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Speaker 1: And it's Drinks, motherfucking podcast. He's a legendary queen's rapper.

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Speaker 1: He's like Green is your Boy in no R He's

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Speaker 1: a Miami hippop pioneer up his dj e FN together

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Speaker 1: they drinking up with some of the biggest players in

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Speaker 1: the most professional unprofessional podcast and your number one sorts

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Speaker 1: for drunk drinks mother every day is New Year's Less

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Speaker 1: time for drink Champs, trink up for the Yo would

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Speaker 1: it good? Beat? Hopefully? This would it should be? This

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Speaker 1: is your Boy and O R eight What up is

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Speaker 1: d j e f N And this is drink Champs Realitatement,

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Speaker 1: Crazy Boar Happy Hour makes up right now when you

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Speaker 1: talk about legends, this man stand in front of us

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Speaker 1: right now has been in the game relentless, repeatedly. It

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Speaker 1: was a part of when we talk about media rappers

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Speaker 1: being media. This guy had what they considered the hip

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Speaker 1: hop bible. He's with a part of legendary groups like

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Speaker 1: rs So Made Men. He's produced records for people like Prodigy,

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Speaker 1: for people like Nas And I've heard that he got

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Speaker 1: his plaques and I didn't get minds. I'm offended. He

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Speaker 1: has been out here monkey foot stopping didn't. He transition

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Speaker 1: on y'all and did a whole another career and started

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Speaker 1: going more on live on Live, and he he sort

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Speaker 1: of felt loving and and I don't even know, but

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Speaker 1: he's still here. He's one of my closest friends. I

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Speaker 1: speak to him almost every other day. We disagree, we argue,

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Speaker 1: but we are brothers. He is one of the most genuine,

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Speaker 1: most loyalists people, most stubborn, but loyal to the car

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Speaker 1: and I accepted he's one of my closest friends. If

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Speaker 1: case you don't know what I'm talking about, I'm talking

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Speaker 1: about bus Zino. Make you forgot to drink Chance alumni.

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Speaker 1: It is a drink Chance alumni. Now we gotta address

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Speaker 1: we gotta address my bag, specially after that. That's good.

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Speaker 1: That appreciate so um, because it's I guess this is

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Speaker 1: a two part question because one last time you was here, uh,

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Speaker 1: you was with with someone else. So but not only

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Speaker 1: that I've been hearing room was that I feel like

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Speaker 1: you want to address um about the origin of the source.

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Speaker 1: So like the beginning the genesis? All right, um, so

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Speaker 1: everybody knows that the source started um in Boston, Dave

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Speaker 1: May's went to Harvard. I met Dave. I was in

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Speaker 1: a group the Almighty Hours so doing my street thing.

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Speaker 1: You didn't go to Harvard though, Let's just be clear.

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Speaker 1: I lived around the corner from Harvard Street. That's Harvard.

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Speaker 1: Harvard and Washington was four corners, so I had a

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Speaker 1: little something to do with Harvard, but it was the

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Speaker 1: school so so and then um ours before the Source, yeah,

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Speaker 1: and already already managed by Flavor Unit. Um No, that

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Speaker 1: came after. But I think the artist so got established

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Speaker 1: in eighty five and the Arts was probably like eighty

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Speaker 1: four maybe three, you know, I say, yeah, yeah, like

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Speaker 1: we feel as long as I knew you, I didn't

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Speaker 1: know that. I thought the source came almighty so and

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Speaker 1: then actually Dave the first time we met. How we

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Speaker 1: met Dave was we was at a radio station that

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Speaker 1: went that Wendy Williams graduated from Emerson College, like all

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Speaker 1: the there's a lot of Yeah in Boston, Emerson College

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Speaker 1: is where everybody went to college to be a radio

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Speaker 1: DJ or whatever. Broadcast. Yeah, I think Stephen Hill went

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Speaker 1: to think a few people went there. Um, so they

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Speaker 1: would do this thing where um it was like what

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Speaker 1: do you call those things when people pick up the

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Speaker 1: phone and they get money for you, um telemarketing. So

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Speaker 1: people were there telemarketing getting money, trying to raise it

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Speaker 1: for the station. And Dave and Dave came down. We

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Speaker 1: wish the all Souls down there performing live. And Dave

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Speaker 1: came down the interview that that was the first time

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Speaker 1: ever there was no source or nothing that interview you for.

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Speaker 1: He interviewed us. He wanted to come meet us because

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Speaker 1: he had his own radio show at Harvard And that's

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Speaker 1: how the sort started because he had a radio show.

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Speaker 1: They like they was playing um, you know, like violence

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Speaker 1: and ship violent. You know what I'm saying, up papers

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Speaker 1: real quick, you know what I'm saying. Listening this taste? Yes, yes, yes,

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Speaker 1: that's nin a live family. You know what I'm saying. So, okay,

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Speaker 1: you did this radio show? How does all right? So

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Speaker 1: he has the radio show going, You do this radio

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Speaker 1: You have your rs O thing going? How does it

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Speaker 1: coming in? Because I believe the source was a pamphlet

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Speaker 1: at first start, he started as a newsletter for the

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Speaker 1: station basically what was going on a list of the

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Speaker 1: top songs that week, what was happening in news and everything,

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Speaker 1: And it was him and his buddies. He had four

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Speaker 1: buddies that were college buddies that were you know, all

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Speaker 1: college guys. You know what I'm saying. Um, they came

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Speaker 1: up with the name of the source, you know what

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Speaker 1: I'm saying. And when basically, my my, My, my DJ,

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Speaker 1: who was deaf Jeff at the time, m Jeff two times,

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Speaker 1: UM started DJ for his radio show on Saturdays. And

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Speaker 1: then you know when when they made the newsletter, you know,

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Speaker 1: Dave had to come to the hood because he's in Cambridge,

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Speaker 1: so you know, you know what I mean. He gotta

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Speaker 1: you know, you gotta go through the hood with somebody,

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Speaker 1: you know, so, you know, we took him through the

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Speaker 1: hood and he gotta, uh, he gotta add his first

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Speaker 1: ad from Skippy White's music store for two hundred dollars.

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Speaker 1: Imagine that Skippy White, Skippy White. Okay, so now so

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Speaker 1: goes from the playmphlet. It's pamphlet obviously comes out correct, Yes, yes,

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Speaker 1: that sounded like right that the pamphlet obviously comes out

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Speaker 1: like when does it become a business when it could

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Speaker 1: what it could be. I really wasn't paying attention, honestly,

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Speaker 1: I got it, you know, I was again the artist

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Speaker 1: sold in my street ship. You know what I'm saying.

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Speaker 1: So I was hustling, So I wasn't that you know,

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Speaker 1: I wasn't paying attention to the to the pamphlet. You

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Speaker 1: know what I'm saying. I didn't. That was Dave's thing.

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Speaker 1: You know what I'm saying. I was doing my thing.

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Speaker 1: And then, um, you know I've seen it. And then um,

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Speaker 1: I remember he made it into a book form. It

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Speaker 1: was it was a small book, black and white. The

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Speaker 1: first time it was like a book form. It was

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Speaker 1: like like a paperback, very small. I think slick Rick

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Speaker 1: might have been the first cover of the booklet, but

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Speaker 1: it was black and white. And then I remember, this

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Speaker 1: is a funny story. So he would always go back

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Speaker 1: home Dave for two d C for the summer. So

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Speaker 1: once somebody got locked up for the whole summer and ship,

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Speaker 1: so Dave stated, in my apartment and that's where they

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Speaker 1: were shipping. That was the office for the source. They

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Speaker 1: were shipping out boxes and everything from my apartment that

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Speaker 1: he stayed for the summer. She did a little sixty

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Speaker 1: days or whatever. He states that curious what was sixty

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Speaker 1: days for? Um? I got dragged to them all was

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Speaker 1: using the credit card by police. The police credit card.

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Speaker 1: Wait wait, my man Trev just got got home that

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Speaker 1: we was going to mark this vineyard. I went to Macy,

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Speaker 1: spent a whole bunch of money. I had had an

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Speaker 1: American Express source card, had saw a song. It was

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Speaker 1: a gold card. You know, I'm going in their braids

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Speaker 1: half of you know, and so I charged up the stuff.

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Speaker 1: I remember I bought my mother's song there I think

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Speaker 1: it was. It was around February, around her birthday. So

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Speaker 1: we ended up coming outside and I remember we was,

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Speaker 1: you know, the police came say, hey, I want to

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Speaker 1: see your license out and not. I said, wait a minute,

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Speaker 1: you don't see my license for I've already bought it.

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Speaker 1: The lady already gave and received it. We've already passed that.

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Speaker 1: So I want to see a license. I said, I'm

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Speaker 1: not giving you my license and rough me up with

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Speaker 1: the mace. You know what I'm saying. So what happened

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Speaker 1: was I had an old charge and this was in Quincy.

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Speaker 1: So they made me cop out to the old charge

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Speaker 1: and I had to do sixty days. Oh my god. Yeah,

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Speaker 1: some stupid ship you just got arrested for the like

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Speaker 1: the same type of ship, right you flipped on the

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Speaker 1: train flipped on the Chinese. What happened? You were right?

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Speaker 1: You say, I was like, what I even say that?

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Speaker 1: First of all, the rest of all it was the

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Speaker 1: man who was who? You know? It was the man? Right?

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Speaker 1: So you know, I'm just chilling at the crib where

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Speaker 1: I live is like man se white people was quiet

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Speaker 1: Saturday afternoon, eleven o'clock. Ain't nobody out there, you know

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Speaker 1: what I'm saying. No dogs, nothing out there. It's just

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Speaker 1: you know, it's just some beautiful day. Why is you

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Speaker 1: running my plate? You know what I'm saying, What then

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Speaker 1: is you running my plate for? And then he said,

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Speaker 1: then I don't know, you know. So I got up,

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Speaker 1: said said some things. You know what I'm sounding after while,

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Speaker 1: you get tired of this ship, your whole life getting

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Speaker 1: pulled over, profiled, harassed. That ship is whack man. You

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Speaker 1: know what I'm saying. I just got fed up, man,

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Speaker 1: you know, but I'm being honest. It's the true story.

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Speaker 1: I went down to the station. So by then, you know,

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Speaker 1: like when they take you down to the station, they

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Speaker 1: knock you up before you do your fingerprints. So I said,

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Speaker 1: I told him come here before he left, and ship

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Speaker 1: I apologized to him, I did because you know what

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Speaker 1: I'm saying, at the end of the day, at a

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Speaker 1: point that I wasn't raised like that, and you know,

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Speaker 1: I got kids, and at the end of the day,

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Speaker 1: like I really ain't racist, you know what I'm saying,

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Speaker 1: So I don't want to. I just was like, I've

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Speaker 1: just seen the cop and I was just trying to

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Speaker 1: make him mad. You know what I'm saying. Everybody's a

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Speaker 1: little bit prejudice. No, I really Everybody'll be honest, everybody

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Speaker 1: I'm prejudiced against prejudice. I'm prejudiced. Like I've really never

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Speaker 1: just seen somebody and was like, yeah, fuck him because

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Speaker 1: he's white, or fuck him because he's like looking about

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Speaker 1: the stereotypes, Like yeah, that's really listen my grandpa. I

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Speaker 1: have two of the most racist grandfathers, both of them.

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Speaker 1: I got my my Spanish grandfather. He's racist. He only

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Speaker 1: like Puerto Ricans hold like four ricons. And then I

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Speaker 1: got my black grandfather. They both passed away only like

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Speaker 1: black people. Nick as soon as mused to come and

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Speaker 1: he's like, oh Spanish people is here, how, like yeah,

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Speaker 1: that's my grandfather's And then my other grandfather he said

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Speaker 1: to me this stereotype. Well, I guess it is Spanish

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Speaker 1: Spanish people coming on. That was like, you know, so

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Speaker 1: what I'm saying everybody is a little bit prejudice. Like,

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Speaker 1: come on, I'm sorry to say this, but you're gonna

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Speaker 1: tell me that if you see somebody right now in

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Speaker 1: the car accident and one of the people was Asian,

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Speaker 1: you ain't going on that biggase they've fall. Come on,

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Speaker 1: you can laugh at that, nigga. Come on, come on

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Speaker 1: a little bit, because it's a room one that the

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Speaker 1: agent you know, you know, you know, like they got

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Speaker 1: sucked up eyes. What No, I'm the only one that

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Speaker 1: heard that they can't drink. I don't think the reason

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Speaker 1: why you heard that he's real. That's the reason why

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Speaker 1: they said they can drive. I thought that No, no, no, no,

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Speaker 1: you got you to do se we want, we want,

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Speaker 1: we want the gorilla bus. Jesus man, let me drinking

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Speaker 1: that sweet ship. Come on, you're a brown drinker. You

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Speaker 1: remember we drink with you and you can wound up

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Speaker 1: in a wheel chair. Do you remember that one day

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Speaker 1: he was like, I'm drinking with you today. You know,

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Speaker 1: I was like where I like, but I'm not gonna

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Speaker 1: lie I did not anticipate the wheelchair, but when it

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Speaker 1: when it happens before instagram ship Instagram. You know what

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Speaker 1: I'm saying, when you drinking the wheel chair is there?

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Speaker 1: What you're gonna do? You're wheelchairs? Definitely, definitely, And I

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Speaker 1: apologize to any Asian people who took that the wrong way.

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Speaker 1: I'm just saying that because me tell you, let me

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Speaker 1: tell you something. I get more. You know, it was

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Speaker 1: heavy and my d MS like, yo're just the fucking mob.

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Speaker 1: We're gonna kill you. Try to back up my d

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Speaker 1: MS and was like, yo, bro, you know you're a legend. Bro,

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Speaker 1: and man, listen, you know people look up. I wasn't see.

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Speaker 1: I don't me. I'ma be honest, Like, it took me

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Speaker 1: a while to understand social media. So a lot of

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Speaker 1: stuff with social media with me, if I don't pay

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Speaker 1: attention to it after the first three days is gone.

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Speaker 1: So that's you know, stuff that that probably is good

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Speaker 1: towards me. I won't even look at it, you know,

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Speaker 1: because I don't want to react a certain way. This

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Speaker 1: is what I mean. Everybody's prejudice. I'm so sorry dropping around.

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Speaker 1: But like if you ever see like a person argue

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Speaker 1: and then that person's fat. And the first thing they

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Speaker 1: say is I'm not older, like you know what I'm Yeah,

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Speaker 1: I'm not touching the person got glasses and ship calling

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Speaker 1: for eyes like everyone's a little prejudice. Yeah, but I'm

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Speaker 1: not touching the fat ship because trust me, my dms

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Speaker 1: will be filled with But you know what I'm saying.

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Speaker 1: I'm telling you people people sensitive, man, and you gotta

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Speaker 1: be careful. We have Wayne he said, don't give a

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Speaker 1: about people sensitivity. He said, yeah, he's a comedian. He

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Speaker 1: really can't. You're gonna do his craft. Yeah, but yeah,

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Speaker 1: but that ship could fuck you up in business work.

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Speaker 1: You know what I'm saying. He's already you know what

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Speaker 1: I'm saying. But you can get blacklisted. You say the

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Speaker 1: wrong ship and Marlon Wayne's you know he won't be

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Speaker 1: getting them big movies. You say the wrong ship, I

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Speaker 1: bet you won't say no wrong ship about no Jews

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Speaker 1: bant that. Yeah great? So when did you when when

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Speaker 1: did this sword become a thing for you? When it

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Speaker 1: was I gotta go back to the being dragged out

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Speaker 1: the mall. Yeah, I'm just no, no, no, I mean look,

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Speaker 1: I mean listen, the source thing was was was formed

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Speaker 1: by Dave May's and his college graduate and his college

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Speaker 1: guys as how many and how I got set up

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Speaker 1: with the source was when um, you know, Daved like

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Speaker 1: would have because he had the source, he would be

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Speaker 1: connected to different people in the labels, so he would

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Speaker 1: invite the A and oars when labels had A and oars,

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Speaker 1: come down and come see the group we've opened up for.

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Speaker 1: Tradrey opened up for L L, every B everybody that came,

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Speaker 1: we would open up for and we'd be doing our

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Speaker 1: own ship anywhere. So um, yeah, I mean ship. You

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Speaker 1: know what I'm saying. Like it wasn't un tell that

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Speaker 1: a story was put in about the RS. So where see,

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Speaker 1: you gotta understand this is my theory. Maybe I'm prejudiced,

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Speaker 1: O maybe your practice with this? All right, And I

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Speaker 1: know I might take a lot of flak for this,

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Speaker 1: but college people, college people like at the beginning, this

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Speaker 1: is my own theory. I smoke and I come up

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Speaker 1: with theories, and all right, we all do. All right.

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Speaker 1: So college when when hip hop first came up? When

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Speaker 1: when when you have a kid that's living in the

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Speaker 1: hood and he goes to college, you know, sometimes the

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Speaker 1: kid turns his back on the hood because he's living

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Speaker 1: that college life now and he thinks automatically that it's

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Speaker 1: not like a bad thing, but he thinks that's what

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Speaker 1: he's supposed to do. I'm supposed to go to college

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Speaker 1: and get the funk out of that life and get

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Speaker 1: away from that life. But here's what happens when hip

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Speaker 1: hop comes. There's a divide now when gangster music comes

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Speaker 1: and street music comes now, because you know, college kids

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Speaker 1: ain't with all that, but in their in their privacy

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Speaker 1: of their rooms and everything they're listening to, you ain't

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Speaker 1: put the hat on, and you know what I'm saying,

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Speaker 1: you know what I mean, because it gets them amped

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Speaker 1: up because there's something about the streets, in the in

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Speaker 1: the like the just that life that people are intrigued

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Speaker 1: and they want to be right okay. So then well

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Speaker 1: the street guy is like, oh man, well, you know

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Speaker 1: what I'm saying, funk that y'all ain't street. So y'all,

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Speaker 1: y'all can't live you don't know what it is to

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Speaker 1: live like you know what I'm saying that way, So

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Speaker 1: there's always been like a you know what I'm saying.

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Speaker 1: Have you ever went to like a college party that

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Speaker 1: you're saying. Good, at that time, college people didn't belong

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Speaker 1: in hip hop at that I wouldn't say belong in

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Speaker 1: hip hop. What I would say is this not running

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Speaker 1: the magazine. What I would say, no, not even run

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Speaker 1: the magazine. But like when Gangster Rap came, you know

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Speaker 1: what I'm saying to me, You know what I'm saying,

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Speaker 1: it would have been more. You know, the more street

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Speaker 1: guys you have rating music and writing, you know, I mean,

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Speaker 1: the problem is street guys don't. Aren't journalists back, you

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Speaker 1: know what I'm saying. You got the college kids are,

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Speaker 1: so it's always so it's like it's cool when you

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Speaker 1: have like Q tipping them like that movement that you

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Speaker 1: know what I'm saying, like that's non violent and even

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Speaker 1: Chuck D in them movement with pro Black. There was

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Speaker 1: a lot of stuff that was just made hip hop

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Speaker 1: that was really for colleges. You know what I'm saying,

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Speaker 1: like non violent, non but but but the street music

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Speaker 1: is what We're not four colleges, but it was they

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Speaker 1: were the ones that it was. Yeah, because it wasn't

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Speaker 1: it was for everybody right, it was it was for

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Speaker 1: everybody right. But when Gangster Rat came, it was like

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Speaker 1: the streets whatever against the right to my iced tea,

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Speaker 1: and yeah, man, like that's what we came up off.

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Speaker 1: Because some people credit school e D was to do

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Speaker 1: for school Philadelphia. School e D came out with the songs. No,

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Speaker 1: you wasn't thinking school D was a gangster when you

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Speaker 1: heard PS. You didn't think that. Now he might have

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Speaker 1: been a real nigger in his hood, but the deception wasn't.

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Speaker 1: The music wasn't gangster in the image, like you didn't

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Speaker 1: see it, you know what, n W way you you

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Speaker 1: actually felt that right now, what then is going on?

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Speaker 1: I'm not drinking. That's come up with a different so yeah,

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Speaker 1: so so so so. Now Dave and his college guys,

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Speaker 1: you know, David, his college guys are the ones up

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Speaker 1: there doing the journalistic They're the ones rating the albums,

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Speaker 1: and everyone huh Me and Dave's relationship was they were

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Speaker 1: all the people up there would always look at it

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Speaker 1: as you know, Dave's hanging around these street guys, and

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Speaker 1: the rumor was that he was being stored and you

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Speaker 1: was the guy who came and like stop their story

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Speaker 1: that happened. No, no, no, no, not nobody was Nobody

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Speaker 1: was stilled nobody at that time. The source wasn't even

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Speaker 1: making a lot of money. I mean, it was doing decent,

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Speaker 1: but like these kids already had, they all came for money,

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Speaker 1: like they came from good parents and good homes. Yeah,

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00:18:39,480 --> 00:18:41,359
Speaker 1: like you know what I'm saying. They went to h

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Speaker 1: Edward Young and James Bernard and you know, these guys

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00:18:44,200 --> 00:18:46,000
Speaker 1: were like, you know, like you know what I'm saying.

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Speaker 1: They wasn't, you know, fucked up in the game. So, um,

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00:18:50,440 --> 00:18:52,920
Speaker 1: they just to me automatically. They just didn't like me

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Speaker 1: at all. I mean you could, but but let's let's

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Speaker 1: just get to the why did Dave actually come to you?

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00:18:59,080 --> 00:19:02,480
Speaker 1: And I'm saying because because all right, so the financing

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00:19:02,600 --> 00:19:05,679
Speaker 1: so as no no, no, no no. As time went on, um,

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00:19:06,480 --> 00:19:10,680
Speaker 1: you know again, our relationship grew and he's he's he's

345
00:19:10,720 --> 00:19:13,960
Speaker 1: not our manager because we've never signed nothing but exact

346
00:19:14,040 --> 00:19:18,760
Speaker 1: and everything he's doing is like managerish. So he did

347
00:19:18,800 --> 00:19:24,440
Speaker 1: a story on us. It tastes like Jesus pussy right here. Whoa, whoa,

348
00:19:27,520 --> 00:19:38,320
Speaker 1: it's phenomenous. He wasn't saying that with just this one, right,

349
00:19:40,200 --> 00:19:42,879
Speaker 1: I'll take Jesus pussy back, man, Come on, come on,

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00:19:43,880 --> 00:19:47,119
Speaker 1: it's nice. It's it's nice. It's nice. It's nice. This

351
00:19:47,320 --> 00:19:50,800
Speaker 1: is nice. It's nice. What we're talking about. You just

352
00:19:51,920 --> 00:19:56,320
Speaker 1: we got with with Dave. So they they put all

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Speaker 1: the core about the US in the magazine. Uh, this

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00:19:59,480 --> 00:20:01,440
Speaker 1: is when a ma he blew up the magazine that

355
00:20:01,480 --> 00:20:02,960
Speaker 1: there was in New York at this time. They moved

356
00:20:02,960 --> 00:20:05,840
Speaker 1: the office they put the article. Now they got a

357
00:20:06,000 --> 00:20:09,639
Speaker 1: pretty big staff this time. When he did the article,

358
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Speaker 1: the dude that he sent down to do the article

359
00:20:11,800 --> 00:20:15,560
Speaker 1: was Bones Malone. Now, Bones Malone was in Remember Life,

360
00:20:16,040 --> 00:20:18,639
Speaker 1: the movie Life Remember at the end Heavy Dan. The

361
00:20:18,760 --> 00:20:24,600
Speaker 1: dude was shoveling Bones, Bones Malone, and the culture was

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Speaker 1: like a hip hop guy writer you know. Later on Yeah,

363
00:20:29,000 --> 00:20:34,560
Speaker 1: he went to funk with Vive. Okay, so um, they

364
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Speaker 1: sent Bones to do the article. Bones is roding Russ

365
00:20:38,640 --> 00:20:40,560
Speaker 1: and Boston. He's seeing how real it is. I actually

366
00:20:40,600 --> 00:20:48,000
Speaker 1: got locked up with Bones. I got locked up warrant

367
00:20:48,080 --> 00:20:51,960
Speaker 1: for something. But honotually got locked up with Bones and

368
00:20:52,080 --> 00:20:54,520
Speaker 1: I got built out. Bones left. He was supposed to

369
00:20:54,560 --> 00:20:57,160
Speaker 1: stay for three days. He didn't want to finish the story.

370
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Speaker 1: The people like all that. I guess they all got

371
00:21:01,240 --> 00:21:04,600
Speaker 1: together was like, nobody do that story. Because they didn't.

372
00:21:04,720 --> 00:21:07,720
Speaker 1: They felt like we didn't deserve a story. Who's who's

373
00:21:07,720 --> 00:21:11,200
Speaker 1: the people, all the staff, the whole staff other than they,

374
00:21:11,280 --> 00:21:14,640
Speaker 1: the entire staff thought that we didn't deserve a story.

375
00:21:14,720 --> 00:21:16,840
Speaker 1: And that remind you. At this point, we had been

376
00:21:16,880 --> 00:21:19,480
Speaker 1: signed by easy Well that he had died, We had

377
00:21:19,800 --> 00:21:23,080
Speaker 1: signed Tommy Boy Records, we got signed our c A,

378
00:21:23,160 --> 00:21:25,399
Speaker 1: we had a few things out what and plus our

379
00:21:25,440 --> 00:21:28,359
Speaker 1: man owned the magazine. Why can't we just get the

380
00:21:28,440 --> 00:21:30,480
Speaker 1: little feature? We never that. We didn't have a feature

381
00:21:30,520 --> 00:21:33,760
Speaker 1: up until then, I never had it. It was it

382
00:21:33,840 --> 00:21:36,359
Speaker 1: was the red Man covered with the ARTISTI on his nose.

383
00:21:37,200 --> 00:21:42,200
Speaker 1: So Dave ended up finishing the fucking article and article himself.

384
00:21:42,480 --> 00:21:45,800
Speaker 1: I knew he wasn't gonna pass back, so I had

385
00:21:45,840 --> 00:21:48,680
Speaker 1: another one ready. You know you're too long, man, This

386
00:21:48,800 --> 00:21:52,719
Speaker 1: is all right now, I want real congradulations. So um,

387
00:21:53,200 --> 00:21:56,960
Speaker 1: so they did the article and that's the first article

388
00:21:57,040 --> 00:22:00,240
Speaker 1: came out. Next thing, you know, the whole staff a

389
00:22:00,359 --> 00:22:04,840
Speaker 1: letter to Dave and said step down else we're all

390
00:22:04,960 --> 00:22:09,000
Speaker 1: walking out. That's like everybody here writing a letter. You said,

391
00:22:09,359 --> 00:22:16,880
Speaker 1: leave drinks, leave, fuck your percentage sucking money, just leave

392
00:22:17,440 --> 00:22:20,800
Speaker 1: and go now right. They said that they broke the

393
00:22:20,840 --> 00:22:23,879
Speaker 1: integrity of the magazine by putting the story in US,

394
00:22:24,440 --> 00:22:26,720
Speaker 1: and you know, and that you know, I was this

395
00:22:26,880 --> 00:22:30,080
Speaker 1: bad guy and all the ships. So they had put

396
00:22:30,119 --> 00:22:32,440
Speaker 1: the letter around, sent it to everybody in the industry,

397
00:22:32,760 --> 00:22:36,479
Speaker 1: radio stations, record labels like it just you know, so man,

398
00:22:36,640 --> 00:22:38,119
Speaker 1: it kind of sucked us up. That was like the

399
00:22:38,160 --> 00:22:40,280
Speaker 1: first time we started getting like, you know, like a

400
00:22:40,359 --> 00:22:42,960
Speaker 1: bad rep in the industry because we wasn't from New York.

401
00:22:43,240 --> 00:22:45,560
Speaker 1: You know, New York look out for New York back then,

402
00:22:45,640 --> 00:22:47,480
Speaker 1: you know what I'm saying. We were right down the

403
00:22:47,520 --> 00:22:49,720
Speaker 1: street New York. Wasn't working with Boston like that, you

404
00:22:49,760 --> 00:22:52,760
Speaker 1: know what I'm saying. So um as far as hip

405
00:22:52,800 --> 00:22:56,399
Speaker 1: hop goes, so um. Yeah. Like and then you know,

406
00:22:57,160 --> 00:23:00,160
Speaker 1: Dave and then firing all of them. He bought out

407
00:23:00,240 --> 00:23:02,920
Speaker 1: the other three partners and then came to me because

408
00:23:02,920 --> 00:23:04,280
Speaker 1: I stuck with him. You know, I had to go

409
00:23:04,400 --> 00:23:05,960
Speaker 1: up to New York and kind of you know, stand

410
00:23:06,040 --> 00:23:07,440
Speaker 1: by the side because you know, it was getting a

411
00:23:07,440 --> 00:23:09,000
Speaker 1: little crazy. You know what I'm saying. They was threatening

412
00:23:09,080 --> 00:23:12,480
Speaker 1: them and ship and it's all based and solely around

413
00:23:12,640 --> 00:23:16,119
Speaker 1: because of that article period period. And it wasn't like

414
00:23:16,160 --> 00:23:18,640
Speaker 1: it was an article saying the music is this good

415
00:23:18,800 --> 00:23:23,920
Speaker 1: that just like days, these are days. Friends. They should

416
00:23:23,920 --> 00:23:26,359
Speaker 1: not be in the magazine. They don't deserve it, they

417
00:23:26,359 --> 00:23:28,200
Speaker 1: don't deserve a feature. And at that time you're not

418
00:23:28,240 --> 00:23:31,800
Speaker 1: considered the partner. Correct, No, not okay, So this article

419
00:23:31,880 --> 00:23:33,920
Speaker 1: comes out, they do this, you can come to New York.

