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Speaker 1: We recently got asked a question from the brah Meats

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Speaker 1: World guys, and I know my answer, of course, but

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Speaker 1: I don't know y'all's answer, either of you ever done

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Speaker 1: media training?

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Speaker 2: No, no, I don't even know what that really means.

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Speaker 3: Is that different than astronaut training because I've done astronaut training.

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Speaker 1: Wait, you've done astronaut training?

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Speaker 2: Oh? No, wow, I was gonna believe you. I wish

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Speaker 2: I wish I had. I mean, yes, I did three

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Speaker 2: to media training.

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Speaker 3: Like seriously, like sitting down and hey, here's how you

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Speaker 3: addressed the camera, here's how you talked to I mean

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Speaker 3: like that.

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Speaker 2: I don't actually know. I don't really know. I haven't

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Speaker 2: done it either. That's what I was going to say.

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Speaker 1: I don't know exactly what media training is, but I

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Speaker 1: think it's I think, yeah, I think it's I actually

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Speaker 1: think it's kind of what we were talking about earlier off air,

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Speaker 1: which was the way.

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Speaker 2: And how you open up and responded to interviews as

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Speaker 2: opposed to just started a podcast and reaching forward. Yeah

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Speaker 2: we're not. We're not so good at that. No, just

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Speaker 2: kind of figured it out. We just invite everybody on

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Speaker 2: and see what happens. I know, but isn't that? What

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Speaker 2: isn't that?

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Speaker 3: The reason we started this is because we would sit

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Speaker 3: down and have earnest, honest, completely open conversations. The problem

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Speaker 3: is then we'll sit down with somebody from the press

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Speaker 3: and still do that.

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Speaker 2: We still do it.

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Speaker 1: I know, I do think this is a good I

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Speaker 1: and I think Will is this very much the same way.

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Speaker 1: But writer, maybe you're not this way. I still when

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Speaker 1: I know something, or even when I don't know, we

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Speaker 1: are currently in a situation where we know something is

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Speaker 1: going to be in the press, and I hate it.

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Speaker 1: I don't like being in the press. I don't don't

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Speaker 1: like articles.

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Speaker 2: Being written about us.

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Speaker 1: I knew it was going to happen when we started

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Speaker 1: the podcast, because that's just the way this works.

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Speaker 2: But I even going into it.

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Speaker 1: That was the number one negative for me of starting

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Speaker 1: the podcast was, Oh, gosh, we're going to be in

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Speaker 1: the news.

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Speaker 2: I don't think it was going to be this much. Oh,

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Speaker 2: I'm honest with you.

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Speaker 1: You have no idea we were going to be in

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Speaker 1: the news this much. Now, never could have predicted, but

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Speaker 1: I thought I knew it was going to happen. Ever,

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Speaker 1: and even that idea bummed me out. But I don't

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Speaker 1: think writer, I don't. Do you feel that way too,

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Speaker 1: or are you the type who because you are so

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Speaker 1: into social conversation and having those kind of dialogues more

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Speaker 1: comfortable with Yeah, it's honest, I said it. I'm fine

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Speaker 1: with it. Let's open up a discussion and put it

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Speaker 1: out into the world.

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Speaker 4: Yeah, but that's bad. And I think I'm just my problem.

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Speaker 4: I mean, I think I'm a bad famous person. Like

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Speaker 4: you guys are very good at being famous people. I

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Speaker 4: feel like I'm pretty horrible at it in that I

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Speaker 4: just hate it. I avoid it and so in a

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Speaker 4: weird way. Yes that I think that makes me probably

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Speaker 4: like like I can turn it off, do you know

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Speaker 4: what I mean? Like, I just I shut off this part.

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Speaker 4: I don't read about myself and don't google. But I

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Speaker 4: don't try try out my public image or think about it,

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Speaker 4: even to my detriment when I was acting, you know, like.

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Speaker 2: It would have been good to You have to think strategically.

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Speaker 4: About your image and how people perceive you capitalize on

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Speaker 4: that for your projects, Like that's part of being a

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Speaker 4: famous person, you know, you you know, create a hairline

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Speaker 4: if that's what you're known for.

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Speaker 2: Danielle and you you.

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Speaker 4: Do good work with what you have, as you know,

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Speaker 4: and I've never been able to do that. I've just

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Speaker 4: run away from the spotlight. So yeah, I mean, but

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Speaker 4: it's also completely different now than it used to be.

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Speaker 3: Trying So I remember back in the day, we would

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Speaker 3: be you know, you're you're on a show and you're

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Speaker 3: probably doing movies in between, or you know, voice or

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Speaker 3: whatever it is, and we all I know that I did.

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Speaker 2: I'll speak for myself.

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Speaker 3: At one point, you hire a publicist, and so I

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Speaker 3: had a publicist for a few months. And by the

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Speaker 3: fourth kind of weird photoshoot or you know, talk show

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Speaker 3: that I didn't really belong on, I kind of I

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Speaker 3: became friends with my publicist and I was like, dude,

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Speaker 3: this is this is just not for me, wasn't it was, Yeah,

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Speaker 3: it wasn't about branding so much back in the day.

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Speaker 3: Now it's like you brand yourself all over the place

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Speaker 3: in social media, which I don't do it all and

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Speaker 3: all that kind of stuff. I mean, it's it's so

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Speaker 3: different now that it's just it's very bizarre, and it's

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Speaker 3: it's gotten worse for me where I'm the same way

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Speaker 3: writer or I just like I don't want to think

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Speaker 3: about it.

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Speaker 2: I don't want to talk about it.

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Speaker 3: And then you know, you read one bad thing about

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Speaker 3: yourself and it's like my my weeks.

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Speaker 2: Are ruined, and it's like, oh man, I don't want

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Speaker 2: to do this anymore. We're in a weird time because

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Speaker 2: in some ways we crave.

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Speaker 4: Like it used to be that, you know, people would

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Speaker 4: have parasocial relationships with musicians or actors or whatever, and

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Speaker 4: that that relationship would be mediated by like editorial boards,

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Speaker 4: you know, or like we're you know, publications that or

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Speaker 4: talk shows. But now you can have a one on

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Speaker 4: one relationship based on Instagram or Twitter or whatever a

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Speaker 4: middle person, so that and and so that it's broken

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Speaker 4: down that control and created in some ways a more

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Speaker 4: authentic parasocial relationship where like you know, I know that

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Speaker 4: Billie Eilish gets on stage or Tailor Switch gets on

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Speaker 4: stage and they talk to their fans and there is

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Speaker 4: like you know me and I know you, and there's

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Speaker 4: like this one to But in other ways that just

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Speaker 4: becomes that can just become a different performance of authenticity animals,

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Speaker 4: and a more invasive one at that because then it's

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Speaker 4: like you're you're you are always performing a version of

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Speaker 4: who you are, you know, and that's something that I'm

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Speaker 4: you know that this podcast is really interesting because we've

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Speaker 4: invited people into our lives, you know, to a degree.

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Speaker 4: But I feel very authentic, mostly because I'm with YouTube,

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Speaker 4: you know. Like I think if I was sitting down

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Speaker 4: with a talk show host and questions about Boy Meets World,

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Speaker 4: I would be reticent to be as open as I

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Speaker 4: am on our own podcast.

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Speaker 1: Well, I've noticed, even for us, the difference between the

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Speaker 1: way we used to respond at conventions in the Q

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Speaker 1: and A versus the way sometimes.

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Speaker 2: Now we all respond in the Q and A.

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Speaker 1: That our old Q and A answers were usually very

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Speaker 1: concise things that were mostly fan service oriented. It didn't

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Speaker 1: make them not true. It was just what can I

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Speaker 1: say that isn't going to take this too deep? That's

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Speaker 1: going to give an answer that people will understand. And

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Speaker 1: now when we do Q and AS, the questions we

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Speaker 1: get that are much more tailored and adjusted. Because of

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Speaker 1: podmets World, our answers have also become more truly authentic

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Speaker 1: to who we are, and so it has It's been

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Speaker 1: in some ways it's been nerve wracking to let people in.

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Speaker 2: On the very very real, significantly.

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Speaker 1: Less masked versions of ourselves that every celebrity or famous

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Speaker 1: person has to put out there. This is much more,

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Speaker 1: you know, just us nake it. Yeah, And it's in

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Speaker 1: some ways been very freeing and very nice, and then

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Speaker 1: in other ways still very nerve wracking.

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Speaker 3: I mean I used to I know that for me,

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Speaker 3: it was my my you know, security blanket. I used

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Speaker 3: to just deflect everything with humor because you could do

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Speaker 3: it very quickly. You know, somebody would say something, I'd

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Speaker 3: shout out something that was funny, and then they move

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Speaker 3: on to the next question.

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Speaker 2: You can't do that when you're talking for an hour

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Speaker 2: at a time, right, It can't just be yeah, exactly right,

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Speaker 2: you know.

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Speaker 3: So it's it's you know, it's but to what you

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Speaker 3: were saying, writer, that's that's the one of the good

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Speaker 3: and bad things. It's mostly in my opinion, bad thing

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Speaker 3: about social media. And you see it with bullying.

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Speaker 2: It's like when kids used to leave school, the bullying

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Speaker 2: would stop.

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Speaker 3: They had a safe place at home. But now that

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Speaker 3: there's social media, it never stops. It's with them all

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Speaker 3: the time. It's the same thing with celebrities. You used

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Speaker 3: to leave the stage, we would wave we would take

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Speaker 3: our bow, we would get into our cars, we would

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Speaker 3: drive home, and it would just be a quiet kind

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Speaker 3: of ugh.

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Speaker 2: But now with social media that never goes away.

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Speaker 4: I would say though that I actually think the worst

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Speaker 4: period of uh being famous was like two thousand to

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Speaker 4: two thousand and eight ish, like before social media, because yeah, man,

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Speaker 4: that was when the paparazzi like and that's when you're

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Speaker 4: talking about Brady Spears and like the area of people's

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Speaker 4: and teams era. That was when people's lives like I

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Speaker 4: I mean, it's I think it was that reality TV

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Speaker 4: era where it was still in the control of people

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Speaker 4: who were publishing the magazines and publishing the TV shows,

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Speaker 4: and they were exploitative to a degree and invasive to

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Speaker 4: a degree. It was it was it was financially viable

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Speaker 4: or they were incentivized to ruin people's lives and to

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Speaker 4: invade people's lives in a way that now like we

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Speaker 4: throw the door open, you know, because we can be

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Speaker 4: the gatekeepers of our own privacy with social media. You know,

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Speaker 4: it's interesting to me that like, im like I am available,

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Speaker 4: like people can I'm on Twitter, Like if you want

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Speaker 4: to send me a message, you can't and for the

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Speaker 4: most part, people don't, you know, like people don't because

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Speaker 4: and that's great, you know. I'm like, Okay, this door

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Speaker 4: is always open, like you can contact me if you

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Speaker 4: want to. I'm you know, but I feel like before

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Speaker 4: social media there was more of a like uh it

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Speaker 4: was privacy was sort of more valued and therefore more invaded,

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Speaker 4: if that may like it was.

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Speaker 2: Yeah. So I think like that period was way worse

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Speaker 2: and I'm glad it's over.

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Speaker 3: But I think it culminated in a large way with

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Speaker 3: Princess Diana. I mean where the paparazzi were kind of

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Speaker 3: responsible for killing this woman.

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Speaker 2: I don't know the culminated. I think it got even

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Speaker 2: I mean I think it got worse after that. I

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Speaker 2: mean that was I think that was kind of head

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Speaker 2: shaved moment.

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Speaker 3: Was that was nuts the Britney head But I mean

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Speaker 3: it was like they paparazzi helped to kill this woman.

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Speaker 2: Yeah, it was. It's getting was getting No.

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Speaker 4: I think it's that this whole part of the same progression.

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Speaker 4: I just know that like for me, like part of

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Speaker 4: the reason that I wanted to keep my head down

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Speaker 4: and avoid anything in the public from two thousand on

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Speaker 4: was because of that specific culture, Like it was so

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Speaker 4: off to me, and I was not the type of

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Speaker 4: person that was like okay with walking into parts of

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Speaker 4: Like you were just that period. If you went anywhere

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Speaker 4: in Los Angeles that was slightly populated by famous people,

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Speaker 4: you just had to deal with being harassed and photographed

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Speaker 4: and videoed everywhere you went.

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Speaker 2: That's not really the case anymore. I don't think.

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Speaker 3: Yeah, maybe I just I never dealt with that though,

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Speaker 3: because you never went out I left my house.

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Speaker 2: Yeah, if you.

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Speaker 4: Went out, it was like those era, like if you

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Speaker 4: went into West Hollywood or the Sunset Strip, you went,

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Speaker 4: it was it was crazy, Like people would I would

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Speaker 4: go shopping in the middle of the day in those

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Speaker 4: parts of town and like cars would screech to a

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Speaker 4: halt and some dude would jump out taking my photograph

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Speaker 4: and I'd be like, Hi, do you want to talk

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Speaker 4: to me?

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Speaker 3: Right?

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Speaker 4: And they'd be just be yelling at me like yeah yeah,

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Speaker 4: And I'm like but but like you could pull over

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Speaker 4: and ask to take a photograph, like what do we

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Speaker 4: do it here? We're playing this game of like gotcha?

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Speaker 4: That is horrifying.

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Speaker 2: It's a terrible feeling too.

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Speaker 1: I remember being actually scared I had a photographer jump

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Speaker 1: out at me at the parking lot at the Grove

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Speaker 1: from like behind a car, and I was like ah,

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Speaker 1: and then like now you want to talk to me

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Speaker 1: and ask me a normal question? Like you just terrified me? No,

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Speaker 1: I don't, what are you doing? Get away from me?

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Speaker 1: But it's really interesting because this episode that we are

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Speaker 1: recapping today made me. It was like, oh, what a

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Speaker 1: timely episode for us. Yeah, so we can jump into it.

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Speaker 1: Welcome to Pod Meets World. I'm Danielle Fishall, I'm Rider Strong,

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Speaker 1: and I'm Wilfredell Orlando. In case you haven't heard, we

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Speaker 1: are coming to you on September seventeenth at the hard

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Speaker 1: Rock Live. Tony Quinn is going to be joining us,

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Speaker 1: and we had previously been sold out, but there were

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Speaker 1: just two hundred tickets released, so if you want to

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Speaker 1: be there, you've got an opportunity, but not much. And

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Speaker 1: we are also coming to Philly and New York. Tickets

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Speaker 1: are available and guests are ready to be announced soon.

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Speaker 1: We will be at the Met in Philadelphia on September thirtieth,

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Speaker 1: and we will be at New York Town Hall in

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Speaker 1: the New York Comedy Fest on November ninth. You can

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Speaker 1: go to Podmeats worldshow dot com for tickets. Welcome to

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Speaker 1: season three, episode number seven, Truth and Consequences. It originally

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Speaker 1: aired November tenth, nineteen ninety five. The synopsis is that

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Speaker 1: Sean and Corey are on the hunt for a juicy

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Speaker 1: investigative report in their journalism class it's actually the media

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Speaker 1: arts class, but their scoop ends up getting Janitor Bud fired. Also,

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Speaker 1: Eric participates in a sleep study. It was directed by

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Speaker 1: Jeff McCracken. It was written by Donna Truehiho trueO trueO

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Speaker 1: t r U j I l l O.

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Speaker 2: Do you guys remember I?

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Speaker 3: Do I do? Remember?

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Speaker 2: You remember?

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Speaker 3: Do you?

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Speaker 4: I can remember the name sounds so premilire. I swear

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Speaker 4: I have an image of a person in my head

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Speaker 4: if I but maybe wash she not on staff.

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Speaker 1: I don't think she was on but because I don't

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Speaker 1: remember the name. But also I have a terrible memory,

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Speaker 1: so I don't know. Guest stars Alex de serraz Eli,

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Speaker 1: will Williams Blake Soaper as Joey Joey They're at Epstein,

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Speaker 1: Kathy Trajissar as Monique, and Bob Larkin as Janitor Budd.

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Speaker 2: Who does some.

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Speaker 1: Pretty impressive work in this episode. Before we jump into

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Speaker 1: our recap, does anybody have any over arching thoughts? I

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Speaker 1: can go first. I enjoyed this episode. I enjoyed it. Finally,

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Speaker 1: I feel like Season three has been a little bit

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Speaker 1: of a Season three has missed the mark for me

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Speaker 1: in a lot of episodes. There have been some great moments,

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Speaker 1: and I think some really funny moments.

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Speaker 2: But I liked this episode a lot. Me too.

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Speaker 4: I loved it. I did not think it was super funny, No,

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Speaker 4: but I really I loved its complexity, the way it

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Speaker 4: leans into ambiguity for the adults, and like so like thematically,

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Speaker 4: I feel like this is the boy meets World sweet spot.

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Speaker 4: As far as like the message, I loved it.

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Speaker 2: Nobody agreed.

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Speaker 4: I mean that that and Eli's or Alex is so

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Speaker 4: good as it was cool to see him finally having

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Speaker 4: a moment, and yeah, there's a lot of there's tons

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Speaker 4: of fun stuff in here.

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Speaker 2: I you know, the storyline was ridiculous.

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Speaker 3: It's like it's it was just so unnecessary and plugged

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Speaker 3: in that it's like, why even do it? Just add

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Speaker 3: more to the a story and give me a week off?

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Speaker 3: Because it's just really makes no sense.

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Speaker 2: Yeah, it is. It is comic relief, and it's it's

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Speaker 2: a good comic relief.

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Speaker 3: It's not in any way, shape or form adding to anything.

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Speaker 3: It's not big Gafa laughs. It's just kind of like, oh,

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Speaker 3: it's a page of kind of like, Okay, he's got

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Speaker 3: no brain.

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Speaker 1: It's interesting to see if this continues to set up

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Speaker 1: the truly brain dead Eric.

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Speaker 3: I think I think it will. I always say this

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Speaker 3: is the genesis, this is the genesis. But this is

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Speaker 3: where he started to get really ridiculous, where it's.

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Speaker 2: Like the mouse.

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Speaker 3: The mouse has brain activity and Eric doesn't. It's like

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Speaker 3: that's this is when they just went crazy pants with it.

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Speaker 3: I loved the A story. I thought the A story

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Speaker 3: was great, but the BET story I thought was just ridiculous.

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Speaker 2: It's also this pattern that is asserting itself of like

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Speaker 2: the beautiful woman with authority that comes into the X life,

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Speaker 2: which is not like the third time she can be

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Speaker 2: the hairstylist. She can be yeah, she can.

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Speaker 4: Obviously like a formula. I was like, well, let's get

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Speaker 4: an attractive woman in here, and that's why.

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Speaker 3: You know that will be They've also they set it

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Speaker 3: up in one of the school classrooms.

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Speaker 2: Nobody else is registered.

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Speaker 3: I mean, it's just the whole thing is so ridiculously

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Speaker 3: stupid that it's like it's you just didn't need it.

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Speaker 2: But he just did and you were having fun, and

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Speaker 2: I think it is fun, right, Yeah, I mean I guess.

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Speaker 3: I just it's one of those things where this is

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Speaker 3: where it started to be to me, and I distinctly

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Speaker 3: remember this week because it started to be to me like, oh,

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Speaker 3: they're doing a good television show and occasionally they're going

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Speaker 3: to cut me to do ridiculous stuff like That's where

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Speaker 3: I remember thinking this. I remember this week like, oh,

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Speaker 3: they're doing something like where they're acting and it's you know,

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Speaker 3: they've got there's good story story lines.

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Speaker 2: The parents have great storylines.

