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Speaker 1: Welcome back to another episode of Alchemy This I'm your host,

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Speaker 1: Kevin Pollock. Yes that Kevin Pollock. Yes, I did catch

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Speaker 1: in the two thousand nineteen World Series of Poker main event.

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Speaker 1: Thank you very much for asking. But I digress. Let's

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Speaker 1: meet our please see it's it's such a roses one.

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Speaker 1: Let's meet our archimists, shall we? In no particular, I

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Speaker 1: please say what the hell to Joey Greer, Joel, you

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Speaker 1: can't go? What did you think when you realize that

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Speaker 1: I was considerably shorter than you had assumed? Uh? That

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Speaker 1: so many other things were a lie? Well said, Hey everyone,

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Speaker 1: it's James Heeney Giamati heinl been. And if your dreams

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Speaker 1: can come true, how does the one you're enjoying right

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Speaker 1: now compare with the dream version you had? Well, it's

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Speaker 1: very similar, except I walk away with a big paycheck

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Speaker 1: in the dream. Well the dream, you know is? This

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Speaker 1: is great? It's great. I just want you miss Bentley

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Speaker 1: instead of a fiesta. What if Bentley made the fiesta? Oh?

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Speaker 1: Then I would be disappointed in Bentley and I'd be like,

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Speaker 1: who's not washing this? Bentley? And now for you, your

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Speaker 1: family of five Bentley presents the Fiesta here, Grego, it's

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Speaker 1: the pre interview for your first appearance on the Tonight

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Speaker 1: Show with Johnny Carson. How do you answer this question

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Speaker 1: from the segment producer? Okay, Greg, what's the question you'd

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Speaker 1: like Johnny to ask you to best set up your

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Speaker 1: first story? Uh? Is this your first time on the couch? Uh? Greig?

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Speaker 1: I have to ask, because it's so difficult for me

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Speaker 1: to keep track of these things. Is this, in fact

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Speaker 1: your first time in the couch? No, Johnny, I took

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Speaker 1: a studio three years ago. I saw you in ed

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Speaker 1: prepping for the show, and now final I have arrived

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Speaker 1: in show business. Well, congratulations, that's exciting. And I'll tell

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Speaker 1: you the most surprising part. I don't remember every rehearsing

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Speaker 1: with it. Let me guess for you. Sometimes done. The

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Speaker 1: rest of the week is yours? Uh? And last today? Wait,

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Speaker 1: can't be last? Yes? Last? Sorry? I keep thinking they're

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Speaker 1: seventeen of us, but a lump of Cole Stratton and

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Speaker 1: you're stalking if you think him least it's Mark Gagliardi, Marcus, Oh,

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Speaker 1: really just us? When the clock struck three, where were

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Speaker 1: the running away from the ball? Because I knew that

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Speaker 1: my coach would turn into a fiesta. Get out there

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Speaker 1: right by the by the final stroke of three. Wow,

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Speaker 1: I left a shoe though, That's exactly what I had

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Speaker 1: written down. That's the weirdest thing ever. All right, let's

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Speaker 1: get to our first thing show. We all today's scene

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Speaker 1: suggestions we gather from our listeners. Email. If you'd like

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Speaker 1: to submit yours, I love reading them. Please write to

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Speaker 1: the podcast at your name here at alchemy this dot com.

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Speaker 1: Your name here at alchemy this dot com. My first scene,

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Speaker 1: in fact, comes from listener Julian, who wrote, Hey, Alchemist,

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Speaker 1: I wanted to start this off by saying I love

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Speaker 1: you all equally except Chris, but he's not here to

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Speaker 1: hear that. Well, this person is definitely keeping track of

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Speaker 1: the show. I will not disclose whether I love him

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Speaker 1: more or less. I've been listening to the podcast for

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Speaker 1: about half a year now, thanks to my older brother Brian,

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Speaker 1: who recommended it. Hey, a big shout out to Brian.

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Speaker 1: Sweet Brian, Uh, you make showing up to work on

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Speaker 1: Tuesdays and Thursdays bearable. My scene suggestion involves a mafios

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Speaker 1: pitching their movie idea to a big shot director at

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Speaker 1: a theme Park. So he's giving us a location, an

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Speaker 1: occupation and relationships, but their pitch keeps getting interrupted. Thanks

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Speaker 1: for laugh, Julian. Okay, great, So with your fast pass

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Speaker 1: you're able to go into any of the rides here

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Speaker 1: at Wonder Park as many times as you want, front

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Speaker 1: of the line, no problem, that's all available to you.

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Speaker 1: And that's actually if on the back of this you

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Speaker 1: have the Gold Star, which looks like a little French fry,

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Speaker 1: that's going to give you access to all the food

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Speaker 1: courts as well. Yes, of course, why does the Ghost

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Speaker 1: Star look like a French fry? Oh that that's just

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Speaker 1: so the staff knows that you have access to the

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Speaker 1: food courts. There's just just there's there's different levels to it. Okay,

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Speaker 1: So how do I go through this whole thing without

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Speaker 1: having any excess to food court? You don't want? Well,

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Speaker 1: then what I'm saying, Um, well, if you don't want

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Speaker 1: any access to the food court, you just I would

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Speaker 1: recommend not going. But you have complete range being a

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Speaker 1: smart asking Mr Rangelotti, No he's so short, No, um,

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Speaker 1: I'm not. You think he'll get on all the rids today?

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Speaker 1: Of course? Uh, there's a two ft I don't know

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Speaker 1: um uh, yeah, of course he'll be able to. There

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Speaker 1: are so many min it is Josh okay, Josh, how

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Speaker 1: long you've been working I've been at Wonder Park for

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Speaker 1: fifteen years. Fifteen years. Yes, I have happy to be here.

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Speaker 1: Holy Cow, Chico, do you have any idea this guy's

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Speaker 1: been working here for fifteen years? I don't know. It

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Speaker 1: seems like a life for me. It's gonna be it

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Speaker 1: for a real long time. That guy, how much life

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Speaker 1: he's gonna have left? If and m he keeps disparage

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Speaker 1: of my boss here. Hey, Josh, are you making sure

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Speaker 1: everybody's having a wonderful day? That's my manager, Spencer. Yes, yes, sir,

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Speaker 1: I am Josh. If you showed them that they have

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Speaker 1: fast pass rides and can get to the front of

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Speaker 1: any line, I was actually we were just talking about that,

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Speaker 1: and we were talking about the food court Saturday French fries.

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Speaker 1: On your fast pass, you can go to the food lock.

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Speaker 1: What's up, Super, Sorry to interrupt the cheery conversation between

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Speaker 1: YouTube but Chico. Yeah, Michael Man over the Holy Cow

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Speaker 1: look at Michael. Michael May didn't mind. Josh. We're not

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Speaker 1: supposed to tell anybody my name is Steve manager, Steven Spencer,

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Speaker 1: Steven Hiss, he's a hundred dollard bill. Get the funk

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Speaker 1: out of my face. I just got a hundred dollars. Yeah,

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Speaker 1: but with that is get out of my face. Okay,

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Speaker 1: come out of here, Mr Angelotti. Yeah, you uh, you're

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Speaker 1: thinking what I'm thinking. Steve should go away. I'm thinking, Steve,

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Speaker 1: I'm thinking Mr Steve Spencer over, you should go away,

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Speaker 1: And I think Josh over you should take you over

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Speaker 1: to Mr Mans. You can tell them all about your

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Speaker 1: thing you were telling me about, Josh. You want what's

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Speaker 1: the spaces job? Steve Spencer, Um, well, I actually love

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Speaker 1: being on the floor. I love well, I just love

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Speaker 1: you want us to put you on the floor. I'm

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Speaker 1: already here. I don't understand. Yeah, that's Josh. We want

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Speaker 1: to meet Michael Man of course, a big shot there.

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Speaker 1: Right then? Have you seen that It's Too Hot? That

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Speaker 1: film he mean that he made It's Too Hot? Is

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Speaker 1: that why you see opening up the ride for it? Yeah,

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Speaker 1: it's amazing that film It's Too Hot ride. Second, does

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Speaker 1: it take place on the ride It's Too Hot? Yeah?

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Speaker 1: Well you relive the film It's Too Hot sim He's

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Speaker 1: based on it right like King Kong exactly. Yeah, he's

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Speaker 1: it's amazing. Do you know so much? But I got oh,

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Speaker 1: I gotta, I gotta one of the manual pass. It's

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Speaker 1: gotta stick around the bed. Oh do you really? Yeah,

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Speaker 1: it looks like it looks like it looks like a

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Speaker 1: French fry. Yes, it does. Yes. Don't you try to

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Speaker 1: don't you try to do this. Don't you try to

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Speaker 1: team up with me against my boss. I'm just surprised.

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Speaker 1: I'm excited. You're you're a wonder part member. That's amazing.

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Speaker 1: Would you would like to Mr Man fantastic? I can

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Speaker 1: do that because you have the fast pass. All right,

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Speaker 1: So he's got French fried, but we'll go off of

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Speaker 1: his past. Okay, great, I just started two French fries

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Speaker 1: when I get to the front. Okay, good, Sure you

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Speaker 1: do want to go into the food court. What I

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Speaker 1: would like from you is to take Chico over to

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Speaker 1: Mr Man totally of course, okay, and then Chico will

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Speaker 1: introduce me. I don't want you to introduce me to

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Speaker 1: Miss the Man. Okay, Fantastic, I understand, I understand. Okay,

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Speaker 1: when you're calling cards for me to hand to Mr

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Speaker 1: Man my gun, Yeah, you know your literal calling. I

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Speaker 1: mean you can hand him a gun if he needs

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Speaker 1: a gun. I'm sorry to say gun. No, no, not

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Speaker 1: came over? Okay, yeah you like butter on this or

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Speaker 1: or no? Yeah, go get some butter real quick. I'll

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Speaker 1: be right back. No, Boss, I don't, I don't. Why

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Speaker 1: would you hit him a gun? What makes you think

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Speaker 1: I got a card? I just I just assume what

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Speaker 1: you were calling on a guy. Assume you got a card.

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Speaker 1: Your a formal gentleman. What isn't that putty? You fucking

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Speaker 1: job Chico? And say, I represent Mr. And I'm your

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Speaker 1: calling caut okay, and this is what I'm I'm your boss,

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Speaker 1: your boss, you're the boss, Mr. Look, sir, I just

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Speaker 1: I can't get more pyrotechnics in here. I just it's

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Speaker 1: not possible. Look, the It's Too Hot ride needs to

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Speaker 1: reflect the It's Too Hot movie. I understand that, sir.

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Speaker 1: I understand that. But the movie is hot hot. It's hot, sir.

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Speaker 1: It's like I did heat already. You're familiar with heat.

