1
00:00:00,400 --> 00:00:05,200
Speaker 1: Wait that ass up in the Morning Breakfast Club. Morning.

2
00:00:05,240 --> 00:00:09,400
Speaker 1: Everybody is DJ Envy, Angela Yee, Charlemagne the guy. We

3
00:00:09,440 --> 00:00:11,399
Speaker 1: are the Breakfast Club. We got a special guest in

4
00:00:11,440 --> 00:00:16,200
Speaker 1: the belly. Indeed, we got Diddy Love Love Love Love.

5
00:00:16,320 --> 00:00:19,400
Speaker 1: You look very New Yorkers today. You got the tims

6
00:00:19,440 --> 00:00:24,640
Speaker 1: on with the puppy. I felt that. Yeah, yeah, I

7
00:00:24,680 --> 00:00:26,680
Speaker 1: definitely didn't have that. Yeah I didn't had this in

8
00:00:26,880 --> 00:00:31,400
Speaker 1: l Yeah, no, no, it definitely. Um, I feel good.

9
00:00:31,440 --> 00:00:33,519
Speaker 1: I was saying. I was saying, thank y'all for the

10
00:00:33,520 --> 00:00:37,880
Speaker 1: balloons and everything, just thank you know, everybody for the love,

11
00:00:38,040 --> 00:00:40,960
Speaker 1: because I was just in a um in the spirit

12
00:00:41,000 --> 00:00:45,480
Speaker 1: of gratitude of just like how like like how important

13
00:00:45,520 --> 00:00:48,440
Speaker 1: it is as an artist to get an opportunity to

14
00:00:48,479 --> 00:00:50,440
Speaker 1: come on the Breakfast Club. You know what I'm saying,

15
00:00:50,560 --> 00:00:53,440
Speaker 1: even though I'm puff or just like you know, just

16
00:00:53,800 --> 00:00:56,280
Speaker 1: the things that I have on the schedule, it really,

17
00:00:56,320 --> 00:00:58,840
Speaker 1: it really really is a blessing. So yeah, I'm just

18
00:00:58,920 --> 00:01:03,440
Speaker 1: here blessed, excited and always a pleasure to be scared

19
00:01:03,480 --> 00:01:06,320
Speaker 1: to do the Morning the Breakfast Club. I ain't scared

20
00:01:06,440 --> 00:01:11,720
Speaker 1: no more because you were one of the first people

21
00:01:11,720 --> 00:01:15,640
Speaker 1: that believed and put us on your platform when a

22
00:01:15,720 --> 00:01:17,759
Speaker 1: lot of people were scared. You know, we came on

23
00:01:17,800 --> 00:01:19,480
Speaker 1: early on you know what I mean, when you were

24
00:01:19,520 --> 00:01:21,400
Speaker 1: building revoteen. You just always want to say thank you

25
00:01:21,400 --> 00:01:23,480
Speaker 1: for that. Oh ma, thank you, thank you, And you

26
00:01:23,520 --> 00:01:25,920
Speaker 1: know we do this because you are a living legend.

27
00:01:26,000 --> 00:01:28,000
Speaker 1: I know people like to throw that term around now,

28
00:01:28,080 --> 00:01:32,120
Speaker 1: but you really are icon living. I appreciate that. It

29
00:01:32,280 --> 00:01:33,640
Speaker 1: was good and I had a chance to see you

30
00:01:33,680 --> 00:01:36,080
Speaker 1: at the iHeart Festival. I went to Vegas, so you

31
00:01:36,160 --> 00:01:38,640
Speaker 1: tore down and you had your son on stage. I

32
00:01:38,640 --> 00:01:41,800
Speaker 1: saw the live that you did beforehand. Yeah, saying how

33
00:01:41,840 --> 00:01:46,520
Speaker 1: he has a hit record right now? Yes, yes, um Christian,

34
00:01:46,640 --> 00:01:51,680
Speaker 1: which is you know, my youngest son and your clone. Yeah,

35
00:01:51,760 --> 00:01:53,960
Speaker 1: my clone. He's like my twin. But he always wanted

36
00:01:54,000 --> 00:01:55,760
Speaker 1: to be on stage since he was three years old.

37
00:01:55,960 --> 00:01:58,480
Speaker 1: Every time he would be at you know, on tour,

38
00:01:58,920 --> 00:02:01,640
Speaker 1: he would just like he messimerized by the stage and

39
00:02:02,040 --> 00:02:03,760
Speaker 1: want to get on and talk on the mic to

40
00:02:03,840 --> 00:02:06,680
Speaker 1: the people and um. So he came out and when

41
00:02:06,720 --> 00:02:08,760
Speaker 1: he said he wanted to be a rap bo I said, well,

42
00:02:08,800 --> 00:02:10,760
Speaker 1: you got to do it on your own. So he

43
00:02:10,760 --> 00:02:14,400
Speaker 1: found his own distribution started grinding him. But everybody thought

44
00:02:14,400 --> 00:02:16,040
Speaker 1: that I was helping him, you know what I'm saying,

45
00:02:16,440 --> 00:02:19,560
Speaker 1: and so um, you know, they was definitely giving him,

46
00:02:19,600 --> 00:02:23,840
Speaker 1: like you know, making him work for what he just accomplished,

47
00:02:23,880 --> 00:02:25,799
Speaker 1: you know what I'm saying, which was what he had

48
00:02:25,840 --> 00:02:27,959
Speaker 1: to do. He had to give him, you know, an

49
00:02:28,040 --> 00:02:31,400
Speaker 1: undeniable hate proof record. He got one, and he got

50
00:02:31,440 --> 00:02:34,480
Speaker 1: one with Kodak Black. You know what I'm saying, Can't stop,

51
00:02:34,520 --> 00:02:37,280
Speaker 1: won't stop bad or He's on the BT Awards tonight

52
00:02:37,360 --> 00:02:39,959
Speaker 1: performing this right and I'm so proud of him because

53
00:02:39,960 --> 00:02:42,600
Speaker 1: I had nothing to do that. I had nothing. I

54
00:02:42,600 --> 00:02:47,000
Speaker 1: didn't call btn't I didn't call nobody and ask him.

55
00:02:47,120 --> 00:02:49,320
Speaker 1: You know, I did ask a couple of dj send

56
00:02:49,440 --> 00:02:51,520
Speaker 1: me and him are both on the charts if he

57
00:02:51,639 --> 00:02:53,799
Speaker 1: if they could, you know, saying support the records of

58
00:02:53,840 --> 00:02:56,480
Speaker 1: his family. But that's after he had to hit you

59
00:02:56,480 --> 00:02:58,640
Speaker 1: know what I'm saying. Besides that, he got it on

60
00:02:58,680 --> 00:03:00,320
Speaker 1: his own, and I want to make that there the

61
00:03:00,360 --> 00:03:03,200
Speaker 1: people because they definitely made him work for it and

62
00:03:03,200 --> 00:03:06,240
Speaker 1: he did the work. In congratulations with the first father

63
00:03:06,320 --> 00:03:08,959
Speaker 1: and son duo will be on the top ten. Competition.

64
00:03:09,639 --> 00:03:11,519
Speaker 1: Is that competition in the house now though, Like wait,

65
00:03:11,560 --> 00:03:19,880
Speaker 1: let's get that dangerous territory for him because it's like

66
00:03:19,880 --> 00:03:22,960
Speaker 1: you sample crush on you and you're saying they can't stop,

67
00:03:23,000 --> 00:03:25,600
Speaker 1: won't stop, which is a legendary phrase that could be

68
00:03:25,760 --> 00:03:27,840
Speaker 1: very big shoes to feel. But yeah, he seems to

69
00:03:27,880 --> 00:03:30,680
Speaker 1: have done his job. Yeah, and definitely, you know, I

70
00:03:30,720 --> 00:03:32,600
Speaker 1: told him, you know, bad Boy was on pause and

71
00:03:32,639 --> 00:03:34,480
Speaker 1: he was like, nine, there's no way I'm letting that.

72
00:03:34,880 --> 00:03:38,640
Speaker 1: He's so bad boy. So he's just taking the flag

73
00:03:38,720 --> 00:03:41,160
Speaker 1: up itself. And it's really really proud to see you know,

74
00:03:41,440 --> 00:03:44,200
Speaker 1: him to go through, you know that that adversity. I

75
00:03:44,280 --> 00:03:48,800
Speaker 1: was asking any friendly competition in the crib at all. Yeah. Um,

76
00:03:50,320 --> 00:03:53,640
Speaker 1: the other day he was charting higher than me out

77
00:03:53,640 --> 00:03:55,880
Speaker 1: of nowhere, and they're just like delivered me the message

78
00:03:56,640 --> 00:03:59,160
Speaker 1: and I was just like, I know that's my son,

79
00:04:00,040 --> 00:04:05,520
Speaker 1: but he's not getting to number one. Before I said

80
00:04:06,040 --> 00:04:09,400
Speaker 1: that is not the way we come back in together,

81
00:04:10,920 --> 00:04:13,280
Speaker 1: not out of black. I just told my team to

82
00:04:13,440 --> 00:04:16,680
Speaker 1: turn up, and I felt so proud, like I felt

83
00:04:16,760 --> 00:04:20,160
Speaker 1: like just so proud kind of that that that that

84
00:04:20,200 --> 00:04:24,159
Speaker 1: he was higher on the chart. There I'm saying, um,

85
00:04:24,200 --> 00:04:27,040
Speaker 1: I don't think as of today, but but you got

86
00:04:27,080 --> 00:04:31,440
Speaker 1: more resources. That's not fair. Yeah, yo yo, it's just

87
00:04:31,480 --> 00:04:36,359
Speaker 1: like running a race with your pops. How did you

88
00:04:36,360 --> 00:04:42,880
Speaker 1: get your in Miami on the remix? Um? Yeah, charge

89
00:04:42,920 --> 00:04:46,839
Speaker 1: you No, No, she was at the studio. I said,

90
00:04:46,839 --> 00:04:50,800
Speaker 1: you know, on the mic, let's do this. Yeah okay, yeah,

91
00:04:50,880 --> 00:04:53,440
Speaker 1: that's what up. She was in the student She cleared

92
00:04:53,560 --> 00:04:57,200
Speaker 1: right away, no problems clay the right away. Yeah, everything's clear,

93
00:04:57,480 --> 00:04:59,680
Speaker 1: Everything's clear. You know what I'm saying. You know you

94
00:04:59,680 --> 00:05:04,760
Speaker 1: want to? Yes, I knew I wanted um yo yo.

95
00:05:04,839 --> 00:05:07,159
Speaker 1: Miami was really supposed to just do it for a challenge.

96
00:05:07,200 --> 00:05:08,479
Speaker 1: You know what I'm saying. She wanted to do the

97
00:05:08,520 --> 00:05:12,279
Speaker 1: open mic challenge. You really love a record and um,

98
00:05:12,839 --> 00:05:16,440
Speaker 1: but Ashanti, you know, um, I just felt a shanty

99
00:05:16,600 --> 00:05:20,599
Speaker 1: just just because I think that that music and art

100
00:05:20,640 --> 00:05:22,800
Speaker 1: could you know what I'm saying, give you a chance

101
00:05:22,839 --> 00:05:25,760
Speaker 1: to speak your mind when it comes to the love territory.

102
00:05:26,040 --> 00:05:28,120
Speaker 1: And you know, after I've seen IRV do his thing,

103
00:05:28,480 --> 00:05:30,240
Speaker 1: and I was just thinking, I was like, Sis may

104
00:05:30,320 --> 00:05:34,000
Speaker 1: want to you know, um, you know, just you know,

105
00:05:34,080 --> 00:05:36,800
Speaker 1: express herself on this song. You know. Oh so she's

106
00:05:36,880 --> 00:05:38,520
Speaker 1: it's kind of like a rebuttal to the stuff. HERB

107
00:05:38,600 --> 00:05:41,120
Speaker 1: was saying, Yeah, like we talked about whatever's going through

108
00:05:41,120 --> 00:05:43,479
Speaker 1: our lives and you know, and IRV is my man,

109
00:05:43,560 --> 00:05:47,400
Speaker 1: and that's I know a shanty before Shanty was like

110
00:05:47,480 --> 00:05:50,160
Speaker 1: you know, fourteen, and I just felt like with the

111
00:05:50,240 --> 00:05:52,680
Speaker 1: with the music, I'm trying to get real truth out

112
00:05:52,680 --> 00:05:55,279
Speaker 1: the music. So you know, I was actually I was

113
00:05:55,360 --> 00:05:59,719
Speaker 1: calling different people that you know, maybe had public relationships,

114
00:06:00,040 --> 00:06:02,479
Speaker 1: because that's what you know, you know, when I made

115
00:06:02,480 --> 00:06:05,159
Speaker 1: the record, it was from my public relationship and me

116
00:06:05,279 --> 00:06:07,719
Speaker 1: having to move on, and so that's how it kind

117
00:06:07,720 --> 00:06:09,800
Speaker 1: of came together. And I feel when you make records

118
00:06:09,800 --> 00:06:12,760
Speaker 1: in the truth, in that truth, it really jumps out.

119
00:06:12,839 --> 00:06:16,320
Speaker 1: So um, yeah, now the remixes is really crazy. It's

120
00:06:16,320 --> 00:06:19,560
Speaker 1: like the rest of my remixes, it's gonna take the

121
00:06:19,640 --> 00:06:23,839
Speaker 1: record to the next level. And yeah, they really really

122
00:06:23,880 --> 00:06:26,080
Speaker 1: really did their thing. That's interesting to see you that

123
00:06:26,160 --> 00:06:28,480
Speaker 1: vulnerable and even to admit that that record is about

124
00:06:28,720 --> 00:06:32,039
Speaker 1: ex relationship. Yeah yeah, I had to. You know, when

125
00:06:32,080 --> 00:06:36,640
Speaker 1: you in this game, and you know, you could definitely

126
00:06:36,640 --> 00:06:39,120
Speaker 1: get an ego you know what I'm saying, and definitely

127
00:06:39,880 --> 00:06:44,560
Speaker 1: experience an ego death when it's somebody that you like, Nah,

128
00:06:44,560 --> 00:06:47,240
Speaker 1: we we We're gonna make it through anything. You know

129
00:06:47,240 --> 00:06:50,400
Speaker 1: what I'm saying. But then when it's over, and then

130
00:06:50,440 --> 00:06:54,480
Speaker 1: it's it's, um yeah, it's over. Like when when something's

131
00:06:54,560 --> 00:06:58,080
Speaker 1: really really over with a woman, it's over and and

132
00:06:58,080 --> 00:07:00,760
Speaker 1: and you got to move on. I really had to

133
00:07:00,839 --> 00:07:02,560
Speaker 1: learn that in my life. I didn't want to move on.

134
00:07:02,640 --> 00:07:04,520
Speaker 1: I was, but I don't go out without a fight.

135
00:07:04,600 --> 00:07:08,279
Speaker 1: I'm like crazy boyfriend. But even after they married and

136
00:07:08,520 --> 00:07:11,040
Speaker 1: got kids and everything else, you stir up a lot

137
00:07:11,080 --> 00:07:14,240
Speaker 1: of shit like that. If they married and got kids,

138
00:07:14,440 --> 00:07:18,280
Speaker 1: Um no, I mean that's when you got to move on.