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Speaker 3: Phoene's got a great storyline, the kids all have a

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Speaker 3: great storyline.

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Speaker 2: And now here's Eric being an idiot. Like that's what

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Speaker 2: I remember.

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Speaker 3: This is where it really set it up for me,

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Speaker 3: where it's like, oh, I wonder if this is what

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Speaker 3: it's going to be.

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Speaker 2: Like yeah, I think it is. And I don't know

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Speaker 2: if that's necessarily a horrible thing. I think it is.

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Speaker 2: If you're the one constantly doing the ridiculus, you enjoyed it,

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Speaker 2: you had fun. I would rather have been in the

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Speaker 2: better storyline.

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Speaker 3: I mean that's how I was every week is I

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Speaker 3: always would rather have been in the better storyline where

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Speaker 3: I got to act, I got to do stuff where

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Speaker 3: the comedy came from that as opposed to again, I

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Speaker 3: always thought it was like, we're doing this great show

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Speaker 3: and while they run off and change wardrobe, we're gonna

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Speaker 3: have you dance on on the stage rather than the

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Speaker 3: show comes back on.

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Speaker 2: And that's always what it started to be like to me.

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Speaker 2: It's all about balance. You know.

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Speaker 4: It's sort of like in cooking, and you know they

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Speaker 4: talk about like there's five different flavors yea sweet. Yeah,

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Speaker 4: so you feel like I feel like when the show

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Speaker 4: starts to get too dramatic, they need just some geographs

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Speaker 4: And like I came that like.

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Speaker 3: Season I know, yeah great, but there's times I wanted

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Speaker 3: to be the main course.

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Speaker 2: I didn't just want to be the salt sprinkled on

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Speaker 2: the top totally.

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Speaker 3: That's so to use your analogy, it was, I was

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Speaker 3: always watching these great shows happening, and then it was like,

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Speaker 3: all right, now go dance for you know, a page

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Speaker 3: and a half to make us laugh, and then we're

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Speaker 3: going to get back into the real show.

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Speaker 2: I don't remember.

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Speaker 4: I know we've talked about this for years actually, like

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Speaker 4: you know, but I don't remember you expressing any of

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Speaker 4: that at the time.

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Speaker 3: Of course, not because I wasn't expressing anything at the time.

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Speaker 3: I didn't go up and I didn't go up into the.

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Speaker 2: Producers and say here's what I want my character to be.

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Speaker 3: I never was never doing that, So it was it

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Speaker 3: wasn't until later where I started to assert myself a

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Speaker 3: little bit where it was, you know, fifth, sixth, seventh season.

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Speaker 2: You know, by we're still third season.

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Speaker 3: I'm still doing what they tell me to do whenever

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Speaker 3: they tell me to do it. And I wasn't arguing like, hey,

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Speaker 3: wait a second, why am I you know, why is this?

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Speaker 2: And again, this was just the start, so I didn't

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Speaker 2: know what was going to happen.

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Speaker 3: But I'm guessing by six or seven episodes of this,

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Speaker 3: it's going to be like, oh, and let's cut to

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Speaker 3: Eric for some wackiness while we, you know, then have

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Speaker 3: the real show going on around him.

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Speaker 2: After a while, it just got to be too much.

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Speaker 2: It was like, no, see, I don't remember.

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Speaker 4: I mean, I know you've expressed that retrospectively, But I

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Speaker 4: remember the time you loving them like you just making

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Speaker 4: people laugh.

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Speaker 3: Oh, I'll never I'll never not love making people laugh

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Speaker 3: for hamming it up. Of course I always loved doing that.

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Speaker 3: But I would always sit there during the run throughs

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Speaker 3: and stuff and be like, that's the show I want

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Speaker 3: to be on, like watching your because again, this a

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Speaker 3: storyline was great, and then it was just kind of

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Speaker 3: cutting to which again in the classroom, made no sense.

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Speaker 3: Then there's like all the doctors around him at the end,

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Speaker 3: it's just kind of like, all right, this is this

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Speaker 3: is this is my life.

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Speaker 2: This is what I'm doing from now. You don't ever,

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Speaker 2: I mean I always thought I always assumed that it

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Speaker 2: was more of the opposite, that you were sort of

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Speaker 2: rolling your eyes, that the sentimentality and the like.

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Speaker 3: When it got ridiculous towards the end where like, well, yeah,

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Speaker 3: when it was the Corey Tapanga stuff where it got

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Speaker 3: to be like, you know, you could tell that it

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00:18:52,119 --> 00:18:55,520
Speaker 3: was kind of an unhealthy, obsessive relationship. It was like

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Speaker 3: when it got to that, and then when it really

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Speaker 3: got to stuff where it's like our little brother was

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Speaker 3: born and.

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Speaker 2: Everything's taking place in the knee que.

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Speaker 3: Yeah, that's that's when it was like, okay, I'll stick

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Speaker 3: in my lane.

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Speaker 2: But we weren't there yet. It wasn't by that point.

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Speaker 3: I liked it because then it was like, all right,

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Speaker 3: let's get the people laughing again.

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Speaker 2: But we weren't there yet.

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Speaker 3: This was now like I saw a really cool show

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Speaker 3: being done around me, and I was just doing this stuff.

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Speaker 3: And so I didn't dislike it because I knew I

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Speaker 3: was going to be getting all the laughs.

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Speaker 2: But I would.

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Speaker 3: I mean, you're watching like Joey in there and Feenie

437
00:19:28,240 --> 00:19:30,520
Speaker 3: and Eli and they're on different sets and you guys

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Speaker 3: are doing it. It was just a better show that

439
00:19:32,480 --> 00:19:35,280
Speaker 3: I was watching. Frankly, so yeah, that's again. Loved the

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00:19:35,280 --> 00:19:36,920
Speaker 3: a story of this one. Looked at mine and I

441
00:19:36,960 --> 00:19:38,720
Speaker 3: was like, Okay, I get what I'm doing. It's it

442
00:19:38,800 --> 00:19:39,320
Speaker 3: is what it is.

443
00:19:40,640 --> 00:19:43,840
Speaker 1: So we did just get an update that Donna true heo.

444
00:19:44,280 --> 00:19:46,480
Speaker 1: I think I'm saying that correctly. If I'm not, please

445
00:19:46,680 --> 00:19:50,119
Speaker 1: forgive me. She wrote another episode in season three, so

446
00:19:50,160 --> 00:19:54,000
Speaker 1: she must have been on staff for season three. So

447
00:19:54,080 --> 00:19:56,840
Speaker 1: let's jump into our recap. We start in the school cafeteria.

448
00:19:56,880 --> 00:20:00,159
Speaker 1: Slash and mister Williams classroom. Sean is filming Corey for

449
00:20:00,240 --> 00:20:02,639
Speaker 1: a school news report, and we see the lunch lady,

450
00:20:02,680 --> 00:20:05,840
Speaker 1: Bertha von Buloh. He says she is a former nanny

451
00:20:05,840 --> 00:20:08,560
Speaker 1: for the Gorbachev family and now makes Russian treats at

452
00:20:08,600 --> 00:20:12,439
Speaker 1: John Adams High. Her specialty is red square jello.

453
00:20:13,640 --> 00:20:16,159
Speaker 4: So John with a news report and the handheld camera,

454
00:20:16,280 --> 00:20:18,760
Speaker 4: we look at the show, which is so interesting that

455
00:20:18,800 --> 00:20:24,280
Speaker 4: we didn't do that when the actual news team was like,

456
00:20:25,600 --> 00:20:28,600
Speaker 4: we just used you can't see the cameras where it's here.

457
00:20:29,400 --> 00:20:33,439
Speaker 4: It's a old camera talk giant window she's in. Was

458
00:20:33,480 --> 00:20:36,160
Speaker 4: that always there in the cafeteria?

459
00:20:36,720 --> 00:20:38,840
Speaker 1: No, although maybe I'm wondering if there had been a

460
00:20:39,359 --> 00:20:42,159
Speaker 1: one of the like a poll down there before, But no,

461
00:20:42,240 --> 00:20:42,680
Speaker 1: I don't think so.

462
00:20:43,600 --> 00:20:44,160
Speaker 3: That was all.

463
00:20:45,119 --> 00:20:47,720
Speaker 4: Yeah, because when Corey, like in the last episode, Corey

464
00:20:47,760 --> 00:20:49,680
Speaker 4: was on, they created like a stage for a pep

465
00:20:49,760 --> 00:20:51,720
Speaker 4: rally right there. Yeah, and there was just a wall

466
00:20:51,760 --> 00:20:53,440
Speaker 4: behind him if I remember.

467
00:20:53,160 --> 00:20:54,960
Speaker 2: So that so that was built for this episode.

468
00:20:55,080 --> 00:20:59,240
Speaker 1: It could also be another cafeteria on the many many

469
00:20:59,320 --> 00:21:00,040
Speaker 1: floors of the.

470
00:21:00,160 --> 00:21:03,080
Speaker 2: Tower that is John Adams High. Is there.

471
00:21:04,600 --> 00:21:06,480
Speaker 4: It has to be the one where there's a time

472
00:21:06,520 --> 00:21:07,920
Speaker 4: punch a time card punch.

473
00:21:07,960 --> 00:21:09,320
Speaker 2: There's a time card puncher there.

474
00:21:09,440 --> 00:21:12,399
Speaker 1: There's also this sleep study room on another floor of

475
00:21:12,440 --> 00:21:14,640
Speaker 1: the tower, so listen.

476
00:21:15,760 --> 00:21:18,960
Speaker 2: Architects that built to Matthew's house, John Adams leaning Tower

477
00:21:19,000 --> 00:21:19,600
Speaker 2: of Peace out.

478
00:21:20,359 --> 00:21:23,760
Speaker 1: So Sean pans the camera over to two pretty girls

479
00:21:23,760 --> 00:21:25,440
Speaker 1: at the vending machine and asks if they want to

480
00:21:25,480 --> 00:21:27,760
Speaker 1: be in the pictures. They laugh, but Corey gets Sean's

481
00:21:27,760 --> 00:21:30,320
Speaker 1: attention again, and he stuffs red jello in his mouth

482
00:21:30,359 --> 00:21:33,960
Speaker 1: and says freedom never tasted so good. The video stops

483
00:21:33,960 --> 00:21:35,880
Speaker 1: and we're now in mister Williams class and he calls

484
00:21:35,880 --> 00:21:37,920
Speaker 1: on Corey and Sean to wake up. They fell asleep

485
00:21:38,000 --> 00:21:40,760
Speaker 1: during their own assignment. Sean thinks the video stinks, but

486
00:21:40,800 --> 00:21:43,720
Speaker 1: Corey tells him to shush because maybe mister Williams doesn't know.

487
00:21:43,720 --> 00:21:46,600
Speaker 2: That, but Alex says he knows, he knows.

488
00:21:47,600 --> 00:21:49,520
Speaker 1: Tapeka says students have the right to know how their

489
00:21:49,520 --> 00:21:52,760
Speaker 1: food is prepared and compliments Corey's report, and mister Williams

490
00:21:52,760 --> 00:21:56,520
Speaker 1: says Corey has himself a good woman, but questions how

491
00:21:56,600 --> 00:21:59,959
Speaker 1: jello is news, and Sean says, when it's used for evil,

492
00:22:00,880 --> 00:22:07,200
Speaker 1: so very funny. I'm already starting to pick up on

493
00:22:07,840 --> 00:22:14,480
Speaker 1: the subtle themes, maybe not so subtle of when really

494
00:22:14,560 --> 00:22:17,480
Speaker 1: what women do in relationships that are good.

495
00:22:17,480 --> 00:22:19,280
Speaker 2: And that is one of them is.

496
00:22:20,760 --> 00:22:24,960
Speaker 1: Defend your man, even when he's a maroone.

497
00:22:25,840 --> 00:22:28,239
Speaker 2: Just gonna point that out there. Did you like your

498
00:22:28,280 --> 00:22:30,919
Speaker 2: performance in this episode, Danielle, I was better in this

499
00:22:30,960 --> 00:22:34,120
Speaker 2: one than I have been in ones. For sure. It

500
00:22:34,160 --> 00:22:34,480
Speaker 2: was great.

501
00:22:34,600 --> 00:22:39,080
Speaker 1: It was significantly better funny, you know, I felt like

502
00:22:39,280 --> 00:22:40,720
Speaker 1: there was a character there.

503
00:22:40,840 --> 00:22:45,040
Speaker 2: Yes, there's character development, and this is nice, Like you're

504
00:22:45,080 --> 00:22:47,399
Speaker 2: like even a little bit of backstory.

505
00:22:47,720 --> 00:22:50,920
Speaker 1: Katie cork and I say don't eat which I wish

506
00:22:50,960 --> 00:22:54,080
Speaker 1: had been don't eat pork, because then maybe we could

507
00:22:54,080 --> 00:22:54,920
Speaker 1: have tied.

508
00:22:54,640 --> 00:22:57,680
Speaker 2: In the Little Cory. We're getting ahead of ourselves.

509
00:22:59,119 --> 00:23:01,680
Speaker 1: Mister william says An, as a news reporter, you have

510
00:23:01,760 --> 00:23:04,040
Speaker 1: to tell the truth and make it interesting, then tells

511
00:23:04,040 --> 00:23:06,000
Speaker 1: the boys they have to redo their assignment.

512
00:23:06,320 --> 00:23:08,400
Speaker 2: Sean says media art is supposed.

513
00:23:08,080 --> 00:23:10,440
Speaker 1: To be an easy a and Corey says, maybe he

514
00:23:10,480 --> 00:23:13,520
Speaker 1: doesn't know that, but mister Williams says, again, oh he knows.

515
00:23:13,520 --> 00:23:15,560
Speaker 2: He knows that.

516
00:23:15,640 --> 00:23:18,000
Speaker 1: They go on air in four days, but Corey doesn't

517
00:23:18,040 --> 00:23:20,680
Speaker 1: seem too concerned. They go on after the Origami lady,

518
00:23:20,800 --> 00:23:23,600
Speaker 1: but Tapenga says she's actually awesome and can fold herself

519
00:23:23,680 --> 00:23:27,160
Speaker 1: up into a ship, and Sean slyly says, nothing.

520
00:23:26,880 --> 00:23:28,280
Speaker 2: Wrong with that.

521
00:23:29,359 --> 00:23:32,000
Speaker 1: It's the beginning of us figuring out Sean has some

522
00:23:32,520 --> 00:23:33,920
Speaker 1: ship fetish.

523
00:23:33,560 --> 00:23:38,400
Speaker 2: Or weird sexual the horn Dog this entire episode, which

524
00:23:38,440 --> 00:23:40,640
Speaker 2: I was like, because even like me in the beginning,

525
00:23:40,680 --> 00:23:43,600
Speaker 2: flirting with the girls, right the what is the point

526
00:23:43,600 --> 00:23:45,159
Speaker 2: of it, Like they want to be in.

527
00:23:45,640 --> 00:23:52,240
Speaker 3: Forgetting that voice, you want to help me find my puppy, Like,

528
00:23:52,280 --> 00:23:53,119
Speaker 3: I'm glad you didn't.

529
00:23:53,280 --> 00:23:55,000
Speaker 2: You didn't do that. I think it would have been funnier.

530
00:23:55,080 --> 00:23:57,360
Speaker 2: Now I was grossed out by like Seawans horn Dog

531
00:23:57,440 --> 00:23:59,440
Speaker 2: or just kind of bored. It's just like, okay, yeah,

532
00:24:00,119 --> 00:24:01,280
Speaker 2: it's just a remind I think.

533
00:24:01,320 --> 00:24:04,119
Speaker 1: You know, they were appealing to the teen boy contingent

534
00:24:04,359 --> 00:24:07,760
Speaker 1: of the nineties, and they needed to keep reminding you

535
00:24:07,880 --> 00:24:10,320
Speaker 1: that they're all teen boys.

536
00:24:10,240 --> 00:24:11,760
Speaker 2: Also playing to all our tropes.

537
00:24:11,800 --> 00:24:15,840
Speaker 3: Now, Eric D Sean girl crazy to Payga, you know,

538
00:24:16,000 --> 00:24:18,639
Speaker 3: kind of supporting Corey but don't eat veal Corey in

539
00:24:18,680 --> 00:24:20,520
Speaker 3: the middle not knowing what's going on. I mean, it's

540
00:24:20,520 --> 00:24:22,879
Speaker 3: like now we're all hitting our stride for exactly what

541
00:24:22,920 --> 00:24:25,959
Speaker 3: our characters are, so it's kind of interesting that there

542
00:24:26,280 --> 00:24:28,399
Speaker 3: were still there's still not a depth to them in

543
00:24:28,440 --> 00:24:30,520
Speaker 3: a lot of a lot of ways, but.

544
00:24:31,000 --> 00:24:33,199
Speaker 2: We're at least hitting the what we're supposed to be

545
00:24:33,480 --> 00:24:36,000
Speaker 2: or what we're going to become. Yeah, Sean, I don't know.

546
00:24:36,040 --> 00:24:39,280
Speaker 4: I think Sean is like the sort of ladies man

547
00:24:39,400 --> 00:24:42,320
Speaker 4: is funnier, you know what I mean, like for better works,

548
00:24:42,320 --> 00:24:44,240
Speaker 4: like when I flirted with the teacher in the beginning

549
00:24:44,240 --> 00:24:46,439
Speaker 4: of second season, very first funny, Yeah, because it's like

550
00:24:46,640 --> 00:24:49,760
Speaker 4: I'm sophisticated in all the wrong ways, right, Yeah, this

551
00:24:49,760 --> 00:24:52,119
Speaker 4: this episode, I'm just like like a hitting on girls

552
00:24:52,119 --> 00:24:52,639
Speaker 4: with a camera.

553
00:24:52,960 --> 00:24:54,200
Speaker 2: It's just not clever, it's just kind.

554
00:24:54,280 --> 00:24:56,439
Speaker 1: I also really liked it when like you had the

555
00:24:56,480 --> 00:24:58,880
Speaker 1: thirty foot range where it was like we can't help it, man,

556
00:24:58,920 --> 00:25:01,720
Speaker 1: We're like, yeah, yeah, ladies are just drawn to me.

557
00:25:01,920 --> 00:25:04,320
Speaker 4: Yes, I think Sean is like the like it doesn't

558
00:25:04,320 --> 00:25:07,080
Speaker 4: even have to worry about it, ladies. Man, it's funnier

559
00:25:07,119 --> 00:25:08,440
Speaker 4: than this version of Sean, which is.

560
00:25:08,359 --> 00:25:10,560
Speaker 3: Just and then when you did actually go after a woman,

561
00:25:10,640 --> 00:25:13,080
Speaker 3: you did it wrong. Yes, that's always so funny. So

562
00:25:13,080 --> 00:25:14,760
Speaker 3: you already go up and go I'm a cop, you know,

563
00:25:14,800 --> 00:25:17,639
Speaker 3: like stuff like that that's hysterically funny. Yeah, yeah, so

564
00:25:17,920 --> 00:25:20,320
Speaker 3: there's a there's a depth to it. Girls always flock

565
00:25:20,400 --> 00:25:22,040
Speaker 3: to you, but the ones you want you didn't.

566
00:25:21,800 --> 00:25:22,080
Speaker 5: Know how to.

567
00:25:22,119 --> 00:25:25,120
Speaker 2: Actually, yeah, yeah, that's great. So yeah, it's interesting.

