WEBVTT - Beast on the Ballast: A Tale of El Sisimite

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<v Speaker 1>Greens and Ben Benniel's fellows Sears of the Dark.

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<v Speaker 2>I'm your host, Dallyreo. Welcome to Noctorno. Tales from the shadows.

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<v Speaker 1>By the enchanted flame of this fire, we transcend time

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<v Speaker 1>and space to step into the chilling Lord and legends

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<v Speaker 1>of Latin America. Stories passed down through the years and

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<v Speaker 1>retold with a twists, but be worn for as we

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<v Speaker 1>cross over the other side, you may never know what

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<v Speaker 1>nightmarerow waits.

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<v Speaker 2>I do hope you're prepared quickly. Now we have a

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<v Speaker 2>schedule to keep.

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<v Speaker 1>A train station operating near the Mexico Guatemala Morta out

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<v Speaker 1>In this untamed region, a new railway becomes mans Lady's attempt.

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<v Speaker 2>To overcome the wilderness.

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<v Speaker 1>On other stretchs of land, that might be a simple task,

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<v Speaker 1>but legend has it.

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<v Speaker 2>Within these woods resides.

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<v Speaker 1>A guardian as Sisimite, an ancient ferocious beast standing nine

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<v Speaker 1>feet doll Some believe it to be a harbinger of death,

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<v Speaker 1>others a protector of life. But the lines between good

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<v Speaker 1>and bad are often colored by perception, and even the

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<v Speaker 1>most well intentioned dean can sometimes blow up in your face,

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<v Speaker 1>as the conductor and engineer may soon come DeFi quite

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<v Speaker 1>all the time, join us and climb aboard, but don't

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<v Speaker 1>get too comfortable.

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<v Speaker 2>And based on the ballas a tale of LCC.

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<v Speaker 3>So basically, what they're doing now is replacing the old

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<v Speaker 3>rate line which hasn't been using like forever.

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<v Speaker 4>Oh my god. Right, and we keep hearing a lot

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<v Speaker 4>about progress and projections, but what about the indigenous families

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<v Speaker 4>being displaced, not to mention all the environmental damage.

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<v Speaker 5>And that's just with normal data day operation exactly. But

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<v Speaker 5>what if this train explodes, which does happen? Do you

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<v Speaker 5>know how much compustible cargo they can carry, even trainy

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<v Speaker 5>train cars with equified GUS detonate, it would be the

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<v Speaker 5>same energy of the Hiroshima bomb.

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<v Speaker 3>Oh my god, I don't understand how that is.

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<v Speaker 2>It's ridiculous.

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<v Speaker 4>People in the rail industry literally call them bomb trains.

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<v Speaker 4>So yeah, of course there are going to be protests,

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<v Speaker 4>and and then there's the recent disappearances.

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<v Speaker 3>Oh, don't even get me started. I'll just say this,

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<v Speaker 3>believe what you want. Well, there's a reason this israel

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<v Speaker 3>and hasn't been used for a hundred years.

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<v Speaker 6>Exactly.

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<v Speaker 7>Are you.

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<v Speaker 2>Give me?

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<v Speaker 8>This is starting to feel dangerous?

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<v Speaker 9>Morning Margaret, does this sound bad to you?

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<v Speaker 2>Doesn't sound good if you're an engineer.

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<v Speaker 8>Fix it.

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<v Speaker 7>Coffee falls under the conductor's purview, Jacob.

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<v Speaker 8>I think this thing needs a priest. They needs a sign.

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<v Speaker 8>Shouldn't have coffee, should go back to sleep.

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<v Speaker 10>Yeah, there's a thought.

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<v Speaker 8>Morning forenam morning. It's ten at night. That explains why

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<v Speaker 8>I'm so tired. How was your shift? I would worry

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<v Speaker 8>more about your own shift, especially tonight. This again, Well,

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<v Speaker 8>you are riding the ghost track, Cannel. No one calls

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<v Speaker 8>it that.

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<v Speaker 5>Anymore.

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<v Speaker 8>Have you heard about all the stories that.

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<v Speaker 9>Yes, yes, yes, we all know the stories.

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<v Speaker 8>No, no, no, But recently I've been hearing a bunch

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<v Speaker 8>of new ones about people going missing along the railways.

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<v Speaker 9>What do you mean.

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<v Speaker 8>Some workers and protesters just up and disappeared. But one guy,

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<v Speaker 8>a breakman I think, was found torn to pieces. Okay,

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<v Speaker 8>I did hear about that, But wasn't it in some

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<v Speaker 8>remote area? And where do you think the ghost track runs? Huh?

