1 00:00:00,720 --> 00:00:03,120 Speaker 1: I Am all in. 2 00:00:08,680 --> 00:00:21,160 Speaker 2: You. I Am all in with Scott Patterson, an iHeartRadio podcast. 3 00:00:21,239 --> 00:00:24,200 Speaker 1: Hey Everybody, Scott Patterson, Iimal and podcast I Hurt Radio 4 00:00:24,200 --> 00:00:29,160 Speaker 1: one eleven Productions, Pop Culture, episode fifteen, Season five, Jews 5 00:00:29,160 --> 00:00:32,599 Speaker 1: and Chinese Food. Doyle says Paris is so hot when 6 00:00:32,640 --> 00:00:35,199 Speaker 1: she finds him annoying Paris when I then I must 7 00:00:35,240 --> 00:00:39,680 Speaker 1: be Jiselle Bunchen to you, twenty four seven. Jaselle Bunchin 8 00:00:39,760 --> 00:00:42,919 Speaker 1: is a Brazilian model, former wife Tom Brady since two 9 00:00:42,960 --> 00:00:45,600 Speaker 1: thousand and one, and she's been one of the highest 10 00:00:45,640 --> 00:00:49,800 Speaker 1: paid models in the world. This girl makes serious bank. 11 00:00:49,920 --> 00:00:54,400 Speaker 2: And this reference works as well today, yeah as it 12 00:00:54,440 --> 00:00:56,120 Speaker 2: did twenty oh. 13 00:00:56,200 --> 00:00:56,400 Speaker 3: Yeah. 14 00:00:56,480 --> 00:01:01,360 Speaker 1: She's credited with pioneering and popularizing the horse walk, a 15 00:01:01,400 --> 00:01:05,399 Speaker 1: stomping movement created by a model lifting her knees high 16 00:01:06,120 --> 00:01:09,040 Speaker 1: and kicking her feet up to step. She has appeared 17 00:01:09,120 --> 00:01:11,759 Speaker 1: on more than is that Is that right? She did 18 00:01:11,800 --> 00:01:13,039 Speaker 1: that on the runway and that was. 19 00:01:13,440 --> 00:01:14,319 Speaker 2: Do you mind doing the. 20 00:01:16,080 --> 00:01:18,840 Speaker 1: Innovation? Do you know what the horse walk is? 21 00:01:19,040 --> 00:01:19,880 Speaker 2: Does any of us know? 22 00:01:21,080 --> 00:01:23,199 Speaker 4: It's just it's just that like model strut. 23 00:01:24,680 --> 00:01:27,800 Speaker 1: I know, you're like, all right, It's when they placed 24 00:01:28,400 --> 00:01:30,040 Speaker 1: up high and then they placed their foot on the 25 00:01:30,120 --> 00:01:34,480 Speaker 1: right and then they sort of crossed their feet like that. Oh, 26 00:01:34,600 --> 00:01:36,000 Speaker 1: that's so she started that. 27 00:01:36,280 --> 00:01:38,679 Speaker 2: M wow, is she going to date next? 28 00:01:38,920 --> 00:01:42,720 Speaker 1: Let's all uh hm, I don't know, Gary. 29 00:01:43,120 --> 00:01:47,280 Speaker 2: She is to date Leo cornerback. I feel like I 30 00:01:47,560 --> 00:01:50,240 Speaker 2: vaguely remember this is to date Leo. Maybe she should 31 00:01:50,280 --> 00:01:52,200 Speaker 2: just we should have like a Ben and Jennifer and 32 00:01:52,240 --> 00:01:53,400 Speaker 2: have them get back together. 33 00:01:54,800 --> 00:01:58,400 Speaker 1: I don't know. Let's so, let's do an episode on 34 00:01:58,520 --> 00:02:04,840 Speaker 1: who she's Yeah lifting, She's done twelve hundred magazine covers 35 00:02:05,560 --> 00:02:11,360 Speaker 1: that could fill her entire home legit Mater Paris is 36 00:02:11,400 --> 00:02:14,120 Speaker 1: making the joke that Doyle annoys her twenty four to seven, 37 00:02:14,880 --> 00:02:19,840 Speaker 1: so he must always think she's hot. All right, who's 38 00:02:19,840 --> 00:02:21,400 Speaker 1: taking this? Amy? You want to take this one? 39 00:02:21,760 --> 00:02:24,720 Speaker 2: Sure thing? Rory asked Laura if she thinks Richard had 40 00:02:24,720 --> 00:02:27,600 Speaker 2: anything to do with the Christopher situation at the vow renewal. 41 00:02:27,760 --> 00:02:29,600 Speaker 2: And if you listen to our episode earlier this week 42 00:02:29,639 --> 00:02:32,760 Speaker 2: we dig into the importance of this, Lorla says, I'm 43 00:02:32,760 --> 00:02:35,480 Speaker 2: pretty sure she's the one who poisoned the apple and 44 00:02:35,520 --> 00:02:37,880 Speaker 2: gave it to Dope to bring to the party. So 45 00:02:37,960 --> 00:02:41,040 Speaker 2: Lourai is referencing the movie snow White and the Seven 46 00:02:41,120 --> 00:02:44,720 Speaker 2: Dwarfs when the evil Queen gives her stepdaughter a poisoned 47 00:02:44,760 --> 00:02:48,000 Speaker 2: apple to send her into her sleeping death, only to 48 00:02:48,080 --> 00:02:51,520 Speaker 2: be revived by a true love's kiss. Dope is one 49 00:02:51,520 --> 00:02:53,480 Speaker 2: of the Seven Dwarfs. He gets his name from his 50 00:02:53,520 --> 00:02:58,080 Speaker 2: incompetence and pension for silly antics. LAURAAI is saying, Christopher 51 00:02:58,200 --> 00:03:00,960 Speaker 2: is the Dope in this scenario, which is a little 52 00:03:01,000 --> 00:03:05,320 Speaker 2: different then happens in the movie. But you know, I 53 00:03:05,520 --> 00:03:11,800 Speaker 2: like this reference. We all got it and it's you know, 54 00:03:11,919 --> 00:03:14,000 Speaker 2: it's accurate, all right. 