1
00:00:08,360 --> 00:00:12,960
Speaker 1: Greens and Ben Benniel's fellows Sears of the Dark.

2
00:00:13,360 --> 00:00:19,520
Speaker 2: I'm your host, Dallyreo. Welcome to Noctorno. Tales from the shadows.

3
00:00:20,239 --> 00:00:24,160
Speaker 1: By the enchanted flame of this fire, we transcend time

4
00:00:24,680 --> 00:00:29,720
Speaker 1: and space to step into the chilling Lord and legends

5
00:00:29,720 --> 00:00:35,159
Speaker 1: of Latin America. Stories passed down through the years and

6
00:00:35,400 --> 00:00:39,559
Speaker 1: retold with a twists, but be worn for as we

7
00:00:39,680 --> 00:00:42,760
Speaker 1: cross over the other side, you may never know what

8
00:00:43,040 --> 00:00:44,000
Speaker 1: nightmarerow waits.

9
00:00:45,120 --> 00:00:51,000
Speaker 2: I do hope you're prepared quickly. Now we have a

10
00:00:51,080 --> 00:00:52,120
Speaker 2: schedule to keep.

11
00:01:06,360 --> 00:01:12,520
Speaker 1: A train station operating near the Mexico Guatemala Morta out

12
00:01:12,680 --> 00:01:18,319
Speaker 1: In this untamed region, a new railway becomes mans Lady's attempt.

13
00:01:18,000 --> 00:01:19,560
Speaker 2: To overcome the wilderness.

14
00:01:20,440 --> 00:01:24,080
Speaker 1: On other stretchs of land, that might be a simple task,

15
00:01:24,520 --> 00:01:25,600
Speaker 1: but legend has it.

16
00:01:25,760 --> 00:01:28,800
Speaker 2: Within these woods resides.

17
00:01:28,520 --> 00:01:35,480
Speaker 1: A guardian as Sisimite, an ancient ferocious beast standing nine

18
00:01:35,600 --> 00:01:40,319
Speaker 1: feet doll Some believe it to be a harbinger of death,

19
00:01:41,040 --> 00:01:45,480
Speaker 1: others a protector of life. But the lines between good

20
00:01:45,640 --> 00:01:50,200
Speaker 1: and bad are often colored by perception, and even the

21
00:01:50,240 --> 00:01:54,840
Speaker 1: most well intentioned dean can sometimes blow up in your face,

22
00:01:55,720 --> 00:02:03,720
Speaker 1: as the conductor and engineer may soon come DeFi quite

23
00:02:03,760 --> 00:02:13,760
Speaker 1: all the time, join us and climb aboard, but don't

24
00:02:13,800 --> 00:02:15,079
Speaker 1: get too comfortable.

25
00:02:15,360 --> 00:02:19,880
Speaker 2: And based on the ballas a tale of LCC.

26
00:02:32,040 --> 00:02:34,760
Speaker 3: So basically, what they're doing now is replacing the old

27
00:02:34,840 --> 00:02:37,720
Speaker 3: rate line which hasn't been using like forever.

28
00:02:37,960 --> 00:02:40,160
Speaker 4: Oh my god. Right, and we keep hearing a lot

29
00:02:40,200 --> 00:02:43,800
Speaker 4: about progress and projections, but what about the indigenous families

30
00:02:43,800 --> 00:02:47,120
Speaker 4: being displaced, not to mention all the environmental damage.

31
00:02:47,320 --> 00:02:50,520
Speaker 5: And that's just with normal data day operation exactly. But

32
00:02:50,600 --> 00:02:54,760
Speaker 5: what if this train explodes, which does happen? Do you

33
00:02:54,800 --> 00:02:58,600
Speaker 5: know how much compustible cargo they can carry, even trainy

34
00:02:58,720 --> 00:03:02,880
Speaker 5: train cars with equified GUS detonate, it would be the

35
00:03:02,960 --> 00:03:05,240
Speaker 5: same energy of the Hiroshima bomb.

36
00:03:05,360 --> 00:03:08,000
Speaker 3: Oh my god, I don't understand how that is.

37
00:03:08,280 --> 00:03:09,280
Speaker 2: It's ridiculous.

38
00:03:09,440 --> 00:03:12,440
Speaker 4: People in the rail industry literally call them bomb trains.

39
00:03:12,560 --> 00:03:14,480
Speaker 4: So yeah, of course there are going to be protests,

40
00:03:14,800 --> 00:03:18,639
Speaker 4: and and then there's the recent disappearances.

41
00:03:19,120 --> 00:03:23,080
Speaker 3: Oh, don't even get me started. I'll just say this,

42
00:03:23,919 --> 00:03:27,080
Speaker 3: believe what you want. Well, there's a reason this israel

43
00:03:27,200 --> 00:03:30,040
Speaker 3: and hasn't been used for a hundred years.

44
00:03:30,560 --> 00:03:31,040
Speaker 6: Exactly.

45
00:03:55,960 --> 00:03:56,240
Speaker 7: Are you.

46
00:03:59,320 --> 00:03:59,640
Speaker 2: Give me?

47
00:04:03,200 --> 00:04:04,680
Speaker 8: This is starting to feel dangerous?

48
00:04:05,840 --> 00:04:09,640
Speaker 9: Morning Margaret, does this sound bad to you?

49
00:04:11,040 --> 00:04:14,000
Speaker 2: Doesn't sound good if you're an engineer.

50
00:04:14,440 --> 00:04:14,880
Speaker 8: Fix it.

51
00:04:16,760 --> 00:04:21,040
Speaker 7: Coffee falls under the conductor's purview, Jacob.

52
00:04:20,800 --> 00:04:23,599
Speaker 8: I think this thing needs a priest. They needs a sign.

53
00:04:23,960 --> 00:04:27,599
Speaker 8: Shouldn't have coffee, should go back to sleep.

54
00:04:29,200 --> 00:04:30,320
Speaker 10: Yeah, there's a thought.

