WEBVTT - Georgia Anne Muldrow On The Personal Origin Of "Stay Woke"

0:00:00.240 --> 0:00:21.560
<v Speaker 1>The quest Left show is a production of iHeart Radio. Okay,

0:00:21.760 --> 0:00:24.800
<v Speaker 1>I was going to avoid this question, So here's the thing.

0:00:25.000 --> 0:00:31.920
<v Speaker 1>Like I initially, I initially had so many musical questions,

0:00:31.920 --> 0:00:35.200
<v Speaker 1>but because I didn't know you as a human being,

0:00:35.240 --> 0:00:37.480
<v Speaker 1>I wanted to go through that route and just ask

0:00:37.520 --> 0:00:39.559
<v Speaker 1>about your life as a human and a creator.

0:00:41.280 --> 0:00:43.400
<v Speaker 2>But I'm going to close on.

0:00:43.280 --> 0:00:49.760
<v Speaker 1>This last question, which is, how does it feel well

0:00:49.800 --> 0:00:54.320
<v Speaker 1>to see something that you created, as in three words,

0:00:55.520 --> 0:01:03.360
<v Speaker 1>that suddenly becomes all my It's like you you named

0:01:03.400 --> 0:01:06.600
<v Speaker 1>this period like when we look at the time period

0:01:06.640 --> 0:01:10.880
<v Speaker 1>when we speak of, uh, the Jim Crow period, when

0:01:10.920 --> 0:01:14.280
<v Speaker 1>we speak of the civil rights period, when we speak

0:01:14.319 --> 0:01:21.320
<v Speaker 1>of the reconstruction period, we will probably call the twenties.

0:01:21.720 --> 0:01:24.320
<v Speaker 1>I don't know, but I know the word woke is

0:01:24.560 --> 0:01:29.959
<v Speaker 1>going to to enter the lexicon when it comes to

0:01:32.640 --> 0:01:38.480
<v Speaker 1>like describing it. What point did you realize, Holy shit,

0:01:38.680 --> 0:01:42.280
<v Speaker 1>this like when I realized that, you know, white political

0:01:42.400 --> 0:01:45.400
<v Speaker 1>pundits were now using it, when our enemies were using

0:01:45.440 --> 0:01:46.959
<v Speaker 1>it especially I.

0:01:48.960 --> 0:01:51.720
<v Speaker 2>Kept saying, right.

0:01:51.560 --> 0:01:54.480
<v Speaker 1>But I kept saying, like God, I pray to Guy

0:01:54.480 --> 0:01:59.600
<v Speaker 1>that Georgia like trademark that word so that it stays

0:01:59.600 --> 0:02:03.720
<v Speaker 1>with her. When did you first coin the term was

0:02:03.720 --> 0:02:06.280
<v Speaker 1>it when you were doing Master Teacher or like how

0:02:06.320 --> 0:02:06.560
<v Speaker 1>did it?

0:02:07.280 --> 0:02:08.080
<v Speaker 2>How did it come to be?

0:02:08.840 --> 0:02:13.720
<v Speaker 3>It's so interesting, right because just even with Massive Teacher, right,

0:02:13.960 --> 0:02:17.160
<v Speaker 3>like that song, like that was a day before I

0:02:17.200 --> 0:02:20.160
<v Speaker 3>had a nervous breakdown, Like if I meant anything, I

0:02:20.200 --> 0:02:22.600
<v Speaker 3>said it that day, do you know what I'm saying?

0:02:22.960 --> 0:02:25.000
<v Speaker 3>So like if I meant anything, if I was like

0:02:25.040 --> 0:02:29.160
<v Speaker 3>about it, like so many times I be so cringey

0:02:29.160 --> 0:02:31.640
<v Speaker 3>about that song because like of what would happen the

0:02:31.720 --> 0:02:34.720
<v Speaker 3>day after I made that song, you know, and it

0:02:34.840 --> 0:02:39.639
<v Speaker 3>and I think that that's something so beautiful because it's

0:02:39.680 --> 0:02:43.040
<v Speaker 3>like when you mean something so much, anything can happen.

0:02:43.560 --> 0:02:46.720
<v Speaker 3>When you're actually cheating yourself, anything can happen. And so

0:02:46.919 --> 0:02:50.040
<v Speaker 3>the state of Walk came from me and Lakeisha Benjamin

0:02:51.960 --> 0:02:55.040
<v Speaker 3>being in New York in school trying to figure out

0:02:55.040 --> 0:02:57.120
<v Speaker 3>how we're gonna get it out through the music like

0:02:57.160 --> 0:03:02.120
<v Speaker 3>Cold Trane and and like you know, getting it out

0:03:02.160 --> 0:03:04.720
<v Speaker 3>through the music, finding language for what it is that

0:03:04.840 --> 0:03:09.440
<v Speaker 3>we're experiencing, you know. And at that time, Lakeisha Benjamin, I,

0:03:09.600 --> 0:03:12.560
<v Speaker 3>like you know, we were jam session mates, you know,

0:03:12.919 --> 0:03:15.400
<v Speaker 3>because I decided to drop out of the jazz program

0:03:15.480 --> 0:03:18.919
<v Speaker 3>to just go learn by just being put in the blender, you.

0:03:18.840 --> 0:03:19.600
<v Speaker 4>Know, and.

0:03:21.720 --> 0:03:26.800
<v Speaker 3>Yeah, yeah, but she graduated.

0:03:26.840 --> 0:03:27.720
<v Speaker 5>I ain't graduate.

0:03:28.280 --> 0:03:30.520
<v Speaker 3>So it was just like those things was just like

0:03:30.600 --> 0:03:33.640
<v Speaker 3>it was wild because there were certain things that the

0:03:33.680 --> 0:03:36.600
<v Speaker 3>composition teacher didn't know what to tell me what my

0:03:36.720 --> 0:03:39.160
<v Speaker 3>chords were, and it was all types of weird stuff

0:03:39.200 --> 0:03:41.080
<v Speaker 3>going on like that. I'm just sat in the stage

0:03:41.080 --> 0:03:44.840
<v Speaker 3>for coming from a community as you well know, like

0:03:44.920 --> 0:03:47.520
<v Speaker 3>being from Philly. You know what I'm saying, Gamble up,

0:03:47.600 --> 0:03:51.080
<v Speaker 3>somebody got a coofy on. Like it's like it's like

0:03:51.240 --> 0:03:53.360
<v Speaker 3>somebody got consciousness, you know what I'm saying. Oh, Jay's

0:03:53.360 --> 0:03:56.600
<v Speaker 3>got animal rights songs, they got chugarhoy, they got branded.

