1 00:00:00,560 --> 00:00:03,920 Speaker 1: I welcome to episode two of four. We'll share some 2 00:00:03,960 --> 00:00:06,280 Speaker 1: new music that comes out this week the music news 3 00:00:06,320 --> 00:00:09,600 Speaker 1: and also speaking of new music, I thought we'd talked 4 00:00:09,640 --> 00:00:13,120 Speaker 1: about the Greatest Grammy Losers for Best New Artists, which 5 00:00:13,119 --> 00:00:14,760 Speaker 1: we'll get in a little bit. By the way, Eddie 6 00:00:14,800 --> 00:00:17,200 Speaker 1: is joining me, and so is Mike d And let 7 00:00:17,239 --> 00:00:19,160 Speaker 1: me encourage you to check out Eddie on the Sore 8 00:00:19,239 --> 00:00:22,200 Speaker 1: Losers podcast. Yes, it's a sports show, a bunch of 9 00:00:22,200 --> 00:00:26,680 Speaker 1: guys talking guy stuff sports. Um, I don't really know 10 00:00:26,720 --> 00:00:28,639 Speaker 1: a lot about sports, Like I'm a fan, you know, 11 00:00:28,680 --> 00:00:31,600 Speaker 1: but I don't really know the details. So lunch boxes 12 00:00:31,640 --> 00:00:33,919 Speaker 1: the sports genius and it's mostly us who says he's 13 00:00:33,920 --> 00:00:36,280 Speaker 1: the sports he does Okay, yeah, yeah, yeah he does. 14 00:00:36,400 --> 00:00:39,120 Speaker 1: So we just mostly just argue about what we think 15 00:00:39,159 --> 00:00:41,199 Speaker 1: the outcome of games are gonna be. So check out 16 00:00:41,200 --> 00:00:45,440 Speaker 1: the Sore Losers if you're into sports. Sports genius, that's 17 00:00:45,440 --> 00:00:47,239 Speaker 1: what you called himself. It's like anyone that calls us 18 00:00:47,240 --> 00:00:49,479 Speaker 1: a good golfer. Like if someone's calls a golfer, you're like, 19 00:00:49,479 --> 00:00:53,000 Speaker 1: you know they're not good or are they dressed really nice? Um? Okay, 20 00:00:53,040 --> 00:00:55,040 Speaker 1: here we go. By the way, when we get to 21 00:00:55,040 --> 00:00:58,200 Speaker 1: the Grammy stuff. For example, in nineteen seventy best New 22 00:00:58,280 --> 00:01:00,840 Speaker 1: Artist was the Carpenters. Oh yeah, and you know who 23 00:01:00,840 --> 00:01:04,040 Speaker 1: lost to them was Elton John some of those crazy 24 00:01:04,080 --> 00:01:06,520 Speaker 1: ones that you're like, wow, they lost. That's coming Tom 25 00:01:06,520 --> 00:01:08,160 Speaker 1: just a little bit. I do want talkbout new music 26 00:01:08,160 --> 00:01:10,399 Speaker 1: coming out this week and so on our show we 27 00:01:10,440 --> 00:01:13,560 Speaker 1: had a big premiere of Sam Hunt and any of 28 00:01:13,640 --> 00:01:15,640 Speaker 1: I say this about new music. Anytime you hear a 29 00:01:15,640 --> 00:01:17,400 Speaker 1: brand new song that had a bunch of hype to it, 30 00:01:17,640 --> 00:01:20,680 Speaker 1: at least coming out pre it never lives up to 31 00:01:20,720 --> 00:01:24,000 Speaker 1: the hype because it can't possibly meaning. The first time 32 00:01:24,000 --> 00:01:27,720 Speaker 1: you hear a song, it's it's never that good because 33 00:01:27,760 --> 00:01:29,200 Speaker 1: it takes a couple of plays for you to go, 34 00:01:29,880 --> 00:01:32,000 Speaker 1: oh like the hook, It takes a couple pays where 35 00:01:32,000 --> 00:01:33,920 Speaker 1: to get that chorus in your head, unless the song 36 00:01:33,959 --> 00:01:36,800 Speaker 1: has some crazy meaning that you personally identify with the 37 00:01:36,800 --> 00:01:38,360 Speaker 1: first time you hear it and get you chill bumps, 38 00:01:38,400 --> 00:01:40,440 Speaker 1: because the lyrics mean something so much to you, and 39 00:01:40,480 --> 00:01:42,520 Speaker 1: it's not so much about the structure of the song 40 00:01:42,640 --> 00:01:45,120 Speaker 1: the melody, you're the chorus. Otherwise it's gonna take a 41 00:01:45,160 --> 00:01:48,320 Speaker 1: few times. I just remember body like a backgrow When 42 00:01:48,360 --> 00:01:50,280 Speaker 1: it came out, people hated that song. They were like, 43 00:01:50,280 --> 00:01:51,800 Speaker 1: what is this. He's had four hits in a row. 44 00:01:51,840 --> 00:01:53,680 Speaker 1: This is not going to be a hit, biggest hit 45 00:01:53,760 --> 00:01:57,840 Speaker 1: of like five years. My point is one of my 46 00:01:57,960 --> 00:02:00,360 Speaker 1: friends was like, it's nobody Like a backgroup, And I'm like, 47 00:02:00,400 --> 00:02:02,360 Speaker 1: you didn't like body Like a Background for like two months? 48 00:02:02,680 --> 00:02:04,520 Speaker 1: Do you think it's a body Like a background? That's 49 00:02:04,520 --> 00:02:06,920 Speaker 1: not the point. I think that's because we haven't heard 50 00:02:06,960 --> 00:02:10,600 Speaker 1: it enough to even beside that. And the course about 51 00:02:10,600 --> 00:02:12,720 Speaker 1: the second time, I was like, I want to do 52 00:02:15,120 --> 00:02:17,640 Speaker 1: I think it's fantastic. It took me a few listens, 53 00:02:17,680 --> 00:02:20,520 Speaker 1: even for someone that listens to the music somewhat professionally. 