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Speaker 1: The volume.

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Speaker 2: All right, man, we're back another episode of Club Our

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Speaker 2: twenty podcasts.

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Speaker 1: I'm the host.

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Speaker 2: My name is DJ Wells. We got some special special

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Speaker 2: guests in the building. Man, glad we could finally make

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Speaker 2: this happen for show man. We got a special setup.

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Speaker 2: That's only right, man, We got the whole game with U.

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Speaker 2: We're gonna introduce them last. But to my far left,

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Speaker 2: we got my dog should be hearing out the prail least.

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Speaker 3: How you what, nasty, Let's get to it. It's gonna

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Speaker 3: be a good one right here now.

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Speaker 2: Listen, man, Know we asked I guess on this show,

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Speaker 2: and I'm saying how they feel about the mountain, the

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Speaker 2: pile of black forces with the white lecens Alito put

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Speaker 2: up with his own man, you said the tall I

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Speaker 2: like it. I appreciate that. Love.

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Speaker 1: Man, when you see somebody walk up in them, shoot,

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Speaker 1: what you think of trip? I don't know, man, only

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Speaker 1: with Jordan's show like that's a unique kind of I

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Speaker 1: don't know. It took some effort because some ships don't

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Speaker 1: come with white lady either both of white ones took

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Speaker 1: the lake is out and dished them, or he purposefully

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Speaker 1: went and bought white laces and dished the black laces.

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Speaker 2: But either way, that's.

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Speaker 1: A whole lot of some blacks. Man.

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Speaker 4: But that's just a staple man, That's.

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Speaker 1: What I did. That's like putting the big ass roll

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Speaker 1: Rose Ross grill on your crushing.

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Speaker 2: Three bro got the black and for's all, it's crazy.

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Speaker 1: Did you ever picture the white laces and that joined

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Speaker 1: it up? No? Not. I started watching, y'all.

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Speaker 4: I appreciate.

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Speaker 1: The trip for showt it's throwing the blacks.

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Speaker 4: It's more around this too.

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Speaker 2: That's a definitely to my far right, my dog, you're

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Speaker 2: not your young tig.

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Speaker 1: How you what? I'm chilling and I'll still fu Stacey

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Speaker 1: Dash I felt what he.

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Speaker 4: Said you out of the podcast.

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Speaker 2: I'm I'm excited, man. This should be a good show

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Speaker 2: for the show Man listen special special guests. Man, glad

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Speaker 2: we could finally make this happen. Man freaking Mikeer was

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Speaker 2: early in this podcast. We all had our list of

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Speaker 2: people we went on this show off the rip. He said,

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Speaker 2: we got to have the step Brothers made it happen. Man,

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Speaker 2: Do trip appreciate y'all pulling up the five twenty minutes

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Speaker 2: show Man Real Man. Glad we can finally make this happen,

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Speaker 2: like we said, all our homeboys, even though we big

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Speaker 2: fans man.

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Speaker 1: Especially our homeboys, they pressed a lot with this too.

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Speaker 4: For sure. Shout out to Jamar. Let's say your name, Yeah,

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Speaker 4: my brother.

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Speaker 2: And everybody.

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Speaker 1: Keys Key's gonna call me. He was playing street ball

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Speaker 1: the other day. He's called me.

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Speaker 2: He was like, oh no, no, no, no, my nigga back

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Speaker 2: play street ball. I'm like, I got you man about

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Speaker 2: keith Man for sure. Man, listen, we appreciate you. Oall

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Speaker 2: slide on this man. It gets firstly into it, man,

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Speaker 2: what made you both start making music?

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Speaker 1: What was your inspiration?

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Speaker 2: Who was some people I looked up too early on

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Speaker 2: to kind of molded Joe sound of how I wanted

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Speaker 2: to get to it.

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Speaker 1: I guess I'll leave that, uh Man. Chris Cross is

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Speaker 1: who made me want to be a rapper, want, you know,

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Speaker 1: being a I don't know how much older they are

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Speaker 1: than I am. When I first seen them, you know,

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Speaker 1: it was a fucking you know, it was a marvel

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Speaker 1: to see kids rapping. So of course I know I

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Speaker 1: gained the inspiration to become a rapper. I thought I

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Speaker 1: would become a rapper right then, which I'm glad I didn't,

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Speaker 1: because what I had to rap about then wasn't worth

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Speaker 1: Uh wasn't worth me rapping about in the first place.

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Speaker 1: But that's where it started, you know, the idea or

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Speaker 1: the passion. I think it grew from that to see

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Speaker 1: that kids could do it, and it ain't really started

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Speaker 1: working out for me too, you know, mid twenties. But

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Speaker 1: you know, I think, you know, it's like it happens

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Speaker 1: how it happens, you know, the you know, things had

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Speaker 1: to take place in order for me to be in

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Speaker 1: the right space and I think not to be arrogant

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Speaker 1: and amount of but I they had to grow to

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Speaker 1: become an artist, and you know, but that's where it started.

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Speaker 1: Once I seen them, it was a light bulb. I

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Speaker 1: couldn't them for sure.

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Speaker 5: Yeah, it was probably ice Cube Snoop Dogg earlier like

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Speaker 5: West Coast, West Coast, but oh, lifestyle aesthetic O like

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Speaker 5: just you know, being a little kid and seeing that

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Speaker 5: this thing that was cool and imagery from the movies

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Speaker 5: and all that a little lighter probably the hot Boys

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Speaker 5: for show the next thing or like that was the

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Speaker 5: time period when I probably started rapping.

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Speaker 4: Before then, I just thought, you know, rappers were cool

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Speaker 4: or whatever.

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Speaker 5: Yeah, by the times in high schools like wanting to

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Speaker 5: want some money, you know, I want to look like

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Speaker 5: it and et cetera. And the when I actually started rapping,

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Speaker 5: it was like more lyrical rappers that kind of got

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Speaker 5: my attention to Jay the Kids, Fab East Coast, DJ

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Speaker 5: Clue mixtapes. But it was still you know, the hog

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Speaker 5: Boys and Wayne the squad Up e was probably like

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Speaker 5: the biggest influence at the time that I started rapping.

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Speaker 1: Damn. Yeah, when Wayne turned into a whole different kind of.

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Speaker 2: Rapper, that's crazy. You said squad up taps. People forget

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Speaker 2: how fired and squad up types. That was before the

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Speaker 2: dedications do your research for show. Yeah, man, first of all,

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Speaker 2: we we're gonna get to the music. But guying that, man,

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Speaker 2: we put up to the game. I know y'all both

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Speaker 2: love basketball. What's your first thought process when you see

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Speaker 2: Luca and Lebron on the same damn team, Because that's.

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Speaker 1: It's still surreal to this point. I just watched the game,

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Speaker 1: still crazy.

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Speaker 2: When I walked in, I was like, them tickets so damn.

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Speaker 5: But it was I mean, I'm like, you know, to

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Speaker 5: legendary players, like really almost a generational part. Yeah, seeing

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Speaker 5: him on the same team like that, it's like, damn,

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Speaker 5: I still don't know how they pulled that out.

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Speaker 1: Yeah, that's where I think when I see that, I really,

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Speaker 1: you know, what's really going on? Highway ropper something.

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Speaker 5: It's also interesting to see Lebron the fight to somebody

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Speaker 5: like I ain't you know, Lebron never been I ain't

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Speaker 5: don't necessarily say, the second best player on the team,

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Speaker 5: but that's kind of a rolly player, and that's that's different.

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Speaker 2: I never thought about that because he was chilling the

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Speaker 2: whole game, chilling two points vacation.

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Speaker 1: He was killing.

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Speaker 5: At first, he was crazy, but it was a few

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Speaker 5: times he really like motioning for Luca, like come get

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Speaker 5: the ball, like you got it. H I say, Lebron

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Speaker 5: play off here like three or four times. I ain't

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Speaker 5: never looked like that.

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Speaker 1: She did that when I was playing. They got the

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Speaker 1: ball every time.

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Speaker 2: Wasn't the fill see them winning the chip? I was

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Speaker 2: thinking that too, like the roll player stuff like man,

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Speaker 2: boy Hayes, look and uh, what's doing.

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Speaker 4: They getting shots like that?

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Speaker 1: Time got some bodies, they got a chance out to do,

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Speaker 1: got a chance.

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Speaker 2: It was definitely you know your basketball man, your man

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Speaker 2: coaching head coach T s U. How is that man

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Speaker 2: girl with your party? Now he leading men at the university.

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Speaker 2: You know what I'm saying around the way.

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Speaker 4: He just called me sure, he said, y'all got a point?

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Speaker 2: Yeah, I swear that's funny as hell. Yeah college yeah yesterday.

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Speaker 5: Yeah, like that's I mentioned him twice in that song

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Speaker 5: because like that's one of the you know, my partners

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Speaker 5: since middle school. He wanted a few people like still

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Speaker 5: getting paid off basketball for us that came up together

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Speaker 5: and it was all our dreaming one time, like he's

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Speaker 5: still living and uh so that's real.

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Speaker 1: I mean I went to T.

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Speaker 6: S U.

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Speaker 4: So it was just super cool.

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Speaker 5: You know, you have the long time school asubce you,

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Speaker 5: you know, sending some records, tennis records and everything else,

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Speaker 5: job security and otherwise.

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Speaker 4: It's I'm just proud of them. That's why I like

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Speaker 4: to see your hoops, both of y'all hoop.

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Speaker 1: No, I never really been able to get along with people.

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Speaker 1: Uh look what I'm saying, Mama said, even when I try,

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Speaker 1: I try to try to go like try out for

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Speaker 1: basketball team. Hell no, Mama, why she said, you don't

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Speaker 1: get get you know, you don't play well with others,

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Speaker 1: and I didn't you know, but I was an angry kid. Yeah,

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Speaker 1: I had a lot going on. Basketball wasn't gonna work.

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Speaker 1: I would have probably been like, you know, run our tests,

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Speaker 1: Draymond Graen, No, it's been going stand.

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Speaker 4: He was a real crash out.

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Speaker 1: Yeah, yeah, it was.

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Speaker 4: Like the mid times.

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Speaker 1: It be shipped like I don't know how. I don't

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Speaker 1: know how how accurate or how often it happens, like

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Speaker 1: when I see like basketball films and I see that

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Speaker 1: like the I don't know what the y'all call it,

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Speaker 1: know that the rookie treatment ship hold another nigga bagh

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Speaker 1: man to be so many niggas on team with black guys.

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Speaker 1: We get to the game we got you know, we

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Speaker 1: gotta catch the bus when we get there. I don't

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Speaker 1: be the only niggas suit up the mother. But you know,

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Speaker 1: when I realized I couldn't do no, I couldn't be

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Speaker 1: a team player in that aspect. Yeah, you know, sports

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Speaker 1: ain't gonna be for me. I can't you know, ain't

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Speaker 1: no work for me. I'm ready to fight, you know.

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Speaker 1: I don't know how to do the I don't not

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Speaker 1: take orders and I don't respect seniority when it's you know,

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Speaker 1: I don't know that ship. It just don't work.

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Speaker 3: I just talked about that on the show earlier today,

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Speaker 3: like that respect your elder ship is overrated.

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Speaker 1: I don't know, you're gonna have to. If you don't

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Speaker 1: give it, you ain't getting it back exactly. You know.

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Speaker 1: And when I was little, when I when I was

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Speaker 1: a kid, I don't know what kind of like I said,

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Speaker 1: I had a lot going on, a really matter. If

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Speaker 1: he was bigger than me, I might lose the fight,

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Speaker 1: but I'm gonna give you a fight. So you know,

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Speaker 1: basketball won't don't work out like you know, he won't

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Speaker 1: start you know, Yeah, we ain't got to the game.

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Speaker 1: It's gonna have There's gonna be some fights in practice,

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Speaker 1: locker room, all this. It's a lot of ship. I

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Speaker 1: just you know, I never really been able to tolerate,

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Speaker 1: so I ain't really got you know, even now, I

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Speaker 1: don't got many friends. The friends I got, I know

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Speaker 1: since I was ten and eleven. Shot know, IM created

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Speaker 1: like like fifteen years now. But you know, I don't know,

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Speaker 1: I just don't work well. We'll play well with those

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Speaker 1: So I was gonna work out way, gotcha I played

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Speaker 1: high school you and.

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Speaker 5: I wasn't trying to go to small schools. I was

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Speaker 5: looking at me. I stayed at home.

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Speaker 1: Oh then he thought he was all start.

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Speaker 2: I was like going to like the bottom of.

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Speaker 1: My eyes, I'm doing this.

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Speaker 4: So what you had like some D twos or something

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Speaker 4: looking at it was.

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Speaker 2: Like D twos D three. I had a couple of looks.

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Speaker 5: But I remember I think Tennessee Tech one of the

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Speaker 5: coaches kind of hot led me.

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Speaker 4: I was hyped solid.

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Speaker 1: I'm trying to tell you what.

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Speaker 5: Going to coach's office, they looking at him Ship on

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Speaker 5: hype And the first thing the coach asked.

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Speaker 2: Me was like, you know the Marco pope out the market.

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Speaker 5: He was missed the basketball from my way. I was

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Speaker 5: like yeah, like why, Like basically was like, Ship, we recruit.

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Speaker 1: You, you can help us get him, and said yeah.

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Speaker 5: And t s U coach at the time was Nolan

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Speaker 5: Richardson third maybe Arkansas coach his son uh he was

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Speaker 5: at a tournament and his son the fourth played in

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Speaker 5: high school the same time and I dunked on the sun.

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Speaker 4: You know, we knew each other, but it was over with.

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Speaker 2: You know. That's why I wanted to play the gate.

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Speaker 4: Yeah, you fucked up your chance.

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Speaker 5: That was like a rival and you like locally or whatever.

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Speaker 5: So after that, I skipped the great and ship. I

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Speaker 5: graduated young and it was.

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Speaker 2: That's that's why we think we all can relate to

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Speaker 2: y'all music, because y'all talk about stuff that like seemed

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Speaker 2: like around our area, Like you talk about wrestling and ship.

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Speaker 1: Yeah yeah, And I'm like, damn.

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Speaker 2: When I first started listening to that, I'm like, then

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Speaker 2: they wrap about everything I grew up watching and doing's

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Speaker 2: like I'm thirty six, Yeah, we ain't the fun when

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Speaker 2: right by y'all, I turned forward it this ship. Yeah,

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Speaker 2: but y'all said all that ship, Like when y'all was

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Speaker 2: talking about like Randy Savage, give me Undertaker cast and

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Speaker 2: all that ship, I was like, yeah, I'm tapped in.

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Speaker 1: Because that's when I first started listening because my brother

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Speaker 1: then was like you tripping because you rapped like you

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Speaker 1: talking wrap you talking like.

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Speaker 2: That's the whole beauty and keep chilling you like these

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Speaker 2: hype ass And I'm like this ship cold hard. So

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Speaker 2: I started listening and they put me on shout out

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Speaker 2: to my brother to real man show, you know, shout

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Speaker 2: out the big bro man. Obviously y'all had Christal I

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Speaker 2: got to show. What was the first time y'all linked up,

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Speaker 2: y'all first, like, all right, I kind of fun with

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Speaker 2: him type ship.

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Speaker 1: Listen my time hard.

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Speaker 2: Like twenty ten, okay, that's twenty ten on no dates

263
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Speaker 2: and stuff.

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Speaker 4: We like formally met through y'all.

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Speaker 5: Got it, actually got him, you know, I was in

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Speaker 5: business with him and he was like looking to work

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Speaker 5: with trip when he was coming up, and kind of

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Speaker 5: you know what I'm saying, play stuff around each other.

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Speaker 5: But we started working kind of on our own within that.

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Speaker 5: Craig can tell.

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Speaker 1: You, yeah, we just I was on the road we

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Speaker 1: got it and he had he had to stop in Nashville,

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Speaker 1: and I don't know what the hell God had to do.

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Speaker 1: I don't really like, uh, I don't like tagging along

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Speaker 1: when ship don't got nothing to do with me. I'm

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Speaker 1: just saying, you know, he was on the side question

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Speaker 1: not quite you know, and got it, had ship going on,

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Speaker 1: he had business to tend to. I ain't want to

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Speaker 1: be the nigga shitting watching him do what he got

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Speaker 1: to do. I want to be along for the part

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Speaker 1: of this that involves me. But certain shit didn't involve me. So, like,

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Speaker 1: you know, God is going to go do a verse

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Speaker 1: for so and so they might be in the fucking

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Speaker 1: studio five hours. I'm just gonna be a nigga sitting

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Speaker 1: in the studio. I don't smoke on drink, so I'm

286
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Speaker 1: gonna be a nigga sitting in the studio like this.

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Speaker 1: So when you know, whatever he was going to do,

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Speaker 1: you know, it was in that kind of you know,

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Speaker 1: he wasn't doing nothing that I needed to learn from

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Speaker 1: or watch. So while it was doing that, I think

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Speaker 1: Stenham had lined up a verse for another one of

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Speaker 1: got his artists. So I was like, all right, I know,

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Speaker 1: I'll rather with y'all then. So I had no idea

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Speaker 1: what he was going to lead those studios. When we

295
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Speaker 1: got to lead those studio, he set them up to

296
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Speaker 1: do the feature fast forward, said he. I don't know

297
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Speaker 1: how he did it, but that was our first time

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Speaker 1: meeting each other. And at some point his people came

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Speaker 1: down and told me, you know, a guy wanted to

300
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Speaker 1: buy a verse for me. I'm like, man, I don't

301
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Speaker 1: you know, I don't I don't know anybody in here.

302
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Speaker 1: I just met him. So when I you know, later

303
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Speaker 1: on that night I found out that Star pretty much

304
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Speaker 1: was the person that convinced you to to get that.

305
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Speaker 1: I don't remember who the hell it was. It got

306
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Speaker 1: the worse, but we was on the road and what

307
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Speaker 1: I was doing for you know, my my profession at

308
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Speaker 1: the moment, well at that moment, I couldn't do that traveling,

309
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Speaker 1: so you know, my pockets was a little light. He

310
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Speaker 1: couldn't have knew, you know that that that that me

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Speaker 1: getting some bread right then was you know, that ship

312
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Speaker 1: was like oxygen. So him lining that up, they kind

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Speaker 1: of on, They kind of changed my perspective of who

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Speaker 1: he was. You know, again, it was my first time

315
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Speaker 1: meeting him that day and all the way up until then,

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Speaker 1: me being only familiar with his music, but being familiar

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Speaker 1: with rappers, I had to was preconceived, preconceived notion that

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Speaker 1: he'd be more like rappers when you meet you know,

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Speaker 1: I can't speak for everybody, but when you meet rappers,

320
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Speaker 1: some rappers don't turn the rappers shit off, like you know,

321
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Speaker 1: you can tell that you know you're acting, I don't.

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Speaker 1: You know, I don't need to the camera version of you.

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Speaker 1: I need the real version of you. And for me,

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Speaker 1: so many and it still happens even to this day.

325
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Speaker 1: But that's how that's how I assume star would be.

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Speaker 1: So when I met him, you know, I you know,

327
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Speaker 1: I met him, I was doing so, you know, I

328
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Speaker 1: and I went back downstairs. So later on, after you know,

329
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Speaker 1: finding out, he lined their vers so for me and

330
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Speaker 1: we said we rapped for a second, not we said

331
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Speaker 1: and we talked for a second. And you know, I

332
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Speaker 1: think that was the the thing that made me have

333
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Speaker 1: to be a little more open minded because I'm like,

334
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Speaker 1: you know, I assumed he was this kind of guy

335
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Speaker 1: and he's the total opposite. So he's made me some bread.

336
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Speaker 1: He made nothing off of it, and he had no

337
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Speaker 1: there was nothing invested in it for him. He had

338
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Speaker 1: to have just you know, fuck with me for you know,

339
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Speaker 1: he had to have done that just because he fucked

340
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Speaker 1: with me as an artist, because he don't know me

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Speaker 1: as a person. So from that, you know, I think,

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Speaker 1: you know, they gave me the I don't know, like

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Speaker 1: I said, I don't work well with others. So that

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Speaker 1: was I guess that was like the olive branch, so

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Speaker 1: to speak. And he couldn't have known that, but that

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Speaker 1: was the you know, the gestion that made me say,

347
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Speaker 1: you know, he's a cool dude. You know, I get

348
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Speaker 1: you know, get to nor him and see see where

349
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Speaker 1: this goes for sure?

350
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Speaker 2: For sure? All right, man, before we go to be

351
00:18:21,200 --> 00:18:23,040
Speaker 2: here sometime, get some drinks up in here.

352
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Speaker 1: I don't know what my guy.

353
00:18:26,600 --> 00:18:28,119
Speaker 2: That's freaking out. You gotta you gotta figure out what

354
00:18:28,119 --> 00:18:30,760
Speaker 2: that means. Sometimes big a couple of things. Barbie, what's happening?

355
00:18:31,480 --> 00:18:31,959
Speaker 2: What's going on?

356
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Speaker 1: What you got for us today?

357
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Speaker 4: Okay?

358
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Speaker 1: What's in the black bearry and blue bearry?

359
00:18:41,000 --> 00:18:41,400
Speaker 2: Okay?

360
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Speaker 1: What's up? What? No?

361
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Speaker 2: No, no, I don't know what you saying? The mop tail,

362
00:18:57,440 --> 00:19:02,480
Speaker 2: I guess, but it was record time. But about say she.

363
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Speaker 1: Was she was on c flip k.

364
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Speaker 4: She got to get out of here staying around.

365
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Speaker 7: You look for a little chair right shop it up?

366
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Speaker 7: Moving on?

367
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Speaker 1: So what was that moment y'all knew y'all was gonna

368
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Speaker 1: collade and work together.

369
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Speaker 4: Yeah, I was gonna get to that.

370
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Speaker 5: It was not right away necessarily that first session, but

371
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Speaker 5: even proudly then, like from the first.

372
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Speaker 2: Things I heard, like like you said, I rock with it.

373
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Speaker 5: I saw promising and I felt like it without knowing them,

374
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Speaker 5: I felt like it was going somewhere with it and.

375
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Speaker 2: We started working. It was like right away, like one

376
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Speaker 2: it was.

377
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Speaker 5: It was effortless for him and I just I took

378
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Speaker 5: to like the just the new like fresh energy of

379
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Speaker 5: because when we met, I probably was like five six

380
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Speaker 5: years in the game. I think signed a deal like

381
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Speaker 5: five years before then, So I was damn there at

382
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Speaker 5: the point almost like turning the corner finally, like a

383
00:20:23,000 --> 00:20:25,920
Speaker 5: second win almost and trying to figure the shit out

384
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Speaker 5: outside of having a deal Finn to go on my own,

385
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Speaker 5: and he was getting a deal, so it was like

386
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Speaker 5: part of it for me was like paying it forward,

387
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Speaker 5: Like it wasn't like big homie kind of times.

388
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Speaker 4: We really look about the same age.

389
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Speaker 5: But more so I'm like, man if I can, if

390
00:20:41,680 --> 00:20:44,840
Speaker 5: I can help Bro skip some steps so not make

391
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Speaker 5: the same mistakes I made or any of that. That's

392
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Speaker 5: why I kind of felt like it was almost like.

