WEBVTT - TGI - Episode 307 “Truth and Consequences”

0:00:17.440 --> 0:00:20.320
<v Speaker 1>We recently got asked a question from the brah Meats

0:00:20.360 --> 0:00:23.000
<v Speaker 1>World guys, and I know my answer, of course, but

0:00:23.040 --> 0:00:27.920
<v Speaker 1>I don't know y'all's answer, either of you ever done

0:00:28.120 --> 0:00:29.000
<v Speaker 1>media training?

0:00:30.400 --> 0:00:32.720
<v Speaker 2>No, no, I don't even know what that really means.

0:00:33.000 --> 0:00:35.560
<v Speaker 3>Is that different than astronaut training because I've done astronaut training.

0:00:35.600 --> 0:00:37.400
<v Speaker 1>Wait, you've done astronaut training?

0:00:37.760 --> 0:00:40.160
<v Speaker 2>Oh? No, wow, I was gonna believe you. I wish

0:00:40.159 --> 0:00:44.080
<v Speaker 2>I wish I had. I mean, yes, I did three

0:00:44.280 --> 0:00:45.400
<v Speaker 2>to media training.

0:00:45.159 --> 0:00:47.120
<v Speaker 3>Like seriously, like sitting down and hey, here's how you

0:00:47.120 --> 0:00:49.159
<v Speaker 3>addressed the camera, here's how you talked to I mean

0:00:49.320 --> 0:00:49.639
<v Speaker 3>like that.

0:00:49.800 --> 0:00:52.840
<v Speaker 2>I don't actually know. I don't really know. I haven't

0:00:52.840 --> 0:00:54.120
<v Speaker 2>done it either. That's what I was going to say.

0:00:54.160 --> 0:00:56.600
<v Speaker 1>I don't know exactly what media training is, but I

0:00:56.640 --> 0:01:00.520
<v Speaker 1>think it's I think, yeah, I think it's I actually

0:01:00.520 --> 0:01:04.280
<v Speaker 1>think it's kind of what we were talking about earlier off air,

0:01:04.680 --> 0:01:07.360
<v Speaker 1>which was the way.

0:01:09.760 --> 0:01:13.640
<v Speaker 2>And how you open up and responded to interviews as

0:01:13.640 --> 0:01:17.080
<v Speaker 2>opposed to just started a podcast and reaching forward. Yeah

0:01:17.120 --> 0:01:19.360
<v Speaker 2>we're not. We're not so good at that. No, just

0:01:19.440 --> 0:01:22.720
<v Speaker 2>kind of figured it out. We just invite everybody on

0:01:22.880 --> 0:01:24.960
<v Speaker 2>and see what happens. I know, but isn't that? What

0:01:25.360 --> 0:01:25.679
<v Speaker 2>isn't that?

0:01:25.720 --> 0:01:27.560
<v Speaker 3>The reason we started this is because we would sit

0:01:27.600 --> 0:01:31.600
<v Speaker 3>down and have earnest, honest, completely open conversations. The problem

0:01:31.720 --> 0:01:34.080
<v Speaker 3>is then we'll sit down with somebody from the press

0:01:34.880 --> 0:01:35.920
<v Speaker 3>and still do that.

0:01:36.000 --> 0:01:37.160
<v Speaker 2>We still do it.

0:01:37.520 --> 0:01:41.319
<v Speaker 1>I know, I do think this is a good I

0:01:41.360 --> 0:01:43.440
<v Speaker 1>and I think Will is this very much the same way.

0:01:43.480 --> 0:01:47.119
<v Speaker 1>But writer, maybe you're not this way. I still when

0:01:47.160 --> 0:01:50.280
<v Speaker 1>I know something, or even when I don't know, we

0:01:50.360 --> 0:01:53.040
<v Speaker 1>are currently in a situation where we know something is

0:01:53.080 --> 0:01:56.360
<v Speaker 1>going to be in the press, and I hate it.

0:01:57.280 --> 0:02:00.200
<v Speaker 1>I don't like being in the press. I don't don't

0:02:00.440 --> 0:02:01.760
<v Speaker 1>like articles.

0:02:01.280 --> 0:02:02.400
<v Speaker 2>Being written about us.

0:02:03.000 --> 0:02:04.760
<v Speaker 1>I knew it was going to happen when we started

0:02:04.760 --> 0:02:07.480
<v Speaker 1>the podcast, because that's just the way this works.

0:02:07.520 --> 0:02:09.120
<v Speaker 2>But I even going into it.

0:02:09.200 --> 0:02:12.639
<v Speaker 1>That was the number one negative for me of starting

0:02:12.639 --> 0:02:14.640
<v Speaker 1>the podcast was, Oh, gosh, we're going to be in

0:02:14.680 --> 0:02:15.160
<v Speaker 1>the news.

0:02:15.919 --> 0:02:17.360
<v Speaker 2>I don't think it was going to be this much. Oh,

0:02:17.360 --> 0:02:18.160
<v Speaker 2>I'm honest with you.

0:02:18.040 --> 0:02:19.360
<v Speaker 1>You have no idea we were going to be in

0:02:19.400 --> 0:02:22.600
<v Speaker 1>the news this much. Now, never could have predicted, but

0:02:22.639 --> 0:02:23.880
<v Speaker 1>I thought I knew it was going to happen. Ever,

0:02:23.919 --> 0:02:26.119
<v Speaker 1>and even that idea bummed me out. But I don't

0:02:26.160 --> 0:02:29.079
<v Speaker 1>think writer, I don't. Do you feel that way too,

0:02:29.480 --> 0:02:32.000
<v Speaker 1>or are you the type who because you are so

0:02:32.200 --> 0:02:36.720
<v Speaker 1>into social conversation and having those kind of dialogues more

0:02:36.880 --> 0:02:41.120
<v Speaker 1>comfortable with Yeah, it's honest, I said it. I'm fine

0:02:41.120 --> 0:02:43.079
<v Speaker 1>with it. Let's open up a discussion and put it

0:02:43.120 --> 0:02:43.799
<v Speaker 1>out into the world.

0:02:44.680 --> 0:02:51.639
<v Speaker 4>Yeah, but that's bad. And I think I'm just my problem.

0:02:51.760 --> 0:02:53.920
<v Speaker 4>I mean, I think I'm a bad famous person. Like

0:02:53.960 --> 0:02:56.760
<v Speaker 4>you guys are very good at being famous people. I

0:02:56.800 --> 0:03:00.600
<v Speaker 4>feel like I'm pretty horrible at it in that I

0:03:00.639 --> 0:03:05.040
<v Speaker 4>just hate it. I avoid it and so in a

0:03:05.080 --> 0:03:09.400
<v Speaker 4>weird way. Yes that I think that makes me probably

0:03:09.480 --> 0:03:12.400
<v Speaker 4>like like I can turn it off, do you know

0:03:12.440 --> 0:03:15.799
<v Speaker 4>what I mean? Like, I just I shut off this part.

0:03:15.880 --> 0:03:17.960
<v Speaker 4>I don't read about myself and don't google. But I

0:03:17.960 --> 0:03:21.320
<v Speaker 4>don't try try out my public image or think about it,

0:03:21.480 --> 0:03:24.760
<v Speaker 4>even to my detriment when I was acting, you know, like.

0:03:24.960 --> 0:03:28.640
<v Speaker 2>It would have been good to You have to think strategically.

0:03:28.000 --> 0:03:32.200
<v Speaker 4>About your image and how people perceive you capitalize on

0:03:32.320 --> 0:03:34.600
<v Speaker 4>that for your projects, Like that's part of being a

0:03:34.639 --> 0:03:37.280
<v Speaker 4>famous person, you know, you you know, create a hairline

0:03:37.320 --> 0:03:38.280
<v Speaker 4>if that's what you're known for.

0:03:38.440 --> 0:03:39.320
<v Speaker 2>Danielle and you you.

0:03:39.680 --> 0:03:42.080
<v Speaker 4>Do good work with what you have, as you know,

0:03:42.320 --> 0:03:44.440
<v Speaker 4>and I've never been able to do that. I've just

0:03:44.680 --> 0:03:47.640
<v Speaker 4>run away from the spotlight. So yeah, I mean, but

0:03:48.120 --> 0:03:50.120
<v Speaker 4>it's also completely different now than it used to be.

0:03:50.200 --> 0:03:52.160
<v Speaker 3>Trying So I remember back in the day, we would

0:03:52.200 --> 0:03:54.280
<v Speaker 3>be you know, you're you're on a show and you're

0:03:54.280 --> 0:03:56.880
<v Speaker 3>probably doing movies in between, or you know, voice or

0:03:56.920 --> 0:03:59.080
<v Speaker 3>whatever it is, and we all I know that I did.

0:03:59.120 --> 0:03:59.840
<v Speaker 2>I'll speak for myself.

0:04:00.000 --> 0:04:03.080
<v Speaker 3>At one point, you hire a publicist, and so I

0:04:03.120 --> 0:04:05.280
<v Speaker 3>had a publicist for a few months. And by the

0:04:05.440 --> 0:04:09.960
<v Speaker 3>fourth kind of weird photoshoot or you know, talk show

0:04:10.000 --> 0:04:12.000
<v Speaker 3>that I didn't really belong on, I kind of I

0:04:12.040 --> 0:04:13.600
<v Speaker 3>became friends with my publicist and I was like, dude,

0:04:13.640 --> 0:04:19.200
<v Speaker 3>this is this is just not for me, wasn't it was, Yeah,

0:04:19.279 --> 0:04:22.240
<v Speaker 3>it wasn't about branding so much back in the day.

0:04:22.320 --> 0:04:24.920
<v Speaker 3>Now it's like you brand yourself all over the place

0:04:24.960 --> 0:04:26.520
<v Speaker 3>in social media, which I don't do it all and

0:04:26.560 --> 0:04:28.440
<v Speaker 3>all that kind of stuff. I mean, it's it's so

0:04:28.680 --> 0:04:31.720
<v Speaker 3>different now that it's just it's very bizarre, and it's

0:04:31.800 --> 0:04:34.080
<v Speaker 3>it's gotten worse for me where I'm the same way

0:04:34.080 --> 0:04:35.360
<v Speaker 3>writer or I just like I don't want to think

0:04:35.360 --> 0:04:35.640
<v Speaker 3>about it.

0:04:35.640 --> 0:04:36.560
<v Speaker 2>I don't want to talk about it.

0:04:36.600 --> 0:04:39.640
<v Speaker 3>And then you know, you read one bad thing about

0:04:39.680 --> 0:04:41.680
<v Speaker 3>yourself and it's like my my weeks.

0:04:41.400 --> 0:04:43.440
<v Speaker 2>Are ruined, and it's like, oh man, I don't want

0:04:43.440 --> 0:04:45.279
<v Speaker 2>to do this anymore. We're in a weird time because

0:04:45.279 --> 0:04:47.760
<v Speaker 2>in some ways we crave.

0:04:48.400 --> 0:04:50.520
<v Speaker 4>Like it used to be that, you know, people would

0:04:50.520 --> 0:04:55.480
<v Speaker 4>have parasocial relationships with musicians or actors or whatever, and

0:04:55.520 --> 0:04:59.040
<v Speaker 4>that that relationship would be mediated by like editorial boards,

0:04:59.120 --> 0:05:02.279
<v Speaker 4>you know, or like we're you know, publications that or

0:05:02.320 --> 0:05:05.400
<v Speaker 4>talk shows. But now you can have a one on

0:05:05.400 --> 0:05:10.120
<v Speaker 4>one relationship based on Instagram or Twitter or whatever a

0:05:10.160 --> 0:05:12.239
<v Speaker 4>middle person, so that and and so that it's broken

0:05:12.320 --> 0:05:15.640
<v Speaker 4>down that control and created in some ways a more

0:05:15.680 --> 0:05:19.279
<v Speaker 4>authentic parasocial relationship where like you know, I know that

0:05:19.880 --> 0:05:22.960
<v Speaker 4>Billie Eilish gets on stage or Tailor Switch gets on

0:05:23.000 --> 0:05:24.840
<v Speaker 4>stage and they talk to their fans and there is

0:05:24.880 --> 0:05:27.320
<v Speaker 4>like you know me and I know you, and there's

0:05:27.360 --> 0:05:29.919
<v Speaker 4>like this one to But in other ways that just

0:05:29.960 --> 0:05:36.240
<v Speaker 4>becomes that can just become a different performance of authenticity animals,

0:05:37.120 --> 0:05:40.320
<v Speaker 4>and a more invasive one at that because then it's

0:05:40.360 --> 0:05:43.800
<v Speaker 4>like you're you're you are always performing a version of

0:05:43.839 --> 0:05:45.799
<v Speaker 4>who you are, you know, and that's something that I'm

0:05:46.200 --> 0:05:48.560
<v Speaker 4>you know that this podcast is really interesting because we've

0:05:48.600 --> 0:05:51.680
<v Speaker 4>invited people into our lives, you know, to a degree.

0:05:52.200 --> 0:05:56.040
<v Speaker 4>But I feel very authentic, mostly because I'm with YouTube,

0:05:56.160 --> 0:05:57.920
<v Speaker 4>you know. Like I think if I was sitting down

0:05:57.960 --> 0:06:01.799
<v Speaker 4>with a talk show host and questions about Boy Meets World,

0:06:01.839 --> 0:06:04.760
<v Speaker 4>I would be reticent to be as open as I

0:06:04.760 --> 0:06:06.080
<v Speaker 4>am on our own podcast.

0:06:06.520 --> 0:06:10.160
<v Speaker 1>Well, I've noticed, even for us, the difference between the

0:06:10.200 --> 0:06:13.000
<v Speaker 1>way we used to respond at conventions in the Q

0:06:13.160 --> 0:06:15.800
<v Speaker 1>and A versus the way sometimes.

0:06:15.279 --> 0:06:17.240
<v Speaker 2>Now we all respond in the Q and A.

0:06:17.360 --> 0:06:22.360
<v Speaker 1>That our old Q and A answers were usually very

0:06:22.400 --> 0:06:26.359
<v Speaker 1>concise things that were mostly fan service oriented. It didn't

0:06:26.360 --> 0:06:28.960
<v Speaker 1>make them not true. It was just what can I

0:06:29.040 --> 0:06:31.599
<v Speaker 1>say that isn't going to take this too deep? That's

0:06:31.640 --> 0:06:34.920
<v Speaker 1>going to give an answer that people will understand. And

0:06:35.040 --> 0:06:37.279
<v Speaker 1>now when we do Q and AS, the questions we

0:06:37.360 --> 0:06:40.359
<v Speaker 1>get that are much more tailored and adjusted. Because of

0:06:40.400 --> 0:06:46.080
<v Speaker 1>podmets World, our answers have also become more truly authentic

0:06:46.640 --> 0:06:49.920
<v Speaker 1>to who we are, and so it has It's been

0:06:49.960 --> 0:06:53.560
<v Speaker 1>in some ways it's been nerve wracking to let people in.

0:06:53.400 --> 0:06:58.359
<v Speaker 2>On the very very real, significantly.

0:06:57.480 --> 0:07:02.279
<v Speaker 1>Less masked versions of ourselves that every celebrity or famous

0:07:02.279 --> 0:07:05.080
<v Speaker 1>person has to put out there. This is much more,

0:07:06.000 --> 0:07:09.360
<v Speaker 1>you know, just us nake it. Yeah, And it's in

0:07:09.400 --> 0:07:12.080
<v Speaker 1>some ways been very freeing and very nice, and then

0:07:12.120 --> 0:07:14.080
<v Speaker 1>in other ways still very nerve wracking.

0:07:14.400 --> 0:07:15.840
<v Speaker 3>I mean I used to I know that for me,

0:07:16.600 --> 0:07:20.040
<v Speaker 3>it was my my you know, security blanket. I used

0:07:20.080 --> 0:07:22.000
<v Speaker 3>to just deflect everything with humor because you could do

0:07:22.040 --> 0:07:24.320
<v Speaker 3>it very quickly. You know, somebody would say something, I'd

0:07:24.320 --> 0:07:26.280
<v Speaker 3>shout out something that was funny, and then they move

0:07:26.320 --> 0:07:27.160
<v Speaker 3>on to the next question.

0:07:27.360 --> 0:07:28.920
<v Speaker 2>You can't do that when you're talking for an hour

0:07:28.960 --> 0:07:32.920
<v Speaker 2>at a time, right, It can't just be yeah, exactly right,

0:07:33.000 --> 0:07:33.160
<v Speaker 2>you know.

0:07:33.320 --> 0:07:36.280
<v Speaker 3>So it's it's you know, it's but to what you

0:07:36.320 --> 0:07:38.400
<v Speaker 3>were saying, writer, that's that's the one of the good

0:07:38.440 --> 0:07:40.240
<v Speaker 3>and bad things. It's mostly in my opinion, bad thing

0:07:40.280 --> 0:07:42.040
<v Speaker 3>about social media. And you see it with bullying.

0:07:42.720 --> 0:07:44.880
<v Speaker 2>It's like when kids used to leave school, the bullying

0:07:44.920 --> 0:07:45.360
<v Speaker 2>would stop.

0:07:45.400 --> 0:07:47.760
<v Speaker 3>They had a safe place at home. But now that

0:07:47.800 --> 0:07:51.240
<v Speaker 3>there's social media, it never stops. It's with them all

0:07:51.280 --> 0:07:53.520
<v Speaker 3>the time. It's the same thing with celebrities. You used

0:07:53.560 --> 0:07:55.920
<v Speaker 3>to leave the stage, we would wave we would take

0:07:55.920 --> 0:07:57.600
<v Speaker 3>our bow, we would get into our cars, we would

0:07:57.640 --> 0:07:59.520
<v Speaker 3>drive home, and it would just be a quiet kind

0:07:59.520 --> 0:07:59.840
<v Speaker 3>of ugh.

0:08:00.400 --> 0:08:02.320
<v Speaker 2>But now with social media that never goes away.

0:08:02.400 --> 0:08:04.320
<v Speaker 4>I would say though that I actually think the worst

0:08:04.400 --> 0:08:08.960
<v Speaker 4>period of uh being famous was like two thousand to

0:08:09.000 --> 0:08:13.840
<v Speaker 4>two thousand and eight ish, like before social media, because yeah, man,

0:08:13.920 --> 0:08:16.400
<v Speaker 4>that was when the paparazzi like and that's when you're

0:08:16.400 --> 0:08:19.920
<v Speaker 4>talking about Brady Spears and like the area of people's

0:08:19.920 --> 0:08:22.680
<v Speaker 4>and teams era. That was when people's lives like I

0:08:22.680 --> 0:08:26.480
<v Speaker 4>I mean, it's I think it was that reality TV

0:08:27.040 --> 0:08:29.440
<v Speaker 4>era where it was still in the control of people

0:08:29.440 --> 0:08:32.160
<v Speaker 4>who were publishing the magazines and publishing the TV shows,

0:08:32.400 --> 0:08:35.560
<v Speaker 4>and they were exploitative to a degree and invasive to

0:08:35.600 --> 0:08:38.079
<v Speaker 4>a degree. It was it was it was financially viable

0:08:38.760 --> 0:08:42.000
<v Speaker 4>or they were incentivized to ruin people's lives and to

0:08:42.000 --> 0:08:44.959
<v Speaker 4>invade people's lives in a way that now like we

0:08:45.080 --> 0:08:47.120
<v Speaker 4>throw the door open, you know, because we can be

0:08:47.160 --> 0:08:52.080
<v Speaker 4>the gatekeepers of our own privacy with social media. You know,

0:08:52.080 --> 0:08:55.400
<v Speaker 4>it's interesting to me that like, im like I am available,

0:08:55.559 --> 0:08:57.640
<v Speaker 4>like people can I'm on Twitter, Like if you want

0:08:57.640 --> 0:08:59.480
<v Speaker 4>to send me a message, you can't and for the

0:08:59.520 --> 0:09:02.480
<v Speaker 4>most part, people don't, you know, like people don't because

0:09:02.559 --> 0:09:04.520
<v Speaker 4>and that's great, you know. I'm like, Okay, this door

0:09:04.600 --> 0:09:06.760
<v Speaker 4>is always open, like you can contact me if you

0:09:06.800 --> 0:09:10.320
<v Speaker 4>want to. I'm you know, but I feel like before

0:09:10.520 --> 0:09:14.240
<v Speaker 4>social media there was more of a like uh it

0:09:14.280 --> 0:09:19.000
<v Speaker 4>was privacy was sort of more valued and therefore more invaded,

0:09:19.160 --> 0:09:20.120
<v Speaker 4>if that may like it was.

0:09:20.360 --> 0:09:22.800
<v Speaker 2>Yeah. So I think like that period was way worse

0:09:22.840 --> 0:09:23.920
<v Speaker 2>and I'm glad it's over.

0:09:24.960 --> 0:09:27.600
<v Speaker 3>But I think it culminated in a large way with

0:09:27.720 --> 0:09:30.160
<v Speaker 3>Princess Diana. I mean where the paparazzi were kind of

0:09:30.160 --> 0:09:31.520
<v Speaker 3>responsible for killing this woman.

0:09:31.559 --> 0:09:33.880
<v Speaker 2>I don't know the culminated. I think it got even

0:09:34.120 --> 0:09:35.880
<v Speaker 2>I mean I think it got worse after that. I

0:09:35.880 --> 0:09:37.679
<v Speaker 2>mean that was I think that was kind of head

0:09:37.679 --> 0:09:38.400
<v Speaker 2>shaved moment.

0:09:38.520 --> 0:09:40.559
<v Speaker 3>Was that was nuts the Britney head But I mean

0:09:40.600 --> 0:09:43.680
<v Speaker 3>it was like they paparazzi helped to kill this woman.

0:09:43.840 --> 0:09:45.719
<v Speaker 2>Yeah, it was. It's getting was getting No.

0:09:45.760 --> 0:09:48.000
<v Speaker 4>I think it's that this whole part of the same progression.