54 00:02:21,440 --> 00:02:24,359 Speaker 1: Um much like we made from the Lunchbox, any sports genius, 55 00:02:24,360 --> 00:02:26,760 Speaker 1: anybody that goes I could tell a song about listening 56 00:02:26,800 --> 00:02:29,079 Speaker 1: the full of crap. The people that are really good 57 00:02:29,120 --> 00:02:30,480 Speaker 1: at it don't claim to be good at it. But 58 00:02:30,520 --> 00:02:32,960 Speaker 1: as much as we know now what we have with 59 00:02:33,000 --> 00:02:34,840 Speaker 1: Sam Hunt, I think Body Like a back Road is 60 00:02:34,880 --> 00:02:37,640 Speaker 1: like his friends in low places. So so the next 61 00:02:37,639 --> 00:02:40,600 Speaker 1: song is just whatever comes next. It's just gonna be 62 00:02:40,600 --> 00:02:42,640 Speaker 1: hard for it to be body Like a Background. Any 63 00:02:42,680 --> 00:02:44,240 Speaker 1: song you have that's a massive hit for you. It's 64 00:02:44,320 --> 00:02:48,040 Speaker 1: gonna be hard to Yeah. So I personally, I haven't 65 00:02:48,080 --> 00:02:50,320 Speaker 1: given the chance this one a chance yet, and you 66 00:02:50,400 --> 00:02:53,119 Speaker 1: probably won't for three or four months. You're hed enough 67 00:02:53,160 --> 00:02:55,880 Speaker 1: to go, oh that's a jam. But I that that. 68 00:02:56,120 --> 00:02:58,480 Speaker 1: I want to end it to my kid. That's it's 69 00:02:58,520 --> 00:03:01,440 Speaker 1: a really cool core that us. I don't know if 70 00:03:01,440 --> 00:03:02,880 Speaker 1: it's gonna be massive or not, but I do like it. 71 00:03:02,919 --> 00:03:05,800 Speaker 1: Here's Sam like kin folks. Here, I want to shoot 72 00:03:06,040 --> 00:03:11,120 Speaker 1: my canol to friends that I do love his style. 73 00:03:11,960 --> 00:03:14,959 Speaker 1: This is just Sam Hunt. His style is very much 74 00:03:15,520 --> 00:03:18,239 Speaker 1: you know not aside from the talking stuff, which he 75 00:03:18,240 --> 00:03:20,880 Speaker 1: doesn't hasn't done on a few songs, it's very go 76 00:03:20,880 --> 00:03:26,880 Speaker 1: go stop, go go go stop like that, even in 77 00:03:27,240 --> 00:03:29,040 Speaker 1: Turn it Up, Mike, even in the verses to even 78 00:03:29,040 --> 00:03:33,400 Speaker 1: the music. It's a bunch of good catch man. Was 79 00:03:33,400 --> 00:03:36,720 Speaker 1: it over? Yes? Yes, we have no more good catch. 80 00:03:36,720 --> 00:03:39,200 Speaker 1: That's so true. Yeah, that's how sing the chorus I'm 81 00:03:39,240 --> 00:03:43,880 Speaker 1: gonna tell you to my kid folk. I mean, yeah, 82 00:03:43,920 --> 00:03:46,600 Speaker 1: you're right about that, that line, that line, and it's 83 00:03:46,680 --> 00:03:49,840 Speaker 1: so simple. No no, no, it's like so easy anybody 84 00:03:50,080 --> 00:03:53,360 Speaker 1: but I don't. And my whole point is they don't 85 00:03:53,440 --> 00:03:55,640 Speaker 1: yend them music now in the music industry after I 86 00:03:55,640 --> 00:03:57,320 Speaker 1: bought it like a backup, Like that song is so easy. 87 00:03:57,400 --> 00:03:59,880 Speaker 1: Anybody can read it, Okay, then write it and we're 88 00:04:00,080 --> 00:04:03,080 Speaker 1: your hits. If it's so easy, then why aren't you 89 00:04:03,120 --> 00:04:07,320 Speaker 1: doing it? I think just sometimes as human we complicate things. No. 90 00:04:07,640 --> 00:04:09,840 Speaker 1: I think what happens is somebody makes it look so 91 00:04:09,880 --> 00:04:12,920 Speaker 1: easy that you think it's easy. I mean, I get 92 00:04:12,960 --> 00:04:15,000 Speaker 1: a bunch of people like you can do that radio 93 00:04:15,040 --> 00:04:16,839 Speaker 1: show that you do. Okay, didn't do it. You have 94 00:04:17,040 --> 00:04:20,279 Speaker 1: just enough life to go and and start small and 95 00:04:20,320 --> 00:04:22,599 Speaker 1: if people like you and you can get ratings to 96 00:04:22,600 --> 00:04:26,919 Speaker 1: to create a radio show, because well, you kind of 97 00:04:26,920 --> 00:04:29,040 Speaker 1: make this thing look easy. And that's the point of 98 00:04:29,120 --> 00:04:31,760 Speaker 1: I see that. People should be like, oh wow, that's easy. 99 00:04:31,800 --> 00:04:33,480 Speaker 1: I mean anybody could do that. I see that same 100 00:04:33,520 --> 00:04:36,000 Speaker 1: thing with that song. People could do it, they would 101 00:04:36,040 --> 00:04:37,920 Speaker 1: have nobody has. There's only cowple people that can write 102 00:04:37,920 --> 00:04:40,120 Speaker 1: a song like that that has done it. Anyway, I 103 00:04:40,120 --> 00:04:45,240 Speaker 1: get super irritated for saying that Luke Combs has a 104 00:04:45,240 --> 00:04:47,200 Speaker 1: new song out this week called what You See is 105 00:04:47,200 --> 00:05:00,800 Speaker 1: What You Get. Here's this king no good thing. He's 106 00:05:00,880 --> 00:05:02,280 Speaker 1: dropping a bunch of songs he's got a new record 107 00:05:02,279 --> 00:05:06,520 Speaker 1: coming out, so he's putting out songs as the releases. 108 00:05:06,760 --> 00:05:10,640 Speaker 1: The grat tracks you have, Bailey Brian, where we started? 