393
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Speaker 2: A roller was due to play.

394
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Speaker 5: But as far as making music, it was just effortless,

395
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Speaker 5: you know what I'm saying. The first couple of songs

396
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Speaker 5: we did, it was like one he just like killing

397
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Speaker 5: the ship right away.

398
00:21:02,760 --> 00:21:05,600
Speaker 4: But it was also like the first.

399
00:21:05,320 --> 00:21:08,119
Speaker 5: Time I kind of met my match or met my

400
00:21:08,200 --> 00:21:12,000
Speaker 5: equals as far as on just a like talent skill level,

401
00:21:12,040 --> 00:21:14,600
Speaker 5: and like, man, this nigga can rap like for word

402
00:21:14,640 --> 00:21:15,560
Speaker 5: for word kind of thing.

403
00:21:15,720 --> 00:21:17,480
Speaker 4: So and it wasn't.

404
00:21:17,520 --> 00:21:20,719
Speaker 5: It wasn't like a competitive like you know what I'm

405
00:21:20,720 --> 00:21:24,520
Speaker 5: saying looking over your shoulder. It was more like complimentary.

406
00:21:24,160 --> 00:21:27,359
Speaker 1: I was going to ask you because, like I said,

407
00:21:27,440 --> 00:21:29,480
Speaker 1: all my friends listen to it. So we used to battle.

408
00:21:29,640 --> 00:21:32,480
Speaker 2: We used to wrap your ship and be battering, like, nah,

409
00:21:32,480 --> 00:21:35,439
Speaker 2: he beat him here. Did y'all feel like that? I

410
00:21:35,480 --> 00:21:37,280
Speaker 2: know you just said it wasn't competitive, But did y'all

411
00:21:37,280 --> 00:21:40,040
Speaker 2: feel like that? Like I played my little brother one

412
00:21:40,040 --> 00:21:42,679
Speaker 2: on one all the time competitive We family though, at

413
00:21:42,680 --> 00:21:44,280
Speaker 2: the end of the dying each other to get better.

414
00:21:44,440 --> 00:21:47,160
Speaker 1: Yeah, Like was it like that for your Nah?

415
00:21:47,160 --> 00:21:47,400
Speaker 2: I don't.

416
00:21:47,640 --> 00:21:48,280
Speaker 1: I don't think so.

417
00:21:48,760 --> 00:21:51,119
Speaker 5: Like that's and I think that's probably why we're still

418
00:21:51,280 --> 00:21:52,520
Speaker 5: rocking fifteen years later.

419
00:21:53,280 --> 00:21:54,359
Speaker 4: Rap groups don't last.

420
00:21:54,520 --> 00:21:55,240
Speaker 2: You know what I'm saying.

421
00:21:55,240 --> 00:21:57,000
Speaker 1: You can kind of run down the list, like I

422
00:21:57,080 --> 00:22:02,560
Speaker 1: think what happens is we we might have like favorite verses,

423
00:22:02,840 --> 00:22:05,080
Speaker 1: like you know, I would say for every song, I

424
00:22:05,160 --> 00:22:09,800
Speaker 1: probably got a favorite verse, But all those favorite verses

425
00:22:09,800 --> 00:22:12,320
Speaker 1: ain't mine. If they're making any sense. You know, I could,

426
00:22:12,400 --> 00:22:15,480
Speaker 1: it could be a particular record, and I really fucked

427
00:22:15,520 --> 00:22:20,439
Speaker 1: with his verse, and like you said, you know I should.

428
00:22:21,560 --> 00:22:25,560
Speaker 1: It's I don't know, because it's not a competition any

429
00:22:25,600 --> 00:22:28,560
Speaker 1: shape form of fashion, like if you ever sat in

430
00:22:28,600 --> 00:22:30,680
Speaker 1: a session, or any person that's ever sat in a

431
00:22:30,720 --> 00:22:35,479
Speaker 1: session like wet even on that kind of time, like

432
00:22:35,920 --> 00:22:39,359
Speaker 1: when we started working, we're working in unison, and we

433
00:22:39,480 --> 00:22:43,120
Speaker 1: might speak to each other about where we're going, depending

434
00:22:43,160 --> 00:22:45,760
Speaker 1: on you know, what kind of record it is. But

435
00:22:45,800 --> 00:22:48,159
Speaker 1: for the most part, our verses all wrote at the

436
00:22:48,160 --> 00:22:51,720
Speaker 1: same time. So when he going to the booth to

437
00:22:51,760 --> 00:22:54,560
Speaker 1: do his, I'm going to do mine or vice versus

438
00:22:54,560 --> 00:22:58,439
Speaker 1: whoever's first or whatever order. Most of the time, I,

439
00:22:58,680 --> 00:23:01,320
Speaker 1: you know, our verses of that pretty much at the

440
00:23:01,400 --> 00:23:03,600
Speaker 1: same time. Or I might be well, one of us

441
00:23:03,640 --> 00:23:06,080
Speaker 1: might be closing the verse and the other one just

442
00:23:06,080 --> 00:23:09,919
Speaker 1: finished and go in and record it. And we like

443
00:23:10,000 --> 00:23:13,679
Speaker 1: to at least when it happens, I believe, and just

444
00:23:13,760 --> 00:23:16,200
Speaker 1: let it shit flow naturally. So if I'm writing my

445
00:23:16,359 --> 00:23:18,520
Speaker 1: verse and he says something in in his verse while

446
00:23:18,520 --> 00:23:21,720
Speaker 1: he recorded nine times out of ten, I you know,

447
00:23:22,160 --> 00:23:23,920
Speaker 1: I'm probably at the end of the verse. But either way,

448
00:23:23,960 --> 00:23:26,040
Speaker 1: if he said something that inspired me to say something,

449
00:23:26,200 --> 00:23:28,320
Speaker 1: or if I like the line he said, you know,

450
00:23:28,440 --> 00:23:30,800
Speaker 1: we will repeat the line you know where it came from,

451
00:23:30,920 --> 00:23:33,400
Speaker 1: or sometimes you don't. We don't much care because what

452
00:23:33,400 --> 00:23:36,159
Speaker 1: we're doing, you know, we both fully aware of what

453
00:23:36,200 --> 00:23:38,359
Speaker 1: we're trying to build. I want you to like the song.

454
00:23:38,440 --> 00:23:40,800
Speaker 1: I don't want you to like a verse from the song,

455
00:23:41,560 --> 00:23:43,919
Speaker 1: so you know, when we're doing the shit, we ain't really.

456
00:23:44,960 --> 00:23:48,120
Speaker 1: I think it's competitive in a sense, but not so much.

457
00:23:48,680 --> 00:23:50,280
Speaker 1: You know, we don't see it and say, oh man,

458
00:23:50,480 --> 00:23:55,320
Speaker 1: I gotta get well sometimes but that happened, But that

459
00:23:55,440 --> 00:23:58,800
Speaker 1: happens on features. Sometimes people will get a verse from

460
00:23:59,000 --> 00:24:02,360
Speaker 1: both of us. Just seldom, but they get a verse

461
00:24:02,400 --> 00:24:06,160
Speaker 1: from both of us. And it's only a select few

462
00:24:06,160 --> 00:24:09,480
Speaker 1: people will allow to get both of us on the

463
00:24:09,520 --> 00:24:12,600
Speaker 1: song because we feel like, you know, that's lending our brand.

464
00:24:13,280 --> 00:24:17,320
Speaker 1: But when it happens, most times, I don't know the

465
00:24:17,440 --> 00:24:21,080
Speaker 1: stars on the song. So when it happened, you know,

466
00:24:21,200 --> 00:24:25,320
Speaker 1: I'm gonna just do what I do and then create.

467
00:24:25,920 --> 00:24:28,680
Speaker 1: It's having a few times great com like they didn't

468
00:24:28,720 --> 00:24:31,440
Speaker 1: tell me you was the verse on it, du.

469
00:24:31,520 --> 00:24:34,040
Speaker 2: Like I know you was on it for the bars

470
00:24:34,119 --> 00:24:34,320
Speaker 2: on the.

471
00:24:36,040 --> 00:24:39,120
Speaker 1: Sometimes take over.

472
00:24:39,600 --> 00:24:42,360
Speaker 2: But you know, but other than that, we know when

473
00:24:42,359 --> 00:24:46,840
Speaker 2: we creating, especially like step Brothers music, whenever we create

474
00:24:47,000 --> 00:24:51,119
Speaker 2: music that's step Brothers, we do it in person, so

475
00:24:51,400 --> 00:24:54,320
Speaker 2: you know, I'm fully aware they you know that he

476
00:24:54,440 --> 00:24:55,000
Speaker 2: on the record.

477
00:24:57,520 --> 00:25:00,400
Speaker 5: It's like it's like still sharp and still it's more

478
00:25:00,520 --> 00:25:03,600
Speaker 5: more than yeah, you know, like you said, y'all play

479
00:25:03,640 --> 00:25:06,800
Speaker 5: one on one. It's like sparring in that sense, but

480
00:25:07,280 --> 00:25:08,639
Speaker 5: when we working, it ain't.

481
00:25:09,160 --> 00:25:12,400
Speaker 4: The end game is for you to feel to finish product.

482
00:25:12,720 --> 00:25:15,600
Speaker 5: So it's like, I mean, for sure, there's been times

483
00:25:15,640 --> 00:25:19,480
Speaker 5: I'm like, damn, you kill me, but that's like a

484
00:25:19,520 --> 00:25:24,040
Speaker 5: good thing that the song was better, and I'm supreme

485
00:25:24,119 --> 00:25:26,320
Speaker 5: to confident that when I go in and work with him,

486
00:25:26,320 --> 00:25:28,960
Speaker 5: I know what you're gonna do, so I can't step

487
00:25:29,280 --> 00:25:31,320
Speaker 5: or you know, I know I'm gonna get smashed on

488
00:25:31,400 --> 00:25:35,359
Speaker 5: the song. So it's more so that, like you know,

489
00:25:35,440 --> 00:25:37,359
Speaker 5: you you should want somebody to make you better.

490
00:25:37,440 --> 00:25:39,200
Speaker 1: That's a fun Definitely.

491
00:25:39,200 --> 00:25:39,400
Speaker 4: Sure.

492
00:25:39,520 --> 00:25:41,640
Speaker 2: I want to ask you this question because you said

493
00:25:41,920 --> 00:25:43,680
Speaker 2: when your first inception to meeting each other, you was

494
00:25:43,760 --> 00:25:45,840
Speaker 2: just like I've seen somebody position I can help, like

495
00:25:45,840 --> 00:25:47,919
Speaker 2: like he solid if I can help them skip a

496
00:25:47,920 --> 00:25:49,639
Speaker 2: couple of steps. Because I first heard you know what

497
00:25:49,680 --> 00:25:51,480
Speaker 2: I'm saying, great goops. That's first time I heard you

498
00:25:51,680 --> 00:25:54,119
Speaker 2: early back Chevy days. I was like, okay, he cold

499
00:25:54,400 --> 00:25:56,280
Speaker 2: so that he said time progressive. You's like, all right,

500
00:25:56,320 --> 00:25:59,720
Speaker 2: I learned. I'm gonna help you out being with the major,

501
00:25:59,760 --> 00:26:01,680
Speaker 2: being with other artists, and then having your own spot,

502
00:26:01,720 --> 00:26:03,840
Speaker 2: Like do you see somebody going into that situation? Both

503
00:26:03,840 --> 00:26:05,679
Speaker 2: of y'all obviously give a lot of respect for being

504
00:26:05,680 --> 00:26:08,000
Speaker 2: a great independent artists in your own right. I was

505
00:26:08,119 --> 00:26:10,120
Speaker 2: like to be like, Okay, I know what I've learned,

506
00:26:10,119 --> 00:26:11,359
Speaker 2: but I'm not gonna hear her what he going through

507
00:26:11,359 --> 00:26:13,320
Speaker 2: because I want him to still have his journey. But

508
00:26:13,320 --> 00:26:14,920
Speaker 2: I'm gonna still give you the game so you don't

509
00:26:14,960 --> 00:26:16,800
Speaker 2: make the mistakes, because we know this music industry could

510
00:26:16,800 --> 00:26:19,040
Speaker 2: be really, really crazy, and you the reason why I

511
00:26:19,160 --> 00:26:22,159
Speaker 2: start drinking and nasty and shit, Yeah, I'm on that grade.

512
00:26:24,080 --> 00:26:24,720
Speaker 2: You know.

513
00:26:26,720 --> 00:26:28,399
Speaker 1: That was that shit time.

514
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Speaker 1: Man, it's really like, I don't know that.

541
00:27:40,480 --> 00:27:42,520
Speaker 5: You gotta be kind of like a messed up person

542
00:27:42,840 --> 00:27:46,000
Speaker 5: to be willing to watch somebody like like I said.

543
00:27:45,880 --> 00:27:48,920
Speaker 4: Mac the Simon states all through the same like same

544
00:27:49,000 --> 00:27:49,920
Speaker 4: things you went through.

545
00:27:49,960 --> 00:27:55,000
Speaker 5: So to me, at his breakthrough point, he had it

546
00:27:55,040 --> 00:27:57,520
Speaker 5: more together than I did. I was nineteen years old

547
00:27:57,560 --> 00:28:01,720
Speaker 5: making club crump music, trying to you know, when I

548
00:28:01,720 --> 00:28:03,920
Speaker 5: I get with cash money, it's like a dream come true.

549
00:28:03,960 --> 00:28:05,879
Speaker 5: Like I said, I was inspired by the Hot Boys

550
00:28:05,880 --> 00:28:08,879
Speaker 5: five years before that. I ain't start rapping it maybe

551
00:28:08,920 --> 00:28:11,600
Speaker 5: four years before that time. So I'm like it's whatever.

552
00:28:11,680 --> 00:28:14,960
Speaker 5: I'm just trying to get in where I fit in versus.

553
00:28:14,480 --> 00:28:17,760
Speaker 2: Like he got. He got in the game really more

554
00:28:17,880 --> 00:28:22,920
Speaker 2: so off of like emotion driven, like personal passion record

555
00:28:23,080 --> 00:28:25,000
Speaker 2: like and just like no frills.

556
00:28:25,720 --> 00:28:28,960
Speaker 5: It was like it wasn't about a single, It wasn't

557
00:28:29,000 --> 00:28:30,520
Speaker 5: about you know what I'm saying. It was it was

558
00:28:30,600 --> 00:28:32,119
Speaker 5: him just kind of being itself.

559
00:28:32,240 --> 00:28:36,040
Speaker 2: I'm like, damn, Like it was more so like on

560
00:28:36,119 --> 00:28:39,120
Speaker 2: the fan level, even like don't change that, don't let

561
00:28:39,120 --> 00:28:41,120
Speaker 2: the game change steer you away from that.

562
00:28:41,120 --> 00:28:43,520
Speaker 5: That's what works, that's what got you here kind of thing.

563
00:28:44,160 --> 00:28:47,640
Speaker 5: And I think it's just like I said, paying it

564
00:28:47,720 --> 00:28:49,800
Speaker 5: forward me. I believe in Carman and all this, so

565
00:28:50,680 --> 00:28:53,640
Speaker 5: I would want to golden rule like I would want

566
00:28:53,680 --> 00:28:57,040
Speaker 5: to do what I would have wanted somebody to, you know,

567
00:28:57,120 --> 00:28:59,120
Speaker 5: the game that I wish somebody would have gave me.

568
00:29:00,040 --> 00:29:02,760
Speaker 1: And like it was never like the irony.

569
00:29:02,840 --> 00:29:06,320
Speaker 5: We have made so much progress and history together, but

570
00:29:06,400 --> 00:29:08,960
Speaker 5: it was never about like trying to like make something

571
00:29:09,080 --> 00:29:10,480
Speaker 5: or get in on a situation.

572
00:29:10,640 --> 00:29:12,400
Speaker 2: It was like I met.

573
00:29:12,320 --> 00:29:14,960
Speaker 5: Him at a point where he had options, she could

574
00:29:14,960 --> 00:29:16,800
Speaker 5: have signed with him. Then it was a little bit

575
00:29:16,800 --> 00:29:19,120
Speaker 5: of everybody trying to rock with him. I was even

576
00:29:19,120 --> 00:29:21,520
Speaker 5: in a position where people was like, man, you should

577
00:29:21,880 --> 00:29:24,560
Speaker 5: get in. I'm like, no, I think, well, you know,

578
00:29:24,680 --> 00:29:28,400
Speaker 5: his trajectory is bigger than the help I could directly offer.

579
00:29:28,560 --> 00:29:30,440
Speaker 4: But that's Trually, I'd just rather be like in.

580
00:29:30,720 --> 00:29:32,480
Speaker 5: There's a lot of artists where like I met him

581
00:29:32,480 --> 00:29:35,600
Speaker 5: early on, I was around and whatever small part I

582
00:29:35,680 --> 00:29:38,080
Speaker 5: might have played, and they story, I'm like, I just

583
00:29:38,160 --> 00:29:41,000
Speaker 5: counted as like that's that's what's up.

584
00:29:41,160 --> 00:29:42,640
Speaker 1: I mean, it's a part of my legacy too.

585
00:29:42,640 --> 00:29:46,240
Speaker 4: I was there, I reach out to everybody too.

586
00:29:47,200 --> 00:29:50,120
Speaker 1: I don't have to know you. I think you know.

587
00:29:50,880 --> 00:29:54,280
Speaker 1: Many people don't respond. I just used That's really why

588
00:29:54,280 --> 00:29:58,160
Speaker 1: I used social media for so I've been feeling like

589
00:29:58,360 --> 00:30:02,959
Speaker 1: if if I know you, you you know about to

590
00:30:02,960 --> 00:30:05,800
Speaker 1: make a mistake, and I don't do nothing to prevent it,

591
00:30:05,960 --> 00:30:08,800
Speaker 1: then I feel like I'm at fault. I feel like

592
00:30:08,840 --> 00:30:12,280
Speaker 1: it's my fault you made that mistake. I don't know

593
00:30:12,280 --> 00:30:14,760
Speaker 1: how much since that that really makes, but.

594
00:30:16,200 --> 00:30:16,560
Speaker 2: I don't know.

595
00:30:16,680 --> 00:30:18,280
Speaker 1: It almost seemed like a dude it, like I have

596
00:30:18,360 --> 00:30:19,959
Speaker 1: to say it. I got a du and you and say,

597
00:30:20,000 --> 00:30:22,480
Speaker 1: hey man, you know you got this in this movie

598
00:30:22,480 --> 00:30:25,600
Speaker 1: and you should maybe you know, do x Y and

599
00:30:25,720 --> 00:30:28,560
Speaker 1: Z or not do x Y and Z. And you know,

600
00:30:28,720 --> 00:30:31,560
Speaker 1: I try not to give people advice because you know,

601
00:30:31,720 --> 00:30:34,440
Speaker 1: my ship, my path wasn't perfect either, So I can't

602
00:30:34,440 --> 00:30:37,280
Speaker 1: tell you what wouldn't work or what won't work. But

603
00:30:37,320 --> 00:30:39,000
Speaker 1: I can tell you what I did and how it

604
00:30:39,080 --> 00:30:41,920
Speaker 1: went wrong. And you know you take from that what

605
00:30:42,040 --> 00:30:43,840
Speaker 1: you will, and you know you can make it make

606
00:30:43,880 --> 00:30:45,960
Speaker 1: sense for you. Then that's great. You know we can't

607
00:30:46,000 --> 00:30:48,440
Speaker 1: all dunk, so you know, not for sure.

608
00:30:51,040 --> 00:30:53,320
Speaker 3: Little I wanted to ask you, like, what's the benefits

609
00:30:53,400 --> 00:30:55,160
Speaker 3: of signing to a major though.

610
00:30:55,600 --> 00:30:59,880
Speaker 2: Spending somebody else money number one. Yeah, but on it back.

611
00:31:01,000 --> 00:31:05,000
Speaker 5: I mean, but that's if you don't I mean, if

612
00:31:05,000 --> 00:31:08,960
Speaker 5: you ain't got it like ship. Yeah, but uh, I

613
00:31:08,960 --> 00:31:11,560
Speaker 5: mean it's it's a lot of benefits to it, truthfully,

614
00:31:11,640 --> 00:31:17,040
Speaker 5: Like they moved a needle on stuff. Okay, So it's

615
00:31:17,080 --> 00:31:23,120
Speaker 5: a lot of relationships these companies and partnerships.

616
00:31:22,520 --> 00:31:26,040
Speaker 2: With each other, like back door type of type of situation.

617
00:31:26,240 --> 00:31:29,240
Speaker 5: So it's better to be on that side of the

618
00:31:29,360 --> 00:31:31,960
Speaker 5: things is moving, I guess tricks of the trade. But

619
00:31:32,160 --> 00:31:35,400
Speaker 5: like Trip said, like you know, whatever you're taking the

620
00:31:35,400 --> 00:31:38,520
Speaker 5: front end, you're gonna cop them something back the yeah.

621
00:31:39,800 --> 00:31:41,960
Speaker 1: Shout out to the shout out to the game.

622
00:31:43,640 --> 00:31:45,800
Speaker 3: I mean the thing now is just to be independent

623
00:31:45,800 --> 00:31:47,600
Speaker 3: in the rap game, and a lot of people go

624
00:31:47,720 --> 00:31:49,800
Speaker 3: into it with no education behind it.

625
00:31:49,840 --> 00:31:53,920
Speaker 4: And yeah not even at least bit.

626
00:31:54,440 --> 00:31:59,080
Speaker 1: But see, I think it's pros and cons to both sides,

627
00:31:59,760 --> 00:32:04,000
Speaker 1: and music just happens to be at least rap music.

628
00:32:04,200 --> 00:32:06,440
Speaker 1: I can't say music as a wholes, I don't have

629
00:32:07,440 --> 00:32:11,680
Speaker 1: experiencing other genres of it, but rap music don't get

630
00:32:11,720 --> 00:32:14,400
Speaker 1: no free requences. You know, you want to play ball,

631
00:32:14,440 --> 00:32:17,680
Speaker 1: you know, you gotta start ship, damn For elementary school,

632
00:32:17,720 --> 00:32:20,080
Speaker 1: you gotta do aau shits and you know you gotta

633
00:32:20,120 --> 00:32:23,080
Speaker 1: do all them camps and shit. But it's things in

634
00:32:23,120 --> 00:32:26,720
Speaker 1: place to teach you how to become you know, how

635
00:32:26,760 --> 00:32:30,040
Speaker 1: to play team ball, or how to adapt to it.

636
00:32:30,080 --> 00:32:32,560
Speaker 1: Even you know, as you progress to different levels of it.