568
00:25:25,680 --> 00:25:27,840
Speaker 1: Well, then we're in Turner's apartment. Corey walks in and

569
00:25:27,840 --> 00:25:30,000
Speaker 1: Sean rushes Corey to the window to where a woman

570
00:25:30,080 --> 00:25:32,119
Speaker 1: is dancing in a towel. Sean says she does it

571
00:25:32,160 --> 00:25:34,679
Speaker 1: every day at five point thirty and starts filming. Turner

572
00:25:34,720 --> 00:25:37,080
Speaker 1: walks in and sees the boys walks in.

573
00:25:37,400 --> 00:25:41,200
Speaker 4: How about that music when she's It's like, it's like

574
00:25:41,280 --> 00:25:46,160
Speaker 4: a fool music? Why are we hearing the music because

575
00:25:47,600 --> 00:25:51,040
Speaker 4: we're like through too. We're across the street right filming

576
00:25:51,040 --> 00:25:53,720
Speaker 4: somebody at another apartment. But when the camera is outside

577
00:25:53,760 --> 00:25:55,919
Speaker 4: the window, we can hear the music that she's dancing

578
00:25:55,920 --> 00:25:56,600
Speaker 4: to in her towel.

579
00:25:56,640 --> 00:25:58,479
Speaker 2: Oh god, I didn't even think. I didn't even heard.

580
00:25:58,520 --> 00:26:01,240
Speaker 2: It's so funny. Back to the apartment and we can't

581
00:26:01,280 --> 00:26:03,960
Speaker 2: hear it. So it's like, oh, so the it says

582
00:26:04,000 --> 00:26:06,560
Speaker 2: the windows open right, yes, and like so as an

583
00:26:06,560 --> 00:26:09,560
Speaker 2: audience of the camera, we can hear it, but it's just,

584
00:26:09,800 --> 00:26:14,600
Speaker 2: you know, funny check that it's not about that, but

585
00:26:14,640 --> 00:26:17,000
Speaker 2: that's what I was thinking of, you know, clearly the

586
00:26:17,119 --> 00:26:18,320
Speaker 2: music is in.

587
00:26:22,040 --> 00:26:24,159
Speaker 1: So Turner walks in, sees the boys looking out the

588
00:26:24,160 --> 00:26:25,240
Speaker 1: window and says, five thirty.

589
00:26:25,280 --> 00:26:27,920
Speaker 2: Huh man, my watch must be slow. He then tells

590
00:26:27,960 --> 00:26:29,120
Speaker 2: them funny joke.

591
00:26:29,160 --> 00:26:30,760
Speaker 1: He then tells them to get away from the window

592
00:26:30,760 --> 00:26:33,160
Speaker 1: and asks what they're doing with the camera. Corey responds

593
00:26:33,160 --> 00:26:35,679
Speaker 1: saying it's homework and they're shooting a news report. Turner

594
00:26:35,720 --> 00:26:37,919
Speaker 1: asks if they think the woman in the towel is news,

595
00:26:37,960 --> 00:26:40,359
Speaker 1: and Corey says, we think she's up to no good.

596
00:26:43,320 --> 00:26:45,400
Speaker 1: Turner tells them to turn the camera off, but as

597
00:26:45,440 --> 00:26:48,280
Speaker 1: he's explaining why, he notices the towel fell off and

598
00:26:48,280 --> 00:26:51,840
Speaker 1: the boys start fumbling all over themselves to keep recording.

599
00:26:52,320 --> 00:26:55,800
Speaker 1: Turner grabs the camera, explains that exploiting someone's body is

600
00:26:55,840 --> 00:26:58,080
Speaker 1: not news and tells them that they should watch the

601
00:26:58,119 --> 00:27:01,520
Speaker 1: five thirty news on TV to see real journalism. He

602
00:27:01,560 --> 00:27:03,679
Speaker 1: then turns on the TV and there's a news report

603
00:27:03,720 --> 00:27:06,520
Speaker 1: about breast enlargements, and he turns the TV off again

604
00:27:06,560 --> 00:27:08,880
Speaker 1: and Sean just looks at him, so great, It's great.

605
00:27:09,000 --> 00:27:11,800
Speaker 4: After you know, like hearing you recap it after watching

606
00:27:11,840 --> 00:27:14,520
Speaker 4: the rest of the episode. This sets up everything. It

607
00:27:14,560 --> 00:27:17,320
Speaker 4: sets up the dynamic, which is you don't exploit somebody

608
00:27:17,800 --> 00:27:19,840
Speaker 4: just for the sake of your you know, it's really

609
00:27:20,040 --> 00:27:22,680
Speaker 4: clever that, you know, what's what is just a sort

610
00:27:22,680 --> 00:27:27,080
Speaker 4: of horny boy scene actually thematically links exactly right to

611
00:27:27,200 --> 00:27:29,560
Speaker 4: the skyline and then of course the cynas system of

612
00:27:29,600 --> 00:27:32,480
Speaker 4: the television the actual news having gone here too is

613
00:27:32,520 --> 00:27:33,160
Speaker 4: a great point.

614
00:27:33,480 --> 00:27:36,879
Speaker 3: And Tony gives the best Tony Quinn face when he

615
00:27:36,920 --> 00:27:39,640
Speaker 3: shuts off the TV. He just like and he's got

616
00:27:39,640 --> 00:27:42,000
Speaker 3: his eyebrow going up and it's like the oh, it's

617
00:27:42,400 --> 00:27:44,040
Speaker 3: it's so Tony.

618
00:27:43,600 --> 00:27:46,119
Speaker 2: It's I also.

619
00:27:46,040 --> 00:27:50,840
Speaker 4: Love I love the Turner relationship with Sean and Corey,

620
00:27:50,920 --> 00:27:54,480
Speaker 4: which is this authority figure, but with what he's not

621
00:27:54,600 --> 00:27:57,359
Speaker 4: shaming them for right, Like he's not walking in and

622
00:27:57,400 --> 00:27:59,800
Speaker 4: being like, how dare you look at a girl? It's like,

623
00:27:59,840 --> 00:28:02,440
Speaker 4: I get it, I understand why you want to look

624
00:28:02,440 --> 00:28:05,520
Speaker 4: at a naked woman. Let's just be smart and appropriate

625
00:28:05,520 --> 00:28:09,439
Speaker 4: about this. It's not like a you know, it's a

626
00:28:09,480 --> 00:28:13,960
Speaker 4: perfectly appropriate it's a perfect father figure vibes where he's

627
00:28:14,000 --> 00:28:17,760
Speaker 4: not judging them for having feelings. He's just you know,

628
00:28:18,119 --> 00:28:20,359
Speaker 4: telling them to be more responsible about those feelings, and

629
00:28:20,400 --> 00:28:21,680
Speaker 4: it's just it's really well put.

630
00:28:22,600 --> 00:28:25,359
Speaker 3: So I don't we don't have to harp on this,

631
00:28:25,440 --> 00:28:27,280
Speaker 3: and I don't know if this is in fact true

632
00:28:27,320 --> 00:28:30,200
Speaker 3: or not. And this is pure speculation on my point,

633
00:28:30,359 --> 00:28:31,520
Speaker 3: on my part, one hundred percent.

634
00:28:32,119 --> 00:28:33,640
Speaker 2: But the more I'm watching.

635
00:28:33,320 --> 00:28:37,480
Speaker 3: Tony, the more it makes no sense that he wasn't

636
00:28:37,520 --> 00:28:41,640
Speaker 3: brought back to the show. Something else had to be

637
00:28:41,720 --> 00:28:45,120
Speaker 3: going on that we don't know about. Had to because

638
00:28:46,040 --> 00:28:50,240
Speaker 3: he's perfect, and the relationship with everybody is so good.

639
00:28:50,640 --> 00:28:54,600
Speaker 3: He fits in seamlessly. He's perfect for Sean. He's now

640
00:28:54,640 --> 00:28:57,240
Speaker 3: spending more time with Corey. We do not know the

641
00:28:57,280 --> 00:29:00,240
Speaker 3: story of why Tony left. I'm convinced of that because

642
00:29:00,440 --> 00:29:02,400
Speaker 3: it doesn't make any sense.

643
00:29:02,680 --> 00:29:05,160
Speaker 2: Well, we I don't remember.

644
00:29:05,200 --> 00:29:07,440
Speaker 1: I would love because I love this idea and I

645
00:29:07,480 --> 00:29:09,280
Speaker 1: love this theory, and I want to I want to

646
00:29:09,280 --> 00:29:11,000
Speaker 1: be like, yes, let's get to the bottom of it.

647
00:29:11,320 --> 00:29:16,040
Speaker 1: I don't remember anything leading up to what actually happens

648
00:29:16,080 --> 00:29:18,160
Speaker 1: story wise for him to go away, so.

649
00:29:18,960 --> 00:29:21,719
Speaker 2: I want to we will. We will uncover it in

650
00:29:21,800 --> 00:29:24,920
Speaker 2: live time, because I because it doesn't make any sense

651
00:29:25,000 --> 00:29:25,920
Speaker 2: where we are right now.

652
00:29:25,960 --> 00:29:28,080
Speaker 1: I can't imagine that he's just till the end of

653
00:29:28,120 --> 00:29:29,840
Speaker 1: the season and then got it.

654
00:29:30,040 --> 00:29:41,840
Speaker 5: So yeah.

655
00:29:41,880 --> 00:29:44,320
Speaker 1: So then we're in the school cafeteria. Janitor Bud is

656
00:29:44,440 --> 00:29:47,640
Speaker 1: chasing a student, Leonard, saying that a nervous stomach is

657
00:29:47,680 --> 00:29:49,920
Speaker 1: nothing to be ashamed of. Phoene comes up and tells

658
00:29:50,000 --> 00:29:52,280
Speaker 1: Janitor Budd he shouldn't embarrass a student like that, but

659
00:29:52,320 --> 00:29:54,800
Speaker 1: he says they're tight as the student runs away.

660
00:29:55,200 --> 00:30:00,320
Speaker 2: Janitor Budd is Leonard one of Michael's kids, sus that

661
00:30:00,840 --> 00:30:03,840
Speaker 2: I thought, so too, is it really?

662
00:30:04,040 --> 00:30:04,120
Speaker 3: So?

663
00:30:04,280 --> 00:30:07,640
Speaker 2: Is it David? It might be David, because it's really

664
00:30:07,720 --> 00:30:09,280
Speaker 2: I didn't recognize him. Oh.

665
00:30:09,280 --> 00:30:11,960
Speaker 4: I was like, why is there somebody under eighteen as

666
00:30:12,000 --> 00:30:14,600
Speaker 4: an extra in the scene? It makes no sense? And

667
00:30:14,640 --> 00:30:16,960
Speaker 4: then I was like, oh, that's one of the Jacob's kids,

668
00:30:16,960 --> 00:30:18,800
Speaker 4: but I couldn't recognize which one was.

669
00:30:19,200 --> 00:30:22,960
Speaker 2: I said this same thing, it's one of the Jacob's

670
00:30:23,040 --> 00:30:26,239
Speaker 2: kids in an uncredited sort of appearance, because there's no

671
00:30:26,280 --> 00:30:29,080
Speaker 2: reason why there would be a kid in an extra

672
00:30:29,160 --> 00:30:32,600
Speaker 2: position like that. Didn't Bud also mention the name Leonard

673
00:30:32,640 --> 00:30:34,440
Speaker 2: before that? Rang in my ears?

674
00:30:34,440 --> 00:30:37,520
Speaker 3: Isn't there an episode where he says something about Leonard.

675
00:30:38,120 --> 00:30:41,080
Speaker 1: I also thought one of our original nerds from the

676
00:30:41,120 --> 00:30:44,040
Speaker 1: beginning of season two was named Leonard. But then Jensen

677
00:30:44,080 --> 00:30:47,240
Speaker 1: reminded me that Lenny Spinelli is technically a Leonard, so

678
00:30:47,280 --> 00:30:49,400
Speaker 1: maybe Leonard's just in our head from there too.

679
00:30:49,560 --> 00:30:52,080
Speaker 3: But I feel like Bud Jenner Budd has said said

680
00:30:52,120 --> 00:30:53,200
Speaker 3: the name Leonard before.

681
00:30:53,200 --> 00:30:55,200
Speaker 2: It's like, oh, they brought this character back. Was the

682
00:30:55,200 --> 00:30:58,080
Speaker 2: first thing I thought, Well, I agree with you. I

683
00:30:58,080 --> 00:30:59,800
Speaker 2: think it is David. I didn't know that.

684
00:31:00,240 --> 00:31:02,440
Speaker 1: I think you're stupid. I didn't even put it in

685
00:31:02,440 --> 00:31:03,920
Speaker 1: my notes because I said it out loud. And then

686
00:31:03,960 --> 00:31:05,440
Speaker 1: I was like, I don't know, and I'm not really

687
00:31:05,480 --> 00:31:07,520
Speaker 1: sure I care to spend the I don't. I don't

688
00:31:07,520 --> 00:31:08,760
Speaker 1: have a way to figure it out. And then I

689
00:31:08,760 --> 00:31:10,800
Speaker 1: forgot about it because you said it as a character.

690
00:31:10,800 --> 00:31:15,960
Speaker 1: Because he doesn't okay, so janitor Bud then chases him

691
00:31:15,960 --> 00:31:18,520
Speaker 1: out and says, I still love the chase that poor

692
00:31:18,600 --> 00:31:22,960
Speaker 1: kid with ibs. And then Foene joins Turner and Williams

693
00:31:23,000 --> 00:31:25,240
Speaker 1: for lunch, and Turner asks about all the beautiful women

694
00:31:25,320 --> 00:31:28,920
Speaker 1: outside Phoene's office. Turns out Phoene is interviewing secretaries because

695
00:31:28,960 --> 00:31:31,320
Speaker 1: Missus Wooley is moving to Florida to be with her

696
00:31:31,360 --> 00:31:35,040
Speaker 1: grand grandkids. The littlest one just turned fifty, which I

697
00:31:35,040 --> 00:31:38,840
Speaker 1: thought is a great joke, funny Joe joke. And then

698
00:31:38,880 --> 00:31:40,720
Speaker 1: he says a couple of people chipped into buy Missus

699
00:31:40,720 --> 00:31:43,480
Speaker 1: Wooly and oxygen tank. And when Turner says that isn't funny,

700
00:31:43,600 --> 00:31:48,320
Speaker 1: Phoene explains she's a certified scuba diver. Foene sure does

701
00:31:48,440 --> 00:31:50,360
Speaker 1: love him some scuba.

702
00:31:50,160 --> 00:31:52,920
Speaker 3: Yeah, well, he's a teacher at the local school of school.

703
00:31:53,040 --> 00:31:55,760
Speaker 3: Love scuba yep, big fan of scuba.

704
00:31:56,520 --> 00:31:58,440
Speaker 1: Sean says there is nothing out there to do their

705
00:31:58,480 --> 00:32:00,600
Speaker 1: news report on then suggest this story.

706
00:32:00,600 --> 00:32:04,400
Speaker 4: We just ran through that joke like like it doesn't

707
00:32:04,400 --> 00:32:07,880
Speaker 4: get a laugh, but the idea that there's because that's funny, Like, oh,

708
00:32:07,920 --> 00:32:10,040
Speaker 4: there's nothing else out there. Now we've been told not

709
00:32:10,120 --> 00:32:13,320
Speaker 4: to do no one, We're to order the lunch lady.

710
00:32:13,360 --> 00:32:14,840
Speaker 4: Like that could have been funny if I had hit

711
00:32:14,920 --> 00:32:16,960
Speaker 4: it harder, but I was just like, there's nothing else

712
00:32:16,960 --> 00:32:18,200
Speaker 4: out there, just blue right through it.

713
00:32:18,640 --> 00:32:19,840
Speaker 2: But you know what, I don't know that it was

714
00:32:19,920 --> 00:32:21,440
Speaker 2: I don't know that it was meant to be a joke.

715
00:32:21,520 --> 00:32:24,560
Speaker 1: It is funny as an adult who like looks at

716
00:32:24,640 --> 00:32:27,280
Speaker 1: kids and goes, there's a billion topics in the world,

717
00:32:27,360 --> 00:32:29,000
Speaker 1: and the only two you can think of is the

718
00:32:29,040 --> 00:32:32,480
Speaker 1: cafeteria lady or of a naked woman. But I do

719
00:32:32,560 --> 00:32:35,440
Speaker 1: think that they were trying to set up this idea

720
00:32:35,640 --> 00:32:38,200
Speaker 1: of man, we're going to have to scramble for something

721
00:32:38,240 --> 00:32:40,640
Speaker 1: because I'm out of ideas. So I don't necessarily know

722
00:32:40,680 --> 00:32:42,600
Speaker 1: that it was supposed to get a laugh, but I

723
00:32:42,640 --> 00:32:43,240
Speaker 1: know what you mean.

724
00:32:43,360 --> 00:32:43,840
Speaker 2: I know it is.

725
00:32:43,920 --> 00:32:45,840
Speaker 1: It is certainly a place where you could have found

726
00:32:45,840 --> 00:32:48,000
Speaker 1: a laugh, right had you played it.

727
00:32:48,360 --> 00:32:50,440
Speaker 3: This is a whole new shirt for Sean, by the way,

728
00:32:50,560 --> 00:32:53,240
Speaker 3: this whole this black and white shirt that he's wearing

729
00:32:53,320 --> 00:32:55,160
Speaker 3: is a whole new, whole new get up. Wow.

730
00:32:55,720 --> 00:32:58,200
Speaker 1: I mean, we we have seen that Vlure shirt. I

731
00:32:58,240 --> 00:33:00,560
Speaker 1: remember so well, the one with the striped allures. We've

732
00:33:00,600 --> 00:33:02,280
Speaker 1: seen I think I think it's in this episode again,

733
00:33:02,320 --> 00:33:03,160
Speaker 1: and it was in the last one.

734
00:33:03,200 --> 00:33:04,520
Speaker 2: I remember it, and remember you.

735
00:33:04,560 --> 00:33:06,280
Speaker 3: Got the vest and everything. But this is a whole

736
00:33:06,360 --> 00:33:08,320
Speaker 3: new They're trying a whole new thing here. I was like, Wow,

737
00:33:08,360 --> 00:33:10,240
Speaker 3: that's it. That's a different look for Sean right now.

738
00:33:10,760 --> 00:33:11,440
Speaker 2: So interesting.

739
00:33:11,640 --> 00:33:13,920
Speaker 1: Sean suggests they could do a story on his uncle

740
00:33:14,000 --> 00:33:15,880
Speaker 1: Vic who was set up, but it may not work

741
00:33:15,880 --> 00:33:17,960
Speaker 1: because there's a good chance he'd kill them killed.

742
00:33:18,040 --> 00:33:20,440
Speaker 2: It makes me wonder whether or not he was set up.

743
00:33:21,560 --> 00:33:24,280
Speaker 1: Corey suggests they find a scandal at school, but Sean

744
00:33:24,320 --> 00:33:27,360
Speaker 1: says there is no scandal at school. Right then, Joey

745
00:33:27,360 --> 00:33:31,720
Speaker 1: comes into the cafeteria trying to sell stolen tires, and

746
00:33:31,960 --> 00:33:34,480
Speaker 1: Corey has an idea that if they followed Joey, they

747
00:33:34,520 --> 00:33:35,360
Speaker 1: find a story.

748
00:33:35,480 --> 00:33:39,560
Speaker 2: And now this begins what is probably the greatest blake

749
00:33:39,720 --> 00:33:41,720
Speaker 2: performance of any episode.

750
00:33:41,440 --> 00:33:45,719
Speaker 3: On It is bend something four times.

751
00:33:45,720 --> 00:33:47,200
Speaker 2: Oh, I can't wait, I can't wait.

752
00:33:47,840 --> 00:33:51,800
Speaker 1: I hope it's you suck I pulled.

