WEBVTT - 5: A Predator's Playground

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<v Speaker 1>Novel.

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<v Speaker 2>Hey listeners, this is Ellie Flynn. Before we get started,

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<v Speaker 2>I just wanted to let you know that this episode

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<v Speaker 2>contains swearing and explicit sexual language and a scene that

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<v Speaker 2>raises questions around consent, which might be distressing. It's also

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<v Speaker 2>a story of female empowerment and camaraderie thanks to the

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<v Speaker 2>women who have shared their stories with us. We contacted

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<v Speaker 2>the photographer mentioned in this podcast multiple times for comment,

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<v Speaker 2>but we never heard back. He has not been charged

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<v Speaker 2>with any crimes and is presumed innocent under the law.

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<v Speaker 2>We also contacted Playboy USA. They state that they've asked

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<v Speaker 2>their licensees to blacklist the photographer mentioned in this series

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<v Speaker 2>and that they prohibit paid to play the practice of

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<v Speaker 2>charging models to appear in magazines. Our research into his

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<v Speaker 2>association to Playboy and their statement can be heard in

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<v Speaker 2>episode four. What do you do when you're a young,

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<v Speaker 2>green glamor model who's desperate to make it in the industry, Well,

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<v Speaker 2>you go to a shoot camp, all inclusive, week long

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<v Speaker 2>events in exotic parts of the world where models and

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<v Speaker 2>photographers come together to take photos and party. And the

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<v Speaker 2>biggest one of all is the IBMS. And no, that's

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<v Speaker 2>not a medical condition. It's the International Bikini Model Search,

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<v Speaker 2>the super Boys floor.

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<v Speaker 1>Rouder, catching me at the Miss Miami, I be Miss.

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<v Speaker 1>We are so happy to be here for Playboy. I

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<v Speaker 1>got chosen, should be published Playboy Mexico.

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<v Speaker 3>On everywhere I.

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<v Speaker 2>Go, it's just IBMIST, IBMIST. I've seen it promoted everywhere

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<v Speaker 2>on social media, and I've been told time and time

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<v Speaker 2>again to go to the IBMS. I'm told it attracts

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<v Speaker 2>huge models and amazing photographers. If I want to find

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<v Speaker 2>the glamour, that's where it's going to be.

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<v Speaker 1>I am here today to tell you about the IBMS.

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<v Speaker 4>Bahamma's event coming up.

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<v Speaker 1>Let's get your books.

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<v Speaker 4>This is the one.

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<v Speaker 2>This is the glitz and glam. Everyone knows about it,

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<v Speaker 2>a big event of the year. Crucially, we know Luis

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<v Speaker 2>Gomez is not going to be at this event. I'm

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<v Speaker 2>not ready to make myself or my investigation known to

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<v Speaker 2>him just yet. So it's a perfect opportunity to get

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<v Speaker 2>to know this world better. From speaking to our sources,

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<v Speaker 2>I feel like I understand Luisa's m O. It appears

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<v Speaker 2>that he tends to work with models new to the industry,

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<v Speaker 2>who are more likely to be swayed by his reputation,

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<v Speaker 2>but I do still have some questions about the industry itself,

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<v Speaker 2>what's left of it, what being a glamor model today

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<v Speaker 2>is really like, and what it looks like to make it.

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<v Speaker 4>I want to walk in the model's shoes.

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<v Speaker 2>So that's why my producer Eleanor and I decide to

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<v Speaker 2>go to the IBMS. We contact the organizer, a guy

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<v Speaker 2>called Patrick McKinney, to ask if.

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<v Speaker 4>We can come.

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<v Speaker 2>They know that we're journalists, they know that we're covering

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<v Speaker 2>the glamour industry for a podcast, and they know that

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<v Speaker 2>we're going to interview people, but they don't know that

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<v Speaker 2>we're looking specifically into Luis, and they don't know much

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<v Speaker 2>about the kind of dark side that we're investigating. So

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<v Speaker 2>we're hoping that we can get some answers there and

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<v Speaker 2>we can get a bit of a better understanding of

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<v Speaker 2>the industry. He says he's happy for us to come,

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<v Speaker 2>but asks us to pay one thousand US dollars each

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<v Speaker 2>to cover food and board. We pay, book our flights

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<v Speaker 2>and start packing our bikinis. Oh my god, we're going

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<v Speaker 2>to be in an all inclusive resort in the Bahamas,

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<v Speaker 2>living it up, having the time of our lives doing

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<v Speaker 2>a bit of reporting. But two weeks before the trip,

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<v Speaker 2>Alana gets a call from Patrick.

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<v Speaker 5>There's been a bit of a change of plan and

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<v Speaker 5>the event is no longer happening in Bahamas.

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<v Speaker 2>Now a much smaller event in Florida, in Orlando, which

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<v Speaker 2>is where the organizer lives. We've been told that there

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<v Speaker 2>still will be Playboy models and it will be held

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<v Speaker 2>in a mansion, but Orlando is not quite the Bahamas.

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<v Speaker 2>So I don't know how to say this all like

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<v Speaker 2>sort of causing offense to all of our American.

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<v Speaker 4>Listeners, but like so much looks the same. It's kind

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<v Speaker 4>of like it's these kind of soulless parking lots with

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<v Speaker 4>like Owend's and Denny's, an ihop a Hampton in We're gotted. Yes,

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<v Speaker 4>So that was obviously a real blow. Yeah, I'm furious.

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<v Speaker 2>I wanted to go to an all inclusive in the

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<v Speaker 2>Bahamas and I'm never going to get that opportunity on

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<v Speaker 2>a reporting trip again. It's still exciting, though, this is

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<v Speaker 2>my first opportunity to see the glamour world up close.

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<v Speaker 2>Is it really just victim after victim, scam after scam?

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<v Speaker 4>Or am I finally.

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<v Speaker 2>About to enter the glamorous world of so many models fantasies.

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<v Speaker 4>Can here we go, Oh my god, I actually can't

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<v Speaker 4>believe that that we're doing this.

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<v Speaker 2>I'm Ellie Flynn and from the team at Novel. This

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<v Speaker 2>is the Bunny Trap, episode five, The Wild West.

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<v Speaker 4>So we're here. We are here, pulled up. That's knock

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<v Speaker 4>on the door. Completely not what I'm originally.

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<v Speaker 2>We've arrived at the IBMS and our first impressions are underwhelming.

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<v Speaker 2>This is not the mansion Patrick described on the phone.

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<v Speaker 2>It's actually a neat, mid sized suburban house identical to

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<v Speaker 2>the others on the street.

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<v Speaker 4>Where's the playboy mansion of my glamour dreams?

