1 00:00:00,200 --> 00:00:03,480 Speaker 1: If you're going to pay attention to one completely stupid 2 00:00:03,520 --> 00:00:05,480 Speaker 1: thing this year, don't make it this. 3 00:00:05,960 --> 00:00:10,520 Speaker 2: It's one more thing, one more thing. 4 00:00:13,440 --> 00:00:16,560 Speaker 3: Joe and I disagree on this because I take it 5 00:00:16,600 --> 00:00:19,720 Speaker 3: further than he does. We went to We went to 6 00:00:19,760 --> 00:00:21,759 Speaker 3: the Rock and Roll Hall of Fame in Cleveland because 7 00:00:21,800 --> 00:00:25,000 Speaker 3: that's where the twenty sixteen Republican Convention was when Trump 8 00:00:25,120 --> 00:00:28,440 Speaker 3: was nominated. I'm surprised I never traveled to Cleveland on 9 00:00:28,560 --> 00:00:30,400 Speaker 3: vacation just to go to the Rock and Roll Hall 10 00:00:30,400 --> 00:00:31,960 Speaker 3: of Fame, because I always wanted to do. I found 11 00:00:31,960 --> 00:00:36,000 Speaker 3: it extraordinarily underwhelming. Like if I had gone there on 12 00:00:36,080 --> 00:00:38,040 Speaker 3: vacation and that had been it, I would have been. 13 00:00:38,880 --> 00:00:40,880 Speaker 2: Very disappointed that I spent my money that way. 14 00:00:41,520 --> 00:00:44,880 Speaker 1: I found it thoroughly amusing and entertaining in a way 15 00:00:44,960 --> 00:00:47,400 Speaker 1: that was fine for a couple of hours, and I 16 00:00:47,440 --> 00:00:50,599 Speaker 1: have no intention of ever going back. So I liked 17 00:00:50,600 --> 00:00:52,560 Speaker 1: it more than you did. But you know, I grew 18 00:00:52,600 --> 00:00:55,440 Speaker 1: up a rock guy, so you know not that it 19 00:00:55,520 --> 00:00:56,279 Speaker 1: is anymore. 20 00:00:56,440 --> 00:00:59,240 Speaker 3: It wasn't my not caring about music that was it. 21 00:00:59,280 --> 00:01:02,000 Speaker 3: I just thought it was just underwhelming all the way around. 22 00:01:02,080 --> 00:01:05,119 Speaker 1: But you didn't like seeing Keith Richards pants now small. 23 00:01:05,120 --> 00:01:08,759 Speaker 1: They were Joe Strummer's telecaster. Come on from the clash, 24 00:01:08,800 --> 00:01:09,240 Speaker 1: Come on. 25 00:01:09,360 --> 00:01:12,640 Speaker 3: So we're gonna do the twenty twenty five inductees have 26 00:01:12,640 --> 00:01:14,120 Speaker 3: been named Joe's gonna hit us with that here in 27 00:01:14,120 --> 00:01:17,679 Speaker 3: a second. But it's opened in eighty three. First class 28 00:01:17,760 --> 00:01:20,360 Speaker 3: was nominated in eighty six. Off the top of your head, 29 00:01:20,480 --> 00:01:21,640 Speaker 3: named me. Some of the. 30 00:01:21,640 --> 00:01:24,080 Speaker 2: First class should be pretty easy to do. First Class of. 31 00:01:24,080 --> 00:01:30,640 Speaker 1: The rock and Chuck Berry Stone no Beatles, no Stones, No, no, what. 32 00:01:32,200 --> 00:01:35,679 Speaker 2: Berry gotta be No Beatles? Shut up? Who was in 33 00:01:35,720 --> 00:01:37,520 Speaker 2: the top? Oh, it was like all. 34 00:01:37,440 --> 00:01:40,960 Speaker 1: Your pioneering people, right, Yeah, I don't remember. I've seen 35 00:01:40,959 --> 00:01:41,520 Speaker 1: the Listen. 36 00:01:41,400 --> 00:01:50,000 Speaker 3: Elvis, Little Richard, Chuck Berry, Fats Domino, James Brown, Sam Cook, 37 00:01:50,040 --> 00:01:53,680 Speaker 3: Everley Brothers, Buddy Holly, Jerry Lee Lewis. 38 00:01:53,920 --> 00:01:54,880 Speaker 2: Yeah, there you go. 39 00:01:55,760 --> 00:01:58,280 Speaker 3: There's only one person that's been in there three times. 