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<v Speaker 8>And it'll be the first time in what one hundred years?

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<v Speaker 7>Fat it's all new tracks that they.

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<v Speaker 8>Relapse, new track, but same old fantasmas, same aspantos. But

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<v Speaker 8>the one you really have to worry about. Is the Guardian.

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<v Speaker 10>The Guardian I'll be looking for is just all you

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<v Speaker 10>talk about front of that ghost stories?

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<v Speaker 8>Just given my pass downs, Hammon.

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<v Speaker 9>I'm not sure what it is about this part of

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<v Speaker 9>the world.

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<v Speaker 11>Listen, these are just rumors being spread around by proton

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<v Speaker 11>protesters mind you that may try to interfere with our runs.

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<v Speaker 11>And I bet some of them aren't even really mission,

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<v Speaker 11>just some tactics to scare the people foolish enough to

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<v Speaker 11>believe them.

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<v Speaker 8>Whatever you say, And how.

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<v Speaker 9>Are you two doing? Ready for the night?

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<v Speaker 12>I am feels like a covert mission.

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<v Speaker 7>Yeah, hey, why are we making this run that night?

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<v Speaker 7>I get moving up the schedule, But.

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<v Speaker 9>Just the precaution.

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<v Speaker 11>The hope is we can avoid anyont wanted interactions this way.

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<v Speaker 11>We don't want anything to happen to our brand new

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<v Speaker 11>train now, will be.

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<v Speaker 9>Damn man, Dad about that?

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<v Speaker 8>I've been meaning to ask you.

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<v Speaker 9>Would you say that the company spared no expense, No

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<v Speaker 9>more Jurassic Park references?

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<v Speaker 2>Please?

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<v Speaker 9>This is in the movie. This is real life.

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<v Speaker 2>Come on, it's good luck. Say it.

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<v Speaker 12>Say it?

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<v Speaker 8>No you Margaret, you heard them? Real life finds a way.

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<v Speaker 2>Nice God.

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<v Speaker 8>See, this is why no one likes to work with

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<v Speaker 8>you too. Can you please move on to another movie?

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<v Speaker 5>Never ever?

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<v Speaker 9>All right, getting back on track here.

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<v Speaker 11>There have also been reports of up ticking stowaways, so

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<v Speaker 11>keep an eye out for that as well.

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<v Speaker 13>Is that related to the protests?

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<v Speaker 9>Not sure, but it would have surprised me.

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<v Speaker 8>Sure, worry about some malnourished migrants instead of the monstrosities

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<v Speaker 8>and demonios that inhabit the forest, especially at night. Who

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<v Speaker 8>could have saw that coming?

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<v Speaker 7>Okay, but why do you even ask for advice if

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<v Speaker 7>you're not going to listen?

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<v Speaker 8>I listen.

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<v Speaker 6>Not according to your wife.

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<v Speaker 2>I did what she said.

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<v Speaker 8>I listened to the Bean Chip podcast.

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<v Speaker 12>I get it.

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<v Speaker 8>Okay, the protesters don't want the train train bad protest?

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<v Speaker 12>Good?

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<v Speaker 2>Wow?

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<v Speaker 7>How are you this tense?

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<v Speaker 14>Listen?

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<v Speaker 2>Why are the protests happen?

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<v Speaker 8>Why you can serve it? You know people are getting displaced?

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<v Speaker 5>Yeah? Okay?

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<v Speaker 3>Why else?

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<v Speaker 15>I don't know?

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<v Speaker 8>The environment?

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<v Speaker 7>Maybe it's because some trains like the one we're on

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<v Speaker 7>right now are bomb trains.

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<v Speaker 8>So bad for the environment, No bad for you, y'all.

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<v Speaker 8>Go ook at y'all.

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<v Speaker 7>I'm not gonna I'm gonna throw you overboard. You know

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<v Speaker 7>what happens to you? To us if this train explodes.

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<v Speaker 12>Well, well, well, oh oh wait, so she's upset that

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<v Speaker 12>I could wait explode him.

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<v Speaker 7>Poor woman, I'll say a prayer for her.

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<v Speaker 6>Uh that time already, huh yeah, let's do this.

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<v Speaker 2>Whoa, what the hell?

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<v Speaker 15>What what happened?

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<v Speaker 8>So something just started across the track?

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<v Speaker 15>Mhm but a deer maybe?

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<v Speaker 16>Wait?

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<v Speaker 7>What what's with a scared look? Oh no, no, no, no,

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<v Speaker 7>don't tell me. You let Ferdinand get in your head?

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<v Speaker 9>What?

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<v Speaker 8>No, I just it was a big deer.

