WEBVTT - 'Root of Evil' Update with Zak Levitt: Part 1

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<v Speaker 2>Hello, everyone, welcome back to Facing Evil.

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<v Speaker 3>I'm Rasha Pecerreira and I'm Evett Genteeley and today's episode

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<v Speaker 3>is beyond special to us. And this episode is going

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<v Speaker 3>to be a two parter because it has been a

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<v Speaker 3>long time in the making for this particular one.

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<v Speaker 2>Yes, it absolutely has, and we are finally giving our

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<v Speaker 2>Root of Evil and Facing Evil fans exactly what they

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<v Speaker 2>want and in depth look at the making of our

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<v Speaker 2>hit podcast. Asked Root of Evil the true story of

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<v Speaker 2>the Hodel family and the Black Dahlia.

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<v Speaker 3>And the best way to do that is to have

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<v Speaker 3>the creator, the man himself, the producer, the writer, the

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<v Speaker 3>director of Root of Evil, mister Zach Levitt is here

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<v Speaker 3>with us on Facing Evil como.

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<v Speaker 4>My I am so excited to be here. I thank

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<v Speaker 4>you for asking me on. Thank you for the opportunity

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<v Speaker 4>to talk about what was such a special time in

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<v Speaker 4>my career, in my life and getting to know you

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<v Speaker 4>guys and making the show, and this is sort of

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<v Speaker 4>the conversation that I've been waiting to have for a while,

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<v Speaker 4>to talk about the making of the show and what

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<v Speaker 4>we went through and the journey. And I'm really excited.

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<v Speaker 4>So thank you for having me on.

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<v Speaker 5>Thank you, thank you here.

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<v Speaker 2>Yeah, like this, like you said, this has been years

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<v Speaker 2>in the making.

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<v Speaker 5>This conversation.

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<v Speaker 2>Every single listener is going to want to listen in

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<v Speaker 2>on because we're going to answer all of the questions

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<v Speaker 2>and Yvette and I get DMS messages, calls, all the

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<v Speaker 2>things on the daily, and we have been getting all

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<v Speaker 2>those since twenty nineteen when Root of Evil came out.

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<v Speaker 2>We're going to answer everything, and we more importantly, we're

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<v Speaker 2>going to have that amazing conversation with you, Zach, and

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<v Speaker 2>we're going to talk about everything that was left on

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<v Speaker 2>the cutting room floor of Rood of Evil. A lot

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<v Speaker 2>of people don't know what was left on the counting

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<v Speaker 2>room floor is monumental to the story and to our lives.

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<v Speaker 2>And we're going to answer that big question, who was

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<v Speaker 2>our mom's father? Was it George Hodell, Was it her

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<v Speaker 2>grandfather or was it not. We're going to get into

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<v Speaker 2>all of that today. Zach Lovitt is a two time Emmy, Peabody, NAACP,

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<v Speaker 2>Image and New York Press Club Award winning documentary, film

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<v Speaker 2>and podcast creator who has helmed some of the most

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<v Speaker 2>popular and acclaimed documentaries of all time. Zach's hit podcasts

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<v Speaker 2>include Gangster Capitalism, The Sunshine Place, Relative Unknown, and our

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<v Speaker 2>smash hit true crime podcast, Root of Evil, The True

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<v Speaker 2>Story of the Hodell Family and The Black Dahlia. And

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<v Speaker 2>next up for Zach, not only is he creating, producing,

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<v Speaker 2>directing all the things, he is finally stepping in front

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<v Speaker 2>of the mic as the host of the highly anticipated

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<v Speaker 2>podcast The Set.

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<v Speaker 3>So prior to you making podcasts, Zach has made documentary

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<v Speaker 3>films from his time with the NBA. So we're talking

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<v Speaker 3>about thirty for thirty, Clutch City, Bad Boys, The Doctor,

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<v Speaker 3>Doctor j Doctor Julius Irving, who I just have to

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<v Speaker 3>say it was my dad's favorite, along with mine, The

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<v Speaker 3>Dream Team, The Announcement, and Once Brothers. I mean, Zach,

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<v Speaker 3>you have stood out as a fierce force and a

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<v Speaker 3>tenacious storyteller.