40 00:01:58,520 --> 00:02:00,000 Speaker 3: Who's that got that off the top. 41 00:02:00,520 --> 00:02:01,360 Speaker 2: Paul McCartney. 42 00:02:01,440 --> 00:02:05,320 Speaker 3: That's a pretty good guess. He is in there twice. 43 00:02:05,360 --> 00:02:07,240 Speaker 3: All the Beatles we got in there as Beatles and 44 00:02:07,280 --> 00:02:08,320 Speaker 3: then as solo artists. 45 00:02:08,360 --> 00:02:10,880 Speaker 2: Ringo got in the Hall of Fame as a solo artist. 46 00:02:11,360 --> 00:02:13,600 Speaker 1: And Wings didn't make it in I'm surprised by that. 47 00:02:13,639 --> 00:02:15,320 Speaker 2: I'm surprised. It's Eric Clapton. 48 00:02:15,720 --> 00:02:19,960 Speaker 3: Eric Clapton is in three times. And that's about it. 49 00:02:20,080 --> 00:02:21,880 Speaker 3: And that's about how exciting the Rock and Roll Hall 50 00:02:21,880 --> 00:02:23,960 Speaker 3: of Fame is. This little conversation you just heard, that's 51 00:02:23,960 --> 00:02:25,399 Speaker 3: about as exciting as the whole thing. 52 00:02:26,120 --> 00:02:29,480 Speaker 1: One day, the city fathers and mothers of Cleveland, Ohio 53 00:02:29,520 --> 00:02:32,320 Speaker 1: said to themselves, we need more tourism. What are we 54 00:02:32,440 --> 00:02:33,040 Speaker 1: known for? 55 00:02:33,800 --> 00:02:37,880 Speaker 2: Crappiness? Somebody suggested, No, that's no good. We can't have 56 00:02:37,919 --> 00:02:42,200 Speaker 2: a crap hall of fame. The fact that. 57 00:02:42,360 --> 00:02:47,640 Speaker 1: Alan Freed, an old timey DJ who arguably conceivably may 58 00:02:47,800 --> 00:02:51,880 Speaker 1: have popularized the term rock and roll, worked in this city. 59 00:02:52,880 --> 00:02:55,160 Speaker 2: All right, how about a rock and roll Hall of Fame? 60 00:02:55,400 --> 00:02:57,080 Speaker 2: And hence the dream was born. 61 00:02:59,360 --> 00:03:03,880 Speaker 1: It's a pop music tourism center. 62 00:03:04,600 --> 00:03:06,680 Speaker 2: Although it's harmless. 63 00:03:06,800 --> 00:03:08,760 Speaker 3: There have been several of the Rock and Roll Hall 64 00:03:08,800 --> 00:03:10,519 Speaker 3: of Fame concerts where they get a bunch of the 65 00:03:10,560 --> 00:03:13,840 Speaker 3: inductees there that have been freaking awesome. If you've never 66 00:03:13,880 --> 00:03:16,160 Speaker 3: seen him, they're on YouTube, I mean just awesome. 67 00:03:17,200 --> 00:03:17,840 Speaker 2: Yeah. Yeah. 68 00:03:17,880 --> 00:03:20,840 Speaker 1: There's also a lot to hate about those ceremonies. There 69 00:03:20,840 --> 00:03:23,239 Speaker 1: are a lot of complaints. If you hear about people 70 00:03:23,320 --> 00:03:26,560 Speaker 1: no showing it's because they're like, they're completely using us 71 00:03:26,600 --> 00:03:29,440 Speaker 1: to sell tickets to their Hall of Fame. It's abusive, 72 00:03:29,919 --> 00:03:31,799 Speaker 1: you know. And I'm not going to get into it 73 00:03:31,840 --> 00:03:36,080 Speaker 1: because I don't care enough to be against it. But 74 00:03:36,240 --> 00:03:39,800 Speaker 1: every year the inductees or the nominees come out, Oh, 75 00:03:39,840 --> 00:03:43,000 Speaker 1: this is the inductees actually for their rock and Roll 76 00:03:43,040 --> 00:03:43,480 Speaker 1: Hall of Fame. 77 00:03:43,520 --> 00:03:45,240 Speaker 3: Yes, have you ever seen the one where John Mayer 78 00:03:45,280 --> 00:03:49,160 Speaker 3: inducted either Stevie ray Vaughn or Albert King is one 79 00:03:49,200 --> 00:03:52,160 Speaker 3: of your blues legends. Anyway, he does it with his 80 00:03:52,200 --> 00:03:54,640 Speaker 3: guitar and explains the different kinds of blues through the 81 00:03:54,680 --> 00:03:55,200 Speaker 3: years and everything. 