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Speaker 1: You can watch the original episode we'll be discussing in

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Speaker 1: every other episode of HBO's Curby Your Enthusiasm, including the

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Speaker 1: new and final season, on Max.

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Speaker 2: You can also watch the video.

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Speaker 1: Version of the history of Curby Your Enthusiasm podcast on

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Speaker 1: Max and YouTube as well.

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Speaker 2: Links available in the episode description.

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Speaker 3: Today is season one, episode three, porn O'Gill.

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Speaker 2: Porno Gill. Yes, a classic. I think it's pretty great.

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Speaker 3: It's pretty great.

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Speaker 2: You know what struck me from the very beginning of it.

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Speaker 1: This is a very simple structure of this episode, right,

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Speaker 1: it's a classic structure. Maybe I'm just coming from the

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Speaker 1: point of view of where we are now, you know,

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Speaker 1: in season twelve, and how complicated. But it's just eloquent

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Speaker 1: in its simplicity.

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Speaker 3: You saying eloquent for those listening who don't understand eloquent.

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Speaker 3: That's with a level of class and simplicity. And I

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Speaker 3: obviously know you know that, but I liked saying that.

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Speaker 1: Well, all right, So we start off with golf, and

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Speaker 1: I think, you know, golf, we know is a major

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Speaker 1: theme through all the seasons, and I think this is

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Speaker 1: the first real it's the first golf by.

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Speaker 3: The way, if I may, people think I play golf.

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Speaker 3: I play nine hole, but people think I'm a regular

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Speaker 3: golfer based on scene.

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Speaker 2: Because of the show. Yeah, Larry is a big golfer.

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Speaker 3: He loves golfer.

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Speaker 2: Yeah.

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Speaker 3: And by the way, how much time on the set

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Speaker 3: does he an air swing? He does an air swing

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Speaker 3: all the years, and his air swing has changed. That's

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Speaker 3: the thing that's hilarious.

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Speaker 2: Grown he's grown, No I.

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Speaker 3: Do, but he's trying new things all the time.

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Speaker 1: So because he's an artist, he's a golf artist.

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Speaker 2: So we start out with the guy. Now here's the funny.

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Speaker 3: Thing thing before you go there to the scene. What

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Speaker 3: was unusual about this episode is the curb theme comes

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Speaker 3: on and while it's still playing, we're establishing where Larry's at,

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Speaker 3: where there's a whole bunch of action going on, and

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Speaker 3: that's unusual for the show, well unusual at that show.

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Speaker 2: You know, this is the first season. The things that

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Speaker 2: are just finding in the next episode.

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Speaker 1: It didn't do that, just saying and also, you know

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Speaker 1: what else I noticed about the curb theme in this episode.

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Speaker 2: There were times when it.

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Speaker 3: Was slowed down during the episode.

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Speaker 1: Yea, yeah, so yeah, that was weird to me. So

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Speaker 1: it starts out that Larry's at the driving range, right

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Speaker 1: and he's hitting balls and a guy comes up with

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Speaker 1: a hat with a bolo string, yes, which Larry objects.

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Speaker 1: You could see that he's disgusted with the ball string,

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Speaker 1: which he ended up wearing many seasons later.

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Speaker 3: I know, but nonetheless he didn't know that. Yeah, by

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Speaker 3: the way, watching now, I didn't understand the first scene,

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Speaker 3: the setup where the ball drops and Larry chooses not

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Speaker 3: to pick it up, until he went back home and

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Speaker 3: explained it to share. Oh, okay, so that's not my which,

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Speaker 3: by the way, you know, the show is filled with subtleties,

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Speaker 3: you know, but I think this is one of the

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Speaker 3: only times where I really did not quite get it.

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Speaker 3: And then once he told Cheryl, I was like, oh,

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Speaker 3: we could have filmed it.

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Speaker 2: Yeah.

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Speaker 1: Yeah, I had the same response. I had the exact

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Speaker 1: same response. But I do think that the first time

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Speaker 1: we see a theme that's throughout all the seasons, which

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Speaker 1: is golf etiquette.

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Speaker 2: That's a big theme of you're.

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Speaker 3: Saying that, and I didn't even notice that while we

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Speaker 3: were filming it at all. Yeah, I don't notice anything.

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Speaker 3: I just go there and do my crap and see

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Speaker 3: I'm focused on each scene. When I'm a producer and

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Speaker 3: when I'm in a scene, I focus on that scene.

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Speaker 3: I never think about, well, there's a lot of golf

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Speaker 3: theme stuff here, and it's amazing you caught that I

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Speaker 3: never did.

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Speaker 2: Yeah, well that's the beauty. We noticed different things.

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Speaker 1: One of the things I noticed in the scene when

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Speaker 1: he's home talking about this to Cheryl is his shirt.

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Speaker 1: It's a shirt he never would wear now. It's red,

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Speaker 1: it has a zipper. It's something he never would wear,

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Speaker 1: a red. I've never seen him in a red shirt

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Speaker 1: since season one. Yeah again, something like you red, not

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Speaker 1: a burgundy red, Susie.

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Speaker 3: I don't understand. Okay, But my favorite thing that he

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Speaker 3: says in that scene with Susie was that he recoiled

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Speaker 3: in horror based on a guy with Cheryl. Yeah, he

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Speaker 3: said this was Cheryl. Yeah, based on a guy who

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Speaker 3: had a strap under his goofy hat, you know.

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Speaker 1: And that is why he did not pick up the ball,

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Speaker 1: because golf etiquette would dictate that he should have picked it.

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Speaker 3: Yes, without it up. But I didn't quite understand. Yeah,

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Speaker 3: all right, so let's move on from golf.

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Speaker 1: Then he talks about your having bypass surgery, yes.

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Speaker 3: And comes to visit me in the hospital, which at

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Speaker 3: this point, am I wrong? Did you want to say

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Speaker 3: something else in between the No.

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Speaker 1: The other thing that I found interesting was that Gill calls, right,

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Speaker 1: Bill calls, and he's trying to call John Debellis, which

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Speaker 1: is hilarious that he John de Bellis is an old

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Speaker 1: comic actually, but he always throws in these names of

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Speaker 1: you know, people that nobody else knows but us.

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Speaker 2: When I love it. I enjoyed.

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Speaker 3: He's still around, right, He's a great guy. I love

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Speaker 3: that guy. I apologize to John for saying he's still around,

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Speaker 3: just I haven't talked to him or seen him in

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Speaker 3: a long time. Isn't that amazing? And now, by the way,

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Speaker 3: I didn't think he was dead. I was open to

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Speaker 3: him being dead, which sounds stress.

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Speaker 2: Who knows, you know, he's not dead, not that I

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Speaker 2: know of.

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Speaker 3: I think I would have heard, but you said it

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Speaker 3: was such authority, So he's not dead anyhow.

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Speaker 1: And then he Gil and he accidentally calls Gil, so

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Speaker 1: this is like another example of he accidentally gets himself

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Speaker 1: into this situation. And he says to Gil, you could

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Speaker 1: fax me directions, you could fact directions. It's like, you

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Speaker 1: know it just doesn't feel like that long ago.

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Speaker 3: Well he presents also share with the fact that they

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Speaker 3: have to go Cheryl's unhappy. He says, come on, we'll

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Speaker 3: go there for ten minutes and leave. So the minute

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Speaker 3: he says it'll be ten minutes and we'll leave, you

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Speaker 3: just know that's not what's going to happen. So of

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Speaker 3: course that goes with a theme of the show. Larry's

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Speaker 3: intent for the most part is always being nice and

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Speaker 3: being thoughtful and making things quick. But the world doesn't

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Speaker 3: operate that way. They don't make things quick. As a

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Speaker 3: matter of fact, I remember him coming to a birthday

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Speaker 3: party of mine. I remember which one. I had a

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Speaker 3: taco truck, you know, and as many people. I don't

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Speaker 3: know if people do that, but anyhow, it's La Mexican

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Speaker 3: food rules. And at a certain point at the party,

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Speaker 3: like maybe an hour in, Larry comes over and he goes,

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Speaker 3: all right, I've done it, I've been here for you.

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Speaker 3: I gotta go bye, and he leaves. But the idea

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Speaker 3: that he came over to me and goes all right,

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Speaker 3: knowing I'd understand, all right, I'm gonna go all right,

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Speaker 3: take care, And I was totally cool with him going

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Speaker 3: and he didn't have to say I gotta be up

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Speaker 3: early tomorrow. There was you know, the usual. No, he

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Speaker 3: just literally says, all right, we did it, bye bye,

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Speaker 3: you know. And I was good with it, and I

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Speaker 3: understood and I laughed, and a lot of people came

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Speaker 3: up to me, Larry, where's Larry? And I just say,

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Speaker 3: you know what I actually told everybody. I asked him

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Speaker 3: to leave. All right, let's go and move on.

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Speaker 2: Okay. Then we come to you in the hospital and

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Speaker 2: I have to say, Jeff, you look.

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Speaker 3: Like a baby. You got this.

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Speaker 1: It's like a little baby face, young baby face.

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Speaker 2: Jeff lying in that bed in the hospital made me laugh.

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Speaker 3: Yeah, And but it was it was very uncomfortable for

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Speaker 3: me to film that scene. Why well, I used to

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Speaker 3: have a thing called Wolf Parkinson White syndrome, which is

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Speaker 3: I would have tac acardia randomly. And I was one

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Speaker 3: of the first people who had this thing called an ablation.

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Speaker 3: I was the seventy second person to have an ablation.

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Speaker 3: Also around Santim Mitch Hurwitz, you know, created Arrested Developments,

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Speaker 3: and Michael Sarah who was on Arrested development. I know

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Speaker 3: Mitch and I were both in the first hundred. He

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Speaker 3: was earlier than me. Point being is millions and millions

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Speaker 3: and millions of people have had this procedure, which is,

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Speaker 3: you know, they burn the extra pathway in your heart.

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Speaker 3: It's evasive, but there's no cutting open of your chest.

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Speaker 3: So I was in the hospital for that heart wise

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Speaker 3: and then don't forget right before we started filming, I

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Speaker 3: had had a stroke and laid in the hospital bed.

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Speaker 3: So the idea that I'm laying in a bed and

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Speaker 3: I'm gonna have surgery to unblock my it just was

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Speaker 3: a little too close to me. I didn't like it

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Speaker 3: at all. I didn't like the way I felt. And

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Speaker 3: I was happy when the scene was over, really happy.

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Speaker 2: And the purpose of the scene, of course, it's a.

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Speaker 3: Set Larry up to get my private porn, to get

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Speaker 3: your porn.

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Speaker 1: But I was just thinking about, you know, the idea

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Speaker 1: that you have a hidden porn collection, that he's creating

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Speaker 1: this character of like you know, the typical smarmy agent, right,

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Speaker 1: you know what I mean. I mean, it's like it's

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Speaker 1: he's really separating you from himself in that he's the

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Speaker 1: comedian and the artist and you're the smarmy agent.

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Speaker 3: Yeah, because and by the way. What we also establish

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Speaker 3: is I asked him to douce things. But we also knew,

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Speaker 3: even at that point in the show and porning water

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Speaker 3: in case you hear it in the background, we knew

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Speaker 3: that he would do anything for me, and I would

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Speaker 3: do anything for him. As a matter of fact, I

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Speaker 3: would bulldoze the world for him. And that's that's the

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Speaker 3: probably the one noble side to my character, you know,

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Speaker 3: is that I would do anything for my pal and

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Speaker 3: at that time more client than Pale, but it was both.

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Speaker 3: So the idea of it was to set up the ending,

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Speaker 3: to get the porn.

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Speaker 1: So now they're you know, they get the directions facts

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Speaker 1: which I'm just dating, you know, just dates the whole show,

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Speaker 1: and there's no GPS.

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Speaker 2: But he does have a NAV system that he doesn't

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Speaker 2: know how to work.

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Speaker 1: Just the other day, you and I and Larry were

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Speaker 1: doing a scene on set and he was telling us

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Speaker 1: that he doesn't know how to work anything.