55 00:03:14,080 --> 00:03:17,600 Speaker 1: Rory invites Marty to hang out this weekend. Rory, we 56 00:03:17,639 --> 00:03:19,720 Speaker 1: could watch DVD's order food or I just got the 57 00:03:19,760 --> 00:03:23,040 Speaker 1: new Marx Brothers box set. You love the Marx Brothers. 58 00:03:23,120 --> 00:03:28,959 Speaker 1: Duck Soup the Marx Brothers was an American family comedy 59 00:03:29,040 --> 00:03:33,840 Speaker 1: act that was successful in vaudeville, on Broadway, and in 60 00:03:33,960 --> 00:03:37,800 Speaker 1: fourteen motion pictures from nineteen oh five to nineteen forty nine. 61 00:03:38,000 --> 00:03:40,400 Speaker 1: Duck Soup nineteen thirty three was the last of the 62 00:03:40,440 --> 00:03:43,680 Speaker 1: five Marx Brothers movies released by Paramount Pictures. In the film, 63 00:03:43,720 --> 00:03:48,840 Speaker 1: Groucho portrays the newly installed president of the mythical country 64 00:03:48,880 --> 00:03:54,000 Speaker 1: of Fredonia. Zeppo Marx is his secretary, while Chico and 65 00:03:54,040 --> 00:04:00,840 Speaker 1: Harpo Marx are spies for the neighboring country Sylvania. Relations 66 00:04:00,880 --> 00:04:04,680 Speaker 1: between Groucho and the Sylvanian ambassador to cheriate during the film, 67 00:04:05,000 --> 00:04:09,000 Speaker 1: and they go to war at the conclusion of the film. 68 00:04:09,000 --> 00:04:12,560 Speaker 1: In Groucho was also famous for when on a very 69 00:04:12,560 --> 00:04:14,680 Speaker 1: hot day fan came up to him and said, I'm 70 00:04:14,680 --> 00:04:16,520 Speaker 1: a huge fan of yours, and he said, if it's 71 00:04:16,520 --> 00:04:18,440 Speaker 1: any hotter out here, I could use a big fan. 72 00:04:20,040 --> 00:04:24,240 Speaker 2: So here's my question. Do you think anyone was watching 73 00:04:24,640 --> 00:04:29,640 Speaker 2: these movies like at their age in college? 74 00:04:30,000 --> 00:04:30,080 Speaker 5: No? 75 00:04:32,000 --> 00:04:39,600 Speaker 1: I feel like, okay, okay, had social social media hadn't 76 00:04:39,640 --> 00:04:44,000 Speaker 1: really taken off yet, had it by two thousand? What 77 00:04:44,080 --> 00:04:48,000 Speaker 1: is two thousand and five? Had social media really taken 78 00:04:49,480 --> 00:04:52,239 Speaker 1: so you know, all of this stuff was still around. 79 00:04:52,320 --> 00:04:57,120 Speaker 1: There was like a you know, yes, certain people were 80 00:04:57,160 --> 00:04:59,640 Speaker 1: watching the Marx Brothers and they were aware of things 81 00:04:59,640 --> 00:05:05,320 Speaker 1: that were historical and great and legendary and truly funny. 82 00:05:05,360 --> 00:05:08,080 Speaker 1: But social media has kind of wiped all this stuff 83 00:05:08,080 --> 00:05:11,760 Speaker 1: away because people are spending all their time doing that now. 84 00:05:11,800 --> 00:05:13,800 Speaker 1: So it's it's it's I don't know. 85 00:05:13,839 --> 00:05:14,880 Speaker 2: I think I would have been like do you want 86 00:05:14,880 --> 00:05:16,400 Speaker 2: to come over and watch Back to the Future one, 87 00:05:16,480 --> 00:05:18,200 Speaker 2: two and three? Do you know what I mean? I 88 00:05:18,279 --> 00:05:19,159 Speaker 2: just feel like m. 89 00:05:21,000 --> 00:05:24,360 Speaker 1: I mean, the Marx Brothers were truly funny geniuses. I 90 00:05:24,360 --> 00:05:27,400 Speaker 1: don't know, comedic geniuses the film. 91 00:05:27,880 --> 00:05:31,200 Speaker 2: I'm gonna go now, daniel you want to read the 92 00:05:31,200 --> 00:05:31,640 Speaker 2: next one? 93 00:05:31,880 --> 00:05:33,200 Speaker 4: Yeah, I can read the next one. 94 00:05:33,279 --> 00:05:36,159 Speaker 2: I would have done sixteen Candles, Breakfast Club, and Ferris 95 00:05:36,160 --> 00:05:39,520 Speaker 2: Bueller's Day Off. If I was watching a trilogy of awesomeness. 96 00:05:38,920 --> 00:05:41,120 Speaker 1: But what you have thrown your legs across Marty's lap? 97 00:05:41,760 --> 00:05:43,440 Speaker 4: It might might have been Harry Potter movies. 