82 00:03:56,880 --> 00:03:59,640 Speaker 1: I would be into that. Yeah, some of the induction 83 00:03:59,720 --> 00:04:02,200 Speaker 1: speech are a lot of fun. I mean, if you're 84 00:04:02,240 --> 00:04:05,520 Speaker 1: a music freak hearing one of your heroes pay tribute 85 00:04:05,560 --> 00:04:08,480 Speaker 1: to another one of your heroes and explain why they 86 00:04:08,520 --> 00:04:12,040 Speaker 1: are such an influence, it's fun. I'm not anti, it's 87 00:04:12,120 --> 00:04:14,120 Speaker 1: just it's not important. 88 00:04:13,600 --> 00:04:14,640 Speaker 2: On any level. 89 00:04:15,080 --> 00:04:18,000 Speaker 1: If you want to go see Keith Moon's destroyed drum kit, 90 00:04:18,279 --> 00:04:18,719 Speaker 1: go there. 91 00:04:18,800 --> 00:04:21,719 Speaker 2: It's kind of fun. Have you been, Katie? We have not, 92 00:04:21,839 --> 00:04:23,720 Speaker 2: And you guys are not selling it. No, we are 93 00:04:23,720 --> 00:04:24,279 Speaker 2: not selling it. 94 00:04:24,360 --> 00:04:28,320 Speaker 1: Well, no, I I I'm glad I went. It was 95 00:04:28,400 --> 00:04:31,160 Speaker 1: a fun afternoon bunch of pictures. 96 00:04:31,240 --> 00:04:32,960 Speaker 3: Would you go to Cleveland just for that? Or you're 97 00:04:32,960 --> 00:04:36,720 Speaker 3: saying if you're in Cleveland, yes, the second one, okay. 98 00:04:37,040 --> 00:04:39,480 Speaker 2: Yeah, if you're in Cleveland, make it a stop. It's fun, 99 00:04:39,760 --> 00:04:43,120 Speaker 2: depending on what sort of music you're into. But again 100 00:04:43,240 --> 00:04:43,840 Speaker 2: it's you know. 101 00:04:44,040 --> 00:04:45,799 Speaker 3: Mike, if you end up going to see the Browns 102 00:04:45,800 --> 00:04:47,960 Speaker 3: play the forty nine ers for some reason or something, 103 00:04:48,000 --> 00:04:52,200 Speaker 3: and you got an afternoon to kill, go see Elton 104 00:04:52,279 --> 00:04:54,520 Speaker 3: John's glasses. 105 00:04:54,240 --> 00:04:55,440 Speaker 2: Jo, it's fun. 106 00:04:55,800 --> 00:05:00,719 Speaker 1: I mean for me, Boots, it's fine. It's just the 107 00:05:00,960 --> 00:05:02,960 Speaker 1: It reminds me Jack of what we were talking about 108 00:05:03,000 --> 00:05:03,880 Speaker 1: during the radio show. 109 00:05:03,960 --> 00:05:08,240 Speaker 2: These what do you call them faux events or pseudo events? 110 00:05:08,480 --> 00:05:13,520 Speaker 1: Pseudo events it's an event created purely to talk about 111 00:05:13,520 --> 00:05:16,960 Speaker 1: the event, but to make the talking about the event 112 00:05:17,200 --> 00:05:20,560 Speaker 1: at all compelling, those talking about it have to pretend 113 00:05:20,600 --> 00:05:21,159 Speaker 1: that it matters. 