637
00:32:32,600 --> 00:32:35,040
Speaker 1: You know, when you get to high school, you know

638
00:32:35,160 --> 00:32:37,880
Speaker 1: you play a little different than you play in elementary

639
00:32:38,320 --> 00:32:41,080
Speaker 1: or middle school. Then you know, same for college, same

640
00:32:41,160 --> 00:32:43,280
Speaker 1: for if you go into like summer league, same for

641
00:32:43,360 --> 00:32:46,920
Speaker 1: when you go to the actual league. It's a learning process,

642
00:32:46,920 --> 00:32:49,800
Speaker 1: but it's it's things and people in place to teach

643
00:32:49,840 --> 00:32:52,920
Speaker 1: you how to move along with that. In the rap

644
00:32:52,960 --> 00:32:58,880
Speaker 1: business man, it's it's more filled with people that that

645
00:32:59,040 --> 00:33:02,440
Speaker 1: gatekeeper anything. But I ain't no, ain't no, ain't no.

646
00:33:02,840 --> 00:33:05,320
Speaker 1: There's no way to learn this ship before you jump

647
00:33:05,400 --> 00:33:07,760
Speaker 1: in this ship. You almost got to make the mistakes

648
00:33:07,800 --> 00:33:10,280
Speaker 1: to figure it out. And a lot of the people,

649
00:33:10,400 --> 00:33:13,240
Speaker 1: like you know, we feel the opposite about it. There's

650
00:33:13,280 --> 00:33:15,440
Speaker 1: a lot of people that feel like, shit, nobody helped me,

651
00:33:15,560 --> 00:33:19,200
Speaker 1: so shit, I ain't helping you. And but that's the

652
00:33:19,200 --> 00:33:22,240
Speaker 1: trigger thing about the music business. So right now, the

653
00:33:22,560 --> 00:33:24,920
Speaker 1: you know the fact, the trend that is to be

654
00:33:25,120 --> 00:33:29,600
Speaker 1: independent because the word independent sound you know, it makes

655
00:33:30,200 --> 00:33:33,440
Speaker 1: you sound self sufficient. You sound like a self made

656
00:33:33,880 --> 00:33:37,920
Speaker 1: artist or self made boss. But in real life, you

657
00:33:38,000 --> 00:33:43,640
Speaker 1: really want to do whatever benefits you. So I wouldn't

658
00:33:43,680 --> 00:33:46,480
Speaker 1: say don't be independent. I wouldn't say go be independent.

659
00:33:46,480 --> 00:33:48,760
Speaker 1: You gotta go with what work. So if you step

660
00:33:48,800 --> 00:33:52,040
Speaker 1: in it and you spent, how much you spent and

661
00:33:52,120 --> 00:33:55,080
Speaker 1: you can't sustain doing this ship because in real life

662
00:33:55,160 --> 00:33:57,200
Speaker 1: you got real life to deal with. You know. That's

663
00:33:57,200 --> 00:33:59,760
Speaker 1: why they say it's a young I don't agree, but

664
00:33:59,800 --> 00:34:02,320
Speaker 1: I'm understand why. But they say it's a young man's game.

665
00:34:02,680 --> 00:34:05,320
Speaker 1: It's a young man's game because you got the time

666
00:34:05,880 --> 00:34:10,160
Speaker 1: to be able to to go through the shit you

667
00:34:10,200 --> 00:34:12,960
Speaker 1: got to go through at nineteen signing to a label

668
00:34:13,040 --> 00:34:16,880
Speaker 1: then oh and m fucking five hundred thousand dollars, Having

669
00:34:16,920 --> 00:34:19,080
Speaker 1: to deal with that at nineteen is a whole lot

670
00:34:19,320 --> 00:34:22,359
Speaker 1: smoother than dealing with that at thirty six. You got

671
00:34:22,400 --> 00:34:25,759
Speaker 1: four or five kids. You know, you got more responsibility.

672
00:34:25,800 --> 00:34:27,920
Speaker 1: You don't got the room to have to deal you know, well,

673
00:34:27,920 --> 00:34:31,000
Speaker 1: you don't have the room to be able to work

674
00:34:31,040 --> 00:34:34,520
Speaker 1: through that to learn from that. But in the music business,

675
00:34:34,760 --> 00:34:37,520
Speaker 1: people think, you know, if they like right now, they

676
00:34:37,520 --> 00:34:39,920
Speaker 1: think sign into a major is the worst thing in

677
00:34:39,960 --> 00:34:43,160
Speaker 1: the world. Real time is not. I think you just

678
00:34:43,200 --> 00:34:45,879
Speaker 1: got to know what you're getting yourself into. And you know,

679
00:34:45,920 --> 00:34:48,480
Speaker 1: it's more about your plan, right, you know, and if

680
00:34:48,480 --> 00:34:49,840
Speaker 1: you don't, got to plan out and.

681
00:34:49,719 --> 00:34:52,920
Speaker 5: We sign without a plan and get lost on the sauce.

682
00:34:52,920 --> 00:34:56,680
Speaker 5: So exactly, you know, you can be independent without a plan.

683
00:34:56,840 --> 00:34:59,439
Speaker 5: You're just saying you're independent kind of thing. I think

684
00:35:00,719 --> 00:35:03,680
Speaker 5: signing up or whatever, it's just kind of like being

685
00:35:03,719 --> 00:35:07,239
Speaker 5: able to work. You're playing because even that that's the thing.

686
00:35:07,400 --> 00:35:11,080
Speaker 5: Like the time that I was signed, it was like going.

687
00:35:10,920 --> 00:35:12,839
Speaker 4: To school, I use it.

688
00:35:13,360 --> 00:35:17,600
Speaker 5: I ended up using education, okay, like because it was

689
00:35:17,640 --> 00:35:20,880
Speaker 5: a lot that I saw things working for other people.

690
00:35:21,160 --> 00:35:23,120
Speaker 5: I wasn't in the same position they was when I

691
00:35:23,160 --> 00:35:26,839
Speaker 5: had a leverage otherwise, but I saw like they working, yeah,

692
00:35:27,160 --> 00:35:30,799
Speaker 5: outside of just the machine and all like that. I'm like, man,

693
00:35:30,840 --> 00:35:33,680
Speaker 5: these dudes never stopped working, and so I'm like, I'm

694
00:35:33,680 --> 00:35:35,480
Speaker 5: gonna apply it. I might not be able to scale

695
00:35:35,520 --> 00:35:37,960
Speaker 5: it the same way. I'm gonna take what I've got

696
00:35:38,160 --> 00:35:40,920
Speaker 5: and just double down on what works for me.

697
00:35:41,280 --> 00:35:44,600
Speaker 2: Okay, Yeah, and that's what's super dope about yalls that

698
00:35:44,719 --> 00:35:47,759
Speaker 2: obviously you put your head down in the music sales itself.

699
00:35:47,440 --> 00:35:48,920
Speaker 1: And y'all both have co followings.

700
00:35:49,480 --> 00:35:52,719
Speaker 2: We talk about the independency like opportunities and stuff. Now

701
00:35:52,719 --> 00:35:54,120
Speaker 2: you think it's a little bit easier for artists to

702
00:35:54,160 --> 00:35:56,160
Speaker 2: jump into the game now because of social media and

703
00:35:56,200 --> 00:35:58,520
Speaker 2: stuff like that, because you got people like jell O

704
00:35:58,719 --> 00:36:01,120
Speaker 2: come in. We know you know him as a rapper,

705
00:36:01,480 --> 00:36:02,440
Speaker 2: yell smack.

706
00:36:04,440 --> 00:36:10,600
Speaker 1: The word Look, I understand the man named wrong fever.

707
00:36:11,160 --> 00:36:12,200
Speaker 2: I was like.

708
00:36:12,280 --> 00:36:18,440
Speaker 1: Yellow or something. He said, Yello, I'm thinking jellale Yello.

709
00:36:19,200 --> 00:36:23,000
Speaker 1: I don't know if you want to. I was like, damn,

710
00:36:24,200 --> 00:36:29,160
Speaker 1: was baffled. It's a rapper name. Access.

711
00:36:29,520 --> 00:36:32,239
Speaker 5: Access is plentiful, man, Like, yeah, you know you can

712
00:36:33,560 --> 00:36:35,839
Speaker 5: you can blow up faster, you you know what I mean.

713
00:36:35,880 --> 00:36:39,200
Speaker 5: You can reach you can go farther faster because at

714
00:36:39,239 --> 00:36:42,080
Speaker 5: the resource of the internet, like the world like very smile,

715
00:36:43,040 --> 00:36:45,279
Speaker 5: So people can get like hip to the same thing.

716
00:36:45,400 --> 00:36:47,520
Speaker 5: Like even for y'all to say, I was on Greg Goose,

717
00:36:48,200 --> 00:36:50,839
Speaker 5: like what it took to get the record high. It

718
00:36:50,880 --> 00:36:52,719
Speaker 5: was a lot of footwork, It was a lot of

719
00:36:52,760 --> 00:36:56,759
Speaker 5: like Vinyl records and delivering them, put them in a

720
00:36:56,800 --> 00:36:59,600
Speaker 5: mailbox and them and the DJ is like going a

721
00:36:59,640 --> 00:37:02,440
Speaker 5: little for Kentucky diarbies. Like there's probably the trickle down

722
00:37:02,480 --> 00:37:08,120
Speaker 5: of it reaching Indianapolis going to all the HBCU Football

723
00:37:08,200 --> 00:37:11,279
Speaker 5: Classic weekends. Like we're jumping out in traffic with like

724
00:37:11,400 --> 00:37:15,440
Speaker 5: gorilla marketing versus now it's like a streamer plays your

725
00:37:15,520 --> 00:37:19,560
Speaker 5: song and it goes everywhere the next day, Like I mean,

726
00:37:19,640 --> 00:37:22,920
Speaker 5: that's that's beautiful for you know, yeah, I guess for

727
00:37:23,040 --> 00:37:25,520
Speaker 5: people that can advantage themselves off of it. But it's

728
00:37:25,560 --> 00:37:28,120
Speaker 5: also like you know, it's like microwaves stuff, like the

729
00:37:28,160 --> 00:37:29,239
Speaker 5: food is good.

730
00:37:29,719 --> 00:37:33,520
Speaker 1: Yeah, and not only that, but like I said, the

731
00:37:33,160 --> 00:37:36,960
Speaker 1: no courses for this shit. So you know, you take

732
00:37:37,000 --> 00:37:41,920
Speaker 1: a nineteen year old that didn't have any aspirations of

733
00:37:42,000 --> 00:37:46,160
Speaker 1: being a musician or being in the business and you know,

734
00:37:46,239 --> 00:37:49,640
Speaker 1: they did a song getting popped and now they in

735
00:37:49,680 --> 00:37:53,279
Speaker 1: the mix. Imagine how easy it is to manipulate well,

736
00:37:53,280 --> 00:37:57,320
Speaker 1: you know, for the industry. That person he learned nothing

737
00:37:57,360 --> 00:37:59,160
Speaker 1: from it. You know, you don't know how this works.

738
00:38:00,080 --> 00:38:02,759
Speaker 1: All of it is new. And this ship moved fast,

739
00:38:02,760 --> 00:38:06,399
Speaker 1: and ship when you important and you know, and that's

740
00:38:06,440 --> 00:38:08,960
Speaker 1: the trigger thing about it. A lot of times when

741
00:38:09,719 --> 00:38:12,640
Speaker 1: you know a lot of shit. I'm sure we've all

742
00:38:12,640 --> 00:38:18,439
Speaker 1: experienced it, you know, especially you whoever recruited you disappeared later.

743
00:38:19,000 --> 00:38:21,600
Speaker 1: You know, they did all of the fantastic ship to

744
00:38:21,600 --> 00:38:23,560
Speaker 1: get you where you was going. Yeah, and then once

745
00:38:23,600 --> 00:38:27,160
Speaker 1: you got there, you won't Prome Queen no more, they nigga.

746
00:38:27,520 --> 00:38:29,640
Speaker 1: They moved on to the next one, you know, to

747
00:38:29,920 --> 00:38:32,319
Speaker 1: do the same process. And a lot of times what

748
00:38:32,440 --> 00:38:35,240
Speaker 1: happens when you're not you know, when you're not familiar

749
00:38:35,360 --> 00:38:38,480
Speaker 1: with the process, you'll think you're on top of the

750
00:38:38,520 --> 00:38:44,160
Speaker 1: world and you never start adjusting or you never start.

751
00:38:44,280 --> 00:38:46,399
Speaker 1: Like you said, you got to learn from what's going on.

752
00:38:46,840 --> 00:38:48,399
Speaker 1: So if you're on top of the world, you never

753
00:38:48,440 --> 00:38:51,279
Speaker 1: start learning what happens when because there's no way to

754
00:38:51,320 --> 00:38:54,319
Speaker 1: be there forever. So what happens when when that ship

755
00:38:54,400 --> 00:38:56,680
Speaker 1: slowed down? What's you know, what's your next step now?

756
00:38:57,080 --> 00:38:59,120
Speaker 1: And in a lot of cases, that's what create you know,

757
00:38:59,520 --> 00:39:02,680
Speaker 1: we said all it happens. Almost every day you'll see

758
00:39:02,680 --> 00:39:05,719
Speaker 1: a person that was some kind of social media sensation

759
00:39:06,440 --> 00:39:09,120
Speaker 1: and now they got all kinds of weird legal troubles

760
00:39:09,160 --> 00:39:12,480
Speaker 1: and ship. But because they was at you know they

761
00:39:12,520 --> 00:39:14,120
Speaker 1: was on top of the world at one point, and

762
00:39:14,160 --> 00:39:17,640
Speaker 1: they never fully adjusted to know to be able to

763
00:39:18,280 --> 00:39:20,960
Speaker 1: manage not being on top of the world. It's almost

764
00:39:21,000 --> 00:39:24,400
Speaker 1: like a like an instant high, and now you're chasing

765
00:39:24,440 --> 00:39:27,760
Speaker 1: it high and in some cases you'll never get it again.

766
00:39:28,719 --> 00:39:31,080
Speaker 1: But that's because you know, Shi, it's a whole lot,

767
00:39:31,280 --> 00:39:34,040
Speaker 1: it's a whole lot easier to get it popping. But

768
00:39:34,560 --> 00:39:36,520
Speaker 1: they don't necessarily make it easier.

769
00:39:36,960 --> 00:39:39,200
Speaker 4: It ain't no such thing as a street team no more.

770
00:39:40,680 --> 00:39:47,080
Speaker 2: You guys keep media team called game members. I had

771
00:39:47,080 --> 00:39:50,879
Speaker 2: a question. So we was listening to music earlier, and yeah,

772
00:39:51,040 --> 00:39:53,319
Speaker 2: five times one of my favorite songs. But when y'all

773
00:39:53,320 --> 00:39:58,880
Speaker 2: heard Seeing Green by like Nikki Wayne Draking, Now, what's that?

774
00:40:00,880 --> 00:40:07,080
Speaker 9: It's just a song, but well you know what I'm

775
00:40:07,120 --> 00:40:11,360
Speaker 9: talking about. I know exactly what make you look looking.

776
00:40:15,239 --> 00:40:16,000
Speaker 1: Man, it's a song.

777
00:40:16,040 --> 00:40:17,759
Speaker 4: He was a sign simple, I.

778
00:40:20,800 --> 00:40:22,759
Speaker 1: Know the name. I never heard that what you was

779
00:40:22,760 --> 00:40:23,279
Speaker 1: asking about?

780
00:40:23,320 --> 00:40:26,920
Speaker 2: It was like, do y'all be like, damn, Like I mean,

781
00:40:26,960 --> 00:40:29,080
Speaker 2: I know it's a simple, but it's like because we

782
00:40:29,160 --> 00:40:31,879
Speaker 2: knew when I first heard him, Like, damn, I heard

783
00:40:31,880 --> 00:40:35,880
Speaker 2: this before. Man, I want to shout out Shannon Sanders.

784
00:40:36,120 --> 00:40:40,000
Speaker 5: It's a producer songwriter from Nashville that that actually I

785
00:40:40,040 --> 00:40:42,880
Speaker 5: think produced the hell the helly song that that was

786
00:40:42,960 --> 00:40:46,719
Speaker 5: simple somebody I know for like twenty plus years. I

787
00:40:46,760 --> 00:40:48,799
Speaker 5: thought it was cool that they was sampling his work,

788
00:40:49,080 --> 00:40:50,439
Speaker 5: you know what I'm saying, way we did.

789
00:40:51,560 --> 00:40:53,759
Speaker 2: It's one of them situations, man, because it happened to

790
00:40:53,800 --> 00:40:55,239
Speaker 2: me like a.

791
00:40:55,200 --> 00:41:00,560
Speaker 5: Lot of times, like where things getting recycled, re rot

792
00:41:01,000 --> 00:41:05,480
Speaker 5: repurposed and very rarely like I ain't looking for acknowledgement

793
00:41:05,719 --> 00:41:06,759
Speaker 5: because that's her song.

794
00:41:06,800 --> 00:41:07,439
Speaker 4: It's that song.

795
00:41:09,520 --> 00:41:10,400
Speaker 2: It's very.

796
00:41:12,840 --> 00:41:15,040
Speaker 5: And I mean that's hip hop, you know what I'm saying,

797
00:41:15,120 --> 00:41:18,520
Speaker 5: Like people are making the same song down their word

798
00:41:18,560 --> 00:41:23,719
Speaker 5: for word, no for no over. But when I heard it,

799
00:41:23,760 --> 00:41:26,400
Speaker 5: I was just like, I thought it was interesting because

800
00:41:26,560 --> 00:41:28,200
Speaker 5: that's one of our biggest songs.

801
00:41:28,239 --> 00:41:32,360
Speaker 2: Man, well that's that ship was like, I'm like, nah,

802
00:41:32,520 --> 00:41:43,680
Speaker 2: I never heard so yeah here, But I don't know.

803
00:41:43,719 --> 00:41:47,520
Speaker 2: I don't really believe in coincidence, so a lot of

804
00:41:47,560 --> 00:41:48,799
Speaker 2: times I didn't either.

805
00:41:49,080 --> 00:41:57,600
Speaker 1: It's too close. I remember the producer dude doing of course,

806
00:41:57,640 --> 00:42:00,440
Speaker 1: not the one that made the hours, but that went

807
00:42:00,520 --> 00:42:06,520
Speaker 1: viral making it in his car, right, So you know,

808
00:42:06,600 --> 00:42:11,759
Speaker 1: I guess I was already conditioned for I understand the

809
00:42:13,600 --> 00:42:16,080
Speaker 1: I guess the process now for how they make beats.

810
00:42:16,680 --> 00:42:19,640
Speaker 1: It ain't is not to say I don't know, he

811
00:42:19,800 --> 00:42:20,440
Speaker 1: know who made it?

812
00:42:20,800 --> 00:42:21,680
Speaker 4: Street S made it?

813
00:42:23,080 --> 00:42:29,080
Speaker 1: Okay, my bad greeted. You know, shit happens either way.

814
00:42:29,480 --> 00:42:32,520
Speaker 1: Like the sampling process ain't the same no more it

815
00:42:32,680 --> 00:42:34,880
Speaker 1: used to be. You know, they take the vinyl and

816
00:42:35,480 --> 00:42:38,000
Speaker 1: you have to like you had, you had to put

817
00:42:38,040 --> 00:42:41,080
Speaker 1: some work in to to create the sample you was

818
00:42:41,120 --> 00:42:44,040
Speaker 1: creating to make the beat, and now now it's a

819
00:42:44,040 --> 00:42:46,640
Speaker 1: whole lot different, like it's websites. They already got the

820
00:42:46,760 --> 00:42:51,080
Speaker 1: samples already cut up, so take it right, you take

821
00:42:51,160 --> 00:42:56,800
Speaker 1: it and starting drums. So I never heard Nicki Minaj

822
00:42:56,960 --> 00:43:00,200
Speaker 1: song on the beat, but you know I was where

823
00:43:00,200 --> 00:43:04,319
Speaker 1: did they use the same beat? I'm just not just

824
00:43:04,320 --> 00:43:05,839
Speaker 1: when nothing that was interested in show.

825
00:43:08,280 --> 00:43:11,560
Speaker 2: I mean it just when it happens over and over

826
00:43:11,600 --> 00:43:12,280
Speaker 2: and over again.

827
00:43:13,239 --> 00:43:19,280
Speaker 1: He's a big you know, he got he got prior

828
00:43:19,440 --> 00:43:20,800
Speaker 1: experience and such.

829
00:43:21,080 --> 00:43:23,960
Speaker 5: But they are different too though, because I can't charge it,

830
00:43:24,000 --> 00:43:25,799
Speaker 5: I don't know where where it comes from.

831
00:43:25,920 --> 00:43:29,839
Speaker 1: Right, I'm saying it's happened to you more than it.

832
00:43:29,880 --> 00:43:32,239
Speaker 2: Just happened like that. I don't necessarily.

833
00:43:32,560 --> 00:43:34,920
Speaker 5: I've had scenarios where I got to the source of

834
00:43:34,920 --> 00:43:38,200
Speaker 5: it and figured out, like where the inspiration came from.

835
00:43:38,719 --> 00:43:45,000
Speaker 5: Those the same time, the same like you know, same terminology,

836
00:43:45,080 --> 00:43:49,000
Speaker 5: something like East Nashville slang, Like don't nobody even say

837
00:43:49,000 --> 00:43:55,080
Speaker 5: that if somebody, if a New York artist came out

838
00:43:55,239 --> 00:43:57,520
Speaker 5: making a song saying that, I think everybody from around

839
00:43:57,520 --> 00:44:03,040
Speaker 5: here will be like, especially in real time, you know

840
00:44:03,080 --> 00:44:05,160
Speaker 5: what I'm saying. I put out a song six months later,

841
00:44:08,400 --> 00:44:13,480
Speaker 5: the same song, you know, but every step of the way,

842
00:44:13,560 --> 00:44:17,080
Speaker 5: like especially just growing up, just maturing, I take it

843
00:44:17,120 --> 00:44:21,000
Speaker 5: like it's like complimentary or flatter and flatter, but in

844
00:44:21,040 --> 00:44:25,080
Speaker 5: the way I do, Like I guess that's why I

845
00:44:25,120 --> 00:44:27,279
Speaker 5: think so much when people do give me props or

846
00:44:27,280 --> 00:44:29,799
Speaker 5: salute me, because because you don't have to, it's just

847
00:44:30,000 --> 00:44:32,120
Speaker 5: easy to act like you don't know what nigga is,

848
00:44:32,560 --> 00:44:34,560
Speaker 5: you know. So for a lot of people that do,

849
00:44:34,680 --> 00:44:36,759
Speaker 5: like give it up, like that's cool, because I know

850
00:44:36,800 --> 00:44:37,799
Speaker 5: what the opposite for like.

851
00:44:37,760 --> 00:44:43,360
Speaker 1: To yeah that that was too close. I was just like,

852
00:44:43,400 --> 00:44:44,000
Speaker 1: it's too close.

853
00:44:45,640 --> 00:44:46,320
Speaker 2: I really.

854
00:44:47,719 --> 00:44:54,040
Speaker 1: Looking to see how you react to it. Clearly on

855
00:44:54,080 --> 00:44:59,680
Speaker 1: that first take. Yeah, okay they did, Yeah, they did

856
00:44:59,760 --> 00:45:03,279
Speaker 1: they Yeah, I go ahead, and that's what it was

857
00:45:03,320 --> 00:45:04,160
Speaker 1: called rock ahead.