0:03:57.240 --> 0:03:59.680
<v Speaker 3>It's like they're going through the whole gamut of like

0:04:00.080 --> 0:04:00.840
<v Speaker 3>every walk.

0:04:00.600 --> 0:04:01.400
<v Speaker 4>A lot, you feel me.

0:04:01.560 --> 0:04:03.440
<v Speaker 3>So I'm just saying it like because you're on my side,

0:04:03.480 --> 0:04:05.320
<v Speaker 3>you feel me, decided to put you there. But like

0:04:06.280 --> 0:04:09.520
<v Speaker 3>coming from the Mert Park where it's like like coming

0:04:09.560 --> 0:04:12.840
<v Speaker 3>from the world stage, like my dad owned like a

0:04:12.920 --> 0:04:15.960
<v Speaker 3>coop for every day of the year. Jazz or it's

0:04:16.000 --> 0:04:21.600
<v Speaker 3>so called jazz right was never not an afrocentric expression

0:04:22.200 --> 0:04:26.599
<v Speaker 3>in my whole life. It was always an afrocentric expression.

0:04:26.640 --> 0:04:30.400
<v Speaker 3>It was always a diaspora, you know, a gem of

0:04:30.440 --> 0:04:34.040
<v Speaker 3>the diaspora. It was never a question of is jazz

0:04:34.120 --> 0:04:36.760
<v Speaker 3>even black. So when I go to school and they

0:04:36.800 --> 0:04:39.279
<v Speaker 3>go like, jazz isn't black at all, I have to

0:04:39.279 --> 0:04:42.280
<v Speaker 3>stand up and be like, sir, you lying. Children are

0:04:42.279 --> 0:04:45.600
<v Speaker 3>from Japan and different parts of the world because they

0:04:45.640 --> 0:04:47.360
<v Speaker 3>want to learn the truth. They're paying you to tell

0:04:47.480 --> 0:04:49.760
<v Speaker 3>the truth, and now you're not telling the truth, so and.

0:04:49.640 --> 0:04:50.680
<v Speaker 5>I have to tell you the truth.

0:04:51.040 --> 0:04:52.679
<v Speaker 4>So it's like this was woke.

0:04:53.040 --> 0:04:56.680
<v Speaker 3>Okay, this was the same thing as not pledging allegiance

0:04:56.760 --> 0:05:00.400
<v Speaker 3>in school, you know, and like it was like the

0:05:00.440 --> 0:05:02.719
<v Speaker 3>build up of that time at the time going to

0:05:03.680 --> 0:05:08.520
<v Speaker 3>MARCHI again's occupation in Palestine as a child in elementary school,

0:05:08.680 --> 0:05:11.640
<v Speaker 3>junior hi, you know, all of that kind of stuff,

0:05:11.760 --> 0:05:17.360
<v Speaker 3>like being politically active since birth, right, going like, well,

0:05:17.400 --> 0:05:21.279
<v Speaker 3>how does this translate into tones? Right? So we're like

0:05:21.400 --> 0:05:24.120
<v Speaker 3>talking and talking for like a long conversation like this one,

0:05:24.200 --> 0:05:27.720
<v Speaker 3>but even longer. Yeah, like marathon conversation. I'm going to

0:05:27.760 --> 0:05:29.440
<v Speaker 3>see her tomorrow, but we're trying to get to the

0:05:29.440 --> 0:05:32.200
<v Speaker 3>bottom of it because it was like there is a

0:05:32.240 --> 0:05:36.080
<v Speaker 3>translation for this and so but we couldn't get down

0:05:36.120 --> 0:05:39.080
<v Speaker 3>to the bottom of it in the night, so Keisha,

0:05:39.120 --> 0:05:41.040
<v Speaker 3>of course would be the first one to fall asleep,

0:05:41.400 --> 0:05:43.880
<v Speaker 3>and then she'd be like, yo, I'm trying to stay woke.

0:05:43.960 --> 0:05:49.040
<v Speaker 5>But yeah, I'm trying to stay woke, but I'm I'm

0:05:49.080 --> 0:05:51.480
<v Speaker 5>passing out. I'm like, yo, I'll trying to stay woke.

0:05:52.360 --> 0:05:54.960
<v Speaker 3>And for me, I was in the thing just as

0:05:54.960 --> 0:05:56.919
<v Speaker 3>a visual I've been always been a visual artist. So

0:05:56.960 --> 0:06:00.440
<v Speaker 3>what I would do is is somebody said something cool

0:06:00.520 --> 0:06:03.760
<v Speaker 3>like it was like my it was like my visual

0:06:03.800 --> 0:06:06.600
<v Speaker 3>Prince Paul, the way I could take a snapshot out

0:06:06.640 --> 0:06:10.320
<v Speaker 3>of something I love so much, I write it on

0:06:10.400 --> 0:06:13.640
<v Speaker 3>my clothes, just as like it's like I write on

0:06:13.640 --> 0:06:17.000
<v Speaker 3>my clothes, or like if like my roommate say Dancy

0:06:17.080 --> 0:06:20.360
<v Speaker 3>Dancy and I wrote it. I wrote my clothes Dancy Dancy,

0:06:20.480 --> 0:06:22.440
<v Speaker 3>you know. And I remember she's like, heyo, you're making

0:06:22.480 --> 0:06:23.719
<v Speaker 3>me cringe with that shit stopped that ship.

0:06:23.720 --> 0:06:27.279
<v Speaker 5>I'm like no, no, like no, this is part of

0:06:27.320 --> 0:06:28.880
<v Speaker 5>my thoughts, Like shut up, you're right.