55
00:04:33,160 --> 00:04:38,880
Speaker 8: Morning forenam morning. It's ten at night. That explains why

56
00:04:38,880 --> 00:04:41,720
Speaker 8: I'm so tired. How was your shift? I would worry

57
00:04:41,760 --> 00:04:47,680
Speaker 8: more about your own shift, especially tonight. This again, Well,

58
00:04:47,880 --> 00:04:53,839
Speaker 8: you are riding the ghost track, Cannel. No one calls

59
00:04:53,880 --> 00:04:54,200
Speaker 8: it that.

60
00:04:55,960 --> 00:04:56,599
Speaker 5: Anymore.

61
00:04:57,680 --> 00:04:59,720
Speaker 8: Have you heard about all the stories that.

62
00:05:00,040 --> 00:05:02,920
Speaker 9: Yes, yes, yes, we all know the stories.

63
00:05:03,200 --> 00:05:05,960
Speaker 8: No, no, no, But recently I've been hearing a bunch

64
00:05:06,000 --> 00:05:09,919
Speaker 8: of new ones about people going missing along the railways.

65
00:05:10,120 --> 00:05:10,919
Speaker 9: What do you mean.

66
00:05:12,760 --> 00:05:17,920
Speaker 8: Some workers and protesters just up and disappeared. But one guy,

67
00:05:18,680 --> 00:05:21,680
Speaker 8: a breakman I think, was found torn to pieces. Okay,

68
00:05:21,760 --> 00:05:24,640
Speaker 8: I did hear about that, But wasn't it in some

69
00:05:24,760 --> 00:05:30,280
Speaker 8: remote area? And where do you think the ghost track runs? Huh?

70
00:05:30,800 --> 00:05:33,080
Speaker 8: And it'll be the first time in what one hundred years?

71
00:05:33,520 --> 00:05:35,960
Speaker 7: Fat it's all new tracks that they.

72
00:05:36,040 --> 00:05:41,159
Speaker 8: Relapse, new track, but same old fantasmas, same aspantos. But

73
00:05:41,240 --> 00:05:44,520
Speaker 8: the one you really have to worry about. Is the Guardian.

74
00:05:44,560 --> 00:05:48,279
Speaker 10: The Guardian I'll be looking for is just all you

75
00:05:48,320 --> 00:05:50,320
Speaker 10: talk about front of that ghost stories?

76
00:05:51,240 --> 00:05:53,039
Speaker 8: Just given my pass downs, Hammon.

77
00:05:53,240 --> 00:05:55,279
Speaker 9: I'm not sure what it is about this part of

78
00:05:55,279 --> 00:05:55,719
Speaker 9: the world.

79
00:05:57,000 --> 00:05:59,960
Speaker 11: Listen, these are just rumors being spread around by proton

80
00:06:00,800 --> 00:06:04,440
Speaker 11: protesters mind you that may try to interfere with our runs.

81
00:06:04,800 --> 00:06:06,680
Speaker 11: And I bet some of them aren't even really mission,

82
00:06:07,240 --> 00:06:09,400
Speaker 11: just some tactics to scare the people foolish enough to

83
00:06:09,440 --> 00:06:11,159
Speaker 11: believe them.

84
00:06:11,200 --> 00:06:13,120
Speaker 8: Whatever you say, And how.

85
00:06:13,040 --> 00:06:14,560
Speaker 9: Are you two doing? Ready for the night?

86
00:06:14,920 --> 00:06:17,880
Speaker 12: I am feels like a covert mission.

87
00:06:18,320 --> 00:06:20,800
Speaker 7: Yeah, hey, why are we making this run that night?

88
00:06:21,200 --> 00:06:22,560
Speaker 7: I get moving up the schedule, But.

89
00:06:22,680 --> 00:06:23,360
Speaker 9: Just the precaution.

90
00:06:23,880 --> 00:06:26,440
Speaker 11: The hope is we can avoid anyont wanted interactions this way.

91
00:06:26,760 --> 00:06:28,640
Speaker 11: We don't want anything to happen to our brand new

92
00:06:28,640 --> 00:06:29,720
Speaker 11: train now, will be.

93
00:06:31,240 --> 00:06:32,840
Speaker 9: Damn man, Dad about that?

94
00:06:33,160 --> 00:06:34,360
Speaker 8: I've been meaning to ask you.

95
00:06:34,400 --> 00:06:40,320
Speaker 9: Would you say that the company spared no expense, No

96
00:06:40,400 --> 00:06:42,200
Speaker 9: more Jurassic Park references?

97
00:06:42,240 --> 00:06:42,640
Speaker 2: Please?

98
00:06:43,640 --> 00:06:45,920
Speaker 9: This is in the movie. This is real life.

99
00:06:46,520 --> 00:06:49,600
Speaker 2: Come on, it's good luck. Say it.

100
00:06:50,120 --> 00:06:50,480
Speaker 12: Say it?

101
00:06:50,640 --> 00:06:56,160
Speaker 8: No you Margaret, you heard them? Real life finds a way.

102
00:06:57,960 --> 00:07:00,240
Speaker 2: Nice God.

103
00:07:01,160 --> 00:07:03,159
Speaker 8: See, this is why no one likes to work with

104
00:07:03,240 --> 00:07:06,360
Speaker 8: you too. Can you please move on to another movie?

105
00:07:06,880 --> 00:07:07,960
Speaker 5: Never ever?

106
00:07:09,720 --> 00:07:11,920
Speaker 9: All right, getting back on track here.

107
00:07:12,520 --> 00:07:15,440
Speaker 11: There have also been reports of up ticking stowaways, so

108
00:07:15,560 --> 00:07:16,760
Speaker 11: keep an eye out for that as well.

109
00:07:17,440 --> 00:07:18,800
Speaker 13: Is that related to the protests?

110
00:07:19,280 --> 00:07:21,120
Speaker 9: Not sure, but it would have surprised me.