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<v Speaker 13>You did, you totally did?

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<v Speaker 8>And someone at this place gives me the creeps. That's

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<v Speaker 8>a normal response to the unknown unknown.

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<v Speaker 13>This isn't bad.

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<v Speaker 7>Yeah, here's a checklist. Let's go.

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<v Speaker 9>Come on, Margaret. Okay, but back to what I was saying.

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<v Speaker 8>We talked about the whole bomb train thing a few times.

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<v Speaker 9>But yeah, I mean I thought i' in my case.

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<v Speaker 7>Yeah, well, making your case doesn't mean her feelings change.

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<v Speaker 2>Because why doesn't she just say that, Wow? She probably did? Well,

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<v Speaker 2>how would I know?

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<v Speaker 8>I don't listen?

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<v Speaker 7>You really are hopeless?

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<v Speaker 8>I mean a you know, I mean, I'm gonna this

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<v Speaker 8>fuse is flashing.

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<v Speaker 9>I need to replace a host.

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<v Speaker 7>Well, so much for brand new.

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<v Speaker 8>Okay, sure, the job can be dangerous, but that's just

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<v Speaker 8>the nature of what we do.

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<v Speaker 2>It's the cost of progress.

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<v Speaker 16>And I'm sorry, but human progress and job creation are

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<v Speaker 16>more important than a few trees.

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<v Speaker 7>Gee, the lack of humility for nature that's being displayed here.

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<v Speaker 2>Staggers me, I did it.

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<v Speaker 5>Okay, okay, on points for that quote, But on, Margaret,

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<v Speaker 5>how can.

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<v Speaker 7>You be so misinformed?

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<v Speaker 13>All right, coming on.

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<v Speaker 7>Progress is not being made here, and more jobs are

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<v Speaker 7>being automated than ever. All we're really doing is lining

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<v Speaker 7>the pockets have already rich assholes, and all at the

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<v Speaker 7>expense of indigenous locals and nature. Now, it's why, why

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<v Speaker 7>what I'm thinking about hanging it up?

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<v Speaker 5>What?

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<v Speaker 8>Yeah, oh mam, miss, you're not You're not serious?

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<v Speaker 9>Right in city?

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<v Speaker 13>I am.

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<v Speaker 7>This work and this work schedule is why Manny left.

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<v Speaker 7>Now the kids are off to college or in the

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<v Speaker 7>United States, and them too. They've really been on me

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<v Speaker 7>about the protests.

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<v Speaker 9>So I'm not in Margaret, let my gingus.

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<v Speaker 8>I'm gonna have solo.

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<v Speaker 7>Come on, all right, let's go, come on, let's get

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<v Speaker 7>back to the cab.

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<v Speaker 17>Yeah.

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<v Speaker 2>I don't know, maybe.

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<v Speaker 7>Maybe we're on the wrong side of the good lie.

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<v Speaker 5>We are not at the whim of nature anymore, Margaret,

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<v Speaker 5>for better or for worse, we have conquered it.

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<v Speaker 2>That's what this railway is.

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<v Speaker 8>Human progress.

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<v Speaker 2>Man is the APAs.

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<v Speaker 8>Man is above.

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<v Speaker 7>Nature now until nature retaliates and woman inherits the earth.

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<v Speaker 8>How dare you use doctor Sadler against me?

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<v Speaker 3>You had it coming? Is that?

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<v Speaker 7>Huh?

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<v Speaker 15>Oh?

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<v Speaker 8>Ship?

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<v Speaker 14>There's a tree down on the track.

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<v Speaker 8>Okay, what do we do?

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<v Speaker 12>Run through it?

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<v Speaker 10>Part of balm tree?

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<v Speaker 14>Don't you understand?

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<v Speaker 18>Get Freddy get erchanse stop.

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<v Speaker 7>Hold on your butts.

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<v Speaker 2>Oh what the hell?

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<v Speaker 8>You see that? Someone standing out on the track?

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<v Speaker 7>Who made it?

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<v Speaker 6>Hey?

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<v Speaker 18>What did you say before?

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<v Speaker 8>Chris warned I saw someone standing over that tree?

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<v Speaker 3>What?

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<v Speaker 7>There is literally nothing for miles who could survive?

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<v Speaker 2>Way out here?

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<v Speaker 8>Control? Come in control?

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<v Speaker 9>Control?

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<v Speaker 8>Do you copy?

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<v Speaker 6>Oh?

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<v Speaker 2>Boy, see we're too far out.

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<v Speaker 8>You got an alert out in the eunix panel.

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<v Speaker 2>Obviously what is it?

