1 00:00:00,240 --> 00:00:02,480 Speaker 1: Hey guys, I'm Kaylie Shore and this is the first 2 00:00:02,520 --> 00:00:05,720 Speaker 1: episode of Too Much to Say. I'm so excited to 3 00:00:05,760 --> 00:00:07,840 Speaker 1: be doing this. I've been wanting to do a podcast 4 00:00:07,880 --> 00:00:10,360 Speaker 1: for forever and I've always loved being a guest on 5 00:00:10,400 --> 00:00:13,960 Speaker 1: other people's But it wasn't until Mike and Bobby from 6 00:00:14,000 --> 00:00:16,680 Speaker 1: The Bobby Bones Show and the Nashville Podcast Network came 7 00:00:16,720 --> 00:00:19,079 Speaker 1: to me with this idea that I feel like it 8 00:00:19,079 --> 00:00:23,079 Speaker 1: could actually happen. So it takes a village, and they 9 00:00:23,400 --> 00:00:25,800 Speaker 1: had this crazy idea to be like, let's give Kaylee 10 00:00:25,800 --> 00:00:28,880 Speaker 1: a microphone and see what dumb ship she says into it, 11 00:00:29,240 --> 00:00:31,280 Speaker 1: which is basically just me on tour. If you've ever 12 00:00:31,280 --> 00:00:33,800 Speaker 1: seen a show, you know the things that I've said 13 00:00:33,840 --> 00:00:37,160 Speaker 1: on stage that my mother would probably be horrified about. 14 00:00:37,280 --> 00:00:41,319 Speaker 1: So this will be my first and only apology. It's 15 00:00:41,320 --> 00:00:44,559 Speaker 1: a blanket apology to my mother, to my ex boyfriends, 16 00:00:44,560 --> 00:00:47,600 Speaker 1: and to my publicist. You get one apology in advance. 17 00:00:48,640 --> 00:00:52,120 Speaker 1: That was it. That's all you're getting. Now let the 18 00:00:52,200 --> 00:01:06,160 Speaker 1: fun begins. Question it out you. This podcast is called 19 00:01:06,160 --> 00:01:08,360 Speaker 1: Too Much to Say because of the first song on 20 00:01:08,400 --> 00:01:10,680 Speaker 1: my debut album, Open Book, which came out about a 21 00:01:10,760 --> 00:01:15,160 Speaker 1: year ago. It was a long road getting to that album, 22 00:01:15,200 --> 00:01:18,560 Speaker 1: and the album ended up just completely changing my life, 23 00:01:18,800 --> 00:01:20,920 Speaker 1: but too much to say. I've viewed it sort of 24 00:01:20,959 --> 00:01:24,000 Speaker 1: as the thesis statement to the album, being like, Hey, 25 00:01:24,000 --> 00:01:25,760 Speaker 1: this is what you're in for, this is what you're getting, 26 00:01:25,800 --> 00:01:28,160 Speaker 1: this is what it's about. If you want to turn around, 27 00:01:28,480 --> 00:01:30,720 Speaker 1: you can right now and don't listen to the rest 28 00:01:30,760 --> 00:01:32,080 Speaker 1: of the album if you're not ready to go there, 29 00:01:32,200 --> 00:01:33,800 Speaker 1: which I respect, if you're not ready to go there 30 00:01:33,840 --> 00:01:37,400 Speaker 1: because there's a heavy shot on there. It felt just 31 00:01:37,440 --> 00:01:39,640 Speaker 1: so fitting to call the podcast that because this is 32 00:01:39,720 --> 00:01:45,160 Speaker 1: literally just that song, um but twenty five minutes long, 33 00:01:45,200 --> 00:01:50,280 Speaker 1: and it happens every week. So Open Book just completely 34 00:01:50,360 --> 00:01:53,280 Speaker 1: changed my life. But it did not happen overnight at 35 00:01:53,280 --> 00:01:56,600 Speaker 1: all by any means. I released my first single in 36 00:01:57,720 --> 00:02:00,680 Speaker 1: and it was called Fight Like a Girl. I was 37 00:02:00,800 --> 00:02:04,080 Speaker 1: really really blessed because for it being my first single, 38 00:02:04,160 --> 00:02:06,680 Speaker 1: it did a lot of really wonderful things. It was 39 00:02:06,840 --> 00:02:12,200 Speaker 1: played on country radio, it was on CMT, I got 40 00:02:12,240 --> 00:02:14,560 Speaker 1: to be in teen Vogue because of it. It was 41 00:02:14,600 --> 00:02:18,320 Speaker 1: like all this, like crazy stuff happened. And I had 42 00:02:18,360 --> 00:02:21,120 Speaker 1: been working towards music for a while, but I absolutely 43 00:02:21,160 --> 00:02:23,919 Speaker 1: know how blessed I was to have something like that 44 00:02:24,000 --> 00:02:28,160 Speaker 1: hit so early on in my career, but that was 45 00:02:28,200 --> 00:02:33,080 Speaker 1: pretty much the last easy thing that happened. After I 46 00:02:33,080 --> 00:02:35,639 Speaker 1: felt like a girl started doing really well on the radio. 