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Speaker 3: My god, yes, So here we.

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Speaker 1: Are twenty two years later. He still doesn't know how

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Speaker 1: to work anything.

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Speaker 3: And by the way, he doesn't know how to work

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Speaker 3: he doesn't know how to do Amazon. I mean nothing.

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Speaker 3: I'm talking about the simplistic things where you just push

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Speaker 3: a button and push a button.

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Speaker 1: Well, he talked about making reservations that he doesn't know

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Speaker 1: how to make reservations.

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Speaker 2: Group exactly.

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Speaker 3: He has no idea.

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Speaker 2: So this was way back hold On.

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Speaker 3: His wife was in North Carolina ordering him dinner because

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Speaker 3: and he kept calling her, Oh, it's not here yet,

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Speaker 3: and she had to give him.

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Speaker 1: Up date and he just told us that two days ago,

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Speaker 1: three days ago, and here. And that's what I thought

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Speaker 1: about when I watched this episode. He didn't know how

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Speaker 1: to use the NAB and there.

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Speaker 3: But also what's fascinating is Cheryl says, don't you know how?

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Speaker 3: But he added the opportunity to have a navigation in

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Speaker 3: his car. It didn't automatically come in the car. It

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Speaker 3: was a thing to get every sort of accoutrement, which

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Speaker 3: he would not know how to use any of them.

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Speaker 2: And there was no GPS on the phone. There was

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Speaker 2: none of that.

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Speaker 1: Yeah, in two thousand, I don't think. No, we had,

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Speaker 1: you know, the little flip phones. So they're lost and

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Speaker 1: they're driving along and you know, I mean, they have

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Speaker 1: no idea where they are, they don't have a Thomas guide,

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Speaker 1: and they see an old lady in the street at

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Speaker 1: it's night, okay, Yes, just a random old lady walking

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Speaker 1: at night.

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Speaker 3: Yes, something short of perfect. And she was an actress.

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Speaker 3: I remember her from Goodbye Columbus and she was Ali

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Speaker 3: McGrath's mother. She did so many movies in the sixties

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Speaker 3: and seventies, very popular characteristic. I didn't recognize her when

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Speaker 3: we worked with her. I only recognized her the first

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Speaker 3: time I saw the show. Was amazing. Remember I told

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Speaker 3: you the dry cleaner in the last episode was in

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Speaker 3: Planet of the Apes.

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Speaker 1: Yeah.

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Speaker 3: Yeah, And this woman to be in good Bye Columbus

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Speaker 3: and bigger movies than good Bye Columbus.

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Speaker 2: So she was a working actress but also a dark.

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Speaker 3: Working actress. And this was the jolliest I'd ever seen.

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Speaker 1: Her until Larry just pushes her over the edge, which

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Speaker 1: he is wont to do, and she rips up the directions.

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Speaker 3: Yeah. And what I loved about that scene is that

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Speaker 3: it wasn't forced. It really felt like Larry was trying

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Speaker 3: to grab the directions from her, and it really felt

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Speaker 3: natural that she got frustrated and just threw them up

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Speaker 3: in the air and said fuck you. The whole thing

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Speaker 3: really worked, and that's a hard kind of scene to film,

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Speaker 3: so it doesn't seem forced her comedic and when I

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Speaker 3: usually say comedic, it's trying to be funny, even though

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Speaker 3: that's not what the word means. Basically, people try to

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Speaker 3: be comedic with things and fail. This was a big

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Speaker 3: success that I was impressed with.

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Speaker 1: I do find though generally on our show that for us,

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Speaker 1: I never try to be funny.

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Speaker 3: Well, by the way, one of the keys to doing

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Speaker 3: comedy is to play it dramatically.

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Speaker 2: Is to just play it straight, just play intent, you know,

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Speaker 2: just whatever it is.

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Speaker 3: If you put a spin on something, it's generally not

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Speaker 3: gonna work out. Now I'm talking about even play it straight,

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Speaker 3: even if you're a character like Pee Wee Herman or

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Speaker 3: how Bill Murray is in movies, whereas there's a specific style,

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Speaker 3: but they're still playing it completely sincerely. And that is

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Speaker 3: the way to play comedy. Whereas we see a lot

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Speaker 3: of actors audition and they put a spin on something,

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Speaker 3: there's not a prayer death.

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Speaker 1: We'll be right back, stay tuned, Okay, we're back. So

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Speaker 1: all right, So now the hat guy comes driving by

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Speaker 1: the same guy. And this is a tradition of using

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Speaker 1: a lot of great old character actors that we do

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Speaker 1: for have done over the many, many years, and I

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Speaker 1: have a really.

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Speaker 3: Good piece of trivia that is really good. At some

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Speaker 3: point in that whole thing, he says, for the very

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Speaker 3: first time, pretty.

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Speaker 2: I haven't here.

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Speaker 3: When did he say that? That's the first time in

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Speaker 3: the show he's ever said it.

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Speaker 1: He says it right after the hat guy, the allow

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Speaker 1: string hot guy.

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Speaker 3: He tells Ryl how things went, and then he says,

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Speaker 3: it went.

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Speaker 1: Pretty pretty, pretty pretty good. Yeah, yeah, And that was

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Speaker 1: when when he goes to he stops the car and

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Speaker 1: he sees the guy and it's the hat guy who

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Speaker 1: calls it, what kind of prick doesn't pick up a ball?

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Speaker 1: And he walks away and he's not going to help

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Speaker 1: him with the directions, and he's also going to porno'gill's

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Speaker 1: house for the party.

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Speaker 3: And by the way, the basic premise there, which if

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Speaker 3: I I was there, I might have been there and

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Speaker 3: I missed it, but I would just say, why aren't

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Speaker 3: we just turning the car around.

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Speaker 2: And following him? Yes, yes, I thought the same thing.

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Speaker 3: But you know what, moments later they show up at

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Speaker 3: the front door.

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Speaker 1: They show up, so it doesn't matter, and Pornogill is

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Speaker 1: Bob Odenkirk.

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Speaker 3: Yes, Bob Odenkirk, my pal.

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Speaker 1: Now, let's talk about him for a minute, because I

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Speaker 1: know him very vaguely because he never lived in New York.

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Speaker 3: I only know he lived in New York. I didn't

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Speaker 3: know us he lived in New York when I did,

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Speaker 3: he was writing on SNL. Then he wasn't working in clubs,

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Speaker 3: and we both lived on seventy second Street, so.

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Speaker 1: We were and I lived on seventy third at the time. Yes,

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Speaker 1: you did so, but he wasn't working in clubs because

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Speaker 1: I would have known him.

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Speaker 3: No, no, no, he was not working in clubs. The

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Speaker 3: last time he performed was in Chicago.

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Speaker 2: Okay, that's why I didn't know him.

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Speaker 3: We have been friends since our early twenties, whereas we

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Speaker 3: really suffered together as pals in Chicago. How old were you,

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Speaker 3: I'll guess twenty four twenty five, and we're the same age, yeah,

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Speaker 3: almost exactly the same age. Where is pop from Chicago? Naperville?

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Speaker 1: He's from Chicago, yeah, okay, yeah, and of course we

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Speaker 1: all we all know him as you know as Saul.

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Speaker 3: But on seventy second Street, we had regular places that

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Speaker 3: we would go. I spent the weekends with.

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Speaker 2: Him and he was a writer on SNL.

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Speaker 3: Now I spent Sundays. We're really the day. We'd sit

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Speaker 3: in Central Park by the Dakota John Lennon's apartment in

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Speaker 3: Strawberry Fields or that area. There. We'd have bagels and

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Speaker 3: we watched the old guys talk to one another and tourists.

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Speaker 1: And we're talking mid eighties, yes, mid eighties.

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Speaker 3: And then we would go to Bjay's Bagel of Go

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Speaker 3: go a lot of bagels for us as we also

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Speaker 3: went to a place called All Bongusto on seventy second Street.

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Speaker 2: And the only reason I remember that place.

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Speaker 3: Okay, so you know it closed shortly thereafter. And the

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Speaker 3: reason that closed was and I love this, this is awesome,

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00:17:02,400 --> 00:17:04,680
Speaker 3: and it's happened. I've seen it a few other times.

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Speaker 3: The guy all buy so his children he wanted them

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Speaker 3: to take over the business. They said no, So he said,

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Speaker 3: fuck it, I'm closing because he.

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Speaker 1: Wanted his name to be he wants to take over

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Speaker 1: the business.

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Speaker 3: You know, to me, that's not what's fascinating. What's fascinating

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Speaker 3: him not him going oright, I'll sell it to someone else,

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Speaker 3: but him going fuck it, I'll close. And there was

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Speaker 3: Tinkle's Bakery in Chicago recently happened. Children know, boom, I'm

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Speaker 3: closing it down.

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Speaker 1: I love sometimes it works, you know, it's like Russ

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Speaker 1: and Daughters. The kids took over.

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Speaker 3: Oh well, that's fascinating, but it never works out when

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Speaker 3: you sell it, somebody's going to run your company into

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Speaker 3: the ground. And by the way, I love that we

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Speaker 3: got up there. That needs to be talked about. If

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Speaker 3: you're planning to close your business, but you want your

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Speaker 3: children to take over, you close it down.

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Speaker 1: If they say your father, I don't know this, it's funny.

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Speaker 3: My dad owned a puppet theater.

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Speaker 2: What does your father do?

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00:18:01,040 --> 00:18:03,280
Speaker 3: My dad did two things. He was in the plumbing

365
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Speaker 3: supply business with my grandfather.

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Speaker 2: Was your grandfather's business that he went into that?

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Speaker 3: He was that? He? Yes? How about that? Ironic? Didn't

368
00:18:10,880 --> 00:18:12,960
Speaker 3: even know. And then we moved to Florida and he

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00:18:13,080 --> 00:18:18,640
Speaker 3: became a legal administrator, which is like a Jennifer's job

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00:18:19,119 --> 00:18:21,800
Speaker 3: on our show, you know, like the line producer. So

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00:18:21,960 --> 00:18:23,760
Speaker 3: he was doing that at a law firm, and I

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00:18:23,880 --> 00:18:26,840
Speaker 3: even worked not for him, but for other law firms.

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Speaker 3: He got me. I was a runner, which means they'd

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Speaker 3: give me papers. I had to run to the courthouse

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Speaker 3: file them and come back for more. So I was

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Speaker 3: going back and forth downtown Miami. That was great fun.

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Speaker 2: He wasn't a lawyer, No, he had gone to law.

378
00:18:39,680 --> 00:18:42,879
Speaker 3: School, but based on me having a d D. His

379
00:18:43,280 --> 00:18:46,320
Speaker 3: his office was right below my bedroom and the vent

380
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Speaker 3: for heat was completely open, and I would drop pencils

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Speaker 3: on him all day, all night.

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Speaker 2: I'm sure he enjoyed that.

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Speaker 3: No he did not, and he had add it's like

384
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Speaker 3: his son. He gave it to gave it to me. Whatever.

385
00:18:58,160 --> 00:19:00,840
Speaker 3: But the point being is I destroyed his dream of

386
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Speaker 3: being a lawyer. He would have been a good lawyer,

387
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Speaker 3: all right.

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Speaker 2: So yes, I never knew that. I never knew what

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Speaker 2: he did.

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00:19:06,200 --> 00:19:08,840
Speaker 3: By the way, I see that you're quick to cut

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Speaker 3: me off and move on, and then you take a

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Speaker 3: beat and go let me be a little more thoughtful.

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Speaker 3: That's happened twice to.

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Speaker 2: Cut you off, Jeff, I.

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Speaker 3: Know. Okay, let's go.

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Speaker 1: So Larry and Cheryl show up at Porno Gills and

397
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Speaker 1: he's asked to take his shoes off.

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Speaker 3: Really, yeah, just take him off. It's just a custom.

399
00:19:26,520 --> 00:19:29,119
Speaker 3: My wife started in the house. I think I'll ly

400
00:19:29,240 --> 00:19:32,480
Speaker 3: mine not is that Okay, they completely claim. Yeah, it's

401
00:19:32,520 --> 00:19:33,040
Speaker 3: not about that.