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Speaker 1: It's iconic. Okay, yeah, it's iconic, but it's too hot.

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Speaker 1: It goes further than he and it's amazing. It's too

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Speaker 1: Hot is crazy. I love it. I've been making these

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Speaker 1: artsy movies for too long. I think it's time sold

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Speaker 1: out and did a theme park right movie. I agree

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Speaker 1: there the ARTSI heartzy and you know they're just starts.

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Speaker 1: Excuse me, that was just me speaking out, But I

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Speaker 1: believe they're just ARTSI partsy. That's just personal. Um. I

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Speaker 1: like that one I did with Jamie Fox driving Around

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Speaker 1: Time Cruise collaboral, thank you. Everything's collaborable. They just collaborated

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Speaker 1: and everything. That's not what that means collateral. I think

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Speaker 1: it's collaborable, and that's not collaborable. I think I would know.

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Speaker 1: I know the name of my own movie. I saw it.

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Speaker 1: I went to the theater to see it. Walter, did

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Speaker 1: you tell Mr Man that we can't have any more pyrotectonics? Yes?

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Speaker 1: What did you take the news? Did you take the news? Well,

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Speaker 1: Mr Walter, I did tell him. I want pyrotechnics. I

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Speaker 1: want pyro tectonics, which is winning and a fire or simultaneous. See,

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Speaker 1: here's the thing. There's a lot of people where unpredictable

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Speaker 1: amounts of hair spray and perfume and you'd never know

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Speaker 1: what's going to happen. We could be creating a dangerous

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Speaker 1: wonderful part of what we're doing is we're offering for

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Speaker 1: for only asbestos coats that the patrons wear, and then

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Speaker 1: they won't be burned asbestos. You mentioned hair spray. Remember

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Speaker 1: Daniel day Lewis's hair in the Last of the Mohicans directed, Well,

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Speaker 1: I let him grow out his hair for two years.

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Speaker 1: Did you direct that? Yes? I directed. I just told

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Speaker 1: you I directed them. I directed it. That doesn't mean

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Speaker 1: I did. That's why I was like, did you really? Okay?

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Speaker 1: Excuse me? Bullshit? Is hey you Michael Man? Yeah, my

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Speaker 1: boss wants to talk to you. That's I'm not one

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Speaker 1: of those instantly recognizable directors. But yeah, well from a distance, Hey,

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Speaker 1: you've been growing out for a couple of years, right,

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Speaker 1: I'm sorry? Is this okay? Mr? Man? Is this all right?

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Speaker 1: Do you? Is this okay? That he's screaming and asked

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Speaker 1: me to talk to you? You know, this guy feels

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Speaker 1: like a real person. Okay, this is somebody from the streets.

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Speaker 1: This is somebody who's seen life. I've seen life from

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Speaker 1: about forty one inches that's as high up as I

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Speaker 1: can see it. Nobody ever called me a real man

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Speaker 1: before Mr Man. What's your name? My name is that Chico,

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Speaker 1: Chico and the man look at that? Oh man, I

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Speaker 1: didn't I did not see that coming. My crew will

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Speaker 1: call me the Man because your last name is man.

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Speaker 1: That's part of it. I'll just I'll just off some popcorn.

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Speaker 1: I'm gonna get I don't need popcorn, okay, I god

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Speaker 1: damn popcorn all day. Hey, Mr Man, my boss really

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Speaker 1: wants to talk to you. Who's your buss? My boss?

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Speaker 1: Mr Angelotti, Gino Angelotti, Gino Angelotti, the Angelotti families. Yeah, oh,

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Speaker 1: the Angelotti families. Yeah, that's him. Yeah. You know, I

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Speaker 1: do a lot of films that Oh, here we go.

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Speaker 1: You know, I did Miami Vice, remember he Oh yeah,

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Speaker 1: this movie it's too hot. Is this a sequel because

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Speaker 1: it's a two in the middle of the name, you know,

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Speaker 1: it's more of a spiritual sequel. It has none of

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Speaker 1: the actors other than Val Kilmer. I'm gonna go get

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Speaker 1: my boss. Okay, okay, all right, chi Yeah, what is it?

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Speaker 1: I'm still standing over here by the clowns. Man boy,

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Speaker 1: that Mr Man boy, I want a sale track. I

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Speaker 1: really apologize. He can go on and on. That guy

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Speaker 1: can talk for a while I don't see a track. No,

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Speaker 1: he don't. My boss doesn't want to see a freaking trick. Uh,

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Speaker 1: what is it? Boss? I would like this inquisitory clown

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Speaker 1: to get out of my fish. Inquisitory clowns. You want

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Speaker 1: to get it out of my boss? Mr Angelotti's face?

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Speaker 1: Oh you got it? Hurt him? Heard anybody's walking away?

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Speaker 1: Justay what? I really didn't like the size of his shoes.

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Speaker 1: It was the most offensive pot So let me ask

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Speaker 1: you something. Am I gonna make Mr? Man? Yeah? Mr

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Speaker 1: Man's right away? Every want I think I heard him? Good?

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Speaker 1: Mr Man's right over there. He wants to talk to you.

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Speaker 1: Ready to make the election? I'm ready to make the introduction.

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Speaker 1: You tell him who wanted to make him? I did

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Speaker 1: tell him, wanted to meet him. Was he familiar with

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Speaker 1: at all? With me? He was familiar with Gino Angelotti?

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Speaker 1: He was, yeah, looking at that all right? You got

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Speaker 1: one of cars. Hi. He's from Chicago, right, Michael Man?

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Speaker 1: Michael Man, I'm pretty sure he's from Chicago. He's from Chicago,

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Speaker 1: Chico over here kind of? Mr Angelo? Yeah? What is it?

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Speaker 1: Michael Man? Did you talk to Mr Angelotti? I did?

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Speaker 1: Is he willing to meet with me. He's willing to

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Speaker 1: meet what you want. You want see him. He's right

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Speaker 1: over there. I mean we're making that contact. We're gonna say,

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Speaker 1: we're about twenty ft away at this point. All right, Uh,

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Speaker 1: Mr Man, may I introduce my boss? Gino Angelot? Is

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Speaker 1: that Michael Man? What is that? Gino Angelotti? It's a pleasure.

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Speaker 1: Thank you very much for that, Mr Man. Actually, pleasure

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Speaker 1: call me, Mike, really call me Gino please, Chico, Yes, Gino,

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Speaker 1: can you get me a lemonade? Yeah? You want to

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Speaker 1: thank Mike. He just called your Gino. I'll go get

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Speaker 1: your lemonade. I'd love it. I'd love the lemonade. Jacob. Yes,

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Speaker 1: two lemonades for Mr Man and Mr Gino Ancelotti. The

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Speaker 1: greatest boss I ever had. Boss is fine? All right?

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Speaker 1: What brings you to Wonder Park? Well? I heard about this.

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Speaker 1: It's too hot, right, yeah. And it's a movie. It's yeah,

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Speaker 1: it's both. It's both. It's a movie. Right, So I

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Speaker 1: gotta tell you look at this. Oh I'm the Wizard

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Speaker 1: of Wonder Buck. Yes, okay, we don't we don't know.

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Speaker 1: Two old men but young boys at heart. Yes, huh.

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Speaker 1: Wish a wish from the Warlock. Huh a child's wish

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Speaker 1: from the Warlock of Wonder Bark, gotta wish granted? What

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Speaker 1: is your wish? You turn into a frog? Frog right now?

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Speaker 1: Turn into a frog right now? Oh that's not it.

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Speaker 1: Ribb it say ribbit so close myself. Yeah, keep pissing

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Speaker 1: yourself so that as a frog. Start to get a

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Speaker 1: little aquatic. Okay, okay, I'll get out of here. Get

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Speaker 1: out of here. Real nice meeting. Pleasure me, Mr Mann Pleasure.

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Speaker 1: How does he know it's me? It's so strange. You

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Speaker 1: have one of the most recognizable How did you not

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Speaker 1: know that you're from Chicago? Rig from Chicago. I did

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Speaker 1: a film called Thief with Jimmy con and that's really one.

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Speaker 1: Oh please, I can recyite most of the dialogue. Really

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Speaker 1: want what's your favorite line? You want to do a

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Speaker 1: couple of scenes? I mean, I got it in the chamber.

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Speaker 1: I'm ready to go. Sure, Sure you want to be Jimmy,

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Speaker 1: I'll be Jimmy. Okay, Well I like that, all right,

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Speaker 1: it'll be tuesday. Well, oh I like that even more. Uh.

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Speaker 1: You tell you something about that Jimmy con fellow. He

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Speaker 1: had a strut, You had a way of walking you know.

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Speaker 1: I mean, obviously Sonny Carlone, maybe the most iconic. Uh.

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Speaker 1: But I had to have a question for you directing

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Speaker 1: a guy like that. I mean, really, here's your popcorn?

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Speaker 1: Sorry about that? Mr Angelino? Oh Mr, how are you? Sir? An? Okay,

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Speaker 1: sorry about that? No one asked I'm a film get

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Speaker 1: off with popcorn one of the perks. I'm sure, sir,

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Speaker 1: it's not a perk at all. It's it's truly. Well,

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Speaker 1: is there anything else I can help you with it?

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Speaker 1: I was just giving Mr get the funk out of here? Okay,

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Speaker 1: well said? Okay, um, you know the expression to take

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Speaker 1: it on the atches architecture walk away? Oh okay? Um.

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Speaker 1: I'm just I was supposed to be. I'm supposed to

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Speaker 1: be your handler for the day, sir. And yea, I

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Speaker 1: look like a fellow who needs handling. No, so I

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Speaker 1: just may I'm supposed to help guide you. He handles you,

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Speaker 1: you don't handle him. I didn't even see this. Oh

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Speaker 1: my god? How does everyone know the millimeter my gun?

