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Speaker 1: Welcome back to another episode of Alchemy. It is COVID

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Speaker 1: nine edition, and I'm your host, Kevin Pollock. Yes that

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Speaker 1: Kevin Pollo. What's that? Well? If I have to choose

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Speaker 1: fuck Chris, Mary, James, kill Joe. Oh and even though

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Speaker 1: you're not asking, definitely cheat on James with Craig. But

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Speaker 1: I digress. Let's meet our chemist, shall we no particular order?

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Speaker 1: Please say good day to Vanessa Raglan Veniche, Good day,

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Speaker 1: good day. Please share with us an utterly selfish wish

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Speaker 1: for twenty one, A selfish one. Yeah, utterly selfish, utterly

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Speaker 1: that I would come into an airstream trailer. It would

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Speaker 1: just I would just come into it with no work

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Speaker 1: and I would not deserve it, and I would get

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Speaker 1: to have it and it would be nice. Drop an

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Speaker 1: air stream trailer dropped off at your play Yeah for me.

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Speaker 1: Sure no strings attached this time? And you would nickname

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Speaker 1: it safe Place. Yeah? Nice? What the hell is Christoparado

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Speaker 1: not your daddy's long legs? If I could grant you

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Speaker 1: one wish for the new year, and that wish is

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Speaker 1: to teach you how to master one thing, what would

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Speaker 1: it be? Something to do with, you know, mastering my

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Speaker 1: mm hmm. Like my just say like something like you know,

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Speaker 1: like internal, like how do I master my doubt? How

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Speaker 1: do I? How do I? How do I? How do I?

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Speaker 1: How do I? How do I conquer? Feed out of?

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Speaker 1: Get out of your own way? Yeah? Get out of

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Speaker 1: my own way? Yes, that's probably for me. Hold on

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Speaker 1: a second, everybody, Hello, Hello, and also surfing. Yes, once again,

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Speaker 1: Please welcome Gary Anthony Will. Yeah, I'm feeling good, literally

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Speaker 1: from my head to my shoes. Nice truth or gear?

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Speaker 1: New Year's Eve plans just say truth or gear. I did.

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Speaker 1: That's the name of my new TV show, Welcome. I

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Speaker 1: plan on because my girlfriend likes to go to sleep early.

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Speaker 1: I plan on waking her up loudly at New year

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Speaker 1: She's gonna be pissed. I can guarantee you I'll never

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Speaker 1: get to touch her again, but it will be yep,

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Speaker 1: and good luck with that. Please report you. Hey, it's

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Speaker 1: Craig Gatkowski, Coco. Have you ever tried to wallpaper a room? Please?

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Speaker 1: No painting is bad enough. I can't imagine what it's

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Speaker 1: like the wallpaper. Yeah, I do want to use that

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Speaker 1: one thing that flattens it out, But the rest of

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Speaker 1: it you can have the final step is the best. Yeah,

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Speaker 1: but all the work that leads up to it, no,

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Speaker 1: thank you forget about it. And last but hand me

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Speaker 1: down under rug for you. If you think I leaves,

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Speaker 1: it's Joey Greer time suck. What happens next? I mean

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Speaker 1: that all depends on what's as you make right now,

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Speaker 1: because the divergence of that choice is going to determine

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Speaker 1: where you end up. But I can tell you this,

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Speaker 1: out of every choice that one might make, I guarantee

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Speaker 1: it will be the one that you don't want to.

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Speaker 1: So second, guess the choice that you're gonna make right

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Speaker 1: now because you really want to make the choice you

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Speaker 1: do want to, because again, that's going to determine where

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Speaker 1: you end up. How we end up there, Obviously, it's

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Speaker 1: not just based on what choice we made. How did

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Speaker 1: we make it? And I'm not just saying what did

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Speaker 1: I use my feet? That I use my hands or

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Speaker 1: you know what I mean, my eyes? I'm saying like,

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Speaker 1: how did you make that? Right? Like in your brain?

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Speaker 1: What can I use my hand? Exactly? And that's another

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Speaker 1: thing I want to get to. Okay, well, did you

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Speaker 1: hear the uncertainty in that? Do you hear the shakiness

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Speaker 1: that was in there. We we want to strengthen that.

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Speaker 1: We want to put some some iron beams right in there. Jam.

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Speaker 1: I'm in there as hard as we can, because we

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Speaker 1: want to make sure that that the choice is strong. Right.

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Speaker 1: The idea of the thought that we're making is not

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Speaker 1: something that's preconceived or put into our minds by ounce force.

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Speaker 1: Rather say putting, putting to our minds. Did you hear how? Yes?

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Speaker 1: Did you hear the yssa? Did you see that? Because

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Speaker 1: he said putting and putting joy quickly behind you. All

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Speaker 1: of our scene suggestions are gathered from listener emails or

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Speaker 1: from our patron v I ps become a patron sup

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Speaker 1: part of the show and enjoy plus of content like well,

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Speaker 1: I don't know video of what's happening right now in

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Speaker 1: Joey's mind. Just head on over the patron dot com

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Speaker 1: slash alchemy this if you like to submit a scene

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Speaker 1: suggestion by email email, I say, please write your podcast

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Speaker 1: at your name here at alchemy dot com. That's your

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Speaker 1: name here. Seen one comes from patron Alchemaniac Dougie, who wrote, Hey, Alchemist,

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Speaker 1: I promised to stop spreading rumors about Joey if he

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Speaker 1: brought back Instagram Live content. Since he did, I've hardly

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Speaker 1: said anything bad about him. Here's my scene suggestion. A

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Speaker 1: man by the name of fun Joey is accused of

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Speaker 1: twisting dogs around the Greater l A Area. What the fuck?

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Speaker 1: This is based on true events hashtag fun Joey signed Dougie. No,

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Speaker 1: I mean I was just the other day. We were

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Speaker 1: over there and you know the huh, you're gonna eat

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Speaker 1: that donut. Yes, I'm gonna eat that donut. I don't

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Speaker 1: eat as fast as you. Okay, it's yeah, I'm gonna

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Speaker 1: get to the donut. I want to eat the donut.

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Speaker 1: And you were saying I'm saying, now, you gotta be

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Speaker 1: in my head about the donut thing. Man, I don't

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Speaker 1: even want to talk about what you want. Don't Yes,

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Speaker 1: I do want the doughnut loop every time we eat. Yeah,

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Speaker 1: that's right, donuts gotta go. Baby. Are you listening to me? Man?

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Speaker 1: Like I feel like your mind Hold on a second. Yeah,

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Speaker 1: we got a four seven nine the first street and

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Speaker 1: man to have on that twisted dog over That's right, Bye,

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Speaker 1: bye bye, I love you. How long have you had

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Speaker 1: that cop radio? To be honest? Four weeks for a week.

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Speaker 1: Gotta for Christmas? What is your problem? Look my promise.

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Speaker 1: Every time we eat, you gotta come here and you

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Speaker 1: gotta point out what I mean you want to eat it,

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Speaker 1: just just get extra donuts if you want more donuts.

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Speaker 1: You guys listening to a cop radio? Yeah we are.

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Speaker 1: What's up? I'm I work on the force. I'm off

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Speaker 1: duty right now. Did you want to borrow the radio? No,

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Speaker 1: I'm good. Don't let me know. Let me do anybody

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Speaker 1: look that donuts mine? Okay, don't even try it. I

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Speaker 1: don't want your donut. I'm sorry, I'm sorry. I have

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Speaker 1: a little loss. Where where it? Could anyone help me?

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Speaker 1: Where am i? You're at the corner of First in Maine.

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Speaker 1: The corner of First and Maine. Yeah, and that's very close.

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Speaker 1: She's all, she's all twisted around. Where are you? Where

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Speaker 1: are you trying to go? I was trying. I was

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Speaker 1: going in the direction of a dog's shrink. Uh huh.

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Speaker 1: And I was walking towards the shrink. And I don't

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Speaker 1: I I'm I'm all. I'm confused, and the shrieking is out.

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Speaker 1: I just give it. I'm off duty right now. Man discombobulated.

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Speaker 1: It happens a lot. Well, listen, you're in Larry's House

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Speaker 1: of donuts. Can I buy you donut? Officers? This is

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Speaker 1: probably the worst case of dog twisting that I've ever seen.

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Speaker 1: God damn it. It looks like some of the fur

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Speaker 1: has been rubbed off, exposing the skin. There's just a note.

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Speaker 1: Write that down. I'll write that down for us. Somebody,

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Speaker 1: please go ahead, please? Is it too early to assume

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Speaker 1: we know who did this? You know what they say

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Speaker 1: about assuming you're making a suit of me? Exactly? Yeah, down?

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Speaker 1: Or of course, the Sioux Indians were some of the

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Speaker 1: most famous dog twisters ever. Make a suit out of me?