858
00:45:04,360 --> 00:45:05,240
Speaker 2: My song called.

859
00:45:06,880 --> 00:45:12,360
Speaker 1: Just go ahead. Man, listen, you got it first. My

860
00:45:12,520 --> 00:45:15,719
Speaker 1: song this is when out when you know, this is

861
00:45:15,840 --> 00:45:20,279
Speaker 1: us first working together. So to see him reacting or

862
00:45:20,320 --> 00:45:23,439
Speaker 1: respond to that, man, that ship was the funniest ship,

863
00:45:26,280 --> 00:45:29,200
Speaker 1: like Star Wars on. Some niggas got cameras at my house.

864
00:45:30,920 --> 00:45:34,880
Speaker 1: They did it. It's my ship, Okay, baby, I don't

865
00:45:35,040 --> 00:45:39,759
Speaker 1: really the first Brothers what I'm saying. That's why it

866
00:45:39,800 --> 00:45:43,920
Speaker 1: was funny and me just being me being the permanent

867
00:45:43,960 --> 00:45:51,560
Speaker 1: Devil's advocate matter fact, could google it, man, right.

868
00:45:54,480 --> 00:45:58,239
Speaker 2: Happened. That's that's crazy for sure. Man, we got to

869
00:45:58,239 --> 00:46:00,919
Speaker 2: talk about y'all freak here. I got hell of love

870
00:46:00,960 --> 00:46:03,000
Speaker 2: in the city. They always should love to y'all. Man,

871
00:46:03,320 --> 00:46:05,160
Speaker 2: what's life pulling up to that? Man? For the people

872
00:46:05,160 --> 00:46:09,560
Speaker 2: who don't know, man, man, it's it feels like home

873
00:46:09,640 --> 00:46:14,319
Speaker 2: to me. It's welcome because I've only ever been here

874
00:46:14,360 --> 00:46:17,000
Speaker 2: in the same space and environment, just like where I

875
00:46:17,120 --> 00:46:18,279
Speaker 2: come from. You know.

876
00:46:18,800 --> 00:46:22,040
Speaker 5: We were talking about like where we performed and it's

877
00:46:22,080 --> 00:46:27,640
Speaker 5: been Sweet thirty eight, which was Limelight and like Clown

878
00:46:29,040 --> 00:46:29,600
Speaker 5: been there.

879
00:46:29,480 --> 00:46:33,160
Speaker 2: For every phase of the same every day huge.

880
00:46:35,000 --> 00:46:40,920
Speaker 4: Rock for your features though, shout out a little you know, yeah.

881
00:46:41,600 --> 00:46:42,960
Speaker 2: You know, it's love in the city when you can

882
00:46:43,000 --> 00:46:45,319
Speaker 2: pull up the fusion comfortably. Yeah, that's little.

883
00:46:45,320 --> 00:46:49,240
Speaker 4: That's what'll are good in my city.

884
00:46:50,040 --> 00:46:50,279
Speaker 5: Love.

885
00:46:51,400 --> 00:46:54,400
Speaker 4: That's a wild spot they had to permanently.

886
00:46:57,640 --> 00:47:03,760
Speaker 2: It's like it's y'all and boosy. Yeah, y'all like stamped

887
00:47:03,760 --> 00:47:04,280
Speaker 2: in the city.

888
00:47:05,120 --> 00:47:07,360
Speaker 1: So that's a good space to be in.

889
00:47:07,920 --> 00:47:10,959
Speaker 2: Yeah, he ever try right music from Indianapolis, it would

890
00:47:10,960 --> 00:47:12,160
Speaker 2: not be your typical people here.

891
00:47:12,200 --> 00:47:16,680
Speaker 1: It's boosy, gotty y'all. Like it's like, yeah, plasm here.

892
00:47:16,840 --> 00:47:18,920
Speaker 3: We talk to people out of town that we know about,

893
00:47:18,960 --> 00:47:21,880
Speaker 3: like big artists, you know, future we rock the future

894
00:47:21,920 --> 00:47:24,680
Speaker 3: of course, jay z Ho and people don't understand when

895
00:47:24,800 --> 00:47:26,520
Speaker 3: we tell them, like when they come to my city,

896
00:47:26,560 --> 00:47:29,880
Speaker 3: it's cool, but we more so like people who was

897
00:47:29,920 --> 00:47:33,719
Speaker 3: close to us, like more relatable. So y'all stand out

898
00:47:33,800 --> 00:47:38,319
Speaker 3: like way more than them, like in our city for sure. Yeah,

899
00:47:38,520 --> 00:47:42,360
Speaker 3: it's not for real though, bro, jay z coll be

900
00:47:42,440 --> 00:47:46,480
Speaker 3: like cool, you know, like pulling up I just told you,

901
00:47:47,040 --> 00:47:48,880
Speaker 3: my boy be just said, man asked the nigga when

902
00:47:48,920 --> 00:47:53,200
Speaker 3: he's sliding back down to the city anticipating y'all pull

903
00:47:53,280 --> 00:47:53,879
Speaker 3: up for sure.

904
00:47:54,360 --> 00:47:58,320
Speaker 5: Yeah, it's always I mean, even we there like music

905
00:47:58,640 --> 00:48:01,640
Speaker 5: like new music, current music, it's always a packed house.

906
00:48:03,040 --> 00:48:05,600
Speaker 5: Sowd out them spots like water wall. Quite a few

907
00:48:05,640 --> 00:48:10,120
Speaker 5: times had mikels pop up on stage and snatched the

908
00:48:10,200 --> 00:48:10,880
Speaker 5: mic from us.

909
00:48:12,120 --> 00:48:14,799
Speaker 2: I don't know where he came from, you know.

910
00:48:16,560 --> 00:48:22,800
Speaker 1: Yeah, yeah, like he grabbed y'all got smelled like hot water.

911
00:48:25,840 --> 00:48:28,879
Speaker 1: People in the club, they smelled like hot for sure.

912
00:48:30,640 --> 00:48:33,279
Speaker 1: The way he came from, I thought he was just

913
00:48:33,360 --> 00:48:36,840
Speaker 1: another nigga standing behind us. You know, the whole hood

914
00:48:36,880 --> 00:48:39,200
Speaker 1: is standing behind us on the stage. So you know,

915
00:48:39,560 --> 00:48:42,080
Speaker 1: I don't know who was who. So when he popped

916
00:48:42,120 --> 00:48:44,160
Speaker 1: up and grabbed Mike, you know, I first reasked us

917
00:48:44,160 --> 00:48:51,120
Speaker 1: who the this Mike? We had schlights idea, you know,

918
00:48:51,160 --> 00:48:53,360
Speaker 1: what was really going on. But it was cool, you know,

919
00:48:53,560 --> 00:48:56,759
Speaker 1: and he just was showing love because he handed the

920
00:48:56,840 --> 00:49:02,120
Speaker 1: right back. He said ship but that that was ridiculous.

921
00:49:02,160 --> 00:49:04,759
Speaker 5: It's always been you know, I don't remember the first

922
00:49:04,760 --> 00:49:06,879
Speaker 5: time I came up here, like my long time, but

923
00:49:06,880 --> 00:49:10,279
Speaker 5: it's it's always been a sign, Like went to the

924
00:49:10,320 --> 00:49:12,960
Speaker 5: game earlier, Like we walking to the game, probably take

925
00:49:13,040 --> 00:49:16,000
Speaker 5: four or five pictures and robbed when we took hello

926
00:49:16,040 --> 00:49:17,560
Speaker 5: pictures and inside of the game.

927
00:49:17,600 --> 00:49:20,560
Speaker 2: But it's just like you know, even.

928
00:49:20,360 --> 00:49:22,440
Speaker 5: Going I mean, I've been coming up here to paces

929
00:49:22,480 --> 00:49:26,359
Speaker 5: guns and whatnot. But it's like when people can see you,

930
00:49:26,480 --> 00:49:29,440
Speaker 5: like as far as being stamped like it's it's some

931
00:49:29,560 --> 00:49:33,840
Speaker 5: city's day. We only I only saw one side of

932
00:49:34,200 --> 00:49:36,080
Speaker 5: you know what I'm saying, and that's.

933
00:49:35,280 --> 00:49:37,440
Speaker 1: The hood side of the urban side.

934
00:49:37,440 --> 00:49:39,480
Speaker 5: And I think people appreciate you for it, because I

935
00:49:39,840 --> 00:49:42,959
Speaker 5: do understand a lot of artists don't don't see that side.

936
00:49:44,360 --> 00:49:45,279
Speaker 2: And no knocking them.

937
00:49:45,480 --> 00:49:48,040
Speaker 5: By the time they was coming to a market like this,

938
00:49:48,200 --> 00:49:52,320
Speaker 5: they might almost outgrew the hood or going to the

939
00:49:52,360 --> 00:49:55,040
Speaker 5: part ticket venues or it was on somebody tour the

940
00:49:55,120 --> 00:49:56,720
Speaker 5: while it's like I'm.

941
00:49:56,640 --> 00:50:01,560
Speaker 2: Going wherever they got the bread pulling up to for sure,

942
00:50:01,760 --> 00:50:03,719
Speaker 2: definitely many'll put up to the city one time. And

943
00:50:03,800 --> 00:50:08,600
Speaker 2: before with with the young Jersey, that was less I got.

944
00:50:08,760 --> 00:50:10,520
Speaker 4: I got the picture of that find out.

945
00:50:11,920 --> 00:50:12,360
Speaker 2: The nigga.

946
00:50:12,360 --> 00:50:15,839
Speaker 1: I was started. I didn't know what to hear.

947
00:50:15,920 --> 00:50:31,879
Speaker 10: This was he knew me like.

948
00:50:31,840 --> 00:50:33,680
Speaker 4: This every day man cool.

949
00:50:33,760 --> 00:50:37,160
Speaker 2: I turned up in them well about times in the

950
00:50:37,280 --> 00:50:42,680
Speaker 2: video too. In the bone Shock like video, I appreciate you, man.

951
00:50:44,320 --> 00:50:48,040
Speaker 4: Real fansy all music. Man, let y'all do that for sure.

952
00:50:50,680 --> 00:50:53,239
Speaker 1: I said that mama revenged to my mama. She's like,

953
00:50:54,560 --> 00:50:54,960
Speaker 1: what is it?

954
00:50:57,520 --> 00:50:58,040
Speaker 10: Listen to it?

955
00:50:58,120 --> 00:51:04,480
Speaker 1: She's like this guy for me? Yeah, for me.

956
00:51:06,320 --> 00:51:08,680
Speaker 3: I wanted to ask, bro, how did you cross paths

957
00:51:08,680 --> 00:51:09,839
Speaker 3: with Kevin Gates?

958
00:51:12,160 --> 00:51:13,280
Speaker 1: Our stories is different?

959
00:51:14,880 --> 00:51:15,719
Speaker 4: Who want to tell him?

960
00:51:17,440 --> 00:51:17,640
Speaker 2: Man?

961
00:51:18,920 --> 00:51:23,360
Speaker 5: I say that was like twenty thirteen. It was before

962
00:51:23,400 --> 00:51:25,880
Speaker 5: we actually met this. This is just a strength. Like

963
00:51:25,920 --> 00:51:28,680
Speaker 5: I said, I don't believe in coincidence. So it happened

964
00:51:28,719 --> 00:51:34,239
Speaker 5: like this. I'm pulling to the crib and when i'm

965
00:51:34,320 --> 00:51:37,160
Speaker 5: when I hear my garage, I take it this is

966
00:51:37,200 --> 00:51:38,720
Speaker 5: just dat. It's probably twenty twelve.

967
00:51:38,719 --> 00:51:38,879
Speaker 2: Man.

968
00:51:39,360 --> 00:51:41,480
Speaker 5: I take a CD out whatever I was listening to,

969
00:51:41,640 --> 00:51:44,400
Speaker 5: and so the radio pop song and his satellite radio

970
00:51:44,480 --> 00:51:45,000
Speaker 5: at the time.

971
00:51:46,000 --> 00:51:46,799
Speaker 1: Literally, when I.

972
00:51:46,680 --> 00:51:49,960
Speaker 5: Take the CD out, I hear Case Slaight at the

973
00:51:50,000 --> 00:51:53,240
Speaker 5: time rest of Peace. He like, I hear him asking

974
00:51:53,320 --> 00:51:55,200
Speaker 5: the artists he interview, and it was like, man, so

975
00:51:55,239 --> 00:51:57,399
Speaker 5: what you listening to right now? Like what you got

976
00:51:57,400 --> 00:52:00,480
Speaker 5: in your like if you ever follow this changer, what

977
00:52:00,520 --> 00:52:03,600
Speaker 5: you're listening to? And the artist on this is I man,

978
00:52:03,640 --> 00:52:06,360
Speaker 5: all listening number start leed though. I'm like, I'm in

979
00:52:06,400 --> 00:52:09,920
Speaker 5: the car by myself. The fuck you know, it's just

980
00:52:10,080 --> 00:52:12,359
Speaker 5: I'm about to cut the car. And I sat there

981
00:52:12,480 --> 00:52:14,560
Speaker 5: was like now I'm curious, Like who was just just

982
00:52:14,600 --> 00:52:17,400
Speaker 5: shouting me out on sell like radio. So they played

983
00:52:17,400 --> 00:52:19,080
Speaker 5: some music. When they come back. I figured I was

984
00:52:19,120 --> 00:52:21,000
Speaker 5: like Kevin Guys. I hadn't heard of him at the time,

985
00:52:21,640 --> 00:52:23,400
Speaker 5: and I was like, man, that was real. He was like, man,

986
00:52:23,440 --> 00:52:26,040
Speaker 5: it's the only artist I listened to, and so I

987
00:52:26,080 --> 00:52:28,359
Speaker 5: went and checked his music out from there and was

988
00:52:28,760 --> 00:52:32,040
Speaker 5: I was rocking with it. A few months later, he

989
00:52:32,120 --> 00:52:34,879
Speaker 5: had I Guess signed with Atlantic and one his an

990
00:52:35,000 --> 00:52:38,239
Speaker 5: rs it reached out to me through email was like, man,

991
00:52:38,239 --> 00:52:40,719
Speaker 5: we got this new artist we signed and we want

992
00:52:40,760 --> 00:52:44,680
Speaker 5: to get you on his album one night and I

993
00:52:44,719 --> 00:52:47,120
Speaker 5: was like, yeah, I rock with his music. We can

994
00:52:47,120 --> 00:52:50,239
Speaker 5: swap something out. I do the verse, get him to

995
00:52:50,239 --> 00:52:52,600
Speaker 5: do a churse for me kind of thing, just just

996
00:52:52,640 --> 00:52:56,000
Speaker 5: swap it. They sent the song and knocked it out,

997
00:52:56,160 --> 00:52:58,360
Speaker 5: and uh. I was on the way to Atlanta the

998
00:52:58,480 --> 00:53:00,839
Speaker 5: met trip. We was working on Step two at the time,

999
00:53:01,280 --> 00:53:02,600
Speaker 5: and I was like, man, I'm about to send a

1000
00:53:02,640 --> 00:53:05,000
Speaker 5: song when I get to Atlanta. I'm gonna go through

1001
00:53:05,040 --> 00:53:07,680
Speaker 5: some beats and send you the song for Bro to

1002
00:53:07,719 --> 00:53:09,960
Speaker 5: get on. And they was like, Kevin living in Atlanta

1003
00:53:10,000 --> 00:53:12,520
Speaker 5: right now, I'm gonna send you send out each other number.

1004
00:53:12,680 --> 00:53:17,840
Speaker 5: This is the man whoever from Atlantic Records, Brian Johnston

1005
00:53:18,760 --> 00:53:22,680
Speaker 5: Kyle and so I'm like, cool, you know.

1006
00:53:23,320 --> 00:53:26,400
Speaker 2: I reach out Bro, like he liked he rocked with

1007
00:53:26,440 --> 00:53:27,240
Speaker 2: the Verse or whatever.

1008
00:53:27,480 --> 00:53:32,040
Speaker 5: We went to the studio that night and he ended

1009
00:53:32,080 --> 00:53:34,080
Speaker 5: up pulling up at the studio and.

1010
00:53:34,440 --> 00:53:36,680
Speaker 1: That was your first time? Yeah, yeah, that was that

1011
00:53:36,760 --> 00:53:37,600
Speaker 1: was actually first day.

1012
00:53:38,480 --> 00:53:39,000
Speaker 2: Wow.

1013
00:53:40,239 --> 00:53:43,160
Speaker 5: So he pulled up to me and Tripp studio session

1014
00:53:43,400 --> 00:53:47,879
Speaker 5: and uh like he said, like I said, I guess

1015
00:53:47,880 --> 00:53:52,680
Speaker 5: perspectives that was different. But we did at least on

1016
00:53:52,800 --> 00:53:57,840
Speaker 5: Life from Step Brothers two, and we did abouttle Bitch

1017
00:53:58,160 --> 00:54:01,600
Speaker 5: called Turkey. They had all three of us. Tripping ended

1018
00:54:01,680 --> 00:54:05,440
Speaker 5: up leaving and me and Gate stayed there and did

1019
00:54:05,480 --> 00:54:07,960
Speaker 5: about four or five more songs and just kind of

1020
00:54:08,000 --> 00:54:11,160
Speaker 5: chopped it up from there, you know, just like for

1021
00:54:11,320 --> 00:54:15,600
Speaker 5: as the Bond and moving forward like me and Tripping

1022
00:54:15,640 --> 00:54:18,359
Speaker 5: ended up joining this tour, Stranging the Fiction tour that far.

1023
00:54:19,360 --> 00:54:21,359
Speaker 5: I was on his album the n y B song

1024
00:54:21,400 --> 00:54:24,719
Speaker 5: he was on our album toured together, and you know

1025
00:54:25,160 --> 00:54:26,440
Speaker 5: the rest pretty much history.

1026
00:54:26,440 --> 00:54:29,319
Speaker 4: I talked to Day. It's hard bro y'all.

1027
00:54:29,320 --> 00:54:32,040
Speaker 3: I feel like y'all kind of introduced him well to us,

1028
00:54:32,800 --> 00:54:34,880
Speaker 3: like it was for me.

1029
00:54:35,160 --> 00:54:40,680
Speaker 1: I ain't know that was their first time meeting. I was, man,

1030
00:54:41,320 --> 00:54:44,040
Speaker 1: it's never personal. I just don't. I live in the bubble, man,

1031
00:54:44,080 --> 00:54:46,840
Speaker 1: it is what it is. So he was like, uh,

1032
00:54:47,239 --> 00:54:50,759
Speaker 1: you know my guy Kevin Gates pulling up. I don't

1033
00:54:50,800 --> 00:54:57,200
Speaker 1: know who that is. Then when Gates got there, Gates

1034
00:54:57,320 --> 00:55:00,080
Speaker 1: went like, again, this is my first time meeting. So

1035
00:55:00,880 --> 00:55:03,879
Speaker 1: I'm an, I don't. I guess I don't really talk much.

1036
00:55:04,400 --> 00:55:08,040
Speaker 1: So when Gates came in, he sat down and he

1037
00:55:08,160 --> 00:55:12,000
Speaker 1: just started talking and he was just I thought that

1038
00:55:12,160 --> 00:55:16,680
Speaker 1: niggas knew each other, but Gates was talking talking. He

1039
00:55:16,719 --> 00:55:19,120
Speaker 1: was talking about all kinds of ship, A lot of

1040
00:55:19,120 --> 00:55:23,200
Speaker 1: ship made very little sense of ship made no sense.

1041
00:55:24,520 --> 00:55:28,680
Speaker 1: A lot of ship made since fucking six years later.

1042
00:55:29,719 --> 00:55:32,239
Speaker 1: Either way, he was just talking and he was like

1043
00:55:32,640 --> 00:55:35,280
Speaker 1: one of the things that it tripped me out because

1044
00:55:35,320 --> 00:55:40,480
Speaker 1: it was random, but me, you no, I guess following

1045
00:55:41,120 --> 00:55:44,160
Speaker 1: and paying attention to paying more attention to him. Afterwards,

1046
00:55:44,320 --> 00:55:47,000
Speaker 1: I understood it for the most part, he just speak

1047
00:55:47,080 --> 00:55:50,239
Speaker 1: his mind. But out of the blue, Nigga was like,

1048
00:55:51,360 --> 00:55:54,759
Speaker 1: you know, gates goats eat eat cans. They looked at it.

1049
00:55:54,840 --> 00:56:02,279
Speaker 1: He's off the cans. I'm like, why it came out

1050
00:56:02,320 --> 00:56:06,560
Speaker 1: of nowhere. But then starts where they started playing the music.

1051
00:56:06,560 --> 00:56:08,960
Speaker 1: And when they started playing the music like okay, okay,

1052
00:56:09,000 --> 00:56:10,760
Speaker 1: I can fuck with it. I fucked with I fucked

1053
00:56:10,760 --> 00:56:14,520
Speaker 1: with the passion in it, and all the way up

1054
00:56:14,520 --> 00:56:16,000
Speaker 1: into the end, I didn't really I didn't know who

1055
00:56:16,000 --> 00:56:17,320
Speaker 1: he was. Ain't know who he was and what he

1056
00:56:17,400 --> 00:56:20,400
Speaker 1: do ain't no ship. So when we stopped playing the music,

1057
00:56:20,400 --> 00:56:24,000
Speaker 1: I'm okay, No, he got something and start, you know,

1058
00:56:24,600 --> 00:56:28,560
Speaker 1: they started discussing making music, and some of the ship

1059
00:56:28,640 --> 00:56:31,880
Speaker 1: that he was saying, some of the ship he was

1060
00:56:31,920 --> 00:56:35,359
Speaker 1: saying about music kind of changed how I looked at

1061
00:56:35,480 --> 00:56:39,760
Speaker 1: certain ship. Because he I can't remember what record, started

1062
00:56:39,800 --> 00:56:43,719
Speaker 1: playing him on record, and the record was either too

1063
00:56:43,760 --> 00:56:46,319
Speaker 1: long or too short, I can't really remember. But Star

1064
00:56:46,480 --> 00:56:48,480
Speaker 1: was like, nah, it was he was scared he was

1065
00:56:48,520 --> 00:56:51,200
Speaker 1: gonna make it too long. He was like, well, you know,

1066
00:56:51,280 --> 00:56:53,360
Speaker 1: I don't want to do or add another verse to

1067
00:56:53,440 --> 00:56:55,239
Speaker 1: it or something, because then the song gonna be too long.

1068
00:56:55,320 --> 00:56:59,120
Speaker 1: Gays like, man, how long the song is? Just forty seconds?

