WEBVTT - Back to Back to the Future II, Part One

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<v Speaker 1>Brought to you by Toyota. Let's go places. Welcome to

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<v Speaker 1>Forward Thinking. He's welcome to rid Thinking, the podcast that

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<v Speaker 1>looks of the future and says, tell me, doctor, where

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<v Speaker 1>are we going this time? I'm Jonathan Strickland LA, and

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<v Speaker 1>I'm Griff McCormick. Hey, Griff, Hey, So guys, happy two,

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<v Speaker 1>Thank you. Yeah, this is the first podcast episode that

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<v Speaker 1>we are recording in Yeah. So it's it's a brand

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<v Speaker 1>new year. And it's not just a brand new year,

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<v Speaker 1>it's a very important year for the future. According to

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<v Speaker 1>the documentary series Back to the Future, you know, I

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<v Speaker 1>thought Back to the Future just did not have enough

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<v Speaker 1>future in it. It's all about the fifties. Yeah, exactly.

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<v Speaker 1>Well that's because he has to go back to the future.

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<v Speaker 1>Oh that's right. But it's really really rectified that deficiency

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<v Speaker 1>in the sequel. Yes, well they only partially did, because

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<v Speaker 1>most of the sequel still takes place in the nineteen

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<v Speaker 1>fifties and the nineteen eighties, and and honestly, when you

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<v Speaker 1>spend some time in the future, you're thankful for that.

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<v Speaker 1>The future is stupendous. According to nineteen eighty nine, uh

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<v Speaker 1>this this nine nine movie? Um yeah, yeah, back Back

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<v Speaker 1>to the Future Part two was was released in nineteen

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<v Speaker 1>eighty nine. That's four years after Back to the Future

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<v Speaker 1>Part one, Right, And as many people have pointed out

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<v Speaker 1>on Twitter at the beginning of this year, hey, we're

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<v Speaker 1>now in the Back to the Future two year. Yeah, yeah,

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<v Speaker 1>that the year that they go forward to from Back

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<v Speaker 1>to the Future too is uh, they in fact land

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<v Speaker 1>on four at four pm on October one, right, and uh.

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<v Speaker 1>One of the people who actually mentioned that this is

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<v Speaker 1>the year of Back to the Future to future was me,

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<v Speaker 1>And it was on our forward Thinking page that I

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<v Speaker 1>did post that. Yeah. It was one of those things

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<v Speaker 1>where I got hired of seeing the meme. I'm sure

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<v Speaker 1>you guys have seen it too, where multiple times over

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<v Speaker 1>the last few years, people have posted a photoshopped version

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<v Speaker 1>of the time machine that the time yeah, exactly from

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<v Speaker 1>the DeLorean and had the date change so that it

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<v Speaker 1>reflected whatever the current date was that day and say,

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<v Speaker 1>today's the day that Murty move Fly traveled to the future.

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<v Speaker 1>And I kept thinking, no, it was two thousand fifteen.

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<v Speaker 1>And it's easy to It's easy to prove one because

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<v Speaker 1>you can go see the movie. But two, they he

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<v Speaker 1>traveled in thirty year increments. He traveled thirty years to

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<v Speaker 1>his past and thirty years to his future, approximately a

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<v Speaker 1>generation gap, which is kind of the point of the

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<v Speaker 1>storyline exactly. So I mean that you know that when

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<v Speaker 1>I kept seeing it back in two thousand twelve was

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<v Speaker 1>a bad year for it. I think I saw it

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<v Speaker 1>three or four times in two thousand twelve. But now

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<v Speaker 1>we're finally in that year. We're not quite at that time, because,

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<v Speaker 1>like you said, Lauren, it's October that we're looking at. Yeah,

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<v Speaker 1>I think that we can suck up any inconsistencies in

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<v Speaker 1>the movie with the fact that it's not October yet.

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<v Speaker 1>I think that by the time it is October, all

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<v Speaker 1>of these things will have come to pass. There's gonna

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<v Speaker 1>be some pretty dramatic things to happen this year in

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<v Speaker 1>order for that to happen. Well, since we're here at

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<v Speaker 1>the outset of the year, I think it would be

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<v Speaker 1>great to do a couple of episodes looking at all

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<v Speaker 1>of the fantastic predictions about the year made by the

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<v Speaker 1>movie Back to the Future too, and see see how

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<v Speaker 1>we stack up against reality. Honestly, a lot of them

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<v Speaker 1>were really clever. I just watched the movie again last night, Um,

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<v Speaker 1>it had been maybe twelve years since I had seen it,

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<v Speaker 1>like a like a good chunk of time. Um. But

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<v Speaker 1>I mean a lot of the predictions that it makes,

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<v Speaker 1>and I made little air quotes because those work really

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<v Speaker 1>well on radio when I said predictions, Uh, A lot

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<v Speaker 1>of their predictions are for the sake of kind of

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<v Speaker 1>silly jokes, most of them delivered by Christopher Lloyd. Um.

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<v Speaker 1>But that being said, a lot of the little details

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<v Speaker 1>in the movie were actually very canny in terms of

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<v Speaker 1>telling us what our world was going to look like, right,

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<v Speaker 1>especially considering that you know, nineteen five, that's a year

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<v Speaker 1>or nineteen nine when this movie was made. That's a

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<v Speaker 1>year before cell phones became a regular thing that normal

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<v Speaker 1>people were in possession of, Right. I mean there were

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<v Speaker 1>some cellular telephones, but they were pretty rare. Um. And uh,

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<v Speaker 1>you know you think about that in that context, like

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<v Speaker 1>even today, it's hard for us to predict what the

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<v Speaker 1>future is going to look like. Go back ten years,

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<v Speaker 1>and everyone thought that cell phones were just gonna keep

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<v Speaker 1>getting smaller and smaller, to the point where that became

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<v Speaker 1>a joke, like it was a status symbol how small

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<v Speaker 1>your cell phone was. But then we had the transformation

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<v Speaker 1>of being able to watch things like video on our phones.

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<v Speaker 1>Now it's important to have a large phone. Actually. Um,

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<v Speaker 1>In fact, I'm gonna give a little visual visual aid.

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<v Speaker 1>I have a new phone that's approximately the size of

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<v Speaker 1>a truck. Yeah, I've I've met bears that are smaller

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<v Speaker 1>than that phone. This is this is. I'm holding up

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<v Speaker 1>the next to six that I just got yesterday, and

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<v Speaker 1>it is. It is ginormous. So uh. Anyway, the point

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<v Speaker 1>I'm trying to make is that they were even further

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<v Speaker 1>removed from the wondrous future than we were by definition,

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<v Speaker 1>and yet some of their predictions are pretty prescient, not

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<v Speaker 1>all of them, obviously, and they were all meant as

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<v Speaker 1>kind of a tongue in cheek sort of jokey way

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<v Speaker 1>of looking at the future. Well, as I alluded to earlier,

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<v Speaker 1>there are so many things that predicts that we decided

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<v Speaker 1>we should break this up into two episodes. Today is

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<v Speaker 1>going to be part one of Back to the Future.

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<v Speaker 1>Part Two's predictions, right, and that's pretty much gonna be

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<v Speaker 1>the title, right. No, Okay, so we're gonna moving ahead. Okay, Okay,

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<v Speaker 1>let's let's set the scene, all right. You're you're, you're

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<v Speaker 1>young Michael J. Fox. I am a young Michael J. Fox.

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<v Speaker 1>You often, I often mistake you for Michael J. Fox. Right,

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<v Speaker 1>you hop out of your dolory and just having traveled

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<v Speaker 1>forward thirty years from from your comfortable home in the

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<v Speaker 1>nineteen eighties, and what are some of the things you

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<v Speaker 1>see in the world around you in the southern California

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<v Speaker 1>of Well, there's tons of stuff to cover. Let's start

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<v Speaker 1>with the clothing, because that was one of the first

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<v Speaker 1>things that we get to see in the film. Yeah.

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<v Speaker 1>Of course, any time that you time travel, you have

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<v Speaker 1>to I mean, assuming that you're not in the Doctor

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<v Speaker 1>Who universe, in which no one really cares, you have

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<v Speaker 1>to immediately find some kind of clothing so that you

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<v Speaker 1>can fit in with a local population. Right, So you

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<v Speaker 1>find somebody about your build, you knock them out, and

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<v Speaker 1>you steal their clothes and leave them naked. That's that's standard,

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<v Speaker 1>m O. Yeah, or Doc Brown happens to have gone

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<v Speaker 1>shopping for you and just gives you a bunch of stuff.

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<v Speaker 1>How convenient. So so Doc gives a few things to

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<v Speaker 1>Marty McFly so that he can he can blend in.

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<v Speaker 1>Actually he's essentially posing as his own son who looks

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<v Speaker 1>exactly like him. Yeah, because everyone in that universe looks

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<v Speaker 1>exactly like their ancestors or descendants. I say, again, how convenient. Yeah, well,

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<v Speaker 1>you know whatever. So o, no, no, no, hold on.

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<v Speaker 1>I remember one big piece of clothing from this, okay,

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<v Speaker 1>which is the automatic lace up shoes. Yeah. Yeah, you

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<v Speaker 1>put these on and uh they they seem like they're

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<v Speaker 1>kind of not quite fitting you. But then all of

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<v Speaker 1>a sudden, the little Nike symbol lights up and the

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<v Speaker 1>laces conformed to your feet. Yea, power laces. Yeah, yeah,

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<v Speaker 1>it sounds it sounds neumatic. Yeah. Well, obviously there's nothing

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<v Speaker 1>like this in reality, right, not yet, but there's gonna

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<v Speaker 1>be this year. Nike is in fact working on it. Yeah,

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<v Speaker 1>they announced this previously that at some point in two

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<v Speaker 1>thousand and fifteen they will begin selling shoes that will

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<v Speaker 1>in fact have power laces. Now, they've had mock ups,

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<v Speaker 1>like like shoes that look like the ones Marty McFly war.

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<v Speaker 1>They've offered that a few times over the years, the

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<v Speaker 1>most recent I think being two thousand eleven, and it

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<v Speaker 1>even lights up, like they have shoes that light up

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<v Speaker 1>and they look, you know, cosmetically like that thing exactly.

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<v Speaker 1>But they didn't have the power. Leases all of that

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<v Speaker 1>changes this year, so that technology is actually coming true. Okay,

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<v Speaker 1>so self lacing shoes actually coming out this year. I

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<v Speaker 1>can't wait till we see them and we can talk

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<v Speaker 1>about this, like talk about how cool they are or

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<v Speaker 1>how disappointing they are. Right, I get the feeling it

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<v Speaker 1>will be one way or the other. Yeah, yeah, yeah.

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<v Speaker 1>But how about the jacket that dries itself off? Yeah? Yeah, Well,

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<v Speaker 1>I mean when you first when he first puts on

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<v Speaker 1>this jacket, uh, the arms are way too long, and

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<v Speaker 1>then it goes up self adjusting and and the arms

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<v Speaker 1>makes some kind of weird pneumatic noise I'm not sure why,

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<v Speaker 1>and they retract to be properly fitting. You're right, it's

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<v Speaker 1>not just drying. It's it's also self adjusting. Yeah. Um.

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<v Speaker 1>And then later in the in the film, we find

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<v Speaker 1>out that it is also self drying, like if you,

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<v Speaker 1>for example, fall into a pond off of your hoverboard,

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<v Speaker 1>then it can it can just kind of go, wouldn't,

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<v Speaker 1>And all of a sudden it's perfect. It's like it's

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<v Speaker 1>like it's filled with hair dryer. Suddenly. I don't want

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<v Speaker 1>to be a naysayer, but I really again don't think

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<v Speaker 1>I want this technology. I mean, I wouldn't want a

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<v Speaker 1>jacket that had heating elements, and I wouldn't worry too much, Joe,

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<v Speaker 1>not unless it was for a very specified cold weather

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<v Speaker 1>expedition kind of purpose that I could I could see

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<v Speaker 1>that maybe that would be useful. Yeah, I could see

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<v Speaker 1>like there'd be some sort of heating element allah, an

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<v Speaker 1>electric blanket kind of thing chad into a jacket like that,

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<v Speaker 1>but not one that would be you know, I have

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<v Speaker 1>a motor in it that would that would turn a

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<v Speaker 1>fan so that it could blow and blow dry your

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<v Speaker 1>your outfit while you're wearing it. That doesn't seem terribly practical. Again,

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<v Speaker 1>it was one of those elements I think thrown in

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<v Speaker 1>there as uh like a fanciful science fiction e humorous.

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<v Speaker 1>It was more a joke than anything else. Um that

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<v Speaker 1>the self adjusting part though, and I believe we've talked

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<v Speaker 1>about this on the show way back in the day,

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<v Speaker 1>perhaps when we for started out the podcast. But people

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<v Speaker 1>are working on creating materials that can go into clothing

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<v Speaker 1>that will allow that clothing to to to fit your

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<v Speaker 1>form better by either um using using kinetic energy from

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<v Speaker 1>when you move to to form the to fit the

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<v Speaker 1>fabric to the contours of your body or um or otherwise. Uh,

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<v Speaker 1>you know, just just creating, especially through three D printing

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<v Speaker 1>more customizable clothes. So and at ces, I saw BELTI belt.

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<v Speaker 1>It is a It's a belt that adjusts itself to you.

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<v Speaker 1>So if you are wearing loose pants, it'll it'll adjust

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<v Speaker 1>so it's snug on you. And then if you start

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<v Speaker 1>eating a big meal, it'll let itself out a notch

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<v Speaker 1>all on its own. That sounds like a very friendly snake. Okay, yeah,

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<v Speaker 1>you gotta think of it. Think of it as like

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<v Speaker 1>I think of it as like the belt itself is

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<v Speaker 1>fed through a system that uses rollers to either tighten

0:10:58.800 --> 0:11:01.719
<v Speaker 1>it or loosen it. The buckle is huge, is not

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<v Speaker 1>like a tiny thing. Um and Joe and I already

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<v Speaker 1>had discussion about what might happen should the absolute worst occur,

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<v Speaker 1>and you're just thinking this is just way too tight.