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Speaker 1: Go head and write it down. Sergeant. Absolutely, I'm gonna

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Speaker 1: write in cursive. I'm just gonna say. I'm just gonna

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Speaker 1: say it. This looks like fun Joey ship. It's that's

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Speaker 1: for sure. You said duty. But I just I knew

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Speaker 1: you guys were taking a meeting and I don't want

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Speaker 1: to miss that or anything. Excuse thank you for your service.

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Speaker 1: Thank you for your service. Officers. Can I get any

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Speaker 1: of you a donut? This fucking guy over here, what

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Speaker 1: do you what do you assume? Because we're cops, you

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Speaker 1: like donuts. Is that what happens when you assume I'm

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Speaker 1: making out of him the most assumptive Native American tribe ever?

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Speaker 1: Do they like donuts? Where are we right now? The

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Speaker 1: corner first? Okay, great, just wanted to clarify. But also

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Speaker 1: inside Larry's house, and it looks like we're gonna have

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Speaker 1: to be closing up shop. People are buying puppies right now.

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Speaker 1: It looks like there's a puppy twister out in the streets. Shop. Father,

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Speaker 1: We've had this shop for long as I can remember.

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Speaker 1: You're drooling, Donny, listen, all right, Look, we're gonna have

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Speaker 1: to just just for the safety of the pups. All right,

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Speaker 1: We're gonna have to close up now. Listen, I gotta

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Speaker 1: go out in an errand you understand that you're gonna

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Speaker 1: go out and do an activity. That's right, that's right. Now.

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Speaker 1: I'm gonna give you the keys to lock up. You understand, Dunny, keeez.

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Speaker 1: They go into lots and then you can use them

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Speaker 1: to close your door and make sure they're secure. That's right,

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Speaker 1: that's yes, that's right. All right, Okay, now listen, I'm

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Speaker 1: gonna come. I'm gonna be back at home. You can

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Speaker 1: see me at home. Okay, stand father. Home. That's the

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Speaker 1: place that we live. That's more than just a house

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Speaker 1: because it has love and it's built on a foundation

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Speaker 1: of trust and caring. That's exactly right, That's exactly right. Now. Listen,

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Speaker 1: we gotta close in an hour. You understand stand time? Okay?

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Speaker 1: Uh excuse me? You guys open looking for a for

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Speaker 1: a puppy. We we are open, but I got a

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Speaker 1: corral puppies here. But my father said, we're not gonna

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Speaker 1: sell any more puppies. And then he confused me with

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Speaker 1: the word hour, because what donny, won't you just get

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Speaker 1: the sale and I'll meet you back at home. Alright,

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Speaker 1: alright home at sometime, Yes, sir, come this way. I'll

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Speaker 1: show you some of our softest, most cuddly puppies ever.

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Speaker 1: And by the way, my father has been reading some

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Speaker 1: dots since. And then those guys are long. Oh, I

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Speaker 1: like a good docs. Okay, what's the twist ability of

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Speaker 1: these twist abilities? Can you get the feet facing like

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Speaker 1: straight up? I don't know. Mostly people just come in

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Speaker 1: and cut them and smell their breath and say they're

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Speaker 1: wet toad smell like Fredo's Sure, of course, they do.

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Speaker 1: But I'm just starting hypothetically. Could you get the front

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Speaker 1: pause to stay down while you have the other pause

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Speaker 1: completely one eighty supposed so shame. I guess there's only

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Speaker 1: one way to find out. No, I don't know. Look,

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Speaker 1: I I told I told my son he was supposed

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Speaker 1: to be back here in an hour. Officuely, I just

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Speaker 1: don't know where he is. Okay, now, if you can

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Speaker 1: just let me inside my shop. On a second earlier,

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Speaker 1: you said you told your son to meet you at

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Speaker 1: home in an hour. Now you're telling me that you

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Speaker 1: said that you want him to be here in an

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Speaker 1: hour at the shop. And son was confused down this

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Speaker 1: time in cursive though, Okay, do it in some type

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Speaker 1: of what's the other words, Rune, I'll do it in

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Speaker 1: excuse me uf so is I'm a concerned citizen? What

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Speaker 1: was going on here? Was there some kind of puppy

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Speaker 1: twisting being concerned? You'll make a cuny, Greig. You went

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Speaker 1: a little Kevin Spacey there in the movie seven see two.

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Speaker 1: It's Thomas who wrote High Alchemist Readings from Michigan. It's

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Speaker 1: been a loyal listener and I'm so damn happy you

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Speaker 1: guys have stuck around and haven't used your fame and

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Speaker 1: wealth to flee the States. My suggestion a mail in

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Speaker 1: contest to win a small island country. Thanks Thomas. Oh,

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Speaker 1: we gotta tabulate the scores here. We got quite a

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Speaker 1: bit of entrance. This is gonna be a tough one

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Speaker 1: this year, Tina. I think we could just pull the

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Speaker 1: name out of the hat like we always now, we're

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Speaker 1: not gonna do it like that. Okay, We're gonna read

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Speaker 1: each piece of mail like we agreed. All right, Tommy,

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Speaker 1: We're gonna find out who want Tommy. We appreciate the

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Speaker 1: enthusias YSM, but who died? Made you? Fu? Face? Okay,

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Speaker 1: all right, all right, welcome everyone to the funeral of

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Speaker 1: the former face. He had a good life, he had

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Speaker 1: a strong life, but he's no longer with us. I'm

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Speaker 1: so sorry for your loss. I'm so sorry for your loss.

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Speaker 1: How did he die? That's the question put me. He

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Speaker 1: died at first in Maine, that part. Then I guess

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Speaker 1: there really no more. That's just I don't care about

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Speaker 1: how if I know where? You know what I'm saying.

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Speaker 1: I love him justin where are my stamps? I didn't

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Speaker 1: put him anywhere? I don't steal. Still, that's right. You

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Speaker 1: stole one time. What happened to you? I beat that booty?

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Speaker 1: But did maybe did you mail it in? Did you

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Speaker 1: mail in our contest? Not yet, darling, But just get

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Speaker 1: the stamps and put it on the least in. I didn't.

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Speaker 1: I didn't steal them. I don't steal. What happened last time?

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Speaker 1: You stole? My booty got beated. Your booty got beated.

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Speaker 1: That's right now, listen, I want to get us out

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Speaker 1: of this small town and I want to give us

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Speaker 1: a small country island, small island country. Do you understand

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Speaker 1: what I'm doing this for the family, Teresa? But why

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Speaker 1: don't you did a stamp? That just I don't know.

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Speaker 1: Talk to your father the way you would talk to

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Speaker 1: him if you respected him. Did you take his stamps? Uh? Sir,

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Speaker 1: Mr President Um, your honor, your honor, your majesty. I

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Speaker 1: don't I don't steal. I don't steal, but I did

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Speaker 1: eat the stamp. They do only mean one thing. Sincerely,

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Speaker 1: Mama's gonna have to go inside your elementary canal and

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Speaker 1: find that staff elementary get into my canal. Rick, thank

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Speaker 1: you for trying to help me sell my Island. I

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Speaker 1: appreciate it very much. How is the early bids calling? Well?

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Speaker 1: Dr Moreau, things are looking good. Um, right now we

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Speaker 1: have about two to three letters. They're coming in every hour,

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Speaker 1: seventh letter to the seventh letter. We ever got you

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Speaker 1: said they were colling in. Just go find that seventh letter,

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Speaker 1: give me, give me one second, doctor again, I'm gonna

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Speaker 1: eat this cheese SNS on a lunch break. And I no, no,

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Speaker 1: I'm stilling my lunch break. I was about to say,

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Speaker 1: don't you don't starve me on my lunch break. You're

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Speaker 1: gonna eat that? If you're talking shahn need it. We

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Speaker 1: have to listen to boundaries because John can't protect them himself.

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Speaker 1: God damn leopard. People listen to me. Okay, we need

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Speaker 1: to find the seventh letter, okay, or what does that mean? What?

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Speaker 1: You could pick a letter? Just tell them the seventh letter.

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Speaker 1: Rich with you. I am half docks and okay, I

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Speaker 1: am loyalty built in. Do you understand that? All right?

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Speaker 1: And we are Okay, we're people, so we're very efficient.

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Speaker 1: We know how this works. We're going in the letter. Okay,

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Speaker 1: I'm not I'm not gonna seven here seventh one? Are

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Speaker 1: you happy. Can I eat that sandwich? You have a

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Speaker 1: bite of that sandwich? I'm on my lunch. Say what

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Speaker 1: does it say? It says um, It doesn't say anything

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Speaker 1: is question, what does it mean that? Well, I understood that.

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Speaker 1: I okay. Well it was like a child wrote a

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Speaker 1: doctor and he says, uh, here to whom it's concerned.