0:06:28.920 --> 0:06:30.880
<v Speaker 3>So it was like that's what it was. But I

0:06:30.920 --> 0:06:36.800
<v Speaker 3>remember very vividly I wrote stay Woke with a kiddie

0:06:36.800 --> 0:06:40.360
<v Speaker 3>marker on this old white t shirt, you know, and

0:06:41.480 --> 0:06:44.440
<v Speaker 3>it was just right there over my heart, and I

0:06:44.480 --> 0:06:47.320
<v Speaker 3>remember I wrote it as a reminder not to kill myself,

0:06:48.560 --> 0:06:51.560
<v Speaker 3>you know. I wrote it as a reminder to like

0:06:51.960 --> 0:06:56.279
<v Speaker 3>survive the day that, don't kill yourself yet you know,

0:06:56.360 --> 0:07:00.919
<v Speaker 3>stay woke. Like yeah, it was definitely like during those moments,

0:07:00.960 --> 0:07:03.960
<v Speaker 3>like you know what I mean. And just the sheer

0:07:04.000 --> 0:07:08.400
<v Speaker 3>amount of volume in my lifetime of these black student

0:07:08.560 --> 0:07:13.160
<v Speaker 3>union programs having their fundraising T shirts be saying stay woke,

0:07:13.680 --> 0:07:16.040
<v Speaker 3>and it's like the NASA logo and they sample, like

0:07:16.080 --> 0:07:18.680
<v Speaker 3>they sample and logos and then say stay woke. The

0:07:18.800 --> 0:07:24.679
<v Speaker 3>amount of stay woke shirts, like even before the politicians

0:07:24.720 --> 0:07:28.880
<v Speaker 3>did it, it was the student the students that did it,

0:07:29.160 --> 0:07:32.480
<v Speaker 3>the black students. That when I saw that coming back

0:07:32.520 --> 0:07:37.520
<v Speaker 3>at me, I said, whoa, it was real like there

0:07:37.560 --> 0:07:41.480
<v Speaker 3>had been a transmission made, you know. And that's where

0:07:42.360 --> 0:07:46.080
<v Speaker 3>I just have such a love for like being kind

0:07:46.120 --> 0:07:48.520
<v Speaker 3>of person what concepts me more than me than like

0:07:49.120 --> 0:07:52.920
<v Speaker 3>than exposure. You know, I care more about what people

0:07:53.200 --> 0:07:55.560
<v Speaker 3>care about themselves. I care more about what people think

0:07:55.600 --> 0:07:57.560
<v Speaker 3>about themselves than I do. What they think of me

0:07:58.440 --> 0:08:01.000
<v Speaker 3>or if they know me. I want to know that

0:08:01.240 --> 0:08:03.440
<v Speaker 3>if after I've been here on this planet, that they

0:08:03.560 --> 0:08:06.680
<v Speaker 3>people have strived to know theirself more that they know

0:08:06.760 --> 0:08:10.000
<v Speaker 3>who they are. They they value that they're special, that

0:08:10.040 --> 0:08:16.679
<v Speaker 3>their uniqueness is intrinsic to the elevation of us coming

0:08:16.720 --> 0:08:20.880
<v Speaker 3>together as a whole in a permanent, conscious, every day,

0:08:20.920 --> 0:08:23.679
<v Speaker 3>every moment kind of way. Well, if you don't love yourself,

0:08:23.680 --> 0:08:26.920
<v Speaker 3>you can't do that as a group, you know. So

0:08:27.040 --> 0:08:30.680
<v Speaker 3>I care more about that, you know. So in that

0:08:30.840 --> 0:08:33.360
<v Speaker 3>care when you see there's flashes of that kind of care,

0:08:33.400 --> 0:08:36.640
<v Speaker 3>that just like thing and it really happens that way.

0:08:37.000 --> 0:08:41.600
<v Speaker 3>It's wonderful. And then when people who are subscribed to

0:08:42.000 --> 0:08:44.960
<v Speaker 3>whiteness as a religious spirit, you know, with the religious

0:08:44.960 --> 0:08:47.560
<v Speaker 3>spirit of whiteness, when they say that they hate me,

0:08:48.440 --> 0:08:50.839
<v Speaker 3>then I'm like, that means I'm doing everything right.

0:08:50.920 --> 0:08:51.960
<v Speaker 4>This is great. You know.

0:08:52.520 --> 0:08:54.520
<v Speaker 3>It's the new nigga where it's like they could say woke.

0:08:55.360 --> 0:08:59.240
<v Speaker 3>They call somebody woke and wokeism is killing America. I'm like,

0:08:59.480 --> 0:09:02.320
<v Speaker 3>this is one Like I love that like for me,

0:09:03.000 --> 0:09:05.719
<v Speaker 3>because the deal is, you know what, for me, it

0:09:05.880 --> 0:09:09.280
<v Speaker 3>was too for real mirrors Like yo, I got songs

0:09:09.320 --> 0:09:12.400
<v Speaker 3>about Venezuela that's like, you know, seventeen years old, like

0:09:12.480 --> 0:09:15.200
<v Speaker 3>you know, I really do. So I went through a

0:09:15.240 --> 0:09:18.719
<v Speaker 3>lot of intimidation under like behind the radar. I went

0:09:18.720 --> 0:09:20.480
<v Speaker 3>through a lot of different things like that, you know,

0:09:21.040 --> 0:09:24.319
<v Speaker 3>but I still get small because I'm still alive. They

0:09:24.360 --> 0:09:27.320
<v Speaker 3>can't do nothing to me, you know. So it's like

0:09:27.840 --> 0:09:32.000
<v Speaker 3>going through those things, right when they say that, that

0:09:32.120 --> 0:09:35.839
<v Speaker 3>verifies those things like yeah, yeah, you can't even hold

0:09:35.880 --> 0:09:38.719
<v Speaker 3>that back. Oh I do scare you?

0:09:39.840 --> 0:09:40.040
<v Speaker 4>Yeah?

0:09:40.080 --> 0:09:44.760
<v Speaker 3>And and the part that's scaries that there's more of

0:09:44.880 --> 0:09:50.360
<v Speaker 3>me everywhere. There's more people who have taken creative licenses

0:09:50.520 --> 0:09:53.400
<v Speaker 3>to be all of who they are, you know, and

0:09:53.800 --> 0:09:59.560
<v Speaker 3>to not withhold their blackness for love, you know, not

0:09:59.679 --> 0:10:03.760
<v Speaker 3>with their self love right, the love of themselves so

0:10:03.800 --> 0:10:06.120
<v Speaker 3>that someone else can love them. Because now it's all

0:10:06.120 --> 0:10:08.840
<v Speaker 3>following apart. It's like, you know, if everybody focus on

0:10:08.920 --> 0:10:11.520
<v Speaker 3>loving themselves more than we wouldn't have this drama. People

0:10:11.520 --> 0:10:14.760
<v Speaker 3>wouldn't be hurting other people. You do your personal growth exercise,

0:10:15.240 --> 0:10:18.120
<v Speaker 3>you know, you figure out what's wrong with you. You

0:10:18.120 --> 0:10:20.560
<v Speaker 3>know what I'm saying, And sometimes you got to call

0:10:20.640 --> 0:10:22.520
<v Speaker 3>for help and get to figure out what's wrong with you.