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<v Speaker 1>It's getting worse. Yeah, I wouldn't. My fear of being

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<v Speaker 1>popped like a grape is greater than my desire to

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<v Speaker 1>not have to fiddle with my own belt. Now we

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<v Speaker 1>have we have seen some advances in textiles and in codings,

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<v Speaker 1>for textiles that would prevent clothing from getting wet where

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<v Speaker 1>the you know where water and oils will just roll

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<v Speaker 1>right off. Some of the stain proof clothing that we've

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<v Speaker 1>seen that's treated by this stuff or has its actual

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<v Speaker 1>structure made in such a way where liquids will just

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<v Speaker 1>roll right off, we've seen that. But that's obviously different

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<v Speaker 1>from something that will dry itself once it's already become wet.

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<v Speaker 1>But still we thought that would be an interesting one. Um,

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<v Speaker 1>you've got another element. Here's something I don't actually remember

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<v Speaker 1>this from the movie. Yeah, okay, So so there were

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<v Speaker 1>several like small personal gadgets that I wanted to kind

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<v Speaker 1>of toss into this category. Um. One is a pair

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<v Speaker 1>of digital binoculars that Doc Brown uses again early on

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<v Speaker 1>in the film. They're the size of kind of like

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<v Speaker 1>a small polaroid camera, and they can report, uh, you know,

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<v Speaker 1>in their little display, they report like your distance from

0:12:16.320 --> 0:12:19.400
<v Speaker 1>the subject. Um. They can auto focus on human subjects,

0:12:19.679 --> 0:12:21.280
<v Speaker 1>and it will also give you a little like x

0:12:21.400 --> 0:12:25.120
<v Speaker 1>y z coordinate range that I guess is related to

0:12:25.160 --> 0:12:27.920
<v Speaker 1>like global positioning or something, but it's I mean, it's

0:12:27.960 --> 0:12:30.040
<v Speaker 1>not It's up on the screen for like three seconds.

0:12:30.160 --> 0:12:33.120
<v Speaker 1>I imagine that must be Biff using it to spy

0:12:33.200 --> 0:12:37.079
<v Speaker 1>on Doc Brown is using it to spy on young Marty.

0:12:37.200 --> 0:12:39.880
<v Speaker 1>Oh okay, all right, so um, as it turns out,

0:12:39.960 --> 0:12:43.280
<v Speaker 1>we do have digital binoculars. UH. Generally speaking, they tend

0:12:43.280 --> 0:12:46.800
<v Speaker 1>to be cameras and displays that are built into a

0:12:46.800 --> 0:12:49.760
<v Speaker 1>binocular form factor. So you'll get a pair of cameras,

0:12:49.760 --> 0:12:53.080
<v Speaker 1>you get that stereoscopic effect that way. Um, they can

0:12:53.240 --> 0:12:56.160
<v Speaker 1>look pretty far, and you know, I can imagine building

0:12:56.240 --> 0:13:00.680
<v Speaker 1>in uh systems including things like GPS and a compass

0:13:00.760 --> 0:13:03.000
<v Speaker 1>and that sort of thing where you could get readouts

0:13:03.040 --> 0:13:06.480
<v Speaker 1>that would tell you approximate information about this kind of stuff.

0:13:06.760 --> 0:13:10.160
<v Speaker 1>I don't know that why anybody really want that in binoculars.

0:13:10.920 --> 0:13:13.840
<v Speaker 1>I mean, I could see it if it were a

0:13:13.880 --> 0:13:17.480
<v Speaker 1>pair of binoculars that also acted as an actual camera

0:13:17.800 --> 0:13:20.000
<v Speaker 1>so that you're taking pictures or video, and then you

0:13:20.040 --> 0:13:22.120
<v Speaker 1>want the GEO tag to be in there as well,

0:13:22.840 --> 0:13:25.400
<v Speaker 1>so I could see it for that. You know, there

0:13:25.160 --> 0:13:27.320
<v Speaker 1>are I'm seeing more and more apps now that are

0:13:27.320 --> 0:13:31.240
<v Speaker 1>about being able to map your real life experience to

0:13:31.320 --> 0:13:33.280
<v Speaker 1>an app so you can share it more easily on

0:13:33.320 --> 0:13:36.880
<v Speaker 1>social media or even like if you're out in the

0:13:36.920 --> 0:13:39.640
<v Speaker 1>wilderness and you say, oh, hey, I want to go

0:13:39.679 --> 0:13:42.880
<v Speaker 1>to that peak over there. How far away is it? Um? Right?

0:13:43.080 --> 0:13:46.640
<v Speaker 1>Then you know it would be useful to have the coordinates. Yeah, exactly. Uh,

0:13:46.800 --> 0:13:49.920
<v Speaker 1>now I do remember this next one, just spying on people.

0:13:49.960 --> 0:13:52.640
<v Speaker 1>I agree, it's a little bit over. Yeah. No, if

0:13:52.640 --> 0:13:54.920
<v Speaker 1>you're if all you're doing is just trying to clandestinely

0:13:54.960 --> 0:13:58.280
<v Speaker 1>watch someone, they're easier ways unless you're playing D and

0:13:58.360 --> 0:14:00.240
<v Speaker 1>D and you need to know the number of fat

0:14:01.880 --> 0:14:03.280
<v Speaker 1>You know whether or not you can walk to them

0:14:03.280 --> 0:14:05.880
<v Speaker 1>in a single action. How many grid squares? I could

0:14:06.000 --> 0:14:08.440
<v Speaker 1>estimate it, or I could just lift up this handy

0:14:08.520 --> 0:14:11.320
<v Speaker 1>dandy para binocular. Now, Jonathan, you're not about to steal

0:14:11.360 --> 0:14:14.040
<v Speaker 1>my thunder on my favorite item. That's just Which is

0:14:14.040 --> 0:14:19.360
<v Speaker 1>the next one, right, the robotic extending baseball Okay, you

0:14:19.400 --> 0:14:25.720
<v Speaker 1>already said it, the robotic telescoping baseball bat. I remember this,

0:14:25.880 --> 0:14:28.320
<v Speaker 1>and this, I think is what the future is really

0:14:28.360 --> 0:14:32.600
<v Speaker 1>all about, is about baseball bats that start off short

0:14:32.800 --> 0:14:37.200
<v Speaker 1>but extend because that's useful. Yeah, I mean, you say

0:14:37.240 --> 0:14:40.840
<v Speaker 1>you want to store five DD baseball bats in a box,

0:14:41.000 --> 0:14:45.240
<v Speaker 1>so we're talking on typical Wednesday. You can't store them

0:14:45.240 --> 0:14:47.880
<v Speaker 1>all in the box. If they're all long to begin with,

0:14:48.480 --> 0:14:50.400
<v Speaker 1>so you got to shrink them, and then when you

0:14:50.440 --> 0:14:53.320
<v Speaker 1>want to use them, you just press the telescoping extension

0:14:53.360 --> 0:14:56.520
<v Speaker 1>button and the bat slides on out. As it turns out,

0:14:56.560 --> 0:14:59.000
<v Speaker 1>the use case scenario that Joe is suggesting has not

0:14:59.160 --> 0:15:03.560
<v Speaker 1>been compelling enough for anyone to actually develop a robotic

0:15:03.560 --> 0:15:09.800
<v Speaker 1>telescoping baseball bat. I've seen yet. Now is it, Lauren?

0:15:09.800 --> 0:15:11.680
<v Speaker 1>I have a question about the movie. Is it? Is

0:15:11.720 --> 0:15:15.040
<v Speaker 1>it Griff in the movie who uses the bat? He

0:15:15.120 --> 0:15:17.920
<v Speaker 1>pulls it out menacingly as if you hit Marty with it,

0:15:18.080 --> 0:15:20.680
<v Speaker 1>he has it behind his back. In fact, and uh

0:15:20.760 --> 0:15:24.320
<v Speaker 1>and and while he is menacing Marty or Marty Jr.

0:15:24.360 --> 0:15:28.040
<v Speaker 1>I forget which the bat kind of again, there's this

0:15:28.240 --> 0:15:32.560
<v Speaker 1>terrific pneumatic sound they keep using for everything, so inaccurate

0:15:32.640 --> 0:15:35.160
<v Speaker 1>to how anything would actually function. I guess it could

0:15:35.200 --> 0:15:37.520
<v Speaker 1>be just a normal robotic I think it'd be hilarious

0:15:37.600 --> 0:15:40.160
<v Speaker 1>if you if you saw every single gadget, every single

0:15:40.200 --> 0:15:43.520
<v Speaker 1>piece of clothing was actually connected via two to its

0:15:43.640 --> 0:15:47.880
<v Speaker 1>enormous pneumatic That's what I imagine this had to be

0:15:47.880 --> 0:15:49.200
<v Speaker 1>in order to make that noise. But yeah, so he's

0:15:49.200 --> 0:15:51.200
<v Speaker 1>holding it behind his back and it kind of telescopes out.

0:15:51.480 --> 0:15:53.920
<v Speaker 1>You might be useful also to have a smart bat

0:15:54.040 --> 0:15:56.960
<v Speaker 1>so that it knows when to extend on its own

0:15:57.760 --> 0:16:00.280
<v Speaker 1>to tell it. Now, that's not good because if anyone

0:16:00.320 --> 0:16:02.280
<v Speaker 1>has smart bat and they wanted to menace me, that

0:16:02.320 --> 0:16:04.640
<v Speaker 1>bat would be like, I just can't. There's I can't

0:16:04.640 --> 0:16:07.400
<v Speaker 1>extend long enough for you to beat This guy needs

0:16:07.520 --> 0:16:10.320
<v Speaker 1>really seriously to be beaten up. Okay, how about some

0:16:10.400 --> 0:16:15.600
<v Speaker 1>other menacing mischief gadgets? Yeah, another item that I think

0:16:15.720 --> 0:16:18.960
<v Speaker 1>Griff has It could be one of his gang members. Uh,

0:16:19.200 --> 0:16:21.440
<v Speaker 1>is kind of like a digital soundboard, because when he

0:16:21.480 --> 0:16:25.000
<v Speaker 1>calls Marty a chicken, you get this great little digital

0:16:25.600 --> 0:16:29.120
<v Speaker 1>sound bite. Yeah yeah, yeah, except that but way more digitized.

0:16:29.160 --> 0:16:30.960
<v Speaker 1>Oh yeah, one of his little one of his little

0:16:31.000 --> 0:16:33.320
<v Speaker 1>toady's presses a button. Okay, I'm not I'm not sure.

0:16:33.360 --> 0:16:37.320
<v Speaker 1>I'm not sure. I didn't catch it, but yeah, yeah,

0:16:37.560 --> 0:16:42.840
<v Speaker 1>do we have that amazing capacity today? Shocker? Yes, Let's

0:16:42.840 --> 0:16:46.440
<v Speaker 1>go to YouTube and watch some soundboard prank calls. I've

0:16:46.440 --> 0:16:50.600
<v Speaker 1>seen people just like grab the like things out of

0:16:51.440 --> 0:16:53.600
<v Speaker 1>greeting cards where you would be able to record your

0:16:53.600 --> 0:16:56.800
<v Speaker 1>own message and a greeting card and essentially do that.

0:16:56.880 --> 0:16:59.560
<v Speaker 1>I mean, we've got tons of tech like that, and

0:16:59.600 --> 0:17:02.680
<v Speaker 1>we even of the soundtrack shirt from Think Geek. Did

0:17:02.720 --> 0:17:04.520
<v Speaker 1>you guys remember when that that was one of that

0:17:04.600 --> 0:17:07.880
<v Speaker 1>was one of their April Fools jokes one year where

0:17:08.040 --> 0:17:10.240
<v Speaker 1>got so much attention that they decided to actually make

0:17:10.280 --> 0:17:13.440
<v Speaker 1>that shirt exactly. They've done this several times where they

0:17:13.440 --> 0:17:16.840
<v Speaker 1>put out a product that they might be thinking about doing,

0:17:16.920 --> 0:17:19.359
<v Speaker 1>but they haven't actually decided yet, and they want to

0:17:19.359 --> 0:17:21.800
<v Speaker 1>see what the reaction is for April Fools and then

0:17:21.840 --> 0:17:23.800
<v Speaker 1>they go ahead and do it. The video they had

0:17:23.840 --> 0:17:26.399
<v Speaker 1>for their April Fools shirt was amazing, where you know,

0:17:26.480 --> 0:17:28.600
<v Speaker 1>it's a guy just kind of going through his daily life,

0:17:28.640 --> 0:17:31.040
<v Speaker 1>but whenever he's in a particular situation, he uses his

0:17:31.119 --> 0:17:36.600
<v Speaker 1>soundtrack shirt to add the the cinematic feel um that

0:17:36.760 --> 0:17:39.960
<v Speaker 1>is appropriate for whatever situation he's in. So he's being chased,

0:17:39.960 --> 0:17:42.320
<v Speaker 1>he's got like chase music playing, he sees a he

0:17:42.359 --> 0:17:44.960
<v Speaker 1>sees a young lady, and he presses the romantic music

0:17:45.040 --> 0:17:47.880
<v Speaker 1>that kind of thing. So this is stuff that we

0:17:47.960 --> 0:17:50.960
<v Speaker 1>obviously have incorporated into all different parts of our lives.

0:17:50.960 --> 0:17:53.919
<v Speaker 1>Most of us don't carry around a soundboard, but he

0:17:54.000 --> 0:17:57.440
<v Speaker 1>certainly could you could you could use your phone. Yeah.