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<v Speaker 8>Might be a hos er, a knuckle, I'll check. Tell

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<v Speaker 8>me to put the boots on the ballast.

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<v Speaker 10>Okay, wait, wait, wait, wait, wait, Maybe take your pepper

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<v Speaker 10>spray just.

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<v Speaker 15>In case.

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<v Speaker 8>Bird man's and who's head now? Yeah?

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<v Speaker 18>Or don't take it and mauled by a rabid deer.

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<v Speaker 2>I don't care.

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<v Speaker 12>I'm taking the walkie okay, good Ye.

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<v Speaker 7>It's black out here, so I can see that.

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<v Speaker 2>Don't you mean you can't see it? And so.

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<v Speaker 7>Looks like it's going to be about ten cars back?

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<v Speaker 8>Copy? Hey, I think I see something?

0:14:32.480 --> 0:14:33.360
<v Speaker 7>You found the problem?

0:14:33.960 --> 0:14:34.000
<v Speaker 1>No?

0:14:34.760 --> 0:14:35.560
<v Speaker 2>I see movement?

0:14:37.640 --> 0:14:38.520
<v Speaker 15>Wait wait wait wait.

0:14:38.360 --> 0:14:39.680
<v Speaker 5>What do you see?

0:14:40.080 --> 0:14:40.960
<v Speaker 8>I'm gonna check it out?

0:14:42.160 --> 0:14:43.280
<v Speaker 13>What is he doing?

0:14:47.120 --> 0:14:47.480
<v Speaker 3>Jacob?

0:14:48.600 --> 0:14:51.200
<v Speaker 2>Jacob? Come in? I heard a scream?

0:14:51.240 --> 0:14:51.840
<v Speaker 10>Are you okay?

0:14:52.520 --> 0:14:53.000
<v Speaker 14>Respond?

0:14:54.120 --> 0:14:55.640
<v Speaker 2>Why aren't you answering?

0:14:59.200 --> 0:14:59.480
<v Speaker 8>Okay?

0:14:59.640 --> 0:15:01.160
<v Speaker 18>Engine, you're to conductor.

0:15:01.680 --> 0:15:03.320
<v Speaker 8>I'm here, I'm here.

0:15:03.360 --> 0:15:08.720
<v Speaker 16>We have a thoway going on a copy?

0:15:09.200 --> 0:15:09.480
<v Speaker 1>Okay?

0:15:09.480 --> 0:15:10.080
<v Speaker 5>So what was that?

0:15:10.120 --> 0:15:10.480
<v Speaker 15>Screen?

0:15:10.960 --> 0:15:15.080
<v Speaker 8>I remember sprayed them and I got myself too.

0:15:17.720 --> 0:15:19.840
<v Speaker 9>Sorry? Sorry too?

0:15:20.280 --> 0:15:21.320
<v Speaker 12>Was okay?

0:15:22.320 --> 0:15:23.480
<v Speaker 10>But are you good?

0:15:23.880 --> 0:15:25.040
<v Speaker 13>Okay?

0:15:25.120 --> 0:15:26.240
<v Speaker 8>Yeah, yeah, they're complying.

0:15:27.000 --> 0:15:27.840
<v Speaker 13>Thank goodness for that?

0:15:28.360 --> 0:15:28.680
<v Speaker 6>All right?

0:15:28.760 --> 0:15:35.800
<v Speaker 10>Well jesus, okay that that wasn't a deer, Jacob. I

0:15:36.080 --> 0:15:39.280
<v Speaker 10>think I just saw maybe a bear or something big

0:15:39.440 --> 0:15:41.600
<v Speaker 10>running towards you. Copy?

0:15:41.640 --> 0:15:43.160
<v Speaker 2>What what what you saw?

0:15:44.400 --> 0:15:46.840
<v Speaker 10>There was a large animal. You need to get inside

0:15:46.840 --> 0:15:48.840
<v Speaker 10>one of the cars or somewhere high.

0:15:48.880 --> 0:15:51.240
<v Speaker 8>I can't see anything, like my eyes are on fire.

0:15:51.480 --> 0:15:55.320
<v Speaker 10>Doesn't get inside a car, do you hear me.

0:15:56.120 --> 0:15:56.480
<v Speaker 5>Jake up.

0:15:56.560 --> 0:16:01.640
<v Speaker 10>Response Jacob respond engineer to conductor.

0:16:07.200 --> 0:16:19.160
<v Speaker 13>Come on, Jacob, Okay, okay, fuck me. Better not be

0:16:19.240 --> 0:16:29.960
<v Speaker 13>a bear. M god, diner, it's dark. Okay, bear, stay

0:16:30.600 --> 0:16:39.640
<v Speaker 13>on the other side. Don't come over here. Hey, I'm

0:16:40.240 --> 0:16:43.320
<v Speaker 13>I'm coming to you. Do you copy?