753
00:33:51,800 --> 00:33:54,680
Speaker 2: The clip is a clip, but it's perfect.

754
00:33:54,840 --> 00:33:58,760
Speaker 4: But even in this beat, he shows up the tires tires,

755
00:33:58,800 --> 00:34:00,640
Speaker 4: and then he shows up with the tubes saw and

756
00:34:00,680 --> 00:34:04,160
Speaker 4: then did you guys notice his look of disgust at us? Yes,

757
00:34:04,360 --> 00:34:06,800
Speaker 4: not buying the tube socks or not even responding him

758
00:34:06,800 --> 00:34:07,880
Speaker 4: because we were so caught up at OAR.

759
00:34:08,320 --> 00:34:11,960
Speaker 2: He just plays it perfectly. Is this the only time

760
00:34:12,000 --> 00:34:14,359
Speaker 2: he's alone? I feel like this is one of the

761
00:34:14,360 --> 00:34:17,600
Speaker 2: only times I remember him being alone on it. No,

762
00:34:17,680 --> 00:34:20,719
Speaker 2: but he carries an entire storyline and.

763
00:34:20,600 --> 00:34:24,280
Speaker 4: It's beautiful blaze through this episode with so much confidence

764
00:34:24,320 --> 00:34:24,800
Speaker 4: in humor.

765
00:34:25,400 --> 00:34:26,120
Speaker 2: I couldn't believe it.

766
00:34:26,160 --> 00:34:27,960
Speaker 4: I was like, and then I remember that, because I

767
00:34:27,960 --> 00:34:32,560
Speaker 4: didn't remember this episode at all except for pontificating from

768
00:34:32,560 --> 00:34:36,200
Speaker 4: your tukus and you suck like I remember those very clearly.

769
00:34:37,280 --> 00:34:39,799
Speaker 2: It's incredible. Yeah, yeah, so great. I love it.

770
00:34:39,840 --> 00:34:42,800
Speaker 3: So Joey's the dialog? I'm sorry, very quick acting question.

771
00:34:43,040 --> 00:34:45,160
Speaker 3: Do you think the dialogue for Joey is so good?

772
00:34:45,160 --> 00:34:45,680
Speaker 2: And so Chris?

773
00:34:45,840 --> 00:34:48,920
Speaker 3: Because he came up with his character so early and

774
00:34:48,960 --> 00:34:50,799
Speaker 3: it was so solid that writing for him was a

775
00:34:50,800 --> 00:34:53,520
Speaker 3: lot easier then they were writing for us. But we

776
00:34:53,600 --> 00:34:56,160
Speaker 3: hadn't established our characters the way he had, so they're

777
00:34:56,160 --> 00:34:57,680
Speaker 3: trying to help us find our character.

778
00:34:57,920 --> 00:35:01,000
Speaker 2: Where he actually showed them what the care character was, well,

779
00:35:01,000 --> 00:35:04,160
Speaker 2: a voice. He gave it a voice right before. It'd

780
00:35:04,200 --> 00:35:05,960
Speaker 2: be so much easier than it's like, we don't really

781
00:35:06,000 --> 00:35:06,600
Speaker 2: know what Eric is.

782
00:35:06,800 --> 00:35:11,160
Speaker 1: Also, the to the writer's credit, it's a lot easier

783
00:35:11,239 --> 00:35:13,920
Speaker 1: to give a character who you don't have to focus

784
00:35:13,960 --> 00:35:18,200
Speaker 1: an entire show around a really specific voice, because no

785
00:35:18,280 --> 00:35:20,480
Speaker 1: matter what situation you drop them in, they're going to

786
00:35:20,520 --> 00:35:21,759
Speaker 1: be that thing all the time.

787
00:35:21,800 --> 00:35:22,799
Speaker 2: And then you can pop them out.

788
00:35:22,840 --> 00:35:26,120
Speaker 1: When you're trying to like build a universe around characters

789
00:35:26,480 --> 00:35:27,760
Speaker 1: who you know, you need to think.

790
00:35:27,600 --> 00:35:29,359
Speaker 2: Of things like they got to be likable, they got

791
00:35:29,360 --> 00:35:29,600
Speaker 2: to be this.

792
00:35:29,680 --> 00:35:31,840
Speaker 1: It's so much more fun to write for a Joey

793
00:35:31,920 --> 00:35:35,080
Speaker 1: who you know can be all of these things so good.

794
00:35:35,080 --> 00:35:38,160
Speaker 1: In this episode, someone who's very good at jackting. Joey

795
00:35:38,280 --> 00:35:41,120
Speaker 1: opens his jacket to flash all the tube socks he's selling.

796
00:35:41,200 --> 00:35:43,439
Speaker 1: He has like twenty four pairs of socks in there.

797
00:35:43,560 --> 00:35:46,080
Speaker 1: And if I had taken anything from the set of

798
00:35:46,080 --> 00:35:48,320
Speaker 1: Boy Meets World, I wish I took that tube sox jacket.

799
00:35:48,920 --> 00:35:49,960
Speaker 2: I'd love to just have it.

800
00:35:49,960 --> 00:35:51,880
Speaker 1: You could wear that everywhere. And then we're in the

801
00:35:51,880 --> 00:35:54,400
Speaker 1: school hallway slash lab. Eric runs over to see if

802
00:35:54,400 --> 00:35:57,440
Speaker 1: it's true. There's a science lady looking for students to

803
00:35:57,440 --> 00:35:59,839
Speaker 1: be a part of a research study. Monique says she's

804
00:35:59,840 --> 00:36:02,200
Speaker 1: doing a thesis on psychology with.

805
00:36:02,160 --> 00:36:05,640
Speaker 2: A hot lady. Name was Monique. Also the name of

806
00:36:05,719 --> 00:36:10,240
Speaker 2: the woman at the hairdresser. That's what I thought, it's Monique.

807
00:36:10,400 --> 00:36:12,520
Speaker 2: I think it's the same the short haired, pretty lady

808
00:36:12,560 --> 00:36:15,160
Speaker 2: named Monique, and we were I was like, it's either

809
00:36:15,920 --> 00:36:17,200
Speaker 2: so similar to I.

810
00:36:17,640 --> 00:36:20,279
Speaker 1: Think it's Monique, and we have a Lenny Spinelli, a

811
00:36:20,320 --> 00:36:23,319
Speaker 1: possible other Leonard, and then this poor Leonard. It's like, guys,

812
00:36:23,360 --> 00:36:26,279
Speaker 1: there are a lot of names out there.

813
00:36:26,360 --> 00:36:29,040
Speaker 2: Yes, it's just Monique again. So she's doing a thesis

814
00:36:29,040 --> 00:36:30,160
Speaker 2: on psycho neeurology.

815
00:36:30,239 --> 00:36:33,600
Speaker 1: But then and then asks Eric if he's interested in

816
00:36:33,680 --> 00:36:36,080
Speaker 1: dream research. Eric says, heck no, but he is a

817
00:36:36,080 --> 00:36:38,280
Speaker 1: fan of the flyer that says you can earn cash

818
00:36:38,320 --> 00:36:41,239
Speaker 1: while you sleep. He introduces himself and says he's an

819
00:36:41,239 --> 00:36:44,160
Speaker 1: amateur sleeper ready to turn pro, which I thought was

820
00:36:44,239 --> 00:36:48,520
Speaker 1: very cute. Also, I love sleeping. I'd be I would

821
00:36:48,640 --> 00:36:51,520
Speaker 1: for sure sign up for this. There was a place.

822
00:36:52,000 --> 00:36:55,120
Speaker 3: Yeah, I love sleeping too. But the older I'm getting,

823
00:36:55,160 --> 00:36:56,200
Speaker 3: the worse I'm getting at it.

824
00:36:57,040 --> 00:37:00,440
Speaker 2: That is the problem. Have you tried uns? I have not.

825
00:37:00,520 --> 00:37:03,520
Speaker 3: I can't take stuff because then yeah, yeah, I don't. Yeah,

826
00:37:03,680 --> 00:37:05,320
Speaker 3: I was trying to sleep and it's not working.

827
00:37:05,560 --> 00:37:05,960
Speaker 2: Okay.

828
00:37:06,360 --> 00:37:09,560
Speaker 1: Monique shows Eric her makeshift laboratory, and Eric smiles and says,

829
00:37:09,600 --> 00:37:12,000
Speaker 1: I've got a job. And then this is where I

830
00:37:12,040 --> 00:37:15,640
Speaker 1: realized how many floors are there on this Tower of

831
00:37:15,760 --> 00:37:20,920
Speaker 1: John Adams, Because we're in the like Turner classroom, we're

832
00:37:20,960 --> 00:37:24,600
Speaker 1: also in the media arts classroom, and now this is

833
00:37:24,640 --> 00:37:28,719
Speaker 1: a sleep study classroom, so you know we've got.

834
00:37:28,600 --> 00:37:32,000
Speaker 3: At least yeah, it is, it is. There's different wings

835
00:37:32,080 --> 00:37:34,600
Speaker 3: maybe yeah wing, Yeah.

836
00:37:34,400 --> 00:37:35,240
Speaker 2: That makes sense. Okay.

837
00:37:36,080 --> 00:37:38,759
Speaker 1: Then we are in the newsroom. Tapanga anxiously gets ready

838
00:37:38,760 --> 00:37:41,600
Speaker 1: for her news segment, repeating to herself Katie Corek, Katie Corek,

839
00:37:41,680 --> 00:37:43,359
Speaker 1: Katie Couric, and I thought that was a nice little

840
00:37:43,440 --> 00:37:45,560
Speaker 1: callback to who Tapanga wanted to write her report on.

841
00:37:45,600 --> 00:37:48,520
Speaker 1: So we're getting some good character development there. Then Sean

842
00:37:48,600 --> 00:37:51,480
Speaker 1: brings over tissues because she is sweating, and Tapega says

843
00:37:51,560 --> 00:37:55,280
Speaker 1: she doesn't sweat, she glistens, and Sean says, you're glistening

844
00:37:55,440 --> 00:37:58,800
Speaker 1: like a pig. And I remember everything about this scene

845
00:37:59,280 --> 00:38:02,279
Speaker 1: and this moment and filming this with you, and I

846
00:38:02,600 --> 00:38:06,120
Speaker 1: still to this day find any opportunity I can to

847
00:38:06,239 --> 00:38:08,920
Speaker 1: say I don't sweat, I glisten, I'm listening like a pig.

848
00:38:09,960 --> 00:38:11,960
Speaker 4: I remember those lines, but I didn't remember doing it,

849
00:38:12,080 --> 00:38:14,120
Speaker 4: Like I didn't remember the actual scene. But the second

850
00:38:14,160 --> 00:38:16,120
Speaker 4: I heard those lines, maybe it was because I've heard

851
00:38:16,160 --> 00:38:16,520
Speaker 4: you say that.

852
00:38:16,920 --> 00:38:18,120
Speaker 2: Yeah, I've said it a lot.

853
00:38:18,160 --> 00:38:21,080
Speaker 1: And also we had a lot of fun, even even

854
00:38:21,120 --> 00:38:22,960
Speaker 1: though that was only a small interaction for us. You

855
00:38:23,080 --> 00:38:25,520
Speaker 1: and I had a lot of fun being able to

856
00:38:25,600 --> 00:38:28,880
Speaker 1: do this and share this little interaction. I remember, I

857
00:38:28,920 --> 00:38:31,640
Speaker 1: remember actually acting together, and I remember shooting it with

858
00:38:31,760 --> 00:38:35,360
Speaker 1: you and being in We were in good spirits, unlike

859
00:38:35,400 --> 00:38:37,279
Speaker 1: the way when we watched Little Corey and there was

860
00:38:37,360 --> 00:38:40,439
Speaker 1: like that underlying tension of like anger, something was going

861
00:38:40,560 --> 00:38:42,239
Speaker 1: on on the set and on our lives, and it

862
00:38:42,280 --> 00:38:44,520
Speaker 1: was like, oh, it's probably mostly pig, but also maybe

863
00:38:44,600 --> 00:38:46,160
Speaker 1: some bad stuff in our lives. Like I remember the

864
00:38:46,239 --> 00:38:48,560
Speaker 1: opposite during this, which was like there was a very

865
00:38:49,120 --> 00:38:52,759
Speaker 1: lighthearted fun at least in this scene between you and

866
00:38:52,880 --> 00:38:53,520
Speaker 1: I that I.

867
00:38:54,000 --> 00:38:57,120
Speaker 3: You also noticed, feel sentimental about, like typical actors you

868
00:38:57,440 --> 00:38:58,800
Speaker 3: because we have makeup on you.

869
00:38:59,280 --> 00:39:00,200
Speaker 2: You were listening like a pig.

870
00:39:00,320 --> 00:39:03,720
Speaker 3: You took the napkins, but you didn't actually do anything

871
00:39:04,080 --> 00:39:06,040
Speaker 3: because it's like makeup.

872
00:39:05,800 --> 00:39:08,800
Speaker 2: That my makeup. Yep, so funny.

873
00:39:09,000 --> 00:39:11,359
Speaker 1: Well, mister Williams is in full producer mode and Amy

874
00:39:11,400 --> 00:39:13,880
Speaker 1: and Allen are watching the monitor and say the OREGONI

875
00:39:13,960 --> 00:39:16,120
Speaker 1: lady looks like the Queen Mary right down to the

876
00:39:16,200 --> 00:39:16,800
Speaker 1: deck chairs.

877
00:39:17,160 --> 00:39:19,760
Speaker 2: Sean says, ain't nothing wrong to that? Like a rusty

878
00:39:19,880 --> 00:39:28,040
Speaker 2: doing some great donut, acting wonderful adocting what what is

879
00:39:28,200 --> 00:39:29,440
Speaker 2: the bit with the food?

880
00:39:29,560 --> 00:39:32,759
Speaker 1: Though, I'm curious, like because the way they're both holding it,

881
00:39:33,360 --> 00:39:35,279
Speaker 1: I was like, is it just supposed to be Is

882
00:39:35,320 --> 00:39:38,040
Speaker 1: it a joke about there's craft service at this newsroom

883
00:39:38,160 --> 00:39:41,080
Speaker 1: and they are or is it just funny to just

884
00:39:41,120 --> 00:39:43,080
Speaker 1: see them with a Danish or something?

885
00:39:43,200 --> 00:39:45,879
Speaker 4: I think it's I think it's it's part of when

886
00:39:45,880 --> 00:39:49,839
Speaker 4: you're watching somebody watch something, it's see them eating. Yeah,

887
00:39:50,320 --> 00:39:53,719
Speaker 4: it like redirects the focus. It's like a way for

888
00:39:53,880 --> 00:39:56,799
Speaker 4: them to just be a set of eyes looking away

889
00:39:56,880 --> 00:40:00,040
Speaker 4: and it's like giving them something to do that. It

890
00:40:00,040 --> 00:40:02,200
Speaker 4: reminds you that they're in the room, but then redirects

891
00:40:02,239 --> 00:40:03,800
Speaker 4: your focus away from that. I don't know, it's like

892
00:40:04,160 --> 00:40:08,680
Speaker 4: watching somebody eat popcorn, right, they're watching more interesting?

893
00:40:09,000 --> 00:40:09,200
Speaker 2: Yeah.

894
00:40:09,280 --> 00:40:11,840
Speaker 4: Yeah, the fact that they are watching something suddenly becomes

895
00:40:12,040 --> 00:40:14,319
Speaker 4: a choice because they're doing something with their own right,

896
00:40:14,640 --> 00:40:15,719
Speaker 4: but their attention is not.

897
00:40:15,840 --> 00:40:17,359
Speaker 2: On the thing you're doing. Right.

898
00:40:17,400 --> 00:40:21,080
Speaker 1: It gives the audience watching them something to watch, yes,

899
00:40:21,360 --> 00:40:22,520
Speaker 1: while they're just watching.

900
00:40:22,719 --> 00:40:26,480
Speaker 4: Yes, Yeah, it's really important. It's like actually an essential thing.

901
00:40:26,640 --> 00:40:28,560
Speaker 4: You know, if you're not going to see what somebody's

902
00:40:28,600 --> 00:40:29,600
Speaker 4: looking at it because.

903
00:40:29,360 --> 00:40:37,080
Speaker 2: Otherwise this exactly yeah, right, okay again, he's so funny.

904
00:40:37,239 --> 00:40:37,920
Speaker 2: He's so funny.

905
00:40:38,560 --> 00:40:41,040
Speaker 1: So when mister Feenie tells mister Williams his project has

906
00:40:41,080 --> 00:40:43,279
Speaker 1: really come together, he asks what he can look forward to,

907
00:40:43,400 --> 00:40:45,880
Speaker 1: and mister Williams says a lot, including a feature on

908
00:40:45,960 --> 00:40:48,960
Speaker 1: Janitor Bud that Corey is editing right now. Mister Feenie

909
00:40:49,080 --> 00:40:52,080
Speaker 1: is concerned, saying mister Williams is airing student reports that

910
00:40:52,160 --> 00:40:54,839
Speaker 1: haven't yet been seen, but mister Williams says they're good kids.

911
00:40:54,920 --> 00:40:57,279
Speaker 1: They haven't let him down yet. And mister Feeney says,

912
00:40:57,440 --> 00:40:59,080
Speaker 1: this is high school join Us.

913
00:41:00,040 --> 00:41:01,640
Speaker 3: Which I loved, and they had to do because it

914
00:41:01,640 --> 00:41:04,400
Speaker 3: wouldn't make any sense that he wouldn't be looking at

915
00:41:04,480 --> 00:41:06,839
Speaker 3: the thing for I mean exact, you're gonna you're gonna

916
00:41:06,920 --> 00:41:08,920
Speaker 3: straight up put up put something on the air that

917
00:41:09,080 --> 00:41:14,200
Speaker 3: he hasn't looked at as the teacher the students, right right, exactly,

918
00:41:14,239 --> 00:41:15,960
Speaker 3: so that doesn't so at least they addressed it or

919
00:41:16,000 --> 00:41:16,840
Speaker 3: tried to address it.

920
00:41:17,120 --> 00:41:19,600
Speaker 2: Yeah, and it's and it's it's they you know. Eli

921
00:41:19,760 --> 00:41:22,520
Speaker 2: is saying I trust them, and Phoene's like, you're an idiot, essentially,

922
00:41:22,840 --> 00:41:23,520
Speaker 2: But yeah it is.

923
00:41:24,560 --> 00:41:29,200
Speaker 4: Yeah, it has that logic need, right, but it also

924
00:41:29,440 --> 00:41:32,759
Speaker 4: sets up his culpability, like he is responsible and he

925
00:41:32,840 --> 00:41:35,200
Speaker 4: does make a mistake, he should have made it, and

926
00:41:35,440 --> 00:41:37,280
Speaker 4: so it ends up working, it ends.

927
00:41:37,160 --> 00:41:40,200
Speaker 2: Up being helpful. But yeah, it is kind of a cheat. Yeah,

928
00:41:40,400 --> 00:41:42,440
Speaker 2: but no, they they they at least wrote it in.

929
00:41:42,560 --> 00:41:45,160
Speaker 2: They didn't just do it and then not do it.

930
00:41:45,239 --> 00:41:47,000
Speaker 1: It was set up earlier with the fact that they

931
00:41:47,200 --> 00:41:49,320
Speaker 1: had to redo it. They were on a time, you know.

932
00:41:49,480 --> 00:41:53,080
Speaker 2: They're then of course, having Corey open with the spinach

933
00:41:53,120 --> 00:41:56,279
Speaker 2: in his teeth reemphasizes like we ran out of times

934
00:41:56,480 --> 00:41:59,239
Speaker 2: is not a polished thing exactly. So they want to

935
00:41:59,280 --> 00:42:01,240
Speaker 2: say the lot and this is kind of airtight.