0:10:22.920 --> 0:10:25.600
<v Speaker 3>But that's a way of loving yourself instead of hurting people.

0:10:26.000 --> 0:10:29.640
<v Speaker 3>And so I just always hope that for me, woke

0:10:29.720 --> 0:10:34.440
<v Speaker 3>mean to be undomesticated. You know, your awareness is undomesticated.

0:10:35.240 --> 0:10:37.960
<v Speaker 3>You know, there's something of a bit wild and feral

0:10:38.080 --> 0:10:39.880
<v Speaker 3>about you that hopes for good things.

0:10:55.520 --> 0:11:00.720
<v Speaker 6>So I heard this clip of Georgia Animaldreaux and you're

0:11:00.760 --> 0:11:05.880
<v Speaker 6>asking her about coining the term woke. Yeah, the turn

0:11:05.960 --> 0:11:09.920
<v Speaker 6>has become so synonymous with our age and just how

0:11:09.920 --> 0:11:15.800
<v Speaker 6>she feels about the scale that that's taken on and

0:11:15.880 --> 0:11:19.560
<v Speaker 6>the story of the the original Yeah.

0:11:20.120 --> 0:11:24.440
<v Speaker 1>I wasn't expecting that answer, and you know, because I'll

0:11:24.440 --> 0:11:25.240
<v Speaker 1>admit that.

0:11:26.520 --> 0:11:26.840
<v Speaker 2>Okay.

0:11:26.920 --> 0:11:36.760
<v Speaker 1>So oftentimes the gatekeeping issue of like this language.

0:11:32.480 --> 0:11:35.960
<v Speaker 2>Of black folks, like once it enters the.

0:11:36.400 --> 0:11:39.120
<v Speaker 4>Mainstream John for instance, Yeah, then.

0:11:39.080 --> 0:11:41.760
<v Speaker 1>Suddling, it's over, Like it's over, you know, close the

0:11:41.800 --> 0:11:46.640
<v Speaker 1>shop up. But now I feel like some sort of

0:11:46.679 --> 0:11:52.199
<v Speaker 1>like renewed sense of purpose of keeping it in with purpose,

0:11:52.760 --> 0:11:55.360
<v Speaker 1>you know, now that I know her definition of it,

0:11:56.040 --> 0:12:00.800
<v Speaker 1>of it all and of course at its ugliest, currently

0:12:00.840 --> 0:12:05.120
<v Speaker 1>being used as a way to weaponize or to describe,

0:12:06.160 --> 0:12:07.920
<v Speaker 1>you know, I.

0:12:07.880 --> 0:12:13.040
<v Speaker 2>Guess the coloquialism of just what we're supposed to.

0:12:13.160 --> 0:12:15.440
<v Speaker 1>You know, you hear woke politics or you know, but.

0:12:15.840 --> 0:12:19.640
<v Speaker 6>It's interesting too, because what when people are railing against

0:12:19.880 --> 0:12:24.680
<v Speaker 6>woke politics, they're like railing against humanism. Yeah, liket, they're

0:12:24.760 --> 0:12:28.320
<v Speaker 6>railing against caring about people who don't look like safe.

0:12:29.120 --> 0:12:30.559
<v Speaker 2>Yeah, it's a safe way.

0:12:30.559 --> 0:12:33.640
<v Speaker 6>It's the new inward right. I mean what in word

0:12:33.920 --> 0:12:37.240
<v Speaker 6>was for the nineties or whatever. Now it's like woke politics,

0:12:37.320 --> 0:12:37.960
<v Speaker 6>which you know.

0:12:38.800 --> 0:12:44.280
<v Speaker 1>Yeah, but again hearing her describe what that means to

0:12:44.320 --> 0:12:47.319
<v Speaker 1>her and how that like saved her life, like.

0:12:47.400 --> 0:12:49.160
<v Speaker 4>Kind of literally saved their life.

0:12:49.200 --> 0:12:52.080
<v Speaker 6>And I know Georgia personally, she talked in that clip

0:12:52.120 --> 0:12:53.760
<v Speaker 6>about running around in the Myrt Park. I used to

0:12:53.800 --> 0:12:56.440
<v Speaker 6>run around the Murt Park with her, Like we go

0:12:56.559 --> 0:12:59.000
<v Speaker 6>back years and years and years. And when she said

0:12:59.000 --> 0:13:03.920
<v Speaker 6>that about like she wrote that to like stay alive.

0:13:04.400 --> 0:13:08.880
<v Speaker 6>She wrote that to give her fuel to not kill herself.

0:13:09.559 --> 0:13:13.240
<v Speaker 6>Like I felt that so deeply because she's she's like

0:13:13.800 --> 0:13:16.680
<v Speaker 6>that kind of person. Like you know, there are people

0:13:16.679 --> 0:13:19.679
<v Speaker 6>in life that are just fireballs, like they are just

0:13:20.679 --> 0:13:24.000
<v Speaker 6>made of energy from somewhere else and they don't belong

0:13:24.080 --> 0:13:25.959
<v Speaker 6>here on this plane in this time. And a lot

0:13:26.000 --> 0:13:29.800
<v Speaker 6>of times, like people like that, with that purity of spirit,

0:13:29.880 --> 0:13:35.240
<v Speaker 6>they struggle to exist in this world. And it's amazing

0:13:35.400 --> 0:13:42.160
<v Speaker 6>that in her challenge to stay connected to people, she

0:13:42.320 --> 0:13:46.480
<v Speaker 6>comes up with a term like that, captures it and

0:13:46.520 --> 0:13:47.480
<v Speaker 6>gives it to the world.

0:13:48.360 --> 0:13:52.240
<v Speaker 1>Yeah, I you know, she gets all the gratitude for

0:13:52.320 --> 0:13:57.240
<v Speaker 1>me for that. And again, normally slang, especially now might

0:13:57.400 --> 0:13:59.679
<v Speaker 1>only slang used to last.