47 00:02:36,480 --> 00:02:41,000 Speaker 1: I met with every label in town, and they just 48 00:02:41,040 --> 00:02:44,240 Speaker 1: felt like there wasn't enough other music to put out. 49 00:02:44,440 --> 00:02:46,200 Speaker 1: They didn't like the other stuff I was doing. And 50 00:02:46,200 --> 00:02:49,760 Speaker 1: then I became obsessed with chasing radio and chasing that 51 00:02:49,840 --> 00:02:52,360 Speaker 1: really commercial country sound, and I grew up playing in 52 00:02:52,360 --> 00:02:56,000 Speaker 1: a Nirvanic cover band. Country music is my love, but 53 00:02:56,280 --> 00:02:59,320 Speaker 1: I have just as much rock roots that I needed 54 00:02:59,360 --> 00:03:02,280 Speaker 1: to be honoring. But I kind of grew away from 55 00:03:02,360 --> 00:03:06,080 Speaker 1: because I was just chasing what I thought people wanted 56 00:03:06,080 --> 00:03:09,280 Speaker 1: me to be doing, which, um spoiler alert, save yourself 57 00:03:09,320 --> 00:03:12,679 Speaker 1: the time and just don't do that. It's like it's 58 00:03:12,760 --> 00:03:18,400 Speaker 1: never worked for anybody. So I was writing these songs 59 00:03:18,480 --> 00:03:21,720 Speaker 1: that we're just what I thought people wanted to hear. 60 00:03:21,880 --> 00:03:24,920 Speaker 1: And there would be times and co writes where I'd 61 00:03:24,919 --> 00:03:26,480 Speaker 1: be writing a song and I'd have a line I'd 62 00:03:26,520 --> 00:03:28,200 Speaker 1: be like, I want to say that, but I can't 63 00:03:28,200 --> 00:03:32,000 Speaker 1: say that because somebody will get offended, or it'll piss 64 00:03:32,040 --> 00:03:34,800 Speaker 1: somebody off, or it's too real, which is such bullshit, 65 00:03:34,920 --> 00:03:39,880 Speaker 1: because whenever anybody asked asked me or like ever, and 66 00:03:39,920 --> 00:03:42,360 Speaker 1: they've been like, why do you do country music if 67 00:03:42,360 --> 00:03:44,240 Speaker 1: you're from Maine and you don't have a Southern accent, 68 00:03:44,280 --> 00:03:47,160 Speaker 1: I'm like, well, country music is honest music. It's three 69 00:03:47,200 --> 00:03:49,640 Speaker 1: chords in the truth, it's rot and it's real people's 70 00:03:49,640 --> 00:03:53,200 Speaker 1: stories coming from real people, and nothing's glossed over. And 71 00:03:53,240 --> 00:03:56,040 Speaker 1: I would say that, and then I would not tell 72 00:03:56,040 --> 00:03:58,760 Speaker 1: the truth. I would glass everything over and there was 73 00:03:58,840 --> 00:04:03,320 Speaker 1: just such a you know, it was just very oxymoronic 74 00:04:03,480 --> 00:04:07,240 Speaker 1: and I needed to stop. But it wasn't just going 75 00:04:07,320 --> 00:04:12,720 Speaker 1: to be that easy. I'm not ashamed or embarrassed if 76 00:04:12,720 --> 00:04:14,120 Speaker 1: any of the music I've put out. I mean I 77 00:04:14,160 --> 00:04:16,400 Speaker 1: was twenty one when I was recording these songs, and 78 00:04:16,440 --> 00:04:19,760 Speaker 1: I just hadn't really seen that much ship to write about. 79 00:04:20,160 --> 00:04:22,600 Speaker 1: I mean, I had a pretty interesting childhood, which I'm 80 00:04:22,640 --> 00:04:25,320 Speaker 1: sure we will get into plenty on this podcast, but 81 00:04:26,200 --> 00:04:30,200 Speaker 1: I hadn't really had my heart truly truly broken, and 82 00:04:31,080 --> 00:04:33,640 Speaker 1: I was trying to come up with new songs for 83 00:04:33,760 --> 00:04:35,480 Speaker 1: what I thought was gonna be my debut album. This 84 00:04:35,520 --> 00:04:40,200 Speaker 1: was right after I released my EP Awake, and I 85 00:04:40,320 --> 00:04:43,040 Speaker 1: had this like, you know, collection of of really commercial 86 00:04:43,040 --> 00:04:46,920 Speaker 1: country songs about beer and parties and you know, just 87 00:04:47,080 --> 00:04:50,320 Speaker 1: lighter stuff. And I still think they're good songs. But 88 00:04:51,279 --> 00:04:54,359 Speaker 1: life happened and everything changed. So in the midst of 89 00:04:54,400 --> 00:04:56,400 Speaker 1: me writing those songs and getting ready to kind of 90 00:04:56,440 --> 00:05:01,960 Speaker 1: start recording them and thinking of the project, uh, my, 91 00:05:01,960 --> 00:05:06,080 Speaker 1: my boyfriend of six years cheated on me while I 92 00:05:06,120 --> 00:05:08,120 Speaker 1: was on the road, and I came home from a 93 00:05:08,160 --> 00:05:12,640 Speaker 1: show with my good friend Laura Lena, and little did 94 00:05:12,640 --> 00:05:14,640 Speaker 1: we know that when we were on stage, he was 95 00:05:14,800 --> 00:05:19,440 Speaker 1: doing something he should not have been doing. So my life, 96 00:05:19,480 --> 00:05:21,960 Speaker 1: I just essentially had to light it on fire and 97 00:05:22,120 --> 00:05:24,119 Speaker 1: decided if I wanted to stay with him, if I 98 00:05:24,160 --> 00:05:26,120 Speaker 1: wanted to leave. And I made the choice to leave. 99 00:05:27,080 --> 00:05:30,560 Speaker 1: But we had dogs, we were on the same car insurance, 100 00:05:30,920 --> 00:05:35,720 Speaker 1: we had an apartment together, like I had, everything changed overnight, 101 00:05:36,000 --> 00:05:38,480 Speaker 1: and all of a sudden, I woke up and I 102 00:05:38,560 --> 00:05:41,280 Speaker 1: was twenty four years old, and the last time I 103 00:05:41,320 --> 00:05:43,680 Speaker 1: was single I had I was eighteen. I mean I 104 00:05:43,720 --> 00:05:45,799 Speaker 1: literally had no idea. I was like, what is tinder? 