0:16:44.480 --> 0:16:44.800
<v Speaker 14>God?

0:16:45.080 --> 0:16:45.440
<v Speaker 12>Jacob?

0:16:46.040 --> 0:16:50.760
<v Speaker 13>She's something Okay, chit.

0:16:50.200 --> 0:16:54.840
<v Speaker 18>Hook okay eight nine, Okay, here we go.

0:16:58.000 --> 0:17:08.360
<v Speaker 16>Jesus, there is something out there.

0:17:08.880 --> 0:17:11.720
<v Speaker 18>Yeah, that's what I came to tell you.

0:17:12.400 --> 0:17:13.320
<v Speaker 7>I think it might be a bear.

0:17:13.840 --> 0:17:18.199
<v Speaker 18>There are no bears in this region, so you're the story.

0:17:18.200 --> 0:17:19.280
<v Speaker 15>Hey, what you're doing.

0:17:20.000 --> 0:17:21.080
<v Speaker 18>It's pretty dangerous.

0:17:21.119 --> 0:17:21.439
<v Speaker 12>You know that.

0:17:21.960 --> 0:17:22.840
<v Speaker 3>So is your train.

0:17:22.920 --> 0:17:27.200
<v Speaker 15>But right now, I think all the danger is out there.

0:17:27.880 --> 0:17:38.960
<v Speaker 15>What oh god, it's like, oh my god, Oh my god.

0:17:38.960 --> 0:17:39.400
<v Speaker 2>It's here.

0:17:39.600 --> 0:17:40.080
<v Speaker 15>It's here.

0:17:43.080 --> 0:17:44.080
<v Speaker 2>What are you talking about?

0:17:47.000 --> 0:17:48.080
<v Speaker 15>It has many names?

0:17:48.560 --> 0:17:49.840
<v Speaker 13>What does he.

0:17:51.520 --> 0:17:51.600
<v Speaker 12>What?

0:17:53.240 --> 0:17:54.719
<v Speaker 13>No no, no no no no no no no no no

0:17:54.720 --> 0:17:54.959
<v Speaker 13>no no.

0:17:55.359 --> 0:17:58.320
<v Speaker 15>He's a guard kid and died. We protect this place

0:17:58.359 --> 0:18:01.840
<v Speaker 15>from intruders without mercy.

0:18:01.920 --> 0:18:03.640
<v Speaker 2>What a guardian?

0:18:03.920 --> 0:18:06.280
<v Speaker 7>Why does that sound?

0:18:06.680 --> 0:18:06.880
<v Speaker 15>Ah?

0:18:08.600 --> 0:18:08.800
<v Speaker 4>Right?

0:18:08.880 --> 0:18:13.240
<v Speaker 16>Look, look, uh contact contact.

0:18:13.720 --> 0:18:18.960
<v Speaker 5>I know this area has a reputation, but they're just rumors, okay, folks,

0:18:19.040 --> 0:18:24.320
<v Speaker 5>stories five thousands Okay.

0:18:23.400 --> 0:18:27.520
<v Speaker 15>No, no, no, no, no, no, no, no no. Does that

0:18:27.560 --> 0:18:31.720
<v Speaker 15>sound like a rumor to you? Why did you have

0:18:31.760 --> 0:18:33.600
<v Speaker 15>to use this truck? We thought you were still choosing

0:18:33.680 --> 0:18:34.720
<v Speaker 15>the temporary route.

0:18:35.200 --> 0:18:39.640
<v Speaker 10>So you're one of the protesters.

0:18:41.200 --> 0:18:44.160
<v Speaker 15>Fuck gorilla? No no, no, you see it, you see

0:18:44.200 --> 0:18:45.080
<v Speaker 15>we get here.

0:18:46.400 --> 0:18:47.240
<v Speaker 2>This is insane.

0:18:48.359 --> 0:18:50.880
<v Speaker 16>I don't know. I don't know what that was, but

0:18:50.880 --> 0:18:53.399
<v Speaker 16>but I don't think it can get in here. I

0:18:53.400 --> 0:18:57.200
<v Speaker 16>think we're okay unless it unless it figures.

0:18:56.840 --> 0:18:58.160
<v Speaker 2>Out out of open doors.

0:18:58.560 --> 0:18:59.320
<v Speaker 5>Take a feeling.

0:19:00.880 --> 0:19:06.199
<v Speaker 11>Hey, sorry, sorry, maybe it's gone.