0:13:59.520 --> 0:14:00.120
<v Speaker 2>For two years.

0:14:00.720 --> 0:14:03.640
<v Speaker 6>When's the last time you were at six seven? So well,

0:14:04.960 --> 0:14:07.400
<v Speaker 6>I watch a lot of NBA basketball. So whenever they

0:14:07.520 --> 0:14:09.880
<v Speaker 6>still doing that, whenever they cut to the to the

0:14:09.920 --> 0:14:10.839
<v Speaker 6>little kids at the.

0:14:10.840 --> 0:14:14.080
<v Speaker 4>Game, they they don't like, they don't, they don't know.

0:14:14.240 --> 0:14:16.439
<v Speaker 6>It's like how they used to floss dance ten years

0:14:16.480 --> 0:14:18.120
<v Speaker 6>ago just because they didn't know what else to do

0:14:18.160 --> 0:14:20.600
<v Speaker 6>with their bodies. It's like that kind of thing. Now

0:14:21.480 --> 0:14:24.720
<v Speaker 6>that's what they're It's a default. Got you Yeah, so

0:14:25.760 --> 0:14:28.720
<v Speaker 6>for you, what does the term mean now?

0:14:28.760 --> 0:14:29.560
<v Speaker 2>For you? Personally?

0:14:29.920 --> 0:14:35.400
<v Speaker 6>I only see people saying it now in a negative connotation.

0:14:35.560 --> 0:14:38.560
<v Speaker 6>I only see it on Twitter. I only see it

0:14:38.640 --> 0:14:42.160
<v Speaker 6>like or hear it when somebody who I don't agree

0:14:42.200 --> 0:14:46.360
<v Speaker 6>with is talking about politics or media like it's a

0:14:46.600 --> 0:14:49.960
<v Speaker 6>terrible sort of claiming that they've made of It reminds

0:14:50.040 --> 0:14:53.520
<v Speaker 6>me of like hotep, like that term used.

0:14:53.360 --> 0:14:55.080
<v Speaker 2>To miss Chicago.

0:14:55.600 --> 0:14:57.600
<v Speaker 6>I don't know if it's Chicago. I first started hearing

0:14:57.640 --> 0:15:00.120
<v Speaker 6>it in college. I went to Southern Illinois University, so

0:15:00.160 --> 0:15:03.440
<v Speaker 6>it was people from Chicago, people from Saint Louis, but

0:15:03.560 --> 0:15:06.360
<v Speaker 6>it was just a type of person like the hit.

0:15:07.280 --> 0:15:08.400
<v Speaker 4>Yeah, you know what I'm saying.

0:15:08.720 --> 0:15:14.160
<v Speaker 1>But I remember Erica playing it for me maybe two

0:15:14.200 --> 0:15:17.520
<v Speaker 1>months before the album came out, And you know, there's

0:15:17.600 --> 0:15:21.480
<v Speaker 1>there's two parts of that song. It's a six to

0:15:22.240 --> 0:15:26.880
<v Speaker 1>seven maybe six or seven minute song, and initially when

0:15:26.920 --> 0:15:29.080
<v Speaker 1>she was playing it, like I was totally missing it

0:15:29.080 --> 0:15:32.520
<v Speaker 1>because the first half of the song is just chaotic

0:15:32.600 --> 0:15:38.840
<v Speaker 1>in its arrangement, like you know, Erica Georgia creative Partners

0:15:38.920 --> 0:15:41.960
<v Speaker 1>like that whole creative circle.

0:15:42.040 --> 0:15:43.760
<v Speaker 2>Yeah that that that that system.

0:15:44.320 --> 0:15:50.240
<v Speaker 1>And of course the second half, which is just Erica

0:15:50.320 --> 0:15:54.240
<v Speaker 1>James Poyson Blaw doing a slow down somba version of it,

0:15:54.840 --> 0:15:58.360
<v Speaker 1>That's when I really like locked into it, yeah, and

0:15:58.360 --> 0:16:01.120
<v Speaker 1>and then absorbed the song that way. It's you know,

0:16:01.400 --> 0:16:04.640
<v Speaker 1>Master Teacher used to always that was like my favorite

0:16:04.680 --> 0:16:07.600
<v Speaker 1>cut on that record. It's weird, like I don't think

0:16:07.600 --> 0:16:11.920
<v Speaker 1>anyone has We're not mating people credit that song or

0:16:12.040 --> 0:16:15.960
<v Speaker 1>Eric Abadu as the originator behind it.

0:16:16.480 --> 0:16:19.200
<v Speaker 6>I mean, but it's much like six seven in that way,

0:16:19.840 --> 0:16:24.040
<v Speaker 6>right where it's this cultural language that everybody's using, but

0:16:24.080 --> 0:16:26.560
<v Speaker 6>nobody even questions where it came from most of the time.

0:16:26.880 --> 0:16:28.160
<v Speaker 2>Well, I don't think people know.

0:16:28.520 --> 0:16:31.240
<v Speaker 1>I'm very slow in trying to not make it like

0:16:31.280 --> 0:16:32.800
<v Speaker 1>the self congratulatory thing.

0:16:33.000 --> 0:16:34.800
<v Speaker 4>All I do know is that.

0:16:35.400 --> 0:16:37.280
<v Speaker 1>You know, it had a life of its own, like

0:16:37.360 --> 0:16:41.320
<v Speaker 1>at the height of Okay players powers as far as

0:16:41.360 --> 0:16:45.560
<v Speaker 1>the boards are concerned, like it lived there. And then,

0:16:45.600 --> 0:16:49.440
<v Speaker 1>of course two thousand and six to two thousand and seven,

0:16:49.520 --> 0:16:52.640
<v Speaker 1>two thousand and eight was around the time when people

0:16:52.680 --> 0:16:55.520
<v Speaker 1>started migrating from Okay Player and just going to Twitter,

0:16:56.400 --> 0:17:01.400
<v Speaker 1>which really starts the genesis of what we now turn.

0:17:01.320 --> 0:17:02.280
<v Speaker 2>Black Twitter or whatever.

0:17:02.960 --> 0:17:07.359
<v Speaker 1>And so yeah, once I saw used outside of the

0:17:08.280 --> 0:17:12.440
<v Speaker 1>Okay Player circle, that's when even I was amazed that,

0:17:12.720 --> 0:17:14.879
<v Speaker 1>like the viralness of it, because I just thought it

0:17:14.920 --> 0:17:16.040
<v Speaker 1>was just inside speak that.