114 00:05:21,279 --> 00:05:24,279 Speaker 3: I feel like I've been to hard rock cafes though 115 00:05:24,560 --> 00:05:28,680 Speaker 3: that were like thirty percent there. I mean, the the 116 00:05:28,880 --> 00:05:31,880 Speaker 3: restaurant with average burgers shouldn't be a third as good 117 00:05:31,880 --> 00:05:34,560 Speaker 3: as the Rock and Roll Hall of Fame, right, like 118 00:05:34,600 --> 00:05:38,360 Speaker 3: a really good Vegas. Yeah yeah, yeah, yeah, New York. 119 00:05:38,520 --> 00:05:40,359 Speaker 1: It's not been to the La One. I'll bet the 120 00:05:40,440 --> 00:05:44,280 Speaker 1: LA One's really good too. You got Slash's guitar. Look, 121 00:05:44,360 --> 00:05:46,919 Speaker 1: there's David Bowie's skirt he wore back in his I 122 00:05:47,000 --> 00:05:51,200 Speaker 1: might be a girl phase. Okay, super uh. Anyway, your 123 00:05:51,440 --> 00:05:56,080 Speaker 1: inductees this year includes such rock and roll luminaries as 124 00:05:56,120 --> 00:06:02,000 Speaker 1: Cindy Lauper. It was fine song crafter with a handful 125 00:06:02,040 --> 00:06:03,040 Speaker 1: of hits. 126 00:06:03,920 --> 00:06:04,640 Speaker 2: Outcast. 127 00:06:05,240 --> 00:06:09,440 Speaker 3: Outcast, Cindy Lapper was a big deal for a couple 128 00:06:09,520 --> 00:06:10,560 Speaker 3: of years. 129 00:06:11,000 --> 00:06:12,360 Speaker 2: I don't know do you get in the Hall of 130 00:06:12,360 --> 00:06:12,960 Speaker 2: Fame for that? 131 00:06:13,480 --> 00:06:16,839 Speaker 1: She continues to tour and do shows frequented by lesbians, 132 00:06:16,920 --> 00:06:23,560 Speaker 1: which is for music for all orientations. It brings us together, 133 00:06:23,680 --> 00:06:28,839 Speaker 1: doesn't it? But yeah, outcast spelled with a K controversial 134 00:06:28,920 --> 00:06:34,320 Speaker 1: Hey yeah, yeah, seriously, it's gotta be what twenty years 135 00:06:34,320 --> 00:06:35,880 Speaker 1: since you put out your first record or something? 136 00:06:36,000 --> 00:06:37,400 Speaker 2: Who cares? Uh? 137 00:06:37,760 --> 00:06:44,760 Speaker 1: Warren Zyvonne, who I think is fabulous, fabulous songwriter. But 138 00:06:44,760 --> 00:06:49,440 Speaker 1: but they left out Mariah carry Jack and Oasis, who 139 00:06:49,440 --> 00:06:50,560 Speaker 1: were among the nominees. 140 00:06:52,680 --> 00:06:53,960 Speaker 2: Sorry, still don't care. 141 00:06:55,520 --> 00:06:59,160 Speaker 3: Mariah Carey is so much bigger a deal than Cindy Lapper, though, 142 00:06:59,640 --> 00:07:02,839 Speaker 3: I mean in terms of success, oh my god. 143 00:07:03,640 --> 00:07:09,479 Speaker 1: Yeah. Others inducted included Bad Company, The Seminal, British hard 144 00:07:09,560 --> 00:07:16,920 Speaker 1: rock band. I'm not sure exactly how seminal they were. 145 00:07:16,960 --> 00:07:19,960 Speaker 1: They put out some nice hits back when rock music 146 00:07:20,120 --> 00:07:20,800 Speaker 1: was pop music. 147 00:07:20,800 --> 00:07:23,000 Speaker 2: I don't like the word seminal. It's got semen in it. 148 00:07:23,280 --> 00:07:29,679 Speaker 1: Oh boy, we know you didn't need to tell us, Chuck, 149 00:07:30,200 --> 00:07:30,960 Speaker 1: Chubby Checker. 150 00:07:31,000 --> 00:07:33,240 Speaker 2: I'm sorry, Chubby Checker just got inducted. 151 00:07:33,360 --> 00:07:36,440 Speaker 3: So getting back to twist, So getting back to like 152 00:07:36,480 --> 00:07:39,239 Speaker 3: the Little Richard type people in Fats Domino. So Chubby 153 00:07:39,280 --> 00:07:41,000 Speaker 3: Checker didn't get it in with those group. 154 00:07:40,800 --> 00:07:44,480 Speaker 2: Or soon thereafter apparently not. Come on, baby, let's do 155 00:07:44,560 --> 00:07:45,360 Speaker 2: the twist. 156 00:07:47,200 --> 00:07:53,040 Speaker 1: Little Richard sounds like, well, you know, okay, both of 157 00:07:53,040 --> 00:08:02,240 Speaker 1: you like yes, Michael Yes. British inger Joe Cocker, remembered 158 00:08:02,280 --> 00:08:04,320 Speaker 1: for his raw and powerful voice. 