559
<v Speaker 1>don't think it's even those film as a new film,

1:22:04.040 --> 1:22:06.720
<v Speaker 1>and like just yeah, nothing came back on that one,

1:22:06.760 --> 1:22:09.240
<v Speaker 1>and oh no, no, no, I haven't heard from that one.

1:22:09.360 --> 1:22:11.960
<v Speaker 1>I think, I think about I used my one chance

1:22:12.040 --> 1:22:15.800
<v Speaker 1>that with mcconnay and this nothing else. He's not texting

1:22:15.840 --> 1:22:18.720
<v Speaker 1>back a stupid comforts. All right, there we go, it's

1:22:18.720 --> 1:22:23.800
<v Speaker 1>already over. It's over. We talked for hour and time

1:22:23.840 --> 1:22:26.000
<v Speaker 1>just flies by. It was really fun. Man, Thanks, I

1:22:26.040 --> 1:22:30.800
<v Speaker 1>appreciate you coming by. Congrats, Thanks, thanks a good thing. Uh.

1:22:31.080 --> 1:22:32.920
<v Speaker 1>You know people listen to these for weeks and months ago.

1:22:33.000 --> 1:22:35.960
<v Speaker 1>Awaits right now black a single. You know, these podcasts

1:22:35.960 --> 1:22:38.160
<v Speaker 1>are definitely not time sensitive. But it's the crazy thing

1:22:38.160 --> 1:22:40.800
<v Speaker 1>about it. It's like it again, but I talk lifestyles,

1:22:40.800 --> 1:22:43.400
<v Speaker 1>talk about food, nutrition, whatever you want to think about this.

1:22:44.080 --> 1:22:45.680
<v Speaker 1>Dex is like I want to do a podcast. I'm like,

1:22:46.080 --> 1:22:48.720
<v Speaker 1>I wan't to talk about yeah, life hacking and how

1:22:48.800 --> 1:22:50.599
<v Speaker 1>we can keep it. He brought me a book, yeah,

1:22:50.680 --> 1:22:52.880
<v Speaker 1>the Tool, and I haven't read the Tim Ferris book.

1:22:53.000 --> 1:22:54.840
<v Speaker 1>And it's like it looks like if you were to

1:22:54.960 --> 1:22:57.040
<v Speaker 1>stack three Bibles on top of each other, it's three

1:22:57.479 --> 1:23:00.680
<v Speaker 1>of grinders like yourself. Man, I'll put a note in

1:23:00.680 --> 1:23:03.040
<v Speaker 1>there for you. You did put a note in there. Yes,

1:23:03.080 --> 1:23:06.840
<v Speaker 1>I appreciate it. All right, episode what's that? Except for

1:23:07.200 --> 1:23:11.200
<v Speaker 1>Derek's good to see you and now I'll probably see

1:23:11.240 --> 1:23:13.439
<v Speaker 1>you a couple day. I'll see Friday night talking about

1:23:13.439 --> 1:23:15.080
<v Speaker 1>I'm cooking on. All right, come on, I think I've

1:23:15.120 --> 1:23:18.080
<v Speaker 1>been to your shows more than anybody else's. Like, really,

1:23:18.080 --> 1:23:20.360
<v Speaker 1>I've been to more of your shows than anybody in

1:23:20.439 --> 1:23:23.479
<v Speaker 1>town period. Yeah. Starts a way back when d C thanks,

1:23:24.040 --> 1:23:27.519
<v Speaker 1>it's the first big one. Yeah, oh yeah, you like

1:23:28.120 --> 1:23:30.280
<v Speaker 1>like con but I think I'm saying seven of your

1:23:30.320 --> 1:23:33.439
<v Speaker 1>shows I'm in became of the most the biggest one Bashel,

1:23:33.479 --> 1:23:35.240
<v Speaker 1>which I appreciate me lest night, that's a big night.

1:23:35.280 --> 1:23:37.599
<v Speaker 1>That was That was a crazy that was like everybody

1:23:37.720 --> 1:23:39.800
<v Speaker 1>was like, okay, he's that was your moment into that

1:23:40.600 --> 1:23:42.360
<v Speaker 1>you're now in the eight Wherever you want to say

1:23:42.400 --> 1:23:44.960
<v Speaker 1>it is that that was your night where you kind

1:23:45.000 --> 1:23:48.559
<v Speaker 1>of jumped up sometimes. All right, whatever you want to say,

1:23:48.560 --> 1:23:50.840
<v Speaker 1>all right, Derek send thank you and thanks to Blue

1:23:50.880 --> 1:23:52.559
<v Speaker 1>Apron wat for flowers, and we'll see you guys next

1:23:52.600 --> 1:23:52.720
<v Speaker 1>night