420
00:23:34,880 --> 00:23:36,720
Speaker 1: At that time, I was getting more money in the Source,

421
00:23:36,800 --> 00:23:39,320
Speaker 1: you know Instry. That's like you know what I'm saying.

422
00:23:39,640 --> 00:23:41,080
Speaker 1: It wasn't you know, I mean like they was doing

423
00:23:41,119 --> 00:23:43,480
Speaker 1: their thing. But it just was just every time I

424
00:23:43,480 --> 00:23:45,600
Speaker 1: would go, like I throughout my whole life, I never

425
00:23:45,640 --> 00:23:49,320
Speaker 1: had an office in the Source. Ever, office. I would

426
00:23:49,359 --> 00:23:51,159
Speaker 1: always just go up there Dave's country be and not

427
00:23:51,320 --> 00:23:53,280
Speaker 1: just sit there smoking blunt. We would just talk about

428
00:23:53,280 --> 00:23:55,520
Speaker 1: any meetings whatever. But I never had an office. I

429
00:23:55,640 --> 00:23:58,520
Speaker 1: never felt comfortable at the Source. My whole time there

430
00:23:58,640 --> 00:24:01,360
Speaker 1: with the staff felt like and then sometimes I would

431
00:24:01,480 --> 00:24:03,200
Speaker 1: want to smoke weed with him, bring him to the

432
00:24:03,280 --> 00:24:05,720
Speaker 1: fire escape and try to be cool. As time went

433
00:24:05,760 --> 00:24:08,359
Speaker 1: on and ended up that you know, hey, you know,

434
00:24:08,560 --> 00:24:10,200
Speaker 1: do you think you could talk to Dave Man about

435
00:24:10,240 --> 00:24:11,480
Speaker 1: my pay? Do you think you could talk to that?

436
00:24:11,680 --> 00:24:13,360
Speaker 1: Do you think you could? It was always them coming

437
00:24:13,400 --> 00:24:15,040
Speaker 1: to me because Dave was always kind of like the

438
00:24:15,080 --> 00:24:17,200
Speaker 1: mean one to kind of flipped. But back then, like

439
00:24:17,280 --> 00:24:19,560
Speaker 1: they all walked out day fire, them came to me

440
00:24:19,640 --> 00:24:21,879
Speaker 1: and said, Yo, it's just me and you. You know

441
00:24:21,920 --> 00:24:23,960
Speaker 1: what I'm saying. I'll give you half the magazine and

442
00:24:24,000 --> 00:24:27,359
Speaker 1: half the percentage. And I was like, all right then

443
00:24:27,520 --> 00:24:29,119
Speaker 1: then still see no money. It was not like you

444
00:24:29,200 --> 00:24:31,080
Speaker 1: gave me some money and then you signed an actual

445
00:24:31,119 --> 00:24:35,479
Speaker 1: cars tract. No, this is a handshake, just a handshake. Um,

446
00:24:36,040 --> 00:24:37,560
Speaker 1: do we sign a contract? I don't know, that's a

447
00:24:37,560 --> 00:24:39,840
Speaker 1: good question. Maybe maybe now I don't even remember. I

448
00:24:39,920 --> 00:24:42,240
Speaker 1: just remember, like I do remember him saying, look, you

449
00:24:42,280 --> 00:24:44,040
Speaker 1: want to get down, you know you want? I was like, yeah,

450
00:24:44,119 --> 00:24:46,240
Speaker 1: why not? You know what I'm saying. But I really

451
00:24:46,280 --> 00:24:48,520
Speaker 1: didn't do anything for a while, Like I didn't do ship.

452
00:24:48,920 --> 00:24:50,360
Speaker 1: It wasn't nothing. I was, you know what I'm saying.

453
00:24:50,400 --> 00:24:53,000
Speaker 1: But as time went on, I learned more about the

454
00:24:53,040 --> 00:24:55,920
Speaker 1: business and branding of it, and then finding other ways

455
00:24:55,960 --> 00:24:59,400
Speaker 1: to get money outside just the pages, like the Source

456
00:24:59,440 --> 00:25:01,480
Speaker 1: Awards had lot to do with me. And you also

457
00:25:01,560 --> 00:25:04,480
Speaker 1: created onside hype right, No, no, unsigned happed. Wasn't mind

458
00:25:04,600 --> 00:25:07,000
Speaker 1: that that was that was the source of Maddie Maddie

459
00:25:07,520 --> 00:25:10,800
Speaker 1: see some run outside that. Yeah, not like I didn't.

460
00:25:10,920 --> 00:25:13,280
Speaker 1: I didn't you know, Five Mix wasn't Hid did none

461
00:25:13,280 --> 00:25:15,960
Speaker 1: of that. But the things like the Source hip Hop Hits,

462
00:25:16,280 --> 00:25:19,520
Speaker 1: the Source Awards, Source All Access TV show with Lisa

463
00:25:19,600 --> 00:25:20,840
Speaker 1: Ray and Tretch. You know what I'm saying, we had

464
00:25:20,880 --> 00:25:25,879
Speaker 1: on syndication um and then like my presence, I always

465
00:25:25,920 --> 00:25:29,720
Speaker 1: felt like this, do you do y'all know? Do y'all

466
00:25:29,760 --> 00:25:33,200
Speaker 1: know anybody that XXL from the streets? Like can y'all

467
00:25:33,280 --> 00:25:35,120
Speaker 1: like when you think Excel, do you think of any

468
00:25:35,160 --> 00:25:45,000
Speaker 1: nigger from the street Vibe magazine. People wanna understand, hip

469
00:25:45,040 --> 00:25:47,680
Speaker 1: hop wasn't made in colleges. Hip hop wasn't made in

470
00:25:47,720 --> 00:25:50,760
Speaker 1: the boardrooms. Hip Hop was made in the ghettos and

471
00:25:50,840 --> 00:25:53,840
Speaker 1: the streets. And that's and and people people take that

472
00:25:53,960 --> 00:25:57,080
Speaker 1: for granted. But that's just what the funk it is,

473
00:25:57,320 --> 00:25:58,959
Speaker 1: you know what I'm saying. The people from the streets,

474
00:25:59,280 --> 00:26:04,280
Speaker 1: you know, that's like you know your whole dead, you

475
00:26:04,760 --> 00:26:07,800
Speaker 1: know what I'm saying. But there is a room now nowadays,

476
00:26:07,880 --> 00:26:10,200
Speaker 1: there is a place for this college map Like you

477
00:26:10,280 --> 00:26:12,399
Speaker 1: have a Kanye West as example, It's involved and you

478
00:26:12,520 --> 00:26:16,200
Speaker 1: have a Parole as an example, or lou Paper. But

479
00:26:16,800 --> 00:26:18,800
Speaker 1: of course you're saying this is at the original, this

480
00:26:18,920 --> 00:26:26,000
Speaker 1: is the origin of it. Yeah, okay, being part of

481
00:26:26,040 --> 00:26:32,800
Speaker 1: the show, God damn it, Harry go Hey, alright, alright,

482
00:26:35,280 --> 00:26:38,320
Speaker 1: so what were we talking about? A little clazy? You

483
00:26:38,560 --> 00:26:40,719
Speaker 1: could argue the same thing that you're saying. That has

484
00:26:40,760 --> 00:26:43,000
Speaker 1: to do with where the music comes from, and and

485
00:26:43,320 --> 00:26:46,040
Speaker 1: these guys running the magazine is the same for the

486
00:26:46,119 --> 00:26:48,760
Speaker 1: industry as a whole, like the record labels, guys that

487
00:26:48,840 --> 00:26:52,200
Speaker 1: were marrying the music that weren't from that's always been places.

488
00:26:52,520 --> 00:26:56,160
Speaker 1: My problem is they don't respect people that the industry

489
00:26:56,240 --> 00:26:58,480
Speaker 1: never respected the streets. You know what I'm saying, They

490
00:26:58,560 --> 00:27:00,480
Speaker 1: never respect the streets. And that's why I was what

491
00:27:00,560 --> 00:27:02,399
Speaker 1: I brought to the source. I think I brought a

492
00:27:02,520 --> 00:27:06,000
Speaker 1: credibility because after a while, you know, I started like, yeah,

493
00:27:06,200 --> 00:27:08,919
Speaker 1: so this is my magazine. I started getting more involved

494
00:27:08,960 --> 00:27:11,000
Speaker 1: with the covers and more involved with decision making. Like

495
00:27:11,359 --> 00:27:16,400
Speaker 1: I hired Kim as the first female editor. Never never

496
00:27:16,480 --> 00:27:19,000
Speaker 1: happened before, yet she got hired as the first editor.

497
00:27:19,200 --> 00:27:24,560
Speaker 1: M Carlito Rodriguez, he came was locked up him right

498
00:27:24,600 --> 00:27:28,359
Speaker 1: out of jail, Moras. Oh, listen, a lot of a

499
00:27:28,440 --> 00:27:30,280
Speaker 1: lot of these people from the soul. So are these guys.

500
00:27:30,320 --> 00:27:32,879
Speaker 1: They were all doing amazing things with networks and everything, right,

501
00:27:33,280 --> 00:27:36,639
Speaker 1: but but a lot of them was you know, you know,

502
00:27:36,840 --> 00:27:46,480
Speaker 1: I mean that to Tari Over with TV producer over

503
00:27:46,560 --> 00:27:48,960
Speaker 1: it growing up hip hop? He was I thought he

504
00:27:49,000 --> 00:27:50,320
Speaker 1: was gonna be a part of growing up hip hop.

505
00:27:50,400 --> 00:27:53,239
Speaker 1: What'll happened? Oh man, pip hop man, there's a lot

506
00:27:53,280 --> 00:27:56,880
Speaker 1: of That's a whole other story, whole other story. I mean,

507
00:27:57,920 --> 00:27:59,920
Speaker 1: you know, it was just you know what I'm saying,

508
00:28:00,280 --> 00:28:01,960
Speaker 1: they wanted me and my daughter. They want to court.

509
00:28:03,200 --> 00:28:07,160
Speaker 1: You know what I'm saying, They wanted court. Yeah, yeah, yeah, yeah, man,

510
00:28:07,240 --> 00:28:09,639
Speaker 1: she's she's doing her thing. But you know, you know

511
00:28:09,680 --> 00:28:13,200
Speaker 1: what I'm saying, family things, you know what I'm saying.

512
00:28:13,640 --> 00:28:16,639
Speaker 1: So we didn't decide to do it, you know what

513
00:28:16,680 --> 00:28:18,399
Speaker 1: I'm saying. Yeah, you don't have to talk about that.

514
00:28:19,240 --> 00:28:21,400
Speaker 1: Yeah you know, yeah definitely. But all right, so let's

515
00:28:21,400 --> 00:28:23,760
Speaker 1: getting back to the sauce. So now he comes to

516
00:28:23,800 --> 00:28:27,880
Speaker 1: you when he says fifty and so now there wasn't

517
00:28:27,880 --> 00:28:29,639
Speaker 1: no money, I don't get no money nothing. Okay, but

518
00:28:30,080 --> 00:28:32,200
Speaker 1: what time frame we're talking about so we couldn't understand what.

519
00:28:32,240 --> 00:28:34,840
Speaker 1: You'll be honest with you, I still I still wasn't

520
00:28:34,880 --> 00:28:37,320
Speaker 1: like I'm getting ready to get big money. Even when

521
00:28:37,359 --> 00:28:39,440
Speaker 1: he made me a pardner, I still wasn't like I'm

522
00:28:39,480 --> 00:28:41,640
Speaker 1: gonna get millions of dollars like I didn't think about

523
00:28:41,640 --> 00:28:44,400
Speaker 1: of that, you know what I'm saying. When the money came,

524
00:28:44,480 --> 00:28:47,360
Speaker 1: it just was like a blood because it was just

525
00:28:47,520 --> 00:28:50,560
Speaker 1: like what the funk man, Like after after they got

526
00:28:50,640 --> 00:28:53,120
Speaker 1: fired and we cleaned house, that's when everything just started

527
00:28:53,160 --> 00:28:55,760
Speaker 1: going crazy. Like I mean, it was just it was

528
00:28:55,840 --> 00:28:58,040
Speaker 1: just too much money. And I didn't I didn't, you

529
00:28:58,040 --> 00:29:00,160
Speaker 1: know what's like, because you just you just just you

530
00:29:00,280 --> 00:29:04,280
Speaker 1: didn't think about money and didn't you because when he

531
00:29:04,400 --> 00:29:06,800
Speaker 1: made me a partner, I'm like, you're like, why cool?

532
00:29:06,840 --> 00:29:09,560
Speaker 1: Whatever you know I tried to do, I wasn't making

533
00:29:09,560 --> 00:29:12,280
Speaker 1: money prior to that, right, I'm to out legally right,

534
00:29:12,360 --> 00:29:14,400
Speaker 1: I was getting my street on. Okay, all right, that's

535
00:29:14,400 --> 00:29:18,320
Speaker 1: not so about all right? So how long after when

536
00:29:18,400 --> 00:29:22,360
Speaker 1: you became a partner the money actually come in. Let's

537
00:29:22,400 --> 00:29:29,440
Speaker 1: see years, years, yeah, years, like ninety nine, Like I

538
00:29:29,600 --> 00:29:32,720
Speaker 1: wasn't but you started at night? No, no, like no, no,

539
00:29:32,840 --> 00:29:35,920
Speaker 1: I probably like ninety four, so years later I probably

540
00:29:36,000 --> 00:29:38,440
Speaker 1: got started seeing money from the source of ninety nine,

541
00:29:38,600 --> 00:29:44,000
Speaker 1: maybe around maybe, but from Nino oh three crazy. It's

542
00:29:44,080 --> 00:29:47,040
Speaker 1: like the Wolf of Wall Street. You're sucking out, sucking

543
00:29:47,080 --> 00:30:08,440
Speaker 1: anything out there. Stottle. Yeah, it was a good time

544
00:30:08,520 --> 00:30:11,560
Speaker 1: because I mean we was getting twenty five thousand dollars

545
00:30:11,560 --> 00:30:16,280
Speaker 1: and that, and we had eight eight ads every month. Correct.

546
00:30:17,040 --> 00:30:21,000
Speaker 1: It was like I just look, I remember, I was like,

547
00:30:21,240 --> 00:30:22,480
Speaker 1: I mean we would we would go to l A

548
00:30:22,520 --> 00:30:24,880
Speaker 1: and we would just like spend hundreds of thousands of

549
00:30:24,960 --> 00:30:27,320
Speaker 1: hotel rooms and just stayed it for months, like at

550
00:30:27,360 --> 00:30:30,280
Speaker 1: the Beverly Hills and just sitting I wouldn't want to leave.

551
00:30:30,440 --> 00:30:32,240
Speaker 1: They'll be like, yeah, we're gonna I'm not gonna stay

552
00:30:32,240 --> 00:30:33,600
Speaker 1: here for a few more weeks and ship. You know

553
00:30:33,600 --> 00:30:35,760
Speaker 1: what I'm saying. I just didn't have any like you

554
00:30:35,800 --> 00:30:37,240
Speaker 1: know what I'm saying. I just thought that the money

555
00:30:37,400 --> 00:30:40,440
Speaker 1: and see I never questioned Dave with the books or anything,

556
00:30:41,200 --> 00:30:43,000
Speaker 1: you know, I just know that I had a couple

557
00:30:43,040 --> 00:30:46,640
Speaker 1: of cards and I was tanying off to the film

558
00:30:46,680 --> 00:30:49,160
Speaker 1: off the Motherfucker's you know what I'm saying, And all

559
00:30:49,240 --> 00:30:50,680
Speaker 1: my niggas just like how you. That's why I love

560
00:30:50,720 --> 00:30:52,680
Speaker 1: you because you all your niggas and it's the same

561
00:30:52,760 --> 00:30:55,160
Speaker 1: faces I had. I was bringing my niggas all over

562
00:30:55,200 --> 00:30:57,800
Speaker 1: the world, eating lobsters and stay. You know what I'm saying,

563
00:30:57,920 --> 00:31:00,440
Speaker 1: Like you know I stayed at the Beverly Hills. I'd

564
00:31:00,480 --> 00:31:02,040
Speaker 1: be in the bungalow, but they'd still be in the

565
00:31:02,120 --> 00:31:04,640
Speaker 1: main spot, which is still beautiful. Like you know what

566
00:31:04,680 --> 00:31:06,520
Speaker 1: I'm saying. So you know, no, you know what I mean. Like,

567
00:31:06,960 --> 00:31:10,280
Speaker 1: so you know, but but I didn't save anything. You

568
00:31:10,320 --> 00:31:12,240
Speaker 1: know what I'm saying. I didn't say nothing. Know what

569
00:31:12,240 --> 00:31:15,440
Speaker 1: I'm saying. It was supposed to supposed to like every

570
00:31:15,520 --> 00:31:21,880
Speaker 1: night you got a little life man, You got a

571
00:31:21,920 --> 00:31:24,160
Speaker 1: little life man. Yeah but yeah, but yeah, but yeah,

572
00:31:24,160 --> 00:31:26,440
Speaker 1: but yeah but if if if I didn't, if I

573
00:31:26,480 --> 00:31:28,360
Speaker 1: didn't know to invest some ship, then you know what

574
00:31:28,360 --> 00:31:31,920
Speaker 1: I'm saying. You know I would invest the track right now?

575
00:31:32,480 --> 00:31:34,160
Speaker 1: What is that open? That's open already? Or no? We

576
00:31:34,240 --> 00:31:35,880
Speaker 1: got about a couple more weeks now we put a

577
00:31:35,960 --> 00:31:39,520
Speaker 1: new hood and what was what southdcap all got to

578
00:31:39,560 --> 00:31:43,720
Speaker 1: be soft? What South decap the cab South Decap the

579
00:31:43,880 --> 00:31:49,840
Speaker 1: cab South South Decabb. You know what actually you trying

580
00:31:49,880 --> 00:32:01,000
Speaker 1: to put on I try to South Cat. Why That's

581
00:32:01,120 --> 00:32:03,280
Speaker 1: That's one thing I know about you. You really really

582
00:32:03,360 --> 00:32:05,800
Speaker 1: know how to cook, like you really know how to cook.

583
00:32:06,000 --> 00:32:09,680
Speaker 1: Like you had the best trimming grits I ever had.

584
00:32:09,880 --> 00:32:12,160
Speaker 1: It's like you just came over that. That's because you

585
00:32:12,320 --> 00:32:14,320
Speaker 1: you you know I'm talking about you know what I'm

586
00:32:14,320 --> 00:32:15,840
Speaker 1: talking about. It just one day, were just at the

587
00:32:15,880 --> 00:32:17,800
Speaker 1: crib and we were just bored. He was like, you

588
00:32:18,040 --> 00:32:19,640
Speaker 1: went through my ship and it's like, oh, I'm gonna

589
00:32:19,720 --> 00:32:22,200
Speaker 1: look this right now. And I was like, like it

590
00:32:22,280 --> 00:32:24,880
Speaker 1: was just and you just you wasn't even prepared, like

591
00:32:24,960 --> 00:32:27,240
Speaker 1: that's how and it was just so he gave me

592
00:32:27,360 --> 00:32:31,760
Speaker 1: some shrimps right with that Tofu Yeah, yeah, yeah, just

593
00:32:31,880 --> 00:32:34,640
Speaker 1: the funny ship. Right, it's just tofu. But they cut

594
00:32:34,720 --> 00:32:37,520
Speaker 1: it like it's and they put two little black eyes,

595
00:32:39,120 --> 00:32:43,600
Speaker 1: like what the fund is this? But but they put

596
00:32:43,640 --> 00:32:47,840
Speaker 1: a bay on it, so like it tastes like you know,

597
00:32:47,960 --> 00:32:53,760
Speaker 1: it tastes like slime on it. And he's also blacks

598
00:32:55,320 --> 00:32:57,560
Speaker 1: in the first only person in the history of life

599
00:32:57,640 --> 00:33:00,840
Speaker 1: to bring pork in my house, and he brings park

600
00:33:00,880 --> 00:33:03,320
Speaker 1: in my house. He brought the park shoulder. I didn't

601
00:33:03,320 --> 00:33:06,000
Speaker 1: even think a pink got a shoulder. My dude, like,

602
00:33:06,120 --> 00:33:08,960
Speaker 1: how did you know that this thing I brought? I

603
00:33:09,000 --> 00:33:11,800
Speaker 1: thought I was doing something right thanks Giving I'm saying.

604
00:33:11,840 --> 00:33:25,360
Speaker 1: I'm thinking he's porter we kid. I'm saying, we showder

605
00:33:27,520 --> 00:33:31,880
Speaker 1: it's the truth. Just thinking maybe take the park show

606
00:33:31,920 --> 00:33:35,480
Speaker 1: to put it in the liver room a punk show.

607
00:33:35,640 --> 00:33:48,080
Speaker 1: Was sitting by the team. He was madest man, so said,

608
00:33:48,480 --> 00:33:52,000
Speaker 1: he gives you and what part would you started taking

609
00:33:52,040 --> 00:33:53,560
Speaker 1: it serious when he was like, you know what, this

610
00:33:53,680 --> 00:33:57,600
Speaker 1: can be my my ticket to get out of the streets. Man,

611
00:33:58,400 --> 00:33:59,880
Speaker 1: I don't, man, I swear like they was just the

612
00:34:00,040 --> 00:34:03,280
Speaker 1: time where I was just doing so much drugs or

613
00:34:03,320 --> 00:34:06,560
Speaker 1: spending so much money and running around with females and

614
00:34:06,720 --> 00:34:09,200
Speaker 1: just doing all kind of ships. It's like I really

615
00:34:09,239 --> 00:34:11,440
Speaker 1: didn't like it was. It was a time where definitely

616
00:34:12,320 --> 00:34:14,520
Speaker 1: I didn't I didn't look at I didn't look at

617
00:34:14,560 --> 00:34:16,680
Speaker 1: things for probably what the way I should have been

618
00:34:16,719 --> 00:34:18,160
Speaker 1: looking at him. You know what I'm saying. I just

619
00:34:18,239 --> 00:34:19,920
Speaker 1: the money was coming and I was just spending it.

620
00:34:19,960 --> 00:34:23,320
Speaker 1: I wasn't writing articles in the magazine. You know what

621
00:34:23,360 --> 00:34:28,400
Speaker 1: I'm saying. You know, um, I think I think there

622
00:34:28,440 --> 00:34:33,080
Speaker 1: was a period of time like maybe maybe, like oh maybe,

623
00:34:33,120 --> 00:34:35,440
Speaker 1: like oh one where you know what I'm saying with

624
00:34:35,560 --> 00:34:37,640
Speaker 1: the Source Awards and everything, doing a few of them.

625
00:34:37,719 --> 00:34:39,960
Speaker 1: And you see, because with me, I always felt like

626
00:34:40,080 --> 00:34:43,239
Speaker 1: nobody liked me. I felt like nobody like gave me

627
00:34:43,320 --> 00:34:46,160
Speaker 1: credit anyways. Like anytime I felt like I did do something,

628
00:34:46,200 --> 00:34:47,960
Speaker 1: I never got credit for it from the people at

629
00:34:48,000 --> 00:34:50,719
Speaker 1: the staff. I never got credit from like you know,

630
00:34:50,920 --> 00:34:53,160
Speaker 1: I already got a bad rep you know what I'm

631
00:34:53,200 --> 00:34:55,520
Speaker 1: saying with with everybody in the industry, like you know

632
00:34:55,520 --> 00:34:57,080
Speaker 1: what I'm saying. So it's almost like I had to

633
00:34:57,120 --> 00:35:00,560
Speaker 1: wear that ship where it's like what was man dahn?

634
00:35:00,560 --> 00:35:02,719
Speaker 1: They don't like me anyway. So it was like a

635
00:35:02,719 --> 00:35:04,120
Speaker 1: point where I was like, funky, I'm not gonna get

636
00:35:04,160 --> 00:35:07,000
Speaker 1: the credit for anyway, So funk them, Funk everybody who cares.

637
00:35:07,640 --> 00:35:10,759
Speaker 1: And I remember, I never forget it when we lost

638
00:35:10,840 --> 00:35:13,520
Speaker 1: the Source, right we're in New York's New York's rough,

639
00:35:13,680 --> 00:35:16,640
Speaker 1: like New York's rough on athletes, anybody like you could

640
00:35:16,680 --> 00:35:19,400
Speaker 1: have just won three World Series and you sucked the

641
00:35:19,760 --> 00:35:21,840
Speaker 1: last two years, get out, we don't even give a

642
00:35:21,880 --> 00:35:24,239
Speaker 1: funk about it. I felt like that with the Source,

643
00:35:24,280 --> 00:35:26,440
Speaker 1: and we lost that it was like I felt like

644
00:35:26,520 --> 00:35:29,600
Speaker 1: the whole New York, in the whole industry was just like, yeah, nigga,

645
00:35:29,640 --> 00:35:31,440
Speaker 1: you lost it. See lay to get the funk out

646
00:35:31,520 --> 00:35:33,480
Speaker 1: of here. And it was like, you know, it was

647
00:35:33,560 --> 00:35:36,120
Speaker 1: it was, it was. It was like it was when

648
00:35:36,160 --> 00:35:38,880
Speaker 1: y'all was up. No, not me. I was never. I

649
00:35:38,960 --> 00:35:41,520
Speaker 1: mean Dave Dyve used to rub you know a few

650
00:35:41,680 --> 00:35:43,080
Speaker 1: because day it was like, you know what I'm saying,

651
00:35:43,120 --> 00:35:45,239
Speaker 1: like a real harsh type of guy, like you know

652
00:35:45,400 --> 00:35:48,160
Speaker 1: business and you know, like the Hawk, But me, you

653
00:35:48,200 --> 00:35:49,960
Speaker 1: know what I'm saying. Nah, Hell no, I was I'm

654
00:35:49,960 --> 00:35:52,520
Speaker 1: the same nigga like and nigga's noticed, man, you know

655
00:35:52,560 --> 00:35:54,120
Speaker 1: what I'm saying, Like you wouldn't even know whether I

656
00:35:54,239 --> 00:35:56,560
Speaker 1: had money or not, because I'm just gonna be the

657
00:35:56,600 --> 00:35:58,640
Speaker 1: same nigga. Like if you all around and we're together,

658
00:35:59,280 --> 00:36:02,560
Speaker 1: we're gonna smoke eat. If I'm shopping with y'all, everybody

659
00:36:02,640 --> 00:36:04,520
Speaker 1: gets something like, I don't you know what I'm saying.

660
00:36:04,560 --> 00:36:07,160
Speaker 1: I never really because I was always getting money in

661
00:36:07,200 --> 00:36:09,080
Speaker 1: the streets anyway. So it's not like and even when

662
00:36:09,080 --> 00:36:10,719
Speaker 1: I lost the source, I felt like ship I go

663
00:36:10,840 --> 00:36:13,719
Speaker 1: back to the streets. I felt bad for Dave. But wait,

664
00:36:13,760 --> 00:36:16,040
Speaker 1: wait before you lost it. You guys lost the sorce.

665
00:36:16,239 --> 00:36:18,799
Speaker 1: Is there any truth to everybody saying that you were

666
00:36:19,400 --> 00:36:23,160
Speaker 1: you're giving yourselves a mix and you was giving yourself No, no, not.

667
00:36:23,239 --> 00:36:24,960
Speaker 1: The only time I gave myself the mix was the

668
00:36:25,000 --> 00:36:27,719
Speaker 1: Eminem situation, and I had it. I felt like at

669
00:36:27,760 --> 00:36:30,120
Speaker 1: that point because it was me against the staff, me

670
00:36:30,200 --> 00:36:32,960
Speaker 1: against everybody. I felt like at that point, I was like,

671
00:36:33,080 --> 00:36:35,480
Speaker 1: funk everybody. I just I was in a I was

672
00:36:35,560 --> 00:36:38,840
Speaker 1: in a dark place where I felt like I'm standing

673
00:36:38,920 --> 00:36:41,000
Speaker 1: up for something that's right. I know deep down what

674
00:36:41,040 --> 00:36:43,279
Speaker 1: I'm standing for. It's just not rapping, but I just

675
00:36:43,400 --> 00:36:47,040
Speaker 1: felt like nobody backed me. Nobody. I felt like the industry,

676
00:36:47,120 --> 00:36:48,719
Speaker 1: you know what I'm saying, And I had to learn

677
00:36:48,760 --> 00:36:51,080
Speaker 1: it's the hallway, Like you can't look at the industry

678
00:36:51,200 --> 00:36:55,839
Speaker 1: to be um righteous, loyal righteous. You know, you can't

679
00:36:55,840 --> 00:36:58,680
Speaker 1: look at them to be revolution and it's about making

680
00:36:58,719 --> 00:37:00,840
Speaker 1: money and you know what, I'm at that point that

681
00:37:01,200 --> 00:37:03,440
Speaker 1: maybe because I was already making money, I just took

682
00:37:03,480 --> 00:37:05,279
Speaker 1: it for granted people because I didn't have to answer

683
00:37:05,320 --> 00:37:07,120
Speaker 1: to nobody, like I was at the top of the

684
00:37:07,160 --> 00:37:11,200
Speaker 1: food change what you had, grditance to do it all

685
00:37:11,239 --> 00:37:13,200
Speaker 1: over what you do the Eminem thing in the same way,

686
00:37:13,960 --> 00:37:15,719
Speaker 1: it's hard to say that. It's hard. It's hard to

687
00:37:15,760 --> 00:37:17,319
Speaker 1: go back and say what you do anything is over

688
00:37:17,719 --> 00:37:21,120
Speaker 1: because because it's like, you know what I'm saying like that.