936
00:42:03,360 --> 00:42:06,520
Speaker 1: So mister Williams counts down into Panga panics and says

937
00:42:06,520 --> 00:42:08,320
Speaker 1: she can't do this right right now. She says that

938
00:42:08,400 --> 00:42:10,000
Speaker 1: right up until the time that Tapanga is live, and

939
00:42:10,080 --> 00:42:12,040
Speaker 1: once the camera is rolling, she's totally calm.

940
00:42:12,560 --> 00:42:15,640
Speaker 2: One of the top news stories is about the stolen tube.

941
00:42:15,400 --> 00:42:17,640
Speaker 1: Sock ring, which I thought was a funny little callback

942
00:42:17,960 --> 00:42:21,200
Speaker 1: to what they had talked about. And then we're in

943
00:42:21,280 --> 00:42:24,719
Speaker 1: the newsroom continuing Topanga. Thanks Bob, Thank you, Bob. And

944
00:42:25,200 --> 00:42:28,839
Speaker 1: promotes his book skid Marks Confessions of a Crossing Guard,

945
00:42:29,520 --> 00:42:32,120
Speaker 1: and then before they cut to a commercial, she does that.

946
00:42:32,200 --> 00:42:34,279
Speaker 1: Right before they cut to a commercial break. Amy and

947
00:42:34,320 --> 00:42:37,279
Speaker 1: Allan Telfeeni Topanga has a natural poise as a news anchor.

948
00:42:37,400 --> 00:42:39,480
Speaker 1: Then Topega starts giving notes, panicking like she's in a

949
00:42:39,560 --> 00:42:42,200
Speaker 1: high stressed newsroom and calls out the poor kid Leonard

950
00:42:42,239 --> 00:42:45,440
Speaker 1: with the IBS for having the Q cards facing him.

951
00:42:45,520 --> 00:42:47,719
Speaker 2: She says, I can't work like this, and I which,

952
00:42:48,200 --> 00:42:50,400
Speaker 2: why didn't you do a lead R? I know, I

953
00:42:50,520 --> 00:42:52,960
Speaker 2: can't believe I didn't do you. I wanted to go

954
00:42:53,080 --> 00:42:55,480
Speaker 2: back and be like we used to say, I can't can't.

955
00:42:58,080 --> 00:43:01,800
Speaker 2: I don't know, maybe because I was I don't know.

956
00:43:02,160 --> 00:43:04,000
Speaker 2: I want it so bad, but I said it, and

957
00:43:04,000 --> 00:43:05,320
Speaker 2: then I went back. I was like, I didn't do

958
00:43:05,560 --> 00:43:13,320
Speaker 2: I didn't do it. A machine, the time machine, you guys,

959
00:43:14,000 --> 00:43:15,120
Speaker 2: I want it, okay.

960
00:43:15,800 --> 00:43:18,160
Speaker 1: Corey runs in with his tape right before Tapega starts

961
00:43:18,160 --> 00:43:21,400
Speaker 1: her final news story, which is on Janitor Bud. They

962
00:43:21,440 --> 00:43:24,040
Speaker 1: start playing Corey's video where he says everyone at school

963
00:43:24,160 --> 00:43:26,600
Speaker 1: is trapped like deer until three thirty, but asks if

964
00:43:26,640 --> 00:43:29,440
Speaker 1: some are less trapped than others he films Janitor Bud

965
00:43:29,600 --> 00:43:31,840
Speaker 1: coming out of his office, and he leaves for school

966
00:43:31,920 --> 00:43:34,359
Speaker 1: at two fifty five, even though he gets paid until

967
00:43:34,400 --> 00:43:38,200
Speaker 1: five pm. Then at five pm, Joey comes over takes

968
00:43:38,280 --> 00:43:40,799
Speaker 1: money out from behind Janitor Bud's time card and.

969
00:43:41,719 --> 00:43:43,840
Speaker 3: The way he's holding the A, the way he's holding

970
00:43:43,880 --> 00:43:46,759
Speaker 3: the card and b how does nobody see the two

971
00:43:46,840 --> 00:43:49,400
Speaker 3: guys there from the ft away with a camera?

972
00:43:49,560 --> 00:43:52,000
Speaker 4: So you're having the time punch, the time punch, the

973
00:43:52,080 --> 00:43:55,440
Speaker 4: time card puncher and all the time cards raise in

974
00:43:55,480 --> 00:43:55,759
Speaker 4: the hole.

975
00:43:56,480 --> 00:43:59,320
Speaker 2: Anyone to do, Like, no kid's gonna go grab and

976
00:43:59,400 --> 00:44:03,480
Speaker 2: start punching time cards. I mean all this was so ridiculous,

977
00:44:03,719 --> 00:44:08,120
Speaker 2: literally wish leaving like Dylan's like, yeah, okay, nobody knows

978
00:44:08,160 --> 00:44:09,280
Speaker 2: our secret.

979
00:44:08,960 --> 00:44:13,200
Speaker 1: Plank maybe my airtight logic statement.

980
00:44:13,440 --> 00:44:18,560
Speaker 2: This was terrible. This was pretty terrible. This defies that. Okay,

981
00:44:19,120 --> 00:44:21,360
Speaker 2: it just becomes a cartoon at this point. How do

982
00:44:21,440 --> 00:44:23,640
Speaker 2: they not see the guy a foot away from that?

983
00:44:23,760 --> 00:44:26,520
Speaker 1: It's like what So Tapanga signs off from the day's

984
00:44:26,560 --> 00:44:29,239
Speaker 1: newscast and ends it with don't eat veal, And that's

985
00:44:29,320 --> 00:44:31,439
Speaker 1: where I really wish you would have said don't eat pork,

986
00:44:31,480 --> 00:44:33,560
Speaker 1: so we could have had a little little Corey call back,

987
00:44:33,719 --> 00:44:36,680
Speaker 1: but still waiting on that time machine. Corey and Shawn

988
00:44:36,719 --> 00:44:39,319
Speaker 1: come over to mister Williams, excited about their report. Corey

989
00:44:39,400 --> 00:44:41,600
Speaker 1: asks if Alan and Amy are proud, but they ask

990
00:44:41,680 --> 00:44:44,120
Speaker 1: if everything is true, and Corey says, well, you saw

991
00:44:44,280 --> 00:44:45,239
Speaker 1: not a dramatization.

992
00:44:45,480 --> 00:44:46,399
Speaker 2: Not a dramatization.

993
00:44:47,120 --> 00:44:50,080
Speaker 1: Mister Feeney says, that's unfortunate because now he has the

994
00:44:50,200 --> 00:44:53,200
Speaker 1: unfortunate task of firing janitor Bud.

995
00:44:54,520 --> 00:45:00,399
Speaker 2: I love this because it's like your Corey's not sure

996
00:45:00,400 --> 00:45:03,319
Speaker 2: how to feel, you know. And I love that Corey

997
00:45:03,360 --> 00:45:07,239
Speaker 2: and Sean sort of walk over like tada, and it's like, oh,

998
00:45:07,520 --> 00:45:10,000
Speaker 2: and it has the error is sort of sucked out

999
00:45:10,000 --> 00:45:12,200
Speaker 2: of the room and the way the adults are unsure

1000
00:45:12,280 --> 00:45:14,320
Speaker 2: how to react, because it's like if.

1001
00:45:14,200 --> 00:45:16,760
Speaker 4: That's you know, and that's this is a cool vibe.

1002
00:45:16,800 --> 00:45:19,319
Speaker 4: It's not like an immediate you guys did something wrong,

1003
00:45:19,680 --> 00:45:21,879
Speaker 4: and it's also not like you did something great. It's

1004
00:45:22,040 --> 00:45:25,919
Speaker 4: more complicated than that. And suddenly it's no one's quite

1005
00:45:26,040 --> 00:45:29,120
Speaker 4: sure how to react. And that is the essence of

1006
00:45:29,400 --> 00:45:32,680
Speaker 4: to me, good drama and yeah, what meets worldwriting. And

1007
00:45:32,719 --> 00:45:33,680
Speaker 4: I loved it and loved it.

1008
00:45:34,120 --> 00:45:36,399
Speaker 2: Yeah, this is great. This, this whole scene was great.

1009
00:45:36,680 --> 00:45:37,120
Speaker 2: I love it.

1010
00:45:37,880 --> 00:45:40,120
Speaker 1: And then we're in the school hallway after some girls

1011
00:45:40,200 --> 00:45:42,919
Speaker 1: ignore them. Corey doesn't understand why people are acting weird

1012
00:45:42,920 --> 00:45:44,680
Speaker 1: around them when they finally did a good job on

1013
00:45:44,760 --> 00:45:46,960
Speaker 1: a project. But Sean says, the big deal is that

1014
00:45:47,080 --> 00:45:49,760
Speaker 1: no one wants Janitor Bud fired. He's been in Phoene's

1015
00:45:49,760 --> 00:45:52,399
Speaker 1: office for an hour. Corey says, Feenie is a fair man,

1016
00:45:52,520 --> 00:45:54,480
Speaker 1: he will give him a second chance, and then Janitor

1017
00:45:54,520 --> 00:45:56,080
Speaker 1: Bud walks out of Phoene's.

1018
00:45:55,640 --> 00:45:59,319
Speaker 2: Office and says, what no second chance? Just hey, ties

1019
00:45:59,360 --> 00:45:59,600
Speaker 2: it all in.

1020
00:45:59,680 --> 00:46:03,480
Speaker 1: Really, Janitor Bud tells Phoenie there's history between them and

1021
00:46:03,520 --> 00:46:05,840
Speaker 1: that they're like brothers, to which Phoene says, no.

1022
00:46:06,040 --> 00:46:06,400
Speaker 2: We're not.

1023
00:46:07,080 --> 00:46:10,440
Speaker 4: I can't believe that I didn't remember this whole thing,

1024
00:46:10,520 --> 00:46:13,319
Speaker 4: because do you remember when we were recapping season two

1025
00:46:13,520 --> 00:46:16,800
Speaker 4: and Jander Bud was so funny and the dynamic in

1026
00:46:16,960 --> 00:46:20,680
Speaker 4: the love it between Feenie and Bud. I didn't remember

1027
00:46:20,760 --> 00:46:22,879
Speaker 4: this episode, but we brought was like, I just want

1028
00:46:22,880 --> 00:46:24,360
Speaker 4: to see a whole thing about the two and this

1029
00:46:24,560 --> 00:46:27,120
Speaker 4: is it, and this is and you can still tell

1030
00:46:27,400 --> 00:46:29,399
Speaker 4: Phoene really doesn't like him.

1031
00:46:29,640 --> 00:46:35,879
Speaker 2: Which is the kind so awesome like this man, he's

1032
00:46:36,280 --> 00:46:36,960
Speaker 2: so funny.

1033
00:46:37,719 --> 00:46:40,920
Speaker 1: It's in this moment when Bud reveals that he retires

1034
00:46:41,000 --> 00:46:42,720
Speaker 1: in two months with a full pension.

1035
00:46:43,160 --> 00:46:43,520
Speaker 2: Janitor.

1036
00:46:43,520 --> 00:46:46,040
Speaker 1: Bud asks Feenie if he remembers when he saved his life,

1037
00:46:46,080 --> 00:46:48,520
Speaker 1: which Phoenie does not remember. Bud says, Phoenie was walking

1038
00:46:48,560 --> 00:46:50,400
Speaker 1: around the hall when Bud noticed a build up of

1039
00:46:50,440 --> 00:46:52,400
Speaker 1: wax and he had no choice but to throw himself

1040
00:46:52,440 --> 00:46:54,359
Speaker 1: on the wax so that Phoene didn't slip.

1041
00:46:54,560 --> 00:46:57,520
Speaker 2: Phoene says he thought he was just sleeping, and but admits, well,

1042
00:46:57,600 --> 00:47:03,560
Speaker 2: once I was down here, down there, Phoene shakes his hand,

1043
00:47:03,640 --> 00:47:04,919
Speaker 2: and I know so good.

1044
00:47:05,320 --> 00:47:07,360
Speaker 1: Phoene shakes his hand and thanks him for his service.

1045
00:47:07,440 --> 00:47:11,239
Speaker 1: But Bud says, Ammonia's in my blood. No, really, it is, really,

1046
00:47:13,200 --> 00:47:17,520
Speaker 1: he says, it's all he knows. Phoenie just says godspeed, Janitor.

1047
00:47:17,560 --> 00:47:20,319
Speaker 2: Bud looks around the hallway and then walks off.

1048
00:47:20,960 --> 00:47:23,160
Speaker 1: Corey says they have nothing to feel bad about because

1049
00:47:23,200 --> 00:47:25,560
Speaker 1: he told they told the truth, and Bud should feel

1050
00:47:25,600 --> 00:47:30,359
Speaker 1: bad for goofing off. And then if we could give posthumous,

1051
00:47:30,640 --> 00:47:33,320
Speaker 1: which I guess means dead not dead, just time machine,

1052
00:47:33,360 --> 00:47:37,480
Speaker 1: Emmys to people to temmy's. I would like to give

1053
00:47:37,480 --> 00:47:41,680
Speaker 1: a temmy to Blake Salt for this next little run.

1054
00:47:42,400 --> 00:47:45,200
Speaker 1: Joey comes out and questions if they think leaving early

1055
00:47:45,320 --> 00:47:46,480
Speaker 1: is considered goofing off.

1056
00:47:46,760 --> 00:47:49,200
Speaker 2: He asks if they knew where Janitor Bud was going.

1057
00:47:49,080 --> 00:47:51,800
Speaker 1: Every day at two fifty five. Joey says he visits

1058
00:47:51,840 --> 00:47:54,360
Speaker 1: a place where others are less fortunate than him. He

1059
00:47:54,480 --> 00:47:56,800
Speaker 1: throws on more and more gilt, talking about what a

1060
00:47:56,920 --> 00:48:00,279
Speaker 1: sweet giving man Bud is, and then Corey's stomach starts

1061
00:48:00,320 --> 00:48:04,080
Speaker 1: bubbling like that poor child Leonard with ibs. Finally, Joey

1062
00:48:04,200 --> 00:48:08,640
Speaker 1: reveals Bud gives to the track playing the ponies. It's

1063
00:48:08,680 --> 00:48:12,040
Speaker 1: a total misdirect from thinking he was charitable, which is amazing.

1064
00:48:12,520 --> 00:48:16,360
Speaker 1: And before he leaves, Joey gives us this beautiful quote.

1065
00:48:16,680 --> 00:48:17,880
Speaker 1: Let's play the clip.

1066
00:48:18,480 --> 00:48:20,880
Speaker 2: Well, next time you go stick in your nose someplace

1067
00:48:20,880 --> 00:48:27,359
Speaker 2: where it don't belong, you remember this, You suck? That's

1068
00:48:27,400 --> 00:48:27,799
Speaker 2: so good.

1069
00:48:33,800 --> 00:48:37,480
Speaker 3: Here's the thing, though, here's what's so interesting. We specifically

1070
00:48:37,920 --> 00:48:41,359
Speaker 3: had to cut you suck from season two.

1071
00:48:42,320 --> 00:48:45,160
Speaker 2: So what has changed now to where now we can

1072
00:48:45,239 --> 00:48:51,239
Speaker 2: say you suck? Who says it again? So much that

1073
00:48:51,440 --> 00:48:55,319
Speaker 2: we don't. You know, people, people tell us what you mind?

1074
00:48:55,320 --> 00:48:57,319
Speaker 2: Everybody what we're talking about. There's a U stink moment

1075
00:48:57,400 --> 00:49:00,719
Speaker 2: when we're banned on the band. Yeah, what an idea.

1076
00:49:04,239 --> 00:49:06,719
Speaker 2: We specifically had to cut it out and changed it

1077
00:49:06,800 --> 00:49:09,760
Speaker 2: to you sir. Sorry, No, that's very valid.

1078
00:49:09,920 --> 00:49:13,440
Speaker 1: So we all we get sometimes a lot of you know,

1079
00:49:13,520 --> 00:49:16,479
Speaker 1: people don't like how sometimes we'll go over a point

1080
00:49:16,560 --> 00:49:19,320
Speaker 1: and the reality of it and and the truth is

1081
00:49:19,520 --> 00:49:21,880
Speaker 1: one of the reasons we do it is because we

1082
00:49:22,120 --> 00:49:24,800
Speaker 1: know that's actually what networks and executives do.

1083
00:49:25,800 --> 00:49:27,080
Speaker 2: They still do it to this day.

1084
00:49:27,239 --> 00:49:30,719
Speaker 1: You could have a show with a total fantastical storyline

1085
00:49:30,719 --> 00:49:34,759
Speaker 1: where there's magic or fairies or whatever, and someone, an

1086
00:49:34,800 --> 00:49:38,799
Speaker 1: executive will say, so, what's the what's the reality.

1087
00:49:38,320 --> 00:49:38,960
Speaker 2: Of this moment?

1088
00:49:39,200 --> 00:49:39,600
Speaker 3: Is it? You know?

1089
00:49:39,719 --> 00:49:42,920
Speaker 2: And they'll want to talk about that. In this situation.

1090
00:49:43,239 --> 00:49:45,239
Speaker 1: One of the things that can be very important is

1091
00:49:45,360 --> 00:49:49,120
Speaker 1: the likability of the characters. And when we talk about

1092
00:49:49,680 --> 00:49:53,520
Speaker 1: stakes and and all those things, somebody saying you suck

1093
00:49:53,680 --> 00:49:56,000
Speaker 1: and who they say it to. So I wonder how

1094
00:49:56,080 --> 00:50:00,160
Speaker 1: much of it is just that it's Joey saying it, maybe, and.

1095
00:50:00,239 --> 00:50:02,800
Speaker 2: He's older than the girls were when they were saying it.

1096
00:50:02,960 --> 00:50:08,319
Speaker 2: Everybody's older, and I wonder what it means. I wonder

1097
00:50:08,320 --> 00:50:11,399
Speaker 2: if culturally too, things have been changing, like it's been

1098
00:50:11,719 --> 00:50:14,520
Speaker 2: a year and like the idea of like, I don't

1099
00:50:14,520 --> 00:50:17,759
Speaker 2: think anybody would censor you suck now now, No, I

1100
00:50:17,800 --> 00:50:21,359
Speaker 2: don't remember. I mean even when like the Simpsons first

1101
00:50:21,440 --> 00:50:25,640
Speaker 2: came out, Bart Simpson was for saying my shorts was

1102
00:50:26,200 --> 00:50:26,759
Speaker 2: a big deal.

1103
00:50:26,840 --> 00:50:30,120
Speaker 4: It was like, Wow, how dare a cartoon have such

1104
00:50:30,120 --> 00:50:33,799
Speaker 4: a braddy kid these offensive things? And then of course

1105
00:50:33,840 --> 00:50:35,719
Speaker 4: you have South Park doing the same thing. You're always

1106
00:50:35,760 --> 00:50:38,440
Speaker 4: pushing the envelope as far as language and what's offensive

1107
00:50:38,520 --> 00:50:41,240
Speaker 4: or not. And I think pretty much by the mid nineties,

1108
00:50:41,840 --> 00:50:44,680
Speaker 4: suck had lost any connotation that was sexual. Maybe it

1109
00:50:44,760 --> 00:50:47,480
Speaker 4: just became you suck, Like just became like you're stay

1110
00:50:47,520 --> 00:50:48,000
Speaker 4: had person.