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Speaker 1: I would love to win this small island. My name

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Speaker 1: is Diana, like the deceased princess. But I am not

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Speaker 1: a princess. I am an orphan, and I live underneath

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Speaker 1: the vacuum store. And then we only but I have

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Speaker 1: a radio and a policeman radio, and I used to

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Speaker 1: have a dog when it got twisted, so that happens,

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Speaker 1: and it just goes on and on like that. So

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Speaker 1: messed up, little girl. Let's see if we can't get

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Speaker 1: the island to her. Diane, Diane, Diane, it's me. It's

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Speaker 1: me from the new owner of the pet store. There's

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Speaker 1: a lot like the deceased princess, I never read the

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Speaker 1: last syllable of anyone's name. By the way, a letter

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Speaker 1: came to you today, address to this address. Well, where

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Speaker 1: is it? Can I help it? Yes, of course, here

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Speaker 1: it is. It's for you can you read it to me?

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Speaker 1: I like you've always better than mine. I suppose I

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Speaker 1: can read it if you'd like that, Diana. There it

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Speaker 1: is is as required by the decree that I made.

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Speaker 1: I doctor my row. Now give you a small island country.

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Speaker 1: Meet me at the corner of Second and Maine tomorrow

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Speaker 1: morning about this time. Signed Dr Moreau and the Leopard

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Speaker 1: and Doctor I don't understand. Hey, buddy, you're gonna have

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Speaker 1: to move your car. You can't have an idol here.

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Speaker 1: You understand what idle mean? What does idle mean? One

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Speaker 1: man's idol is another man's action. Well, come on, I'll

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Speaker 1: give a if you have frog or whatever. Okay, you

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Speaker 1: can't have your car here. You gotta move it, all right?

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Speaker 1: Why did your man you have big? Yeah, we're moving it.

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Speaker 1: But what's the big rush? What's the big You can't

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Speaker 1: park in this a loading onloading zone only. Okay, Yeah,

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Speaker 1: we're loaded loaded. We couldn't be more loaded. Yes, back

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Speaker 1: up with this, Mike. Are you on duty or not? No,

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Speaker 1: I'm not on duty, but I can call somebody. Uh actually, yeah,

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Speaker 1: I think these guys are yaked out of their mind. Yeah,

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Speaker 1: these are these are frogmen from the Island at Dr Moreau.

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Speaker 1: They don't come to the mainland that often, No, they don't.

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Speaker 1: There must be some kind of contest. I'm just just

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Speaker 1: picking up from context clues. Are you listening to what

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Speaker 1: I'm doing? Is this second straight? This? This is the the

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Speaker 1: second man? Yeah, hello, little kid? Yes, this this second

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Speaker 1: in Maine? Why did you change it? Pain, I'm just

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Speaker 1: tring to look a kid, rob nose, frob nose. I

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Speaker 1: hadn't thought that had pasta went one way, ended the

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Speaker 1: head past the other way? Uh huh? Twist it up.

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Speaker 1: You know we never caught that guy. You never caught

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Speaker 1: that guy that I heard your voice? You know that

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Speaker 1: guy still on the loose? Do you know that? Is

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Speaker 1: there a Diana here? That's right? Yes, I'm here to

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Speaker 1: take you to meet Dr Mareu, Dr Moreau. Please hop

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Speaker 1: on my back. Okay, that was like a worse man. Yeah,

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Speaker 1: what the hell was that? But look, you still got

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Speaker 1: to move this car, you understand, Teresa. Bring me the paper.

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Speaker 1: You can get the fucking paper yourself. Bitch. I don't

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Speaker 1: love you anymore, motherfucker daddy. You don't take that from her.

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Speaker 1: Somebody to give me the goddamn paper. I want to

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Speaker 1: see is. Don't give him the paper. Give it to

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Speaker 1: him right after I wipe my ass with it. How

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Speaker 1: about that one day? I'm sorry, but we're gonna have

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Speaker 1: to cut water and power. Hey, I told you I'm

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Speaker 1: good for next month. It is next month, and there's

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Speaker 1: nothing more money than you your five alright, alright, alright.

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Speaker 1: I have news paper right here, okay, and in it

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Speaker 1: says who won a small country? Small? Check it out?

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Speaker 1: Death a little girl? What a little girl? One? You

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Speaker 1: talking about? You? I don't even open the paper. Wipe

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Speaker 1: my ass with a little man? I read the paper

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Speaker 1: at five, Give me my ass, my wife's ass with this? Okay?

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Speaker 1: And then okay. So the concept for this show is right, Uh,

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Speaker 1: we follow the people who lost the contest just as

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Speaker 1: much as the people who want sure sure stories more interesting.

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Speaker 1: You're never going to run out of stories because thousands

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Speaker 1: upon thousands of people lost the contest, and they're desperate

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Speaker 1: and they're angry, and they would only enter if they

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00:22:16,640 --> 00:22:20,120
Speaker 1: were desperate and angry but hopeful. Maybe their optimism is dead.

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Speaker 1: What happens next? I'm interested. We see what happens when

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Speaker 1: things don't go that way. Do we ever get a

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Speaker 1: chance to see her seeing that a doctor who's looking

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Speaker 1: at the lady with the newsprint in her ass from

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Speaker 1: getting in the paper. Is that a scene that I'd

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Speaker 1: be interested in seeing that. There's no bad ideas at

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Speaker 1: this point, isn't Teresa? Just sign in? Okay, the doctor

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Speaker 1: will see if you gotta sign in first. I'm a

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Speaker 1: little fucking uncomfortable. Can you sign my name for me? Okay,

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Speaker 1: we'll do Bitch, I'm sorry. He man, Hey, man, that's

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Speaker 1: a woman. That's a woman, right, that's a queen. Right,

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Speaker 1: that's a queen. Right, Damn bitch, you need to specd women. Man,

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Speaker 1: don't hit me. I like this guy. I like you.

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Speaker 1: I like not. I'm not just hitting you for you.

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00:23:09,520 --> 00:23:11,480
Speaker 1: I'm I'm hitting you for all the women that you've

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Speaker 1: disgraced in the past. Man, respected woman, and respect your queen. Man,

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Speaker 1: that's a lot of women. I'm a fucking queen, and

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Speaker 1: I do have a newsprint stuck up my ass right now.

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Speaker 1: But on another day, I'd like to take you up

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Speaker 1: on any kind of offer you would ever make me service.

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Speaker 1: Very into your vibe. I'm very into your vibe in

359
00:23:29,000 --> 00:23:38,200
Speaker 1: the way you right, Aaron Fimpleman, Aaron Fimpleman. But what

360
00:23:38,640 --> 00:23:41,280
Speaker 1: I'm Aaron fimple Man. But I'll tell you what. Let

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Speaker 1: this lady go first, Let this queen go first, Let

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Speaker 1: this queen you. I'll go on and thank you. I've

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00:23:49,200 --> 00:23:53,119
Speaker 1: been sanded enough. Aaron fimble Man. I'm gonna coming for

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Speaker 1: you as soon as this doctor this uh, this woman

365
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Speaker 1: has all the medical records of Aaron Fimpleman. So you

366
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Speaker 1: gotta figure this out. So was that the scene you

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00:24:01,160 --> 00:24:08,280
Speaker 1: wanted to see? No very, I'm still laughing. I'm still

368
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Speaker 1: laughing at the part where she says, Fippleman, this is

369
00:24:11,280 --> 00:24:13,439
Speaker 1: the way she said. It makes me laugh. For that's

370
00:24:14,040 --> 00:24:16,600
Speaker 1: we can spin off into Aaron Fippleman. So we've got,

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Speaker 1: you know, contest, you know, running as the questioner. I mean,

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Speaker 1: we're gonna see scenes here. Why don't we see? Are

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Speaker 1: you a pig man? Uh? I'm going to call him

374
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Speaker 1: the general, but sure he's definitely part pig. I mean,

375
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Speaker 1: I'm John Madden here, and uh, what I want to

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Speaker 1: see is nineteen seventy two Steelers, okay against the two

377
00:24:42,400 --> 00:24:47,239
Speaker 1: thousand eight. Mr mad Men doesn't understand man doesn't think

378
00:24:49,119 --> 00:24:52,119
Speaker 1: if we have that, then I think say, yes, we

379
00:24:52,119 --> 00:24:57,760
Speaker 1: can do that. Yeah, yes, you need that sandwich or

380
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Speaker 1: please don't touch u. Mhich. Welcome to the island. Dr

381
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Speaker 1: Moreau will see you now, Little Diana. Thank you very

382
00:25:08,280 --> 00:25:11,520
Speaker 1: much to be here. I'm sure I love the coconuts.