0:17:58.480 --> 0:18:00.280
<v Speaker 1>And that's the thing is that again, this this movie

0:18:00.280 --> 0:18:03.200
<v Speaker 1>didn't predict the era of the smartphone, where a lot

0:18:03.280 --> 0:18:06.360
<v Speaker 1>of the stuff that that people do in the future

0:18:06.600 --> 0:18:08.480
<v Speaker 1>is that there are things that are handled by a

0:18:08.520 --> 0:18:10.960
<v Speaker 1>mobile device these days. Yeah. Well, I think one of

0:18:10.960 --> 0:18:14.240
<v Speaker 1>the big holes in this movie's vision of the future,

0:18:14.280 --> 0:18:17.560
<v Speaker 1>and and most movies frankly, is the lack of the Internet.

0:18:17.640 --> 0:18:23.160
<v Speaker 1>I mean, yeah, yeah, the pervasiveness of the Internet and smartphone.

0:18:23.240 --> 0:18:26.280
<v Speaker 1>That's why. I mean even the Hitchhiker's Guide to the Galaxy,

0:18:26.320 --> 0:18:30.760
<v Speaker 1>they envisioned the encyclopedia, encyclopedia that you would carry. The

0:18:30.840 --> 0:18:34.879
<v Speaker 1>actual guide was a self contained thing. It wasn't it

0:18:35.000 --> 0:18:38.280
<v Speaker 1>wasn't connected to some sort of network. In the original one,

0:18:38.320 --> 0:18:40.560
<v Speaker 1>it was all all that information was stored in this

0:18:40.680 --> 0:18:43.800
<v Speaker 1>handheld device. And the interesting thing is now we have

0:18:43.840 --> 0:18:48.560
<v Speaker 1>access to the equivalent of that, but it's through network connections. Yeah. Yeah. Oh,

0:18:48.560 --> 0:18:51.560
<v Speaker 1>and because because it couldn't be updated in Hitchhiker's Guy, right, right,

0:18:51.600 --> 0:18:53.719
<v Speaker 1>it was all a stable format until a new one

0:18:53.800 --> 0:18:56.480
<v Speaker 1>was published. Right. That's what Ford Prefect was doing on Earth,

0:18:56.560 --> 0:19:00.399
<v Speaker 1>was he was gathering research so that he could update

0:19:00.480 --> 0:19:03.720
<v Speaker 1>the entry on Earth for the next edition of The

0:19:03.760 --> 0:19:07.200
<v Speaker 1>Guy Right. Okay, Um, but actually, before we move on

0:19:07.440 --> 0:19:12.760
<v Speaker 1>from Griff's gangs gadgets, say that five times fast. Um,

0:19:13.080 --> 0:19:15.639
<v Speaker 1>I wanted to mention that one thing that will that

0:19:15.680 --> 0:19:19.359
<v Speaker 1>will be possible in this incredible future of today is

0:19:19.400 --> 0:19:23.840
<v Speaker 1>that women can be part of your crappy high school gang. Yeah. Yeah,

0:19:23.920 --> 0:19:26.320
<v Speaker 1>for the first time in the series, we see they're

0:19:26.320 --> 0:19:28.560
<v Speaker 1>not allowed to speak. Oh no, no, she has speaking

0:19:28.600 --> 0:19:32.600
<v Speaker 1>like do because she has like a claude one finger

0:19:33.880 --> 0:19:37.199
<v Speaker 1>and and it's it's a detachable clause. It's not like

0:19:37.200 --> 0:19:39.480
<v Speaker 1>her finger is a claw. And she and she threatens

0:19:40.160 --> 0:19:43.840
<v Speaker 1>Marty or something. Yeah, that's cool. Yeah, I remember her.

0:19:43.840 --> 0:19:46.920
<v Speaker 1>He's got like a really high ponytail. Yeah. For the

0:19:46.960 --> 0:19:51.239
<v Speaker 1>sake of equality, I'm all four female bullies. Well, I mean,

0:19:51.280 --> 0:19:53.560
<v Speaker 1>I guess we've always had female bullies for for a

0:19:53.640 --> 0:19:57.920
<v Speaker 1>society in which females feel okay about bullying males. Yeah,

0:19:58.040 --> 0:20:02.080
<v Speaker 1>there you go the future indeed, So continuing on this

0:20:02.200 --> 0:20:06.199
<v Speaker 1>bright future and various gadgets, Okay, this this next device

0:20:06.200 --> 0:20:09.280
<v Speaker 1>shows up a couple of places in the movie. Um. First,

0:20:09.359 --> 0:20:12.240
<v Speaker 1>relatively early on, when Marty is approached by someone looking

0:20:12.320 --> 0:20:16.040
<v Speaker 1>for donations UM for the clock tower, which as always

0:20:16.080 --> 0:20:20.919
<v Speaker 1>is in need of repair. UM. And secondly when um,

0:20:21.040 --> 0:20:24.440
<v Speaker 1>when someone pays for a cab ride later on UH.

0:20:24.440 --> 0:20:28.600
<v Speaker 1>And and that is a little handheld digital credit pad

0:20:28.920 --> 0:20:31.560
<v Speaker 1>that that can be access to using a thumb print,

0:20:31.640 --> 0:20:34.240
<v Speaker 1>Like you press your thumb into it and it knows

0:20:34.240 --> 0:20:36.920
<v Speaker 1>who you are and it just deducts whatever you want

0:20:36.960 --> 0:20:40.040
<v Speaker 1>to give from your bank account. Biometric payment, and we've

0:20:40.040 --> 0:20:42.560
<v Speaker 1>talked about that so many times on the show. And

0:20:42.640 --> 0:20:46.359
<v Speaker 1>while we don't really see a lot of implementations of

0:20:46.400 --> 0:20:50.240
<v Speaker 1>that directly, it is something that we've seen indirectly used.

0:20:50.280 --> 0:20:55.120
<v Speaker 1>For example, Apple pay using using an iPhone to pay

0:20:55.160 --> 0:20:57.720
<v Speaker 1>for something through NFC, which is in the iPhone, but

0:20:57.920 --> 0:21:00.919
<v Speaker 1>you use you might use your thumb print as the

0:21:00.920 --> 0:21:04.680
<v Speaker 1>way of identifying yourself so that you acknowledge the payment

0:21:04.760 --> 0:21:07.440
<v Speaker 1>going through. So it's not we haven't reached a point

0:21:07.440 --> 0:21:11.000
<v Speaker 1>where our fingerprints are directly tied to our bank accounts,

0:21:11.040 --> 0:21:12.720
<v Speaker 1>which I think a lot of people are thankful for.

0:21:13.359 --> 0:21:18.040
<v Speaker 1>But we've definitely reached this point where we can have

0:21:18.320 --> 0:21:24.560
<v Speaker 1>the credit card or currency free monetary exchange these days. Yeah,

0:21:24.560 --> 0:21:27.720
<v Speaker 1>and we can we can certainly have like mobile payments anywhere,

0:21:28.040 --> 0:21:31.879
<v Speaker 1>even without biometrics for through things like like Square or

0:21:32.119 --> 0:21:35.879
<v Speaker 1>other little credit dongles. Yeah, yep, so that that one's

0:21:35.960 --> 0:21:39.439
<v Speaker 1>uh well, well, the implementation is different today than what

0:21:39.560 --> 0:21:41.560
<v Speaker 1>we see in the film. It's still more or less

0:21:41.600 --> 0:21:44.520
<v Speaker 1>i'd say, I'd say, in the same spirit. So that

0:21:44.560 --> 0:21:48.399
<v Speaker 1>one's pretty good. Yeah, yeah, Um. They also featured a

0:21:48.800 --> 0:21:50.919
<v Speaker 1>some kind of I D technique, and I believe it

0:21:51.000 --> 0:21:52.960
<v Speaker 1>was also through a thumb print, though it might have

0:21:53.000 --> 0:21:55.560
<v Speaker 1>been off screen. I have to admit to you, guys,

0:21:55.560 --> 0:21:58.720
<v Speaker 1>I wasn't paying wrapped attention every moment of this film.

0:21:59.400 --> 0:22:02.520
<v Speaker 1>I do not blame you for this. Having seen there,

0:22:03.240 --> 0:22:06.600
<v Speaker 1>I'm actually very fond of it. But but uh yeah, yeah,

0:22:06.640 --> 0:22:08.960
<v Speaker 1>they have I D techniques that will tell, for example,

0:22:09.280 --> 0:22:11.600
<v Speaker 1>a cop if they if they scan you, however, they're

0:22:11.600 --> 0:22:14.840
<v Speaker 1>going to scan you basic personal personal profile kind of

0:22:14.840 --> 0:22:17.640
<v Speaker 1>information like your age, your address, your name, and um

0:22:17.760 --> 0:22:20.720
<v Speaker 1>can run an immediate drug screening on you. Oh, this

0:22:20.760 --> 0:22:23.520
<v Speaker 1>is what they do with what's her face? When they

0:22:23.600 --> 0:22:28.240
<v Speaker 1>when they find Jennifer Marty's girlfriend. Yeah, and then they

0:22:28.400 --> 0:22:31.040
<v Speaker 1>end up because she's been knocked out, they end up

0:22:31.480 --> 0:22:34.399
<v Speaker 1>taking her back to what they think is her home

0:22:34.520 --> 0:22:38.120
<v Speaker 1>because of course her her genetic information hasn't changed at all.

0:22:38.840 --> 0:22:41.399
<v Speaker 1>Her fingerprint or her DNA or whatever it is that

0:22:41.400 --> 0:22:44.119
<v Speaker 1>they scan is identical to her future selves, right, So

0:22:44.160 --> 0:22:46.320
<v Speaker 1>they just drop her off at her future selves home

0:22:46.440 --> 0:22:50.560
<v Speaker 1>because they don't know that she's you know, not, she's

0:22:50.600 --> 0:22:52.879
<v Speaker 1>not from that time. Why don't they just take her

0:22:52.920 --> 0:22:57.159
<v Speaker 1>to jail because she's just she's found unconscious. Yeah, her

0:22:57.200 --> 0:23:01.520
<v Speaker 1>drug screening comes back clean. Okay, Yeah, people don't get

0:23:01.720 --> 0:23:03.919
<v Speaker 1>no further question. People get thrown in jail just for

0:23:04.000 --> 0:23:10.280
<v Speaker 1>being unconscious, not in this incredible future. So hey, wait

0:23:10.280 --> 0:23:15.600
<v Speaker 1>a second, we're skipping over a huge part of this future.

0:23:15.920 --> 0:23:20.480
<v Speaker 1>I know what you mean. The hypercolor baseball caps exactly

0:23:20.520 --> 0:23:22.480
<v Speaker 1>what I mean. That did come out in the eighties

0:23:22.520 --> 0:23:27.320
<v Speaker 1>but was almost immediately abandoned because no, I'm talking about

0:23:27.440 --> 0:23:31.800
<v Speaker 1>where we're going. We don't need rows. The flying car,

0:23:31.840 --> 0:23:33.640
<v Speaker 1>in fact, you see it. I believe at the end

0:23:33.680 --> 0:23:36.520
<v Speaker 1>of the first Back to the Future movie that you know,

0:23:36.920 --> 0:23:40.000
<v Speaker 1>you take your delore into and you can get it

0:23:40.080 --> 0:23:43.640
<v Speaker 1>upgraded so that it can do vertical takeoff and landing. Yeah. Yeah,

0:23:43.760 --> 0:23:46.520
<v Speaker 1>that that the cars in this in this potential future,

0:23:46.840 --> 0:23:49.320
<v Speaker 1>that the wheels kind of turn up and the car

0:23:49.359 --> 0:23:52.480
<v Speaker 1>can do a sort of running vertical takeoff like like

0:23:52.520 --> 0:23:54.679
<v Speaker 1>I guess you need a little bit of a landing stretch,

0:23:54.840 --> 0:23:57.439
<v Speaker 1>but or a takeoff stretch, so that'd be like a

0:23:57.560 --> 0:24:00.440
<v Speaker 1>short takeoff and landing. Yeah, yeah, there you go. Um

0:24:00.600 --> 0:24:03.840
<v Speaker 1>and yeah yeah they do right. They do have have

0:24:03.920 --> 0:24:11.120
<v Speaker 1>a conversion for older model cars and nine dollars yes,

0:24:11.400 --> 0:24:14.199
<v Speaker 1>um and uh. And and they're quiet like like like

0:24:14.240 --> 0:24:18.080
<v Speaker 1>an electric car might be today. Yeah. So we've done

0:24:18.119 --> 0:24:21.159
<v Speaker 1>episodes on flying cars, We've talked about them extensively on

0:24:21.200 --> 0:24:24.440
<v Speaker 1>this podcast, and as we have mentioned before, we don't

0:24:24.440 --> 0:24:27.359
<v Speaker 1>really have what we certainly don't have flying cars that

0:24:27.400 --> 0:24:30.840
<v Speaker 1>your general consumer can get their hands on. We a

0:24:30.840 --> 0:24:32.720
<v Speaker 1>lot of the flying cars we've looked at look more

0:24:32.800 --> 0:24:36.520
<v Speaker 1>like drivable airplanes and less like a car that flies.