402
00:19:33,480 --> 00:19:34,000
Speaker 1: Look to see.

403
00:19:34,200 --> 00:19:36,560
Speaker 3: Fine, yeah, that's not the point.

404
00:19:36,880 --> 00:19:39,639
Speaker 2: Just take him off, come on, you know that's gonna

405
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Speaker 2: be a fucking thing.

406
00:19:41,040 --> 00:19:43,720
Speaker 3: Yes, but also that it has to have happened to

407
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Speaker 3: Larry in real life.

408
00:19:45,480 --> 00:19:48,240
Speaker 2: Probably, but some people are very strict.

409
00:19:48,320 --> 00:19:51,679
Speaker 3: I would wager that that's happened to Larry, except Larry

410
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Speaker 3: would have taken his shoes off, but obsessed about it,

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00:19:55,000 --> 00:19:58,159
Speaker 3: and so he lives the fantasy on our show of

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Speaker 3: not taking the shoes off.

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Speaker 2: Oh that's what the whole show is, isn't it the purpose.

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Speaker 3: Of our show. He you know, has to keep him on,

415
00:20:06,040 --> 00:20:07,960
Speaker 3: you know, but that was his dream, and let's see

416
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Speaker 3: what happens.

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Speaker 1: It's revenge, yeah, for all the things he had, little

418
00:20:11,440 --> 00:20:13,359
Speaker 1: petty things he has to do in real life that

419
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Speaker 1: now on the show it's his kingdom, his fiefdom. He

420
00:20:16,440 --> 00:20:19,320
Speaker 1: doesn't have to And it's it's a dinner party, yes,

421
00:20:19,520 --> 00:20:21,159
Speaker 1: and you see already Cheryl is.

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00:20:21,359 --> 00:20:23,960
Speaker 3: Just like, well they thought it was a regular party.

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00:20:24,200 --> 00:20:26,359
Speaker 1: Right, that they could just show up for ten minutes

424
00:20:26,400 --> 00:20:30,119
Speaker 1: and leave. Yep, But it's a sit down, small dinner party.

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Speaker 1: I love their introducing people and you see already the

426
00:20:33,200 --> 00:20:34,159
Speaker 1: wife is crazy.

427
00:20:34,280 --> 00:20:36,520
Speaker 3: Wait wait, wait, we're skipping over a whole part that

428
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Speaker 3: I love, which is Bob. First off, he tells them.

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Speaker 4: My wife jokingly refers to it as the house that

430
00:20:42,760 --> 00:20:43,359
Speaker 4: come built.

431
00:20:44,520 --> 00:20:50,040
Speaker 3: Then my favorite moment, which is true improvisers. True improvisers

432
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Speaker 3: really are in the moment and they don't pass things

433
00:20:54,240 --> 00:20:57,720
Speaker 3: off that are strange. Well, whoever owned the house? Yeah,

434
00:20:58,040 --> 00:20:59,879
Speaker 3: or a set designer who was really smart, But I

435
00:21:00,040 --> 00:21:01,080
Speaker 3: think it's whoever I own think it.

436
00:21:01,160 --> 00:21:03,200
Speaker 2: It looked more like it was owned the house.

437
00:21:03,240 --> 00:21:05,720
Speaker 3: Owned the house. He looked on the shelf and there

438
00:21:05,760 --> 00:21:09,879
Speaker 3: were all these little bottles, and that's a collection of

439
00:21:11,440 --> 00:21:14,560
Speaker 3: just small bottles. I like him. That's all he said.

440
00:21:14,800 --> 00:21:15,520
Speaker 2: It's all he said.

441
00:21:15,760 --> 00:21:17,840
Speaker 1: I know, And if it was later, I could say

442
00:21:17,880 --> 00:21:20,960
Speaker 1: it was set designer. In that season, I would say, has.

443
00:21:20,960 --> 00:21:23,199
Speaker 3: Too much of an accident for Bob to just notice

444
00:21:23,240 --> 00:21:26,200
Speaker 3: it on their take. And I'm sure I know I

445
00:21:26,400 --> 00:21:30,160
Speaker 3: was there. He did something different every take about those bottles,

446
00:21:30,480 --> 00:21:33,280
Speaker 3: but the simplest one generally is the one that wins.

447
00:21:33,520 --> 00:21:35,480
Speaker 1: So and he was also a second city guy. He's

448
00:21:36,080 --> 00:21:37,160
Speaker 1: in his second.

449
00:21:36,880 --> 00:21:40,919
Speaker 3: City and we did improv together. We yeah, we did

450
00:21:41,000 --> 00:21:41,840
Speaker 3: one man shows.

451
00:21:42,160 --> 00:21:42,520
Speaker 2: I love.

452
00:21:42,600 --> 00:21:45,879
Speaker 1: Then he introduces, this is Peter, my trainer. It's so

453
00:21:46,280 --> 00:21:49,119
Speaker 1: la to have your trainer over for your dinner party.

454
00:21:49,280 --> 00:21:53,040
Speaker 3: That gentleman was Larry's trainer, Peter Steinfeld, who is the

455
00:21:53,160 --> 00:21:57,960
Speaker 3: father of Haley Hailey Steinfeld. Yep, really that's his daughter.

456
00:21:58,400 --> 00:22:02,400
Speaker 3: I love her show on Disney, The Hawkeye Show. It's

457
00:22:02,440 --> 00:22:04,440
Speaker 3: one of my favorite things Disney has ever done. I

458
00:22:04,560 --> 00:22:06,720
Speaker 3: love their TV shows. By the way, I know the

459
00:22:06,760 --> 00:22:09,879
Speaker 3: amount of sidebars. Some of you enjoy them, some of

460
00:22:09,960 --> 00:22:11,800
Speaker 3: you don't. Huh, I'm gonna be.

461
00:22:11,880 --> 00:22:13,960
Speaker 1: Me, but don't you think that's such an la thing

462
00:22:14,080 --> 00:22:16,080
Speaker 1: to invite your trainer to a dinner party.

463
00:22:16,480 --> 00:22:18,720
Speaker 2: Without a doubt, it's such an LA thing.

464
00:22:18,800 --> 00:22:21,240
Speaker 3: I didn't recognize who was playing. I wonder if she

465
00:22:21,359 --> 00:22:21,919
Speaker 3: was an extra.

466
00:22:22,160 --> 00:22:23,480
Speaker 2: Who was porn o'gill's wife.

467
00:22:23,640 --> 00:22:28,400
Speaker 3: Oh, that's Melanie Hoops, another improviser from Chicago, terrific. Yoh,

468
00:22:28,480 --> 00:22:31,600
Speaker 3: she was great. Great. And then the other two people

469
00:22:32,400 --> 00:22:37,080
Speaker 3: were Jackie Harris and Paul Greenberg, who worked a lot

470
00:22:37,200 --> 00:22:41,479
Speaker 3: with Bob and I improvising doing comedy shows stand up.

471
00:22:41,880 --> 00:22:43,679
Speaker 3: Paul used to have this great bit of him being

472
00:22:43,720 --> 00:22:46,680
Speaker 3: this rock and roll drummer. It was hysterical. And by

473
00:22:46,720 --> 00:22:48,800
Speaker 3: the way, I just came across them. I do a

474
00:22:48,920 --> 00:22:52,720
Speaker 3: thing for Dana Gould. Dana Gould has a talk show

475
00:22:52,800 --> 00:22:57,200
Speaker 3: parody called Hanging with Doctor z where he dresses and

476
00:22:57,359 --> 00:23:00,320
Speaker 3: has full makeup of Doctor Zais, who's one of the

477
00:23:00,400 --> 00:23:02,600
Speaker 3: main characters. And again I'm gonna mention it planned to

478
00:23:02,680 --> 00:23:07,399
Speaker 3: the age and so it's really funny, and Jackie and

479
00:23:07,800 --> 00:23:09,720
Speaker 3: Paul are on it, and I just saw them. It

480
00:23:09,840 --> 00:23:11,719
Speaker 3: was exciting to see them. And by the way, all

481
00:23:11,760 --> 00:23:15,080
Speaker 3: these shows are on YouTube. They're hysterical. I love that.

482
00:23:15,320 --> 00:23:17,720
Speaker 1: I haven't seen that one, but I've heard from many

483
00:23:17,760 --> 00:23:19,400
Speaker 1: people that it is hilarry.

484
00:23:19,480 --> 00:23:19,720
Speaker 2: It is.

485
00:23:19,760 --> 00:23:21,440
Speaker 3: It's on YouTube. You don't have to pay a penny,

486
00:23:21,600 --> 00:23:22,200
Speaker 3: So there you go.

487
00:23:22,480 --> 00:23:24,720
Speaker 1: So now they are stuck at the dinner port. And

488
00:23:24,880 --> 00:23:27,760
Speaker 1: by the way, I was also struck. You know Cheryl

489
00:23:28,160 --> 00:23:31,480
Speaker 1: more so in what is this? Episode three? So she

490
00:23:31,600 --> 00:23:33,880
Speaker 1: had been in the first special and then the first

491
00:23:33,920 --> 00:23:36,720
Speaker 1: three episodes, and Cheryl had not done a whole lot

492
00:23:36,800 --> 00:23:39,200
Speaker 1: of television at this point. I don't know if she

493
00:23:39,240 --> 00:23:40,320
Speaker 1: had done No, she.

494
00:23:40,440 --> 00:23:45,639
Speaker 3: Was in the groundings and she'd done some TV work,

495
00:23:45,760 --> 00:23:47,560
Speaker 3: but nothing a little bit but not that. U.

496
00:23:47,960 --> 00:23:52,040
Speaker 1: Yeah, she was so poised and so holding her own

497
00:23:52,200 --> 00:23:55,119
Speaker 1: in this situation. I was just very impressed with her.

498
00:23:55,640 --> 00:23:59,000
Speaker 1: She really was fully formed in a way and held

499
00:23:59,080 --> 00:24:00,680
Speaker 1: her own with Larry in a way that I don't

500
00:24:00,680 --> 00:24:01,760
Speaker 1: know anybody else could have.

501
00:24:03,160 --> 00:24:04,679
Speaker 2: We'll be right back, Stay tuned.

502
00:24:13,480 --> 00:24:17,720
Speaker 1: Okay, we're back. Gil now goes into a whole long

503
00:24:17,840 --> 00:24:21,240
Speaker 1: story about tea bagging and the woman's sucking his balls.

504
00:24:21,760 --> 00:24:25,680
Speaker 3: Hold on, he goes into a story that's clearly not scripted,

505
00:24:26,040 --> 00:24:28,840
Speaker 3: and the idea of the story is first the tea

506
00:24:28,920 --> 00:24:31,359
Speaker 3: bagging with the woman licking his balls, but then a

507
00:24:31,560 --> 00:24:34,399
Speaker 3: crew member is touching him and he doesn't realize it,

508
00:24:34,840 --> 00:24:37,320
Speaker 3: and then before you know it, the crew remember put

509
00:24:37,359 --> 00:24:40,800
Speaker 3: tabasco stuff on his finger and stuck it up Bob's butt.

510
00:24:41,119 --> 00:24:43,760
Speaker 2: Now here's my question, was that in the outline?

511
00:24:44,000 --> 00:24:48,600
Speaker 3: No, maybe maybe that Porto'gil tells a story. No, that

512
00:24:48,760 --> 00:24:49,320
Speaker 3: was all Bob.

513
00:24:49,400 --> 00:24:52,560
Speaker 2: Bob's So the Tabasco up the ass is all Bob.

514
00:24:52,880 --> 00:24:56,040
Speaker 3: Yes. By the way, Bob was in my second movie,

515
00:24:56,600 --> 00:25:01,640
Speaker 3: Dealing with Idiots, and he was one of the well,

516
00:25:01,680 --> 00:25:03,680
Speaker 3: he was in every one of my movies, but this one.