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Speaker 1: The caliber? Rather, you don't mind if I write down

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Speaker 1: some of your dialogue to make it a thing? Yeah,

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Speaker 1: I mean, I don't want to be misrepresented exactly as

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Speaker 1: a person doesn't know the difference from the millimeter in

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Speaker 1: the Callaghan millimeter and a calendar. It work, the dental

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Speaker 1: work done. It's fine that the teeth and the tongue

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Speaker 1: not working. Should I should not give you popcorn? Is

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Speaker 1: that gonna hurt? How did you know this was a

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Speaker 1: forty gun? I can tell from the barrel size on

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Speaker 1: the barrel side. So I point my gun at you

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Speaker 1: and the first thing you're looking at is the barrels. Yeah,

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Speaker 1: I'm looking at with the bullets. It's going to come

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Speaker 1: out of what the bullets gonna come out of? That? Smart? Yeah,

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Speaker 1: where's the bullet going? Well, where you're pointing that, it's

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Speaker 1: gonna go through my lungs, both of them probably, I'm

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Speaker 1: thinking just the left one. Well, if I turned sideways,

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Speaker 1: they can go through both. Well, but the heart is

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Speaker 1: on the left side, which is why I'm choosing the

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Speaker 1: left side. So taking on the atches, I understand. But

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Speaker 1: my heart moves Mr. Mr Man, Uh yeah, Mike not

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Speaker 1: you know, just spread. But the Jimmy can't can be

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Speaker 1: a little difficult. He was a little difficult at th

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Speaker 1: you know, but you should be honest. I heard you

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Speaker 1: can be a little difficult. That's right. I'm a bit

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Speaker 1: of a prick, are you right? You know that me

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Speaker 1: and Christopher Plumber. You know when I was beming the

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Speaker 1: Insider about the guy who took down the cigarette industry

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Speaker 1: throughout sixty minutes that the Australian actor Fella, yeah, Russ Crowe,

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Speaker 1: there we go. Yeah, I was working with Chris Plumber.

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Speaker 1: He was playing Mike Wallace. Yeah. And hey, Mr Angel,

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Speaker 1: Jesus christ Mr ANGELI I got you your lemonade. I

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Speaker 1: got you a lemonade. To Mr Man, he said to

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Speaker 1: get two lemonades. Also, Mr Man, I got you this popcorn,

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Speaker 1: son of a bitch. People keep offering me popcorn movie

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Speaker 1: director popcorn. I'm sorry, yeah, what is it? Mr Anchel,

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Speaker 1: I believe you offended. Mr Man. I apologize for a

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Speaker 1: friend that you, Mr Managed the Man. I'm gonna ask

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Speaker 1: Chicko if he needs all ton of his fingers and thumbs,

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Speaker 1: and if he does, you pick which one he's gonna lose. Okay,

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Speaker 1: this is great. I'm gonna write down some of the

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Speaker 1: s did you really do? Though? And tonight only we

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Speaker 1: have a special exclusive clip of Michael Mann director It's

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Speaker 1: too Hot in the Dumpling series, breaking a man's fingers.

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Speaker 1: Do you have something to say about this? I think

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Speaker 1: that it's pretty important that we see the way that

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Speaker 1: these stars are acting in public. It's unacceptable. Let's roll

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Speaker 1: the clip, let's roll it. No, this is fun. This

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Speaker 1: is actually fun. Right, So you can just snip this one,

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Speaker 1: but it's not better to get a nice clean snip. Okay.

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Speaker 1: There are children in the background. They're watching his fingers

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Speaker 1: getting clipped right off the end, won Park. I mean,

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Speaker 1: this is gonna definitely affect the rides opening, and even

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Speaker 1: if he's going to have a deal with them going forward,

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Speaker 1: we know that he's part of Universal Pictures and that's

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Speaker 1: definitely gonna affect some deals absolutely, And I think, okay,

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Speaker 1: of course, I'm okay, But you know what, there's some

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Speaker 1: Mothers against Wonder Park going on, and there's a good

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Speaker 1: chance that the boycotts gonna I think shut down. We

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Speaker 1: are mouth. We are malp players against Wonder Park. We

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Speaker 1: are mouth. We are mouth Wonders against Wonder Wonders against

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Speaker 1: Mother Park. We have a representative of that here with

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Speaker 1: us in the office, and let's just go to her now, Janice, Okay,

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Speaker 1: so you're a Mother against Wonder fact, that's right, wear

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Speaker 1: a malp and what is your major disagreement with the park? Well,

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Speaker 1: the danger of the rides. There's one that's pyro tectonic,

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Speaker 1: meaning that there's earthquakes and fires at the same time.

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Speaker 1: And we saw a name recognizable director, somebody so iconic

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Speaker 1: you would immediately know who he was walking double Yes,

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Speaker 1: it's Michael Man cutting off a midget with a cigar cutter. Wow,

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Speaker 1: that's awful, that's awful. I also saw a wizard who

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Speaker 1: had fully pissed his robes. Okay, And and this is

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Speaker 1: enough of the Mother's against Wonder Park to help Jannis.

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Speaker 1: Thank you so much. We also have a pr representative

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Speaker 1: for Michael Man on the line. Uh, Duncan, you're on

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Speaker 1: go for it? Yes? Uh? I would you like to

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Speaker 1: say that my client was completely and utterly misrepresented as

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Speaker 1: a unique individual who was there to oversee an important

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Speaker 1: day in the history of the park as well as

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Speaker 1: all of entertainment. So he was misrepresented as a unique individual. Yes,

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Speaker 1: because artistic integrity often involves what others might perceive as violence. Understood,

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Speaker 1: Thank you Duncan. It was a pleasure talking to you.

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Speaker 1: Who is this this is a Bruce Tristal for E Network.

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Speaker 1: Already you called for what you called into us as

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Speaker 1: a PR representative for Michael May. Are you okay, Duncan,

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Speaker 1: is this actually other thing? All right? Okay? Well that

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Speaker 1: was that was Duncan representing Michael Man. Are you sure

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Speaker 1: that that's the correct PR representative? High? Sorry, but this

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Speaker 1: is seeming like it's an unprepared interview. What he's doing.

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Speaker 1: I got journalists. Oh no, we are. Okay, Chico, you're

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Speaker 1: basically playing yourself in this scene, and you're gonna be

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Speaker 1: opposite Mr Jimmy Con, Mr Man, we have some popcorn

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Speaker 1: for you. Okay, thank you. I am currently directing so

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Speaker 1: constantly popcorning while I direct. But the second we wrap,

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Speaker 1: the second I call cut, you're gonna take the popcorn away.

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Speaker 1: It's a popcorn away. I lost fingers because in a

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Speaker 1: popcorn Okay, that's good. That's good, Chico, use it, use it.

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Speaker 1: So you're gonna be opposite Jimmy Conn in this scene.

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Speaker 1: He's going to be a little intense. Yeah, he's got

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Speaker 1: that strike. He's gonna Jimmy's gonna strut in and he's

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Speaker 1: gonna beat the ship out and se oh, man boy,

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Speaker 1: man man, what a man? No man? I love he?

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Speaker 1: Why is he so angry about pop? It's too hot?

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Speaker 1: Was that intended to be? Yeah? I didn't want to

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Speaker 1: eat so good? All right? Seen number two comes in,

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Speaker 1: John Road, Hey, there up your show. I never missed

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Speaker 1: an episode. Thank you for that, Joan. I listened during

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Speaker 1: my daily commute when I go out for long runs,

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Speaker 1: and when I go out for long runs here in

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Speaker 1: the beautiful Colorado scenery. Wow, it seems like he's pitching

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Speaker 1: to us a little bit. I'd be a member of

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Speaker 1: the James Tene fan Club if we could only get

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Speaker 1: that darn charter approved my idea for an episode. Neanderthals

407
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Speaker 1: may have been smarter than we previously thought, and history

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Speaker 1: may have given them a bad rap. I'd love to

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Speaker 1: hear a conversation between these smarter cavemen and women. Wow,

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Speaker 1: and they're less than cave mates. Thanks for everything you do,

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Speaker 1: John Zar Niki, love your work, professor. I've just asked.

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Speaker 1: I just estivated the area over here, and we found

413
00:24:10,119 --> 00:24:17,439
Speaker 1: some excavator what's excavated? Sorry, just found some rudimentary tools.

414
00:24:18,160 --> 00:24:22,880
Speaker 1: Let me be the decider of rudimentary Yes, huh. This

415
00:24:22,920 --> 00:24:26,760
Speaker 1: looks like a USB charging port. Yes, very rudimentary. Yes,

416
00:24:26,800 --> 00:24:31,160
Speaker 1: and that's strange. And you found this here? Yes, yes,

417
00:24:31,880 --> 00:24:36,760
Speaker 1: it's about down. Wow, this is incredible. I mean, right

418
00:24:36,760 --> 00:24:39,800
Speaker 1: next to the remains of the Neanderthals. It seems as

419
00:24:39,840 --> 00:24:49,600
Speaker 1: if we've been miss misrepresenting the smartness. Mike, Mike, you

420
00:24:49,680 --> 00:24:54,080
Speaker 1: have you have Donggle. I can borrow you you you're

421
00:24:54,119 --> 00:24:57,600
Speaker 1: gonna borrow my Doggle. I need borrow Dougle. Yeah, get

422
00:24:57,640 --> 00:25:01,160
Speaker 1: your room. Doggle store not open. I can't go get

423
00:25:01,200 --> 00:25:04,719
Speaker 1: my own dongles store open at nine. I need dongle

424
00:25:04,880 --> 00:25:09,560
Speaker 1: night tonight. Now, okay, you you you borrow dongle now,

425
00:25:09,600 --> 00:25:13,480
Speaker 1: but you give Donggle back immediately. Promise give Donggle back immediately.

426
00:25:14,040 --> 00:25:17,919
Speaker 1: I need just true knight tomorrow. I get dongle and

427
00:25:17,960 --> 00:25:23,040
Speaker 1: replace your dongle. Okay, is fair? May I borrow laptop.

428
00:25:24,880 --> 00:25:28,160
Speaker 1: It seems as if there's quite a bit of extraordinary

429
00:25:28,200 --> 00:25:31,440
Speaker 1: technology down here. Rudimentary technology, I completely. I mean it's

430
00:25:31,560 --> 00:25:34,360
Speaker 1: I don't think you're using the word rudimentary correctly. Well,

431
00:25:34,359 --> 00:25:37,560
Speaker 1: it's an art professor, I mean, only the end of flow.

432
00:25:37,640 --> 00:25:40,280
Speaker 1: Because of the era. It came from a history. Of course,

433
00:25:40,600 --> 00:25:42,840
Speaker 1: there's no way they're smarter than us, so they're at

434
00:25:42,840 --> 00:25:46,200
Speaker 1: the same level. This is a rock book. Pro Look

435
00:25:46,200 --> 00:25:48,919
Speaker 1: at it still has I can't believe it. It still works.

436
00:25:48,920 --> 00:25:52,000
Speaker 1: It's function. Oh my gosh, this changes everything. This changes

437
00:25:52,119 --> 00:25:54,679
Speaker 1: it's all your papers. I mean, it's just if it

438
00:25:54,720 --> 00:25:57,080
Speaker 1: comes out into public. But my papers have written in

439
00:25:57,160 --> 00:26:00,000
Speaker 1: books with ink. No, we have to tell the pot

440
00:26:00,040 --> 00:26:02,520
Speaker 1: can't tell the public. The people need to know this.