159 00:08:04,440 --> 00:08:07,320 Speaker 2: I remember I just got her theme? 160 00:08:07,760 --> 00:08:12,880 Speaker 1: Yes, not really, don't care enough to develop the theme, Katie. 161 00:08:13,600 --> 00:08:20,160 Speaker 2: Okay, let's see Sound Guarden. Okay, great heavy rock grunge band. 162 00:08:20,240 --> 00:08:20,720 Speaker 2: That's fine. 163 00:08:21,120 --> 00:08:24,600 Speaker 1: Do you have enough fans that will walk in there 164 00:08:24,760 --> 00:08:28,560 Speaker 1: and and look at their display and say, wow, cool, no. 165 00:08:28,760 --> 00:08:31,520 Speaker 2: Yes, that's more your eric. K. Do you think that's 166 00:08:31,800 --> 00:08:32,280 Speaker 2: makes sense? 167 00:08:33,200 --> 00:08:33,760 Speaker 4: Not really? 168 00:08:36,400 --> 00:08:39,320 Speaker 2: You got the white stripes. I don't believe in silent letters. 169 00:08:39,480 --> 00:08:42,400 Speaker 2: Oh that would makes sense to me. I didn't. I learned. 170 00:08:42,400 --> 00:08:44,400 Speaker 3: I just learned this the other day. So they he 171 00:08:44,720 --> 00:08:47,200 Speaker 3: Jack Black's got a new not Jack Black, Jack White. 172 00:08:47,240 --> 00:08:49,360 Speaker 3: Jack White has got a new album out, and he's 173 00:08:49,400 --> 00:08:53,640 Speaker 3: he is ridiculous. I mean in terms of talent, I 174 00:08:53,920 --> 00:08:56,320 Speaker 3: like super got into them. She's I don't know, like 175 00:08:56,360 --> 00:08:58,080 Speaker 3: six months ago in a way that I had never 176 00:08:58,080 --> 00:09:00,280 Speaker 3: gotten into White Stripes before and listened to some there 177 00:09:00,559 --> 00:09:03,600 Speaker 3: deep cuts I'd never heard. But he's just insane. I 178 00:09:03,600 --> 00:09:07,480 Speaker 3: didn't realize though his real name is maybe you know it, 179 00:09:07,520 --> 00:09:10,640 Speaker 3: but Jack whatever it is, he took her name. Yeah. 180 00:09:10,679 --> 00:09:14,400 Speaker 3: When they got married, right, Oh, good for you. I 181 00:09:14,600 --> 00:09:17,200 Speaker 3: just fantastic, aren't you in mine? 182 00:09:18,240 --> 00:09:18,880 Speaker 2: Yeah? See. 183 00:09:19,520 --> 00:09:21,880 Speaker 1: One of the things I despise about pop music is 184 00:09:21,960 --> 00:09:24,360 Speaker 1: the term recording artist, because a lot of these people 185 00:09:24,440 --> 00:09:27,360 Speaker 1: are underwear models who can warble a little, and then 186 00:09:27,400 --> 00:09:30,480 Speaker 1: they run your voice through auto tune in the studio 187 00:09:30,520 --> 00:09:33,000 Speaker 1: and you could you could have anybody sing it, or 188 00:09:33,040 --> 00:09:35,199 Speaker 1: a dog, or it doesn't matter. 189 00:09:36,400 --> 00:09:38,560 Speaker 2: Jack White is an actual artist. 190 00:09:38,600 --> 00:09:43,480 Speaker 1: Oh, he's like half nuts and guitar players know this, 191 00:09:43,559 --> 00:09:48,360 Speaker 1: but he intentionally plays instruments that are difficult to play 192 00:09:48,480 --> 00:09:52,720 Speaker 1: to see how it changes what he plays, see how 193 00:09:52,760 --> 00:09:55,800 Speaker 1: it affects the music to struggle against a guitar at 194 00:09:55,880 --> 00:10:00,199 Speaker 1: least now and again, which is an odd note. 195 00:10:01,160 --> 00:10:03,720 Speaker 2: I'm far too lazy for that sort. I was listening 196 00:10:03,720 --> 00:10:05,480 Speaker 2: to something the other day. I don't remember what it was. 197 00:10:05,559 --> 00:10:07,160 Speaker 3: You went, and you know way more about this than 198 00:10:07,160 --> 00:10:09,679 Speaker 3: I do, because I know in the modern world, with 199 00:10:10,000 --> 00:10:12,600 Speaker 3: pro tools and everything like that, Yeah, you could get 200 00:10:12,760 --> 00:10:16,440 Speaker 3: the four of us in a room and sing something 201 00:10:16,679 --> 00:10:19,079 Speaker 3: and by the end of the day have perfect harmonies. 