105 00:05:46,440 --> 00:05:48,840 Speaker 1: What the well, I'll tell you what tinder is. That 106 00:05:48,839 --> 00:05:51,240 Speaker 1: will be a whole other episode, I promised. Wow, that 107 00:05:51,360 --> 00:05:55,160 Speaker 1: was a time, so The breakup was hard, and I 108 00:05:55,200 --> 00:05:56,960 Speaker 1: took it hard, and you know, I was writing songs 109 00:05:56,960 --> 00:05:58,440 Speaker 1: about it, and I was making jokes about it, and 110 00:05:58,480 --> 00:06:01,040 Speaker 1: I was going on dates and just you know, finally 111 00:06:01,080 --> 00:06:04,600 Speaker 1: acting my age for once, honestly. But behind the scenes, 112 00:06:04,640 --> 00:06:06,480 Speaker 1: there's a lot of ship going on. And when I 113 00:06:06,480 --> 00:06:11,080 Speaker 1: look back at pictures of me from the summer, I 114 00:06:11,200 --> 00:06:13,600 Speaker 1: just look. I can just see how sad I was. 115 00:06:14,160 --> 00:06:17,720 Speaker 1: I can see how little I was eating. I can 116 00:06:17,720 --> 00:06:19,640 Speaker 1: see how little I was sleeping. I can see how 117 00:06:19,720 --> 00:06:22,520 Speaker 1: much I was smoking and how much I was drinking. 118 00:06:22,560 --> 00:06:26,440 Speaker 1: And I will never tell you to not have an 119 00:06:26,440 --> 00:06:28,400 Speaker 1: adult beverage if that's not a problem for you. But 120 00:06:28,480 --> 00:06:32,120 Speaker 1: for me, I feel like the real addiction was never that. 121 00:06:32,240 --> 00:06:34,680 Speaker 1: It was like being around people. I was like addicted 122 00:06:34,720 --> 00:06:36,800 Speaker 1: to not being alone. So I would just go out 123 00:06:36,839 --> 00:06:38,720 Speaker 1: all the time. And I was kind of having my 124 00:06:39,480 --> 00:06:43,200 Speaker 1: college years a little bit late, and you know, it 125 00:06:43,320 --> 00:06:45,120 Speaker 1: was it was a time and I think I needed 126 00:06:45,120 --> 00:06:47,960 Speaker 1: to go through it, but it was it was pretty crazy, 127 00:06:48,160 --> 00:06:51,400 Speaker 1: and I just went back and forth so many times. 128 00:06:51,400 --> 00:06:53,240 Speaker 1: I was like, did I just lose the love of 129 00:06:53,240 --> 00:06:56,240 Speaker 1: my life? Did I make a terrible choice? Like what's 130 00:06:56,279 --> 00:06:59,640 Speaker 1: going on? I was mourning that I was dealing with 131 00:07:00,080 --> 00:07:02,839 Speaker 1: the fallout, and I lost so many friends in that 132 00:07:02,880 --> 00:07:07,279 Speaker 1: breakup as well, which honestly, I think it will still 133 00:07:07,320 --> 00:07:10,440 Speaker 1: always be the worst part of that is the friends 134 00:07:10,480 --> 00:07:14,160 Speaker 1: that I lost because of that breakup. But you know, 135 00:07:14,480 --> 00:07:17,200 Speaker 1: time and certain situations will show you who your real 136 00:07:17,240 --> 00:07:21,240 Speaker 1: friends are. But rate when I kind of thought I 137 00:07:21,280 --> 00:07:24,040 Speaker 1: was getting over that, you're getting closer to over that. 138 00:07:24,080 --> 00:07:27,080 Speaker 1: I was in therapy. I was working on myself, and 139 00:07:27,120 --> 00:07:31,360 Speaker 1: I was like coming out of this black hole. My 140 00:07:31,480 --> 00:07:35,160 Speaker 1: sister passed away. So not only did I lose my 141 00:07:35,240 --> 00:07:38,480 Speaker 1: boyfriend and best friend of six years, but my sister 142 00:07:38,520 --> 00:07:41,800 Speaker 1: passed away from an accidental heroin overdose. And it was 143 00:07:41,880 --> 00:07:46,640 Speaker 1: just back to fucking back. And I just couldn't even 144 00:07:46,680 --> 00:07:48,320 Speaker 1: believe that it was that much at once, Like I 145 00:07:48,400 --> 00:07:52,160 Speaker 1: was just so numb because I didn't know that that 146 00:07:52,280 --> 00:07:56,320 Speaker 1: could happen. And and then all you want in situations 147 00:07:56,320 --> 00:07:58,960 Speaker 1: that are so upsetting like that is something familiar and 148 00:07:59,040 --> 00:08:02,160 Speaker 1: something that you know you know, and I didn't have 149 00:08:02,200 --> 00:08:05,240 Speaker 1: any of that. And I had new friends who didn't 150 00:08:05,240 --> 00:08:09,040 Speaker 1: really understand all the situations with my family because they 151 00:08:09,040 --> 00:08:11,160 Speaker 1: were just newer friends. That's just how it works. So 152 00:08:12,320 --> 00:08:14,720 Speaker 1: it just could not have been more ridiculous. And then 153 00:08:15,360 --> 00:08:19,440 Speaker 1: on top of everything, it was in the tabloids, and 154 00:08:19,480 --> 00:08:22,360 Speaker 1: I never thought that I would the first time I 155 00:08:22,360 --> 00:08:26,080 Speaker 1: would feel famous would be because my sister's death was 156 00:08:26,120 --> 00:08:28,800 Speaker 1: in the tabloids. And it was just like the craziest time. 157 00:08:29,280 --> 00:08:31,600 Speaker 1: I remember. I was on a music video shoot for 158 00:08:31,680 --> 00:08:35,000 Speaker 1: my song Awake. It was the pop remix, and we'd 159 00:08:35,000 --> 00:08:37,440 Speaker 1: already put down the deposit for the location and already 160 00:08:37,440 --> 00:08:39,680 Speaker 1: set everything up, and I had a couple of days 161 00:08:39,679 --> 00:08:42,120 Speaker 1: before I flew home for a funeral, and I was like, 162 00:08:42,120 --> 00:08:43,439 Speaker 1: you know, I just want to go to work. I 163 00:08:43,480 --> 00:08:45,000 Speaker 1: want to get my mind off it and do like 164 00:08:45,120 --> 00:08:47,319 Speaker 1: one good thing. I know it's what she would want, 165 00:08:47,360 --> 00:08:49,320 Speaker 1: and I'm just going to go do the shoot and 166 00:08:49,360 --> 00:08:52,160 Speaker 1: get through it. So I pulled myself out of bed. 167 00:08:52,200 --> 00:08:54,439 Speaker 1: I go to the shoot, and at one point I 168 00:08:54,480 --> 00:08:57,040 Speaker 1: was sitting there in between shots looking at my phone 169 00:08:58,000 --> 00:09:01,120 Speaker 1: scrolling through Snapchat like the little news pop ups, and 170 00:09:01,160 --> 00:09:04,360 Speaker 1: I saw one and it was like Kaylee's heroin Heartache, 171 00:09:04,640 --> 00:09:07,480 Speaker 1: and it was a screen grab of of me sitting 172 00:09:07,480 --> 00:09:10,120 Speaker 1: at a piano and then like talking about my sister's death, 173 00:09:10,280 --> 00:09:15,360 Speaker 1: and it was the most surreal experience, and Nashville is 174 00:09:15,400 --> 00:09:18,160 Speaker 1: such a small town. And after that, I, you know, 175 00:09:18,200 --> 00:09:20,719 Speaker 1: I went back to the whole addicted to not being 176 00:09:20,720 --> 00:09:23,240 Speaker 1: alone thing, and I would go out a lot and 177 00:09:24,360 --> 00:09:29,360 Speaker 1: I remember, you know, it being like two am and 178 00:09:30,320 --> 00:09:34,640 Speaker 1: I would be chain smoking cigarettes at a bar somewhere, 179 00:09:35,520 --> 00:09:37,600 Speaker 1: just drinking way too much. And the problem is when 180 00:09:37,600 --> 00:09:39,440 Speaker 1: I'm drunk, I don't really show it, so I'm not 181 00:09:39,559 --> 00:09:43,000 Speaker 1: normally messy. But like, I was pretty drunk and someone 182 00:09:43,040 --> 00:09:44,720 Speaker 1: comes up to me and asked me for a picture, 183 00:09:44,800 --> 00:09:47,480 Speaker 1: which was you know, I'm always cool with that. I 184 00:09:47,840 --> 00:09:49,599 Speaker 1: have no problem with that, but they had to me 185 00:09:49,679 --> 00:09:51,520 Speaker 1: for a picture, and then they were like, I'm so 186 00:09:51,559 --> 00:09:54,199 Speaker 1: sorry to hear about your sister, Like how are you doing? 187 00:09:54,480 --> 00:09:56,800 Speaker 1: And I had like for a while been like, you know, 188 00:09:57,080 --> 00:09:59,280 Speaker 1: after the breakup, and like I'm looking on the bright side, 189 00:09:59,320 --> 00:10:01,640 Speaker 1: but how you look on the fucking bright side of that? 190 00:10:01,679 --> 00:10:03,960 Speaker 1: So I was like, like, how are you doing? I 191 00:10:04,000 --> 00:10:08,000 Speaker 1: was like fucking awful, thanks for asking, And this person 192 00:10:08,080 --> 00:10:10,199 Speaker 1: was so taken aback. I'm like, what do you want 193 00:10:10,240 --> 00:10:13,199 Speaker 1: me to say? Like what what do you expect me 194 00:10:13,320 --> 00:10:15,640 Speaker 1: to have to say? Right now? Like everything happens for 195 00:10:15,679 --> 00:10:18,600 Speaker 1: a reason. No, I do not feel that way right now, 196 00:10:19,080 --> 00:10:23,080 Speaker 1: actually feel good white the opposite, and it felt so 197 00:10:23,160 --> 00:10:25,840 Speaker 1: good to just be honest and it. You know, it 198 00:10:25,960 --> 00:10:30,000 Speaker 1: was a stranger, and I don't hold anything against this 199 00:10:30,040 --> 00:10:32,559 Speaker 1: person at all, but it was a very formative moment 200 00:10:33,080 --> 00:10:36,480 Speaker 1: for me in learning to kind of own where you're 201 00:10:36,520 --> 00:10:40,360 Speaker 1: at and own your emotions. So as all this is happening, 202 00:10:40,400 --> 00:10:44,200 Speaker 1: my writing is changing. I have stopped writing about beer, 203 00:10:45,120 --> 00:10:49,000 Speaker 1: and I've stopped writing about you know, the lighter things, 204 00:10:49,040 --> 00:10:51,840 Speaker 1: and I had to return to how I wrote songs 205 00:10:52,559 --> 00:10:55,440 Speaker 1: when I first started writing them, which was on my 206 00:10:55,480 --> 00:10:59,160 Speaker 1: bedroom floor, usually crying a little bit and doing it 207 00:10:59,200 --> 00:11:03,200 Speaker 1: because I needed to. And every single time I get 208 00:11:03,240 --> 00:11:05,240 Speaker 1: to write a song, I'm so happy and I love 209 00:11:05,320 --> 00:11:07,559 Speaker 1: it so much. But this was the difference between liking 210 00:11:07,559 --> 00:11:10,680 Speaker 1: what I do and needing to do it. So the 211 00:11:10,760 --> 00:11:15,360 Speaker 1: songs just fell out. I mean, they were so natural. 212 00:11:15,440 --> 00:11:21,000 Speaker 1: It was mostly me, and you know, the realist songs 213 00:11:21,040 --> 00:11:22,840 Speaker 1: that came out were just me writing with my friends. 214 00:11:22,960 --> 00:11:25,600 Speaker 1: And I wrote the song on the album called the 215 00:11:25,640 --> 00:11:28,160 Speaker 1: One with my best friends of Anna Chis and my 216 00:11:28,240 --> 00:11:31,960 Speaker 1: producer's Skip Black, And it was literally ten hours after 217 00:11:31,960 --> 00:11:34,920 Speaker 1: the breakup, and I just went went in the studio. 