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Speaker 1: See they left with people in the tweet. Where's this

384
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Speaker 1: magical creature? Diana? Um guilty uh Diana, welcome, Welcome to

385
00:25:23,960 --> 00:25:28,600
Speaker 1: paradise that is now yours. You have so many tubes

386
00:25:28,760 --> 00:25:32,760
Speaker 1: stuck in you. That's what keeps me able to speak

387
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Speaker 1: to you and see your beauty. Can I ask you

388
00:25:35,960 --> 00:25:40,640
Speaker 1: one question about the island? Yeah, now that it's yours

389
00:25:40,800 --> 00:25:43,960
Speaker 1: and all of the inhabitants are yours to look after,

390
00:25:44,960 --> 00:25:52,760
Speaker 1: will you allow me to stay on as a grounds keeper? Okay, yeah,

391
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Speaker 1: this don't new to me. I'm or friend. I lived

392
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Speaker 1: on a one room I mean, if you have a place,

393
00:25:57,800 --> 00:26:02,040
Speaker 1: you're comfortable staying here. Absolutely. I wasn't aware there's gonna

394
00:26:02,040 --> 00:26:05,600
Speaker 1: be so many, um you know, half animal people. It's

395
00:26:05,640 --> 00:26:10,240
Speaker 1: a scarier island than I imagine. As it turns out, Diana,

396
00:26:10,320 --> 00:26:13,800
Speaker 1: this is the central government of Beliefe. You don't have

397
00:26:13,880 --> 00:26:16,959
Speaker 1: to speak to them about what you want to do

398
00:26:17,000 --> 00:26:19,640
Speaker 1: with the island. As well as the amount of back

399
00:26:19,760 --> 00:26:25,120
Speaker 1: tuxes that need to be paid. Okay, different, Diana, this

400
00:26:25,359 --> 00:26:30,520
Speaker 1: is the Advicultural department. Be here. I was waiting for

401
00:26:30,640 --> 00:26:33,920
Speaker 1: three hours and I think I got the reforms right

402
00:26:34,000 --> 00:26:38,880
Speaker 1: this time. Very good, very good. Okay, Diana. Those men

403
00:26:39,040 --> 00:26:42,440
Speaker 1: or not from police. I don't know why they are from,

404
00:26:42,520 --> 00:26:44,880
Speaker 1: but I do do not have a belize in accents

405
00:26:45,000 --> 00:26:48,879
Speaker 1: like I do. I want to go back to my

406
00:26:49,000 --> 00:26:52,639
Speaker 1: whole in the car, part of the CIA. Get in

407
00:26:52,720 --> 00:26:58,000
Speaker 1: the car now. Okay, then you were part of a

408
00:26:58,040 --> 00:27:03,080
Speaker 1: massive government conspiracy cover up slash big time. Oh scary times.

409
00:27:04,680 --> 00:27:10,200
Speaker 1: Come with me. Don't trust that man. Listen. If you

410
00:27:10,240 --> 00:27:11,840
Speaker 1: want to go back to where you were from, say

411
00:27:11,880 --> 00:27:16,680
Speaker 1: it three times fast. The Barstow vacuum store under these

412
00:27:16,680 --> 00:27:28,520
Speaker 1: barst of vacuum? Who needs a vacuum? Who needs a vacuum? Yeah?

413
00:27:28,560 --> 00:27:33,359
Speaker 1: I got but Kirby, it needs to be fixed. All right? Then? Hey,

414
00:27:33,640 --> 00:27:36,840
Speaker 1: little girl, what did you? What did you suddenly? Oh

415
00:27:36,920 --> 00:27:42,240
Speaker 1: my goodness is that I portn't here. I had these forms.

416
00:27:42,240 --> 00:27:44,920
Speaker 1: So I need to get to the Afrid Cultural Department

417
00:27:44,960 --> 00:27:46,800
Speaker 1: because I think I'm gonna be in trouble if I

418
00:27:46,880 --> 00:27:50,920
Speaker 1: don't turn the forms, then you won't need those forms here,

419
00:27:51,080 --> 00:27:55,120
Speaker 1: little girl, everything's much easier. You're a frog man from

420
00:27:55,119 --> 00:28:00,840
Speaker 1: the traffic champ. What's that over there? I I don't

421
00:28:00,880 --> 00:28:02,840
Speaker 1: think we have the budget to do any of this,

422
00:28:04,200 --> 00:28:08,679
Speaker 1: but we're really looking at actual time temporal travel here.

423
00:28:08,720 --> 00:28:11,399
Speaker 1: We really want to do literally, I think that's the

424
00:28:11,440 --> 00:28:14,240
Speaker 1: only way it works. If we can actually we have

425
00:28:15,359 --> 00:28:19,760
Speaker 1: a time continuum, we're able to call a time out.

426
00:28:20,280 --> 00:28:26,640
Speaker 1: I'm literally thank you for putting us. Well, that's good,

427
00:28:26,680 --> 00:28:31,439
Speaker 1: We're gonna do that. He Theresa, how are you feeling?

428
00:28:31,600 --> 00:28:37,000
Speaker 1: How's your butt? My asshole is uh? You know, there's

429
00:28:37,440 --> 00:28:40,520
Speaker 1: some vowels that are apparently not going to be going anywhere.

430
00:28:40,920 --> 00:28:44,360
Speaker 1: So look, I want to what I want to apologize.

431
00:28:44,400 --> 00:28:47,200
Speaker 1: First of all, that guy beat the shift out of

432
00:28:47,200 --> 00:28:51,720
Speaker 1: me in that waiting room. Yeah, when I was choking

433
00:28:51,720 --> 00:28:56,560
Speaker 1: on my own blood. I know. I got some other

434
00:28:56,560 --> 00:28:59,720
Speaker 1: good news. I got a letter. Wait, what was the

435
00:28:59,720 --> 00:29:05,400
Speaker 1: first good news? Now that's good news. So the other

436
00:29:05,400 --> 00:29:10,120
Speaker 1: good news is turns out that little orphan couldn't couldn't

437
00:29:10,160 --> 00:29:14,080
Speaker 1: manage the island, and it looks like, oh my fucking god,

438
00:29:14,120 --> 00:29:20,400
Speaker 1: you're kidding me. We got the island, baby, we got

439
00:29:17,040 --> 00:29:22,440
Speaker 1: the baby. I love you that's the twist. That's why

440
00:29:22,480 --> 00:29:25,640
Speaker 1: we've been focusing on these fucking people the entire time.

441
00:29:26,080 --> 00:29:30,200
Speaker 1: They get the island, people from the people from Jersey

442
00:29:30,280 --> 00:29:36,160
Speaker 1: get the islands. They do why they of the series

443
00:29:37,560 --> 00:29:48,000
Speaker 1: and that scene to everybody has seen to Bayonne three

444
00:29:48,840 --> 00:29:55,240
Speaker 1: comes from Patron V I. P. Who wrote nature documentary

445
00:29:55,600 --> 00:30:00,440
Speaker 1: Mating Habits of the Elusive Bridge Troll. If you just

446
00:30:00,480 --> 00:30:04,760
Speaker 1: follow me, So if you notice this stone arch bridge

447
00:30:04,840 --> 00:30:08,760
Speaker 1: right here, can we take pictures along the way? The

448
00:30:09,160 --> 00:30:11,960
Speaker 1: flash is going to hurt the stone, So no, no

449
00:30:12,080 --> 00:30:17,800
Speaker 1: flash photography and no. Yeah, well, I mean i'd say

450
00:30:17,840 --> 00:30:21,560
Speaker 1: be very careful because because the charcoal might scare the stone. Yes,

451
00:30:21,600 --> 00:30:24,160
Speaker 1: we have a timid question, Yes, yeah, yeah, I just

452
00:30:24,160 --> 00:30:27,560
Speaker 1: wanted is it okay if I remember this experience. I mean,

453
00:30:27,600 --> 00:30:30,959
Speaker 1: I would really caution against that having these kind of

454
00:30:31,080 --> 00:30:34,960
Speaker 1: jumps in time back to the stone might scare the stone.

455
00:30:35,120 --> 00:30:40,000
Speaker 1: Completely understood, completely, So I'm putting I'm putting my pencil

456
00:30:40,040 --> 00:30:43,040
Speaker 1: little back in its holster. Can we look at the stone?

457
00:30:43,040 --> 00:30:44,720
Speaker 1: I would just give it a line. I'd actually prefer

458
00:30:44,760 --> 00:30:46,560
Speaker 1: if everyone could just look at the reflection in the

459
00:30:46,560 --> 00:30:50,440
Speaker 1: water of the stone. Being directly at the stone scare

460
00:30:50,920 --> 00:30:54,960
Speaker 1: the stone. Stay it with me, now, it might stone

461
00:30:56,040 --> 00:30:58,760
Speaker 1: should have been more clearly, should have been more clearly. Alright,

462
00:30:58,800 --> 00:31:01,760
Speaker 1: so just scare of the stone, scares the stone? Should

463
00:31:01,760 --> 00:31:09,480
Speaker 1: we stop saying the stone? Just stop saying that. So

464
00:31:09,720 --> 00:31:14,800
Speaker 1: this story, I said, so, yeah, those are the uh,

465
00:31:15,240 --> 00:31:17,000
Speaker 1: those are the humans. I thought i'd bring you on

466
00:31:17,000 --> 00:31:19,280
Speaker 1: this first date till we could watch the humans try

467
00:31:19,360 --> 00:31:21,120
Speaker 1: to look at the stone and stuff from under the

468
00:31:22,000 --> 00:31:25,000
Speaker 1: under the bridge. You're so pretty. I'm just nervous. I'm sorry,

469
00:31:25,080 --> 00:31:29,040
Speaker 1: you're pretty, and I'm nervous control i've ever seen. If

470
00:31:29,080 --> 00:31:32,920
Speaker 1: I could say that, you're so you're beautiful. My dad

471
00:31:33,280 --> 00:31:37,280
Speaker 1: really wants me to marry a troll. I know, because

472
00:31:37,400 --> 00:31:39,720
Speaker 1: you know, because I'm a troll. I know, I know,

473
00:31:40,320 --> 00:31:42,560
Speaker 1: but I found so that's why that's why he set

474
00:31:42,640 --> 00:31:45,240
Speaker 1: us up. Okay, you're very nice for add him on

475
00:31:45,280 --> 00:31:48,800
Speaker 1: to interrupt your date. But did somebody orders sweet tea

476
00:31:49,320 --> 00:31:53,320
Speaker 1: and then did someone else order mushroom gravy with a straw?