0:17:16.240 --> 0:17:22.040
<v Speaker 6>But then and then the Childish Gambino song, Yeah, yeah,

0:17:22.080 --> 0:17:24.600
<v Speaker 6>I mean, and that I think that really puts I.

0:17:24.640 --> 0:17:25.760
<v Speaker 2>Totally forgot about that part.

0:17:25.920 --> 0:17:28.360
<v Speaker 6>Yes, yes, that put it in the stratosphere. And then

0:17:28.400 --> 0:17:34.320
<v Speaker 6>everybody was like whatever that moment was, everybody glombed on

0:17:34.480 --> 0:17:36.560
<v Speaker 6>to the term I feel like after.

0:17:36.320 --> 0:17:39.800
<v Speaker 1>That, right, oh yeah, well then it got nashed on

0:17:39.960 --> 0:17:44.480
<v Speaker 1>and then overused and whatnot. Do you find yourself using

0:17:44.520 --> 0:17:48.560
<v Speaker 1>it ever and just your everyday talking vernacular?

0:17:48.600 --> 0:17:50.960
<v Speaker 6>But I'm not sure I ever did, though. Do you

0:17:50.960 --> 0:17:53.359
<v Speaker 6>feel like you have permission to use it or not? Well,

0:17:53.400 --> 0:17:56.480
<v Speaker 6>I feel like if I'm using it, then I'm using

0:17:56.560 --> 0:18:00.480
<v Speaker 6>it in that intentionally political way that sort of removed

0:18:00.520 --> 0:18:04.359
<v Speaker 6>from the original meaning, Like like the original meaning was

0:18:04.400 --> 0:18:07.879
<v Speaker 6>just kind of like stay away, stay aware, yeah, stay aware, right,

0:18:07.960 --> 0:18:11.199
<v Speaker 6>you know, But like now it's got all of this,

0:18:12.400 --> 0:18:16.520
<v Speaker 6>it's got different levels of culture all rolled into it now,

0:18:17.440 --> 0:18:20.719
<v Speaker 6>so that when you say it, it now touches on

0:18:20.760 --> 0:18:22.919
<v Speaker 6>the way that most people use it now, which is

0:18:23.880 --> 0:18:27.680
<v Speaker 6>that negative connotation that political. So in this tug of war,

0:18:29.080 --> 0:18:31.720
<v Speaker 6>should we try to hang on with all of our

0:18:31.840 --> 0:18:34.040
<v Speaker 6>might or just like that's that's And that takes me

0:18:34.119 --> 0:18:35.959
<v Speaker 6>back to the hotep thing where I remember I had

0:18:35.960 --> 0:18:37.880
<v Speaker 6>an argument on Twitter with somebody.

0:18:37.560 --> 0:18:38.720
<v Speaker 2>Someone call you a hotel.

0:18:39.080 --> 0:18:44.359
<v Speaker 6>No, nobody eould call me a hotel. But I was

0:18:44.520 --> 0:18:46.879
<v Speaker 6>arguing with somebody on Twitter. And this had to be

0:18:47.000 --> 0:18:51.080
<v Speaker 6>like twenty eleven, twenty twelve or something like that, when

0:18:51.520 --> 0:18:54.919
<v Speaker 6>it was first being introduced to me that some people

0:18:54.960 --> 0:18:57.639
<v Speaker 6>within our community that had values that I didn't align

0:18:57.720 --> 0:19:01.800
<v Speaker 6>with were calling themselves that like they were they were

0:19:01.800 --> 0:19:06.960
<v Speaker 6>claiming the negative common connotation of it and calling themselves that.

0:19:07.240 --> 0:19:08.479
<v Speaker 2>Do you know the origins of it?

0:19:09.000 --> 0:19:11.280
<v Speaker 6>I don't know the actual I know how I first

0:19:11.320 --> 0:19:13.199
<v Speaker 6>heard it, I don't know the actual origin.

0:19:13.240 --> 0:19:16.960
<v Speaker 2>The first time I heard it common rhyme on it.

0:19:18.560 --> 0:19:23.240
<v Speaker 4>On Ghetto Heaven, he said, hoole tep.

0:19:23.680 --> 0:19:27.080
<v Speaker 1>That's the first time I heard it used in the

0:19:27.400 --> 0:19:32.639
<v Speaker 1>second verse or the last verse of Ghetto Heaven. Actually,

0:19:32.680 --> 0:19:37.960
<v Speaker 1>I thought he was just calling somebody a Hoe's Rasha's

0:19:38.040 --> 0:19:41.440
<v Speaker 1>world famous for subliminal dishes.

0:19:41.920 --> 0:19:44.080
<v Speaker 4>Back to this day, people don't know.

0:19:44.640 --> 0:19:48.520
<v Speaker 1>I still when I see like seven or eight figures,

0:19:49.040 --> 0:19:51.920
<v Speaker 1>if they don't respond negative to me, I'm like.

0:19:52.640 --> 0:19:55.400
<v Speaker 6>Okay, you still have nothing. It went over your head,

0:19:55.560 --> 0:19:58.200
<v Speaker 6>Like twenty seven years later, you still haven't listened to.

0:19:59.800 --> 0:20:02.160
<v Speaker 1>Like Wanted for Chocoal the album, been like, hey wait

0:20:02.200 --> 0:20:05.240
<v Speaker 1>a minute, but yeah, that's the first time I used it,

0:20:05.320 --> 0:20:05.880
<v Speaker 1>and I.

0:20:06.040 --> 0:20:08.280
<v Speaker 6>And that was when that was when I was in

0:20:08.600 --> 0:20:11.679
<v Speaker 6>undergrad and that's when people were using it very sincerely

0:20:11.800 --> 0:20:15.800
<v Speaker 6>as a way for like afrocentric people to communicate with

0:20:15.840 --> 0:20:18.280
<v Speaker 6>each other and like greet each other on the yard

0:20:18.359 --> 0:20:20.120
<v Speaker 6>or at the coffee shop or at the open mic

0:20:20.240 --> 0:20:22.520
<v Speaker 6>like and it was it was like a term that

0:20:22.520 --> 0:20:24.960
<v Speaker 6>people were using to try to point back to, like

0:20:25.880 --> 0:20:27.120
<v Speaker 6>our africanness.