689
00:37:21,840 --> 00:37:25,000
Speaker 1: You know, at that time I was I felt deep

690
00:37:25,040 --> 00:37:28,880
Speaker 1: about my my what I was. You know what I

691
00:37:29,000 --> 00:37:31,319
Speaker 1: was standing for. You know what I'm saying. My thing

692
00:37:31,520 --> 00:37:34,520
Speaker 1: was hip hop. And I always said this and people

693
00:37:34,520 --> 00:37:37,080
Speaker 1: have heard it before. Hip hop is the only thing

694
00:37:37,200 --> 00:37:40,120
Speaker 1: that made white people come to the culture, buy into

695
00:37:40,160 --> 00:37:43,640
Speaker 1: the culture, spend money, and also interact with the culture

696
00:37:43,719 --> 00:37:47,000
Speaker 1: through hip hop. Nothing else has happened. Nothing's nothing else

697
00:37:47,200 --> 00:37:50,280
Speaker 1: that brought white people to black people then that Okay,

698
00:37:50,560 --> 00:37:55,280
Speaker 1: So I felt like once they get a white rapper

699
00:37:55,400 --> 00:37:57,560
Speaker 1: and make him white where that white people want to

700
00:37:57,600 --> 00:37:59,920
Speaker 1: buy him, then they then they funk with that balance

701
00:38:00,440 --> 00:38:03,560
Speaker 1: because now white people, we'll just funk with him because

702
00:38:03,880 --> 00:38:06,279
Speaker 1: because of the skin color. Before they had to come

703
00:38:06,320 --> 00:38:09,520
Speaker 1: funk with us because that's the music. Like I didn't

704
00:38:09,520 --> 00:38:11,919
Speaker 1: feel that way about the Beastie Boys, I didn't feel

705
00:38:11,920 --> 00:38:14,200
Speaker 1: that way about Third Base. Out of it with Eminem,

706
00:38:14,280 --> 00:38:17,600
Speaker 1: I just felt like, Okay, hip hop is big now.

707
00:38:17,680 --> 00:38:20,080
Speaker 1: It's a pop. Now, now we need a white people

708
00:38:20,120 --> 00:38:22,880
Speaker 1: are buying into it. Excuse me, Now we need a

709
00:38:22,920 --> 00:38:25,560
Speaker 1: white person to represent the white people. And that's just

710
00:38:25,680 --> 00:38:29,160
Speaker 1: what happened. What I said happened happened period, Like anybody

711
00:38:29,520 --> 00:38:32,919
Speaker 1: that even tries to food himself, like like he came

712
00:38:33,000 --> 00:38:35,200
Speaker 1: in and there was a whole there's a whole whole.

713
00:38:36,000 --> 00:38:39,640
Speaker 1: There's a whole demographic of white people who just ain't

714
00:38:39,719 --> 00:38:42,600
Speaker 1: fucking with niggas, period. I don't give a funk. They

715
00:38:42,640 --> 00:38:44,960
Speaker 1: just ain't fuck Those are the guys who vote for

716
00:38:45,200 --> 00:38:49,360
Speaker 1: Donald Trump. You know, no matter what fun policies, you

717
00:38:49,400 --> 00:38:52,160
Speaker 1: don't funk with niggas, then we're fucking with you, all right.

718
00:38:52,200 --> 00:38:54,200
Speaker 1: And it's just it's it's a it's a color thing,

719
00:38:54,239 --> 00:38:56,480
Speaker 1: it's a tribe thing that that's That's just what it is.

720
00:38:56,719 --> 00:38:59,640
Speaker 1: And since they outnumber black people, since white people out

721
00:38:59,840 --> 00:39:02,040
Speaker 1: black people, they're gonna win, you know what I'm saying.

722
00:39:02,320 --> 00:39:06,439
Speaker 1: So so I just felt like Eminem, and Eminem didn't

723
00:39:06,440 --> 00:39:07,960
Speaker 1: even have to be the one I'm gonna say because

724
00:39:07,960 --> 00:39:11,160
Speaker 1: it's necessarily his fault. But but but right, right, But

725
00:39:11,760 --> 00:39:14,600
Speaker 1: but when you look at the Eminem siture, hip hop

726
00:39:14,760 --> 00:39:17,120
Speaker 1: is more than just rap. It's a culture, it's a

727
00:39:17,360 --> 00:39:20,120
Speaker 1: it's it's our life. It's just isn't rap, it is

728
00:39:20,120 --> 00:39:21,879
Speaker 1: just this isn't wrap. You know what I'm saying, it's

729
00:39:22,040 --> 00:39:24,759
Speaker 1: it's it's our life. So you know, to him, I'm

730
00:39:24,800 --> 00:39:28,320
Speaker 1: sure it's wrap. You know what I'm saying. But unless

731
00:39:28,920 --> 00:39:31,279
Speaker 1: you grew up in the culture, you could never know.

732
00:39:31,360 --> 00:39:34,359
Speaker 1: I don't feel Eminem is of the culture himself. He's

733
00:39:34,480 --> 00:39:40,200
Speaker 1: he raps of of the culture of of no, no, no, no.

734
00:39:40,320 --> 00:39:42,839
Speaker 1: Eminem is not in the culture that I'm from. That's

735
00:39:42,880 --> 00:39:44,680
Speaker 1: not a bad thing. I'm not mad at that. A

736
00:39:44,719 --> 00:39:47,759
Speaker 1: lot of people ain't. But he's not. We're not from

737
00:39:47,760 --> 00:39:50,120
Speaker 1: the same coaches. He grew up one way. I grew

738
00:39:50,200 --> 00:39:52,600
Speaker 1: up a whole different way. That's where you come. You

739
00:39:52,640 --> 00:39:54,840
Speaker 1: know what I'm saying. That's what I mean culture, You

740
00:39:54,880 --> 00:39:57,359
Speaker 1: know what I'm saying, Like he grew up where there

741
00:39:57,440 --> 00:40:00,919
Speaker 1: was not too many black people and growing up around

742
00:40:00,960 --> 00:40:03,680
Speaker 1: black people and how we live like like nor we said,

743
00:40:03,719 --> 00:40:05,239
Speaker 1: it's funny are we talking about this? And you kind

744
00:40:05,280 --> 00:40:08,879
Speaker 1: of started the conversations about prejudice. But the reason why

745
00:40:08,920 --> 00:40:11,759
Speaker 1: it's prejudice because we all have our own ship the

746
00:40:11,800 --> 00:40:14,520
Speaker 1: way we grew up each race of people. As long

747
00:40:14,600 --> 00:40:18,360
Speaker 1: as we respect it, it's good. You know what I'm saying, Like,

748
00:40:19,200 --> 00:40:21,720
Speaker 1: you don't think like somebody trying to black dude in Nascar,

749
00:40:21,840 --> 00:40:24,239
Speaker 1: he's gonna have a hard time. Like if you see

750
00:40:24,239 --> 00:40:27,720
Speaker 1: a Spanish dude and a white dude right now someone's staff,

751
00:40:28,040 --> 00:40:34,200
Speaker 1: you immediately say the Spanish dude did he I I'm

752
00:40:34,239 --> 00:40:37,040
Speaker 1: just saying. I'm just being honest, like, and I'm spanning,

753
00:40:37,200 --> 00:40:39,719
Speaker 1: so it hurts me. If there's a knife involved and

754
00:40:39,719 --> 00:40:42,239
Speaker 1: i see a Spanish doing the white dude, I'm like, oh, yeah,

755
00:40:42,239 --> 00:40:50,000
Speaker 1: you got him, that's true. I'm not agree with you. Now,

756
00:40:50,280 --> 00:40:52,400
Speaker 1: Look if there was an a K forty seven, you

757
00:40:52,440 --> 00:40:58,840
Speaker 1: know what I'm saying that you know with five schools

758
00:40:58,880 --> 00:41:01,759
Speaker 1: and you know what I'm saying, We know so, but

759
00:41:02,160 --> 00:41:15,120
Speaker 1: but this is the ship. So at one point, at

760
00:41:15,160 --> 00:41:19,719
Speaker 1: one point it had to be you know, he was

761
00:41:19,880 --> 00:41:22,680
Speaker 1: he was running the operation at one point, yeah, running it.

762
00:41:22,760 --> 00:41:24,799
Speaker 1: Like everything had to go through me, like pretty much.

763
00:41:25,200 --> 00:41:27,839
Speaker 1: I mean many years was that if you remember from

764
00:41:30,239 --> 00:41:33,960
Speaker 1: I would say two thousand to two thousand four ish

765
00:41:34,440 --> 00:41:36,600
Speaker 1: that when you had clubs Zeno out here, clubs zo

766
00:41:36,760 --> 00:41:41,000
Speaker 1: I got Maston clubs zo clubs. They know it was

767
00:41:41,040 --> 00:41:44,440
Speaker 1: not fun. Bro, it was not fun. I'll tell you

768
00:41:44,480 --> 00:41:46,759
Speaker 1: the funny ship. Listen. This is the funny ship. That's

769
00:41:46,760 --> 00:41:51,560
Speaker 1: what listen. Listen. So me, I was you and you

770
00:41:51,719 --> 00:41:53,400
Speaker 1: both hit me like you'll come to the club. So

771
00:41:53,440 --> 00:41:56,080
Speaker 1: I come to the club, my nigger. I walk in

772
00:41:56,239 --> 00:41:58,279
Speaker 1: and this is I think it's Jarrold party, but it's

773
00:41:58,320 --> 00:42:00,279
Speaker 1: your club if both my friends at the time. But

774
00:42:00,280 --> 00:42:02,239
Speaker 1: I don't want to ask for no free bottles. So

775
00:42:02,360 --> 00:42:04,959
Speaker 1: I went and I bought like five bottles about dude.

776
00:42:05,760 --> 00:42:08,439
Speaker 1: As soon as my bottles come to Eller's fight breaks out.

777
00:42:09,960 --> 00:42:13,319
Speaker 1: I'm like, I'm not leaving. I just want this ship. Yeah,

778
00:42:13,360 --> 00:42:15,560
Speaker 1: I think I don't give a funk. The whole club left.

779
00:42:15,600 --> 00:42:22,279
Speaker 1: I still didn't drink. I'm not just made for the ship.

780
00:42:24,080 --> 00:42:26,320
Speaker 1: And then the dude came and just makes everybody. So

781
00:42:26,360 --> 00:42:30,200
Speaker 1: I'm like, oh, I gotta deal with it. I gotta

782
00:42:30,239 --> 00:42:34,920
Speaker 1: deal with that fish. My ship. This is a Pops

783
00:42:35,000 --> 00:42:39,200
Speaker 1: with managing time. I mean, I just about the club

784
00:42:39,280 --> 00:42:42,200
Speaker 1: because I was tired of getting fresh, going through problems,

785
00:42:42,200 --> 00:42:44,160
Speaker 1: getting in mention everywhere. So I see know what we're

786
00:42:44,160 --> 00:42:46,000
Speaker 1: gonna get this collected. I lost a lot of money

787
00:42:46,040 --> 00:42:47,319
Speaker 1: in that club. I didn't make no money in that club.

788
00:42:47,360 --> 00:42:49,560
Speaker 1: But we have we have fun. So let's let's let's

789
00:42:49,560 --> 00:42:52,200
Speaker 1: stay on the source now. So you're sick. So everything

790
00:42:52,320 --> 00:42:54,360
Speaker 1: was running through you. When you say everything was running

791
00:42:54,360 --> 00:42:56,839
Speaker 1: through you, this is the covers, This is the mic

792
00:42:57,040 --> 00:42:58,680
Speaker 1: I was started at this point. Yeah, I was like

793
00:42:59,160 --> 00:43:02,200
Speaker 1: checking covers. I came up with the hip hop behind

794
00:43:02,280 --> 00:43:04,800
Speaker 1: Boss cover. That was one of my most influential, biggest

795
00:43:04,800 --> 00:43:11,759
Speaker 1: covers ever at that time. I think it was um Um,

796
00:43:12,440 --> 00:43:15,080
Speaker 1: I'm not sure. I know, I remember a l I

797
00:43:15,200 --> 00:43:20,160
Speaker 1: remember c murder. Um, I'm not sure it was. It was.

798
00:43:20,280 --> 00:43:21,800
Speaker 1: It was a bunch it was, it was. It was

799
00:43:21,800 --> 00:43:23,640
Speaker 1: a bunch of people, but it was no one's ever

800
00:43:23,719 --> 00:43:26,080
Speaker 1: done that. Then I would do like the double covers.

801
00:43:26,160 --> 00:43:28,080
Speaker 1: Then I was like I was coming with themed covers,

802
00:43:28,160 --> 00:43:30,040
Speaker 1: like I was really you know, we were smoking, we

803
00:43:30,080 --> 00:43:33,719
Speaker 1: were being the creative, very creative, very creative. We sit

804
00:43:33,800 --> 00:43:36,600
Speaker 1: there smoke talk Dave and Dave as a monster with

805
00:43:36,680 --> 00:43:38,440
Speaker 1: just writing everything down the notes. I mean, he's a

806
00:43:38,520 --> 00:43:41,840
Speaker 1: monster with everything You're going this house, there's notes everywhere,

807
00:43:41,960 --> 00:43:44,000
Speaker 1: Like you know what I'm saying. So you ever spent

808
00:43:44,040 --> 00:43:51,560
Speaker 1: money on um, that's stupid ass chain which one. I mean,

809
00:43:51,760 --> 00:43:54,000
Speaker 1: buying all that juwilry and then only getting like a

810
00:43:54,400 --> 00:43:56,520
Speaker 1: quarter of what you spend is the dumbest thing you

811
00:43:56,560 --> 00:43:59,480
Speaker 1: could ever do. Like, that's just real ship. That's the

812
00:43:59,520 --> 00:44:04,000
Speaker 1: biggest appreciation you could. You know, out of guns, some

813
00:44:04,120 --> 00:44:05,920
Speaker 1: people invest in guns. You get more out of out

814
00:44:05,960 --> 00:44:08,319
Speaker 1: of fire arms. Jesus, I don't know where we're going.

815
00:44:10,360 --> 00:44:18,200
Speaker 1: There's people there, yes, I know people that just investment.

816
00:44:18,200 --> 00:44:22,040
Speaker 1: I don't know where we're going because when laws changed,

817
00:44:22,120 --> 00:44:26,600
Speaker 1: the press goes up the guns. Yeah, you gotta drink something.

818
00:44:26,600 --> 00:44:28,439
Speaker 1: You're just pouring some more in but you ain't drinking

819
00:44:28,480 --> 00:44:31,200
Speaker 1: none of that. Come on, brother, Come on, brother, I

820
00:44:31,239 --> 00:44:33,360
Speaker 1: don't know if you know this. This is a platform

821
00:44:33,400 --> 00:44:35,799
Speaker 1: where we celebrate our artists. There's so many people, there's

822
00:44:35,800 --> 00:44:38,080
Speaker 1: so many places that you go after so many years,

823
00:44:38,120 --> 00:44:39,879
Speaker 1: they say, after you have ten years in this game,

824
00:44:40,160 --> 00:44:43,200
Speaker 1: you're over. You actually had you're going on, Like, damn

825
00:44:43,239 --> 00:44:50,560
Speaker 1: there thirty years in this game. Over thirty years, you

826
00:44:50,600 --> 00:44:52,320
Speaker 1: know what I'm saying. I would say, like, honestly, I

827
00:44:52,360 --> 00:44:55,360
Speaker 1: would say when I was in my grandfather's basement and

828
00:44:55,480 --> 00:44:59,320
Speaker 1: were spinning to be rail like that, you know, like

829
00:44:59,360 --> 00:45:02,759
Speaker 1: your grandfather was racist too. Grand my grandmother works. Your

830
00:45:02,760 --> 00:45:07,239
Speaker 1: grandmother wants was Puerto Rican? Okay, yeah, look like Puerto Ricans, right, Yeah,

831
00:45:07,280 --> 00:45:10,799
Speaker 1: I had a darker skins. You a little light skin too.

832
00:45:11,840 --> 00:45:17,200
Speaker 1: You should get over for Becans of Africans representative. Okay, okay, okay,

833
00:45:18,400 --> 00:45:20,920
Speaker 1: what you just said were like the Puerto Ricans of Africans.

834
00:45:22,320 --> 00:45:28,640
Speaker 1: That with the Puerto Ricans. Yeah, I don't want to

835
00:45:28,680 --> 00:45:31,799
Speaker 1: do like man. We gotta do one for Zeno. Let's

836
00:45:31,800 --> 00:45:35,160
Speaker 1: not drinking time one and one strip. This is what

837
00:45:35,280 --> 00:45:38,000
Speaker 1: the street stripes. I never seen you in a pair like.

838
00:45:39,560 --> 00:45:41,680
Speaker 1: Let me tell you something. You're a real Bosston dude.

839
00:45:41,719 --> 00:45:43,440
Speaker 1: I've never seen you in a pair of anything other

840
00:45:43,520 --> 00:45:48,520
Speaker 1: than give us shot. It feels like shot god damnit.

841
00:45:50,360 --> 00:45:52,560
Speaker 1: Yeah didas here. I ain't gonna lie. You got the

842
00:45:52,600 --> 00:45:56,759
Speaker 1: Prince and ones on today. I respect those, but I've

843
00:45:56,760 --> 00:46:00,200
Speaker 1: never seen you in lights. Come on ever, so I

844
00:46:00,280 --> 00:46:02,120
Speaker 1: need one? I need one? Yeah, yeah, give one, give

845
00:46:02,200 --> 00:46:06,719
Speaker 1: up anyone? Okay, leave, you're gonna take one with us?

846
00:46:07,920 --> 00:46:09,840
Speaker 1: Come on, it's like with us. Leave. I gotta drink this.

847
00:46:10,719 --> 00:46:13,920
Speaker 1: Le starts speaking English perfectly after take spoil the spoil

848
00:46:14,000 --> 00:46:17,440
Speaker 1: tyger bone. Yeah, a little we celebrate your career. Okay,

849
00:46:17,560 --> 00:46:20,400
Speaker 1: you're being up to Okay, this is gonna be just

850
00:46:21,000 --> 00:46:24,520
Speaker 1: brands where just going all right? So you're from Overlacka,

851
00:46:25,320 --> 00:46:36,240
Speaker 1: you know what where we're at kat Cheers Tree Lanka.

852
00:46:36,400 --> 00:46:49,240
Speaker 1: Huh look that's bing bones love it hip hop Miami. Goddamn,

853
00:46:53,480 --> 00:46:55,839
Speaker 1: let's him me late, hit me late, hit me late.

854
00:46:55,960 --> 00:46:58,000
Speaker 1: You know what? Wh when did you come up with

855
00:46:58,040 --> 00:46:59,759
Speaker 1: the tyger bone ship? I don't know. We've been drinking

856
00:46:59,760 --> 00:47:03,279
Speaker 1: that forever too, Like you the only nigger on earth

857
00:47:03,400 --> 00:47:08,279
Speaker 1: that they didn't put me onto it. We was all

858
00:47:08,440 --> 00:47:12,680
Speaker 1: drinking at the same time. Side speed Jada kiss yeah,

859
00:47:12,760 --> 00:47:18,359
Speaker 1: Jada kiss yeah yeah, and have the tiger you're back

860
00:47:18,360 --> 00:47:20,520
Speaker 1: in the days. They should come with a tiger's bone

861
00:47:20,560 --> 00:47:22,160
Speaker 1: in it. It's to be an actual bone. I see,

862
00:47:22,239 --> 00:47:24,920
Speaker 1: I see some green but see green tiger bone. It's

863
00:47:24,960 --> 00:47:28,160
Speaker 1: called Nike Weill. You know it's good for your yang,

864
00:47:28,280 --> 00:47:30,640
Speaker 1: you know, you know, like it's like a natural viators

865
00:47:31,160 --> 00:47:33,680
Speaker 1: were drinking around. You're not gonna walk around knocking it down.

866
00:47:33,760 --> 00:47:35,560
Speaker 1: But if you if you show up to the game,

867
00:47:35,640 --> 00:47:43,799
Speaker 1: you're ready. You read it. You I ain't got nothing

868
00:47:43,960 --> 00:47:56,760
Speaker 1: to say, ain't no bla So so you start getting serious.

869
00:47:58,480 --> 00:48:04,320
Speaker 1: Open smoke, bro, I got you Oprah every month. You

870
00:48:04,360 --> 00:48:06,799
Speaker 1: know what was gonna cover of Oprah's magazine every month,

871
00:48:06,960 --> 00:48:10,400
Speaker 1: Oprah Oprah. So why you didn't if you knew, if

872
00:48:10,480 --> 00:48:12,880
Speaker 1: you knew that these guys were making a mutiny against you,

873
00:48:13,920 --> 00:48:16,120
Speaker 1: these guys were saying that, why you didn't just go

874
00:48:16,239 --> 00:48:18,560
Speaker 1: all out and put yourself on the because because I did?

875
00:48:18,880 --> 00:48:22,520
Speaker 1: You did. I did that cover with was Shug kiss

876
00:48:22,680 --> 00:48:24,880
Speaker 1: Nas and me and it made the American flag. It

877
00:48:24,920 --> 00:48:28,320
Speaker 1: was a but I just again, I did that because

878
00:48:28,400 --> 00:48:30,120
Speaker 1: it's like, you don't want to go by yourself. No,

879
00:48:30,280 --> 00:48:37,080
Speaker 1: but no exactly, but niked with a motherfucking rainbow. Make

880
00:48:37,160 --> 00:48:39,840
Speaker 1: excuses up. Like I always again, I always felt like

881
00:48:40,000 --> 00:48:42,719
Speaker 1: my music never guy to just do. I always felt

882
00:48:42,760 --> 00:48:44,640
Speaker 1: like because it's like, oh, you know what I'm saying

883
00:48:44,719 --> 00:48:46,880
Speaker 1: like this, it's the source is the gift and the

884
00:48:46,960 --> 00:48:48,839
Speaker 1: curse for me. You know what I'm saying, Because really

885
00:48:49,160 --> 00:48:51,800
Speaker 1: I always wanted to do music like I wasn't a magazine.

886
00:48:52,680 --> 00:48:55,680
Speaker 1: I always knew that about you ever since I've met you.

887
00:48:55,760 --> 00:48:58,480
Speaker 1: I know that your music, music is your passion is

888
00:48:58,560 --> 00:49:00,920
Speaker 1: That's that's what I love. Your path, that's what I love.

889
00:49:01,080 --> 00:49:05,680
Speaker 1: That's what I started doing, like, but it always that's

890
00:49:05,719 --> 00:49:07,880
Speaker 1: what I would do over. I'd be like I stayed

891
00:49:07,880 --> 00:49:10,080
Speaker 1: the funk away. I wouldn't know it made the source

892
00:49:10,680 --> 00:49:13,359
Speaker 1: and the staff and the college kids and all that ship,

893
00:49:13,760 --> 00:49:16,600
Speaker 1: and I'll just stay stead the streets of my music

894
00:49:16,920 --> 00:49:19,560
Speaker 1: because to be honest with you, you know what I'm saying, Like,

895
00:49:20,719 --> 00:49:23,600
Speaker 1: that's where I'm more comfortable anyways. Now, now the great

896
00:49:23,680 --> 00:49:26,200
Speaker 1: thing is I did learn business. I didn't learn how

897
00:49:26,239 --> 00:49:28,040
Speaker 1: to be business oriented. And I got to sit in

898
00:49:28,160 --> 00:49:30,959
Speaker 1: something and you guys impacted the culture heavily. That was dope.

899
00:49:31,280 --> 00:49:33,040
Speaker 1: But look at me ship like that. I don't even

900
00:49:33,080 --> 00:49:35,759
Speaker 1: I'm telling you, I swear to God like you're a

901
00:49:35,880 --> 00:49:40,319
Speaker 1: legend year that ship. Listen. I'm happy that I could still,

902
00:49:40,520 --> 00:49:42,360
Speaker 1: you know what I'm saying, still be kind of relevant,

903
00:49:42,400 --> 00:49:45,800
Speaker 1: still make music still, you know, be you know, a

904
00:49:45,920 --> 00:49:47,680
Speaker 1: part of hip hop, you know what, cause I don't

905
00:49:47,680 --> 00:49:49,360
Speaker 1: want to leave it. You know what I'm saying. I

906
00:49:49,440 --> 00:49:50,880
Speaker 1: still want to be a part of hip hop. So

907
00:49:50,920 --> 00:49:53,279
Speaker 1: when I go places, whether it's through love and hip

908
00:49:53,320 --> 00:49:57,200
Speaker 1: hop ship, I mean, people know me from the source. Um, Auntie,

909
00:49:57,480 --> 00:50:00,520
Speaker 1: that's about forty fifty and all the way down to

910
00:50:00,760 --> 00:50:03,480
Speaker 1: you know, eleven twelve year old like her daughter and

911
00:50:03,520 --> 00:50:06,600
Speaker 1: everybody in between now from loving hip hip hop like

912
00:50:06,680 --> 00:50:11,120
Speaker 1: the gangster. I'll be sure. No, I don't want to

913
00:50:11,120 --> 00:50:14,000
Speaker 1: be there. I mean, did you say something else? I

914
00:50:14,040 --> 00:50:16,080
Speaker 1: want to be that, But I was saying I was

915
00:50:16,160 --> 00:50:19,200
Speaker 1: shooting there. Got to be a better. He's got to

916
00:50:19,239 --> 00:50:24,440
Speaker 1: realize your light skin. We try to act dark skin

917
00:50:24,560 --> 00:50:29,000
Speaker 1: for you trying to do you got you gotta relax

918
00:50:29,160 --> 00:50:32,800
Speaker 1: this lit be like the gangster like that's why you

919
00:50:32,880 --> 00:50:38,600
Speaker 1: put the dead drops like it's different. I don't want

920
00:50:38,600 --> 00:50:41,120
Speaker 1: to listen. Listen. I'll never even consider myself light skin.

921
00:50:41,200 --> 00:50:43,920
Speaker 1: I didn't see all that ship. I've never seen the

922
00:50:44,040 --> 00:50:48,080
Speaker 1: light skin. But I've never seen that ship like light skin.

923
00:50:48,719 --> 00:50:49,920
Speaker 1: You know what I'm saying, Like any time I went

924
00:50:49,960 --> 00:50:52,680
Speaker 1: to school, it was black white other because I got

925
00:50:53,239 --> 00:50:55,120
Speaker 1: my friend. For years, I've been seeing like you've been

926
00:50:55,160 --> 00:50:59,160
Speaker 1: acting Bobby Brown brown, and I just always wanted to

927
00:50:59,200 --> 00:51:06,000
Speaker 1: tell you, nig I never was like ever. That's why

928
00:51:06,160 --> 00:51:07,480
Speaker 1: you can say that. I'd be like, man, I don't

929
00:51:07,480 --> 00:51:11,000
Speaker 1: act like that. You're seeing act like I don't act

930
00:51:11,040 --> 00:51:16,680
Speaker 1: like that. Oh my god, So I um suck ft

931
00:51:16,760 --> 00:51:24,839
Speaker 1: sunny spot that so oh ship, oh, ship get five

932
00:51:24,920 --> 00:51:27,160
Speaker 1: mis was he the first one to get five mics outcast?

933
00:51:27,239 --> 00:51:31,359
Speaker 1: The first? The verse five Mike's had to be before that. Um,

934
00:51:31,440 --> 00:51:34,160
Speaker 1: I believe the outcast first. A good question. It's a

935
00:51:34,200 --> 00:51:37,040
Speaker 1: good question. Yeah, that's a good question. So he normy

936
00:51:37,120 --> 00:51:38,640
Speaker 1: thought that, you know, he thought that I was the

937
00:51:38,680 --> 00:51:40,839
Speaker 1: one given mix. He never liked me, I would see

938
00:51:40,920 --> 00:51:43,800
Speaker 1: nor I didn't like to see. He never really was

939
00:51:43,960 --> 00:51:47,440
Speaker 1: up expect with what time we see, we see you

940
00:51:47,520 --> 00:51:49,319
Speaker 1: talking about the show. They'd be a little short head

941
00:51:49,360 --> 00:51:54,080
Speaker 1: bob like yeah, yeah, yeah, yeah, you know I'm saying that.

942
00:51:55,520 --> 00:51:56,800
Speaker 1: He told me he was like I thought he was

943
00:51:56,840 --> 00:51:59,799
Speaker 1: the one to give him. I was like no fun.

944
00:52:00,160 --> 00:52:02,839
Speaker 1: There was the bad articles like like like like, um,

945
00:52:03,320 --> 00:52:05,160
Speaker 1: I used to always think that because that's what people

946
00:52:05,160 --> 00:52:07,480
Speaker 1: told me. It was like like like those years that

947
00:52:07,560 --> 00:52:10,279
Speaker 1: you named where you felt like it was in all

948
00:52:10,360 --> 00:52:12,840
Speaker 1: be all see people didn't know that. People thought that.