98 00:05:43,440 --> 00:05:47,560 Speaker 2: By the way, Danielle would be watching Harypotter. Maybe, I 99 00:05:47,560 --> 00:05:49,040 Speaker 2: don't know. I have Guy Friends made. 100 00:05:50,640 --> 00:05:52,200 Speaker 1: I would have had two thousand and one of Space 101 00:05:52,240 --> 00:05:54,200 Speaker 1: Out of Seeing, Paths of Glory and slim Gyms. 102 00:05:55,080 --> 00:05:58,599 Speaker 2: Oh wow. I might even would have done The Rock 103 00:05:59,000 --> 00:06:00,960 Speaker 2: Independence Day and. 104 00:06:02,240 --> 00:06:02,640 Speaker 6: On Air. 105 00:06:05,200 --> 00:06:05,520 Speaker 7: Thank you? 106 00:06:06,000 --> 00:06:10,920 Speaker 4: Yeah, Harry Potterlightlight That's a good one. 107 00:06:11,000 --> 00:06:12,040 Speaker 6: Twilight is a good one. 108 00:06:13,480 --> 00:06:17,760 Speaker 4: Yeah, all right, the next one. Lorelai saying she went 109 00:06:17,800 --> 00:06:20,920 Speaker 4: to six different costume shops to find dark costume beards 110 00:06:20,960 --> 00:06:26,160 Speaker 4: and could only find the white Santa beards. Lorelai says 111 00:06:26,160 --> 00:06:30,760 Speaker 4: apparently Liban Liberman's the only Jew in Connecticut. Joe Lieberman 112 00:06:30,960 --> 00:06:34,360 Speaker 4: is an American politician, lobbyist, and attorney who served as 113 00:06:34,440 --> 00:06:38,200 Speaker 4: a United States Senator from from Connecticut from nineteen eighty 114 00:06:38,279 --> 00:06:42,720 Speaker 4: nine to twenty thirteen. Lieberman refers to himself as Observant 115 00:06:42,800 --> 00:06:45,440 Speaker 4: as opposed to Orthodox, because he doesn't follow the strict 116 00:06:45,560 --> 00:06:49,480 Speaker 4: Orthodox code doesn't want to offend the Orthodox. It is 117 00:06:49,520 --> 00:06:52,240 Speaker 4: a long standing tradition for Jewish Men to have dark beards, 118 00:06:52,240 --> 00:06:54,400 Speaker 4: so Lorelai is making a joke that there are no 119 00:06:54,480 --> 00:06:58,000 Speaker 4: Jewish men in Connecticut, so people are only familiar with 120 00:06:58,040 --> 00:06:58,919 Speaker 4: Santa beards. 121 00:06:59,160 --> 00:07:01,839 Speaker 2: And he was the one that ran for president, like 122 00:07:01,839 --> 00:07:04,320 Speaker 2: he ran for vice president, or he was the vice 123 00:07:04,360 --> 00:07:10,600 Speaker 2: presidential candidate, right with al Gore. I feel like that Erman, Yeah, 124 00:07:11,360 --> 00:07:13,880 Speaker 2: oh yeah. He was a Democratic Party nominee for vice 125 00:07:13,960 --> 00:07:18,720 Speaker 2: president in the two thousand presidential election, running with presidential 126 00:07:18,760 --> 00:07:21,600 Speaker 2: nominee and then Vice president Al Gore, becoming the first 127 00:07:21,680 --> 00:07:26,640 Speaker 2: Jewish candidate on a US major party presidential ticket. 128 00:07:32,000 --> 00:07:36,120 Speaker 1: Lulu explaining to Luke why Kirk needs to play tevia 129 00:07:37,360 --> 00:07:39,560 Speaker 1: in the school play. Lulu, as you know, we had 130 00:07:39,560 --> 00:07:42,640 Speaker 1: a terrible experience last year when we did Jesus Christ Superstar. 131 00:07:43,160 --> 00:07:46,680 Speaker 1: Jesus Christ Superstar is a musical with music by Andrew 132 00:07:46,720 --> 00:07:49,240 Speaker 1: Lloyd Weber and lyrics by Tim Rice. Loosely based on 133 00:07:49,280 --> 00:07:54,560 Speaker 1: the Gospels accounts of the Passion, the work interprets the 134 00:07:54,560 --> 00:07:57,960 Speaker 1: psychology of Jesus and other characters, which much of the 135 00:07:57,960 --> 00:08:01,840 Speaker 1: plots centered on Judas, who is dissatisfied with the direction 136 00:08:02,040 --> 00:08:14,120 Speaker 1: which Jesus is steering his disciples, and the Gosh, the 137 00:08:14,160 --> 00:08:18,680 Speaker 1: actor who was just killed in the motorcycle accident, was 138 00:08:19,480 --> 00:08:21,240 Speaker 1: one of the lead He was the lead in Jesus 139 00:08:21,320 --> 00:08:27,160 Speaker 1: Christ Superstar on Broadway in the seventies. Treat williams I believe. 140 00:08:27,920 --> 00:08:31,680 Speaker 2: Yeah, Lorlon Suki, turning the arraj into a new space 141 00:08:31,720 --> 00:08:36,200 Speaker 2: for her, Lourlai says, I don't know, something colorful, something peaceful. 142 00:08:36,440 --> 00:08:36,559 Speaker 3: You know. 143 00:08:36,559 --> 00:08:38,920 Speaker 2: It could be a zen sort of space or yoga studio. 