517
00:25:04,119 --> 00:25:08,000
Speaker 3: He played a parent in Little League Baseball, you know,

518
00:25:08,680 --> 00:25:11,200
Speaker 3: and we go to the shop, and it was the

519
00:25:11,280 --> 00:25:13,639
Speaker 3: most fun I've ever had improvising. It was a fully

520
00:25:13,640 --> 00:25:17,720
Speaker 3: improvised movie. I went in there and he told a

521
00:25:17,840 --> 00:25:20,440
Speaker 3: different story every time I walked in.

522
00:25:20,880 --> 00:25:22,360
Speaker 1: Did that make it difficult to cut?

523
00:25:22,680 --> 00:25:25,359
Speaker 3: No, because I use one story or the other. I

524
00:25:25,480 --> 00:25:28,840
Speaker 3: committed to whatever story he told about this one story

525
00:25:28,960 --> 00:25:31,520
Speaker 3: and not talking to his brother down the street who's

526
00:25:31,560 --> 00:25:35,800
Speaker 3: a locksmith. It was a whole story. It was perfection.

527
00:25:36,520 --> 00:25:38,399
Speaker 3: It's one of the scenes in that movie where I

528
00:25:38,560 --> 00:25:41,600
Speaker 3: just go that scene could not be any better, but

529
00:25:41,800 --> 00:25:42,600
Speaker 3: because of Bob.

530
00:25:42,920 --> 00:25:46,879
Speaker 1: You know, Larry has said that like ninety six percent

531
00:25:47,000 --> 00:25:50,640
Speaker 1: of the time the actors come up with something better

532
00:25:50,760 --> 00:25:53,199
Speaker 1: than he ever could have written. Yes, but the other

533
00:25:53,320 --> 00:25:55,640
Speaker 1: four the other four percent, I don't know if that's

534
00:25:55,680 --> 00:25:58,000
Speaker 1: the percent, but something like that, he wishes he could

535
00:25:58,040 --> 00:25:58,440
Speaker 1: have written it.

536
00:25:58,560 --> 00:26:00,720
Speaker 2: So more times than not, that's all in cast.

537
00:26:00,800 --> 00:26:03,600
Speaker 3: So call me as we're going home, and he says

538
00:26:04,480 --> 00:26:07,440
Speaker 3: that scene would be better written, and I'll tell you why,

539
00:26:07,880 --> 00:26:11,040
Speaker 3: And then he tells me why. And it's different every time,

540
00:26:11,200 --> 00:26:15,359
Speaker 3: but rarely, I'd say once a season, maybe twice.

541
00:26:15,200 --> 00:26:15,840
Speaker 2: Once a season.

542
00:26:15,960 --> 00:26:18,760
Speaker 1: So more times than not, he's happier with what the

543
00:26:18,920 --> 00:26:19,840
Speaker 1: actors bring.

544
00:26:20,000 --> 00:26:23,200
Speaker 3: Yes or dude, and it's it's e very happy what

545
00:26:23,320 --> 00:26:28,000
Speaker 3: the actors bring or their performance is cutable, like we

546
00:26:28,119 --> 00:26:29,600
Speaker 3: can use it, but they weren't that late.

547
00:26:29,680 --> 00:26:32,600
Speaker 1: Right, Yeah, I'm glad you brought that up because it's improvised.

548
00:26:32,920 --> 00:26:35,000
Speaker 1: So much of this show is put together in editing.

549
00:26:35,160 --> 00:26:37,760
Speaker 3: Well, by the way, I think really the whole show

550
00:26:37,880 --> 00:26:41,240
Speaker 3: is put together in editing. And Steve Rash one of

551
00:26:41,280 --> 00:26:44,720
Speaker 3: our editors. He has cut the hour pilot and he's

552
00:26:44,800 --> 00:26:48,800
Speaker 3: been on every episode in the history of Curb Your Enthusias. Yeah,

553
00:26:48,920 --> 00:26:51,320
Speaker 3: that's kind of remarkable. We should have him. And he's

554
00:26:51,320 --> 00:26:54,680
Speaker 3: a he's a joyful, interesting guy, heat and he could

555
00:26:54,680 --> 00:26:57,240
Speaker 3: probably tell us things about you know, the show that

556
00:26:57,400 --> 00:26:57,639
Speaker 3: and what.

557
00:26:57,760 --> 00:27:01,120
Speaker 1: He does is so important and he an unsung hero,

558
00:27:01,560 --> 00:27:02,640
Speaker 1: you know, unequivocally.

559
00:27:03,400 --> 00:27:06,080
Speaker 3: And as the seasons go on, he's had to look

560
00:27:06,119 --> 00:27:09,280
Speaker 3: at more footage. Our shows have become more and more

561
00:27:09,400 --> 00:27:13,240
Speaker 3: and marketed, tense and complicated, so he has to look over,

562
00:27:13,840 --> 00:27:16,399
Speaker 3: you know, hours and hours of footage, you know. So

563
00:27:17,080 --> 00:27:17,879
Speaker 3: he's pretty amazing.

564
00:27:18,000 --> 00:27:20,920
Speaker 1: Yeah, well, I don't know if he ever edited porn.

565
00:27:21,640 --> 00:27:24,639
Speaker 1: So he tells the whole story, the tea bagging, the trainer,

566
00:27:24,720 --> 00:27:26,680
Speaker 1: takes the watch you know wants. The trainer takes the

567
00:27:26,760 --> 00:27:30,120
Speaker 1: watch that's gonna come back to haunt him. And then

568
00:27:30,160 --> 00:27:33,560
Speaker 1: the hat guy throws the lighter ld breaks the lamp.

569
00:27:33,680 --> 00:27:36,720
Speaker 1: The wife freaks out, she really freaked out on him.

570
00:27:36,880 --> 00:27:40,440
Speaker 3: And by the way she played that lighter and then

571
00:27:40,680 --> 00:27:44,159
Speaker 3: meaner and then meaner. But you can always go bigger.

572
00:27:44,240 --> 00:27:46,920
Speaker 3: Going smaller is much harder, you know. I think you

573
00:27:47,040 --> 00:27:49,880
Speaker 3: just go smaller and they say more because that way,

574
00:27:51,200 --> 00:27:54,160
Speaker 3: if you're big and they want to make it smaller,

575
00:27:54,680 --> 00:27:57,119
Speaker 3: they'll probably use one of your big takes. If you

576
00:27:57,240 --> 00:28:00,320
Speaker 3: go light and then go bigger. Hey, you know what,

577
00:28:00,400 --> 00:28:03,160
Speaker 3: I just made that up. That's not true. Let's move on. Well,

578
00:28:03,240 --> 00:28:05,040
Speaker 3: but you know what, trying to figure that out. And

579
00:28:05,160 --> 00:28:08,480
Speaker 3: actually I I didn't make it up, but it is

580
00:28:08,760 --> 00:28:12,040
Speaker 3: a thing. And if I'm not mistaken, well, she couldn't

581
00:28:12,040 --> 00:28:14,640
Speaker 3: have gone bigger. We got her to attack.

582
00:28:14,560 --> 00:28:17,360
Speaker 1: Being somebody which we will see in the future, not yet,

583
00:28:17,760 --> 00:28:20,880
Speaker 1: who tends to go big. I always try to vary.

584
00:28:21,040 --> 00:28:22,919
Speaker 1: I always try to give a take that's softer.

585
00:28:23,880 --> 00:28:26,960
Speaker 3: By the way you vary your performance from take to take,

586
00:28:27,040 --> 00:28:29,840
Speaker 3: and he has you being normal. And by the way

587
00:28:30,000 --> 00:28:32,480
Speaker 3: the yelling is gold, so he has to save it.

588
00:28:32,840 --> 00:28:35,720
Speaker 3: His yelling at me and getting pissed at me is gold,

589
00:28:36,200 --> 00:28:39,200
Speaker 3: but he has to save it. He doesn't allow that sometimes.

590
00:28:39,400 --> 00:28:43,280
Speaker 1: I thought it was very funny that Brian the hat

591
00:28:43,360 --> 00:28:47,280
Speaker 1: guy owns a lamp shop. Well, and that's where they

592
00:28:47,360 --> 00:28:49,360
Speaker 1: got the broken lamp from, so.

593
00:28:50,200 --> 00:28:54,840
Speaker 3: Asked Brian Palermo. Palermo, he was a groundling guy. That

594
00:28:55,000 --> 00:28:57,320
Speaker 3: was funny, And we use other ones like that coming up,

595
00:28:57,720 --> 00:29:00,280
Speaker 3: because there's a lot of second city people and because

596
00:29:00,320 --> 00:29:05,240
Speaker 3: of Cheryl, a lot of groundlings people, and Brian was

597
00:29:05,360 --> 00:29:07,760
Speaker 3: and is hysterical. So there you go.

598
00:29:08,120 --> 00:29:12,080
Speaker 2: And so then they leave. It's a whole big mcguilla.

599
00:29:12,200 --> 00:29:15,000
Speaker 1: And then they leave, and then I love this next

600
00:29:15,120 --> 00:29:18,120
Speaker 1: part about Cheryl's really angry at him, and well, what's.

601
00:29:18,000 --> 00:29:20,720
Speaker 3: The level of anger here? At what am I? What

602
00:29:20,840 --> 00:29:21,480
Speaker 3: am I dealing with?

603
00:29:23,480 --> 00:29:27,240
Speaker 4: Well, I'd say at least an eight point seven.

604
00:29:27,400 --> 00:29:31,000
Speaker 3: Eight seven, that's not that bad. It'll be like a

605
00:29:31,080 --> 00:29:34,400
Speaker 3: nine eight seven. Yeah, No, it was, it was up higher.

606
00:29:34,840 --> 00:29:38,200
Speaker 4: Yeah, and then you broke that lamp and that crazy

607
00:29:38,240 --> 00:29:41,320
Speaker 4: woman screamed at you, and it got you some pity points.

608
00:29:41,680 --> 00:29:44,920
Speaker 3: Pity point, yeah, fabulous, Yeah, I love pity points.

609
00:29:45,120 --> 00:29:48,120
Speaker 1: You see this the marriage. You know between them that

610
00:29:48,480 --> 00:29:50,600
Speaker 1: this is not the first time that this has happened.

611
00:29:50,920 --> 00:29:53,080
Speaker 1: This is a long suffering wife.

612
00:29:53,200 --> 00:29:55,400
Speaker 3: But by the way you feel for Cheryl. Look, but

613
00:29:55,520 --> 00:29:58,080
Speaker 3: here's the thing. Also, he was happy that she was

614
00:29:58,120 --> 00:30:01,480
Speaker 3: at an eight point seven and not a not a nine.

615
00:30:01,640 --> 00:30:04,000
Speaker 3: I mean, that's what is the difference between eight point

616
00:30:04,080 --> 00:30:06,720
Speaker 3: seven and nine points yeah point three?

617
00:30:07,240 --> 00:30:09,680
Speaker 1: Yeah, okay, you know, but I just like that whole

618
00:30:09,760 --> 00:30:13,200
Speaker 1: interaction between them, because you see what it's a marriage,

619
00:30:13,600 --> 00:30:15,200
Speaker 1: it's what it is a.

620
00:30:15,360 --> 00:30:18,520
Speaker 3: Very difficult marriage for one of the members of that marriage,

621
00:30:19,120 --> 00:30:22,120
Speaker 3: and a very difficult life from one of those two people.

622
00:30:22,200 --> 00:30:26,200
Speaker 3: So Larry is overwhelmed by what happens to him in life,

623
00:30:26,320 --> 00:30:28,960
Speaker 3: and it brings on a great big bunch of anxiety

624
00:30:29,040 --> 00:30:32,640
Speaker 3: and stress. Cheryl is dealing with what her husband does

625
00:30:32,840 --> 00:30:36,920
Speaker 3: with adding to whatever regular life's constantly. Yeah, and I

626
00:30:37,040 --> 00:30:38,280
Speaker 3: feel more I feel for her.

627
00:30:39,080 --> 00:30:42,040
Speaker 1: Interesting, when we were talking before you got here that

628
00:30:42,200 --> 00:30:45,040
Speaker 1: it seems as though Larry doesn't like Cheryl.