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<v Speaker 5>Zach, But what I.

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<v Speaker 3>Really love most about you and this is this is

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<v Speaker 3>so true and it's in your bio. But you can

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<v Speaker 3>work with the biggest names in the entertainment, but then

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<v Speaker 3>you can work with unknown characters like us. But you

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<v Speaker 3>bring everybody's story to light. And we feel that in

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<v Speaker 3>all that you do, like there's heart, there's grit, there's connection,

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<v Speaker 3>and that is a that is a storyteller at its finest.

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<v Speaker 5>Zach.

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<v Speaker 4>So, well, here's what I'm going to say the next

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<v Speaker 4>time I have a massive crisis of confidence on the

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<v Speaker 4>next project that I do, which there will be, because

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<v Speaker 4>it always comes where you say this is not going

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<v Speaker 4>to be good. Nobody's going to want to see or

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<v Speaker 4>listen to this. I'm going to listen back to that.

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<v Speaker 4>So thank you for that. That's super kind. And you know,

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<v Speaker 4>I mean, I think for me, I go into every

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<v Speaker 4>story beginning with a sense of curiosity. Who are the people.

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<v Speaker 4>That's really what I connect with, whether it's a it's

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<v Speaker 4>a former basketball player or athlete, or the two of you,

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<v Speaker 4>or anybody that I have, you know, put into one

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<v Speaker 4>of these stories. It's a curiosity about your lives and

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<v Speaker 4>what you've been through. And you know, gaining that level

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<v Speaker 4>of understanding. To be able to convey that to the

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<v Speaker 4>audience is what I love about what I do more

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<v Speaker 4>than anything, making those connections. And you know, the greatest

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<v Speaker 4>thing to me about these stories and working on documentaries

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<v Speaker 4>are the relationships that you make, you know, And here

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<v Speaker 4>we are five five years later from when we first

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<v Speaker 4>spoke on the phone and I first came out to

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<v Speaker 4>San Francisco and LA to meet up with you and

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<v Speaker 4>and do these these shoots, these these recordings. Here we

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<v Speaker 4>are five years later, and that relationship has grown to

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<v Speaker 4>this point. And I love that about docs because it's

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<v Speaker 4>such an intimate task. It's such an intimate journey to

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<v Speaker 4>to get to know the people on a level where

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<v Speaker 4>you know you can trust each other in the telling

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<v Speaker 4>of the story and and trust each other with your deepest,

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<v Speaker 4>darkest secrets and your lives, and you know, and that's

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<v Speaker 4>a that's a big undertaking. And you know, I that

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<v Speaker 4>is certainly something that I hold as incredibly important. And uh,

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<v Speaker 4>I love the fact that I have been able to

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<v Speaker 4>continue these relationships through the years, and that's a really

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<v Speaker 4>rewarding part of what I do, being able to to

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<v Speaker 4>to follow along in your lives as well. And look

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<v Speaker 4>at I mean, now you have your own podcast, and.

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<v Speaker 5>Thank you, mister Zach Lovett to mister Donald, all right,

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<v Speaker 5>it's because.

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<v Speaker 4>Of what you've been able to do and and people

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<v Speaker 4>have made that connection with the two of you and

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<v Speaker 4>they hear the you know, the warmth in your voices

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<v Speaker 4>and the and the sincerity and so I'm just it's

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<v Speaker 4>a stretch to say proud parent, but that's sort of

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<v Speaker 4>what I feel sometimes, I know, God brother, Yeah, absolutely,

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<v Speaker 4>that's a much better analogy. So that's super rewarding for me.

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<v Speaker 4>So this is like full circle.

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<v Speaker 2>It is full circle, and you're you're a true storyteller exactly.