1111
00:50:48,680 --> 00:50:51,600
Speaker 2: It was equivalent was like, man, now we're allowed to

1112
00:50:51,640 --> 00:50:53,879
Speaker 2: say that now apparently. Yeah. Oh, but this is such

1113
00:50:53,880 --> 00:50:57,839
Speaker 2: a legendary moment, so great, it's so so good.

1114
00:51:08,760 --> 00:51:12,120
Speaker 1: Sean says, poor Bud, but Corey says, Saint Bud skips

1115
00:51:12,200 --> 00:51:14,920
Speaker 1: work to bless the ponies. Bud comes back to tell

1116
00:51:14,960 --> 00:51:17,200
Speaker 1: Corey and Sean he knows it was them, and he

1117
00:51:17,320 --> 00:51:20,560
Speaker 1: puts the Janitor's curse on them by doing an incredible

1118
00:51:20,640 --> 00:51:23,840
Speaker 1: little dance. And I would watch the Janitor Bud and

1119
00:51:23,920 --> 00:51:27,800
Speaker 1: Joey spin off for sure. I'm right now, I'm calling.

1120
00:51:27,640 --> 00:51:30,640
Speaker 2: It, Joey, I'm your Bud. I would watch that spin Wow.

1121
00:51:31,120 --> 00:51:33,799
Speaker 2: I like it, right, I like it. I like those two.

1122
00:51:34,680 --> 00:51:36,759
Speaker 1: I also love at the end of his little dance

1123
00:51:36,800 --> 00:51:39,960
Speaker 1: that he does the real almost break that both you

1124
00:51:40,160 --> 00:51:44,239
Speaker 1: and Ben have those Any of those moments that get

1125
00:51:44,320 --> 00:51:48,320
Speaker 1: captured on tape when we watch these episodes are just

1126
00:51:48,880 --> 00:51:51,760
Speaker 1: literally my heart like gets lit up from the inside

1127
00:51:51,840 --> 00:51:55,680
Speaker 1: of so they're still personal and I remember them so well,

1128
00:51:55,800 --> 00:51:58,640
Speaker 1: so it's a I really those little moments that just

1129
00:51:58,960 --> 00:51:59,760
Speaker 1: light me up inside.

1130
00:52:00,239 --> 00:52:01,160
Speaker 2: And then we're in the lab.

1131
00:52:01,360 --> 00:52:03,759
Speaker 1: Eric is asleep in Monique's lab with wires strapped to

1132
00:52:03,840 --> 00:52:06,160
Speaker 1: his head. She wakes him up and Eric asks where

1133
00:52:06,239 --> 00:52:08,799
Speaker 1: his money is. Monique says she needs to ask Eric

1134
00:52:08,880 --> 00:52:11,120
Speaker 1: some questions, but he says that wasn't part of the deal.

1135
00:52:11,320 --> 00:52:13,440
Speaker 1: She assures him that he will get paid, but asks

1136
00:52:13,480 --> 00:52:15,839
Speaker 1: if he remembers any of his dreams, and Eric says,

1137
00:52:15,920 --> 00:52:19,359
Speaker 1: how could I I was asleep. Monique says that while

1138
00:52:19,440 --> 00:52:22,160
Speaker 1: he was asleep, he had a serene, almost goofy look

1139
00:52:22,200 --> 00:52:23,000
Speaker 1: on his face, but.

1140
00:52:23,080 --> 00:52:25,640
Speaker 2: He registered absolutely no brain activity.

1141
00:52:25,840 --> 00:52:28,680
Speaker 1: She calls it remarkable, and Eric says, well, I've been

1142
00:52:28,680 --> 00:52:29,879
Speaker 1: sleeping since I was five.

1143
00:52:30,560 --> 00:52:32,920
Speaker 4: Now, somewhere in here, I'm not sure which line it

1144
00:52:33,040 --> 00:52:37,399
Speaker 4: is exactly, but you can clearly hear our writers laugh. Yeah,

1145
00:52:37,440 --> 00:52:40,440
Speaker 4: oh really, yes, it's like the regular audience laugh. And

1146
00:52:40,520 --> 00:52:43,759
Speaker 4: then you can hear from down the hall by the monitors,

1147
00:52:44,360 --> 00:52:47,560
Speaker 4: a group of guys laughing extra at your reaction. I

1148
00:52:47,600 --> 00:52:49,720
Speaker 4: think it's when she says something about no brain activity

1149
00:52:50,160 --> 00:52:53,760
Speaker 4: and you're like smiling at the monitor. It's so funny.

1150
00:52:54,080 --> 00:52:55,680
Speaker 4: But I was like, because we've talked about that, how

1151
00:52:55,719 --> 00:52:59,200
Speaker 4: we can hear our specim our writers losing it over you,

1152
00:52:59,280 --> 00:53:00,440
Speaker 4: which is what they all did.

1153
00:53:01,200 --> 00:53:02,520
Speaker 2: I just I you didn't want to think.

1154
00:53:02,520 --> 00:53:03,880
Speaker 3: I know it sounds ridiculous, but one of the things

1155
00:53:03,880 --> 00:53:05,719
Speaker 3: I remember so much about this episode was how much

1156
00:53:05,760 --> 00:53:10,319
Speaker 3: I loved the blocking because really I was laying there

1157
00:53:10,440 --> 00:53:11,440
Speaker 3: like the whole episode.

1158
00:53:11,600 --> 00:53:13,759
Speaker 2: It was so easy. It was just like you just

1159
00:53:13,920 --> 00:53:16,239
Speaker 2: just lie there like, Okay, that's great.

1160
00:53:16,360 --> 00:53:16,560
Speaker 5: Great.

1161
00:53:17,200 --> 00:53:19,759
Speaker 1: So Monique wants to do more tests, but Eric says,

1162
00:53:19,880 --> 00:53:22,839
Speaker 1: mister remarkable is going to cost her. He wants to renegotiate.

1163
00:53:22,960 --> 00:53:25,680
Speaker 1: He wants half of what she's saying today, then double it,

1164
00:53:25,800 --> 00:53:28,840
Speaker 1: then double it. Monique agrees. Then Eric walks out with

1165
00:53:28,920 --> 00:53:30,480
Speaker 1: everything still strapped to his head.

1166
00:53:31,840 --> 00:53:36,520
Speaker 3: Again, it's funny. It is funny, and I liked being funny.

1167
00:53:37,120 --> 00:53:38,680
Speaker 3: I just and I think what the problem is is

1168
00:53:38,760 --> 00:53:41,520
Speaker 3: I know where it's going. So if I had just

1169
00:53:41,560 --> 00:53:42,960
Speaker 3: seen this and this was kind of a one off,

1170
00:53:42,960 --> 00:53:44,280
Speaker 3: I would have been like, Okay, this is a funny

1171
00:53:44,360 --> 00:53:44,719
Speaker 3: Eric thing.

1172
00:53:44,760 --> 00:53:46,839
Speaker 2: But this started to going.

1173
00:53:47,200 --> 00:53:48,840
Speaker 1: There's like a middle part where you don't like it,

1174
00:53:48,920 --> 00:53:50,680
Speaker 1: but then really where it goes goes you actually do

1175
00:53:50,880 --> 00:53:51,040
Speaker 1: like it.

1176
00:53:51,120 --> 00:53:52,560
Speaker 2: I do correct, okay, because.

1177
00:53:52,360 --> 00:53:56,440
Speaker 3: It gets so absurd by that point that but it's

1178
00:53:56,480 --> 00:53:58,759
Speaker 3: also it's not only becomes so absurd, but we're also

1179
00:53:59,080 --> 00:54:04,560
Speaker 3: all to together in the college, so it's like we're

1180
00:54:04,600 --> 00:54:06,719
Speaker 3: doing scenes where it's all of us and Eric is

1181
00:54:06,880 --> 00:54:08,520
Speaker 3: just one of the absurd. I mean to bring it

1182
00:54:08,560 --> 00:54:12,000
Speaker 3: to friends, It's like it would be different if five

1183
00:54:12,120 --> 00:54:14,080
Speaker 3: of them were doing one episode and then they cut

1184
00:54:14,120 --> 00:54:17,720
Speaker 3: to Joey being stupid, like that makes it a completely

1185
00:54:17,800 --> 00:54:22,759
Speaker 3: different show. Whereas when we were all together and you know,

1186
00:54:22,880 --> 00:54:25,800
Speaker 3: it's everything's going on and Eric is there being stupid.

1187
00:54:25,920 --> 00:54:27,880
Speaker 3: I not only was fine with that, I love that.

1188
00:54:28,000 --> 00:54:30,080
Speaker 3: I thought that was great because it was just another

1189
00:54:30,160 --> 00:54:33,200
Speaker 3: flavor to an entire ensemble cast. I didn't like it

1190
00:54:33,239 --> 00:54:34,920
Speaker 3: when it was like there was one show going on

1191
00:54:35,160 --> 00:54:36,719
Speaker 3: and then it was just cut to Eric for a

1192
00:54:36,760 --> 00:54:37,960
Speaker 3: couple pages being stupid.

1193
00:54:38,200 --> 00:54:38,759
Speaker 2: That I was not.

1194
00:54:38,920 --> 00:54:41,000
Speaker 3: That's where that started to grind to me, where it

1195
00:54:41,120 --> 00:54:43,719
Speaker 3: then was incorporated into the rest of the show and.

1196
00:54:43,760 --> 00:54:47,040
Speaker 2: Basically once Madeland and Matt got into the show, because

1197
00:54:47,600 --> 00:54:50,520
Speaker 2: it might have actually happened even a little bit before that,

1198
00:54:50,840 --> 00:54:55,640
Speaker 2: but it's really giving you your own like crew, you know,

1199
00:54:55,840 --> 00:54:58,960
Speaker 2: like they've tried it with with Jason, you know, yes,

1200
00:54:59,080 --> 00:55:01,719
Speaker 2: but like, yeah, it's interesting that they didn't actually pair

1201
00:55:01,840 --> 00:55:05,560
Speaker 2: you with Tony. I mean, well, they paired you with Tony.

1202
00:55:05,760 --> 00:55:07,400
Speaker 3: That's why they tried to do it with Bill and

1203
00:55:07,480 --> 00:55:10,160
Speaker 3: a lot of and when they did it worked, but

1204
00:55:10,320 --> 00:55:12,320
Speaker 3: it was but they can't it can't be Eric and

1205
00:55:12,400 --> 00:55:14,920
Speaker 3: Feenie can't be the crew. You know, it's it's you've

1206
00:55:14,960 --> 00:55:17,680
Speaker 3: got Phoene is kind of playing the floater. So that

1207
00:55:17,880 --> 00:55:19,480
Speaker 3: was my that was my only problem. Again, again, I

1208
00:55:19,520 --> 00:55:20,920
Speaker 3: look at it and I think it's funny. It just

1209
00:55:21,040 --> 00:55:24,239
Speaker 3: came to a point where Eric was by himself doing

1210
00:55:24,440 --> 00:55:26,440
Speaker 3: random funny things while the rest of the show was

1211
00:55:26,480 --> 00:55:29,640
Speaker 3: taking place. So when that changed, I was I was

1212
00:55:29,719 --> 00:55:31,520
Speaker 3: happier with it where it was just you know, it

1213
00:55:31,600 --> 00:55:34,200
Speaker 3: made more sense to me. It was just incorporated kind

1214
00:55:34,239 --> 00:55:37,080
Speaker 3: of into the show more so. Yeah, I mean, Jason's

1215
00:55:37,080 --> 00:55:39,799
Speaker 3: gone and it's kind of it's he's just on an

1216
00:55:39,840 --> 00:55:43,719
Speaker 3: island saying jokes. Yeah, So it was just that that

1217
00:55:43,840 --> 00:55:45,640
Speaker 3: will change, and I know it'll change, and I'm happy

1218
00:55:45,680 --> 00:55:47,400
Speaker 3: when it changes. There's I think there's a kind of

1219
00:55:47,400 --> 00:55:49,239
Speaker 3: a mid section here where they're trying to figure out

1220
00:55:49,320 --> 00:55:51,359
Speaker 3: what Eric's going to do. And to the writer's credit,

1221
00:55:51,440 --> 00:55:53,640
Speaker 3: that's why they brought in Matt and Maitland. You know,

1222
00:55:53,760 --> 00:55:55,960
Speaker 3: it's like, all right, let's give especially Matt, let's give

1223
00:55:56,200 --> 00:55:58,120
Speaker 3: Eric somebody to bounce off of all the time.

1224
00:55:58,400 --> 00:55:59,800
Speaker 2: And that I think changed the whole ball game. But

1225
00:55:59,800 --> 00:56:01,000
Speaker 2: it's while till we get there.

1226
00:56:01,120 --> 00:56:05,000
Speaker 1: So yeah, then we're in the school hall school cafeteria.

1227
00:56:05,160 --> 00:56:07,640
Speaker 1: Even Bertha is giving Corey and Shawn a dirty look

1228
00:56:07,680 --> 00:56:11,160
Speaker 1: over Janitor Bud's firing. Sean says she hates them. Corey

1229
00:56:11,239 --> 00:56:13,520
Speaker 1: says the word hate is a strong word. Sean then

1230
00:56:13,560 --> 00:56:15,439
Speaker 1: tells him to turn over his bun and it says

1231
00:56:15,719 --> 00:56:19,200
Speaker 1: I hate you, I hate you. Cory says he's a reporter.

1232
00:56:19,320 --> 00:56:22,000
Speaker 1: It's his job to get the story, no matter the consequences.

1233
00:56:22,280 --> 00:56:25,040
Speaker 1: Suddenly Sean falls over a plunger. He picks it up

1234
00:56:25,080 --> 00:56:28,279
Speaker 1: and says Janitor's curse man, but Corey says, there's no

1235
00:56:28,400 --> 00:56:32,080
Speaker 1: such thing and they should enjoy I know there is

1236
00:56:32,080 --> 00:56:32,360
Speaker 1: going to.

1237
00:56:32,360 --> 00:56:35,440
Speaker 4: Be a runner, whereas Shawn's constantly getting you know, screwed

1238
00:56:35,440 --> 00:56:36,359
Speaker 4: by the Janitor's Curse.

1239
00:56:36,360 --> 00:56:37,440
Speaker 2: I thought that would have been funny.

1240
00:56:37,760 --> 00:56:42,160
Speaker 4: And this is also a weird like why does Sean

1241
00:56:42,840 --> 00:56:47,080
Speaker 4: have no responsibility for the rest of the episode at

1242
00:56:47,120 --> 00:56:48,840
Speaker 4: this point, Like the two of them have done this

1243
00:56:49,000 --> 00:56:52,560
Speaker 4: thing together, and then it just becomes a quiry issue

1244
00:56:52,600 --> 00:56:54,480
Speaker 4: for the rest of the episode. Like even in this

1245
00:56:54,600 --> 00:56:57,560
Speaker 4: scene it becomes Eli and Turner talking about how bad

1246
00:56:57,680 --> 00:56:59,080
Speaker 4: Matthews is taking a beating.

1247
00:56:59,680 --> 00:57:01,800
Speaker 2: But yeah, Sean, it's interesting.

1248
00:57:01,960 --> 00:57:03,719
Speaker 3: I think it's because they wrote it in such a

1249
00:57:03,760 --> 00:57:07,680
Speaker 3: way where Corey is now he still doesn't know if

1250
00:57:07,680 --> 00:57:10,120
Speaker 3: he did something good or he did something bad, where

1251
00:57:10,239 --> 00:57:11,359
Speaker 3: Sean has made up his mind.

1252
00:57:11,560 --> 00:57:13,840
Speaker 2: Jane or Bud, should I feel bad? We shouldn't have

1253
00:57:13,840 --> 00:57:14,040
Speaker 2: done that.

1254
00:57:14,080 --> 00:57:16,480
Speaker 3: Like, he's picked a side, and so everybody who's picked

1255
00:57:16,520 --> 00:57:18,560
Speaker 3: a side, I think, you know what they're thinking, whereas

1256
00:57:18,600 --> 00:57:21,080
Speaker 3: Corey is still wishy washy and trying to figure out

1257
00:57:21,160 --> 00:57:22,920
Speaker 3: did I do something good? Did I do something bad?

1258
00:57:23,040 --> 00:57:25,040
Speaker 3: I don't even know what's happening. So they're following that

1259
00:57:25,600 --> 00:57:27,280
Speaker 3: all because everyone picked a side.

1260
00:57:27,080 --> 00:57:29,920
Speaker 1: Already they were they're kind of separating it, like it

1261
00:57:30,040 --> 00:57:33,080
Speaker 1: was Corey's idea to follow Joey to find a story,

1262
00:57:33,600 --> 00:57:35,880
Speaker 1: so it was his idea of how to get to

1263
00:57:36,000 --> 00:57:39,360
Speaker 1: this place. And then he's the one who did the reporting,

1264
00:57:39,400 --> 00:57:41,520
Speaker 1: and you're kind of the camera guy, so even though

1265
00:57:41,560 --> 00:57:45,160
Speaker 1: it's your class project, it's a little more. Kory's the

1266
00:57:45,240 --> 00:57:48,120
Speaker 1: one who said, let's follow this guy and get to

1267
00:57:48,240 --> 00:57:51,000
Speaker 1: the source of this whatever the whatever they can find.

1268
00:57:51,040 --> 00:57:52,400
Speaker 2: So I think that's a little part of it.

1269
00:57:52,720 --> 00:57:53,880
Speaker 1: And then I think the other half of it is

1270
00:57:53,880 --> 00:57:55,480
Speaker 1: what Will said that you're you're very much on the

1271
00:57:55,520 --> 00:57:56,720
Speaker 1: side of like, man, that sucks.

1272
00:57:56,760 --> 00:57:57,840
Speaker 2: I didn't know that was going to happen.

1273
00:57:58,040 --> 00:58:00,920
Speaker 3: And then they go try to sit down and have

1274
00:58:01,080 --> 00:58:03,760
Speaker 3: their lunch with two fifty year old Men's exactly what

1275
00:58:04,520 --> 00:58:04,880
Speaker 3: I wrote.

1276
00:58:04,920 --> 00:58:06,280
Speaker 2: They try to sit at the table.

1277
00:58:06,360 --> 00:58:08,480
Speaker 1: But the other student, a forty seven year old man

1278
00:58:08,560 --> 00:58:11,200
Speaker 1: we've never seen in school before, knocks the chair over.

1279
00:58:11,880 --> 00:58:15,320
Speaker 2: Is this guy he's my age now, I mean seriously

1280
00:58:15,520 --> 00:58:17,320
Speaker 2: seen him earlier. I had actually written down a note

1281
00:58:17,360 --> 00:58:19,919
Speaker 2: in the first cafeteria scene. He's the first extra wall

1282
00:58:20,160 --> 00:58:22,800
Speaker 2: really right before you see Leonard, you see this guy

1283
00:58:23,560 --> 00:58:26,240
Speaker 2: that exact guy cross frame, and I was like, whoa,

1284
00:58:26,320 --> 00:58:28,840
Speaker 2: why is the fifty year old I literally wrote that

1285
00:58:28,920 --> 00:58:30,960
Speaker 2: down and then it pays off here that he's like

1286
00:58:31,080 --> 00:58:33,480
Speaker 2: this tough guy, so I guess that's why they had

1287
00:58:33,560 --> 00:58:33,960
Speaker 2: him there.

1288
00:58:34,040 --> 00:58:36,480
Speaker 3: But he looks like every high school student in the

1289
00:58:36,560 --> 00:58:39,360
Speaker 3: nineteen eighties movie where they're in their forties.