629
00:30:45,720 --> 00:30:48,000
Speaker 2: I don't get that so much. I feel that they

630
00:30:48,080 --> 00:30:48,680
Speaker 2: love each other.

631
00:30:49,000 --> 00:30:52,440
Speaker 3: Well. The only hint we've had of something, if something

632
00:30:52,560 --> 00:30:56,320
Speaker 3: existed like that is the Mary Steinberg and ten Mary episode,

633
00:30:56,400 --> 00:30:57,400
Speaker 3: which we just did well.

634
00:30:57,440 --> 00:30:59,960
Speaker 1: He also calls her hitler in that first episode.

635
00:31:00,480 --> 00:31:03,320
Speaker 3: Well, by the way, excuse me for saying, so, yes,

636
00:31:03,440 --> 00:31:07,280
Speaker 3: that is extreme and the parents hitler, But I think

637
00:31:07,360 --> 00:31:11,840
Speaker 3: that most men and by the way, women too. Your partner,

638
00:31:12,440 --> 00:31:15,040
Speaker 3: you say, he's a fucking By the way, there's not

639
00:31:15,200 --> 00:31:17,800
Speaker 3: a woman that I've been with that hasn't referred to

640
00:31:17,880 --> 00:31:20,800
Speaker 3: me as a fucking idiot to my face and to others.

641
00:31:21,400 --> 00:31:24,400
Speaker 3: And here's the problem. I am a fucking idiot. So

642
00:31:24,880 --> 00:31:27,480
Speaker 3: how am I supposed to defect, you know, go against that?

643
00:31:27,640 --> 00:31:29,800
Speaker 3: It's like, what am I supposed to do? Not that

644
00:31:29,960 --> 00:31:33,520
Speaker 3: Cheryl's hitler, that was extreme, but that Cheryl's bossy.

645
00:31:33,840 --> 00:31:36,960
Speaker 1: But his calling Cheryl hitler in that episode was really

646
00:31:37,040 --> 00:31:39,400
Speaker 1: a story point. That was so that your parents your

647
00:31:39,520 --> 00:31:42,840
Speaker 1: story coming exactly, and some things are just story.

648
00:31:42,960 --> 00:31:45,520
Speaker 3: And by the way, that would never make an episode. Now,

649
00:31:45,760 --> 00:31:48,320
Speaker 3: that would never true. He would not want to do that.

650
00:31:48,800 --> 00:31:51,960
Speaker 1: Yeah, that's absolutely true. So and then he has to

651
00:31:52,040 --> 00:31:53,040
Speaker 1: go back at the watch.

652
00:31:53,440 --> 00:31:56,080
Speaker 3: Now you say that casually, he has to go back

653
00:31:56,120 --> 00:31:59,520
Speaker 3: to get the watch. That is the equivalent of walking

654
00:31:59,640 --> 00:32:03,280
Speaker 3: on high colls, especially for a guy like Larry. Yes,

655
00:32:03,400 --> 00:32:06,200
Speaker 3: so to go but go back in and have to

656
00:32:06,360 --> 00:32:09,640
Speaker 3: ask for his watch. And by the way, the Gil,

657
00:32:09,960 --> 00:32:12,880
Speaker 3: the porno guy played by Bob very kind to him,

658
00:32:13,120 --> 00:32:15,120
Speaker 3: wants him out of there. He gets a dirty look

659
00:32:15,160 --> 00:32:17,480
Speaker 3: from the wife. And by the way, I would guess

660
00:32:17,640 --> 00:32:20,440
Speaker 3: this has happened to him, either with a watch or

661
00:32:20,560 --> 00:32:23,320
Speaker 3: something else, that this has happened to him. This feels

662
00:32:23,440 --> 00:32:25,400
Speaker 3: like he's dealing with something.

663
00:32:25,600 --> 00:32:28,720
Speaker 1: But he gets a welcome from Bob. But Bob fox

664
00:32:28,840 --> 00:32:30,880
Speaker 1: up because he gives them the wrong directions.

665
00:32:31,120 --> 00:32:32,840
Speaker 3: Yeah, but he didn't do that on purpose.

666
00:32:32,880 --> 00:32:35,560
Speaker 2: Yes he did. Initially he did it on purpose.

667
00:32:35,760 --> 00:32:38,000
Speaker 3: Wait, he gave Larry the wrong Where did you pick

668
00:32:38,080 --> 00:32:39,000
Speaker 3: that up to me?

669
00:32:39,240 --> 00:32:41,640
Speaker 2: I felt like he purposely gave him the wrong directions.

670
00:32:41,800 --> 00:32:43,720
Speaker 3: That makes no sense. He's coming to his house for

671
00:32:43,800 --> 00:32:44,240
Speaker 3: a party.

672
00:32:44,680 --> 00:32:46,760
Speaker 1: No, when he leaves, when he goes back in to

673
00:32:46,880 --> 00:32:51,040
Speaker 1: get the watch, and then he says, can I have directions.

674
00:32:50,520 --> 00:32:51,080
Speaker 2: To get home?

675
00:32:51,280 --> 00:32:52,280
Speaker 3: And doesn't Bob say?

676
00:32:52,360 --> 00:32:53,920
Speaker 2: And Gil writes down directions.

677
00:32:54,080 --> 00:32:56,040
Speaker 3: I thought he was going. He went to his room

678
00:32:56,160 --> 00:32:57,240
Speaker 3: to get a copy of it.

679
00:32:57,680 --> 00:33:00,240
Speaker 1: I took it as he purposely wrote down on the

680
00:33:00,280 --> 00:33:02,120
Speaker 1: wrong directions for Larry to get lost.

681
00:33:02,600 --> 00:33:04,760
Speaker 2: Maybe he did well, maybe we interpreted it.

682
00:33:04,880 --> 00:33:06,440
Speaker 3: By the way, here's what I want, what I want

683
00:33:06,520 --> 00:33:08,840
Speaker 3: to say, and this has always worked for me. You

684
00:33:08,960 --> 00:33:11,680
Speaker 3: are right, Susie, And I say that with completely.

685
00:33:11,760 --> 00:33:14,320
Speaker 2: That's a married man. That's a man who's been married.

686
00:33:14,480 --> 00:33:16,960
Speaker 3: Yes. No, But I know it's like, do I have

687
00:33:17,120 --> 00:33:21,120
Speaker 3: to be right? And I'm guessing with my recollection and

688
00:33:21,200 --> 00:33:22,240
Speaker 3: the way I look at things.

689
00:33:22,600 --> 00:33:25,080
Speaker 1: I don't know that you know it was an interpretation,

690
00:33:25,240 --> 00:33:27,440
Speaker 1: so I could be who knows. We would have to

691
00:33:27,560 --> 00:33:29,800
Speaker 1: ask Larry car Larry.

692
00:33:29,960 --> 00:33:33,000
Speaker 3: I would be shocked by the way working tomorrow. Let's

693
00:33:33,040 --> 00:33:33,640
Speaker 3: ask Larry.

694
00:33:33,920 --> 00:33:35,000
Speaker 2: And he's not going to remarry.

695
00:33:35,080 --> 00:33:37,080
Speaker 3: No, but I would like to see he's going to try.

696
00:33:37,400 --> 00:33:38,040
Speaker 3: He's going to try.

697
00:33:38,200 --> 00:33:39,680
Speaker 2: He goes back to get the watch.

698
00:33:39,960 --> 00:33:40,160
Speaker 3: Yeah.

699
00:33:40,240 --> 00:33:42,560
Speaker 1: He says to Gil, can you give me directions home?

700
00:33:42,640 --> 00:33:44,760
Speaker 1: And Gil's like, oh yeah, yeah. He writes them down

701
00:33:45,320 --> 00:33:47,200
Speaker 1: right at the barn? Left at the barn? Was that

702
00:33:47,280 --> 00:33:49,800
Speaker 1: a barn that completely lost? I felt like he did

703
00:33:49,840 --> 00:33:52,200
Speaker 1: it on purpose, purposely gave him bad direction.

704
00:33:52,360 --> 00:33:54,479
Speaker 3: Right, I want to say something else, And by way,

705
00:33:54,480 --> 00:33:56,440
Speaker 3: why are you explaining it again? I just said you

706
00:33:56,480 --> 00:33:58,480
Speaker 3: were right. There was no need to explain it.

707
00:33:58,560 --> 00:33:59,680
Speaker 2: It might not be right. I don't know.

708
00:34:00,160 --> 00:34:01,960
Speaker 3: Well, you can be as humble as you want. I

709
00:34:02,080 --> 00:34:06,200
Speaker 3: think you were right, But I think there are more

710
00:34:06,360 --> 00:34:10,400
Speaker 3: things on the show that everyone can associate with, especially

711
00:34:11,040 --> 00:34:16,600
Speaker 3: doddering men like myself, who has ADHD bipular the whole festival.

712
00:34:16,800 --> 00:34:20,480
Speaker 3: There isn't a time or I leave my house and

713
00:34:20,600 --> 00:34:23,400
Speaker 3: I haven't left something I need inside the house. My

714
00:34:23,560 --> 00:34:26,120
Speaker 3: record is four times, four times I've sat in the

715
00:34:26,200 --> 00:34:28,080
Speaker 3: car and I have to go back in the house

716
00:34:28,400 --> 00:34:29,359
Speaker 3: four times the pain.

717
00:34:29,520 --> 00:34:32,760
Speaker 2: What do you leave? Mostly your phone, your credit cards?

718
00:34:33,000 --> 00:34:35,239
Speaker 3: Well, no things I have to bring with I know

719
00:34:35,360 --> 00:34:37,480
Speaker 3: when I come here, my notebook with the notes from

720
00:34:37,560 --> 00:34:41,680
Speaker 3: the episode. I've forgotten that before or where was the

721
00:34:41,760 --> 00:34:43,440
Speaker 3: time where I had to go back to my car.

722
00:34:44,120 --> 00:34:46,120
Speaker 3: Maybe it was the day we filmed the hour thing.

723
00:34:46,160 --> 00:34:48,200
Speaker 3: You're yeah, I go back to my car because I

724
00:34:48,360 --> 00:34:50,919
Speaker 3: left the notebook in the car. The point I'm making

725
00:34:51,040 --> 00:34:53,480
Speaker 3: is it constantly happens, and there have been so many

726
00:34:53,600 --> 00:34:57,600
Speaker 3: times on our show where I've associated with something that

727
00:34:57,719 --> 00:35:00,359
Speaker 3: it's been an association, and I don't I don't think

728
00:35:00,360 --> 00:35:02,960
Speaker 3: it's unique to being a comedy guy.

729
00:35:03,120 --> 00:35:06,280
Speaker 2: Don't you think that that is part of the allure

730
00:35:06,480 --> 00:35:06,960
Speaker 2: of the show.

731
00:35:07,160 --> 00:35:09,680
Speaker 3: Oh no, No, I definitely do. But I'm saying, I

732
00:35:09,719 --> 00:35:11,839
Speaker 3: don't know how many people feel the same way.

733
00:35:12,080 --> 00:35:14,600
Speaker 1: I think that people watch the show and they completely

734
00:35:14,800 --> 00:35:18,160
Speaker 1: relate to all Larry's fuck ups. So then he goes

735
00:35:18,200 --> 00:35:21,640
Speaker 1: to our house and you had given him the alarm coat?

736
00:35:21,800 --> 00:35:23,000
Speaker 1: Is it eight eight six six?

737
00:35:23,160 --> 00:35:24,480
Speaker 2: Is it nine to nine? Eight eight?

738
00:35:24,760 --> 00:35:28,200
Speaker 1: He's turning it up side the way eight eight nine

739
00:35:28,360 --> 00:35:32,520
Speaker 1: nine alarm coats? Like you know they were a fucking nightmare. Yes,

740
00:35:32,800 --> 00:35:35,000
Speaker 1: he does the alarm he goes to get the porn.

741
00:35:35,560 --> 00:35:37,880
Speaker 1: Now this we really need to have Bob talk about

742
00:35:38,200 --> 00:35:41,080
Speaker 1: that clip of Gil in the bad Wig.