202 00:10:19,520 --> 00:10:22,360 Speaker 2: Yes, with pro tools. Yeah, how long. 203 00:10:22,200 --> 00:10:24,800 Speaker 3: Has that been around? So when I'm listening to stuff, 204 00:10:25,040 --> 00:10:27,360 Speaker 3: what was I listening to? Maybe Crosby Stee's Nash Young, 205 00:10:27,520 --> 00:10:30,200 Speaker 3: I don't know. It's something with tremendous harmonies the other day, 206 00:10:30,240 --> 00:10:32,800 Speaker 3: and I thought that had to be completely real, that 207 00:10:32,880 --> 00:10:34,599 Speaker 3: had to be just like what it sounded like for 208 00:10:34,640 --> 00:10:35,520 Speaker 3: them to sing together. 209 00:10:36,320 --> 00:10:39,079 Speaker 1: Yeah, my favorite is a stunning on some of those recordings, 210 00:10:39,679 --> 00:10:41,960 Speaker 1: them and like Yes, which I'm a big fan of 211 00:10:42,040 --> 00:10:46,079 Speaker 1: in Boston. And what's fun about those is these days, 212 00:10:46,679 --> 00:10:52,640 Speaker 1: if you're particularly if you're up against budgetary pressures. If 213 00:10:52,679 --> 00:10:55,880 Speaker 1: you nail the harmonies in the first chorus of a song, 214 00:10:56,080 --> 00:10:58,280 Speaker 1: and maybe you use autotune, maybe you don't, but you 215 00:10:58,360 --> 00:11:00,880 Speaker 1: nail those harmonies, then you lie them around to the 216 00:11:00,880 --> 00:11:01,760 Speaker 1: other chorses. 217 00:11:01,640 --> 00:11:02,200 Speaker 2: Is what it's called. 218 00:11:02,320 --> 00:11:05,199 Speaker 1: You copy and paste the harmonies to the other choruses. 219 00:11:05,240 --> 00:11:09,760 Speaker 1: It saves time, it saves money, which I've actually done 220 00:11:09,760 --> 00:11:12,520 Speaker 1: that some it's but it's again purely to save time 221 00:11:12,520 --> 00:11:16,160 Speaker 1: and money. But back in the day they had to 222 00:11:16,240 --> 00:11:19,640 Speaker 1: sing every note every time. It had to be either 223 00:11:19,920 --> 00:11:22,840 Speaker 1: you know, nailed the harmonies or they're a little bit off. 224 00:11:22,960 --> 00:11:26,640 Speaker 1: But their every chorus was different, generally in ways small 225 00:11:26,720 --> 00:11:29,400 Speaker 1: and significant, which is part of what makes a lot 226 00:11:29,440 --> 00:11:32,040 Speaker 1: of those old songs really kind of cool. Man, And 227 00:11:32,080 --> 00:11:36,120 Speaker 1: they keep like teasing your ear. There's something about that 228 00:11:36,240 --> 00:11:39,000 Speaker 1: third chorus that's compelling. You'd never put your finger on. 229 00:11:39,120 --> 00:11:40,480 Speaker 1: But it's because it's a little different. 230 00:11:40,640 --> 00:11:41,280 Speaker 2: That's interesting. 231 00:11:41,320 --> 00:11:44,080 Speaker 3: Because so the it's kind of like the way AI 232 00:11:44,320 --> 00:11:47,559 Speaker 3: created models. They're so perfect, they're like they got nothing. 