0:09:48.040 --> 0:09:50.880
<v Speaker 4>I just know that like for me, like part of

0:09:50.920 --> 0:09:52.920
<v Speaker 4>the reason that I wanted to keep my head down

0:09:52.960 --> 0:09:56.880
<v Speaker 4>and avoid anything in the public from two thousand on

0:09:57.200 --> 0:09:59.520
<v Speaker 4>was because of that specific culture, Like it was so

0:09:59.720 --> 0:10:01.760
<v Speaker 4>off to me, and I was not the type of

0:10:01.760 --> 0:10:04.640
<v Speaker 4>person that was like okay with walking into parts of

0:10:04.840 --> 0:10:07.080
<v Speaker 4>Like you were just that period. If you went anywhere

0:10:07.080 --> 0:10:10.600
<v Speaker 4>in Los Angeles that was slightly populated by famous people,

0:10:10.920 --> 0:10:13.360
<v Speaker 4>you just had to deal with being harassed and photographed

0:10:13.360 --> 0:10:14.760
<v Speaker 4>and videoed everywhere you went.

0:10:15.160 --> 0:10:17.080
<v Speaker 2>That's not really the case anymore. I don't think.

0:10:17.160 --> 0:10:18.719
<v Speaker 3>Yeah, maybe I just I never dealt with that though,

0:10:18.880 --> 0:10:20.200
<v Speaker 3>because you never went out I left my house.

0:10:20.280 --> 0:10:21.160
<v Speaker 2>Yeah, if you.

0:10:21.160 --> 0:10:23.760
<v Speaker 4>Went out, it was like those era, like if you

0:10:23.800 --> 0:10:26.360
<v Speaker 4>went into West Hollywood or the Sunset Strip, you went,

0:10:26.880 --> 0:10:30.000
<v Speaker 4>it was it was crazy, Like people would I would

0:10:30.000 --> 0:10:32.200
<v Speaker 4>go shopping in the middle of the day in those

0:10:32.240 --> 0:10:34.640
<v Speaker 4>parts of town and like cars would screech to a

0:10:34.640 --> 0:10:36.760
<v Speaker 4>halt and some dude would jump out taking my photograph

0:10:36.800 --> 0:10:39.280
<v Speaker 4>and I'd be like, Hi, do you want to talk

0:10:39.320 --> 0:10:39.560
<v Speaker 4>to me?

0:10:39.920 --> 0:10:40.040
<v Speaker 3>Right?

0:10:40.080 --> 0:10:41.880
<v Speaker 4>And they'd be just be yelling at me like yeah yeah,

0:10:41.880 --> 0:10:44.199
<v Speaker 4>And I'm like but but like you could pull over

0:10:44.240 --> 0:10:45.920
<v Speaker 4>and ask to take a photograph, like what do we

0:10:45.960 --> 0:10:49.480
<v Speaker 4>do it here? We're playing this game of like gotcha?

0:10:49.640 --> 0:10:50.840
<v Speaker 4>That is horrifying.

0:10:50.920 --> 0:10:52.040
<v Speaker 2>It's a terrible feeling too.

0:10:52.040 --> 0:10:54.600
<v Speaker 1>I remember being actually scared I had a photographer jump

0:10:54.640 --> 0:10:56.200
<v Speaker 1>out at me at the parking lot at the Grove

0:10:56.600 --> 0:10:58.680
<v Speaker 1>from like behind a car, and I was like ah,

0:10:58.880 --> 0:11:00.800
<v Speaker 1>and then like now you want to talk to me

0:11:01.040 --> 0:11:03.920
<v Speaker 1>and ask me a normal question? Like you just terrified me? No,

0:11:04.000 --> 0:11:05.760
<v Speaker 1>I don't, what are you doing? Get away from me?

0:11:06.480 --> 0:11:09.559
<v Speaker 1>But it's really interesting because this episode that we are

0:11:09.600 --> 0:11:13.920
<v Speaker 1>recapping today made me. It was like, oh, what a

0:11:14.080 --> 0:11:19.559
<v Speaker 1>timely episode for us. Yeah, so we can jump into it.

0:11:19.640 --> 0:11:22.560
<v Speaker 1>Welcome to Pod Meets World. I'm Danielle Fishall, I'm Rider Strong,

0:11:23.080 --> 0:11:31.280
<v Speaker 1>and I'm Wilfredell Orlando. In case you haven't heard, we

0:11:31.320 --> 0:11:33.560
<v Speaker 1>are coming to you on September seventeenth at the hard

0:11:33.640 --> 0:11:36.240
<v Speaker 1>Rock Live. Tony Quinn is going to be joining us,

0:11:36.320 --> 0:11:39.560
<v Speaker 1>and we had previously been sold out, but there were

0:11:39.760 --> 0:11:43.120
<v Speaker 1>just two hundred tickets released, so if you want to

0:11:43.120 --> 0:11:45.920
<v Speaker 1>be there, you've got an opportunity, but not much. And

0:11:46.080 --> 0:11:48.840
<v Speaker 1>we are also coming to Philly and New York. Tickets

0:11:48.840 --> 0:11:51.440
<v Speaker 1>are available and guests are ready to be announced soon.

0:11:51.800 --> 0:11:55.360
<v Speaker 1>We will be at the Met in Philadelphia on September thirtieth,

0:11:55.400 --> 0:11:57.240
<v Speaker 1>and we will be at New York Town Hall in

0:11:57.360 --> 0:12:00.280
<v Speaker 1>the New York Comedy Fest on November ninth. You can

0:12:00.280 --> 0:12:09.440
<v Speaker 1>go to Podmeats worldshow dot com for tickets. Welcome to

0:12:09.600 --> 0:12:13.760
<v Speaker 1>season three, episode number seven, Truth and Consequences. It originally

0:12:13.800 --> 0:12:18.000
<v Speaker 1>aired November tenth, nineteen ninety five. The synopsis is that

0:12:18.040 --> 0:12:20.559
<v Speaker 1>Sean and Corey are on the hunt for a juicy

0:12:20.679 --> 0:12:24.000
<v Speaker 1>investigative report in their journalism class it's actually the media

0:12:24.080 --> 0:12:28.600
<v Speaker 1>arts class, but their scoop ends up getting Janitor Bud fired. Also,

0:12:28.880 --> 0:12:32.520
<v Speaker 1>Eric participates in a sleep study. It was directed by

0:12:32.600 --> 0:12:37.439
<v Speaker 1>Jeff McCracken. It was written by Donna Truehiho trueO trueO

0:12:38.080 --> 0:12:40.160
<v Speaker 1>t r U j I l l O.

0:12:40.600 --> 0:12:42.680
<v Speaker 2>Do you guys remember I?

0:12:42.720 --> 0:12:43.679
<v Speaker 3>Do I do? Remember?

0:12:43.679 --> 0:12:44.040
<v Speaker 2>You remember?

0:12:44.080 --> 0:12:44.400
<v Speaker 3>Do you?

0:12:44.800 --> 0:12:47.240
<v Speaker 4>I can remember the name sounds so premilire. I swear

0:12:47.280 --> 0:12:48.719
<v Speaker 4>I have an image of a person in my head

0:12:48.760 --> 0:12:50.920
<v Speaker 4>if I but maybe wash she not on staff.

0:12:51.000 --> 0:12:53.480
<v Speaker 1>I don't think she was on but because I don't

0:12:53.480 --> 0:12:55.520
<v Speaker 1>remember the name. But also I have a terrible memory,

0:12:55.559 --> 0:12:59.480
<v Speaker 1>so I don't know. Guest stars Alex de serraz Eli,

0:12:59.559 --> 0:13:03.400
<v Speaker 1>will Williams Blake Soaper as Joey Joey They're at Epstein,

0:13:03.720 --> 0:13:08.559
<v Speaker 1>Kathy Trajissar as Monique, and Bob Larkin as Janitor Budd.

0:13:08.600 --> 0:13:09.280
<v Speaker 2>Who does some.

0:13:09.200 --> 0:13:13.600
<v Speaker 1>Pretty impressive work in this episode. Before we jump into

0:13:13.600 --> 0:13:16.600
<v Speaker 1>our recap, does anybody have any over arching thoughts? I

0:13:16.640 --> 0:13:20.959
<v Speaker 1>can go first. I enjoyed this episode. I enjoyed it. Finally,

0:13:21.400 --> 0:13:24.520
<v Speaker 1>I feel like Season three has been a little bit

0:13:24.559 --> 0:13:28.720
<v Speaker 1>of a Season three has missed the mark for me

0:13:29.040 --> 0:13:31.880
<v Speaker 1>in a lot of episodes. There have been some great moments,

0:13:32.480 --> 0:13:34.480
<v Speaker 1>and I think some really funny moments.

0:13:35.080 --> 0:13:38.880
<v Speaker 2>But I liked this episode a lot. Me too.

0:13:39.320 --> 0:13:43.559
<v Speaker 4>I loved it. I did not think it was super funny, No,

0:13:44.559 --> 0:13:50.440
<v Speaker 4>but I really I loved its complexity, the way it

0:13:50.520 --> 0:13:55.760
<v Speaker 4>leans into ambiguity for the adults, and like so like thematically,

0:13:55.920 --> 0:13:58.800
<v Speaker 4>I feel like this is the boy meets World sweet spot.

0:13:59.600 --> 0:14:02.040
<v Speaker 4>As far as like the message, I loved it.

0:14:02.520 --> 0:14:03.240
<v Speaker 2>Nobody agreed.

0:14:03.320 --> 0:14:06.880
<v Speaker 4>I mean that that and Eli's or Alex is so

0:14:06.960 --> 0:14:09.240
<v Speaker 4>good as it was cool to see him finally having

0:14:09.240 --> 0:14:12.439
<v Speaker 4>a moment, and yeah, there's a lot of there's tons

0:14:12.480 --> 0:14:13.280
<v Speaker 4>of fun stuff in here.

0:14:13.360 --> 0:14:16.280
<v Speaker 2>I you know, the storyline was ridiculous.

0:14:16.360 --> 0:14:19.440
<v Speaker 3>It's like it's it was just so unnecessary and plugged

0:14:19.480 --> 0:14:21.480
<v Speaker 3>in that it's like, why even do it? Just add

0:14:21.520 --> 0:14:23.240
<v Speaker 3>more to the a story and give me a week off?

0:14:23.280 --> 0:14:25.280
<v Speaker 3>Because it's just really makes no sense.

0:14:25.360 --> 0:14:28.520
<v Speaker 2>Yeah, it is. It is comic relief, and it's it's

0:14:28.720 --> 0:14:30.000
<v Speaker 2>a good comic relief.

0:14:30.240 --> 0:14:33.280
<v Speaker 3>It's not in any way, shape or form adding to anything.

0:14:33.320 --> 0:14:36.200
<v Speaker 3>It's not big Gafa laughs. It's just kind of like, oh,

0:14:36.400 --> 0:14:39.040
<v Speaker 3>it's a page of kind of like, Okay, he's got

0:14:39.040 --> 0:14:39.400
<v Speaker 3>no brain.

0:14:39.840 --> 0:14:42.760
<v Speaker 1>It's interesting to see if this continues to set up

0:14:43.040 --> 0:14:45.400
<v Speaker 1>the truly brain dead Eric.

0:14:46.880 --> 0:14:48.480
<v Speaker 3>I think I think it will. I always say this

0:14:48.520 --> 0:14:50.280
<v Speaker 3>is the genesis, this is the genesis. But this is

0:14:50.280 --> 0:14:54.280
<v Speaker 3>where he started to get really ridiculous, where it's.

0:14:54.120 --> 0:14:55.440
<v Speaker 2>Like the mouse.

0:14:55.640 --> 0:14:59.280
<v Speaker 3>The mouse has brain activity and Eric doesn't. It's like

0:14:59.360 --> 0:15:02.040
<v Speaker 3>that's this is when they just went crazy pants with it.

0:15:02.240 --> 0:15:04.280
<v Speaker 3>I loved the A story. I thought the A story

0:15:04.400 --> 0:15:07.520
<v Speaker 3>was great, but the BET story I thought was just ridiculous.

0:15:07.600 --> 0:15:10.480
<v Speaker 2>It's also this pattern that is asserting itself of like

0:15:11.000 --> 0:15:14.640
<v Speaker 2>the beautiful woman with authority that comes into the X life,

0:15:14.640 --> 0:15:17.600
<v Speaker 2>which is not like the third time she can be

0:15:17.760 --> 0:15:21.400
<v Speaker 2>the hairstylist. She can be yeah, she can.

0:15:21.480 --> 0:15:23.720
<v Speaker 4>Obviously like a formula. I was like, well, let's get

0:15:23.720 --> 0:15:25.720
<v Speaker 4>an attractive woman in here, and that's why.

0:15:25.560 --> 0:15:27.880
<v Speaker 3>You know that will be They've also they set it

0:15:27.960 --> 0:15:29.800
<v Speaker 3>up in one of the school classrooms.

0:15:29.800 --> 0:15:31.240
<v Speaker 2>Nobody else is registered.

0:15:31.280 --> 0:15:33.680
<v Speaker 3>I mean, it's just the whole thing is so ridiculously

0:15:33.720 --> 0:15:37.160
<v Speaker 3>stupid that it's like it's you just didn't need it.

0:15:37.000 --> 0:15:39.240
<v Speaker 2>But he just did and you were having fun, and

0:15:39.280 --> 0:15:42.000
<v Speaker 2>I think it is fun, right, Yeah, I mean I guess.

0:15:42.040 --> 0:15:43.640
<v Speaker 3>I just it's one of those things where this is

0:15:43.640 --> 0:15:46.080
<v Speaker 3>where it started to be to me, and I distinctly

0:15:46.160 --> 0:15:48.640
<v Speaker 3>remember this week because it started to be to me like, oh,

0:15:48.680 --> 0:15:51.000
<v Speaker 3>they're doing a good television show and occasionally they're going

0:15:51.080 --> 0:15:53.720
<v Speaker 3>to cut me to do ridiculous stuff like That's where

0:15:53.720 --> 0:15:55.720
<v Speaker 3>I remember thinking this. I remember this week like, oh,

0:15:55.800 --> 0:15:58.680
<v Speaker 3>they're doing something like where they're acting and it's you know,

0:15:58.720 --> 0:16:00.600
<v Speaker 3>they've got there's good story story lines.

0:16:00.800 --> 0:16:02.360
<v Speaker 2>The parents have great storylines.

0:16:02.400 --> 0:16:04.360
<v Speaker 3>Phoene's got a great storyline, the kids all have a

0:16:04.360 --> 0:16:05.200
<v Speaker 3>great storyline.

0:16:05.280 --> 0:16:07.440
<v Speaker 2>And now here's Eric being an idiot. Like that's what

0:16:07.480 --> 0:16:07.880
<v Speaker 2>I remember.

0:16:07.920 --> 0:16:09.360
<v Speaker 3>This is where it really set it up for me,

0:16:09.360 --> 0:16:10.640
<v Speaker 3>where it's like, oh, I wonder if this is what

0:16:10.680 --> 0:16:11.280
<v Speaker 3>it's going to be.

0:16:11.280 --> 0:16:13.960
<v Speaker 2>Like yeah, I think it is. And I don't know

0:16:13.960 --> 0:16:16.400
<v Speaker 2>if that's necessarily a horrible thing. I think it is.

0:16:16.400 --> 0:16:18.960
<v Speaker 2>If you're the one constantly doing the ridiculus, you enjoyed it,

0:16:19.080 --> 0:16:21.360
<v Speaker 2>you had fun. I would rather have been in the

0:16:21.360 --> 0:16:22.200
<v Speaker 2>better storyline.

0:16:22.240 --> 0:16:23.720
<v Speaker 3>I mean that's how I was every week is I

0:16:23.720 --> 0:16:26.320
<v Speaker 3>always would rather have been in the better storyline where

0:16:26.320 --> 0:16:27.880
<v Speaker 3>I got to act, I got to do stuff where

0:16:27.880 --> 0:16:30.600
<v Speaker 3>the comedy came from that as opposed to again, I

0:16:30.640 --> 0:16:33.040
<v Speaker 3>always thought it was like, we're doing this great show

0:16:33.200 --> 0:16:35.640
<v Speaker 3>and while they run off and change wardrobe, we're gonna

0:16:35.760 --> 0:16:38.120
<v Speaker 3>have you dance on on the stage rather than the

0:16:38.120 --> 0:16:38.920
<v Speaker 3>show comes back on.

0:16:39.360 --> 0:16:41.480
<v Speaker 2>And that's always what it started to be like to me.

0:16:41.720 --> 0:16:42.840
<v Speaker 2>It's all about balance. You know.

0:16:43.920 --> 0:16:45.800
<v Speaker 4>It's sort of like in cooking, and you know they

0:16:45.800 --> 0:16:49.960
<v Speaker 4>talk about like there's five different flavors yea sweet. Yeah,

0:16:50.040 --> 0:16:52.720
<v Speaker 4>so you feel like I feel like when the show

0:16:52.760 --> 0:16:57.280
<v Speaker 4>starts to get too dramatic, they need just some geographs

0:16:57.360 --> 0:16:59.080
<v Speaker 4>And like I came that like.

0:16:59.120 --> 0:17:02.320
<v Speaker 3>Season I know, yeah great, but there's times I wanted

0:17:02.360 --> 0:17:03.080
<v Speaker 3>to be the main course.

0:17:03.120 --> 0:17:04.600
<v Speaker 2>I didn't just want to be the salt sprinkled on

0:17:04.640 --> 0:17:05.359
<v Speaker 2>the top totally.

0:17:05.440 --> 0:17:07.560
<v Speaker 3>That's so to use your analogy, it was, I was

0:17:07.560 --> 0:17:10.760
<v Speaker 3>always watching these great shows happening, and then it was like,

0:17:10.920 --> 0:17:13.639
<v Speaker 3>all right, now go dance for you know, a page

0:17:13.680 --> 0:17:15.479
<v Speaker 3>and a half to make us laugh, and then we're

0:17:15.480 --> 0:17:16.640
<v Speaker 3>going to get back into the real show.

0:17:16.680 --> 0:17:17.280
<v Speaker 2>I don't remember.

0:17:17.600 --> 0:17:19.919
<v Speaker 4>I know we've talked about this for years actually, like

0:17:20.200 --> 0:17:23.320
<v Speaker 4>you know, but I don't remember you expressing any of

0:17:23.359 --> 0:17:24.040
<v Speaker 4>that at the time.

0:17:24.640 --> 0:17:27.080
<v Speaker 3>Of course, not because I wasn't expressing anything at the time.

0:17:27.400 --> 0:17:29.560
<v Speaker 3>I didn't go up and I didn't go up into the.

0:17:29.480 --> 0:17:31.639
<v Speaker 2>Producers and say here's what I want my character to be.

0:17:31.720 --> 0:17:34.359
<v Speaker 3>I never was never doing that, So it was it

0:17:34.400 --> 0:17:36.760
<v Speaker 3>wasn't until later where I started to assert myself a

0:17:36.760 --> 0:17:39.080
<v Speaker 3>little bit where it was, you know, fifth, sixth, seventh season.

0:17:39.640 --> 0:17:41.080
<v Speaker 2>You know, by we're still third season.

0:17:41.119 --> 0:17:43.399
<v Speaker 3>I'm still doing what they tell me to do whenever

0:17:43.400 --> 0:17:46.320
<v Speaker 3>they tell me to do it. And I wasn't arguing like, hey,

0:17:46.320 --> 0:17:48.440
<v Speaker 3>wait a second, why am I you know, why is this?

0:17:48.640 --> 0:17:50.399
<v Speaker 2>And again, this was just the start, so I didn't

0:17:50.400 --> 0:17:51.080
<v Speaker 2>know what was going to happen.

0:17:51.080 --> 0:17:54.239
<v Speaker 3>But I'm guessing by six or seven episodes of this,

0:17:54.320 --> 0:17:55.879
<v Speaker 3>it's going to be like, oh, and let's cut to

0:17:56.000 --> 0:17:58.600
<v Speaker 3>Eric for some wackiness while we, you know, then have

0:17:58.680 --> 0:18:00.000
<v Speaker 3>the real show going on around him.

0:18:00.119 --> 0:18:01.680
<v Speaker 2>After a while, it just got to be too much.

0:18:01.680 --> 0:18:02.879
<v Speaker 2>It was like, no, see, I don't remember.

0:18:02.920 --> 0:18:05.720
<v Speaker 4>I mean, I know you've expressed that retrospectively, But I

0:18:06.400 --> 0:18:11.120
<v Speaker 4>remember the time you loving them like you just making

0:18:11.160 --> 0:18:11.720
<v Speaker 4>people laugh.

0:18:11.840 --> 0:18:14.320
<v Speaker 3>Oh, I'll never I'll never not love making people laugh

0:18:14.320 --> 0:18:16.399
<v Speaker 3>for hamming it up. Of course I always loved doing that.

0:18:16.480 --> 0:18:18.640
<v Speaker 3>But I would always sit there during the run throughs

0:18:18.640 --> 0:18:20.360
<v Speaker 3>and stuff and be like, that's the show I want

0:18:20.359 --> 0:18:22.240
<v Speaker 3>to be on, like watching your because again, this a

0:18:22.400 --> 0:18:25.359
<v Speaker 3>storyline was great, and then it was just kind of

0:18:25.400 --> 0:18:28.480
<v Speaker 3>cutting to which again in the classroom, made no sense.

0:18:29.040 --> 0:18:31.040
<v Speaker 3>Then there's like all the doctors around him at the end,

0:18:31.080 --> 0:18:32.439
<v Speaker 3>it's just kind of like, all right, this is this

0:18:32.520 --> 0:18:33.480
<v Speaker 3>is this is my life.

0:18:33.520 --> 0:18:35.120
<v Speaker 2>This is what I'm doing from now. You don't ever,

0:18:35.240 --> 0:18:38.159
<v Speaker 2>I mean I always thought I always assumed that it

0:18:38.200 --> 0:18:39.919
<v Speaker 2>was more of the opposite, that you were sort of

0:18:39.960 --> 0:18:44.159
<v Speaker 2>rolling your eyes, that the sentimentality and the like.