139
00:07:20,040 --> 00:07:23,640
Speaker 1: That's the only reason why I moved on. Yeah, but yeah, yeah, no,

140
00:07:23,680 --> 00:07:27,800
Speaker 1: it's it's it's it's it's always gonna be. You know.

141
00:07:27,960 --> 00:07:30,080
Speaker 1: That's the thing I have as an artist is my life.

142
00:07:30,160 --> 00:07:32,320
Speaker 1: You know what I'm saying. I may not I maybe

143
00:07:32,560 --> 00:07:36,360
Speaker 1: cannot write the best rhymes as Kendrick or Nods, but

144
00:07:36,440 --> 00:07:39,920
Speaker 1: as an artist artistically telling my truth, you know, saying,

145
00:07:40,160 --> 00:07:44,400
Speaker 1: whether it's through love or getting money or whatever it is,

146
00:07:44,200 --> 00:07:47,320
Speaker 1: it's it's gonna like ring true. You know, what accountability

147
00:07:47,360 --> 00:07:50,680
Speaker 1: do you take in that come into an end? Me?

148
00:07:51,640 --> 00:07:55,360
Speaker 1: I mean everything I was just like, you know, I

149
00:07:55,440 --> 00:08:00,760
Speaker 1: just you know, I was. I just was wasn't. I've

150
00:08:00,800 --> 00:08:03,400
Speaker 1: never been a good boyfriend, you know what I'm saying.

151
00:08:04,120 --> 00:08:07,560
Speaker 1: That's why no, no where I'm single, you know. And

152
00:08:07,960 --> 00:08:11,239
Speaker 1: I'm honest now, but I was like I would always

153
00:08:11,280 --> 00:08:14,280
Speaker 1: be you know, lying or seeing it. But then the

154
00:08:14,400 --> 00:08:18,400
Speaker 1: Internet just went so crazy, you know. And and I

155
00:08:18,880 --> 00:08:24,120
Speaker 1: definitely was like a you know, a cheetahs. You know.

156
00:08:24,200 --> 00:08:26,160
Speaker 1: I wasn't an instacute. I just I was just wanting

157
00:08:26,200 --> 00:08:28,720
Speaker 1: my cake and eat it too. I just I just

158
00:08:28,760 --> 00:08:32,400
Speaker 1: wanted it all. I'm just a scorpio and with a

159
00:08:32,400 --> 00:08:34,360
Speaker 1: lot of money. Huh. And you don't want those women

160
00:08:34,400 --> 00:08:36,360
Speaker 1: to do other things. I think a lot of guys

161
00:08:36,400 --> 00:08:38,880
Speaker 1: have that where they're like, I want to, you know,

162
00:08:39,000 --> 00:08:41,400
Speaker 1: be together and be with you, treat you like my woman,

163
00:08:41,920 --> 00:08:43,520
Speaker 1: have you not do other things? But I'm gonna do

164
00:08:43,520 --> 00:08:47,640
Speaker 1: other things. Um yeah, I mean, I mean before I

165
00:08:48,080 --> 00:08:50,600
Speaker 1: just wanted to have a girlfriend, just to have maybe

166
00:08:50,679 --> 00:08:52,600
Speaker 1: some girls on the side, you know what I'm saying,

167
00:08:53,040 --> 00:08:54,520
Speaker 1: just to have you know what I'm saying. But I

168
00:08:54,520 --> 00:08:57,200
Speaker 1: had wanted my previous relationship. I wanted to it to

169
00:08:57,280 --> 00:09:00,360
Speaker 1: just be like that, you know. And you know, I

170
00:09:00,440 --> 00:09:02,000
Speaker 1: had a lot of growing up to do, you know

171
00:09:02,040 --> 00:09:05,200
Speaker 1: what I'm saying grow. You know, even if I was older,

172
00:09:05,280 --> 00:09:07,440
Speaker 1: I had to. You know, the way I was seeing it,

173
00:09:07,480 --> 00:09:09,800
Speaker 1: I wasn't seeing it right. You know, you can't play

174
00:09:09,840 --> 00:09:13,440
Speaker 1: with somebody's live, live life, You can't play with somebody's heart.

175
00:09:13,640 --> 00:09:16,200
Speaker 1: Have you grown up? You said you needed to grow up? Yeah? Yeah, yeah.

176
00:09:16,240 --> 00:09:18,680
Speaker 1: So you know if when you get into that situation again,

177
00:09:18,800 --> 00:09:20,840
Speaker 1: you won't be the same. Did he as? Yeah, I

178
00:09:20,880 --> 00:09:23,840
Speaker 1: won't be in that situation because I'm I'm just fair

179
00:09:23,880 --> 00:09:26,200
Speaker 1: and I'm honest. You know what I'm saying. I'm single

180
00:09:26,360 --> 00:09:28,240
Speaker 1: and I'm able to do whatever i want to do

181
00:09:28,280 --> 00:09:31,160
Speaker 1: in my life. You single, and you're able to do

182
00:09:31,200 --> 00:09:33,360
Speaker 1: whatever you want to do in your life because that's

183
00:09:33,400 --> 00:09:35,920
Speaker 1: the season our men. So instead of lying about it,

184
00:09:36,000 --> 00:09:40,160
Speaker 1: hurting somebody about it, Hey, I want to go to Italy,

185
00:09:40,440 --> 00:09:46,680
Speaker 1: Coreia say y'all go together real bad? Yeah? Yeah, yeah,

186
00:09:46,679 --> 00:09:52,079
Speaker 1: I mean Creicia single, I'm single and um no know

187
00:09:52,080 --> 00:09:54,400
Speaker 1: what I'm saying. She's one of my best friends. This

188
00:09:54,440 --> 00:09:56,800
Speaker 1: girl is one of the I'm so blessed to have

189
00:09:57,080 --> 00:10:00,480
Speaker 1: met this human being. You know what I'm saying, Just

190
00:10:00,960 --> 00:10:05,160
Speaker 1: the way she makes me laugh, the way she you know,

191
00:10:05,280 --> 00:10:08,679
Speaker 1: just you know, rides with me and you know what

192
00:10:08,720 --> 00:10:12,320
Speaker 1: I'm saying, the support without it having to be oh,

193
00:10:12,360 --> 00:10:15,720
Speaker 1: this is my girl or this is this situation. You

194
00:10:15,760 --> 00:10:18,880
Speaker 1: know what I'm saying, She's like, has been a real friend,

195
00:10:19,240 --> 00:10:22,240
Speaker 1: and you don't get like you don't find best friends

196
00:10:22,360 --> 00:10:24,960
Speaker 1: later on in life. That's what I'm saying. And so

197
00:10:25,480 --> 00:10:27,800
Speaker 1: she's she's one of my best friends. And that's really

198
00:10:27,880 --> 00:10:31,160
Speaker 1: the definition for us. It's my shorty wasp. She always

199
00:10:31,200 --> 00:10:34,920
Speaker 1: gonna be laced, always gonna be hot, smiling. I love

200
00:10:35,320 --> 00:10:38,120
Speaker 1: your dynamics. On Karsha please, I was like, look at

201
00:10:38,160 --> 00:10:44,520
Speaker 1: did he acted like a little shy, you know, question

202
00:10:45,000 --> 00:10:46,920
Speaker 1: not knowing what to say. I think that's a good

203
00:10:46,920 --> 00:10:50,080
Speaker 1: thing though. Yeah, yeah, it's it's like I'm I'm saying

204
00:10:50,559 --> 00:10:54,480
Speaker 1: I'm not monogamous, but I'm not not ready for you

205
00:10:54,480 --> 00:10:57,280
Speaker 1: know what I'm saying for my snow sol to be snatched.

206
00:10:57,320 --> 00:10:59,559
Speaker 1: I'm not trying to be a player. I'm not trying

207
00:10:59,559 --> 00:11:02,120
Speaker 1: to be like a pimp or nothing like that. I'm just,

208
00:11:02,520 --> 00:11:05,760
Speaker 1: you know, I think dating is important when you've gone

209
00:11:05,760 --> 00:11:08,160
Speaker 1: through something and you know you're not really ready to

210
00:11:08,200 --> 00:11:11,320
Speaker 1: be in a relationship, and and and it's getting to

211
00:11:11,360 --> 00:11:15,720
Speaker 1: an important time. You know you know, just taking the

212
00:11:15,800 --> 00:11:18,600
Speaker 1: time to get to know people. You know, I could

213
00:11:18,600 --> 00:11:20,319
Speaker 1: have had people that I took the time with the

214
00:11:20,440 --> 00:11:22,640
Speaker 1: date that I could have been a relationship with then

215
00:11:22,880 --> 00:11:25,680
Speaker 1: broke over somebody else. But now we dated, we have fun.

216
00:11:25,760 --> 00:11:28,200
Speaker 1: We saw it didn't feel right, you know what I'm saying,

217
00:11:28,200 --> 00:11:30,720
Speaker 1: It didn't last test of time. So I mean, that's

218
00:11:30,840 --> 00:11:33,160
Speaker 1: that's that's that's my world, you know what I'm saying.

219
00:11:33,360 --> 00:11:36,160
Speaker 1: And I'm not taking away from any madness in love

220
00:11:36,320 --> 00:11:39,520
Speaker 1: or any people that want to be married or want

221
00:11:39,520 --> 00:11:42,960
Speaker 1: to you know, say their monogamous, but they're not. I'm

222
00:11:43,000 --> 00:11:45,640
Speaker 1: just telling the truth. But then really gonna get married,

223
00:11:45,640 --> 00:11:47,320
Speaker 1: because I no, I don't want to get married, you

224
00:11:47,320 --> 00:11:49,000
Speaker 1: don't want to get not I don't want to get married,

225
00:11:49,000 --> 00:11:52,080
Speaker 1: But I would have a ceremony, a ceremony that would

226
00:11:52,120 --> 00:11:54,520
Speaker 1: be better for a wedding for my wife. You just

227
00:11:54,600 --> 00:12:01,040
Speaker 1: want to have a party now, because because if if if, if, if,

228
00:12:01,200 --> 00:12:04,920
Speaker 1: it would be like a celebration in the ceremony, it

229
00:12:04,960 --> 00:12:08,440
Speaker 1: would be a celebration week though, a celebration about love.

230
00:12:09,200 --> 00:12:11,559
Speaker 1: Oh okay, I mean, we just do it different thing.

231
00:12:12,280 --> 00:12:14,000
Speaker 1: And I was gonna say, be a celebration of my

232
00:12:14,120 --> 00:12:16,920
Speaker 1: love and she would probably get you know, a half

233
00:12:16,960 --> 00:12:19,080
Speaker 1: a billion dollars. And see that's what I was gonna say, right,

234
00:12:19,080 --> 00:12:21,280
Speaker 1: because she ain't gotta get it when she baby, I

235
00:12:21,360 --> 00:12:22,640
Speaker 1: want you to get it when you're here. But see

236
00:12:22,640 --> 00:12:25,200
Speaker 1: that's what I mean, right. It's because if a woman

237
00:12:25,280 --> 00:12:27,840
Speaker 1: is dating you, you're doing things for her that she's

238
00:12:28,000 --> 00:12:30,760
Speaker 1: never had done before. You're taking them to Italy, buying

239
00:12:30,800 --> 00:12:33,480
Speaker 1: them crazy cars. You can imagine how she might think

240
00:12:33,480 --> 00:12:35,880
Speaker 1: he really likes me, But that's just your lifestyle. That's

241
00:12:35,880 --> 00:12:38,200
Speaker 1: easy for you. No, I really like him from taking

242
00:12:38,200 --> 00:12:40,520
Speaker 1: the Italy and by car, I didn't say. I don't

243
00:12:40,559 --> 00:12:42,719
Speaker 1: say I didn't really like somebody. Man, I don't know

244
00:12:42,720 --> 00:12:49,800
Speaker 1: what I'm saying. I'm you know I'm saying. I just

245
00:12:50,400 --> 00:12:52,440
Speaker 1: and then it's like right now, I just want to

246
00:12:52,440 --> 00:12:55,880
Speaker 1: be single, and I just want to have different experiences

247
00:12:56,080 --> 00:12:58,120
Speaker 1: and I want to take my time with my love

248
00:12:58,280 --> 00:13:01,680
Speaker 1: life and my heart and I have to be be

249
00:13:01,760 --> 00:13:03,400
Speaker 1: doing it for the Graham. You know what I'm saying.

250
00:13:03,480 --> 00:13:05,560
Speaker 1: And if I like you, I'm going to treat you

251
00:13:05,640 --> 00:13:08,720
Speaker 1: the best. I'm not going ain't gonna time to be cheap, baby,

252
00:13:08,920 --> 00:13:10,200
Speaker 1: you know what I'm saying. And I ain't got no

253
00:13:10,280 --> 00:13:12,920
Speaker 1: time to play, you know. So if if I like

254
00:13:13,000 --> 00:13:15,240
Speaker 1: you and I need you to be happy every second

255
00:13:15,240 --> 00:13:18,360
Speaker 1: of the day, damn. Yeah, I don't want to stay

256
00:13:18,400 --> 00:13:19,560
Speaker 1: on this, But how are you going to give up

257
00:13:19,559 --> 00:13:21,120
Speaker 1: the five hundred million? Though? Why do they just get

258
00:13:21,120 --> 00:13:24,280
Speaker 1: to happen? You know why? Because you can't take it

259
00:13:24,320 --> 00:13:28,960
Speaker 1: with you. And it's also a lot of stress that

260
00:13:28,960 --> 00:13:33,080
Speaker 1: that that sometimes people have to put up with digesting this,

261
00:13:33,280 --> 00:13:35,319
Speaker 1: you know what I'm saying, So you might as well,

262
00:13:35,360 --> 00:13:37,920
Speaker 1: you know, be mad in the may back. Then, let

263
00:13:37,920 --> 00:13:44,760
Speaker 1: me ask you that your daughters are all absolutely beautiful. Yeah,

264
00:13:44,880 --> 00:13:49,280
Speaker 1: great jobs that kid. When it comes to them dating, yeah,

265
00:13:49,280 --> 00:13:51,080
Speaker 1: it feels like they're at that age. Like what advice

266
00:13:51,080 --> 00:13:52,760
Speaker 1: do you give your daughters now when it comes to

267
00:13:52,920 --> 00:13:55,320
Speaker 1: I told my daughters straight up, I said, check this out.

268
00:13:56,480 --> 00:13:59,559
Speaker 1: Dad is like your best friend. I know what all

269
00:13:59,720 --> 00:14:03,040
Speaker 1: of the these guys want to really really do. I'm

270
00:14:03,040 --> 00:14:06,640
Speaker 1: going to school y'all to all the truth, you know

271
00:14:06,640 --> 00:14:09,720
Speaker 1: what I'm saying, Like, y'all see, your daddy's a rolling stone.