949
00:52:13,239 --> 00:52:16,040
Speaker 1: Once he was involved with the source, it was everything

950
00:52:16,160 --> 00:52:18,200
Speaker 1: was you you know what I'm saying. So every time

951
00:52:18,360 --> 00:52:21,359
Speaker 1: I ever got a bad review, absolutely was. I would

952
00:52:21,360 --> 00:52:25,759
Speaker 1: read it and people like that MAGAZINEO what he got

953
00:52:25,840 --> 00:52:30,239
Speaker 1: against me and the crazy ship. I never actually went

954
00:52:30,360 --> 00:52:33,440
Speaker 1: down and actually wrote to see that there was somebody

955
00:52:33,960 --> 00:52:36,879
Speaker 1: who put their name to the actual article. I never

956
00:52:36,920 --> 00:52:38,719
Speaker 1: paid that till I got older, and I was like, damn,

957
00:52:38,760 --> 00:52:41,600
Speaker 1: that might not be After all, I had my old

958
00:52:41,760 --> 00:52:44,040
Speaker 1: I had, I had like I love hip hop, and

959
00:52:44,120 --> 00:52:46,360
Speaker 1: of course I had people, you know, like I was

960
00:52:46,440 --> 00:52:48,879
Speaker 1: a fan of Sartain artist, fan of a of a lot,

961
00:52:49,320 --> 00:52:52,160
Speaker 1: but um, I just never was the one to be

962
00:52:52,280 --> 00:52:56,360
Speaker 1: reading about motherfucker's And you started to beat between trialal

963
00:52:56,480 --> 00:53:05,680
Speaker 1: quest and tupop, I started to beatould get so you

964
00:53:05,800 --> 00:53:08,759
Speaker 1: just said the source awards was all you that that

965
00:53:08,920 --> 00:53:12,360
Speaker 1: that's crazy because the people would if he thought like that,

966
00:53:12,400 --> 00:53:14,200
Speaker 1: how many other start like No, I definitely thought that.

967
00:53:14,440 --> 00:53:18,799
Speaker 1: I definitely said he thought I'm guilty? Who PRIs yo?

968
00:53:18,920 --> 00:53:22,719
Speaker 1: He said, Yo? Nobody was because because man I thought

969
00:53:22,760 --> 00:53:26,320
Speaker 1: you was, I was like, no nigger because because they

970
00:53:26,400 --> 00:53:28,000
Speaker 1: thought they should have got a five, I thought they

971
00:53:28,000 --> 00:53:33,160
Speaker 1: should have got a five? Who the fujila they should

972
00:53:33,160 --> 00:53:34,480
Speaker 1: have got a five? I ain't I should have got

973
00:53:34,560 --> 00:53:37,040
Speaker 1: a four and a half. I got a four for

974
00:53:37,160 --> 00:53:43,719
Speaker 1: any nor I take a personal four. Four. You got

975
00:53:43,760 --> 00:53:45,799
Speaker 1: two fous. I'm your two fous, But I know SIOK.

976
00:53:45,800 --> 00:53:51,920
Speaker 1: The shock paid you off and ships. To be honest,

977
00:53:53,000 --> 00:54:05,719
Speaker 1: he was motherfucker. So yeah, so we can't give silk

978
00:54:05,840 --> 00:54:10,720
Speaker 1: shocking them blow ratings. They buy and s like twelve ads.

979
00:54:11,160 --> 00:54:13,680
Speaker 1: Look at we did like twelve ads, So so okay,

980
00:54:14,840 --> 00:54:17,920
Speaker 1: we'll give you twelve for twenty piece. Like come on.

981
00:54:18,080 --> 00:54:21,120
Speaker 1: Pete was like, would you've seen him? You would? It

982
00:54:21,160 --> 00:54:22,840
Speaker 1: would be a partner source where it would just be

983
00:54:22,880 --> 00:54:25,359
Speaker 1: all that, Like you know what I'm saying, Like, who

984
00:54:25,440 --> 00:54:28,640
Speaker 1: the fund does that? Shout to master people. He sat

985
00:54:28,640 --> 00:54:35,279
Speaker 1: in that same chip you're sitting that right now. We

986
00:54:35,360 --> 00:54:37,960
Speaker 1: gotta shout out title check us at title dot com,

987
00:54:38,080 --> 00:54:40,839
Speaker 1: Forward slast dream Champ, shout to massive Peal revolt, Yes,

988
00:54:41,239 --> 00:54:44,880
Speaker 1: got to check us out. This mine's gonna be on

989
00:54:45,000 --> 00:54:47,640
Speaker 1: TV because I never get on TV. Well this we

990
00:54:47,719 --> 00:54:50,759
Speaker 1: don't know what it was because I noticed that mine's

991
00:54:50,840 --> 00:54:53,000
Speaker 1: never get on TV. Is this one't gonna be on TV?

992
00:54:53,160 --> 00:54:55,480
Speaker 1: Or I'm gonna be like back in the room again,

993
00:54:55,600 --> 00:55:00,640
Speaker 1: like we are you talking about? Saying? Man? I like

994
00:55:01,440 --> 00:55:02,880
Speaker 1: you know, I'm like, damn, I did one of the

995
00:55:02,960 --> 00:55:05,080
Speaker 1: first ones. It was pretty dope. And then he gets

996
00:55:05,120 --> 00:55:07,600
Speaker 1: then he gets the revote joint right and I'm looking

997
00:55:07,640 --> 00:55:09,480
Speaker 1: at all the revote ones and I'm like and then

998
00:55:09,520 --> 00:55:11,000
Speaker 1: I'm seeing all the you know what I'm saying, all

999
00:55:11,080 --> 00:55:13,160
Speaker 1: the ads and everything. I'm like, this, ain't this a

1000
00:55:13,680 --> 00:55:16,480
Speaker 1: well we stepped it up? Saying this the fucking we

1001
00:55:16,520 --> 00:55:18,960
Speaker 1: don't get you know what you're saying, Just like, man,

1002
00:55:19,080 --> 00:55:22,600
Speaker 1: I'm like, well, is this one getting on? You know,

1003
00:55:22,640 --> 00:55:25,239
Speaker 1: I'm saying, what's the excuse we don't get paid off

1004
00:55:25,280 --> 00:55:28,040
Speaker 1: that as? We definitely don't get. But is this one

1005
00:55:28,080 --> 00:55:30,239
Speaker 1: getting on revote? This one? This one is going to

1006
00:55:30,280 --> 00:55:33,320
Speaker 1: be on? Yes, we have we have a different you

1007
00:55:33,400 --> 00:55:38,200
Speaker 1: watch title Internet. Yeah I haven't done that yet. Yeah,

1008
00:55:38,680 --> 00:55:42,320
Speaker 1: I'm still TV now will be on YouTube? Reard to

1009
00:55:42,360 --> 00:55:46,799
Speaker 1: YouTube and I know it's on YouTube, but you want

1010
00:55:46,840 --> 00:55:52,400
Speaker 1: to be on there? But what about TV? It's not

1011
00:55:52,440 --> 00:55:55,360
Speaker 1: gonna be hip hop level? It's not hip it's not

1012
00:55:56,520 --> 00:55:58,640
Speaker 1: you think? Did you don't want me on revote? Not

1013
00:56:00,000 --> 00:56:13,239
Speaker 1: to do it? That I can you can do? Say

1014
00:56:13,280 --> 00:56:21,920
Speaker 1: that means whole Coo signs you brother. So so at

1015
00:56:22,000 --> 00:56:28,600
Speaker 1: one point, Height lives the game. Everybody you gotta go

1016
00:56:28,719 --> 00:56:34,399
Speaker 1: through bus you. Zeno also has a love life. He's

1017
00:56:34,480 --> 00:56:48,319
Speaker 1: knocking a lot of these girls down. It's crazy, man,

1018
00:56:49,560 --> 00:56:52,200
Speaker 1: I mean you know, those are some good years. I

1019
00:56:52,200 --> 00:56:55,759
Speaker 1: ain't gonna lie. Those are some great years, phenomenal. I mean,

1020
00:56:56,120 --> 00:56:58,560
Speaker 1: those are some good years, you know. But you know

1021
00:56:58,600 --> 00:57:02,080
Speaker 1: I don't kiss and tell, yeah, because you know why,

1022
00:57:02,640 --> 00:57:04,560
Speaker 1: because there's somebody on the other end of that that

1023
00:57:04,640 --> 00:57:08,680
Speaker 1: you gotta respect, you know what I'm saying, Yeah, because

1024
00:57:08,719 --> 00:57:12,480
Speaker 1: they might not want beyond blast like that. I mean me,

1025
00:57:12,600 --> 00:57:14,640
Speaker 1: I'd love to sit here and tell you intricate details

1026
00:57:14,680 --> 00:57:16,000
Speaker 1: and all that ship, you know what I'm saying, But

1027
00:57:16,720 --> 00:57:18,760
Speaker 1: you gotta respect people one the other end, on the

1028
00:57:18,800 --> 00:57:20,640
Speaker 1: other side who ain't here to speak up for them.

1029
00:57:20,720 --> 00:57:22,880
Speaker 1: So I don't kiss and tell. But you know, those

1030
00:57:22,880 --> 00:57:24,800
Speaker 1: are phenomenal years. We could say that, But did you

1031
00:57:24,840 --> 00:57:34,080
Speaker 1: give away mikes or some pussy? I mean, you don't

1032
00:57:34,080 --> 00:57:38,040
Speaker 1: gotta answer that. You ain't got a lot of got

1033
00:57:38,080 --> 00:57:40,520
Speaker 1: a lot of technts. You look like you're sitting there ready,

1034
00:57:46,800 --> 00:57:49,280
Speaker 1: it ain't it ain't nothing wrong with that, Like if

1035
00:57:49,440 --> 00:57:54,160
Speaker 1: that's what it was back then, Like listen, right, match

1036
00:57:54,200 --> 00:57:59,240
Speaker 1: your question. Right, So if you won the magazine, and

1037
00:57:59,360 --> 00:58:03,400
Speaker 1: if this female artists out there, and if you you

1038
00:58:03,440 --> 00:58:05,480
Speaker 1: know what I'm saying, have a situation where you and

1039
00:58:05,560 --> 00:58:08,040
Speaker 1: the female artist is talking, and you'll have a relationship

1040
00:58:08,160 --> 00:58:10,680
Speaker 1: and everything, and then she has an album coming out.

1041
00:58:11,360 --> 00:58:16,280
Speaker 1: What would you do? Sound? This is sound a little

1042
00:58:16,320 --> 00:58:20,280
Speaker 1: hobby Wine stage. Where are you going? No, I don't

1043
00:58:20,280 --> 00:58:24,840
Speaker 1: know what I'm saying. I would listen to her album.

1044
00:58:27,160 --> 00:58:29,800
Speaker 1: What would you do? Pass it off to the journalist,

1045
00:58:30,640 --> 00:58:34,520
Speaker 1: to y'all mad y'all gotta say some ship, but you

1046
00:58:34,600 --> 00:58:40,400
Speaker 1: gotta live. What would y'all do? Yeah? Tell you made

1047
00:58:40,400 --> 00:58:42,439
Speaker 1: a whole new mic system. I know you a trick.

1048
00:58:42,480 --> 00:58:50,000
Speaker 1: I see him have no money around. What did happens?

1049
00:58:50,120 --> 00:59:00,560
Speaker 1: You get your snicker? Just tell my show? Yeah, I

1050
00:59:00,640 --> 00:59:03,000
Speaker 1: mean you got to use your influence sometimes the ways

1051
00:59:03,040 --> 00:59:05,520
Speaker 1: that's just how stuff happens. It's never a Harvey watch

1052
00:59:05,560 --> 00:59:09,000
Speaker 1: the situation because you know what I'm saying. What I'm

1053
00:59:09,000 --> 00:59:13,320
Speaker 1: saying that still too. You carry yourself a certain way,

1054
00:59:13,360 --> 00:59:15,400
Speaker 1: you know what I'm saying. The intrigue is on is

1055
00:59:16,520 --> 00:59:19,840
Speaker 1: in their mind and their hearts also, so you never

1056
00:59:19,880 --> 00:59:24,520
Speaker 1: had to Bill Cosby. Now come on, oh man, like

1057
00:59:24,640 --> 00:59:26,400
Speaker 1: I would never do no ship like that. I don't

1058
00:59:26,920 --> 00:59:29,040
Speaker 1: you know. My thing is if I can't, if she

1059
00:59:29,120 --> 00:59:31,040
Speaker 1: don't want me, I don't you know you know what

1060
00:59:31,040 --> 00:59:33,520
Speaker 1: I mean? If she don't want me. Then that takes

1061
00:59:33,560 --> 00:59:36,680
Speaker 1: out you know a lot, like you want like part

1062
00:59:36,760 --> 00:59:40,040
Speaker 1: of you wanting her is her want you? That was hard?

1063
00:59:40,320 --> 00:59:42,160
Speaker 1: It was hard. That was that's the name of your book?

1064
00:59:44,680 --> 00:59:52,000
Speaker 1: What like? She looked good saying that that was all

1065
00:59:52,160 --> 00:59:55,480
Speaker 1: That was a ball. That was a ball. So um.

1066
00:59:55,840 --> 00:59:57,800
Speaker 1: But you had a lot of fun. Did you have

1067
00:59:57,880 --> 00:59:59,800
Speaker 1: a lot of fun? You had a lot of fun.

1068
01:00:00,000 --> 01:00:02,200
Speaker 1: You had j album. Yes, I have a lot of fun.

1069
01:00:02,240 --> 01:00:04,040
Speaker 1: I was the fun would you have? I was a horror?

1070
01:00:04,520 --> 01:00:06,840
Speaker 1: That was a horror. Yes, that was a whore. I

1071
01:00:07,000 --> 01:00:10,760
Speaker 1: was next, but I ran across the same. But I

1072
01:00:10,800 --> 01:00:13,560
Speaker 1: started to realize I was easy. So then I started

1073
01:00:13,560 --> 01:00:19,120
Speaker 1: to realize I can't be easy out here on these holes. Yeah,

1074
01:00:19,120 --> 01:00:21,080
Speaker 1: I was easy that I talked to the ship. I

1075
01:00:21,200 --> 01:00:29,200
Speaker 1: was drinking. Yeah. At nineteen, I realized I was a joke.

1076
01:00:29,240 --> 01:00:31,360
Speaker 1: Bof I was like, it was just leasy. I said,

1077
01:00:31,400 --> 01:00:35,800
Speaker 1: hold up, I'm gonna think about it. I'm gonna about it.

1078
01:00:36,160 --> 01:00:41,720
Speaker 1: You wanted a threesome. They to training. Think about the

1079
01:00:41,920 --> 01:00:51,960
Speaker 1: two girls the tricks train zone training. But it's two bitches.

1080
01:00:52,040 --> 01:00:56,520
Speaker 1: But what was happening? This is about you today. Ask

1081
01:00:56,600 --> 01:00:58,760
Speaker 1: you a question, have you have you ever data celebrity,

1082
01:00:59,600 --> 01:01:03,360
Speaker 1: uh not dated smashed the celebrity. I think that's what

1083
01:01:03,480 --> 01:01:08,640
Speaker 1: you really meant. I was trying. I was trying. Yeah, okay, okay,

1084
01:01:08,720 --> 01:01:11,800
Speaker 1: imagine your question. Did you fall in love with him? No,

1085
01:01:12,600 --> 01:01:14,680
Speaker 1: you didn't fall in up? Have you ever fall in

1086
01:01:14,800 --> 01:01:18,200
Speaker 1: up with with a celebrity? No, there wasn't a celebrity

1087
01:01:18,320 --> 01:01:19,840
Speaker 1: or not what I was dealing with. It was pre

1088
01:01:20,000 --> 01:01:23,400
Speaker 1: celebrity celebrity. Yeah, I knocked a couple of down. If

1089
01:01:23,440 --> 01:01:25,120
Speaker 1: that's what you're trying to get that I knocked a

1090
01:01:25,160 --> 01:01:28,240
Speaker 1: couple of them down. I ain't knocked down and give

1091
01:01:28,320 --> 01:01:32,320
Speaker 1: ads or like you know, because yeah, no, no, I

1092
01:01:32,400 --> 01:01:34,320
Speaker 1: mean listen listen to mean that. I mean it's not

1093
01:01:34,480 --> 01:01:36,880
Speaker 1: like you know, but I would have if I would

1094
01:01:36,880 --> 01:01:39,480
Speaker 1: have had listening, I would have put myself in a

1095
01:01:39,520 --> 01:01:41,840
Speaker 1: couple of the magazine every two months? Is the piston

1096
01:01:41,880 --> 01:01:45,480
Speaker 1: niggers off? No, I'm saying, if you got the magazine

1097
01:01:45,800 --> 01:01:48,960
Speaker 1: and the Source Awards and like, there's a certain celebrity

1098
01:01:49,000 --> 01:01:52,720
Speaker 1: you're liking, and somehow, some ways she's interested in hosting

1099
01:01:52,760 --> 01:01:59,120
Speaker 1: it because you can sliding the d in, but you

1100
01:01:59,280 --> 01:02:02,640
Speaker 1: was sliding in the idea. Is it fair to said

1101
01:02:02,680 --> 01:02:05,320
Speaker 1: everybody here has a celebrity that like a celebrity crush.

1102
01:02:05,960 --> 01:02:09,480
Speaker 1: All right, So if you had the opportunity and like

1103
01:02:09,640 --> 01:02:12,360
Speaker 1: to let her host the Social Awards, you know what

1104
01:02:12,400 --> 01:02:19,840
Speaker 1: I'm saying, would you do that? That's the Social Wards now, Okay?

1105
01:02:21,760 --> 01:02:26,040
Speaker 1: Lisa Ray hosted the Sound Lab, Little Kim hosted the

1106
01:02:26,080 --> 01:02:30,680
Speaker 1: Social Wards. Right, No Kim host Social She gave out

1107
01:02:30,720 --> 01:02:34,960
Speaker 1: a water something. She was a part of everything. No,

1108
01:02:35,640 --> 01:02:38,880
Speaker 1: I'm She's gonna be on here soon. That'll be dope.

1109
01:02:39,080 --> 01:02:42,720
Speaker 1: And Foxy Brown too as well. That'll be dope. That'll BEP,

1110
01:02:42,800 --> 01:02:46,520
Speaker 1: That'll be dope. Definitely. I'm gonna watch those. Yeah, definitely, man, definitely.

1111
01:02:46,600 --> 01:02:53,280
Speaker 1: So where's your favorite? Bevot? But I bet you y'all laughing.

1112
01:02:53,360 --> 01:02:55,919
Speaker 1: Watch watch y'all can see that. As for a little

1113
01:02:55,960 --> 01:03:00,160
Speaker 1: kid things, y'all gonna laugh. Y'all't be sitting there watch

1114
01:03:00,200 --> 01:03:02,040
Speaker 1: the TV with your girls. She to be sitting in

1115
01:03:02,080 --> 01:03:08,720
Speaker 1: the argo. Come up, you're like that crazy, So you

1116
01:03:08,800 --> 01:03:18,480
Speaker 1: know you can't get me three months of title. So

1117
01:03:18,560 --> 01:03:20,200
Speaker 1: what's the favorite what's your favorite part of the game?

1118
01:03:21,880 --> 01:03:25,920
Speaker 1: The music studio niggas, you know what I'm saying. Smoking,

1119
01:03:26,080 --> 01:03:29,600
Speaker 1: everybody like positive, happy, having a good time, like all

1120
01:03:29,680 --> 01:03:31,840
Speaker 1: on one page like this, this is the most dopest part.

1121
01:03:32,080 --> 01:03:33,880
Speaker 1: That's why I come in for this because niggas don't

1122
01:03:33,920 --> 01:03:35,440
Speaker 1: do this, like you know what I'm saying, Like you

1123
01:03:35,560 --> 01:03:37,720
Speaker 1: like like you actually take your niggas and make them

1124
01:03:37,760 --> 01:03:39,480
Speaker 1: a part of it and that's the fun of it.

1125
01:03:39,640 --> 01:03:42,120
Speaker 1: Like that's that's that's that's that's what I love about

1126
01:03:42,360 --> 01:03:46,240
Speaker 1: hip hop and the game, like like the fun saying

1127
01:03:47,040 --> 01:03:50,280
Speaker 1: the money makes you crazy? You ever? You ever m

1128
01:03:52,040 --> 01:03:54,080
Speaker 1: because we all go through this, but you ever like

1129
01:03:55,040 --> 01:03:59,120
Speaker 1: you know when you miss understood, like like how do

1130
01:03:59,200 --> 01:04:00,840
Speaker 1: you go about that? Like you know what I'm saying,

1131
01:04:01,400 --> 01:04:04,760
Speaker 1: because like I remember when you first um started using

1132
01:04:04,760 --> 01:04:07,120
Speaker 1: the internet, you would actually try to meet people like

1133
01:04:07,320 --> 01:04:10,800
Speaker 1: somebody say something and I just want to stay away

1134
01:04:10,840 --> 01:04:13,280
Speaker 1: from my fucker's I felt like again I was I

1135
01:04:13,360 --> 01:04:15,200
Speaker 1: felt like again all these years of going through the

1136
01:04:15,200 --> 01:04:17,040
Speaker 1: ship with the industry. You know what I'm saying. I

1137
01:04:17,200 --> 01:04:19,120
Speaker 1: just you know what I'm saying, Like I go get

1138
01:04:19,160 --> 01:04:21,640
Speaker 1: with the streets, you know, Like once I get with

1139
01:04:21,760 --> 01:04:24,000
Speaker 1: niggas in the streets, they don't judge me. The streets

1140
01:04:24,040 --> 01:04:26,440
Speaker 1: don't judge. That's what I'm saying about the streets, like

1141
01:04:26,480 --> 01:04:27,960
Speaker 1: wherever the fund you're going through, you can go to

1142
01:04:28,080 --> 01:04:30,280
Speaker 1: that block and no one's not gonna say nothing, even

1143
01:04:30,320 --> 01:04:32,680
Speaker 1: if you tell them about a lost seven million dollars

1144
01:04:32,760 --> 01:04:35,640
Speaker 1: my home kid, and motherfucker's just like you're passing me

1145
01:04:35,800 --> 01:04:38,919
Speaker 1: things for display, some second smoke, some weird motherfucker's don't

1146
01:04:38,960 --> 01:04:41,640
Speaker 1: care about that. And that's why I like that to me,

1147
01:04:42,240 --> 01:04:43,800
Speaker 1: is like you need that in life, you know what

1148
01:04:43,840 --> 01:04:48,160
Speaker 1: I'm saying. You need that because you know, you know,

1149
01:04:48,240 --> 01:04:52,240
Speaker 1: because you see me money, losing money, losing source losing. Look,

1150
01:04:52,280 --> 01:04:54,320
Speaker 1: I had games, you have losses. You have games, But

1151
01:04:54,360 --> 01:04:56,840
Speaker 1: why I come from ship, you know what I'm saying.

1152
01:04:56,960 --> 01:04:59,880
Speaker 1: I feel like, what the funk? This ain't that bad anyways,

1153
01:05:00,400 --> 01:05:02,280
Speaker 1: you know what I mean? So when you go back there,

1154
01:05:02,400 --> 01:05:04,360
Speaker 1: you just once you always go back then want you

1155
01:05:04,360 --> 01:05:06,720
Speaker 1: because I stay in the hood wherever I live, wherever

1156
01:05:06,720 --> 01:05:08,520
Speaker 1: I go, I stay with hood niggas. I just want

1157
01:05:08,560 --> 01:05:10,080
Speaker 1: to be in the hood with hood niggas because that's

1158
01:05:10,120 --> 01:05:12,680
Speaker 1: what the most most comfortable. But that's because you don't

1159
01:05:13,280 --> 01:05:16,080
Speaker 1: if you take these losses, you don't. Oh my god,

1160
01:05:16,160 --> 01:05:19,040
Speaker 1: what is anybody gonna think? What is it? Like? I

1161
01:05:19,200 --> 01:05:21,240
Speaker 1: wasn't supposed you know, I had a good run, you

1162
01:05:21,320 --> 01:05:22,919
Speaker 1: know what I mean. So you know, you up, you down,

1163
01:05:23,040 --> 01:05:24,520
Speaker 1: you hustle, you know what I'm saying. You know that

1164
01:05:24,600 --> 01:05:27,880
Speaker 1: we talked about it. So let's so let's address the

1165
01:05:27,960 --> 01:05:30,840
Speaker 1: elephant in the room. What is you and Dave May's

1166
01:05:30,880 --> 01:05:35,360
Speaker 1: relationship standing at this very moment? Where's the elephant that

1167
01:05:36,280 --> 01:05:43,080
Speaker 1: you know imaginary? Um? I mean, you know me and Dave,

1168
01:05:44,120 --> 01:05:49,360
Speaker 1: Me and Dave was together since seven. Dave's the god

1169
01:05:49,840 --> 01:05:53,520
Speaker 1: well the supposed godfather of Coy. Dave knew me when

1170
01:05:53,520 --> 01:05:58,400
Speaker 1: I had no kids, I mean, Dave, the federal indictments, uh,

1171
01:05:58,680 --> 01:06:01,920
Speaker 1: you know, all the fun asks, all the problems, the beefs,

1172
01:06:02,000 --> 01:06:04,560
Speaker 1: the guns, the shootings that there's that the day has

1173
01:06:04,600 --> 01:06:07,320
Speaker 1: been a part of my life almost every day of

1174
01:06:07,400 --> 01:06:10,640
Speaker 1: my life. Four or five different cities we don't lived in.

1175
01:06:11,160 --> 01:06:14,040
Speaker 1: I mean, so it was over twenty some years. So

1176
01:06:14,120 --> 01:06:15,760
Speaker 1: it was just and we went through a lot together.

1177
01:06:16,520 --> 01:06:20,440
Speaker 1: It was just the time that Dave do him and

1178
01:06:21,000 --> 01:06:23,040
Speaker 1: me do me, you know what I'm saying, and just

1179
01:06:23,080 --> 01:06:25,680
Speaker 1: give each other, give each other break, you know what

1180
01:06:25,720 --> 01:06:29,000
Speaker 1: I'm saying. Because again, we were together a lot, and

1181
01:06:29,160 --> 01:06:31,560
Speaker 1: you know, was it hip hop weekly? Because like, um,

1182
01:06:31,640 --> 01:06:35,280
Speaker 1: you guys, you know after the Hip Hop Weekly was

1183
01:06:35,360 --> 01:06:39,600
Speaker 1: just because you know, like once once we lost the Source,

1184
01:06:39,680 --> 01:06:41,560
Speaker 1: I just had an idea for like Dave still want

1185
01:06:41,640 --> 01:06:43,800
Speaker 1: to really be in the magazine game. You know what

1186
01:06:43,800 --> 01:06:46,520
Speaker 1: I'm saying. Not so much people you don't understand. You know,

1187
01:06:46,720 --> 01:06:49,400
Speaker 1: the source was lost if they heard the story, but

1188
01:06:50,160 --> 01:06:52,560
Speaker 1: a bad investment with the internet in the early nineties

1189
01:06:52,840 --> 01:06:55,320
Speaker 1: with Source dot com and it crashed and you know,

1190
01:06:55,720 --> 01:06:59,360
Speaker 1: took out a massive bank. Yeah, crashed because all the

1191
01:06:59,440 --> 01:07:03,640
Speaker 1: early cala the whole thing. But the idea, they were

1192
01:07:03,680 --> 01:07:07,280
Speaker 1: just before their time, all right, So you know you

1193
01:07:07,320 --> 01:07:09,520
Speaker 1: know what I'm saying, Like we just put the magazine

1194
01:07:09,560 --> 01:07:11,840
Speaker 1: out and had an idea. But at that point it

1195
01:07:11,920 --> 01:07:16,320
Speaker 1: was just like magazines was falling anyways, Vibe fell, Excel,

1196
01:07:16,600 --> 01:07:20,600
Speaker 1: every all the magazines was following Print wasn't you know

1197
01:07:20,640 --> 01:07:22,480
Speaker 1: what I'm saying. Everything is on the phone now. So

1198
01:07:22,600 --> 01:07:24,840
Speaker 1: you know, we did Hip Hop Weekly, paid the bills

1199
01:07:24,920 --> 01:07:27,000
Speaker 1: or whatever, but it wasn't It was just like a

1200
01:07:27,080 --> 01:07:30,120
Speaker 1: quick patch up. You know, I could say this about Dave.

1201
01:07:30,200 --> 01:07:32,960
Speaker 1: When we lost the Source, Dave a piece of that

1202
01:07:33,200 --> 01:07:35,480
Speaker 1: piece of Dave went with it, Like you know, I

1203
01:07:35,560 --> 01:07:38,080
Speaker 1: could I could I could see that that hit Dave

1204
01:07:38,680 --> 01:07:40,720
Speaker 1: way harder than it hit me, you know what I'm saying,

1205
01:07:40,800 --> 01:07:43,840
Speaker 1: So that I feel for Dave for that, you know

1206
01:07:43,880 --> 01:07:47,840
Speaker 1: what I'm saying. But you can't take away anything now,

1207
01:07:47,920 --> 01:07:52,360
Speaker 1: I know when people go their separate ways. Dave's gonna

1208
01:07:52,400 --> 01:07:55,080
Speaker 1: want to do his side of the story, right, and

1209
01:07:55,160 --> 01:07:58,520
Speaker 1: I got my side of the story. You know, it's

1210
01:07:58,600 --> 01:08:01,920
Speaker 1: unfortunate that we could. We couldn't tell listen to staffords

1211
01:08:01,960 --> 01:08:06,040
Speaker 1: who want to Everybody wants the Source story. Everybody, everybody,

1212
01:08:06,240 --> 01:08:09,360
Speaker 1: everybody wants to do the Source story. And it's gonna come.

1213
01:08:09,480 --> 01:08:11,520
Speaker 1: But it's gonna be like from what I say, it's

1214
01:08:11,520 --> 01:08:13,320
Speaker 1: gonna it's like how like the Tupacs. It's like a

1215
01:08:13,440 --> 01:08:16,360
Speaker 1: hundred different Tupacs. That's what's gonna happen with the Source.