441
00:26:03,000 --> 00:26:12,600
Speaker 1: We are burying this back down wyoming and hear me out,

442
00:26:13,160 --> 00:26:21,800
Speaker 1: um use your words. Come on, come on, Goodchuck. I

443
00:26:21,840 --> 00:26:25,800
Speaker 1: think you miss he made pooh. I can see he

444
00:26:25,880 --> 00:26:37,600
Speaker 1: made pooh, and yeah, I evolve already. Ask for request?

445
00:26:38,320 --> 00:26:42,160
Speaker 1: You ask for a request, Mike, you're talking to Homo

446
00:26:42,240 --> 00:26:51,440
Speaker 1: sapiens again. Request? Uh uh? You follow me? Follow him? Okay?

447
00:26:51,480 --> 00:26:56,160
Speaker 1: You follow him on on social media? Yes, you want

448
00:26:56,200 --> 00:27:00,560
Speaker 1: me to follow you on social follow him? Yes? Okay?

449
00:27:00,560 --> 00:27:09,520
Speaker 1: Well what have you posted lately? Gave gave wa finger,

450
00:27:09,560 --> 00:27:12,399
Speaker 1: he made pooh, make pooh thing? Okay, I'm not gonna

451
00:27:12,440 --> 00:27:17,160
Speaker 1: follow you just to see the pools that you made. Okay,

452
00:27:17,200 --> 00:27:21,760
Speaker 1: and you had a successful hunt. Yes, follow him? Okay,

453
00:27:21,800 --> 00:27:32,200
Speaker 1: all right, I'm gonna follow alight. I'm following for now.

454
00:27:32,080 --> 00:27:34,080
Speaker 1: How are you all right? Now? I've got you tied

455
00:27:34,160 --> 00:27:38,800
Speaker 1: up down here. You aren't going to escape. You're the

456
00:27:38,840 --> 00:27:41,920
Speaker 1: worst intern I've ever had. You're supposed to be an

457
00:27:42,000 --> 00:27:50,160
Speaker 1: archaeologist intern. They stay silent. Wake up, wake up? Huh

458
00:27:50,440 --> 00:27:54,480
Speaker 1: are you awake? Are you with me? Huh? All right?

459
00:27:55,080 --> 00:27:57,240
Speaker 1: Who knows that you're with me? Out here at this site?

460
00:27:57,560 --> 00:28:00,800
Speaker 1: A whole bunch of people. I need themes. I just

461
00:28:00,840 --> 00:28:03,320
Speaker 1: tweeted it out before I got here. Where's your phone?

462
00:28:04,560 --> 00:28:08,399
Speaker 1: It's in my back pocket. What's your password to seven?

463
00:28:09,720 --> 00:28:13,200
Speaker 1: Go on? It's just seven? The word seven, yes, but

464
00:28:13,280 --> 00:28:19,720
Speaker 1: spelled with numbers five, three, V, three and v and

465
00:28:19,720 --> 00:28:29,000
Speaker 1: and aren't numbers? Well, I luke Luke. I'm a professor.

466
00:28:29,720 --> 00:28:34,440
Speaker 1: My whole career accounts on the things I've written being true.

467
00:28:34,960 --> 00:28:38,600
Speaker 1: This information comes out. I'm through, and then you've been

468
00:28:38,640 --> 00:28:41,880
Speaker 1: following a dumb professor this whole time. Dr I have

469
00:28:41,920 --> 00:28:45,680
Speaker 1: a question for you. Uh well, First of all, big

470
00:28:45,720 --> 00:28:48,520
Speaker 1: fan of the book, thank you, thank you, um most

471
00:28:48,560 --> 00:28:52,080
Speaker 1: are yeah, well listen, that's why we're here. But so

472
00:28:52,800 --> 00:28:55,440
Speaker 1: I'm a little confused in the opening chapter when you,

473
00:28:55,800 --> 00:28:59,160
Speaker 1: as you say, uh, digress and put yourself back in

474
00:28:59,240 --> 00:29:03,320
Speaker 1: the place where these Neanderthals lived, and how it was

475
00:29:03,400 --> 00:29:06,400
Speaker 1: even possible that they could have any sort of technology

476
00:29:06,400 --> 00:29:11,360
Speaker 1: at all given the rudimentary instruments they had to work with. Well,

477
00:29:11,360 --> 00:29:14,280
Speaker 1: when I digressed and talked about going back to the

478
00:29:14,320 --> 00:29:17,880
Speaker 1: time of the Neanderthals, I don't think that the world

479
00:29:18,080 --> 00:29:21,640
Speaker 1: writ large understood what I meant when I said that

480
00:29:21,720 --> 00:29:23,760
Speaker 1: I went back to the time of the Neanderthals. I

481
00:29:23,800 --> 00:29:26,120
Speaker 1: think the world thinks I meant that I was saying

482
00:29:26,160 --> 00:29:29,400
Speaker 1: I was studying it, when in fact I went back

483
00:29:29,800 --> 00:29:33,240
Speaker 1: to the time of the the Neanderthals, and I accidentally

484
00:29:33,360 --> 00:29:38,280
Speaker 1: left a backpack that had two iPads, a laptop, and

485
00:29:38,720 --> 00:29:43,160
Speaker 1: several dongles. And follow up questions, Yes, why the two iPads,

486
00:29:43,440 --> 00:29:45,360
Speaker 1: because I one of them is for work and one

487
00:29:45,360 --> 00:29:48,440
Speaker 1: of them is for just playing Matchington's manor I see,

488
00:29:48,800 --> 00:29:50,800
Speaker 1: And how is it that you were able to transport

489
00:29:50,840 --> 00:29:54,200
Speaker 1: back in time? Well, that really that the technical specs

490
00:29:54,240 --> 00:29:59,200
Speaker 1: of it are probably probably beyond your comprehension. Set down

491
00:29:59,240 --> 00:30:02,560
Speaker 1: this lecture, the professor, would you come with us for

492
00:30:02,600 --> 00:30:04,920
Speaker 1: a second time? It's doctor. The professor is the madman

493
00:30:04,960 --> 00:30:07,720
Speaker 1: who put a guy the happy I had I determined titles.

494
00:30:07,720 --> 00:30:09,800
Speaker 1: Why don't you come with me? All right? Getting back

495
00:30:09,840 --> 00:30:12,720
Speaker 1: of this car? Wow, this is this is roomy? What

496
00:30:12,800 --> 00:30:16,880
Speaker 1: is this? It's a Fiat fist a weird roomy Fiat. Yes,

497
00:30:17,720 --> 00:30:19,040
Speaker 1: we have reason to believe that you went back in

498
00:30:19,120 --> 00:30:21,960
Speaker 1: time and then because because I was just talking about

499
00:30:21,960 --> 00:30:27,960
Speaker 1: it on a stage. Yes. Have you seen Stargate? Yeah,

500
00:30:27,960 --> 00:30:30,800
Speaker 1: I've seen star Stark, So you know the one that

501
00:30:31,160 --> 00:30:33,640
Speaker 1: the lady gets the guy in the end of the movie.

502
00:30:33,760 --> 00:30:35,680
Speaker 1: You've seen that. I've seen the part in the movie.

503
00:30:36,040 --> 00:30:37,960
Speaker 1: What was your favorite part of the movie. Look, I'm

504
00:30:37,960 --> 00:30:40,680
Speaker 1: just trying to move this along, so am I. What

505
00:30:40,720 --> 00:30:42,400
Speaker 1: was your favorite part of the movie when they walked

506
00:30:42,400 --> 00:30:44,360
Speaker 1: through the star Gate? Right, yeah, all right, you can

507
00:30:44,400 --> 00:30:47,040
Speaker 1: get out of the car, thank you. I told you

508
00:30:47,120 --> 00:30:53,000
Speaker 1: was when you walked to the circuit um. It looks

509
00:30:53,080 --> 00:30:57,760
Speaker 1: like someone's in a little trouble with FBI. Yeah. Look

510
00:30:57,800 --> 00:30:59,840
Speaker 1: I had to I didn't know where to go, so

511
00:30:59,880 --> 00:31:02,440
Speaker 1: I just came back here. I really need my backpack.

512
00:31:03,360 --> 00:31:08,080
Speaker 1: It's my backpack. Now. Look, Mike, you've done amazing things

513
00:31:08,760 --> 00:31:13,240
Speaker 1: here in Neanderthal times. You you've invented social media for

514
00:31:13,280 --> 00:31:15,080
Speaker 1: these people. You have you have a bigger brain than

515
00:31:15,080 --> 00:31:18,040
Speaker 1: anyone ever imagined. Let me go back to the world

516
00:31:19,360 --> 00:31:21,840
Speaker 1: and tell them about this. I just need you to

517
00:31:21,840 --> 00:31:23,520
Speaker 1: give me my backpack, and then you'll be the most

518
00:31:23,760 --> 00:31:29,400
Speaker 1: famous Neanderthal in history. Here's your backpack, I mean the

519
00:31:29,480 --> 00:31:32,360
Speaker 1: stuff that was this stuff? Oh but you asked for

520
00:31:32,400 --> 00:31:36,920
Speaker 1: the backpack? All right, let's not be people not precise

521
00:31:36,960 --> 00:31:40,440
Speaker 1: with words. In nineteen here we go the backpackers for

522
00:31:40,560 --> 00:31:47,800
Speaker 1: a pool. Who ship in my backpack? The Homo sapiens did? Yeah,

523
00:31:47,800 --> 00:31:52,480
Speaker 1: that was all right? Look, okay you want I can

524
00:31:52,520 --> 00:31:55,320
Speaker 1: give you one of your right beds back. Is it

525
00:31:55,400 --> 00:31:56,959
Speaker 1: the one that you just got a video game on it?

526
00:31:57,160 --> 00:31:59,920
Speaker 1: Nobody needs two eye beds. Give me the one that

527
00:32:00,040 --> 00:32:03,080
Speaker 1: I used for work then, please? Okay, all right, hold on,

528
00:32:03,160 --> 00:32:07,280
Speaker 1: let me put my password in. Yes, okay, this isn't

529
00:32:07,320 --> 00:32:08,560
Speaker 1: the work one. That's the work one. Can I have

530
00:32:08,560 --> 00:32:10,480
Speaker 1: the work one? Please? All right? Thanks? And the and

531
00:32:10,520 --> 00:32:13,600
Speaker 1: the rock book pro. It's very cute that you changed that.

532
00:32:13,720 --> 00:32:15,160
Speaker 1: That's really I don't even know where you got a

533
00:32:15,160 --> 00:32:21,360
Speaker 1: sharp you did rock book bro trademark? Mike, Just give

534
00:32:21,400 --> 00:32:23,480
Speaker 1: me all my stuff back. And I'm missing it looks

535
00:32:23,480 --> 00:32:27,160
Speaker 1: like I'm missing one dongle Um, I'm gonna need to

536
00:32:27,200 --> 00:32:30,160
Speaker 1: keep the dongle. Why do you need to keep the dongle?