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<v Speaker 2>The door and once we ring the doorbell and go inside, oh,

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<v Speaker 2>we're greeted by what can only be described as a

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<v Speaker 2>motley crew. There's about seven people here. Three half made

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<v Speaker 2>up models mill around the room in massive high heels,

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<v Speaker 2>while the photographers are padding around the open plan living

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<v Speaker 2>room and flip flops or bare feet, wearing T shirts

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<v Speaker 2>and board shorts. It look like they've wandered in off

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<v Speaker 2>the street. Some of them are playing with their lighting equipment.

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<v Speaker 2>One of them is in the middle of baking a

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<v Speaker 2>batch of cookies.

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<v Speaker 1>I have four kinds of cookies that I bake, and

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<v Speaker 1>I wanted to see what you were if you have

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<v Speaker 1>any dietary restrictions.

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<v Speaker 4>I don't have any dietary restrictions.

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<v Speaker 2>Alongside the cameras and leads crowding the kitchen table, there

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<v Speaker 2>are bowls of scrambled egg left over from a home

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<v Speaker 2>cooked breakfast. Top forty hits blare out of the wall

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<v Speaker 2>mounted TV. This doesn't seem like a professional glamor modeling event.

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<v Speaker 2>In fact, it feels more like a family get together. Patrick,

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<v Speaker 2>a fit looking guy with biceps straining out of his

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<v Speaker 2>T shirt, greets.

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<v Speaker 4>Us with a warm hug, like we're long lost relatives.

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<v Speaker 2>The only clue as to where we are is the

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<v Speaker 2>baseball cap on his head and blazing with the letters IBMS.

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<v Speaker 2>Patrick's apologetic about the fact that we aren't in the Bahamas.

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<v Speaker 2>He says it's because the beaches aren't ready.

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<v Speaker 6>There was a hurricane Hurricane George, like five six years

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<v Speaker 6>ago and infected the Obamas, and before the hurricane we

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<v Speaker 6>were there, like three hundred of us. We're all there

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<v Speaker 6>for the event and it was beautiful.

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<v Speaker 2>So instead, the next IBMS will be in Costa Rica.

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<v Speaker 6>I was like, okay, so move it to Costa Rica,

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<v Speaker 6>and that's what we did, and everyone moved to Costa

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<v Speaker 6>Rica with me. We don't have problems there.

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<v Speaker 2>So looking around this room, I've got no idea what

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<v Speaker 2>we've spent two grand on.

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<v Speaker 4>When I ask where.

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<v Speaker 2>The Playboy models are, Patrick tells me they're running late

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<v Speaker 2>and we'll be here tomorrow.

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<v Speaker 4>He tells us not to worry. There's another glamorous site

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<v Speaker 4>for us to observe.

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<v Speaker 6>Someone's going to shoot in the Mermaid thing today.

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<v Speaker 2>Draped over the back of a kitchen chair. It's a

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<v Speaker 2>gigantic loan mermaid tale.

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<v Speaker 6>Just check this out.

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<v Speaker 1>Yeah, okay, you don't kill it? Wow?

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<v Speaker 4>Oh heavy?

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<v Speaker 2>What the fuck am I doing here? When I meet

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<v Speaker 2>the event headliner, I realized things aren't going to get

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<v Speaker 2>any better. He's a photographer called Bob Womack, or, as

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<v Speaker 2>he prefers.

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<v Speaker 7>The infamous Bob Womack photo.

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<v Speaker 4>I've never heard of Bob, but the model's here assure

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<v Speaker 4>me he's a big deal. Like Bob is who he's

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<v Speaker 4>at editing skills for days. He's one of the top

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<v Speaker 4>photographers in the industry.

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<v Speaker 2>Bob is tall and wiry, puffing hard on a vape.

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<v Speaker 2>He looks like he's in his late sixties, and he's

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<v Speaker 2>wearing a homemade T shirt with his business name, email address,

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<v Speaker 2>and cell phone number printed on it front and back.

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<v Speaker 7>I've been a firefighter par mat for the last thirty

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<v Speaker 7>eight years. I retired from the fire department a year ago,

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<v Speaker 7>and I'm traveling around the country and around the world

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<v Speaker 7>and shooting the hot girls in bikinis and lingerille on

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<v Speaker 7>the beach or I'm pretty happy with that. Retirement doesn't suck.

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<v Speaker 2>By and large, the models here are a lot younger

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<v Speaker 2>than the photographers, and while I don't see anything on

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<v Speaker 2>toward happening, this strikes me as the kind of environment

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<v Speaker 2>where something bad could happen with the wrong photographer present.

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<v Speaker 2>I ask the models if they've ever experienced bad behavior

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<v Speaker 2>from glamor photographers. Is that's something that you've seen photographers

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<v Speaker 2>trying to kind of push push boundaries?

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<v Speaker 8>Yes, yes, all the time, all the time.

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<v Speaker 6>Oh yeah, they will try, But with Patrick, no.

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<v Speaker 7>They know better.

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<v Speaker 6>I'm mean that we have rules like well, big one

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<v Speaker 6>for me.

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<v Speaker 1>Is just protecting the marrs like a big time.

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<v Speaker 4>Have you had to fand people, Patrick? Oh yeah, really,

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<v Speaker 4>lots of people, how many people are Sometimes.

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<v Speaker 6>You know, you just tell people what's not allowed and

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<v Speaker 6>they listen. But every once in a while people don't listen,

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<v Speaker 6>so not allowed to come back, you know.

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<v Speaker 2>I mean, as a model, I can't imagine how difficult

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<v Speaker 2>it is to navigate your way through this safely, because,

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<v Speaker 2>like as journalists, we're trying to work out, you know,

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<v Speaker 2>who who are the good guys and who are and

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<v Speaker 2>it's and it's hard. They're all bad guys. It might

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<v Speaker 2>have been a throwaway line from Patrick, but it rings

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<v Speaker 2>true for me. Unsurprisingly, Eleanor and I don't stick around

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<v Speaker 2>until the end of.

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<v Speaker 4>The event.

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<v Speaker 1>To meet you.

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<v Speaker 4>Okay, bye h.

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<v Speaker 2>We paid nearly two thousand dollars to spend time with retirees,

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<v Speaker 2>a woman in a mermaid toe and a man who

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<v Speaker 2>is making bad after batch of cookies. I'm feeling the

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<v Speaker 2>way a lot of the models I've spoken to have

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<v Speaker 2>felt scammed.

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<v Speaker 4>You're okay, you look absolutely pained. I'm just so confused.

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<v Speaker 4>It's really really suspect to me.

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<v Speaker 2>There is a sense of glamor and luxury on their

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<v Speaker 2>website that I don't think translated to today. Maybe this

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<v Speaker 2>is the reality of these events. Maybe It is a

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<v Speaker 2>few models and a few photographers banding together to try

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<v Speaker 2>and find something in a bit of a dying industry.

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<v Speaker 2>And if the magazines don't exist anymore, then really, what

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<v Speaker 2>are you doing it for? They all just kind of

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<v Speaker 2>seemed happy to be there. Yeah, it's just I'm struggling

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<v Speaker 2>to find where the glamour is in this industry.