1216
01:08:16,600 --> 01:08:19,080
Speaker 1: And I feel like this. I feel like without me,

1217
01:08:19,880 --> 01:08:24,160
Speaker 1: you know what I'm saying. There's no story without without me,

1218
01:08:24,360 --> 01:08:28,880
Speaker 1: without me, without me, It's it's just it's just um.

1219
01:08:29,200 --> 01:08:31,800
Speaker 1: So you're saying that there's a story being made right

1220
01:08:31,840 --> 01:08:33,759
Speaker 1: now or a film or something. No, I mean, everybody's

1221
01:08:33,760 --> 01:08:35,840
Speaker 1: trying to make their own. Everybody's trying to make their own,

1222
01:08:35,920 --> 01:08:39,559
Speaker 1: you know, everyone eventually wants to put out the Source story. Yeah,

1223
01:08:39,640 --> 01:08:43,519
Speaker 1: it absolutely can't be without you, But they're gonna have

1224
01:08:43,600 --> 01:08:45,640
Speaker 1: to tell it. You know, Dave has his side and

1225
01:08:45,800 --> 01:08:51,720
Speaker 1: show that the couple of the editors have their side perspectives.

1226
01:08:52,120 --> 01:08:57,920
Speaker 1: I mean, that never happens. A lot of things should happen,

1227
01:08:58,080 --> 01:09:00,160
Speaker 1: you know what I'm saying. What I'm saying, but but

1228
01:09:00,280 --> 01:09:03,400
Speaker 1: the reality is that's not gonna happen. So I'm gonna

1229
01:09:03,439 --> 01:09:06,519
Speaker 1: tell my side, you know, you know, I gotta. And

1230
01:09:06,600 --> 01:09:08,800
Speaker 1: it's not just the Source, Like my life story has

1231
01:09:08,840 --> 01:09:12,920
Speaker 1: a lot more chapter because after the Source, I went on,

1232
01:09:13,400 --> 01:09:16,439
Speaker 1: after hip Hop Weekly, I'm still moving this different things

1233
01:09:16,720 --> 01:09:19,120
Speaker 1: and before the Source there was a lot so um,

1234
01:09:20,040 --> 01:09:21,920
Speaker 1: you know, but the Source was because that was a

1235
01:09:22,000 --> 01:09:24,439
Speaker 1: big part of the culture. Those eighteen years we had.

1236
01:09:24,520 --> 01:09:27,599
Speaker 1: It was an amazing eighteen years because it was ups

1237
01:09:27,680 --> 01:09:36,479
Speaker 1: and years years. We got a long time. You think,

1238
01:09:36,880 --> 01:09:42,160
Speaker 1: hell yeah, and we got good, we got we gotta

1239
01:09:42,160 --> 01:09:45,360
Speaker 1: remind people this is pre internet. The Source was the

1240
01:09:45,479 --> 01:09:50,800
Speaker 1: lifeline for hip hop. Source was amazing. I can see

1241
01:09:50,840 --> 01:09:53,200
Speaker 1: a big piece of magazine like that with the writing

1242
01:09:53,240 --> 01:09:55,680
Speaker 1: and everything. I mean, there was some amazing pieces in there,

1243
01:09:55,720 --> 01:09:58,120
Speaker 1: and that's why I don't want people to think of college. No, no, No,

1244
01:09:58,520 --> 01:10:01,160
Speaker 1: they did some amazing stuff. I just think that there's

1245
01:10:01,200 --> 01:10:04,040
Speaker 1: a split between the streets in college that kind of

1246
01:10:05,120 --> 01:10:07,360
Speaker 1: hip hop had a lot to do with. It was

1247
01:10:07,400 --> 01:10:10,240
Speaker 1: a split, and I just felt like, you know, I

1248
01:10:10,320 --> 01:10:11,960
Speaker 1: tell the story again all the time, you know, like

1249
01:10:12,120 --> 01:10:13,880
Speaker 1: a little brother. They gave them four and a half

1250
01:10:13,880 --> 01:10:16,679
Speaker 1: and then they gave Jesus First album three, and I'm like, wow,

1251
01:10:16,800 --> 01:10:19,000
Speaker 1: how how could you give them three? Because they didn't

1252
01:10:19,040 --> 01:10:22,479
Speaker 1: understand trap music. They don't understand the streets. So it's

1253
01:10:22,520 --> 01:10:25,599
Speaker 1: not fair for people to rate something that you don't

1254
01:10:25,680 --> 01:10:28,320
Speaker 1: understand it. And that's just what I always felt like,

1255
01:10:28,479 --> 01:10:31,760
Speaker 1: that's you know what I'm saying. You know, so I

1256
01:10:31,840 --> 01:10:41,240
Speaker 1: probably deserved five because the college niggas I knew, I

1257
01:10:41,360 --> 01:10:46,680
Speaker 1: just couldn't hind pointed. Now, So, um, you got got

1258
01:10:46,760 --> 01:10:53,759
Speaker 1: the sauce. You moved to Miami, Miami, start, you started

1259
01:10:53,800 --> 01:10:57,960
Speaker 1: hip hop weekly, then all of a sudden, pack your bags,

1260
01:10:58,840 --> 01:11:03,080
Speaker 1: you moved to Atlanta, which is um not abnormal for

1261
01:11:03,360 --> 01:11:08,040
Speaker 1: people in our industry. But what was abnormal was for

1262
01:11:08,240 --> 01:11:11,120
Speaker 1: us to see Miss you know who we looked at

1263
01:11:11,240 --> 01:11:15,800
Speaker 1: as street guy, gangster to go on a reality television show,

1264
01:11:16,200 --> 01:11:18,160
Speaker 1: but not only going to get you got the other lighter?

1265
01:11:18,200 --> 01:11:20,360
Speaker 1: Come on, you ain't come my lighters over here? All right,

1266
01:11:20,439 --> 01:11:22,320
Speaker 1: let's do it. So come on, actually got the other

1267
01:11:22,320 --> 01:11:24,840
Speaker 1: one right there and watching watching on your light of thieves,

1268
01:11:24,920 --> 01:11:30,920
Speaker 1: my nigger, I'm on point, thank you. So um so,

1269
01:11:31,680 --> 01:11:35,519
Speaker 1: what makes you even not only get into a reality show?

1270
01:11:36,040 --> 01:11:40,200
Speaker 1: I mean I know, but okay recently, but you actually

1271
01:11:40,439 --> 01:11:42,639
Speaker 1: it looked like from where the peers from the outside

1272
01:11:42,680 --> 01:11:45,960
Speaker 1: of looking in, um, it appeared. Look, he was actually

1273
01:11:46,000 --> 01:11:49,519
Speaker 1: looking for love like when you first joined. Uh yeah,

1274
01:11:49,600 --> 01:11:52,000
Speaker 1: I think I think you know, I was, I was single,

1275
01:11:52,920 --> 01:11:54,280
Speaker 1: so you know what I'm you know, I mean, I'm

1276
01:11:54,280 --> 01:11:56,960
Speaker 1: getting up there in age, so yeah, you know, definitely

1277
01:11:57,080 --> 01:12:00,519
Speaker 1: looking for someone that I can rock out. I think

1278
01:12:00,640 --> 01:12:03,439
Speaker 1: like having the right partner, you know what I'm saying,

1279
01:12:03,520 --> 01:12:06,200
Speaker 1: especially now in this industry, I think you could do

1280
01:12:06,280 --> 01:12:09,320
Speaker 1: amazing things, you know what I'm saying. And I felt

1281
01:12:09,360 --> 01:12:12,760
Speaker 1: like being on TV who slipped in the tangle. Let's

1282
01:12:13,080 --> 01:12:14,640
Speaker 1: be ready? You know he was ready? Yeah? All right,

1283
01:12:14,680 --> 01:12:22,080
Speaker 1: come on, are we ready? Baby? Saw a little another

1284
01:12:22,120 --> 01:12:27,439
Speaker 1: one another one at another one right there right there. Yeah,

1285
01:12:27,439 --> 01:12:29,519
Speaker 1: part of the show. We're putting this Zeno feature in

1286
01:12:29,680 --> 01:12:49,360
Speaker 1: the y'all slow solo. I hate It, love it Okay,

1287
01:12:49,439 --> 01:12:57,640
Speaker 1: Now I got that. Um were talking about gotta do

1288
01:12:57,680 --> 01:13:06,280
Speaker 1: it my left hand. So so the hip hop yea

1289
01:13:06,360 --> 01:13:08,519
Speaker 1: love and hip hop? He was looking he was looking

1290
01:13:08,560 --> 01:13:12,720
Speaker 1: for love or was that for cameras? I mean you no,

1291
01:13:13,000 --> 01:13:14,960
Speaker 1: I was. I was actually like, you know what I'm saying.

1292
01:13:14,960 --> 01:13:17,200
Speaker 1: I felt like, first I didn't go on, they're looking

1293
01:13:17,200 --> 01:13:19,000
Speaker 1: for like I went on and just giving Stevie advice.

1294
01:13:19,080 --> 01:13:21,400
Speaker 1: They heard me talk. I was driving Stevie to the set.

1295
01:13:22,080 --> 01:13:25,719
Speaker 1: He had his mike mike on on. They were still listening.

1296
01:13:25,880 --> 01:13:28,880
Speaker 1: He came. We smoking weed in the car between his takes,

1297
01:13:29,439 --> 01:13:31,240
Speaker 1: and he was at that time he was like he

1298
01:13:31,400 --> 01:13:36,400
Speaker 1: was caught between the two. And I'm like, say it

1299
01:13:36,479 --> 01:13:55,200
Speaker 1: with me. I could be a monoga come from Like,

1300
01:13:56,520 --> 01:14:00,280
Speaker 1: so that's so, so you started and then so your

1301
01:14:00,320 --> 01:14:05,800
Speaker 1: first love interest was Carlie rad got your question. I

1302
01:14:05,840 --> 01:14:13,320
Speaker 1: mean this was on the show. I was like your questions. No,

1303
01:14:13,439 --> 01:14:16,240
Speaker 1: but you wanted to be talking about loving hip hop.

1304
01:14:16,479 --> 01:14:19,120
Speaker 1: Drink of course. Man. Yeah, I'm the biggest love of

1305
01:14:19,200 --> 01:14:21,559
Speaker 1: hip hop fan. I'm gonna be honest. We had our

1306
01:14:21,560 --> 01:14:23,800
Speaker 1: whole episode. That's just the new Jerry Springer. You know,

1307
01:14:23,840 --> 01:14:25,600
Speaker 1: I stopped watching Jerry Springer because I watched Love of

1308
01:14:25,680 --> 01:14:29,320
Speaker 1: Hip Hop Let's go, and I'll be watching Jerry Springer

1309
01:14:29,320 --> 01:14:31,120
Speaker 1: for eighteen years. How about that? You know what I'm

1310
01:14:31,120 --> 01:14:34,760
Speaker 1: saying to the spot ahead. So um, yeah, so that

1311
01:14:34,840 --> 01:14:37,280
Speaker 1: was your first love interest right now? That was not

1312
01:14:37,439 --> 01:14:41,040
Speaker 1: for the camera like that was like, well we started

1313
01:14:41,120 --> 01:14:45,080
Speaker 1: dating before I got on Love and Hip Hop. I

1314
01:14:45,240 --> 01:14:48,879
Speaker 1: was again bringing Stevie to the mean Stevie staying together uplana,

1315
01:14:49,479 --> 01:14:51,120
Speaker 1: you know what I'm saying, bringing them to the set

1316
01:14:51,520 --> 01:14:53,439
Speaker 1: because Carlie was cool with Johnson at the time. I

1317
01:14:53,560 --> 01:14:55,519
Speaker 1: don't know. I just met her off set and she

1318
01:14:55,680 --> 01:14:57,439
Speaker 1: was like, you know, we was hoppling and then we

1319
01:14:57,920 --> 01:15:01,080
Speaker 1: hooked up and then and then know next thing, you know,

1320
01:15:01,120 --> 01:15:02,479
Speaker 1: I get a call like what if your day? And

1321
01:15:02,640 --> 01:15:05,559
Speaker 1: Momona had called on like if your day in somebody

1322
01:15:05,560 --> 01:15:08,160
Speaker 1: from the you know, you should come on. I was like, Okay,

1323
01:15:08,280 --> 01:15:10,880
Speaker 1: that's that's how that's how, that's how it happened. And

1324
01:15:10,960 --> 01:15:13,599
Speaker 1: then I felt like I felt like, I'm on TV.

1325
01:15:14,240 --> 01:15:17,840
Speaker 1: She's cool. Why not? I felt like maybe she's at

1326
01:15:17,880 --> 01:15:19,599
Speaker 1: the age where she didn't want to bullshit no more.

1327
01:15:19,600 --> 01:15:21,360
Speaker 1: Because I'm at the age whe I don't want to bullshit.

1328
01:15:21,720 --> 01:15:24,920
Speaker 1: I feel see, I feel like if I feel like,

1329
01:15:25,000 --> 01:15:26,640
Speaker 1: it's not like, you know, you have to find that

1330
01:15:26,720 --> 01:15:29,040
Speaker 1: special person. But I'm so grounded and I know what

1331
01:15:29,120 --> 01:15:30,720
Speaker 1: I want and what I don't want now is that

1332
01:15:31,160 --> 01:15:33,880
Speaker 1: I feel like, if you know, I could get with

1333
01:15:34,000 --> 01:15:36,120
Speaker 1: a person, if they just have a good heart and everything,

1334
01:15:36,520 --> 01:15:38,439
Speaker 1: it's not too like I can get along with anybody

1335
01:15:38,520 --> 01:15:40,920
Speaker 1: at this point in my life. At that point, I

1336
01:15:41,080 --> 01:15:43,519
Speaker 1: was ready. You know what I'm saying. She wasn't ready.

1337
01:15:43,560 --> 01:15:46,800
Speaker 1: So what made you not because she wasn't ready? You no, No,

1338
01:15:46,920 --> 01:15:49,200
Speaker 1: you didn't give her a ring? Yeah, because she cheated?

1339
01:15:49,640 --> 01:15:56,760
Speaker 1: Oh on an episode in real life too, but I

1340
01:15:59,400 --> 01:16:04,599
Speaker 1: was very real. Hold on, hold on, she didn't set

1341
01:16:04,640 --> 01:16:07,120
Speaker 1: on the show though in real life she cheated. Oh,

1342
01:16:07,160 --> 01:16:08,720
Speaker 1: but you didn't say that on the show, because on

1343
01:16:08,760 --> 01:16:11,680
Speaker 1: the show you just closed. Well. I just remember. I

1344
01:16:11,800 --> 01:16:15,360
Speaker 1: just remember it, like I remember you was staying together.

1345
01:16:16,280 --> 01:16:18,519
Speaker 1: She coming in mad early. I'm like, listen, you just

1346
01:16:18,600 --> 01:16:20,280
Speaker 1: can't be coming in mad early. I don't know if

1347
01:16:20,280 --> 01:16:23,000
Speaker 1: you think just for TV, but I'm just not gonna

1348
01:16:23,080 --> 01:16:24,640
Speaker 1: keep going with this, you know what I'm saying. In

1349
01:16:24,760 --> 01:16:27,200
Speaker 1: real life, coming in early, like like five and five,

1350
01:16:27,320 --> 01:16:29,560
Speaker 1: six in the morning. Then after that there was some

1351
01:16:29,600 --> 01:16:31,519
Speaker 1: ship on the blogs that she was sucking niggers. Now,

1352
01:16:31,520 --> 01:16:34,880
Speaker 1: I'm gonna be honest, I like when I wasn't. I

1353
01:16:35,000 --> 01:16:38,280
Speaker 1: wasn't devastated though, so so I was like, oh my god.

1354
01:16:38,360 --> 01:16:40,840
Speaker 1: I just I just was like, okay, hold up, hold up,

1355
01:16:41,000 --> 01:16:43,280
Speaker 1: since you're not ready, then I just want to break

1356
01:16:43,320 --> 01:16:46,120
Speaker 1: this off. It wasn't no disrespect against her. I just

1357
01:16:46,320 --> 01:16:48,240
Speaker 1: was like, I don't want to look like no fool

1358
01:16:48,800 --> 01:16:50,920
Speaker 1: if we're not on the same page, you know what

1359
01:16:50,960 --> 01:16:54,840
Speaker 1: I'm saying. And so that's when I was I told

1360
01:16:55,160 --> 01:16:57,640
Speaker 1: the producers, I'm not doing the ring thing. You know

1361
01:16:57,640 --> 01:16:59,880
Speaker 1: what I'm saying. I probably was gonna get engaged to

1362
01:17:00,360 --> 01:17:01,680
Speaker 1: you know what I'm saying, and try to try to

1363
01:17:01,760 --> 01:17:04,200
Speaker 1: do something with her. Have our own show, do our

1364
01:17:04,240 --> 01:17:06,280
Speaker 1: own know what I'm saying. We're on TV. Let's you

1365
01:17:06,320 --> 01:17:08,680
Speaker 1: know what I'm saying. That's like people want to see love.

1366
01:17:08,720 --> 01:17:10,639
Speaker 1: You know why I love and hip hop is probably popular,

1367
01:17:10,960 --> 01:17:14,680
Speaker 1: you know what I'm saying, because people are going through

1368
01:17:14,720 --> 01:17:16,840
Speaker 1: these things. Man, you know what I'm saying. When and

1369
01:17:16,920 --> 01:17:20,479
Speaker 1: when I came on, I didn't mess with two women

1370
01:17:20,560 --> 01:17:23,400
Speaker 1: at a time on love and hip hop ever ever, Okay,

1371
01:17:24,080 --> 01:17:25,760
Speaker 1: so women looked at that, and you know, because I

1372
01:17:25,840 --> 01:17:28,040
Speaker 1: didn't want I wasn't gonna do that, Like I'm not

1373
01:17:28,080 --> 01:17:30,880
Speaker 1: gonna go on and date two different chicks on it

1374
01:17:31,280 --> 01:17:33,080
Speaker 1: was a little bit of a little bit of bandy

1375
01:17:33,160 --> 01:17:35,479
Speaker 1: at one point. No, it was Callie. Carlie was out

1376
01:17:35,479 --> 01:17:38,840
Speaker 1: of the picture. Me and baby started days. Okay, Yeah,

1377
01:17:39,040 --> 01:17:43,800
Speaker 1: she was gone after No there no, no, there isn't

1378
01:17:43,840 --> 01:17:52,920
Speaker 1: there isn't there no, there isn't. But I love it

1379
01:17:53,000 --> 01:17:55,559
Speaker 1: hip hop. See but I love it hip hop. They'll

1380
01:17:55,600 --> 01:17:59,120
Speaker 1: set it up now to where you're chilling at dinner. Yeah, baby,

1381
01:17:59,200 --> 01:18:05,320
Speaker 1: the here she comes. No, like, I'm just not with that.

1382
01:18:05,680 --> 01:18:12,680
Speaker 1: I love you that, I don't you know me, I'm like,

1383
01:18:14,320 --> 01:18:16,519
Speaker 1: I'm not with that all day. Right, I'm not with

1384
01:18:16,600 --> 01:18:20,840
Speaker 1: the face out here knocking too chicks down. No, but

1385
01:18:20,920 --> 01:18:22,639
Speaker 1: look at look at no No, no, I gota front.

1386
01:18:22,680 --> 01:18:24,920
Speaker 1: We are entering a different zone right now where a

1387
01:18:24,960 --> 01:18:28,320
Speaker 1: lot of ships being tolerated. I just I just I

1388
01:18:28,479 --> 01:18:31,680
Speaker 1: just know me. I don't mean where I'm at now.

1389
01:18:32,200 --> 01:18:40,960
Speaker 1: I only have them for one Yeah, I can't, I can't, okay, right,

1390
01:18:41,120 --> 01:18:49,240
Speaker 1: all right, right, all right, right, right right, there's nothing

1391
01:18:49,520 --> 01:18:51,320
Speaker 1: at all. Wait what did she say? I'm sorry, I'm

1392
01:18:53,600 --> 01:18:59,840
Speaker 1: the main one? And then woman right, woman, right right,

1393
01:19:00,080 --> 01:19:08,200
Speaker 1: tell me I'm a woman, our bird down, but you

1394
01:19:08,280 --> 01:19:11,200
Speaker 1: still want some side playing. No, I think you're talking

1395
01:19:11,200 --> 01:19:17,479
Speaker 1: about female all right, right, damn, I don't know. I

1396
01:19:17,600 --> 01:19:23,280
Speaker 1: still much to enjoy your fucking hip you know, still

1397
01:19:23,840 --> 01:19:30,160
Speaker 1: like yeah, so you're gonna let him get That's what

1398
01:19:32,320 --> 01:19:39,240
Speaker 1: my authority as your woman. You don't make you fun? Right,

1399
01:19:41,000 --> 01:19:56,920
Speaker 1: that's oh right right right now, kidding she got got

1400
01:20:02,240 --> 01:20:13,559
Speaker 1: sunny whisper something like, just got real he crilly never

1401
01:20:14,680 --> 01:20:18,360
Speaker 1: that's dope. So I just don't me. I don't have

1402
01:20:18,560 --> 01:20:20,719
Speaker 1: look here, look I don't I never was a nigger

1403
01:20:20,720 --> 01:20:22,720
Speaker 1: while I wanted chicks fighting on me. In real life,

1404
01:20:22,760 --> 01:20:25,360
Speaker 1: I'm just a real low key nigger, like I've messed

1405
01:20:25,360 --> 01:20:27,200
Speaker 1: with a lot of celebrities. The reason why people don't

1406
01:20:27,240 --> 01:20:29,240
Speaker 1: know because I was a low key nigga. You know

1407
01:20:29,240 --> 01:20:31,760
Speaker 1: what I'm saying, like so on on on on love

1408
01:20:31,840 --> 01:20:34,400
Speaker 1: and hip hop. I'm not gonna put myself in positions

1409
01:20:34,760 --> 01:20:37,920
Speaker 1: to be getting popped upside the head and who you

1410
01:20:37,960 --> 01:20:41,160
Speaker 1: know what I'm saying, I'm not I'm not all right,

1411
01:20:41,160 --> 01:20:47,800
Speaker 1: we got an accident. I don't want that. Yeah that

1412
01:20:51,320 --> 01:21:08,559
Speaker 1: I got you. That was real, man, baby, because drinking.

1413
01:21:08,840 --> 01:21:11,080
Speaker 1: Oh yeah, I'm drinking. Brother, I'm not drinking. I'm ready

1414
01:21:11,080 --> 01:21:15,880
Speaker 1: for another shot to you. Ready, three dreams, lucky number

1415
01:21:15,920 --> 01:21:21,680
Speaker 1: that we can split that up. Let's lose. Oh no, no, no,

1416
01:21:21,760 --> 01:21:23,920
Speaker 1: no no, you might just stick chams. Don't be having

1417
01:21:24,000 --> 01:21:26,640
Speaker 1: like mad tiger bone. Yeah my crib. I don't like

1418
01:21:26,720 --> 01:21:30,519
Speaker 1: to bring it. Yeah, yes, split with your girl, split

1419
01:21:30,640 --> 01:21:35,439
Speaker 1: with checker out, yes, spit, split it half and half

1420
01:21:35,479 --> 01:21:43,840
Speaker 1: with girt. Okay, yeah, a woman? Sorry? So what's your

1421
01:21:43,920 --> 01:21:46,719
Speaker 1: name again? From New York? Okay, my name is Anika Na.

1422
01:21:47,800 --> 01:21:49,840
Speaker 1: That's like Nicki Mina's real name too, right now from

1423
01:21:49,920 --> 01:21:57,080
Speaker 1: Hustling So okay, okay, all right, I'm an artist, artist,

1424
01:21:57,560 --> 01:21:59,479
Speaker 1: and I'm already gonna feel bulls because I already seen

1425
01:21:59,520 --> 01:22:11,439
Speaker 1: in a future. So that being sad, yea, it's a

1426
01:22:11,520 --> 01:22:13,280
Speaker 1: good day. All right, let me get some I'll take

1427
01:22:13,320 --> 01:22:17,680
Speaker 1: a shot with y'all with man, motherfucking long time. No

1428
01:22:20,479 --> 01:22:23,559
Speaker 1: other one. You don't you know? You know the other one?

1429
01:22:23,720 --> 01:22:30,720
Speaker 1: The other one? Yeah, yes, yeah, the other one. Yeah,

1430
01:22:30,760 --> 01:22:35,760
Speaker 1: there we go. There. It's a Colombian white. Yeah, bad,

1431
01:22:36,240 --> 01:22:38,720
Speaker 1: I'm feeling the saucy right now. I'm gonna lie as

1432
01:22:38,760 --> 01:22:43,960
Speaker 1: you should. Yeah, I'm doing this shot with y'all. Y'all smoke. No,

1433
01:22:45,400 --> 01:22:49,280
Speaker 1: he just harry on the weekend. On the weekend, I

1434
01:22:49,360 --> 01:22:53,160
Speaker 1: got no tracks though, Salo, Salo, where's yours? You took it?

1435
01:22:53,240 --> 01:22:56,840
Speaker 1: You took it already, it's Done's gonna make talkable. Let's

1436
01:22:56,840 --> 01:22:58,800
Speaker 1: take a shout and do say that other There you go, girl,

1437
01:22:59,360 --> 01:23:01,800
Speaker 1: that's a riding right there. Actually gonna let you smash

1438
01:23:01,880 --> 01:23:14,400
Speaker 1: other people. God, damn man good rible solid. Oh yeah,

1439
01:23:15,000 --> 01:23:24,559
Speaker 1: all right, well manahay, I'm not I'm not gonna lie.

1440
01:23:24,600 --> 01:23:28,200
Speaker 1: You know this is stove yea. And even though it's

1441
01:23:28,240 --> 01:23:30,880
Speaker 1: a third time, right because the second time, the third

1442
01:23:30,920 --> 01:23:35,560
Speaker 1: time we went to the fourth time, I was h

1443
01:23:36,760 --> 01:23:42,160
Speaker 1: for the for the baby niggas, damn you broke yep. Yeah, yeah,

1444
01:23:42,720 --> 01:23:44,960
Speaker 1: you're drink champel. You gotta get your chain next time.

1445
01:23:46,120 --> 01:23:51,360
Speaker 1: The documentary already said, give me a chain. It's gonna

1446
01:23:51,360 --> 01:23:56,439
Speaker 1: be the Dominican chain like this gonna be like I

1447
01:23:56,520 --> 01:23:59,000
Speaker 1: just want to get out the vote one time. Come on,

1448
01:24:00,000 --> 01:24:07,000
Speaker 1: you don't want Yeah, pick up the cool in the

1449
01:24:07,040 --> 01:24:12,040
Speaker 1: building as well. Google yeah, I mean that's my come on,

1450
01:24:13,160 --> 01:24:20,200
Speaker 1: my boy, my Boston family nugs without nugs, he drink

1451
01:24:20,280 --> 01:24:23,880
Speaker 1: cancer dugs should have a T shirt going ten years strong?

1452
01:24:26,080 --> 01:24:31,800
Speaker 1: Wait what do you say? Inside? So alright? So not

1453
01:24:31,800 --> 01:24:36,200
Speaker 1: I loving hip hop? Now you become adapted because TV

1454
01:24:36,400 --> 01:24:40,640
Speaker 1: famous different from you know, the magazine World World telling you, man,

1455
01:24:41,360 --> 01:24:42,960
Speaker 1: it is nothing to me. I'll just be like I

1456
01:24:43,080 --> 01:24:45,599
Speaker 1: like to smoke weed, I like to talk. Said, I don't.

1457
01:24:45,640 --> 01:24:47,479
Speaker 1: I don't even that ship is. I don't. I'm telling you,

1458
01:24:47,520 --> 01:24:49,920
Speaker 1: I don't be seeing it. It's cool when people know you.

1459
01:24:50,120 --> 01:24:52,960
Speaker 1: Sometimes it's a pain of ask I'm saying, But it's

1460
01:24:53,000 --> 01:24:55,880
Speaker 1: love always, So I don't look at it. Man, telling

1461
01:24:55,920 --> 01:24:59,040
Speaker 1: you I'd be I'd be always thinking the next way

1462
01:24:59,080 --> 01:25:01,240
Speaker 1: to get the next bag. I always got things to

1463
01:25:01,360 --> 01:25:05,640
Speaker 1: him do I got bills, court payments, child support? You know,

1464
01:25:05,680 --> 01:25:07,559
Speaker 1: I don't know. I mean that celebrities ship is, um,

1465
01:25:08,400 --> 01:25:14,479
Speaker 1: that's a that's a that's a mirage. That's a fucking mirage.

1466
01:25:15,120 --> 01:25:17,320
Speaker 1: You know, that's like it's not there. You know what

1467
01:25:17,360 --> 01:25:19,839
Speaker 1: I'm saying. Like, it's cool if you want to feel special,

1468
01:25:20,280 --> 01:25:22,120
Speaker 1: you know what I'm saying, Because people think it's special.

1469
01:25:22,240 --> 01:25:24,640
Speaker 1: But if they already think you special? Then why you

1470
01:25:24,680 --> 01:25:27,960
Speaker 1: gotta feel special? Why don't you just be cool and

1471
01:25:28,080 --> 01:25:30,000
Speaker 1: just be the way you are. I don't want to

1472
01:25:30,040 --> 01:25:32,000
Speaker 1: be like a because when you look at the real

1473
01:25:32,080 --> 01:25:36,280
Speaker 1: type of celebrities, like the attitudes fund up. I don't

1474
01:25:36,280 --> 01:25:47,800
Speaker 1: want to put the poxide in. He didn't do this

1475
01:25:47,920 --> 01:25:55,320
Speaker 1: to nas. Now you're shout out to nas man, but

1476
01:25:55,479 --> 01:26:06,360
Speaker 1: damn left right, just what it's real. It's real. Like

1477
01:26:06,520 --> 01:26:10,800
Speaker 1: you know, I know for years, bro, you have you

1478
01:26:10,880 --> 01:26:12,759
Speaker 1: had the dump paste on too when you first sposed

1479
01:26:12,760 --> 01:26:14,400
Speaker 1: to the bench and he was like, yeah, I said,

1480
01:26:14,520 --> 01:26:19,920
Speaker 1: thinking like Derek zu Land and I called you too,

1481
01:26:19,920 --> 01:26:21,320
Speaker 1: and that's how I knew I could talk you out

1482
01:26:21,360 --> 01:26:23,040
Speaker 1: of it. He was like, you see, I'm killing him.