109 00:05:10,680 --> 00:05:20,719 Speaker 1: This is a new this week? Can we get back to? 110 00:05:21,960 --> 00:05:25,159 Speaker 1: Can we get back to the first night you give? 111 00:05:32,279 --> 00:05:35,000 Speaker 1: I'm a big Bailey Brian fan. She's opened for us 112 00:05:35,000 --> 00:05:36,599 Speaker 1: and for me a bunch. And what I don't really, 113 00:05:36,640 --> 00:05:38,520 Speaker 1: I don't realize is when we met her, she was 114 00:05:38,560 --> 00:05:40,360 Speaker 1: really really young. I think when we met her she 115 00:05:40,440 --> 00:05:42,800 Speaker 1: was like seventeen, right tea yeah, And so she's got 116 00:05:42,800 --> 00:05:45,960 Speaker 1: a lot of growth to do, like in her career. 117 00:05:45,960 --> 00:05:48,160 Speaker 1: And I can hear it in this song already, from 118 00:05:48,240 --> 00:05:49,919 Speaker 1: the first songs she had when she first came to 119 00:05:49,920 --> 00:05:52,360 Speaker 1: their studio, like this is that felt like a pretty 120 00:05:52,400 --> 00:05:55,520 Speaker 1: super pop super pop cutch totally. Lanco has a new 121 00:05:55,560 --> 00:05:57,120 Speaker 1: song out today. I Love these guys. It's called what 122 00:05:57,160 --> 00:06:10,680 Speaker 1: I See What Us. Let me make another analogy to 123 00:06:10,680 --> 00:06:12,520 Speaker 1: why people like songs. If the lyrics don't hit you 124 00:06:12,600 --> 00:06:14,560 Speaker 1: immediately right and you feel them, you don't like it 125 00:06:14,600 --> 00:06:16,520 Speaker 1: until you can sing it, And sometimes it takes a 126 00:06:16,520 --> 00:06:18,960 Speaker 1: few times before you can sing it back. Like that's 127 00:06:18,960 --> 00:06:20,840 Speaker 1: when people will start liking a hit. When they can 128 00:06:20,839 --> 00:06:23,080 Speaker 1: sing it back. Do you listen to lyrics first or 129 00:06:23,120 --> 00:06:25,440 Speaker 1: melody first? Melody? Yes? Do? I wish I listen to 130 00:06:25,440 --> 00:06:27,560 Speaker 1: the lyrics first. I know sometimes I don't even know 131 00:06:27,640 --> 00:06:31,040 Speaker 1: lyrics as songs until I really try to pay attention 132 00:06:31,080 --> 00:06:36,520 Speaker 1: to it. I just know Nana, Nana, Nana noon now, 133 00:06:37,279 --> 00:06:40,120 Speaker 1: and that would be what is called a melody, like 134 00:06:40,160 --> 00:06:43,320 Speaker 1: the melody of um friends. All the places would be 135 00:06:44,680 --> 00:06:48,840 Speaker 1: uh and you can switch that up. That's what you 136 00:06:48,839 --> 00:06:50,440 Speaker 1: wanted to change the lyrics on top of that melody. 137 00:06:50,480 --> 00:06:54,880 Speaker 1: It could be like we know people with that faces 138 00:06:55,240 --> 00:07:01,080 Speaker 1: a parody is saying melody different lyrics. Cot wait to 139 00:07:01,160 --> 00:07:03,960 Speaker 1: break that down? Blanco Brown who has going to do 140 00:07:04,080 --> 00:07:06,240 Speaker 1: the two step, and he has a new album out 141 00:07:06,279 --> 00:07:09,520 Speaker 1: this week. And here's Funky Tonk, which I think is 142 00:07:09,560 --> 00:07:18,200 Speaker 1: like funky honky tonk. Yeah, check that out. Harry Styles 143 00:07:18,200 --> 00:07:20,240 Speaker 1: has a new song called lights Up. Here's a club 144 00:07:20,240 --> 00:07:27,080 Speaker 1: of that Green Day, Green Day, Green Day, fire Ready Aim, 145 00:07:27,120 --> 00:07:39,400 Speaker 1: here's that? There you go? That's cool. I like Green 146 00:07:39,480 --> 00:07:44,280 Speaker 1: Days new stuff like they always seem to redo themselves. 147 00:07:44,680 --> 00:07:46,920 Speaker 1: He sings, can you pull up their their their single 148 00:07:47,040 --> 00:07:51,960 Speaker 1: right now? What is it called? He sings in like 149 00:07:52,000 --> 00:07:55,760 Speaker 1: a falsetto the whole thing really really high. Yeah, which 150 00:07:55,800 --> 00:07:58,320 Speaker 1: is pretty cool because the first time I heard the song, 151 00:07:58,360 --> 00:07:59,360 Speaker 1: I didn't know it was I don't know if it 152 00:07:59,400 --> 00:08:03,400 Speaker 1: was like a um, you know, Arctic Monkeys. That's kind 153 00:08:03,400 --> 00:08:06,600 Speaker 1: of what this sounds. It does feel very British. He yes, 154 00:08:06,720 --> 00:08:09,720 Speaker 1: British alternative, I guess would be called. Mike, do you 155 00:08:09,720 --> 00:08:11,720 Speaker 1: know the name of that new song? I can't find 156 00:08:11,760 --> 00:08:13,040 Speaker 1: it right now. All right, let me know when you 157 00:08:13,080 --> 00:08:15,960 Speaker 1: get it. In music news, the Baby has the number 158 00:08:15,960 --> 00:08:18,240 Speaker 1: one album in the country. Who is that? No idea, 159 00:08:18,960 --> 00:08:21,120 Speaker 1: I gotta be honest, the number one album in the country. 160 00:08:21,280 --> 00:08:24,360 Speaker 1: His new album, Kirk sold a hundred forty five thousand copies, 161 00:08:24,640 --> 00:08:27,240 Speaker 1: which was enough to be that post Malone. But his 162 00:08:27,240 --> 00:08:28,440 Speaker 1: album has been out a few times or a few 163 00:08:28,440 --> 00:08:34,480 Speaker 1: weeks right, a few weeks. The Baby I needed to 164 00:08:35,120 --> 00:08:38,760 Speaker 1: serve and I'm sure this is good across the I 165 00:08:38,760 --> 00:08:43,520 Speaker 1: need to hear a few times a lot of streams. 