743
00:35:41,680 --> 00:35:43,600
Speaker 3: Well, by the way, how about him chopping during the

744
00:35:43,680 --> 00:35:44,359
Speaker 3: karate chop?

745
00:35:44,719 --> 00:35:45,279
Speaker 2: Hilarious?

746
00:35:45,640 --> 00:35:47,880
Speaker 3: I mean, he makes it so bad. But what he

747
00:35:48,000 --> 00:35:51,480
Speaker 3: wants to talk about is the montage of him having

748
00:35:51,600 --> 00:35:54,160
Speaker 3: to look like he's having sex with these women. And

749
00:35:54,239 --> 00:35:56,560
Speaker 3: I believe during the montage they were topless.

750
00:35:56,600 --> 00:35:59,239
Speaker 2: I don't know if they were topless. They were topless, and.

751
00:36:00,000 --> 00:36:02,560
Speaker 3: I'd have been porn actresses for all I know. I'm

752
00:36:02,640 --> 00:36:05,680
Speaker 3: betting they were. I remember them being porn it because

753
00:36:05,680 --> 00:36:08,800
Speaker 3: you don't hire a regular actress to pretend they're in

754
00:36:08,840 --> 00:36:11,760
Speaker 3: a porn movie with their tops off. You want somebody

755
00:36:11,800 --> 00:36:14,800
Speaker 3: who's comfortable in that situation, and when we filmed it,

756
00:36:15,320 --> 00:36:18,759
Speaker 3: I know that Bob was uncomfortable, and that was uncomfortable.

757
00:36:18,840 --> 00:36:22,360
Speaker 3: And by the way, I purpose I purposely didn't go

758
00:36:22,520 --> 00:36:25,040
Speaker 3: to set because I didn't want to watch them have

759
00:36:25,120 --> 00:36:25,719
Speaker 3: to go through that.

760
00:36:26,160 --> 00:36:27,600
Speaker 2: We'll be right back to stay tuned.

761
00:36:35,040 --> 00:36:41,920
Speaker 1: Okay, we're here with Bob Altenkirk porno'gill one of the

762
00:36:42,040 --> 00:36:45,200
Speaker 1: funniest episodes. What do you remember about that, Bob?

763
00:36:45,760 --> 00:36:49,239
Speaker 4: I remember I got a phone call saying, come up

764
00:36:49,320 --> 00:36:53,239
Speaker 4: with two stories that are inappropriate as though you had

765
00:36:53,280 --> 00:36:54,319
Speaker 4: been a porn star.

766
00:36:55,080 --> 00:36:55,800
Speaker 3: Really fun to do.

767
00:36:56,000 --> 00:37:00,160
Speaker 4: I sat down and wrote out two stories and and

768
00:37:00,239 --> 00:37:03,680
Speaker 4: I just remember that it was the most fun shooting

769
00:37:04,000 --> 00:37:07,319
Speaker 4: since Mister Show, and in some ways more fun than

770
00:37:07,360 --> 00:37:09,399
Speaker 4: Mister Show because I was a writer on Mister Show

771
00:37:09,440 --> 00:37:12,680
Speaker 4: and all the other things responsibilities, yes, plus as well.

772
00:37:13,080 --> 00:37:15,799
Speaker 4: I mean, we didn't improvise on Mister Show a lot.

773
00:37:16,000 --> 00:37:20,040
Speaker 4: We did some, but it's just the best way to

774
00:37:20,200 --> 00:37:23,719
Speaker 4: do character comedy, I think, is to have it be

775
00:37:24,360 --> 00:37:28,920
Speaker 4: at least semi improvised. At least I mean Judd obviously

776
00:37:29,320 --> 00:37:32,680
Speaker 4: improvises and writes a script, but then improvises a lot.

777
00:37:33,440 --> 00:37:36,520
Speaker 4: But you guys go off even more of a just

778
00:37:36,600 --> 00:37:38,960
Speaker 4: an outline, and I think it's the best way to go.

779
00:37:39,239 --> 00:37:40,399
Speaker 4: It's just you get the best.

780
00:37:41,040 --> 00:37:42,320
Speaker 1: It's the best way to go if you have the

781
00:37:42,400 --> 00:37:44,719
Speaker 1: right people do well. Yeah, that's pre rapt And you

782
00:37:44,840 --> 00:37:47,680
Speaker 1: were amazing in this episode. I mean you're amazing in everything,

783
00:37:47,719 --> 00:37:51,440
Speaker 1: but you were amazing in this episode. The Tabasco story

784
00:37:52,160 --> 00:37:54,279
Speaker 1: was just you know, which you pulled that one out

785
00:37:54,280 --> 00:37:54,799
Speaker 1: of your ass.

786
00:37:55,400 --> 00:37:59,400
Speaker 3: That's right. I forget what the other story was, but

787
00:37:59,520 --> 00:38:02,800
Speaker 3: it was wasn't wasn't. Oh no, the Tabasct story was that.

788
00:38:02,840 --> 00:38:06,360
Speaker 3: I thought it was something like fidadio, you know, shitting

789
00:38:06,400 --> 00:38:08,320
Speaker 3: on the table or something. I think it was. I

790
00:38:08,360 --> 00:38:09,800
Speaker 3: think it was a shitting on the table.

791
00:38:11,480 --> 00:38:13,320
Speaker 2: One doesn't love a shitting on the table story?

792
00:38:13,560 --> 00:38:15,239
Speaker 3: And who doesn't love making a ship out?

793
00:38:15,520 --> 00:38:17,520
Speaker 4: Well, let me just say, you know, you go along

794
00:38:17,600 --> 00:38:20,360
Speaker 4: in this business, you do all kinds of stuff and

795
00:38:21,000 --> 00:38:23,920
Speaker 4: you're thankful for every job. But then every once in

796
00:38:23,960 --> 00:38:26,080
Speaker 4: a while you do a job where you go, oh,

797
00:38:26,280 --> 00:38:30,280
Speaker 4: that's why I got into this damning you like forgot

798
00:38:30,960 --> 00:38:35,160
Speaker 4: you like when years without you know, getting in touch

799
00:38:35,320 --> 00:38:41,320
Speaker 4: with that fun and excellence and kind of purity that

800
00:38:41,560 --> 00:38:43,680
Speaker 4: made you want to suffer all this ship in the

801
00:38:43,719 --> 00:38:44,360
Speaker 4: first place.

802
00:38:44,760 --> 00:38:46,120
Speaker 3: It's crazy, And.

803
00:38:46,160 --> 00:38:48,919
Speaker 1: I think that's also why one does stand up, because

804
00:38:48,960 --> 00:38:50,080
Speaker 1: you have so much more control.

805
00:38:50,239 --> 00:38:52,360
Speaker 3: Well, you guys like to stand up more than I do.

806
00:38:52,520 --> 00:38:56,560
Speaker 3: That's the other night I don't. I'm the only one.

807
00:38:58,080 --> 00:39:00,000
Speaker 2: I'm done. I ain't doing it no more. Baby.

808
00:39:00,160 --> 00:39:03,239
Speaker 4: Well, my friend David Cross loves it. I have so

809
00:39:03,400 --> 00:39:05,520
Speaker 4: many friends who love stand up.

810
00:39:05,600 --> 00:39:07,600
Speaker 1: I think that's why people love it because they have

811
00:39:07,760 --> 00:39:09,719
Speaker 1: control in a way that when you do other things

812
00:39:09,800 --> 00:39:10,200
Speaker 1: you don't.

813
00:39:10,600 --> 00:39:14,640
Speaker 3: You're at the mercy of whoever you're working with. Whoever

814
00:39:14,719 --> 00:39:18,799
Speaker 3: there's so someone I know just called me and said

815
00:39:18,840 --> 00:39:22,160
Speaker 3: I was offered a job on this show, and the

816
00:39:22,280 --> 00:39:26,319
Speaker 3: only thing I asked her was who is the showrunner?

817
00:39:26,680 --> 00:39:29,480
Speaker 3: Who is the person in charge? Because that will set

818
00:39:29,520 --> 00:39:33,279
Speaker 3: the tone for everything. Larry David is in charge on

819
00:39:33,400 --> 00:39:38,200
Speaker 3: our show. Therefore the dominoes go boom one after another.

820
00:39:38,640 --> 00:39:40,600
Speaker 3: As a matter of fact, I'll sit on the curb

821
00:39:40,680 --> 00:39:44,440
Speaker 3: set Bob, and I'll think to myself, Oh, this is

822
00:39:44,560 --> 00:39:48,440
Speaker 3: what I do, And whenever Curb ends, it makes me

823
00:39:48,680 --> 00:39:53,600
Speaker 3: sad for obvious reasons, but also I think curb is

824
00:39:53,760 --> 00:39:58,040
Speaker 3: right now the last bastion of any type of show.

825
00:39:58,520 --> 00:40:01,399
Speaker 3: That I moved to Hollywood for, Like, I don't see

826
00:40:01,440 --> 00:40:04,600
Speaker 3: other comedies that have this feeling for me.

827
00:40:05,120 --> 00:40:07,600
Speaker 2: But Bob is so a collective. I mean, you go

828
00:40:07,719 --> 00:40:10,920
Speaker 2: from Porno Gill to mister March. You know what I mean.

829
00:40:11,040 --> 00:40:13,200
Speaker 2: I mean, that's like really a range.

830
00:40:13,520 --> 00:40:15,319
Speaker 3: Thank you, Yes, I know what you mean.

831
00:40:15,400 --> 00:40:19,040
Speaker 4: Yeah, I've had a crazy range I've been given to

832
00:40:19,200 --> 00:40:22,719
Speaker 4: do and I value it greatly. It's really what I

833
00:40:22,840 --> 00:40:25,600
Speaker 4: look for is you know the show I just did

834
00:40:25,719 --> 00:40:28,759
Speaker 4: called Lucky Hank. The reason I did is because it's

835
00:40:28,840 --> 00:40:30,360
Speaker 4: so different from Saul and.

836
00:40:30,400 --> 00:40:32,439
Speaker 3: What is that? Oh, it's a show for a MC.

837
00:40:33,160 --> 00:40:36,120
Speaker 4: It's based on a Richard Russo novel where I play

838
00:40:36,160 --> 00:40:39,640
Speaker 4: a professor and he's a crabby guy and he's funny,

839
00:40:39,680 --> 00:40:42,040
Speaker 4: he makes jokes all the time, and it's about the

840
00:40:42,120 --> 00:40:45,880
Speaker 4: tensions of academia and it's about his family and his

841
00:40:46,160 --> 00:40:49,719
Speaker 4: family tensions, which I think are relatable. Academia less so.

842
00:40:50,400 --> 00:40:54,000
Speaker 4: But maybe we can get people to understand the craziness

843
00:40:54,320 --> 00:40:58,920
Speaker 4: of that little work situation where people get tenure, you know,

844
00:40:59,280 --> 00:41:01,920
Speaker 4: and then they don't have to worry about their job.

845
00:41:01,800 --> 00:41:04,480
Speaker 1: Anymore, and then they don't care about that job anymore.

846
00:41:04,760 --> 00:41:04,960
Speaker 3: Yeah.

847
00:41:05,320 --> 00:41:09,040
Speaker 4: Right, it's a weird thing. It's a weird Richard Russo said,

848
00:41:09,120 --> 00:41:10,840
Speaker 4: you kill yourself to get tenure.

849
00:41:11,000 --> 00:41:11,879
Speaker 3: I talked to the writer.

850
00:41:12,080 --> 00:41:13,799
Speaker 2: He's a great writer, and he.

851
00:41:13,920 --> 00:41:16,319
Speaker 4: Goes, you know, you kill yourself to get this thing,

852
00:41:16,360 --> 00:41:19,120
Speaker 4: and then when you get it, something weird happens, and

853
00:41:19,239 --> 00:41:22,320
Speaker 4: your world kind of transforms, and not necessarily in a

854
00:41:22,440 --> 00:41:25,960
Speaker 4: great way. You don't know how to judge your value.