0:24:36.680 --> 0:24:38.960
<v Speaker 1>But that is some progress. I mean, we basically have

0:24:39.160 --> 0:24:43.639
<v Speaker 1>light sportcraft, uh, flying vehicles that you could also drive

0:24:43.640 --> 0:24:46.520
<v Speaker 1>on a road. You you probably need to have some

0:24:46.640 --> 0:24:49.840
<v Speaker 1>kind of pilot training to fly them for for the

0:24:49.840 --> 0:24:53.840
<v Speaker 1>ones that we actually have, yes, yeah uh. As we've

0:24:53.840 --> 0:24:56.240
<v Speaker 1>talked about with flying cars in the past, I want

0:24:56.280 --> 0:24:58.240
<v Speaker 1>to reiterate my point of view, which is that I

0:24:58.480 --> 0:25:01.800
<v Speaker 1>don't think flying cars will ever become a reality unless

0:25:01.800 --> 0:25:05.560
<v Speaker 1>they're fully autonomous, right, Yeah, just I hope that they

0:25:05.600 --> 0:25:09.520
<v Speaker 1>won't because that sounds terrifically dangerous. Yeah, just letting people

0:25:09.880 --> 0:25:13.639
<v Speaker 1>operate their own flying vehicles around the city, it sounds

0:25:13.680 --> 0:25:16.920
<v Speaker 1>absolutely insane. So so there's less You've got Doc Brown

0:25:17.000 --> 0:25:19.040
<v Speaker 1>popping in and out of existence on the wrong side

0:25:19.040 --> 0:25:21.879
<v Speaker 1>of the highway. And then there's just these two flames

0:25:21.920 --> 0:25:24.080
<v Speaker 1>that are extending out in the middle of the air

0:25:24.119 --> 0:25:28.439
<v Speaker 1>for no reason. But like, what is what is what

0:25:28.560 --> 0:25:32.600
<v Speaker 1>is actually on fire? Look that the delirian when it

0:25:32.640 --> 0:25:36.200
<v Speaker 1>when it goes through time. Um, the the drag created

0:25:36.280 --> 0:25:39.800
<v Speaker 1>by even the vertical standing wheels is so great that

0:25:39.880 --> 0:25:45.040
<v Speaker 1>it catches the molecules in the air. The atmosphere is burning.

0:25:45.160 --> 0:25:47.240
<v Speaker 1>Like every time he travels through time, he just wipes

0:25:47.280 --> 0:25:53.359
<v Speaker 1>out all life on earth. That Doc Brown so irresponsible. Yeah.

0:25:53.480 --> 0:25:57.200
<v Speaker 1>Uh so these flying cars also have an infrastructure set

0:25:57.280 --> 0:26:01.119
<v Speaker 1>up where where the highways I guess ways, sky ways

0:26:01.280 --> 0:26:04.520
<v Speaker 1>thank you thank you? Yeah yeah, are our lit um

0:26:04.880 --> 0:26:08.680
<v Speaker 1>and signed with these kind of drone like floating lights

0:26:08.680 --> 0:26:11.680
<v Speaker 1>and signs. I want to raise a point about that,

0:26:11.760 --> 0:26:16.439
<v Speaker 1>which is that if we were to designate roadways in

0:26:16.520 --> 0:26:19.760
<v Speaker 1>the sky over cities. I feel like that could counteract

0:26:19.920 --> 0:26:23.280
<v Speaker 1>some of the positive implications of having a flying vehicle.

0:26:23.400 --> 0:26:26.600
<v Speaker 1>Like part of what's great about having a flying car,

0:26:26.640 --> 0:26:29.400
<v Speaker 1>at least in your imagination, is you can travel as

0:26:29.480 --> 0:26:32.280
<v Speaker 1>the crow flies, so you don't need to go in

0:26:32.320 --> 0:26:34.679
<v Speaker 1>an L shape to get to your destination on the

0:26:34.680 --> 0:26:38.160
<v Speaker 1>main roads. You can go straight there in a straight line,

0:26:38.200 --> 0:26:41.240
<v Speaker 1>and of course that is much more efficient. But if

0:26:41.320 --> 0:26:44.880
<v Speaker 1>you if you're basically having to get on the highway anyway,

0:26:44.920 --> 0:26:49.800
<v Speaker 1>except it's just above the ground, why why are you

0:26:49.840 --> 0:26:52.280
<v Speaker 1>even having flying cars at this point? And there's there's

0:26:52.280 --> 0:26:55.119
<v Speaker 1>even a moment in the movie where where Doc and

0:26:55.119 --> 0:26:59.520
<v Speaker 1>Marty are trying to get somewhere and and Doc checks,

0:26:59.560 --> 0:27:02.919
<v Speaker 1>I think can his driving visor, which I'll discuss in

0:27:02.960 --> 0:27:06.240
<v Speaker 1>another second, um the traffic conditions, and he's like, the

0:27:06.320 --> 0:27:09.080
<v Speaker 1>highways jammed or the skyways jammed. We're never going to

0:27:09.160 --> 0:27:12.600
<v Speaker 1>get through in time, which is my really terrible Christopher

0:27:12.640 --> 0:27:15.760
<v Speaker 1>llyd impression. I think, Um, but uh yeah, yeah, So

0:27:15.800 --> 0:27:18.080
<v Speaker 1>it's basically pointless other than the fact that it gives

0:27:18.080 --> 0:27:21.520
<v Speaker 1>you more ground space, I guess. So yeah, I mean,

0:27:21.560 --> 0:27:24.000
<v Speaker 1>I guess you could say it could travel faster because

0:27:24.000 --> 0:27:26.119
<v Speaker 1>it doesn't have the friction on the ground. Maybe, but

0:27:26.320 --> 0:27:31.280
<v Speaker 1>it's it's more than just pointless though, because it's it's

0:27:31.840 --> 0:27:35.679
<v Speaker 1>counterproductive because when you have an accident, and you would,

0:27:36.320 --> 0:27:39.240
<v Speaker 1>then you have the added complication that your accident is

0:27:39.240 --> 0:27:45.920
<v Speaker 1>taking place at above the ground will fall down. Yeah.

0:27:46.200 --> 0:27:50.199
<v Speaker 1>So so it's it's not just not just counterproductive, it

0:27:50.280 --> 0:27:55.359
<v Speaker 1>is actively killing people. Well, I have another question, which

0:27:55.359 --> 0:27:57.560
<v Speaker 1>is that as again, as we've talked about with flying

0:27:57.560 --> 0:28:01.760
<v Speaker 1>cars in the past, you'd have a large energy consumption problem. Absolutely.

0:28:02.240 --> 0:28:06.000
<v Speaker 1>Flight is not something that is mechanically easy. It requires

0:28:06.040 --> 0:28:09.440
<v Speaker 1>a large energy investment, especially if you're talking about vertical

0:28:09.600 --> 0:28:11.880
<v Speaker 1>or short takeoff and landing. Well, yeah, when you have

0:28:12.000 --> 0:28:14.760
<v Speaker 1>something like a car that does not on its own

0:28:14.840 --> 0:28:18.560
<v Speaker 1>generate lift, yeah, then you obviously have to overcome all

0:28:18.640 --> 0:28:22.880
<v Speaker 1>the weight of that vehicle with lift generated some other way. Yeah.

0:28:22.920 --> 0:28:25.600
<v Speaker 1>So this is a huge problem when you're you're imagining

0:28:25.680 --> 0:28:28.679
<v Speaker 1>creating flying cars, you'd have to have this gigantic energy

0:28:28.720 --> 0:28:30.879
<v Speaker 1>investment in getting it in the air. You want to

0:28:30.880 --> 0:28:34.560
<v Speaker 1>make it incredibly light so that it, you know, requires

0:28:34.560 --> 0:28:38.240
<v Speaker 1>as little lift as possible. How are they generating this energy?

0:28:38.320 --> 0:28:44.480
<v Speaker 1>And it's no problem. They just use fusion. Mr fusion.

0:28:45.320 --> 0:28:47.520
<v Speaker 1>They just pop it open and throw a beer in

0:28:47.520 --> 0:28:50.240
<v Speaker 1>a banana peal. Yea, yeah, it's it's a fusion. It's

0:28:50.280 --> 0:28:53.760
<v Speaker 1>a it's a little car held fusion generator UM that

0:28:53.840 --> 0:28:57.640
<v Speaker 1>can be retroactively installed. And uh and and and it's

0:28:57.680 --> 0:29:01.479
<v Speaker 1>powered by garbage. And here's here's something. Let me let

0:29:01.480 --> 0:29:04.120
<v Speaker 1>me let me list out some of the problems I

0:29:04.200 --> 0:29:09.280
<v Speaker 1>have here. Obviously we don't have that step one. Step

0:29:09.320 --> 0:29:11.520
<v Speaker 1>one is the fusion industries. It's not a business that

0:29:11.560 --> 0:29:13.800
<v Speaker 1>we have yet, so we're all just waiting for fusion industries.

0:29:13.840 --> 0:29:16.320
<v Speaker 1>They've got a real short timeline to work on this

0:29:16.360 --> 0:29:19.000
<v Speaker 1>and get a product out onto the market. But in

0:29:19.280 --> 0:29:24.320
<v Speaker 1>the step one is that we have yet to have

0:29:24.520 --> 0:29:29.880
<v Speaker 1>a really efficient fusion reactor generate energy. We have seen

0:29:29.960 --> 0:29:32.960
<v Speaker 1>in two thousand and fourteen we saw there are research projects, yes,

0:29:33.040 --> 0:29:34.680
<v Speaker 1>and in two thousand and fourteen we saw the first

0:29:34.680 --> 0:29:37.320
<v Speaker 1>time where a fusion reactor actually produced more energy than

0:29:37.360 --> 0:29:40.080
<v Speaker 1>it took to start it, but it only was able

0:29:40.120 --> 0:29:42.600
<v Speaker 1>to consume one percent of the fuel, meaning it's still

0:29:42.760 --> 0:29:48.360
<v Speaker 1>very inefficient. So if your fuel goes unused, that's still

0:29:48.440 --> 0:29:50.800
<v Speaker 1>not a great story. Even though you're getting more energy

0:29:50.800 --> 0:29:53.160
<v Speaker 1>out of the initial reaction than you did having to

0:29:53.200 --> 0:29:55.040
<v Speaker 1>put into it, so we still got a long way

0:29:55.040 --> 0:29:57.480
<v Speaker 1>to go. Secondly, that has nothing to do with just

0:29:57.520 --> 0:30:02.760
<v Speaker 1>throwing garbage into something. Third, even within the the logic

0:30:02.800 --> 0:30:05.560
<v Speaker 1>of the film itself, this doesn't make sense because in

0:30:05.600 --> 0:30:08.240
<v Speaker 1>the third film you find out that the car still

0:30:08.360 --> 0:30:14.040
<v Speaker 1>runs on gasoline, that the fusion was for the time circuits,

0:30:14.160 --> 0:30:19.080
<v Speaker 1>not for the vehicle itself, because when Marty McFly goes

0:30:19.120 --> 0:30:22.240
<v Speaker 1>back in time, the fuel line ruptures, and that's why

0:30:22.280 --> 0:30:25.840
<v Speaker 1>he can't get the car going anymore. The second so,

0:30:26.040 --> 0:30:28.520
<v Speaker 1>what are the other cars that have Mr Fusion on

0:30:28.560 --> 0:30:30.440
<v Speaker 1>them use it for. I'm guessing that a lot of

0:30:30.480 --> 0:30:34.080
<v Speaker 1>them are using fuel, because there is a Texico station

0:30:34.280 --> 0:30:38.480
<v Speaker 1>shown off in the very beginning of Marty's journey back

0:30:38.480 --> 0:30:40.720
<v Speaker 1>to the future. Well let's not get into the Texico

0:30:40.840 --> 0:30:43.360
<v Speaker 1>station yet. That's a whole other section, but the point

0:30:43.360 --> 0:30:46.280
<v Speaker 1>being that I think they're still using some sort of

0:30:46.400 --> 0:30:51.200
<v Speaker 1>gasoline style fuel, at least for some functions of the car.

0:30:51.280 --> 0:30:54.680
<v Speaker 1>Keeping in mind that the cars themselves have been a

0:30:54.680 --> 0:30:57.320
<v Speaker 1>lot of them have been retrofitted with this flying stuff,

0:30:57.520 --> 0:30:59.880
<v Speaker 1>it may be that Mr Fusion is providing the power

0:31:00.080 --> 0:31:04.120
<v Speaker 1>or flight. But then for terrestrial operation. It's still using gasoline.

0:31:04.240 --> 0:31:07.600
<v Speaker 1>What's a hybrid vehicle? I can't what a ridiculously bone

0:31:07.640 --> 0:31:11.880
<v Speaker 1>headed prediction they make that we'd still be using fossil

0:31:11.960 --> 0:31:17.240
<v Speaker 1>fuel cars. Look, I spent all last week talking about that.

0:31:17.480 --> 0:31:21.640
<v Speaker 1>So we're just gonna We're just gonna move on. Um, well,

0:31:21.640 --> 0:31:23.280
<v Speaker 1>how about some other stuff having to do with the

0:31:23.320 --> 0:31:25.600
<v Speaker 1>cars in the driving All right, Well, we we mentioned

0:31:25.600 --> 0:31:29.400
<v Speaker 1>a minute ago, um Doc Brown's driving goggles, and um,

0:31:29.720 --> 0:31:32.479
<v Speaker 1>they appear to be completely opaque. I'm wondering if Christopher

0:31:32.520 --> 0:31:34.800
<v Speaker 1>Lloyd was walking around blind every time he was wearing

0:31:34.840 --> 0:31:39.640
<v Speaker 1>them on Wait wait, wait, wait wait, driving goggles the

0:31:39.680 --> 0:31:45.240
<v Speaker 1>car like open air winda. No, it's more like smart glasses. Yeah.

0:31:45.280 --> 0:31:47.440
<v Speaker 1>It it's sort of like a visor. It looks it

0:31:47.520 --> 0:31:51.800
<v Speaker 1>looks visor's silver. It's silver. I can picture it now,

0:31:51.840 --> 0:31:53.760
<v Speaker 1>I know what you're yeah. Yeah. And and I was

0:31:53.800 --> 0:31:55.920
<v Speaker 1>thinking while I was watching it that maybe it's like

0:31:55.920 --> 0:31:59.600
<v Speaker 1>a heads up display or something. And uh and and

0:31:59.640 --> 0:32:01.760
<v Speaker 1>he does have a line that made me think that

0:32:01.840 --> 0:32:05.000
<v Speaker 1>it has like a rear display in the goggles. You

0:32:05.040 --> 0:32:07.800
<v Speaker 1>can so that he can see behind the car better

0:32:07.840 --> 0:32:10.880
<v Speaker 1>than just with mirrors. See that that is entirely possible.