0:18:45.160 --> 0:18:47.840
<v Speaker 3>When it got ridiculous towards the end where like, well, yeah,

0:18:47.880 --> 0:18:49.800
<v Speaker 3>when it was the Corey Tapanga stuff where it got

0:18:49.800 --> 0:18:52.080
<v Speaker 3>to be like, you know, you could tell that it

0:18:52.119 --> 0:18:55.520
<v Speaker 3>was kind of an unhealthy, obsessive relationship. It was like

0:18:55.720 --> 0:18:57.320
<v Speaker 3>when it got to that, and then when it really

0:18:57.359 --> 0:18:59.439
<v Speaker 3>got to stuff where it's like our little brother was

0:18:59.440 --> 0:19:00.720
<v Speaker 3>born and.

0:19:00.320 --> 0:19:02.080
<v Speaker 2>Everything's taking place in the knee que.

0:19:03.920 --> 0:19:06.720
<v Speaker 3>Yeah, that's that's when it was like, okay, I'll stick

0:19:06.720 --> 0:19:07.359
<v Speaker 3>in my lane.

0:19:07.400 --> 0:19:09.720
<v Speaker 2>But we weren't there yet. It wasn't by that point.

0:19:09.720 --> 0:19:11.040
<v Speaker 3>I liked it because then it was like, all right,

0:19:11.080 --> 0:19:12.520
<v Speaker 3>let's get the people laughing again.

0:19:13.200 --> 0:19:14.200
<v Speaker 2>But we weren't there yet.

0:19:14.240 --> 0:19:16.359
<v Speaker 3>This was now like I saw a really cool show

0:19:16.400 --> 0:19:18.919
<v Speaker 3>being done around me, and I was just doing this stuff.

0:19:19.440 --> 0:19:22.000
<v Speaker 3>And so I didn't dislike it because I knew I

0:19:22.040 --> 0:19:23.840
<v Speaker 3>was going to be getting all the laughs.

0:19:24.440 --> 0:19:25.280
<v Speaker 2>But I would.

0:19:25.600 --> 0:19:28.200
<v Speaker 3>I mean, you're watching like Joey in there and Feenie

0:19:28.240 --> 0:19:30.520
<v Speaker 3>and Eli and they're on different sets and you guys

0:19:30.520 --> 0:19:32.439
<v Speaker 3>are doing it. It was just a better show that

0:19:32.480 --> 0:19:35.280
<v Speaker 3>I was watching. Frankly, so yeah, that's again. Loved the

0:19:35.280 --> 0:19:36.920
<v Speaker 3>a story of this one. Looked at mine and I

0:19:36.960 --> 0:19:38.720
<v Speaker 3>was like, Okay, I get what I'm doing. It's it

0:19:38.800 --> 0:19:39.320
<v Speaker 3>is what it is.

0:19:40.640 --> 0:19:43.840
<v Speaker 1>So we did just get an update that Donna true heo.

0:19:44.280 --> 0:19:46.480
<v Speaker 1>I think I'm saying that correctly. If I'm not, please

0:19:46.680 --> 0:19:50.119
<v Speaker 1>forgive me. She wrote another episode in season three, so

0:19:50.160 --> 0:19:54.000
<v Speaker 1>she must have been on staff for season three. So

0:19:54.080 --> 0:19:56.840
<v Speaker 1>let's jump into our recap. We start in the school cafeteria.

0:19:56.880 --> 0:20:00.159
<v Speaker 1>Slash and mister Williams classroom. Sean is filming Corey for

0:20:00.240 --> 0:20:02.639
<v Speaker 1>a school news report, and we see the lunch lady,

0:20:02.680 --> 0:20:05.840
<v Speaker 1>Bertha von Buloh. He says she is a former nanny

0:20:05.840 --> 0:20:08.560
<v Speaker 1>for the Gorbachev family and now makes Russian treats at

0:20:08.600 --> 0:20:12.439
<v Speaker 1>John Adams High. Her specialty is red square jello.

0:20:13.640 --> 0:20:16.159
<v Speaker 4>So John with a news report and the handheld camera,

0:20:16.280 --> 0:20:18.760
<v Speaker 4>we look at the show, which is so interesting that

0:20:18.800 --> 0:20:24.280
<v Speaker 4>we didn't do that when the actual news team was like,

0:20:25.600 --> 0:20:28.600
<v Speaker 4>we just used you can't see the cameras where it's here.

0:20:29.400 --> 0:20:33.439
<v Speaker 4>It's a old camera talk giant window she's in. Was

0:20:33.480 --> 0:20:36.160
<v Speaker 4>that always there in the cafeteria?

0:20:36.720 --> 0:20:38.840
<v Speaker 1>No, although maybe I'm wondering if there had been a

0:20:39.359 --> 0:20:42.159
<v Speaker 1>one of the like a poll down there before, But no,

0:20:42.240 --> 0:20:42.680
<v Speaker 1>I don't think so.

0:20:43.600 --> 0:20:44.160
<v Speaker 3>That was all.

0:20:45.119 --> 0:20:47.720
<v Speaker 4>Yeah, because when Corey, like in the last episode, Corey

0:20:47.760 --> 0:20:49.680
<v Speaker 4>was on, they created like a stage for a pep

0:20:49.760 --> 0:20:51.720
<v Speaker 4>rally right there. Yeah, and there was just a wall

0:20:51.760 --> 0:20:53.440
<v Speaker 4>behind him if I remember.

0:20:53.160 --> 0:20:54.960
<v Speaker 2>So that so that was built for this episode.

0:20:55.080 --> 0:20:59.240
<v Speaker 1>It could also be another cafeteria on the many many

0:20:59.320 --> 0:21:00.040
<v Speaker 1>floors of the.

0:21:00.160 --> 0:21:03.080
<v Speaker 2>Tower that is John Adams High. Is there.

0:21:04.600 --> 0:21:06.480
<v Speaker 4>It has to be the one where there's a time

0:21:06.520 --> 0:21:07.920
<v Speaker 4>punch a time card punch.

0:21:07.960 --> 0:21:09.320
<v Speaker 2>There's a time card puncher there.

0:21:09.440 --> 0:21:12.399
<v Speaker 1>There's also this sleep study room on another floor of

0:21:12.440 --> 0:21:14.640
<v Speaker 1>the tower, so listen.

0:21:15.760 --> 0:21:18.960
<v Speaker 2>Architects that built to Matthew's house, John Adams leaning Tower

0:21:19.000 --> 0:21:19.600
<v Speaker 2>of Peace out.

0:21:20.359 --> 0:21:23.760
<v Speaker 1>So Sean pans the camera over to two pretty girls

0:21:23.760 --> 0:21:25.440
<v Speaker 1>at the vending machine and asks if they want to

0:21:25.480 --> 0:21:27.760
<v Speaker 1>be in the pictures. They laugh, but Corey gets Sean's

0:21:27.760 --> 0:21:30.320
<v Speaker 1>attention again, and he stuffs red jello in his mouth

0:21:30.359 --> 0:21:33.960
<v Speaker 1>and says freedom never tasted so good. The video stops

0:21:33.960 --> 0:21:35.880
<v Speaker 1>and we're now in mister Williams class and he calls

0:21:35.880 --> 0:21:37.920
<v Speaker 1>on Corey and Sean to wake up. They fell asleep

0:21:38.000 --> 0:21:40.760
<v Speaker 1>during their own assignment. Sean thinks the video stinks, but

0:21:40.800 --> 0:21:43.720
<v Speaker 1>Corey tells him to shush because maybe mister Williams doesn't know.

0:21:43.720 --> 0:21:46.600
<v Speaker 2>That, but Alex says he knows, he knows.

0:21:47.600 --> 0:21:49.520
<v Speaker 1>Tapeka says students have the right to know how their

0:21:49.520 --> 0:21:52.760
<v Speaker 1>food is prepared and compliments Corey's report, and mister Williams

0:21:52.760 --> 0:21:56.520
<v Speaker 1>says Corey has himself a good woman, but questions how

0:21:56.600 --> 0:21:59.959
<v Speaker 1>jello is news, and Sean says, when it's used for evil,

0:22:00.880 --> 0:22:07.200
<v Speaker 1>so very funny. I'm already starting to pick up on

0:22:07.840 --> 0:22:14.480
<v Speaker 1>the subtle themes, maybe not so subtle of when really

0:22:14.560 --> 0:22:17.480
<v Speaker 1>what women do in relationships that are good.

0:22:17.480 --> 0:22:19.280
<v Speaker 2>And that is one of them is.

0:22:20.760 --> 0:22:24.960
<v Speaker 1>Defend your man, even when he's a maroone.

0:22:25.840 --> 0:22:28.239
<v Speaker 2>Just gonna point that out there. Did you like your

0:22:28.280 --> 0:22:30.919
<v Speaker 2>performance in this episode, Danielle, I was better in this

0:22:30.960 --> 0:22:34.120
<v Speaker 2>one than I have been in ones. For sure. It

0:22:34.160 --> 0:22:34.480
<v Speaker 2>was great.

0:22:34.600 --> 0:22:39.080
<v Speaker 1>It was significantly better funny, you know, I felt like

0:22:39.280 --> 0:22:40.720
<v Speaker 1>there was a character there.

0:22:40.840 --> 0:22:45.040
<v Speaker 2>Yes, there's character development, and this is nice, Like you're

0:22:45.080 --> 0:22:47.399
<v Speaker 2>like even a little bit of backstory.

0:22:47.720 --> 0:22:50.920
<v Speaker 1>Katie cork and I say don't eat which I wish

0:22:50.960 --> 0:22:54.080
<v Speaker 1>had been don't eat pork, because then maybe we could

0:22:54.080 --> 0:22:54.920
<v Speaker 1>have tied.

0:22:54.640 --> 0:22:57.680
<v Speaker 2>In the Little Cory. We're getting ahead of ourselves.

0:22:59.119 --> 0:23:01.680
<v Speaker 1>Mister william says An, as a news reporter, you have

0:23:01.760 --> 0:23:04.040
<v Speaker 1>to tell the truth and make it interesting, then tells

0:23:04.040 --> 0:23:06.000
<v Speaker 1>the boys they have to redo their assignment.

0:23:06.320 --> 0:23:08.400
<v Speaker 2>Sean says media art is supposed.

0:23:08.080 --> 0:23:10.440
<v Speaker 1>To be an easy a and Corey says, maybe he

0:23:10.480 --> 0:23:13.520
<v Speaker 1>doesn't know that, but mister Williams says, again, oh he knows.

0:23:13.520 --> 0:23:15.560
<v Speaker 2>He knows that.

0:23:15.640 --> 0:23:18.000
<v Speaker 1>They go on air in four days, but Corey doesn't

0:23:18.040 --> 0:23:20.680
<v Speaker 1>seem too concerned. They go on after the Origami lady,

0:23:20.800 --> 0:23:23.600
<v Speaker 1>but Tapenga says she's actually awesome and can fold herself

0:23:23.680 --> 0:23:27.160
<v Speaker 1>up into a ship, and Sean slyly says, nothing.

0:23:26.880 --> 0:23:28.280
<v Speaker 2>Wrong with that.

0:23:29.359 --> 0:23:32.000
<v Speaker 1>It's the beginning of us figuring out Sean has some

0:23:32.520 --> 0:23:33.920
<v Speaker 1>ship fetish.

0:23:33.560 --> 0:23:38.400
<v Speaker 2>Or weird sexual the horn Dog this entire episode, which

0:23:38.440 --> 0:23:40.640
<v Speaker 2>I was like, because even like me in the beginning,

0:23:40.680 --> 0:23:43.600
<v Speaker 2>flirting with the girls, right the what is the point

0:23:43.600 --> 0:23:45.159
<v Speaker 2>of it, Like they want to be in.

0:23:45.640 --> 0:23:52.240
<v Speaker 3>Forgetting that voice, you want to help me find my puppy, Like,

0:23:52.280 --> 0:23:53.119
<v Speaker 3>I'm glad you didn't.

0:23:53.280 --> 0:23:55.000
<v Speaker 2>You didn't do that. I think it would have been funnier.

0:23:55.080 --> 0:23:57.360
<v Speaker 2>Now I was grossed out by like Seawans horn Dog

0:23:57.440 --> 0:23:59.440
<v Speaker 2>or just kind of bored. It's just like, okay, yeah,

0:24:00.119 --> 0:24:01.280
<v Speaker 2>it's just a remind I think.

0:24:01.320 --> 0:24:04.119
<v Speaker 1>You know, they were appealing to the teen boy contingent

0:24:04.359 --> 0:24:07.760
<v Speaker 1>of the nineties, and they needed to keep reminding you

0:24:07.880 --> 0:24:10.320
<v Speaker 1>that they're all teen boys.

0:24:10.240 --> 0:24:11.760
<v Speaker 2>Also playing to all our tropes.

0:24:11.800 --> 0:24:15.840
<v Speaker 3>Now, Eric D Sean girl crazy to Payga, you know,

0:24:16.000 --> 0:24:18.639
<v Speaker 3>kind of supporting Corey but don't eat veal Corey in

0:24:18.680 --> 0:24:20.520
<v Speaker 3>the middle not knowing what's going on. I mean, it's

0:24:20.520 --> 0:24:22.879
<v Speaker 3>like now we're all hitting our stride for exactly what

0:24:22.920 --> 0:24:25.959
<v Speaker 3>our characters are, so it's kind of interesting that there

0:24:26.280 --> 0:24:28.399
<v Speaker 3>were still there's still not a depth to them in

0:24:28.440 --> 0:24:30.520
<v Speaker 3>a lot of a lot of ways, but.

0:24:31.000 --> 0:24:33.199
<v Speaker 2>We're at least hitting the what we're supposed to be

0:24:33.480 --> 0:24:36.000
<v Speaker 2>or what we're going to become. Yeah, Sean, I don't know.

0:24:36.040 --> 0:24:39.280
<v Speaker 4>I think Sean is like the sort of ladies man

0:24:39.400 --> 0:24:42.320
<v Speaker 4>is funnier, you know what I mean, like for better works,

0:24:42.320 --> 0:24:44.240
<v Speaker 4>like when I flirted with the teacher in the beginning

0:24:44.240 --> 0:24:46.439
<v Speaker 4>of second season, very first funny, Yeah, because it's like

0:24:46.640 --> 0:24:49.760
<v Speaker 4>I'm sophisticated in all the wrong ways, right, Yeah, this

0:24:49.760 --> 0:24:52.119
<v Speaker 4>this episode, I'm just like like a hitting on girls

0:24:52.119 --> 0:24:52.639
<v Speaker 4>with a camera.

0:24:52.960 --> 0:24:54.200
<v Speaker 2>It's just not clever, it's just kind.

0:24:54.280 --> 0:24:56.439
<v Speaker 1>I also really liked it when like you had the

0:24:56.480 --> 0:24:58.880
<v Speaker 1>thirty foot range where it was like we can't help it, man,

0:24:58.920 --> 0:25:01.720
<v Speaker 1>We're like, yeah, yeah, ladies are just drawn to me.

0:25:01.920 --> 0:25:04.320
<v Speaker 4>Yes, I think Sean is like the like it doesn't

0:25:04.320 --> 0:25:07.080
<v Speaker 4>even have to worry about it, ladies. Man, it's funnier

0:25:07.119 --> 0:25:08.440
<v Speaker 4>than this version of Sean, which is.

0:25:08.359 --> 0:25:10.560
<v Speaker 3>Just and then when you did actually go after a woman,

0:25:10.640 --> 0:25:13.080
<v Speaker 3>you did it wrong. Yes, that's always so funny. So

0:25:13.080 --> 0:25:14.760
<v Speaker 3>you already go up and go I'm a cop, you know,

0:25:14.800 --> 0:25:17.639
<v Speaker 3>like stuff like that that's hysterically funny. Yeah, yeah, so

0:25:17.920 --> 0:25:20.320
<v Speaker 3>there's a there's a depth to it. Girls always flock

0:25:20.400 --> 0:25:22.040
<v Speaker 3>to you, but the ones you want you didn't.

0:25:21.800 --> 0:25:22.080
<v Speaker 5>Know how to.

0:25:22.119 --> 0:25:25.120
<v Speaker 2>Actually, yeah, yeah, that's great. So yeah, it's interesting.

0:25:25.680 --> 0:25:27.840
<v Speaker 1>Well, then we're in Turner's apartment. Corey walks in and

0:25:27.840 --> 0:25:30.000
<v Speaker 1>Sean rushes Corey to the window to where a woman

0:25:30.080 --> 0:25:32.119
<v Speaker 1>is dancing in a towel. Sean says she does it

0:25:32.160 --> 0:25:34.679
<v Speaker 1>every day at five point thirty and starts filming. Turner

0:25:34.720 --> 0:25:37.080
<v Speaker 1>walks in and sees the boys walks in.

0:25:37.400 --> 0:25:41.200
<v Speaker 4>How about that music when she's It's like, it's like

0:25:41.280 --> 0:25:46.160
<v Speaker 4>a fool music? Why are we hearing the music because

0:25:47.600 --> 0:25:51.040
<v Speaker 4>we're like through too. We're across the street right filming

0:25:51.040 --> 0:25:53.720
<v Speaker 4>somebody at another apartment. But when the camera is outside

0:25:53.760 --> 0:25:55.919
<v Speaker 4>the window, we can hear the music that she's dancing

0:25:55.920 --> 0:25:56.600
<v Speaker 4>to in her towel.

0:25:56.640 --> 0:25:58.479
<v Speaker 2>Oh god, I didn't even think. I didn't even heard.

0:25:58.520 --> 0:26:01.240
<v Speaker 2>It's so funny. Back to the apartment and we can't

0:26:01.280 --> 0:26:03.960
<v Speaker 2>hear it. So it's like, oh, so the it says

0:26:04.000 --> 0:26:06.560
<v Speaker 2>the windows open right, yes, and like so as an

0:26:06.560 --> 0:26:09.560
<v Speaker 2>audience of the camera, we can hear it, but it's just,

0:26:09.800 --> 0:26:14.600
<v Speaker 2>you know, funny check that it's not about that, but

0:26:14.640 --> 0:26:17.000
<v Speaker 2>that's what I was thinking of, you know, clearly the

0:26:17.119 --> 0:26:18.320
<v Speaker 2>music is in.

0:26:22.040 --> 0:26:24.159
<v Speaker 1>So Turner walks in, sees the boys looking out the

0:26:24.160 --> 0:26:25.240
<v Speaker 1>window and says, five thirty.

0:26:25.280 --> 0:26:27.920
<v Speaker 2>Huh man, my watch must be slow. He then tells

0:26:27.960 --> 0:26:29.120
<v Speaker 2>them funny joke.

0:26:29.160 --> 0:26:30.760
<v Speaker 1>He then tells them to get away from the window

0:26:30.760 --> 0:26:33.160
<v Speaker 1>and asks what they're doing with the camera. Corey responds

0:26:33.160 --> 0:26:35.679
<v Speaker 1>saying it's homework and they're shooting a news report. Turner

0:26:35.720 --> 0:26:37.919
<v Speaker 1>asks if they think the woman in the towel is news,

0:26:37.960 --> 0:26:40.359
<v Speaker 1>and Corey says, we think she's up to no good.

0:26:43.320 --> 0:26:45.400
<v Speaker 1>Turner tells them to turn the camera off, but as

0:26:45.440 --> 0:26:48.280
<v Speaker 1>he's explaining why, he notices the towel fell off and

0:26:48.280 --> 0:26:51.840
<v Speaker 1>the boys start fumbling all over themselves to keep recording.

0:26:52.320 --> 0:26:55.800
<v Speaker 1>Turner grabs the camera, explains that exploiting someone's body is

0:26:55.840 --> 0:26:58.080
<v Speaker 1>not news and tells them that they should watch the

0:26:58.119 --> 0:27:01.520
<v Speaker 1>five thirty news on TV to see real journalism. He

0:27:01.560 --> 0:27:03.679
<v Speaker 1>then turns on the TV and there's a news report

0:27:03.720 --> 0:27:06.520
<v Speaker 1>about breast enlargements, and he turns the TV off again

0:27:06.560 --> 0:27:08.880
<v Speaker 1>and Sean just looks at him, so great, It's great.

0:27:09.000 --> 0:27:11.800
<v Speaker 4>After you know, like hearing you recap it after watching

0:27:11.840 --> 0:27:14.520
<v Speaker 4>the rest of the episode. This sets up everything. It

0:27:14.560 --> 0:27:17.320
<v Speaker 4>sets up the dynamic, which is you don't exploit somebody

0:27:17.800 --> 0:27:19.840
<v Speaker 4>just for the sake of your you know, it's really

0:27:20.040 --> 0:27:22.680
<v Speaker 4>clever that, you know, what's what is just a sort

0:27:22.680 --> 0:27:27.080
<v Speaker 4>of horny boy scene actually thematically links exactly right to

0:27:27.200 --> 0:27:29.560
<v Speaker 4>the skyline and then of course the cynas system of

0:27:29.600 --> 0:27:32.480
<v Speaker 4>the television the actual news having gone here too is

0:27:32.520 --> 0:27:33.160
<v Speaker 4>a great point.

0:27:33.480 --> 0:27:36.879
<v Speaker 3>And Tony gives the best Tony Quinn face when he

0:27:36.920 --> 0:27:39.640
<v Speaker 3>shuts off the TV. He just like and he's got

0:27:39.640 --> 0:27:42.000
<v Speaker 3>his eyebrow going up and it's like the oh, it's

0:27:42.400 --> 0:27:44.040
<v Speaker 3>it's so Tony.

0:27:43.600 --> 0:27:46.119
<v Speaker 2>It's I also.