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<v Speaker 5>And we've asked about a refund, you know, partial refund,

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<v Speaker 5>and Patrick said yes, so that's something that will chase up.

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<v Speaker 2>I contact some of my sources to ask what they

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<v Speaker 2>know about Patrick. I hear that he's used the hurricane

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<v Speaker 2>excuse before to cancel events in the Bahamas, and that

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<v Speaker 2>he'll never return our money. Then I find out something

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<v Speaker 2>much worse. I'm told that the IBMS was the event

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<v Speaker 2>that Luis Gomes was banned from and then invited back

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<v Speaker 2>to because of his supposed playboy connections. Remember the one

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<v Speaker 2>we told you about where the girl allegedly ran out

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<v Speaker 2>of a shoot with Luis crying. We put all of

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<v Speaker 2>this to Patrick in writing, but he never responded to us.

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<v Speaker 2>He said it himself. They're all bad guys.

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<v Speaker 4>Fuck me. It scares me that you just have no

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<v Speaker 4>idea who you're meeting, or what kind of position you're

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<v Speaker 4>putting yourself in, and that could be a dangerous situation.

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<v Speaker 4>There just appears to be no regulation whatsoever.

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<v Speaker 2>So now we're stuck in Florida, not sure what to

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<v Speaker 2>do next, and more confus used than ever about whether

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<v Speaker 2>there's anything remotely glamorous about the so called glamour industry.

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<v Speaker 2>We've heard from so many models chasing dreams of stardom,

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<v Speaker 2>but what does it really mean to make it? We

0:14:13.880 --> 0:14:16.320
<v Speaker 2>decide to head south to try and find out to

0:14:16.400 --> 0:14:21.479
<v Speaker 2>the glamor capital of the USA.

0:14:21.680 --> 0:14:25.560
<v Speaker 1>New York is all about work, La is all about entertainment,

0:14:25.840 --> 0:14:27.240
<v Speaker 1>and miamis all about fun.

0:14:29.560 --> 0:14:34.920
<v Speaker 2>South Beach Miami, blue sea, white sand, and beautiful people.

0:14:35.520 --> 0:14:39.520
<v Speaker 2>Everyone here is gorgeous, tans, glowing sous and music spilling

0:14:39.520 --> 0:14:45.080
<v Speaker 2>out of boomboxes, beach bars, margaritas and crystal glasses. It's expensive,

0:14:45.360 --> 0:14:46.200
<v Speaker 2>it's luxury.

0:14:46.480 --> 0:14:48.720
<v Speaker 4>I can't believe it. So gorgeous I am.

0:14:48.760 --> 0:14:49.560
<v Speaker 6>You're going to cry.

0:14:50.240 --> 0:14:51.080
<v Speaker 4>We've found the glamour.

0:14:51.400 --> 0:14:53.600
<v Speaker 2>When I thought of this world, when I imagined where

0:14:53.640 --> 0:14:56.680
<v Speaker 2>this podcast would take me, this is what I've been

0:14:56.680 --> 0:14:59.760
<v Speaker 2>looking for this whole time, and I've not found it.

0:15:00.040 --> 0:15:02.600
<v Speaker 2>Anywhere until I got to Miami.

0:15:04.080 --> 0:15:05.400
<v Speaker 4>Okay, well, now I can.

0:15:05.240 --> 0:15:07.920
<v Speaker 2>See why everyone wants to live the high life, because

0:15:08.960 --> 0:15:09.880
<v Speaker 2>I'm sorry.

0:15:09.720 --> 0:15:12.440
<v Speaker 4>I'm never leaving. I live in now. I need to

0:15:12.480 --> 0:15:16.200
<v Speaker 4>tell the father of my son and my son I

0:15:16.240 --> 0:15:17.680
<v Speaker 4>won't be returning to a lot of day.

0:15:19.600 --> 0:15:20.000
<v Speaker 2>Sorry.

0:15:20.120 --> 0:15:24.280
<v Speaker 4>I love you, boy, Daly. I live in Miami. Now.

0:15:28.560 --> 0:15:30.760
<v Speaker 2>I've lined up an interview with a model who seems

0:15:30.800 --> 0:15:33.560
<v Speaker 2>to be living the glamorous lifestyle I had in my head.

0:15:34.280 --> 0:15:38.320
<v Speaker 2>Her name's Melissa Laurie, and she's a big deal. She's

0:15:38.360 --> 0:15:40.680
<v Speaker 2>been in the industry for ten years and she's got

0:15:40.720 --> 0:15:43.359
<v Speaker 2>nearly half a million followers on Instagram.

0:15:43.720 --> 0:15:45.640
<v Speaker 9>I wanted to be a superstar. I wanted to be

0:15:45.680 --> 0:15:48.960
<v Speaker 9>a celebrity. It was sex, drobs, rock and roll.

0:15:49.520 --> 0:15:49.760
<v Speaker 1>You know.

0:15:49.920 --> 0:15:52.760
<v Speaker 9>It was just all the glitz and the gleam, the yachts,

0:15:52.880 --> 0:15:54.240
<v Speaker 9>just I want it at all.

0:15:54.760 --> 0:15:57.280
<v Speaker 2>The thing I really want to know from Melissa is

0:15:57.280 --> 0:15:59.440
<v Speaker 2>how she makes money in a world that seems to

0:15:59.440 --> 0:16:03.000
<v Speaker 2>be full of gammas and dodgy operators. Unlike most of

0:16:03.040 --> 0:16:06.080
<v Speaker 2>the other models I've spoken to, Melissa gets paid for

0:16:06.120 --> 0:16:06.680
<v Speaker 2>her sheets.

0:16:07.480 --> 0:16:10.560
<v Speaker 9>I have actually never ever paid a photographer in my

0:16:10.880 --> 0:16:13.840
<v Speaker 9>entire life. I have never paid for a photoshoot ever,

0:16:14.680 --> 0:16:15.120
<v Speaker 9>not once.

0:16:16.440 --> 0:16:19.520
<v Speaker 2>The reality of the industry today is worse than I thought.

0:16:20.160 --> 0:16:22.560
<v Speaker 2>Melissa says one of the only ways to make money

0:16:22.680 --> 0:16:25.040
<v Speaker 2>is to travel around to be photographed by guys with

0:16:25.120 --> 0:16:28.120
<v Speaker 2>cameras who are willing to pay to photograph a big model.

0:16:28.680 --> 0:16:33.320
<v Speaker 9>Traveling models, you're going city to city mostly to work

0:16:33.400 --> 0:16:36.200
<v Speaker 9>with amateurs, and amateurs are the ones that are willing

0:16:36.240 --> 0:16:37.600
<v Speaker 9>to pay usually.

0:16:37.680 --> 0:16:40.600
<v Speaker 4>But photo shoots alone don't pay the bills I know.