272
00:14:09,760 --> 00:14:12,800
Speaker 1: And I love y'all. I'm and and this is this

273
00:14:12,880 --> 00:14:16,960
Speaker 1: is just me right now, you know. And um, but

274
00:14:16,960 --> 00:14:19,160
Speaker 1: but when it comes time to start dating. I'm gonna

275
00:14:19,200 --> 00:14:21,560
Speaker 1: give you all of this, all of the tricks of

276
00:14:21,640 --> 00:14:25,800
Speaker 1: the trade, you know. And but I'm gonna tell you

277
00:14:25,840 --> 00:14:30,640
Speaker 1: this right now. If you give it away, it ain't

278
00:14:30,720 --> 00:14:34,720
Speaker 1: it ain't worth it ain't worth as much. It ain't worth.

279
00:14:34,800 --> 00:14:38,800
Speaker 1: You gotta y'all gotta wait and take your time. And

280
00:14:39,240 --> 00:14:42,960
Speaker 1: that's like the conversation to treat yourself like queens and

281
00:14:43,120 --> 00:14:46,320
Speaker 1: don't do nothing without coming and talk to me. Now,

282
00:14:46,320 --> 00:14:49,480
Speaker 1: what did they say? What do they say? Dadda? But

283
00:14:49,640 --> 00:14:51,640
Speaker 1: we see what you're doing. We kind of want to

284
00:14:51,680 --> 00:14:54,360
Speaker 1: follow you because you are idol and we look up

285
00:14:54,400 --> 00:14:56,880
Speaker 1: to you. They Um, I definitely told him, do not

286
00:14:57,000 --> 00:14:59,840
Speaker 1: follow me. You know what I'm saying at this point

287
00:15:00,080 --> 00:15:04,360
Speaker 1: your life, do not follow me? And um, you know

288
00:15:04,440 --> 00:15:07,760
Speaker 1: I just said your dad is a unique individual, you know,

289
00:15:08,360 --> 00:15:14,600
Speaker 1: and and um, yeah, I mean, I mean, I mean

290
00:15:14,720 --> 00:15:18,880
Speaker 1: the truth, just just the uncut truth of of of

291
00:15:18,880 --> 00:15:22,480
Speaker 1: of what it is is that you know your dad.

292
00:15:22,680 --> 00:15:25,560
Speaker 1: You could you know that may not be what you

293
00:15:25,680 --> 00:15:27,520
Speaker 1: what you like, or you may fall in love with

294
00:15:27,600 --> 00:15:29,760
Speaker 1: somebody like your dad, that's honest to you. You know

295
00:15:29,800 --> 00:15:33,040
Speaker 1: what I'm saying. If when they're older and their twenties,

296
00:15:33,040 --> 00:15:36,000
Speaker 1: they bring home of fifty year old man. What would

297
00:15:36,040 --> 00:15:43,440
Speaker 1: you say to that? Um? I really would just go

298
00:15:43,520 --> 00:15:47,680
Speaker 1: on who who really would love my daughters? I really

299
00:15:47,720 --> 00:15:49,960
Speaker 1: wouldn't go on an age thing. You know what I'm saying,

300
00:15:50,480 --> 00:15:54,720
Speaker 1: because I'm I'm fifty two, and um, I mean I

301
00:15:54,760 --> 00:15:57,400
Speaker 1: feel better than I've ever felt, you know, and it's

302
00:15:57,440 --> 00:16:03,000
Speaker 1: a it's a blessing, you know what I'm saying. Um, So, yeah,

303
00:16:03,040 --> 00:16:05,240
Speaker 1: I don't. I don't really think you know, once people

304
00:16:05,240 --> 00:16:08,240
Speaker 1: are adults, you know what I'm saying. Like, if if

305
00:16:08,320 --> 00:16:11,080
Speaker 1: I'm like, you know, dating a girl from college or something,

306
00:16:11,520 --> 00:16:13,720
Speaker 1: then maybe you know, we should throw up the red flag.

307
00:16:13,760 --> 00:16:15,880
Speaker 1: But we're talking about if you got a your adult,

308
00:16:15,920 --> 00:16:19,720
Speaker 1: you got two kids, that's our choice. And I'm definitely

309
00:16:19,920 --> 00:16:23,840
Speaker 1: you know, fly the most. You know young boys, yeah,

310
00:16:23,960 --> 00:16:27,800
Speaker 1: I mean yeah boys, you know whatever it is. Yeah,

311
00:16:27,840 --> 00:16:30,400
Speaker 1: I mean I'm just like timeless. I don't really feel

312
00:16:30,480 --> 00:16:33,240
Speaker 1: time like you know. Sometimes when cats be hitting me

313
00:16:33,320 --> 00:16:36,200
Speaker 1: with the og, I take it, take it out of respect.

314
00:16:36,240 --> 00:16:40,760
Speaker 1: But sometimes I'd be feeling like uh, um or you

315
00:16:40,800 --> 00:16:45,600
Speaker 1: think you you think I'm not here no more, or

316
00:16:45,680 --> 00:16:55,720
Speaker 1: you think we can't wrestle. I mean, yo, yo, don't

317
00:16:55,720 --> 00:16:58,920
Speaker 1: say wrestle did he fight, don't say wrestle, and yo,

318
00:16:58,960 --> 00:17:01,000
Speaker 1: when I get on you though, for real, I'm trying

319
00:17:01,000 --> 00:17:02,960
Speaker 1: to bite your face off. But I don't be doing

320
00:17:02,960 --> 00:17:05,840
Speaker 1: the same fighting. I'm more of a savage type of fighting,

321
00:17:05,920 --> 00:17:10,159
Speaker 1: you know, a wrestling magic. Let's last time you got

322
00:17:10,240 --> 00:17:14,720
Speaker 1: to a fight and it's been a mean, it's been

323
00:17:14,720 --> 00:17:17,919
Speaker 1: a long time, and you pay people. You have to

324
00:17:17,920 --> 00:17:22,760
Speaker 1: do that kind of thing. Not fight you're fighting? Not

325
00:17:22,880 --> 00:17:24,200
Speaker 1: be like, yo, what I'm going on? Who're not doing

326
00:17:24,240 --> 00:17:26,159
Speaker 1: their job? And did he fight? But it's a friendly fight? No,

327
00:17:26,240 --> 00:17:28,760
Speaker 1: no real fight, no beef. But you know every right

328
00:17:28,760 --> 00:17:30,760
Speaker 1: now friendly? Not rather to se y'all wrestle. To be

329
00:17:30,800 --> 00:17:36,199
Speaker 1: honest with you, what you said, it's more like grappling,

330
00:17:36,280 --> 00:17:39,080
Speaker 1: you know what I'm saying, more like you got see

331
00:17:39,680 --> 00:17:44,399
Speaker 1: why are you doing it? Trying to I'm unpossible. You

332
00:17:44,440 --> 00:17:47,879
Speaker 1: understand what I'm saying. I'm impossible. Do y'all think that

333
00:17:48,040 --> 00:17:52,879
Speaker 1: I care? I know what anything or what? Now? Yo?

334
00:17:53,560 --> 00:17:59,760
Speaker 1: I'm like absolutely done. Black Man's right. You know, I'm

335
00:17:59,800 --> 00:18:02,880
Speaker 1: just saying like I like, I like more hand than

336
00:18:02,920 --> 00:18:09,199
Speaker 1: hand comes down, you know. Oh yeah, And I'm not

337
00:18:09,320 --> 00:18:13,240
Speaker 1: your uncle though it's real, I'm your competition. I could

338
00:18:13,280 --> 00:18:16,040
Speaker 1: be your daddy, you know what I'm saying. But I'm

339
00:18:16,080 --> 00:18:18,679
Speaker 1: not like your uncle Lee Roy. So you don't like

340
00:18:19,080 --> 00:18:22,159
Speaker 1: you don't like OG, none of that. I just like love. No,

341
00:18:22,240 --> 00:18:25,560
Speaker 1: I don't take it as a as anything, but it

342
00:18:25,680 --> 00:18:29,080
Speaker 1: is fifty percent of people in their head that's really

343
00:18:29,160 --> 00:18:32,440
Speaker 1: like damn. You know, you know OG. You know what

344
00:18:32,440 --> 00:18:35,480
Speaker 1: I'm saying. It's like you could maybe a little feeble.

345
00:18:35,720 --> 00:18:39,640
Speaker 1: Don't let these young niggas like he's trying to motherfucking

346
00:18:39,720 --> 00:18:42,959
Speaker 1: play you. You know what I'm saying. I could, I

347
00:18:42,960 --> 00:18:44,879
Speaker 1: could be in something and it could be you know

348
00:18:45,760 --> 00:18:49,359
Speaker 1: she twenty eight thirty whatever whatever, His time is gonna

349
00:18:49,400 --> 00:18:52,760
Speaker 1: come with the OG like he really disrupting something, you

350
00:18:52,800 --> 00:18:56,840
Speaker 1: know what I'm saying. So it'd be subliminal og in

351
00:18:56,560 --> 00:18:59,840
Speaker 1: in age hate in the industry, you know what I'm saying.

352
00:19:00,040 --> 00:19:01,280
Speaker 1: So that's why you hop off the jet with the

353
00:19:01,280 --> 00:19:03,480
Speaker 1: shirt off to let them know it's still na na No.

354
00:19:03,640 --> 00:19:06,240
Speaker 1: I mean, I'm just fighting a good fight right now,

355
00:19:06,320 --> 00:19:10,400
Speaker 1: you know what I'm saying. I mean, I'm just speaking

356
00:19:10,480 --> 00:19:12,480
Speaker 1: my truth so I can have it clear. I don't

357
00:19:12,520 --> 00:19:15,360
Speaker 1: like to not express myself. So it's not like I'm

358
00:19:15,400 --> 00:19:18,080
Speaker 1: taking in a negative way. I'm just like I'm here

359
00:19:18,080 --> 00:19:20,760
Speaker 1: at prime time. Don't if I use on the court

360
00:19:20,800 --> 00:19:24,360
Speaker 1: with Jordan. You called Jordan Og, he gonna dunk on you.

361
00:19:24,359 --> 00:19:26,520
Speaker 1: You know what I'm saying. So so I you know,

362
00:19:26,600 --> 00:19:29,320
Speaker 1: I respect the OG, but I'm not like an original gangster,

363
00:19:29,520 --> 00:19:32,640
Speaker 1: you know what I'm saying. I'm just like I'm king.

364
00:19:33,119 --> 00:19:37,960
Speaker 1: I'm love truth and so it should applied with Yad

365
00:19:38,000 --> 00:19:40,560
Speaker 1: the other day and you talk about fashion. What was

366
00:19:40,600 --> 00:19:45,920
Speaker 1: that conversation? Like, did you see his fashion choices? Yeah? No,

367
00:19:46,280 --> 00:19:49,199
Speaker 1: I wasn't on the phone with ya. Actually I was

368
00:19:49,400 --> 00:19:53,400
Speaker 1: actually speaking a lot of people don't know my fashion background.

369
00:19:53,480 --> 00:19:57,320
Speaker 1: But I'm the first African American to win the CFDA Award.

370
00:19:57,400 --> 00:20:02,000
Speaker 1: Now it's the most coveted award in fashion. Um, no

371
00:20:02,400 --> 00:20:04,560
Speaker 1: black man had ever won it when I did, Sean

372
00:20:04,640 --> 00:20:07,320
Speaker 1: John and Sean John was going on the runways. It

373
00:20:07,320 --> 00:20:09,840
Speaker 1: took me like four years to win it, and I

374
00:20:09,920 --> 00:20:14,040
Speaker 1: want it, and um, so I'm not like I'm like

375
00:20:14,119 --> 00:20:17,720
Speaker 1: a real, real real designer, you know what I'm saying.

376
00:20:18,160 --> 00:20:20,960
Speaker 1: That has in that getting to see if there or

377
00:20:20,960 --> 00:20:23,959
Speaker 1: what I had to beat Ralph Lauren and Michael Kors,

378
00:20:24,080 --> 00:20:27,800
Speaker 1: you know, And so I was saying. I was I'm

379
00:20:27,840 --> 00:20:30,800
Speaker 1: getting back into fashion, like I'm at my highest level

380
00:20:31,240 --> 00:20:35,080
Speaker 1: of creative video, my highest frequency, So I'm getting back

381
00:20:35,080 --> 00:20:37,840
Speaker 1: into fashion. And I was just saying that, you know

382
00:20:38,320 --> 00:20:43,359
Speaker 1: that the my quality and everything has to be like

383
00:20:43,480 --> 00:20:46,119
Speaker 1: really really up to Paul because I was like, I

384
00:20:46,200 --> 00:20:49,480
Speaker 1: want Kanye to call me and ask me, please send me.

385
00:20:49,960 --> 00:20:53,480
Speaker 1: You know what I'm saying, whatever whatever I've made and

386
00:20:53,520 --> 00:20:59,199
Speaker 1: then yeah, yeah, yeah, yeah, yeah, yeah yeah yeah, that

387
00:20:59,320 --> 00:21:02,040
Speaker 1: yeah yeah, the YEA standard. So I wanted to come

388
00:21:02,040 --> 00:21:04,920
Speaker 1: back in because I felt like he held it down

389
00:21:05,040 --> 00:21:07,000
Speaker 1: while I took a break from fashion. You know what

390
00:21:07,000 --> 00:21:09,880
Speaker 1: I'm saying, he held it down, Virgil held it down

391
00:21:09,920 --> 00:21:12,000
Speaker 1: to the next level. But you know what I'm saying,

392
00:21:12,160 --> 00:21:16,280
Speaker 1: I and me and I'm the first African American you

393
00:21:16,320 --> 00:21:21,080
Speaker 1: know CEFD a war winner, so my level of things

394
00:21:21,160 --> 00:21:26,640
Speaker 1: have to be at a higher standard. Then um then

395
00:21:26,800 --> 00:21:29,560
Speaker 1: then then my my, you know, my counterparts that I

396
00:21:29,600 --> 00:21:31,399
Speaker 1: look up to. You know what, I'm saying that we're

397
00:21:31,440 --> 00:21:33,879
Speaker 1: able to take the baton and tournament into billion dollar

398
00:21:34,000 --> 00:21:37,680
Speaker 1: businesses from Sean John. But then I'm then I'm saying,

399
00:21:37,680 --> 00:21:40,360
Speaker 1: if I'm getting back on the court now, I'm playing

400
00:21:40,480 --> 00:21:43,200
Speaker 1: to make sure. You know, that's when you know it's

401
00:21:43,240 --> 00:21:45,120
Speaker 1: hot when they call and ask them for the boxes.

402
00:21:45,560 --> 00:21:47,680
Speaker 1: And so that's that's what I was saying. And then

403
00:21:47,720 --> 00:21:50,879
Speaker 1: I was gonna put out these T shirts today, um,

404
00:21:51,000 --> 00:21:57,000
Speaker 1: Kanye and nothing, and then Kanye my boy, Kanye my boy.