0:19:06.320 --> 0:19:07.800
<v Speaker 13>It's too dark to see anything.

0:19:08.600 --> 0:19:11.040
<v Speaker 15>We can't stay here, but where were we gonna do?

0:19:12.160 --> 0:19:12.400
<v Speaker 1>Hey?

0:19:12.440 --> 0:19:16.120
<v Speaker 18>Hey, maybe just stay away from the door and the windows.

0:19:16.880 --> 0:19:18.320
<v Speaker 15>I can't believe this happened.

0:19:20.600 --> 0:19:24.200
<v Speaker 9>Yeah, ma'am, Hey, I said sat again. It's gonna be okay.

0:19:24.560 --> 0:19:25.800
<v Speaker 9>We just stay calm, all.

0:19:25.720 --> 0:19:26.840
<v Speaker 2>Right, I'm not there.

0:19:27.280 --> 0:19:28.240
<v Speaker 9>Just take a deep breath.

0:19:35.240 --> 0:19:36.760
<v Speaker 2>There you go. You know that's a.

0:19:38.760 --> 0:19:39.680
<v Speaker 15>That's actually helping.

0:19:40.840 --> 0:19:41.560
<v Speaker 2>Now we just need to.

0:19:41.520 --> 0:19:42.800
<v Speaker 8>Figure out how we're going.

0:19:47.880 --> 0:20:06.840
<v Speaker 6>Don't no, no, no, no, no, oh no way?

0:20:08.480 --> 0:20:08.920
<v Speaker 9>What I keep?

0:20:08.920 --> 0:20:09.320
<v Speaker 2>What I keep?

0:20:09.400 --> 0:20:09.719
<v Speaker 8>Next car?

0:20:09.880 --> 0:20:10.280
<v Speaker 2>Next walk?

0:20:10.280 --> 0:20:10.480
<v Speaker 1>Come on?

0:20:11.560 --> 0:20:13.800
<v Speaker 12>How can you?

0:20:15.640 --> 0:20:18.239
<v Speaker 8>What the fuck? What the actual fuck was that?

0:20:18.880 --> 0:20:19.320
<v Speaker 13>I don't know what.

0:20:21.160 --> 0:20:27.480
<v Speaker 18>Balter h balter out like it was nothing. We can't

0:20:27.520 --> 0:20:28.120
<v Speaker 18>stay in this car.

0:20:28.520 --> 0:20:31.199
<v Speaker 9>Okay, where did we go?

0:20:31.920 --> 0:20:33.879
<v Speaker 2>I think the cab? The cab.

0:20:34.320 --> 0:20:35.679
<v Speaker 8>Do you think that'll be safe.

0:20:36.080 --> 0:20:39.520
<v Speaker 18>It's not safer than here. Okay, we'll run the train

0:20:39.600 --> 0:20:42.240
<v Speaker 18>and rivers. Maybe we pick up enough speed to get away.

0:20:42.320 --> 0:20:45.800
<v Speaker 8>What fucking reality is this? I can't believe Ferdinand was

0:20:45.960 --> 0:20:46.600
<v Speaker 8>fucking right?

0:20:46.800 --> 0:20:48.399
<v Speaker 13>Whoa mock?

0:20:48.480 --> 0:20:48.520
<v Speaker 6>Go?

0:20:48.640 --> 0:20:56.480
<v Speaker 2>Fuck o? Fucking chug it?

0:20:57.440 --> 0:21:06.400
<v Speaker 16>Okay, okay, okay, look you ready?

0:21:15.720 --> 0:21:16.960
<v Speaker 8>Come on?

0:21:16.680 --> 0:21:19.480
<v Speaker 6>Come on, I have you damn it.

0:21:27.760 --> 0:21:28.520
<v Speaker 2>I didn't get it.

0:21:28.560 --> 0:21:33.840
<v Speaker 5>Come on, hurry, look.

0:21:33.720 --> 0:21:36.919
<v Speaker 3>It, look it.

0:21:38.720 --> 0:21:41.040
<v Speaker 10>Okay, look dance.

0:21:40.960 --> 0:21:42.200
<v Speaker 15>System, stick rubber.

0:21:42.600 --> 0:21:44.280
<v Speaker 7>Okay, try the radio.

0:21:45.400 --> 0:21:50.680
<v Speaker 8>Control, come in control, Fox, come up and help me.

0:21:50.840 --> 0:21:55.000
<v Speaker 3>Come keep trying once again.

0:21:55.040 --> 0:21:55.240
<v Speaker 13>Movie.

0:21:55.520 --> 0:21:56.320
<v Speaker 14>We might have a sickle.