144 00:08:39,240 --> 00:08:42,280 Speaker 2: Drew Barrymore has one what do you know about this game? 145 00:08:42,920 --> 00:08:45,800 Speaker 2: This reference is spot on. In twenty twenty three, as 146 00:08:45,840 --> 00:08:48,360 Speaker 2: Drew Barrymore just told Yoga Journal that she converted a 147 00:08:48,360 --> 00:08:52,040 Speaker 2: storage space in her three bedroom apartment into her meditation closet, 148 00:08:52,640 --> 00:08:56,440 Speaker 2: where she calls it a room of revelations. Back in 149 00:08:56,440 --> 00:08:59,600 Speaker 2: two thousand and five, Laurel Lai could be referencing Drew 150 00:08:59,600 --> 00:09:03,240 Speaker 2: barrymore Wars character Lucy in the movie First Fifty First 151 00:09:03,320 --> 00:09:07,800 Speaker 2: Dates she paints murals in her garage. I love it 152 00:09:08,280 --> 00:09:11,000 Speaker 2: more reference. Yeah, I love it, Drew. I think that's 153 00:09:11,040 --> 00:09:13,120 Speaker 2: a winning reference at end. 154 00:09:13,120 --> 00:09:16,240 Speaker 5: And she's like more relevant now than even like five 155 00:09:16,320 --> 00:09:16,720 Speaker 5: years ago. 156 00:09:17,280 --> 00:09:22,320 Speaker 4: She's at her most rat I think, yeah, oh, never 157 00:09:22,760 --> 00:09:24,920 Speaker 4: been kissed. 158 00:09:23,760 --> 00:09:27,640 Speaker 2: Oh that is prime time Drew for me. 159 00:09:27,800 --> 00:09:28,000 Speaker 3: Yeah. 160 00:09:28,040 --> 00:09:30,400 Speaker 2: I literally can watch that scene when she's standing on 161 00:09:30,440 --> 00:09:32,240 Speaker 2: the like pictures. 162 00:09:32,240 --> 00:09:34,440 Speaker 4: Oh my, I can't. It's one of my favorite movies. 163 00:09:34,559 --> 00:09:36,920 Speaker 2: And the mic drops because she thinks he's not coming. 164 00:09:38,320 --> 00:09:44,040 Speaker 2: Also Michael Vartan at his finest. I agree, I love 165 00:09:44,080 --> 00:09:49,120 Speaker 2: him and Alias too, but mm, can you do the 166 00:09:49,160 --> 00:09:50,640 Speaker 2: next one? Yeah? 167 00:09:50,679 --> 00:09:53,280 Speaker 4: Suki getting off the phone with Michelle, who is saying 168 00:09:53,320 --> 00:09:56,160 Speaker 4: he is hearing crashing noises coming from the kitchen, and 169 00:09:56,200 --> 00:09:59,760 Speaker 4: Suki says, apparently Batman's attacking the inn. Batman is a 170 00:09:59,760 --> 00:10:03,719 Speaker 4: super hero appearing in American comic books published by d 171 00:10:03,880 --> 00:10:08,840 Speaker 4: C Comics. In case you haven't heard of Batman before, Michelle, 172 00:10:09,600 --> 00:10:12,800 Speaker 4: Michelle is describing the noises he is hearing that often 173 00:10:12,840 --> 00:10:15,320 Speaker 4: mimic the sounds from a comic book. When a superhero 174 00:10:15,440 --> 00:10:17,560 Speaker 4: is fine, it's fighting the bad guys. 175 00:10:18,800 --> 00:10:22,120 Speaker 2: I love that in the original blu Wie. Wait, who's 176 00:10:22,160 --> 00:10:24,760 Speaker 2: your favorite Batman? Have we done this before? Just name 177 00:10:24,840 --> 00:10:25,640 Speaker 2: your favorite Batman? 178 00:10:26,120 --> 00:10:30,800 Speaker 4: Robertson, George Cliney, Oh my god. 179 00:10:31,080 --> 00:10:35,640 Speaker 1: The Robert Pattinson version of that film was extraordinary. 180 00:10:35,840 --> 00:10:40,320 Speaker 2: I'm gonna watch it. But there's nothing Michael ordinary film. 181 00:10:40,840 --> 00:10:43,720 Speaker 2: It's Michael Keaton all day, all night, every day. 182 00:10:43,880 --> 00:10:45,559 Speaker 1: But I'm talking about the film. 183 00:10:46,080 --> 00:10:50,439 Speaker 2: I'm talking about the film too. Michael Keaton. The original 184 00:10:50,520 --> 00:10:54,240 Speaker 2: Batman film with Michael Keaton is so awesome. And he 185 00:10:54,400 --> 00:10:58,079 Speaker 2: holds that guy and that guy goes, here's. 186 00:10:57,920 --> 00:11:00,400 Speaker 1: A homeworker sign from you. Watch them all get to me. 187 00:11:01,080 --> 00:11:04,240 Speaker 2: I will, I will with pleasure. There's nothing I'd rather 188 00:11:04,320 --> 00:11:06,800 Speaker 2: do than watch every Batman movie. So I will start 189 00:11:07,280 --> 00:11:11,280 Speaker 2: with how many one? Well, there's Batman, there's Batman two. 190 00:11:11,400 --> 00:11:14,400 Speaker 2: Then there's the Val Kilmer Batman, and there's the George 191 00:11:14,440 --> 00:11:17,160 Speaker 2: Clooney Batman. Then I got to go through all the 192 00:11:17,240 --> 00:11:19,880 Speaker 2: Christopher Nolan Batman movies. What's that guy's name? 193 00:11:20,160 --> 00:11:24,559 Speaker 1: Yeah, yeah, I think that Robert Pattinson, and. 194 00:11:24,840 --> 00:11:28,040 Speaker 2: So the no Robert Pattinson came after. What's that very 195 00:11:28,040 --> 00:11:31,160 Speaker 2: famous actor who kind of like revived Batman? Come on, 196 00:11:31,280 --> 00:11:33,600 Speaker 2: you guys, he lives. He lives in Brentwood. 197 00:11:33,720 --> 00:11:34,640 Speaker 1: Christian Bale. 198 00:11:34,679 --> 00:11:34,920 Speaker 2: Thank you? 199 00:11:35,880 --> 00:11:38,200 Speaker 4: Oh my god, I take it back. Christian Bale is 200 00:11:38,320 --> 00:11:39,360 Speaker 4: such a good Batman. 201 00:11:39,720 --> 00:11:42,120 Speaker 1: You know what. Christian Bale is the best actor of 202 00:11:42,160 --> 00:11:42,840 Speaker 1: his generation. 