405
00:21:57,080 --> 00:22:00,880
Speaker 1: Now this is where he needed to Kanye my boy,

406
00:22:01,240 --> 00:22:06,120
Speaker 1: White lives matter. Kanye my boy is a super super

407
00:22:06,240 --> 00:22:09,359
Speaker 1: super free thinker. You know what I'm saying, And a

408
00:22:09,359 --> 00:22:13,720
Speaker 1: lot of times what he means is is like misconstrued,

409
00:22:13,880 --> 00:22:21,080
Speaker 1: you know what I'm saying, and sometimes just you know, no, no, no, no,

410
00:22:21,160 --> 00:22:26,159
Speaker 1: I'm not making excuses. I'm just saying that if he

411
00:22:26,280 --> 00:22:29,160
Speaker 1: did it, like, that's the way he thinks. And so

412
00:22:29,680 --> 00:22:32,560
Speaker 1: you know, and I understand white lives do matter, but

413
00:22:32,600 --> 00:22:35,360
Speaker 1: it's not that that was our slogan. That wasn't our

414
00:22:35,440 --> 00:22:39,320
Speaker 1: slogan to go share with with with nobody else. And

415
00:22:39,359 --> 00:22:42,800
Speaker 1: so that's the that's the only message. We don't have

416
00:22:42,840 --> 00:22:46,800
Speaker 1: to condemn Kanye or cancel him for. You don't have

417
00:22:46,840 --> 00:22:50,600
Speaker 1: to go crazy. But at the same time, you know, saying,

418
00:22:50,600 --> 00:22:55,119
Speaker 1: you gotta be you gotta understand like your actions, you

419
00:22:55,119 --> 00:22:57,399
Speaker 1: know what I'm saying, and so that you know the

420
00:22:57,440 --> 00:23:00,600
Speaker 1: action of that. You know, I could didn't put out

421
00:23:00,600 --> 00:23:03,199
Speaker 1: the Kanye and Nothing T shirt. I just couldn't. I

422
00:23:03,200 --> 00:23:05,840
Speaker 1: couldn't do it on today and I wanted to put

423
00:23:05,840 --> 00:23:09,040
Speaker 1: out my first T shirt to tribute Kanye, and I'm

424
00:23:09,160 --> 00:23:10,960
Speaker 1: still do it. I just need a couple of days

425
00:23:10,960 --> 00:23:14,880
Speaker 1: to get over this T shirt because right now, we're

426
00:23:14,920 --> 00:23:18,439
Speaker 1: the ones that are that are dying, you know what

427
00:23:18,440 --> 00:23:22,960
Speaker 1: I'm saying, that are in concentrated, that are left in poverty,

428
00:23:23,320 --> 00:23:29,760
Speaker 1: not getting no you know, any any any money for retribute.

429
00:23:29,800 --> 00:23:34,359
Speaker 1: What is its reparations? And on top of that, you know,

430
00:23:34,600 --> 00:23:38,119
Speaker 1: flooding our communities with drugs and guns, and we know

431
00:23:38,160 --> 00:23:40,400
Speaker 1: all listening they still not trying to break us off.

432
00:23:40,480 --> 00:23:42,920
Speaker 1: Which that's the next level we gotta go to. So

433
00:23:43,200 --> 00:23:47,200
Speaker 1: surely ain't no time for no other lives mattering right now,

434
00:23:47,320 --> 00:23:51,119
Speaker 1: but the tribe. You have to be unapologetically black and

435
00:23:51,240 --> 00:23:53,840
Speaker 1: love your people and love your tribe first. If you

436
00:23:53,960 --> 00:23:56,600
Speaker 1: heard something was going on, your ass would be running

437
00:23:56,640 --> 00:23:59,000
Speaker 1: to your house first. You would not be going to

438
00:23:59,080 --> 00:24:02,159
Speaker 1: your neighbor's house first. They'd be running today house first.

439
00:24:02,359 --> 00:24:04,440
Speaker 1: We gotta run to our house first, and we ain't

440
00:24:04,440 --> 00:24:07,080
Speaker 1: got no time for like no internet. You know what

441
00:24:07,119 --> 00:24:10,720
Speaker 1: I'm saying, Like White Lives Matter, that put that up

442
00:24:10,720 --> 00:24:12,919
Speaker 1: against the Black lives matter. Now we need to be

443
00:24:12,960 --> 00:24:15,960
Speaker 1: focused on ourselves. Let the white lives, let them white

444
00:24:15,960 --> 00:24:19,480
Speaker 1: lives they self out. Let's let's let's black lives ourselves.

445
00:24:20,280 --> 00:24:22,120
Speaker 1: You know what I'm saying right now, And I don't

446
00:24:22,119 --> 00:24:25,919
Speaker 1: think it's not the time for unnecessary noise with you

447
00:24:25,920 --> 00:24:28,360
Speaker 1: know him or Karen Owens. You know what I'm saying,

448
00:24:28,359 --> 00:24:32,199
Speaker 1: because this is really Candice, Caren Candid, She Careron Owens.

449
00:24:32,240 --> 00:24:35,800
Speaker 1: Now that's a new name, daddy, did he? She Candid

450
00:24:36,119 --> 00:24:39,399
Speaker 1: too black of a name. She's Caron Owens. All right,

451
00:24:39,560 --> 00:24:42,399
Speaker 1: So that's what I've always respected about you. The jay

452
00:24:42,520 --> 00:24:45,120
Speaker 1: Z of the world, Andre Horrell got blessed the day.

453
00:24:45,160 --> 00:24:49,440
Speaker 1: Y'all are always unapologetically black, and y'all mogil Journey. The

454
00:24:49,480 --> 00:24:51,199
Speaker 1: problem I'm be having with you sometimes like he goes

455
00:24:51,240 --> 00:24:52,960
Speaker 1: out of his way to seek white valida. I'm gonna

456
00:24:52,960 --> 00:24:55,240
Speaker 1: tell you right now, it's way too serious. Now we're

457
00:24:55,240 --> 00:24:58,120
Speaker 1: sitting here, we like this were less than one percent.

458
00:24:58,920 --> 00:25:02,879
Speaker 1: Instagram got the algorithm, TikTok got the algorithm of just

459
00:25:03,080 --> 00:25:06,440
Speaker 1: niggas just having fun, Black people just having fun. Brown

460
00:25:06,480 --> 00:25:11,840
Speaker 1: people just having fun and everybody is starving at a

461
00:25:12,000 --> 00:25:15,440
Speaker 1: level that that I don't think people know you know

462
00:25:15,440 --> 00:25:18,640
Speaker 1: what I'm saying, that's really what's going on. So it's

463
00:25:18,640 --> 00:25:22,200
Speaker 1: just no time to do nothing but to shed light

464
00:25:22,560 --> 00:25:25,000
Speaker 1: and focus on that, you know what I'm saying. From

465
00:25:25,080 --> 00:25:28,119
Speaker 1: as I said from inconcerration to if somebody want to

466
00:25:28,119 --> 00:25:30,040
Speaker 1: get a job, how do they get a job? Like,

467
00:25:30,080 --> 00:25:32,280
Speaker 1: if you're serious, you know what I'm saying, If you

468
00:25:32,320 --> 00:25:35,320
Speaker 1: ain't on Instagram doing digital stuff, there's no other job

469
00:25:35,400 --> 00:25:37,920
Speaker 1: for you but to sell drugs. And you know what

470
00:25:37,920 --> 00:25:42,080
Speaker 1: I'm saying, scam or whatever it is. And it's just like, like,

471
00:25:42,200 --> 00:25:44,840
Speaker 1: we can't be tone deaf, you know what I'm saying

472
00:25:44,880 --> 00:25:47,360
Speaker 1: as a people, And so to me it was very

473
00:25:47,440 --> 00:25:50,960
Speaker 1: tone deaf. But I'm not I'm not condemning my brother

474
00:25:50,960 --> 00:25:53,639
Speaker 1: because I like it when he's a free thinker. But

475
00:25:53,760 --> 00:25:56,280
Speaker 1: I just think that this time is the wrong time

476
00:25:56,640 --> 00:25:59,280
Speaker 1: because we don't need to get distracted. We really need

477
00:25:59,280 --> 00:26:03,119
Speaker 1: to know what's going on besides Instagram, what's going on

478
00:26:03,400 --> 00:26:05,760
Speaker 1: in our communities. That's right. I want to talk about

479
00:26:05,760 --> 00:26:07,480
Speaker 1: being an artist man, because I feel like regardless of

480
00:26:07,480 --> 00:26:09,680
Speaker 1: how big of a mogul you are, You're always an

481
00:26:09,720 --> 00:26:13,000
Speaker 1: artist mode. Does that artist hunger ever leave you? Yeah?

482
00:26:13,080 --> 00:26:15,080
Speaker 1: I would say, Um, I lost my artists for like

483
00:26:15,119 --> 00:26:18,080
Speaker 1: eight years, and like the last two years I really

484
00:26:18,119 --> 00:26:19,800
Speaker 1: started to get it back. When I said I lost

485
00:26:19,800 --> 00:26:22,879
Speaker 1: my artist, that's the artist of creativity in me. So

486
00:26:22,920 --> 00:26:25,919
Speaker 1: that's why I'm at a highly highly creative zone. I

487
00:26:25,960 --> 00:26:29,720
Speaker 1: want to send a shout out to all of the

488
00:26:29,880 --> 00:26:34,520
Speaker 1: seasoned executives and seasoned creatives. I'm always looking for new creatives,

489
00:26:34,760 --> 00:26:39,320
Speaker 1: but I'm I am trying to poach people from you know,

490
00:26:39,400 --> 00:26:42,800
Speaker 1: some of the top companies that know the information that

491
00:26:42,840 --> 00:26:46,760
Speaker 1: we need to know to be able to not just compete,

492
00:26:46,960 --> 00:26:49,600
Speaker 1: but to dominate. You know, it wasn't because the liquor

493
00:26:49,600 --> 00:26:51,679
Speaker 1: did so well. You pivoted because at one time it

494
00:26:51,720 --> 00:26:53,680
Speaker 1: was all about the rock and all about de Lyon

495
00:26:53,800 --> 00:26:58,639
Speaker 1: and it was less about did he the artist? Yeah? I, um,

496
00:27:00,040 --> 00:27:03,000
Speaker 1: you know what you know? Um, the money had got

497
00:27:03,080 --> 00:27:05,800
Speaker 1: to me, you know what I'm saying. And I wasn't

498
00:27:05,800 --> 00:27:11,560
Speaker 1: really inspired and so like, yeah, I was really down

499
00:27:11,560 --> 00:27:16,440
Speaker 1: a road of understanding, you know, like like high level

500
00:27:16,640 --> 00:27:20,400
Speaker 1: corporate business at a whole other level. And so it

501
00:27:20,440 --> 00:27:24,600
Speaker 1: was like a time for me to learn more. But

502
00:27:24,600 --> 00:27:26,800
Speaker 1: but I was I was empty. You know what I'm saying.

503
00:27:26,840 --> 00:27:30,080
Speaker 1: I was empty. I felt lost. My frequency was down

504
00:27:30,560 --> 00:27:33,359
Speaker 1: and because I wasn't creating. And so I'm here to

505
00:27:33,440 --> 00:27:35,800
Speaker 1: create and sometimes you have to you have to go

506
00:27:35,920 --> 00:27:38,480
Speaker 1: and touch the money and touch it said to realize.

507
00:27:38,880 --> 00:27:41,680
Speaker 1: Now that's that, that's not that's not what I'm here

508
00:27:41,720 --> 00:27:45,000
Speaker 1: to do, you know what I'm saying. So artistically, you know,

509
00:27:45,080 --> 00:27:47,320
Speaker 1: I'm back all the way, you know what I'm saying.

510
00:27:47,320 --> 00:27:50,639
Speaker 1: As far as as my thoughts and now even the

511
00:27:50,720 --> 00:27:53,000
Speaker 1: resources I used to just have pickat signs, now I

512
00:27:53,080 --> 00:27:56,320
Speaker 1: got you know, technology, So you know, I'm just trying

513
00:27:56,359 --> 00:27:59,600
Speaker 1: to make the highest art that I can. And um, yeah,

514
00:27:59,600 --> 00:28:02,080
Speaker 1: I'm very excited for Sean John to be back and

515
00:28:02,160 --> 00:28:09,120
Speaker 1: for me to be sought in that project. And now

516
00:28:08,880 --> 00:28:11,320
Speaker 1: how how has the project been coming along? Because I

517
00:28:11,320 --> 00:28:13,480
Speaker 1: had been working on it for some time now. Yeah,

518
00:28:13,760 --> 00:28:17,800
Speaker 1: So are their songs confirmed? Do we have a release date? Yes?

519
00:28:18,160 --> 00:28:20,800
Speaker 1: I was, And just back to that question about just

520
00:28:20,920 --> 00:28:23,920
Speaker 1: being an artist, that's that's That's what I'm deeply into

521
00:28:24,040 --> 00:28:26,000
Speaker 1: right now. I have a new album coming out. It's

522
00:28:26,000 --> 00:28:29,240
Speaker 1: an all R and B album. Um, It'll be out

523
00:28:29,840 --> 00:28:33,800
Speaker 1: you know, I would say top of the year, it'll

524
00:28:33,840 --> 00:28:36,439
Speaker 1: be out and it's all it's all arm. It's like

525
00:28:36,480 --> 00:28:38,880
Speaker 1: the super Bowl of R and B. And it's just

526
00:28:39,040 --> 00:28:41,960
Speaker 1: my take. That's always been my gift, which was making

527
00:28:42,160 --> 00:28:45,080
Speaker 1: R and B before the business and entrepreneur stuff. It

528
00:28:45,160 --> 00:28:47,640
Speaker 1: was a way the sounds I put on my life,

529
00:28:47,640 --> 00:28:50,720
Speaker 1: the core changes the experience I've had with Joe to

530
00:28:50,880 --> 00:28:55,600
Speaker 1: see um, you know one twelve Day twenty six new

531
00:28:55,800 --> 00:29:00,840
Speaker 1: edition called Tim and s refa Franklin Beyonce total. You

532
00:29:00,840 --> 00:29:03,600
Speaker 1: know what I'm saying like that, that that's that's home

533
00:29:03,720 --> 00:29:07,680
Speaker 1: to me, and so making that right now, and you

534
00:29:07,720 --> 00:29:09,760
Speaker 1: know it's as far as as far as my name

535
00:29:10,200 --> 00:29:12,640
Speaker 1: being changed to love and we're in the love era,

536
00:29:13,000 --> 00:29:15,760
Speaker 1: I'm making the music that goes with that, because I

537
00:29:15,800 --> 00:29:17,960
Speaker 1: was also saying, like, my girl's gonna have no music

538
00:29:18,040 --> 00:29:21,000
Speaker 1: to fall in love too, you know what I'm saying.