477
00:31:54,480 --> 00:31:57,320
Speaker 1: That's us. Yeah, it was the mushroom cravy. Here's your

478
00:31:57,400 --> 00:32:01,160
Speaker 1: mushroom gravy with a straw. I'm and here's your sweet

479
00:32:01,160 --> 00:32:03,960
Speaker 1: By the way, I've seen a lot of troll couples

480
00:32:03,960 --> 00:32:07,760
Speaker 1: in the past. You two are literally the most adorable

481
00:32:07,880 --> 00:32:11,400
Speaker 1: troll couples I've ever seen. If I wouldn't even wait

482
00:32:11,400 --> 00:32:14,520
Speaker 1: for marriage, I would start making sweet love now, not

483
00:32:14,560 --> 00:32:19,480
Speaker 1: a couple of just out for some some mushroom gradation.

484
00:32:19,640 --> 00:32:21,959
Speaker 1: I've already walked away from your table. So what do

485
00:32:22,000 --> 00:32:25,000
Speaker 1: you what do you? What do you mean? You are

486
00:32:25,000 --> 00:32:27,719
Speaker 1: you not looking to marry a troll? Look? I come

487
00:32:27,760 --> 00:32:32,600
Speaker 1: from a very traditionalist troll family, you know. Uh, they

488
00:32:32,640 --> 00:32:35,160
Speaker 1: just they want to keep it, you know, within the species.

489
00:32:35,400 --> 00:32:38,200
Speaker 1: And so what's the issue? God damn it. We we

490
00:32:38,240 --> 00:32:40,720
Speaker 1: come from the bloodline of Grendel. Do you understand that

491
00:32:41,000 --> 00:32:42,920
Speaker 1: we're not just gonna you're just gonna get together with

492
00:32:43,000 --> 00:32:52,280
Speaker 1: some goddamn troll und read the bridge, all right, at honey.

493
00:32:54,080 --> 00:32:56,360
Speaker 1: So I'm not troll enough. I'm not troll enough. That's

494
00:32:56,360 --> 00:33:00,480
Speaker 1: what you're saying. Not for them or for me. It's

495
00:33:00,600 --> 00:33:07,640
Speaker 1: very confused. Clarify, don't call me by my full name,

496
00:33:07,720 --> 00:33:10,720
Speaker 1: just Claire. Look my handy. I mean, if you really

497
00:33:10,720 --> 00:33:13,640
Speaker 1: want to get up into the echelon of the trolls, man,

498
00:33:13,680 --> 00:33:16,760
Speaker 1: you gotta really just you gotta spote it up. You're

499
00:33:16,800 --> 00:33:20,200
Speaker 1: too much of a bridge troll. You understand. I'm I'm

500
00:33:20,240 --> 00:33:22,840
Speaker 1: proud of being a bridge troll man. You should, but

501
00:33:22,960 --> 00:33:25,080
Speaker 1: unless you want to get up there in that good stock,

502
00:33:25,160 --> 00:33:27,600
Speaker 1: I mean, these are cave trolls. These are mountain trolls.

503
00:33:28,160 --> 00:33:29,880
Speaker 1: You know what I mean? How do I? What do

504
00:33:29,920 --> 00:33:32,920
Speaker 1: I do? Why do I do it? Number one? I mean,

505
00:33:32,960 --> 00:33:36,920
Speaker 1: you gotta you gotta clothe yourself. Can I just stop

506
00:33:36,960 --> 00:33:39,040
Speaker 1: you too for a second. I just want to jump

507
00:33:39,040 --> 00:33:42,040
Speaker 1: in with some quick notes. Uh, the first fellow there

508
00:33:42,280 --> 00:33:46,840
Speaker 1: with the squinty eyes, you've committed to this character, and

509
00:33:46,880 --> 00:33:49,320
Speaker 1: I hope the other students say this. You've committed to

510
00:33:49,320 --> 00:33:51,480
Speaker 1: this character to the point where you're making a face

511
00:33:52,400 --> 00:33:56,240
Speaker 1: to help sell who this person is and what they think.

512
00:33:56,800 --> 00:34:02,400
Speaker 1: Whereas actor number two, you're you're very intuitive. He's doing that,

513
00:34:03,000 --> 00:34:06,360
Speaker 1: he's doing that, but you're doing that well. I mean,

514
00:34:06,440 --> 00:34:10,799
Speaker 1: I I did inject myself with troll blood, so I

515
00:34:10,800 --> 00:34:15,399
Speaker 1: I'm more of like a a natural actor. I don't

516
00:34:15,400 --> 00:34:17,279
Speaker 1: really caricature it up upon and I don't do a

517
00:34:17,320 --> 00:34:22,200
Speaker 1: lot of voices, accents, faces, you know, I'm just very

518
00:34:22,239 --> 00:34:27,800
Speaker 1: straight ahead, ask questions and yes, Larry, from what I understand,

519
00:34:27,840 --> 00:34:33,600
Speaker 1: most documentaries are not made by actors. It's the actual

520
00:34:33,760 --> 00:34:38,640
Speaker 1: people themselves, and America is clamoring for the mating habits

521
00:34:38,760 --> 00:34:41,279
Speaker 1: of the elusive troll. But you thought you would bring

522
00:34:41,320 --> 00:34:46,440
Speaker 1: me something with very wonderful actors pretending to be trouths.

523
00:34:47,280 --> 00:34:49,759
Speaker 1: I am, I am. I painting the picture correctly with

524
00:34:49,880 --> 00:34:52,920
Speaker 1: me to see. I think the idea was to give

525
00:34:52,960 --> 00:34:57,600
Speaker 1: you a taste, and I've said, you've done it a

526
00:34:57,719 --> 00:35:03,840
Speaker 1: great explanation. So wait, you're telling me you're not a troll.

527
00:35:05,080 --> 00:35:09,399
Speaker 1: I'm I'm an actor. Um. I wondered why you were

528
00:35:09,440 --> 00:35:13,840
Speaker 1: only six ft tall? Yeah, yeah, I mean I know

529
00:35:13,920 --> 00:35:16,600
Speaker 1: that bridge trolls are smaller than us mountain trolls. But

530
00:35:17,440 --> 00:35:20,279
Speaker 1: and why is there a camera crew here? Well they're

531
00:35:20,280 --> 00:35:26,280
Speaker 1: doing just just it's a concept, proof of concept. But look, Claire,

532
00:35:26,800 --> 00:35:29,080
Speaker 1: here's a proof of concept. I'm a troll. Talk to

533
00:35:29,080 --> 00:35:32,120
Speaker 1: me like at all I really want to tell you, Claire,

534
00:35:32,160 --> 00:35:37,840
Speaker 1: is that I actually genuinely have feelings for you. Now? Really,

535
00:35:38,440 --> 00:35:40,840
Speaker 1: how do I know this isn't part of your reality show?

536
00:35:41,239 --> 00:35:44,920
Speaker 1: I'm not that good of an actor, David. Thank you

537
00:35:44,960 --> 00:35:47,600
Speaker 1: for meeting me here. Um, yes, I'll have a grenadine.

538
00:35:48,800 --> 00:35:51,200
Speaker 1: Did you mount sweet? Didnt Sweet? Tea with it or

539
00:35:51,360 --> 00:35:55,440
Speaker 1: mushroom g just a grenadine, thank you. It tastes. I

540
00:35:55,440 --> 00:35:57,240
Speaker 1: don't want to argue with you, sir, but it tasted

541
00:35:57,280 --> 00:35:59,040
Speaker 1: a lot bad. It was sweet tea and or a

542
00:35:59,080 --> 00:36:04,320
Speaker 1: mushroom grad you this troll just do a grenadine. We'll see.

543
00:36:05,280 --> 00:36:07,960
Speaker 1: But the hell was what do they mean by will

544
00:36:08,080 --> 00:36:11,600
Speaker 1: see about? Listen? David? I uh, I love what you're

545
00:36:11,600 --> 00:36:14,400
Speaker 1: doing here. We're getting into into the trolls and I

546
00:36:14,400 --> 00:36:16,000
Speaker 1: I'm working with the CIA right now, and I need

547
00:36:16,080 --> 00:36:18,359
Speaker 1: you to I need you to kill that troll. Are

548
00:36:18,400 --> 00:36:20,799
Speaker 1: you allowed to tell me you're working with the CIA?