111
00:07:21,400 --> 00:07:26,760
Speaker 8: Sure, worry about some malnourished migrants instead of the monstrosities

112
00:07:26,760 --> 00:07:34,400
Speaker 8: and demonios that inhabit the forest, especially at night. Who

113
00:07:34,400 --> 00:07:35,400
Speaker 8: could have saw that coming?

114
00:07:43,440 --> 00:07:46,640
Speaker 7: Okay, but why do you even ask for advice if

115
00:07:46,640 --> 00:07:48,080
Speaker 7: you're not going to listen?

116
00:07:48,720 --> 00:07:49,760
Speaker 8: I listen.

117
00:07:50,440 --> 00:07:51,880
Speaker 6: Not according to your wife.

118
00:07:52,120 --> 00:07:53,360
Speaker 2: I did what she said.

119
00:07:53,400 --> 00:07:55,440
Speaker 8: I listened to the Bean Chip podcast.

120
00:07:55,560 --> 00:07:56,200
Speaker 12: I get it.

121
00:07:56,280 --> 00:07:59,920
Speaker 8: Okay, the protesters don't want the train train bad protest?

122
00:08:00,120 --> 00:08:00,720
Speaker 12: Good?

123
00:08:00,960 --> 00:08:01,320
Speaker 2: Wow?

124
00:08:02,000 --> 00:08:04,080
Speaker 7: How are you this tense?

125
00:08:07,760 --> 00:08:08,080
Speaker 14: Listen?

126
00:08:08,800 --> 00:08:10,280
Speaker 2: Why are the protests happen?

127
00:08:11,280 --> 00:08:15,920
Speaker 8: Why you can serve it? You know people are getting displaced?

128
00:08:16,240 --> 00:08:17,000
Speaker 5: Yeah? Okay?

129
00:08:17,280 --> 00:08:17,840
Speaker 3: Why else?

130
00:08:18,320 --> 00:08:18,920
Speaker 15: I don't know?

131
00:08:19,080 --> 00:08:19,880
Speaker 8: The environment?

132
00:08:19,960 --> 00:08:23,800
Speaker 7: Maybe it's because some trains like the one we're on

133
00:08:23,920 --> 00:08:25,120
Speaker 7: right now are bomb trains.

134
00:08:25,960 --> 00:08:30,880
Speaker 8: So bad for the environment, No bad for you, y'all.

135
00:08:31,280 --> 00:08:32,040
Speaker 8: Go ook at y'all.

136
00:08:32,559 --> 00:08:36,280
Speaker 7: I'm not gonna I'm gonna throw you overboard. You know

137
00:08:37,040 --> 00:08:41,840
Speaker 7: what happens to you? To us if this train explodes.

138
00:08:42,480 --> 00:08:51,240
Speaker 12: Well, well, well, oh oh wait, so she's upset that

139
00:08:51,480 --> 00:08:55,040
Speaker 12: I could wait explode him.

140
00:08:55,200 --> 00:08:58,719
Speaker 7: Poor woman, I'll say a prayer for her.

141
00:09:03,800 --> 00:09:07,040
Speaker 6: Uh that time already, huh yeah, let's do this.

142
00:09:08,720 --> 00:09:10,800
Speaker 2: Whoa, what the hell?

143
00:09:11,160 --> 00:09:12,400
Speaker 15: What what happened?

144
00:09:13,240 --> 00:09:15,319
Speaker 8: So something just started across the track?

145
00:09:16,000 --> 00:09:18,200
Speaker 15: Mhm but a deer maybe?

146
00:09:20,320 --> 00:09:20,600
Speaker 16: Wait?

147
00:09:20,960 --> 00:09:25,640
Speaker 7: What what's with a scared look? Oh no, no, no, no,

148
00:09:26,200 --> 00:09:28,920
Speaker 7: don't tell me. You let Ferdinand get in your head?

149
00:09:29,480 --> 00:09:29,720
Speaker 9: What?

150
00:09:30,200 --> 00:09:33,000
Speaker 8: No, I just it was a big deer.

151
00:09:33,600 --> 00:09:35,640
Speaker 13: You did, you totally did?

152
00:09:36,240 --> 00:09:38,679
Speaker 8: And someone at this place gives me the creeps. That's

153
00:09:38,720 --> 00:09:41,880
Speaker 8: a normal response to the unknown unknown.

154
00:09:42,679 --> 00:09:44,040
Speaker 13: This isn't bad.

155
00:09:44,840 --> 00:09:46,880
Speaker 7: Yeah, here's a checklist. Let's go.

156
00:09:47,679 --> 00:09:54,679
Speaker 9: Come on, Margaret. Okay, but back to what I was saying.

157
00:09:54,720 --> 00:09:57,760
Speaker 8: We talked about the whole bomb train thing a few times.

158
00:09:57,760 --> 00:10:00,640
Speaker 9: But yeah, I mean I thought i' in my case.

159
00:10:01,559 --> 00:10:04,599
Speaker 7: Yeah, well, making your case doesn't mean her feelings change.

160
00:10:04,600 --> 00:10:10,720
Speaker 2: Because why doesn't she just say that, Wow? She probably did? Well,

161
00:10:10,880 --> 00:10:11,559
Speaker 2: how would I know?

162
00:10:11,840 --> 00:10:12,680
Speaker 8: I don't listen?

163
00:10:14,000 --> 00:10:15,080
Speaker 7: You really are hopeless?

164
00:10:16,360 --> 00:10:18,480
Speaker 8: I mean a you know, I mean, I'm gonna this

165
00:10:18,679 --> 00:10:19,760
Speaker 8: fuse is flashing.

166
00:10:21,920 --> 00:10:22,960
Speaker 9: I need to replace a host.

167
00:10:23,360 --> 00:10:25,199
Speaker 7: Well, so much for brand new.

168
00:10:28,120 --> 00:10:31,800
Speaker 8: Okay, sure, the job can be dangerous, but that's just

169
00:10:31,840 --> 00:10:32,720
Speaker 8: the nature of what we do.