537
00:32:30,240 --> 00:32:36,000
Speaker 1: Am I gonna charge with the dongle? Well, saber two

538
00:32:36,040 --> 00:32:43,000
Speaker 1: tiger God, we have all the things gone that we excavated.

539
00:32:43,160 --> 00:32:45,000
Speaker 1: Where's the rock book? Pro? It seems to have just

540
00:32:45,080 --> 00:32:47,479
Speaker 1: disappeared in front of me. I don't know. I'm tied up.

541
00:32:47,560 --> 00:32:49,720
Speaker 1: You get me tied up. I don't know what a

542
00:32:49,800 --> 00:32:52,840
Speaker 1: bitch you've been hiding the things that we've taken. I

543
00:32:52,840 --> 00:32:56,240
Speaker 1: can't find the dongles, the USB charge that they all evaporated.

544
00:32:56,400 --> 00:32:58,840
Speaker 1: It's possible that if the time loop was created, an

545
00:32:58,880 --> 00:33:01,520
Speaker 1: individual who gave the things in the past went back

546
00:33:01,520 --> 00:33:03,880
Speaker 1: there and took them that they would disappear in our present. Now,

547
00:33:04,280 --> 00:33:06,720
Speaker 1: all right, I'm gonna untie you, but only because you

548
00:33:06,760 --> 00:33:12,920
Speaker 1: have certain information that I find necessary. Okay, So what

549
00:33:12,960 --> 00:33:16,760
Speaker 1: were you saying about a time scoop? It's a time scoop.

550
00:33:17,240 --> 00:33:20,440
Speaker 1: It's when someone goes back in time and plans things,

551
00:33:20,800 --> 00:33:23,760
Speaker 1: any artifacts right or the imprint with them on being

552
00:33:24,240 --> 00:33:27,080
Speaker 1: and changed the ripple of time. But to go back

553
00:33:27,120 --> 00:33:29,400
Speaker 1: to that point in time where they were and then

554
00:33:29,520 --> 00:33:33,840
Speaker 1: reverse the actions they took to set stop stop pool, stop,

555
00:33:34,280 --> 00:33:38,160
Speaker 1: stop hurting my brain. But the good news is this

556
00:33:38,200 --> 00:33:40,800
Speaker 1: is apparently not me being wrong. Someone's messed with the

557
00:33:40,840 --> 00:33:47,360
Speaker 1: time continuum. Did you just step on butterfly? You just

558
00:33:47,400 --> 00:33:50,760
Speaker 1: step on butterfly? No, Mike, I step on butter You

559
00:33:50,840 --> 00:33:53,960
Speaker 1: step on butterfly? What? What? What's wrong with stepping on butterfly?

560
00:33:54,320 --> 00:33:57,640
Speaker 1: It could change the entire timeline? Oh? Just me stepping

561
00:33:57,680 --> 00:34:01,560
Speaker 1: on butterfly changed change titling for for who? For us?

562
00:34:02,080 --> 00:34:04,360
Speaker 1: Mr Man? I'm sorry. We're not gonna do heat. Okay,

563
00:34:04,400 --> 00:34:06,640
Speaker 1: we're not gonna do it. What we're not going to

564
00:34:06,720 --> 00:34:11,600
Speaker 1: do stupid lined up? Oh those two drug addicts, No,

565
00:34:11,719 --> 00:34:13,319
Speaker 1: thank you, We're not working with them. All right, We're

566
00:34:13,320 --> 00:34:18,200
Speaker 1: not doing it. Okay. Look, DeNiro has made a movie

567
00:34:18,239 --> 00:34:23,560
Speaker 1: since uh bus driving, right, and I'm bringing him out

568
00:34:23,560 --> 00:34:25,960
Speaker 1: of retirement. That's stupid rom com. No one liked it,

569
00:34:26,000 --> 00:34:28,239
Speaker 1: all right, it was bad. It was a bad was

570
00:34:28,280 --> 00:34:31,480
Speaker 1: a great rom com? Alright? Mr Man, I'm sorry. Okay,

571
00:34:31,600 --> 00:34:34,640
Speaker 1: Look you can I get more popcorn? I love popcorn. Look,

572
00:34:34,640 --> 00:34:36,839
Speaker 1: we only get popcorn to directors, all right. I am

573
00:34:36,840 --> 00:34:43,640
Speaker 1: a director working directors. Eight Geno Gino, get over here.

574
00:34:43,880 --> 00:34:49,320
Speaker 1: Oh jeez, so yeah, Mr fink. Is that Michael Man

575
00:34:49,320 --> 00:34:52,480
Speaker 1: over there? You know I think it is. I want

576
00:34:52,520 --> 00:34:55,680
Speaker 1: you to go get that guy in the nuts right

577
00:34:55,719 --> 00:35:01,960
Speaker 1: here at Creation Park. Okay, so kick him, kick him

578
00:35:01,960 --> 00:35:07,080
Speaker 1: square in the nuts in the car. All right, just

579
00:35:07,120 --> 00:35:10,400
Speaker 1: walk up and do it induced myself. How does this work? Mr? Forgan?

580
00:35:11,000 --> 00:35:12,719
Speaker 1: I just want you to know that here at Quation Park,

581
00:35:12,800 --> 00:35:15,600
Speaker 1: we gave you some steady passes, so you're gonna be

582
00:35:15,600 --> 00:35:18,160
Speaker 1: able to ride the rides at your leisure with everyone else. Right.

583
00:35:18,360 --> 00:35:20,759
Speaker 1: What's this circle on the back mean? That means that

584
00:35:20,800 --> 00:35:24,000
Speaker 1: you're able to use any of our restroom facilities whenever

585
00:35:24,000 --> 00:35:28,279
Speaker 1: they're available. Wait, how do you think that's going to change? Timeline?

586
00:35:29,800 --> 00:35:34,840
Speaker 1: It's gonna be pretty similar. A few names will change,

587
00:35:35,400 --> 00:35:42,799
Speaker 1: some social dynamics will reverse. Heat won't get ride? All right, Luke,

588
00:35:43,440 --> 00:35:46,200
Speaker 1: what do you know about time travel? Who taught you

589
00:35:46,239 --> 00:35:47,799
Speaker 1: what you know? We need to bring it back to

590
00:35:47,840 --> 00:35:50,440
Speaker 1: the way it was. Is it a time plane? What

591
00:35:50,640 --> 00:35:53,160
Speaker 1: is it? It's more of a gate, a gate? What

592
00:35:53,320 --> 00:35:59,480
Speaker 1: kind of gate? It's fenced? It's a fenced gate, fence gatebo.

593
00:35:59,800 --> 00:36:01,800
Speaker 1: Do you know how we can get that? Welcome to

594
00:36:01,880 --> 00:36:04,040
Speaker 1: Larry's House of Gates? How can I help you, gentlemen,

595
00:36:04,320 --> 00:36:08,040
Speaker 1: we're looking for a time gate. I'm famous the first

596
00:36:08,080 --> 00:36:11,280
Speaker 1: time I've heard this. You're looking for the time gate,

597
00:36:11,680 --> 00:36:13,959
Speaker 1: the time gate that will take you back in time

598
00:36:14,040 --> 00:36:16,560
Speaker 1: so you can correct mistakes that were made from someone's

599
00:36:16,600 --> 00:36:20,200
Speaker 1: not almost take someone's mistakes, mistakes done the less right.

600
00:36:21,120 --> 00:36:23,680
Speaker 1: And uh, that's the same for you, sir. Yes, I'm

601
00:36:23,920 --> 00:36:26,080
Speaker 1: I'm with him. Here with him, don't mind the bruises

602
00:36:26,080 --> 00:36:27,960
Speaker 1: on his face. What size would you like to time gate?

603
00:36:28,360 --> 00:36:32,359
Speaker 1: Big enough for two people to walk through simultaneously? Your sizes? Yes,

604
00:36:32,400 --> 00:36:36,960
Speaker 1: our exact sizes. What are you about? Six seven? I

605
00:36:37,000 --> 00:36:41,600
Speaker 1: think about six seven? Yes, But I'm willing to dock

606
00:36:41,680 --> 00:36:43,640
Speaker 1: as long as it's why nothing to you to pass through?

607
00:36:44,000 --> 00:36:49,440
Speaker 1: About right? Okay, you're ducked down of like five eight? Sure?

608
00:36:49,680 --> 00:36:54,080
Speaker 1: All right? That's a doctor. Are you sure I've played limbo?

609
00:36:54,160 --> 00:36:56,560
Speaker 1: If if you haven't ducked at six seven by this

610
00:36:56,600 --> 00:36:58,960
Speaker 1: age of your life, then you haven't been living. I mean,

611
00:36:59,200 --> 00:37:01,799
Speaker 1: you're gonna be pretty much at five degree angle. But

612
00:37:01,800 --> 00:37:03,480
Speaker 1: I just need to know you can actually get through

613
00:37:03,480 --> 00:37:05,359
Speaker 1: a gate. I need to know that this gate will

614
00:37:05,400 --> 00:37:07,680
Speaker 1: take me back in time. Yeah, that's not a problem. Okay,

615
00:37:07,800 --> 00:37:11,239
Speaker 1: it's not a problem. I can bend over everything at

616
00:37:11,280 --> 00:37:14,360
Speaker 1: six ft or something or no one year we'd like

617
00:37:14,440 --> 00:37:16,040
Speaker 1: to go back to. Maybe we should go somewhere else

618
00:37:16,120 --> 00:37:18,200
Speaker 1: if it's going to be a gentleman. I'm not here

619
00:37:18,239 --> 00:37:20,279
Speaker 1: to sell unless you're here to buy. So we're here

620
00:37:20,280 --> 00:37:22,600
Speaker 1: to buy. But we're just you know, we just figure

621
00:37:22,880 --> 00:37:25,160
Speaker 1: with having to bend over to get through a time?

622
00:37:25,200 --> 00:37:27,200
Speaker 1: Can I talk to you for a second. I just

623
00:37:27,239 --> 00:37:29,680
Speaker 1: don't feel like that's appropriate, you know. I think you

624
00:37:29,680 --> 00:37:32,000
Speaker 1: should get the gate that like fits you. I don't

625
00:37:32,040 --> 00:37:34,080
Speaker 1: know how much time we have to fix the time.