166 00:08:43,559 --> 00:08:46,000 Speaker 1: So the Baby, it's got the number one album. I 167 00:08:46,040 --> 00:08:47,079 Speaker 1: can tell you. I didn't even heard of the The The 168 00:08:47,240 --> 00:08:52,920 Speaker 1: Baby until he either Mike d father of all debate 169 00:08:53,240 --> 00:08:55,559 Speaker 1: of the Baby. Yeah, I knew him because he was 170 00:08:55,600 --> 00:08:57,960 Speaker 1: on his song with Little nos X. He was on 171 00:08:57,960 --> 00:09:00,760 Speaker 1: a remix of Panini. Okay, but you don't know if 172 00:09:00,800 --> 00:09:04,120 Speaker 1: anything else. Speaking of Pannini, I mean that's gonna be 173 00:09:04,200 --> 00:09:06,160 Speaker 1: a big hit. Like my kids are already singing it, 174 00:09:06,200 --> 00:09:08,040 Speaker 1: are there? And that's kind of my tell tale of like, 175 00:09:08,080 --> 00:09:10,640 Speaker 1: all right, this is gonna be big. Yeah. And he 176 00:09:10,760 --> 00:09:12,480 Speaker 1: my son was my eleven year olds like, you heard 177 00:09:12,480 --> 00:09:14,040 Speaker 1: this yet, and I'm like, no, I haven't heard it yet, 178 00:09:14,080 --> 00:09:15,720 Speaker 1: but we've talked about He's like, I know I heard 179 00:09:15,760 --> 00:09:18,600 Speaker 1: you guys in the radio show talk about this song. Yeah, 180 00:09:18,760 --> 00:09:21,440 Speaker 1: me and Little Nozacs aren't all the best terms. So whatever, 181 00:09:22,120 --> 00:09:23,400 Speaker 1: you guys can work that out. They'll be all right, 182 00:09:23,400 --> 00:09:25,679 Speaker 1: we'll work that out. Yeahs um the Great Day song? 183 00:09:25,720 --> 00:09:27,800 Speaker 1: You have it? What's it called? It's called Father of All? 184 00:09:28,000 --> 00:09:30,760 Speaker 1: Didn't you have it? I don't, Oh, all right, we don't. 185 00:09:30,760 --> 00:09:32,520 Speaker 1: We have an alternative station in the building. We are 186 00:09:32,679 --> 00:09:37,760 Speaker 1: not anymore. Yeah, we did, but not anymore. We have 187 00:09:37,760 --> 00:09:40,120 Speaker 1: a rock We have a rock station, though it should. Yeah, 188 00:09:40,160 --> 00:09:41,559 Speaker 1: I would think that Great Day song will be in there. 189 00:09:41,679 --> 00:09:44,479 Speaker 1: Uh CMT artists that your celebration except for this Wednesday 190 00:09:44,640 --> 00:09:46,840 Speaker 1: and Sam Hunt and Lady and Bellam we're gonna perform 191 00:09:46,840 --> 00:09:50,079 Speaker 1: a tribute to Reba. Hey, question, what's the what is artist? 192 00:09:50,360 --> 00:09:52,400 Speaker 1: What's the difference between this and the big, the big 193 00:09:52,400 --> 00:09:57,040 Speaker 1: award organization, the organization like c m as are a 194 00:09:57,040 --> 00:10:00,160 Speaker 1: big foundation organization, big group that we're all members of. 195 00:10:00,600 --> 00:10:05,000 Speaker 1: CMT is a channel. So they just oh, this is CMT. 196 00:10:05,160 --> 00:10:08,120 Speaker 1: I'm so sorry CMT Artists of the Year. They basically 197 00:10:08,200 --> 00:10:11,120 Speaker 1: whoever works at CMT has picked the five people they 198 00:10:11,160 --> 00:10:13,200 Speaker 1: have deemed artist of the year. Got it? It would 199 00:10:13,200 --> 00:10:14,600 Speaker 1: be if we just go, hey, we're having a Artist 200 00:10:14,640 --> 00:10:17,120 Speaker 1: of the Year show and we got people to come 201 00:10:17,160 --> 00:10:18,719 Speaker 1: up and play. How many people who get to watch? 202 00:10:18,760 --> 00:10:21,280 Speaker 1: It's how big the show is. Um. So CMT does 203 00:10:21,320 --> 00:10:24,880 Speaker 1: it and I will be presenting Carrie Underwood. They didn't 204 00:10:24,880 --> 00:10:26,959 Speaker 1: ask me to perform for her, which is a shame. 205 00:10:27,120 --> 00:10:29,560 Speaker 1: I know they're missing on a big opportunity, right, Mike Day, 206 00:10:29,559 --> 00:10:31,400 Speaker 1: don't they give bribly down to Cary unerwoods on that 207 00:10:31,400 --> 00:10:35,319 Speaker 1: have been great go out dresses? Here? This rocket the 208 00:10:35,320 --> 00:10:37,800 Speaker 1: same kind of legs. Yeah, I wear a little short. 209 00:10:38,760 --> 00:10:42,440 Speaker 1: I don't done that, but no, I'm super Uh. I 210 00:10:42,520 --> 00:10:45,240 Speaker 1: was surprised and also pretty honored that carry was like, hey, 211 00:10:45,240 --> 00:10:47,520 Speaker 1: will you present me that she's actually not gonna be there. 212 00:10:48,440 --> 00:10:50,720 Speaker 1: She's gonna be in Cleveland because she has a show 213 00:10:50,760 --> 00:10:53,080 Speaker 1: that night. And she's like, hey, will you present me 214 00:10:53,120 --> 00:10:54,920 Speaker 1: back in Nashville. And then my throw to her is 215 00:10:54,920 --> 00:10:56,640 Speaker 1: a video is there gonna be like live or video? 