0:21:57.160 --> 0:22:05.720
<v Speaker 5>Okay, okay, I don't move.

0:22:15.240 --> 0:22:21.440
<v Speaker 8>Come on, did you see the size of that thing?

0:22:22.560 --> 0:22:23.560
<v Speaker 14>I didn't get a good look at it.

0:22:23.760 --> 0:22:25.040
<v Speaker 9>I don't think you can sit down here.

0:22:25.160 --> 0:22:26.440
<v Speaker 14>Oh god, I hope it's true.

0:22:34.040 --> 0:22:34.879
<v Speaker 2>Can you hear anything?

0:22:35.400 --> 0:22:35.440
<v Speaker 7>No?

0:22:36.119 --> 0:22:43.480
<v Speaker 2>But I think I can smell something.

0:22:43.960 --> 0:22:46.320
<v Speaker 5>Oh come on, is that smoke?

0:22:46.480 --> 0:22:47.439
<v Speaker 13>Oh my god?

0:22:48.080 --> 0:22:50.680
<v Speaker 18>If there is a fire on this train, I don't

0:22:50.720 --> 0:22:51.280
<v Speaker 18>know what's worse.

0:22:51.960 --> 0:22:52.440
<v Speaker 13>What if we do?

0:22:53.840 --> 0:22:56.800
<v Speaker 18>It's been long enough, the train should be ready to roll. Okay,

0:22:57.080 --> 0:22:58.919
<v Speaker 18>if we can get moving and get away from that thing,

0:22:58.960 --> 0:23:00.320
<v Speaker 18>we can figure out the fire at start.

0:23:01.200 --> 0:23:02.000
<v Speaker 9>You think it's gone.

0:23:03.920 --> 0:23:07.600
<v Speaker 7>I don't know, but I don't hear anything.

0:23:09.480 --> 0:23:11.680
<v Speaker 9>Okay, look.

0:23:20.040 --> 0:23:20.520
<v Speaker 2>It stuck.

0:23:21.400 --> 0:23:36.240
<v Speaker 14>Help me, okay, just a just a little more. No,

0:23:37.400 --> 0:23:55.760
<v Speaker 14>it's a fire, but it's definitely a fire. What's not

0:23:55.960 --> 0:23:57.640
<v Speaker 14>down yet?

0:23:58.359 --> 0:23:58.600
<v Speaker 13>Down?

0:24:04.760 --> 0:24:05.920
<v Speaker 2>I can't believe that.

0:24:11.080 --> 0:24:14.800
<v Speaker 16>I want to apologize for all the times I didn't listen.

0:24:16.600 --> 0:24:19.800
<v Speaker 7>Yeah, I'm not sure we have that kind of time.

0:24:19.920 --> 0:24:20.240
<v Speaker 13>Jacob.

0:24:20.880 --> 0:24:22.320
<v Speaker 8>You know you're the best engineer.

0:24:23.600 --> 0:24:26.040
<v Speaker 5>I never thank you ever.

0:24:28.400 --> 0:24:28.879
<v Speaker 12>Done for me.

0:24:29.359 --> 0:24:38.800
<v Speaker 14>Oh, I never thought of this job.

0:24:38.880 --> 0:24:39.600
<v Speaker 12>It's fun.

0:24:42.720 --> 0:24:46.879
<v Speaker 3>Or enjoya believing that, then I get.

0:24:46.840 --> 0:24:47.879
<v Speaker 6>Stuck with you.

0:24:53.280 --> 0:24:54.280
<v Speaker 3>The last few years.

0:24:57.800 --> 0:25:03.800
<v Speaker 13>Yeah, that's it's pretty good run, Jacob.

0:25:05.040 --> 0:25:07.240
<v Speaker 8>Thank you the best of my career.

0:25:10.000 --> 0:25:11.120
<v Speaker 2>I get something right?

0:25:24.000 --> 0:25:34.160
<v Speaker 13>God, you know what Jacob definitely got down.

0:25:37.400 --> 0:25:42.080
<v Speaker 7>Him made my decision.

0:25:47.480 --> 0:25:52.600
<v Speaker 8>After a careful consideration. Margaret, Yes, so have I.

0:26:23.040 --> 0:26:27.040
<v Speaker 3>Well, the explosion devastated wildlife and started a massive fire.

0:26:27.760 --> 0:26:32.320
<v Speaker 3>I mean, this is exactly what we were talking about.

0:26:32.640 --> 0:26:35.480
<v Speaker 4>And can you believe the company is blaming protesters?

0:26:36.280 --> 0:26:36.960
<v Speaker 9>Ridiculous?