203 00:11:43,760 --> 00:11:45,720 Speaker 2: Now do I have to watch all the Adam West 204 00:11:45,760 --> 00:11:48,360 Speaker 2: every episode of the entire series? Or can I just 205 00:11:48,400 --> 00:11:48,959 Speaker 2: do the movies? 206 00:11:49,080 --> 00:11:49,160 Speaker 3: No? 207 00:11:49,400 --> 00:11:50,160 Speaker 1: Just do the movies? 208 00:11:50,480 --> 00:11:52,760 Speaker 2: And do I have to watch Will Arnett play Batman 209 00:11:52,800 --> 00:11:54,560 Speaker 2: in the Lego movies? No? 210 00:11:55,120 --> 00:12:01,360 Speaker 1: Are youating me? Ridiculous? 211 00:12:01,559 --> 00:12:05,480 Speaker 2: It's Michael Keaton every day, Michael. And then I got 212 00:12:05,480 --> 00:12:08,160 Speaker 2: to watch the Flash to see Michael Keaton come back 213 00:12:08,200 --> 00:12:10,679 Speaker 2: as Batman. Do we all agree Ben Affleck was the 214 00:12:10,720 --> 00:12:11,520 Speaker 2: worst Batman? 215 00:12:11,760 --> 00:12:12,439 Speaker 1: Didn't say it? 216 00:12:13,720 --> 00:12:13,960 Speaker 2: He was? 217 00:12:16,600 --> 00:12:17,040 Speaker 3: It was. 218 00:12:19,440 --> 00:12:19,840 Speaker 2: Scott? 219 00:12:19,880 --> 00:12:23,680 Speaker 1: You got me to go, Rory? Where are we? Fabric? 220 00:12:23,840 --> 00:12:27,080 Speaker 1: Mulon rouge and Lur's showing Suki a fabric? 221 00:12:27,679 --> 00:12:28,360 Speaker 2: Her name is Laura. 222 00:12:29,960 --> 00:12:31,480 Speaker 1: It's read this one? 223 00:12:32,040 --> 00:12:32,599 Speaker 6: Okay? 224 00:12:33,080 --> 00:12:33,360 Speaker 5: Is it? 225 00:12:33,400 --> 00:12:33,600 Speaker 1: Is it? 226 00:12:33,800 --> 00:12:35,679 Speaker 6: How do you say his name though? Is it? 227 00:12:35,760 --> 00:12:37,480 Speaker 2: You win McGregor? 228 00:12:37,559 --> 00:12:40,000 Speaker 6: Okay, So Laura's. 229 00:12:39,640 --> 00:12:42,280 Speaker 1: Statures generation McGregor. 230 00:12:42,720 --> 00:12:45,400 Speaker 6: Uh, Lorelai is showing Sukia fabric with an idea for 231 00:12:45,440 --> 00:12:48,920 Speaker 6: the space. Lorli says, Hey, Mulan Rouge, what do you think? Jewels? 232 00:12:48,920 --> 00:12:52,840 Speaker 5: Elephant in one corner, Ewan McGregor in the other. Mulan 233 00:12:52,920 --> 00:12:56,000 Speaker 5: Rouge is a two thousand and one jukebox musical romantic 234 00:12:56,160 --> 00:13:01,160 Speaker 5: drama film, directed, produced, and co written by as Lureman. 235 00:13:02,080 --> 00:13:05,960 Speaker 5: It follows a young English poet, Christian played by Ewan McGregor, 236 00:13:06,240 --> 00:13:08,720 Speaker 5: who falls in love with the star of Mulan Rouge, 237 00:13:09,120 --> 00:13:14,600 Speaker 5: cabaret actress and portisan Setine, which is played by Nicole Kidman. 238 00:13:14,840 --> 00:13:20,320 Speaker 2: Doesn't this just make you want to go? Not really, 239 00:13:22,160 --> 00:13:23,760 Speaker 2: my lady marm. 240 00:13:28,640 --> 00:13:30,800 Speaker 6: It makes me want to go and all that jefe. 241 00:13:35,240 --> 00:13:40,400 Speaker 5: Chicago yahgo, But it makes me think of it, I know, 242 00:13:40,559 --> 00:13:43,439 Speaker 5: But for some reason I think of musical Oh my. 243 00:13:43,280 --> 00:13:47,840 Speaker 4: God, I just think of Christina Aguilera, Will Kim Maya 244 00:13:48,040 --> 00:13:48,800 Speaker 4: and Pink. 245 00:13:50,559 --> 00:13:51,000 Speaker 6: So good? 246 00:13:51,720 --> 00:13:52,079 Speaker 5: What is it? 247 00:13:52,240 --> 00:13:53,800 Speaker 2: How do you? What are the words? I need to 248 00:13:53,840 --> 00:13:54,760 Speaker 2: look up the lyrics of. 249 00:13:54,760 --> 00:13:57,000 Speaker 4: That song, Hey, sisters, So. 250 00:13:58,640 --> 00:14:00,000 Speaker 2: It's hard lyrics though. 251 00:14:01,520 --> 00:14:07,800 Speaker 1: This is the name of a Rolling Stones album from. 252 00:14:07,640 --> 00:14:15,520 Speaker 7: The seven Getchy Getchy Yah ya da da ya ya 253 00:14:15,679 --> 00:14:25,920 Speaker 7: here choke a latta yah ya creal lady, mom. 254 00:14:25,600 --> 00:14:28,360 Speaker 2: I don't speak French. Do you guys know that one? 255 00:14:28,560 --> 00:14:38,400 Speaker 2: What is appropriate? Scott? Everything? Scott, you're so much smarter 256 00:14:38,480 --> 00:14:38,800 Speaker 2: than us. 257 00:14:38,800 --> 00:14:42,160 Speaker 1: It's weird, it's it's but everybody knows that. 258 00:14:42,800 --> 00:14:44,800 Speaker 4: It translates to do you want me to or do 259 00:14:44,840 --> 00:14:46,040 Speaker 4: you want to sleep with me tonight? 