539
00:29:21,040 --> 00:29:25,000
Speaker 1: And you know everything is just it's not vulnerable and

540
00:29:25,000 --> 00:29:28,640
Speaker 1: and and baby making enough or you know, it's not

541
00:29:28,680 --> 00:29:30,920
Speaker 1: making me dance. So I'm making R and B to

542
00:29:31,040 --> 00:29:33,800
Speaker 1: make you dance, r B to make babies, to to

543
00:29:33,880 --> 00:29:37,680
Speaker 1: make love and because I think it's needed now more

544
00:29:37,680 --> 00:29:40,320
Speaker 1: than ever. I think that the images in the in

545
00:29:40,400 --> 00:29:43,760
Speaker 1: the frequency that we live in is a very dangerous

546
00:29:43,760 --> 00:29:46,840
Speaker 1: frequency for black people and all people, you know what

547
00:29:46,880 --> 00:29:49,320
Speaker 1: I'm saying. But for me, I was doing it because

548
00:29:49,720 --> 00:29:52,680
Speaker 1: as us as as people of color, we were losing

549
00:29:53,000 --> 00:29:57,800
Speaker 1: our African American culture. This is our greatest expert ever,

550
00:29:58,200 --> 00:30:01,040
Speaker 1: which is soul music, which so MU music had had

551
00:30:01,120 --> 00:30:04,360
Speaker 1: everything from jazz to the blues, to rock and roll

552
00:30:04,520 --> 00:30:06,760
Speaker 1: to hip hop. You know what I'm saying. And so

553
00:30:07,280 --> 00:30:11,040
Speaker 1: R and B is is is you know, is really

554
00:30:11,080 --> 00:30:14,280
Speaker 1: really an important not just a genre of music for

555
00:30:14,360 --> 00:30:17,560
Speaker 1: them for the computers to give numbers too. But it's

556
00:30:17,640 --> 00:30:22,720
Speaker 1: it's an art form, it's a feeling, it's a frequency.

557
00:30:22,800 --> 00:30:24,719
Speaker 1: Dead though, yeah, they could get mad at me all

558
00:30:24,760 --> 00:30:27,800
Speaker 1: a want because yeah, yeah, they could be upset all

559
00:30:27,840 --> 00:30:29,960
Speaker 1: a one, you know, because I'm always gonna give you

560
00:30:30,000 --> 00:30:32,920
Speaker 1: the truth. And when something is alive and thriving, then

561
00:30:32,960 --> 00:30:36,160
Speaker 1: it's alive and thriving, you know, when something doesn't have

562
00:30:36,240 --> 00:30:41,560
Speaker 1: the resources. And Billboard has hip hop going against um

563
00:30:42,600 --> 00:30:44,680
Speaker 1: R and B. That was an excellent point. Yeah, yeah,

564
00:30:44,680 --> 00:30:48,480
Speaker 1: it's it's there's no way to compete. So you have

565
00:30:48,680 --> 00:30:50,640
Speaker 1: artists that of making R and B that a's so

566
00:30:50,680 --> 00:30:54,480
Speaker 1: sad because they not they don't have no hits. The

567
00:30:54,600 --> 00:30:56,640
Speaker 1: hits is what makes you happy. You know what I'm

568
00:30:56,640 --> 00:30:59,640
Speaker 1: saying that if you're just living in a sad zone,

569
00:31:00,080 --> 00:31:02,520
Speaker 1: that's the only thing you know, you know that's being

570
00:31:02,560 --> 00:31:06,600
Speaker 1: put out. But um, and so it hasn't been alive

571
00:31:06,640 --> 00:31:09,600
Speaker 1: because it doesn't have the resources to be alive. You

572
00:31:09,640 --> 00:31:13,920
Speaker 1: know what I'm saying. It's it's um. It's doing the

573
00:31:13,960 --> 00:31:16,000
Speaker 1: best he can, and the artists are doing the best

574
00:31:16,000 --> 00:31:18,120
Speaker 1: it can. But the thing I was talking about was

575
00:31:18,120 --> 00:31:21,120
Speaker 1: the way everything's being programmed and the resources. And I

576
00:31:21,240 --> 00:31:24,560
Speaker 1: used to be buggling out, like is there conspiracy to

577
00:31:24,800 --> 00:31:28,120
Speaker 1: just put out negative music? There is, like I would

578
00:31:28,120 --> 00:31:34,840
Speaker 1: be there is a little conspiracy for the darkness. And

579
00:31:34,960 --> 00:31:37,200
Speaker 1: you know what I'm saying, the darkness is at a heavy,

580
00:31:37,240 --> 00:31:41,160
Speaker 1: heavy rate. So why now Because I feel I'm at

581
00:31:41,160 --> 00:31:44,240
Speaker 1: of frequency, I'm in my Godly I'm walking in the

582
00:31:44,400 --> 00:31:46,600
Speaker 1: spirit and it's best time for me to make the

583
00:31:46,720 --> 00:31:49,400
Speaker 1: music because the purpose is bigger than the moment. It's

584
00:31:49,760 --> 00:31:52,560
Speaker 1: not about me. I've left me. I'm in too. We

585
00:31:53,400 --> 00:31:56,200
Speaker 1: all of the people, we had an industry, an ecosystem

586
00:31:56,240 --> 00:32:01,360
Speaker 1: of musicians, of writers, of people from the church of emotions,

587
00:32:01,400 --> 00:32:04,280
Speaker 1: of things that were the heartbeat of us, you know

588
00:32:04,320 --> 00:32:07,880
Speaker 1: what I'm saying. And so when when when that musicality

589
00:32:08,120 --> 00:32:12,080
Speaker 1: left and it started everything started to sound like computer beats.

590
00:32:12,600 --> 00:32:15,680
Speaker 1: I as a gatekeeper of R and B, was like

591
00:32:16,240 --> 00:32:19,360
Speaker 1: feeling like batman, like it's time to get back out.

592
00:32:19,400 --> 00:32:21,200
Speaker 1: There are some of the things you'll be talking about.

593
00:32:21,400 --> 00:32:22,960
Speaker 1: So we know that God and move on. That comes

594
00:32:22,960 --> 00:32:26,120
Speaker 1: from a real place. But what other real places are

595
00:32:26,120 --> 00:32:27,680
Speaker 1: you going to be discussed? I have a song called

596
00:32:27,760 --> 00:32:30,760
Speaker 1: kim Porter. Oh, that's one with John Legend here with

597
00:32:30,840 --> 00:32:36,200
Speaker 1: John Legend and baby Face um, and it talks about

598
00:32:36,280 --> 00:32:39,400
Speaker 1: like how I used to wait for the sound of

599
00:32:39,440 --> 00:32:42,720
Speaker 1: her voice six days and seven nights because you know,

600
00:32:42,800 --> 00:32:45,880
Speaker 1: we didn't have no you didn't have no social media,

601
00:32:46,040 --> 00:32:49,120
Speaker 1: so like your girl could really go in mya like

602
00:32:49,600 --> 00:32:53,920
Speaker 1: just just disappear, change the number whatever, guard at the door,

603
00:32:54,040 --> 00:32:56,040
Speaker 1: not let you in. You just You'll be waiting as

604
00:32:56,040 --> 00:32:58,800
Speaker 1: long until she was ready, And I'll be waiting for

605
00:32:58,840 --> 00:33:01,840
Speaker 1: that call calling that I would get that call and

606
00:33:01,960 --> 00:33:05,160
Speaker 1: I was. You know. With this album, it's about like

607
00:33:05,240 --> 00:33:08,440
Speaker 1: all of my all of my experiences, you know what

608
00:33:08,440 --> 00:33:11,080
Speaker 1: I'm saying. I heard a version of that record, and

609
00:33:11,160 --> 00:33:13,200
Speaker 1: I remember when I heard it, I was like that

610
00:33:13,320 --> 00:33:15,680
Speaker 1: had to hurt. Yeah, like it had to hurt just

611
00:33:15,680 --> 00:33:18,040
Speaker 1: to even make it. Yeah. Yeah, I mean the whole

612
00:33:18,040 --> 00:33:20,120
Speaker 1: concept for me was I wanted to make a record that,

613
00:33:20,760 --> 00:33:23,360
Speaker 1: you know, I like to have my cake and eat

614
00:33:23,400 --> 00:33:27,240
Speaker 1: it too. I'm sorry, but I mean I'm not sorry.

615
00:33:27,560 --> 00:33:31,280
Speaker 1: I wanted God to hear this song and take it

616
00:33:31,320 --> 00:33:33,640
Speaker 1: to and say, I'm a child. I'm allow you to

617
00:33:33,680 --> 00:33:36,000
Speaker 1: go visit him in his dreams, you know what I'm saying,

618
00:33:36,400 --> 00:33:39,320
Speaker 1: because he made this song that was so like beautiful

619
00:33:39,560 --> 00:33:41,600
Speaker 1: and it's not a sad song, you know what I'm saying,

620
00:33:41,680 --> 00:33:44,120
Speaker 1: but it's it's a song about the type of love

621
00:33:44,160 --> 00:33:47,320
Speaker 1: we all yearn and hope to have. It feel like you,

622
00:33:47,320 --> 00:33:49,560
Speaker 1: you you realize that you missed out when I hear

623
00:33:49,600 --> 00:33:51,840
Speaker 1: that record, like I should have this is who I

624
00:33:51,840 --> 00:33:55,560
Speaker 1: should have married? Almost Yeah, I never. I never went

625
00:33:55,640 --> 00:33:59,400
Speaker 1: through that feeling of Okay, I messed up, this is

626
00:33:59,440 --> 00:34:03,280
Speaker 1: who I should married because we honestly not everybody wants

627
00:34:03,280 --> 00:34:05,680
Speaker 1: to get married, you know what I'm saying. You know,

628
00:34:05,960 --> 00:34:09,600
Speaker 1: um and and and for somebody to love you and

629
00:34:09,640 --> 00:34:13,000
Speaker 1: to understand that I didn't come I didn't come from that,

630
00:34:13,120 --> 00:34:16,640
Speaker 1: you know what I'm saying. And because my father was

631
00:34:16,760 --> 00:34:19,239
Speaker 1: killed and my mother didn't, they didn't, so I just

632
00:34:19,280 --> 00:34:22,719
Speaker 1: didn't come from that. So the time that we had,

633
00:34:22,840 --> 00:34:28,239
Speaker 1: the way it was was absolutely perfect, was absolutely what.

634
00:34:28,760 --> 00:34:30,719
Speaker 1: I had no regrets, you know what I'm saying. I

635
00:34:30,800 --> 00:34:34,719
Speaker 1: spoiled her, I loved her, I did everything, and me

636
00:34:34,840 --> 00:34:37,560
Speaker 1: and her had the conversation about getting married. So I

637
00:34:38,040 --> 00:34:40,759
Speaker 1: felt comfortable with that. So I'm not like, oh, man

638
00:34:41,760 --> 00:34:44,560
Speaker 1: messed up. I'm like, just man, just like like my

639
00:34:45,000 --> 00:34:48,239
Speaker 1: you know, my best friend isn't here. You know, who

640
00:34:48,280 --> 00:34:50,200
Speaker 1: was the shoulder to lean on during all that time?

641
00:34:50,320 --> 00:34:52,719
Speaker 1: You know who did you lean on? Who did you hug,

642
00:34:52,760 --> 00:34:54,640
Speaker 1: Who did you call? Who was in your corner? Who

643
00:34:54,680 --> 00:34:57,160
Speaker 1: was what you do for everybody? Who was doing that

644
00:34:57,160 --> 00:35:00,600
Speaker 1: for for you? Yeah? I have this problem where when

645
00:35:00,640 --> 00:35:06,320
Speaker 1: it gets real, real intense, you know, um, I isolate myself.

646
00:35:07,080 --> 00:35:11,040
Speaker 1: So I was mostly it was God. God had to

647
00:35:11,080 --> 00:35:14,080
Speaker 1: pull me through because I just had locked myself in

648
00:35:14,120 --> 00:35:16,960
Speaker 1: the room for like like a couple of months, you

649
00:35:16,960 --> 00:35:18,560
Speaker 1: know what I'm saying, because I couldn't even deal with

650
00:35:18,600 --> 00:35:21,080
Speaker 1: the reality that I had six kids out there that

651
00:35:21,120 --> 00:35:23,759
Speaker 1: I had to raise. I was almost like, you know,

652
00:35:24,239 --> 00:35:26,319
Speaker 1: hiding from them, trying to figure out, Okay, what am

653
00:35:26,360 --> 00:35:28,919
Speaker 1: I supposed to do? You know what I'm saying. But

654
00:35:29,719 --> 00:35:31,920
Speaker 1: in the craziest thing, the person that I leaned through

655
00:35:32,120 --> 00:35:37,120
Speaker 1: was her because I knew the spirit didn't die, and

656
00:35:37,160 --> 00:35:39,080
Speaker 1: I knew if I asked a question and knowing how

657
00:35:39,200 --> 00:35:41,719
Speaker 1: would get the right answer. So that's helped me with

658
00:35:41,840 --> 00:35:44,920
Speaker 1: everything I do as far as raising my kids. Is

659
00:35:44,960 --> 00:35:46,839
Speaker 1: the things that I've seen her do and I learned

660
00:35:46,840 --> 00:35:48,520
Speaker 1: from her. You think you're gonna be able to perform

661
00:35:48,600 --> 00:35:52,520
Speaker 1: that record because recently you've been dedicating missing you to her.

662
00:35:52,680 --> 00:35:54,239
Speaker 1: You think you'd be able to do the record with

663
00:35:54,320 --> 00:35:57,600
Speaker 1: John Legend and being Yeah, the record is beautiful. The

664
00:35:57,680 --> 00:36:00,640
Speaker 1: record is beautiful. I'm happy to say. Going through my

665
00:36:00,719 --> 00:36:04,399
Speaker 1: healing journey and everybody that has gone through grief, I'm

666
00:36:04,440 --> 00:36:07,160
Speaker 1: actually like coming out of that, you know what I'm saying,

667
00:36:07,160 --> 00:36:09,360
Speaker 1: And I feel good and I feel great, and I

668
00:36:09,440 --> 00:36:13,200
Speaker 1: understand that I'm happy for the time that I got.

669
00:36:13,239 --> 00:36:15,080
Speaker 1: I'm happy for the twenty years. A lot of times

670
00:36:15,080 --> 00:36:17,200
Speaker 1: you don't even get that, you know what I'm saying.

671
00:36:17,320 --> 00:36:21,440
Speaker 1: Into having my girls, it's just like almost God is

672
00:36:21,480 --> 00:36:23,600
Speaker 1: playing tricks on me because my girl is going and

673
00:36:23,719 --> 00:36:29,440
Speaker 1: it's like I have two kims. Yeah, very talented. Yeah,

674
00:36:29,480 --> 00:36:31,520
Speaker 1: but they're just like their mother, you know what I'm saying.

675
00:36:31,560 --> 00:36:35,000
Speaker 1: So it's like psychologically that's got to be like so mind,

676
00:36:35,920 --> 00:36:39,440
Speaker 1: it's like it's like no, it was like yeah, like

677
00:36:39,600 --> 00:36:42,560
Speaker 1: God is the greatest. Look at this, like God is

678
00:36:42,600 --> 00:36:46,719
Speaker 1: the greatest. He just God just didn't leave me, you

679
00:36:46,760 --> 00:36:51,480
Speaker 1: know what I'm saying, Like he left me. He left

680
00:36:51,520 --> 00:36:54,200
Speaker 1: me with what I needed. You know, I'm enjoying that

681
00:36:54,239 --> 00:36:56,240
Speaker 1: part of it, the daddy I call it the daddy daycare,

682
00:36:56,280 --> 00:36:58,400
Speaker 1: the daddy daycare part. I see you dropping them off

683
00:36:58,440 --> 00:37:00,160
Speaker 1: at school while I'm seeing you, and you got fly.