0:32:10.880 --> 0:32:13.440
<v Speaker 1>I mean, it's it's we've got smart glasses that are

0:32:13.480 --> 0:32:16.280
<v Speaker 1>coming out now that can do things like feed video

0:32:16.480 --> 0:32:19.600
<v Speaker 1>into the glasses. I don't know that we're going to

0:32:19.680 --> 0:32:23.720
<v Speaker 1>see that becomes something acceptable in like, I'm sure we're

0:32:23.720 --> 0:32:26.400
<v Speaker 1>going to see legislation actually banning that kind of stuff

0:32:26.440 --> 0:32:28.400
<v Speaker 1>for drivers behind the wheel of a car. But with

0:32:28.440 --> 0:32:30.320
<v Speaker 1>the blast shield down, I can't see a thing. How

0:32:30.360 --> 0:32:36.040
<v Speaker 1>am I supposed to fly? All right, Luke, listen, you

0:32:36.160 --> 0:32:39.840
<v Speaker 1>go play with your power converters. The adults talk separate

0:32:39.880 --> 0:32:43.360
<v Speaker 1>incredible future past that we're talking about. That that's an

0:32:43.480 --> 0:32:46.360
<v Speaker 1>entirely different universe. We talked about that with the lightsabers.

0:32:46.520 --> 0:32:51.040
<v Speaker 1>So yeah, Um, the car that the Dolorean for the

0:32:51.080 --> 0:32:55.560
<v Speaker 1>future also does have a metallic barcode license plate. That's

0:32:55.600 --> 0:32:58.760
<v Speaker 1>kind of interesting. Yeah, also unnecessary. I mean I wonder

0:32:58.800 --> 0:33:01.480
<v Speaker 1>if that would be an improved it. No, no, no,

0:33:02.040 --> 0:33:04.240
<v Speaker 1>because I mean if you have a database that has

0:33:04.280 --> 0:33:07.400
<v Speaker 1>everybody's vehicle registration in it and it's linked to an

0:33:07.480 --> 0:33:10.920
<v Speaker 1>alpha numerical license plate, that's gonna be a lot easier

0:33:10.920 --> 0:33:14.120
<v Speaker 1>for someone to relay over a communication device and saying,

0:33:14.120 --> 0:33:16.640
<v Speaker 1>oh it's a barcode, let me scan it. Well there though,

0:33:16.680 --> 0:33:19.880
<v Speaker 1>you're assuming that it's a human reading Oh yeah, I guess,

0:33:19.920 --> 0:33:22.440
<v Speaker 1>But I guess a machine could read alpha numerica or

0:33:22.480 --> 0:33:26.880
<v Speaker 1>a bark could only read alpha numericas they were I

0:33:26.920 --> 0:33:31.120
<v Speaker 1>don't know, really good at And that's the thing is

0:33:31.120 --> 0:33:34.600
<v Speaker 1>that when this was made, we didn't really have image

0:33:34.600 --> 0:33:38.120
<v Speaker 1>recognition systems like the software in the hardware that would

0:33:38.160 --> 0:33:42.440
<v Speaker 1>be able to take a picture of a license plate

0:33:42.520 --> 0:33:45.400
<v Speaker 1>and be able to machine read that. But now we

0:33:45.480 --> 0:33:48.800
<v Speaker 1>have that, so there's no need for the barcode, right.

0:33:48.840 --> 0:33:51.760
<v Speaker 1>You could totally get that same information from you know,

0:33:51.840 --> 0:33:55.560
<v Speaker 1>off the shelf stuff today, which is really the crazy

0:33:55.600 --> 0:33:57.680
<v Speaker 1>thing is that you could get like a webcam of

0:33:57.720 --> 0:34:00.600
<v Speaker 1>a decent clarity and some software and you could read it.

0:34:00.760 --> 0:34:03.240
<v Speaker 1>But I think it is worth pointing out that what

0:34:03.320 --> 0:34:07.000
<v Speaker 1>this implies with the barcode, even if it underestimates our

0:34:07.680 --> 0:34:11.319
<v Speaker 1>technology's ability to read alpha numeric, it is I think,

0:34:11.360 --> 0:34:13.840
<v Speaker 1>sort of assuming something that has come true, which is

0:34:13.880 --> 0:34:16.880
<v Speaker 1>that you will have machines looking at your car and

0:34:16.960 --> 0:34:20.799
<v Speaker 1>identifying you without a human in the middle. Absolutely true

0:34:20.960 --> 0:34:24.359
<v Speaker 1>traffic cameras now that we have that will automatically send

0:34:24.400 --> 0:34:27.560
<v Speaker 1>you a ticket looking at your license plate. YEP. That

0:34:27.560 --> 0:34:31.239
<v Speaker 1>that is true. That's a great point. Uh yeah, I

0:34:31.560 --> 0:34:34.319
<v Speaker 1>can't disagree with that, so so so we'll give them

0:34:37.160 --> 0:34:40.280
<v Speaker 1>yeah yeah, kind of kind of sort of. Um. And

0:34:40.280 --> 0:34:41.880
<v Speaker 1>and the last point that we have here in this

0:34:41.920 --> 0:34:44.960
<v Speaker 1>little kind of cars section is going back to those

0:34:45.160 --> 0:34:47.799
<v Speaker 1>to those gas stations that we've talked about, and they

0:34:48.000 --> 0:34:50.839
<v Speaker 1>appear to be automated, this this Texico station. Because this

0:34:50.920 --> 0:34:55.839
<v Speaker 1>film is chock full of product placement. It's amazing. Yeah,

0:34:55.960 --> 0:34:59.200
<v Speaker 1>it's so cool. I'm actually really proud of how well

0:34:59.560 --> 0:35:07.080
<v Speaker 1>they graded product placement. And Texico appears prominently both in

0:35:07.080 --> 0:35:10.320
<v Speaker 1>in all three eras. So it's in it's in the

0:35:10.320 --> 0:35:13.480
<v Speaker 1>the Marty's present, it's in the past, and it's in

0:35:13.560 --> 0:35:16.640
<v Speaker 1>his future. It does not they do, not, however, appear

0:35:16.840 --> 0:35:19.240
<v Speaker 1>as far as I am aware, in the Old West,

0:35:20.280 --> 0:35:23.200
<v Speaker 1>which maybe there's just like a feed station owned by

0:35:23.320 --> 0:35:29.200
<v Speaker 1>Text and Company, but I don't know, I don't remember

0:35:29.239 --> 0:35:33.279
<v Speaker 1>seeing yea um but but yeah, so so there's this

0:35:33.280 --> 0:35:39.680
<v Speaker 1>this Texico station with with like an automated robot service agent. Yeah,

0:35:39.760 --> 0:35:42.680
<v Speaker 1>like a like a like a robotic gas pump. It

0:35:42.760 --> 0:35:46.600
<v Speaker 1>actually extends out and begins fueling a car that's parked

0:35:46.600 --> 0:35:49.520
<v Speaker 1>there into the back seat of your car exactly, just

0:35:49.840 --> 0:35:56.040
<v Speaker 1>just spraying your automobile with flammable fuel. Yeah, so we

0:35:56.080 --> 0:35:59.279
<v Speaker 1>don't have these that. We don't have the automated ones.

0:35:59.320 --> 0:36:02.319
<v Speaker 1>We've got a lot us self serve stations, but not

0:36:02.520 --> 0:36:05.040
<v Speaker 1>robotic ones. Well, what we do have now in a

0:36:05.040 --> 0:36:08.560
<v Speaker 1>lot of cases though this isn't really astounding to almost

0:36:08.600 --> 0:36:11.160
<v Speaker 1>anybody who drives because we're used to him. Now we

0:36:11.200 --> 0:36:14.960
<v Speaker 1>have we have like pre pay stations that you can

0:36:15.160 --> 0:36:18.200
<v Speaker 1>pay for your gas without going inside. That's yeah, which

0:36:18.239 --> 0:36:24.480
<v Speaker 1>is very convenient. Also, I don't believe it was gasoline

0:36:24.640 --> 0:36:26.680
<v Speaker 1>whatever whatever. I don't know what it is. It's just

0:36:26.760 --> 0:36:30.480
<v Speaker 1>on the sign uh and and and the prices range

0:36:30.480 --> 0:36:33.560
<v Speaker 1>from seven dollars to almost nine dollars depending upon the

0:36:33.600 --> 0:36:35.759
<v Speaker 1>type of havilne you one I get. I based this

0:36:36.000 --> 0:36:41.400
<v Speaker 1>entirely off a screenshot that someone tookolne. It's like fossil

0:36:41.480 --> 0:36:44.919
<v Speaker 1>fuels derived from ham. It's a good guest, Joe. But

0:36:45.040 --> 0:36:48.160
<v Speaker 1>it also could very possibly just be a proprietary name

0:36:48.320 --> 0:36:51.640
<v Speaker 1>for that company's fuel in the future. So it could

0:36:51.680 --> 0:36:53.839
<v Speaker 1>just be that it is gasoline, but they call it

0:36:53.920 --> 0:36:57.640
<v Speaker 1>have a line. Well, I want to transition to another point.

0:36:58.120 --> 0:37:01.280
<v Speaker 1>Please do I recall scene in Back to the Future

0:37:01.320 --> 0:37:04.560
<v Speaker 1>Part two where where Michael J. Fox wanders out onto

0:37:04.560 --> 0:37:06.920
<v Speaker 1>the street in front of a movie theater. In the

0:37:06.920 --> 0:37:11.719
<v Speaker 1>movie theater is showing what it calls a hollow film

0:37:11.800 --> 0:37:15.880
<v Speaker 1>of Jaws nineteen number one. I am very disappointed that

0:37:15.920 --> 0:37:18.200
<v Speaker 1>we have not reached Jaws nineteen yet. I think the

0:37:18.280 --> 0:37:22.959
<v Speaker 1>last Jaws film was was Jaws for Jaws Revenge, which

0:37:23.040 --> 0:37:26.040
<v Speaker 1>is a wonderful movie. I really thought that there were

0:37:26.080 --> 0:37:29.520
<v Speaker 1>five or six of them, Jaws for starring the brilliant

0:37:29.680 --> 0:37:33.839
<v Speaker 1>Michael Kaine. Maybe I'm just Sharknado movies or something. I'm

0:37:33.880 --> 0:37:39.000
<v Speaker 1>not sure. Sharkonado and Piranha have both made direct references

0:37:39.200 --> 0:37:43.080
<v Speaker 1>to Jaws. Yeah, and they're they're easily nineteen terrible shark

0:37:43.200 --> 0:37:47.680
<v Speaker 1>movies since Jaws, but they're not within the Jaws franchise.

0:37:47.800 --> 0:37:52.040
<v Speaker 1>So but anyway, they're advertising Jaws nineteen this time. It's

0:37:52.080 --> 0:37:56.320
<v Speaker 1>really personal, that's what the tagline is. And I don't

0:37:56.320 --> 0:37:59.920
<v Speaker 1>know exactly what kind of difference they're imagining in upcome

0:38:00.280 --> 0:38:05.160
<v Speaker 1>film technology, but I get a whiff of unrealistic ideas

0:38:05.200 --> 0:38:09.200
<v Speaker 1>of sort of holographic projection. The things we've talked about

0:38:09.239 --> 0:38:13.000
<v Speaker 1>on the show before where you have a projected image

0:38:13.120 --> 0:38:17.480
<v Speaker 1>that is three dimensional, free standing and can be viewed

0:38:17.560 --> 0:38:22.600
<v Speaker 1>from three hundred and sixty degrees. I think, as far

0:38:22.640 --> 0:38:25.440
<v Speaker 1>as I know, we're we're still it's the nix on

0:38:25.520 --> 0:38:28.279
<v Speaker 1>that that's not gonna happen. Yeah, yeah, And and even

0:38:28.280 --> 0:38:32.880
<v Speaker 1>if the film itself is not in quite that format,

0:38:32.920 --> 0:38:37.680
<v Speaker 1>definitely this this advertisement for it is this this billboard? Right? Yes? Yeah,

0:38:37.760 --> 0:38:40.760
<v Speaker 1>So a big shark comes up out of the movie

0:38:40.840 --> 0:38:46.759
<v Speaker 1>theater and a big cartoon shirt, a big jabber jaw

0:38:47.280 --> 0:38:50.239
<v Speaker 1>comes up out of the movie theater and chomps down

0:38:50.280 --> 0:38:52.640
<v Speaker 1>on Michael J. Fox, and he quips that it still

0:38:52.680 --> 0:38:56.400
<v Speaker 1>looks fake, which it does. But heck, I would be

0:38:56.440 --> 0:38:59.320
<v Speaker 1>impressed if the if a movie theater could project a

0:38:59.400 --> 0:39:01.799
<v Speaker 1>three dimension anal image that could be viewed from any

0:39:01.840 --> 0:39:04.839
<v Speaker 1>angle and would come out into the streets. Right. So,

0:39:05.239 --> 0:39:07.640
<v Speaker 1>there is such a thing as glasses free three D,

0:39:07.760 --> 0:39:12.000
<v Speaker 1>which can give you the effect of seeing an image

0:39:12.040 --> 0:39:15.760
<v Speaker 1>appear to be coming out from a screen. This often

0:39:15.880 --> 0:39:20.520
<v Speaker 1>is used in um in in displays for businesses things like,

0:39:20.719 --> 0:39:23.960
<v Speaker 1>uh like casinos, for example, I've seen them there, um

0:39:24.160 --> 0:39:27.120
<v Speaker 1>and you there have been some glasses free three D

0:39:27.200 --> 0:39:31.959
<v Speaker 1>television at least prototypes that have been created. But this

0:39:32.080 --> 0:39:34.759
<v Speaker 1>is not a hologram. It's not something that you can

0:39:34.840 --> 0:39:37.319
<v Speaker 1>view from any angle. If you were standing to the

0:39:37.400 --> 0:39:41.320
<v Speaker 1>side of this display, you wouldn't see anything being projected

0:39:41.360 --> 0:39:43.120
<v Speaker 1>out from the screen. You have to be in a

0:39:43.160 --> 0:39:45.919
<v Speaker 1>sweet spot to get the effect. Yeah. Yeah, The same

0:39:46.000 --> 0:39:49.600
<v Speaker 1>is true for for the Peppers ghost illusions, which we

0:39:49.640 --> 0:39:53.480
<v Speaker 1>discussed at length in our episode about holograms. Right right,

0:39:53.520 --> 0:39:56.480
<v Speaker 1>So in the case of glasses free three D, you

0:39:56.560 --> 0:39:59.080
<v Speaker 1>might be familiar when you're watching three D with glasses.