626
00:37:35,000 --> 00:37:37,960
Speaker 1: It's running out every second. Matter seems like it's spinning

627
00:37:37,960 --> 00:37:41,840
Speaker 1: out of control completely. I mean, but we need something

628
00:37:41,880 --> 00:37:45,280
Speaker 1: that you feel comfortable with. Right, right, we'll go somewhere else. Okay,

629
00:37:45,600 --> 00:37:48,400
Speaker 1: we're going to take our business elsewhere, lovely. Do you

630
00:37:48,440 --> 00:37:51,480
Speaker 1: know of another place that sells taller time gates? A

631
00:37:51,560 --> 00:37:53,239
Speaker 1: gate that allows you to go through in time, but

632
00:37:53,320 --> 00:37:58,120
Speaker 1: just just slightly larger? Yes? No, I don't. Okay, come on, Luke,

633
00:37:58,200 --> 00:37:59,960
Speaker 1: let's go. Let's go to home depot. I think they

634
00:38:00,120 --> 00:38:03,719
Speaker 1: some I'll see you tune about thirty seven minutes. How

635
00:38:03,760 --> 00:38:09,000
Speaker 1: do you know this? Never mind? Welcome to home depot.

636
00:38:09,080 --> 00:38:11,640
Speaker 1: I am groc what how can I help you? H

637
00:38:11,680 --> 00:38:14,920
Speaker 1: we're looking for looking for a time gate gate, a

638
00:38:15,000 --> 00:38:17,560
Speaker 1: time gate that I can walk four times for a

639
00:38:17,640 --> 00:38:25,080
Speaker 1: man who's as tall as you. Okay, uh okay, um,

640
00:38:25,160 --> 00:38:27,719
Speaker 1: I'll see what we have. Um. I mean time gates

641
00:38:27,760 --> 00:38:35,200
Speaker 1: are typically smaller. Capacity is usually around five eight, right,

642
00:38:35,280 --> 00:38:37,280
Speaker 1: But we're just looking for something that you know, wouldn't

643
00:38:37,320 --> 00:38:41,279
Speaker 1: I mean for as his height. Okay, okay, it's like

644
00:38:41,320 --> 00:38:43,800
Speaker 1: a custom time kate. We can get possibly my splooke,

645
00:38:43,880 --> 00:38:47,799
Speaker 1: let's just go back to its customer do custom. But

646
00:38:47,920 --> 00:38:50,600
Speaker 1: going to be more expensive. I mean, I think that's fine. Honestly,

647
00:38:50,760 --> 00:38:53,200
Speaker 1: it's going to be more comfortable to go back to

648
00:38:53,239 --> 00:38:57,400
Speaker 1: the dollars. I think the university could pay for that.

649
00:38:57,440 --> 00:38:59,480
Speaker 1: If that's a two million dollars, that's a lot for

650
00:38:59,600 --> 00:39:02,719
Speaker 1: a time make it back in gambling. No, it doesn't matter,

651
00:39:03,080 --> 00:39:09,839
Speaker 1: all right, all right, that's the scene too. We just

652
00:39:09,960 --> 00:39:11,959
Speaker 1: right at that time as the time gate was open,

653
00:39:16,200 --> 00:39:19,319
Speaker 1: were last thing today come from Spud? Spud that's right,

654
00:39:19,640 --> 00:39:23,080
Speaker 1: who wrote love the show. But like so many others,

655
00:39:23,200 --> 00:39:25,719
Speaker 1: I can't listen at work because hiding the laughter is

656
00:39:25,800 --> 00:39:34,719
Speaker 1: too stressful. James ceney more like James Heinie. It's a

657
00:39:34,719 --> 00:39:37,839
Speaker 1: good one. That's a good one. In breentheses my kid

658
00:39:37,920 --> 00:39:42,760
Speaker 1: because I love Uh. Here's a concise topic. Florida mac,

659
00:39:44,280 --> 00:39:47,200
Speaker 1: Florida man wins a trip across the world from the

660
00:39:47,320 --> 00:39:53,319
Speaker 1: McDonald's monopoly competition and x accordingly eagerly awaiting from Jacksonville,

661
00:39:53,360 --> 00:39:57,520
Speaker 1: Florida spud. Uh sorry sorry, have a question off here

662
00:39:57,560 --> 00:40:06,759
Speaker 1: over here now here with the hat. Yes, Now that

663
00:40:06,800 --> 00:40:09,440
Speaker 1: you've won your trip across the world from the McDonald's

664
00:40:09,480 --> 00:40:13,560
Speaker 1: monopoly competition, how will you act? I'm going to finally

665
00:40:13,600 --> 00:40:16,080
Speaker 1: act like people have been treating me my whole life

666
00:40:16,239 --> 00:40:20,160
Speaker 1: like ship starting now. Question U ues question. Question? The

667
00:40:20,280 --> 00:40:23,040
Speaker 1: question in front? Question is that me? Yes? Are you

668
00:40:23,040 --> 00:40:26,920
Speaker 1: wanting me? You're looking at me, said the gentleman next

669
00:40:26,920 --> 00:40:30,680
Speaker 1: to you. Question a question? Is it for me or

670
00:40:30,680 --> 00:40:33,799
Speaker 1: for him? Question? Okay? But question is who are you

671
00:40:33,840 --> 00:40:36,160
Speaker 1: talking to I'm talking to your question? I have a question.

672
00:40:36,160 --> 00:40:38,520
Speaker 1: Are you talking and I'm talking to your question? Are

673
00:40:38,520 --> 00:40:42,120
Speaker 1: you looking or talking to me? Question about question? Motherfucking me?

674
00:40:42,239 --> 00:40:44,440
Speaker 1: You have a question? Are you talking to me? I

675
00:40:44,480 --> 00:40:47,640
Speaker 1: am talking to you? Are question? I have a question?

676
00:40:47,800 --> 00:40:50,080
Speaker 1: Who are you questioning? Are you are you looking at me?

677
00:40:50,719 --> 00:40:56,879
Speaker 1: I have a question, I have a questions. Have a question? Okay, question? Yes,

678
00:40:58,320 --> 00:41:03,440
Speaker 1: what's your question? Florida and statement? Uh, I'm winning the

679
00:41:03,880 --> 00:41:07,720
Speaker 1: trip around the world. Thank you? Question how question? Question?

680
00:41:09,120 --> 00:41:11,719
Speaker 1: I need someone to remove this man from the room.

681
00:41:11,800 --> 00:41:16,600
Speaker 1: He is trolling me. Question question How many trips to

682
00:41:17,040 --> 00:41:19,200
Speaker 1: McDonald's did it take in order to secure all the

683
00:41:19,200 --> 00:41:22,200
Speaker 1: game pieces in order to win? I actually didn't eat there.

684
00:41:22,360 --> 00:41:24,799
Speaker 1: I found them in the trash cans. I spent a

685
00:41:24,920 --> 00:41:28,200
Speaker 1: great deal of time rummaging through trash camps. Question question

686
00:41:28,600 --> 00:41:30,919
Speaker 1: I question. You have been bothering me all day, sir,

687
00:41:30,960 --> 00:41:33,440
Speaker 1: ever since I've won. You stalked me. You're outside of

688
00:41:33,520 --> 00:41:35,759
Speaker 1: my house, you are in front of my car. What

689
00:41:35,880 --> 00:41:38,920
Speaker 1: I'm trying to back out? What is your problem? Question?

690
00:41:39,080 --> 00:41:42,080
Speaker 1: Who is the question? Man? Well, you've been asking yourselves

691
00:41:42,080 --> 00:41:44,560
Speaker 1: that for a long long time. After saying the footage

692
00:41:44,600 --> 00:41:47,640
Speaker 1: we just showed, yet again, we've got him exclusively on

693
00:41:47,719 --> 00:41:51,920
Speaker 1: the show today. Please welcome the question man. I I Charlie,

694
00:41:52,200 --> 00:41:54,880
Speaker 1: pleasure to be here. Uh tell me where did you

695
00:41:54,920 --> 00:41:57,759
Speaker 1: get your particular style that the whole world is just

696
00:41:57,840 --> 00:42:01,640
Speaker 1: buzzing about of asking questions? Well, Charlie that's an interesting question.

697
00:42:02,040 --> 00:42:07,520
Speaker 1: Un Originally what happened was as a kid, I would

698
00:42:07,520 --> 00:42:11,200
Speaker 1: always have always had an inquisitive nature, so I found

699
00:42:11,200 --> 00:42:14,000
Speaker 1: it natural to ask questions. But your question seemed to

700
00:42:14,040 --> 00:42:16,920
Speaker 1: be just repeating the word question. Thanks, Charlie. That's an

701
00:42:16,920 --> 00:42:20,480
Speaker 1: interesting question. I always think about as a way to

702
00:42:20,520 --> 00:42:23,360
Speaker 1: ask a question, is you have to first ask a question?

703
00:42:23,880 --> 00:42:26,400
Speaker 1: So and everyone's calling you the question guy? Do you

704
00:42:26,400 --> 00:42:28,560
Speaker 1: want to tell everyone what your name is? Yes, Charlie,

705
00:42:28,600 --> 00:42:30,920
Speaker 1: that's a great question. My name is Darius Rucker. I

706
00:42:31,800 --> 00:42:34,880
Speaker 1: I live outside of a CVS on third and and

707
00:42:35,160 --> 00:42:38,080
Speaker 1: mel Rose, and I just want everyone to know that

708
00:42:38,120 --> 00:42:40,120
Speaker 1: there is if I can do it, so can you.

709
00:42:40,760 --> 00:42:44,719
Speaker 1: I love CVS, they really do. Sorry terribly sorry. I

710
00:42:44,719 --> 00:42:47,200
Speaker 1: didn't know that interview would make you so upset. I'm

711
00:42:47,320 --> 00:42:50,160
Speaker 1: that man has been bothering me. I think he's jealous

712
00:42:50,239 --> 00:42:53,960
Speaker 1: of my winnings. You're that one onto you? What do

713
00:42:53,960 --> 00:42:56,919
Speaker 1: you mean that one? You don't recognize my face? I said,

714
00:42:56,960 --> 00:42:59,960
Speaker 1: fuck O. I'm the winner of the Monopoly World Champion

715
00:43:00,040 --> 00:43:04,000
Speaker 1: and ship and I'm traveling the world now. Congratulations. Would

716
00:43:04,040 --> 00:43:05,520
Speaker 1: would you hotel? Is it that I can drop your

717
00:43:05,560 --> 00:43:07,200
Speaker 1: fat that are full right here? And I want the

718
00:43:07,239 --> 00:43:11,560
Speaker 1: tallest hotel one. You just want me to take you

719
00:43:11,600 --> 00:43:16,640
Speaker 1: to the bring me to the tallest hotel. Can you

720
00:43:16,760 --> 00:43:23,319
Speaker 1: understand me? Now? Yes? I can. Jesus Florida mano, I

721
00:43:23,360 --> 00:43:27,320
Speaker 1: can you know what? I'm just going to turn the

722
00:43:27,400 --> 00:43:29,520
Speaker 1: radio back on. Don't turn the radio one. I like

723
00:43:29,600 --> 00:43:32,120
Speaker 1: the Charlie. That was a great question. And if there's

724
00:43:32,120 --> 00:43:34,160
Speaker 1: something that I know for a fact is that if

725
00:43:34,200 --> 00:43:37,120
Speaker 1: we ask a question, we'll probably get an answer. And

726
00:43:37,239 --> 00:43:41,040
Speaker 1: I have a question for you. Are there any questions

727
00:43:41,080 --> 00:43:44,120
Speaker 1: that you've asked that actually makes some sort of sense

728
00:43:44,160 --> 00:43:46,760
Speaker 1: that then provoke an answer. Charlie, that's a great question.