684
00:37:00,360 --> 00:37:02,640
Speaker 1: You gott fly older kids, like they're old enough to

685
00:37:02,719 --> 00:37:04,440
Speaker 1: keep you in tune, you know what I mean. That's

686
00:37:04,520 --> 00:37:06,200
Speaker 1: how you enjoying Now I've seen you at the other

687
00:37:06,280 --> 00:37:08,200
Speaker 1: day where they would do at the chair game. You know,

688
00:37:08,200 --> 00:37:10,239
Speaker 1: we're sharing it. So how are you enjoying that part

689
00:37:10,280 --> 00:37:12,640
Speaker 1: of it? Because that's the part that you didn't necessarily

690
00:37:13,120 --> 00:37:17,600
Speaker 1: have to do, but now you have to do that. Yeah,

691
00:37:17,840 --> 00:37:21,080
Speaker 1: that's that's why I'm here, Like, that's that's definitely one

692
00:37:21,120 --> 00:37:23,080
Speaker 1: of my top purposes. You know what I'm saying. Even

693
00:37:23,120 --> 00:37:26,040
Speaker 1: I do other things, it's my kids. It's my proudest moment.

694
00:37:26,239 --> 00:37:27,920
Speaker 1: It's my most ball. I ain't gonna lie to you,

695
00:37:27,960 --> 00:37:30,439
Speaker 1: it's my most ball. In this small absolution, I'm gonna

696
00:37:30,440 --> 00:37:35,560
Speaker 1: just say I could pull out twenty May backs, three

697
00:37:35,680 --> 00:37:40,160
Speaker 1: helicopters drop five million on the city with the magic

698
00:37:40,239 --> 00:37:44,520
Speaker 1: of like how I have raised my kids and and

699
00:37:44,520 --> 00:37:48,960
Speaker 1: and and how respectful they are, and how kind and

700
00:37:49,080 --> 00:37:52,759
Speaker 1: how generous and how they listen and and and you know,

701
00:37:52,840 --> 00:37:56,880
Speaker 1: and respect me. Um, it's just such a blessing and

702
00:37:56,920 --> 00:37:59,839
Speaker 1: to see their dreams come true. And like so when

703
00:37:59,840 --> 00:38:01,520
Speaker 1: I'm was on stage the other day, I was on

704
00:38:01,520 --> 00:38:04,520
Speaker 1: the stage with Christian and I was just like, man,

705
00:38:04,880 --> 00:38:09,319
Speaker 1: like this is incredible. He was killing you too. Yeah, yeah, yeah, yeah,

706
00:38:09,360 --> 00:38:11,040
Speaker 1: he's yeah and now yeah, I want to go back

707
00:38:11,040 --> 00:38:12,680
Speaker 1: to kill you. I want to go back to that

708
00:38:12,800 --> 00:38:17,200
Speaker 1: that I'm not I'm training extra hard right now. He

709
00:38:17,280 --> 00:38:20,279
Speaker 1: will not be out bopping me. But the Bible was

710
00:38:20,280 --> 00:38:23,879
Speaker 1: a little fluid. Yeah, yeah, you know where you got

711
00:38:23,880 --> 00:38:26,879
Speaker 1: it from. But still I'm listen, no, no, no, I'm

712
00:38:26,920 --> 00:38:30,280
Speaker 1: taking that. He's in the lead right now on the bop.

713
00:38:30,800 --> 00:38:34,200
Speaker 1: He's about to kill the BT Awards. You're gonna be

714
00:38:34,280 --> 00:38:38,960
Speaker 1: saying puff you can retire now, and um, I'm proud

715
00:38:38,960 --> 00:38:42,560
Speaker 1: of that. But I'm not going nowhere, he said. He

716
00:38:42,600 --> 00:38:44,319
Speaker 1: took a couple of bobs, but he said, he got you.

717
00:38:44,719 --> 00:38:47,880
Speaker 1: I'm not. I'm not leaving. I'm not. I'm not leaving.

718
00:38:48,560 --> 00:38:52,480
Speaker 1: How does Love Records? How does Love different from Bad Boy?

719
00:38:52,520 --> 00:38:55,120
Speaker 1: I mean, Love Records is an all R and B label,

720
00:38:55,200 --> 00:38:57,799
Speaker 1: you know what I'm saying. That's really dedicated to that

721
00:38:57,920 --> 00:39:02,080
Speaker 1: genre of like soul music even you know, um, but

722
00:39:02,480 --> 00:39:05,160
Speaker 1: I call it hip hop soul, you know, so you

723
00:39:05,200 --> 00:39:08,600
Speaker 1: know we may even have it. We're gonna have artists

724
00:39:08,600 --> 00:39:11,880
Speaker 1: that that that you know that actually you know, really

725
00:39:12,000 --> 00:39:18,080
Speaker 1: sing and you know, feel that void of love if

726
00:39:18,120 --> 00:39:20,640
Speaker 1: you're driving down or I remember driving down the after

727
00:39:20,800 --> 00:39:23,520
Speaker 1: y'all now after y'all west Side Highway, you know what

728
00:39:23,520 --> 00:39:25,880
Speaker 1: I'm saying, And just with my girl and having a

729
00:39:26,000 --> 00:39:28,400
Speaker 1: song and singing to Hut and it's like, you know,

730
00:39:28,400 --> 00:39:31,280
Speaker 1: when you're with your dog and you're singing like fever

731
00:39:31,600 --> 00:39:36,439
Speaker 1: my lady, Yeah, and you're like singing off key to hut.

732
00:39:36,600 --> 00:39:41,239
Speaker 1: She blushing? What are you doing that now? What you're

733
00:39:41,280 --> 00:39:43,160
Speaker 1: singing to her now though, you know what I'm saying

734
00:39:43,560 --> 00:39:46,359
Speaker 1: and so, and there's nothing wrong with that because there's

735
00:39:46,400 --> 00:39:48,600
Speaker 1: a code to how to make it and you gotta

736
00:39:48,640 --> 00:39:51,239
Speaker 1: be in the frequency and I'm in the frequency, and

737
00:39:51,400 --> 00:39:54,040
Speaker 1: I want to take that challenge. Why not take some

738
00:39:54,120 --> 00:39:57,439
Speaker 1: of the young artists and give them that nineties feel

739
00:39:57,520 --> 00:40:01,960
Speaker 1: because it's like, you did shoot on a whole genre

740
00:40:02,440 --> 00:40:04,759
Speaker 1: someone Walkers. What artists do you feel like are out

741
00:40:04,760 --> 00:40:12,160
Speaker 1: goods artists? Baby Face has an album with all women. Yeah,

742
00:40:12,200 --> 00:40:15,200
Speaker 1: I'm R and B artists who are out Now you're

743
00:40:15,280 --> 00:40:20,560
Speaker 1: the talking point artists that you did shot on the

744
00:40:20,560 --> 00:40:23,640
Speaker 1: whole genre of new dope ass artists, a lot of

745
00:40:23,680 --> 00:40:28,040
Speaker 1: youngest Well, okay, you know what it is. It's very

746
00:40:28,080 --> 00:40:31,680
Speaker 1: important to clear that up. That wasn't no intention to

747
00:40:31,680 --> 00:40:34,200
Speaker 1: shoot on anybody. I'm only here to elevate, you know

748
00:40:34,200 --> 00:40:38,120
Speaker 1: what I'm saying. And um, when I was saying that,

749
00:40:38,160 --> 00:40:41,880
Speaker 1: I was I'm talking about the resources. I wasn't talking

750
00:40:41,920 --> 00:40:44,160
Speaker 1: about like, yo, the singers are bad. I was like,

751
00:40:44,520 --> 00:40:46,960
Speaker 1: you could have the hottest R and B record and

752
00:40:47,040 --> 00:40:51,959
Speaker 1: no body will know because there's not enough playlist, there's

753
00:40:52,040 --> 00:40:55,719
Speaker 1: not enough money to to to really present you in

754
00:40:55,760 --> 00:40:58,760
Speaker 1: the right way as a superstar, you can't make videos

755
00:40:58,760 --> 00:41:02,920
Speaker 1: to compete with hip hop artists. And also making an

756
00:41:03,040 --> 00:41:06,600
Speaker 1: R and B song of quality takes a longer time

757
00:41:06,680 --> 00:41:09,919
Speaker 1: than hip hop. And and then the way the charts

758
00:41:10,000 --> 00:41:12,319
Speaker 1: were set up, the charts is designed for you. The

759
00:41:12,400 --> 00:41:18,960
Speaker 1: charts is where you get yesterday's price. I mean today's

760
00:41:19,000 --> 00:41:24,400
Speaker 1: price was not yesterday's yesterday's price not today's price. You

761
00:41:24,440 --> 00:41:26,920
Speaker 1: get that from the chart. You go number one, and

762
00:41:26,960 --> 00:41:31,319
Speaker 1: then if you can get to number one, then you're

763
00:41:31,360 --> 00:41:33,719
Speaker 1: not really alive, you know what I'm saying. And so

764
00:41:33,920 --> 00:41:36,719
Speaker 1: I was not directing it towards any artists because there's

765
00:41:36,760 --> 00:41:39,400
Speaker 1: so many great young artists that are out here, and

766
00:41:39,440 --> 00:41:43,640
Speaker 1: I don't just represent um nineties R and B like

767
00:41:43,840 --> 00:41:46,799
Speaker 1: like I could make anything and making Martin. So I'm

768
00:41:46,840 --> 00:41:50,040
Speaker 1: excited for y'all to like, you know, hear the new sound.

769
00:41:50,080 --> 00:41:53,360
Speaker 1: But of course I couldn't go and do it without

770
00:41:53,360 --> 00:41:56,400
Speaker 1: the young artists. I couldn't do it out Summer Walker.

771
00:41:57,480 --> 00:42:01,080
Speaker 1: I couldn't do it out job quiz. You know what

772
00:42:01,080 --> 00:42:04,880
Speaker 1: I'm saying. I can't say everybody's name for you. We

773
00:42:04,960 --> 00:42:06,920
Speaker 1: got you, but I was gonna ask you to you know,

774
00:42:07,440 --> 00:42:08,799
Speaker 1: you don't want to give up on everybody on the

775
00:42:08,840 --> 00:42:11,279
Speaker 1: that's on the album. Yeah, yeah, because I'm not announce it.

776
00:42:11,320 --> 00:42:13,480
Speaker 1: You know what I'm saying. Linux is another one scissor

777
00:42:13,880 --> 00:42:18,160
Speaker 1: only thing on the album. But I was gonna ask,

778
00:42:18,200 --> 00:42:21,680
Speaker 1: you know, what did you think about right where you

779
00:42:21,760 --> 00:42:24,319
Speaker 1: look at an artist? Mace right was upset for you

780
00:42:24,360 --> 00:42:27,520
Speaker 1: for years? Yes, then down the line he has an

781
00:42:27,560 --> 00:42:31,759
Speaker 1: artist and recently his artist is upset because he's basically said,

782
00:42:31,800 --> 00:42:34,240
Speaker 1: allegedly that Mace didn't pay him and there was problems.

783
00:42:34,600 --> 00:42:36,680
Speaker 1: Do you look at that and be like, that's that's

784
00:42:36,680 --> 00:42:38,480
Speaker 1: just an executive ward? Is it one of those things

785
00:42:38,600 --> 00:42:41,719
Speaker 1: like I told you, No, I don't. I don't look

786
00:42:41,760 --> 00:42:48,680
Speaker 1: at it like that. Um. First of all, because what

787
00:42:48,760 --> 00:42:52,360
Speaker 1: he had a problems his first First of all, see,

788
00:42:52,400 --> 00:42:54,359
Speaker 1: I didn't do nothing to him. So let's go back

789
00:42:54,400 --> 00:42:57,759
Speaker 1: to the first. The first of all. The first of

790
00:42:57,760 --> 00:43:03,279
Speaker 1: all is is there has been negative propaganda put out

791
00:43:03,320 --> 00:43:09,480
Speaker 1: about me that's not true and has really stained tried

792
00:43:09,560 --> 00:43:13,000
Speaker 1: to stay stay in my legacy. I've always been a

793
00:43:13,040 --> 00:43:15,520
Speaker 1: person I don't like to get in just talking people's

794
00:43:15,560 --> 00:43:19,640
Speaker 1: business and things like that, but not right now. I

795
00:43:19,719 --> 00:43:22,160
Speaker 1: have made it my purpose that when I come back

796
00:43:22,400 --> 00:43:27,520
Speaker 1: I can't have y'all, y'all y'all following me because I

797
00:43:27,560 --> 00:43:30,320
Speaker 1: am here to be a leader and to give some direction.

798
00:43:30,840 --> 00:43:33,239
Speaker 1: If you think that I'm a scumbag that will ever

799
00:43:33,320 --> 00:43:38,160
Speaker 1: steal anything, my name is Ditty Sean Combs. I never

800
00:43:38,320 --> 00:43:42,200
Speaker 1: took nothing from nobody a day in my life. All

801
00:43:42,239 --> 00:43:48,319
Speaker 1: I've ever given is is opportunity and and and and

802
00:43:50,000 --> 00:43:52,799
Speaker 1: more money than a person was making. So when I

803
00:43:52,920 --> 00:43:55,560
Speaker 1: hear like, oh, I see things and I'm like, wow,

804
00:43:55,600 --> 00:43:59,359
Speaker 1: this this this vibe that they got on me, like

805
00:43:59,440 --> 00:44:02,480
Speaker 1: I'm big read or something. I came here. I had

806
00:44:02,480 --> 00:44:06,160
Speaker 1: to open up the doors. So you don't steal from artists,

807
00:44:06,239 --> 00:44:09,120
Speaker 1: is what you say. Never Never, the narrative like that

808
00:44:09,160 --> 00:44:14,960
Speaker 1: happened with different people because people have this thing called

809
00:44:14,960 --> 00:44:22,279
Speaker 1: the the tap out button. When you get to a

810
00:44:22,360 --> 00:44:26,680
Speaker 1: certain point and the money is running low, you want

811
00:44:26,680 --> 00:44:29,080
Speaker 1: to you gotta run this hustle to try to find

812
00:44:29,560 --> 00:44:32,719
Speaker 1: somebody to blame. You know what I'm saying. I have

813
00:44:32,760 --> 00:44:36,759
Speaker 1: all my receipts, and so we are gonna do a

814
00:44:36,880 --> 00:44:42,880
Speaker 1: special a retrospective with all the artists, and we're gonna

815
00:44:42,920 --> 00:44:47,799
Speaker 1: get this narrative player because it comes from different tactics

816
00:44:48,280 --> 00:44:52,480
Speaker 1: when people want to get out of contracts. And a

817
00:44:52,520 --> 00:44:54,600
Speaker 1: lot of people that speak on this y'all don't know

818
00:44:54,640 --> 00:44:56,920
Speaker 1: the business show, don't know what y'all are talking about.

819
00:44:57,160 --> 00:45:00,120
Speaker 1: So it's going to be a teaching moment of of

820
00:45:00,960 --> 00:45:04,719
Speaker 1: because it is important. I feel, fight for your reputation.

821
00:45:05,560 --> 00:45:08,880
Speaker 1: I'm gonna fight for my reputation. I'm an fight for

822
00:45:08,960 --> 00:45:12,799
Speaker 1: the honorable man. I am, the righteous king that I am.