0:16:40.680 --> 0:16:43.400
<v Speaker 9>For me and like most models that I know, this

0:16:43.440 --> 0:16:46.280
<v Speaker 9>is not our only source of income. There's times that

0:16:46.640 --> 0:16:49.080
<v Speaker 9>I can't even book a photo shoot for a month

0:16:49.160 --> 0:16:51.560
<v Speaker 9>or two months. It's not reliable.

0:16:51.960 --> 0:16:55.000
<v Speaker 2>So Melissa and all the other big models she knows

0:16:55.320 --> 0:16:56.720
<v Speaker 2>have a second source of income.

0:16:57.040 --> 0:17:00.960
<v Speaker 9>I do have only fans. That's like my pacid income.

0:17:01.600 --> 0:17:04.639
<v Speaker 9>The only fans culture down here is massive. The sugar

0:17:04.680 --> 0:17:07.520
<v Speaker 9>baby culture is massive. I used to be a little

0:17:07.600 --> 0:17:09.200
<v Speaker 9>naive to it. I found out some of my friends

0:17:09.200 --> 0:17:11.520
<v Speaker 9>were doing that kind of stuff. I'm like, oh, that's

0:17:11.560 --> 0:17:13.320
<v Speaker 9>what you do. I had no idea.

0:17:13.480 --> 0:17:15.480
<v Speaker 4>Do you feel sometimes like your pressure to kind of

0:17:15.480 --> 0:17:17.919
<v Speaker 4>take things further, to be more explicit on there than

0:17:17.920 --> 0:17:20.040
<v Speaker 4>maybe you first envisioned, you would be.

0:17:20.720 --> 0:17:26.159
<v Speaker 9>Absolutely I do feel pressured. I have felt pressured being

0:17:26.240 --> 0:17:29.840
<v Speaker 9>freely nude on the internet. Once you open that door,

0:17:30.440 --> 0:17:33.640
<v Speaker 9>people want more, they want to see more, and they're

0:17:33.680 --> 0:17:39.000
<v Speaker 9>tempting and taunting and teasing, and it's hard. I feel

0:17:39.000 --> 0:17:43.000
<v Speaker 9>like people are judging me because it's considered sex work.

0:17:43.320 --> 0:17:45.520
<v Speaker 9>I had this conversation I think with my roommate. She

0:17:45.520 --> 0:17:48.719
<v Speaker 9>didn't understand why girls like turn to stripping and porn,

0:17:48.880 --> 0:17:53.280
<v Speaker 9>and it's money survival. People have to survive. If you

0:17:53.320 --> 0:17:55.399
<v Speaker 9>don't know what it's like to have nothing in your

0:17:55.400 --> 0:17:58.760
<v Speaker 9>bank account and your survival mode, you will do things

0:17:58.800 --> 0:18:01.080
<v Speaker 9>for money that you might not have done.

0:18:05.680 --> 0:18:07.040
<v Speaker 4>So that's glamour today.

0:18:07.880 --> 0:18:10.240
<v Speaker 2>There is still money to be made, but not in

0:18:10.280 --> 0:18:15.480
<v Speaker 2>the pages of Glamor magazines. It's online on new platforms

0:18:15.480 --> 0:18:18.520
<v Speaker 2>that blur the lines between modeling and sex work, and

0:18:18.560 --> 0:18:21.360
<v Speaker 2>this opens models up to ever increasing demands for more

0:18:21.359 --> 0:18:26.520
<v Speaker 2>explicit content. That's fine for models who want to enter

0:18:26.520 --> 0:18:30.760
<v Speaker 2>the sex industry, but plenty don't. Lots of the models

0:18:30.760 --> 0:18:34.040
<v Speaker 2>I've spoken to say they'd never consider having an OnlyFans account,

0:18:34.960 --> 0:18:37.720
<v Speaker 2>and so it feels even more depressing that they're striving

0:18:37.720 --> 0:18:41.760
<v Speaker 2>for a dream that died with Hugh Hefner. But the

0:18:41.760 --> 0:18:45.520
<v Speaker 2>Playboy dream does still exist for many young green glamour

0:18:45.600 --> 0:18:48.439
<v Speaker 2>models who don't know any different, and whether or not

0:18:48.440 --> 0:18:51.720
<v Speaker 2>that dream is realistic doesn't seem to matter to Luis

0:18:51.720 --> 0:18:54.679
<v Speaker 2>Gomez as long as there are still models willing to

0:18:54.720 --> 0:18:58.080
<v Speaker 2>pay for the fantasy. And back in the UK, I

0:18:58.160 --> 0:19:00.280
<v Speaker 2>learned that he's still coming up with new ways to

0:19:00.280 --> 0:19:00.879
<v Speaker 2>cash in on that.

0:19:02.040 --> 0:19:06.720
<v Speaker 4>Oh so depressing. He's still out there, like, how many

0:19:06.760 --> 0:19:33.160
<v Speaker 4>models is that? And this fine where is going to be? Okay?

0:19:33.720 --> 0:19:36.879
<v Speaker 4>So I'm just on the universe one three seven website.

0:19:37.200 --> 0:19:40.920
<v Speaker 2>By now, Luis's website has become a permanently open tab

0:19:40.960 --> 0:19:44.679
<v Speaker 2>on my laptop. There's usually nothing news to report, the

0:19:44.720 --> 0:19:47.679
<v Speaker 2>same mix of Playboy covers and posts of Luis shredding

0:19:47.680 --> 0:19:51.399
<v Speaker 2>on his guitar. But today is different. A new section

0:19:51.440 --> 0:19:54.000
<v Speaker 2>has appeared, and it's called Events.

0:19:57.400 --> 0:19:58.720
<v Speaker 4>What the actual fuck?

0:19:59.320 --> 0:20:03.520
<v Speaker 2>Louise's ad advertising his very own shoot camp taking place

0:20:03.560 --> 0:20:07.000
<v Speaker 2>in Puerto Ayata, a popular Mexican resort town on the

0:20:07.119 --> 0:20:10.520
<v Speaker 2>edge of the Pacific Ocean. So this event is Fashion

0:20:10.680 --> 0:20:16.680
<v Speaker 2>Beach Mexico Experience. Another amazing brilliant title We've been trying

0:20:16.720 --> 0:20:19.280
<v Speaker 2>to piece together, Luise is, whereabouts and what is up

0:20:19.320 --> 0:20:23.000
<v Speaker 2>to now? The most recent allegations I've heard about Luis

0:20:23.080 --> 0:20:25.760
<v Speaker 2>are from twenty twenty, when the group of models in

0:20:25.760 --> 0:20:29.480
<v Speaker 2>the UK called him out. There is Louise still claiming

0:20:29.520 --> 0:20:32.800
<v Speaker 2>to be a playboy photographer? Are there any new allegations

0:20:32.840 --> 0:20:36.240
<v Speaker 2>of abuse? This shoot camp is our first opportunity to

0:20:36.280 --> 0:20:36.760
<v Speaker 2>find out.