216 00:10:56,720 --> 00:10:58,559 Speaker 1: A live thing and someone's gonna perform. But I don't 217 00:10:58,559 --> 00:11:00,280 Speaker 1: know if I should say all this, but there's a 218 00:11:00,320 --> 00:11:03,079 Speaker 1: thing happening, so um. And then you know the dude 219 00:11:03,080 --> 00:11:07,240 Speaker 1: at the tattoos on his face, guy Takashi six nine. 220 00:11:07,600 --> 00:11:09,640 Speaker 1: You say his name, they say, signed a ten million 221 00:11:09,679 --> 00:11:12,199 Speaker 1: dollar record deal from prison. I'm gonna put out two 222 00:11:12,200 --> 00:11:14,360 Speaker 1: albums from prison. They have a studio in there. We'll 223 00:11:14,400 --> 00:11:16,760 Speaker 1: know he signed the deal from prison, right, yeah, when 224 00:11:16,800 --> 00:11:19,760 Speaker 1: he gets out. So he's not getting the money now, 225 00:11:19,800 --> 00:11:22,120 Speaker 1: but once he's released, whenever that is, he'll get the 226 00:11:22,240 --> 00:11:24,600 Speaker 1: cash in return for putting out two albums, one in 227 00:11:24,640 --> 00:11:28,080 Speaker 1: English and one in Spanish. He's yeah, he does where 228 00:11:28,200 --> 00:11:32,439 Speaker 1: he does? Look Hispanic? Where's he from? I'm not sure. 229 00:11:33,280 --> 00:11:35,960 Speaker 1: He was sentenced in December. He was originally looking at 230 00:11:36,000 --> 00:11:37,959 Speaker 1: forty seven years in prison, but he started singing like 231 00:11:38,000 --> 00:11:40,400 Speaker 1: a bird and snitching. Now it's possible he gets off 232 00:11:40,640 --> 00:11:43,440 Speaker 1: with as little as time served. I don't know how 233 00:11:43,440 --> 00:11:45,400 Speaker 1: I feel about this. By the way, no plea deal 234 00:11:45,400 --> 00:11:47,400 Speaker 1: has been announced. It's n clear how Tim's he found out, 235 00:11:47,440 --> 00:11:50,360 Speaker 1: But there you go. He's from Mexico with his mom 236 00:11:50,440 --> 00:11:52,960 Speaker 1: and dad. Are so you and him are the same. Yeah, 237 00:11:53,600 --> 00:11:57,080 Speaker 1: there you go. I want to introduce you to my campos. 238 00:11:57,640 --> 00:12:02,520 Speaker 1: But it's kind of weird that you can just do 239 00:12:02,600 --> 00:12:06,440 Speaker 1: all that from prison, like still continue to do business. Um, 240 00:12:06,480 --> 00:12:10,439 Speaker 1: you're not supposed to. There you go, Yeah, you're not 241 00:12:10,480 --> 00:12:13,840 Speaker 1: supposed to. Just this one that told TMZ. But yeah, 242 00:12:13,840 --> 00:12:18,520 Speaker 1: I mean Kanye recorded his from um from the hospital 243 00:12:18,559 --> 00:12:20,600 Speaker 1: where or maybe he said from his jos shut through 244 00:12:20,640 --> 00:12:23,280 Speaker 1: the wire. Yeah, there have been people that have recorded 245 00:12:23,280 --> 00:12:25,880 Speaker 1: stuff from all having all different situations. So Kanye recorded 246 00:12:25,920 --> 00:12:27,960 Speaker 1: his rap with his Josh. There have been people that 247 00:12:28,000 --> 00:12:30,600 Speaker 1: have recorded from prisoner. People record from all kinds of 248 00:12:30,600 --> 00:12:32,400 Speaker 1: weird places like get on the phone and do stuff. 249 00:12:32,960 --> 00:12:36,040 Speaker 1: A lot of j like sign autographs in prison too. Yeah. 250 00:12:36,559 --> 00:12:38,480 Speaker 1: I guess my point wasn't so much prison, but yeah, 251 00:12:38,480 --> 00:12:39,760 Speaker 1: there are a lot of ways that you can do 252 00:12:39,760 --> 00:12:43,720 Speaker 1: things when you're not really supposed to. That through the 253 00:12:43,760 --> 00:12:47,520 Speaker 1: wire with Kanye, such a good day like this is 254 00:12:47,520 --> 00:12:50,040 Speaker 1: the whole time is after the crash, and then like 255 00:12:50,040 --> 00:12:51,840 Speaker 1: you shouldn't wrap, you can't wrap right now, And I 256 00:12:51,840 --> 00:12:55,440 Speaker 1: think he talked about that in this song. Then somebody 257 00:12:55,559 --> 00:12:57,120 Speaker 1: used to call on a phone from prison and laid 258 00:12:57,120 --> 00:13:00,240 Speaker 1: down track speaking of prison, so it would sound like phone. 259 00:13:00,280 --> 00:13:01,760 Speaker 1: Try we get on the phone and he'd be like, yo, 260 00:13:01,960 --> 00:13:04,520 Speaker 1: I mean in jail. Yeah, yeah, I'm saying of that. 261 00:13:05,559 --> 00:13:07,920 Speaker 1: So um, there's that. I didn't want to go over 262 00:13:07,960 --> 00:13:10,360 Speaker 1: this listen. I just like doing these new music episodes 263 00:13:10,600 --> 00:13:12,360 Speaker 1: to give you guys a heads up. If you're you know, 264 00:13:12,360 --> 00:13:14,199 Speaker 1: if it's the weekend or early week, you can check 265 00:13:14,200 --> 00:13:22,800 Speaker 1: out a lot of that new stuff. The Greatest Grammy 266 00:13:22,920 --> 00:13:25,280 Speaker 1: Losers for Best New Artists which I found as an 267 00:13:25,360 --> 00:13:29,079 Speaker 1: article and I wanted to talk about this. So Elton 268 00:13:29,200 --> 00:13:33,320 Speaker 1: John tops the list of the greatest musicians to lose 269 00:13:33,600 --> 00:13:36,520 Speaker 1: the Grammy for Best New Artist. He lost to the 270 00:13:36,520 --> 00:13:39,559 Speaker 1: Carpenters in nine seven. Here's the Melton John for you. 271 00:13:42,280 --> 00:13:48,040 Speaker 1: Do you have any of the Carpenters? Why? Second verse? Yeah, 272 00:13:48,800 --> 00:13:52,400 Speaker 1: what you would know originally is why do births sudden? 