170
00:10:32,800 --> 00:10:34,280
Speaker 2: It's the cost of progress.

171
00:10:34,559 --> 00:10:37,679
Speaker 16: And I'm sorry, but human progress and job creation are

172
00:10:37,720 --> 00:10:39,280
Speaker 16: more important than a few trees.

173
00:10:40,040 --> 00:10:43,680
Speaker 7: Gee, the lack of humility for nature that's being displayed here.

174
00:10:44,840 --> 00:10:49,120
Speaker 2: Staggers me, I did it.

175
00:10:49,679 --> 00:10:54,000
Speaker 5: Okay, okay, on points for that quote, But on, Margaret,

176
00:10:55,360 --> 00:10:55,800
Speaker 5: how can.

177
00:10:55,679 --> 00:10:56,640
Speaker 7: You be so misinformed?

178
00:10:57,280 --> 00:10:58,040
Speaker 13: All right, coming on.

179
00:10:58,880 --> 00:11:01,920
Speaker 7: Progress is not being made here, and more jobs are

180
00:11:01,920 --> 00:11:04,640
Speaker 7: being automated than ever. All we're really doing is lining

181
00:11:04,640 --> 00:11:07,800
Speaker 7: the pockets have already rich assholes, and all at the

182
00:11:07,840 --> 00:11:17,680
Speaker 7: expense of indigenous locals and nature. Now, it's why, why

183
00:11:17,720 --> 00:11:21,679
Speaker 7: what I'm thinking about hanging it up?

184
00:11:23,120 --> 00:11:23,200
Speaker 5: What?

185
00:11:24,040 --> 00:11:26,360
Speaker 8: Yeah, oh mam, miss, you're not You're not serious?

186
00:11:26,440 --> 00:11:26,960
Speaker 9: Right in city?

187
00:11:27,320 --> 00:11:28,600
Speaker 13: I am.

188
00:11:28,800 --> 00:11:32,640
Speaker 7: This work and this work schedule is why Manny left.

189
00:11:33,559 --> 00:11:35,920
Speaker 7: Now the kids are off to college or in the

190
00:11:36,040 --> 00:11:40,320
Speaker 7: United States, and them too. They've really been on me

191
00:11:40,360 --> 00:11:41,400
Speaker 7: about the protests.

192
00:11:41,440 --> 00:11:43,760
Speaker 9: So I'm not in Margaret, let my gingus.

193
00:11:43,760 --> 00:11:44,520
Speaker 8: I'm gonna have solo.

194
00:11:44,600 --> 00:11:49,199
Speaker 7: Come on, all right, let's go, come on, let's get

195
00:11:49,200 --> 00:11:49,800
Speaker 7: back to the cab.

196
00:11:55,120 --> 00:11:55,320
Speaker 17: Yeah.

197
00:11:55,360 --> 00:11:57,080
Speaker 2: I don't know, maybe.

198
00:11:58,240 --> 00:12:01,440
Speaker 7: Maybe we're on the wrong side of the good lie.

199
00:12:01,880 --> 00:12:04,720
Speaker 5: We are not at the whim of nature anymore, Margaret,

200
00:12:04,760 --> 00:12:07,240
Speaker 5: for better or for worse, we have conquered it.

201
00:12:07,679 --> 00:12:09,120
Speaker 2: That's what this railway is.

202
00:12:09,640 --> 00:12:10,800
Speaker 8: Human progress.

203
00:12:11,200 --> 00:12:12,600
Speaker 2: Man is the APAs.

204
00:12:13,679 --> 00:12:14,720
Speaker 8: Man is above.

205
00:12:14,679 --> 00:12:21,920
Speaker 7: Nature now until nature retaliates and woman inherits the earth.

206
00:12:25,520 --> 00:12:28,120
Speaker 8: How dare you use doctor Sadler against me?

207
00:12:29,360 --> 00:12:32,760
Speaker 3: You had it coming? Is that?

208
00:12:33,640 --> 00:12:33,840
Speaker 7: Huh?

209
00:12:34,320 --> 00:12:34,520
Speaker 15: Oh?

210
00:12:34,640 --> 00:12:34,880
Speaker 8: Ship?

211
00:12:35,520 --> 00:12:36,920
Speaker 14: There's a tree down on the track.

212
00:12:37,280 --> 00:12:39,040
Speaker 8: Okay, what do we do?

213
00:12:39,559 --> 00:12:40,080
Speaker 12: Run through it?

214
00:12:40,360 --> 00:12:41,120
Speaker 10: Part of balm tree?

215
00:12:41,120 --> 00:12:41,800
Speaker 14: Don't you understand?

216
00:12:41,840 --> 00:12:44,400
Speaker 18: Get Freddy get erchanse stop.

217
00:12:45,920 --> 00:12:47,000
Speaker 7: Hold on your butts.

218
00:12:48,480 --> 00:12:50,560
Speaker 2: Oh what the hell?

219
00:12:50,880 --> 00:12:53,160
Speaker 8: You see that? Someone standing out on the track?

220
00:13:05,320 --> 00:13:07,120
Speaker 7: Who made it?

221
00:13:11,840 --> 00:13:12,080
Speaker 6: Hey?

222
00:13:14,559 --> 00:13:15,559
Speaker 18: What did you say before?

223
00:13:16,080 --> 00:13:19,160
Speaker 8: Chris warned I saw someone standing over that tree?

224
00:13:19,760 --> 00:13:20,040
Speaker 3: What?

225
00:13:20,880 --> 00:13:25,080
Speaker 7: There is literally nothing for miles who could survive?

226
00:13:25,160 --> 00:13:25,719
Speaker 2: Way out here?

227
00:13:28,600 --> 00:13:31,640
Speaker 8: Control? Come in control?

228
00:13:33,880 --> 00:13:34,240
Speaker 9: Control?

229
00:13:34,280 --> 00:13:34,880
Speaker 8: Do you copy?

230
00:13:35,480 --> 00:13:35,640
Speaker 6: Oh?