0:20:27.320 --> 0:20:29.800
<v Speaker 4>Right, it was seen as like, oh, this is cool, like.

0:20:30.280 --> 0:20:32.879
<v Speaker 2>But then it almost leads into corniness.

0:20:32.320 --> 0:20:38.119
<v Speaker 6>And because and and it's funny because the negative aspect

0:20:38.160 --> 0:20:39.879
<v Speaker 6>of it, a negative way to look at it to me,

0:20:40.000 --> 0:20:45.840
<v Speaker 6>is crystallized in Fonte's verse on Yo Yo, right, and

0:20:45.880 --> 0:20:49.960
<v Speaker 6>he describes that that that coffee shop doing trying to

0:20:49.960 --> 0:20:52.760
<v Speaker 6>stop him from eating bacon or is talk down to

0:20:52.800 --> 0:20:55.359
<v Speaker 6>him morally and ethically, but he's still all about the

0:20:55.400 --> 0:20:56.160
<v Speaker 6>holes or whatever.

0:20:56.240 --> 0:20:56.720
<v Speaker 2>To me, it.

0:20:56.840 --> 0:21:01.560
<v Speaker 6>Literally ended to me like, oh he fined. He didn't

0:21:01.640 --> 0:21:04.679
<v Speaker 6>use the word, but he defined the whole TEP and

0:21:04.720 --> 0:21:08.320
<v Speaker 6>the whole TEPS politics and the things that were negative

0:21:08.560 --> 0:21:11.480
<v Speaker 6>around people using that term and what And it was

0:21:11.520 --> 0:21:14.320
<v Speaker 6>really what women were trying to call out about people

0:21:14.480 --> 0:21:18.760
<v Speaker 6>like that, right that they presented this sort of cultural uniform.

0:21:19.960 --> 0:21:20.960
<v Speaker 6>They was on some bullshit.

0:21:21.560 --> 0:21:27.679
<v Speaker 1>So WHOTEP is quasi an afrocentric hypocrite?

0:21:28.520 --> 0:21:30.720
<v Speaker 4>Yes, yeah, it's afrocentric hypocrite.

0:21:30.720 --> 0:21:35.280
<v Speaker 6>It's like a wolf in Sheep's clothing in some senses like.

0:21:34.600 --> 0:21:38.280
<v Speaker 1>Like but not to be confused with well right now,

0:21:38.600 --> 0:21:44.359
<v Speaker 1>like we have our own level of podcast bros who

0:21:45.359 --> 0:21:50.000
<v Speaker 1>you know for the offering their word salad kind of.

0:21:51.200 --> 0:21:54.159
<v Speaker 4>Gibbering manisphere right stuff.

0:21:54.000 --> 0:21:58.199
<v Speaker 1>And but not coming in the name of a koofi

0:21:58.680 --> 0:21:59.560
<v Speaker 1>or that sort of thing.

0:22:00.119 --> 0:22:03.520
<v Speaker 2>Damn. I just remember Jim Jones coined the term koofy smack,

0:22:05.080 --> 0:22:07.640
<v Speaker 2>So I actually had to look on.

0:22:07.760 --> 0:22:11.320
<v Speaker 1>Urban Dictionary to see what the proper so the original

0:22:11.359 --> 0:22:15.600
<v Speaker 1>meaning derived from ancient Egyptian word meaning to be at

0:22:15.640 --> 0:22:20.879
<v Speaker 1>peace or contentment, used as a greeting amongst.

0:22:20.640 --> 0:22:22.520
<v Speaker 2>Black people since the nineteen seventies.

0:22:22.800 --> 0:22:27.080
<v Speaker 1>Even then, when Tarik said it, because I'm not well

0:22:27.240 --> 0:22:32.439
<v Speaker 1>versed in Marvel DC comics thing, I thought he was

0:22:32.480 --> 0:22:36.119
<v Speaker 1>just referring to some sort of character that I'd never

0:22:37.000 --> 0:22:42.720
<v Speaker 1>heard of. So to Wreek somewhere in between a pretentious,

0:22:45.240 --> 0:22:51.240
<v Speaker 1>a pretentious Afrocentric and the brainschild of the most dangerous

0:22:51.240 --> 0:22:52.160
<v Speaker 1>man in comedy.

0:22:52.680 --> 0:22:53.680
<v Speaker 2>So there you go.

0:22:53.880 --> 0:22:56.679
<v Speaker 6>But I say I bring up Potep just to answer

0:22:56.680 --> 0:22:58.879
<v Speaker 6>your question because I was thinking about when I had

0:22:58.920 --> 0:23:01.840
<v Speaker 6>an argument on Twitter, I was I was offended that

0:23:02.359 --> 0:23:06.119
<v Speaker 6>people were trying to use the negative aspect of potep

0:23:06.240 --> 0:23:08.840
<v Speaker 6>is like a term of endearment among themselves. Like basically

0:23:09.080 --> 0:23:11.800
<v Speaker 6>that was like the death knell of the original meaning.

0:23:12.000 --> 0:23:14.399
<v Speaker 6>Was these people who were like, yes, I am like that,

0:23:14.640 --> 0:23:18.800
<v Speaker 6>call me hotel please, Like, oh, that's horrible. And I

0:23:18.840 --> 0:23:23.200
<v Speaker 6>think we lost that fight, and now I'm thinking we're woke.

0:23:23.680 --> 0:23:25.359
<v Speaker 6>I don't I don't know if we need to fight

0:23:25.920 --> 0:23:27.399
<v Speaker 6>for the term. I don't know if we need to

0:23:27.400 --> 0:23:29.199
<v Speaker 6>fight for I don't know if that's where our effort

0:23:29.240 --> 0:23:32.119
<v Speaker 6>is best used, because culture and language is going to

0:23:32.200 --> 0:23:33.639
<v Speaker 6>do what culture and language.

0:23:33.240 --> 0:23:36.680
<v Speaker 4>Does, So we should just let it go and see

0:23:36.680 --> 0:23:37.159
<v Speaker 4>what happens.

0:23:37.280 --> 0:23:38.560
<v Speaker 2>I think, see if the body.

0:23:38.680 --> 0:23:41.480
<v Speaker 6>I think we always have to strive for new ways

0:23:41.520 --> 0:23:43.560
<v Speaker 6>to expressly by jack and sink.