729
00:43:47,239 --> 00:43:49,560
Speaker 1: I think my original question to the Florida man who

730
00:43:49,600 --> 00:43:52,440
Speaker 1: won the McDonald's millions and travel the world, I think

731
00:43:52,480 --> 00:43:54,600
Speaker 1: that's the most revenue one, and that question is why

732
00:43:54,600 --> 00:43:56,520
Speaker 1: aren't you spending that money where it should be back

733
00:43:56,560 --> 00:43:59,280
Speaker 1: in Florida. Okay, Charlie, this is your producer and your headset.

734
00:43:59,560 --> 00:44:02,200
Speaker 1: We've done some research. Darius Rucker is the lead singer

735
00:44:02,200 --> 00:44:03,520
Speaker 1: of Hoody and the Blow. Let me ask you a

736
00:44:03,640 --> 00:44:06,880
Speaker 1: question and Melrose, do not intersect. So a couple of

737
00:44:07,120 --> 00:44:09,960
Speaker 1: a couple of follow up questions, if I may, Yes, Charlie,

738
00:44:10,160 --> 00:44:14,520
Speaker 1: Darius Uh. It's interesting to me and the folks who

739
00:44:14,600 --> 00:44:16,960
Speaker 1: work at the show here that you happened just happened

740
00:44:17,000 --> 00:44:19,799
Speaker 1: to have the same name as the frontman for the

741
00:44:20,239 --> 00:44:24,319
Speaker 1: iconic group during a nine minute window called Hooty and

742
00:44:24,320 --> 00:44:27,759
Speaker 1: the Blowfish, Darius Rucker. And also that you said you

743
00:44:27,840 --> 00:44:33,160
Speaker 1: lived a third in Melrose. Those streets run perpendicular parallel.

744
00:44:34,280 --> 00:44:36,040
Speaker 1: Thank you. My purnises in my ear is giving me

745
00:44:36,080 --> 00:44:39,000
Speaker 1: the wrong information. They run parallel, so they would never Actually,

746
00:44:39,040 --> 00:44:41,200
Speaker 1: that's a great question, Charlote. I have an answer that question.

747
00:44:41,239 --> 00:44:43,680
Speaker 1: I am Darris Rucker from Hohody in the Blowfish, and

748
00:44:43,800 --> 00:44:45,920
Speaker 1: I have a lot of you. Please turn the radio.

749
00:44:47,040 --> 00:44:51,279
Speaker 1: Thank you. I apologize for being so rude to you,

750
00:44:51,480 --> 00:44:54,440
Speaker 1: but it's just that I've I've had a rough life.

751
00:44:56,440 --> 00:44:58,360
Speaker 1: Tell me we're about it. I don't want to talk

752
00:44:58,360 --> 00:45:01,759
Speaker 1: about the rough time. Now you opened the door. That's right.

753
00:45:01,880 --> 00:45:05,560
Speaker 1: I'm a winner. You might have been a get the

754
00:45:05,600 --> 00:45:12,839
Speaker 1: hell out of Talahassee, but I I pay rents here Danesville.

755
00:45:13,960 --> 00:45:16,319
Speaker 1: But your daughter and I are in love. I I

756
00:45:16,320 --> 00:45:18,760
Speaker 1: feel like I ain't know away from my goddamn daughter,

757
00:45:18,760 --> 00:45:20,520
Speaker 1: I ain't in love with you. A piece of ship.

758
00:45:20,880 --> 00:45:23,560
Speaker 1: But you we went to prom together. We were high school.

759
00:45:23,800 --> 00:45:25,960
Speaker 1: We went to prom together. And I'll let you touch

760
00:45:26,040 --> 00:45:28,880
Speaker 1: my feet and I'll get the funk out of here. Daddy,

761
00:45:28,880 --> 00:45:31,920
Speaker 1: he put his seat inside of her. Well, listen, I

762
00:45:32,000 --> 00:45:35,120
Speaker 1: don't know if that's true or not. If I did that,

763
00:45:35,239 --> 00:45:36,960
Speaker 1: I would love to marry her. I'm gonna feed you

764
00:45:37,000 --> 00:45:40,320
Speaker 1: to the God. Ok you can'm leaving. Okay, I'm leaving

765
00:45:40,360 --> 00:45:43,880
Speaker 1: Tallahassee by loser. You guys are gonna regret it one

766
00:45:43,920 --> 00:45:45,799
Speaker 1: day when I make it big. How you gonna do

767
00:45:45,880 --> 00:45:57,160
Speaker 1: the hard work? Drummaging a Monopoly games again, Monopoly contest?

768
00:45:57,600 --> 00:45:59,719
Speaker 1: You can get a park place? Would you never get?

769
00:46:01,120 --> 00:46:04,440
Speaker 1: Dad knows also that money's face and so many people

770
00:46:04,520 --> 00:46:08,080
Speaker 1: had written me off. But there I am getting the

771
00:46:08,280 --> 00:46:11,560
Speaker 1: last piece of boardwalk and park place. What are the

772
00:46:11,600 --> 00:46:15,400
Speaker 1: odds of both of them? Several million to one, I suppose.

773
00:46:16,000 --> 00:46:19,360
Speaker 1: But it turns out you're more likely to be struck

774
00:46:19,400 --> 00:46:21,520
Speaker 1: by lightning a hundred times and win the game. Right?

775
00:46:21,719 --> 00:46:24,360
Speaker 1: Is that why your hair is so white in spots? Well,

776
00:46:24,400 --> 00:46:28,000
Speaker 1: that's honestly just malnutrition. I was. I had been eating

777
00:46:28,000 --> 00:46:31,400
Speaker 1: out of the garbage for a great night time. That's odd.

778
00:46:31,840 --> 00:46:34,680
Speaker 1: What when the rear view mirror keeps gunning right behind

779
00:46:34,760 --> 00:46:37,000
Speaker 1: us with his hand waving in the air. Do you

780
00:46:37,000 --> 00:46:40,600
Speaker 1: think he's trying to do you think he's trying to

781
00:46:40,640 --> 00:46:43,600
Speaker 1: stop you? I don't know. It sounds like he's going.

782
00:46:43,719 --> 00:46:51,160
Speaker 1: Question what he's healing? Question that Darius Rocker? Question question,

783
00:46:51,640 --> 00:46:56,960
Speaker 1: Oh my god, go go faster? I know that man. Okay,

784
00:46:57,000 --> 00:46:59,399
Speaker 1: can you lose him? I can try, sir, but I'm

785
00:46:59,400 --> 00:47:04,560
Speaker 1: not gonna prefer it this. Okay? Well, well, maybe maybe

786
00:47:04,600 --> 00:47:06,640
Speaker 1: if you just pull into a private parking lot where

787
00:47:06,680 --> 00:47:10,560
Speaker 1: he can't come in. I'll try. I'll try my best,

788
00:47:10,600 --> 00:47:14,399
Speaker 1: but most parking lots are quite wide open. Sir. All right,

789
00:47:14,480 --> 00:47:16,640
Speaker 1: I'll just sit here in this parking lot and he

790
00:47:16,680 --> 00:47:21,440
Speaker 1: has pulled up right behind us. Question. Question what do

791
00:47:21,560 --> 00:47:26,520
Speaker 1: you wanted? You'll have to roll down the question? Question? Question? Question? Question?

792
00:47:26,520 --> 00:47:29,400
Speaker 1: Are you talking to me? Question? I have a question

793
00:47:29,440 --> 00:47:32,960
Speaker 1: for you. There's a question for you looking at me? Question?

794
00:47:33,239 --> 00:47:35,319
Speaker 1: Would you like me to drive off? So maybe if

795
00:47:35,360 --> 00:47:39,600
Speaker 1: you just I will give you a hundred thousand dollars

796
00:47:39,600 --> 00:47:42,920
Speaker 1: if you kill this man? Right us? Dear god? Question

797
00:47:43,440 --> 00:47:45,799
Speaker 1: my god? What they said about Florida to Mann is right?

798
00:47:47,000 --> 00:47:50,719
Speaker 1: Take photo wait, don't make LORI and we have new

799
00:47:50,760 --> 00:47:53,960
Speaker 1: footage here and of the Florida man who won those

800
00:47:54,040 --> 00:47:58,280
Speaker 1: million dollars killing Darius Rucker from Booty and the Bluefish. Janie,

801
00:48:00,840 --> 00:48:04,160
Speaker 1: are you okay? I can't. I can't believe watching this footage,

802
00:48:04,200 --> 00:48:10,560
Speaker 1: just a man being killed on camera, wild wild, that's insane.

803
00:48:11,000 --> 00:48:13,080
Speaker 1: I can't believe. Clive. I have a question for you

804
00:48:13,200 --> 00:48:19,160
Speaker 1: before I give you this taxi driver's license, one last question.

805
00:48:19,680 --> 00:48:24,960
Speaker 1: If you are offered from a patron a total sum

806
00:48:25,040 --> 00:48:30,080
Speaker 1: of one hundred thousand pounds, of course, to let's just say,

807
00:48:30,640 --> 00:48:34,480
Speaker 1: do weay with someone? My goodness, never precisely? So your

808
00:48:34,520 --> 00:48:40,120
Speaker 1: answer is never? Never? How about two hundred thousand pounds.