1290
00:58:39,440 --> 00:58:42,520
Speaker 1: Yes, so Sean says that was the last table and

1291
00:58:42,520 --> 00:58:44,200
Speaker 1: they should get out of there, but Corey says it's

1292
00:58:44,240 --> 00:58:46,120
Speaker 1: going to take someone a lot bigger to push Corey

1293
00:58:46,200 --> 00:58:49,560
Speaker 1: Matthews around. And then a really tall, also forty seven

1294
00:58:49,640 --> 00:58:52,120
Speaker 1: year old man stands up in front of Corey, and

1295
00:58:52,320 --> 00:58:55,520
Speaker 1: Corey says, we have a winner. The boys run out

1296
00:58:55,560 --> 00:58:59,240
Speaker 1: of the cafeteria. Why is the Calf so busy with

1297
00:58:59,320 --> 00:59:02,360
Speaker 1: old men today? It's old men day. It's old men

1298
00:59:02,440 --> 00:59:05,440
Speaker 1: day at the Calf, and we've been in this calf

1299
00:59:05,680 --> 00:59:08,160
Speaker 1: unless this is on a different floor. We've been in

1300
00:59:08,240 --> 00:59:11,320
Speaker 1: this calf a lot to Penga's never there. Where does

1301
00:59:11,400 --> 00:59:13,760
Speaker 1: the panga in the quad on the grass with the

1302
00:59:13,800 --> 00:59:14,800
Speaker 1: flowers right.

1303
00:59:14,800 --> 00:59:15,520
Speaker 2: Next to the pigs.

1304
00:59:15,960 --> 00:59:19,960
Speaker 1: I just don't understand where where all these people came from.

1305
00:59:20,040 --> 00:59:23,560
Speaker 1: But anyway, mister Williams says, Corey is really taking a beating,

1306
00:59:23,800 --> 00:59:25,800
Speaker 1: but mister Turner says he had it coming at the

1307
00:59:25,840 --> 00:59:29,040
Speaker 1: cost of Janitor Bud's firing. Turner says, that's the assignment

1308
00:59:29,240 --> 00:59:31,520
Speaker 1: and he did what he was given. It's the news business.

1309
00:59:31,600 --> 00:59:34,520
Speaker 1: But william says, this is school and their kids, and

1310
00:59:34,640 --> 00:59:36,440
Speaker 1: Turner just says, exactly.

1311
00:59:36,880 --> 00:59:38,840
Speaker 2: Oh, now, so good.

1312
00:59:39,120 --> 00:59:44,000
Speaker 4: It is so cool to see, you know, the progression

1313
00:59:44,160 --> 00:59:47,880
Speaker 4: of teachers learning how to be teachers that we've had,

1314
00:59:48,240 --> 00:59:52,240
Speaker 4: where we have Feenie in second season teaching Turner, and

1315
00:59:52,440 --> 00:59:56,440
Speaker 4: now we get to see Turner teaching yeah. And he's

1316
00:59:56,480 --> 01:00:00,240
Speaker 4: never been a teacher. Yeah, And and and have him

1317
01:00:00,280 --> 01:00:03,560
Speaker 4: sort of walk into this trap, and to have Tony

1318
01:00:03,720 --> 01:00:06,000
Speaker 4: just sort of be like exactly and not hit it

1319
01:00:06,080 --> 01:00:09,160
Speaker 4: too hard to just be It's so good. It is

1320
01:00:09,240 --> 01:00:12,680
Speaker 4: such smart writing and smart acting and I loved it.

1321
01:00:12,840 --> 01:00:14,080
Speaker 2: I loved this whole beat.

1322
01:00:14,480 --> 01:00:16,720
Speaker 1: I did too, And I also love that at the end,

1323
01:00:16,840 --> 01:00:20,000
Speaker 1: Alex the sayer just does lets his eyebrows do the talking.

1324
01:00:20,360 --> 01:00:20,560
Speaker 4: Yeah.

1325
01:00:21,200 --> 01:00:23,320
Speaker 3: I also think we need to possibly start a new

1326
01:00:23,400 --> 01:00:26,040
Speaker 3: category coming up, because there was two in this episode

1327
01:00:26,560 --> 01:00:28,160
Speaker 3: of Eli's Ties.

1328
01:00:28,680 --> 01:00:31,640
Speaker 2: Ah, I know I have a note about that. Is

1329
01:00:31,680 --> 01:00:34,200
Speaker 2: it the beatles the bit? I don't know it looks

1330
01:00:34,360 --> 01:00:36,080
Speaker 2: but it's awesome whatever it is?

1331
01:00:36,400 --> 01:00:39,600
Speaker 1: Cool? Yeah, Well, then we're in the Matthew's kitchen. Corey

1332
01:00:39,720 --> 01:00:42,120
Speaker 1: is telling his parents when he's doing the report. When

1333
01:00:42,160 --> 01:00:43,960
Speaker 1: he was doing the report, it seemed like the right

1334
01:00:44,000 --> 01:00:45,880
Speaker 1: thing to do, and part of him still thinks it is,

1335
01:00:46,160 --> 01:00:48,560
Speaker 1: but everyone at school thinks he's a jerk. He asks

1336
01:00:48,600 --> 01:00:50,320
Speaker 1: Amy and Allan if he was right or wrong, and

1337
01:00:50,400 --> 01:00:52,960
Speaker 1: at the exact same time, Alan says right, but Amy

1338
01:00:53,040 --> 01:00:55,120
Speaker 1: says wrong, And again love it.

1339
01:00:55,600 --> 01:00:59,480
Speaker 4: Has there ever been a more perfect beat to describe

1340
01:01:00,080 --> 01:01:03,200
Speaker 4: boy meets World awesomeness? No, go to your parents with

1341
01:01:03,280 --> 01:01:05,400
Speaker 4: a quandary and the two of them look at you

1342
01:01:05,480 --> 01:01:07,520
Speaker 4: and say the exact opposite thing at the same time.

1343
01:01:08,000 --> 01:01:11,160
Speaker 2: That is like, Yes, that's what I want.

1344
01:01:11,480 --> 01:01:15,400
Speaker 4: I want to see everybody being human and struggling and parents, father,

1345
01:01:15,560 --> 01:01:18,280
Speaker 4: does not know best right board just has an opinion

1346
01:01:18,400 --> 01:01:20,760
Speaker 4: and is figuring it out. And like later we have

1347
01:01:20,840 --> 01:01:24,560
Speaker 4: Eli say adults don't know either. I just love this aspect.

1348
01:01:25,560 --> 01:01:28,520
Speaker 4: That's why this episode went right to like top of

1349
01:01:28,600 --> 01:01:31,960
Speaker 4: my list. Same good because it's so cool to not

1350
01:01:32,080 --> 01:01:35,320
Speaker 4: shy away from that complexity and ambiguity and really just

1351
01:01:35,640 --> 01:01:37,600
Speaker 4: that's the point their characters figuring it out.

1352
01:01:37,680 --> 01:01:40,120
Speaker 2: I love it. Love couldn't agree with you more, just agree.

1353
01:01:40,440 --> 01:01:41,720
Speaker 2: That's why I wanted to be a part of it.

1354
01:01:41,960 --> 01:01:45,400
Speaker 2: Damn it. Amy and Allen start debating.

1355
01:01:46,560 --> 01:01:48,920
Speaker 1: Amy and Allen start debating about the topic. Corey says

1356
01:01:48,960 --> 01:01:51,600
Speaker 1: he's getting mixed signals from them. Alan says, this isn't.

1357
01:01:51,400 --> 01:01:54,280
Speaker 2: About you, Cory, which I love. Again, They're now like,

1358
01:01:54,400 --> 01:01:56,440
Speaker 2: hold on, forget you. I got to talk to you.

1359
01:01:56,600 --> 01:01:59,080
Speaker 2: Why do you think that? But for two seconds, just

1360
01:01:59,120 --> 01:02:01,200
Speaker 2: I'm sorry, very very quickly, and it has to be

1361
01:02:01,360 --> 01:02:01,760
Speaker 2: very brief.

1362
01:02:01,800 --> 01:02:02,000
Speaker 3: I know.

1363
01:02:02,960 --> 01:02:06,919
Speaker 2: Do you think he did something wrong? Of course? Yeah,

1364
01:02:08,160 --> 01:02:11,160
Speaker 2: I mean not wrong. He didn't do anything wrong. I think.

1365
01:02:13,160 --> 01:02:17,920
Speaker 1: I think if you are, I don't know. I think

1366
01:02:17,960 --> 01:02:19,800
Speaker 1: people are allowed a certain amount it. Yeah, it is,

1367
01:02:19,840 --> 01:02:21,120
Speaker 1: it's complex. I think that people.

1368
01:02:21,440 --> 01:02:22,080
Speaker 2: It's funny though.

1369
01:02:22,440 --> 01:02:24,640
Speaker 1: Later when we had when he has the scene with Eli,

1370
01:02:25,440 --> 01:02:27,880
Speaker 1: it's actually the thing that you know, sparked what kind

1371
01:02:27,920 --> 01:02:29,560
Speaker 1: of what we talked about in our pre show chatter,

1372
01:02:29,680 --> 01:02:34,240
Speaker 1: which was I feel very similarly about this episode as

1373
01:02:34,320 --> 01:02:35,160
Speaker 1: I do even.

1374
01:02:34,960 --> 01:02:40,400
Speaker 2: About our podcast MMM. I have had a certain amount of.

1375
01:02:42,040 --> 01:02:50,480
Speaker 1: Concern, anxiety or guilt around just sharing people's truths and

1376
01:02:50,640 --> 01:02:55,320
Speaker 1: how sometimes one person's truth makes somebody else sound bad

1377
01:02:55,720 --> 01:03:00,280
Speaker 1: or and I truly don't know.

1378
01:03:01,120 --> 01:03:03,840
Speaker 2: I don't That's never been our intention.

1379
01:03:04,360 --> 01:03:08,120
Speaker 1: And I think, what's If there's anything I've learned through

1380
01:03:08,160 --> 01:03:12,040
Speaker 1: doing the podcast, it's that we are all bad, we

1381
01:03:12,200 --> 01:03:14,760
Speaker 1: are all good, we have all been right, we have

1382
01:03:14,880 --> 01:03:17,800
Speaker 1: all hurt people. We have all been living in our own,

1383
01:03:18,200 --> 01:03:21,240
Speaker 1: you know, myopic universes where we don't realize how our

1384
01:03:21,400 --> 01:03:25,600
Speaker 1: universes interact with other people's universes, and and and so

1385
01:03:26,360 --> 01:03:30,360
Speaker 1: that this episode really speaks to some of the anxiety

1386
01:03:30,520 --> 01:03:35,040
Speaker 1: I have around giving a platform to people sharing their stories.

1387
01:03:35,600 --> 01:03:38,920
Speaker 1: I think it's important, and I think it's it's very

1388
01:03:39,080 --> 01:03:42,240
Speaker 1: eye opening, and I hope it has sparked conversations about

1389
01:03:42,680 --> 01:03:50,280
Speaker 1: everyone's own childhoods, teenagehoods, friendships, romantic relationships, and has maybe

1390
01:03:50,360 --> 01:03:52,800
Speaker 1: made people look back on some of their lives and go, oh,

1391
01:03:53,440 --> 01:03:57,439
Speaker 1: maybe I wasn't a victim there, maybe I was, maybe

1392
01:03:57,480 --> 01:03:59,560
Speaker 1: I did have a hand in this, or maybe you

1393
01:03:59,640 --> 01:04:02,120
Speaker 1: know what, this thing I took responsibility for I shouldn't

1394
01:04:02,160 --> 01:04:05,280
Speaker 1: have taken responsibility for or any of those things.

1395
01:04:05,520 --> 01:04:07,640
Speaker 2: So that's my long winded answer to your question.

1396
01:04:08,200 --> 01:04:08,360
Speaker 3: Yeah.

1397
01:04:08,440 --> 01:04:12,800
Speaker 4: Interesting, Yeah, I think I think it's it's a question

1398
01:04:12,920 --> 01:04:17,280
Speaker 4: of uh scale, right, Like, if they had like the

1399
01:04:17,360 --> 01:04:21,200
Speaker 4: idea of doing a report exposing something bad that an

1400
01:04:21,240 --> 01:04:24,200
Speaker 4: employee is doing it at school, it makes perfect sense.

1401
01:04:24,600 --> 01:04:26,320
Speaker 4: It's the fact that they're rushed and they do it

1402
01:04:27,320 --> 01:04:30,680
Speaker 4: right to television, right, Like, that is the problem. If

1403
01:04:30,720 --> 01:04:33,360
Speaker 4: you if if they were to do this report, go

1404
01:04:33,640 --> 01:04:37,360
Speaker 4: to ELI and say, mister Williams, we have this, it

1405
01:04:37,400 --> 01:04:41,040
Speaker 4: would have gone to Bud to get his response, right

1406
01:04:41,120 --> 01:04:44,800
Speaker 4: to defend himself or explain himself or not, and it

1407
01:04:44,840 --> 01:04:46,720
Speaker 4: would have gone through. Like, but the problem is that

1408
01:04:46,800 --> 01:04:50,080
Speaker 4: it just gets instantly put into the world. It's just televised,

1409
01:04:50,440 --> 01:04:53,760
Speaker 4: and so that's and that's Eli's fault, right, So I

1410
01:04:53,800 --> 01:04:55,960
Speaker 4: think I don't think that there's a problem.

1411
01:04:55,760 --> 01:04:57,240
Speaker 2: With exposing this.

1412
01:04:57,560 --> 01:05:00,360
Speaker 4: They they just didn't need to publicly shame but they

1413
01:05:00,360 --> 01:05:03,959
Speaker 4: could have just done their report and gone to mister

1414
01:05:04,040 --> 01:05:06,280
Speaker 4: Feenie and said, did you know your employee is doing this?

1415
01:05:06,760 --> 01:05:10,240
Speaker 4: But instead they're sort of profiting off of it, not really,

1416
01:05:10,360 --> 01:05:15,160
Speaker 4: but they're benefiting by like it's right. It becomes about

1417
01:05:15,280 --> 01:05:18,240
Speaker 4: them as opposed to the issue, which is, you know,

1418
01:05:18,760 --> 01:05:20,440
Speaker 4: the problem with a lot of media is that becomes

1419
01:05:20,480 --> 01:05:23,040
Speaker 4: about like the personality of the person.

1420
01:05:23,240 --> 01:05:26,320
Speaker 2: It's sensationalized more than you yes, yeah, yeah, what do

1421
01:05:26,400 --> 01:05:29,720
Speaker 2: you think will? I don't know? Again, I don't know.

1422
01:05:29,840 --> 01:05:32,360
Speaker 2: That's why this episode is so good and that so

1423
01:05:32,480 --> 01:05:32,960
Speaker 2: well written.

1424
01:05:33,040 --> 01:05:35,560
Speaker 3: It's I you know, at the end of the day,

1425
01:05:35,760 --> 01:05:38,200
Speaker 3: they caught a guy who was doing something pretty wrong,

1426
01:05:38,360 --> 01:05:41,440
Speaker 3: and they didn't and they I because I didn't remember

1427
01:05:41,480 --> 01:05:43,440
Speaker 3: the episode. I was expecting Joey to be like, do

1428
01:05:43,440 --> 01:05:45,920
Speaker 3: you know where he's going? He's going to you know,

1429
01:05:46,160 --> 01:05:48,240
Speaker 3: like a hospital, or he's going he's got a friend,

1430
01:05:48,280 --> 01:05:48,640
Speaker 3: he's sick.

1431
01:05:48,680 --> 01:05:50,360
Speaker 2: I thought that's but they didn't. They took it to

1432
01:05:50,400 --> 01:05:50,800
Speaker 2: where he's going.

1433
01:05:51,000 --> 01:05:53,480
Speaker 3: So this guy's skipping out on work four or three

1434
01:05:53,520 --> 01:05:54,920
Speaker 3: and a half hours, four hours early.

1435
01:05:54,840 --> 01:05:56,840
Speaker 2: To go to the track every day. I bet you,

1436
01:05:57,840 --> 01:06:00,520
Speaker 2: I will, I will bet anything. No, Michael.

1437
01:06:01,080 --> 01:06:03,720
Speaker 4: That was the original script if the original draft of

1438
01:06:03,760 --> 01:06:06,120
Speaker 4: the script or the original draft of the pitch was that,

1439
01:06:06,960 --> 01:06:09,240
Speaker 4: you know, they get the buzzy he's going for and

1440
01:06:09,280 --> 01:06:13,440
Speaker 4: then it's just going to get cancer treatments orstic Yeah, right,

1441
01:06:13,760 --> 01:06:17,360
Speaker 4: And Michael, to his credit, as he would always have done,

1442
01:06:17,360 --> 01:06:18,600
Speaker 4: it's like, that's the easy thing.

1443
01:06:18,920 --> 01:06:21,280
Speaker 2: Let's make it more complicated, more complicated.

1444
01:06:20,840 --> 01:06:22,840
Speaker 4: And it doesn't that be a joke that j always

1445
01:06:22,840 --> 01:06:26,080
Speaker 4: sets that up, but then move completely away from that

1446
01:06:26,480 --> 01:06:30,280
Speaker 4: and make helping Janitor Bud a saving grace for Feeni

1447
01:06:30,840 --> 01:06:34,160
Speaker 4: in this like really interesting way. Yeah, that that is

1448
01:06:34,320 --> 01:06:36,560
Speaker 4: total Michael Jacob's magic to me, Yeah.

1449
01:06:36,600 --> 01:06:37,000
Speaker 2: Yeah, to me.

1450
01:06:37,320 --> 01:06:40,520
Speaker 3: To me, the answer was this entire episode was actually

1451
01:06:40,560 --> 01:06:44,000
Speaker 3: about Eli. Yeah, and that's what that's where. So that's

1452
01:06:44,040 --> 01:06:46,080
Speaker 3: where I was looking was this is a whole lesson

1453
01:06:46,160 --> 01:06:48,760
Speaker 3: for Eli more than anything else, and so looking at

1454
01:06:48,800 --> 01:06:50,720
Speaker 3: it that way, it's really not about Corey at all.

1455
01:06:51,520 --> 01:06:51,880
Speaker 3: But it was.

1456
01:06:52,000 --> 01:06:55,120
Speaker 2: Yeah, it was very, very very good a story, really,

1457
01:06:55,640 --> 01:06:55,960
Speaker 2: I love it.

1458
01:06:56,480 --> 01:06:58,000
Speaker 1: Eric runs in at the last minute and says he

1459
01:06:58,040 --> 01:06:59,920
Speaker 1: got a letter from the University of Pennsylvania.

1460
01:07:00,080 --> 01:07:01,960
Speaker 2: Amy asks if he was accepted.

1461
01:07:01,560 --> 01:07:03,760
Speaker 1: But Eric says, better, they want to study me, and

1462
01:07:03,840 --> 01:07:06,880
Speaker 1: he runs upstairs, and then we're in the school hallway

1463
01:07:06,920 --> 01:07:09,640
Speaker 1: to Pega tells Corey she hopes everyone starts giving stops

1464
01:07:09,640 --> 01:07:11,920
Speaker 1: giving him a hard time, and Corey says, people have

1465
01:07:12,000 --> 01:07:14,200
Speaker 1: short memories. Then he opens his locker to see a

1466
01:07:14,280 --> 01:07:16,080
Speaker 1: giant dead fish hanging inside.

1467
01:07:16,480 --> 01:07:21,040
Speaker 2: To Pengo, your reaction to this dead fish is one

1468
01:07:21,080 --> 01:07:23,480
Speaker 2: of my favorite things I have ever seen. Oh I

1469
01:07:23,720 --> 01:07:25,680
Speaker 2: love it so good.