549
00:36:21,000 --> 00:36:23,880
Speaker 1: That seems like something people don't tell each David. Is

550
00:36:23,920 --> 00:36:28,440
Speaker 1: your acting teacher that he brought along? Yeah, not supposed

551
00:36:28,480 --> 00:36:30,640
Speaker 1: to chime in, he'said, he's I mean, another teacher. He's

552
00:36:31,800 --> 00:36:36,960
Speaker 1: just steps over that line occasionally. Okay, Well, you know

553
00:36:36,960 --> 00:36:38,799
Speaker 1: what I'm ever to pay. I'm just scared to pay

554
00:36:38,840 --> 00:36:43,040
Speaker 1: attention to interrupt, that's what. That's fine. Look, look, David,

555
00:36:43,080 --> 00:36:45,000
Speaker 1: you need to hear this. You have to take that

556
00:36:45,040 --> 00:36:46,680
Speaker 1: troll out, and then you got to find where the

557
00:36:46,680 --> 00:36:48,839
Speaker 1: family of those trolls are and take them out too.

558
00:36:49,440 --> 00:36:51,439
Speaker 1: I don't want to interrupt. I'm sorry. I know you'll

559
00:36:51,480 --> 00:36:53,400
Speaker 1: learned my table, but it would mean a lot to

560
00:36:53,480 --> 00:36:56,200
Speaker 1: Marlene if you'll would just order one mushroom guy, babe,

561
00:36:56,280 --> 00:37:02,040
Speaker 1: the straw I want done done well? He did. She

562
00:37:02,200 --> 00:37:04,439
Speaker 1: was really hard selling it, and she was really sad

563
00:37:04,440 --> 00:37:07,719
Speaker 1: about y'all just brushing her off, and she's worked hard

564
00:37:07,760 --> 00:37:10,680
Speaker 1: and I didn't. Then you just said just a gritted thing.

565
00:37:10,719 --> 00:37:12,879
Speaker 1: And I know this isn't my table, and I can't

566
00:37:12,880 --> 00:37:17,799
Speaker 1: oppause it would mean a lot to her. Okay, back,

567
00:37:17,920 --> 00:37:19,120
Speaker 1: it mean a lot to me if I just had

568
00:37:19,160 --> 00:37:23,480
Speaker 1: a I can't hear you, Claire. I know it's late.

569
00:37:23,600 --> 00:37:26,120
Speaker 1: I just I wanted to see your face one more time.

570
00:37:27,120 --> 00:37:30,360
Speaker 1: Thank thanks for coming to my cave. Hey, who's there?

571
00:37:32,000 --> 00:37:35,480
Speaker 1: You've you've awakened mama troll. Oh you know what, I

572
00:37:35,480 --> 00:37:41,240
Speaker 1: think it would be a nice time to meet her.

573
00:37:41,680 --> 00:37:47,880
Speaker 1: Use don't use the microphone. Now, don't dress my mama, Papa.

574
00:37:47,960 --> 00:37:52,800
Speaker 1: This is this is David. Oh this was a fucking

575
00:37:53,920 --> 00:37:58,120
Speaker 1: a cave. Prow Well, he said, he was a little

576
00:37:58,160 --> 00:38:01,440
Speaker 1: pits lance of a troll of people role. But sixty

577
00:38:02,320 --> 00:38:09,440
Speaker 1: if human that is is wrong, that's gotta snipper on him.

578
00:38:13,640 --> 00:38:17,960
Speaker 1: He loves me, I love I smell a human who doesn't,

579
00:38:18,680 --> 00:38:23,799
Speaker 1: who doesn't make the right choices in a acting. My

580
00:38:23,880 --> 00:38:29,360
Speaker 1: dad has a very precisely well, then I think this

581
00:38:29,400 --> 00:38:31,960
Speaker 1: would be a good time to discuss the thin line

582
00:38:32,000 --> 00:38:37,600
Speaker 1: between caricature and character, Sir, go on, So some people

583
00:38:37,680 --> 00:38:40,080
Speaker 1: get you know a lot of accolades for for works

584
00:38:40,080 --> 00:38:42,240
Speaker 1: that I feel like are just over the top. Doesn't

585
00:38:42,280 --> 00:38:46,760
Speaker 1: What do you want to name us firm graving? Yes? Please,

586
00:38:49,400 --> 00:38:53,120
Speaker 1: no job for me? Go on, David can be honest

587
00:38:53,160 --> 00:38:55,799
Speaker 1: with me. Are you ci A, because you have to

588
00:38:55,840 --> 00:39:01,719
Speaker 1: tell me if you are. Yeah, she knows, she knows.

589
00:39:01,800 --> 00:39:08,280
Speaker 1: They all know. I'm here. I'm stop talking into your shoulder. Okay,

590
00:39:07,239 --> 00:39:12,240
Speaker 1: whats he she I ain't. No. Traditionally eat your arms

591
00:39:12,400 --> 00:39:14,640
Speaker 1: and then we'd eat your legs and leave your tors

592
00:39:14,680 --> 00:39:17,880
Speaker 1: over there to ferment. Wait second, I thought he was

593
00:39:18,239 --> 00:39:22,920
Speaker 1: a barstow your c I A C I A. Oh

594
00:39:24,040 --> 00:39:28,400
Speaker 1: you're not repped. I'm I'm part of the new Faces.

595
00:39:28,719 --> 00:39:32,719
Speaker 1: Um right now, I'm your question, he said, Are you so?

596
00:39:33,000 --> 00:39:35,040
Speaker 1: I know I'm not wrapped, but I'm eligible eligible. We

597
00:39:35,040 --> 00:39:47,480
Speaker 1: don't care about your show kite repped in half. Now clarify,

598
00:39:48,800 --> 00:39:52,160
Speaker 1: this was just moments before your mother and father were

599
00:39:52,280 --> 00:39:57,360
Speaker 1: shot to pieces by the human being. But you said

600
00:39:57,440 --> 00:40:00,840
Speaker 1: one line that day that is stuck in twill history forever.

601
00:40:01,560 --> 00:40:07,040
Speaker 1: You were about to get ripped in half? Two things,

602
00:40:07,840 --> 00:40:11,920
Speaker 1: what was going through your mind at that moment? And

603
00:40:11,960 --> 00:40:16,040
Speaker 1: the second thing at that moment, what was going through

604
00:40:16,120 --> 00:40:21,680
Speaker 1: your mind? Well, thank you Mary for asking um the

605
00:40:22,640 --> 00:40:25,320
Speaker 1: I mean, trolls very naturally do plays on words without

606
00:40:25,320 --> 00:40:28,640
Speaker 1: thinking about it very much, And that's well written. Well,

607
00:40:28,960 --> 00:40:31,279
Speaker 1: getting rapped was out there. It was just it was

608
00:40:31,320 --> 00:40:33,080
Speaker 1: out there, so I think that was kind of placed

609
00:40:33,080 --> 00:40:36,759
Speaker 1: in my head. And I also imagined my father, who

610
00:40:37,120 --> 00:40:41,920
Speaker 1: who hates humans with a passion, literally pulling David's body

611
00:40:41,960 --> 00:40:47,400
Speaker 1: apart and ripping him in half. And did this happen?

612
00:40:47,600 --> 00:40:50,719
Speaker 1: Did your father with David in half? That? No, he

613
00:40:50,800 --> 00:40:53,280
Speaker 1: was killed by the government before he had a chance

614
00:40:53,320 --> 00:40:57,640
Speaker 1: to rip David in half. By the c I think

615
00:40:57,680 --> 00:41:01,000
Speaker 1: the CIA and the CIA were involved. We'll be right

616
00:41:01,000 --> 00:41:06,360
Speaker 1: back after this commercial. Hi, my name is David Van Eyes.

617
00:41:06,480 --> 00:41:12,799
Speaker 1: I will be doing a scene from um ericsens. Let's

618
00:41:12,800 --> 00:41:14,319
Speaker 1: just do that again, all right, because I have to

619
00:41:14,320 --> 00:41:17,000
Speaker 1: send this in and I just I want you to

620
00:41:17,000 --> 00:41:20,160
Speaker 1: look like, yeah, yeah, yeah, I want you to be

621
00:41:20,200 --> 00:41:21,719
Speaker 1: the best you cand So it's okay, it's nervous, a

622
00:41:21,760 --> 00:41:23,120
Speaker 1: big it's a big part, you know what I mean,

623
00:41:23,120 --> 00:41:25,160
Speaker 1: it's huge. A lot of eyes are gonna see this.