0:20:43.359 --> 0:20:43.919
<v Speaker 1>Can you hear me?

0:20:44.480 --> 0:20:44.800
<v Speaker 5>Yes?

0:20:44.920 --> 0:20:46.680
<v Speaker 1>Now I can, Now I can.

0:20:46.800 --> 0:20:49.560
<v Speaker 2>We're talking to a freelance journalist who's agreed to attend

0:20:49.600 --> 0:20:51.000
<v Speaker 2>Luis's event undercover.

0:20:51.400 --> 0:20:55.119
<v Speaker 3>I'm we outside of town. There's vultures circling in the

0:20:55.160 --> 0:20:55.800
<v Speaker 3>air overhead.

0:20:57.040 --> 0:20:58.200
<v Speaker 4>God, that's ominous.

0:20:58.560 --> 0:21:01.040
<v Speaker 2>We're calling him Mark, but that's not his real name.

0:21:01.600 --> 0:21:04.679
<v Speaker 2>He's an American based in Mexico, one of the world's

0:21:04.680 --> 0:21:07.880
<v Speaker 2>most dangerous places to be a journalist, so he doesn't

0:21:07.880 --> 0:21:10.919
<v Speaker 2>want to be named in the podcast. Mark's going instead

0:21:10.960 --> 0:21:12.840
<v Speaker 2>of us, as we thought sending a guy would give

0:21:12.920 --> 0:21:15.639
<v Speaker 2>us the best chance to get close to Luis. So

0:21:15.760 --> 0:21:18.920
<v Speaker 2>Mark's in Poersevata, getting ready to talk his way into

0:21:18.960 --> 0:21:22.520
<v Speaker 2>the hotel where Luis Gomez is hosting his event, and

0:21:22.560 --> 0:21:25.840
<v Speaker 2>we have the perfect idea to help him blend in a.

0:21:25.800 --> 0:21:30.120
<v Speaker 3>Goofy guy who just happened to stumble upon a photo shoot, had.

0:21:29.960 --> 0:21:30.720
<v Speaker 6>My camera on me.

0:21:31.480 --> 0:21:32.439
<v Speaker 4>A guy with a camera.

0:21:33.680 --> 0:21:35.960
<v Speaker 2>Mark's going to see how close he can get to

0:21:36.000 --> 0:21:38.680
<v Speaker 2>Luise and send us voice notes along the way.

0:21:39.080 --> 0:21:40.000
<v Speaker 4>Okay, good luck.

0:21:43.280 --> 0:21:46.760
<v Speaker 2>Mark enters the hotel. It's a massive complex a five

0:21:46.800 --> 0:21:49.280
<v Speaker 2>minute walk from the beach. He heads out into a

0:21:49.320 --> 0:21:50.719
<v Speaker 2>courtyard filled with people.

0:21:51.880 --> 0:21:54.600
<v Speaker 3>I'm in the back part of the resort, concets for

0:21:54.680 --> 0:21:55.080
<v Speaker 3>the beach.

0:21:55.280 --> 0:21:58.520
<v Speaker 10>I've got on of goes names Infinity.

0:21:58.000 --> 0:22:02.359
<v Speaker 3>Pools ah whatever. It looks like the horizon of the

0:22:02.480 --> 0:22:03.399
<v Speaker 3>pool explosion.

0:22:04.560 --> 0:22:07.400
<v Speaker 2>The crowd seems mainly to be Mexican families on holiday,

0:22:08.000 --> 0:22:09.840
<v Speaker 2>but Mark soon spots Luise.

0:22:11.640 --> 0:22:15.520
<v Speaker 3>A Black Star Wars baseball cap, a Black Star Wars

0:22:15.520 --> 0:22:21.440
<v Speaker 3>T shirt, black shorts, black socks, a little sling bag

0:22:21.440 --> 0:22:26.760
<v Speaker 3>around his shoulder, and he's wearing the big heavy kneepads.

0:22:27.359 --> 0:22:30.960
<v Speaker 3>And I guess for getting down and taking pictures. I

0:22:31.040 --> 0:22:32.080
<v Speaker 3>think I'll make an approach.

0:22:35.760 --> 0:22:39.080
<v Speaker 4>The guy with the camera act works a treat. Luisa.

0:22:39.160 --> 0:22:39.960
<v Speaker 4>Mark hit it off.

0:22:42.000 --> 0:22:45.280
<v Speaker 3>I shook hands with Luis. He did a weird I've

0:22:45.280 --> 0:22:47.280
<v Speaker 3>never had this happen before. He shook my hand and

0:22:47.320 --> 0:22:51.520
<v Speaker 3>then snapped his fingers like around my hand. It's a toy.

0:22:52.080 --> 0:22:57.399
<v Speaker 3>One of the weirdest things. He gives me bad vibes.

0:22:58.400 --> 0:23:02.439
<v Speaker 3>That's how you that much. But he's friendly in a

0:23:02.480 --> 0:23:04.080
<v Speaker 3>superficial way.

0:23:04.840 --> 0:23:08.120
<v Speaker 2>Louise has an entourage. There are three photographers and five

0:23:08.200 --> 0:23:12.439
<v Speaker 2>models from all over the world. Guatemala, Canada, the US,

0:23:12.480 --> 0:23:13.280
<v Speaker 2>and Argentina.

0:23:14.200 --> 0:23:15.440
<v Speaker 10>Yeah, we're all hanging out.

0:23:16.440 --> 0:23:22.120
<v Speaker 7>There's a photo shoot wrapping up in the fountains and meat.

0:23:23.240 --> 0:23:24.960
<v Speaker 10>I've got to know a few of the mines.

0:23:26.400 --> 0:23:27.720
<v Speaker 3>Everybody's very nic.

0:23:28.320 --> 0:23:29.960
<v Speaker 4>Mark captures the action on his phone.

0:23:30.600 --> 0:23:32.800
<v Speaker 2>Louise is soaked to his waist, kneeling in the pool

0:23:33.320 --> 0:23:35.360
<v Speaker 2>taking photos of a woman in a blue bikini.

0:23:37.080 --> 0:23:37.520
<v Speaker 1>We go.

0:23:39.080 --> 0:23:42.639
<v Speaker 3>Hiks now, I'll give back to it.

0:23:42.640 --> 0:23:45.240
<v Speaker 2>It's crazy to hear Mark talking about what he's seeing

0:23:45.720 --> 0:23:49.600
<v Speaker 2>being so close to Luise. It's even crazier to occasionally

0:23:49.640 --> 0:23:53.000
<v Speaker 2>pick up the tone of Luis's voice in the background.

0:23:55.800 --> 0:23:58.760
<v Speaker 2>As the sun goes down, Louise invites Mark to the beach.

0:23:59.320 --> 0:24:00.159
<v Speaker 4>And there are some new.