1069
00:56:59,640 --> 00:57:01,160
Speaker 1: That's all you got, That's all you got to put

1070
00:57:01,160 --> 00:57:03,239
Speaker 1: this ship out, eat this ship up. And when he

1071
00:57:03,280 --> 00:57:06,000
Speaker 1: said that, I'm like, that's crazy. Listening for the second

1072
00:57:06,000 --> 00:57:10,279
Speaker 1: song and then sucking two three years later, everybody's got

1073
00:57:11,280 --> 00:57:15,160
Speaker 1: fifty second songs. Nigga was onto something and you know

1074
00:57:15,640 --> 00:57:19,440
Speaker 1: the delivery, which was, you know, a bit of odd

1075
00:57:19,480 --> 00:57:21,640
Speaker 1: to me, but it made why I said, you know,

1076
00:57:21,840 --> 00:57:24,760
Speaker 1: some of the ship makes sense later. But me and

1077
00:57:24,880 --> 00:57:27,080
Speaker 1: him then, I could have sworn them niggas had already

1078
00:57:27,120 --> 00:57:30,360
Speaker 1: knew each other. But you know, Gates was having like

1079
00:57:31,640 --> 00:57:37,640
Speaker 1: personal conversations. I knew the niggas each other, Well, what.

1080
00:57:40,120 --> 00:57:42,000
Speaker 2: Haven't met his music prior to then?

1081
00:57:42,320 --> 00:57:45,480
Speaker 5: And I think the relationship we had with my music,

1082
00:57:45,600 --> 00:57:48,760
Speaker 5: and he like wasn't shy about it. Yeah, a lot

1083
00:57:48,800 --> 00:57:51,040
Speaker 5: of it at that point to me, was just kind

1084
00:57:51,040 --> 00:57:53,520
Speaker 5: of listening or you know, hearing them ound because he

1085
00:57:53,600 --> 00:57:55,720
Speaker 5: was explaining like how you got how and when he

1086
00:57:55,800 --> 00:57:57,880
Speaker 5: got introduced to my music, which made a lot of.

1087
00:57:57,880 --> 00:57:58,320
Speaker 2: Sense to me.

1088
00:57:59,040 --> 00:58:02,000
Speaker 5: And I spent a lot of time in Louisiana, so

1089
00:58:02,240 --> 00:58:05,600
Speaker 5: like it was, I think I could.

1090
00:58:07,320 --> 00:58:07,880
Speaker 2: I think I.

1091
00:58:07,840 --> 00:58:13,640
Speaker 1: Understood what's peculiar, and I just say that, yeah, he

1092
00:58:13,720 --> 00:58:15,120
Speaker 1: knew exactly what the nigga.

1093
00:58:14,880 --> 00:58:17,640
Speaker 2: Saying, and we bonded right away. And it really wasn't

1094
00:58:17,720 --> 00:58:20,080
Speaker 2: much different than than me and Truck working together, like

1095
00:58:20,160 --> 00:58:25,760
Speaker 2: the work pay. So the work just kind of just

1096
00:58:25,840 --> 00:58:31,560
Speaker 2: natural exactly like effort six seven songs in one session.

1097
00:58:32,040 --> 00:58:33,920
Speaker 2: It was all like out of here, you know, that

1098
00:58:34,080 --> 00:58:35,920
Speaker 2: was all smashes. I think he was on my call

1099
00:58:36,000 --> 00:58:39,680
Speaker 2: talk like four times something like that. As much as

1100
00:58:39,680 --> 00:58:41,840
Speaker 2: like you know, some people I get there, like the

1101
00:58:41,840 --> 00:58:43,920
Speaker 2: first time I heard and was here for sure. I'm

1102
00:58:43,960 --> 00:58:45,760
Speaker 2: sure a lot of people may be heard me for

1103
00:58:45,800 --> 00:58:48,160
Speaker 2: the first time on this project, and that was the

1104
00:58:48,160 --> 00:58:48,960
Speaker 2: same thing I'm saying.

1105
00:58:49,000 --> 00:58:50,200
Speaker 1: That's how I feel like it should go.

1106
00:58:51,040 --> 00:58:56,200
Speaker 5: Trying because there's a lot of artists trip early on

1107
00:58:56,240 --> 00:58:59,880
Speaker 5: with Yo Gotti working working with dogs, and it's like,

1108
00:59:01,400 --> 00:59:05,560
Speaker 5: for sure, we try the audience somewhere and it's some overlap.

1109
00:59:05,680 --> 00:59:10,040
Speaker 5: And however, whoever you heard first, how have you heard us?

1110
00:59:10,080 --> 00:59:12,480
Speaker 5: Like that's what it's all about, Like me working with

1111
00:59:12,520 --> 00:59:14,240
Speaker 5: the younger artists, working with a little baby and no

1112
00:59:14,360 --> 00:59:17,680
Speaker 5: cap and et cetera, Like I'm getting new fans, new

1113
00:59:17,720 --> 00:59:20,680
Speaker 5: audience even tho I'm ten years older than these as artists,

1114
00:59:21,240 --> 00:59:23,520
Speaker 5: and it's just I mean, it's just really just a

1115
00:59:23,600 --> 00:59:27,560
Speaker 5: solid But I feel like when it's easy and fun

1116
00:59:27,920 --> 00:59:31,080
Speaker 5: and and creative and make music with artists, you gotta

1117
00:59:31,240 --> 00:59:34,520
Speaker 5: just like you gotta ride that way.

1118
00:59:36,080 --> 00:59:37,800
Speaker 2: I want to ask you this question because you both

1119
00:59:37,800 --> 00:59:39,920
Speaker 2: are very vulnerable in your music. You get a lot

1120
00:59:39,920 --> 00:59:41,880
Speaker 2: of your fan base like feel like they know everything

1121
00:59:41,880 --> 00:59:42,960
Speaker 2: about y'all when they meet y'all.

1122
00:59:42,960 --> 00:59:44,520
Speaker 1: Like you said, you just make gates and y'all locked

1123
00:59:44,560 --> 00:59:45,439
Speaker 1: in because of the music.

1124
00:59:45,480 --> 00:59:47,800
Speaker 2: People hear y'all music, they feel like they know y'all

1125
00:59:47,840 --> 00:59:49,000
Speaker 2: instantly when they meet y'all.

1126
00:59:49,240 --> 00:59:55,320
Speaker 1: Yeah. Yeah, in most cases it get real awkward. Well,

1127
00:59:55,360 --> 00:59:59,200
Speaker 1: you know, I appreciate it, I value it. But I

1128
00:59:59,240 --> 01:00:03,360
Speaker 1: think sometimes as people get they get so invested in

1129
01:00:03,440 --> 01:00:07,280
Speaker 1: it that they forget that you don't know me. So

1130
01:00:08,880 --> 01:00:10,760
Speaker 1: even like, you know, if you're listening to my music

1131
01:00:10,800 --> 01:00:13,720
Speaker 1: and you listen enough for you to feel like you

1132
01:00:13,840 --> 01:00:17,760
Speaker 1: know me, then one of the first things that should

1133
01:00:17,760 --> 01:00:24,000
Speaker 1: stick out is that I not I'm not welcoming. I

1134
01:00:24,080 --> 01:00:27,840
Speaker 1: guess if that's the word, you know, So what happens,

1135
01:00:28,360 --> 01:00:30,720
Speaker 1: you know, we may be moving around people called I

1136
01:00:30,800 --> 01:00:35,480
Speaker 1: was in the airport yesterday and women walk past said, hey, Chris,

1137
01:00:39,040 --> 01:00:42,520
Speaker 1: I don't even know you, like I love your music,

1138
01:00:42,760 --> 01:00:45,880
Speaker 1: like you love enough to think you could call me Chris.

1139
01:00:46,600 --> 01:00:49,320
Speaker 1: But that's how you know some people, some people be

1140
01:00:49,400 --> 01:00:53,800
Speaker 1: so into it that the line between you know, entertainment

1141
01:00:53,840 --> 01:00:57,800
Speaker 1: and reality is is almost invisible. And again, you know,

1142
01:00:57,880 --> 01:01:06,520
Speaker 1: I appreciate it, uh respected, But I think I think

1143
01:01:06,560 --> 01:01:12,200
Speaker 1: you know, we're aware of it enough and background is

1144
01:01:12,520 --> 01:01:16,720
Speaker 1: pretty much the same, so we make sure to keep

1145
01:01:16,760 --> 01:01:22,480
Speaker 1: the boundaries, uh present, if that makes sense. So you know,

1146
01:01:22,600 --> 01:01:24,560
Speaker 1: you walk up to me and I'm with my kids,

1147
01:01:24,560 --> 01:01:26,880
Speaker 1: I get it. You might not know. You know, I

1148
01:01:26,880 --> 01:01:30,600
Speaker 1: ain't done trip with my kids, So you know, I'll

1149
01:01:31,200 --> 01:01:34,320
Speaker 1: politely tell you. You know, you know this, I ain't ain't

1150
01:01:34,360 --> 01:01:36,960
Speaker 1: doing no pictures or none of that. I got my kids,

1151
01:01:37,200 --> 01:01:39,640
Speaker 1: and you know, some people get it, more people get

1152
01:01:39,640 --> 01:01:43,040
Speaker 1: it now than you previously. But you know, if you

1153
01:01:43,040 --> 01:01:45,520
Speaker 1: don't get it, and so you know, I know that

1154
01:01:45,680 --> 01:01:49,680
Speaker 1: if this go sideways, I ain't really gonna get I

1155
01:01:49,720 --> 01:01:52,120
Speaker 1: ain't gonna interact with it. You know a lot of

1156
01:01:52,160 --> 01:01:54,800
Speaker 1: what's the word, I'm trying my best of diffuse even

1157
01:01:54,840 --> 01:01:56,920
Speaker 1: if all I'm gonna do is walk away. I was

1158
01:01:56,960 --> 01:02:00,640
Speaker 1: in the fucking put putt one time with my whole

1159
01:02:00,680 --> 01:02:05,480
Speaker 1: family and uh, a couple asked for a picture and

1160
01:02:05,520 --> 01:02:07,880
Speaker 1: I was like, you know, you know this, ain't you know?

1161
01:02:07,920 --> 01:02:09,760
Speaker 1: I can't really do that right now with my family.

1162
01:02:10,240 --> 01:02:12,800
Speaker 1: And guy just starts snapping. He was like, man, you

1163
01:02:12,840 --> 01:02:15,400
Speaker 1: Hollywood ask niggas a nigga think he this? He think

1164
01:02:15,440 --> 01:02:23,320
Speaker 1: you that? And I was like, damn no, see, but

1165
01:02:23,440 --> 01:02:26,959
Speaker 1: that's the thing. See earlier I told you I don't

1166
01:02:27,000 --> 01:02:29,480
Speaker 1: play well with us, and.

1167
01:02:30,400 --> 01:02:32,680
Speaker 4: You sound like him when he the.

1168
01:02:32,640 --> 01:02:36,240
Speaker 1: Way my family, the way we was raised is come one,

1169
01:02:36,320 --> 01:02:40,000
Speaker 1: come off, So you don't mind if you four feet

1170
01:02:40,080 --> 01:02:43,000
Speaker 1: or nine feet, you're gonna get everybody's feet on your ass.

1171
01:02:43,680 --> 01:02:45,440
Speaker 1: So you know, but I got my kids, so I

1172
01:02:45,440 --> 01:02:47,920
Speaker 1: got to be a father right now, a role model

1173
01:02:48,040 --> 01:02:50,240
Speaker 1: so to speak. She can hit the fan. When it

1174
01:02:50,360 --> 01:02:53,560
Speaker 1: hit the fan, you vastly out my entire It was

1175
01:02:53,600 --> 01:02:56,720
Speaker 1: thirty of us in there, and that's just how we rock.

1176
01:02:56,840 --> 01:03:00,280
Speaker 1: So if I, if if any physical altercation would have

1177
01:03:00,320 --> 01:03:03,320
Speaker 1: broke out, it would have been the worst case scenario.

1178
01:03:03,880 --> 01:03:07,360
Speaker 1: This ship wasn't gonna end lightly. And no, I gotta

1179
01:03:07,400 --> 01:03:10,080
Speaker 1: think thirty you know, thirty people stumping you out might

1180
01:03:10,160 --> 01:03:13,680
Speaker 1: kill you in him. On top of that, you know,

1181
01:03:13,760 --> 01:03:15,960
Speaker 1: what's the effect that have on our kids? He's a

1182
01:03:15,960 --> 01:03:18,560
Speaker 1: small you know at that time they were small, but

1183
01:03:18,600 --> 01:03:21,360
Speaker 1: he's a small children and you know, there's gonna be

1184
01:03:21,400 --> 01:03:24,280
Speaker 1: complete chaos. They the ship they came to putt put

1185
01:03:24,440 --> 01:03:26,480
Speaker 1: it be at a fucking I don't know what you

1186
01:03:26,560 --> 01:03:29,120
Speaker 1: call it. Was that is that considered an amusement park?

1187
01:03:29,480 --> 01:03:35,800
Speaker 1: What it is they can't have They ain't come, you know,

1188
01:03:36,280 --> 01:03:39,320
Speaker 1: they ain't come to see a brawl. So you know,

1189
01:03:39,360 --> 01:03:42,400
Speaker 1: I gotta you know, I gotta be you know, I

1190
01:03:42,520 --> 01:03:45,600
Speaker 1: have to, I gotta think think about the you know,

1191
01:03:45,640 --> 01:03:48,400
Speaker 1: the consequences of how far it can go. And I

1192
01:03:48,480 --> 01:03:51,480
Speaker 1: get it. You love my music so much that you

1193
01:03:51,560 --> 01:03:53,959
Speaker 1: blurred the line. You don't get it, So I'm gonna

1194
01:03:54,120 --> 01:03:56,440
Speaker 1: excuse you, even though you know, and they're getting louder

1195
01:03:56,480 --> 01:03:59,920
Speaker 1: and louder. I'm like, man, And at this point time,

1196
01:04:00,040 --> 01:04:04,760
Speaker 1: my brother was alive, and my brother is what was was.

1197
01:04:06,520 --> 01:04:10,640
Speaker 1: He was extremely welcome, but it was a facade. He

1198
01:04:10,760 --> 01:04:13,880
Speaker 1: was fake welcome. Like you know, yeah, man, were cool.

1199
01:04:14,480 --> 01:04:17,560
Speaker 1: They plotting to rob you, like twenty minutes as soon

1200
01:04:17,600 --> 01:04:20,480
Speaker 1: as y'all go to whatever the they for the know

1201
01:04:20,640 --> 01:04:23,760
Speaker 1: they're on your ass. So even then, I you know,

1202
01:04:24,400 --> 01:04:27,200
Speaker 1: I got to diffuse him because again the way my

1203
01:04:27,280 --> 01:04:30,080
Speaker 1: family rocked, if he would have set it off, it

1204
01:04:30,080 --> 01:04:31,800
Speaker 1: would have been you know, I wouldn't have been able

1205
01:04:31,840 --> 01:04:34,720
Speaker 1: to diffuse it after that. Ain't no a man, it's

1206
01:04:34,760 --> 01:04:36,800
Speaker 1: a one on one. We don't we don't know what

1207
01:04:36,920 --> 01:04:39,680
Speaker 1: those are. Ship would have gotten.

1208
01:04:40,840 --> 01:04:44,800
Speaker 4: Niggas know now, yeah, I see trip, he got the baby.

1209
01:04:45,520 --> 01:04:49,080
Speaker 1: If I got, you know you ain't got. So you

1210
01:04:49,080 --> 01:04:51,280
Speaker 1: know he ain't. That's severe way. You know, you can't

1211
01:04:51,320 --> 01:04:58,480
Speaker 1: speak or don't do the no and don't get up

1212
01:04:58,480 --> 01:05:01,360
Speaker 1: said with me because I ain't. You know, I'm standing

1213
01:05:01,400 --> 01:05:03,480
Speaker 1: on what I'm standing on and I'm father more them

1214
01:05:03,480 --> 01:05:07,560
Speaker 1: and fun because I think you know what happens when

1215
01:05:07,760 --> 01:05:10,200
Speaker 1: I turn I take all these fucking pictures with you.

1216
01:05:10,720 --> 01:05:12,440
Speaker 1: And now I got to go to the front and

1217
01:05:12,600 --> 01:05:15,000
Speaker 1: had them call due to fucking all call because I

1218
01:05:15,040 --> 01:05:17,720
Speaker 1: can't find one of my goddamn kids. I was taking

1219
01:05:17,720 --> 01:05:23,360
Speaker 1: pictures with joy. Now I'm a bad parents. You know

1220
01:05:23,680 --> 01:05:25,160
Speaker 1: I had to. You know, I got a picture of

1221
01:05:25,200 --> 01:05:27,760
Speaker 1: time and a place for everything, and you know, if

1222
01:05:27,800 --> 01:05:30,960
Speaker 1: I'm in target solo I'm with it. You know, I

1223
01:05:31,080 --> 01:05:32,800
Speaker 1: take as many pictures as you want. She was just

1224
01:05:32,880 --> 01:05:35,000
Speaker 1: at the game. I ain't turn a single picture down

1225
01:05:35,280 --> 01:05:37,840
Speaker 1: when we performed, we know, shit, we will to take

1226
01:05:37,840 --> 01:05:40,560
Speaker 1: a picture with every person that's in there. If I

1227
01:05:40,600 --> 01:05:43,120
Speaker 1: got my kids, we ain't taking not a single picture.

1228
01:05:43,160 --> 01:05:47,320
Speaker 1: And I don't I don't agree with the idea of

1229
01:05:47,400 --> 01:05:50,360
Speaker 1: my kids being famous until that's you know, until they

1230
01:05:50,400 --> 01:05:53,000
Speaker 1: old enough to make the decision for themselves. So I

1231
01:05:53,000 --> 01:05:54,840
Speaker 1: ain't for to sit here and let you take pictures

1232
01:05:54,840 --> 01:05:57,160
Speaker 1: of me and my family or you know, you got

1233
01:05:57,240 --> 01:05:59,720
Speaker 1: videos of me. And you know, if you you know

1234
01:06:00,240 --> 01:06:01,880
Speaker 1: with me in any sort you check my ship. My

1235
01:06:01,960 --> 01:06:05,680
Speaker 1: kids ain't all over my social media. And I feel like,

1236
01:06:06,880 --> 01:06:09,280
Speaker 1: I think it's a very thin line between that ship

1237
01:06:09,360 --> 01:06:12,280
Speaker 1: being cute and that ship being exploited. And I ain't

1238
01:06:12,280 --> 01:06:14,760
Speaker 1: trying to get no points off my cute kids. And

1239
01:06:14,800 --> 01:06:18,040
Speaker 1: it ain't fucking adorable to me, But dang, what I'm

1240
01:06:18,040 --> 01:06:20,960
Speaker 1: in this for? And I feel like I feel like

1241
01:06:21,000 --> 01:06:24,560
Speaker 1: in some cases, you know, the more you let people

1242
01:06:24,560 --> 01:06:27,720
Speaker 1: blurt the line, no more bleard is gonna get and

1243
01:06:27,840 --> 01:06:30,800
Speaker 1: you know, and that shit make my kids extremely uncomfortable,

1244
01:06:30,840 --> 01:06:33,280
Speaker 1: and people don't get it I was in came my

1245
01:06:33,400 --> 01:06:36,520
Speaker 1: target one day. I have my two oldest kids, and

1246
01:06:37,920 --> 01:06:40,000
Speaker 1: you know, I'm naturally with paranoid because we know we're

1247
01:06:40,000 --> 01:06:42,160
Speaker 1: come from where we come from. So you know, when

1248
01:06:42,160 --> 01:06:44,040
Speaker 1: I come out, I picked this guy standing by this

1249
01:06:44,080 --> 01:06:46,040
Speaker 1: truck and keep staring at me. I'm like, man, you

1250
01:06:46,040 --> 01:06:52,040
Speaker 1: know I had again paranoid. I've already talked my kids.

1251
01:06:52,160 --> 01:06:54,520
Speaker 1: I won't say talking, never been in the scenario. So

1252
01:06:54,520 --> 01:06:57,560
Speaker 1: I've already talked talked to them about what to do

1253
01:06:57,600 --> 01:07:00,480
Speaker 1: with ship. You know, shit go sideways when we out about,

1254
01:07:00,520 --> 01:07:03,520
Speaker 1: and I've explained to them I got enemies I've never

1255
01:07:03,640 --> 01:07:08,520
Speaker 1: met because because I'm successful, that's what success brings. So

1256
01:07:09,040 --> 01:07:11,280
Speaker 1: you know, when I peeped the dude, I keep walking

1257
01:07:11,480 --> 01:07:13,800
Speaker 1: and you know, I'm walking on one side of the

1258
01:07:13,800 --> 01:07:16,320
Speaker 1: parking like he on the other side. So I peep

1259
01:07:16,360 --> 01:07:19,760
Speaker 1: them crossing, So what's up? And I tell my kids

1260
01:07:19,760 --> 01:07:22,520
Speaker 1: to keep going, you know, because if something happened, I

1261
01:07:22,560 --> 01:07:25,520
Speaker 1: preferred them to be away from right here. He was like, man,

1262
01:07:26,040 --> 01:07:28,120
Speaker 1: I've been circling the park I saw you go in.

1263
01:07:28,200 --> 01:07:31,080
Speaker 1: I've been circling the parking lot until you came out. Man,

1264
01:07:31,160 --> 01:07:33,200
Speaker 1: fuck with your music so much he was a fan.

1265
01:07:34,080 --> 01:07:35,959
Speaker 1: I was like, man, you know how weird that sound?

1266
01:07:36,080 --> 01:07:38,120
Speaker 1: You circled the parkam lit. I'm like, in real time,

1267
01:07:38,640 --> 01:07:41,120
Speaker 1: I don't know who you are. Like, I appreciate the love,

1268
01:07:41,160 --> 01:07:44,240
Speaker 1: I really do. I'm like, man, you know, while I

1269
01:07:44,280 --> 01:07:46,320
Speaker 1: was saying that, he looked at my kids, and my

1270
01:07:46,400 --> 01:07:48,880
Speaker 1: kids was like this. He was like, damn, man, I

1271
01:07:48,920 --> 01:07:51,880
Speaker 1: ain't think about that. You know, I fanned out, and

1272
01:07:52,160 --> 01:07:54,120
Speaker 1: you know I ain't peep. I just made your whole

1273
01:07:54,680 --> 01:07:56,240
Speaker 1: whole family. But you know, I mean you and your

1274
01:07:56,240 --> 01:08:00,040
Speaker 1: family uncomfortable. He was apologizing to them and shit, and

1275
01:08:00,040 --> 01:08:02,920
Speaker 1: and when I got in the truck, I asked my kids,

1276
01:08:03,800 --> 01:08:07,360
Speaker 1: y'all good. And it was crazy because they, like I said,

1277
01:08:07,360 --> 01:08:10,640
Speaker 1: I'm paranoid naturally, and I ain't know that that rubbed

1278
01:08:10,680 --> 01:08:12,760
Speaker 1: off on them too. They was like, yeah, Dad, we

1279
01:08:12,840 --> 01:08:15,080
Speaker 1: seen him as soon as we walked out. We seen

1280
01:08:15,160 --> 01:08:18,200
Speaker 1: him staring at you. So they never stopped paying attention

1281
01:08:18,280 --> 01:08:20,519
Speaker 1: to him. And I told them to go to the truck.