0:39:59.160 --> 0:40:01.520
<v Speaker 1>What's really happening is your left eye is getting one

0:40:01.560 --> 0:40:03.680
<v Speaker 1>set of images, your right eye is getting another set

0:40:03.680 --> 0:40:06.920
<v Speaker 1>of images, and your brain gets tricked. Your brain combines

0:40:07.000 --> 0:40:10.759
<v Speaker 1>us two into the experience of seeing a single image,

0:40:11.200 --> 0:40:14.600
<v Speaker 1>and that's what gives you that illusion of depth, assuming

0:40:14.640 --> 0:40:17.480
<v Speaker 1>that the film was made well enough. Keeping in mind

0:40:17.560 --> 0:40:21.239
<v Speaker 1>that three D movies are made using an average of

0:40:21.280 --> 0:40:24.960
<v Speaker 1>what most people's like the average width of our distance

0:40:25.000 --> 0:40:29.239
<v Speaker 1>between a person's eyes, and depending on how your eyes

0:40:29.280 --> 0:40:33.200
<v Speaker 1>actually match up to that average, your experience maybe, you know,

0:40:33.440 --> 0:40:38.360
<v Speaker 1>fairly convincing, or it maybe headache inducing. Oh man, I

0:40:38.440 --> 0:40:40.600
<v Speaker 1>wonder if that's why I hate all three D movies.

0:40:40.640 --> 0:40:43.279
<v Speaker 1>If there's something wrong with my eyes, well, it may

0:40:43.320 --> 0:40:44.960
<v Speaker 1>not be that there's anything wrong. It may just be

0:40:45.080 --> 0:40:47.399
<v Speaker 1>that you deviate from the average to a point where

0:40:47.520 --> 0:40:49.319
<v Speaker 1>that's the problem. And it's not that it's not that

0:40:49.360 --> 0:40:52.160
<v Speaker 1>something's wrong, it's just that you're not average. I think

0:40:52.200 --> 0:40:55.560
<v Speaker 1>you should be proud of that, Joe. But at any rate, um, So,

0:40:55.920 --> 0:40:58.240
<v Speaker 1>the glasses are doing that work right. There's a filter

0:40:58.440 --> 0:41:01.200
<v Speaker 1>that lets one set in or shutter. That's letting one

0:41:01.200 --> 0:41:03.600
<v Speaker 1>set in and keeping the other set out either way

0:41:03.760 --> 0:41:06.480
<v Speaker 1>with glasses free three D. That stuff is built directly

0:41:06.520 --> 0:41:09.520
<v Speaker 1>into the screen itself, so your left eyes getting one

0:41:09.560 --> 0:41:11.600
<v Speaker 1>set of images, your right eyes getting another. But it's

0:41:11.600 --> 0:41:14.600
<v Speaker 1>all based upon the screen and where you are standing.

0:41:14.920 --> 0:41:17.040
<v Speaker 1>So if you imagine that the television is at the

0:41:17.040 --> 0:41:20.399
<v Speaker 1>center of a pie and you can only stand on

0:41:20.600 --> 0:41:23.600
<v Speaker 1>essentially one half of that pie. The half that's behind

0:41:23.600 --> 0:41:27.440
<v Speaker 1>the TV is useless. But imagine that there are slices

0:41:27.520 --> 0:41:30.719
<v Speaker 1>coming out and they all converge on the television. If

0:41:30.840 --> 0:41:33.200
<v Speaker 1>you are standing or sitting in the middle of a

0:41:33.280 --> 0:41:36.000
<v Speaker 1>slice so that you know you're you're nice and comfy,

0:41:36.120 --> 0:41:38.480
<v Speaker 1>then you're getting the ideal situation. Situation. You get the

0:41:38.560 --> 0:41:40.640
<v Speaker 1>ideal viewing experience, you can get that three D effect.

0:41:40.800 --> 0:41:44.080
<v Speaker 1>But if you're straddling one of those those cross those

0:41:44.160 --> 0:41:49.239
<v Speaker 1>uh those cuts, you know, between the slices, then you're

0:41:49.280 --> 0:41:52.000
<v Speaker 1>not getting those images properly, and it's gonna look like

0:41:52.040 --> 0:41:54.160
<v Speaker 1>a big old mess and it's going to be totally

0:41:54.200 --> 0:41:57.920
<v Speaker 1>out of focus and disorienting. Related to media, I did

0:41:58.000 --> 0:42:01.520
<v Speaker 1>want to mention that that they have news drones to

0:42:01.520 --> 0:42:05.319
<v Speaker 1>to take pictures in audio and video, which which I mean,

0:42:05.960 --> 0:42:08.960
<v Speaker 1>I guess aren't that far off. Now. We've got drones

0:42:09.000 --> 0:42:11.719
<v Speaker 1>that have cameras, you know, incorporated into them. We've got

0:42:11.719 --> 0:42:15.160
<v Speaker 1>consumer drones that have cameras incorporated into them. I think

0:42:15.200 --> 0:42:18.000
<v Speaker 1>the main issue there would just be knowing when to

0:42:18.160 --> 0:42:21.719
<v Speaker 1>have them trained on a on an event that's newsworthy. Well,

0:42:21.719 --> 0:42:24.960
<v Speaker 1>we also have legislation right now that very much limits

0:42:25.000 --> 0:42:28.360
<v Speaker 1>the commercial use of drones. Yeah, and and these drones

0:42:28.400 --> 0:42:31.319
<v Speaker 1>were like right up in people's faces, so so yeah,

0:42:31.360 --> 0:42:34.799
<v Speaker 1>we we haven't reached a future where we can use

0:42:34.800 --> 0:42:39.440
<v Speaker 1>those kind of drones freely. However, in relation to the

0:42:39.480 --> 0:42:44.239
<v Speaker 1>news media, everything is still printed on paper newspapers like

0:42:44.280 --> 0:42:48.400
<v Speaker 1>with paper, like with tree pulp, like dead trees. So

0:42:48.480 --> 0:42:52.640
<v Speaker 1>newspapers still exist in two thousand fifty, Yes, but there

0:42:52.640 --> 0:42:57.279
<v Speaker 1>are fewer of them. Yeah. Maybe maybe this is just

0:42:57.320 --> 0:42:59.959
<v Speaker 1>an example of Doc Brown having been from the past,

0:43:00.560 --> 0:43:05.760
<v Speaker 1>um really sticking with with one particular type of news media,

0:43:05.840 --> 0:43:08.520
<v Speaker 1>kind of like how how vampires tend to stick with

0:43:08.600 --> 0:43:13.080
<v Speaker 1>their their whatever was in style when they were first turned.

0:43:13.800 --> 0:43:15.359
<v Speaker 1>That's how you can tell a vampire. It's the one

0:43:15.360 --> 0:43:20.360
<v Speaker 1>that's wearing the Edwardian outfit or is sparkling one of

0:43:20.360 --> 0:43:24.040
<v Speaker 1>the two the two giveaways. I'll take your word for it. Okay, okay, Hey,

0:43:24.080 --> 0:43:25.919
<v Speaker 1>I have something else I want to bring up back

0:43:25.920 --> 0:43:29.239
<v Speaker 1>to the freaking part too. I remember there's a part

0:43:29.440 --> 0:43:33.760
<v Speaker 1>where the McFly family has a hankering for some pizza

0:43:35.040 --> 0:43:38.480
<v Speaker 1>and they get a little hockey puck disc kind of thing,

0:43:39.440 --> 0:43:43.440
<v Speaker 1>stick it in some kind of rehydrator machine black and

0:43:43.520 --> 0:43:47.120
<v Speaker 1>Decker hydrator. Yeah, they shut the door, press the button,

0:43:47.280 --> 0:43:50.640
<v Speaker 1>like three seconds later it comes out a steamy pizza

0:43:50.719 --> 0:43:53.520
<v Speaker 1>that's ready to eat. Yeah, and and even that's too long.

0:43:54.560 --> 0:43:57.640
<v Speaker 1>The McFly children are complaining at how long it's taking

0:43:57.640 --> 0:44:01.680
<v Speaker 1>too And then you've got like you can rehydrate a

0:44:01.760 --> 0:44:05.680
<v Speaker 1>pizza Like that's the compliment to the chef. Um, we

0:44:05.719 --> 0:44:08.200
<v Speaker 1>don't have this. Yeah, I understand that this is pretty

0:44:08.280 --> 0:44:12.160
<v Speaker 1>much just for a joke. Yeah, but yeah, I don't

0:44:12.200 --> 0:44:14.439
<v Speaker 1>see anything like that on the market. Now. We've got

0:44:14.440 --> 0:44:17.279
<v Speaker 1>dehydrated foods, and there are some dehydrated foods that you

0:44:17.360 --> 0:44:22.160
<v Speaker 1>rehydrate by boiling them, but that's that's not exactly a timesaver.

0:44:22.280 --> 0:44:24.960
<v Speaker 1>It is a space saver, certainly, and it can mean

0:44:25.000 --> 0:44:29.240
<v Speaker 1>that the food is edible for longer by removing the moisture.

0:44:29.440 --> 0:44:33.360
<v Speaker 1>Obviously we've got a lot of space food that enters

0:44:33.400 --> 0:44:36.200
<v Speaker 1>into this category. But no, we don't have a hydrator

0:44:36.239 --> 0:44:38.400
<v Speaker 1>like oven like device, and and it wouldn't make your

0:44:38.400 --> 0:44:42.080
<v Speaker 1>pizza crust crispy, so I'm not You just have a

0:44:42.080 --> 0:44:46.760
<v Speaker 1>big old wet mass of dough and cheese stuff. Um.

0:44:46.760 --> 0:44:48.839
<v Speaker 1>It is voice activated though, so that was pretty cool.

0:44:49.280 --> 0:44:50.920
<v Speaker 1>It wasn't so much a push a button as much

0:44:50.960 --> 0:44:53.640
<v Speaker 1>as a talk very closely into it. It was like

0:44:53.719 --> 0:44:56.960
<v Speaker 1>hydrate level four or something like that. Yeah. Yeah. Also

0:44:57.000 --> 0:45:00.000
<v Speaker 1>in the McFly's kitchen, they have kind of like high

0:45:00.040 --> 0:45:03.799
<v Speaker 1>your ponic looking garden in the ceiling that that bursts down.

0:45:03.800 --> 0:45:05.640
<v Speaker 1>This is really quite large. I mean like you would

0:45:05.680 --> 0:45:08.160
<v Speaker 1>have to have an entire floor in between your floors

0:45:08.239 --> 0:45:11.359
<v Speaker 1>for the size of this kind of hydroponic garden. But yeah,

0:45:11.440 --> 0:45:13.799
<v Speaker 1>they call it down and it's got some grapes and

0:45:13.840 --> 0:45:17.600
<v Speaker 1>herbs growing stuff like that. I think that's actually a

0:45:17.640 --> 0:45:20.239
<v Speaker 1>great idea. Yeah, when we've all talked about that in

0:45:20.280 --> 0:45:22.560
<v Speaker 1>the kitchen from the future type stuff, you know, we've

0:45:22.600 --> 0:45:25.520
<v Speaker 1>we've mentioned the idea of the kitchen of the future

0:45:25.640 --> 0:45:29.880
<v Speaker 1>having some kind of hydroponic style garden where you can

0:45:29.920 --> 0:45:32.920
<v Speaker 1>get your hands on fresh stuff a lot, mostly in

0:45:33.040 --> 0:45:36.080
<v Speaker 1>urban areas where you wouldn't necessarily have access to it

0:45:36.120 --> 0:45:40.800
<v Speaker 1>otherwise or not easy access maybe, but it's not something

0:45:40.800 --> 0:45:44.879
<v Speaker 1>that we see in the the average home today. Though,

0:45:44.920 --> 0:45:48.000
<v Speaker 1>even this kind of realization of it makes sense to

0:45:48.040 --> 0:45:50.799
<v Speaker 1>me that you would have a something that folds up

0:45:50.800 --> 0:45:53.120
<v Speaker 1>into the ceiling where it could be right under sort

0:45:53.160 --> 0:45:56.520
<v Speaker 1>of a glass area where it could get sunlight. I

0:45:56.560 --> 0:45:58.600
<v Speaker 1>don't know that that makes sense. That doesn't want that

0:45:58.640 --> 0:46:00.840
<v Speaker 1>in my kitchen. Doesn't work. I don't one in my kitchen.