0:27:46.040 --> 0:27:50.840
<v Speaker 4>Love I love the Turner relationship with Sean and Corey,

0:27:50.920 --> 0:27:54.480
<v Speaker 4>which is this authority figure, but with what he's not

0:27:54.600 --> 0:27:57.359
<v Speaker 4>shaming them for right, Like he's not walking in and

0:27:57.400 --> 0:27:59.800
<v Speaker 4>being like, how dare you look at a girl? It's like,

0:27:59.840 --> 0:28:02.440
<v Speaker 4>I get it, I understand why you want to look

0:28:02.440 --> 0:28:05.520
<v Speaker 4>at a naked woman. Let's just be smart and appropriate

0:28:05.520 --> 0:28:09.439
<v Speaker 4>about this. It's not like a you know, it's a

0:28:09.480 --> 0:28:13.960
<v Speaker 4>perfectly appropriate it's a perfect father figure vibes where he's

0:28:14.000 --> 0:28:17.760
<v Speaker 4>not judging them for having feelings. He's just you know,

0:28:18.119 --> 0:28:20.359
<v Speaker 4>telling them to be more responsible about those feelings, and

0:28:20.400 --> 0:28:21.680
<v Speaker 4>it's just it's really well put.

0:28:22.600 --> 0:28:25.359
<v Speaker 3>So I don't we don't have to harp on this,

0:28:25.440 --> 0:28:27.280
<v Speaker 3>and I don't know if this is in fact true

0:28:27.320 --> 0:28:30.200
<v Speaker 3>or not. And this is pure speculation on my point,

0:28:30.359 --> 0:28:31.520
<v Speaker 3>on my part, one hundred percent.

0:28:32.119 --> 0:28:33.640
<v Speaker 2>But the more I'm watching.

0:28:33.320 --> 0:28:37.480
<v Speaker 3>Tony, the more it makes no sense that he wasn't

0:28:37.520 --> 0:28:41.640
<v Speaker 3>brought back to the show. Something else had to be

0:28:41.720 --> 0:28:45.120
<v Speaker 3>going on that we don't know about. Had to because

0:28:46.040 --> 0:28:50.240
<v Speaker 3>he's perfect, and the relationship with everybody is so good.

0:28:50.640 --> 0:28:54.600
<v Speaker 3>He fits in seamlessly. He's perfect for Sean. He's now

0:28:54.640 --> 0:28:57.240
<v Speaker 3>spending more time with Corey. We do not know the

0:28:57.280 --> 0:29:00.240
<v Speaker 3>story of why Tony left. I'm convinced of that because

0:29:00.440 --> 0:29:02.400
<v Speaker 3>it doesn't make any sense.

0:29:02.680 --> 0:29:05.160
<v Speaker 2>Well, we I don't remember.

0:29:05.200 --> 0:29:07.440
<v Speaker 1>I would love because I love this idea and I

0:29:07.480 --> 0:29:09.280
<v Speaker 1>love this theory, and I want to I want to

0:29:09.280 --> 0:29:11.000
<v Speaker 1>be like, yes, let's get to the bottom of it.

0:29:11.320 --> 0:29:16.040
<v Speaker 1>I don't remember anything leading up to what actually happens

0:29:16.080 --> 0:29:18.160
<v Speaker 1>story wise for him to go away, so.

0:29:18.960 --> 0:29:21.719
<v Speaker 2>I want to we will. We will uncover it in

0:29:21.800 --> 0:29:24.920
<v Speaker 2>live time, because I because it doesn't make any sense

0:29:25.000 --> 0:29:25.920
<v Speaker 2>where we are right now.

0:29:25.960 --> 0:29:28.080
<v Speaker 1>I can't imagine that he's just till the end of

0:29:28.120 --> 0:29:29.840
<v Speaker 1>the season and then got it.

0:29:30.040 --> 0:29:41.840
<v Speaker 5>So yeah.

0:29:41.880 --> 0:29:44.320
<v Speaker 1>So then we're in the school cafeteria. Janitor Bud is

0:29:44.440 --> 0:29:47.640
<v Speaker 1>chasing a student, Leonard, saying that a nervous stomach is

0:29:47.680 --> 0:29:49.920
<v Speaker 1>nothing to be ashamed of. Phoene comes up and tells

0:29:50.000 --> 0:29:52.280
<v Speaker 1>Janitor Budd he shouldn't embarrass a student like that, but

0:29:52.320 --> 0:29:54.800
<v Speaker 1>he says they're tight as the student runs away.

0:29:55.200 --> 0:30:00.320
<v Speaker 2>Janitor Budd is Leonard one of Michael's kids, sus that

0:30:00.840 --> 0:30:03.840
<v Speaker 2>I thought, so too, is it really?

0:30:04.040 --> 0:30:04.120
<v Speaker 3>So?

0:30:04.280 --> 0:30:07.640
<v Speaker 2>Is it David? It might be David, because it's really

0:30:07.720 --> 0:30:09.280
<v Speaker 2>I didn't recognize him. Oh.

0:30:09.280 --> 0:30:11.960
<v Speaker 4>I was like, why is there somebody under eighteen as

0:30:12.000 --> 0:30:14.600
<v Speaker 4>an extra in the scene? It makes no sense? And

0:30:14.640 --> 0:30:16.960
<v Speaker 4>then I was like, oh, that's one of the Jacob's kids,

0:30:16.960 --> 0:30:18.800
<v Speaker 4>but I couldn't recognize which one was.

0:30:19.200 --> 0:30:22.960
<v Speaker 2>I said this same thing, it's one of the Jacob's

0:30:23.040 --> 0:30:26.239
<v Speaker 2>kids in an uncredited sort of appearance, because there's no

0:30:26.280 --> 0:30:29.080
<v Speaker 2>reason why there would be a kid in an extra

0:30:29.160 --> 0:30:32.600
<v Speaker 2>position like that. Didn't Bud also mention the name Leonard

0:30:32.640 --> 0:30:34.440
<v Speaker 2>before that? Rang in my ears?

0:30:34.440 --> 0:30:37.520
<v Speaker 3>Isn't there an episode where he says something about Leonard.

0:30:38.120 --> 0:30:41.080
<v Speaker 1>I also thought one of our original nerds from the

0:30:41.120 --> 0:30:44.040
<v Speaker 1>beginning of season two was named Leonard. But then Jensen

0:30:44.080 --> 0:30:47.240
<v Speaker 1>reminded me that Lenny Spinelli is technically a Leonard, so

0:30:47.280 --> 0:30:49.400
<v Speaker 1>maybe Leonard's just in our head from there too.

0:30:49.560 --> 0:30:52.080
<v Speaker 3>But I feel like Bud Jenner Budd has said said

0:30:52.120 --> 0:30:53.200
<v Speaker 3>the name Leonard before.

0:30:53.200 --> 0:30:55.200
<v Speaker 2>It's like, oh, they brought this character back. Was the

0:30:55.200 --> 0:30:58.080
<v Speaker 2>first thing I thought, Well, I agree with you. I

0:30:58.080 --> 0:30:59.800
<v Speaker 2>think it is David. I didn't know that.

0:31:00.240 --> 0:31:02.440
<v Speaker 1>I think you're stupid. I didn't even put it in

0:31:02.440 --> 0:31:03.920
<v Speaker 1>my notes because I said it out loud. And then

0:31:03.960 --> 0:31:05.440
<v Speaker 1>I was like, I don't know, and I'm not really

0:31:05.480 --> 0:31:07.520
<v Speaker 1>sure I care to spend the I don't. I don't

0:31:07.520 --> 0:31:08.760
<v Speaker 1>have a way to figure it out. And then I

0:31:08.760 --> 0:31:10.800
<v Speaker 1>forgot about it because you said it as a character.

0:31:10.800 --> 0:31:15.960
<v Speaker 1>Because he doesn't okay, so janitor Bud then chases him

0:31:15.960 --> 0:31:18.520
<v Speaker 1>out and says, I still love the chase that poor

0:31:18.600 --> 0:31:22.960
<v Speaker 1>kid with ibs. And then Foene joins Turner and Williams

0:31:23.000 --> 0:31:25.240
<v Speaker 1>for lunch, and Turner asks about all the beautiful women

0:31:25.320 --> 0:31:28.920
<v Speaker 1>outside Phoene's office. Turns out Phoene is interviewing secretaries because

0:31:28.960 --> 0:31:31.320
<v Speaker 1>Missus Wooley is moving to Florida to be with her

0:31:31.360 --> 0:31:35.040
<v Speaker 1>grand grandkids. The littlest one just turned fifty, which I

0:31:35.040 --> 0:31:38.840
<v Speaker 1>thought is a great joke, funny Joe joke. And then

0:31:38.880 --> 0:31:40.720
<v Speaker 1>he says a couple of people chipped into buy Missus

0:31:40.720 --> 0:31:43.480
<v Speaker 1>Wooly and oxygen tank. And when Turner says that isn't funny,

0:31:43.600 --> 0:31:48.320
<v Speaker 1>Phoene explains she's a certified scuba diver. Foene sure does

0:31:48.440 --> 0:31:50.360
<v Speaker 1>love him some scuba.

0:31:50.160 --> 0:31:52.920
<v Speaker 3>Yeah, well, he's a teacher at the local school of school.

0:31:53.040 --> 0:31:55.760
<v Speaker 3>Love scuba yep, big fan of scuba.

0:31:56.520 --> 0:31:58.440
<v Speaker 1>Sean says there is nothing out there to do their

0:31:58.480 --> 0:32:00.600
<v Speaker 1>news report on then suggest this story.

0:32:00.600 --> 0:32:04.400
<v Speaker 4>We just ran through that joke like like it doesn't

0:32:04.400 --> 0:32:07.880
<v Speaker 4>get a laugh, but the idea that there's because that's funny, Like, oh,

0:32:07.920 --> 0:32:10.040
<v Speaker 4>there's nothing else out there. Now we've been told not

0:32:10.120 --> 0:32:13.320
<v Speaker 4>to do no one, We're to order the lunch lady.

0:32:13.360 --> 0:32:14.840
<v Speaker 4>Like that could have been funny if I had hit

0:32:14.920 --> 0:32:16.960
<v Speaker 4>it harder, but I was just like, there's nothing else

0:32:16.960 --> 0:32:18.200
<v Speaker 4>out there, just blue right through it.

0:32:18.640 --> 0:32:19.840
<v Speaker 2>But you know what, I don't know that it was

0:32:19.920 --> 0:32:21.440
<v Speaker 2>I don't know that it was meant to be a joke.

0:32:21.520 --> 0:32:24.560
<v Speaker 1>It is funny as an adult who like looks at

0:32:24.640 --> 0:32:27.280
<v Speaker 1>kids and goes, there's a billion topics in the world,

0:32:27.360 --> 0:32:29.000
<v Speaker 1>and the only two you can think of is the

0:32:29.040 --> 0:32:32.480
<v Speaker 1>cafeteria lady or of a naked woman. But I do

0:32:32.560 --> 0:32:35.440
<v Speaker 1>think that they were trying to set up this idea

0:32:35.640 --> 0:32:38.200
<v Speaker 1>of man, we're going to have to scramble for something

0:32:38.240 --> 0:32:40.640
<v Speaker 1>because I'm out of ideas. So I don't necessarily know

0:32:40.680 --> 0:32:42.600
<v Speaker 1>that it was supposed to get a laugh, but I

0:32:42.640 --> 0:32:43.240
<v Speaker 1>know what you mean.

0:32:43.360 --> 0:32:43.840
<v Speaker 2>I know it is.

0:32:43.920 --> 0:32:45.840
<v Speaker 1>It is certainly a place where you could have found

0:32:45.840 --> 0:32:48.000
<v Speaker 1>a laugh, right had you played it.

0:32:48.360 --> 0:32:50.440
<v Speaker 3>This is a whole new shirt for Sean, by the way,

0:32:50.560 --> 0:32:53.240
<v Speaker 3>this whole this black and white shirt that he's wearing

0:32:53.320 --> 0:32:55.160
<v Speaker 3>is a whole new, whole new get up. Wow.

0:32:55.720 --> 0:32:58.200
<v Speaker 1>I mean, we we have seen that Vlure shirt. I

0:32:58.240 --> 0:33:00.560
<v Speaker 1>remember so well, the one with the striped allures. We've

0:33:00.600 --> 0:33:02.280
<v Speaker 1>seen I think I think it's in this episode again,

0:33:02.320 --> 0:33:03.160
<v Speaker 1>and it was in the last one.

0:33:03.200 --> 0:33:04.520
<v Speaker 2>I remember it, and remember you.

0:33:04.560 --> 0:33:06.280
<v Speaker 3>Got the vest and everything. But this is a whole

0:33:06.360 --> 0:33:08.320
<v Speaker 3>new They're trying a whole new thing here. I was like, Wow,

0:33:08.360 --> 0:33:10.240
<v Speaker 3>that's it. That's a different look for Sean right now.

0:33:10.760 --> 0:33:11.440
<v Speaker 2>So interesting.

0:33:11.640 --> 0:33:13.920
<v Speaker 1>Sean suggests they could do a story on his uncle

0:33:14.000 --> 0:33:15.880
<v Speaker 1>Vic who was set up, but it may not work

0:33:15.880 --> 0:33:17.960
<v Speaker 1>because there's a good chance he'd kill them killed.

0:33:18.040 --> 0:33:20.440
<v Speaker 2>It makes me wonder whether or not he was set up.

0:33:21.560 --> 0:33:24.280
<v Speaker 1>Corey suggests they find a scandal at school, but Sean

0:33:24.320 --> 0:33:27.360
<v Speaker 1>says there is no scandal at school. Right then, Joey

0:33:27.360 --> 0:33:31.720
<v Speaker 1>comes into the cafeteria trying to sell stolen tires, and

0:33:31.960 --> 0:33:34.480
<v Speaker 1>Corey has an idea that if they followed Joey, they

0:33:34.520 --> 0:33:35.360
<v Speaker 1>find a story.

0:33:35.480 --> 0:33:39.560
<v Speaker 2>And now this begins what is probably the greatest blake

0:33:39.720 --> 0:33:41.720
<v Speaker 2>performance of any episode.

0:33:41.440 --> 0:33:45.719
<v Speaker 3>On It is bend something four times.

0:33:45.720 --> 0:33:47.200
<v Speaker 2>Oh, I can't wait, I can't wait.

0:33:47.840 --> 0:33:51.800
<v Speaker 1>I hope it's you suck I pulled.

0:33:51.800 --> 0:33:54.680
<v Speaker 2>The clip is a clip, but it's perfect.

0:33:54.840 --> 0:33:58.760
<v Speaker 4>But even in this beat, he shows up the tires tires,

0:33:58.800 --> 0:34:00.640
<v Speaker 4>and then he shows up with the tubes saw and

0:34:00.680 --> 0:34:04.160
<v Speaker 4>then did you guys notice his look of disgust at us? Yes,

0:34:04.360 --> 0:34:06.800
<v Speaker 4>not buying the tube socks or not even responding him

0:34:06.800 --> 0:34:07.880
<v Speaker 4>because we were so caught up at OAR.

0:34:08.320 --> 0:34:11.960
<v Speaker 2>He just plays it perfectly. Is this the only time

0:34:12.000 --> 0:34:14.359
<v Speaker 2>he's alone? I feel like this is one of the

0:34:14.360 --> 0:34:17.600
<v Speaker 2>only times I remember him being alone on it. No,

0:34:17.680 --> 0:34:20.719
<v Speaker 2>but he carries an entire storyline and.

0:34:20.600 --> 0:34:24.280
<v Speaker 4>It's beautiful blaze through this episode with so much confidence

0:34:24.320 --> 0:34:24.800
<v Speaker 4>in humor.

0:34:25.400 --> 0:34:26.120
<v Speaker 2>I couldn't believe it.

0:34:26.160 --> 0:34:27.960
<v Speaker 4>I was like, and then I remember that, because I

0:34:27.960 --> 0:34:32.560
<v Speaker 4>didn't remember this episode at all except for pontificating from

0:34:32.560 --> 0:34:36.200
<v Speaker 4>your tukus and you suck like I remember those very clearly.

0:34:37.280 --> 0:34:39.799
<v Speaker 2>It's incredible. Yeah, yeah, so great. I love it.

0:34:39.840 --> 0:34:42.800
<v Speaker 3>So Joey's the dialog? I'm sorry, very quick acting question.

0:34:43.040 --> 0:34:45.160
<v Speaker 3>Do you think the dialogue for Joey is so good?

0:34:45.160 --> 0:34:45.680
<v Speaker 2>And so Chris?

0:34:45.840 --> 0:34:48.920
<v Speaker 3>Because he came up with his character so early and

0:34:48.960 --> 0:34:50.799
<v Speaker 3>it was so solid that writing for him was a

0:34:50.800 --> 0:34:53.520
<v Speaker 3>lot easier then they were writing for us. But we

0:34:53.600 --> 0:34:56.160
<v Speaker 3>hadn't established our characters the way he had, so they're

0:34:56.160 --> 0:34:57.680
<v Speaker 3>trying to help us find our character.

0:34:57.920 --> 0:35:01.000
<v Speaker 2>Where he actually showed them what the care character was, well,

0:35:01.000 --> 0:35:04.160
<v Speaker 2>a voice. He gave it a voice right before. It'd

0:35:04.200 --> 0:35:05.960
<v Speaker 2>be so much easier than it's like, we don't really

0:35:06.000 --> 0:35:06.600
<v Speaker 2>know what Eric is.

0:35:06.800 --> 0:35:11.160
<v Speaker 1>Also, the to the writer's credit, it's a lot easier

0:35:11.239 --> 0:35:13.920
<v Speaker 1>to give a character who you don't have to focus

0:35:13.960 --> 0:35:18.200
<v Speaker 1>an entire show around a really specific voice, because no

0:35:18.280 --> 0:35:20.480
<v Speaker 1>matter what situation you drop them in, they're going to

0:35:20.520 --> 0:35:21.759
<v Speaker 1>be that thing all the time.

0:35:21.800 --> 0:35:22.799
<v Speaker 2>And then you can pop them out.

0:35:22.840 --> 0:35:26.120
<v Speaker 1>When you're trying to like build a universe around characters

0:35:26.480 --> 0:35:27.760
<v Speaker 1>who you know, you need to think.

0:35:27.600 --> 0:35:29.359
<v Speaker 2>Of things like they got to be likable, they got

0:35:29.360 --> 0:35:29.600
<v Speaker 2>to be this.

0:35:29.680 --> 0:35:31.840
<v Speaker 1>It's so much more fun to write for a Joey

0:35:31.920 --> 0:35:35.080
<v Speaker 1>who you know can be all of these things so good.

0:35:35.080 --> 0:35:38.160
<v Speaker 1>In this episode, someone who's very good at jackting. Joey

0:35:38.280 --> 0:35:41.120
<v Speaker 1>opens his jacket to flash all the tube socks he's selling.

0:35:41.200 --> 0:35:43.439
<v Speaker 1>He has like twenty four pairs of socks in there.

0:35:43.560 --> 0:35:46.080
<v Speaker 1>And if I had taken anything from the set of

0:35:46.080 --> 0:35:48.320
<v Speaker 1>Boy Meets World, I wish I took that tube sox jacket.

0:35:48.920 --> 0:35:49.960
<v Speaker 2>I'd love to just have it.

0:35:49.960 --> 0:35:51.880
<v Speaker 1>You could wear that everywhere. And then we're in the

0:35:51.880 --> 0:35:54.400
<v Speaker 1>school hallway slash lab. Eric runs over to see if

0:35:54.400 --> 0:35:57.440
<v Speaker 1>it's true. There's a science lady looking for students to

0:35:57.440 --> 0:35:59.839
<v Speaker 1>be a part of a research study. Monique says she's

0:35:59.840 --> 0:36:02.200
<v Speaker 1>doing a thesis on psychology with.

0:36:02.160 --> 0:36:05.640
<v Speaker 2>A hot lady. Name was Monique. Also the name of

0:36:05.719 --> 0:36:10.240
<v Speaker 2>the woman at the hairdresser. That's what I thought, it's Monique.

0:36:10.400 --> 0:36:12.520
<v Speaker 2>I think it's the same the short haired, pretty lady

0:36:12.560 --> 0:36:15.160
<v Speaker 2>named Monique, and we were I was like, it's either

0:36:15.920 --> 0:36:17.200
<v Speaker 2>so similar to I.

0:36:17.640 --> 0:36:20.279
<v Speaker 1>Think it's Monique, and we have a Lenny Spinelli, a

0:36:20.320 --> 0:36:23.319
<v Speaker 1>possible other Leonard, and then this poor Leonard. It's like, guys,

0:36:23.360 --> 0:36:26.279
<v Speaker 1>there are a lot of names out there.

0:36:26.360 --> 0:36:29.040
<v Speaker 2>Yes, it's just Monique again. So she's doing a thesis

0:36:29.040 --> 0:36:30.160
<v Speaker 2>on psycho neeurology.

0:36:30.239 --> 0:36:33.600
<v Speaker 1>But then and then asks Eric if he's interested in

0:36:33.680 --> 0:36:36.080
<v Speaker 1>dream research. Eric says, heck no, but he is a

0:36:36.080 --> 0:36:38.280
<v Speaker 1>fan of the flyer that says you can earn cash

0:36:38.320 --> 0:36:41.239
<v Speaker 1>while you sleep. He introduces himself and says he's an

0:36:41.239 --> 0:36:44.160
<v Speaker 1>amateur sleeper ready to turn pro, which I thought was

0:36:44.239 --> 0:36:48.520
<v Speaker 1>very cute. Also, I love sleeping. I'd be I would

0:36:48.640 --> 0:36:51.520
<v Speaker 1>for sure sign up for this. There was a place.

0:36:52.000 --> 0:36:55.120
<v Speaker 3>Yeah, I love sleeping too. But the older I'm getting,

0:36:55.160 --> 0:36:56.200
<v Speaker 3>the worse I'm getting at it.

0:36:57.040 --> 0:37:00.440
<v Speaker 2>That is the problem. Have you tried uns? I have not.

0:37:00.520 --> 0:37:03.520
<v Speaker 3>I can't take stuff because then yeah, yeah, I don't. Yeah,

0:37:03.680 --> 0:37:05.320
<v Speaker 3>I was trying to sleep and it's not working.

0:37:05.560 --> 0:37:05.960
<v Speaker 2>Okay.