0:24:00.160 --> 0:24:03.520
<v Speaker 10>Props in one, two, three, four fire forces and then

0:24:04.359 --> 0:24:07.880
<v Speaker 10>all of us, and then there's also a guy whose

0:24:07.960 --> 0:24:11.320
<v Speaker 10>robberries to pick up the horse pook on the beach.

0:24:11.960 --> 0:24:15.400
<v Speaker 10>The rest of the beach is just doing their beachy things. Yeah,

0:24:15.400 --> 0:24:17.520
<v Speaker 10>it's a very strange scene.

0:24:17.840 --> 0:24:19.760
<v Speaker 4>Now Louise wants to talk.

0:24:19.680 --> 0:24:23.680
<v Speaker 3>Business Universe one three seven studios.

0:24:23.760 --> 0:24:26.399
<v Speaker 1>Yeah, okay, now one, So we're gonna be doing you know,

0:24:26.880 --> 0:24:29.800
<v Speaker 1>I speak more for Playboy, every.

0:24:29.560 --> 0:24:33.560
<v Speaker 3>Chan, Maxine Lifestyle, What Set Magazine.

0:24:33.800 --> 0:24:37.760
<v Speaker 2>Although amazingly Louise offers to give Mark his big break

0:24:37.800 --> 0:24:39.760
<v Speaker 2>into the glamour industry as a photographer.

0:24:40.040 --> 0:24:42.440
<v Speaker 1>Well, if you do like a good photos, although I

0:24:42.480 --> 0:24:43.119
<v Speaker 1>can't help to.

0:24:43.280 --> 0:24:46.439
<v Speaker 10>Publishing, Okay, yeah, I do a lot of my fifty

0:24:46.480 --> 0:24:50.160
<v Speaker 10>three fifty three magazines. Yea in Mexico, No.

0:24:50.520 --> 0:24:54.800
<v Speaker 8>In USA, in in everywhere, in Australia everywhere.

0:24:54.840 --> 0:24:58.080
<v Speaker 10>Wow, all they playbooks everywhere.

0:24:58.440 --> 0:25:01.920
<v Speaker 1>The all, the every chen around the world, every people.

0:25:05.080 --> 0:25:07.919
<v Speaker 2>It seems Louise is still dining out on the same

0:25:08.040 --> 0:25:11.879
<v Speaker 2>old claims that his Playboy connections give him the power

0:25:11.960 --> 0:25:15.199
<v Speaker 2>to make a newbie's career, whether they're a model or

0:25:15.320 --> 0:25:19.520
<v Speaker 2>a photographer. Mark didn't see Louise behave inappropriately with any

0:25:19.560 --> 0:25:22.600
<v Speaker 2>of the models, but considering everything I've heard so far,

0:25:23.000 --> 0:25:25.399
<v Speaker 2>I find it hard to believe his behavior would have changed.

0:25:26.560 --> 0:25:28.840
<v Speaker 4>And then I hear from a new witness.

0:25:30.359 --> 0:25:33.440
<v Speaker 2>She's got an allegation to share, and it's the most

0:25:33.560 --> 0:25:34.480
<v Speaker 2>recent I've heard.

0:25:35.640 --> 0:25:38.000
<v Speaker 1>I believe it was the longest and also at the

0:25:38.000 --> 0:25:39.920
<v Speaker 1>same time shor it is a few seconds or minutes

0:25:39.960 --> 0:26:05.159
<v Speaker 1>of my life. The thing is, obviously I wanted to

0:26:05.200 --> 0:26:07.800
<v Speaker 1>try a modeling courier, didn't know how to do it.

0:26:07.840 --> 0:26:09.840
<v Speaker 1>I'm not from Ali, I'm from Europe.

0:26:10.080 --> 0:26:13.399
<v Speaker 2>Gabriella not her real name, had long dreamed of making

0:26:13.400 --> 0:26:15.920
<v Speaker 2>it as a glamor model in the States. She met

0:26:15.920 --> 0:26:18.240
<v Speaker 2>a fellow model who told her that shoot camps were

0:26:18.240 --> 0:26:21.240
<v Speaker 2>a way to break into the industry. She recommended one

0:26:21.240 --> 0:26:24.119
<v Speaker 2>that was happening in twenty twenty two, and guess he

0:26:24.240 --> 0:26:29.280
<v Speaker 2>was hosting Luis Gomez. The event was almost identical to

0:26:29.320 --> 0:26:32.040
<v Speaker 2>the one Mark went to. It cost five hundred dollars

0:26:32.119 --> 0:26:34.880
<v Speaker 2>for six nights of food, board and photo shoots.

0:26:35.880 --> 0:26:38.480
<v Speaker 1>It's a cool experience, you know. I was super excited

0:26:38.520 --> 0:26:39.760
<v Speaker 1>and happy. Of course, why not.

0:26:43.280 --> 0:26:45.600
<v Speaker 2>On the first night of the shoot camp, Louise came

0:26:45.640 --> 0:26:47.040
<v Speaker 2>over to Gabriella.

0:26:47.440 --> 0:26:49.720
<v Speaker 1>Like, Hi, my name is Lois. What's your name? So

0:26:49.880 --> 0:26:52.879
<v Speaker 1>he already showed me magazines since covers with his name

0:26:52.920 --> 0:26:54.919
<v Speaker 1>because his name is Universe one thirty seven.

0:26:55.359 --> 0:26:57.440
<v Speaker 4>He invited her to shoot with him the next day,

0:26:57.920 --> 0:26:59.080
<v Speaker 4>and she agreed.

0:27:00.080 --> 0:27:04.119
<v Speaker 1>And they're at ten eleven a m ish to his

0:27:04.280 --> 0:27:08.000
<v Speaker 1>room to make pictures because he told me he likes

0:27:08.040 --> 0:27:10.440
<v Speaker 1>making pictures in the room, so I didn't think much

0:27:10.440 --> 0:27:12.080
<v Speaker 1>of it, and I told him at the beginning, I

0:27:12.119 --> 0:27:16.040
<v Speaker 1>don't have many experiences. If you have any kind of

0:27:16.080 --> 0:27:17.960
<v Speaker 1>suggestions of posing.

0:27:17.640 --> 0:27:18.080
<v Speaker 4>Guide me.

0:27:18.720 --> 0:27:21.960
<v Speaker 2>Gabrielle is so green that she hasn't yet decided her levels.

0:27:22.359 --> 0:27:25.000
<v Speaker 2>The boundaries model set in terms of how explicit they're

0:27:25.000 --> 0:27:26.040
<v Speaker 2>willing to shoot.

0:27:26.359 --> 0:27:28.760
<v Speaker 1>I did not know what I was prepared for. I

0:27:28.840 --> 0:27:32.560
<v Speaker 1>never planned on every kind of shooting nude.

0:27:33.000 --> 0:27:35.600
<v Speaker 4>Gabriella in the Ways begins shooting on the balcony.