855
00:41:26,080 --> 00:41:26,600
Speaker 3: Every day.

856
00:41:27,120 --> 00:41:28,960
Speaker 4: You're not going to be fired and you're not going

857
00:41:29,040 --> 00:41:32,320
Speaker 4: to get a raise, and so every day becomes this

858
00:41:32,520 --> 00:41:36,480
Speaker 4: fight about let me speak first, or give me the

859
00:41:36,719 --> 00:41:40,400
Speaker 4: honorary thing, or I got published in this magazine. You

860
00:41:40,560 --> 00:41:43,600
Speaker 4: got published in a better magazine. The rest of us

861
00:41:43,960 --> 00:41:47,600
Speaker 4: are jobs, and our journey through our careers is how

862
00:41:47,680 --> 00:41:50,080
Speaker 4: we judge our value and how what we fight for

863
00:41:50,280 --> 00:41:52,600
Speaker 4: every day when we wake up. When you get tenure,

864
00:41:53,239 --> 00:41:53,800
Speaker 4: you don't.

865
00:41:53,640 --> 00:41:55,640
Speaker 3: Have to wake up. You end up.

866
00:41:55,640 --> 00:41:58,160
Speaker 2: Who's afraid of Virginia Wolf? Is what happens.

867
00:41:58,280 --> 00:42:02,160
Speaker 4: Yeah, right, right, So anyway, the point is, though, I mean,

868
00:42:02,239 --> 00:42:04,840
Speaker 4: I read this script and it was so vastly different

869
00:42:04,920 --> 00:42:07,520
Speaker 4: from Saul. I mean, there's no guns in it, there's

870
00:42:07,560 --> 00:42:10,880
Speaker 4: no drugs in it. Nobody's gonna die. My wife loves me,

871
00:42:11,040 --> 00:42:13,239
Speaker 4: I love her. My daughter loves me.

872
00:42:13,400 --> 00:42:13,960
Speaker 3: I love her.

873
00:42:15,080 --> 00:42:17,600
Speaker 4: It's just I mean, Saul was such a loner and

874
00:42:18,560 --> 00:42:21,040
Speaker 4: his world was so scary and all. But so I

875
00:42:21,480 --> 00:42:24,160
Speaker 4: you know, and the difference between Saul and Curb is

876
00:42:24,280 --> 00:42:26,680
Speaker 4: so wide. Yeah, but if I had to stick to

877
00:42:26,840 --> 00:42:29,400
Speaker 4: one thing, my dream would be.

878
00:42:29,560 --> 00:42:30,479
Speaker 3: A show like KRP.

879
00:42:31,080 --> 00:42:33,879
Speaker 1: Well that's why, you know, And I'm speaking for you now, Jeff.

880
00:42:34,239 --> 00:42:36,800
Speaker 1: I think we feel so incredibly lucky that we're on

881
00:42:36,920 --> 00:42:40,440
Speaker 1: season twelve now, it's like amazing. So I want to

882
00:42:40,480 --> 00:42:44,399
Speaker 1: talk about your reenactment of the porno films when you're

883
00:42:44,440 --> 00:42:44,879
Speaker 1: in the wig.

884
00:42:46,280 --> 00:42:47,160
Speaker 2: It's so funny.

885
00:42:47,320 --> 00:42:48,799
Speaker 3: Let's talk about that reenactment.

886
00:42:48,880 --> 00:42:52,400
Speaker 4: We shot it at a motel, of course, up the

887
00:42:52,520 --> 00:42:58,240
Speaker 4: two I think maybe up the five, middle of fucking nowhere,

888
00:42:58,760 --> 00:43:02,799
Speaker 4: you know, sun baked motel, laid out flat. It had

889
00:43:02,840 --> 00:43:06,400
Speaker 4: a pretty amazing sign if I remember, it was all faded,

890
00:43:06,480 --> 00:43:07,400
Speaker 4: of course, but it was.

891
00:43:08,920 --> 00:43:10,880
Speaker 3: What is the name of that? It's where they shoot

892
00:43:10,920 --> 00:43:14,759
Speaker 3: all the porns in north north of Hollywood. What do

893
00:43:14,840 --> 00:43:15,320
Speaker 3: they call that?

894
00:43:16,880 --> 00:43:21,640
Speaker 4: It's west of the five, right, Actually that's where Vince

895
00:43:21,719 --> 00:43:25,000
Speaker 4: had sat Breaking Bad, but it went to Albuquerque because

896
00:43:25,040 --> 00:43:26,200
Speaker 4: of text reasons.

897
00:43:26,280 --> 00:43:28,480
Speaker 3: By the way, you might have enjoyed it more if

898
00:43:28,520 --> 00:43:30,319
Speaker 3: it was closer. Yeah, I would.

899
00:43:30,320 --> 00:43:33,040
Speaker 4: Being away from my family was very hard on us.

900
00:43:33,400 --> 00:43:36,600
Speaker 4: But look, the two actresses with me, I don't think

901
00:43:36,719 --> 00:43:37,640
Speaker 4: had any training.

902
00:43:39,239 --> 00:43:40,240
Speaker 3: I'm sorry for laughing.

903
00:43:40,480 --> 00:43:42,719
Speaker 4: I don't think they had any training, and I don't

904
00:43:42,760 --> 00:43:45,399
Speaker 4: think they had SAG cards and I don't think they

905
00:43:46,120 --> 00:43:47,160
Speaker 4: ever worked again.

906
00:43:48,600 --> 00:43:49,800
Speaker 2: Did you feel any awkward?

907
00:43:49,840 --> 00:43:53,800
Speaker 1: Oh my god, yes, yeah, I mean I would totally

908
00:43:53,880 --> 00:43:54,680
Speaker 1: feel awkward in that.

909
00:43:54,760 --> 00:43:57,280
Speaker 3: Seruisay, I've done I've done everything.

910
00:43:57,360 --> 00:44:01,000
Speaker 4: I've gotten naked in Radio City for Comic Relief eight,

911
00:44:01,200 --> 00:44:06,640
Speaker 4: totally naked, and uh, this was the most embarrassing unpleasant

912
00:44:07,080 --> 00:44:11,080
Speaker 4: shoot of my life really because we had.

913
00:44:11,040 --> 00:44:13,520
Speaker 3: Like, you know, nudy underwear on you. Yeah.

914
00:44:13,640 --> 00:44:15,920
Speaker 2: Yeah, I'm sorry.

915
00:44:15,960 --> 00:44:19,320
Speaker 4: I I mean, what is the difference between having sex?

916
00:44:20,040 --> 00:44:23,800
Speaker 4: I know what sex is, but the difference after the

917
00:44:23,960 --> 00:44:25,879
Speaker 4: difference after a few minutes.

918
00:44:26,200 --> 00:44:28,480
Speaker 3: Is not that much.

919
00:44:31,840 --> 00:44:33,640
Speaker 2: I mean it's a long time ago.

920
00:44:33,760 --> 00:44:35,600
Speaker 3: Yeah, it's really unpleasant.

921
00:44:35,719 --> 00:44:39,759
Speaker 4: No, I remember thinking fake sex when it's done this

922
00:44:40,200 --> 00:44:43,640
Speaker 4: graphically is pretty you know, well, why don't we just

923
00:44:43,719 --> 00:44:44,160
Speaker 4: have sex?

924
00:44:44,600 --> 00:44:46,319
Speaker 3: Yeah? Take this off?

925
00:44:46,920 --> 00:44:49,239
Speaker 1: Don't you think that that happens sometimes? And with like

926
00:44:49,440 --> 00:44:50,560
Speaker 1: you know, people doing.

927
00:44:50,440 --> 00:44:53,640
Speaker 3: Something, there are a couple of them, don't look now.

928
00:44:54,200 --> 00:44:57,480
Speaker 3: With Julie Christie and Donald Sutherland, it's been rumored that

929
00:44:57,600 --> 00:45:01,200
Speaker 3: they had sex and I forgot the other one, no tattoo.

930
00:45:01,960 --> 00:45:06,080
Speaker 3: With Bruce Dern and Maud Maud Evans I believe is

931
00:45:06,120 --> 00:45:09,839
Speaker 3: her name, that was Adams, Maud Adams, that they supposedly

932
00:45:09,920 --> 00:45:12,000
Speaker 3: had real sex. And these are rumors that I heard

933
00:45:12,040 --> 00:45:13,040
Speaker 3: from when I was a little boy.

934
00:45:13,239 --> 00:45:15,600
Speaker 2: You could see how that would happen, Like you, Yeah,

935
00:45:15,840 --> 00:45:16,480
Speaker 2: I know, why not?

936
00:45:17,080 --> 00:45:17,920
Speaker 1: I just do it?

937
00:45:18,239 --> 00:45:21,680
Speaker 3: Yet? Can I be honest? I get turned on walking

938
00:45:21,760 --> 00:45:24,920
Speaker 3: in my house with nude underwear on, I really do,

939
00:45:25,719 --> 00:45:29,920
Speaker 3: and everyone everyone around me just reacts and they're disinterested.

940
00:45:30,719 --> 00:45:32,720
Speaker 3: They roll their eyes or they don't even notice.

941
00:45:32,880 --> 00:45:36,160
Speaker 2: But I'm turned on so so pot That's interesting though,

942
00:45:36,200 --> 00:45:38,880
Speaker 2: that you it was so awkward for you, it was gross.

943
00:45:39,239 --> 00:45:41,800
Speaker 1: It was hilarious though. Weren't you so happy with the

944
00:45:41,880 --> 00:45:43,120
Speaker 1: outcome when you saw.

945
00:45:42,960 --> 00:45:45,719
Speaker 3: How funny it was? Yeah? I loved it. I loved it.

946
00:45:45,880 --> 00:45:48,160
Speaker 4: I loved I love that we were doing it, And

947
00:45:48,760 --> 00:45:50,440
Speaker 4: as awkward as it was, I knew it would be

948
00:45:50,520 --> 00:45:53,560
Speaker 4: a great caper to the episode at the end there,

949
00:45:54,120 --> 00:45:56,400
Speaker 4: but you know, telling the dinner party story was the

950
00:45:56,520 --> 00:45:57,080
Speaker 4: most fun.

951
00:45:57,640 --> 00:45:57,759
Speaker 3: Uh.

952
00:45:57,960 --> 00:46:01,080
Speaker 4: And I think pretty quickly Larry chose that story over

953
00:46:01,160 --> 00:46:02,000
Speaker 4: the other one that I.

954
00:46:02,040 --> 00:46:05,480
Speaker 1: Agree, Well, I would see him choosing the tabasco over shitting.

955
00:46:05,680 --> 00:46:11,880
Speaker 3: Yeah. Yeah, he doesn't like scatological stuff. No, he doesn't,

956
00:46:12,000 --> 00:46:14,359
Speaker 3: not at all. He's offended by it, to be honest.

957
00:46:14,360 --> 00:46:16,560
Speaker 1: The reason that was so much more fun, I think

958
00:46:16,719 --> 00:46:19,000
Speaker 1: is because you're there acting with all these other great

959
00:46:19,200 --> 00:46:22,160
Speaker 1: you know, with Larry and Cheryl and that terrific woman

960
00:46:22,160 --> 00:46:22,879
Speaker 1: who played your wife.

961
00:46:23,000 --> 00:46:23,920
Speaker 2: Her name escapes me.

962
00:46:24,280 --> 00:46:25,920
Speaker 3: Oops, I know we're from Chicago.

963
00:46:26,120 --> 00:46:30,520
Speaker 1: Oh yeah, that's more fun than re enacting a porn

964
00:46:30,640 --> 00:46:31,600
Speaker 1: film with two yes.

965
00:46:31,960 --> 00:46:36,120
Speaker 3: Yes? And who else was in that scene with me? Paul? Yeah,

966
00:46:36,200 --> 00:46:37,800
Speaker 3: Paul was there, perfect and his wife.

967
00:46:38,120 --> 00:46:41,520
Speaker 4: They're actors, they are second city people, and they're great

968
00:46:41,600 --> 00:46:42,440
Speaker 4: comic actors.