273 00:13:52,520 --> 00:13:57,760 Speaker 1: Leah here and every time you are near dude, like 274 00:13:58,000 --> 00:14:00,640 Speaker 1: but but here's the thing about this there you artists, 275 00:14:00,640 --> 00:14:03,800 Speaker 1: so like Tiny Dancer, wasn't I wonder what was around 276 00:14:03,880 --> 00:14:05,599 Speaker 1: for Elton John in nine seven? Could have been a 277 00:14:05,600 --> 00:14:07,439 Speaker 1: full record. Not sure which record it was, but yeah, 278 00:14:07,520 --> 00:14:09,880 Speaker 1: probably not the Elton John that we know today. Well, no, 279 00:14:10,000 --> 00:14:12,520 Speaker 1: because we've had fifty years with them of great music. 280 00:14:12,920 --> 00:14:18,559 Speaker 1: Billboard put together this list. Let's go backward from what 281 00:14:19,240 --> 00:14:21,920 Speaker 1: what do you have on yours? How many? How many 282 00:14:21,920 --> 00:14:23,280 Speaker 1: do you have? It? Have all those on the sheet? 283 00:14:23,800 --> 00:14:29,440 Speaker 1: Mm hmm. Interesting. Let's start a number twelve. We'll go 284 00:14:29,480 --> 00:14:33,360 Speaker 1: backward a little bit. In two thousand two, the winner 285 00:14:33,600 --> 00:14:41,600 Speaker 1: was Norah Jones. You know great what in us you should? 286 00:14:43,440 --> 00:14:48,920 Speaker 1: And she won? But she beat this guy here. That's tough, 287 00:14:51,560 --> 00:14:55,680 Speaker 1: wucking cast me. Let me ask you this at number 288 00:14:55,680 --> 00:14:57,600 Speaker 1: eleven on this let's bring Billboard, I'm gonna give you 289 00:14:57,640 --> 00:14:58,960 Speaker 1: the two. You tell me who you think should have won, 290 00:14:59,680 --> 00:15:04,280 Speaker 1: share Crow or green Day. Um, I would say green 291 00:15:04,360 --> 00:15:09,360 Speaker 1: Day should have won, Okay, Sheryl Crow one two Tonight 292 00:15:09,440 --> 00:15:13,920 Speaker 1: Music Club, Monster Refuge. But green Day lost to Ryl Crow. 293 00:15:15,480 --> 00:15:18,640 Speaker 1: I guess Cherryl Crow. It's still I mean, I guess 294 00:15:18,680 --> 00:15:22,080 Speaker 1: pop music kind of claimed that one because Sheryl Crow 295 00:15:22,200 --> 00:15:24,640 Speaker 1: was just pop that at that point, and then Green 296 00:15:24,720 --> 00:15:27,520 Speaker 1: Day was just they were a punk band. Alternative. I 297 00:15:27,560 --> 00:15:29,560 Speaker 1: guess they fill into yeah, but they were they were pops. 298 00:15:29,600 --> 00:15:31,120 Speaker 1: You know, they were a punk band that was so 299 00:15:31,120 --> 00:15:33,160 Speaker 1: big they went pop quick like Dukie. Was this a 300 00:15:33,240 --> 00:15:36,040 Speaker 1: huge album? Duke was on pop radio a little bit. 301 00:15:37,680 --> 00:15:40,680 Speaker 1: I don't have that much of a problem with that one, No, 302 00:15:40,840 --> 00:15:43,960 Speaker 1: because they're both really big and you love Sheryl Crow 303 00:15:45,440 --> 00:15:51,760 Speaker 1: and two thirteen Mac Lamore and Ryan Lewis one that's 304 00:15:51,800 --> 00:15:54,440 Speaker 1: thrift shop or was that? What song was that? Yeah, Maclamar, 305 00:15:54,520 --> 00:15:58,680 Speaker 1: throw Shop. You know they beat it was Kendrick Lamar. 306 00:15:59,440 --> 00:16:02,720 Speaker 1: And then that text came out right, We're like Mcamore 307 00:16:02,720 --> 00:16:04,960 Speaker 1: posted attacks. It's like I shouldn't have one, remember that? 308 00:16:05,040 --> 00:16:09,040 Speaker 1: Might remember that? Yeah, that's pretty recent. Okay, let's see here. 309 00:16:09,920 --> 00:16:16,120 Speaker 1: Justin Bieber lost to a bassist, Esperanza Spaulding in two thousand. 310 00:16:17,320 --> 00:16:22,680 Speaker 1: Are I know her name? You do? Yeah? But I 311 00:16:22,720 --> 00:16:25,440 Speaker 1: don't from what her win her winning the Grammy. Maybe 312 00:16:25,880 --> 00:16:28,800 Speaker 1: I remember Esperanza Spaulding, I just don't know who she is. 313 00:16:29,000 --> 00:16:31,440 Speaker 1: Was her singing and playing bass. She's a jazz bassis 314 00:16:31,440 --> 00:16:36,000 Speaker 1: and she'd been Justin Bieber in two thousand ten in Okay, 315 00:16:36,040 --> 00:16:40,720 Speaker 1: who do you think one? This one in? Christina Aguilera 316 00:16:41,160 --> 00:16:47,280 Speaker 1: or Britney Spears. Brittany do you think Brittany one? Christina one? 317 00:16:47,440 --> 00:16:50,680 Speaker 1: That's where it's on the list because because you why, 318 00:16:50,680 --> 00:16:53,080 Speaker 1: why wouldn't Brittany may be the most famous person of 319 00:16:53,080 --> 00:16:59,720 Speaker 1: our lifetime? Yeah? I agree with that arguably, oh a lifetime. Yeah, 320 00:16:59,720 --> 00:17:01,680 Speaker 1: I don't know, that's what I'm saying. Who would you 321 00:17:01,720 --> 00:17:05,640 Speaker 1: put up Jackson? I'm not really in my wheelhouse of 322 00:17:06,640 --> 00:17:09,639 Speaker 1: me being someone who was in a popular culture I 323 00:17:09,640 --> 00:17:12,879 Speaker 1: have in the eighties. I'm sure like it is peak. Yeah. Well, 324 00:17:12,920 --> 00:17:14,520 Speaker 1: I always think like if I asked my dad, who 325 00:17:14,560 --> 00:17:16,600 Speaker 1: doesn't know anything about music, do you know Britney Spears is, 326 00:17:16,600 --> 00:17:20,240 Speaker 1: he'd probably say no, he would know Britney Spears. M 327 00:17:21,040 --> 00:17:22,480 Speaker 1: you're out of your mind. But if you said Michael 328 00:17:22,560 --> 00:17:25,280 Speaker 1: Jackson was mine James older when he was younger, I mean, 329 00:17:25,480 --> 00:17:27,239 Speaker 1: I think Michael Jackson was probably big. I think the 330 00:17:27,240 --> 00:17:29,560 Speaker 1: Beatles were probably bigger than Britney Spears. But I wasn't 331 00:17:29,600 --> 00:17:32,159 Speaker 1: able to like be a part of the Michael Jackson 332 00:17:32,200 --> 00:17:34,879 Speaker 1: phenomenon in my lifetime. I feel like Britney Spears was 333 00:17:34,920 --> 00:17:37,320 Speaker 1: the most famous person that I've been able to see. 334 00:17:38,800 --> 00:17:40,720 Speaker 1: And it's not the right answer, but I think Brittany 335 00:17:40,800 --> 00:17:44,000 Speaker 1: is the biggest thing that i've Brittany. Who else? I mean, 336 00:17:44,080 --> 00:17:46,800 Speaker 1: Taylor Taylor Swift, But I don't think Taylor's as big 337 00:17:46,840 --> 00:17:48,440 Speaker 1: as Brittany was because Taylor's in the land of where 338 00:17:48,440 --> 00:17:51,239 Speaker 1: there are a lot of options, more people could have been. 339 00:17:51,600 --> 00:17:54,760 Speaker 1: We're famous around the same time top I probably in 340 00:17:54,800 --> 00:17:57,439 Speaker 1: my lifetime. But I think for me, I think Britney 341 00:17:57,520 --> 00:17:59,399 Speaker 1: is the biggest. If I used my dad rule, Taylor 342 00:17:59,440 --> 00:18:04,399 Speaker 1: Swift wins. But but again that's TV whyre using your 343 00:18:04,440 --> 00:18:07,320 Speaker 1: dad rule, because the dad rules important because he doesn't 344 00:18:07,320 --> 00:18:09,240 Speaker 1: know anything about musing. But if he knows that name, 345 00:18:09,320 --> 00:18:12,120 Speaker 1: this means that means that artist is huge. I would 346 00:18:12,119 --> 00:18:14,080 Speaker 1: say Britney Spears in my life is the most famous 347 00:18:14,160 --> 00:18:19,959 Speaker 1: m D in your lifetime. Like Macdonna, it just kind 348 00:18:19,960 --> 00:18:22,639 Speaker 1: of fizzled out. Well, but again at their peak. I 349 00:18:22,640 --> 00:18:24,840 Speaker 1: don't think I got to experience Madonna at her peak. 350 00:18:27,880 --> 00:18:32,960 Speaker 1: Yeahter what well, okay, Princess Diana, Yes, well we didn't. 351 00:18:33,040 --> 00:18:34,720 Speaker 1: I mean again, we didn't. Yeah, you're right, there's not 352 00:18:34,800 --> 00:18:37,199 Speaker 1: a right answer. We didn't live that whole time. Um 353 00:18:37,400 --> 00:18:39,479 Speaker 1: ed Shearon lost to Macklamore and Ryan Lewis in two 354 00:18:39,520 --> 00:18:41,359 Speaker 1: thousand third. How did they get up twice for this? 355 00:18:42,240 --> 00:18:48,000 Speaker 1: It was the same year, got it alright? Also that 356 00:18:48,119 --> 00:18:51,960 Speaker 1: Esmeralda Spaulding should beat Drake the same year be brand Drake. 357 00:18:52,160 --> 00:18:55,760 Speaker 1: What year was that though? Two thousand ten? So biber 358 00:18:55,920 --> 00:18:58,679 Speaker 1: Drake or in the same category and Esperanza Spaulding one 359 00:18:59,200 --> 00:19:01,080 Speaker 1: number five? Who do you think should have won this? 360 00:19:01,800 --> 00:19:11,480 Speaker 1: Maroon five four or Kanye West two thousand five, four 361 00:19:11,880 --> 00:19:17,760 Speaker 1: thousand four Kanye Kanye lost him or in five? Yeah, 362 00:19:17,800 --> 00:19:21,520 Speaker 1: because this was this was the the time of that 363 00:19:22,480 --> 00:19:24,440 Speaker 1: was as big as his album was Getting Harder Breath 364 00:19:25,520 --> 00:19:29,480 Speaker 1: Now I'm thinking the Kanye album. I do anything for Klondyke, 365 00:19:29,880 --> 00:19:33,080 Speaker 1: I do anything for situation. Yeah, graduation that was huge. 366 00:19:33,280 --> 00:19:36,080 Speaker 1: Can you not hear Mike barely? He just said graduation. 367 00:19:36,160 --> 00:19:37,760 Speaker 1: But I do I think when I started having like 368 00:19:37,800 --> 00:19:40,960 Speaker 1: four kids in my house, I isolate things. Uh. Let's 369 00:19:40,960 --> 00:19:43,800 Speaker 1: see Taylor Swift lost to Amy Winehouse in two thousand seven. 370 00:19:45,160 --> 00:19:49,439 Speaker 1: Um Crosby, Stills and Nash beat led Zeppelin in nineteen 371 00:19:49,520 --> 00:19:58,160 Speaker 1: sixty nine, wow, And in nineteen seventy two year winner 372 00:19:58,280 --> 00:20:00,280 Speaker 1: for Best New Artists was that any two? Yeah? It 373 00:20:00,320 --> 00:20:02,840 Speaker 1: was a band called America. Remember the song I don't 374 00:20:02,840 --> 00:20:05,240 Speaker 1: know the song clip you have dude the desert with 375 00:20:05,440 --> 00:20:08,280 Speaker 1: the Horse. Yeah, that's with the Horse for no name 376 00:20:08,920 --> 00:20:12,600 Speaker 1: who they beat up the Eagles? Oh man. Yeah, this 377 00:20:12,720 --> 00:20:17,480 Speaker 1: list is shocking because the beating, you know, it's hindsight 378 00:20:17,600 --> 00:20:20,760 Speaker 1: now like living we know the bands that lasted. Yeah, 379 00:20:20,920 --> 00:20:23,200 Speaker 1: and we'll keep putting out hits. Yes. And then Elton 380 00:20:23,280 --> 00:20:25,880 Speaker 1: John is the biggest shock. Nineteen seventy Elton John lost 381 00:20:25,880 --> 00:20:29,080 Speaker 1: to the Carpenters. That was interesting. I like that, um, 382 00:20:30,080 --> 00:20:32,760 Speaker 1: because these are all fortunate, you know, like future tellers. 