231
00:13:35,679 --> 00:13:37,240
Speaker 2: Boy, see we're too far out.

232
00:13:41,080 --> 00:13:42,720
Speaker 8: You got an alert out in the eunix panel.

233
00:13:42,920 --> 00:13:44,400
Speaker 2: Obviously what is it?

234
00:13:44,480 --> 00:13:48,640
Speaker 8: Might be a hos er, a knuckle, I'll check. Tell

235
00:13:48,640 --> 00:13:49,840
Speaker 8: me to put the boots on the ballast.

236
00:13:51,040 --> 00:13:53,240
Speaker 10: Okay, wait, wait, wait, wait, wait, Maybe take your pepper

237
00:13:53,280 --> 00:13:53,880
Speaker 10: spray just.

238
00:13:54,200 --> 00:13:54,920
Speaker 15: In case.

239
00:13:56,320 --> 00:13:58,520
Speaker 8: Bird man's and who's head now? Yeah?

240
00:13:58,600 --> 00:14:01,640
Speaker 18: Or don't take it and mauled by a rabid deer.

241
00:14:02,040 --> 00:14:02,520
Speaker 2: I don't care.

242
00:14:03,480 --> 00:14:10,640
Speaker 12: I'm taking the walkie okay, good Ye.

243
00:14:12,559 --> 00:14:16,000
Speaker 7: It's black out here, so I can see that.

244
00:14:17,000 --> 00:14:19,280
Speaker 2: Don't you mean you can't see it? And so.

245
00:14:20,840 --> 00:14:24,560
Speaker 7: Looks like it's going to be about ten cars back?

246
00:14:26,640 --> 00:14:31,760
Speaker 8: Copy? Hey, I think I see something?

247
00:14:32,480 --> 00:14:33,360
Speaker 7: You found the problem?

248
00:14:33,960 --> 00:14:34,000
Speaker 1: No?

249
00:14:34,760 --> 00:14:35,560
Speaker 2: I see movement?

250
00:14:37,640 --> 00:14:38,520
Speaker 15: Wait wait wait wait.

251
00:14:38,360 --> 00:14:39,680
Speaker 5: What do you see?

252
00:14:40,080 --> 00:14:40,960
Speaker 8: I'm gonna check it out?

253
00:14:42,160 --> 00:14:43,280
Speaker 13: What is he doing?

254
00:14:47,120 --> 00:14:47,480
Speaker 3: Jacob?

255
00:14:48,600 --> 00:14:51,200
Speaker 2: Jacob? Come in? I heard a scream?

256
00:14:51,240 --> 00:14:51,840
Speaker 10: Are you okay?

257
00:14:52,520 --> 00:14:53,000
Speaker 14: Respond?

258
00:14:54,120 --> 00:14:55,640
Speaker 2: Why aren't you answering?

259
00:14:59,200 --> 00:14:59,480
Speaker 8: Okay?

260
00:14:59,640 --> 00:15:01,160
Speaker 18: Engine, you're to conductor.

261
00:15:01,680 --> 00:15:03,320
Speaker 8: I'm here, I'm here.

262
00:15:03,360 --> 00:15:08,720
Speaker 16: We have a thoway going on a copy?

263
00:15:09,200 --> 00:15:09,480
Speaker 1: Okay?

264
00:15:09,480 --> 00:15:10,080
Speaker 5: So what was that?

265
00:15:10,120 --> 00:15:10,480
Speaker 15: Screen?

266
00:15:10,960 --> 00:15:15,080
Speaker 8: I remember sprayed them and I got myself too.

267
00:15:17,720 --> 00:15:19,840
Speaker 9: Sorry? Sorry too?

268
00:15:20,280 --> 00:15:21,320
Speaker 12: Was okay?

269
00:15:22,320 --> 00:15:23,480
Speaker 10: But are you good?

270
00:15:23,880 --> 00:15:25,040
Speaker 13: Okay?

271
00:15:25,120 --> 00:15:26,240
Speaker 8: Yeah, yeah, they're complying.

272
00:15:27,000 --> 00:15:27,840
Speaker 13: Thank goodness for that?

273
00:15:28,360 --> 00:15:28,680
Speaker 6: All right?

274
00:15:28,760 --> 00:15:35,800
Speaker 10: Well jesus, okay that that wasn't a deer, Jacob. I

275
00:15:36,080 --> 00:15:39,280
Speaker 10: think I just saw maybe a bear or something big

276
00:15:39,440 --> 00:15:41,600
Speaker 10: running towards you. Copy?

277
00:15:41,640 --> 00:15:43,160
Speaker 2: What what what you saw?

278
00:15:44,400 --> 00:15:46,840
Speaker 10: There was a large animal. You need to get inside

279
00:15:46,840 --> 00:15:48,840
Speaker 10: one of the cars or somewhere high.

280
00:15:48,880 --> 00:15:51,240
Speaker 8: I can't see anything, like my eyes are on fire.

281
00:15:51,480 --> 00:15:55,320
Speaker 10: Doesn't get inside a car, do you hear me.

282
00:15:56,120 --> 00:15:56,480
Speaker 5: Jake up.

283
00:15:56,560 --> 00:16:01,640
Speaker 10: Response Jacob respond engineer to conductor.

284
00:16:07,200 --> 00:16:19,160
Speaker 13: Come on, Jacob, Okay, okay, fuck me. Better not be

285
00:16:19,240 --> 00:16:29,960
Speaker 13: a bear. M god, diner, it's dark. Okay, bear, stay

286
00:16:30,600 --> 00:16:39,640
Speaker 13: on the other side. Don't come over here. Hey, I'm

287
00:16:40,240 --> 00:16:43,320
Speaker 13: I'm coming to you. Do you copy?

288
00:16:44,480 --> 00:16:44,800
Speaker 14: God?

289
00:16:45,080 --> 00:16:45,440
Speaker 12: Jacob?

290
00:16:46,040 --> 00:16:50,760
Speaker 13: She's something Okay, chit.