233 00:11:47,800 --> 00:11:51,320 Speaker 3: It's just kind of not because everything's so perfectly symmetrical, 234 00:11:51,320 --> 00:11:52,760 Speaker 3: it doesn't like reach you in a way that a 235 00:11:52,800 --> 00:11:56,120 Speaker 3: real human being does you sing the vocals being slightly off? 236 00:11:56,360 --> 00:11:59,800 Speaker 3: But Henry and I watched Bohemian Rhapsody, the Queen movie, 237 00:11:59,840 --> 00:12:01,559 Speaker 3: and we've been listening to a lot of Queen after that, 238 00:12:01,600 --> 00:12:03,720 Speaker 3: and I was thinking, Oh, they had to reactually record 239 00:12:03,800 --> 00:12:05,559 Speaker 3: these vocals and make them sound like this. 240 00:12:05,720 --> 00:12:09,120 Speaker 2: How the hell did they do that? No auto tune 241 00:12:09,120 --> 00:12:11,160 Speaker 2: at all? Oh that's insane. 242 00:12:11,760 --> 00:12:15,640 Speaker 1: Bohemian Rhapsity at this point is so overplayed. But as 243 00:12:15,679 --> 00:12:20,199 Speaker 1: a piece of musical production, it can't exist. It's not 244 00:12:20,240 --> 00:12:22,640 Speaker 1: like a two headed dog. It's like a five headed dog. 245 00:12:23,080 --> 00:12:26,880 Speaker 1: I mean, it's just it's so wondrous. You can't even 246 00:12:27,240 --> 00:12:28,720 Speaker 1: I can't imagine the process. 247 00:12:28,840 --> 00:12:32,760 Speaker 2: Oh my god. Sorry, Katie. I could bore you to 248 00:12:32,840 --> 00:12:39,000 Speaker 2: death with his stuff, but I'm enjoying it. Yeah. Good. Oh. No, 249 00:12:39,160 --> 00:12:40,920 Speaker 2: Mariah Carey in the Rock and Roll Hall of Fame, 250 00:12:41,040 --> 00:12:41,520 Speaker 2: damn it. 251 00:12:41,840 --> 00:12:42,880 Speaker 3: Jack's broken over that. 252 00:12:43,640 --> 00:12:43,720 Speaker 1: No. 253 00:12:43,800 --> 00:12:45,600 Speaker 2: I think she is in, isn't she? I don't know. 254 00:12:45,640 --> 00:12:47,560 Speaker 2: I don't care enough to scroll back and look. 255 00:12:48,600 --> 00:12:51,960 Speaker 4: So to Jack's point with the AI thing, or and 256 00:12:52,000 --> 00:12:54,520 Speaker 4: also yours Joe at the auto tune. Have you seen 257 00:12:54,520 --> 00:12:56,640 Speaker 4: these videos that have popped up where you know somebody 258 00:12:56,640 --> 00:12:58,920 Speaker 4: will get a one one hit wonder and then you 259 00:12:59,000 --> 00:13:01,760 Speaker 4: hear them actually saying like they try to do a 260 00:13:01,800 --> 00:13:03,560 Speaker 4: live performance and it's just trash. 261 00:13:03,720 --> 00:13:06,680 Speaker 2: Oh really, Oh yeah horrific. Yeah those are fun, aren't they? 262 00:13:06,720 --> 00:13:06,920 Speaker 3: Yah? 263 00:13:06,920 --> 00:13:07,640 Speaker 2: Those are blast. 264 00:13:08,080 --> 00:13:10,880 Speaker 1: I forgot to mention that Salt and Peppa are in 265 00:13:10,960 --> 00:13:13,559 Speaker 1: the Rock and Roll Hall of Fame, both Salt and 266 00:13:14,520 --> 00:13:19,120 Speaker 1: for their many contributions to art and push it. 267 00:13:19,200 --> 00:13:22,000 Speaker 2: Real good, pretty good condiment. It's good advice. 268 00:13:23,280 --> 00:13:28,600 Speaker 1: And back to our really childishly idiotic genital's theme of. 269 00:13:28,520 --> 00:13:34,240 Speaker 2: Earlier every aspect. 