823
00:45:13,160 --> 00:45:15,719
Speaker 1: I'm not perfect, you know what I'm saying. There could

824
00:45:15,760 --> 00:45:18,120
Speaker 1: have been an accountant mess up on this one or

825
00:45:18,200 --> 00:45:21,080
Speaker 1: that one. Things that happen in the business. But me

826
00:45:21,280 --> 00:45:24,120
Speaker 1: actually like I'm running a hustle to get money. I

827
00:45:24,160 --> 00:45:27,840
Speaker 1: started the delivering papers at twelve years old. I was

828
00:45:27,880 --> 00:45:30,840
Speaker 1: a millionaire when I was nineteen, you know what I'm saying.

829
00:45:31,200 --> 00:45:34,280
Speaker 1: And so I will be making sure that the truth

830
00:45:34,400 --> 00:45:39,400
Speaker 1: comes out because that's not going down in my legacy.

831
00:45:39,680 --> 00:45:41,560
Speaker 1: And to me, that's the worst thing in the world

832
00:45:41,640 --> 00:45:43,960
Speaker 1: is a thief. The thief is the worst thing. His

833
00:45:44,000 --> 00:45:46,600
Speaker 1: hand should be chopped, her hand should be chopped off.

834
00:45:47,360 --> 00:45:49,279
Speaker 1: His or her hands should be That's where I feel

835
00:45:49,280 --> 00:45:52,920
Speaker 1: about somebody taking something from somebody that ain't there's you

836
00:45:52,920 --> 00:45:54,400
Speaker 1: know what I'm saying. When you could go out and

837
00:45:54,520 --> 00:45:57,640
Speaker 1: you could go and work for something, and so that

838
00:45:57,840 --> 00:46:02,880
Speaker 1: right there. I just just you know, just in general,

839
00:46:03,600 --> 00:46:06,359
Speaker 1: you know the Mace thing. You know, I did one

840
00:46:06,400 --> 00:46:09,880
Speaker 1: album with Mace, one album. How much money do you

841
00:46:09,920 --> 00:46:13,160
Speaker 1: think I owe this guy? One album? And then he

842
00:46:13,239 --> 00:46:19,040
Speaker 1: became a fake pasta and went and con people, and

843
00:46:19,080 --> 00:46:21,680
Speaker 1: then y'all gonna let him throw dirt on the Guard's name.

844
00:46:22,320 --> 00:46:25,080
Speaker 1: We're gonna we I wrote each and everyone, and each

845
00:46:25,080 --> 00:46:28,720
Speaker 1: and everybody body, anybody could come and step up, bring

846
00:46:28,719 --> 00:46:32,640
Speaker 1: your receipts. But I'm not playing. I'm back outside and

847
00:46:32,680 --> 00:46:36,279
Speaker 1: I'm fighting back for us, and I'm also doing do

848
00:46:36,360 --> 00:46:39,239
Speaker 1: a little fighting back for me. You know what I'm saying.

849
00:46:39,280 --> 00:46:41,680
Speaker 1: So how much money? And I'm just throwing it out.

850
00:46:41,719 --> 00:46:44,320
Speaker 1: How much money does somebody like a Mace owe you?

851
00:46:44,440 --> 00:46:47,320
Speaker 1: Because because the reason may owes me three million dollars,

852
00:46:47,719 --> 00:46:50,399
Speaker 1: that's facts. I got the receipt second album, getting money

853
00:46:50,400 --> 00:46:52,480
Speaker 1: to do a second album, never delivered. Did the album

854
00:46:52,640 --> 00:46:54,360
Speaker 1: never delivered? You know what I'm saying. And I'm not

855
00:46:54,400 --> 00:46:56,000
Speaker 1: gonna go back and forth for Mace. You know what

856
00:46:56,000 --> 00:46:58,200
Speaker 1: I'm saying. I'm not going back and forth for nobody.

857
00:46:58,400 --> 00:47:01,160
Speaker 1: I'm just gonna if I'm here, I'm gonna speak up

858
00:47:01,200 --> 00:47:03,759
Speaker 1: for my I'm gonna speak up for myself. Now, you

859
00:47:03,760 --> 00:47:06,040
Speaker 1: know what I'm saying. I'm not going to have you

860
00:47:06,120 --> 00:47:09,000
Speaker 1: think something that I I hate. I hate a thief,

861
00:47:09,040 --> 00:47:12,560
Speaker 1: I hate somebody that don't got and I don't hate nobody,

862
00:47:12,640 --> 00:47:16,160
Speaker 1: but that's with with somebody that just gotta take something

863
00:47:16,200 --> 00:47:19,480
Speaker 1: that somebody else worked for just for their benefit their fan.

864
00:47:19,840 --> 00:47:23,440
Speaker 1: I don't like that. You're like, you're taping a special

865
00:47:23,520 --> 00:47:25,359
Speaker 1: to address dud He just came up with that idea

866
00:47:25,440 --> 00:47:28,160
Speaker 1: right now. No, No, I was more saying, you know,

867
00:47:28,640 --> 00:47:31,200
Speaker 1: I'm gonna use you know, I have a very i

868
00:47:31,280 --> 00:47:35,719
Speaker 1: have a very um successful Thank you to everybody for

869
00:47:35,760 --> 00:47:39,359
Speaker 1: supporting network. So yeah, I'm gonna go and tell my

870
00:47:39,400 --> 00:47:43,200
Speaker 1: story on on on my network with one of my podcasts,

871
00:47:43,200 --> 00:47:46,640
Speaker 1: and I'm gonna also get the artists that that you

872
00:47:46,719 --> 00:47:51,640
Speaker 1: know together to to um you know, help me clear

873
00:47:51,719 --> 00:47:54,560
Speaker 1: this up. I spoke to a lot. Yeah, I told

874
00:47:54,560 --> 00:47:57,040
Speaker 1: a lot. They're gonna help me clear it up. They

875
00:47:57,120 --> 00:47:58,960
Speaker 1: know I mean people. I mean, the truth gonna be

876
00:47:59,000 --> 00:48:01,120
Speaker 1: the truth. But we gonna get to the truth. As

877
00:48:01,120 --> 00:48:03,120
Speaker 1: long as I'm outside, we're gonna get not trying to

878
00:48:03,120 --> 00:48:06,719
Speaker 1: start none when nobody Mace. I love Mace if and

879
00:48:06,760 --> 00:48:09,239
Speaker 1: I will tell anybody anybody thinks like, oh something, show

880
00:48:09,320 --> 00:48:11,080
Speaker 1: me to receipt. You get paid in twenty four hours

881
00:48:11,120 --> 00:48:13,600
Speaker 1: because sometimes it's accounting problems. You know what I'm saying.

882
00:48:15,600 --> 00:48:17,680
Speaker 1: We all go. We never really got a big check

883
00:48:17,719 --> 00:48:21,400
Speaker 1: from Revote, but that's nothing to have nothing to do. No, no, no, no,

884
00:48:21,480 --> 00:48:23,239
Speaker 1: I'm gonna tell you what happened with that. You know

885
00:48:23,239 --> 00:48:25,279
Speaker 1: what I'm saying. Your people at all heart, you know

886
00:48:25,320 --> 00:48:28,040
Speaker 1: what I'm saying. I gave them the money and they

887
00:48:28,120 --> 00:48:31,399
Speaker 1: kept all the money. I believe it. They kept they

888
00:48:31,480 --> 00:48:34,040
Speaker 1: they they they kept all the money. So that now

889
00:48:34,080 --> 00:48:36,479
Speaker 1: that's why y'all could come to me direct, and y'all

890
00:48:36,480 --> 00:48:39,640
Speaker 1: get to direct. You feel me, we're making a lot

891
00:48:39,640 --> 00:48:45,799
Speaker 1: of changes Venmo, yall you come over that. Yeah, if

892
00:48:45,800 --> 00:48:48,400
Speaker 1: you come over to Revote, Revote Revote right now. You

893
00:48:48,400 --> 00:48:51,320
Speaker 1: remember how y'all were saying like Revolte ain't paying. We

894
00:48:51,320 --> 00:48:54,440
Speaker 1: were being cheap, Yeah we was. We was a startup company.

895
00:48:55,200 --> 00:48:57,160
Speaker 1: Yeah No. I'll actually do a lot of stuff with

896
00:48:57,280 --> 00:49:00,399
Speaker 1: Revote on other shows, and they always take care of me, yes,

897
00:49:00,560 --> 00:49:04,160
Speaker 1: And it's always a pleasant experience. Everybody there is everything

898
00:49:04,239 --> 00:49:09,800
Speaker 1: smooth flights rooms. Yeah, damn, I got to question holding

899
00:49:09,880 --> 00:49:13,239
Speaker 1: and and and um and I want to say about this,

900
00:49:13,239 --> 00:49:17,239
Speaker 1: this show, this show is is as big as it

901
00:49:17,320 --> 00:49:24,160
Speaker 1: is because we unified. And that's just facts that so

902
00:49:24,160 --> 00:49:26,400
Speaker 1: so yeah, so just make sure as you're out there,

903
00:49:26,480 --> 00:49:29,759
Speaker 1: makes sure the way you speak about the God and

904
00:49:29,920 --> 00:49:33,000
Speaker 1: feel me just speak about it like from a place

905
00:49:33,040 --> 00:49:38,480
Speaker 1: of knowledge, in a place of receipts. And yeah, what's

906
00:49:39,280 --> 00:49:45,040
Speaker 1: coming up new? I mean Coresia Please, and she won

907
00:49:45,200 --> 00:49:52,640
Speaker 1: last night? I love but it was tied with Drink Champs.

908
00:49:52,800 --> 00:49:55,560
Speaker 1: Didn't you know that? Some bullshit tied it tied? I

909
00:49:55,640 --> 00:49:58,080
Speaker 1: thought it tied. Cresia Please and Drink Champs tied for

910
00:49:58,160 --> 00:50:01,480
Speaker 1: best podcast. They both want revote? So you paid for that? No,

911
00:50:01,520 --> 00:50:03,239
Speaker 1: I didn't pay for the Drink CHAMPI shouldn't win that,

912
00:50:03,280 --> 00:50:07,279
Speaker 1: hand down. I didn't played for that. And I love preach.

913
00:50:07,400 --> 00:50:09,560
Speaker 1: She only got five episodes. How she beat Drink Champs

914
00:50:09,560 --> 00:50:11,600
Speaker 1: the best podcast? Did he come on now? Because it

915
00:50:11,640 --> 00:50:15,719
Speaker 1: was the best podcast, hands hands down, it was the

916
00:50:15,719 --> 00:50:17,800
Speaker 1: best podcast of the year. No, but you know we

917
00:50:17,960 --> 00:50:19,600
Speaker 1: get at the Drink Chances and I know I was

918
00:50:19,600 --> 00:50:21,279
Speaker 1: worth a game I feel like a lot of women

919
00:50:21,360 --> 00:50:25,080
Speaker 1: podcasters don't get there. Just do inside podcast of the Year,

920
00:50:25,200 --> 00:50:28,600
Speaker 1: did He? Yes, Yes, we drink champs a million dollars

921
00:50:28,600 --> 00:50:32,640
Speaker 1: war for game Yo the bet hip hop water they

922
00:50:32,680 --> 00:50:34,680
Speaker 1: check it out. Don't be mad at me because I'm

923
00:50:34,680 --> 00:50:42,919
Speaker 1: a winner, all right, Don't be mad at me. Yeah, Yeah,

924
00:50:43,280 --> 00:50:48,080
Speaker 1: let's congrats. Congrats you do. I do. I do because

925
00:50:48,080 --> 00:50:49,640
Speaker 1: I want to go back to something that you said

926
00:50:49,719 --> 00:50:52,520
Speaker 1: earlier because for this, you know, because I think that

927
00:50:52,560 --> 00:50:54,759
Speaker 1: people don't know this about did He? When you said

928
00:50:54,800 --> 00:50:58,160
Speaker 1: that you know the music, I'm just curious water, all right?

929
00:50:58,239 --> 00:51:00,480
Speaker 1: When you said the music got dark. That's kind of

930
00:51:00,520 --> 00:51:02,880
Speaker 1: always been your thing, right because you've always remember, you know,

931
00:51:02,920 --> 00:51:04,520
Speaker 1: the thing you didn't want to feel like you was

932
00:51:04,560 --> 00:51:06,200
Speaker 1: being blasphemoths, being on the cross and they hite me

933
00:51:06,280 --> 00:51:08,960
Speaker 1: na video or the story that you're making big change

934
00:51:09,040 --> 00:51:11,160
Speaker 1: lyrics because they've been two dogs. That's always kind of

935
00:51:11,160 --> 00:51:13,239
Speaker 1: been your thing. Yeah, I mean, I truly believe what

936
00:51:13,280 --> 00:51:17,520
Speaker 1: you're saying records, that you're manifesting. Music is magic, you know,

937
00:51:17,719 --> 00:51:20,960
Speaker 1: and so I try to, you know, just say things

938
00:51:20,960 --> 00:51:24,560
Speaker 1: that are positive and you know, I mean tell the truth. Though.

939
00:51:24,600 --> 00:51:27,800
Speaker 1: When Biggie's telling the truth about something. It's the truth.

940
00:51:27,880 --> 00:51:31,200
Speaker 1: But you know, um, it's very very powerful. So that's

941
00:51:31,200 --> 00:51:33,560
Speaker 1: the frequency I want to bring. And I'm not knocking

942
00:51:33,600 --> 00:51:35,680
Speaker 1: the other frequency. I just want to be the frequency

943
00:51:35,840 --> 00:51:37,600
Speaker 1: when you want to feel good, when you want to

944
00:51:37,640 --> 00:51:40,360
Speaker 1: be happy, when you want to make love, and do

945
00:51:40,160 --> 00:51:41,840
Speaker 1: you do you do you believe an artist can be

946
00:51:41,880 --> 00:51:44,279
Speaker 1: black balled because that's a conversation that's happening now. People

947
00:51:44,280 --> 00:51:46,799
Speaker 1: feel like they're being black balled, you know, not being

948
00:51:46,840 --> 00:51:50,520
Speaker 1: on the playlist. I'll say one of the biggest problems

949
00:51:50,600 --> 00:51:53,600
Speaker 1: right now is the algorithm and the way the whole

950
00:51:53,760 --> 00:51:56,239
Speaker 1: game is set up. The game is set up for

951
00:51:57,160 --> 00:52:07,920
Speaker 1: you know, um, you know, white corporations to actually like

952
00:52:08,920 --> 00:52:12,120
Speaker 1: decide on what's hot and what's not. And this is

953
00:52:12,120 --> 00:52:17,040
Speaker 1: a fact. These are white owned corporations. Our Hearts, white

954
00:52:17,040 --> 00:52:26,279
Speaker 1: owned corporation. Apple's a white home owned corporation. Um Spotify, Spotify.

955
00:52:26,560 --> 00:52:29,279
Speaker 1: You know what I'm saying, Um, Apple is half I

956
00:52:29,280 --> 00:52:31,600
Speaker 1: mean titles half and half. You know what I'm saying.

957
00:52:31,960 --> 00:52:35,160
Speaker 1: But title, if anything, would be the truest for the artists.