218 00:11:35,040 --> 00:11:36,560 Speaker 1: Neither one of them knew what had happened, and I 219 00:11:36,559 --> 00:11:38,320 Speaker 1: walked up and I was like guy as we broke up, 220 00:11:39,120 --> 00:11:42,600 Speaker 1: and I cried on the original vocal that we did 221 00:11:42,640 --> 00:11:45,720 Speaker 1: and it was so emotional. And when I wrote the 222 00:11:45,720 --> 00:11:48,560 Speaker 1: World Keeps Spinning with Robin Collins and my producer, we 223 00:11:48,600 --> 00:11:51,120 Speaker 1: had all lost somebody and Skip had actually lost his 224 00:11:51,880 --> 00:11:55,400 Speaker 1: niece a few months before, my sister to this same thing, 225 00:11:55,440 --> 00:12:00,960 Speaker 1: which was an accidental heroin overdose. And we wrote this 226 00:12:01,000 --> 00:12:04,520 Speaker 1: song from such a real place, and every single time 227 00:12:04,559 --> 00:12:06,880 Speaker 1: I've been able to do that, it's just felt like 228 00:12:07,720 --> 00:12:10,480 Speaker 1: so healing and there's nothing else that's ever been able 229 00:12:10,520 --> 00:12:14,160 Speaker 1: to put me back together like that. Um, it's such 230 00:12:14,160 --> 00:12:16,600 Speaker 1: a god thing and I'm so thankful for it. And 231 00:12:16,760 --> 00:12:20,199 Speaker 1: that's just the beauty of music. So as all these 232 00:12:20,200 --> 00:12:23,679 Speaker 1: songs are coming out, my manager we've been planning this 233 00:12:23,720 --> 00:12:25,520 Speaker 1: project and I actually, for a minute, I thought it 234 00:12:25,520 --> 00:12:27,760 Speaker 1: was going to be called Roses and Bones because of 235 00:12:27,800 --> 00:12:31,640 Speaker 1: this line I've written called you have to let the 236 00:12:31,679 --> 00:12:35,240 Speaker 1: good things go and wait, now you have to let 237 00:12:35,240 --> 00:12:37,680 Speaker 1: the good things grow and the bad things go. Water 238 00:12:37,720 --> 00:12:42,360 Speaker 1: the roses and bury the bones. But as I kept 239 00:12:42,400 --> 00:12:44,680 Speaker 1: writing and kept living, and kept having these things happen. 240 00:12:44,760 --> 00:12:47,360 Speaker 1: I was like, there's a lot less roses than I 241 00:12:47,400 --> 00:12:51,719 Speaker 1: thought there would be. It's literally just bones and him 242 00:12:51,720 --> 00:12:53,120 Speaker 1: and I were on the phone one day and he 243 00:12:53,240 --> 00:12:56,280 Speaker 1: was like, Kayleie, all you're doing is crying and listening 244 00:12:56,280 --> 00:12:59,120 Speaker 1: to Fiona Apple and Altas Mores set, like, just make 245 00:12:59,160 --> 00:13:01,480 Speaker 1: your moody. Bit Treck, He's like, just own it. Stop 246 00:13:01,520 --> 00:13:04,640 Speaker 1: trying to make it commercial or make it palatable. He's like, 247 00:13:04,679 --> 00:13:06,680 Speaker 1: just write what you need to write because you're going 248 00:13:06,679 --> 00:13:10,760 Speaker 1: through an insane period of your life, and people who 249 00:13:10,760 --> 00:13:13,800 Speaker 1: are going through similar things, they're going to need that record. 250 00:13:14,600 --> 00:13:17,920 Speaker 1: They're going to need those songs. And it was terrifying. 251 00:13:17,960 --> 00:13:20,320 Speaker 1: But I mean, having somebody that I respect, who's on 252 00:13:20,360 --> 00:13:22,120 Speaker 1: my team, who knows me better than anybody, and it's 253 00:13:22,160 --> 00:13:25,600 Speaker 1: one of my best friends, shout out Todd, having him 254 00:13:26,040 --> 00:13:29,280 Speaker 1: tell me to do that, that was like all the 255 00:13:29,320 --> 00:13:32,200 Speaker 1: confidence I needed to take that first step and write 256 00:13:32,200 --> 00:13:34,480 Speaker 1: those songs. So I would say one of the first 257 00:13:34,559 --> 00:13:39,280 Speaker 1: really big moments writing wise that happened that changed the 258 00:13:39,320 --> 00:13:41,520 Speaker 1: trajectory of the record was when I wrote this song 259 00:13:41,559 --> 00:13:45,800 Speaker 1: called Vices that's on the album, and it was one 260 00:13:45,800 --> 00:13:47,840 Speaker 1: of the first times I looked at myself in the mirror, 261 00:13:47,880 --> 00:13:51,280 Speaker 1: and I was like, Okay, what am I doing that's 262 00:13:51,320 --> 00:13:56,560 Speaker 1: making this situation worse? What am I contributing to an 263 00:13:56,640 --> 00:14:01,360 Speaker 1: ARTI shitty situation? And I needed to be able to 264 00:14:01,440 --> 00:14:02,960 Speaker 1: name it. I needed to be able to like look 265 00:14:02,960 --> 00:14:04,439 Speaker 1: at myself in the mirror and be like, you're doing 266 00:14:04,480 --> 00:14:06,000 Speaker 1: this and that's not okay. They always say the first 267 00:14:06,000 --> 00:14:08,240 Speaker 1: steps admitting you have a problem. Well, that song was 268 00:14:08,320 --> 00:14:12,000 Speaker 1: me admitting that I had several problems. And there's nothing 269 00:14:12,080 --> 00:14:15,440 Speaker 1: pretty about it. I mean, there's nothing pretty about chain 270 