0:37:06.360 --> 0:37:09.560
<v Speaker 1>Monique shows Eric her makeshift laboratory, and Eric smiles and says,

0:37:09.600 --> 0:37:12.000
<v Speaker 1>I've got a job. And then this is where I

0:37:12.040 --> 0:37:15.640
<v Speaker 1>realized how many floors are there on this Tower of

0:37:15.760 --> 0:37:20.920
<v Speaker 1>John Adams, Because we're in the like Turner classroom, we're

0:37:20.960 --> 0:37:24.600
<v Speaker 1>also in the media arts classroom, and now this is

0:37:24.640 --> 0:37:28.719
<v Speaker 1>a sleep study classroom, so you know we've got.

0:37:28.600 --> 0:37:32.000
<v Speaker 3>At least yeah, it is, it is. There's different wings

0:37:32.080 --> 0:37:34.600
<v Speaker 3>maybe yeah wing, Yeah.

0:37:34.400 --> 0:37:35.240
<v Speaker 2>That makes sense. Okay.

0:37:36.080 --> 0:37:38.759
<v Speaker 1>Then we are in the newsroom. Tapanga anxiously gets ready

0:37:38.760 --> 0:37:41.600
<v Speaker 1>for her news segment, repeating to herself Katie Corek, Katie Corek,

0:37:41.680 --> 0:37:43.359
<v Speaker 1>Katie Couric, and I thought that was a nice little

0:37:43.440 --> 0:37:45.560
<v Speaker 1>callback to who Tapanga wanted to write her report on.

0:37:45.600 --> 0:37:48.520
<v Speaker 1>So we're getting some good character development there. Then Sean

0:37:48.600 --> 0:37:51.480
<v Speaker 1>brings over tissues because she is sweating, and Tapega says

0:37:51.560 --> 0:37:55.280
<v Speaker 1>she doesn't sweat, she glistens, and Sean says, you're glistening

0:37:55.440 --> 0:37:58.800
<v Speaker 1>like a pig. And I remember everything about this scene

0:37:59.280 --> 0:38:02.279
<v Speaker 1>and this moment and filming this with you, and I

0:38:02.600 --> 0:38:06.120
<v Speaker 1>still to this day find any opportunity I can to

0:38:06.239 --> 0:38:08.920
<v Speaker 1>say I don't sweat, I glisten, I'm listening like a pig.

0:38:09.960 --> 0:38:11.960
<v Speaker 4>I remember those lines, but I didn't remember doing it,

0:38:12.080 --> 0:38:14.120
<v Speaker 4>Like I didn't remember the actual scene. But the second

0:38:14.160 --> 0:38:16.120
<v Speaker 4>I heard those lines, maybe it was because I've heard

0:38:16.160 --> 0:38:16.520
<v Speaker 4>you say that.

0:38:16.920 --> 0:38:18.120
<v Speaker 2>Yeah, I've said it a lot.

0:38:18.160 --> 0:38:21.080
<v Speaker 1>And also we had a lot of fun, even even

0:38:21.120 --> 0:38:22.960
<v Speaker 1>though that was only a small interaction for us. You

0:38:23.080 --> 0:38:25.520
<v Speaker 1>and I had a lot of fun being able to

0:38:25.600 --> 0:38:28.880
<v Speaker 1>do this and share this little interaction. I remember, I

0:38:28.920 --> 0:38:31.640
<v Speaker 1>remember actually acting together, and I remember shooting it with

0:38:31.760 --> 0:38:35.360
<v Speaker 1>you and being in We were in good spirits, unlike

0:38:35.400 --> 0:38:37.279
<v Speaker 1>the way when we watched Little Corey and there was

0:38:37.360 --> 0:38:40.439
<v Speaker 1>like that underlying tension of like anger, something was going

0:38:40.560 --> 0:38:42.239
<v Speaker 1>on on the set and on our lives, and it

0:38:42.280 --> 0:38:44.520
<v Speaker 1>was like, oh, it's probably mostly pig, but also maybe

0:38:44.600 --> 0:38:46.160
<v Speaker 1>some bad stuff in our lives. Like I remember the

0:38:46.239 --> 0:38:48.560
<v Speaker 1>opposite during this, which was like there was a very

0:38:49.120 --> 0:38:52.759
<v Speaker 1>lighthearted fun at least in this scene between you and

0:38:52.880 --> 0:38:53.520
<v Speaker 1>I that I.

0:38:54.000 --> 0:38:57.120
<v Speaker 3>You also noticed, feel sentimental about, like typical actors you

0:38:57.440 --> 0:38:58.800
<v Speaker 3>because we have makeup on you.

0:38:59.280 --> 0:39:00.200
<v Speaker 2>You were listening like a pig.

0:39:00.320 --> 0:39:03.720
<v Speaker 3>You took the napkins, but you didn't actually do anything

0:39:04.080 --> 0:39:06.040
<v Speaker 3>because it's like makeup.

0:39:05.800 --> 0:39:08.800
<v Speaker 2>That my makeup. Yep, so funny.

0:39:09.000 --> 0:39:11.359
<v Speaker 1>Well, mister Williams is in full producer mode and Amy

0:39:11.400 --> 0:39:13.880
<v Speaker 1>and Allen are watching the monitor and say the OREGONI

0:39:13.960 --> 0:39:16.120
<v Speaker 1>lady looks like the Queen Mary right down to the

0:39:16.200 --> 0:39:16.800
<v Speaker 1>deck chairs.

0:39:17.160 --> 0:39:19.760
<v Speaker 2>Sean says, ain't nothing wrong to that? Like a rusty

0:39:19.880 --> 0:39:28.040
<v Speaker 2>doing some great donut, acting wonderful adocting what what is

0:39:28.200 --> 0:39:29.440
<v Speaker 2>the bit with the food?

0:39:29.560 --> 0:39:32.759
<v Speaker 1>Though, I'm curious, like because the way they're both holding it,

0:39:33.360 --> 0:39:35.279
<v Speaker 1>I was like, is it just supposed to be Is

0:39:35.320 --> 0:39:38.040
<v Speaker 1>it a joke about there's craft service at this newsroom

0:39:38.160 --> 0:39:41.080
<v Speaker 1>and they are or is it just funny to just

0:39:41.120 --> 0:39:43.080
<v Speaker 1>see them with a Danish or something?

0:39:43.200 --> 0:39:45.879
<v Speaker 4>I think it's I think it's it's part of when

0:39:45.880 --> 0:39:49.839
<v Speaker 4>you're watching somebody watch something, it's see them eating. Yeah,

0:39:50.320 --> 0:39:53.719
<v Speaker 4>it like redirects the focus. It's like a way for

0:39:53.880 --> 0:39:56.799
<v Speaker 4>them to just be a set of eyes looking away

0:39:56.880 --> 0:40:00.040
<v Speaker 4>and it's like giving them something to do that. It

0:40:00.040 --> 0:40:02.200
<v Speaker 4>reminds you that they're in the room, but then redirects

0:40:02.239 --> 0:40:03.800
<v Speaker 4>your focus away from that. I don't know, it's like

0:40:04.160 --> 0:40:08.680
<v Speaker 4>watching somebody eat popcorn, right, they're watching more interesting?

0:40:09.000 --> 0:40:09.200
<v Speaker 2>Yeah.

0:40:09.280 --> 0:40:11.840
<v Speaker 4>Yeah, the fact that they are watching something suddenly becomes

0:40:12.040 --> 0:40:14.319
<v Speaker 4>a choice because they're doing something with their own right,

0:40:14.640 --> 0:40:15.719
<v Speaker 4>but their attention is not.

0:40:15.840 --> 0:40:17.359
<v Speaker 2>On the thing you're doing. Right.

0:40:17.400 --> 0:40:21.080
<v Speaker 1>It gives the audience watching them something to watch, yes,

0:40:21.360 --> 0:40:22.520
<v Speaker 1>while they're just watching.

0:40:22.719 --> 0:40:26.480
<v Speaker 4>Yes, Yeah, it's really important. It's like actually an essential thing.

0:40:26.640 --> 0:40:28.560
<v Speaker 4>You know, if you're not going to see what somebody's

0:40:28.600 --> 0:40:29.600
<v Speaker 4>looking at it because.

0:40:29.360 --> 0:40:37.080
<v Speaker 2>Otherwise this exactly yeah, right, okay again, he's so funny.

0:40:37.239 --> 0:40:37.920
<v Speaker 2>He's so funny.

0:40:38.560 --> 0:40:41.040
<v Speaker 1>So when mister Feenie tells mister Williams his project has

0:40:41.080 --> 0:40:43.279
<v Speaker 1>really come together, he asks what he can look forward to,

0:40:43.400 --> 0:40:45.880
<v Speaker 1>and mister Williams says a lot, including a feature on

0:40:45.960 --> 0:40:48.960
<v Speaker 1>Janitor Bud that Corey is editing right now. Mister Feenie

0:40:49.080 --> 0:40:52.080
<v Speaker 1>is concerned, saying mister Williams is airing student reports that

0:40:52.160 --> 0:40:54.839
<v Speaker 1>haven't yet been seen, but mister Williams says they're good kids.

0:40:54.920 --> 0:40:57.279
<v Speaker 1>They haven't let him down yet. And mister Feeney says,

0:40:57.440 --> 0:40:59.080
<v Speaker 1>this is high school join Us.

0:41:00.040 --> 0:41:01.640
<v Speaker 3>Which I loved, and they had to do because it

0:41:01.640 --> 0:41:04.400
<v Speaker 3>wouldn't make any sense that he wouldn't be looking at

0:41:04.480 --> 0:41:06.839
<v Speaker 3>the thing for I mean exact, you're gonna you're gonna

0:41:06.920 --> 0:41:08.920
<v Speaker 3>straight up put up put something on the air that

0:41:09.080 --> 0:41:14.200
<v Speaker 3>he hasn't looked at as the teacher the students, right right, exactly,

0:41:14.239 --> 0:41:15.960
<v Speaker 3>so that doesn't so at least they addressed it or

0:41:16.000 --> 0:41:16.840
<v Speaker 3>tried to address it.

0:41:17.120 --> 0:41:19.600
<v Speaker 2>Yeah, and it's and it's it's they you know. Eli

0:41:19.760 --> 0:41:22.520
<v Speaker 2>is saying I trust them, and Phoene's like, you're an idiot, essentially,

0:41:22.840 --> 0:41:23.520
<v Speaker 2>But yeah it is.

0:41:24.560 --> 0:41:29.200
<v Speaker 4>Yeah, it has that logic need, right, but it also

0:41:29.440 --> 0:41:32.759
<v Speaker 4>sets up his culpability, like he is responsible and he

0:41:32.840 --> 0:41:35.200
<v Speaker 4>does make a mistake, he should have made it, and

0:41:35.440 --> 0:41:37.280
<v Speaker 4>so it ends up working, it ends.

0:41:37.160 --> 0:41:40.200
<v Speaker 2>Up being helpful. But yeah, it is kind of a cheat. Yeah,

0:41:40.400 --> 0:41:42.440
<v Speaker 2>but no, they they they at least wrote it in.

0:41:42.560 --> 0:41:45.160
<v Speaker 2>They didn't just do it and then not do it.

0:41:45.239 --> 0:41:47.000
<v Speaker 1>It was set up earlier with the fact that they

0:41:47.200 --> 0:41:49.320
<v Speaker 1>had to redo it. They were on a time, you know.

0:41:49.480 --> 0:41:53.080
<v Speaker 2>They're then of course, having Corey open with the spinach

0:41:53.120 --> 0:41:56.279
<v Speaker 2>in his teeth reemphasizes like we ran out of times

0:41:56.480 --> 0:41:59.239
<v Speaker 2>is not a polished thing exactly. So they want to

0:41:59.280 --> 0:42:01.240
<v Speaker 2>say the lot and this is kind of airtight.

0:42:03.360 --> 0:42:06.520
<v Speaker 1>So mister Williams counts down into Panga panics and says

0:42:06.520 --> 0:42:08.320
<v Speaker 1>she can't do this right right now. She says that

0:42:08.400 --> 0:42:10.000
<v Speaker 1>right up until the time that Tapanga is live, and

0:42:10.080 --> 0:42:12.040
<v Speaker 1>once the camera is rolling, she's totally calm.

0:42:12.560 --> 0:42:15.640
<v Speaker 2>One of the top news stories is about the stolen tube.

0:42:15.400 --> 0:42:17.640
<v Speaker 1>Sock ring, which I thought was a funny little callback

0:42:17.960 --> 0:42:21.200
<v Speaker 1>to what they had talked about. And then we're in

0:42:21.280 --> 0:42:24.719
<v Speaker 1>the newsroom continuing Topanga. Thanks Bob, Thank you, Bob. And

0:42:25.200 --> 0:42:28.839
<v Speaker 1>promotes his book skid Marks Confessions of a Crossing Guard,

0:42:29.520 --> 0:42:32.120
<v Speaker 1>and then before they cut to a commercial, she does that.

0:42:32.200 --> 0:42:34.279
<v Speaker 1>Right before they cut to a commercial break. Amy and

0:42:34.320 --> 0:42:37.279
<v Speaker 1>Allan Telfeeni Topanga has a natural poise as a news anchor.

0:42:37.400 --> 0:42:39.480
<v Speaker 1>Then Topega starts giving notes, panicking like she's in a

0:42:39.560 --> 0:42:42.200
<v Speaker 1>high stressed newsroom and calls out the poor kid Leonard

0:42:42.239 --> 0:42:45.440
<v Speaker 1>with the IBS for having the Q cards facing him.

0:42:45.520 --> 0:42:47.719
<v Speaker 2>She says, I can't work like this, and I which,

0:42:48.200 --> 0:42:50.400
<v Speaker 2>why didn't you do a lead R? I know, I

0:42:50.520 --> 0:42:52.960
<v Speaker 2>can't believe I didn't do you. I wanted to go

0:42:53.080 --> 0:42:55.480
<v Speaker 2>back and be like we used to say, I can't can't.

0:42:58.080 --> 0:43:01.800
<v Speaker 2>I don't know, maybe because I was I don't know.

0:43:02.160 --> 0:43:04.000
<v Speaker 2>I want it so bad, but I said it, and

0:43:04.000 --> 0:43:05.320
<v Speaker 2>then I went back. I was like, I didn't do

0:43:05.560 --> 0:43:13.320
<v Speaker 2>I didn't do it. A machine, the time machine, you guys,

0:43:14.000 --> 0:43:15.120
<v Speaker 2>I want it, okay.

0:43:15.800 --> 0:43:18.160
<v Speaker 1>Corey runs in with his tape right before Tapega starts

0:43:18.160 --> 0:43:21.400
<v Speaker 1>her final news story, which is on Janitor Bud. They

0:43:21.440 --> 0:43:24.040
<v Speaker 1>start playing Corey's video where he says everyone at school

0:43:24.160 --> 0:43:26.600
<v Speaker 1>is trapped like deer until three thirty, but asks if

0:43:26.640 --> 0:43:29.440
<v Speaker 1>some are less trapped than others he films Janitor Bud

0:43:29.600 --> 0:43:31.840
<v Speaker 1>coming out of his office, and he leaves for school

0:43:31.920 --> 0:43:34.359
<v Speaker 1>at two fifty five, even though he gets paid until

0:43:34.400 --> 0:43:38.200
<v Speaker 1>five pm. Then at five pm, Joey comes over takes

0:43:38.280 --> 0:43:40.799
<v Speaker 1>money out from behind Janitor Bud's time card and.

0:43:41.719 --> 0:43:43.840
<v Speaker 3>The way he's holding the A, the way he's holding

0:43:43.880 --> 0:43:46.759
<v Speaker 3>the card and b how does nobody see the two

0:43:46.840 --> 0:43:49.400
<v Speaker 3>guys there from the ft away with a camera?

0:43:49.560 --> 0:43:52.000
<v Speaker 4>So you're having the time punch, the time punch, the

0:43:52.080 --> 0:43:55.440
<v Speaker 4>time card puncher and all the time cards raise in

0:43:55.480 --> 0:43:55.759
<v Speaker 4>the hole.

0:43:56.480 --> 0:43:59.320
<v Speaker 2>Anyone to do, Like, no kid's gonna go grab and

0:43:59.400 --> 0:44:03.480
<v Speaker 2>start punching time cards. I mean all this was so ridiculous,

0:44:03.719 --> 0:44:08.120
<v Speaker 2>literally wish leaving like Dylan's like, yeah, okay, nobody knows

0:44:08.160 --> 0:44:09.280
<v Speaker 2>our secret.

0:44:08.960 --> 0:44:13.200
<v Speaker 1>Plank maybe my airtight logic statement.

0:44:13.440 --> 0:44:18.560
<v Speaker 2>This was terrible. This was pretty terrible. This defies that. Okay,

0:44:19.120 --> 0:44:21.360
<v Speaker 2>it just becomes a cartoon at this point. How do

0:44:21.440 --> 0:44:23.640
<v Speaker 2>they not see the guy a foot away from that?

0:44:23.760 --> 0:44:26.520
<v Speaker 1>It's like what So Tapanga signs off from the day's

0:44:26.560 --> 0:44:29.239
<v Speaker 1>newscast and ends it with don't eat veal, And that's

0:44:29.320 --> 0:44:31.439
<v Speaker 1>where I really wish you would have said don't eat pork,

0:44:31.480 --> 0:44:33.560
<v Speaker 1>so we could have had a little little Corey call back,

0:44:33.719 --> 0:44:36.680
<v Speaker 1>but still waiting on that time machine. Corey and Shawn

0:44:36.719 --> 0:44:39.319
<v Speaker 1>come over to mister Williams, excited about their report. Corey

0:44:39.400 --> 0:44:41.600
<v Speaker 1>asks if Alan and Amy are proud, but they ask

0:44:41.680 --> 0:44:44.120
<v Speaker 1>if everything is true, and Corey says, well, you saw

0:44:44.280 --> 0:44:45.239
<v Speaker 1>not a dramatization.

0:44:45.480 --> 0:44:46.399
<v Speaker 2>Not a dramatization.

0:44:47.120 --> 0:44:50.080
<v Speaker 1>Mister Feeney says, that's unfortunate because now he has the

0:44:50.200 --> 0:44:53.200
<v Speaker 1>unfortunate task of firing janitor Bud.

0:44:54.520 --> 0:45:00.399
<v Speaker 2>I love this because it's like your Corey's not sure

0:45:00.400 --> 0:45:03.319
<v Speaker 2>how to feel, you know. And I love that Corey

0:45:03.360 --> 0:45:07.239
<v Speaker 2>and Sean sort of walk over like tada, and it's like, oh,

0:45:07.520 --> 0:45:10.000
<v Speaker 2>and it has the error is sort of sucked out

0:45:10.000 --> 0:45:12.200
<v Speaker 2>of the room and the way the adults are unsure

0:45:12.280 --> 0:45:14.320
<v Speaker 2>how to react, because it's like if.

0:45:14.200 --> 0:45:16.760
<v Speaker 4>That's you know, and that's this is a cool vibe.

0:45:16.800 --> 0:45:19.319
<v Speaker 4>It's not like an immediate you guys did something wrong,

0:45:19.680 --> 0:45:21.879
<v Speaker 4>and it's also not like you did something great. It's

0:45:22.040 --> 0:45:25.919
<v Speaker 4>more complicated than that. And suddenly it's no one's quite

0:45:26.040 --> 0:45:29.120
<v Speaker 4>sure how to react. And that is the essence of

0:45:29.400 --> 0:45:32.680
<v Speaker 4>to me, good drama and yeah, what meets worldwriting. And

0:45:32.719 --> 0:45:33.680
<v Speaker 4>I loved it and loved it.

0:45:34.120 --> 0:45:36.399
<v Speaker 2>Yeah, this is great. This, this whole scene was great.

0:45:36.680 --> 0:45:37.120
<v Speaker 2>I love it.

0:45:37.880 --> 0:45:40.120
<v Speaker 1>And then we're in the school hallway after some girls

0:45:40.200 --> 0:45:42.919
<v Speaker 1>ignore them. Corey doesn't understand why people are acting weird

0:45:42.920 --> 0:45:44.680
<v Speaker 1>around them when they finally did a good job on

0:45:44.760 --> 0:45:46.960
<v Speaker 1>a project. But Sean says, the big deal is that

0:45:47.080 --> 0:45:49.760
<v Speaker 1>no one wants Janitor Bud fired. He's been in Phoene's

0:45:49.760 --> 0:45:52.399
<v Speaker 1>office for an hour. Corey says, Feenie is a fair man,

0:45:52.520 --> 0:45:54.480
<v Speaker 1>he will give him a second chance, and then Janitor

0:45:54.520 --> 0:45:56.080
<v Speaker 1>Bud walks out of Phoene's.

0:45:55.640 --> 0:45:59.319
<v Speaker 2>Office and says, what no second chance? Just hey, ties

0:45:59.360 --> 0:45:59.600
<v Speaker 2>it all in.

0:45:59.680 --> 0:46:03.480
<v Speaker 1>Really, Janitor Bud tells Phoenie there's history between them and

0:46:03.520 --> 0:46:05.840
<v Speaker 1>that they're like brothers, to which Phoene says, no.

0:46:06.040 --> 0:46:06.400
<v Speaker 2>We're not.

0:46:07.080 --> 0:46:10.440
<v Speaker 4>I can't believe that I didn't remember this whole thing,

0:46:10.520 --> 0:46:13.319
<v Speaker 4>because do you remember when we were recapping season two

0:46:13.520 --> 0:46:16.800
<v Speaker 4>and Jander Bud was so funny and the dynamic in

0:46:16.960 --> 0:46:20.680
<v Speaker 4>the love it between Feenie and Bud. I didn't remember

0:46:20.760 --> 0:46:22.879
<v Speaker 4>this episode, but we brought was like, I just want

0:46:22.880 --> 0:46:24.360
<v Speaker 4>to see a whole thing about the two and this

0:46:24.560 --> 0:46:27.120
<v Speaker 4>is it, and this is and you can still tell

0:46:27.400 --> 0:46:29.399
<v Speaker 4>Phoene really doesn't like him.