0:26:37.840 --> 0:26:40.400
<v Speaker 3>This was always going to happen one way or the other.

0:26:40.920 --> 0:26:42.880
<v Speaker 3>These bump trains are just too dangerous.

0:26:43.040 --> 0:26:45.239
<v Speaker 4>What matters most is that the train project has been

0:26:45.280 --> 0:26:46.480
<v Speaker 4>suspended indefinitely.

0:26:46.640 --> 0:26:48.480
<v Speaker 3>Obviously said that the people love their lives.

0:26:49.000 --> 0:26:53.400
<v Speaker 4>But oh, there was one survivor allegedly, she apparently sustained

0:26:53.440 --> 0:26:55.360
<v Speaker 4>some non explosion related injuries.

0:26:55.720 --> 0:26:59.600
<v Speaker 3>Yes, hopefully we'll learn more about that, right, But again,

0:27:00.800 --> 0:27:03.040
<v Speaker 3>I'm just glad that there can now be some semblance

0:27:03.080 --> 0:27:05.639
<v Speaker 3>of peace in the region, and may it.

0:27:05.760 --> 0:27:07.480
<v Speaker 4>Last another one hundred years.

0:27:23.920 --> 0:27:24.760
<v Speaker 8>She see me there?

0:27:25.320 --> 0:27:27.159
<v Speaker 2>What like us Eata?

0:27:28.359 --> 0:27:31.800
<v Speaker 1>Was it a vicious monster out for blood or simply

0:27:32.280 --> 0:27:33.800
<v Speaker 1>a noble creature.

0:27:33.800 --> 0:27:34.840
<v Speaker 2>Defending its home.

0:27:39.240 --> 0:27:42.639
<v Speaker 1>It seems no matter who you ask, one thing for

0:27:42.840 --> 0:27:46.919
<v Speaker 1>certain there was something evil in the forest that night.

0:27:57.800 --> 0:27:58.720
<v Speaker 2>Until that's time.

0:28:18.600 --> 0:28:22.760
<v Speaker 17>Nocturno Tales from the Shadows was produced by Sonoro in

0:28:22.840 --> 0:28:28.280
<v Speaker 17>partnership with I Heartsmichael Dura Podcast Network, Produced and directed

0:28:28.560 --> 0:28:33.960
<v Speaker 17>by Luis Eduardo Castillo, developed and produced by Bettina Lopez,

0:28:34.680 --> 0:28:38.160
<v Speaker 17>the executive produced by Connel Byrne and Giselle Benzies for

0:28:38.320 --> 0:28:44.360
<v Speaker 17>iHeart and Camilla Victoriano and Joshua Weinstein for Sonoro. This

0:28:44.600 --> 0:28:53.000
<v Speaker 17>episode was written by Elaija Srinana. Performances in this episode

0:28:53.080 --> 0:29:01.600
<v Speaker 17>by Danny Trejo, Annie Henk, Sebastian Villa Lobos, Henry, Alexander Kelly, Savannah,

0:29:01.680 --> 0:29:08.480
<v Speaker 17>Nicole Roys, Fernando Moje Pedro, Hollywood Rivera and Fernando Montroy.

0:29:11.040 --> 0:29:17.200
<v Speaker 17>Our production manager is Carenza Chies. Recording engineering and sound

0:29:17.240 --> 0:29:22.760
<v Speaker 17>designed by Cassandra Dinajerro and Andres Bayena. Casting a coordination

0:29:23.320 --> 0:29:29.240
<v Speaker 17>by Ansley Martinez, Alex Gonzalez, Carensa Chides and Bettina Lopez.

0:29:30.320 --> 0:29:34.320
<v Speaker 17>Voices recorded at the Invisible Studios and Out Loud Audio

0:29:34.440 --> 0:29:38.800
<v Speaker 17>in Los Angeles, The Relic Room in New York, Panoramic

0:29:38.920 --> 0:29:43.920
<v Speaker 17>Audio in Miami, Bill Carcery Productions in San Diego, Matt

0:29:44.000 --> 0:29:47.320
<v Speaker 17>Block Sound in San Juan, Puerto Rico, and Low Key

0:29:47.480 --> 0:29:55.000
<v Speaker 17>Entertainment in Lima Perul, with engineering by Charles Carroll, Stephen

0:29:55.080 --> 0:30:03.280
<v Speaker 17>George John Anderson, Lester Dangler, jkho Ato, Brett Tuban, Ethan Grafton,

0:30:03.800 --> 0:30:08.920
<v Speaker 17>Manuel Duran, Reno, Joao, Diito Cavallero, and Bill Corkery