624
00:41:25,360 --> 00:41:26,640
Speaker 1: And I don't mean to freak you out, don't mean

625
00:41:26,680 --> 00:41:28,719
Speaker 1: to get you all answing the pants. You're making you

626
00:41:29,239 --> 00:41:31,000
Speaker 1: shoot out of your eyes. Okay, What I want you

627
00:41:31,040 --> 00:41:32,759
Speaker 1: to do is I want you to focus on just

628
00:41:32,760 --> 00:41:36,320
Speaker 1: deliver this as Hey, Michael, you've been telling the actors

629
00:41:36,400 --> 00:41:38,040
Speaker 1: you don't want them to shoot out of their eyes

630
00:41:38,080 --> 00:41:41,960
Speaker 1: a lot lately, which, first of all, I totally respect.

631
00:41:43,280 --> 00:41:47,279
Speaker 1: There's an acting coach right near Barstow and he's suggesting

632
00:41:47,320 --> 00:41:50,840
Speaker 1: that actors actually do start to to shoot out of

633
00:41:50,880 --> 00:41:56,719
Speaker 1: their eyes. He's saying, it really brings up the pathos.

634
00:41:57,360 --> 00:42:00,560
Speaker 1: I don't know if that means anything to you. I

635
00:42:00,600 --> 00:42:02,600
Speaker 1: don't want to tell you how to do your job.

636
00:42:04,120 --> 00:42:06,799
Speaker 1: That's not what I'm here for. Well that's what I'm hearing.

637
00:42:07,719 --> 00:42:11,760
Speaker 1: Are you serious? Then? Yeah? You know what. I'm already

638
00:42:11,800 --> 00:42:14,600
Speaker 1: I'm already gone, I'm already walking away. Well I'm gonna

639
00:42:14,640 --> 00:42:17,200
Speaker 1: follow you. No, please go, Paul. I mean, I'm literally

640
00:42:17,200 --> 00:42:19,120
Speaker 1: trying to get away from you. So I'm gonna follow

641
00:42:19,120 --> 00:42:24,719
Speaker 1: you because you cannot come in. David. It's clarify. I

642
00:42:25,040 --> 00:42:27,719
Speaker 1: ripped the roof off of your your apartment building to

643
00:42:27,760 --> 00:42:31,840
Speaker 1: talk to you. Shit. Look, yeah, well I I know

644
00:42:32,000 --> 00:42:33,600
Speaker 1: that the whole thing was a set up. Okay, that

645
00:42:33,719 --> 00:42:36,399
Speaker 1: was just something you were doing for TV, and that

646
00:42:36,400 --> 00:42:39,080
Speaker 1: that you had my parents killed by the US government.

647
00:42:39,560 --> 00:42:41,400
Speaker 1: And I'm now the last of my kind, I'm the

648
00:42:41,480 --> 00:42:44,640
Speaker 1: last mountain troll. Okay. But I felt like what we

649
00:42:44,719 --> 00:42:51,560
Speaker 1: had was real. I love you. The ship's word from

650
00:42:51,640 --> 00:42:56,399
Speaker 1: David's eyes that day like chip had never poured from

651
00:42:56,400 --> 00:43:02,080
Speaker 1: a man's eyes before. Oh God, what has happen? Is

652
00:43:02,120 --> 00:43:07,400
Speaker 1: this something that you humans do that is disgusting? And

653
00:43:07,440 --> 00:43:12,400
Speaker 1: I drink gravy out of a straw? Clarify? Okay, Aaron

654
00:43:12,440 --> 00:43:15,919
Speaker 1: Finmpleman will see you in a minute. Uh, We're gonna

655
00:43:15,920 --> 00:43:18,359
Speaker 1: see you in a minute. David Ramona, do you mire

656
00:43:18,400 --> 00:43:26,920
Speaker 1: you here? David Ramon? Oh sorry, I'm David Ramona. David

657
00:43:27,000 --> 00:43:29,680
Speaker 1: Van Eyes, Oh, David van Eyes is what I had

658
00:43:29,760 --> 00:43:32,160
Speaker 1: my David David van Eyes, why don't you come with

659
00:43:32,160 --> 00:43:35,000
Speaker 1: me here? Okay? And now part of me? Why don't

660
00:43:35,000 --> 00:43:36,920
Speaker 1: you just sitting here so you don't need David m

661
00:43:38,080 --> 00:43:40,120
Speaker 1: I need you to sit down and shut the funk up. Okay,

662
00:43:42,360 --> 00:43:45,480
Speaker 1: on the right sheet, I think everybody, I mean, David

663
00:43:45,560 --> 00:43:47,399
Speaker 1: van Eys, alrighty, shut the funk up, all right. I've

664
00:43:47,400 --> 00:43:52,520
Speaker 1: been waiting for now, and you're gonna wait longer quickly.

665
00:43:52,880 --> 00:43:59,680
Speaker 1: That's no way to talk to a queen. Yes, David,

666
00:44:00,280 --> 00:44:02,839
Speaker 1: how are you? Wow? Just looking at your eyes right now?

667
00:44:02,920 --> 00:44:12,200
Speaker 1: They are infected. Uh that is heavy, doctor, Doctor, get

668
00:44:12,239 --> 00:44:17,880
Speaker 1: it under control. Get back in the waiting room for

669
00:44:18,000 --> 00:44:21,080
Speaker 1: a long time. I could do your job. I could

670
00:44:21,160 --> 00:44:26,400
Speaker 1: do this. Get the fuck back in the ship in

671
00:44:26,440 --> 00:44:29,879
Speaker 1: his eyes? Shame on, doctor, Oh you know my job.

672
00:44:30,000 --> 00:44:32,680
Speaker 1: Funny is hell? I get to see funny shit. Can

673
00:44:32,719 --> 00:44:36,040
Speaker 1: you please see me next? Look, you gotta you gotta

674
00:44:36,040 --> 00:44:38,000
Speaker 1: get a paper cuts in your butt hole. Okay, you

675
00:44:38,080 --> 00:44:40,920
Speaker 1: gotta see a forensic proctologist. That's just the fact. I

676
00:44:40,960 --> 00:44:43,640
Speaker 1: can only help you so far. Okay, I can't help

677
00:44:43,640 --> 00:44:48,920
Speaker 1: you all the asshole your eyes, David, alright, So what

678
00:44:49,040 --> 00:44:51,040
Speaker 1: seems to be the problem me to take a look

679
00:44:51,080 --> 00:44:55,759
Speaker 1: at the church here? Oh oh, well, you came to

680
00:44:55,800 --> 00:45:00,520
Speaker 1: the forensic specialists for just in time, it seems. Uh.

681
00:45:00,560 --> 00:45:05,480
Speaker 1: Tell me about your symptoms. Um, I guess it's it's

682
00:45:05,600 --> 00:45:08,400
Speaker 1: it's a small they're small cuts, but they're very painful.

683
00:45:08,880 --> 00:45:10,719
Speaker 1: And if you looked at them, you'd say, those are

684
00:45:10,760 --> 00:45:14,040
Speaker 1: so small. And I know they are small, but they

685
00:45:14,040 --> 00:45:18,680
Speaker 1: are so they're maddeningly painful. Um. And there's a series

686
00:45:18,719 --> 00:45:22,439
Speaker 1: of them, and they are, um, you know, up up

687
00:45:22,440 --> 00:45:25,880
Speaker 1: my asshole and and um, out of out of my

688
00:45:26,000 --> 00:45:28,640
Speaker 1: personal view, I see them go again and I don't

689
00:45:28,680 --> 00:45:32,880
Speaker 1: see any exit. So it's a series of tiny, tiny

690
00:45:32,920 --> 00:45:37,160
Speaker 1: cuts that are just given me hell and any inclination whatsoever.

691
00:45:37,200 --> 00:45:41,359
Speaker 1: How this occurred, Well, I have a cousin and um,

692
00:45:42,440 --> 00:45:46,719
Speaker 1: she right, and she said her you know, on again

693
00:45:46,719 --> 00:45:49,520
Speaker 1: off husband had shoved newspaper up her ass. But then

694
00:45:50,120 --> 00:45:53,600
Speaker 1: they they had this you know, notoriously tragic marriage, and

695
00:45:53,640 --> 00:45:56,200
Speaker 1: then things turned around for them. So I told Greg,

696
00:45:56,239 --> 00:45:59,200
Speaker 1: Greg's my partner. I said, well, why not, what's the

697
00:45:59,239 --> 00:46:02,200
Speaker 1: worst that could have? And then I have it's very

698
00:46:02,239 --> 00:46:06,480
Speaker 1: it's very bad. Oh So it was volunteer, it was,

699
00:46:06,560 --> 00:46:11,759
Speaker 1: I mean, it wasn't. It wasn't. Huh. I'm gonna put yes, Um, okay,

700
00:46:12,040 --> 00:46:15,040
Speaker 1: now I know what you're thinking. You The main thrust

701
00:46:15,080 --> 00:46:17,760
Speaker 1: of the story was this love story between this human

702
00:46:17,800 --> 00:46:21,959
Speaker 1: and this fifty footroll woman. But the Aaron Templeman show

703
00:46:22,080 --> 00:46:25,760
Speaker 1: is going to take left turns like that. Templeman himself

704
00:46:25,880 --> 00:46:28,360
Speaker 1: is going to be a very small part of the show.