1282
01:08:20,560 --> 01:08:25,320
Speaker 1: When he stepped over, and when he pointed to my left,

1283
01:08:25,320 --> 01:08:27,360
Speaker 1: that's when I realized they only moved like two or

1284
01:08:27,360 --> 01:08:29,240
Speaker 1: three cars down. They didn't go all the way to

1285
01:08:29,320 --> 01:08:31,000
Speaker 1: the truck. But that's because they trying to make sure

1286
01:08:31,000 --> 01:08:33,439
Speaker 1: they see what's going on. But I saw all that.

1287
01:08:33,479 --> 01:08:36,960
Speaker 1: You say, you know, if you running to me and

1288
01:08:37,200 --> 01:08:57,320
Speaker 1: with my kids, you know, tone it down, you look good.

1289
01:08:57,640 --> 01:09:06,559
Speaker 1: You know, sometimes it should just go too.

1290
01:09:06,439 --> 01:09:07,000
Speaker 2: Far, man.

1291
01:09:07,520 --> 01:09:08,720
Speaker 4: And what's that feeling like?

1292
01:09:08,800 --> 01:09:12,000
Speaker 1: Man? When people wrap y'all, y'all, y'all, perform y'all something.

1293
01:09:12,040 --> 01:09:14,719
Speaker 2: But you can see the crowd wrapping every word for word,

1294
01:09:15,240 --> 01:09:17,800
Speaker 2: Like I play basketball, so you know, you see people

1295
01:09:17,840 --> 01:09:20,640
Speaker 2: fan out, they cheerful, you like your stuff, they have

1296
01:09:20,720 --> 01:09:23,760
Speaker 2: your jersey on or whatever. But somebody wrapping something you

1297
01:09:23,800 --> 01:09:26,840
Speaker 2: wrote word for word, bar for bory. What's that like?

1298
01:09:32,040 --> 01:09:35,280
Speaker 5: It's it's a real and it's it's still as surreal

1299
01:09:35,320 --> 01:09:36,599
Speaker 5: as the first time.

1300
01:09:38,200 --> 01:09:41,320
Speaker 1: It would probably why I could imagine it would be

1301
01:09:42,280 --> 01:09:47,120
Speaker 1: it would feel the same way it would feel when

1302
01:09:47,160 --> 01:09:50,240
Speaker 1: you when you leaving the game or any time in

1303
01:09:50,280 --> 01:09:54,920
Speaker 1: life when somebody got like a basketball called to you.

1304
01:09:55,040 --> 01:09:59,640
Speaker 2: Nah, that's different though, because people buy basketball cars or

1305
01:09:59,640 --> 01:10:00,599
Speaker 2: sell them. Yeah.

1306
01:10:00,680 --> 01:10:03,000
Speaker 1: I don't about that part.

1307
01:10:03,600 --> 01:10:04,800
Speaker 4: I can't. I can't see me.

1308
01:10:07,760 --> 01:10:11,240
Speaker 1: I think that ship is you for it, you know,

1309
01:10:12,720 --> 01:10:15,080
Speaker 1: I don't know, it's I don't know a better way

1310
01:10:15,160 --> 01:10:19,600
Speaker 1: to explain it. I think I think that ship, you know,

1311
01:10:19,960 --> 01:10:22,519
Speaker 1: it's a special feeling. Yeah, I ain't.

1312
01:10:23,320 --> 01:10:27,240
Speaker 5: I ain't never like imagine like none of this for myself.

1313
01:10:27,439 --> 01:10:30,200
Speaker 5: Like you said he was listening to the street Ball

1314
01:10:30,360 --> 01:10:34,639
Speaker 5: song like I was. I woner who said that should

1315
01:10:34,640 --> 01:10:38,080
Speaker 5: have sided want to wrap just on some cool ship

1316
01:10:38,280 --> 01:10:41,160
Speaker 5: or or you know, trying to make some money, trying

1317
01:10:41,160 --> 01:10:41,599
Speaker 5: to get the.

1318
01:10:41,560 --> 01:10:43,360
Speaker 1: Girls, whatever it was at that time.

1319
01:10:43,560 --> 01:10:48,559
Speaker 5: Like, I ain't never like expect or you know, look

1320
01:10:48,640 --> 01:10:52,240
Speaker 5: at it as being like embraced, well received. Like I

1321
01:10:52,320 --> 01:10:55,680
Speaker 5: remember the first time somebody I didn't know telling me

1322
01:10:55,760 --> 01:10:58,080
Speaker 5: I was cold, you know what I'm saying, and that

1323
01:10:58,080 --> 01:11:00,479
Speaker 5: that meant so much more just truthfully, and like my

1324
01:11:00,720 --> 01:11:02,840
Speaker 5: friends and peers people that I was only they could

1325
01:11:02,920 --> 01:11:05,840
Speaker 5: just say that it because I'm like, I'm on the

1326
01:11:05,880 --> 01:11:09,280
Speaker 5: other side of town and these these dudes don't know me,

1327
01:11:09,479 --> 01:11:11,400
Speaker 5: or I'm you know, I'm up at TSU in a

1328
01:11:11,560 --> 01:11:14,960
Speaker 5: parking lot like and a cipher just wrapping a cappella,

1329
01:11:15,080 --> 01:11:17,640
Speaker 5: and people like or the next day, people.

1330
01:11:17,479 --> 01:11:18,720
Speaker 1: Like, man wrap some of us.

1331
01:11:18,880 --> 01:11:21,760
Speaker 5: I'm telling my homeboy about you, and it's like, you know,

1332
01:11:21,920 --> 01:11:23,960
Speaker 5: so the level up from there to like you said

1333
01:11:24,040 --> 01:11:26,880
Speaker 5: something that I wrote down something I put together composed,

1334
01:11:26,960 --> 01:11:31,360
Speaker 5: and I'm four or five hours working home, or I'm

1335
01:11:31,520 --> 01:11:33,760
Speaker 5: ten hours work from home, or we're on the tour

1336
01:11:33,840 --> 01:11:36,400
Speaker 5: and it's like night or night or just just period

1337
01:11:36,439 --> 01:11:39,760
Speaker 5: even like the new music just being received, but like

1338
01:11:39,840 --> 01:11:43,120
Speaker 5: you said, seeing people really rocking out to it and

1339
01:11:43,160 --> 01:11:44,599
Speaker 5: it's like like it's day song.

1340
01:11:45,120 --> 01:11:48,439
Speaker 2: Yeah, like damn like cause, I mean, it's a special feeling.

1341
01:11:49,479 --> 01:11:53,679
Speaker 1: I always wanted to ask this question, especially for y'all, where.

1342
01:11:53,479 --> 01:11:55,040
Speaker 2: Do you get more joy in making the music or

1343
01:11:55,040 --> 01:11:56,760
Speaker 2: actually getting able to perform and to share with.

1344
01:11:56,720 --> 01:12:01,000
Speaker 5: People, Like it's like even for me is like fifty

1345
01:12:01,040 --> 01:12:04,880
Speaker 5: to fifty. I think making the music sometimes I was

1346
01:12:04,960 --> 01:12:09,080
Speaker 5: like therapy. And then to the last question, when it's

1347
01:12:09,400 --> 01:12:12,439
Speaker 5: received well and it's appreciated, like it's a whole another

1348
01:12:12,520 --> 01:12:15,760
Speaker 5: high to share it or like yeah, we might have

1349
01:12:15,840 --> 01:12:18,840
Speaker 5: made music a month or two prior or over the

1350
01:12:18,880 --> 01:12:21,160
Speaker 5: course of time, but like at the time I'm putting

1351
01:12:21,200 --> 01:12:23,840
Speaker 5: it out, I'm almost like enjoying it all over again

1352
01:12:24,120 --> 01:12:26,719
Speaker 5: the other people listening to it in real time.

1353
01:12:26,840 --> 01:12:30,400
Speaker 4: But that that feedback, that reception, Like.

1354
01:12:32,400 --> 01:12:35,960
Speaker 5: The last question that kind of skipped over of how

1355
01:12:35,960 --> 01:12:39,360
Speaker 5: do you balance like giving so much personally to people

1356
01:12:39,360 --> 01:12:42,400
Speaker 5: feel like they know you. That's the give and type

1357
01:12:42,439 --> 01:12:45,559
Speaker 5: of that. It was like for me, my music is

1358
01:12:46,760 --> 01:12:50,200
Speaker 5: my personality. My music is like I'm this is all

1359
01:12:50,280 --> 01:12:52,920
Speaker 5: I know how to be. You know, once I tapped

1360
01:12:52,920 --> 01:12:54,640
Speaker 5: into that, once I got out of like trying to

1361
01:12:54,640 --> 01:12:57,840
Speaker 5: work within the system, like I just went with I

1362
01:12:57,920 --> 01:13:00,839
Speaker 5: don't be the best me and be the best for myself.

1363
01:13:00,880 --> 01:13:03,920
Speaker 2: So people taking it that, it's like I don't really

1364
01:13:03,960 --> 01:13:04,720
Speaker 2: get no better than that.

1365
01:13:04,760 --> 01:13:07,240
Speaker 5: I don't have to put none on that the good, bad, happy,

1366
01:13:07,280 --> 01:13:11,240
Speaker 5: say in between. Because the crazy part is people tend

1367
01:13:11,360 --> 01:13:14,320
Speaker 5: to like gravitate toward the darkest.

1368
01:13:14,080 --> 01:13:15,000
Speaker 1: The most extreme.

1369
01:13:15,160 --> 01:13:18,320
Speaker 2: So you know what I'm saying, I made music that

1370
01:13:18,720 --> 01:13:20,799
Speaker 2: for me, I might have been crying on it inside

1371
01:13:21,000 --> 01:13:24,719
Speaker 2: making it, but somebody else like, man, this changed my life,

1372
01:13:24,760 --> 01:13:27,120
Speaker 2: this got me through this, or like it was right

1373
01:13:27,200 --> 01:13:28,080
Speaker 2: with my life right there.

1374
01:13:28,439 --> 01:13:31,000
Speaker 5: Damn I was right in my life. But the fact

1375
01:13:31,040 --> 01:13:33,679
Speaker 5: that they had that effect on you, like it keep

1376
01:13:33,720 --> 01:13:35,120
Speaker 5: me doing it. You know what I'm saying. Let me

1377
01:13:35,160 --> 01:13:36,519
Speaker 5: know I ain't doing it for nothing.

1378
01:13:37,280 --> 01:13:40,439
Speaker 1: I said, it's saying I think I think the joy

1379
01:13:40,520 --> 01:13:45,160
Speaker 1: come from I don't get joy out of creating the music.

1380
01:13:45,280 --> 01:13:48,640
Speaker 1: But like you said, creating it is the therapy for me.

1381
01:13:50,960 --> 01:13:57,040
Speaker 1: Creating the songs keep me from from the creating the song,

1382
01:13:57,160 --> 01:13:59,280
Speaker 1: keep me from doing other ship. I just say that.

1383
01:14:00,760 --> 01:14:03,479
Speaker 1: I think the you know, the creating process is more

1384
01:14:03,600 --> 01:14:08,000
Speaker 1: like the release. And then you know, the joy comes

1385
01:14:08,000 --> 01:14:12,000
Speaker 1: from another person being able to relate to something they

1386
01:14:12,120 --> 01:14:14,960
Speaker 1: wasn't president for if that makes sense, you know, to

1387
01:14:15,200 --> 01:14:17,040
Speaker 1: meet me and say you went through so and so,

1388
01:14:17,040 --> 01:14:19,640
Speaker 1: so and so, because when I'm making the record, I

1389
01:14:19,640 --> 01:14:21,439
Speaker 1: ain't thinking about what you're going through, Like you said,

1390
01:14:21,439 --> 01:14:24,320
Speaker 1: I'm thinking about what I'm going through, and I think

1391
01:14:24,360 --> 01:14:26,400
Speaker 1: that's refreshing for all people to know you ain't the

1392
01:14:26,400 --> 01:14:30,559
Speaker 1: only one in that certain battle, whatever that battle is.

1393
01:14:31,400 --> 01:14:34,080
Speaker 1: So you know, I think for the most part, the

1394
01:14:34,200 --> 01:14:38,639
Speaker 1: joy come from, you know, receipting from from meeting people

1395
01:14:38,680 --> 01:14:39,920
Speaker 1: that received the music.

1396
01:14:40,760 --> 01:14:43,160
Speaker 5: Even when you said, like the wrestling stuff or like

1397
01:14:43,240 --> 01:14:46,879
Speaker 5: generational stuff, like a lot of music is a time capsule.

1398
01:14:47,240 --> 01:14:50,800
Speaker 5: So it's just speaking from this the era. This is

1399
01:14:50,800 --> 01:14:53,559
Speaker 5: a generation we grew up in. Like it's music that's

1400
01:14:53,560 --> 01:14:55,920
Speaker 5: made today that I just don't get. I don't understand

1401
01:14:55,960 --> 01:14:56,280
Speaker 5: because I.

1402
01:14:58,600 --> 01:15:00,960
Speaker 2: Grow up like you know, saying you'll not be trying

1403
01:15:01,000 --> 01:15:02,840
Speaker 2: to put us off you're trying to put us on

1404
01:15:02,920 --> 01:15:03,320
Speaker 2: every day.

1405
01:15:03,360 --> 01:15:04,720
Speaker 1: I just can't get with it about them.

1406
01:15:05,120 --> 01:15:08,879
Speaker 2: But like it's still to say, it's still somebody speaking

1407
01:15:08,960 --> 01:15:12,160
Speaker 2: for us or speaking the language that we understand, because

1408
01:15:12,439 --> 01:15:14,880
Speaker 2: a lot of my favorite artists that I came up

1409
01:15:14,920 --> 01:15:17,400
Speaker 2: on don't do it for me anymore. Like you know

1410
01:15:17,400 --> 01:15:20,439
Speaker 2: what I'm saying the same when.

1411
01:15:20,240 --> 01:15:22,800
Speaker 5: They making music present day, they trying to keep up

1412
01:15:22,840 --> 01:15:25,960
Speaker 5: with a new wave, and it's like, man, just give

1413
01:15:25,960 --> 01:15:28,480
Speaker 5: it to me straight the way that you are.

1414
01:15:29,240 --> 01:15:32,639
Speaker 2: And so that's that's just something that we tap into.

1415
01:15:32,880 --> 01:15:36,519
Speaker 5: Like even even the project Dude, well, I don't know

1416
01:15:36,560 --> 01:15:37,799
Speaker 5: if y'all gonna ask about.

1417
01:15:37,560 --> 01:15:40,400
Speaker 1: It, it was gonna don't worry about it.

1418
01:15:40,479 --> 01:15:44,240
Speaker 2: Yeah, But I mean, it's it's like speaking a language

1419
01:15:44,280 --> 01:15:48,280
Speaker 2: that if it's if you know, you know that people

1420
01:15:48,320 --> 01:15:50,080
Speaker 2: that relate to it can understand.

1421
01:15:51,400 --> 01:15:52,400
Speaker 4: It's like a sweet spot.

1422
01:15:52,920 --> 01:15:54,040
Speaker 1: Man, Let's get straight to it.

1423
01:15:54,080 --> 01:15:56,679
Speaker 2: Man, it's very hard to make projects with the same

1424
01:15:56,800 --> 01:15:58,759
Speaker 2: name and they are still great y'all.

1425
01:15:58,800 --> 01:16:00,840
Speaker 1: On the fourth version of this man new Step Brothers

1426
01:16:00,840 --> 01:16:04,920
Speaker 1: on the Way Man, indeed, indeed, indeed by your baby

1427
01:16:05,040 --> 01:16:06,080
Speaker 1: getting dated away.

1428
01:16:06,439 --> 01:16:09,400
Speaker 2: Yeah, we came here really to drop the day it's

1429
01:16:09,400 --> 01:16:12,800
Speaker 2: gonna drop it on fire twenty uh may knife step

1430
01:16:12,840 --> 01:16:13,960
Speaker 2: Brothers for Life.

1431
01:16:13,800 --> 01:16:15,839
Speaker 1: And we're getting the drop.

1432
01:16:17,120 --> 01:16:19,640
Speaker 2: Stay Brothers for life. Can I ask you this? Yeah,

1433
01:16:19,680 --> 01:16:23,320
Speaker 2: I'm married. I know you're married to Are you still

1434
01:16:23,560 --> 01:16:23,800
Speaker 2: you're not.

1435
01:16:34,000 --> 01:16:38,320
Speaker 1: Off for the purpose like that? I'm very too well.

1436
01:16:40,640 --> 01:16:42,880
Speaker 2: Leave it up my wife.

1437
01:16:43,800 --> 01:16:56,559
Speaker 1: Yeah kind of ship start you started, brother to stop

1438
01:16:56,640 --> 01:16:57,320
Speaker 1: you in your track?

1439
01:16:57,960 --> 01:17:05,920
Speaker 2: Start said Brothers three? Off with that perform that's don't

1440
01:17:05,960 --> 01:17:10,760
Speaker 2: say that line, no more respect actually sensors. So I

1441
01:17:10,800 --> 01:17:11,640
Speaker 2: had to say it for him.

1442
01:17:13,680 --> 01:17:16,599
Speaker 1: We'll let you'll figure that out. How to be responsible.

1443
01:17:23,760 --> 01:17:25,800
Speaker 2: For man? But listen, man, you're blessed us somebody you

1444
01:17:25,920 --> 01:17:27,760
Speaker 2: for it. Man with made the decision y'all to spend

1445
01:17:27,800 --> 01:17:28,639
Speaker 2: it black. Just talk.

1446
01:17:29,640 --> 01:17:37,280
Speaker 1: See, I think we ain't never were never not in

1447
01:17:39,080 --> 01:17:41,760
Speaker 1: I don't know how you will put that to the

1448
01:17:41,880 --> 01:17:44,840
Speaker 1: audience or to the people who listen to our music.

1449
01:17:44,960 --> 01:17:49,120
Speaker 1: You'd assume that in between step Brothers three and now

1450
01:17:49,760 --> 01:17:54,320
Speaker 1: that you know, we ain't a group or tandem. I

1451
01:17:54,320 --> 01:17:56,280
Speaker 1: don't know how you look at it. I understand why

1452
01:17:56,320 --> 01:18:00,320
Speaker 1: people think that in real life, in between that we

1453
01:18:00,360 --> 01:18:03,160
Speaker 1: ain't miss a beat like he was in the witding,

1454
01:18:03,960 --> 01:18:06,920
Speaker 1: We like we know each other, were around each other,

1455
01:18:07,040 --> 01:18:10,680
Speaker 1: We talked to each other. We have an actual relationship.

1456
01:18:10,680 --> 01:18:15,760
Speaker 1: It's not just music. And even with music, like if

1457
01:18:15,920 --> 01:18:18,280
Speaker 1: I'm sure somebody's going to go and do it, if

1458
01:18:18,280 --> 01:18:21,640
Speaker 1: you said and counted all the records we've done in between.

1459
01:18:21,640 --> 01:18:27,120
Speaker 2: Don't worry about He just asks this this morning. He

1460
01:18:27,320 --> 01:18:29,559
Speaker 2: was like, besides, step brother, know how many songs you

1461
01:18:29,560 --> 01:18:31,760
Speaker 2: think they actually on each other's album all the time.

1462
01:18:34,520 --> 01:18:36,920
Speaker 1: You couldn't count. Okay, but you get what I'm saying

1463
01:18:37,280 --> 01:18:42,800
Speaker 1: that our relationship was never contingent on us being the group.

1464
01:18:43,000 --> 01:18:45,519
Speaker 1: When we met, we was two solo artists. So we

1465
01:18:45,680 --> 01:18:49,360
Speaker 1: just worked so well with each other that we never

1466
01:18:49,439 --> 01:18:53,880
Speaker 1: really it don't feel like work. So at some point

1467
01:18:54,720 --> 01:18:57,120
Speaker 1: he good with timeline. I don't know how long it's been.

1468
01:18:57,840 --> 01:19:01,599
Speaker 1: So at some point, you know, people keep asking about

1469
01:19:01,600 --> 01:19:05,080
Speaker 1: step brother's foe, step brother's foe, and I was like,

1470
01:19:05,200 --> 01:19:07,479
Speaker 1: you know, ship, we'll get to it when we get

1471
01:19:07,520 --> 01:19:09,840
Speaker 1: to it. And somebody, so I think it might have

1472
01:19:09,880 --> 01:19:11,519
Speaker 1: been him. How long it's been.

1473
01:19:11,880 --> 01:19:17,439
Speaker 5: For years and years and eleven.

1474
01:19:17,280 --> 01:19:20,479
Speaker 1: When he did that ship, I was like, oh, that

1475
01:19:20,560 --> 01:19:26,240
Speaker 1: makes sense. Then people assume no step brothers folks. Yeah,

1476
01:19:26,280 --> 01:19:27,559
Speaker 1: but it's just been life.

1477
01:19:27,840 --> 01:19:30,840
Speaker 5: Yeah, and that's I mean, the iron all the album

1478
01:19:30,840 --> 01:19:34,960
Speaker 5: being called step Brothers for Life, is we really you know,

1479
01:19:35,160 --> 01:19:38,280
Speaker 5: really thugging it out, We really living this and it's

1480
01:19:38,520 --> 01:19:42,640
Speaker 5: our music is transparent. Our music is full disclosure if

1481
01:19:42,640 --> 01:19:45,280
Speaker 5: you will. But like you just said, every step of

1482
01:19:45,320 --> 01:19:48,920
Speaker 5: the way we've been and when we've been at birthday parties,

1483
01:19:49,320 --> 01:19:53,479
Speaker 5: funerals for his work, like like every highs and lows,

1484
01:19:54,120 --> 01:19:57,960
Speaker 5: and we actually truthfully like on the ground that much

1485
01:19:58,000 --> 01:20:00,679
Speaker 5: closer in the time between Step Brothers three and now.

1486
01:20:01,120 --> 01:20:03,559
Speaker 5: So I don't I don't think it's felt like eight

1487
01:20:03,640 --> 01:20:06,280
Speaker 5: years for us because it was going through everything every

1488
01:20:06,320 --> 01:20:08,920
Speaker 5: step of the way to get here. But I also

1489
01:20:09,040 --> 01:20:12,240
Speaker 5: think it's like perfect time in divine time. And the

1490
01:20:12,320 --> 01:20:15,360
Speaker 5: original plan we dropped three was to drop again that.

1491
01:20:15,479 --> 01:20:17,599
Speaker 1: Year, you know what I'm saying. Yeah, he said it,

1492
01:20:17,680 --> 01:20:21,040
Speaker 1: and people never let us forget it.

1493
01:20:22,640 --> 01:20:26,320
Speaker 2: Like life happened. Yeah, you know, just I mean we

1494
01:20:26,439 --> 01:20:27,519
Speaker 2: got to r.

1495
01:20:29,360 --> 01:20:30,960
Speaker 1: Real tricky a way.

1496
01:20:31,240 --> 01:20:31,439
Speaker 2: You know.

1497
01:20:31,640 --> 01:20:36,679
Speaker 1: I think I think right now we're in the space

1498
01:20:37,120 --> 01:20:42,840
Speaker 1: or in a in a accessible enough space for us

1499
01:20:42,840 --> 01:20:45,240
Speaker 1: to sit down and like I said earlier, we do

1500
01:20:45,360 --> 01:20:49,439
Speaker 1: all the Step Brothers records in person, email and that ship.