260 00:14:46,120 --> 00:14:52,360 Speaker 2: Right? Scott just said that Daniel was googling it. 261 00:14:52,680 --> 00:14:57,640 Speaker 1: Man, We're way past that stuff anyway, all right, So 262 00:14:57,800 --> 00:15:02,640 Speaker 1: Rory tells Doyle and that's that's you know, they could 263 00:15:02,680 --> 00:15:06,520 Speaker 1: have played that song getting out of this episode with 264 00:15:06,520 --> 00:15:13,680 Speaker 1: with with Rory and Logan going down. Great call, all right, 265 00:15:13,760 --> 00:15:16,080 Speaker 1: because I think I think I think they both wanted 266 00:15:16,080 --> 00:15:19,680 Speaker 1: to get all of their yah yahs out. They did, right, Like, 267 00:15:19,840 --> 00:15:29,200 Speaker 1: get them just out, get the get them out. Rory 268 00:15:29,240 --> 00:15:33,680 Speaker 1: tells Doyle to leave their dorm room as she is 269 00:15:33,760 --> 00:15:38,000 Speaker 1: waiting for Marty to come over. Doyle, Bete Woodward, and 270 00:15:38,000 --> 00:15:41,200 Speaker 1: Bernstein never tossed Ben Bradley out of their room. Bob 271 00:15:41,200 --> 00:15:45,160 Speaker 1: Woodward Carl Bernstein were investigative reporters at the Washington Post 272 00:15:45,160 --> 00:15:48,960 Speaker 1: in nineteen seventy two. Bernstein was teamed up with Woodward, 273 00:15:49,080 --> 00:15:52,440 Speaker 1: and the two did much of the original news reporting 274 00:15:52,520 --> 00:15:56,840 Speaker 1: on the Watergate scandal that led to the impeachment and 275 00:15:57,000 --> 00:16:03,840 Speaker 1: resignation of then President Richard Nixon. Richard Millhouse Nixon. Ben 276 00:16:03,880 --> 00:16:08,960 Speaker 1: Bradley served as a managing editor then as ex executive 277 00:16:09,040 --> 00:16:11,360 Speaker 1: editor of The Washington Post from nineteen sixty five nineteen 278 00:16:11,400 --> 00:16:13,440 Speaker 1: ninety one, and he became a public figure when the 279 00:16:13,480 --> 00:16:16,200 Speaker 1: Post joined the New York Times and publishing the Pentagon 280 00:16:16,280 --> 00:16:21,240 Speaker 1: Papers and gave the go ahead for the paper's extensive 281 00:16:21,320 --> 00:16:27,120 Speaker 1: coverage of the Watergate scandal. Doyle is referencing that ben 282 00:16:27,200 --> 00:16:33,960 Speaker 1: Bradley was Woodward and Bernstein's boss. Where at the Daily News, 283 00:16:34,040 --> 00:16:37,520 Speaker 1: Doyle is Rory's boss and she's throwing him out by 284 00:16:37,520 --> 00:16:40,880 Speaker 1: the way. All the President's Men starring Robert Redford and 285 00:16:40,960 --> 00:16:45,600 Speaker 1: Dustin Hoffman, is the movie based on the Watergate scandal. 286 00:16:45,680 --> 00:16:49,920 Speaker 2: This is what I wanted to ask you. So imagine 287 00:16:49,920 --> 00:16:53,080 Speaker 2: you're Bob Woodward, right, Bob Woodward, You're like, I pretty 288 00:16:53,120 --> 00:16:55,680 Speaker 2: much crush it. I like broke hope in this whole thing. 289 00:16:56,160 --> 00:16:59,080 Speaker 2: I'm like an amazing writer. And then they're like, you 290 00:16:59,080 --> 00:17:02,280 Speaker 2: know what, Bob, We're going to make a movie out 291 00:17:02,320 --> 00:17:04,160 Speaker 2: of you, and here's who's going to play you, the 292 00:17:04,200 --> 00:17:08,159 Speaker 2: biggest stud on the planet, Robert Redford. You gotta be like, 293 00:17:08,760 --> 00:17:11,280 Speaker 2: sounds pretty good. That would literally be like when we 294 00:17:11,359 --> 00:17:13,800 Speaker 2: told you Brad Pitt was going to play you in 295 00:17:13,840 --> 00:17:16,760 Speaker 2: the movie about the Gilmour Girls, we didn't actually see. 296 00:17:17,720 --> 00:17:20,439 Speaker 1: I'd like a shot to get that role. I'd like 297 00:17:20,520 --> 00:17:23,200 Speaker 1: to compete against Brad for that role. I think he 298 00:17:23,240 --> 00:17:25,600 Speaker 1: went out, but I'd like to because we. 299 00:17:25,720 --> 00:17:33,560 Speaker 2: Like who's going to play But yeah, imagine being told 300 00:17:34,280 --> 00:17:38,880 Speaker 2: Robert Redford and at the time like, that's like Robert Redford. 301 00:17:39,080 --> 00:17:41,119 Speaker 1: Robert Redford. Yeah, no, No, he's seventy two, is at 302 00:17:41,119 --> 00:17:44,720 Speaker 1: the height of his powers. Yeah, and that was it. 303 00:17:44,840 --> 00:17:48,119 Speaker 1: You know. It's a very interesting uh uh. There was 304 00:17:48,160 --> 00:17:53,520 Speaker 1: a Rich Goldman. Bill Goldman wrote a book called Adventures 305 00:17:53,520 --> 00:17:57,520 Speaker 1: in the Screen Trade, which goes because Bill Goldman did 306 00:17:57,680 --> 00:17:59,680 Speaker 1: a couple of passes at the script for all the 307 00:17:59,720 --> 00:18:03,280 Speaker 1: Presientan's Men, so it was intimately involvable all the details 308 00:18:03,320 --> 00:18:05,280 Speaker 1: of how that all went down and how that script 309 00:18:05,400 --> 00:18:08,680 Speaker 1: was developed, and how Redford was an executive producer. Very 310 00:18:08,760 --> 00:18:11,960 Speaker 1: interesting read if you want to really dig that deep 311 00:18:12,000 --> 00:18:16,719 Speaker 1: into it. Adventures in the Screen Trade William Goldman, one 312 00:18:16,720 --> 00:18:20,119 Speaker 1: of the great screenwriters of all time, wrote but you 313 00:18:20,200 --> 00:18:24,040 Speaker 1: Cassie and a Sundance Kid. Yeah, I mean just one 314 00:18:24,080 --> 00:18:24,480 Speaker 1: of the greats. 