705
00:46:28,680 --> 00:46:32,000
Speaker 1: And Templeman, if if I'm not mistaken, he really cares

706
00:46:32,040 --> 00:46:36,360
Speaker 1: that women are treated properly like queens, like queens queens

707
00:46:36,760 --> 00:46:39,440
Speaker 1: on the Templeman Bible. I mean that. That's that's his

708
00:46:39,480 --> 00:46:43,040
Speaker 1: main characters tread absolutely now and Alreight Finkel was a kicker.

709
00:46:46,120 --> 00:46:48,759
Speaker 1: I love your game, hate hate having you heard the

710
00:46:48,760 --> 00:46:52,520
Speaker 1: states of the game, hate the player of the game.

711
00:46:53,800 --> 00:46:59,200
Speaker 1: I'm playing for the Chicago Bears in nineteen forty and

712
00:46:59,480 --> 00:47:04,520
Speaker 1: I was I don't know anything, but that's for not right.

713
00:47:05,440 --> 00:47:11,480
Speaker 1: And that's our show for today. Who baby what rails?

714
00:47:11,880 --> 00:47:16,880
Speaker 1: Didn't even see him. Let's thank everyone first and foremost

715
00:47:16,960 --> 00:47:18,719
Speaker 1: Happy New Year to each of you, and thank you

716
00:47:18,760 --> 00:47:21,160
Speaker 1: so much for joining us in this glorious new year.

717
00:47:21,680 --> 00:47:25,360
Speaker 1: And let's say thank you first to Mr Christo Verona. Hey,

718
00:47:25,400 --> 00:47:27,799
Speaker 1: thank you, Happy New Year, everybody. I love you guys

719
00:47:27,880 --> 00:47:31,680
Speaker 1: so much. Recently, on one of my my improv workshops

720
00:47:31,680 --> 00:47:34,120
Speaker 1: I had that you can find out all about it.

721
00:47:34,200 --> 00:47:37,320
Speaker 1: Chris dash dot com and gentlemen, listen to the show

722
00:47:37,840 --> 00:47:41,640
Speaker 1: by his friend the gift of my workshop, and he came.

723
00:47:41,760 --> 00:47:45,920
Speaker 1: It was McCoy body friend, Hide and hide. It was fantastic.

724
00:47:45,960 --> 00:47:48,480
Speaker 1: We had so much fun. So you know you want

725
00:47:48,520 --> 00:47:50,879
Speaker 1: to go a workshop. Come over to Chris dash dot com.

726
00:47:51,040 --> 00:47:53,560
Speaker 1: Check out those workshops. Baby, could also be a gift.

727
00:47:53,920 --> 00:47:57,160
Speaker 1: Could also be a gift. Love that. Happy to year, everybody,

728
00:47:57,160 --> 00:48:00,839
Speaker 1: the gift that keeps on giving. I'm gonna say, all right,

729
00:48:01,120 --> 00:48:07,839
Speaker 1: looks like us, thank you, Happy new year to you

730
00:48:07,880 --> 00:48:10,719
Speaker 1: and the family. Let us be a better year. Yeah,

731
00:48:10,840 --> 00:48:13,600
Speaker 1: let it be a better year. Glad to be ringing

732
00:48:13,600 --> 00:48:17,640
Speaker 1: it in. Let's keep our wits about us and keep

733
00:48:17,680 --> 00:48:22,000
Speaker 1: making good decisions if we are. Thank you for that,

734
00:48:22,120 --> 00:48:25,000
Speaker 1: and everyone go to Dona better dot com color to

735
00:48:25,080 --> 00:48:30,239
Speaker 1: check out marvelous events coming up immediately. Thank you, you,

736
00:48:30,320 --> 00:48:33,880
Speaker 1: bet you. Gary Anthony Williams, thank you so much as well.

737
00:48:34,120 --> 00:48:38,319
Speaker 1: Thank you guys, and I gotta tell you much like Yeah,

738
00:48:38,480 --> 00:48:44,399
Speaker 1: nothing could go wrong in the year. This is our year.

739
00:48:44,800 --> 00:48:49,640
Speaker 1: No going sideways. If anybody needs anything, they don't even

740
00:48:49,640 --> 00:48:53,240
Speaker 1: need to do direct message me on instead Gary Anthony

741
00:48:53,280 --> 00:48:55,960
Speaker 1: Williams or Twitter at Gary A. Williams. If you need

742
00:48:56,000 --> 00:48:58,040
Speaker 1: any money, any of that stuff, just put it right

743
00:48:58,040 --> 00:49:01,399
Speaker 1: out there, and I'm there is no way I won't

744
00:49:01,400 --> 00:49:07,359
Speaker 1: deliver on everybody's financial needs. A lot of people not

745
00:49:07,400 --> 00:49:11,439
Speaker 1: our gear bear Craig Kakowski, thank you also so damn much,

746
00:49:11,480 --> 00:49:13,440
Speaker 1: and happy New Year to you and always a pleasure.

747
00:49:13,520 --> 00:49:15,239
Speaker 1: Happy new Year. Just want to give a shout out

748
00:49:15,280 --> 00:49:19,759
Speaker 1: to The Alchemy, that podcast that I've pledged to listen

749
00:49:19,800 --> 00:49:23,600
Speaker 1: to one episode that reviews two episodes that I was

750
00:49:23,640 --> 00:49:30,479
Speaker 1: not in. That's the greatest. And uh, folks, check out

751
00:49:31,360 --> 00:49:36,759
Speaker 1: the Twelve Days of Christ Now Craigslist. Craigslist podcast. You

752
00:49:36,760 --> 00:49:40,560
Speaker 1: can follow us on SoundCloud and iTunes and all those

753
00:49:40,600 --> 00:49:44,360
Speaker 1: normal podcasting places, or follow us at Craigslist, pea cast

754
00:49:44,400 --> 00:49:51,960
Speaker 1: on Twitter. Beautiful and lastly, but certainly leastly, Jimmy mull doone. Hello, Yeah,

755
00:49:52,360 --> 00:49:54,440
Speaker 1: thank you so much for being here today. Joseph Kerman,

756
00:49:54,800 --> 00:49:57,600
Speaker 1: it was a pleasure. It was a blast. Okay, by

757
00:49:57,600 --> 00:50:00,680
Speaker 1: the way, when the fans started hashed hag like fun

758
00:50:00,800 --> 00:50:02,839
Speaker 1: Joey right, I mean, I mean, what am I gonna do?

759
00:50:03,440 --> 00:50:06,160
Speaker 1: Right Well, I'm am I going to hire a private

760
00:50:06,160 --> 00:50:08,200
Speaker 1: investigor to find these people, you know what I mean?

761
00:50:08,360 --> 00:50:09,960
Speaker 1: Am I going to do that. There, Am I going

762
00:50:10,000 --> 00:50:12,000
Speaker 1: to rent out apartments in different homes next to where

763
00:50:12,040 --> 00:50:15,000
Speaker 1: they are and start tapping? Am I going to do that?

764
00:50:15,000 --> 00:50:21,880
Speaker 1: That's an option? Oh? What am I gonna do? Huh? Okay, Oh,

765
00:50:22,160 --> 00:50:27,520
Speaker 1: just just say you know, everyone gets a happy dude,

766
00:50:27,560 --> 00:50:29,160
Speaker 1: Everyone gets a happy New Year. No one gott a

767
00:50:29,200 --> 00:50:33,120
Speaker 1: hashtag fuck Joey. No, it's a hashtag you do. But yeah,

768
00:50:33,120 --> 00:50:34,480
Speaker 1: but I'm not saying it's a good thing. I must

769
00:50:34,520 --> 00:50:37,720
Speaker 1: saying that one in my book. It's one your book.

770
00:50:38,239 --> 00:50:41,600
Speaker 1: Any publicity is good publicity, Joey. That's not true. People

771
00:50:41,640 --> 00:50:44,120
Speaker 1: start saying I'm a witch. That's bad publicity for me.

772
00:50:44,480 --> 00:50:47,080
Speaker 1: I can't have that. But I think you can have

773
00:50:47,080 --> 00:50:49,040
Speaker 1: a little and you did, and we appreciate you being

774
00:50:49,080 --> 00:50:53,160
Speaker 1: such a big big boy. Yeah that's right. And let's

775
00:50:53,160 --> 00:50:58,040
Speaker 1: thank a producer and engineering the stars. Fine folks that

776
00:50:58,120 --> 00:51:02,680
Speaker 1: I heart media. Happy New Year. This is your host,

777
00:51:02,800 --> 00:51:05,080
Speaker 1: Kevin Parks saying thank you so very damn much for

778
00:51:05,480 --> 00:51:08,160
Speaker 1: tuning us in and being a part of the show.

779
00:51:08,280 --> 00:51:10,320
Speaker 1: Stay involved right to us at your name here, Welcome

780
00:51:10,360 --> 00:51:13,319
Speaker 1: to this dot com and just be kind to each

781
00:51:13,360 --> 00:51:49,480
Speaker 1: other please and until next time. Remember oh yeah,