383 00:20:32,800 --> 00:20:34,919 Speaker 1: They're just like, oh, yes, well here And they may 384 00:20:34,960 --> 00:20:38,560 Speaker 1: have been accurate in that one year to Espalding, except 385 00:20:38,600 --> 00:20:45,680 Speaker 1: for that one. You don't like that. I don't mind it. Yeah. Yeah. 386 00:20:46,080 --> 00:20:48,520 Speaker 1: And the Grammy I'll tell you this. I'm a Grammy voter. 387 00:20:48,600 --> 00:20:50,760 Speaker 1: I don't even read all the categories. It's so much 388 00:20:50,880 --> 00:20:53,360 Speaker 1: a lot. And Grammy voters are a little snootier than 389 00:20:53,680 --> 00:20:55,840 Speaker 1: other voters. They're not really in tune with what people 390 00:20:55,840 --> 00:20:59,080 Speaker 1: are listening to. Sometimes they pick something just because it's 391 00:20:59,080 --> 00:21:01,639 Speaker 1: a little out there, more so than picking what I 392 00:21:01,680 --> 00:21:03,399 Speaker 1: would compare to the Oscars, and they don't pick any 393 00:21:03,400 --> 00:21:05,359 Speaker 1: big movies that have made money at all that we 394 00:21:05,440 --> 00:21:08,359 Speaker 1: all like, and they're all independent movies that we're now like, well, 395 00:21:08,359 --> 00:21:10,040 Speaker 1: I guess we gotta see it up to winning awards, 396 00:21:10,640 --> 00:21:12,560 Speaker 1: but they don't pick the big ones that people just love. 397 00:21:12,880 --> 00:21:14,159 Speaker 1: I don't know, I just don't know. I don't know 398 00:21:14,200 --> 00:21:15,760 Speaker 1: what it is. I don't know what it is because 399 00:21:16,119 --> 00:21:18,440 Speaker 1: like you watch the Oscar stuff. I literally try to 400 00:21:18,520 --> 00:21:20,879 Speaker 1: watch all of the movies that come out as Best Picture, 401 00:21:21,040 --> 00:21:23,480 Speaker 1: and two of them are just they're terrible. It's not 402 00:21:23,640 --> 00:21:26,240 Speaker 1: that I don't understand what it is is people that 403 00:21:26,320 --> 00:21:28,840 Speaker 1: are making the art feel like they're deeper into the 404 00:21:29,000 --> 00:21:30,800 Speaker 1: art and they can appreciate the art on a different 405 00:21:30,880 --> 00:21:33,359 Speaker 1: level than the normal person. So they're gonna pick stuff 406 00:21:33,359 --> 00:21:36,080 Speaker 1: that's gone second and third level deeper. You and I 407 00:21:36,160 --> 00:21:39,040 Speaker 1: wouldn't enjoy that same thing with the with the Grammys 408 00:21:39,040 --> 00:21:43,359 Speaker 1: and music. That's how occasionally somebody who's super talented, this 409 00:21:43,720 --> 00:21:46,480 Speaker 1: es brandsa what's her name, Esperanto Spaldi. Yeah, like I'm 410 00:21:46,480 --> 00:21:51,120 Speaker 1: sure she's the best in her field, sure, but people 411 00:21:51,200 --> 00:21:55,240 Speaker 1: go justin Bieber, what did that? Anyway? There? You go 412 00:21:55,760 --> 00:21:57,359 Speaker 1: a little new music for you. I thought we put 413 00:21:57,400 --> 00:21:59,199 Speaker 1: this out over the weekend. I hope you guys can 414 00:21:59,240 --> 00:22:02,719 Speaker 1: find some stuff that you like and um, you can 415 00:22:02,720 --> 00:22:04,000 Speaker 1: pull out some of that stuff is trivia at a 416 00:22:04,040 --> 00:22:07,360 Speaker 1: party when you're doing your Grammy trivia all the time. 417 00:22:08,520 --> 00:22:10,320 Speaker 1: All right, that's anything you want to say. Oh man, 418 00:22:10,400 --> 00:22:12,399 Speaker 1: it's it. Thank you for having me. That was fun, Mike. 419 00:22:12,600 --> 00:22:16,800 Speaker 1: How long was this one? It was twenty two minutes? 420 00:22:17,080 --> 00:22:20,040 Speaker 1: I mean, yeah, this is good. Huh. Be sure to 421 00:22:20,119 --> 00:22:23,440 Speaker 1: go to our YouTube channel YouTube dot com slash Bobby 422 00:22:23,480 --> 00:22:26,440 Speaker 1: Cast and you can watch to Neil Arts, you can 423 00:22:26,520 --> 00:22:29,480 Speaker 1: watch Jim Beavers, you can watch a j McClain. We 424 00:22:29,560 --> 00:22:31,280 Speaker 1: now have all these up. Um, you can want the 425 00:22:31,400 --> 00:22:33,600 Speaker 1: whole studio in my house and that's awesome. Lights and 426 00:22:34,240 --> 00:22:38,600 Speaker 1: cameras and it's just it's it's nutty. So um. All right, 427 00:22:38,680 --> 00:22:40,720 Speaker 1: check that out and we will see you guys later 428 00:22:40,800 --> 00:22:43,560 Speaker 1: this week. A couple that we should have coming up. 429 00:22:43,640 --> 00:22:50,600 Speaker 1: We should have Rodney Clawson and we should have Lauren Dagle. 430 00:22:51,440 --> 00:22:56,160 Speaker 1: Dude should subject to change. That would be so awesome. Yeah, 431 00:22:56,200 --> 00:22:59,360 Speaker 1: have a huge crossing Rodney classon. That's what I meant. 432 00:22:59,400 --> 00:23:07,320 Speaker 1: All right, Thank you guys, see you next time, m hm.