809
00:48:41,840 --> 00:48:47,000
Speaker 1: Everyone wants a number, client, I do not have a number, sir,

810
00:48:47,640 --> 00:48:53,120
Speaker 1: six hundred thousand pounds. I still, I still would not

811
00:48:53,160 --> 00:48:56,800
Speaker 1: do it. I still recall you and Gloria were thinking

812
00:48:56,840 --> 00:49:00,239
Speaker 1: of getting a new home. So this is why is

813
00:49:00,239 --> 00:49:02,560
Speaker 1: it regular? This line of questioning? Is there anything that

814
00:49:02,600 --> 00:49:06,000
Speaker 1: you'd like me to know or do? Or is there

815
00:49:06,040 --> 00:49:11,040
Speaker 1: something you're not telling me? Yes? Would you like to

816
00:49:11,080 --> 00:49:15,440
Speaker 1: tell me? Can? I? I don't think he's ready for

817
00:49:15,480 --> 00:49:18,400
Speaker 1: the cabman. I don't die either, did you hear what

818
00:49:18,440 --> 00:49:21,360
Speaker 1: he said about six hundred thousand accusing me of wanting

819
00:49:21,440 --> 00:49:25,840
Speaker 1: to kill someone? I did? Is there any last question

820
00:49:25,840 --> 00:49:28,120
Speaker 1: I can ask him that might allow him to join

821
00:49:28,160 --> 00:49:32,319
Speaker 1: the cabman was asking me, what would you do if

822
00:49:32,320 --> 00:49:34,840
Speaker 1: you had all the pieces to a monopoly ball? Happily

823
00:49:35,880 --> 00:49:40,040
Speaker 1: welcome back for the following up question and now trying

824
00:49:40,080 --> 00:49:43,600
Speaker 1: to remove all thoughts about our conversation about you accepting

825
00:49:43,680 --> 00:49:46,680
Speaker 1: money to do away with someone. Of course, this is

826
00:49:46,680 --> 00:49:51,160
Speaker 1: the question that matters, moved. What would you do if

827
00:49:51,160 --> 00:49:56,560
Speaker 1: you were to receive each end, every piece from a

828
00:49:56,640 --> 00:50:00,520
Speaker 1: monopoly ball? Mm? Hmm, that you do? You mean the

829
00:50:00,880 --> 00:50:05,160
Speaker 1: McDonald's game Monopoly board. Let's say yes, Well, I think

830
00:50:05,400 --> 00:50:07,640
Speaker 1: perhaps i'd like to tour America all the way from

831
00:50:07,840 --> 00:50:13,600
Speaker 1: Tallahassee to Gainesville. What brings you here? It turns out

832
00:50:13,640 --> 00:50:17,520
Speaker 1: I've one the McDonald's monopoly game, Oh Ship. Nobody ever

833
00:50:17,600 --> 00:50:21,640
Speaker 1: wins those? Daddy I wanted the scene in him, He

834
00:50:21,800 --> 00:50:27,640
Speaker 1: talks for that's you dumb now. I'm not not you

835
00:50:27,840 --> 00:50:31,279
Speaker 1: dumb now. I can speak quite well. So you Seminals fan,

836
00:50:31,400 --> 00:50:36,200
Speaker 1: you Gators fan. The siminar picture is important. Better pick

837
00:50:36,320 --> 00:50:39,200
Speaker 1: right scept the Seminars are a tribe of Native Americans.

838
00:50:39,200 --> 00:50:44,359
Speaker 1: I assume they've boy right. Um, well, I would always

839
00:50:44,440 --> 00:50:48,640
Speaker 1: choose man over alligators. I hear that quite dangerous. Seminal.

840
00:50:48,719 --> 00:50:52,720
Speaker 1: Good choice, good choice, good chores. You're smart guy. Also,

841
00:50:52,760 --> 00:50:55,799
Speaker 1: I saw signs that said go seminals all over town.

842
00:50:56,000 --> 00:51:00,719
Speaker 1: Right about those big Confederate flags, Yeah, they're party. It's

843
00:51:00,719 --> 00:51:04,520
Speaker 1: that quite beautiful. Um. What do you call your flag? FLA?

844
00:51:04,680 --> 00:51:07,439
Speaker 1: We call it a union jack. What's that mean? Well,

845
00:51:07,640 --> 00:51:11,400
Speaker 1: it's the union of all the If I take my

846
00:51:11,440 --> 00:51:15,880
Speaker 1: shoes off, as you can see my feet, Um, all right,

847
00:51:16,160 --> 00:51:19,839
Speaker 1: please take make yourself comfortable. Captain number toes she's got

848
00:51:19,920 --> 00:51:22,040
Speaker 1: on her left foot. Oh my goodness, that is more

849
00:51:22,120 --> 00:51:26,480
Speaker 1: than most. That is seven eight. Oh oh, there's a

850
00:51:26,480 --> 00:51:29,719
Speaker 1: little tiny when I didn't see it first. English Man,

851
00:51:29,800 --> 00:51:32,640
Speaker 1: you won't go to the multiplex with us tonight. It's

852
00:51:32,719 --> 00:51:37,160
Speaker 1: too hot as primarily it's a Michael Mayn bill. You

853
00:51:37,280 --> 00:51:40,720
Speaker 1: got tons of pyro tectonics. Yeah, that's where the earthquakes

854
00:51:40,880 --> 00:51:45,120
Speaker 1: and far like a Volkana. Now, now, Gainesville is not

855
00:51:45,200 --> 00:51:48,040
Speaker 1: far from Orlando, right one? And one that that wonder

856
00:51:48,080 --> 00:51:50,799
Speaker 1: part that's that's down near Orlando. That is one thing

857
00:51:50,840 --> 00:51:55,000
Speaker 1: I like you'd like to see wonderful. I would like

858
00:51:55,080 --> 00:51:58,360
Speaker 1: to see why well, I'd like to see all the prides.

859
00:51:58,360 --> 00:52:00,239
Speaker 1: And there's a there's a particular clown now that I

860
00:52:00,320 --> 00:52:03,280
Speaker 1: like as a sorcerer. I've had contending to a frog.

861
00:52:05,120 --> 00:52:08,680
Speaker 1: You've been waiting for this really coaster along. Yeah, I've

862
00:52:08,719 --> 00:52:10,759
Speaker 1: been waiting for the this roller coast for a very

863
00:52:10,840 --> 00:52:13,879
Speaker 1: long time. I've been standing in this line for nearly

864
00:52:13,960 --> 00:52:16,360
Speaker 1: eight hours. I count to the United States, but not

865
00:52:16,480 --> 00:52:19,520
Speaker 1: for this. Well, you know it's it's worth it here

866
00:52:19,560 --> 00:52:20,759
Speaker 1: when you get to the front of the line, like,

867
00:52:20,960 --> 00:52:25,560
Speaker 1: it's pretty great right at the front of the line. Pass. Look,

868
00:52:25,800 --> 00:52:27,680
Speaker 1: you don't need to play the school. I know that

869
00:52:27,760 --> 00:52:33,400
Speaker 1: you recognize me. I didn't want to say anything, but

870
00:52:35,120 --> 00:52:37,480
Speaker 1: I could. I could tell upon immediately seeing it. Sorry,

871
00:52:37,520 --> 00:52:40,360
Speaker 1: excuse me, Mr Man Popcorn, Thank you. I love popcorn

872
00:52:40,400 --> 00:52:45,040
Speaker 1: in this timeline. And that is our show for today.

873
00:52:45,960 --> 00:52:48,920
Speaker 1: Oh baby boy, take me home and make me stink.

874
00:52:49,920 --> 00:52:52,759
Speaker 1: Thanks to today. All of our alcumis starting with James

875
00:52:52,800 --> 00:52:55,759
Speaker 1: c Need. James, thanks for having me check out the

876
00:52:55,800 --> 00:52:59,520
Speaker 1: real James he Need dot com. Alright, fine, Greigski, thank

877
00:52:59,520 --> 00:53:03,319
Speaker 1: you so much. Been here my pleasure. Drunk History three

878
00:53:03,360 --> 00:53:07,759
Speaker 1: Emmy nominations. Probably you're probably associated with the show of

879
00:53:07,840 --> 00:53:13,840
Speaker 1: everybody at this table who got the most. Congratulations to

880
00:53:13,920 --> 00:53:17,080
Speaker 1: you as well, Mark Aglee aready, Yes, sir, thanks for

881
00:53:17,120 --> 00:53:19,480
Speaker 1: having me. Blood and Treasure Tuesdays at ten on CBS.

882
00:53:19,640 --> 00:53:23,640
Speaker 1: So damn excited for season two. Congratulations again on that. Uh,

883
00:53:23,920 --> 00:53:27,399
Speaker 1: Joseph of Greer, we got Bear Supply, second and fourth

884
00:53:27,440 --> 00:53:30,040
Speaker 1: Wednesday's nine o'clock a West Side Comedy. That's correct. We

885
00:53:30,120 --> 00:53:34,440
Speaker 1: also got uh this is going live shows, uh like

886
00:53:34,600 --> 00:53:36,319
Speaker 1: one Sunday a month, the first Sunday of every month.

887
00:53:36,360 --> 00:53:39,080
Speaker 1: And Alchemy. This will be live on stage of the

888
00:53:39,120 --> 00:53:40,920
Speaker 1: West Side Comedy with you the first Sunday of every

889
00:53:40,960 --> 00:53:45,640
Speaker 1: month at nine pm. Back we're talking Emmy's all right.

890
00:53:45,760 --> 00:53:47,279
Speaker 1: I was. I was on a show called Dream Corps

891
00:53:47,360 --> 00:53:51,640
Speaker 1: LLC swim show. They're nominated. Vote for them, alright. They

892
00:53:51,760 --> 00:53:56,080
Speaker 1: nominated for the animation I believe, Oh sweet, and you

893
00:53:56,200 --> 00:53:58,960
Speaker 1: did what now? I was just I was improvising in

894
00:53:59,000 --> 00:54:02,440
Speaker 1: the dark behind every for the robot. What did you

895
00:54:02,480 --> 00:54:04,960
Speaker 1: get a little sampling what the robot sounded like? Honestly,

896
00:54:05,000 --> 00:54:06,520
Speaker 1: just like this. I didn't try to do any voice,

897
00:54:08,800 --> 00:54:12,840
Speaker 1: no wonder, no wonder. They got nominated. Thank our engineer

898
00:54:12,880 --> 00:54:16,279
Speaker 1: at the Stars Richard doc Band and our post sound

899
00:54:16,320 --> 00:54:20,800
Speaker 1: design artist Rafael Brito and of course obviously producer and

900
00:54:20,880 --> 00:54:23,920
Speaker 1: so very talented. So if you're like me, and lastly,

901
00:54:24,120 --> 00:54:29,560
Speaker 1: of course I heard media, I encourage Bology to write

902
00:54:29,560 --> 00:54:31,600
Speaker 1: a review. Please please, please tell everyone you've ever met

903
00:54:31,920 --> 00:54:34,120
Speaker 1: and right to us at your name here at alcovey

904
00:54:34,160 --> 00:54:35,960
Speaker 1: this dot com that it's your name here at alcovey

905
00:54:36,000 --> 00:54:39,160
Speaker 1: this dot com. I'm your host, Kevin Pollock. Until next time,