0:23:43.440 --> 0:23:46.320
<v Speaker 2>Into the water or hang on to the door.

0:23:46.520 --> 0:23:47.040
<v Speaker 4>Yeah.

0:23:47.119 --> 0:23:49.840
<v Speaker 2>Yeah, Well, now that I truly know where.

0:23:51.359 --> 0:23:57.880
<v Speaker 1>Georgia's heart is, i'd say, you know, I'm why should.

0:23:57.640 --> 0:23:58.080
<v Speaker 2>We let it go?

0:23:58.480 --> 0:24:00.639
<v Speaker 4>Like, well, does she want to fight for it?

0:24:01.240 --> 0:24:04.840
<v Speaker 1>That's a good question, I'd I would wager that she's

0:24:04.920 --> 0:24:09.480
<v Speaker 1>not concerned. Yeah, real artists aren't concerned of legacy things

0:24:09.520 --> 0:24:13.920
<v Speaker 1>or whatever. And I'm certain for her at least it's weird. Man,

0:24:14.000 --> 0:24:18.119
<v Speaker 1>people always want a piece of legacy and importance, but

0:24:18.200 --> 0:24:21.479
<v Speaker 1>once it gets defined, then it could be a burden.

0:24:22.080 --> 0:24:25.520
<v Speaker 1>Like I'm certain to this day, I'm almost certain that

0:24:25.680 --> 0:24:29.639
<v Speaker 1>Illmatic as an album is more burdensome denias than it

0:24:29.760 --> 0:24:32.280
<v Speaker 1>is a celebration of.

0:24:32.760 --> 0:24:33.880
<v Speaker 2>A beautiful work of art.

0:24:33.920 --> 0:24:36.280
<v Speaker 1>So it's almost like once you put something in the

0:24:36.680 --> 0:24:41.840
<v Speaker 1>zegeist or whatever, like, it might make the individual that

0:24:42.119 --> 0:24:48.080
<v Speaker 1>achieved that thing feel otherwise burdened because they either have

0:24:48.160 --> 0:24:50.680
<v Speaker 1>to live up to it or that's only the thing

0:24:50.720 --> 0:24:52.400
<v Speaker 1>that they're going to be associated with.

0:24:52.480 --> 0:24:53.920
<v Speaker 4>It's a literal cultural weight.

0:24:54.359 --> 0:24:57.560
<v Speaker 1>Yeah, so to woke or not to woke. But I

0:24:57.600 --> 0:25:00.640
<v Speaker 1>will say this much unlike the word death. Oh boy,

0:25:00.880 --> 0:25:03.159
<v Speaker 1>you remember when Rick Rubin had the funeral for the

0:25:03.160 --> 0:25:03.680
<v Speaker 1>word deaf.

0:25:03.880 --> 0:25:06.360
<v Speaker 4>No, I don't remember that at all. Wait you don't

0:25:06.440 --> 0:25:09.560
<v Speaker 4>remember this, No, I don't see.

0:25:09.680 --> 0:25:11.360
<v Speaker 2>You have a little subtle.

0:25:11.080 --> 0:25:14.040
<v Speaker 1>Ways of making me just want to Rick, because you

0:25:14.080 --> 0:25:17.199
<v Speaker 1>do this age thing, what thing where it's like yeah, man,

0:25:17.240 --> 0:25:19.679
<v Speaker 1>we're like like minded once and then I'll say like,

0:25:19.720 --> 0:25:21.560
<v Speaker 1>hey man, you remember da da da da da.

0:25:21.480 --> 0:25:23.360
<v Speaker 2>And you're like, motherfucker. I wasn't of age yet.

0:25:23.359 --> 0:25:24.520
<v Speaker 1>I don't even know if I was of it. I

0:25:24.560 --> 0:25:26.600
<v Speaker 1>don't know what year this happened. My first record was

0:25:26.640 --> 0:25:30.040
<v Speaker 1>easy E all right, So that said Rick Ruben of course,

0:25:30.200 --> 0:25:36.440
<v Speaker 1>pro prior to of Deaf Jam. He decided when he

0:25:36.960 --> 0:25:40.960
<v Speaker 1>left Deaf Jam in eighty seven eighty eight he started

0:25:41.040 --> 0:25:46.400
<v Speaker 1>Deaf American eighty nine to ninety and literally held a

0:25:46.440 --> 0:25:49.240
<v Speaker 1>real funeral for the word death.

0:25:49.480 --> 0:25:51.199
<v Speaker 6>That might have been a one time, a funeral for

0:25:51.240 --> 0:25:54.320
<v Speaker 6>a word actually worked. That might have been a one time.

0:25:54.800 --> 0:25:58.160
<v Speaker 1>Yeah, But I sort of felt some sort of way

0:25:58.280 --> 0:26:01.680
<v Speaker 1>because again, it's hip hop.

0:26:01.480 --> 0:26:03.240
<v Speaker 4>Slang, right, and who is he?

0:26:03.840 --> 0:26:04.160
<v Speaker 2>All right?

0:26:04.160 --> 0:26:06.199
<v Speaker 1>But when I looked at the funeral, like it was

0:26:06.280 --> 0:26:08.639
<v Speaker 1>a bunch of rock cats, like some of his Slayer

0:26:08.720 --> 0:26:12.359
<v Speaker 1>friends some of the but like literally Rick Ruver is

0:26:12.359 --> 0:26:15.760
<v Speaker 1>sitting in front with I think he uh, you know,

0:26:15.840 --> 0:26:19.720
<v Speaker 1>like when you're mourning widow or whatever. Like yes, he

0:26:19.760 --> 0:26:21.560
<v Speaker 1>had a veil on and all those things. So it's

0:26:21.640 --> 0:26:25.560
<v Speaker 1>like cartoonishly over the top. So I didn't know how

0:26:25.560 --> 0:26:28.640
<v Speaker 1>to feel about that. But yeah, so Deaf had a funeral,

0:26:29.359 --> 0:26:32.720
<v Speaker 1>an actual funeral. Look it up, kids, But yeah, stay woke,

0:26:33.040 --> 0:26:33.879
<v Speaker 1>stay woke.

0:26:34.119 --> 0:26:41.040
<v Speaker 2>There you go. Quest Love Show is a production I

0:26:41.359 --> 0:26:42.280
<v Speaker 2>Heeart Radio