0:27:38.119 --> 0:27:40.560
<v Speaker 1>I told him, I'm nervous. I've never, you know, made

0:27:40.560 --> 0:27:44.280
<v Speaker 1>so many pictures professionally done, and at first he was

0:27:44.400 --> 0:27:48.800
<v Speaker 1>positioning me on the balcony with underwear laundres. So with

0:27:48.920 --> 0:27:51.800
<v Speaker 1>every shots when there's music, he makes you feel a

0:27:51.800 --> 0:27:55.840
<v Speaker 1>little bit more comfortable, more relaxed, more easy, especially when saying, yeah,

0:27:56.000 --> 0:27:58.400
<v Speaker 1>your looks are pretty, you look great. Oh my god,

0:27:58.440 --> 0:28:00.919
<v Speaker 1>that is a gorgeous shot. There's going to be great pictures.

0:28:01.400 --> 0:28:08.600
<v Speaker 2>Gabriella says that Luise suggested they move inside to the bedroom.

0:28:08.800 --> 0:28:11.159
<v Speaker 1>It was first lingerie and then do you want to

0:28:11.280 --> 0:28:12.520
<v Speaker 1>put your bra down?

0:28:13.280 --> 0:28:16.200
<v Speaker 2>Gabriella describes Luise as patiently insistent.

0:28:16.880 --> 0:28:19.480
<v Speaker 4>He doesn't overwhelm her. He plays nice.

0:28:20.000 --> 0:28:23.240
<v Speaker 1>And then your slowly, step by step, also get into

0:28:23.280 --> 0:28:26.480
<v Speaker 1>the content of making nude pictures. I told him that

0:28:26.560 --> 0:28:30.120
<v Speaker 1>I don't feel comfortable. I've never done that. He said,

0:28:30.119 --> 0:28:32.760
<v Speaker 1>you know what, no worries. It's just gonna be pictures

0:28:32.760 --> 0:28:35.480
<v Speaker 1>for you. You can use them for your boyfriend or

0:28:35.640 --> 0:28:39.760
<v Speaker 1>man whatever. You should just capture the beauty of yourself.

0:28:40.920 --> 0:28:44.000
<v Speaker 1>And I believed him because I was, you know, figuring

0:28:44.200 --> 0:28:48.760
<v Speaker 1>he is an honest, respectful man. He's a professional photographer.

0:28:48.840 --> 0:28:51.640
<v Speaker 1>I figured it's okay for me as a woman to

0:28:51.760 --> 0:28:54.920
<v Speaker 1>feel pretty and beautiful and comfortable in my own skip.

0:28:55.640 --> 0:28:59.480
<v Speaker 1>That's the intention that I had for myself when I

0:28:59.480 --> 0:29:03.080
<v Speaker 1>always making pictures of me being fully naked.

0:29:04.360 --> 0:29:06.920
<v Speaker 4>Then Louise suggests that they do some filming.

0:29:09.160 --> 0:29:11.880
<v Speaker 1>And I asked him again, you know you're not gonna

0:29:11.920 --> 0:29:14.480
<v Speaker 1>put them anywhere. No, they're just for you and stuff

0:29:14.520 --> 0:29:14.720
<v Speaker 1>like that.

0:29:21.840 --> 0:29:24.560
<v Speaker 2>For the next few minutes, you'll hear Gabriella talk about

0:29:24.560 --> 0:29:25.960
<v Speaker 2>what she alleges happened next.

0:29:27.240 --> 0:29:29.920
<v Speaker 1>While he was making me feel more and more comfortable

0:29:30.120 --> 0:29:33.680
<v Speaker 1>and making sexyon videos and pictures of me, he was

0:29:33.720 --> 0:29:36.880
<v Speaker 1>putting the camera down, and after he put it down,

0:29:36.960 --> 0:29:39.880
<v Speaker 1>he started his way up from my feet and legs,

0:29:39.960 --> 0:29:45.520
<v Speaker 1>kissing me upwards. I was scared to leave at this

0:29:45.640 --> 0:29:47.360
<v Speaker 1>point when I was with him alone in the room.

0:29:47.360 --> 0:29:48.760
<v Speaker 1>So what other options do I have?

0:29:49.240 --> 0:29:53.200
<v Speaker 2>Gabriella says it escalated to penetrative sex. She says she

0:29:53.240 --> 0:29:55.880
<v Speaker 2>didn't say no to Luis because she was too scared.

0:29:56.720 --> 0:29:59.840
<v Speaker 1>There were so many thoughts in my head from one second.

0:30:01.240 --> 0:30:03.800
<v Speaker 1>So if I'm gonna say no, what are the consequences.

0:30:03.960 --> 0:30:07.600
<v Speaker 1>He can choke me, he can beat me on my head,

0:30:07.840 --> 0:30:11.680
<v Speaker 1>he has maybe a knife, I don't know what else.

0:30:12.040 --> 0:30:18.760
<v Speaker 1>Too many thoughts rushing through my brain. That the possibility

0:30:18.800 --> 0:30:25.280
<v Speaker 1>of me saying no was more harmful in my scenarios

0:30:25.280 --> 0:30:28.280
<v Speaker 1>that I was making up than just saying yes to

0:30:28.320 --> 0:30:30.760
<v Speaker 1>just get over, just let him have it, Just close

0:30:30.800 --> 0:30:31.760
<v Speaker 1>your eyes and it's done.

0:30:33.120 --> 0:30:36.640
<v Speaker 2>To be clear, Luis didn't threaten Gabriella, but she was

0:30:36.680 --> 0:30:38.880
<v Speaker 2>alone in a room with a man she just met.

0:30:39.200 --> 0:30:40.360
<v Speaker 2>She still felt a risk.

0:30:40.920 --> 0:30:45.320
<v Speaker 1>I was feeling and in a us endangerous situation. My

0:30:45.560 --> 0:30:49.400
<v Speaker 1>brain was like frozen. It was shutting off just I

0:30:49.440 --> 0:30:53.480
<v Speaker 1>would say survival mode. I believe it was the longest

0:30:53.600 --> 0:30:55.120
<v Speaker 1>and also at the same time, for it was a

0:30:55.160 --> 0:31:00.720
<v Speaker 1>few seconds or minutes of my life.

0:31:05.240 --> 0:31:07.640
<v Speaker 4>When it's over, Gabriella gets up to leave.

0:31:08.240 --> 0:31:12.120
<v Speaker 1>Her mind is racing, not making it obvious that I'm

0:31:12.160 --> 0:31:16.000
<v Speaker 1>super scared and nervous and shaking inside. Once I was

0:31:16.040 --> 0:31:19.880
<v Speaker 1>actually right. Two minutes later in my room, I just

0:31:19.920 --> 0:31:21.440
<v Speaker 1>figured what the fuck.

0:31:22.800 --> 0:31:26.400
<v Speaker 2>It left her grappling with the idea of consent. Gabriella

0:31:26.440 --> 0:31:28.880
<v Speaker 2>called her mom to help her understand what happened.