315 00:18:24,520 --> 00:18:28,560 Speaker 2: Anyway, if you're still with us, here comes the last one. 316 00:18:29,840 --> 00:18:33,440 Speaker 2: Marty gives his unpopular opinion. While watching the Marx Brothers movie. 317 00:18:33,680 --> 00:18:36,000 Speaker 2: Marty says, I thought that I Love Lucy episode with 318 00:18:36,040 --> 00:18:39,720 Speaker 2: Harpo Marx was lame. Harpo Marx was a mime artist 319 00:18:39,800 --> 00:18:43,320 Speaker 2: and his comic style was visual, being an example of vaudeville, 320 00:18:43,359 --> 00:18:47,080 Speaker 2: clown and pantomime traditions. Harpo appeared in an episode of 321 00:18:47,119 --> 00:18:49,840 Speaker 2: I Love Lucy and Lucy does the famous mirror routine 322 00:18:49,840 --> 00:18:53,560 Speaker 2: with him, which I remember now too. I still prefer 323 00:18:53,720 --> 00:18:56,760 Speaker 2: the candy eating and the grape stomping if I had 324 00:18:56,800 --> 00:19:01,040 Speaker 2: to say from I Love Lucy the episodes, of course, 325 00:19:01,040 --> 00:19:02,639 Speaker 2: you don't know this candy eating no, I know, on 326 00:19:02,680 --> 00:19:04,520 Speaker 2: the on the conveyor belt, right, yeah, and then when 327 00:19:04,560 --> 00:19:07,040 Speaker 2: they had to stomp the grapes, yeah yeah, yeah. Weirdly 328 00:19:07,080 --> 00:19:11,320 Speaker 2: on my TikTok, an old interview came up with Letterman 329 00:19:11,600 --> 00:19:17,119 Speaker 2: and Desi Arnetts. Oh yeah, like Desi Arnez was about 330 00:19:18,359 --> 00:19:19,920 Speaker 2: I don't remember how old he was when he died. 331 00:19:19,960 --> 00:19:22,880 Speaker 1: So was this one letterman was like a complete ahole 332 00:19:23,000 --> 00:19:24,480 Speaker 1: to every single guest he had. 333 00:19:24,680 --> 00:19:26,639 Speaker 2: I know he did not see. It just was like 334 00:19:26,800 --> 00:19:30,000 Speaker 2: so compelling because he talked about DESI talked about how 335 00:19:30,000 --> 00:19:32,440 Speaker 2: they would not let them sleep in the same bed. 336 00:19:34,240 --> 00:19:36,160 Speaker 2: I love Lucy. That's why they have separate beds because 337 00:19:36,200 --> 00:19:38,400 Speaker 2: like the network for the studio, I'm not sure which 338 00:19:38,440 --> 00:19:39,680 Speaker 2: wouldn't let them share a bed. 339 00:19:41,000 --> 00:19:41,679 Speaker 1: That's the way it was. 340 00:19:41,840 --> 00:19:44,160 Speaker 2: I could be wrong, but I think Carol and Mike 341 00:19:44,200 --> 00:19:46,280 Speaker 2: Brady were one of the first couples to share a bed. 342 00:19:46,400 --> 00:19:51,080 Speaker 2: But somebody keep me on interesting. Thank you see to 343 00:19:51,080 --> 00:19:51,480 Speaker 2: the end. 344 00:19:52,119 --> 00:19:54,879 Speaker 1: You know you've got if you've got six kids between you, 345 00:19:54,960 --> 00:19:56,879 Speaker 1: then you'd better be in the same bed. 346 00:19:57,080 --> 00:19:57,280 Speaker 3: You know. 347 00:19:57,480 --> 00:19:59,800 Speaker 2: Wait, did Fred and Wilma share a bed or they 348 00:19:59,800 --> 00:20:06,399 Speaker 2: had separate beds? Fred and Wilma shared, Fred and Wilma shared. 349 00:20:06,080 --> 00:20:08,560 Speaker 6: Amy I have the. 350 00:20:08,560 --> 00:20:10,399 Speaker 1: Answer Easton for the wind. 351 00:20:11,560 --> 00:20:13,959 Speaker 2: Yeah, Easton had that one, Tara, what's your answer? 352 00:20:14,400 --> 00:20:17,280 Speaker 5: So the first couple to be shown in bed together 353 00:20:17,359 --> 00:20:21,480 Speaker 5: on TV was Mary Kay and Johnny from The Monsters. 354 00:20:22,240 --> 00:20:25,600 Speaker 1: Oh, Mary Kay and Johnny. 355 00:20:26,480 --> 00:20:26,760 Speaker 2: I don't know. 356 00:20:26,800 --> 00:20:28,320 Speaker 6: I've never seen The Monsters. 