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<v Speaker 3>And I was gonna that was going to be one

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<v Speaker 3>of my first questions for you, Zach, is because you

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<v Speaker 3>have this you know, immense body of work. Right where

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<v Speaker 3>you started in the NBA, right it was all about

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<v Speaker 3>the sports and the basketball. And then I guess my

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<v Speaker 3>question is how did you transition from you know, documentary

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<v Speaker 3>films to podcasting? How did that come about?

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<v Speaker 4>Yeah? So, I mean I was lucky in a sense

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<v Speaker 4>when I began working in production with the NBA. I

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<v Speaker 4>always wanted to get into production. I just I didn't

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<v Speaker 4>know anything about it. So you know, how do you

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<v Speaker 4>break your way in? And so working at NBA Entertainment

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<v Speaker 4>was the perfect opportunity. I mean, I'm a huge basketball fan,

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<v Speaker 4>and it afforded me the opportunity to learn production from

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<v Speaker 4>the start, you know, as a production assistant, work my

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<v Speaker 4>way up, and I realized that I loved to do it.

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<v Speaker 4>I loved pulling overnighters in the edit room and making

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<v Speaker 4>the deadline and trying, you know, just trying to work

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<v Speaker 4>on being an actual storyteller. And so I was able

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<v Speaker 4>to do that and had that tremendous opportunity to make

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<v Speaker 4>some thirty for thirties and these other films, and through

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<v Speaker 4>that I sort of wanted to branch out. I didn't

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<v Speaker 4>want to do sports stories anymore at that point. In fact,

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<v Speaker 4>the ones that I did, I was always sort of

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<v Speaker 4>searching for an angle to connect in a more human way,

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<v Speaker 4>you know, rather.

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<v Speaker 5>Than the heart of the story.

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<v Speaker 4>Yeah, rather than portraying a basketball player, who is this person?

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<v Speaker 4>And so that has always been what I've been drawn to.

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<v Speaker 4>And at a certain point I had made the decision

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<v Speaker 4>that I wanted to do that in a different way,

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<v Speaker 4>and this opportunity became available to come on and start

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<v Speaker 4>an Originals division for Caden's Thirteen, and initially it was

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<v Speaker 4>going to be sports stories, and I said, well, I

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<v Speaker 4>kind of want to do other stuff. And Chris Corcoran,

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<v Speaker 4>who hired me, to his credit, he just sort of said,

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<v Speaker 4>that sounds great, whatever you think. And having said all that,

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<v Speaker 4>as I'm you know, having these talks to come on board,

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<v Speaker 4>talks were already going on behind the scenes between Caden's

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<v Speaker 4>Thirteen and TNT for a Sister podcast, which sounded really cool.

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<v Speaker 4>I can actually picture where I was in my old house,

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<v Speaker 4>stand in the room having this conversation, asking the question, well,

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<v Speaker 4>are any of the family members around?

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<v Speaker 3>That's exactly what I was going to ask, Like, take

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<v Speaker 3>us back to that moment, right when you decided to

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<v Speaker 3>do this.

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<v Speaker 4>Yeah, when I read your mom's book, as I said,

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<v Speaker 4>I was fascinated and I'm like, wow, there is a

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<v Speaker 4>lot here.

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<v Speaker 5>Right, one little layer of the onion exactly.

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<v Speaker 4>It was the first layer of the onion. But I

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<v Speaker 4>was devastated that to find out that your mom had

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<v Speaker 4>passed because my initial thought was, she'll tell her own story. Yeah,

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<v Speaker 4>she's never done this except for her book, and that'll

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<v Speaker 4>be really interesting. And I knew from her book that

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<v Speaker 4>she had a daughter named the Vett.

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<v Speaker 5>I know, I'm not I'm barely mentioned. I'm in the epilogue.

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<v Speaker 2>You probably didn't read the epilogue.

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<v Speaker 4>So I remember on that call with TNT, they said, well,

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<v Speaker 4>we'll put you in touch with the girls.

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<v Speaker 5>And you're like the girls with.