1470
01:07:25,880 --> 01:07:28,240
Speaker 4: I watched it like five times where she's just like that,

1471
01:07:28,440 --> 01:07:31,720
Speaker 4: she like shutters and I did you do you think

1472
01:07:31,760 --> 01:07:32,960
Speaker 4: it was your actual reaction?

1473
01:07:33,160 --> 01:07:33,560
Speaker 3: Do you think?

1474
01:07:34,480 --> 01:07:34,720
Speaker 2: Really?

1475
01:07:35,080 --> 01:07:35,120
Speaker 3: No?

1476
01:07:35,360 --> 01:07:37,680
Speaker 2: I think I thought it was over the top.

1477
01:07:37,760 --> 01:07:41,640
Speaker 1: But I also I could put myself in the shoes

1478
01:07:41,720 --> 01:07:44,520
Speaker 1: of myself in that moment, and I think what bummed

1479
01:07:44,560 --> 01:07:48,040
Speaker 1: me out watching it was that I react before the

1480
01:07:48,160 --> 01:07:50,920
Speaker 1: audience sees it. But that is real because the locker

1481
01:07:51,080 --> 01:07:54,120
Speaker 1: opens toward to pegu see the door, so the camera

1482
01:07:54,280 --> 01:07:56,840
Speaker 1: from the camera POV you wouldn't see it until topegat

1483
01:07:56,840 --> 01:07:58,920
Speaker 1: already seen it. So my first thought was, what is

1484
01:07:58,960 --> 01:08:01,760
Speaker 1: she reacting to? Oh, that's what she's reacting to. It

1485
01:08:01,840 --> 01:08:04,200
Speaker 1: felt a little big to me, but it was great. Mean,

1486
01:08:04,480 --> 01:08:07,000
Speaker 1: I think it's hysterical. I almost thought that they had

1487
01:08:07,080 --> 01:08:08,920
Speaker 1: that we had a real fish and that.

1488
01:08:09,200 --> 01:08:10,760
Speaker 2: I do you think it may have been a real fish.

1489
01:08:10,840 --> 01:08:11,600
Speaker 2: I do, seem.

1490
01:08:12,240 --> 01:08:14,760
Speaker 4: Realises how to close it, and he's like at the end,

1491
01:08:15,840 --> 01:08:18,080
Speaker 4: we had probably been rehearsing all week without anything, so

1492
01:08:18,120 --> 01:08:21,120
Speaker 4: I thought maybe they'd actually shocked you by maybe it

1493
01:08:21,240 --> 01:08:22,760
Speaker 4: being the first time, and you were like, oh my god,

1494
01:08:22,920 --> 01:08:25,280
Speaker 4: it's real, you know, like you have such a good reaction.

1495
01:08:25,479 --> 01:08:27,640
Speaker 3: You knew something was coming just the way that Ben like, oh,

1496
01:08:27,720 --> 01:08:29,840
Speaker 3: you open the locker. So it's like, hey, I'm on

1497
01:08:29,960 --> 01:08:31,440
Speaker 3: this side to make sure everybody.

1498
01:08:31,120 --> 01:08:31,479
Speaker 2: Can see it.

1499
01:08:31,600 --> 01:08:31,760
Speaker 3: Yeah.

1500
01:08:31,840 --> 01:08:34,320
Speaker 1: Yeah, Well, Tabanka kisses Corey and then walks off, and

1501
01:08:34,400 --> 01:08:38,639
Speaker 1: there's a big lady from the audience. Quickly she's already

1502
01:08:38,640 --> 01:08:40,960
Speaker 1: out out of there. Mister Williams walks over in a

1503
01:08:41,040 --> 01:08:43,519
Speaker 1: tie that gives mister Turner a run for his money.

1504
01:08:44,120 --> 01:08:45,360
Speaker 2: Is it like the Beetles?

1505
01:08:45,600 --> 01:08:45,720
Speaker 3: Is it?

1506
01:08:46,840 --> 01:08:50,720
Speaker 2: The face was looking it looked like it looked like

1507
01:08:50,800 --> 01:08:51,439
Speaker 2: the Beatles to me.

1508
01:08:51,560 --> 01:08:54,160
Speaker 1: It was so mister Williams sees the big old fish

1509
01:08:54,240 --> 01:08:57,160
Speaker 1: and Corey's soccer big old fish coversus.

1510
01:08:56,640 --> 01:08:58,920
Speaker 2: His nose, and I pulled that clip as well, because

1511
01:08:58,920 --> 01:09:02,719
Speaker 2: I love it. It's it that's a big old fish.

1512
01:09:04,760 --> 01:09:09,040
Speaker 2: I such a that's a big old fish. That's a

1513
01:09:09,120 --> 01:09:09,840
Speaker 2: big old fish.

1514
01:09:10,760 --> 01:09:11,400
Speaker 5: Oh man.

1515
01:09:11,640 --> 01:09:13,920
Speaker 1: So Corey tries to push the fish into the locker,

1516
01:09:14,040 --> 01:09:15,840
Speaker 1: but he can't really quite figure out how to do that,

1517
01:09:15,880 --> 01:09:17,640
Speaker 1: and he just leaves it. And then we're in the

1518
01:09:17,720 --> 01:09:20,880
Speaker 1: newsroom and mister Williams asked Corey, how's life? But Corey

1519
01:09:20,920 --> 01:09:23,679
Speaker 1: says he doesn't know. Mister Williams says Corey doesn't deserve

1520
01:09:23,760 --> 01:09:27,320
Speaker 1: all the grief over Janitor Bud, and Corey agrees, saying, I.

1521
01:09:27,400 --> 01:09:28,880
Speaker 2: Was just wondering where's Sean?

1522
01:09:29,800 --> 01:09:29,920
Speaker 3: Right?

1523
01:09:30,360 --> 01:09:33,920
Speaker 4: Yeah, and Sean getting harassed in his locker, I guess

1524
01:09:33,960 --> 01:09:36,200
Speaker 4: because Corey was in the face of was was the

1525
01:09:37,200 --> 01:09:40,320
Speaker 4: But But then wouldn't Eli be talking to Corey and

1526
01:09:40,520 --> 01:09:41,080
Speaker 4: Sean like.

1527
01:09:41,120 --> 01:09:44,360
Speaker 2: Yeah, got their assignment? Yeah, you're right, you think I

1528
01:09:44,479 --> 01:09:46,519
Speaker 2: just had this? Like why why am I not part

1529
01:09:46,560 --> 01:09:46,720
Speaker 2: of this?

1530
01:09:47,280 --> 01:09:47,479
Speaker 1: Yeah?

1531
01:09:48,120 --> 01:09:49,360
Speaker 2: Yeah, you're right. I didn't.

1532
01:09:49,520 --> 01:09:51,479
Speaker 1: I didn't no offense, I didn't miss you. But I

1533
01:09:52,320 --> 01:09:54,200
Speaker 1: but you're right, you should have as part of the

1534
01:09:54,960 --> 01:09:56,080
Speaker 1: as part of the assignment.

1535
01:09:56,320 --> 01:09:58,800
Speaker 4: Yes, And I feel like this is typical Corey Sean Right,

1536
01:09:58,840 --> 01:10:01,839
Speaker 4: we do a radio show, we a rise in It together,

1537
01:10:02,360 --> 01:10:05,439
Speaker 4: and we did do this thing together and it's it's

1538
01:10:05,520 --> 01:10:08,040
Speaker 4: bizarre to me that I'm just not even. It would

1539
01:10:08,040 --> 01:10:10,000
Speaker 4: also add to the humor. I think, like if Sean

1540
01:10:10,040 --> 01:10:12,719
Speaker 4: were you could have a couple one off stupid Sean

1541
01:10:12,840 --> 01:10:14,519
Speaker 4: jokes in this and.

1542
01:10:16,040 --> 01:10:18,240
Speaker 1: It's interesting, it's weird, it's a it's a little bit

1543
01:10:18,280 --> 01:10:21,680
Speaker 1: of a missed opportunity there. Corey agrees, saying he was

1544
01:10:21,760 --> 01:10:24,280
Speaker 1: just a reporter doing his job, and mister william says

1545
01:10:24,360 --> 01:10:26,800
Speaker 1: he doesn't have a job. He's in school and that's

1546
01:10:26,840 --> 01:10:30,080
Speaker 1: where he messed up. Mister Williams says he's supposed supposed

1547
01:10:30,080 --> 01:10:32,800
Speaker 1: to teach Corey about the news business, not put him

1548
01:10:32,840 --> 01:10:35,240
Speaker 1: in it, but Corey is still asking if he was

1549
01:10:35,320 --> 01:10:37,519
Speaker 1: right or wrong. Corey says he is proud of his

1550
01:10:37,640 --> 01:10:39,760
Speaker 1: report but feels bad for Bud. He didn't mean for

1551
01:10:39,840 --> 01:10:42,719
Speaker 1: him to lose his job, and mister william says, welcome

1552
01:10:42,800 --> 01:10:45,360
Speaker 1: to the news business. It's a tough game when you care,

1553
01:10:46,080 --> 01:10:48,240
Speaker 1: but there isn't always a clear right or.

1554
01:10:48,320 --> 01:10:50,479
Speaker 2: Wrong, and Corey says, but I'm a kid, I want

1555
01:10:50,520 --> 01:10:53,400
Speaker 2: it both ways, and mister Williams reveals that the adults

1556
01:10:53,479 --> 01:10:59,479
Speaker 2: do too perfect and that's perfect. It's awesome set of laws. Yes, yes, yes,

1557
01:10:59,600 --> 01:11:05,559
Speaker 2: this great writing, writing, right acting, yep, so perfect, just beautiful, straight.

1558
01:11:05,360 --> 01:11:07,799
Speaker 4: Out of season one. It's it's like all the themes

1559
01:11:07,840 --> 01:11:10,320
Speaker 4: of the show. Ben throwing his hands up and being like,

1560
01:11:10,720 --> 01:11:13,719
Speaker 4: somebody please give me an easy answer, and an adult

1561
01:11:13,840 --> 01:11:15,880
Speaker 4: saying it's not you can't.

1562
01:11:16,200 --> 01:11:18,519
Speaker 2: That is such thing. Yeah, in a nutshell, that is

1563
01:11:18,680 --> 01:11:22,519
Speaker 2: is great our show. So then we're in mister Feeney's office.

1564
01:11:22,560 --> 01:11:25,479
Speaker 1: Poene is repeatedly buzzing his secretary for another cup of

1565
01:11:25,560 --> 01:11:28,320
Speaker 1: coffee when mister Williams and Corey walk in. Mister Williams

1566
01:11:28,320 --> 01:11:31,160
Speaker 1: starts to nicely talk about janitor buds firing, but Corey

1567
01:11:31,240 --> 01:11:33,240
Speaker 1: jumps in and says, just give the old gambler his

1568
01:11:33,439 --> 01:11:33,960
Speaker 1: job back.

1569
01:11:34,920 --> 01:11:37,559
Speaker 4: I Pene's not understand what Ben said. He said gamblers

1570
01:11:37,560 --> 01:11:40,280
Speaker 4: so far. I thought he was like saying some slang

1571
01:11:40,439 --> 01:11:43,320
Speaker 4: term for like an old geezer or gamble. He's like,

1572
01:11:43,640 --> 01:11:44,439
Speaker 4: what is this word?

1573
01:11:44,640 --> 01:11:47,120
Speaker 2: I went back and a gambler, gambler.

1574
01:11:47,360 --> 01:11:50,400
Speaker 1: Yeah. Phoene says they should save their breath and the

1575
01:11:50,479 --> 01:11:53,080
Speaker 1: matter is closed. Mister Williams says it's his fault and

1576
01:11:53,160 --> 01:11:55,360
Speaker 1: he should have screened the videos, but Phoene says it

1577
01:11:55,479 --> 01:11:58,280
Speaker 1: did go on air. And to the entire school board.

1578
01:11:58,360 --> 01:12:00,240
Speaker 1: He had no choice but to do what he did.

1579
01:12:00,640 --> 01:12:03,160
Speaker 1: Mister william says, in only two months, Bud would retire

1580
01:12:03,240 --> 01:12:05,840
Speaker 1: with a full pension. Cory asks Feoene how he can

1581
01:12:05,960 --> 01:12:07,960
Speaker 1: do that to a man who saved his life, but

1582
01:12:08,080 --> 01:12:10,639
Speaker 1: Phoene says, for the love of God, I saw the wax.

1583
01:12:13,680 --> 01:12:15,800
Speaker 1: Corey says he always thought Feoene had a heart of gold.

1584
01:12:15,920 --> 01:12:18,600
Speaker 1: But and before he can finish, Janitor Bud comes in

1585
01:12:18,760 --> 01:12:20,719
Speaker 1: and hands Feeney his cup of coffee.

1586
01:12:21,439 --> 01:12:23,880
Speaker 2: Bud tells him go easy on the buzz on the buzzer.

1587
01:12:24,040 --> 01:12:28,080
Speaker 1: And obviously Phoene hired Bud as his secretary, who now

1588
01:12:28,400 --> 01:12:31,080
Speaker 1: dresses very fancy to be a secretary.

1589
01:12:31,240 --> 01:12:36,200
Speaker 2: Tapperman dress it up to be a secretary means also,

1590
01:12:36,720 --> 01:12:39,840
Speaker 2: is that what he wears to the race track? This

1591
01:12:40,120 --> 01:12:43,519
Speaker 2: is gambling pony hat. You would put that on with

1592
01:12:43,720 --> 01:12:45,560
Speaker 2: the nice hat. Yeah, I love it.

1593
01:12:46,040 --> 01:12:49,240
Speaker 1: Mister Williams says two months, huh, before Bud pops back

1594
01:12:49,280 --> 01:12:53,479
Speaker 1: in and reminds Phoene to use a coaster, and Phoene says, blast,

1595
01:12:53,600 --> 01:12:54,479
Speaker 1: my heart of gold.

1596
01:12:55,680 --> 01:12:58,920
Speaker 2: This is the payoff for those looks that they get too. Yeah,

1597
01:12:59,080 --> 01:13:01,679
Speaker 2: that's great. And then we're back in the lab.

1598
01:13:01,800 --> 01:13:04,840
Speaker 1: A bunch of multicultural scientists from all over the world

1599
01:13:04,920 --> 01:13:06,760
Speaker 1: are watching Monique monitor.

1600
01:13:06,600 --> 01:13:13,120
Speaker 2: Eric their hats case we don't get it, putting on

1601
01:13:13,200 --> 01:13:16,880
Speaker 2: a sombrero, and you know, she also flat out says

1602
01:13:16,920 --> 01:13:18,000
Speaker 2: from all over the world.

1603
01:13:18,240 --> 01:13:22,519
Speaker 1: Yep, they are watching Monique monitor Eric's brain while he sleeps,

1604
01:13:22,720 --> 01:13:24,560
Speaker 1: showing there is no brain activity.

1605
01:13:24,840 --> 01:13:27,679
Speaker 2: She assures everyone Eric is not dead and then wakes

1606
01:13:27,720 --> 01:13:28,000
Speaker 2: him up.

1607
01:13:28,400 --> 01:13:30,800
Speaker 1: Monique says he is the most content person without a

1608
01:13:30,920 --> 01:13:33,240
Speaker 1: care in the world, calling him one of a kind.

1609
01:13:33,760 --> 01:13:35,920
Speaker 1: Eric asks how the mouse is doing, who is showing

1610
01:13:35,960 --> 01:13:41,280
Speaker 1: brain activity while he sleeps. Monique says he has fears, hopes, dreams, goals,

1611
01:13:41,680 --> 01:13:43,479
Speaker 1: and Eric says, poor little guy.

1612
01:13:44,479 --> 01:13:49,240
Speaker 2: And that's it. That's that's our show, ladies and gentlemen.

1613
01:13:50,400 --> 01:13:53,880
Speaker 1: So yeah, I I love this episode. I know will

1614
01:13:54,160 --> 01:13:57,320
Speaker 1: I love the to me, I know, I actually still

1615
01:13:57,439 --> 01:14:00,519
Speaker 1: like your story too. I think it's cute and it's

1616
01:14:00,600 --> 01:14:03,160
Speaker 1: not it doesn't I don't know, I love it. It's

1617
01:14:03,320 --> 01:14:05,160
Speaker 1: I think it's funny and I think it helps set

1618
01:14:05,200 --> 01:14:07,360
Speaker 1: up I just think it's kind of a crazy idea

1619
01:14:07,400 --> 01:14:09,519
Speaker 1: that there's no brain activity, but it's funny.

1620
01:14:09,560 --> 01:14:11,320
Speaker 2: It's funny for what we come to know igat Eric,

1621
01:14:11,479 --> 01:14:13,240
Speaker 2: I get it just kind of on an island. You know,

1622
01:14:13,600 --> 01:14:15,920
Speaker 2: It's just how it is for a little while. I'm

1623
01:14:15,960 --> 01:14:18,360
Speaker 2: okay with it for now. Well, thank you.

1624
01:14:18,479 --> 01:14:20,960
Speaker 1: All for joining us for this episode of Pod Meets World.

1625
01:14:21,040 --> 01:14:23,599
Speaker 1: You can follow us on Instagram pod Meets World Show.

1626
01:14:23,720 --> 01:14:25,760
Speaker 1: You can send us your emails pod Meets World Show

1627
01:14:25,800 --> 01:14:26,680
Speaker 1: at gmail dot com.

1628
01:14:26,880 --> 01:14:32,840
Speaker 3: And we have merch Marcansius. That that's Spanish. Markis I

1629
01:14:32,840 --> 01:14:34,240
Speaker 3: don't know if I said it right. I'm going to

1630
01:14:34,280 --> 01:14:36,920
Speaker 3: get k Danielle is going to get letter Marquansias. Is that.

1631
01:14:38,880 --> 01:14:39,280
Speaker 2: Spanish?

1632
01:14:39,640 --> 01:14:41,400
Speaker 1: Well, you guys can join us also for our next

1633
01:14:41,479 --> 01:14:44,479
Speaker 1: episode recap, which will be season three episode eight, rave

1634
01:14:44,600 --> 01:14:46,360
Speaker 1: on It originally aired November.

1635
01:14:46,080 --> 01:14:50,400
Speaker 2: Seventeenth, nineteen ninety five. Writer send us out, We love

1636
01:14:50,439 --> 01:14:51,839
Speaker 2: you all, pod dismissed.

1637
01:14:53,640 --> 01:14:56,200
Speaker 4: Pod Meets World is an iHeart podcast produced and hosted

1638
01:14:56,240 --> 01:14:59,679
Speaker 4: by Danielle Fischel, Will Fernell and Ryder Strong executive producers,

1639
01:14:59,760 --> 01:15:02,719
Speaker 4: J Karp and Amy Sugarman executive in charge of production,

1640
01:15:02,920 --> 01:15:07,800
Speaker 4: Danielle Romo, producer and editor, Tara Sudbach, producer, Jackie Rodriguez

1641
01:15:07,920 --> 01:15:10,679
Speaker 4: engineer and boy meets World superfan Easton Allen.

1642
01:15:10,800 --> 01:15:13,160
Speaker 2: Our theme song is by Kyle Morton of Typhoon.

1643
01:15:13,400 --> 01:15:16,000
Speaker 4: You can follow us on Instagram at Podmets World Show

1644
01:15:16,280 --> 01:15:19,519
Speaker 4: or send us an email at Podmeats Worldshow at gmail

1645
01:15:19,600 --> 01:15:20,040
Speaker 4: dot com.