1483
01:26:25,080 --> 01:26:27,320
Speaker 1: I about to say he did kill He said, you see,

1484
01:26:27,400 --> 01:26:32,679
Speaker 1: I'm killing him, young swag. I say, see, I can't

1485
01:26:33,320 --> 01:26:35,840
Speaker 1: out of it. Look, I just reworded. I forgot, I

1486
01:26:35,920 --> 01:26:37,840
Speaker 1: forget who I seen I was. I've seen somebody. I

1487
01:26:37,880 --> 01:26:41,519
Speaker 1: was like, Yeah'm gonna try to hmm. It had to

1488
01:26:41,520 --> 01:26:43,519
Speaker 1: be like Chris Brown. Caye think it might have been

1489
01:26:43,560 --> 01:26:52,599
Speaker 1: Chris Brown told you you tell kinetically. I think it was, yeah, tellically, tellically.

1490
01:26:53,120 --> 01:26:57,920
Speaker 1: Chris Brown shout of Chris Brown, man, Chris Brown, greed

1491
01:26:58,080 --> 01:27:03,439
Speaker 1: and everything, and then nigger changes next day. It hurt me.

1492
01:27:03,680 --> 01:27:06,679
Speaker 1: Hurt me, It hurt me. Chris row it up. But okay,

1493
01:27:07,040 --> 01:27:13,560
Speaker 1: so now you you're going through this transition and you

1494
01:27:15,240 --> 01:27:17,719
Speaker 1: isn't the time we had to choose? Like you can't

1495
01:27:17,760 --> 01:27:20,760
Speaker 1: say something? When you start talking like that, that's when

1496
01:27:20,760 --> 01:27:23,800
Speaker 1: you're like, you're serious CNN Mari Shaffer like like when

1497
01:27:23,840 --> 01:27:25,479
Speaker 1: you just did that, I know as you do that,

1498
01:27:25,520 --> 01:27:27,680
Speaker 1: it's like, okay, time gets seriously, Yeah, I got your

1499
01:27:27,720 --> 01:27:35,240
Speaker 1: back like that. So so because because you know, the

1500
01:27:35,320 --> 01:27:37,920
Speaker 1: thing is it's a facade, like you know, the love

1501
01:27:37,960 --> 01:27:40,280
Speaker 1: of hip hop crowd like that's that's that's a six

1502
01:27:40,439 --> 01:27:45,800
Speaker 1: seven million people watching per week. Correct my numbers off,

1503
01:27:46,120 --> 01:27:48,960
Speaker 1: you're absolutely correct. So so you're going from that where

1504
01:27:49,000 --> 01:27:56,000
Speaker 1: you're basically behind the scenes in the sauce partner, still

1505
01:27:56,080 --> 01:27:58,679
Speaker 1: behind the scenes, going from behind the scenes going straight

1506
01:27:58,720 --> 01:28:00,920
Speaker 1: to the front line. How was the difference from that?

1507
01:28:00,960 --> 01:28:02,760
Speaker 1: And then how did you do? What about? What about?

1508
01:28:02,800 --> 01:28:04,720
Speaker 1: I had a couple of hit records. He's talking about

1509
01:28:05,000 --> 01:28:09,760
Speaker 1: what I'm saying, even the music, it's music I don't know,

1510
01:28:16,320 --> 01:28:19,240
Speaker 1: but even the music, even the TV fame is different

1511
01:28:19,240 --> 01:28:22,719
Speaker 1: from music fame. You can't compare video or hit record

1512
01:28:22,760 --> 01:28:24,960
Speaker 1: to love and hip hop fame was big. That's the

1513
01:28:25,040 --> 01:28:27,719
Speaker 1: biggest that the TV fame was. I didn't even expect

1514
01:28:27,800 --> 01:28:30,439
Speaker 1: that's going seven million every day, I think seven millions

1515
01:28:30,520 --> 01:28:32,160
Speaker 1: to this day. To this day, I can't go no

1516
01:28:32,439 --> 01:28:36,760
Speaker 1: hood nowhere, like everybody's auntie trying to holler at me,

1517
01:28:37,240 --> 01:28:40,000
Speaker 1: trying to take you down. Everybody's auntie. You know what

1518
01:28:40,040 --> 01:28:42,080
Speaker 1: I'm saying, I love it wherever I go to his

1519
01:28:42,160 --> 01:28:49,280
Speaker 1: auntie's all over America. What I'm saying America dot Com.

1520
01:28:51,800 --> 01:28:56,240
Speaker 1: I'm talking older women sixties and seventies and Walmart would

1521
01:28:56,240 --> 01:28:57,920
Speaker 1: be like, I love you with Walker, you know how

1522
01:28:58,040 --> 01:29:00,120
Speaker 1: like you know what the oldest lady ever took thet

1523
01:29:00,200 --> 01:29:03,120
Speaker 1: keep it real, keeping the oldest lady you ever took down?

1524
01:29:03,160 --> 01:29:04,800
Speaker 1: You like you took down a seventy nine year old

1525
01:29:04,920 --> 01:29:09,560
Speaker 1: nothing night year old. My god, I'm gonna keep it.

1526
01:29:11,080 --> 01:29:13,240
Speaker 1: I'm gonna keep it one. What's the oldest I like

1527
01:29:13,400 --> 01:29:15,640
Speaker 1: younger women, okay, but what's the oldest you had an

1528
01:29:15,680 --> 01:29:21,160
Speaker 1: old night? Um? Everyone had an old night? Maybe forty something,

1529
01:29:21,880 --> 01:29:28,280
Speaker 1: forty Come on, I'm telling disappointment have you have you

1530
01:29:28,360 --> 01:29:30,760
Speaker 1: have you you? You have scraped the sixty ye old.

1531
01:29:31,120 --> 01:29:33,280
Speaker 1: I had a big night. I have an old night.

1532
01:29:33,320 --> 01:29:34,559
Speaker 1: I had a big night. I had a big night

1533
01:29:34,640 --> 01:29:39,680
Speaker 1: one night, six biggest size a biggert age. Had to

1534
01:29:39,720 --> 01:29:41,840
Speaker 1: take one for the team, had to take one team

1535
01:29:41,880 --> 01:29:43,840
Speaker 1: didn't know but you're forty. How old were you when?

1536
01:29:44,000 --> 01:29:48,000
Speaker 1: When it was forty? Probably was like, like, I mean,

1537
01:29:48,000 --> 01:29:53,680
Speaker 1: I've been old a long time, been a while, so

1538
01:29:53,800 --> 01:29:56,160
Speaker 1: it doesn't matter. Like I just don't you know, there's

1539
01:29:56,200 --> 01:29:57,679
Speaker 1: nothing like you know what I'm saying. I'm not saying

1540
01:29:57,680 --> 01:30:00,800
Speaker 1: that I wouldn't. There's some beautiful the women out there,

1541
01:30:00,920 --> 01:30:03,760
Speaker 1: some Cruger's Cruger's out there, A cougar. I just I

1542
01:30:03,840 --> 01:30:08,559
Speaker 1: just you prefer um, younger woman. What is the male

1543
01:30:08,720 --> 01:30:13,000
Speaker 1: version of Kruger? The male version of cougar? Um? I

1544
01:30:13,120 --> 01:30:27,720
Speaker 1: guess I'm the black panther. That's definitely not any cause

1545
01:30:30,040 --> 01:30:37,240
Speaker 1: Daddy Sugar Daddy should Daddy Sugar Daddy is somebody who

1546
01:30:37,240 --> 01:30:39,880
Speaker 1: takes care to young chick. You can't be taking care.

1547
01:30:40,240 --> 01:30:42,680
Speaker 1: I'm done with that. If you listen, let me tell

1548
01:30:42,680 --> 01:30:46,320
Speaker 1: you something. I've given gifts. I've done a lot for women.

1549
01:30:46,360 --> 01:30:48,360
Speaker 1: If we heard you, boy, cars and all that. That

1550
01:30:48,479 --> 01:30:50,920
Speaker 1: was a real nigger ship. I bought cars and juice.

1551
01:30:50,960 --> 01:30:56,680
Speaker 1: Make some noise for godjam. That's so, that's all for

1552
01:30:56,760 --> 01:30:59,599
Speaker 1: the record, that's all. If your mom, if your month,

1553
01:30:59,640 --> 01:31:03,200
Speaker 1: if you're queen, you nothing you can't get. There's nothing

1554
01:31:03,280 --> 01:31:05,519
Speaker 1: you can't get. But as far as just to be

1555
01:31:05,720 --> 01:31:07,800
Speaker 1: like just dating and just like you know what I

1556
01:31:07,880 --> 01:31:10,559
Speaker 1: mean now, like because the worst thing is you spend

1557
01:31:10,600 --> 01:31:14,320
Speaker 1: all this money and then she's gone, come on, the

1558
01:31:14,439 --> 01:31:26,320
Speaker 1: worst part is, yeah, you're stuff. Ain't you gonna have anything?

1559
01:31:26,520 --> 01:31:29,160
Speaker 1: Somebody else? And then tell you about it? And you

1560
01:31:29,240 --> 01:31:32,240
Speaker 1: know how she's supposed to go tell me about that wife? No?

1561
01:31:33,200 --> 01:31:40,800
Speaker 1: How right and right, don't don't don't, don't do it.

1562
01:31:41,800 --> 01:31:54,120
Speaker 1: Don't do it right, Sonny ten Mike's cri crill, crill.

1563
01:31:55,000 --> 01:31:59,280
Speaker 1: That's whatever he's going going that way, Tim, Mike, take

1564
01:31:59,320 --> 01:32:01,760
Speaker 1: another shot on the SA No, no, no, we got

1565
01:32:02,160 --> 01:32:04,160
Speaker 1: Let's do at can you for the moment with some

1566
01:32:04,240 --> 01:32:07,800
Speaker 1: surrid Yes, come on, I got surprised is the best.

1567
01:32:09,479 --> 01:32:12,400
Speaker 1: Let's go to class sold their guys, can they take

1568
01:32:12,400 --> 01:32:14,600
Speaker 1: a shot. Ain't gonna do with you? Nig Let do

1569
01:32:14,640 --> 01:32:29,880
Speaker 1: it good? It's about you about about about yes, I

1570
01:32:30,000 --> 01:32:41,800
Speaker 1: got saloo about. Come on, we have come to you. Listen, man,

1571
01:32:43,040 --> 01:32:50,400
Speaker 1: we are celebrating you tonight. We are celebrating you, Tonite

1572
01:32:50,800 --> 01:32:57,479
Speaker 1: and Anika. Let's he's a real slow slow slow. That's

1573
01:32:57,560 --> 01:33:14,640
Speaker 1: clear being around the legend. That's right, so zeno so

1574
01:33:15,120 --> 01:33:21,320
Speaker 1: she'll night. Damn that escalated quickly he comes on, come on,

1575
01:33:22,120 --> 01:33:26,479
Speaker 1: are you are you bringing up old ship? He's like,

1576
01:33:26,600 --> 01:33:30,120
Speaker 1: no revolt, I'm not here. You did I'll swim with

1577
01:33:30,160 --> 01:33:34,960
Speaker 1: cool never they never had beef, always love just did

1578
01:33:35,000 --> 01:33:37,120
Speaker 1: you know me? And did he? This song together it's

1579
01:33:37,160 --> 01:33:40,720
Speaker 1: called Who's Been Seen Him? Yeah? And what he? No? No,

1580
01:33:40,800 --> 01:33:44,120
Speaker 1: you did the ad lit but it jog that's did

1581
01:33:44,240 --> 01:33:50,519
Speaker 1: he falls? That's the diddy cam. Right. They get to

1582
01:33:50,560 --> 01:33:52,439
Speaker 1: see every episode and they get the big which ones

1583
01:33:52,479 --> 01:33:58,560
Speaker 1: they picked up? But this is the watermelon is like

1584
01:33:58,600 --> 01:34:01,360
Speaker 1: the greatest. Let me tell you about surrock. Remember on

1585
01:34:02,760 --> 01:34:06,360
Speaker 1: the first summer day, on the frest summer day, noticed

1586
01:34:06,400 --> 01:34:17,240
Speaker 1: that ship. That's that ship. Can can we do a safety?

1587
01:34:17,280 --> 01:34:21,920
Speaker 1: We need to know another one. So now all right,

1588
01:34:22,080 --> 01:34:23,439
Speaker 1: let's go to Sugar Night. Then I'm gonna go to

1589
01:34:23,560 --> 01:34:26,800
Speaker 1: rock the party. But sure knight, you guys are throwing

1590
01:34:26,840 --> 01:34:32,400
Speaker 1: this award show right, we're in New York City. Suge

1591
01:34:32,439 --> 01:34:35,960
Speaker 1: Knight is told to present the award or he's giving

1592
01:34:35,960 --> 01:34:37,760
Speaker 1: an award. I forget how that's going. Then they win

1593
01:34:37,760 --> 01:34:41,960
Speaker 1: an award. He didn't over year or something like that.

1594
01:34:42,240 --> 01:34:44,960
Speaker 1: Oh no, I'm not sure. I just remember him just

1595
01:34:45,080 --> 01:34:47,760
Speaker 1: going up there and saying what he said, niggas don't

1596
01:34:47,760 --> 01:34:51,080
Speaker 1: remember about the award. That's what's so iconic about the moment.

1597
01:34:51,240 --> 01:34:54,880
Speaker 1: Nobody remembers nothing about that. You just remember the moment.

1598
01:34:54,960 --> 01:34:58,759
Speaker 1: The moment was during New York. They had about forty

1599
01:35:00,040 --> 01:35:04,040
Speaker 1: bloods and crypts and in the audience it probably was

1600
01:35:04,120 --> 01:35:06,400
Speaker 1: probably was the first time that's ever happened in New York,

1601
01:35:06,439 --> 01:35:11,000
Speaker 1: New York. So you know, you you automatically thinking it's

1602
01:35:11,040 --> 01:35:14,240
Speaker 1: going down at some point, you know what I'm saying,

1603
01:35:14,680 --> 01:35:16,400
Speaker 1: it's just when That's why I was like, it's just

1604
01:35:16,520 --> 01:35:18,880
Speaker 1: a matter of time. But when he once he said that,

1605
01:35:19,000 --> 01:35:20,840
Speaker 1: then that's when I was like, oh, yeah, it's going down.

1606
01:35:21,560 --> 01:35:24,720
Speaker 1: But I think I think I think Snoop. I think

1607
01:35:24,800 --> 01:35:28,519
Speaker 1: Snoop's moment was the moment because because when Snoop grabbed it,

1608
01:35:28,640 --> 01:35:32,400
Speaker 1: people thought his attitude and his demeanor was that he

1609
01:35:32,960 --> 01:35:34,760
Speaker 1: was getting ready to say fun New York. He was

1610
01:35:35,720 --> 01:35:39,000
Speaker 1: like he foxed with New York. I don't know where

1611
01:35:39,000 --> 01:35:41,919
Speaker 1: I'm at, like right there, and then it kind of confused.

1612
01:35:43,040 --> 01:35:45,479
Speaker 1: At that moment, it was like wait a minute, that

1613
01:35:45,640 --> 01:35:46,960
Speaker 1: was ready to like and it was like, oh ship,

1614
01:35:47,080 --> 01:35:48,519
Speaker 1: like he just he just kind of you know what

1615
01:35:48,520 --> 01:35:51,240
Speaker 1: I'm saying. It was almost like he's so so so

1616
01:35:51,400 --> 01:35:54,640
Speaker 1: I think that moment. I think that moment was I

1617
01:35:54,760 --> 01:35:57,320
Speaker 1: think I think because of Snoop. You know what I'm saying.

1618
01:35:57,439 --> 01:35:59,640
Speaker 1: It didn't it didn't go crazy. It didn't get to

1619
01:35:59,720 --> 01:36:03,799
Speaker 1: where probably could have. Um, I was backstage when it happened.

1620
01:36:04,280 --> 01:36:06,519
Speaker 1: And you know, I mean, think about it. These niggas

1621
01:36:06,520 --> 01:36:09,439
Speaker 1: just haven't made your beef. So you know what I'm saying.

1622
01:36:09,439 --> 01:36:12,240
Speaker 1: When you think about it, it was kind of light.

1623
01:36:12,720 --> 01:36:14,800
Speaker 1: You know what I'm saying. I've seen worse. Ship. You

1624
01:36:14,840 --> 01:36:17,400
Speaker 1: know what I'm saying. You know you know what I mean, Like,

1625
01:36:17,560 --> 01:36:20,000
Speaker 1: I mean, those words are famous when you know, all

1626
01:36:20,120 --> 01:36:22,320
Speaker 1: up in the videos. But I don't want to say

1627
01:36:22,360 --> 01:36:25,160
Speaker 1: that because I funk with did he No, No, that's okay.

1628
01:36:25,240 --> 01:36:30,599
Speaker 1: He enjoys the history. He spoke about this on him. Yeah, really,

1629
01:36:31,520 --> 01:36:33,240
Speaker 1: what do you say about it? He actually said that

1630
01:36:33,360 --> 01:36:35,040
Speaker 1: it was Jermaine Duprit that he thought he was talking

1631
01:36:35,040 --> 01:36:41,160
Speaker 1: about that. He said that we could go flat on

1632
01:36:41,320 --> 01:36:47,760
Speaker 1: and said, that's not exactly different thing about did he did.

1633
01:36:47,800 --> 01:36:49,840
Speaker 1: He's a motherfucker what he did. He could say some

1634
01:36:49,920 --> 01:36:54,720
Speaker 1: ship like that, like everybody was talking about. Let me,

1635
01:36:54,800 --> 01:36:58,519
Speaker 1: let me retract my statement. He said. He said that

1636
01:36:58,640 --> 01:37:01,800
Speaker 1: he stepped the show, and Shook said that to him.

1637
01:37:02,360 --> 01:37:04,960
Speaker 1: He said, Shook said, I was not talking about you,

1638
01:37:05,240 --> 01:37:07,880
Speaker 1: I was talking about Jamaine dupri Oh. He said that

1639
01:37:08,200 --> 01:37:13,080
Speaker 1: that's what said. Wow, that's a big piece I didn't

1640
01:37:13,080 --> 01:37:15,439
Speaker 1: know that. Yeah, that's what he said. We could flash back.

1641
01:37:16,040 --> 01:37:18,880
Speaker 1: That's a big piece of news right there, because yeah,

1642
01:37:18,880 --> 01:37:20,920
Speaker 1: if he's if that's what if that happened, then you know.

1643
01:37:21,080 --> 01:37:23,599
Speaker 1: But then Jamine dupri was saying that wasn't the case.

1644
01:37:24,920 --> 01:37:28,400
Speaker 1: He don't know what if they spoke. You know, his story,

1645
01:37:28,520 --> 01:37:31,760
Speaker 1: my story, everybody's story. You know what I'm saying. You know,

1646
01:37:32,000 --> 01:37:33,280
Speaker 1: at the end of the day, this is why I

1647
01:37:33,320 --> 01:37:35,720
Speaker 1: got out of it. That but we had bad Boy

1648
01:37:35,880 --> 01:37:38,320
Speaker 1: that did they hold set with all their groups and

1649
01:37:38,439 --> 01:37:40,960
Speaker 1: we had motherfucker death Row with all this ship that

1650
01:37:41,120 --> 01:37:43,559
Speaker 1: was iconic. The other ship just made it a little,

1651
01:37:43,640 --> 01:37:46,000
Speaker 1: you know, because listen, the east and West will kind

1652
01:37:46,040 --> 01:37:48,120
Speaker 1: of be from at that time, you know what I'm saying.

1653
01:37:48,479 --> 01:37:50,840
Speaker 1: So you know, it could have went a lot worse.

1654
01:37:51,000 --> 01:37:52,760
Speaker 1: I think, I think when you think about it and

1655
01:37:52,800 --> 01:37:56,639
Speaker 1: you put in perspective, it really wasn't ship. It was cool.

1656
01:37:57,320 --> 01:38:00,360
Speaker 1: What do you miss or if if you do at all,

1657
01:38:00,680 --> 01:38:02,040
Speaker 1: what do you what do you what do you miss

1658
01:38:02,080 --> 01:38:11,120
Speaker 1: most about being part owner of the source? Um? The money? No? No, no,

1659
01:38:12,479 --> 01:38:14,200
Speaker 1: I mean, like I said, back then, just the time,

1660
01:38:14,280 --> 01:38:15,439
Speaker 1: you know what I mean, like the time. I mean,

1661
01:38:15,479 --> 01:38:17,479
Speaker 1: we live in a different time, you know. You know that,

1662
01:38:17,960 --> 01:38:20,240
Speaker 1: you know if if you're of age, you know, back

1663
01:38:20,320 --> 01:38:22,960
Speaker 1: then it was just it was without computers. Life was

1664
01:38:23,080 --> 01:38:25,160
Speaker 1: dope for to meat, you know what I'm saying. It

1665
01:38:25,240 --> 01:38:27,120
Speaker 1: was just we was in the streets. People were out

1666
01:38:27,160 --> 01:38:29,559
Speaker 1: in the streets. You had things to do. People were

1667
01:38:29,600 --> 01:38:31,880
Speaker 1: out in the hoods. People were working with each other

1668
01:38:31,960 --> 01:38:34,920
Speaker 1: in the hoods. Everybody's like you could be always like

1669
01:38:35,360 --> 01:38:36,760
Speaker 1: was like this. So it's you know what I mean,

1670
01:38:37,160 --> 01:38:40,320
Speaker 1: it's just different. I looked at the Rocketfeller Tree one

1671
01:38:40,400 --> 01:38:44,280
Speaker 1: day and they like put like these names and they

1672
01:38:44,320 --> 01:38:47,120
Speaker 1: put how many people that got put on through Rocketfeller.

1673
01:38:47,479 --> 01:38:49,320
Speaker 1: If we could name people that got put on through

1674
01:38:49,320 --> 01:38:52,120
Speaker 1: the source. We're talking about Elliott Wilson, We're talking about

1675
01:38:53,240 --> 01:39:00,439
Speaker 1: Mike Elliott, other basketball, Chimo Sarrio, We're talking mis uh Rigs,

1676
01:39:03,120 --> 01:39:06,920
Speaker 1: the guy that did the Tupac thing. Uh Frank Frank

1677
01:39:07,160 --> 01:39:10,400
Speaker 1: he just did the Tupac Uh, the Tupac story, that

1678
01:39:10,479 --> 01:39:16,880
Speaker 1: Tupac documentary on A and E. Frank something, Frank Something, Yeah, yeah,

1679
01:39:16,960 --> 01:39:21,880
Speaker 1: he produced their um tatari we TV producer. You go

1680
01:39:22,040 --> 01:39:23,720
Speaker 1: on and on all over the place. I was like,

1681
01:39:23,800 --> 01:39:26,000
Speaker 1: if you had sauce on your resume. Look. Hip hop

1682
01:39:26,040 --> 01:39:29,320
Speaker 1: then got so big. These corporations, they only want to

1683
01:39:29,360 --> 01:39:31,960
Speaker 1: take them on who they feel is non violent and

1684
01:39:32,160 --> 01:39:34,000
Speaker 1: you know, you know college and you know what I'm saying.

1685
01:39:34,040 --> 01:39:36,000
Speaker 1: So they're the ones, and God bless them, you know

1686
01:39:36,000 --> 01:39:41,000
Speaker 1: what I'm saying. But Frank Frank, Now, so I don't.

1687
01:39:41,040 --> 01:40:04,479
Speaker 1: I don't remember Frank Frankie Frank, one of them. Goddamn it, Lisa,

1688
01:40:04,600 --> 01:40:10,679
Speaker 1: Frank Alexander, Now, what was your worst cover? You ever made?

1689
01:40:11,960 --> 01:40:17,160
Speaker 1: The worst cover ever? One of them was, um, I

1690
01:40:17,320 --> 01:40:19,800
Speaker 1: remember we put Gotti on the cover because at that

1691
01:40:19,840 --> 01:40:22,559
Speaker 1: that point, everybody so we was already losing the source.

1692
01:40:22,600 --> 01:40:24,880
Speaker 1: At that point we knew it. It was just amount

1693
01:40:24,880 --> 01:40:26,600
Speaker 1: of time. So one of our last covers was the

1694
01:40:26,720 --> 01:40:31,599
Speaker 1: Earth and um at that point phenomenal. Now I didn't

1695
01:40:31,600 --> 01:40:33,800
Speaker 1: do too well only because then nobody was you know,

1696
01:40:33,840 --> 01:40:37,560
Speaker 1: at that point. See when the Eminem beef, hap was

1697
01:40:37,600 --> 01:40:41,120
Speaker 1: saying they smell pussy, when Eminem beef was happening, right,

1698
01:40:41,840 --> 01:40:44,400
Speaker 1: so I got cool with y'all and murder, ain't you

1699
01:40:44,439 --> 01:40:46,080
Speaker 1: know what I'm saying because we was basically neighbors, Our

1700
01:40:46,160 --> 01:40:49,360
Speaker 1: kids grew up together. My niggas and especially a lot

1701
01:40:49,760 --> 01:40:53,280
Speaker 1: not just not just job, but it's it's it's all murder.

1702
01:40:53,360 --> 01:40:55,120
Speaker 1: Ain't a bunch of niggas, So you know, you know,

1703
01:40:55,160 --> 01:40:57,600
Speaker 1: I mean a lot of niggas. So yeah, yeah, you know.

1704
01:40:58,040 --> 01:41:03,360
Speaker 1: So um, you know, I felt like I'm beefrom with Eminem.

1705
01:41:03,479 --> 01:41:06,680
Speaker 1: The situation Eminel, they're beefrom with fifty you know, it's

1706
01:41:06,760 --> 01:41:11,360
Speaker 1: looking like your enemies. My Yeah, it was weird because

1707
01:41:11,439 --> 01:41:13,400
Speaker 1: you know when that should happened. This is that's how

1708
01:41:13,479 --> 01:41:18,120
Speaker 1: weird shit is. It's how weird shit is. This. This

1709
01:41:18,240 --> 01:41:22,519
Speaker 1: is some weird ships. On fifty fourth Street there was

1710
01:41:22,560 --> 01:41:24,920
Speaker 1: the Hit factory where they were fifty gone to the

1711
01:41:25,000 --> 01:41:29,320
Speaker 1: Beef with job right, I'm at Sony Music. That's on

1712
01:41:29,439 --> 01:41:32,479
Speaker 1: fifty four Falso, these are two huge studios in New

1713
01:41:32,560 --> 01:41:35,479
Speaker 1: York at the time they both closed down. Yeah, it's

1714
01:41:35,520 --> 01:41:37,559
Speaker 1: on the same street. It was on the saying you've

1715
01:41:37,600 --> 01:41:40,360
Speaker 1: been to both. Remember the Sony hip Hop room was

1716
01:41:40,439 --> 01:41:43,800
Speaker 1: downstairs in the basement. Alright, so cool, Jesus said of

1717
01:41:43,880 --> 01:41:46,600
Speaker 1: made men smoked cigarettes. So you gotta go outside and

1718
01:41:46,680 --> 01:41:49,400
Speaker 1: do everybody shot. When you said get a shot at

1719
01:41:50,600 --> 01:41:57,160
Speaker 1: for everybody, you don't be us to leave right now,

1720
01:41:57,320 --> 01:41:59,800
Speaker 1: let me to leave it last. I got my look yeah,

1721
01:41:59,840 --> 01:42:05,160
Speaker 1: yea yeah continue so so so I guess so Jesus

1722
01:42:05,280 --> 01:42:09,599
Speaker 1: is upstairs. Now he brought fifty downstairs to the room

1723
01:42:10,040 --> 01:42:13,400
Speaker 1: and I'm playing John Madden when fifty comes up and

1724
01:42:13,479 --> 01:42:15,760
Speaker 1: it was like, yo, now what fifty is this? This

1725
01:42:15,920 --> 01:42:21,120
Speaker 1: is prior to it was whatever the time that they

1726
01:42:21,200 --> 01:42:24,960
Speaker 1: got to the beef at Factory. Yeah, that was after

1727
01:42:25,080 --> 01:42:28,600
Speaker 1: the That was after that. Yeah, but I you know,

1728
01:42:28,720 --> 01:42:30,400
Speaker 1: I had I had fun with Red Hot Love of

1729
01:42:30,479 --> 01:42:35,479
Speaker 1: Tone them you master Tone. Did you know that ninety

1730
01:42:35,560 --> 01:42:38,160
Speaker 1: one we was on tour and Niggas was gonna funk

1731
01:42:38,200 --> 01:42:40,840
Speaker 1: Red Hot Love of Tone up in North Carolina. And

1732
01:42:41,040 --> 01:42:42,200
Speaker 1: you know what I'm saying. I think I was the

1733
01:42:42,280 --> 01:42:45,439
Speaker 1: only one with a blink with on tour. Had to

1734
01:42:45,479 --> 01:42:47,280
Speaker 1: pull it out and save his life. And he'll tell

1735
01:42:47,320 --> 01:42:50,719
Speaker 1: you that, but that's before he was track masters. Saved

1736
01:42:50,760 --> 01:42:53,880
Speaker 1: his life. Okay, when we could get around of applause

1737
01:42:53,920 --> 01:43:03,120
Speaker 1: for that, save his life, come out, come on, as

1738
01:43:03,160 --> 01:43:04,720
Speaker 1: long as that news. You know that, nigga, do not

1739
01:43:04,840 --> 01:43:07,920
Speaker 1: pass the blunt, bro. He'll look at that. He'll look look,

1740
01:43:07,960 --> 01:43:10,560
Speaker 1: you got another one. He'll look at you and just

1741
01:43:10,680 --> 01:43:13,200
Speaker 1: talk to you too, like yo, listen, man, you're like yo,

1742
01:43:13,320 --> 01:43:17,240
Speaker 1: pass the fucking weed. You're a bad guy. Give it

1743
01:43:17,240 --> 01:43:19,560
Speaker 1: to give it up. She needs it. Come on. So

1744
01:43:20,200 --> 01:43:23,400
Speaker 1: so so he got so whatever happened at Hit Factory,

1745
01:43:23,920 --> 01:43:27,080
Speaker 1: he ended up running down to the end up ended

1746
01:43:27,160 --> 01:43:29,400
Speaker 1: up down at Sony with us who were talking about

1747
01:43:29,439 --> 01:43:33,960
Speaker 1: right now. I didn't know John him then. Back then

1748
01:43:34,040 --> 01:43:36,800
Speaker 1: it was like you, I'd see we maybe because I

1749
01:43:36,840 --> 01:43:39,840
Speaker 1: had rocked the party and you had what what? John

1750
01:43:39,920 --> 01:43:41,640
Speaker 1: probably had a song, He got a bunch of them,

1751
01:43:41,720 --> 01:43:47,080
Speaker 1: he had all right. So so we're doing a little shows. Holla.