0:46:29.640 --> 0:46:35.879
<v Speaker 2>Which is the kind so awesome like this man, he's

0:46:36.280 --> 0:46:36.960
<v Speaker 2>so funny.

0:46:37.719 --> 0:46:40.920
<v Speaker 1>It's in this moment when Bud reveals that he retires

0:46:41.000 --> 0:46:42.720
<v Speaker 1>in two months with a full pension.

0:46:43.160 --> 0:46:43.520
<v Speaker 2>Janitor.

0:46:43.520 --> 0:46:46.040
<v Speaker 1>Bud asks Feenie if he remembers when he saved his life,

0:46:46.080 --> 0:46:48.520
<v Speaker 1>which Phoenie does not remember. Bud says, Phoenie was walking

0:46:48.560 --> 0:46:50.400
<v Speaker 1>around the hall when Bud noticed a build up of

0:46:50.440 --> 0:46:52.400
<v Speaker 1>wax and he had no choice but to throw himself

0:46:52.440 --> 0:46:54.359
<v Speaker 1>on the wax so that Phoene didn't slip.

0:46:54.560 --> 0:46:57.520
<v Speaker 2>Phoene says he thought he was just sleeping, and but admits, well,

0:46:57.600 --> 0:47:03.560
<v Speaker 2>once I was down here, down there, Phoene shakes his hand,

0:47:03.640 --> 0:47:04.919
<v Speaker 2>and I know so good.

0:47:05.320 --> 0:47:07.360
<v Speaker 1>Phoene shakes his hand and thanks him for his service.

0:47:07.440 --> 0:47:11.239
<v Speaker 1>But Bud says, Ammonia's in my blood. No, really, it is, really,

0:47:13.200 --> 0:47:17.520
<v Speaker 1>he says, it's all he knows. Phoenie just says godspeed, Janitor.

0:47:17.560 --> 0:47:20.319
<v Speaker 2>Bud looks around the hallway and then walks off.

0:47:20.960 --> 0:47:23.160
<v Speaker 1>Corey says they have nothing to feel bad about because

0:47:23.200 --> 0:47:25.560
<v Speaker 1>he told they told the truth, and Bud should feel

0:47:25.600 --> 0:47:30.359
<v Speaker 1>bad for goofing off. And then if we could give posthumous,

0:47:30.640 --> 0:47:33.320
<v Speaker 1>which I guess means dead not dead, just time machine,

0:47:33.360 --> 0:47:37.480
<v Speaker 1>Emmys to people to temmy's. I would like to give

0:47:37.480 --> 0:47:41.680
<v Speaker 1>a temmy to Blake Salt for this next little run.

0:47:42.400 --> 0:47:45.200
<v Speaker 1>Joey comes out and questions if they think leaving early

0:47:45.320 --> 0:47:46.480
<v Speaker 1>is considered goofing off.

0:47:46.760 --> 0:47:49.200
<v Speaker 2>He asks if they knew where Janitor Bud was going.

0:47:49.080 --> 0:47:51.800
<v Speaker 1>Every day at two fifty five. Joey says he visits

0:47:51.840 --> 0:47:54.360
<v Speaker 1>a place where others are less fortunate than him. He

0:47:54.480 --> 0:47:56.800
<v Speaker 1>throws on more and more gilt, talking about what a

0:47:56.920 --> 0:48:00.279
<v Speaker 1>sweet giving man Bud is, and then Corey's stomach starts

0:48:00.320 --> 0:48:04.080
<v Speaker 1>bubbling like that poor child Leonard with ibs. Finally, Joey

0:48:04.200 --> 0:48:08.640
<v Speaker 1>reveals Bud gives to the track playing the ponies. It's

0:48:08.680 --> 0:48:12.040
<v Speaker 1>a total misdirect from thinking he was charitable, which is amazing.

0:48:12.520 --> 0:48:16.360
<v Speaker 1>And before he leaves, Joey gives us this beautiful quote.

0:48:16.680 --> 0:48:17.880
<v Speaker 1>Let's play the clip.

0:48:18.480 --> 0:48:20.880
<v Speaker 2>Well, next time you go stick in your nose someplace

0:48:20.880 --> 0:48:27.359
<v Speaker 2>where it don't belong, you remember this, You suck? That's

0:48:27.400 --> 0:48:27.799
<v Speaker 2>so good.

0:48:33.800 --> 0:48:37.480
<v Speaker 3>Here's the thing, though, here's what's so interesting. We specifically

0:48:37.920 --> 0:48:41.359
<v Speaker 3>had to cut you suck from season two.

0:48:42.320 --> 0:48:45.160
<v Speaker 2>So what has changed now to where now we can

0:48:45.239 --> 0:48:51.239
<v Speaker 2>say you suck? Who says it again? So much that

0:48:51.440 --> 0:48:55.319
<v Speaker 2>we don't. You know, people, people tell us what you mind?

0:48:55.320 --> 0:48:57.319
<v Speaker 2>Everybody what we're talking about. There's a U stink moment

0:48:57.400 --> 0:49:00.719
<v Speaker 2>when we're banned on the band. Yeah, what an idea.

0:49:04.239 --> 0:49:06.719
<v Speaker 2>We specifically had to cut it out and changed it

0:49:06.800 --> 0:49:09.760
<v Speaker 2>to you sir. Sorry, No, that's very valid.

0:49:09.920 --> 0:49:13.440
<v Speaker 1>So we all we get sometimes a lot of you know,

0:49:13.520 --> 0:49:16.479
<v Speaker 1>people don't like how sometimes we'll go over a point

0:49:16.560 --> 0:49:19.320
<v Speaker 1>and the reality of it and and the truth is

0:49:19.520 --> 0:49:21.880
<v Speaker 1>one of the reasons we do it is because we

0:49:22.120 --> 0:49:24.800
<v Speaker 1>know that's actually what networks and executives do.

0:49:25.800 --> 0:49:27.080
<v Speaker 2>They still do it to this day.

0:49:27.239 --> 0:49:30.719
<v Speaker 1>You could have a show with a total fantastical storyline

0:49:30.719 --> 0:49:34.759
<v Speaker 1>where there's magic or fairies or whatever, and someone, an

0:49:34.800 --> 0:49:38.799
<v Speaker 1>executive will say, so, what's the what's the reality.

0:49:38.320 --> 0:49:38.960
<v Speaker 2>Of this moment?

0:49:39.200 --> 0:49:39.600
<v Speaker 3>Is it? You know?

0:49:39.719 --> 0:49:42.920
<v Speaker 2>And they'll want to talk about that. In this situation.

0:49:43.239 --> 0:49:45.239
<v Speaker 1>One of the things that can be very important is

0:49:45.360 --> 0:49:49.120
<v Speaker 1>the likability of the characters. And when we talk about

0:49:49.680 --> 0:49:53.520
<v Speaker 1>stakes and and all those things, somebody saying you suck

0:49:53.680 --> 0:49:56.000
<v Speaker 1>and who they say it to. So I wonder how

0:49:56.080 --> 0:50:00.160
<v Speaker 1>much of it is just that it's Joey saying it, maybe, and.

0:50:00.239 --> 0:50:02.800
<v Speaker 2>He's older than the girls were when they were saying it.

0:50:02.960 --> 0:50:08.319
<v Speaker 2>Everybody's older, and I wonder what it means. I wonder

0:50:08.320 --> 0:50:11.399
<v Speaker 2>if culturally too, things have been changing, like it's been

0:50:11.719 --> 0:50:14.520
<v Speaker 2>a year and like the idea of like, I don't

0:50:14.520 --> 0:50:17.759
<v Speaker 2>think anybody would censor you suck now now, No, I

0:50:17.800 --> 0:50:21.359
<v Speaker 2>don't remember. I mean even when like the Simpsons first

0:50:21.440 --> 0:50:25.640
<v Speaker 2>came out, Bart Simpson was for saying my shorts was

0:50:26.200 --> 0:50:26.759
<v Speaker 2>a big deal.

0:50:26.840 --> 0:50:30.120
<v Speaker 4>It was like, Wow, how dare a cartoon have such

0:50:30.120 --> 0:50:33.799
<v Speaker 4>a braddy kid these offensive things? And then of course

0:50:33.840 --> 0:50:35.719
<v Speaker 4>you have South Park doing the same thing. You're always

0:50:35.760 --> 0:50:38.440
<v Speaker 4>pushing the envelope as far as language and what's offensive

0:50:38.520 --> 0:50:41.240
<v Speaker 4>or not. And I think pretty much by the mid nineties,

0:50:41.840 --> 0:50:44.680
<v Speaker 4>suck had lost any connotation that was sexual. Maybe it

0:50:44.760 --> 0:50:47.480
<v Speaker 4>just became you suck, Like just became like you're stay

0:50:47.520 --> 0:50:48.000
<v Speaker 4>had person.

0:50:48.680 --> 0:50:51.600
<v Speaker 2>It was equivalent was like, man, now we're allowed to

0:50:51.640 --> 0:50:53.879
<v Speaker 2>say that now apparently. Yeah. Oh, but this is such

0:50:53.880 --> 0:50:57.839
<v Speaker 2>a legendary moment, so great, it's so so good.

0:51:08.760 --> 0:51:12.120
<v Speaker 1>Sean says, poor Bud, but Corey says, Saint Bud skips

0:51:12.200 --> 0:51:14.920
<v Speaker 1>work to bless the ponies. Bud comes back to tell

0:51:14.960 --> 0:51:17.200
<v Speaker 1>Corey and Sean he knows it was them, and he

0:51:17.320 --> 0:51:20.560
<v Speaker 1>puts the Janitor's curse on them by doing an incredible

0:51:20.640 --> 0:51:23.840
<v Speaker 1>little dance. And I would watch the Janitor Bud and

0:51:23.920 --> 0:51:27.800
<v Speaker 1>Joey spin off for sure. I'm right now, I'm calling.

0:51:27.640 --> 0:51:30.640
<v Speaker 2>It, Joey, I'm your Bud. I would watch that spin Wow.

0:51:31.120 --> 0:51:33.799
<v Speaker 2>I like it, right, I like it. I like those two.

0:51:34.680 --> 0:51:36.759
<v Speaker 1>I also love at the end of his little dance

0:51:36.800 --> 0:51:39.960
<v Speaker 1>that he does the real almost break that both you

0:51:40.160 --> 0:51:44.239
<v Speaker 1>and Ben have those Any of those moments that get

0:51:44.320 --> 0:51:48.320
<v Speaker 1>captured on tape when we watch these episodes are just

0:51:48.880 --> 0:51:51.760
<v Speaker 1>literally my heart like gets lit up from the inside

0:51:51.840 --> 0:51:55.680
<v Speaker 1>of so they're still personal and I remember them so well,

0:51:55.800 --> 0:51:58.640
<v Speaker 1>so it's a I really those little moments that just

0:51:58.960 --> 0:51:59.760
<v Speaker 1>light me up inside.

0:52:00.239 --> 0:52:01.160
<v Speaker 2>And then we're in the lab.

0:52:01.360 --> 0:52:03.759
<v Speaker 1>Eric is asleep in Monique's lab with wires strapped to

0:52:03.840 --> 0:52:06.160
<v Speaker 1>his head. She wakes him up and Eric asks where

0:52:06.239 --> 0:52:08.799
<v Speaker 1>his money is. Monique says she needs to ask Eric

0:52:08.880 --> 0:52:11.120
<v Speaker 1>some questions, but he says that wasn't part of the deal.

0:52:11.320 --> 0:52:13.440
<v Speaker 1>She assures him that he will get paid, but asks

0:52:13.480 --> 0:52:15.839
<v Speaker 1>if he remembers any of his dreams, and Eric says,

0:52:15.920 --> 0:52:19.359
<v Speaker 1>how could I I was asleep. Monique says that while

0:52:19.440 --> 0:52:22.160
<v Speaker 1>he was asleep, he had a serene, almost goofy look

0:52:22.200 --> 0:52:23.000
<v Speaker 1>on his face, but.

0:52:23.080 --> 0:52:25.640
<v Speaker 2>He registered absolutely no brain activity.

0:52:25.840 --> 0:52:28.680
<v Speaker 1>She calls it remarkable, and Eric says, well, I've been

0:52:28.680 --> 0:52:29.879
<v Speaker 1>sleeping since I was five.

0:52:30.560 --> 0:52:32.920
<v Speaker 4>Now, somewhere in here, I'm not sure which line it

0:52:33.040 --> 0:52:37.399
<v Speaker 4>is exactly, but you can clearly hear our writers laugh. Yeah,

0:52:37.440 --> 0:52:40.440
<v Speaker 4>oh really, yes, it's like the regular audience laugh. And

0:52:40.520 --> 0:52:43.759
<v Speaker 4>then you can hear from down the hall by the monitors,

0:52:44.360 --> 0:52:47.560
<v Speaker 4>a group of guys laughing extra at your reaction. I

0:52:47.600 --> 0:52:49.720
<v Speaker 4>think it's when she says something about no brain activity

0:52:50.160 --> 0:52:53.760
<v Speaker 4>and you're like smiling at the monitor. It's so funny.

0:52:54.080 --> 0:52:55.680
<v Speaker 4>But I was like, because we've talked about that, how

0:52:55.719 --> 0:52:59.200
<v Speaker 4>we can hear our specim our writers losing it over you,

0:52:59.280 --> 0:53:00.440
<v Speaker 4>which is what they all did.

0:53:01.200 --> 0:53:02.520
<v Speaker 2>I just I you didn't want to think.

0:53:02.520 --> 0:53:03.880
<v Speaker 3>I know it sounds ridiculous, but one of the things

0:53:03.880 --> 0:53:05.719
<v Speaker 3>I remember so much about this episode was how much

0:53:05.760 --> 0:53:10.319
<v Speaker 3>I loved the blocking because really I was laying there

0:53:10.440 --> 0:53:11.440
<v Speaker 3>like the whole episode.

0:53:11.600 --> 0:53:13.759
<v Speaker 2>It was so easy. It was just like you just

0:53:13.920 --> 0:53:16.239
<v Speaker 2>just lie there like, Okay, that's great.

0:53:16.360 --> 0:53:16.560
<v Speaker 5>Great.

0:53:17.200 --> 0:53:19.759
<v Speaker 1>So Monique wants to do more tests, but Eric says,

0:53:19.880 --> 0:53:22.839
<v Speaker 1>mister remarkable is going to cost her. He wants to renegotiate.

0:53:22.960 --> 0:53:25.680
<v Speaker 1>He wants half of what she's saying today, then double it,

0:53:25.800 --> 0:53:28.840
<v Speaker 1>then double it. Monique agrees. Then Eric walks out with

0:53:28.920 --> 0:53:30.480
<v Speaker 1>everything still strapped to his head.

0:53:31.840 --> 0:53:36.520
<v Speaker 3>Again, it's funny. It is funny, and I liked being funny.

0:53:37.120 --> 0:53:38.680
<v Speaker 3>I just and I think what the problem is is

0:53:38.760 --> 0:53:41.520
<v Speaker 3>I know where it's going. So if I had just

0:53:41.560 --> 0:53:42.960
<v Speaker 3>seen this and this was kind of a one off,

0:53:42.960 --> 0:53:44.280
<v Speaker 3>I would have been like, Okay, this is a funny

0:53:44.360 --> 0:53:44.719
<v Speaker 3>Eric thing.

0:53:44.760 --> 0:53:46.839
<v Speaker 2>But this started to going.

0:53:47.200 --> 0:53:48.840
<v Speaker 1>There's like a middle part where you don't like it,

0:53:48.920 --> 0:53:50.680
<v Speaker 1>but then really where it goes goes you actually do

0:53:50.880 --> 0:53:51.040
<v Speaker 1>like it.

0:53:51.120 --> 0:53:52.560
<v Speaker 2>I do correct, okay, because.

0:53:52.360 --> 0:53:56.440
<v Speaker 3>It gets so absurd by that point that but it's

0:53:56.480 --> 0:53:58.759
<v Speaker 3>also it's not only becomes so absurd, but we're also

0:53:59.080 --> 0:54:04.560
<v Speaker 3>all to together in the college, so it's like we're

0:54:04.600 --> 0:54:06.719
<v Speaker 3>doing scenes where it's all of us and Eric is

0:54:06.880 --> 0:54:08.520
<v Speaker 3>just one of the absurd. I mean to bring it

0:54:08.560 --> 0:54:12.000
<v Speaker 3>to friends, It's like it would be different if five

0:54:12.120 --> 0:54:14.080
<v Speaker 3>of them were doing one episode and then they cut

0:54:14.120 --> 0:54:17.720
<v Speaker 3>to Joey being stupid, like that makes it a completely

0:54:17.800 --> 0:54:22.759
<v Speaker 3>different show. Whereas when we were all together and you know,

0:54:22.880 --> 0:54:25.800
<v Speaker 3>it's everything's going on and Eric is there being stupid.

0:54:25.920 --> 0:54:27.880
<v Speaker 3>I not only was fine with that, I love that.

0:54:28.000 --> 0:54:30.080
<v Speaker 3>I thought that was great because it was just another

0:54:30.160 --> 0:54:33.200
<v Speaker 3>flavor to an entire ensemble cast. I didn't like it

0:54:33.239 --> 0:54:34.920
<v Speaker 3>when it was like there was one show going on

0:54:35.160 --> 0:54:36.719
<v Speaker 3>and then it was just cut to Eric for a

0:54:36.760 --> 0:54:37.960
<v Speaker 3>couple pages being stupid.

0:54:38.200 --> 0:54:38.759
<v Speaker 2>That I was not.

0:54:38.920 --> 0:54:41.000
<v Speaker 3>That's where that started to grind to me, where it

0:54:41.120 --> 0:54:43.719
<v Speaker 3>then was incorporated into the rest of the show and.

0:54:43.760 --> 0:54:47.040
<v Speaker 2>Basically once Madeland and Matt got into the show, because

0:54:47.600 --> 0:54:50.520
<v Speaker 2>it might have actually happened even a little bit before that,

0:54:50.840 --> 0:54:55.640
<v Speaker 2>but it's really giving you your own like crew, you know,

0:54:55.840 --> 0:54:58.960
<v Speaker 2>like they've tried it with with Jason, you know, yes,

0:54:59.080 --> 0:55:01.719
<v Speaker 2>but like, yeah, it's interesting that they didn't actually pair

0:55:01.840 --> 0:55:05.560
<v Speaker 2>you with Tony. I mean, well, they paired you with Tony.

0:55:05.760 --> 0:55:07.400
<v Speaker 3>That's why they tried to do it with Bill and

0:55:07.480 --> 0:55:10.160
<v Speaker 3>a lot of and when they did it worked, but

0:55:10.320 --> 0:55:12.320
<v Speaker 3>it was but they can't it can't be Eric and

0:55:12.400 --> 0:55:14.920
<v Speaker 3>Feenie can't be the crew. You know, it's it's you've

0:55:14.960 --> 0:55:17.680
<v Speaker 3>got Phoene is kind of playing the floater. So that

0:55:17.880 --> 0:55:19.480
<v Speaker 3>was my that was my only problem. Again, again, I

0:55:19.520 --> 0:55:20.920
<v Speaker 3>look at it and I think it's funny. It just

0:55:21.040 --> 0:55:24.239
<v Speaker 3>came to a point where Eric was by himself doing

0:55:24.440 --> 0:55:26.440
<v Speaker 3>random funny things while the rest of the show was

0:55:26.480 --> 0:55:29.640
<v Speaker 3>taking place. So when that changed, I was I was

0:55:29.719 --> 0:55:31.520
<v Speaker 3>happier with it where it was just you know, it

0:55:31.600 --> 0:55:34.200
<v Speaker 3>made more sense to me. It was just incorporated kind

0:55:34.239 --> 0:55:37.080
<v Speaker 3>of into the show more so. Yeah, I mean, Jason's

0:55:37.080 --> 0:55:39.799
<v Speaker 3>gone and it's kind of it's he's just on an

0:55:39.840 --> 0:55:43.719
<v Speaker 3>island saying jokes. Yeah, So it was just that that

0:55:43.840 --> 0:55:45.640
<v Speaker 3>will change, and I know it'll change, and I'm happy

0:55:45.680 --> 0:55:47.400
<v Speaker 3>when it changes. There's I think there's a kind of

0:55:47.400 --> 0:55:49.239
<v Speaker 3>a mid section here where they're trying to figure out

0:55:49.320 --> 0:55:51.359
<v Speaker 3>what Eric's going to do. And to the writer's credit,

0:55:51.440 --> 0:55:53.640
<v Speaker 3>that's why they brought in Matt and Maitland. You know,

0:55:53.760 --> 0:55:55.960
<v Speaker 3>it's like, all right, let's give especially Matt, let's give

0:55:56.200 --> 0:55:58.120
<v Speaker 3>Eric somebody to bounce off of all the time.

0:55:58.400 --> 0:55:59.800
<v Speaker 2>And that I think changed the whole ball game. But

0:55:59.800 --> 0:56:01.000
<v Speaker 2>it's while till we get there.

0:56:01.120 --> 0:56:05.000
<v Speaker 1>So yeah, then we're in the school hall school cafeteria.

0:56:05.160 --> 0:56:07.640
<v Speaker 1>Even Bertha is giving Corey and Shawn a dirty look

0:56:07.680 --> 0:56:11.160
<v Speaker 1>over Janitor Bud's firing. Sean says she hates them. Corey

0:56:11.239 --> 0:56:13.520
<v Speaker 1>says the word hate is a strong word. Sean then

0:56:13.560 --> 0:56:15.439
<v Speaker 1>tells him to turn over his bun and it says

0:56:15.719 --> 0:56:19.200
<v Speaker 1>I hate you, I hate you. Cory says he's a reporter.

0:56:19.320 --> 0:56:22.000
<v Speaker 1>It's his job to get the story, no matter the consequences.