0:31:30.200 --> 0:31:35.000
<v Speaker 1>I didn't cry because I didn't want her to be

0:31:35.120 --> 0:31:38.520
<v Speaker 1>scared or worried about me. But I'm so glad and

0:31:38.600 --> 0:31:42.040
<v Speaker 1>grateful that she was here having an open heart and

0:31:42.120 --> 0:31:45.640
<v Speaker 1>listening to me and supporting me and knowing I can

0:31:45.680 --> 0:31:49.520
<v Speaker 1>be honest to herself without being judged. That's what I

0:31:49.600 --> 0:31:53.440
<v Speaker 1>needed at this moment, calling my mother and not being judged.

0:31:54.800 --> 0:31:58.000
<v Speaker 1>And you know, at least I didn't get strangled, I

0:31:58.040 --> 0:31:59.040
<v Speaker 1>didn't get beaten up.

0:31:59.240 --> 0:31:59.880
<v Speaker 4>That was my man.

0:32:02.520 --> 0:32:04.680
<v Speaker 1>I'm not gonna say I'm a victim, However, I was

0:32:04.720 --> 0:32:07.480
<v Speaker 1>an ef I'm gonna tell you right up front, I

0:32:07.600 --> 0:32:11.400
<v Speaker 1>was stupid and naive because I didn't know. You blame herself.

0:32:11.640 --> 0:32:13.600
<v Speaker 1>That's the thing, what I did? You blame yourself. You

0:32:13.600 --> 0:32:15.680
<v Speaker 1>feel so stupid, you feel so what the fuck did

0:32:15.720 --> 0:32:17.960
<v Speaker 1>I do? Why am I so stupid? And that's the

0:32:18.000 --> 0:32:21.720
<v Speaker 1>thing I did not know. I already cried about it.

0:32:21.800 --> 0:32:25.120
<v Speaker 1>You know what, when you can tell a story without crying,

0:32:25.920 --> 0:32:30.840
<v Speaker 1>this is the sign that you healed, you healed. I'm

0:32:30.840 --> 0:32:33.440
<v Speaker 1>not a victim. I'm a fighter. I'm a warrior.

0:32:35.120 --> 0:32:37.160
<v Speaker 2>Gabriella was able to get through the rest of that

0:32:37.360 --> 0:32:40.400
<v Speaker 2>terrible day by surrounding herself with the other models at

0:32:40.440 --> 0:32:44.160
<v Speaker 2>the event, and they gave her the confidence to confront

0:32:44.160 --> 0:32:44.520
<v Speaker 2>the ways.

0:32:45.640 --> 0:32:48.440
<v Speaker 1>I will tell you even what happened later during that day.

0:32:48.760 --> 0:32:52.600
<v Speaker 1>I'm at the best women that could have ever met.

0:32:55.440 --> 0:32:58.480
<v Speaker 1>These girls advised me to make a recording of.

0:32:58.600 --> 0:33:04.320
<v Speaker 2>Him coming up on the Bonnie Trap.

0:33:06.400 --> 0:33:10.520
<v Speaker 4>Ladies, I got that, I got it all. I got

0:33:10.520 --> 0:33:12.760
<v Speaker 4>it all, I got it all, I got it all.

0:33:13.120 --> 0:33:17.680
<v Speaker 1>Oh my god, oh my god.

0:33:18.280 --> 0:33:19.800
<v Speaker 4>Would you like to see him prosecuted?

0:33:20.320 --> 0:33:22.600
<v Speaker 8>I would if I had a chance, because I know

0:33:22.640 --> 0:33:23.800
<v Speaker 8>there's people who back me up.

0:33:26.280 --> 0:33:26.960
<v Speaker 4>It's not just me.

0:33:28.240 --> 0:33:39.640
<v Speaker 8>We're an Army in comparison to him.

0:33:39.680 --> 0:33:41.760
<v Speaker 4>Thanks to the women who shared their stories with us.

0:33:42.240 --> 0:33:45.480
<v Speaker 2>We contacted Luis Gomez multiple times for comment, but we

0:33:45.600 --> 0:33:48.160
<v Speaker 2>never heard back. He has not been charged with any

0:33:48.160 --> 0:33:51.840
<v Speaker 2>crimes and is presumed innocent under the law. We also

0:33:51.880 --> 0:33:55.360
<v Speaker 2>sought comment from Playboy USA. They declined our request for

0:33:55.400 --> 0:33:58.440
<v Speaker 2>an interview, but stated that they asked their licensees to

0:33:58.480 --> 0:34:01.640
<v Speaker 2>blacklist the photographer mentioned in this series and that they

0:34:01.640 --> 0:34:04.600
<v Speaker 2>prohibit paid to play the practice of charging models to

0:34:04.640 --> 0:34:17.160
<v Speaker 2>appear in magazines. The Bonnie Trap is produced by Novel.

0:34:17.640 --> 0:34:21.680
<v Speaker 2>For more from Novel, visit novel dot Audio. The show

0:34:21.760 --> 0:34:24.080
<v Speaker 2>is hosted by me Ellie Flynn. You can find me

0:34:24.120 --> 0:34:27.080
<v Speaker 2>on social media by searching my name that's eb l

0:34:27.160 --> 0:34:30.480
<v Speaker 2>i e f Y double N. This season is produced

0:34:30.520 --> 0:34:33.680
<v Speaker 2>by Eleanor Biggs and written by me Ellie Flynn and

0:34:33.719 --> 0:34:37.800
<v Speaker 2>Eleana Biggs. Our assistant producer is Amalia Sortland, with additional

0:34:37.840 --> 0:34:41.520
<v Speaker 2>production from Lee Meyer and Saskia Collette. Additional research by

0:34:41.560 --> 0:34:45.040
<v Speaker 2>Valeria Rocker. The editors are Georgia Moody and Austin Mitchell.

0:34:45.440 --> 0:34:49.399
<v Speaker 2>Our executive producers are Max O'Brien and Craig Strachan. Our

0:34:49.400 --> 0:34:53.280
<v Speaker 2>fact checker is Fendall Fulton, Production management from Scherie Houston

0:34:53.440 --> 0:34:57.360
<v Speaker 2>and Charlotte Wolf. Sound design, mixing and scoring by Daniel

0:34:57.400 --> 0:35:02.240
<v Speaker 2>Kempson and Nicholas Alexander, Music supervision by Nicholas Alexander, Elena

0:35:02.320 --> 0:35:06.160
<v Speaker 2>Biggs and Max O'Brien, Original music composed and performed by

0:35:06.239 --> 0:35:10.560
<v Speaker 2>Jake Long, and additional production by Nicholas Alexander, Louisa Gersteine

0:35:10.719 --> 0:35:14.400
<v Speaker 2>and Daniel Kempson. The series artwork was designed by Christina

0:35:14.480 --> 0:35:17.800
<v Speaker 2>Limcol Willard Foxton, its creative director of Development

0:35:30.000 --> 0:35:30.360
<v Speaker 1>Novel