00:14:15,520 --> 00:14:21,640 Speaker 1: smoking and and drinking whiskey and chasing whiskey shots with 271 00:14:21,680 --> 00:14:24,200 Speaker 1: straight whiskey, no matter how impressive people think it is 272 00:14:24,200 --> 00:14:26,720 Speaker 1: at a bar, there's nothing pretty about that. There's nothing 273 00:14:26,760 --> 00:14:30,080 Speaker 1: pretty about, you know, me going over to my ex 274 00:14:30,120 --> 00:14:32,320 Speaker 1: boyfriend's house at two in the morning and then finding 275 00:14:32,320 --> 00:14:34,400 Speaker 1: out he has a girlfriend and then not even caring 276 00:14:34,440 --> 00:14:38,360 Speaker 1: like that's shitty, that's bad ship. And I was going 277 00:14:38,440 --> 00:14:41,760 Speaker 1: through it. And I believe in this thing called heartbreak amnesty, 278 00:14:41,760 --> 00:14:45,200 Speaker 1: where like when you're going through rough time, you kind 279 00:14:45,240 --> 00:14:47,280 Speaker 1: of get to do whatever you want a little bit 280 00:14:48,120 --> 00:14:51,200 Speaker 1: um a little bit. Notice there's a big emphasis on 281 00:14:51,240 --> 00:14:53,920 Speaker 1: a little bit, but I was running out of heartbreak 282 00:14:53,960 --> 00:14:56,360 Speaker 1: amnesty really quick, and I was like, I'm making this 283 00:14:56,400 --> 00:14:58,680 Speaker 1: harder on myself and I'm making bad decisions and I 284 00:14:58,720 --> 00:15:01,240 Speaker 1: need to figure it out. And so Vices was a 285 00:15:01,320 --> 00:15:04,600 Speaker 1: huge step for me to just sit there and write 286 00:15:04,640 --> 00:15:10,600 Speaker 1: that song with Robin Collins and John Caldwell, and it 287 00:15:10,720 --> 00:15:13,200 Speaker 1: was just me finally admitting that to myself, and that 288 00:15:13,280 --> 00:15:21,120 Speaker 1: was a huge, huge step. I think that the second 289 00:15:21,200 --> 00:15:24,360 Speaker 1: biggest step, I mean, in the album becoming what it 290 00:15:24,440 --> 00:15:27,920 Speaker 1: is is a song called ef You Forever. I don't 291 00:15:27,960 --> 00:15:30,640 Speaker 1: think I would have ever believed you if you told 292 00:15:30,640 --> 00:15:32,880 Speaker 1: me that the first time I would be written up 293 00:15:32,920 --> 00:15:36,160 Speaker 1: in the New York Times would be about a song 294 00:15:36,200 --> 00:15:40,040 Speaker 1: I wrote called if You Forever. And this song I 295 00:15:40,080 --> 00:15:41,560 Speaker 1: never thought I was going to see the light of day. 296 00:15:41,560 --> 00:15:43,440 Speaker 1: I really didn't. I mean, it was so far fetched. 297 00:15:43,440 --> 00:15:46,240 Speaker 1: I'm a country artist, like, you can't do that, They 298 00:15:46,280 --> 00:15:51,000 Speaker 1: say that, but I did. Anyways. So I remember writing 299 00:15:51,040 --> 00:15:53,720 Speaker 1: that song with Candy Carpenter and Annie Wiljon, who are 300 00:15:53,720 --> 00:15:56,320 Speaker 1: two of my closest friends I've known. Annie we used 301 00:15:56,360 --> 00:15:59,400 Speaker 1: to work at a hotel front desk together and Candy 302 00:15:59,440 --> 00:16:03,360 Speaker 1: and I met playing songsuf for Jets in Nashville, and 303 00:16:03,440 --> 00:16:06,520 Speaker 1: we we're just talking about our shitty boyfriends, and Candy 304 00:16:06,600 --> 00:16:09,840 Speaker 1: had this idea and um about a ring on your 305 00:16:09,880 --> 00:16:12,600 Speaker 1: middle finger, and I just loved it. We all loved it. 306 00:16:12,680 --> 00:16:15,320 Speaker 1: And he had just gone through like a terrible breakup 307 00:16:15,360 --> 00:16:17,720 Speaker 1: that was really similar to mine. Candy has been through 308 00:16:17,760 --> 00:16:21,560 Speaker 1: some ship and we just like aired it all out 309 00:16:21,600 --> 00:16:23,960 Speaker 1: and it felt so fucking good to just say it. 310 00:16:24,440 --> 00:16:28,320 Speaker 1: And my personal favorite way of processing like really bad 311 00:16:28,360 --> 00:16:31,360 Speaker 1: things is by poking fun at them. Um. Yes, it's 312 00:16:31,400 --> 00:16:34,240 Speaker 1: a coping mechanism, but it's also just like you can't 313 00:16:34,240 --> 00:16:37,200 Speaker 1: take yourself too seriously, you can't take this ship too seriously. 314 00:16:37,280 --> 00:16:40,240 Speaker 1: You have to kind of like have that separation. At 315 00:16:40,320 --> 00:16:43,960 Speaker 1: least for me, it does work in my opinion, in 316 00:16:44,280 --> 00:16:47,400 Speaker 1: my life. But so we kind of pooked funded it 317 00:16:47,440 --> 00:16:50,320 Speaker 1: a little bit. And you know, for the second verse 318 00:16:50,400 --> 00:16:55,160 Speaker 1: is about real ship. I mean, it's about domestic violence. Um, 319 00:16:55,200 --> 00:17:00,160 Speaker 1: it's about cheating. It's about my friends sleeping with my 320 00:17:00,240 --> 00:17:02,680 Speaker 1: ex after we broke up and they knew he was abusive. 