0:56:22.280 --> 0:56:25.040
<v Speaker 1>Suddenly Sean falls over a plunger. He picks it up

0:56:25.080 --> 0:56:28.279
<v Speaker 1>and says Janitor's curse man, but Corey says, there's no

0:56:28.400 --> 0:56:32.080
<v Speaker 1>such thing and they should enjoy I know there is

0:56:32.080 --> 0:56:32.360
<v Speaker 1>going to.

0:56:32.360 --> 0:56:35.440
<v Speaker 4>Be a runner, whereas Shawn's constantly getting you know, screwed

0:56:35.440 --> 0:56:36.359
<v Speaker 4>by the Janitor's Curse.

0:56:36.360 --> 0:56:37.440
<v Speaker 2>I thought that would have been funny.

0:56:37.760 --> 0:56:42.160
<v Speaker 4>And this is also a weird like why does Sean

0:56:42.840 --> 0:56:47.080
<v Speaker 4>have no responsibility for the rest of the episode at

0:56:47.120 --> 0:56:48.840
<v Speaker 4>this point, Like the two of them have done this

0:56:49.000 --> 0:56:52.560
<v Speaker 4>thing together, and then it just becomes a quiry issue

0:56:52.600 --> 0:56:54.480
<v Speaker 4>for the rest of the episode. Like even in this

0:56:54.600 --> 0:56:57.560
<v Speaker 4>scene it becomes Eli and Turner talking about how bad

0:56:57.680 --> 0:56:59.080
<v Speaker 4>Matthews is taking a beating.

0:56:59.680 --> 0:57:01.800
<v Speaker 2>But yeah, Sean, it's interesting.

0:57:01.960 --> 0:57:03.719
<v Speaker 3>I think it's because they wrote it in such a

0:57:03.760 --> 0:57:07.680
<v Speaker 3>way where Corey is now he still doesn't know if

0:57:07.680 --> 0:57:10.120
<v Speaker 3>he did something good or he did something bad, where

0:57:10.239 --> 0:57:11.359
<v Speaker 3>Sean has made up his mind.

0:57:11.560 --> 0:57:13.840
<v Speaker 2>Jane or Bud, should I feel bad? We shouldn't have

0:57:13.840 --> 0:57:14.040
<v Speaker 2>done that.

0:57:14.080 --> 0:57:16.480
<v Speaker 3>Like, he's picked a side, and so everybody who's picked

0:57:16.520 --> 0:57:18.560
<v Speaker 3>a side, I think, you know what they're thinking, whereas

0:57:18.600 --> 0:57:21.080
<v Speaker 3>Corey is still wishy washy and trying to figure out

0:57:21.160 --> 0:57:22.920
<v Speaker 3>did I do something good? Did I do something bad?

0:57:23.040 --> 0:57:25.040
<v Speaker 3>I don't even know what's happening. So they're following that

0:57:25.600 --> 0:57:27.280
<v Speaker 3>all because everyone picked a side.

0:57:27.080 --> 0:57:29.920
<v Speaker 1>Already they were they're kind of separating it, like it

0:57:30.040 --> 0:57:33.080
<v Speaker 1>was Corey's idea to follow Joey to find a story,

0:57:33.600 --> 0:57:35.880
<v Speaker 1>so it was his idea of how to get to

0:57:36.000 --> 0:57:39.360
<v Speaker 1>this place. And then he's the one who did the reporting,

0:57:39.400 --> 0:57:41.520
<v Speaker 1>and you're kind of the camera guy, so even though

0:57:41.560 --> 0:57:45.160
<v Speaker 1>it's your class project, it's a little more. Kory's the

0:57:45.240 --> 0:57:48.120
<v Speaker 1>one who said, let's follow this guy and get to

0:57:48.240 --> 0:57:51.000
<v Speaker 1>the source of this whatever the whatever they can find.

0:57:51.040 --> 0:57:52.400
<v Speaker 2>So I think that's a little part of it.

0:57:52.720 --> 0:57:53.880
<v Speaker 1>And then I think the other half of it is

0:57:53.880 --> 0:57:55.480
<v Speaker 1>what Will said that you're you're very much on the

0:57:55.520 --> 0:57:56.720
<v Speaker 1>side of like, man, that sucks.

0:57:56.760 --> 0:57:57.840
<v Speaker 2>I didn't know that was going to happen.

0:57:58.040 --> 0:58:00.920
<v Speaker 3>And then they go try to sit down and have

0:58:01.080 --> 0:58:03.760
<v Speaker 3>their lunch with two fifty year old Men's exactly what

0:58:04.520 --> 0:58:04.880
<v Speaker 3>I wrote.

0:58:04.920 --> 0:58:06.280
<v Speaker 2>They try to sit at the table.

0:58:06.360 --> 0:58:08.480
<v Speaker 1>But the other student, a forty seven year old man

0:58:08.560 --> 0:58:11.200
<v Speaker 1>we've never seen in school before, knocks the chair over.

0:58:11.880 --> 0:58:15.320
<v Speaker 2>Is this guy he's my age now, I mean seriously

0:58:15.520 --> 0:58:17.320
<v Speaker 2>seen him earlier. I had actually written down a note

0:58:17.360 --> 0:58:19.919
<v Speaker 2>in the first cafeteria scene. He's the first extra wall

0:58:20.160 --> 0:58:22.800
<v Speaker 2>really right before you see Leonard, you see this guy

0:58:23.560 --> 0:58:26.240
<v Speaker 2>that exact guy cross frame, and I was like, whoa,

0:58:26.320 --> 0:58:28.840
<v Speaker 2>why is the fifty year old I literally wrote that

0:58:28.920 --> 0:58:30.960
<v Speaker 2>down and then it pays off here that he's like

0:58:31.080 --> 0:58:33.480
<v Speaker 2>this tough guy, so I guess that's why they had

0:58:33.560 --> 0:58:33.960
<v Speaker 2>him there.

0:58:34.040 --> 0:58:36.480
<v Speaker 3>But he looks like every high school student in the

0:58:36.560 --> 0:58:39.360
<v Speaker 3>nineteen eighties movie where they're in their forties.

0:58:39.440 --> 0:58:42.520
<v Speaker 1>Yes, so Sean says that was the last table and

0:58:42.520 --> 0:58:44.200
<v Speaker 1>they should get out of there, but Corey says it's

0:58:44.240 --> 0:58:46.120
<v Speaker 1>going to take someone a lot bigger to push Corey

0:58:46.200 --> 0:58:49.560
<v Speaker 1>Matthews around. And then a really tall, also forty seven

0:58:49.640 --> 0:58:52.120
<v Speaker 1>year old man stands up in front of Corey, and

0:58:52.320 --> 0:58:55.520
<v Speaker 1>Corey says, we have a winner. The boys run out

0:58:55.560 --> 0:58:59.240
<v Speaker 1>of the cafeteria. Why is the Calf so busy with

0:58:59.320 --> 0:59:02.360
<v Speaker 1>old men today? It's old men day. It's old men

0:59:02.440 --> 0:59:05.440
<v Speaker 1>day at the Calf, and we've been in this calf

0:59:05.680 --> 0:59:08.160
<v Speaker 1>unless this is on a different floor. We've been in

0:59:08.240 --> 0:59:11.320
<v Speaker 1>this calf a lot to Penga's never there. Where does

0:59:11.400 --> 0:59:13.760
<v Speaker 1>the panga in the quad on the grass with the

0:59:13.800 --> 0:59:14.800
<v Speaker 1>flowers right.

0:59:14.800 --> 0:59:15.520
<v Speaker 2>Next to the pigs.

0:59:15.960 --> 0:59:19.960
<v Speaker 1>I just don't understand where where all these people came from.

0:59:20.040 --> 0:59:23.560
<v Speaker 1>But anyway, mister Williams says, Corey is really taking a beating,

0:59:23.800 --> 0:59:25.800
<v Speaker 1>but mister Turner says he had it coming at the

0:59:25.840 --> 0:59:29.040
<v Speaker 1>cost of Janitor Bud's firing. Turner says, that's the assignment

0:59:29.240 --> 0:59:31.520
<v Speaker 1>and he did what he was given. It's the news business.

0:59:31.600 --> 0:59:34.520
<v Speaker 1>But william says, this is school and their kids, and

0:59:34.640 --> 0:59:36.440
<v Speaker 1>Turner just says, exactly.

0:59:36.880 --> 0:59:38.840
<v Speaker 2>Oh, now, so good.

0:59:39.120 --> 0:59:44.000
<v Speaker 4>It is so cool to see, you know, the progression

0:59:44.160 --> 0:59:47.880
<v Speaker 4>of teachers learning how to be teachers that we've had,

0:59:48.240 --> 0:59:52.240
<v Speaker 4>where we have Feenie in second season teaching Turner, and

0:59:52.440 --> 0:59:56.440
<v Speaker 4>now we get to see Turner teaching yeah. And he's

0:59:56.480 --> 1:00:00.240
<v Speaker 4>never been a teacher. Yeah, And and and have him

1:00:00.280 --> 1:00:03.560
<v Speaker 4>sort of walk into this trap, and to have Tony

1:00:03.720 --> 1:00:06.000
<v Speaker 4>just sort of be like exactly and not hit it

1:00:06.080 --> 1:00:09.160
<v Speaker 4>too hard to just be It's so good. It is

1:00:09.240 --> 1:00:12.680
<v Speaker 4>such smart writing and smart acting and I loved it.

1:00:12.840 --> 1:00:14.080
<v Speaker 2>I loved this whole beat.

1:00:14.480 --> 1:00:16.720
<v Speaker 1>I did too, And I also love that at the end,

1:00:16.840 --> 1:00:20.000
<v Speaker 1>Alex the sayer just does lets his eyebrows do the talking.

1:00:20.360 --> 1:00:20.560
<v Speaker 4>Yeah.

1:00:21.200 --> 1:00:23.320
<v Speaker 3>I also think we need to possibly start a new

1:00:23.400 --> 1:00:26.040
<v Speaker 3>category coming up, because there was two in this episode

1:00:26.560 --> 1:00:28.160
<v Speaker 3>of Eli's Ties.

1:00:28.680 --> 1:00:31.640
<v Speaker 2>Ah, I know I have a note about that. Is

1:00:31.680 --> 1:00:34.200
<v Speaker 2>it the beatles the bit? I don't know it looks

1:00:34.360 --> 1:00:36.080
<v Speaker 2>but it's awesome whatever it is?

1:00:36.400 --> 1:00:39.600
<v Speaker 1>Cool? Yeah, Well, then we're in the Matthew's kitchen. Corey

1:00:39.720 --> 1:00:42.120
<v Speaker 1>is telling his parents when he's doing the report. When

1:00:42.160 --> 1:00:43.960
<v Speaker 1>he was doing the report, it seemed like the right

1:00:44.000 --> 1:00:45.880
<v Speaker 1>thing to do, and part of him still thinks it is,

1:00:46.160 --> 1:00:48.560
<v Speaker 1>but everyone at school thinks he's a jerk. He asks

1:00:48.600 --> 1:00:50.320
<v Speaker 1>Amy and Allan if he was right or wrong, and

1:00:50.400 --> 1:00:52.960
<v Speaker 1>at the exact same time, Alan says right, but Amy

1:00:53.040 --> 1:00:55.120
<v Speaker 1>says wrong, And again love it.

1:00:55.600 --> 1:00:59.480
<v Speaker 4>Has there ever been a more perfect beat to describe

1:01:00.080 --> 1:01:03.200
<v Speaker 4>boy meets World awesomeness? No, go to your parents with

1:01:03.280 --> 1:01:05.400
<v Speaker 4>a quandary and the two of them look at you

1:01:05.480 --> 1:01:07.520
<v Speaker 4>and say the exact opposite thing at the same time.

1:01:08.000 --> 1:01:11.160
<v Speaker 2>That is like, Yes, that's what I want.

1:01:11.480 --> 1:01:15.400
<v Speaker 4>I want to see everybody being human and struggling and parents, father,

1:01:15.560 --> 1:01:18.280
<v Speaker 4>does not know best right board just has an opinion

1:01:18.400 --> 1:01:20.760
<v Speaker 4>and is figuring it out. And like later we have

1:01:20.840 --> 1:01:24.560
<v Speaker 4>Eli say adults don't know either. I just love this aspect.

1:01:25.560 --> 1:01:28.520
<v Speaker 4>That's why this episode went right to like top of

1:01:28.600 --> 1:01:31.960
<v Speaker 4>my list. Same good because it's so cool to not

1:01:32.080 --> 1:01:35.320
<v Speaker 4>shy away from that complexity and ambiguity and really just

1:01:35.640 --> 1:01:37.600
<v Speaker 4>that's the point their characters figuring it out.

1:01:37.680 --> 1:01:40.120
<v Speaker 2>I love it. Love couldn't agree with you more, just agree.

1:01:40.440 --> 1:01:41.720
<v Speaker 2>That's why I wanted to be a part of it.

1:01:41.960 --> 1:01:45.400
<v Speaker 2>Damn it. Amy and Allen start debating.

1:01:46.560 --> 1:01:48.920
<v Speaker 1>Amy and Allen start debating about the topic. Corey says

1:01:48.960 --> 1:01:51.600
<v Speaker 1>he's getting mixed signals from them. Alan says, this isn't.

1:01:51.400 --> 1:01:54.280
<v Speaker 2>About you, Cory, which I love. Again, They're now like,

1:01:54.400 --> 1:01:56.440
<v Speaker 2>hold on, forget you. I got to talk to you.

1:01:56.600 --> 1:01:59.080
<v Speaker 2>Why do you think that? But for two seconds, just

1:01:59.120 --> 1:02:01.200
<v Speaker 2>I'm sorry, very very quickly, and it has to be

1:02:01.360 --> 1:02:01.760
<v Speaker 2>very brief.

1:02:01.800 --> 1:02:02.000
<v Speaker 3>I know.

1:02:02.960 --> 1:02:06.919
<v Speaker 2>Do you think he did something wrong? Of course? Yeah,

1:02:08.160 --> 1:02:11.160
<v Speaker 2>I mean not wrong. He didn't do anything wrong. I think.

1:02:13.160 --> 1:02:17.920
<v Speaker 1>I think if you are, I don't know. I think

1:02:17.960 --> 1:02:19.800
<v Speaker 1>people are allowed a certain amount it. Yeah, it is,

1:02:19.840 --> 1:02:21.120
<v Speaker 1>it's complex. I think that people.

1:02:21.440 --> 1:02:22.080
<v Speaker 2>It's funny though.

1:02:22.440 --> 1:02:24.640
<v Speaker 1>Later when we had when he has the scene with Eli,

1:02:25.440 --> 1:02:27.880
<v Speaker 1>it's actually the thing that you know, sparked what kind

1:02:27.920 --> 1:02:29.560
<v Speaker 1>of what we talked about in our pre show chatter,

1:02:29.680 --> 1:02:34.240
<v Speaker 1>which was I feel very similarly about this episode as

1:02:34.320 --> 1:02:35.160
<v Speaker 1>I do even.

1:02:34.960 --> 1:02:40.400
<v Speaker 2>About our podcast MMM. I have had a certain amount of.

1:02:42.040 --> 1:02:50.480
<v Speaker 1>Concern, anxiety or guilt around just sharing people's truths and

1:02:50.640 --> 1:02:55.320
<v Speaker 1>how sometimes one person's truth makes somebody else sound bad

1:02:55.720 --> 1:03:00.280
<v Speaker 1>or and I truly don't know.

1:03:01.120 --> 1:03:03.840
<v Speaker 2>I don't That's never been our intention.

1:03:04.360 --> 1:03:08.120
<v Speaker 1>And I think, what's If there's anything I've learned through

1:03:08.160 --> 1:03:12.040
<v Speaker 1>doing the podcast, it's that we are all bad, we

1:03:12.200 --> 1:03:14.760
<v Speaker 1>are all good, we have all been right, we have

1:03:14.880 --> 1:03:17.800
<v Speaker 1>all hurt people. We have all been living in our own,

1:03:18.200 --> 1:03:21.240
<v Speaker 1>you know, myopic universes where we don't realize how our

1:03:21.400 --> 1:03:25.600
<v Speaker 1>universes interact with other people's universes, and and and so

1:03:26.360 --> 1:03:30.360
<v Speaker 1>that this episode really speaks to some of the anxiety

1:03:30.520 --> 1:03:35.040
<v Speaker 1>I have around giving a platform to people sharing their stories.

1:03:35.600 --> 1:03:38.920
<v Speaker 1>I think it's important, and I think it's it's very

1:03:39.080 --> 1:03:42.240
<v Speaker 1>eye opening, and I hope it has sparked conversations about

1:03:42.680 --> 1:03:50.280
<v Speaker 1>everyone's own childhoods, teenagehoods, friendships, romantic relationships, and has maybe

1:03:50.360 --> 1:03:52.800
<v Speaker 1>made people look back on some of their lives and go, oh,

1:03:53.440 --> 1:03:57.439
<v Speaker 1>maybe I wasn't a victim there, maybe I was, maybe

1:03:57.480 --> 1:03:59.560
<v Speaker 1>I did have a hand in this, or maybe you

1:03:59.640 --> 1:04:02.120
<v Speaker 1>know what, this thing I took responsibility for I shouldn't

1:04:02.160 --> 1:04:05.280
<v Speaker 1>have taken responsibility for or any of those things.

1:04:05.520 --> 1:04:07.640
<v Speaker 2>So that's my long winded answer to your question.

1:04:08.200 --> 1:04:08.360
<v Speaker 3>Yeah.

1:04:08.440 --> 1:04:12.800
<v Speaker 4>Interesting, Yeah, I think I think it's it's a question

1:04:12.920 --> 1:04:17.280
<v Speaker 4>of uh scale, right, Like, if they had like the

1:04:17.360 --> 1:04:21.200
<v Speaker 4>idea of doing a report exposing something bad that an

1:04:21.240 --> 1:04:24.200
<v Speaker 4>employee is doing it at school, it makes perfect sense.

1:04:24.600 --> 1:04:26.320
<v Speaker 4>It's the fact that they're rushed and they do it

1:04:27.320 --> 1:04:30.680
<v Speaker 4>right to television, right, Like, that is the problem. If

1:04:30.720 --> 1:04:33.360
<v Speaker 4>you if if they were to do this report, go

1:04:33.640 --> 1:04:37.360
<v Speaker 4>to ELI and say, mister Williams, we have this, it

1:04:37.400 --> 1:04:41.040
<v Speaker 4>would have gone to Bud to get his response, right

1:04:41.120 --> 1:04:44.800
<v Speaker 4>to defend himself or explain himself or not, and it

1:04:44.840 --> 1:04:46.720
<v Speaker 4>would have gone through. Like, but the problem is that

1:04:46.800 --> 1:04:50.080
<v Speaker 4>it just gets instantly put into the world. It's just televised,

1:04:50.440 --> 1:04:53.760
<v Speaker 4>and so that's and that's Eli's fault, right, So I

1:04:53.800 --> 1:04:55.960
<v Speaker 4>think I don't think that there's a problem.

1:04:55.760 --> 1:04:57.240
<v Speaker 2>With exposing this.

1:04:57.560 --> 1:05:00.360
<v Speaker 4>They they just didn't need to publicly shame but they

1:05:00.360 --> 1:05:03.959
<v Speaker 4>could have just done their report and gone to mister

1:05:04.040 --> 1:05:06.280
<v Speaker 4>Feenie and said, did you know your employee is doing this?

1:05:06.760 --> 1:05:10.240
<v Speaker 4>But instead they're sort of profiting off of it, not really,

1:05:10.360 --> 1:05:15.160
<v Speaker 4>but they're benefiting by like it's right. It becomes about

1:05:15.280 --> 1:05:18.240
<v Speaker 4>them as opposed to the issue, which is, you know,

1:05:18.760 --> 1:05:20.440
<v Speaker 4>the problem with a lot of media is that becomes

1:05:20.480 --> 1:05:23.040
<v Speaker 4>about like the personality of the person.

1:05:23.240 --> 1:05:26.320
<v Speaker 2>It's sensationalized more than you yes, yeah, yeah, what do

1:05:26.400 --> 1:05:29.720
<v Speaker 2>you think will? I don't know? Again, I don't know.

1:05:29.840 --> 1:05:32.360
<v Speaker 2>That's why this episode is so good and that so

1:05:32.480 --> 1:05:32.960
<v Speaker 2>well written.

1:05:33.040 --> 1:05:35.560
<v Speaker 3>It's I you know, at the end of the day,

1:05:35.760 --> 1:05:38.200
<v Speaker 3>they caught a guy who was doing something pretty wrong,

1:05:38.360 --> 1:05:41.440
<v Speaker 3>and they didn't and they I because I didn't remember

1:05:41.480 --> 1:05:43.440
<v Speaker 3>the episode. I was expecting Joey to be like, do

1:05:43.440 --> 1:05:45.920
<v Speaker 3>you know where he's going? He's going to you know,

1:05:46.160 --> 1:05:48.240
<v Speaker 3>like a hospital, or he's going he's got a friend,

1:05:48.280 --> 1:05:48.640
<v Speaker 3>he's sick.

1:05:48.680 --> 1:05:50.360
<v Speaker 2>I thought that's but they didn't. They took it to

1:05:50.400 --> 1:05:50.800
<v Speaker 2>where he's going.

1:05:51.000 --> 1:05:53.480
<v Speaker 3>So this guy's skipping out on work four or three

1:05:53.520 --> 1:05:54.920
<v Speaker 3>and a half hours, four hours early.

1:05:54.840 --> 1:05:56.840
<v Speaker 2>To go to the track every day. I bet you,

1:05:57.840 --> 1:06:00.520
<v Speaker 2>I will, I will bet anything. No, Michael.

1:06:01.080 --> 1:06:03.720
<v Speaker 4>That was the original script if the original draft of

1:06:03.760 --> 1:06:06.120
<v Speaker 4>the script or the original draft of the pitch was that,

1:06:06.960 --> 1:06:09.240
<v Speaker 4>you know, they get the buzzy he's going for and

1:06:09.280 --> 1:06:13.440
<v Speaker 4>then it's just going to get cancer treatments orstic Yeah, right,

1:06:13.760 --> 1:06:17.360
<v Speaker 4>And Michael, to his credit, as he would always have done,

1:06:17.360 --> 1:06:18.600
<v Speaker 4>it's like, that's the easy thing.