291
00:16:50,200 --> 00:16:54,840
Speaker 18: Hook okay eight nine, Okay, here we go.

292
00:16:58,000 --> 00:17:08,360
Speaker 16: Jesus, there is something out there.

293
00:17:08,880 --> 00:17:11,720
Speaker 18: Yeah, that's what I came to tell you.

294
00:17:12,400 --> 00:17:13,320
Speaker 7: I think it might be a bear.

295
00:17:13,840 --> 00:17:18,199
Speaker 18: There are no bears in this region, so you're the story.

296
00:17:18,200 --> 00:17:19,280
Speaker 15: Hey, what you're doing.

297
00:17:20,000 --> 00:17:21,080
Speaker 18: It's pretty dangerous.

298
00:17:21,119 --> 00:17:21,439
Speaker 12: You know that.

299
00:17:21,960 --> 00:17:22,840
Speaker 3: So is your train.

300
00:17:22,920 --> 00:17:27,200
Speaker 15: But right now, I think all the danger is out there.

301
00:17:27,880 --> 00:17:38,960
Speaker 15: What oh god, it's like, oh my god, Oh my god.

302
00:17:38,960 --> 00:17:39,400
Speaker 2: It's here.

303
00:17:39,600 --> 00:17:40,080
Speaker 15: It's here.

304
00:17:43,080 --> 00:17:44,080
Speaker 2: What are you talking about?

305
00:17:47,000 --> 00:17:48,080
Speaker 15: It has many names?

306
00:17:48,560 --> 00:17:49,840
Speaker 13: What does he.

307
00:17:51,520 --> 00:17:51,600
Speaker 12: What?

308
00:17:53,240 --> 00:17:54,719
Speaker 13: No no, no no no no no no no no no

309
00:17:54,720 --> 00:17:54,959
Speaker 13: no no.

310
00:17:55,359 --> 00:17:58,320
Speaker 15: He's a guard kid and died. We protect this place

311
00:17:58,359 --> 00:18:01,840
Speaker 15: from intruders without mercy.

312
00:18:01,920 --> 00:18:03,640
Speaker 2: What a guardian?

313
00:18:03,920 --> 00:18:06,280
Speaker 7: Why does that sound?

314
00:18:06,680 --> 00:18:06,880
Speaker 15: Ah?

315
00:18:08,600 --> 00:18:08,800
Speaker 4: Right?

316
00:18:08,880 --> 00:18:13,240
Speaker 16: Look, look, uh contact contact.

317
00:18:13,720 --> 00:18:18,960
Speaker 5: I know this area has a reputation, but they're just rumors, okay, folks,

318
00:18:19,040 --> 00:18:24,320
Speaker 5: stories five thousands Okay.

319
00:18:23,400 --> 00:18:27,520
Speaker 15: No, no, no, no, no, no, no, no no. Does that

320
00:18:27,560 --> 00:18:31,720
Speaker 15: sound like a rumor to you? Why did you have

321
00:18:31,760 --> 00:18:33,600
Speaker 15: to use this truck? We thought you were still choosing

322
00:18:33,680 --> 00:18:34,720
Speaker 15: the temporary route.

323
00:18:35,200 --> 00:18:39,640
Speaker 10: So you're one of the protesters.

324
00:18:41,200 --> 00:18:44,160
Speaker 15: Fuck gorilla? No no, no, you see it, you see

325
00:18:44,200 --> 00:18:45,080
Speaker 15: we get here.

326
00:18:46,400 --> 00:18:47,240
Speaker 2: This is insane.

327
00:18:48,359 --> 00:18:50,880
Speaker 16: I don't know. I don't know what that was, but

328
00:18:50,880 --> 00:18:53,399
Speaker 16: but I don't think it can get in here. I

329
00:18:53,400 --> 00:18:57,200
Speaker 16: think we're okay unless it unless it figures.

330
00:18:56,840 --> 00:18:58,160
Speaker 2: Out out of open doors.

331
00:18:58,560 --> 00:18:59,320
Speaker 5: Take a feeling.

332
00:19:00,880 --> 00:19:06,199
Speaker 11: Hey, sorry, sorry, maybe it's gone.

333
00:19:06,320 --> 00:19:07,800
Speaker 13: It's too dark to see anything.

334
00:19:08,600 --> 00:19:11,040
Speaker 15: We can't stay here, but where were we gonna do?

335
00:19:12,160 --> 00:19:12,400
Speaker 1: Hey?

336
00:19:12,440 --> 00:19:16,120
Speaker 18: Hey, maybe just stay away from the door and the windows.

337
00:19:16,880 --> 00:19:18,320
Speaker 15: I can't believe this happened.

338
00:19:20,600 --> 00:19:24,200
Speaker 9: Yeah, ma'am, Hey, I said sat again. It's gonna be okay.

339
00:19:24,560 --> 00:19:25,800
Speaker 9: We just stay calm, all.

340
00:19:25,720 --> 00:19:26,840
Speaker 2: Right, I'm not there.

341
00:19:27,280 --> 00:19:28,240
Speaker 9: Just take a deep breath.

342
00:19:35,240 --> 00:19:36,760
Speaker 2: There you go. You know that's a.

343
00:19:38,760 --> 00:19:39,680
Speaker 15: That's actually helping.

344
00:19:40,840 --> 00:19:41,560
Speaker 2: Now we just need to.

345
00:19:41,520 --> 00:19:42,800
Speaker 8: Figure out how we're going.

346
00:19:47,880 --> 00:20:06,840
Speaker 6: Don't no, no, no, no, no, oh no way?

347
00:20:08,480 --> 00:20:08,920
Speaker 9: What I keep?

348
00:20:08,920 --> 00:20:09,320
Speaker 2: What I keep?

349
00:20:09,400 --> 00:20:09,719
Speaker 8: Next car?

350
00:20:09,880 --> 00:20:10,280
Speaker 2: Next walk?

351
00:20:10,280 --> 00:20:10,480
Speaker 1: Come on?