1752
01:43:47,520 --> 01:43:50,160
Speaker 1: So we're doing shows and we might see each other

1753
01:43:50,200 --> 01:43:53,439
Speaker 1: and we're giving these up the shorthead Bob. Yeah, yeah, yeah,

1754
01:43:53,439 --> 01:43:55,240
Speaker 1: you say we don't like each other, you got your

1755
01:43:56,120 --> 01:43:59,400
Speaker 1: so Me and Rud wasn't even cool, you know what

1756
01:43:59,400 --> 01:44:02,439
Speaker 1: I'm saying. And then um when he came down, and

1757
01:44:02,520 --> 01:44:04,960
Speaker 1: I was like, let's say, fifty was standing over there

1758
01:44:05,320 --> 01:44:08,840
Speaker 1: and I'm playing and I'm looking at Jesus like the

1759
01:44:08,880 --> 01:44:12,000
Speaker 1: sniggers just bringing Niggs down into the fuse. But it

1760
01:44:12,120 --> 01:44:13,880
Speaker 1: was cool, you know what I'm saying. We we kicked it,

1761
01:44:14,120 --> 01:44:15,479
Speaker 1: you know what I'm saying. For him, And he showed

1762
01:44:15,479 --> 01:44:18,800
Speaker 1: me where I guess he had got stabblished something on

1763
01:44:18,880 --> 01:44:21,240
Speaker 1: the side or whatever. And he showed he had a

1764
01:44:22,640 --> 01:44:25,519
Speaker 1: little three two or thirty eight and it didn't have

1765
01:44:25,560 --> 01:44:28,040
Speaker 1: any shells in it. And he said the nigger he

1766
01:44:28,200 --> 01:44:30,200
Speaker 1: was wet, had the gun and the gun fell, but

1767
01:44:30,280 --> 01:44:32,640
Speaker 1: it didn't have no bullets in it. And he was

1768
01:44:32,680 --> 01:44:36,559
Speaker 1: explaining the situation. And then I ended up calling him

1769
01:44:36,560 --> 01:44:39,760
Speaker 1: a car service and I got him, and I think

1770
01:44:39,800 --> 01:44:41,280
Speaker 1: he went to Bellevue. He might he might have went

1771
01:44:41,320 --> 01:44:42,800
Speaker 1: to the hospital. I really don't know where he went

1772
01:44:42,840 --> 01:44:45,880
Speaker 1: after that, right, And that was that was the story.

1773
01:44:46,000 --> 01:44:49,280
Speaker 1: But then fast forward, I moved to side the river

1774
01:44:49,439 --> 01:44:52,960
Speaker 1: and our kids, my son is with y'all's son, my

1775
01:44:53,080 --> 01:44:56,720
Speaker 1: daughters with Joab's daughter, growing up together. I'm beat from

1776
01:44:56,720 --> 01:44:59,519
Speaker 1: whatever them he's beat from. So it's just weird how

1777
01:44:59,640 --> 01:45:02,719
Speaker 1: ship there's like growing up hip hop real life. It's crazy.

1778
01:45:02,760 --> 01:45:05,240
Speaker 1: It's crazy. How how how ship happens? Because me and

1779
01:45:05,320 --> 01:45:08,320
Speaker 1: fifty never had no beef, right, you know it was

1780
01:45:08,400 --> 01:45:10,559
Speaker 1: with eminem seeing each other in the club the other day, Right,

1781
01:45:10,600 --> 01:45:13,599
Speaker 1: I think I seal some footage I was. He actually

1782
01:45:13,640 --> 01:45:16,320
Speaker 1: shouted you out. He actually said Benzino's in the building,

1783
01:45:16,760 --> 01:45:19,679
Speaker 1: I see you, nigger or something. Yeah, seen footage online.

1784
01:45:19,720 --> 01:45:22,560
Speaker 1: I'm on point at my point. Yeah, yeah, nah, no,

1785
01:45:22,720 --> 01:45:24,640
Speaker 1: it was you know what I'm saying. So, I mean,

1786
01:45:24,680 --> 01:45:25,800
Speaker 1: you know it was you know what I mean, Like,

1787
01:45:26,080 --> 01:45:27,800
Speaker 1: I never really had beef with fifty. It was no

1788
01:45:27,880 --> 01:45:29,680
Speaker 1: beef with fifty. You know what I'm saying. It's just

1789
01:45:29,800 --> 01:45:32,759
Speaker 1: that job was beetrom with fifty and me and job's

1790
01:45:32,800 --> 01:45:35,000
Speaker 1: cool a right, you know what I'm saying. All Right,

1791
01:45:35,439 --> 01:45:37,320
Speaker 1: that's some real production ship you just did, like why

1792
01:45:37,360 --> 01:45:43,280
Speaker 1: we're doing back? Yeah, he just told me to put

1793
01:45:45,920 --> 01:45:50,439
Speaker 1: just a real production the other one. What's this? Yeah?

1794
01:45:53,640 --> 01:45:57,320
Speaker 1: You just said it's great, So I was great. The

1795
01:45:57,840 --> 01:46:02,840
Speaker 1: afternoon when it's time. You can't turn about around. Listen, listen,

1796
01:46:02,960 --> 01:46:07,160
Speaker 1: turn about no joke, no joke on a summer afternoon,

1797
01:46:07,560 --> 01:46:11,640
Speaker 1: like like all jokes aside, right on summer afternoon when

1798
01:46:11,680 --> 01:46:16,519
Speaker 1: it's fun with some concala with a beautiful woman with

1799
01:46:16,640 --> 01:46:25,040
Speaker 1: a string bikini on on a beautiful beach. We got

1800
01:46:25,120 --> 01:46:27,040
Speaker 1: some of this right, and we got we got what

1801
01:46:27,240 --> 01:46:31,599
Speaker 1: we got, so we got right. I feel like it's

1802
01:46:31,640 --> 01:47:06,960
Speaker 1: cocaine involved as well, a little bit. You can come now,

1803
01:47:07,000 --> 01:47:09,479
Speaker 1: it's gonna keep my ship. I gotta take my some

1804
01:47:09,560 --> 01:47:11,280
Speaker 1: on the cameras want to kill you know what, y'all

1805
01:47:11,320 --> 01:47:16,640
Speaker 1: need drink champ coasters, the drink so right, that's all right.

1806
01:47:17,840 --> 01:47:19,639
Speaker 1: Just just take the stickers and put them on something.

1807
01:47:19,720 --> 01:47:23,479
Speaker 1: You know what I'm saying. Drink camp stuff. That'sh you

1808
01:47:23,640 --> 01:47:36,160
Speaker 1: fuck me up, ship, let's you know, Pep the smoke champ. Yeah,

1809
01:47:36,240 --> 01:47:38,320
Speaker 1: another one. No, you gotta pick this one. You gotta

1810
01:47:38,360 --> 01:47:42,160
Speaker 1: smoke this, light that up. That's all. I don't I

1811
01:47:42,200 --> 01:47:44,599
Speaker 1: don't do what I'm backwards. Don't do no, No, that's okay.

1812
01:47:44,680 --> 01:47:47,320
Speaker 1: They never tape of backwards. This is tobacco freed backward.

1813
01:47:47,600 --> 01:47:49,519
Speaker 1: Come on, this is this is our ship. Come on

1814
01:47:50,520 --> 01:47:59,519
Speaker 1: the whole boy, trusty house. It's not a dirty right there,

1815
01:48:01,560 --> 01:48:08,040
Speaker 1: the catip to the coat. But we're just gonna try

1816
01:48:08,040 --> 01:48:10,080
Speaker 1: to trick you. But let that up. Light that up.

1817
01:48:10,680 --> 01:48:13,920
Speaker 1: I remember one time I did an interview with Trick. Right, so,

1818
01:48:14,120 --> 01:48:16,120
Speaker 1: Trick is next to me and Ship. I'm in Miami

1819
01:48:16,600 --> 01:48:20,320
Speaker 1: and he's smoking and we just smoke. Were just just

1820
01:48:20,360 --> 01:48:23,040
Speaker 1: smoking and I'm smelling the weed. I'm like, I'm smoking, believe,

1821
01:48:23,040 --> 01:48:24,800
Speaker 1: But I noticed that the blunt was real thin, and

1822
01:48:24,880 --> 01:48:27,120
Speaker 1: Ship I was like, probably just doing like a lot

1823
01:48:27,160 --> 01:48:30,120
Speaker 1: of weeding this blunt. That motherfucker. Let that bitch up.

1824
01:48:30,360 --> 01:48:36,880
Speaker 1: I was like, new check New Jack City. Remember the

1825
01:48:36,960 --> 01:48:42,200
Speaker 1: part of the basement right there, giving you like, I'm

1826
01:48:42,200 --> 01:48:44,479
Speaker 1: gonna keep it one tho. I don't smoke back It's okay.

1827
01:48:44,560 --> 01:48:50,280
Speaker 1: Just take a couple of hits. How about that? Yeah,

1828
01:48:56,240 --> 01:49:02,280
Speaker 1: that's we didn't there were dude, give us a commercial.

1829
01:49:03,560 --> 01:49:07,559
Speaker 1: I'm gonna tell you what it tastes like, the Polar smooth.

1830
01:49:07,600 --> 01:49:10,240
Speaker 1: I can't front backwood. I'm kno gonna lie. And there's

1831
01:49:10,240 --> 01:49:11,600
Speaker 1: not a backwood. It's a fact of wood. It's a

1832
01:49:11,640 --> 01:49:15,759
Speaker 1: fake backwood. And I don't feel dizzy and it's sweet.

1833
01:49:15,960 --> 01:49:21,479
Speaker 1: It's because no tobacco. I have little hints of like honey,

1834
01:49:22,000 --> 01:49:24,519
Speaker 1: I have hints of sugar, sugar. You know what I'm saying.

1835
01:49:46,920 --> 01:49:48,439
Speaker 1: I can't I can't take too many hits in that

1836
01:49:48,520 --> 01:49:51,200
Speaker 1: darns on the front. Back to the regular bunk. Let

1837
01:49:51,320 --> 01:49:56,439
Speaker 1: get that with my ship. I'm gonna take that back.

1838
01:49:56,520 --> 01:50:01,000
Speaker 1: I'm dizzy as fun from that ship right there. Man,

1839
01:50:02,960 --> 01:50:06,880
Speaker 1: that commercial that was dope. That was dope. I was

1840
01:50:06,960 --> 01:50:08,840
Speaker 1: fucked up. That ain't gonna lie. I got one more

1841
01:50:08,880 --> 01:50:12,280
Speaker 1: shot left in me. You crazy. No, he's not even

1842
01:50:12,360 --> 01:50:18,599
Speaker 1: drunk livers like. Man, please, we got this. You can

1843
01:50:18,680 --> 01:50:21,320
Speaker 1: drink my nigga. No, man, it's all good. Man. So listen.

1844
01:50:22,400 --> 01:50:26,040
Speaker 1: You've been throughout the whole industry, right, You've been inside

1845
01:50:27,080 --> 01:50:31,640
Speaker 1: backside and hold on, I forgot, hold hold on, hold on,

1846
01:50:31,800 --> 01:50:35,320
Speaker 1: hold hold on. Forgot. I meanted to say inside outside.

1847
01:50:35,320 --> 01:50:37,240
Speaker 1: I'm sorry, I said backside. No, No, I just gonna

1848
01:50:37,280 --> 01:50:39,040
Speaker 1: get my serious face. You've been in you've been in

1849
01:50:39,200 --> 01:50:43,000
Speaker 1: culinary arts. If you had to pick one, and I

1850
01:50:43,040 --> 01:50:44,800
Speaker 1: don't know we answered that in a different way. You

1851
01:50:44,880 --> 01:50:48,240
Speaker 1: said music before, but if you had to it was reality.

1852
01:50:48,320 --> 01:50:53,200
Speaker 1: If you had the top, you know, reality person uh

1853
01:50:54,040 --> 01:50:55,960
Speaker 1: to produce a show for you right now, or you

1854
01:50:56,040 --> 01:50:59,120
Speaker 1: had the top person to uh put you your restaurants.

1855
01:50:59,640 --> 01:51:01,880
Speaker 1: I'm just it just like if you had you had

1856
01:51:01,920 --> 01:51:07,479
Speaker 1: a choice between what you question, you had the choice

1857
01:51:07,479 --> 01:51:12,920
Speaker 1: were doing could be some questions and restaurant or music

1858
01:51:13,000 --> 01:51:17,679
Speaker 1: to I would want music. I wouldn't want reality show,

1859
01:51:18,080 --> 01:51:21,760
Speaker 1: reality show, reality show over a restaurant. Yeah, because because

1860
01:51:21,800 --> 01:51:23,720
Speaker 1: the reality show is gonna show me at my restaurant.

1861
01:51:24,960 --> 01:51:32,040
Speaker 1: Ray Kwon voice good kuam voices, because like we'll be

1862
01:51:32,080 --> 01:51:34,400
Speaker 1: talking to Ray Kwan, like Ray be serious. They'll be

1863
01:51:34,479 --> 01:51:38,960
Speaker 1: like every time we do that, we'd be like boys.

1864
01:51:39,640 --> 01:51:44,200
Speaker 1: And where you getting cocaine? Cocaine? Don't you know? You listen,

1865
01:51:44,720 --> 01:51:56,320
Speaker 1: you're falling off. Yeah. Oh, let's make some noise for

1866
01:51:56,400 --> 01:52:02,640
Speaker 1: that shop. I got out of the gut of I

1867
01:52:02,720 --> 01:52:06,640
Speaker 1: got the because you know, man, we celebrate people careers here. Man,

1868
01:52:06,960 --> 01:52:09,280
Speaker 1: you know what you've been up here for thirty years?

1869
01:52:09,320 --> 01:52:18,360
Speaker 1: Who help wrong? That was a big bigger That wasn't

1870
01:52:18,360 --> 01:52:36,920
Speaker 1: a bigger years. It's but today it's about you and

1871
01:52:36,920 --> 01:52:38,960
Speaker 1: I'm bigging you up. I'm just saying that there's a

1872
01:52:38,960 --> 01:52:40,400
Speaker 1: lot a lot of people who can stand the test

1873
01:52:40,479 --> 01:52:42,840
Speaker 1: of time, like you. A lot of people there's not

1874
01:52:42,880 --> 01:52:45,160
Speaker 1: a lot of people who can transition pass it back though,

1875
01:52:45,200 --> 01:52:51,960
Speaker 1: but just the last one, Listen, there's not a lot

1876
01:52:52,000 --> 01:52:54,880
Speaker 1: of people who can transition like you, who can stayd

1877
01:52:54,960 --> 01:52:57,600
Speaker 1: tall and not complain and just sit there and just

1878
01:52:57,760 --> 01:53:00,720
Speaker 1: find a different way, to find another huss to find

1879
01:53:00,760 --> 01:53:04,800
Speaker 1: another way, to find another fucking outlet to eat from.

1880
01:53:04,960 --> 01:53:08,120
Speaker 1: From you being a culinary expert, from you know, cooking too,

1881
01:53:08,439 --> 01:53:11,320
Speaker 1: you know, being the reality TV to running the whole magazine,

1882
01:53:11,360 --> 01:53:15,680
Speaker 1: to running groups, to motherfucking you know doing music, from

1883
01:53:15,760 --> 01:53:18,200
Speaker 1: rock the Party to Mario Winners and all that. You've

1884
01:53:18,240 --> 01:53:21,000
Speaker 1: got Mario Winers, you know what I mean to to

1885
01:53:21,840 --> 01:53:24,640
Speaker 1: he smokes weed and all that. Like the first nig

1886
01:53:24,760 --> 01:53:26,639
Speaker 1: to turn me on. The seven different types of weeks

1887
01:53:29,400 --> 01:53:32,639
Speaker 1: we went. We went up to the cat skills different

1888
01:53:32,640 --> 01:53:38,840
Speaker 1: We went up to cats skill Mountains and stayed there

1889
01:53:38,920 --> 01:53:43,439
Speaker 1: for like a month. But NAS recorded there. Oh wow,

1890
01:53:43,840 --> 01:53:47,800
Speaker 1: it's a it's it's it's a it's about man. Man,

1891
01:53:47,840 --> 01:53:54,360
Speaker 1: that's not cat skills at all. Right, what's right? What's so? So?

1892
01:53:54,640 --> 01:53:56,920
Speaker 1: I just held my other student on the day, you

1893
01:53:56,960 --> 01:54:01,720
Speaker 1: know that was that? Listen. We did a video and

1894
01:54:01,800 --> 01:54:05,160
Speaker 1: we got like thirty shoes, Rendez vous girls up there,

1895
01:54:05,240 --> 01:54:08,040
Speaker 1: Me and Mario playing paintball with us for the video

1896
01:54:09,040 --> 01:54:13,800
Speaker 1: to Mario free is afraid? What I can't wait to

1897
01:54:13,880 --> 01:54:21,000
Speaker 1: tell doing no no listen man, real yeah, real, yeah,

1898
01:54:21,439 --> 01:54:23,840
Speaker 1: beast man. Cocaine to the way you look, the way

1899
01:54:23,960 --> 01:54:29,599
Speaker 1: you say, way you look that we were sponsible. That's

1900
01:54:29,600 --> 01:54:33,000
Speaker 1: how we know. You know you think cocaine? See is

1901
01:54:33,040 --> 01:54:36,120
Speaker 1: that your name is Jose I never did. I did

1902
01:54:36,120 --> 01:54:37,920
Speaker 1: a lot of Molly though, kind of like you know,

1903
01:54:38,280 --> 01:54:40,280
Speaker 1: takes up for it. You never did cocaine never in

1904
01:54:40,400 --> 01:54:42,880
Speaker 1: my life. Never did comde my life Puerto Rican not

1905
01:54:43,040 --> 01:54:53,240
Speaker 1: even that's you don't like shorter of cocaine. You're not PoCA? Yeah?

1906
01:54:53,480 --> 01:54:56,120
Speaker 1: I like, but but I like teaching on and I

1907
01:54:56,240 --> 01:54:59,720
Speaker 1: like Molly. How about that? Even Molly is a black drug.

1908
01:55:00,280 --> 01:55:02,720
Speaker 1: Hey man, that's your black that's also prejudiced as well.

1909
01:55:02,840 --> 01:55:07,600
Speaker 1: It's a black and it was Yeah, I did, he

1910
01:55:07,640 --> 01:55:12,560
Speaker 1: did the Cadillacs. You like momyving did. I haven't did

1911
01:55:12,720 --> 01:55:14,520
Speaker 1: Molly in three years. But I'm gonna looking at you

1912
01:55:14,600 --> 01:55:16,400
Speaker 1: in your face out of a man and man and

1913
01:55:16,480 --> 01:55:19,680
Speaker 1: that I'm not gonna tell you Anna not gonna do

1914
01:55:19,840 --> 01:55:22,280
Speaker 1: one again no, I like it. I like, how do

1915
01:55:22,320 --> 01:55:25,200
Speaker 1: you feel off a Molly? I performed how Star? I

1916
01:55:25,320 --> 01:55:28,680
Speaker 1: love it? I love it, I love it. I'm you

1917
01:55:28,760 --> 01:55:32,320
Speaker 1: know you do you want eat? No? I don't. You've

1918
01:55:32,400 --> 01:55:34,800
Speaker 1: never ate ate around it. I've seen you ate around.

1919
01:55:36,240 --> 01:55:39,160
Speaker 1: You ate around the around around what is eating around?

1920
01:55:39,640 --> 01:55:45,160
Speaker 1: You know? That's yeah? No, I eat that as on

1921
01:55:45,200 --> 01:55:50,960
Speaker 1: the internet. I eat But how did you guys? How

1922
01:55:51,040 --> 01:55:54,920
Speaker 1: did that? If it's check that out with how did

1923
01:55:55,000 --> 01:55:58,640
Speaker 1: that you eat? As? Never you signed your lot? You

1924
01:55:58,760 --> 01:56:04,280
Speaker 1: dirty motherfucker? Do you put barbecue on that episode? You

1925
01:56:04,520 --> 01:56:08,280
Speaker 1: never that. I'm not gonna lie. He always said, he don't.

1926
01:56:08,320 --> 01:56:14,760
Speaker 1: He asked, but you're putt Yeah, there's no way your

1927
01:56:14,880 --> 01:56:24,160
Speaker 1: face like a like about prejudice, I didn't say. No,

1928
01:56:24,640 --> 01:56:26,960
Speaker 1: I'm not being credit because of who you are. We

1929
01:56:27,000 --> 01:56:31,120
Speaker 1: already knew you man. You oldre your the bottle just

1930
01:56:31,280 --> 01:56:33,960
Speaker 1: against Haitians. He's right, that was him. No, No, I'm

1931
01:56:33,960 --> 01:56:38,320
Speaker 1: talking about sunny. I'm pretty to getting sunny. You're automatically

1932
01:56:38,520 --> 01:56:42,400
Speaker 1: well whatever they say. But I'm just I've never bo

1933
01:56:43,120 --> 01:56:54,760
Speaker 1: It's really obviously that you would ask pregatory. No, hold on,

1934
01:56:55,440 --> 01:56:59,200
Speaker 1: I ain't hold on. I ain't never heard it yet

1935
01:56:59,640 --> 01:57:13,520
Speaker 1: he's your right, your soul. You asked everybody out here,

1936
01:57:13,600 --> 01:57:16,800
Speaker 1: weats as put the answer. Come on, let's come man,

1937
01:57:17,600 --> 01:57:22,680
Speaker 1: here we go. You probably you got a lot of

1938
01:57:22,760 --> 01:57:33,240
Speaker 1: one with you tonight. So I'm going right, human, right, right,

1939
01:57:34,000 --> 01:57:38,600
Speaker 1: fucking right. Yea, that's right, that's right. She might eat

1940
01:57:38,640 --> 01:58:04,160
Speaker 1: your ask tonight. I think that's good time you out.

1941
01:58:04,240 --> 01:58:08,920
Speaker 1: Yet we're about done anyway. I don't mind that. No,

1942
01:58:11,800 --> 01:58:21,360
Speaker 1: we don't want that. No, actually smoking and no, just

1943
01:58:21,600 --> 01:58:27,720
Speaker 1: ad that's big, that's big. Come on, we're gonna get

1944
01:58:28,000 --> 01:58:37,440
Speaker 1: another shot. Come oh ship y'all just sneaking shot. So

1945
01:58:37,600 --> 01:58:46,480
Speaker 1: you ready ready? Yeah, I'm not ready. I'm that's your question.

1946
01:58:46,560 --> 01:58:49,800
Speaker 1: That's your questions. I mean when when when um TEO

1947
01:58:49,880 --> 01:58:53,760
Speaker 1: and Y came out right yes, and and the streets

1948
01:58:53,840 --> 01:58:55,560
Speaker 1: was buzzing, the streets, was you know what I'm saying,

1949
01:58:55,760 --> 01:58:58,320
Speaker 1: did you fail like this is what you've always dreamed about?

1950
01:58:58,400 --> 01:59:02,240
Speaker 1: This is what I'm saying. Was that the moment where music? Yeah? Yeah, yeah,

1951
01:59:02,960 --> 01:59:07,840
Speaker 1: but what I'm just I'm you finish your question. I'm sorry, no,

1952
01:59:07,960 --> 01:59:10,040
Speaker 1: because but no, no, no, but you answered it way

1953
01:59:10,120 --> 01:59:13,560
Speaker 1: too fast, okay, because yeah, just tell me that when

1954
01:59:14,160 --> 01:59:16,440
Speaker 1: I just want because that was. That was my choint,

1955
01:59:16,520 --> 01:59:18,720
Speaker 1: not nigger like that was. I was like, who is

1956
01:59:18,800 --> 01:59:22,160
Speaker 1: this nigger? Everybody said, And his voice sounded like a

1957
01:59:22,240 --> 01:59:27,440
Speaker 1: Puerto Rican nigga. You know what I'm saying. He sounded.

1958
01:59:27,480 --> 01:59:29,800
Speaker 1: He didn't sound like a straight nun. He came in

1959
01:59:29,920 --> 01:59:33,520
Speaker 1: like pocan also prejudice because I'm not a straight nigger.

1960
01:59:33,560 --> 01:59:38,320
Speaker 1: He just he just said somebodations. Okay, we all prejudice. No,

1961
01:59:38,480 --> 01:59:41,400
Speaker 1: you shot your shot. Stop wanting that down the dry

1962
01:59:41,480 --> 01:59:43,520
Speaker 1: ass couple do say that. You do not even picsh

1963
01:59:45,800 --> 01:59:49,760
Speaker 1: that purpose of the mic. That's drink Champs drink Solottle

1964
01:59:49,800 --> 01:59:54,600
Speaker 1: Slottle so a drink, Yes it is. You can find

1965
01:59:54,680 --> 01:59:56,800
Speaker 1: him on eight nine dot com. You like you can

1966
01:59:56,880 --> 01:59:58,480
Speaker 1: ask you a question when when y'all give me something?

1967
01:59:58,560 --> 02:00:02,000
Speaker 1: Drying a T shirt? Nothing, no saying no T shirt?

1968
02:00:02,200 --> 02:00:05,480
Speaker 1: We got we gave speaks to me every every time

1969
02:00:05,560 --> 02:00:10,600
Speaker 1: it sends me nothing. Yeah, found like, I don't say nothing.

1970
02:00:10,720 --> 02:00:15,240
Speaker 1: I got you. He's in charge of the merch. He's

1971
02:00:15,280 --> 02:00:16,800
Speaker 1: in charge. I'm not in charge of the merch. Don't

1972
02:00:16,840 --> 02:00:21,160
Speaker 1: put that on me. I'm not ready. I put it

1973
02:00:21,240 --> 02:00:29,080
Speaker 1: on with a blood a man. Jesus, Come on, you

1974
02:00:29,240 --> 02:00:33,080
Speaker 1: are the blood cat you are catching save a Blood.

1975
02:00:34,080 --> 02:00:35,880
Speaker 1: Did you know that I produced a song with him

1976
02:00:35,920 --> 02:00:38,480
Speaker 1: and p on priz h and not c with him,

1977
02:00:38,480 --> 02:00:42,320
Speaker 1: and that song is fire? Yes? Specific can you? Can

1978
02:00:42,360 --> 02:00:44,600
Speaker 1: you play that song on your podcast as I'm talking

1979
02:00:44,640 --> 02:00:48,080
Speaker 1: about that, because we have to actually own a material

1980
02:00:48,120 --> 02:00:53,280
Speaker 1: that we play. That's because Jeff two times JP that

1981
02:00:54,880 --> 02:00:57,280
Speaker 1: for that. Um No, but I'm going to get my

1982
02:00:57,600 --> 02:00:59,840
Speaker 1: my NOS plaque in that plaque. Wasn't we all in

1983
02:01:00,040 --> 02:01:02,920
Speaker 1: Vegas when Prodigy passed away? We'll all have just seen you,

1984
02:01:04,240 --> 02:01:06,720
Speaker 1: just ran on stage with you and just seeing you,

1985
02:01:06,800 --> 02:01:08,840
Speaker 1: and that's when I happened, and you did my my

1986
02:01:08,960 --> 02:01:11,840
Speaker 1: food show before that or after that, after that week

1987
02:01:12,040 --> 02:01:14,560
Speaker 1: after that, because that's why you have flew me down there.

1988
02:01:14,960 --> 02:01:17,080
Speaker 1: And I came from the airport straight to the concert,

1989
02:01:17,720 --> 02:01:20,440
Speaker 1: and I've seen Havoc halways p he had already left,

1990
02:01:20,920 --> 02:01:23,680
Speaker 1: and then that I could and you know what's crazy,

1991
02:01:25,480 --> 02:01:28,760
Speaker 1: because that's why God made listen listen, just so you know,

1992
02:01:29,360 --> 02:01:32,080
Speaker 1: I was fighting the whole time from New Orleans or

1993
02:01:32,240 --> 02:01:35,440
Speaker 1: Las Vegas to where I would filmed that so and

1994
02:01:35,520 --> 02:01:37,680
Speaker 1: I knew that's where I was going to bring you to.