1:06:18.920 --> 1:06:21.280
<v Speaker 2>Let's make it more complicated, more complicated.

1:06:20.840 --> 1:06:22.840
<v Speaker 4>And it doesn't that be a joke that j always

1:06:22.840 --> 1:06:26.080
<v Speaker 4>sets that up, but then move completely away from that

1:06:26.480 --> 1:06:30.280
<v Speaker 4>and make helping Janitor Bud a saving grace for Feeni

1:06:30.840 --> 1:06:34.160
<v Speaker 4>in this like really interesting way. Yeah, that that is

1:06:34.320 --> 1:06:36.560
<v Speaker 4>total Michael Jacob's magic to me, Yeah.

1:06:36.600 --> 1:06:37.000
<v Speaker 2>Yeah, to me.

1:06:37.320 --> 1:06:40.520
<v Speaker 3>To me, the answer was this entire episode was actually

1:06:40.560 --> 1:06:44.000
<v Speaker 3>about Eli. Yeah, and that's what that's where. So that's

1:06:44.040 --> 1:06:46.080
<v Speaker 3>where I was looking was this is a whole lesson

1:06:46.160 --> 1:06:48.760
<v Speaker 3>for Eli more than anything else, and so looking at

1:06:48.800 --> 1:06:50.720
<v Speaker 3>it that way, it's really not about Corey at all.

1:06:51.520 --> 1:06:51.880
<v Speaker 3>But it was.

1:06:52.000 --> 1:06:55.120
<v Speaker 2>Yeah, it was very, very very good a story, really,

1:06:55.640 --> 1:06:55.960
<v Speaker 2>I love it.

1:06:56.480 --> 1:06:58.000
<v Speaker 1>Eric runs in at the last minute and says he

1:06:58.040 --> 1:06:59.920
<v Speaker 1>got a letter from the University of Pennsylvania.

1:07:00.080 --> 1:07:01.960
<v Speaker 2>Amy asks if he was accepted.

1:07:01.560 --> 1:07:03.760
<v Speaker 1>But Eric says, better, they want to study me, and

1:07:03.840 --> 1:07:06.880
<v Speaker 1>he runs upstairs, and then we're in the school hallway

1:07:06.920 --> 1:07:09.640
<v Speaker 1>to Pega tells Corey she hopes everyone starts giving stops

1:07:09.640 --> 1:07:11.920
<v Speaker 1>giving him a hard time, and Corey says, people have

1:07:12.000 --> 1:07:14.200
<v Speaker 1>short memories. Then he opens his locker to see a

1:07:14.280 --> 1:07:16.080
<v Speaker 1>giant dead fish hanging inside.

1:07:16.480 --> 1:07:21.040
<v Speaker 2>To Pengo, your reaction to this dead fish is one

1:07:21.080 --> 1:07:23.480
<v Speaker 2>of my favorite things I have ever seen. Oh I

1:07:23.720 --> 1:07:25.680
<v Speaker 2>love it so good.

1:07:25.880 --> 1:07:28.240
<v Speaker 4>I watched it like five times where she's just like that,

1:07:28.440 --> 1:07:31.720
<v Speaker 4>she like shutters and I did you do you think

1:07:31.760 --> 1:07:32.960
<v Speaker 4>it was your actual reaction?

1:07:33.160 --> 1:07:33.560
<v Speaker 3>Do you think?

1:07:34.480 --> 1:07:34.720
<v Speaker 2>Really?

1:07:35.080 --> 1:07:35.120
<v Speaker 3>No?

1:07:35.360 --> 1:07:37.680
<v Speaker 2>I think I thought it was over the top.

1:07:37.760 --> 1:07:41.640
<v Speaker 1>But I also I could put myself in the shoes

1:07:41.720 --> 1:07:44.520
<v Speaker 1>of myself in that moment, and I think what bummed

1:07:44.560 --> 1:07:48.040
<v Speaker 1>me out watching it was that I react before the

1:07:48.160 --> 1:07:50.920
<v Speaker 1>audience sees it. But that is real because the locker

1:07:51.080 --> 1:07:54.120
<v Speaker 1>opens toward to pegu see the door, so the camera

1:07:54.280 --> 1:07:56.840
<v Speaker 1>from the camera POV you wouldn't see it until topegat

1:07:56.840 --> 1:07:58.920
<v Speaker 1>already seen it. So my first thought was, what is

1:07:58.960 --> 1:08:01.760
<v Speaker 1>she reacting to? Oh, that's what she's reacting to. It

1:08:01.840 --> 1:08:04.200
<v Speaker 1>felt a little big to me, but it was great. Mean,

1:08:04.480 --> 1:08:07.000
<v Speaker 1>I think it's hysterical. I almost thought that they had

1:08:07.080 --> 1:08:08.920
<v Speaker 1>that we had a real fish and that.

1:08:09.200 --> 1:08:10.760
<v Speaker 2>I do you think it may have been a real fish.

1:08:10.840 --> 1:08:11.600
<v Speaker 2>I do, seem.

1:08:12.240 --> 1:08:14.760
<v Speaker 4>Realises how to close it, and he's like at the end,

1:08:15.840 --> 1:08:18.080
<v Speaker 4>we had probably been rehearsing all week without anything, so

1:08:18.120 --> 1:08:21.120
<v Speaker 4>I thought maybe they'd actually shocked you by maybe it

1:08:21.240 --> 1:08:22.760
<v Speaker 4>being the first time, and you were like, oh my god,

1:08:22.920 --> 1:08:25.280
<v Speaker 4>it's real, you know, like you have such a good reaction.

1:08:25.479 --> 1:08:27.640
<v Speaker 3>You knew something was coming just the way that Ben like, oh,

1:08:27.720 --> 1:08:29.840
<v Speaker 3>you open the locker. So it's like, hey, I'm on

1:08:29.960 --> 1:08:31.440
<v Speaker 3>this side to make sure everybody.

1:08:31.120 --> 1:08:31.479
<v Speaker 2>Can see it.

1:08:31.600 --> 1:08:31.760
<v Speaker 3>Yeah.

1:08:31.840 --> 1:08:34.320
<v Speaker 1>Yeah, Well, Tabanka kisses Corey and then walks off, and

1:08:34.400 --> 1:08:38.639
<v Speaker 1>there's a big lady from the audience. Quickly she's already

1:08:38.640 --> 1:08:40.960
<v Speaker 1>out out of there. Mister Williams walks over in a

1:08:41.040 --> 1:08:43.519
<v Speaker 1>tie that gives mister Turner a run for his money.

1:08:44.120 --> 1:08:45.360
<v Speaker 2>Is it like the Beetles?

1:08:45.600 --> 1:08:45.720
<v Speaker 3>Is it?

1:08:46.840 --> 1:08:50.720
<v Speaker 2>The face was looking it looked like it looked like

1:08:50.800 --> 1:08:51.439
<v Speaker 2>the Beatles to me.

1:08:51.560 --> 1:08:54.160
<v Speaker 1>It was so mister Williams sees the big old fish

1:08:54.240 --> 1:08:57.160
<v Speaker 1>and Corey's soccer big old fish coversus.

1:08:56.640 --> 1:08:58.920
<v Speaker 2>His nose, and I pulled that clip as well, because

1:08:58.920 --> 1:09:02.719
<v Speaker 2>I love it. It's it that's a big old fish.

1:09:04.760 --> 1:09:09.040
<v Speaker 2>I such a that's a big old fish. That's a

1:09:09.120 --> 1:09:09.840
<v Speaker 2>big old fish.

1:09:10.760 --> 1:09:11.400
<v Speaker 5>Oh man.

1:09:11.640 --> 1:09:13.920
<v Speaker 1>So Corey tries to push the fish into the locker,

1:09:14.040 --> 1:09:15.840
<v Speaker 1>but he can't really quite figure out how to do that,

1:09:15.880 --> 1:09:17.640
<v Speaker 1>and he just leaves it. And then we're in the

1:09:17.720 --> 1:09:20.880
<v Speaker 1>newsroom and mister Williams asked Corey, how's life? But Corey

1:09:20.920 --> 1:09:23.679
<v Speaker 1>says he doesn't know. Mister Williams says Corey doesn't deserve

1:09:23.760 --> 1:09:27.320
<v Speaker 1>all the grief over Janitor Bud, and Corey agrees, saying, I.

1:09:27.400 --> 1:09:28.880
<v Speaker 2>Was just wondering where's Sean?

1:09:29.800 --> 1:09:29.920
<v Speaker 3>Right?

1:09:30.360 --> 1:09:33.920
<v Speaker 4>Yeah, and Sean getting harassed in his locker, I guess

1:09:33.960 --> 1:09:36.200
<v Speaker 4>because Corey was in the face of was was the

1:09:37.200 --> 1:09:40.320
<v Speaker 4>But But then wouldn't Eli be talking to Corey and

1:09:40.520 --> 1:09:41.080
<v Speaker 4>Sean like.

1:09:41.120 --> 1:09:44.360
<v Speaker 2>Yeah, got their assignment? Yeah, you're right, you think I

1:09:44.479 --> 1:09:46.519
<v Speaker 2>just had this? Like why why am I not part

1:09:46.560 --> 1:09:46.720
<v Speaker 2>of this?

1:09:47.280 --> 1:09:47.479
<v Speaker 1>Yeah?

1:09:48.120 --> 1:09:49.360
<v Speaker 2>Yeah, you're right. I didn't.

1:09:49.520 --> 1:09:51.479
<v Speaker 1>I didn't no offense, I didn't miss you. But I

1:09:52.320 --> 1:09:54.200
<v Speaker 1>but you're right, you should have as part of the

1:09:54.960 --> 1:09:56.080
<v Speaker 1>as part of the assignment.

1:09:56.320 --> 1:09:58.800
<v Speaker 4>Yes, And I feel like this is typical Corey Sean Right,

1:09:58.840 --> 1:10:01.839
<v Speaker 4>we do a radio show, we a rise in It together,

1:10:02.360 --> 1:10:05.439
<v Speaker 4>and we did do this thing together and it's it's

1:10:05.520 --> 1:10:08.040
<v Speaker 4>bizarre to me that I'm just not even. It would

1:10:08.040 --> 1:10:10.000
<v Speaker 4>also add to the humor. I think, like if Sean

1:10:10.040 --> 1:10:12.719
<v Speaker 4>were you could have a couple one off stupid Sean

1:10:12.840 --> 1:10:14.519
<v Speaker 4>jokes in this and.

1:10:16.040 --> 1:10:18.240
<v Speaker 1>It's interesting, it's weird, it's a it's a little bit

1:10:18.280 --> 1:10:21.680
<v Speaker 1>of a missed opportunity there. Corey agrees, saying he was

1:10:21.760 --> 1:10:24.280
<v Speaker 1>just a reporter doing his job, and mister william says

1:10:24.360 --> 1:10:26.800
<v Speaker 1>he doesn't have a job. He's in school and that's

1:10:26.840 --> 1:10:30.080
<v Speaker 1>where he messed up. Mister Williams says he's supposed supposed

1:10:30.080 --> 1:10:32.800
<v Speaker 1>to teach Corey about the news business, not put him

1:10:32.840 --> 1:10:35.240
<v Speaker 1>in it, but Corey is still asking if he was

1:10:35.320 --> 1:10:37.519
<v Speaker 1>right or wrong. Corey says he is proud of his

1:10:37.640 --> 1:10:39.760
<v Speaker 1>report but feels bad for Bud. He didn't mean for

1:10:39.840 --> 1:10:42.719
<v Speaker 1>him to lose his job, and mister william says, welcome

1:10:42.800 --> 1:10:45.360
<v Speaker 1>to the news business. It's a tough game when you care,

1:10:46.080 --> 1:10:48.240
<v Speaker 1>but there isn't always a clear right or.

1:10:48.320 --> 1:10:50.479
<v Speaker 2>Wrong, and Corey says, but I'm a kid, I want

1:10:50.520 --> 1:10:53.400
<v Speaker 2>it both ways, and mister Williams reveals that the adults

1:10:53.479 --> 1:10:59.479
<v Speaker 2>do too perfect and that's perfect. It's awesome set of laws. Yes, yes, yes,

1:10:59.600 --> 1:11:05.559
<v Speaker 2>this great writing, writing, right acting, yep, so perfect, just beautiful, straight.

1:11:05.360 --> 1:11:07.799
<v Speaker 4>Out of season one. It's it's like all the themes

1:11:07.840 --> 1:11:10.320
<v Speaker 4>of the show. Ben throwing his hands up and being like,

1:11:10.720 --> 1:11:13.719
<v Speaker 4>somebody please give me an easy answer, and an adult

1:11:13.840 --> 1:11:15.880
<v Speaker 4>saying it's not you can't.

1:11:16.200 --> 1:11:18.519
<v Speaker 2>That is such thing. Yeah, in a nutshell, that is

1:11:18.680 --> 1:11:22.519
<v Speaker 2>is great our show. So then we're in mister Feeney's office.

1:11:22.560 --> 1:11:25.479
<v Speaker 1>Poene is repeatedly buzzing his secretary for another cup of

1:11:25.560 --> 1:11:28.320
<v Speaker 1>coffee when mister Williams and Corey walk in. Mister Williams

1:11:28.320 --> 1:11:31.160
<v Speaker 1>starts to nicely talk about janitor buds firing, but Corey

1:11:31.240 --> 1:11:33.240
<v Speaker 1>jumps in and says, just give the old gambler his

1:11:33.439 --> 1:11:33.960
<v Speaker 1>job back.

1:11:34.920 --> 1:11:37.559
<v Speaker 4>I Pene's not understand what Ben said. He said gamblers

1:11:37.560 --> 1:11:40.280
<v Speaker 4>so far. I thought he was like saying some slang

1:11:40.439 --> 1:11:43.320
<v Speaker 4>term for like an old geezer or gamble. He's like,

1:11:43.640 --> 1:11:44.439
<v Speaker 4>what is this word?

1:11:44.640 --> 1:11:47.120
<v Speaker 2>I went back and a gambler, gambler.

1:11:47.360 --> 1:11:50.400
<v Speaker 1>Yeah. Phoene says they should save their breath and the

1:11:50.479 --> 1:11:53.080
<v Speaker 1>matter is closed. Mister Williams says it's his fault and

1:11:53.160 --> 1:11:55.360
<v Speaker 1>he should have screened the videos, but Phoene says it

1:11:55.479 --> 1:11:58.280
<v Speaker 1>did go on air. And to the entire school board.

1:11:58.360 --> 1:12:00.240
<v Speaker 1>He had no choice but to do what he did.

1:12:00.640 --> 1:12:03.160
<v Speaker 1>Mister william says, in only two months, Bud would retire

1:12:03.240 --> 1:12:05.840
<v Speaker 1>with a full pension. Cory asks Feoene how he can

1:12:05.960 --> 1:12:07.960
<v Speaker 1>do that to a man who saved his life, but

1:12:08.080 --> 1:12:10.639
<v Speaker 1>Phoene says, for the love of God, I saw the wax.

1:12:13.680 --> 1:12:15.800
<v Speaker 1>Corey says he always thought Feoene had a heart of gold.

1:12:15.920 --> 1:12:18.600
<v Speaker 1>But and before he can finish, Janitor Bud comes in

1:12:18.760 --> 1:12:20.719
<v Speaker 1>and hands Feeney his cup of coffee.

1:12:21.439 --> 1:12:23.880
<v Speaker 2>Bud tells him go easy on the buzz on the buzzer.

1:12:24.040 --> 1:12:28.080
<v Speaker 1>And obviously Phoene hired Bud as his secretary, who now

1:12:28.400 --> 1:12:31.080
<v Speaker 1>dresses very fancy to be a secretary.

1:12:31.240 --> 1:12:36.200
<v Speaker 2>Tapperman dress it up to be a secretary means also,

1:12:36.720 --> 1:12:39.840
<v Speaker 2>is that what he wears to the race track? This

1:12:40.120 --> 1:12:43.519
<v Speaker 2>is gambling pony hat. You would put that on with

1:12:43.720 --> 1:12:45.560
<v Speaker 2>the nice hat. Yeah, I love it.

1:12:46.040 --> 1:12:49.240
<v Speaker 1>Mister Williams says two months, huh, before Bud pops back

1:12:49.280 --> 1:12:53.479
<v Speaker 1>in and reminds Phoene to use a coaster, and Phoene says, blast,

1:12:53.600 --> 1:12:54.479
<v Speaker 1>my heart of gold.

1:12:55.680 --> 1:12:58.920
<v Speaker 2>This is the payoff for those looks that they get too. Yeah,

1:12:59.080 --> 1:13:01.679
<v Speaker 2>that's great. And then we're back in the lab.

1:13:01.800 --> 1:13:04.840
<v Speaker 1>A bunch of multicultural scientists from all over the world

1:13:04.920 --> 1:13:06.760
<v Speaker 1>are watching Monique monitor.

1:13:06.600 --> 1:13:13.120
<v Speaker 2>Eric their hats case we don't get it, putting on

1:13:13.200 --> 1:13:16.880
<v Speaker 2>a sombrero, and you know, she also flat out says

1:13:16.920 --> 1:13:18.000
<v Speaker 2>from all over the world.

1:13:18.240 --> 1:13:22.519
<v Speaker 1>Yep, they are watching Monique monitor Eric's brain while he sleeps,

1:13:22.720 --> 1:13:24.560
<v Speaker 1>showing there is no brain activity.

1:13:24.840 --> 1:13:27.679
<v Speaker 2>She assures everyone Eric is not dead and then wakes

1:13:27.720 --> 1:13:28.000
<v Speaker 2>him up.

1:13:28.400 --> 1:13:30.800
<v Speaker 1>Monique says he is the most content person without a

1:13:30.920 --> 1:13:33.240
<v Speaker 1>care in the world, calling him one of a kind.

1:13:33.760 --> 1:13:35.920
<v Speaker 1>Eric asks how the mouse is doing, who is showing

1:13:35.960 --> 1:13:41.280
<v Speaker 1>brain activity while he sleeps. Monique says he has fears, hopes, dreams, goals,

1:13:41.680 --> 1:13:43.479
<v Speaker 1>and Eric says, poor little guy.

1:13:44.479 --> 1:13:49.240
<v Speaker 2>And that's it. That's that's our show, ladies and gentlemen.

1:13:50.400 --> 1:13:53.880
<v Speaker 1>So yeah, I I love this episode. I know will

1:13:54.160 --> 1:13:57.320
<v Speaker 1>I love the to me, I know, I actually still

1:13:57.439 --> 1:14:00.519
<v Speaker 1>like your story too. I think it's cute and it's

1:14:00.600 --> 1:14:03.160
<v Speaker 1>not it doesn't I don't know, I love it. It's

1:14:03.320 --> 1:14:05.160
<v Speaker 1>I think it's funny and I think it helps set

1:14:05.200 --> 1:14:07.360
<v Speaker 1>up I just think it's kind of a crazy idea

1:14:07.400 --> 1:14:09.519
<v Speaker 1>that there's no brain activity, but it's funny.

1:14:09.560 --> 1:14:11.320
<v Speaker 2>It's funny for what we come to know igat Eric,

1:14:11.479 --> 1:14:13.240
<v Speaker 2>I get it just kind of on an island. You know,

1:14:13.600 --> 1:14:15.920
<v Speaker 2>It's just how it is for a little while. I'm

1:14:15.960 --> 1:14:18.360
<v Speaker 2>okay with it for now. Well, thank you.

1:14:18.479 --> 1:14:20.960
<v Speaker 1>All for joining us for this episode of Pod Meets World.

1:14:21.040 --> 1:14:23.599
<v Speaker 1>You can follow us on Instagram pod Meets World Show.

1:14:23.720 --> 1:14:25.760
<v Speaker 1>You can send us your emails pod Meets World Show

1:14:25.800 --> 1:14:26.680
<v Speaker 1>at gmail dot com.

1:14:26.880 --> 1:14:32.840
<v Speaker 3>And we have merch Marcansius. That that's Spanish. Markis I

1:14:32.840 --> 1:14:34.240
<v Speaker 3>don't know if I said it right. I'm going to

1:14:34.280 --> 1:14:36.920
<v Speaker 3>get k Danielle is going to get letter Marquansias. Is that.

1:14:38.880 --> 1:14:39.280
<v Speaker 2>Spanish?

1:14:39.640 --> 1:14:41.400
<v Speaker 1>Well, you guys can join us also for our next

1:14:41.479 --> 1:14:44.479
<v Speaker 1>episode recap, which will be season three episode eight, rave

1:14:44.600 --> 1:14:46.360
<v Speaker 1>on It originally aired November.

1:14:46.080 --> 1:14:50.400
<v Speaker 2>Seventeenth, nineteen ninety five. Writer send us out, We love

1:14:50.439 --> 1:14:51.839
<v Speaker 2>you all, pod dismissed.

1:14:53.640 --> 1:14:56.200
<v Speaker 4>Pod Meets World is an iHeart podcast produced and hosted

1:14:56.240 --> 1:14:59.679
<v Speaker 4>by Danielle Fischel, Will Fernell and Ryder Strong executive producers,

1:14:59.760 --> 1:15:02.719
<v Speaker 4>J Karp and Amy Sugarman executive in charge of production,

1:15:02.920 --> 1:15:07.800
<v Speaker 4>Danielle Romo, producer and editor, Tara Sudbach, producer, Jackie Rodriguez

1:15:07.920 --> 1:15:10.679
<v Speaker 4>engineer and boy meets World superfan Easton Allen.

1:15:10.800 --> 1:15:13.160
<v Speaker 2>Our theme song is by Kyle Morton of Typhoon.

1:15:13.400 --> 1:15:16.000
<v Speaker 4>You can follow us on Instagram at Podmets World Show

1:15:16.280 --> 1:15:19.519
<v Speaker 4>or send us an email at Podmeats Worldshow at gmail

1:15:19.600 --> 1:15:20.040
<v Speaker 4>dot com.