321 00:17:02,720 --> 00:17:05,320 Speaker 1: I mean, that's a real thing, and I talked about 322 00:17:05,359 --> 00:17:07,600 Speaker 1: it in this song. I never thought that was going 323 00:17:07,640 --> 00:17:10,879 Speaker 1: to see the light of day. But I remember I 324 00:17:10,920 --> 00:17:12,879 Speaker 1: finished it. I loved it so much. I drove over 325 00:17:12,920 --> 00:17:14,280 Speaker 1: in my manager's office and I was like, Tid, I 326 00:17:14,280 --> 00:17:16,119 Speaker 1: want to play you this song. And I remember he 327 00:17:16,200 --> 00:17:18,440 Speaker 1: just listened to it, didn't say a word. He sat 328 00:17:18,440 --> 00:17:21,000 Speaker 1: back in his chair and he goes, well, fuck, I 329 00:17:21,000 --> 00:17:24,520 Speaker 1: guess we're doing this. And that was like, I mean, 330 00:17:24,560 --> 00:17:27,679 Speaker 1: that was the last fuck I had to give. That 331 00:17:28,440 --> 00:17:32,160 Speaker 1: fuck was the last fun she ever gave. Yeah, pretty much. 332 00:17:33,320 --> 00:17:35,600 Speaker 1: So it was just like, you know, a huge, huge 333 00:17:35,600 --> 00:17:37,320 Speaker 1: moment for me to be like, no, I can say that. 334 00:17:37,400 --> 00:17:39,640 Speaker 1: And I'd spent all this time in Nashville writing these 335 00:17:39,640 --> 00:17:42,360 Speaker 1: songs and having people say you can't say that, or 336 00:17:42,520 --> 00:17:44,120 Speaker 1: that little voice in my head being like you can't 337 00:17:44,119 --> 00:17:47,320 Speaker 1: say that, Well, guess what you can. And I have 338 00:17:47,400 --> 00:17:50,320 Speaker 1: heard from so many women who have been through shitty 339 00:17:50,359 --> 00:17:53,520 Speaker 1: situations like that have been like Iffy forever, like really 340 00:17:53,560 --> 00:17:56,480 Speaker 1: helped me through my divorce, Like that's real ship, and 341 00:17:56,800 --> 00:17:59,840 Speaker 1: it makes I just like, music makes you feel less alone, 342 00:18:00,040 --> 00:18:02,560 Speaker 1: especially when you're going through something and there's so much 343 00:18:02,600 --> 00:18:07,960 Speaker 1: shame surrounding like heartbreak and and you know, overdose and 344 00:18:08,000 --> 00:18:11,239 Speaker 1: all these things, and so having music that makes you 345 00:18:11,320 --> 00:18:14,000 Speaker 1: feel like You're not the only person that's happened to 346 00:18:14,520 --> 00:18:17,240 Speaker 1: and that there's no reason to be ashamed of it 347 00:18:17,320 --> 00:18:19,520 Speaker 1: is really important and those are the songs that got 348 00:18:19,560 --> 00:18:21,000 Speaker 1: me through. So I wanted to be able to put 349 00:18:21,040 --> 00:18:24,480 Speaker 1: songs like that back into the universe. And it's the 350 00:18:24,480 --> 00:18:27,080 Speaker 1: crazy thing, is like, after all that, I was so 351 00:18:27,160 --> 00:18:29,720 Speaker 1: terrified and these songs were so raw and so real, 352 00:18:29,760 --> 00:18:31,680 Speaker 1: and I was like, no way is this going to 353 00:18:31,800 --> 00:18:35,199 Speaker 1: make any sense. People really fucking liked it. I mean, 354 00:18:35,240 --> 00:18:36,919 Speaker 1: I have a plaque from New York Times on my 355 00:18:37,080 --> 00:18:39,440 Speaker 1: on my wall saying it's the number seven best album 356 00:18:39,560 --> 00:18:44,080 Speaker 1: of that's crazy. And all I did was just get 357 00:18:44,160 --> 00:18:46,560 Speaker 1: drunk on my floor with my friends and write real 358 00:18:46,640 --> 00:18:51,399 Speaker 1: stories about real things. And my fans we're so loud. 359 00:18:51,520 --> 00:18:54,359 Speaker 1: And how much they liked it and and shared it 360 00:18:54,400 --> 00:18:58,359 Speaker 1: with people, and I mean the amount of just pressed 361 00:18:58,359 --> 00:19:01,240 Speaker 1: the album got, especially because I had no promotional budget 362 00:19:01,359 --> 00:19:05,760 Speaker 1: at all, Like, because my budget is um my bank 363 00:19:05,840 --> 00:19:11,480 Speaker 1: account and uh, whatever credit I have available on Capital 364 00:19:11,520 --> 00:19:16,040 Speaker 1: one UM, so that's that's my funding. Uh, welcome to 365 00:19:16,040 --> 00:19:18,359 Speaker 1: the life of an independent artist. My label is Capital 366 00:19:18,400 --> 00:19:24,040 Speaker 1: one UM. But it it just did what it did 367 00:19:24,119 --> 00:19:27,119 Speaker 1: because people liked it and that's insane and amazing and 368 00:19:27,200 --> 00:19:30,199 Speaker 1: so great to know. And it just gave me this 369 00:19:30,280 --> 00:19:32,879 Speaker 1: incredible new perspective where I was like, holy sh it, 370 00:19:32,960 --> 00:19:37,120 Speaker 1: like people want real things. There's so much escapism right now, 371 00:19:37,280 --> 00:19:40,159 Speaker 1: like everywhere, and I understand the role that that plays, 372 00:19:40,200 --> 00:19:42,040 Speaker 1: Like sometimes I do want to go to a concert 373 00:19:42,080 --> 00:19:43,520 Speaker 1: and I want to forget my problems and I want 374 00:19:43,520 --> 00:19:44,879 Speaker 1: to drink a beer and I want to dance, and 375 00:19:44,880 --> 00:19:47,639 Speaker 1: there is nothing wrong with that, but also it's a 376 00:19:47,680 --> 00:19:50,480 Speaker 1: healthy dose of that, and