352
00:20:11,560 --> 00:20:13,800
Speaker 12: How can you?

353
00:20:15,640 --> 00:20:18,239
Speaker 8: What the fuck? What the actual fuck was that?

354
00:20:18,880 --> 00:20:19,320
Speaker 13: I don't know what.

355
00:20:21,160 --> 00:20:27,480
Speaker 18: Balter h balter out like it was nothing. We can't

356
00:20:27,520 --> 00:20:28,120
Speaker 18: stay in this car.

357
00:20:28,520 --> 00:20:31,199
Speaker 9: Okay, where did we go?

358
00:20:31,920 --> 00:20:33,879
Speaker 2: I think the cab? The cab.

359
00:20:34,320 --> 00:20:35,679
Speaker 8: Do you think that'll be safe.

360
00:20:36,080 --> 00:20:39,520
Speaker 18: It's not safer than here. Okay, we'll run the train

361
00:20:39,600 --> 00:20:42,240
Speaker 18: and rivers. Maybe we pick up enough speed to get away.

362
00:20:42,320 --> 00:20:45,800
Speaker 8: What fucking reality is this? I can't believe Ferdinand was

363
00:20:45,960 --> 00:20:46,600
Speaker 8: fucking right?

364
00:20:46,800 --> 00:20:48,399
Speaker 13: Whoa mock?

365
00:20:48,480 --> 00:20:48,520
Speaker 6: Go?

366
00:20:48,640 --> 00:20:56,480
Speaker 2: Fuck o? Fucking chug it?

367
00:20:57,440 --> 00:21:06,400
Speaker 16: Okay, okay, okay, look you ready?

368
00:21:15,720 --> 00:21:16,960
Speaker 8: Come on?

369
00:21:16,680 --> 00:21:19,480
Speaker 6: Come on, I have you damn it.

370
00:21:27,760 --> 00:21:28,520
Speaker 2: I didn't get it.

371
00:21:28,560 --> 00:21:33,840
Speaker 5: Come on, hurry, look.

372
00:21:33,720 --> 00:21:36,919
Speaker 3: It, look it.

373
00:21:38,720 --> 00:21:41,040
Speaker 10: Okay, look dance.

374
00:21:40,960 --> 00:21:42,200
Speaker 15: System, stick rubber.

375
00:21:42,600 --> 00:21:44,280
Speaker 7: Okay, try the radio.

376
00:21:45,400 --> 00:21:50,680
Speaker 8: Control, come in control, Fox, come up and help me.

377
00:21:50,840 --> 00:21:55,000
Speaker 3: Come keep trying once again.

378
00:21:55,040 --> 00:21:55,240
Speaker 13: Movie.

379
00:21:55,520 --> 00:21:56,320
Speaker 14: We might have a sickle.

380
00:21:57,160 --> 00:22:05,720
Speaker 5: Okay, okay, I don't move.

381
00:22:15,240 --> 00:22:21,440
Speaker 8: Come on, did you see the size of that thing?

382
00:22:22,560 --> 00:22:23,560
Speaker 14: I didn't get a good look at it.

383
00:22:23,760 --> 00:22:25,040
Speaker 9: I don't think you can sit down here.

384
00:22:25,160 --> 00:22:26,440
Speaker 14: Oh god, I hope it's true.

385
00:22:34,040 --> 00:22:34,879
Speaker 2: Can you hear anything?

386
00:22:35,400 --> 00:22:35,440
Speaker 7: No?

387
00:22:36,119 --> 00:22:43,480
Speaker 2: But I think I can smell something.

388
00:22:43,960 --> 00:22:46,320
Speaker 5: Oh come on, is that smoke?

389
00:22:46,480 --> 00:22:47,439
Speaker 13: Oh my god?

390
00:22:48,080 --> 00:22:50,680
Speaker 18: If there is a fire on this train, I don't

391
00:22:50,720 --> 00:22:51,280
Speaker 18: know what's worse.

392
00:22:51,960 --> 00:22:52,440
Speaker 13: What if we do?

393
00:22:53,840 --> 00:22:56,800
Speaker 18: It's been long enough, the train should be ready to roll. Okay,

394
00:22:57,080 --> 00:22:58,919
Speaker 18: if we can get moving and get away from that thing,

395
00:22:58,960 --> 00:23:00,320
Speaker 18: we can figure out the fire at start.

396
00:23:01,200 --> 00:23:02,000
Speaker 9: You think it's gone.

397
00:23:03,920 --> 00:23:07,600
Speaker 7: I don't know, but I don't hear anything.

398
00:23:09,480 --> 00:23:11,680
Speaker 9: Okay, look.

399
00:23:20,040 --> 00:23:20,520
Speaker 2: It stuck.

400
00:23:21,400 --> 00:23:36,240
Speaker 14: Help me, okay, just a just a little more. No,

401
00:23:37,400 --> 00:23:55,760
Speaker 14: it's a fire, but it's definitely a fire. What's not

402
00:23:55,960 --> 00:23:57,640
Speaker 14: down yet?

403
00:23:58,359 --> 00:23:58,600
Speaker 13: Down?

404
00:24:04,760 --> 00:24:05,920
Speaker 2: I can't believe that.

405
00:24:11,080 --> 00:24:14,800
Speaker 16: I want to apologize for all the times I didn't listen.

406
00:24:16,600 --> 00:24:19,800
Speaker 7: Yeah, I'm not sure we have that kind of time.

407
00:24:19,920 --> 00:24:20,240
Speaker 13: Jacob.

408
00:24:20,880 --> 00:24:22,320
Speaker 8: You know you're the best engineer.

409
00:24:23,600 --> 00:24:26,040
Speaker 5: I never thank you ever.

410
00:24:28,400 --> 00:24:28,879
Speaker 12: Done for me.

411
00:24:29,359 --> 00:24:38,800
Speaker 14: Oh, I never thought of this job.

412
00:24:38,880 --> 00:24:39,600
Speaker 12: It's fun.