1501
01:20:49,760 --> 01:20:53,160
Speaker 4: Yeah, we never sent a song over for nothing.

1502
01:20:53,160 --> 01:20:57,559
Speaker 1: That's every step Brother's tape was recorded in person. And

1503
01:20:58,600 --> 01:20:59,439
Speaker 1: how long those take?

1504
01:21:00,080 --> 01:21:03,000
Speaker 5: How long does it take? Yeah, like the process if

1505
01:21:03,000 --> 01:21:05,840
Speaker 5: you had the first one we did in three sessions.

1506
01:21:06,360 --> 01:21:11,040
Speaker 1: Damn. The second one, I don't know, it wasn't that.

1507
01:21:11,479 --> 01:21:11,959
Speaker 2: Yeah.

1508
01:21:11,760 --> 01:21:14,800
Speaker 5: The second one we started around the time of that

1509
01:21:15,000 --> 01:21:19,320
Speaker 5: session with Kevin Gates, which was like early twenty thirteen,

1510
01:21:19,640 --> 01:21:24,280
Speaker 5: and we finished it like early summer by the time.

1511
01:21:25,160 --> 01:21:27,559
Speaker 1: Is that the one we did the mixtape for two.

1512
01:21:27,520 --> 01:21:31,639
Speaker 4: Nah, that was three, but it was it wasn't three sessions.

1513
01:21:31,680 --> 01:21:34,599
Speaker 5: It wasn't quite as fast as the first one, but

1514
01:21:35,320 --> 01:21:37,600
Speaker 5: we just would link out of town and it was

1515
01:21:37,640 --> 01:21:40,080
Speaker 5: going to Atlanta a lot and just getting in the

1516
01:21:40,200 --> 01:21:41,519
Speaker 5: last it wasn't many sessions.

1517
01:21:42,200 --> 01:21:45,719
Speaker 2: And the last one same thing. We just get together.

1518
01:21:45,720 --> 01:21:49,080
Speaker 5: We did like an ep a short mix tape and

1519
01:21:49,200 --> 01:21:51,280
Speaker 5: the album at the same time. And that was over

1520
01:21:51,320 --> 01:21:53,560
Speaker 5: the course of like really the majority of it in

1521
01:21:53,560 --> 01:21:57,519
Speaker 5: about two months two months time, maybe five or six sessions.

1522
01:21:57,600 --> 01:22:02,040
Speaker 5: And with this one, we we've gotten with maybe four

1523
01:22:02,120 --> 01:22:06,200
Speaker 5: or five sessions and got the majority of it together

1524
01:22:06,760 --> 01:22:09,479
Speaker 5: just I mean, even our last session we did four

1525
01:22:09,560 --> 01:22:14,160
Speaker 5: songs in one session, just not even.

1526
01:22:14,000 --> 01:22:16,040
Speaker 2: Really thinking about it. But in that time between, like

1527
01:22:16,080 --> 01:22:18,880
Speaker 2: we had sessions where we ain't even probably play no beats.

1528
01:22:18,880 --> 01:22:21,360
Speaker 2: We just sat in there chopping it like this, look

1529
01:22:21,439 --> 01:22:24,040
Speaker 2: up and everybody tired, and we're just going our way

1530
01:22:24,080 --> 01:22:28,960
Speaker 2: because it just might be necessary as homeboys just to talk,

1531
01:22:29,320 --> 01:22:31,160
Speaker 2: you know what I'm saying, and them conversations that won't

1532
01:22:31,160 --> 01:22:32,439
Speaker 2: make the best records anyway.

1533
01:22:33,040 --> 01:22:36,559
Speaker 1: Yeah, it turns it into the art, But we don't

1534
01:22:36,640 --> 01:22:40,360
Speaker 1: really like you know, like I said, you know, that's

1535
01:22:40,400 --> 01:22:44,960
Speaker 1: my brother. So we on no schedule, so to speak.

1536
01:22:45,520 --> 01:22:47,439
Speaker 1: So when we when we do go win of course,

1537
01:22:47,439 --> 01:22:50,479
Speaker 1: you know, when we booking time, we keep that in

1538
01:22:50,560 --> 01:22:54,280
Speaker 1: mind that you know, we got paid into whatever, but

1539
01:22:54,360 --> 01:22:55,960
Speaker 1: we don't really you know, I don't know. It don't

1540
01:22:55,960 --> 01:22:58,479
Speaker 1: feel like work, so I don't much keep up with.

1541
01:22:58,520 --> 01:23:01,720
Speaker 1: It just happens how we have and we don't do

1542
01:23:01,840 --> 01:23:05,000
Speaker 1: the you know, like when you're sitting saying, man, we

1543
01:23:05,080 --> 01:23:07,760
Speaker 1: got to come up with a fucking single or catch

1544
01:23:07,800 --> 01:23:09,600
Speaker 1: it this or whatever. The fuck. We ain't in no

1545
01:23:09,640 --> 01:23:12,080
Speaker 1: none of that. We go and whatever happens when we

1546
01:23:12,080 --> 01:23:14,240
Speaker 1: were in there, and it happens, and that's what we

1547
01:23:14,320 --> 01:23:17,720
Speaker 1: go with, and so far, that's what our careers have

1548
01:23:17,840 --> 01:23:20,919
Speaker 1: been based off you know, us individually and as a tandem.

1549
01:23:20,920 --> 01:23:23,920
Speaker 1: It's this has worked because we've been who we really are.

1550
01:23:24,400 --> 01:23:26,519
Speaker 1: And you know, it don't make no sense to try

1551
01:23:26,600 --> 01:23:27,360
Speaker 1: reading at the wheel.

1552
01:23:27,400 --> 01:23:30,800
Speaker 2: Now. I'm just trying to think, like y'all don't I

1553
01:23:30,960 --> 01:23:34,320
Speaker 2: never hear y'all recycle shit, But y'all dropped so much music,

1554
01:23:35,080 --> 01:23:37,960
Speaker 2: Like I ain't gonna lie probably to recycled so much

1555
01:23:37,960 --> 01:23:38,840
Speaker 2: shit and I.

1556
01:23:38,760 --> 01:23:43,280
Speaker 1: Can't remember all this shit. Yeah, you drop thirty six.

1557
01:23:43,120 --> 01:23:47,479
Speaker 3: Albums, Yeah, that's why you do that. Like what what

1558
01:23:47,520 --> 01:23:49,519
Speaker 3: made you just get in the studio? Like, man, I'm

1559
01:23:49,600 --> 01:23:52,080
Speaker 3: dropping twenty five albums in two years.

1560
01:23:52,360 --> 01:23:58,040
Speaker 1: Man, we let people believe that me and him made

1561
01:23:58,080 --> 01:24:01,679
Speaker 1: some kind of bet, but real time because he dropped

1562
01:24:02,360 --> 01:24:08,920
Speaker 1: two times. I said, just dropped. I sat in it

1563
01:24:09,080 --> 01:24:13,200
Speaker 1: and I was in the studio where one of my

1564
01:24:14,120 --> 01:24:18,000
Speaker 1: rap friends he paid passed away U long lived Casino Jiggle.

1565
01:24:18,560 --> 01:24:20,599
Speaker 1: But while I was in the studio, I was working

1566
01:24:20,680 --> 01:24:22,800
Speaker 1: on the record. I was working on the record. Well,

1567
01:24:22,960 --> 01:24:25,639
Speaker 1: I was doing a verse for him, and he was like, man,

1568
01:24:25,640 --> 01:24:29,600
Speaker 1: when you're gonna drop something else? I was like, you know,

1569
01:24:29,640 --> 01:24:31,200
Speaker 1: I just dropped him. He was like, it's been about

1570
01:24:31,240 --> 01:24:33,599
Speaker 1: two years and said what and you know, we said,

1571
01:24:33,640 --> 01:24:37,040
Speaker 1: we do the go through my timeline, and this was

1572
01:24:37,120 --> 01:24:43,400
Speaker 1: like maybe twenty twenty one, and maybe either way, you know,

1573
01:24:43,760 --> 01:24:46,320
Speaker 1: I looked at my last release and him like, damn,

1574
01:24:46,320 --> 01:24:48,880
Speaker 1: you know it has been a minute, and I had

1575
01:24:48,920 --> 01:24:52,840
Speaker 1: no excuse for why I hadn't released. So actually that

1576
01:24:52,840 --> 01:24:54,800
Speaker 1: that kind of spawned the idea of mind, I'm gonna

1577
01:24:54,800 --> 01:24:56,439
Speaker 1: put a tape out, And every time I said I'm

1578
01:24:56,439 --> 01:24:58,600
Speaker 1: put the tape out, I didn't put a tape out.

1579
01:24:58,920 --> 01:25:01,519
Speaker 1: And are you to overthink it? You know, I sit

1580
01:25:01,640 --> 01:25:05,000
Speaker 1: and do fucking forty songs and then pick fifteen songs

1581
01:25:05,400 --> 01:25:07,800
Speaker 1: and then everything else just sit on the hard drive.

1582
01:25:09,280 --> 01:25:11,439
Speaker 1: So at some point I don't really know what it was,

1583
01:25:11,560 --> 01:25:13,880
Speaker 1: but I sat and I'm looking at all these fucking

1584
01:25:13,920 --> 01:25:16,960
Speaker 1: songs on this hard drive. It's just there. Nobody's ever

1585
01:25:17,040 --> 01:25:19,479
Speaker 1: heard any of it, and I said, man, fuck it,

1586
01:25:19,520 --> 01:25:21,920
Speaker 1: I'm gonna put this shit out. Then I thought about

1587
01:25:21,960 --> 01:25:24,759
Speaker 1: it again. I said, no, fuck it, I'm just gonna

1588
01:25:24,920 --> 01:25:27,840
Speaker 1: put everything. Y'all that shit's still on the hard drive.

1589
01:25:28,160 --> 01:25:30,559
Speaker 1: I'm like, you know, fuck this, I'm gonna put every

1590
01:25:30,640 --> 01:25:33,960
Speaker 1: From from that moment forward, I said, every record I

1591
01:25:34,080 --> 01:25:37,040
Speaker 1: record I'm gonna release. They don't much make sense to

1592
01:25:37,040 --> 01:25:40,120
Speaker 1: hold on to it. I ain't I don't have to

1593
01:25:40,200 --> 01:25:43,000
Speaker 1: answer to nobody, so don't much make any sense. And

1594
01:25:43,080 --> 01:25:46,320
Speaker 1: then I'm in my own studio, so I ain't even

1595
01:25:46,400 --> 01:25:48,920
Speaker 1: on no clock. So I said, fuck it, I'm gonna

1596
01:25:48,920 --> 01:25:52,840
Speaker 1: put out everything, and uh, well, the first one, the

1597
01:25:52,840 --> 01:25:56,320
Speaker 1: first tape is eight records. So I told myself I

1598
01:25:56,360 --> 01:25:58,960
Speaker 1: wouldn't ever put something out that's less than eight records.

1599
01:25:58,960 --> 01:26:01,320
Speaker 1: I feel like people do it all the time, and

1600
01:26:01,800 --> 01:26:05,920
Speaker 1: each his own. I felt like that wouldn't be I

1601
01:26:05,920 --> 01:26:09,439
Speaker 1: felt like I'd be doing my audience at disservice to

1602
01:26:09,520 --> 01:26:13,320
Speaker 1: give you less than eight records. So I had no

1603
01:26:13,439 --> 01:26:17,759
Speaker 1: goal you. The end of that month, I called is Distributed.

1604
01:26:17,800 --> 01:26:19,640
Speaker 1: I'm like, you know, hey, I got eight records. I

1605
01:26:19,680 --> 01:26:22,439
Speaker 1: want to put this tape out, so let's do it.

1606
01:26:22,560 --> 01:26:25,080
Speaker 1: I did that. I said, you know, do the same

1607
01:26:25,120 --> 01:26:29,080
Speaker 1: thing and ship. After about four or five of them,

1608
01:26:29,120 --> 01:26:30,880
Speaker 1: I say, you know, I think I can do whole

1609
01:26:30,920 --> 01:26:34,000
Speaker 1: gear work for this ship. They said, yeah, sure, you know.

1610
01:26:34,880 --> 01:26:38,320
Speaker 1: They've heard it all from everybody, So even a distribution

1611
01:26:38,479 --> 01:26:42,080
Speaker 1: company didn't know why I was dead ass serious. So

1612
01:26:42,200 --> 01:26:44,720
Speaker 1: when I did them twelve really on the eleventh one.

1613
01:26:44,840 --> 01:26:48,599
Speaker 1: On the eleventh one, I don't pay attention to the numbers.

1614
01:26:49,280 --> 01:26:51,400
Speaker 1: So you know, they calling me and they telling me

1615
01:26:51,479 --> 01:26:56,120
Speaker 1: how successful the ship was. I said, oh, I can

1616
01:26:56,240 --> 01:27:01,519
Speaker 1: do this with twelve moments. Man. When I started, when

1617
01:27:01,520 --> 01:27:05,160
Speaker 1: I started on that second twelve Oh man, I was

1618
01:27:05,160 --> 01:27:08,400
Speaker 1: so exhausted. When I got to fucking twenty fourth tape,

1619
01:27:08,920 --> 01:27:12,680
Speaker 1: I said, it could the way I my process is

1620
01:27:12,680 --> 01:27:14,879
Speaker 1: different now. I used to be one of those artists

1621
01:27:14,880 --> 01:27:17,559
Speaker 1: always in the studio every day. I record a record

1622
01:27:17,600 --> 01:27:21,760
Speaker 1: every day. Now, throughout the whole twenty four tapes I

1623
01:27:21,880 --> 01:27:25,360
Speaker 1: probably recorded, I probably was in the studio for three

1624
01:27:25,439 --> 01:27:28,639
Speaker 1: days out of every one of those months now, And

1625
01:27:29,000 --> 01:27:31,679
Speaker 1: I mean, Craig can tell you we I don't remember

1626
01:27:31,680 --> 01:27:34,120
Speaker 1: what tape it was that I was in New York

1627
01:27:34,200 --> 01:27:37,519
Speaker 1: doing the press run and man, him was on the phone,

1628
01:27:37,600 --> 01:27:39,360
Speaker 1: was on the phone for a while. We was on

1629
01:27:39,400 --> 01:27:42,280
Speaker 1: the phone, and I want to say, called me about

1630
01:27:42,280 --> 01:27:47,360
Speaker 1: a particular song that he was working on. And throughout

1631
01:27:47,360 --> 01:27:51,480
Speaker 1: the conversation, you know, it really was this particular conversation,

1632
01:27:51,560 --> 01:27:54,479
Speaker 1: I was more an ear than a voice. I'm just

1633
01:27:54,560 --> 01:27:58,760
Speaker 1: listening to him, I'm hearing him out. So at the

1634
01:27:58,880 --> 01:28:02,680
Speaker 1: end of the conversation, I think I was like, you know,

1635
01:28:02,720 --> 01:28:04,720
Speaker 1: I got to call our engineer because I can't get

1636
01:28:04,720 --> 01:28:06,200
Speaker 1: this ship to work like it was to work, like

1637
01:28:06,200 --> 01:28:09,120
Speaker 1: you know, trying to record here in the hotel, and

1638
01:28:09,160 --> 01:28:10,559
Speaker 1: I can't get this ship to work.

1639
01:28:10,640 --> 01:28:10,800
Speaker 2: Right.

1640
01:28:10,880 --> 01:28:15,080
Speaker 1: He said, okay, you know, and he's fully aware of

1641
01:28:15,200 --> 01:28:18,760
Speaker 1: the time frame you have to release music. And it

1642
01:28:18,840 --> 01:28:21,640
Speaker 1: might have been like a Sunday or Monday. We on

1643
01:28:21,680 --> 01:28:24,559
Speaker 1: the phone and he was like, okay. When you dropping

1644
01:28:24,600 --> 01:28:27,680
Speaker 1: him like Friday, You're like, okay, okay, shit, hapn't you

1645
01:28:27,800 --> 01:28:31,040
Speaker 1: got not a single fucking song. I don't have anything.

1646
01:28:31,360 --> 01:28:33,479
Speaker 1: And she's got to be turned in like Tuesday or

1647
01:28:33,520 --> 01:28:36,840
Speaker 1: Wednesday for the shit to really be released. And Craig

1648
01:28:37,000 --> 01:28:40,479
Speaker 1: was like, man, how the fuck you got nothing? I

1649
01:28:40,680 --> 01:28:45,360
Speaker 1: got ship, And you know, by Wednesday I had leased

1650
01:28:45,520 --> 01:28:47,479
Speaker 1: fourteen or twelve songs at least. I don't know how

1651
01:28:47,520 --> 01:28:49,840
Speaker 1: many it went on that tape. I had the whole tape.

1652
01:28:49,920 --> 01:28:53,760
Speaker 5: I don't know, man, Just time's twenty four like he

1653
01:28:53,800 --> 01:28:54,920
Speaker 5: did this twenty four time.

1654
01:28:55,160 --> 01:28:59,160
Speaker 1: Yeah, like, hell, bro, I have no idea, man, I really, like,

1655
01:28:59,200 --> 01:29:02,320
Speaker 1: I said a second, just let whatever happens happens. If

1656
01:29:02,360 --> 01:29:04,840
Speaker 1: you go to each one of those. Every song is

1657
01:29:04,880 --> 01:29:08,120
Speaker 1: probably three hundred some songs. No two songs are the same.

1658
01:29:08,240 --> 01:29:10,680
Speaker 1: I didn't sit and say, you know, I'm gonna do

1659
01:29:10,720 --> 01:29:12,759
Speaker 1: this kind of record or make this kind of song.

1660
01:29:13,360 --> 01:29:17,360
Speaker 1: I cycled through beats and whatever popping my head. That's

1661
01:29:17,360 --> 01:29:19,360
Speaker 1: what I say. That's what I'm saying. With it be

1662
01:29:19,400 --> 01:29:21,719
Speaker 1: in my real life. I don't have to worry about

1663
01:29:21,920 --> 01:29:23,320
Speaker 1: saying something I can't stand on.

1664
01:29:23,680 --> 01:29:27,519
Speaker 2: That's that's amazing to me, Like how y'all can think

1665
01:29:27,560 --> 01:29:29,760
Speaker 2: of this ship like I don't.

1666
01:29:29,960 --> 01:29:31,559
Speaker 1: I can shout out to y'all man.

1667
01:29:33,520 --> 01:29:37,320
Speaker 5: Everybody process is different. And when he was going through that,

1668
01:29:37,680 --> 01:29:39,479
Speaker 5: like at some point he said he was gonna do

1669
01:29:39,520 --> 01:29:42,840
Speaker 5: it for a year, maybe halfway through or through the

1670
01:29:42,840 --> 01:29:46,280
Speaker 5: first year. So I hadn't dropped in like three years.

1671
01:29:46,320 --> 01:29:50,479
Speaker 5: Just I was kind of like fuck and seeing him

1672
01:29:50,520 --> 01:29:52,880
Speaker 5: go through that and conversation was happening because I was,

1673
01:29:52,960 --> 01:29:55,240
Speaker 5: you know, I was on about half of those projects.

1674
01:29:55,600 --> 01:29:57,680
Speaker 5: I kind of worked my way out of out of

1675
01:29:57,720 --> 01:30:00,360
Speaker 5: that rug or that space, and I did I Love

1676
01:30:00,439 --> 01:30:03,160
Speaker 5: Drug album, And it was kind of like at that time,

1677
01:30:03,200 --> 01:30:05,280
Speaker 5: like all right, I'm gonna drop. In December, he had

1678
01:30:05,320 --> 01:30:08,600
Speaker 5: dropped eleven projects already I thought he was about to

1679
01:30:08,600 --> 01:30:11,719
Speaker 5: turn the corner and do step Brothers after that, because

1680
01:30:11,720 --> 01:30:13,599
Speaker 5: he's gonna do the twelve.

1681
01:30:15,040 --> 01:30:17,160
Speaker 2: Yeah, I'm trying to get right and kind of like

1682
01:30:17,560 --> 01:30:20,640
Speaker 2: I got when he did the twelve one and I'm like,

1683
01:30:20,720 --> 01:30:22,320
Speaker 2: all right, what's good? Bro?

1684
01:30:22,400 --> 01:30:24,880
Speaker 1: He was like, I'm about to drop this January. I'm like,

1685
01:30:25,680 --> 01:30:26,639
Speaker 1: you just did twelve.

1686
01:30:26,640 --> 01:30:27,960
Speaker 4: He's like, do it again.

1687
01:30:29,200 --> 01:30:33,759
Speaker 1: You know, look what happened when I did the twelve.

1688
01:30:35,439 --> 01:30:37,960
Speaker 1: People people would cut you know, some people are gonna

1689
01:30:37,960 --> 01:30:40,200
Speaker 1: give you credit, and a lot of people liked to

1690
01:30:40,200 --> 01:30:43,960
Speaker 1: give back hand compliments. So one person to say, man,

1691
01:30:43,960 --> 01:30:46,800
Speaker 1: it's amazing he did twelve records in the year. And

1692
01:30:46,840 --> 01:30:50,880
Speaker 1: then somebody pop up and say, Poos did it first.

1693
01:30:51,120 --> 01:30:55,599
Speaker 1: Then somebody said Currency did it first. I'm like, man,

1694
01:30:55,680 --> 01:30:57,120
Speaker 1: I don't know if they did it or not, but

1695
01:30:57,439 --> 01:31:00,000
Speaker 1: that ain't the point. That's like saying, man about it

1696
01:31:00,080 --> 01:31:03,400
Speaker 1: house and shit. Yeah, but my brother bought one before

1697
01:31:03,439 --> 01:31:07,720
Speaker 1: you that matter. And I never respond to it because

1698
01:31:07,760 --> 01:31:09,760
Speaker 1: I know how quick get and get twisted, and you know,

1699
01:31:10,680 --> 01:31:15,519
Speaker 1: my response could couldn't make Currency turn around and read it,

1700
01:31:15,560 --> 01:31:18,559
Speaker 1: and you know, because naturally you'd be like fuck him.

1701
01:31:18,880 --> 01:31:20,519
Speaker 1: It's I got nothing to do with him. But it's

1702
01:31:20,520 --> 01:31:22,519
Speaker 1: easy for that to be misconstrued. And that's the last

1703
01:31:22,560 --> 01:31:25,280
Speaker 1: thing I want is for somebody to be able to

1704
01:31:25,280 --> 01:31:27,400
Speaker 1: take something I said and turn it into something. I

1705
01:31:27,479 --> 01:31:30,639
Speaker 1: pride myself on what I say, so when I start

1706
01:31:30,720 --> 01:31:33,400
Speaker 1: seeing it, I said, all right, okay, edy time somebody

1707
01:31:33,400 --> 01:31:37,519
Speaker 1: mentioned fucking twelve, y'all got somebody else did it? Showed

1708
01:31:37,520 --> 01:31:41,519
Speaker 1: me somebody done twenty four. Now toil you show me

1709
01:31:41,560 --> 01:31:44,040
Speaker 1: somebody that done twenty four. I don't respect your coming

1710
01:31:44,280 --> 01:31:47,519
Speaker 1: by somebody else did it before I did it. I

1711
01:31:47,560 --> 01:31:49,280
Speaker 1: had to. It was I had I had a point

1712
01:31:49,280 --> 01:31:54,000
Speaker 1: to prove to you for a whole year.