1995
02:01:38,360 --> 02:01:41,560
Speaker 1: So God made me pick Las Vegas to see p

1996
02:01:41,800 --> 02:01:43,200
Speaker 1: for his last time. I know, I don't want to

1997
02:01:43,200 --> 02:01:46,880
Speaker 1: be conspiracy theoriest God made you God, because it was

1998
02:01:46,960 --> 02:01:49,960
Speaker 1: like it was like Vegas or New Orleans. I actually

1999
02:01:50,000 --> 02:01:54,280
Speaker 1: like New Orleans cuisine more than I like Vegas a cuisine,

2000
02:01:54,560 --> 02:01:59,960
Speaker 1: but I like Vegas as a whole. God and something

2001
02:02:00,040 --> 02:02:02,280
Speaker 1: reasons I was telling me, like, yo, go to Vegas.

2002
02:02:02,800 --> 02:02:04,920
Speaker 1: So I took Vegas and I brought you with me

2003
02:02:05,000 --> 02:02:07,520
Speaker 1: to Vegas. And there's the last time question we all

2004
02:02:07,560 --> 02:02:10,000
Speaker 1: see products when when God tells you these things like

2005
02:02:10,040 --> 02:02:12,040
Speaker 1: when does it happen? And how did it happen? Like

2006
02:02:12,200 --> 02:02:15,200
Speaker 1: I just felt it like it was something that um

2007
02:02:15,480 --> 02:02:17,440
Speaker 1: that it was like it was like I'll make a

2008
02:02:17,480 --> 02:02:20,120
Speaker 1: break the show, like there was actually this because they

2009
02:02:20,200 --> 02:02:22,760
Speaker 1: really want was pushing in New Orleans. So this was

2010
02:02:22,840 --> 02:02:26,000
Speaker 1: like something that I piste off the crew. That's crazy

2011
02:02:26,000 --> 02:02:27,800
Speaker 1: because he was when he died, you know what I'm

2012
02:02:27,800 --> 02:02:32,880
Speaker 1: saying that It was even crazier when I pulled up

2013
02:02:32,880 --> 02:02:35,200
Speaker 1: and I got it on video. When I pulled up right,

2014
02:02:35,680 --> 02:02:39,120
Speaker 1: they was doing shook ones on stage, but I stayed

2015
02:02:39,120 --> 02:02:41,680
Speaker 1: out there smoking and we on the camera because my

2016
02:02:41,800 --> 02:02:43,680
Speaker 1: niggas that picked me up. And then when I went

2017
02:02:43,720 --> 02:02:45,320
Speaker 1: That's when I went out. I see nor anything. I

2018
02:02:45,360 --> 02:02:47,000
Speaker 1: went on stage with Norway know you brought me on

2019
02:02:47,080 --> 02:02:50,200
Speaker 1: stage at you and and prod of you. The man

2020
02:02:50,280 --> 02:02:53,640
Speaker 1: already left, but across the street was addressing room. So

2021
02:02:53,680 --> 02:02:57,200
Speaker 1: I've seen half half what I see them. Mob D

2022
02:02:57,400 --> 02:02:59,720
Speaker 1: was the first niggas to really do songs with with

2023
02:03:00,000 --> 02:03:02,240
Speaker 1: I was so naughty for and we shot a video

2024
02:03:02,280 --> 02:03:04,440
Speaker 1: of the wards on with P. He was on a

2025
02:03:04,520 --> 02:03:08,160
Speaker 1: new tribe right, So like when we kept a relationship

2026
02:03:08,280 --> 02:03:10,960
Speaker 1: after that, Like I always felt like P was special

2027
02:03:11,120 --> 02:03:15,000
Speaker 1: at I can't I'm telling you, yeah, I always felt

2028
02:03:15,040 --> 02:03:17,800
Speaker 1: like Prodigy was special. He was. He was a different

2029
02:03:17,920 --> 02:03:19,600
Speaker 1: like and even now, like you know what I'm saying,

2030
02:03:19,600 --> 02:03:22,280
Speaker 1: I meet a lot of people, so some people stand out.

2031
02:03:22,320 --> 02:03:24,000
Speaker 1: You know what I'm saying, I don't want that ship

2032
02:03:24,120 --> 02:03:27,480
Speaker 1: like you keep passing that ships you keep passing? Why

2033
02:03:27,560 --> 02:03:29,520
Speaker 1: you even smoking that? That's it is harsh, bro, she

2034
02:03:29,680 --> 02:03:35,920
Speaker 1: just killing me. Yeah, it's not good at But at

2035
02:03:35,960 --> 02:03:38,720
Speaker 1: the last time we got ut se Prodigy and it's

2036
02:03:38,720 --> 02:03:41,280
Speaker 1: crazy we got to see him together, man, And then

2037
02:03:41,440 --> 02:03:43,520
Speaker 1: then we did the song with you Down Down No

2038
02:03:43,800 --> 02:03:47,280
Speaker 1: non no no, you killed that. That song is hot

2039
02:03:47,560 --> 02:03:50,520
Speaker 1: there's not that ship is hot and you know the crazy.

2040
02:03:50,680 --> 02:03:52,720
Speaker 1: That was the first song we actually recorded after we

2041
02:03:52,840 --> 02:03:55,520
Speaker 1: actually squashed our beat and it was on your beat

2042
02:03:57,040 --> 02:04:00,480
Speaker 1: that for those who don't know what's have a song?

2043
02:04:00,680 --> 02:04:04,040
Speaker 1: What you wrapp got? That song is crazy. Just ordered

2044
02:04:04,080 --> 02:04:07,840
Speaker 1: my plaque um this week because I lost all my

2045
02:04:07,960 --> 02:04:12,520
Speaker 1: plaques and pun one not know. That's the only plaque

2046
02:04:12,520 --> 02:04:14,200
Speaker 1: I got And that's the only because I left it

2047
02:04:14,280 --> 02:04:18,760
Speaker 1: in somebody's house. But um yeah, yeah, if you left

2048
02:04:18,800 --> 02:04:21,040
Speaker 1: the plaque in somebody, that's only the only ways I

2049
02:04:21,120 --> 02:04:25,760
Speaker 1: have my punting plaque. I have super dumb and I

2050
02:04:25,840 --> 02:04:30,720
Speaker 1: have somebody's career. You are doing? You just car like

2051
02:04:30,880 --> 02:04:33,280
Speaker 1: you out. It's like holding plaque for me, you know

2052
02:04:33,280 --> 02:04:36,360
Speaker 1: what I'm saying. So um yeah, because remember the Hood Lab.

2053
02:04:36,400 --> 02:04:37,840
Speaker 1: Remember I had all my plaques in the Hood Lab

2054
02:04:37,920 --> 02:04:39,880
Speaker 1: and the Hood Lab when he was leaving it had

2055
02:04:39,920 --> 02:04:42,720
Speaker 1: got robbed, so they took all the plaques. I don't

2056
02:04:42,720 --> 02:04:44,520
Speaker 1: know why people still plaques. You had a bunch of

2057
02:04:44,600 --> 02:04:46,640
Speaker 1: plaques show. Yeah, it's just work a hundred dollars like

2058
02:04:46,880 --> 02:04:51,840
Speaker 1: people think that it's really they cost money, especially of

2059
02:04:51,920 --> 02:04:54,600
Speaker 1: history though first someone who Yeah, yeah, but you can't

2060
02:04:54,600 --> 02:04:57,200
Speaker 1: really sell them though I got a double platinum nos plaque,

2061
02:04:57,440 --> 02:05:00,880
Speaker 1: still that I didn't go get I got a seven

2062
02:05:00,960 --> 02:05:03,320
Speaker 1: million Kelly Black. Come on, man, it's not that's not

2063
02:05:03,400 --> 02:05:07,960
Speaker 1: really worth that. What you think about Dr Kelly situation.

2064
02:05:08,000 --> 02:05:09,880
Speaker 1: I think Kelly is guilty. He should get sucked in

2065
02:05:09,960 --> 02:05:14,720
Speaker 1: his ass every day and jail. But I also think

2066
02:05:14,800 --> 02:05:21,880
Speaker 1: O J is innocent. How do you used to date

2067
02:05:21,960 --> 02:05:25,600
Speaker 1: O J's daughter? I think you gotta make noise for that.

2068
02:05:28,080 --> 02:05:29,880
Speaker 1: That was he black old J? Or this is white

2069
02:05:29,920 --> 02:05:32,560
Speaker 1: old J? Which was I never met? You never met

2070
02:05:32,600 --> 02:05:35,040
Speaker 1: old J? I met him? He him stating his daughter,

2071
02:05:35,200 --> 02:05:38,000
Speaker 1: And you know what I'm saying, like when all that

2072
02:05:38,200 --> 02:05:40,760
Speaker 1: was going on, everything back while that was going on,

2073
02:05:41,960 --> 02:05:44,560
Speaker 1: why he was? Why he was? I mean it was,

2074
02:05:44,760 --> 02:05:47,760
Speaker 1: you know, it wasn't too far from no it was

2075
02:05:47,920 --> 02:05:50,280
Speaker 1: you know, the trial like a you know, he was following,

2076
02:05:50,320 --> 02:05:55,760
Speaker 1: you know, but yeah, that was that was interesting. His daughter,

2077
02:05:57,800 --> 02:06:02,800
Speaker 1: what's her name? Laurenthal now Laura are Now that's all.

2078
02:06:04,320 --> 02:06:10,320
Speaker 1: That's all. You knocked a lot of things down, yo. Man, Listen,

2079
02:06:11,040 --> 02:06:13,360
Speaker 1: you know you gotta it's either it's either you say

2080
02:06:13,360 --> 02:06:17,040
Speaker 1: it here. You know you can't be super hand man,

2081
02:06:17,080 --> 02:06:22,120
Speaker 1: shouldn't be judged by by the things that he's knocked down. No, man, listen, man,

2082
02:06:22,200 --> 02:06:24,120
Speaker 1: let me tell you something. Man, let me tell you something.

2083
02:06:24,160 --> 02:06:26,280
Speaker 1: Man shouldn't be tell you something. You know how many

2084
02:06:26,320 --> 02:06:30,440
Speaker 1: other people that your age, that don't look like pause,

2085
02:06:30,760 --> 02:06:32,840
Speaker 1: that don't look as good as you look, as young

2086
02:06:32,920 --> 02:06:35,120
Speaker 1: as you? You know what you should be. You should

2087
02:06:35,120 --> 02:06:37,840
Speaker 1: be bragging about this ship me I'll be telling anybody

2088
02:06:39,200 --> 02:06:41,560
Speaker 1: me exactly. It's not me no more. It's not me

2089
02:06:41,680 --> 02:06:46,480
Speaker 1: no more. I bet you remember you you now now

2090
02:06:48,080 --> 02:06:51,840
Speaker 1: had your ship, you know what I mean? Like, there's

2091
02:06:51,880 --> 02:06:54,560
Speaker 1: some games that you'd be surprised, you'd be like you

2092
02:06:54,680 --> 02:06:56,920
Speaker 1: past the blood. The reason you're doing with the blood?

2093
02:06:57,160 --> 02:07:01,280
Speaker 1: Come on, you can tell who at this man, I'm

2094
02:07:01,280 --> 02:07:06,040
Speaker 1: surprised that yours that is that's the one that this is,

2095
02:07:06,160 --> 02:07:08,360
Speaker 1: this is, this is this is diego o g God

2096
02:07:08,440 --> 02:07:15,440
Speaker 1: damnit makes him to diego? Were almost done? Now, what'sn't

2097
02:07:15,440 --> 02:07:19,720
Speaker 1: that you're rushing? We're trying to get you. Now, what's

2098
02:07:19,840 --> 02:07:22,200
Speaker 1: next for zeno? Man, you can't get the rest of

2099
02:07:22,280 --> 02:07:25,920
Speaker 1: us next taking her down to night. We know that

2100
02:07:28,640 --> 02:07:35,080
Speaker 1: some as going on now on both ends. Let's go

2101
02:07:37,040 --> 02:07:42,440
Speaker 1: get comfortable. You know you know what I am. I

2102
02:07:42,560 --> 02:07:45,840
Speaker 1: see you know what I'm saying. I'm saying nobody should

2103
02:07:45,840 --> 02:07:48,680
Speaker 1: be left rack. He can't help lights niggas a blockhead

2104
02:07:48,840 --> 02:07:56,480
Speaker 1: gotta be done. It's in the Geneva Convention. I gotta

2105
02:07:57,360 --> 02:08:04,280
Speaker 1: got each other, that bad girl watch it back. So

2106
02:08:04,600 --> 02:08:09,480
Speaker 1: so what so so what's next to me? Um? Like,

2107
02:08:09,640 --> 02:08:11,920
Speaker 1: so I'm gonna open up the restaurant. Yes, you know

2108
02:08:11,920 --> 02:08:13,720
Speaker 1: what I'm saying, get back to my passion cook and

2109
02:08:13,840 --> 02:08:15,680
Speaker 1: try to open up a few more around the country.

2110
02:08:17,440 --> 02:08:19,720
Speaker 1: Still hosting, you know what I'm saying, Still still ripping

2111
02:08:19,760 --> 02:08:21,680
Speaker 1: the mic. I got some hot music that I'm just

2112
02:08:21,760 --> 02:08:26,720
Speaker 1: holding on too, and to put it out. Um um,

2113
02:08:27,800 --> 02:08:30,320
Speaker 1: got some offers to go back on TV. You know

2114
02:08:30,360 --> 02:08:34,400
Speaker 1: what I'm saying. And you know, you know, big fishing

2115
02:08:34,440 --> 02:08:41,320
Speaker 1: them niggas a little bit I got. I got relaxed one.

2116
02:08:45,640 --> 02:08:47,200
Speaker 1: That's what they love about you, because if he knows

2117
02:08:47,200 --> 02:08:53,720
Speaker 1: you gotta relax himself. I gotta relax. Yeah, you know

2118
02:08:53,760 --> 02:08:55,760
Speaker 1: what say, I got some opportunities and I think it'll

2119
02:08:55,800 --> 02:08:57,440
Speaker 1: be good because at the end of the day, like

2120
02:08:57,720 --> 02:08:59,800
Speaker 1: I feel like, you know, you know what I'm saying.

2121
02:09:00,680 --> 02:09:03,560
Speaker 1: You know, I feel like there's a big demographic out there.

2122
02:09:03,600 --> 02:09:05,160
Speaker 1: I want to see me back on TV. I like

2123
02:09:05,280 --> 02:09:06,920
Speaker 1: being on TV. You know what I'm saying, I don't.

2124
02:09:07,200 --> 02:09:10,200
Speaker 1: I don't. I'm not gonna portray myself or nothing that

2125
02:09:10,240 --> 02:09:12,720
Speaker 1: I'm not on TV. When it comes to women, I mean,

2126
02:09:12,840 --> 02:09:14,560
Speaker 1: you know, yeah, like I've been the streets and I've

2127
02:09:14,560 --> 02:09:16,440
Speaker 1: been through it all. But when it comes to women,

2128
02:09:16,480 --> 02:09:21,120
Speaker 1: it's nothing the matter with being romantic and being respectful

2129
02:09:21,200 --> 02:09:22,880
Speaker 1: him being and having something. You know what I'm saying,

2130
02:09:22,920 --> 02:09:25,800
Speaker 1: there would be just because you you know you're wild

2131
02:09:25,840 --> 02:09:27,200
Speaker 1: in the street, don't mean you have to be wild

2132
02:09:27,280 --> 02:09:29,080
Speaker 1: with a woman as far as we treat it right.

2133
02:09:29,600 --> 02:09:31,920
Speaker 1: So I think I've always maintained that. I think that's

2134
02:09:31,960 --> 02:09:34,560
Speaker 1: like what I would want to pass on to my sons.

2135
02:09:34,800 --> 02:09:38,320
Speaker 1: Because how about marriage bootcamp? Because marriage bootcamp, we're talking

2136
02:09:38,320 --> 02:09:44,920
Speaker 1: about marriage. Let me about something right now that I

2137
02:09:45,000 --> 02:09:47,720
Speaker 1: believe his wife, I believe Jocelyn, I believe all of them.

2138
02:09:48,080 --> 02:09:50,879
Speaker 1: Is I believe corrupt. They're all out there for filming

2139
02:09:51,160 --> 02:09:57,200
Speaker 1: secretly a marriage bootcamp right now and you had a

2140
02:09:57,400 --> 02:10:01,520
Speaker 1: period of marriage bootcamp and through that again, word that

2141
02:10:01,920 --> 02:10:04,200
Speaker 1: I would do it, I'd go to six months in

2142
02:10:04,320 --> 02:10:12,520
Speaker 1: prison before I do it. Maybe stuff, But what is like, look,

2143
02:10:12,800 --> 02:10:15,360
Speaker 1: give me the money. I don't do six months. If

2144
02:10:15,640 --> 02:10:18,480
Speaker 1: TV is still black and white, you don't watch no TV,

2145
02:10:18,600 --> 02:10:21,520
Speaker 1: You're not listen. I'm not gonna be locked up in

2146
02:10:21,560 --> 02:10:24,200
Speaker 1: the crib with anybody no more. But you can't leave.

2147
02:10:25,080 --> 02:10:26,960
Speaker 1: I was. I was sneaking off to the side. The

2148
02:10:27,000 --> 02:10:30,560
Speaker 1: production team was always like, where's Benzino? Benzino, I'm in

2149
02:10:30,640 --> 02:10:34,680
Speaker 1: the woods, Like, yo, listen, give me, give me my space,

2150
02:10:35,240 --> 02:10:39,240
Speaker 1: give my space. That was crazy because yeah, because with

2151
02:10:39,320 --> 02:10:41,240
Speaker 1: the camera the scenes go off, I'd be mad as

2152
02:10:41,360 --> 02:10:44,640
Speaker 1: fun because I hate being played. You're like, yo, just

2153
02:10:44,720 --> 02:10:46,880
Speaker 1: give my space, Get my fucking space. You know what

2154
02:10:46,880 --> 02:10:48,720
Speaker 1: I'm saying. They'd be like, okay, okay, they don't hurt you.

2155
02:10:49,160 --> 02:10:51,480
Speaker 1: It's not like you would rehab. Listen. I would rather

2156
02:10:51,520 --> 02:10:55,360
Speaker 1: go to prison, you know I'm saying that. Say let

2157
02:10:55,440 --> 02:10:57,360
Speaker 1: me tell you something. Let me tell you kid, like

2158
02:10:57,640 --> 02:11:00,240
Speaker 1: I know you. You wouldn't be able to be locked

2159
02:11:00,320 --> 02:11:02,640
Speaker 1: up in there two weeks with your WIFEI going through

2160
02:11:02,680 --> 02:11:04,680
Speaker 1: the ship that they put you through, all right, it's

2161
02:11:04,720 --> 02:11:08,240
Speaker 1: a social experience of what they put you through. This

2162
02:11:08,360 --> 02:11:11,440
Speaker 1: is what they this this cameras everywhere, every wearing the

2163
02:11:11,480 --> 02:11:14,080
Speaker 1: bathroom and they're looking at your balls. And looking at

2164
02:11:14,160 --> 02:11:17,520
Speaker 1: your fucking they're looking at your fucking uh kissing your

2165
02:11:17,560 --> 02:11:19,600
Speaker 1: girl if you want to looking at that. They're looking

2166
02:11:19,600 --> 02:11:25,800
Speaker 1: at everything, every bedroom fucking tallest. There's tons of sex

2167
02:11:25,880 --> 02:11:30,000
Speaker 1: tapes out right now that can be out. That's real ship, bro,

2168
02:11:30,560 --> 02:11:33,920
Speaker 1: that's real ship. All right, that's real ship. And I'm

2169
02:11:33,960 --> 02:11:36,760
Speaker 1: always wondering, like they ain't that some six ship. And

2170
02:11:36,840 --> 02:11:39,680
Speaker 1: then they sit in the fucking room with fucking TV

2171
02:11:39,840 --> 02:11:44,000
Speaker 1: screens looking at everything has some six ship, But me

2172
02:11:44,840 --> 02:11:48,680
Speaker 1: seat don't ain't no shame't my game with that motherfucker

2173
02:11:48,720 --> 02:11:51,880
Speaker 1: out cameras. You know what I'm saying, Yeah, because what

2174
02:11:52,000 --> 02:11:54,640
Speaker 1: the funk we meant? You know what I'm saying, Yeah,

2175
02:11:54,880 --> 02:11:56,880
Speaker 1: he was supposed to. Don't give a funk about that,

2176
02:11:57,440 --> 02:11:58,840
Speaker 1: you know what I'm saying. Yeah, you want to see it?

2177
02:11:59,120 --> 02:12:18,280
Speaker 1: Ship show? Ain't one show a conversive looking ship? We

2178
02:12:18,400 --> 02:12:24,440
Speaker 1: got one, man, you got one more shot man, Zeno. Man,

2179
02:12:24,680 --> 02:12:26,240
Speaker 1: I just want to tell you, man, I don't want to.

2180
02:12:26,320 --> 02:12:28,720
Speaker 1: I don't want you know, so many people they want

2181
02:12:28,760 --> 02:12:32,200
Speaker 1: to tell people how much this Okay, we ain't gotta

2182
02:12:32,240 --> 02:12:37,680
Speaker 1: more good. We thought as the ago, we got blunts

2183
02:12:37,720 --> 02:12:43,040
Speaker 1: in the car. That's another pack. Yeah, yeah, those shine blunts.

2184
02:12:43,120 --> 02:12:47,200
Speaker 1: Shine blunts definitely. Well, I like the other shoe blunts,

2185
02:12:47,240 --> 02:12:49,560
Speaker 1: the ones we could roll up, the ones we were stuff.

2186
02:12:49,680 --> 02:12:53,960
Speaker 1: Um what was he saying? Oh, listen, man, our final

2187
02:12:54,720 --> 02:12:59,240
Speaker 1: our yeah, our platform as it give people their flowers

2188
02:12:59,280 --> 02:13:02,040
Speaker 1: while they're here, give people their roses while they here.

2189
02:13:02,080 --> 02:13:11,720
Speaker 1: So many people want to say, how dope. Okay, we'll

2190
02:13:11,760 --> 02:13:17,800
Speaker 1: give you some flowers to girl. Yeah, but listen. But

2191
02:13:17,960 --> 02:13:20,839
Speaker 1: what I'm saying is so many people in our industry

2192
02:13:20,920 --> 02:13:23,240
Speaker 1: they want to diss you when you when you when

2193
02:13:23,240 --> 02:13:25,440
Speaker 1: you got so many years in this game. And the

2194
02:13:25,560 --> 02:13:27,520
Speaker 1: thing is the thing is and why is that hold

2195
02:13:27,720 --> 02:13:29,440
Speaker 1: on me? Finish? The thing is a rock and roll

2196
02:13:29,520 --> 02:13:32,080
Speaker 1: they say that your season the more years you have,

2197
02:13:32,520 --> 02:13:34,680
Speaker 1: and jazz they say that you season, the more years

2198
02:13:34,720 --> 02:13:37,240
Speaker 1: you have, even in wrestling, you become even the more

2199
02:13:37,600 --> 02:13:40,160
Speaker 1: of an iconic figure. And hip hop is the only

2200
02:13:40,320 --> 02:13:43,960
Speaker 1: genre is the only place where when you're older they

2201
02:13:44,000 --> 02:13:46,640
Speaker 1: say that you're washed up. I want to change that narrative.

2202
02:13:46,840 --> 02:13:49,000
Speaker 1: That's the reason why we got drink Chance. We want

2203
02:13:49,040 --> 02:13:51,640
Speaker 1: to give people that's older, that's a statesman, and people

2204
02:13:51,680 --> 02:13:54,120
Speaker 1: that season have been in this game forever. We want

2205
02:13:54,160 --> 02:13:55,840
Speaker 1: to give them their flowers and tell them how great

2206
02:13:55,880 --> 02:13:57,880
Speaker 1: they are while they're alive. So I wanted to do

2207
02:13:58,000 --> 02:14:03,440
Speaker 1: that out. You got shot right there, and how the

2208
02:14:03,520 --> 02:14:06,320
Speaker 1: funky thing is. Let's just what, yo? Did you be

2209
02:14:06,440 --> 02:14:08,160
Speaker 1: doing that off for the top of the hand. Well

2210
02:14:08,200 --> 02:14:13,760
Speaker 1: do you be writing that down? It's hard, you know why?

2211
02:14:13,800 --> 02:14:16,879
Speaker 1: You My brother and I know that you don't understand

2212
02:14:16,880 --> 02:14:19,560
Speaker 1: how you see the shot? Come on, you want to

2213
02:14:19,560 --> 02:14:23,120
Speaker 1: try this? Come on, try this, take a shot. Take

2214
02:14:23,160 --> 02:14:25,680
Speaker 1: a shot with you. Take a shot of this with me.

2215
02:14:26,160 --> 02:14:31,600
Speaker 1: Let's go. Let's take a shot with that. Cool. Yeah,

2216
02:14:33,040 --> 02:14:36,320
Speaker 1: I don't want the summer's afternoon. Yes ahead, try it

2217
02:14:36,360 --> 02:14:52,840
Speaker 1: out you too, Okay, all right, I got it. You

2218
02:14:52,880 --> 02:14:55,760
Speaker 1: take one with a small let's go. Come on, like

2219
02:14:55,920 --> 02:14:59,000
Speaker 1: I put a little bit more from you there, Here

2220
02:14:59,040 --> 02:15:04,480
Speaker 1: you go, Here you go, sunny, want sunny? So you

2221
02:15:04,520 --> 02:15:12,480
Speaker 1: work at G five, G five right, trick daddy Tuesdays Thursdays.

2222
02:15:14,400 --> 02:15:15,920
Speaker 1: A lot of a lot of dirties, A lot of

2223
02:15:15,960 --> 02:15:35,800
Speaker 1: dirties in the baby. Yeah, thank you? Busy? You know man?

2224
02:15:36,160 --> 02:15:38,000
Speaker 1: You think that wait before we go, before we go,

2225
02:15:39,120 --> 02:15:40,920
Speaker 1: is there anybody want to shout out? You want to

2226
02:15:41,040 --> 02:15:44,360
Speaker 1: get up? I just want to shout out. Definitely, you e. Um.

2227
02:15:44,520 --> 02:15:46,720
Speaker 1: You know what I'm saying, everybody, all the fellas. You

2228
02:15:46,760 --> 02:15:49,120
Speaker 1: know what I'm saying. The energy be dope. You know

2229
02:15:49,160 --> 02:15:52,880
Speaker 1: what I'm saying, Um, And I'm definitely proud of you.

2230
02:15:53,000 --> 02:15:54,720
Speaker 1: You know what I mean because I know you know,

2231
02:15:54,880 --> 02:15:56,680
Speaker 1: you know, I know that you know, we know the

2232
02:15:56,760 --> 02:16:00,040
Speaker 1: insides of each we know stories that we will and

2233
02:16:00,080 --> 02:16:02,880
Speaker 1: even share drink champs of each other. So you know,

2234
02:16:03,040 --> 02:16:06,160
Speaker 1: like you know, we we we we we got a

2235
02:16:06,240 --> 02:16:09,120
Speaker 1: relationship down in between and and I don't even know

2236
02:16:09,200 --> 02:16:11,360
Speaker 1: how it happened like it ended up to where is that?

2237
02:16:11,920 --> 02:16:13,440
Speaker 1: Like I love nor you know what I'm saying, Like

2238
02:16:13,520 --> 02:16:16,000
Speaker 1: we we talked more than I mean, like we talked

2239
02:16:16,040 --> 02:16:18,040
Speaker 1: all the time. Checks on me, I check on him,

2240
02:16:18,320 --> 02:16:20,960
Speaker 1: and it's a It's like and you know, the industry

2241
02:16:21,160 --> 02:16:23,760
Speaker 1: is hard to find ship like that, That's what I'm saying.

2242
02:16:24,360 --> 02:16:26,880
Speaker 1: And it's like, you know, to see you shine like

2243
02:16:27,040 --> 02:16:29,040
Speaker 1: this and work hard and not only do that, but

2244
02:16:29,160 --> 02:16:31,600
Speaker 1: bringing niggas what you You know what I'm saying that

2245
02:16:31,680 --> 02:16:33,840
Speaker 1: ship is Come on, that's a guy, that's God and

2246
02:16:34,080 --> 02:16:36,000
Speaker 1: you're the nigger man. I'm telling you want the most

2247
02:16:36,080 --> 02:16:39,440
Speaker 1: loyalists down to earth. You're stopping you stuck in your ways.

2248
02:16:39,520 --> 02:16:41,520
Speaker 1: When you're in your ways, that's who you are. And

2249
02:16:41,640 --> 02:16:43,520
Speaker 1: I learned not to talk you out of it sometimes

2250
02:16:43,640 --> 02:16:47,000
Speaker 1: learn to just ride with you. But this bottom line

2251
02:16:47,080 --> 02:16:48,760
Speaker 1: is every man in this room needs to ask this

2252
02:16:48,920 --> 02:16:53,880
Speaker 1: question right now. Are you eating Anika's ass tonight? Look

2253
02:16:53,879 --> 02:17:03,240
Speaker 1: at look at look look at that. We can't handed

2254
02:17:03,240 --> 02:17:06,160
Speaker 1: on that. Take a print,