413
00:24:42,720 --> 00:24:46,879
Speaker 3: Or enjoya believing that, then I get.

414
00:24:46,840 --> 00:24:47,879
Speaker 6: Stuck with you.

415
00:24:53,280 --> 00:24:54,280
Speaker 3: The last few years.

416
00:24:57,800 --> 00:25:03,800
Speaker 13: Yeah, that's it's pretty good run, Jacob.

417
00:25:05,040 --> 00:25:07,240
Speaker 8: Thank you the best of my career.

418
00:25:10,000 --> 00:25:11,120
Speaker 2: I get something right?

419
00:25:24,000 --> 00:25:34,160
Speaker 13: God, you know what Jacob definitely got down.

420
00:25:37,400 --> 00:25:42,080
Speaker 7: Him made my decision.

421
00:25:47,480 --> 00:25:52,600
Speaker 8: After a careful consideration. Margaret, Yes, so have I.

422
00:26:23,040 --> 00:26:27,040
Speaker 3: Well, the explosion devastated wildlife and started a massive fire.

423
00:26:27,760 --> 00:26:32,320
Speaker 3: I mean, this is exactly what we were talking about.

424
00:26:32,640 --> 00:26:35,480
Speaker 4: And can you believe the company is blaming protesters?

425
00:26:36,280 --> 00:26:36,960
Speaker 9: Ridiculous?

426
00:26:37,840 --> 00:26:40,400
Speaker 3: This was always going to happen one way or the other.

427
00:26:40,920 --> 00:26:42,880
Speaker 3: These bump trains are just too dangerous.

428
00:26:43,040 --> 00:26:45,239
Speaker 4: What matters most is that the train project has been

429
00:26:45,280 --> 00:26:46,480
Speaker 4: suspended indefinitely.

430
00:26:46,640 --> 00:26:48,480
Speaker 3: Obviously said that the people love their lives.

431
00:26:49,000 --> 00:26:53,400
Speaker 4: But oh, there was one survivor allegedly, she apparently sustained

432
00:26:53,440 --> 00:26:55,360
Speaker 4: some non explosion related injuries.

433
00:26:55,720 --> 00:26:59,600
Speaker 3: Yes, hopefully we'll learn more about that, right, But again,

434
00:27:00,800 --> 00:27:03,040
Speaker 3: I'm just glad that there can now be some semblance

435
00:27:03,080 --> 00:27:05,639
Speaker 3: of peace in the region, and may it.

436
00:27:05,760 --> 00:27:07,480
Speaker 4: Last another one hundred years.

437
00:27:23,920 --> 00:27:24,760
Speaker 8: She see me there?

438
00:27:25,320 --> 00:27:27,159
Speaker 2: What like us Eata?

439
00:27:28,359 --> 00:27:31,800
Speaker 1: Was it a vicious monster out for blood or simply

440
00:27:32,280 --> 00:27:33,800
Speaker 1: a noble creature.

441
00:27:33,800 --> 00:27:34,840
Speaker 2: Defending its home.

442
00:27:39,240 --> 00:27:42,639
Speaker 1: It seems no matter who you ask, one thing for

443
00:27:42,840 --> 00:27:46,919
Speaker 1: certain there was something evil in the forest that night.

444
00:27:57,800 --> 00:27:58,720
Speaker 2: Until that's time.

445
00:28:18,600 --> 00:28:22,760
Speaker 17: Nocturno Tales from the Shadows was produced by Sonoro in

446
00:28:22,840 --> 00:28:28,280
Speaker 17: partnership with I Heartsmichael Dura Podcast Network, Produced and directed

447
00:28:28,560 --> 00:28:33,960
Speaker 17: by Luis Eduardo Castillo, developed and produced by Bettina Lopez,

448
00:28:34,680 --> 00:28:38,160
Speaker 17: the executive produced by Connel Byrne and Giselle Benzies for

449
00:28:38,320 --> 00:28:44,360
Speaker 17: iHeart and Camilla Victoriano and Joshua Weinstein for Sonoro. This

450
00:28:44,600 --> 00:28:53,000
Speaker 17: episode was written by Elaija Srinana. Performances in this episode

451
00:28:53,080 --> 00:29:01,600
Speaker 17: by Danny Trejo, Annie Henk, Sebastian Villa Lobos, Henry, Alexander Kelly, Savannah,

452
00:29:01,680 --> 00:29:08,480
Speaker 17: Nicole Roys, Fernando Moje Pedro, Hollywood Rivera and Fernando Montroy.

453
00:29:11,040 --> 00:29:17,200
Speaker 17: Our production manager is Carenza Chies. Recording engineering and sound

454
00:29:17,240 --> 00:29:22,760
Speaker 17: designed by Cassandra Dinajerro and Andres Bayena. Casting a coordination

455
00:29:23,320 --> 00:29:29,240
Speaker 17: by Ansley Martinez, Alex Gonzalez, Carensa Chides and Bettina Lopez.

456
00:29:30,320 --> 00:29:34,320
Speaker 17: Voices recorded at the Invisible Studios and Out Loud Audio

457
00:29:34,440 --> 00:29:38,800
Speaker 17: in Los Angeles, The Relic Room in New York, Panoramic

458
00:29:38,920 --> 00:29:43,920
Speaker 17: Audio in Miami, Bill Carcery Productions in San Diego, Matt

459
00:29:44,000 --> 00:29:47,320
Speaker 17: Block Sound in San Juan, Puerto Rico, and Low Key

460
00:29:47,480 --> 00:29:55,000
Speaker 17: Entertainment in Lima Perul, with engineering by Charles Carroll, Stephen

461
00:29:55,080 --> 00:30:03,280
Speaker 17: George John Anderson, Lester Dangler, jkho Ato, Brett Tuban, Ethan Grafton,

462
00:30:03,800 --> 00:30:08,920
Speaker 17: Manuel Duran, Reno, Joao, Diito Cavallero, and Bill Corkery