357 00:20:28,200 --> 00:20:32,640 Speaker 1: The Monsters, Mary Kay was Was she the daughter? No, 358 00:20:32,920 --> 00:20:34,560 Speaker 1: she wasn't the daughter the blonde do. 359 00:20:34,600 --> 00:20:38,280 Speaker 2: Not know the normal separate twin beds like I literally 360 00:20:38,280 --> 00:20:42,280 Speaker 2: think Dessy and Lucy slept in separate twin beds, like, 361 00:20:44,560 --> 00:20:47,280 Speaker 2: but like that wasn't anything anyone did in real life. 362 00:20:47,200 --> 00:20:51,639 Speaker 1: Right, Sure people did that in real life. Really people 363 00:20:51,720 --> 00:20:52,680 Speaker 1: just need to get their sleep. 364 00:20:53,080 --> 00:20:55,000 Speaker 2: Well yeah, but I was kind of done with each other. 365 00:20:55,080 --> 00:20:56,679 Speaker 1: They had their kids. It's like, I just want. 366 00:20:58,359 --> 00:20:59,480 Speaker 2: It's the snoring for me. 367 00:20:59,560 --> 00:21:01,439 Speaker 3: I want to want to do this. 368 00:21:02,880 --> 00:21:03,520 Speaker 2: Other room. 369 00:21:04,200 --> 00:21:06,080 Speaker 1: Mary Kay Johnny was a separate show. 370 00:21:06,560 --> 00:21:09,000 Speaker 2: Oh tar, It seems like they were in the Monsters, 371 00:21:09,000 --> 00:21:11,320 Speaker 2: but it wasn't when they were in the Monsters. I 372 00:21:11,359 --> 00:21:11,679 Speaker 2: don't know. 373 00:21:11,720 --> 00:21:14,359 Speaker 5: We might help us, We may do some research. It 374 00:21:14,359 --> 00:21:16,200 Speaker 5: actually might be Brady Bunch. You might be right, Amy. 375 00:21:17,600 --> 00:21:19,040 Speaker 1: Well, anyway, it's okay. 376 00:21:19,080 --> 00:21:22,119 Speaker 2: I've been wrong before. We'll report back. So wat Scott. 377 00:21:22,240 --> 00:21:24,280 Speaker 2: The next episode has like one of my favorite titles 378 00:21:24,280 --> 00:21:27,800 Speaker 2: of all time, what. 379 00:21:28,280 --> 00:21:30,320 Speaker 1: So Good Talk, Good Talk. 380 00:21:30,640 --> 00:21:32,560 Speaker 6: I feel like Amy says that at the end of 381 00:21:32,560 --> 00:21:33,240 Speaker 6: every phone. 382 00:21:35,640 --> 00:21:37,840 Speaker 1: Good Talk season, fund to end. 383 00:21:37,760 --> 00:21:42,640 Speaker 4: That podcast with so good pod. 384 00:21:43,280 --> 00:21:46,120 Speaker 1: Not ending this podcast. It's not going to end. 385 00:21:46,320 --> 00:21:48,639 Speaker 2: No, we're just saying. Next week's episode we're going to 386 00:21:48,760 --> 00:21:50,720 Speaker 2: end with so good pod. 387 00:21:51,760 --> 00:21:53,760 Speaker 1: So you want to do that? You want to do that. 388 00:21:54,000 --> 00:21:56,000 Speaker 2: Next next week? Yeah, next week. Let's see if any 389 00:21:56,000 --> 00:22:03,760 Speaker 2: of us remembers Almost Stone shared a bed one of 390 00:22:03,800 --> 00:22:05,200 Speaker 2: the first and time Prime time. 391 00:22:05,880 --> 00:22:08,440 Speaker 1: Yeah they did, going right. 392 00:22:09,960 --> 00:22:12,080 Speaker 2: Happy summer guys. By the way, everybody feel a little 393 00:22:12,119 --> 00:22:13,359 Speaker 2: toasty suddenly it warmed up? 394 00:22:13,400 --> 00:22:17,960 Speaker 1: Yeah, I need a Yeah, I tell you, I look 395 00:22:18,080 --> 00:22:20,000 Speaker 1: like an X ray now. It's unbelievable. 396 00:22:24,560 --> 00:22:27,119 Speaker 2: All right, see'all next week. I'm sure there's more to 397 00:22:27,119 --> 00:22:29,800 Speaker 2: talk about, but this is a lengthy of culture. 398 00:22:30,880 --> 00:22:34,119 Speaker 1: You know. They they they crave it, they want it, 399 00:22:34,560 --> 00:22:36,400 Speaker 1: they love the content. All right, we love to give 400 00:22:36,400 --> 00:22:38,359 Speaker 1: it to him. Thanks guys, best fans on the planet. 401 00:22:38,359 --> 00:22:47,800 Speaker 1: See next time. Good talk, and just remember I. 402 00:22:46,119 --> 00:22:48,480 Speaker 2: Get your tough goldures never ending. 403 00:22:50,320 --> 00:22:53,280 Speaker 1: Get all of your ya yas out. I'll uh Rory 404 00:22:53,320 --> 00:22:54,160 Speaker 1: and Logan. 405 00:22:54,560 --> 00:22:56,840 Speaker 2: More a sweater today to try to look professional and 406 00:22:57,560 --> 00:22:58,160 Speaker 2: it's nice. 407 00:22:58,200 --> 00:22:59,800 Speaker 1: It's a thousand degrees. 408 00:22:59,520 --> 00:23:01,680 Speaker 2: Up there, kidness. 409 00:23:01,880 --> 00:23:02,760 Speaker 1: Do you put a sweeter on? 410 00:23:03,040 --> 00:23:04,240 Speaker 2: Get get? Yeah? 411 00:23:04,920 --> 00:23:05,480 Speaker 3: Right? Kids? 412 00:23:06,080 --> 00:23:06,760 Speaker 1: Next time? 413 00:23:07,960 --> 00:23:37,360 Speaker 3: All the best, Hey 414 00:23:37,359 --> 00:23:40,800 Speaker 1: Everybody, and to forget Follow us on Instagram at I 415 00:23:40,880 --> 00:23:44,960 Speaker 1: am all in podcast and email us at Gilmore at 416 00:23:45,119 --> 00:23:55,760 Speaker 1: iHeartRadio dot com