1713
01:31:54,080 --> 01:31:55,799
Speaker 4: Yeah, it was so much music.

1714
01:31:55,960 --> 01:31:57,000
Speaker 1: Like me and Mike.

1715
01:31:57,120 --> 01:31:59,080
Speaker 2: Like I told you we'd be sharing the music. He'd

1716
01:31:59,080 --> 01:32:01,639
Speaker 2: be like, you heard a trip out. I'm like, damn, nigga,

1717
01:32:01,640 --> 01:32:05,360
Speaker 2: I just played it. He's like, now he dropped another.

1718
01:32:05,439 --> 01:32:07,240
Speaker 2: I said, all right, I tripped out. He had lost me.

1719
01:32:07,280 --> 01:32:11,840
Speaker 2: Now say, looks I'm on half of them. When I

1720
01:32:11,840 --> 01:32:12,559
Speaker 2: still call.

1721
01:32:12,560 --> 01:32:16,800
Speaker 1: Over, I was about to say, I think that's the

1722
01:32:16,800 --> 01:32:19,360
Speaker 1: beauty of it. I ain't put all the music out,

1723
01:32:19,880 --> 01:32:22,120
Speaker 1: but I mean it happened. There are people who like

1724
01:32:22,280 --> 01:32:26,400
Speaker 1: listen to every record when it dropped, and I appreciate

1725
01:32:26,479 --> 01:32:31,080
Speaker 1: that well. I also value the person who you know,

1726
01:32:31,160 --> 01:32:34,040
Speaker 1: out of twenty four tapes, they didn't make it past thirteen.

1727
01:32:35,040 --> 01:32:38,479
Speaker 1: That thirteen tape, they was living in that space, and

1728
01:32:38,520 --> 01:32:40,799
Speaker 1: that's that tape speak to him. I had. It happens

1729
01:32:40,840 --> 01:32:44,600
Speaker 1: all the time where people reach out and tell me

1730
01:32:44,600 --> 01:32:47,960
Speaker 1: about old records. They just not hearing this record, like, man,

1731
01:32:48,080 --> 01:32:50,360
Speaker 1: what you said on so and so so and so record? Man,

1732
01:32:50,560 --> 01:32:53,400
Speaker 1: it spoke to me. I had been playing say let's

1733
01:32:53,400 --> 01:32:55,320
Speaker 1: for so long, you know, I was, you know, I

1734
01:32:55,360 --> 01:32:57,720
Speaker 1: was stuck on that and then I heard this new ship. Man,

1735
01:32:57,760 --> 01:33:00,439
Speaker 1: I fuck with it, and I kind of look at

1736
01:33:00,479 --> 01:33:03,479
Speaker 1: that ship like Netflix series and shiit like, you know,

1737
01:33:03,960 --> 01:33:07,320
Speaker 1: you might not be hip to the film or the show.

1738
01:33:07,360 --> 01:33:11,400
Speaker 1: They came out four years ago. Younounced enough of it

1739
01:33:11,479 --> 01:33:14,280
Speaker 1: for you to binge if you want to binge if

1740
01:33:14,320 --> 01:33:16,640
Speaker 1: you know some of us only like what we like,

1741
01:33:16,800 --> 01:33:19,120
Speaker 1: like if shit. I got a playlist right now. It's

1742
01:33:19,160 --> 01:33:21,880
Speaker 1: all R and B and it's probably field. It's probably

1743
01:33:22,720 --> 01:33:25,080
Speaker 1: there might be ten records that's been put out in

1744
01:33:25,280 --> 01:33:28,479
Speaker 1: since twenty twenty that's on this in this playlist. Everything

1745
01:33:28,479 --> 01:33:31,320
Speaker 1: else is from me growing up or you know, whatever

1746
01:33:31,439 --> 01:33:34,519
Speaker 1: time period it was when I heard it. So I

1747
01:33:34,640 --> 01:33:37,560
Speaker 1: understand when people, you know, when they live with the

1748
01:33:37,640 --> 01:33:41,280
Speaker 1: music so tough that they got no no, no ear

1749
01:33:41,360 --> 01:33:43,639
Speaker 1: for anything else. I don't want to hear the newer shit.

1750
01:33:43,960 --> 01:33:45,840
Speaker 1: I want to hear this. This is what I love,

1751
01:33:46,080 --> 01:33:48,200
Speaker 1: you know, this is what drives me. And if they

1752
01:33:48,280 --> 01:33:50,280
Speaker 1: never move on to another record, so be it.

1753
01:33:50,320 --> 01:33:52,360
Speaker 2: I know you.

1754
01:33:53,840 --> 01:33:54,400
Speaker 4: Hold on to it.

1755
01:33:57,320 --> 01:34:00,760
Speaker 2: I think I was good rappers my They all know

1756
01:34:00,800 --> 01:34:04,400
Speaker 2: my wife obviously, but my wife, she don't listen to nothing,

1757
01:34:04,520 --> 01:34:08,639
Speaker 2: really listen to Spanish music and occasionally Little Waye.

1758
01:34:08,880 --> 01:34:11,880
Speaker 1: So she was like your wife Spanish. Yeah, okay.

1759
01:34:11,960 --> 01:34:18,960
Speaker 2: So I was like, that's different, don't start it makes

1760
01:34:18,960 --> 01:34:22,360
Speaker 2: sense now, but she like out of nowhere.

1761
01:34:22,439 --> 01:34:23,120
Speaker 1: I swear to guy.

1762
01:34:23,160 --> 01:34:25,040
Speaker 2: I never talked to her about music because me and

1763
01:34:25,080 --> 01:34:27,599
Speaker 2: her argue about music. And she was like, the startle

1764
01:34:27,880 --> 01:34:46,120
Speaker 2: guy can rap. He's pretty good. I'm like, I swear.

1765
01:34:46,400 --> 01:34:48,519
Speaker 2: I started laughing and she was like what.

1766
01:34:48,680 --> 01:34:50,960
Speaker 1: I was like, you don't know that. She was like, no,

1767
01:34:51,479 --> 01:34:53,759
Speaker 1: I like their voice and she was like trip down trip.

1768
01:34:53,840 --> 01:34:56,559
Speaker 2: I started crying and I was like, I'm gonna tell

1769
01:34:56,600 --> 01:34:57,639
Speaker 2: him that were about the interview.

1770
01:34:57,640 --> 01:35:00,280
Speaker 1: She's like, you about the interview though, right them in

1771
01:35:00,320 --> 01:35:04,240
Speaker 1: the morning, I got I really didn't know where to

1772
01:35:04,640 --> 01:35:11,000
Speaker 1: heard like k.

1773
01:35:13,600 --> 01:35:13,960
Speaker 3: Like that.

1774
01:35:15,560 --> 01:35:20,840
Speaker 1: In the morning, like in the morning, while bro, just

1775
01:35:20,880 --> 01:35:22,000
Speaker 1: you actually.

1776
01:35:24,760 --> 01:35:27,840
Speaker 4: What I saying this is a cool incidence.

1777
01:35:29,800 --> 01:35:38,719
Speaker 1: About to get you. That's really I mean with that. Yeah,

1778
01:35:39,400 --> 01:35:40,360
Speaker 1: that's back to that.

1779
01:35:40,560 --> 01:35:44,240
Speaker 5: Like for for us as artists, I could never like

1780
01:35:44,360 --> 01:35:47,600
Speaker 5: imagine the reach of the music where it's gonna go.

1781
01:35:48,560 --> 01:35:52,240
Speaker 5: I made songs where I would have thought women would

1782
01:35:52,280 --> 01:35:55,000
Speaker 5: have hated me for making a song and they be

1783
01:35:55,040 --> 01:35:57,400
Speaker 5: the one that they take to the one that they love,

1784
01:35:57,720 --> 01:36:01,400
Speaker 5: or you know, I make something so personal, what's so vulnerable,

1785
01:36:01,680 --> 01:36:03,640
Speaker 5: and I'm like, maybe nobody else will be able to

1786
01:36:03,680 --> 01:36:06,559
Speaker 5: feel this because it's just uniquely my own experience and

1787
01:36:06,600 --> 01:36:09,320
Speaker 5: then it's the standout record or whatever.

1788
01:36:09,439 --> 01:36:12,599
Speaker 4: So like, I mean, that's that's what's so I love

1789
01:36:12,640 --> 01:36:13,639
Speaker 4: to know what it was.

1790
01:36:15,280 --> 01:36:19,000
Speaker 1: Me too. I was hell a few.

1791
01:36:19,640 --> 01:36:22,080
Speaker 4: Definitely appreciate your longevity and this ship.

1792
01:36:22,120 --> 01:36:22,280
Speaker 11: Man.

1793
01:36:23,240 --> 01:36:29,400
Speaker 3: Definitely appreciate y'all for pulling up to Yeah, definitely for us.

1794
01:36:29,439 --> 01:36:30,360
Speaker 2: I can't wait for ste.

1795
01:36:32,320 --> 01:36:36,479
Speaker 4: Tap In you got to drop onlub five twenty. We

1796
01:36:36,600 --> 01:36:37,479
Speaker 4: appreciate that.

1797
01:36:37,800 --> 01:36:40,120
Speaker 2: Come on, man, you know we supported up here in

1798
01:36:40,240 --> 01:36:42,479
Speaker 2: may knife tap in sir brothers about life.

1799
01:36:42,800 --> 01:36:45,080
Speaker 1: We appreciate y'all. We're gonna have to do this again. Man,

1800
01:36:45,479 --> 01:36:48,080
Speaker 1: man with it. Man, I ain't you know, I don't

1801
01:36:48,400 --> 01:36:53,160
Speaker 1: much agree to traveling to people.

1802
01:36:53,280 --> 01:36:58,960
Speaker 4: So because you don't get along with nobody, no no

1803
01:37:00,120 --> 01:37:04,600
Speaker 4: for me, my bad for me. I don't know.

1804
01:37:04,960 --> 01:37:09,160
Speaker 1: It always means something to me when when people really,

1805
01:37:09,320 --> 01:37:12,000
Speaker 1: you know, really rock with us. You know, I don't

1806
01:37:12,040 --> 01:37:15,880
Speaker 1: got no you know, I ain't no coach sign. Nobody

1807
01:37:16,120 --> 01:37:18,439
Speaker 1: hit you and say, you know, here's my artist or

1808
01:37:18,479 --> 01:37:21,240
Speaker 1: here's the guy we're working with or whatever. You know,

1809
01:37:21,280 --> 01:37:23,480
Speaker 1: if you fuck with me, you fuck with me genuinely

1810
01:37:23,520 --> 01:37:28,559
Speaker 1: because of me. You know that ship I I couldn't

1811
01:37:28,600 --> 01:37:31,559
Speaker 1: go without showing my appreciation back.

1812
01:37:31,600 --> 01:37:33,040
Speaker 4: So love bro.

1813
01:37:33,680 --> 01:37:34,800
Speaker 1: I was like, ship, let's do it.

1814
01:37:34,840 --> 01:37:35,280
Speaker 2: I'm with it.

1815
01:37:35,720 --> 01:37:37,800
Speaker 1: We appreciate it. We definitely fun with y'all.

1816
01:37:38,280 --> 01:37:41,639
Speaker 5: Like I mean, obviously from the shoes, you can say,

1817
01:37:41,680 --> 01:37:44,880
Speaker 5: I'm a fan fan of the platform.

1818
01:37:46,680 --> 01:37:51,479
Speaker 2: I wanted to talk more basketball. It was a couple

1819
01:37:51,520 --> 01:37:53,719
Speaker 2: of things. One of my partners wanted me to bring

1820
01:37:53,840 --> 01:37:57,759
Speaker 2: up and see if you remember playing Nashville Celtics, saying

1821
01:37:57,800 --> 01:38:01,240
Speaker 2: he gave y'all thirty five my home, Jamie Graham.

1822
01:38:01,640 --> 01:38:05,640
Speaker 4: That was that was one thing. You might damn thirty five.

1823
01:38:07,040 --> 01:38:07,599
Speaker 1: Then we win.

1824
01:38:08,520 --> 01:38:10,920
Speaker 2: I think you said y'all might have won that one

1825
01:38:10,960 --> 01:38:13,320
Speaker 2: and they beat on another tournament that was that was

1826
01:38:13,360 --> 01:38:14,000
Speaker 2: pretty fun.

1827
01:38:14,800 --> 01:38:17,400
Speaker 1: But Ship, I ain't gonna lie never playing no defense.

1828
01:38:20,360 --> 01:38:24,639
Speaker 6: He probably had thirty five shouting Bro shouting gay because

1829
01:38:25,520 --> 01:38:26,120
Speaker 6: no defense.

1830
01:38:27,520 --> 01:38:35,640
Speaker 4: Jam he played evanderbiltball.

1831
01:38:34,479 --> 01:38:40,000
Speaker 1: Did playing I'm here to shoot this ball. That's what

1832
01:38:40,120 --> 01:38:40,360
Speaker 1: I was.

1833
01:38:41,400 --> 01:38:44,080
Speaker 5: I wanted to ask God, it's just add ball question.

1834
01:38:44,160 --> 01:38:47,240
Speaker 5: What's your favorite basketball movie of all time?

1835
01:38:47,880 --> 01:38:48,839
Speaker 2: My Blue Chips?

1836
01:38:51,520 --> 01:38:54,040
Speaker 3: He got a game, bro, No, Ray Allen is the

1837
01:38:54,120 --> 01:38:56,800
Speaker 3: greatest basketball movie character ever.

1838
01:38:57,040 --> 01:39:01,120
Speaker 1: The basketball movie with the word script of all time.

1839
01:39:02,720 --> 01:39:03,120
Speaker 2: I like.

1840
01:39:07,960 --> 01:39:09,040
Speaker 4: My Who Dreams?

1841
01:39:09,720 --> 01:39:10,240
Speaker 2: Who Dreams?

1842
01:39:11,200 --> 01:39:13,880
Speaker 4: It was like almost like that was a documentary.

1843
01:39:14,439 --> 01:39:16,960
Speaker 1: That was that was too real.

1844
01:39:18,240 --> 01:39:20,160
Speaker 2: That was my and I ain't going to the NB

1845
01:39:20,240 --> 01:39:21,040
Speaker 2: A moment.

1846
01:39:23,200 --> 01:39:28,120
Speaker 1: Just period like was on the like Sunday Park.

1847
01:39:28,920 --> 01:39:32,400
Speaker 6: But I like Blue Chips, damn trip part give me

1848
01:39:33,360 --> 01:39:40,200
Speaker 6: part that the part was cool, butter, I guess about saying,

1849
01:39:40,200 --> 01:39:44,080
Speaker 6: but playing the ball, my boy blue the ball.

1850
01:39:50,640 --> 01:39:55,120
Speaker 1: Like Blue Chips.

1851
01:39:55,040 --> 01:40:00,920
Speaker 2: So got because it was you know, they was good,

1852
01:40:00,960 --> 01:40:04,759
Speaker 2: but the way they was man Vin Shepherd and the thermer.

1853
01:40:04,840 --> 01:40:05,920
Speaker 1: Bro was putting in work.

1854
01:40:05,960 --> 01:40:06,080
Speaker 2: Bro.

1855
01:40:06,360 --> 01:40:07,760
Speaker 1: He shot the same shot.

1856
01:40:07,680 --> 01:40:12,000
Speaker 2: Twenty three the same min was like quarters in a

1857
01:40:13,120 --> 01:40:17,960
Speaker 2: fresh offen. I ain't never was a space GM fan.

1858
01:40:19,240 --> 01:40:21,280
Speaker 2: I didn't like like toy movies and stuff like that.

1859
01:40:21,360 --> 01:40:24,120
Speaker 2: Yea disrespect for the first place gym classic y'all say.

1860
01:40:26,040 --> 01:40:35,960
Speaker 4: Acting that ship Tren.

1861
01:40:36,200 --> 01:40:38,280
Speaker 1: Know if you love basketball when you was a child,

1862
01:40:38,479 --> 01:40:42,000
Speaker 1: that you might like. I grew I got older brothers

1863
01:40:42,000 --> 01:40:47,479
Speaker 1: and sisters, so I ain't really okay. I watched like

1864
01:40:48,240 --> 01:40:51,559
Speaker 1: sneak and watch contas. Yeah, I don't like him. I

1865
01:40:51,560 --> 01:40:56,240
Speaker 1: grew up thinking Alan Iverson was a creative player for real.

1866
01:40:56,360 --> 01:40:58,920
Speaker 2: My brother was like, excuse me, no, you got know

1867
01:40:59,040 --> 01:41:02,559
Speaker 2: my brother, like you know, I'm younger, it's real, Like, Yo.

1868
01:41:02,479 --> 01:41:05,640
Speaker 1: You're gonna play like I'm like, who the fuck is that?

1869
01:41:06,040 --> 01:41:08,920
Speaker 2: He's like, yeah, you're gonna play just like him, thinking

1870
01:41:08,920 --> 01:41:10,479
Speaker 2: he didn't create this nigga in his head.

1871
01:41:10,560 --> 01:41:14,000
Speaker 1: Something he showed me, and I was like like this

1872
01:41:14,080 --> 01:41:15,240
Speaker 1: nigga good?

1873
01:41:16,240 --> 01:41:16,439
Speaker 2: Yeah?

1874
01:41:16,520 --> 01:41:27,320
Speaker 11: Then I got break. Y'all know it was outside.

1875
01:41:27,320 --> 01:41:31,439
Speaker 1: I an't really watched unless it was was crazy.

1876
01:41:32,160 --> 01:41:32,360
Speaker 4: I was.

1877
01:41:33,120 --> 01:41:37,559
Speaker 2: I was really I didn't bro. My brother told me

1878
01:41:37,760 --> 01:41:39,840
Speaker 2: all we watched wrestling, bro, that's all I watched.

1879
01:41:40,320 --> 01:41:42,960
Speaker 1: Dig it, Yeah, you should watch it out and wrestling

1880
01:41:43,120 --> 01:41:46,760
Speaker 1: That's all I watched growing up. Dang, and it probably

1881
01:41:47,479 --> 01:41:52,600
Speaker 1: was not a good thing because I was already.

1882
01:41:52,240 --> 01:41:54,560
Speaker 4: He took that wrestling ship to the n B.

1883
01:41:54,640 --> 01:42:00,960
Speaker 1: A like character came on the show. He's got start player,

1884
01:42:02,600 --> 01:42:04,599
Speaker 1: Like I said, why I couldn't play man, I would

1885
01:42:04,640 --> 01:42:06,679
Speaker 1: have definitely been I would have been running on test.

1886
01:42:08,200 --> 01:42:10,640
Speaker 1: I had some glimpses around our choice. Yeah, like, man,

1887
01:42:10,680 --> 01:42:15,120
Speaker 1: he's been injected for the first seven games, every game.

1888
01:42:16,520 --> 01:42:19,479
Speaker 1: Who is your favorite player? Growing up? Hard?

1889
01:42:20,120 --> 01:42:20,559
Speaker 2: For sure?

1890
01:42:22,160 --> 01:42:22,879
Speaker 4: He had laid.

1891
01:42:25,479 --> 01:42:27,280
Speaker 1: Who is your game? Like if you said you played

1892
01:42:27,280 --> 01:42:29,800
Speaker 1: like somebody? Man?

1893
01:42:29,800 --> 01:42:38,519
Speaker 4: That's at the time because the time I graduated too.

1894
01:42:40,000 --> 01:42:46,439
Speaker 2: At one point it was like the miles tall, slim

1895
01:42:46,479 --> 01:42:46,880
Speaker 2: and ship.

1896
01:42:47,520 --> 01:42:49,080
Speaker 4: Is that the one wagon quass too?

1897
01:42:49,800 --> 01:42:50,200
Speaker 1: Oh too?

1898
01:42:51,040 --> 01:42:55,519
Speaker 5: I think so year before bron that's JJ Redick in

1899
01:42:55,560 --> 01:43:01,360
Speaker 5: them class yeah, mar Stout, Marimellow, yeah a class yeah.

1900
01:43:01,120 --> 01:43:08,240
Speaker 5: I felt running felt and cans. We played them Junior Olympics. Hm,

1901
01:43:09,040 --> 01:43:10,040
Speaker 5: did you give them buckets?

1902
01:43:10,800 --> 01:43:13,320
Speaker 4: And people don't?

1903
01:43:14,000 --> 01:43:18,640
Speaker 5: Sean mccams was the best player I'll call against the

1904
01:43:18,720 --> 01:43:24,160
Speaker 5: court for real, Like at the time I graduated court

1905
01:43:24,200 --> 01:43:26,200
Speaker 5: brus in my in my district in high school.

1906
01:43:26,320 --> 01:43:28,720
Speaker 4: But he's like a couple of years behind me. He

1907
01:43:28,880 --> 01:43:32,200
Speaker 4: was nice, Okay, you.

1908
01:43:32,160 --> 01:43:34,719
Speaker 3: Played against some you just wann't no regular Rake ball player.

1909
01:43:34,760 --> 01:43:36,360
Speaker 3: You played against the NBA time.

1910
01:43:36,600 --> 01:43:40,679
Speaker 2: Yea, we played like hollo you Yeah. You can hear

1911
01:43:40,720 --> 01:43:43,360
Speaker 2: in his rats, like when he talked about basketball, like

1912
01:43:43,880 --> 01:43:46,280
Speaker 2: the way he talked about him, like he really played basketball,

1913
01:43:46,439 --> 01:43:49,439
Speaker 2: and some people who played basketball like I get thirty,

1914
01:43:49,520 --> 01:43:50,000
Speaker 2: like Curry.

1915
01:43:50,080 --> 01:43:50,479
Speaker 1: It's like.

1916
01:43:53,360 --> 01:43:55,240
Speaker 4: Said, was that one of your boys.

1917
01:43:58,320 --> 01:43:59,040
Speaker 1: That can.

1918
01:44:04,040 --> 01:44:04,320
Speaker 2: Come on?

1919
01:44:04,439 --> 01:44:05,040
Speaker 10: DJ man?

1920
01:44:06,560 --> 01:44:11,599
Speaker 1: What's another team? We said, you know, you know, exact

1921
01:44:11,680 --> 01:44:18,280
Speaker 1: studio my house. For the wrong reason, I just wanted

1922
01:44:18,320 --> 01:44:24,720
Speaker 1: to make the video getting cracked on that sail board man.

1923
01:44:25,160 --> 01:44:26,080
Speaker 4: What that means.

1924
01:44:29,439 --> 01:44:32,760
Speaker 1: Say not trip starling, we.

1925
01:44:32,920 --> 01:44:36,200
Speaker 2: Out of here, bro, but lively out.

1926
01:44:37,080 --> 01:44:43,000
Speaker 10: So the volume