958
00:52:35,600 --> 00:52:41,080
Speaker 1: But the algorithms that set up is it's set it's

959
00:52:41,120 --> 00:52:44,480
Speaker 1: set up in the playlist those decisions are being made

960
00:52:44,760 --> 00:52:48,120
Speaker 1: by people that never made a hit record. So it's

961
00:52:48,200 --> 00:52:51,840
Speaker 1: it's like Charles Barkley sitting there talking to Skip whatever,

962
00:52:52,160 --> 00:52:54,840
Speaker 1: like what is Skip talking about? Why? How can Skip

963
00:52:55,200 --> 00:52:58,960
Speaker 1: say he knows really what's going on? So it's like

964
00:52:59,320 --> 00:53:02,719
Speaker 1: the way it's set up, who gets played is basically

965
00:53:02,840 --> 00:53:05,759
Speaker 1: based on somebody that's never been in the game, that's

966
00:53:05,800 --> 00:53:08,160
Speaker 1: not in the culture, that's not outside you know what

967
00:53:08,200 --> 00:53:11,680
Speaker 1: I'm saying. And then once it's in there because they're

968
00:53:11,680 --> 00:53:14,680
Speaker 1: on the playlist, then they go to the top because

969
00:53:14,719 --> 00:53:17,000
Speaker 1: of the algorithm, you know what I'm saying. And the

970
00:53:17,040 --> 00:53:19,640
Speaker 1: same thing as far as the radio being ran by

971
00:53:19,719 --> 00:53:22,720
Speaker 1: media base. So it's just taking all of the soul

972
00:53:22,800 --> 00:53:25,439
Speaker 1: out the music, all of the soul out the music.

973
00:53:25,480 --> 00:53:28,239
Speaker 1: But I just, you know, I feel like at that

974
00:53:28,719 --> 00:53:31,000
Speaker 1: at the end of the day, like the real win.

975
00:53:31,200 --> 00:53:33,640
Speaker 1: So I'm coming up with just different other ways and

976
00:53:33,760 --> 00:53:38,279
Speaker 1: platforms to distribute music and to digest music, you know

977
00:53:38,280 --> 00:53:42,040
Speaker 1: what I'm saying, Because right now it's it's it's lifeless.

978
00:53:42,400 --> 00:53:45,040
Speaker 1: It's not really you're not getting goose bumps, you know

979
00:53:45,040 --> 00:53:46,480
Speaker 1: what I'm saying. Now, I was gonna ask why why

980
00:53:46,480 --> 00:53:48,160
Speaker 1: did you find it important? To take away, you know,

981
00:53:48,200 --> 00:53:51,560
Speaker 1: because everybody was releasing records on Friday, right, and you

982
00:53:51,600 --> 00:53:53,439
Speaker 1: said no more that you're not releasing records on Friday.

983
00:53:53,440 --> 00:53:55,520
Speaker 1: You gonna release a record whenever the hell you want. Yeah,

984
00:53:55,560 --> 00:53:57,520
Speaker 1: why was that important to you? Because that was just

985
00:53:57,600 --> 00:54:01,400
Speaker 1: so crazy that they was able to actually ban Buzo

986
00:54:01,520 --> 00:54:04,640
Speaker 1: and make people follow these orders. Y'all don't even know

987
00:54:04,680 --> 00:54:08,280
Speaker 1: who these people are. Do y'all know who's running the playlists?

988
00:54:08,640 --> 00:54:11,960
Speaker 1: Do y'all know who who's feeding you to music to

989
00:54:12,080 --> 00:54:14,879
Speaker 1: your phone? You're you know what I'm saying, And it's

990
00:54:14,960 --> 00:54:18,320
Speaker 1: making you whack because you you you you're doing whack

991
00:54:18,440 --> 00:54:21,800
Speaker 1: TikTok moves. You know what I'm saying. You're not being yourself.

992
00:54:22,200 --> 00:54:24,880
Speaker 1: And the record that you chose, you didn't even choose,

993
00:54:25,480 --> 00:54:27,040
Speaker 1: you know what I'm saying. And so then then there's

994
00:54:27,120 --> 00:54:30,960
Speaker 1: quality records that that also when they talk about a

995
00:54:31,000 --> 00:54:34,480
Speaker 1: certain level of frequency, they don't even get considered. They

996
00:54:34,480 --> 00:54:37,520
Speaker 1: don't even play that frequency. So they constantly bang you

997
00:54:37,560 --> 00:54:42,799
Speaker 1: with the frequency of death, destruction and darkness and depression.

998
00:54:43,239 --> 00:54:45,839
Speaker 1: And so I'm coming with a higher frequency and I'm

999
00:54:45,880 --> 00:54:48,160
Speaker 1: not following none of their rules. And if they don't

1000
00:54:48,200 --> 00:54:51,680
Speaker 1: play my stuff. Then I'm coming at them like they're

1001
00:54:51,719 --> 00:54:55,280
Speaker 1: taking money out of my kids pockets. I'm not playing

1002
00:54:55,280 --> 00:54:59,480
Speaker 1: with them. This this business of music is a rough business.

1003
00:54:59,760 --> 00:55:02,960
Speaker 1: And and they playing rough and I'm back outside and

1004
00:55:03,000 --> 00:55:05,440
Speaker 1: they're gonna play my stuff. I ain't gonna be calling them,

1005
00:55:05,480 --> 00:55:07,640
Speaker 1: begging them nothing if I don't even know who they are.

1006
00:55:07,680 --> 00:55:11,400
Speaker 1: What if they don't like the record? Can you accept that? Yeah?

1007
00:55:11,520 --> 00:55:13,480
Speaker 1: I could. I could accept if you don't like the record.

1008
00:55:13,840 --> 00:55:18,480
Speaker 1: I could accept if you don't like the record. But

1009
00:55:18,520 --> 00:55:20,719
Speaker 1: they got to give it a shot. Yeah, I mean,

1010
00:55:21,040 --> 00:55:22,319
Speaker 1: you know, I mean you don't have to give it

1011
00:55:22,320 --> 00:55:25,400
Speaker 1: a shot. But you can't play if the people's calling

1012
00:55:25,440 --> 00:55:28,120
Speaker 1: it a hit, right, you can't like just like, are

1013
00:55:28,120 --> 00:55:30,440
Speaker 1: you not gonna play my record because you don't like it?

1014
00:55:30,800 --> 00:55:33,360
Speaker 1: I'm like, who are you? Yeah, I'll never like that.

1015
00:55:33,440 --> 00:55:35,920
Speaker 1: I've never liked one person to say yeah yeah, so

1016
00:55:35,920 --> 00:55:38,799
Speaker 1: so so So I'm definitely here to disrupt the system

1017
00:55:38,960 --> 00:55:41,879
Speaker 1: for all of the great music that it doesn't have,

1018
00:55:42,000 --> 00:55:44,280
Speaker 1: like a platform. I want. I want to make great

1019
00:55:44,400 --> 00:55:47,200
Speaker 1: music cool and and another thing I want to I'm

1020
00:55:47,280 --> 00:55:50,280
Speaker 1: here really to also deliver a message to New York artists.

1021
00:55:50,520 --> 00:55:53,480
Speaker 1: New York artists we are in last place. We have

1022
00:55:53,600 --> 00:55:56,440
Speaker 1: to press the hard reset button and get back to

1023
00:55:56,560 --> 00:55:59,120
Speaker 1: being us. I love that we know how to rap

1024
00:55:59,160 --> 00:56:02,360
Speaker 1: on trap beats. I love that we know how to

1025
00:56:02,400 --> 00:56:05,279
Speaker 1: wrap on drill beasts from London. But what are we

1026
00:56:05,320 --> 00:56:08,400
Speaker 1: wrapping that on that's coming from out of this city?

1027
00:56:08,680 --> 00:56:11,839
Speaker 1: You know what I'm saying. And and I don't want

1028
00:56:11,880 --> 00:56:14,160
Speaker 1: to sit back and watch my city. Just stay in

1029
00:56:14,280 --> 00:56:17,799
Speaker 1: last place and keep on following what everybody else is doing.

1030
00:56:18,080 --> 00:56:21,080
Speaker 1: We the Swag, We to Alpha. You know what I'm saying.

1031
00:56:21,360 --> 00:56:24,080
Speaker 1: That Alpha and Omega we started it. You know what

1032
00:56:24,080 --> 00:56:26,960
Speaker 1: I'm saying. And no disrespect to nobody else, but we

1033
00:56:27,160 --> 00:56:31,279
Speaker 1: should be competing. We should be competing from from New

1034
00:56:31,360 --> 00:56:34,440
Speaker 1: York in a way where you have to figure out, Okay,

1035
00:56:34,520 --> 00:56:36,640
Speaker 1: this is what's going on. That's what's going on. How

1036
00:56:36,680 --> 00:56:40,360
Speaker 1: am I gonna produce something that makes our people move

1037
00:56:40,840 --> 00:56:43,600
Speaker 1: so we could do us? Who's keeping you in tune

1038
00:56:43,600 --> 00:56:47,320
Speaker 1: with New Yorker? Did Ivy? Yeah? Yeah, yeah, I just

1039
00:56:47,480 --> 00:56:50,120
Speaker 1: keeping me in tune with New York and then Groovy

1040
00:56:50,200 --> 00:56:52,839
Speaker 1: Lew and then just you know me and just my

1041
00:56:52,880 --> 00:56:57,120
Speaker 1: son's will say that Puff definitely makes call. He calls

1042
00:56:57,120 --> 00:57:01,600
Speaker 1: the DJs he's on top of me. Facetimes, ain't ain't

1043
00:57:01,800 --> 00:57:04,120
Speaker 1: executive ability the executive that's sitting on his hands, he's

1044
00:57:04,200 --> 00:57:06,279
Speaker 1: he's out there working. Yeah, I love this. I love this,

1045
00:57:06,400 --> 00:57:09,200
Speaker 1: I love music, and I'm blessed. I'm in a point

1046
00:57:09,200 --> 00:57:12,000
Speaker 1: of gratitude just in my life right now. I'm walking

1047
00:57:12,040 --> 00:57:14,200
Speaker 1: in a spirit and a frequency that I invite you

1048
00:57:14,360 --> 00:57:18,000
Speaker 1: to walking. That's an ingratitude of what we have right now,

1049
00:57:18,240 --> 00:57:20,880
Speaker 1: where we came from and how I'm actually looking at

1050
00:57:20,920 --> 00:57:23,880
Speaker 1: y'all and we hear and we're doing what we love

1051
00:57:23,960 --> 00:57:26,960
Speaker 1: and we have power to make changes. And so I'm

1052
00:57:27,320 --> 00:57:32,320
Speaker 1: I'm walking in that gratitude. I appreciate your interviewing me,

1053
00:57:32,600 --> 00:57:35,880
Speaker 1: always giving me a platform to speak, you know, being

1054
00:57:35,960 --> 00:57:39,720
Speaker 1: partners with me, and I mean working with me with Revolte.

1055
00:57:40,000 --> 00:57:42,960
Speaker 1: Next time, hopefully we'll be you know, we'll be partners.

1056
00:57:43,000 --> 00:57:45,439
Speaker 1: You know what I'm saying, because I think it's it's good.

1057
00:57:45,440 --> 00:57:48,280
Speaker 1: And we all came work together for us, no dispect

1058
00:57:48,280 --> 00:57:50,560
Speaker 1: to the white corporations, but there's some black corporations that's

1059
00:57:50,560 --> 00:57:52,880
Speaker 1: gonna be built. So we need the best of the

1060
00:57:52,920 --> 00:57:55,600
Speaker 1: best to be rocking with us. But yeah, man, it's

1061
00:57:55,640 --> 00:57:59,160
Speaker 1: a blessing. To be making music, have a hit record,

1062
00:57:59,480 --> 00:58:01,200
Speaker 1: have myself I don't have a hit record, and to

1063
00:58:01,320 --> 00:58:05,360
Speaker 1: be talking to you guys where my life isn't in turmoil,

1064
00:58:05,400 --> 00:58:07,960
Speaker 1: because sometimes you come on the breakfast club and your

1065
00:58:08,000 --> 00:58:10,920
Speaker 1: life could be in turmoil. I'm very happy and I

1066
00:58:10,960 --> 00:58:14,280
Speaker 1: wish everybody the best, and I'm here to to to

1067
00:58:14,720 --> 00:58:18,000
Speaker 1: change the world and to help save the Black race.

1068
00:58:18,040 --> 00:58:19,880
Speaker 1: Now I see God on you. Even when I saw

1069
00:58:19,920 --> 00:58:21,640
Speaker 1: you at the Potter House man, you know when you

1070
00:58:21,680 --> 00:58:23,880
Speaker 1: went up to the altar, I just was like, it's

1071
00:58:23,920 --> 00:58:27,480
Speaker 1: something happening with with mister Kombs. Yeah, yeah, yeah, and

1072
00:58:27,560 --> 00:58:29,800
Speaker 1: something's moving through now. I am love. You know what

1073
00:58:29,840 --> 00:58:32,320
Speaker 1: I'm saying. Remember Andrew Horrel told me, you don't talk love,

1074
00:58:32,400 --> 00:58:35,960
Speaker 1: be love, and I am love. I'm not perfect, I'm imperfect,

1075
00:58:36,160 --> 00:58:39,280
Speaker 1: but that's what I'm walking and and it feels great

1076
00:58:39,400 --> 00:58:43,960
Speaker 1: because it it controls everything in you. And you know

1077
00:58:44,040 --> 00:58:46,760
Speaker 1: that you're unstoppable. And I know that love. I know

1078
00:58:46,840 --> 00:58:49,240
Speaker 1: that once we come together in unity as a people,

1079
00:58:49,840 --> 00:58:52,120
Speaker 1: you know what I'm saying, and we could do it overnight.

1080
00:58:52,440 --> 00:58:56,320
Speaker 1: You know that that love that we got to tap into,

1081
00:58:56,760 --> 00:59:00,640
Speaker 1: it's gonna be that superpower to make this ain't change,

1082
00:59:01,280 --> 00:59:04,320
Speaker 1: Love Matters. Let's introduced the record Black Lives Matter. We're

1083
00:59:04,320 --> 00:59:06,040
Speaker 1: gonna played this remix. Can we played this remix? Or

1084
00:59:06,040 --> 00:59:07,880
Speaker 1: do we gotta wait for Friday nine? I'm just messing

1085
00:59:07,880 --> 00:59:09,920
Speaker 1: with you. Come on, we'll play remix right now. So

1086
00:59:09,960 --> 00:59:12,680
Speaker 1: this is the remix did He Gotta Move On? Featuring

1087
00:59:13,400 --> 00:59:18,959
Speaker 1: Young Miami and Ashanti Yeah, Bryson Teller World tracks done

1088
00:59:19,000 --> 00:59:22,680
Speaker 1: by Ron Brown's New York. Alright, let's do it. It's puff.

1089
00:59:22,800 --> 00:59:26,000
Speaker 1: It's all you call you. Did He Love nine? Y'all

1090
00:59:26,040 --> 00:59:29,320
Speaker 1: can call me all of that. What I'm saying, it's puffs.

1091
00:59:29,360 --> 00:59:32,200
Speaker 1: Did He Is Love? Yeah? Yeah, it's the Breakfast Club.

1092
00:59:32,240 --> 00:59:33,360
Speaker 1: Good morning, Good morning,