0:46:02.160 --> 0:46:06.680
<v Speaker 1>My kitchen is directly under my bedroom and we need

0:46:06.719 --> 0:46:10.319
<v Speaker 1>to build a new house. Okay, well, yeah, um, I'll

0:46:10.360 --> 0:46:12.920
<v Speaker 1>make sure to get my Mr Fusion to help me,

0:46:13.160 --> 0:46:17.120
<v Speaker 1>you know, power all this amazing technology. The last thing

0:46:17.120 --> 0:46:19.080
<v Speaker 1>of note in their kitchen um and I was so

0:46:19.160 --> 0:46:22.359
<v Speaker 1>fond of this looking back on it, Uh is they've

0:46:22.360 --> 0:46:24.839
<v Speaker 1>got this. I assume it's like a recipe station. It's

0:46:24.880 --> 0:46:29.720
<v Speaker 1>called Master Cook and it looks exactly like the faux

0:46:29.719 --> 0:46:33.560
<v Speaker 1>recipe stations, a little video screen recipe guides that they

0:46:33.600 --> 0:46:37.200
<v Speaker 1>had in some of those nineteen fifties Kitchen of the Future.

0:46:39.080 --> 0:46:41.600
<v Speaker 1>It looks precisely like it it was. So it's it's

0:46:41.719 --> 0:46:44.279
<v Speaker 1>very it's very cute. Folks at home, you should look

0:46:44.320 --> 0:46:46.160
<v Speaker 1>these up if you've never seen them before. We've talked

0:46:46.160 --> 0:46:49.440
<v Speaker 1>about him on this podcast previously. Ge was the company

0:46:49.480 --> 0:46:52.759
<v Speaker 1>that was sponsoring a lot of these videos great the

0:46:52.840 --> 0:46:55.960
<v Speaker 1>Kitchen of the Future, where they imagined how the funniest

0:46:56.000 --> 0:46:59.239
<v Speaker 1>thing is like they still imagined that a hundred years

0:46:59.239 --> 0:47:01.759
<v Speaker 1>into the future, that Mom's going to spend all day

0:47:01.760 --> 0:47:04.240
<v Speaker 1>in the kitchen. Yeah, yeah, don't don't worry. Our gender

0:47:04.280 --> 0:47:06.920
<v Speaker 1>stereotypes will be firmly in place right now, so she

0:47:07.000 --> 0:47:09.319
<v Speaker 1>doesn't actually have to cook, but she's still in the

0:47:09.360 --> 0:47:15.520
<v Speaker 1>kitchen all day. The figures out buttons to push, probably

0:47:15.560 --> 0:47:21.360
<v Speaker 1>a lot of valiums. So yeah, you're combining the promotional

0:47:21.440 --> 0:47:25.760
<v Speaker 1>videos with mad men. Yeah, but so in these videos,

0:47:25.800 --> 0:47:28.320
<v Speaker 1>they'd have like Mom's thinking about what to make and

0:47:28.440 --> 0:47:30.840
<v Speaker 1>she's got some kind of like looks like a TV

0:47:30.960 --> 0:47:33.840
<v Speaker 1>screen with recipes on it, but she doesn't make the food.

0:47:33.880 --> 0:47:36.240
<v Speaker 1>She just pushes a button and then they come out

0:47:36.280 --> 0:47:39.160
<v Speaker 1>of some kind of conveyor belt. That Lawrence version is

0:47:39.239 --> 0:47:42.040
<v Speaker 1>Mom's thinking about her third glass of wine for the day. Ye.

0:47:43.600 --> 0:47:45.719
<v Speaker 1>The look on the on the nice actress's face in

0:47:45.760 --> 0:47:47.760
<v Speaker 1>the video. And I'm not sure if it was a

0:47:47.840 --> 0:47:51.920
<v Speaker 1>intentional portrayal or if she was directed to do so,

0:47:52.080 --> 0:47:54.480
<v Speaker 1>or if that was just what the actress was feeling

0:47:54.520 --> 0:47:57.640
<v Speaker 1>that day, but she's she's a blank slate, y'all, and

0:47:58.680 --> 0:48:02.520
<v Speaker 1>she's yeah, it's very Stepford. Let's talk about some of

0:48:02.560 --> 0:48:06.440
<v Speaker 1>the home electronics that are that are that appear in

0:48:06.480 --> 0:48:09.600
<v Speaker 1>Back to Theatre. Calling them featured is probably being going

0:48:09.640 --> 0:48:13.200
<v Speaker 1>too far. But in it, uh, one one thing that's

0:48:13.280 --> 0:48:16.160
<v Speaker 1>referenced but that is is not actually shown is the

0:48:16.239 --> 0:48:18.560
<v Speaker 1>video games of the future, because you do have a

0:48:18.600 --> 0:48:21.920
<v Speaker 1>couple of young punk kids who go up to a

0:48:22.080 --> 0:48:27.640
<v Speaker 1>old arcade box in the eighties cafe vintage thing. Huh

0:48:27.920 --> 0:48:29.560
<v Speaker 1>and and and Marty says, oh, I can show you

0:48:29.600 --> 0:48:31.440
<v Speaker 1>how to use it, and and it's got one of

0:48:31.480 --> 0:48:34.080
<v Speaker 1>the little wired guns and he shoots some stuff on

0:48:34.120 --> 0:48:35.799
<v Speaker 1>the screen and they're like, oh man, you have to

0:48:35.880 --> 0:48:38.200
<v Speaker 1>use your hands. That's like a baby's toy. This is

0:48:38.239 --> 0:48:40.960
<v Speaker 1>also a great illustration of how Back to the Future

0:48:41.000 --> 0:48:43.600
<v Speaker 1>Too was merely a bridge between the first one and

0:48:43.640 --> 0:48:45.719
<v Speaker 1>the third one, because this was just to set up

0:48:45.760 --> 0:48:50.240
<v Speaker 1>Marty McFly's ability to shoot a pistol in part three. Anyway,

0:48:50.320 --> 0:48:52.799
<v Speaker 1>that them saying like, oh you you know, you have

0:48:52.800 --> 0:48:57.000
<v Speaker 1>to use your hands. That's a kid's toy or baby's toy. Um.

0:48:57.360 --> 0:49:00.719
<v Speaker 1>You know, we do have lots of examples video game

0:49:00.760 --> 0:49:04.440
<v Speaker 1>systems that allow you to not have to use a controller,

0:49:04.760 --> 0:49:07.400
<v Speaker 1>although many of them you still use your hands because

0:49:07.400 --> 0:49:10.719
<v Speaker 1>you're just you're controlling things like the connect or or

0:49:11.040 --> 0:49:14.120
<v Speaker 1>you know, PlayStation even has their camera system that allows

0:49:14.120 --> 0:49:18.319
<v Speaker 1>you to do hands free gaming with certain titles. Um.

0:49:18.320 --> 0:49:20.480
<v Speaker 1>And those are just two recent examples. There have been

0:49:20.600 --> 0:49:23.719
<v Speaker 1>tons of attempts to go to this kind of approach.

0:49:24.080 --> 0:49:27.560
<v Speaker 1>I don't know, because if you're saying like, even if

0:49:27.600 --> 0:49:30.200
<v Speaker 1>you're not having to hold something in your hands with

0:49:30.280 --> 0:49:33.120
<v Speaker 1>the connected, you still would be using your hand, which

0:49:33.120 --> 0:49:35.120
<v Speaker 1>is yeah, That's what I said at the beginning, was

0:49:35.160 --> 0:49:37.360
<v Speaker 1>that you know, you still are just you're controlling, but

0:49:37.560 --> 0:49:41.239
<v Speaker 1>you can also do voice control. So what I'm imagining

0:49:41.280 --> 0:49:44.120
<v Speaker 1>they're saying is that you've got a brain computer interface

0:49:44.719 --> 0:49:47.319
<v Speaker 1>that they play their video games by plugging a chord

0:49:47.440 --> 0:49:49.840
<v Speaker 1>into the back of their head, despite the fact that

0:49:49.880 --> 0:49:53.719
<v Speaker 1>there's no port visible where hiding it were along the

0:49:53.719 --> 0:49:57.279
<v Speaker 1>lines of virtual reality, like like demolition Man style. Yeah,

0:49:57.440 --> 0:50:01.520
<v Speaker 1>well see, you are guess working here. There's no indication.

0:50:02.080 --> 0:50:04.120
<v Speaker 1>We don't see the video games. I mean, that is

0:50:04.280 --> 0:50:07.520
<v Speaker 1>a possible answer, but we don't actually see what their

0:50:07.560 --> 0:50:09.719
<v Speaker 1>video games are, so we don't know what the implementation is.

0:50:09.760 --> 0:50:13.560
<v Speaker 1>But we we have voice control, we've got gesture control. Um,

0:50:13.680 --> 0:50:16.400
<v Speaker 1>we're even starting to see some brain computer interface stuff,

0:50:16.400 --> 0:50:18.880
<v Speaker 1>though not on the consumer level necessarily, at least not

0:50:18.960 --> 0:50:22.680
<v Speaker 1>beyond something really rudimentary like a you know, concentrate and

0:50:22.719 --> 0:50:25.080
<v Speaker 1>you can make this fan blow harder, which will make

0:50:25.120 --> 0:50:27.080
<v Speaker 1>this ball float in the air a little higher, which

0:50:27.080 --> 0:50:31.120
<v Speaker 1>will allow it to go through an obstacle. Course, yeah,

0:50:31.280 --> 0:50:34.000
<v Speaker 1>I got to I watched people use it c s

0:50:34.040 --> 0:50:35.520
<v Speaker 1>and I was determined not to be one of them

0:50:35.560 --> 0:50:37.200
<v Speaker 1>because I didn't want to show up on b roll

0:50:37.320 --> 0:50:41.640
<v Speaker 1>on someone else's story about the thing. But watching people

0:50:41.680 --> 0:50:44.160
<v Speaker 1>like scrunch up their faces they're trying to make a

0:50:44.200 --> 0:50:46.520
<v Speaker 1>little ping pong ball float a little higher in the

0:50:46.520 --> 0:50:49.719
<v Speaker 1>air was kind of entertaining, But we don't exactly know

0:50:49.800 --> 0:50:53.239
<v Speaker 1>what the interface was. Clearly still right now in two

0:50:53.239 --> 0:50:56.719
<v Speaker 1>thousand fifteen early two thousand fifteen, we're still very much

0:50:56.719 --> 0:51:01.680
<v Speaker 1>dependent upon controllers. So if that changes dramatically, uh, First

0:51:01.680 --> 0:51:04.440
<v Speaker 1>of all, I this one. I think the ship is sailed.

0:51:04.719 --> 0:51:07.399
<v Speaker 1>There's no way for it to change dramatically enough where

0:51:07.400 --> 0:51:10.959
<v Speaker 1>a little punk kid is going to assume that that's

0:51:11.040 --> 0:51:14.719
<v Speaker 1>the norm now and that using your hands is for babies.

0:51:15.320 --> 0:51:18.640
<v Speaker 1>There's not enough time to pass. We would have need

0:51:18.680 --> 0:51:21.640
<v Speaker 1>to have gone to hands free at least five years ago.

0:51:21.760 --> 0:51:24.799
<v Speaker 1>Another objection I would raise is that babies aren't very

0:51:24.840 --> 0:51:26.960
<v Speaker 1>good at using their hands for things, and I would

0:51:26.960 --> 0:51:30.479
<v Speaker 1>think that something you need strong, dexterous control for would

0:51:30.480 --> 0:51:33.800
<v Speaker 1>be something that's more adult. But anyway, I do maybe

0:51:33.960 --> 0:51:37.400
<v Speaker 1>those kids in the movie We're just idiots, which you know,

0:51:37.800 --> 0:51:40.200
<v Speaker 1>suggesting that there will be idiots in two thousand fifteen

0:51:40.239 --> 0:51:43.440
<v Speaker 1>is a prediction I can completely get behind. Hey another

0:51:43.480 --> 0:51:49.160
<v Speaker 1>prediction that is vaguely plausible. Are these handprint scanner locks

0:51:49.200 --> 0:51:52.840
<v Speaker 1>for the front door of more biometrics? Yeah, because again

0:51:52.880 --> 0:51:57.560
<v Speaker 1>when the cops bring um what's her face home, Jennifer Um,

0:51:57.680 --> 0:51:59.759
<v Speaker 1>when they bring her up to the house they think

0:51:59.840 --> 0:52:03.160
<v Speaker 1>is her home, it's actually her future selves home. They

0:52:03.280 --> 0:52:06.359
<v Speaker 1>use her thumb. They actually grab her hand and use

0:52:06.440 --> 0:52:10.000
<v Speaker 1>her thumb to unlock the door, because she's still unconscious

0:52:10.040 --> 0:52:12.560
<v Speaker 1>at this point, and they bring her in and she's

0:52:12.600 --> 0:52:14.359
<v Speaker 1>they slump her down on the couch and then they

0:52:14.440 --> 0:52:17.200
<v Speaker 1>leave because you know they've done their civic duty. So

0:52:17.680 --> 0:52:20.480
<v Speaker 1>the thing is that biometrics to to open up locks

0:52:20.640 --> 0:52:23.440
<v Speaker 1>not that unusual. There actually are some examples even on

0:52:23.480 --> 0:52:27.040
<v Speaker 1>the consumer market where you can buy a lock that

0:52:27.160 --> 0:52:30.480
<v Speaker 1>has a scanner. It's usually hidden behind something like it's

0:52:30.520 --> 0:52:32.840
<v Speaker 1>got a The lock itself has got a little hook,

0:52:33.200 --> 0:52:35.240
<v Speaker 1>and the ideas you put your finger on the inside

0:52:35.239 --> 0:52:37.080
<v Speaker 1>of that hook and it scans your finger and if

0:52:37.080 --> 0:52:40.040
<v Speaker 1>your fingerprint matches, then it'll unlock. So that way it's

0:52:40.080 --> 0:52:43.319
<v Speaker 1>not exposed the elements. People don't see what kind of

0:52:43.400 --> 0:52:46.719
<v Speaker 1>lock it is. Um, But you can't you can't get

0:52:46.760 --> 0:52:50.359
<v Speaker 1>those The kind of morbid criticism of such a thing

0:52:50.480 --> 0:52:52.839
<v Speaker 1>is that someone could enter your home by cutting off

0:52:52.840 --> 0:52:56.040
<v Speaker 1>your hands right or or even getting a getting a

0:52:56.080 --> 0:52:58.880
<v Speaker 1>really decent photograph of your hand at this point, and

0:52:59.400 --> 0:53:02.360
<v Speaker 1>which is where depending on the exact type of scanner exactly.