270 00:13:34,640 --> 00:13:37,920 Speaker 3: Every time we bring up rock and Roll Hall Hall 271 00:13:37,920 --> 00:13:39,760 Speaker 3: of Fame, I feel like always ends with kind of 272 00:13:39,760 --> 00:13:43,000 Speaker 3: a ah, why are we talking about this every time? 273 00:13:43,040 --> 00:13:43,360 Speaker 2: I don't know. 274 00:13:43,400 --> 00:13:45,439 Speaker 3: I'm just maybe I maybe I was sick the day 275 00:13:45,440 --> 00:13:47,760 Speaker 3: we went or something. I just have a negative attitude 276 00:13:47,760 --> 00:13:52,480 Speaker 3: towards the whole thing, and I like music a lot. 277 00:13:52,520 --> 00:13:55,960 Speaker 1: Next podcast, guys, I'll tell you about the Jelly Belly 278 00:13:56,000 --> 00:13:58,040 Speaker 1: Factory and how disappointed I was when I went. 279 00:13:57,920 --> 00:13:58,480 Speaker 2: On the tour. 280 00:13:59,120 --> 00:14:02,480 Speaker 3: I took my kids of the Jelly Belly Factory many times. 281 00:14:02,600 --> 00:14:05,280 Speaker 3: I think I enjoyed it equally as well, if not more. 282 00:14:05,760 --> 00:14:09,040 Speaker 1: Yeah, you can lander the good folks at Jelly Belly Michael. 283 00:14:09,080 --> 00:14:12,440 Speaker 1: That tour is scintillating. It's pretty good children of all ages. 284 00:14:12,480 --> 00:14:15,000 Speaker 2: Have you been, Katie? I have? Have you been when 285 00:14:15,000 --> 00:14:18,120 Speaker 2: they're making a bad tasting one? And that is why 286 00:14:18,240 --> 00:14:21,200 Speaker 2: I hate jelly bellies. It is because I went on 287 00:14:21,320 --> 00:14:21,760 Speaker 2: that day. 288 00:14:21,920 --> 00:14:23,800 Speaker 3: Yeah, if you go on a day where it's strawberry 289 00:14:23,880 --> 00:14:25,800 Speaker 3: chocolate or something like that, it's fantastic. But we went 290 00:14:25,840 --> 00:14:29,720 Speaker 3: on the vomit day. Oh no, not kidding. We went 291 00:14:29,760 --> 00:14:31,720 Speaker 3: on the day they were making vomit and there was 292 00:14:31,760 --> 00:14:33,560 Speaker 3: nobody there and they warned us before we went in. 293 00:14:33,640 --> 00:14:35,080 Speaker 3: I thought, oh, guah, it's no big deal, you know, 294 00:14:35,120 --> 00:14:37,600 Speaker 3: and drove here and everything like that. But we couldn't 295 00:14:37,600 --> 00:14:40,240 Speaker 3: take it. We ran through the factory part with our 296 00:14:40,280 --> 00:14:42,920 Speaker 3: hands over our noses. You just you thought you were 297 00:14:42,920 --> 00:14:45,280 Speaker 3: going to chunder the whole time. It was gross. 298 00:14:45,600 --> 00:14:47,960 Speaker 1: Yeah, so the whole place just reaped a vomit. Yeah, 299 00:14:47,960 --> 00:14:50,800 Speaker 1: oh nice, and then the dre Now thinking about. 300 00:14:50,600 --> 00:14:52,800 Speaker 4: It, they put out the spread at the end where 301 00:14:52,840 --> 00:14:54,520 Speaker 4: you can try all the different ones, and that was 302 00:14:54,520 --> 00:14:56,200 Speaker 4: where they broke my trust. Is I thought I was 303 00:14:56,240 --> 00:14:58,320 Speaker 4: grabbing a peach and I grabbed a vomit and I 304 00:14:58,320 --> 00:15:00,160 Speaker 4: have not had a jelly belly since. 305 00:15:01,160 --> 00:15:03,480 Speaker 3: God dang it, we did that as a contest one 306 00:15:03,480 --> 00:15:06,480 Speaker 3: time for cousin cousin Christmas, Me, my brothers, my mom 307 00:15:06,520 --> 00:15:09,280 Speaker 3: and dad, everybody, uh and uh brought all the different 308 00:15:09,280 --> 00:15:10,920 Speaker 3: flavors and there was some dog food. 309 00:15:11,680 --> 00:15:11,960 Speaker 2: Nobody. 310 00:15:12,040 --> 00:15:14,120 Speaker 3: I don't think anybody could choke down vomit, but there's 311 00:15:14,200 --> 00:15:15,640 Speaker 3: there's some gross flavors. 312 00:15:16,160 --> 00:15:20,760 Speaker 2: Ah yuck. Well, I guess that's it.