then also finding art that 377 00:19:50,560 --> 00:19:54,639 Speaker 1: makes you a little uncomfortable but makes you realize something 378 00:19:54,920 --> 00:19:57,880 Speaker 1: new about yourself. Alanis Morrisette always did that for me. 379 00:19:58,200 --> 00:20:01,639 Speaker 1: She has some really really incredib all songs. Um. One 380 00:20:01,680 --> 00:20:03,760 Speaker 1: of my favorite songs of hers is are You Still Mad? 381 00:20:05,040 --> 00:20:09,280 Speaker 1: Some of the lyrics to that are just so insanely 382 00:20:09,320 --> 00:20:13,239 Speaker 1: specific but so beautiful, like are you still mad? Like 383 00:20:13,720 --> 00:20:15,879 Speaker 1: I had an emotional affair, are You's still mad? I 384 00:20:15,960 --> 00:20:19,600 Speaker 1: compared you to all my male friends, like just stuff 385 00:20:19,640 --> 00:20:21,280 Speaker 1: like that, And it's just like she can just say that. 386 00:20:21,359 --> 00:20:24,160 Speaker 1: You can just say that, and it doesn't just apply 387 00:20:24,240 --> 00:20:27,439 Speaker 1: to songwriting. It applies to how honest you are on 388 00:20:27,480 --> 00:20:29,960 Speaker 1: a first date with somebody. It applies to how honest 389 00:20:29,960 --> 00:20:31,639 Speaker 1: you are when somebody asked you how you're doing and 390 00:20:31,640 --> 00:20:34,600 Speaker 1: you're not doing great? Why do we say we're doing okay? 391 00:20:34,600 --> 00:20:37,000 Speaker 1: Why is that a thing that like, if somebody asked 392 00:20:37,040 --> 00:20:39,680 Speaker 1: you how you're doing, there's one appropriate responses, I'm good? 393 00:20:39,680 --> 00:20:42,440 Speaker 1: How are you? You can be a lot of things 394 00:20:42,440 --> 00:20:45,560 Speaker 1: other than good. You can be fucking awful, you can 395 00:20:45,600 --> 00:20:49,719 Speaker 1: be tired, you can be ecstatic, you can be like 396 00:20:49,760 --> 00:20:51,679 Speaker 1: all this whole spectrum of things, and we try to 397 00:20:51,720 --> 00:20:55,040 Speaker 1: just like distill it down to good. What does good 398 00:20:55,080 --> 00:20:58,040 Speaker 1: even mean? Also, I don't want to be doing good. 399 00:20:58,080 --> 00:20:59,960 Speaker 1: I want to be doing great, you know what I'm saying. 400 00:21:01,080 --> 00:21:04,960 Speaker 1: So I learned a lot from that and I am 401 00:21:05,080 --> 00:21:08,560 Speaker 1: so happy to be able to have this podcast. I 402 00:21:09,000 --> 00:21:11,440 Speaker 1: you know, I'm I'm learning as I go here. We're 403 00:21:11,520 --> 00:21:15,120 Speaker 1: just kind of seeing what happens, uh when I say 404 00:21:15,160 --> 00:21:17,800 Speaker 1: into this microphone, it's going to be interesting. But if 405 00:21:17,800 --> 00:21:20,840 Speaker 1: there's anything that you guys want to see or here, 406 00:21:20,960 --> 00:21:23,119 Speaker 1: I guess here. If there's anything you guys want to 407 00:21:23,119 --> 00:21:25,560 Speaker 1: hear on this podcast, be sure to tweet me at 408 00:21:25,640 --> 00:21:28,960 Speaker 1: Kayleie Shore. I would love you know, if you guys 409 00:21:29,000 --> 00:21:31,240 Speaker 1: have any questions or anything you want me to do 410 00:21:31,280 --> 00:21:34,680 Speaker 1: an episode about any guess that you want, any advice 411 00:21:34,760 --> 00:21:37,200 Speaker 1: you might need. Just let me know. This is such 412 00:21:37,240 --> 00:21:39,680 Speaker 1: a fun thing for me because it's all about us connecting. 413 00:21:39,880 --> 00:21:43,000 Speaker 1: It's you know, me alone in my bedroom with a 414 00:21:43,119 --> 00:21:45,360 Speaker 1: lovely spirit sort that I'm enjoying a lot. But it's 415 00:21:45,400 --> 00:21:48,760 Speaker 1: also you know me coming through your headphones and us 416 00:21:48,800 --> 00:21:51,840 Speaker 1: getting to kind of hang out. So let's make it that. 417 00:21:52,080 --> 00:21:55,800 Speaker 1: I will have so much fun doing this. I'm already 418 00:21:55,840 --> 00:21:59,280 Speaker 1: just ecstatic, and I hope you guys enjoyed this episode 419 00:21:59,320 --> 00:22:02,040 Speaker 1: and just me, you know, oversharing and word vomiting. That 420 00:22:02,080 --> 00:22:04,560 Speaker 1: would be so so much more of that. I think 421 00:22:04,560 --> 00:22:06,959 Speaker 1: we probably would have called the podcast word vomit if 422 00:22:07,000 --> 00:22:10,280 Speaker 1: that wasn't just like such an unappealing sentence, you know, 423 00:22:10,720 --> 00:22:13,400 Speaker 1: such an unappealing phrase. So I hope you guys tune 424 00:22:13,440 --> 00:22:16,159 Speaker 1: in next week. We're gonna have episodes every week and 425 00:22:16,520 --> 00:22:18,159 Speaker 1: you guys can follow me let me know what you 426 00:22:18,240 --> 00:22:21,040 Speaker 1: want to hear. And thank you so much for listening. 427 00:22:21,040 --> 00:22:23,439 Speaker 1: I really appreciate it. I'm gaily sure and this was 428 00:22:23,480 --> 00:22:29,800 Speaker 1: too much to to say. Don't go asking questions soon 429 00:22:30,560 --> 00:22:36,160 Speaker 1: I'll go to mu SA. Now turn it out you,