969
00:46:42,760 --> 00:46:45,319
Speaker 3: Yeah. And Larry came up with the lion the house

970
00:46:45,360 --> 00:46:47,120
Speaker 3: they com built, I think. I don't know who came

971
00:46:47,200 --> 00:46:49,000
Speaker 3: up with it. I didn't. It's a great line.

972
00:46:49,160 --> 00:46:51,120
Speaker 2: I didn't write the house the coum built. That is

973
00:46:51,160 --> 00:46:51,759
Speaker 2: a great line.

974
00:46:51,800 --> 00:46:53,919
Speaker 3: And I don't. I don't. That doesn't sound like something

975
00:46:53,960 --> 00:46:56,440
Speaker 3: I would come up with, But I may have. You

976
00:46:56,520 --> 00:46:59,600
Speaker 3: may have. I did not, And I thought it was

977
00:46:59,640 --> 00:47:03,880
Speaker 3: a great line. And Bob, I've mentioned to you my

978
00:47:04,120 --> 00:47:07,480
Speaker 3: favorite moment in that episode, because every episode there's a

979
00:47:07,600 --> 00:47:11,479
Speaker 3: little thing that just tickles me, and I can watch

980
00:47:11,600 --> 00:47:13,800
Speaker 3: over and over and over again. Do you know what

981
00:47:13,840 --> 00:47:16,920
Speaker 3: I'm gonna mention? No, the little the little bottles of

982
00:47:17,000 --> 00:47:21,640
Speaker 3: alcohol which were in the house. Yes, when we got there,

983
00:47:21,640 --> 00:47:24,640
Speaker 3: it wasn't like something our set designer put in. Of

984
00:47:24,760 --> 00:47:27,360
Speaker 3: course you would love that, and I do too. That

985
00:47:28,239 --> 00:47:31,560
Speaker 3: just destroyed me. And you pointed them out and you said,

986
00:47:31,800 --> 00:47:35,840
Speaker 3: this is my You made it so simple, this is

987
00:47:35,960 --> 00:47:41,800
Speaker 3: my collection of small bottles. It I know. It lled me.

988
00:47:42,040 --> 00:47:43,839
Speaker 4: I love it more than the house that come built,

989
00:47:43,880 --> 00:47:48,839
Speaker 4: which is very funny, very funny, just so dumb. And yes,

990
00:47:48,960 --> 00:47:53,719
Speaker 4: those little bottles were there as a decoration by the homeowner, sous.

991
00:47:53,840 --> 00:47:55,600
Speaker 3: There were hundreds upon hundreds of them.

992
00:47:55,880 --> 00:47:59,000
Speaker 1: But that's the joy of working this way is that

993
00:47:59,440 --> 00:48:01,640
Speaker 1: you turn it when you see the little bottles, and

994
00:48:01,760 --> 00:48:03,719
Speaker 1: then they become a part of your Yeah.

995
00:48:03,800 --> 00:48:08,040
Speaker 3: But most people who are not good improvisers and not

996
00:48:08,280 --> 00:48:11,440
Speaker 3: paying attention to if you're improvising, you have to have

997
00:48:11,600 --> 00:48:16,000
Speaker 3: three hundred and sixty degrees around you to notice. So, Bob,

998
00:48:16,680 --> 00:48:20,200
Speaker 3: you know God bless him and his talents. Saw the bottles, Well,

999
00:48:20,200 --> 00:48:23,560
Speaker 3: they're not going to be ignored because inside Bob is

1000
00:48:23,640 --> 00:48:25,719
Speaker 3: looking at going what the fuck is that? All right, well,

1001
00:48:25,760 --> 00:48:28,719
Speaker 3: this is my little bottle collection. And that's what I'm

1002
00:48:28,760 --> 00:48:32,040
Speaker 3: describing is milliseconds in his brain. But it was a

1003
00:48:32,120 --> 00:48:32,720
Speaker 3: thing of beauty.

1004
00:48:32,840 --> 00:48:35,800
Speaker 4: Yeah, because you know, if you're in somebody's house and

1005
00:48:35,880 --> 00:48:38,160
Speaker 4: they're talking about all this shit around them and they

1006
00:48:38,280 --> 00:48:42,279
Speaker 4: point to something completely inconsequential that you don't need an

1007
00:48:42,280 --> 00:48:46,160
Speaker 4: explanation for anyways, you know, that's what you can do

1008
00:48:46,600 --> 00:48:50,719
Speaker 4: in an improv scene with good actors around you is

1009
00:48:50,920 --> 00:48:55,600
Speaker 4: the dry, tense, kind of unpro throwaway things, but the

1010
00:48:55,680 --> 00:48:58,719
Speaker 4: absurdest very oh so, by the way, not something you

1011
00:48:58,760 --> 00:49:01,440
Speaker 4: would write. Why would you ever writing a script?

1012
00:49:01,640 --> 00:49:04,480
Speaker 1: Right, Yeah, it's true, And there's so much gold that

1013
00:49:04,640 --> 00:49:06,520
Speaker 1: comes out of stuff in the moment.

1014
00:49:06,680 --> 00:49:10,680
Speaker 3: Brevity and being succinct are so often the keys to

1015
00:49:10,800 --> 00:49:11,800
Speaker 3: making that shit funny.

1016
00:49:11,880 --> 00:49:15,720
Speaker 4: Yeah, Leaven, something hanging that is just you know, a stupid,

1017
00:49:16,040 --> 00:49:20,040
Speaker 4: incidental but very specific truth about the moment is just

1018
00:49:20,160 --> 00:49:24,239
Speaker 4: a great thing to trip over. But here's the thing,

1019
00:49:24,480 --> 00:49:27,880
Speaker 4: think about that thing of when you write, you wouldn't

1020
00:49:27,920 --> 00:49:29,920
Speaker 4: write that for so many reasons.

1021
00:49:30,080 --> 00:49:31,439
Speaker 2: It wouldn't even come into your head.

1022
00:49:31,560 --> 00:49:34,640
Speaker 3: Right. Hey, I love you, pal, I will talk to

1023
00:49:34,680 --> 00:49:35,040
Speaker 3: you soon.

1024
00:49:35,280 --> 00:49:36,440
Speaker 2: Thank you, great to see you.

1025
00:49:36,680 --> 00:49:39,160
Speaker 3: Take care, guys, thanks for having me on now. I

1026
00:49:39,280 --> 00:49:43,000
Speaker 3: can't react on the air because he's recording it after

1027
00:49:43,320 --> 00:49:45,799
Speaker 3: we've recorded this. But he wanted to be a part

1028
00:49:45,880 --> 00:49:48,680
Speaker 3: of things. That was the specific thing he wanted to

1029
00:49:48,800 --> 00:49:50,439
Speaker 3: talk about on our show.

1030
00:49:51,160 --> 00:49:54,360
Speaker 1: We're comedians, We're not you know, regular actors who do

1031
00:49:54,520 --> 00:49:55,640
Speaker 1: sex scenes all the time.

1032
00:49:56,160 --> 00:49:59,040
Speaker 3: No, well, by the way, even for regular actors, no

1033
00:49:59,160 --> 00:50:01,560
Speaker 3: one gets off on sex scene unless they're well, you know.

1034
00:50:01,840 --> 00:50:04,840
Speaker 1: And what people need to understand is that this camera's

1035
00:50:04,880 --> 00:50:07,120
Speaker 1: all over and this makeup people, and you know it's

1036
00:50:07,480 --> 00:50:10,560
Speaker 1: not there's no intimacy, right well, you know now they

1037
00:50:10,640 --> 00:50:13,920
Speaker 1: have they have intimacy coaches and intimacy.

1038
00:50:13,840 --> 00:50:16,839
Speaker 3: Which, by the way, that is a really even though

1039
00:50:16,880 --> 00:50:19,680
Speaker 3: it sounds absurd, it's a I think you need it.

1040
00:50:20,000 --> 00:50:23,239
Speaker 3: I think it's a great addition because you know, I

1041
00:50:23,320 --> 00:50:25,160
Speaker 3: think most people are thrown by it.

1042
00:50:25,800 --> 00:50:26,120
Speaker 2: Okay.

1043
00:50:26,400 --> 00:50:28,880
Speaker 1: And then here we are at the end, Larry's watching the.

1044
00:50:28,880 --> 00:50:31,200
Speaker 3: Porn yes okay, sore at the end, and the mother

1045
00:50:31,680 --> 00:50:32,160
Speaker 3: catches him.

1046
00:50:32,360 --> 00:50:36,040
Speaker 1: Larry's watching the porn and Louis and Mina walking Louis face.

1047
00:50:36,360 --> 00:50:38,680
Speaker 3: By the way, that's what I wanted to end the

1048
00:50:38,719 --> 00:50:41,759
Speaker 3: show on. I love when Larry goes yeah, I know

1049
00:50:41,960 --> 00:50:45,600
Speaker 3: that guy or whatever he says, but Loui's.

1050
00:50:45,320 --> 00:50:48,479
Speaker 2: Face, Louis face, I mean, and he didn't say a word.

1051
00:50:48,640 --> 00:50:52,200
Speaker 3: He just made a face of disappointment, which put a

1052
00:50:52,280 --> 00:50:57,160
Speaker 3: smile on my face. To have worked with him, all of.

1053
00:50:57,239 --> 00:50:59,680
Speaker 1: Us, and it's a great place to end. It's the

1054
00:50:59,760 --> 00:51:02,640
Speaker 1: end of our podcast. It's the end of the episode.

1055
00:51:02,800 --> 00:51:05,000
Speaker 3: By the way. I do think that episode, and I

1056
00:51:05,120 --> 00:51:07,320
Speaker 3: know we're going in order and we've done it. I

1057
00:51:07,440 --> 00:51:13,640
Speaker 3: think that episode is excellent, and also the simplicity of

1058
00:51:13,719 --> 00:51:17,000
Speaker 3: it and how really every beat worked. There are some

1059
00:51:17,239 --> 00:51:19,360
Speaker 3: beats which I'm not afraid to point out that I

1060
00:51:19,440 --> 00:51:22,080
Speaker 3: didn't love. Maybe there was one early when I said that,

1061
00:51:22,239 --> 00:51:25,200
Speaker 3: well that won't work or that didn't work, but every

1062
00:51:25,280 --> 00:51:27,680
Speaker 3: beat in that show was fantastic.

1063
00:51:28,400 --> 00:51:32,560
Speaker 2: Also at this point they're standalones. Later on we got.

1064
00:51:32,440 --> 00:51:35,480
Speaker 3: Into the bar away. All the episodes are standalones.

1065
00:51:35,440 --> 00:51:38,200
Speaker 2: In season one, yes, and I've got some one of.

1066
00:51:38,239 --> 00:51:41,520
Speaker 3: Those comes up later in like season five or six,

1067
00:51:42,040 --> 00:51:42,920
Speaker 3: and I'll point out in.

1068
00:51:42,960 --> 00:51:46,359
Speaker 1: Each later seasons that have arcs, We frequently have one

1069
00:51:46,480 --> 00:51:49,600
Speaker 1: or two standalones within the arc, but we're gonna get

1070
00:51:49,600 --> 00:51:51,239
Speaker 1: to that, yeah next time.

1071
00:51:51,520 --> 00:51:54,920
Speaker 3: Yeah, all right, Thank you everyone who listened. The idea

1072
00:51:54,960 --> 00:51:57,560
Speaker 3: that you'd spend time with us is an.

1073
00:51:57,440 --> 00:51:58,360
Speaker 2: Honor, thrilling.

1074
00:51:58,640 --> 00:51:58,879
Speaker 3: Yeah.

1075
00:52:03,719 --> 00:52:07,000
Speaker 1: The history of Curb Your Enthusiasm is a production of iHeartRadio.

1076
00:52:07,160 --> 00:52:12,239
Speaker 1: For more podcasts from iHeartRadio, visit the iHeartRadio app, Apple Podcasts,

1077
00:52:12,400 --> 00:52:14,240
Speaker 1: or wherever you listen to your favorite shows.