0:53:02.440 --> 0:53:04.799
<v Speaker 1>That's why I prefer the scanners that are scanning for

0:53:04.840 --> 0:53:08.040
<v Speaker 1>blood vessels, and preferably ones that are scanning for blood

0:53:08.040 --> 0:53:11.400
<v Speaker 1>moving through the blood levels, because then it'll be like, well,

0:53:11.719 --> 0:53:16.120
<v Speaker 1>that's a dead finger. I'm calling the police. So, hey,

0:53:16.160 --> 0:53:18.960
<v Speaker 1>what's this thing about digital windows? I don't remember this.

0:53:19.400 --> 0:53:22.000
<v Speaker 1>Um So there's a there's a window shade over their

0:53:22.040 --> 0:53:25.120
<v Speaker 1>actual window, their their actual living room window, because their

0:53:25.160 --> 0:53:29.120
<v Speaker 1>neighborhood has turned pretty seedy in the intervening years. Um.

0:53:29.640 --> 0:53:33.520
<v Speaker 1>So they've got this window shade that's this really shoddy

0:53:33.600 --> 0:53:38.720
<v Speaker 1>digital screen, uh that's tuned to some kind of relaxing channel.

0:53:39.160 --> 0:53:42.120
<v Speaker 1>One point, they have like just a like a city

0:53:42.200 --> 0:53:45.239
<v Speaker 1>scape scene outside, so it looks like a beautiful skyline

0:53:45.320 --> 0:53:47.480
<v Speaker 1>type of thing at night. Uh. And then at one

0:53:47.480 --> 0:53:51.040
<v Speaker 1>point they finally do lift the shade up and it retracts.

0:53:51.200 --> 0:53:52.880
<v Speaker 1>So it's it's one of those were you know, you

0:53:53.000 --> 0:53:56.320
<v Speaker 1>pull down and then it it'll it'll retract up into itself.

0:53:56.840 --> 0:54:00.520
<v Speaker 1>Cartoon style. The ones always go flap flap and cartoons.

0:54:01.000 --> 0:54:02.840
<v Speaker 1>I did a hand gesture that would have been very

0:54:02.880 --> 0:54:06.200
<v Speaker 1>helpful if you could see me um at any rate. Uh,

0:54:06.320 --> 0:54:08.000
<v Speaker 1>there are two ways you could do this. You could

0:54:08.080 --> 0:54:11.759
<v Speaker 1>have an o LED style screen which can be flexible,

0:54:12.200 --> 0:54:16.680
<v Speaker 1>and you could actually have the shade itself be a display.

0:54:16.840 --> 0:54:19.560
<v Speaker 1>Or what would be easier in my mind is it

0:54:19.560 --> 0:54:22.600
<v Speaker 1>would just be a reflective screen and you would end

0:54:22.680 --> 0:54:27.240
<v Speaker 1>up projecting UM a scene on that using a small projector.

0:54:27.280 --> 0:54:30.280
<v Speaker 1>And we've seen small projectors become more and more common,

0:54:30.960 --> 0:54:33.919
<v Speaker 1>even high resolution small projectors like things that you could

0:54:34.080 --> 0:54:35.960
<v Speaker 1>you can slip it into your pocket if you need

0:54:36.000 --> 0:54:38.120
<v Speaker 1>to take it on a trip, and then use it

0:54:38.160 --> 0:54:42.240
<v Speaker 1>to show your power point presentation to the board or whatever.

0:54:42.480 --> 0:54:44.160
<v Speaker 1>You know. I think it was in our episode about

0:54:44.200 --> 0:54:48.239
<v Speaker 1>Minority Report that we talked about transparent screens where there

0:54:48.239 --> 0:54:52.239
<v Speaker 1>are people who are actually working on this, but it

0:54:52.280 --> 0:54:55.120
<v Speaker 1>sounds like what they want here is actually not a

0:54:55.120 --> 0:54:59.960
<v Speaker 1>transparent screen. Yeah, you basically just want a regular screen

0:55:00.040 --> 0:55:02.320
<v Speaker 1>and where you actually don't see outside. Yeah, that was

0:55:02.400 --> 0:55:04.400
<v Speaker 1>kind of and they do lift it up so you

0:55:04.440 --> 0:55:07.320
<v Speaker 1>do see the window behind eventually, but it's one of

0:55:07.320 --> 0:55:10.080
<v Speaker 1>those things where it's it's kind of it wasn't It

0:55:10.160 --> 0:55:14.440
<v Speaker 1>wasn't going far enough, because you could get a transparent display.

0:55:14.480 --> 0:55:17.960
<v Speaker 1>I played with one at CS just recently, where you

0:55:18.000 --> 0:55:20.960
<v Speaker 1>can see right, you know, when when the screen is clear,

0:55:21.280 --> 0:55:23.439
<v Speaker 1>like when there's nothing being projected out, you can see

0:55:23.480 --> 0:55:25.520
<v Speaker 1>straight through it. And when it's acting as a display,

0:55:26.160 --> 0:55:30.600
<v Speaker 1>it's nearly opaque depending on how dark the images that's

0:55:30.640 --> 0:55:33.120
<v Speaker 1>playing across the screen. So it's kind of funny to

0:55:33.160 --> 0:55:35.080
<v Speaker 1>me that this is a case where it didn't quite

0:55:35.120 --> 0:55:38.759
<v Speaker 1>go far enough. Yeah. Yeah. Um. Another thing kind of

0:55:38.800 --> 0:55:42.040
<v Speaker 1>like that they have these their home television in the

0:55:42.280 --> 0:55:45.920
<v Speaker 1>Flies home is this very large wide screen TV that

0:55:46.000 --> 0:55:51.680
<v Speaker 1>looks a pretty um analogous analogous analogous um to uh

0:55:51.840 --> 0:55:54.320
<v Speaker 1>to the kind of televisions that many people have in

0:55:54.360 --> 0:55:57.920
<v Speaker 1>their homes these days. Um. It has multi screen viewing capacity,

0:55:57.960 --> 0:56:01.480
<v Speaker 1>which is a thing that television's have these days. Um.

0:56:01.520 --> 0:56:05.440
<v Speaker 1>Although all of the images within this little multi screen

0:56:05.480 --> 0:56:08.040
<v Speaker 1>set up are in standard format, none of them are

0:56:08.080 --> 0:56:11.480
<v Speaker 1>wide screen four by three, six by nine, which I

0:56:11.480 --> 0:56:15.840
<v Speaker 1>thought was very charming. Um and uh uh And and

0:56:15.880 --> 0:56:18.360
<v Speaker 1>all the kids apparently watched like six screens at the

0:56:18.400 --> 0:56:22.920
<v Speaker 1>same time, which is actually pretty president according according to

0:56:23.000 --> 0:56:25.640
<v Speaker 1>data from how people are frequently watching things on their

0:56:25.680 --> 0:56:28.600
<v Speaker 1>smartphones and a television and a laptop or at the

0:56:28.600 --> 0:56:32.400
<v Speaker 1>same time four tabs open. Yeah. I mean, I definitely

0:56:32.440 --> 0:56:35.480
<v Speaker 1>have been guilty of having multiple screens up, but it

0:56:35.520 --> 0:56:38.000
<v Speaker 1>means that I'm not paying attention to anything. Really doesn't

0:56:38.000 --> 0:56:41.000
<v Speaker 1>mean I'm not I'm not absorbing anything at that point.

0:56:41.560 --> 0:56:44.560
<v Speaker 1>But yeah, you can. There are services television services that

0:56:44.560 --> 0:56:47.600
<v Speaker 1>allow you to have as many as nine different channels

0:56:47.600 --> 0:56:51.439
<v Speaker 1>on display on a single screen, um simultaneously. It's also

0:56:51.520 --> 0:56:55.400
<v Speaker 1>voice activated, So again we have systems like Sony or

0:56:57.000 --> 0:57:01.240
<v Speaker 1>Xbox the connect that allow for voice activation, and we're

0:57:01.280 --> 0:57:03.960
<v Speaker 1>even seeing that built into some televisions now as well.

0:57:04.760 --> 0:57:08.040
<v Speaker 1>So that's not that unusual. It's not it's not common

0:57:08.280 --> 0:57:11.160
<v Speaker 1>where again you would see it in your average uh

0:57:11.360 --> 0:57:14.880
<v Speaker 1>consumers home, but it is possible. And the fact that

0:57:14.960 --> 0:57:18.440
<v Speaker 1>it was a wall mounted television was actually really forward

0:57:18.480 --> 0:57:20.760
<v Speaker 1>thinking because that's the way a lot of people watch

0:57:20.840 --> 0:57:23.440
<v Speaker 1>their TVs now and that was not something that was

0:57:23.440 --> 0:57:26.560
<v Speaker 1>big in Yeah. Yeah, I. And and that it was

0:57:26.600 --> 0:57:29.920
<v Speaker 1>a flat screen too, I suppose, um uh. And and

0:57:29.960 --> 0:57:32.840
<v Speaker 1>one more that I really want to talk about before

0:57:33.240 --> 0:57:36.520
<v Speaker 1>we break for you for the second episode is that

0:57:36.560 --> 0:57:40.480
<v Speaker 1>they had a thermostat with with multiple programmable controls, like

0:57:40.560 --> 0:57:42.760
<v Speaker 1>you can just walk up and press a button and

0:57:42.880 --> 0:57:46.040
<v Speaker 1>it will set the temperature and and presumably a number

0:57:46.080 --> 0:57:50.600
<v Speaker 1>of other controls to a whole set of whatever you

0:57:50.680 --> 0:57:55.520
<v Speaker 1>told it to be interesting. So which complex environmental controls? Yeah,

0:57:55.800 --> 0:57:58.880
<v Speaker 1>which we've got Yeah, Nest. Nest came out a couple

0:57:58.920 --> 0:58:00.840
<v Speaker 1>of years ago and has been and really popular, and

0:58:00.840 --> 0:58:02.600
<v Speaker 1>now we've got a lot of competitors on the market

0:58:02.600 --> 0:58:05.560
<v Speaker 1>to These are all learning thermostats that make it very

0:58:05.600 --> 0:58:07.680
<v Speaker 1>easy for you to change the temperature of your home.

0:58:07.720 --> 0:58:10.040
<v Speaker 1>And it also can even have learning algorithms so that

0:58:10.560 --> 0:58:13.200
<v Speaker 1>it knows what your preferences are, or it can detect

0:58:13.280 --> 0:58:15.160
<v Speaker 1>if there's no one in the house and make sure

0:58:15.200 --> 0:58:17.680
<v Speaker 1>that you're not heating an empty house. Or you can

0:58:18.120 --> 0:58:20.240
<v Speaker 1>set it to to do a thing at a certain

0:58:20.280 --> 0:58:22.880
<v Speaker 1>time of day, or you can trigger it when you

0:58:23.200 --> 0:58:25.680
<v Speaker 1>when you're coming home, or it can automatically trigger when

0:58:25.680 --> 0:58:28.320
<v Speaker 1>you're coming home. So so honestly, this is another thing

0:58:28.400 --> 0:58:31.040
<v Speaker 1>that didn't quite look far forward enough in that uh,

0:58:31.480 --> 0:58:34.640
<v Speaker 1>I mean the fact that that older Marty has to

0:58:34.680 --> 0:58:37.000
<v Speaker 1>go up to the wall and poke a button on it.

0:58:37.000 --> 0:58:41.240
<v Speaker 1>It's kind of outdated. Yeah, yeah, so this was fun.

0:58:41.360 --> 0:58:43.280
<v Speaker 1>This was a fun first episode. We still got a

0:58:43.280 --> 0:58:47.000
<v Speaker 1>lot more. You're probably thinking, hey, there's one incredible piece

0:58:47.040 --> 0:58:49.080
<v Speaker 1>of technology that's in Back to the Future too that

0:58:49.120 --> 0:58:50.960
<v Speaker 1>you guys didn't cover. Well, you know, we have this

0:58:51.080 --> 0:58:53.640
<v Speaker 1>on purpose. You had to save some stuff for the

0:58:53.680 --> 0:58:56.959
<v Speaker 1>second episode. We actually move things around to make sure

0:58:57.000 --> 0:59:00.160
<v Speaker 1>about it. So make sure you join us for our

0:59:00.160 --> 0:59:04.120
<v Speaker 1>next episode, where we will conclude this discussion and hit

0:59:04.240 --> 0:59:06.440
<v Speaker 1>several more and talk about the things that are possible

0:59:06.480 --> 0:59:10.919
<v Speaker 1>that are not possible that might be hoaxes or jobs. Hint, hint,

0:59:11.640 --> 0:59:14.360
<v Speaker 1>And if you have any suggestions for future episodes, you

0:59:14.360 --> 0:59:16.920
<v Speaker 1>should let us know. Send us an email the addresses

0:59:17.000 --> 0:59:20.400
<v Speaker 1>f W Thinking at how Stuff Works dot com. Drop

0:59:20.480 --> 0:59:24.600
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0:59:24.800 --> 0:59:27.480
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0:59:27.560 --> 0:59:30.160
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0:59:30.240 --> 0:59:33.920
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0:59:34.000 --> 0:59:40.919
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0:59:40.920 --> 0:59:43.960
<v Speaker 1>on this topic in the future of technology, visit forward

0:59:43.960 --> 0:59:56.920
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0:59:57.000 --> 0:59:57.480
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