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<v Speaker 4>Any girls, there's more than one. And I said to myself,

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<v Speaker 4>oh shit, like, how am I going to incorporate two

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<v Speaker 4>of them as potential hosts? You know what is that

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<v Speaker 4>going to look like? So all of these things were

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<v Speaker 4>swirling in my mind in the background as we had

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<v Speaker 4>our first conversation. And I'm trying to remember. I think

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<v Speaker 4>I may have spoken with Sam Sheridan prior to speaking

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<v Speaker 4>with you read Yeah, yeah, so Sam Sheridan was the

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<v Speaker 4>writer and I think the ep and I am the Night, Yeah,

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<v Speaker 4>And so I spoke to him. I remember the first

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<v Speaker 4>question I asked him was, can you send me your

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<v Speaker 4>reading list, like all the books that you read to

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<v Speaker 4>write I Am the Night because I need to start researching.

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<v Speaker 4>And so he sent me a whole list of books

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<v Speaker 4>and I went out and I read all of them.

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<v Speaker 4>And it was such a wide range of topics, from

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<v Speaker 4>surrealist art to the history of LA and you know,

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<v Speaker 4>I found a bunch on my own that I read

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<v Speaker 4>as well. And one of the things that he said

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<v Speaker 4>on that conversation and I was just, I mean, I'm

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<v Speaker 4>trying to sort of jump on the treadmill as it's

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<v Speaker 4>speeding along. And you've been writing this thing for however long,

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<v Speaker 4>a year or longer.

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<v Speaker 5>I know that you worked with Mom for a year

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<v Speaker 5>before he passed. Yeah.

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<v Speaker 4>Yeah, so you know, any story that I do, my

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<v Speaker 4>first thing is to do research, and I try to

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<v Speaker 4>literally read everything possible it's ever been written about those topics,

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<v Speaker 4>so that you know, if I'm going to tell the story,

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<v Speaker 4>I have to be an authority on that story. But

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<v Speaker 4>one of the things that he mentioned in that conversation was,

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<v Speaker 4>so I just spoke to the girls Russia and Nivette,

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<v Speaker 4>and I'm saying to myself, Okay, Rasha, I didn't know

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<v Speaker 4>there was a second daughter. And he said, they told

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<v Speaker 4>me that they just went on twenty three and meters.

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<v Speaker 4>They just submitted their DNA to twenty three and meter

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<v Speaker 4>but I told them not to check the results until

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<v Speaker 4>they speak with you.

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<v Speaker 5>He actually had it done before Mom passed.

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<v Speaker 2>But yeah, but we hadn't checked because some things were

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<v Speaker 2>coming up real funky, and we're like, oh my god,

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<v Speaker 2>this is going to prove that George was Mom's father.

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<v Speaker 4>So I said, DNA results, you know, what is that

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<v Speaker 4>all about? That sounds interesting and it sounds like it

0:13:45.880 --> 0:13:48.920
<v Speaker 4>could be an interesting sort of reveal for the podcast.

0:13:49.480 --> 0:13:51.400
<v Speaker 4>I'll just talk to them. I don't even know DNA

0:13:51.480 --> 0:13:55.160
<v Speaker 4>results for what? Right again? I remember where I was

0:13:55.200 --> 0:13:57.080
<v Speaker 4>the first time we spoke. I was sitting in my

0:13:57.200 --> 0:13:59.640
<v Speaker 4>car in the parking lot of the library in the

0:13:59.679 --> 0:14:02.360
<v Speaker 4>town I live in, because I had just taken out

0:14:02.360 --> 0:14:06.600
<v Speaker 4>a bunch of books, and we spoke, and I remember

0:14:07.360 --> 0:14:10.839
<v Speaker 4>feeling this utter sense of warmth emanating from the two

0:14:10.880 --> 0:14:14.600
<v Speaker 4>of you, and you were both open to any idea

0:14:14.640 --> 0:14:18.520
<v Speaker 4>that I had and ready to ready to really just

0:14:18.920 --> 0:14:22.240
<v Speaker 4>tackle the story and go wherever I asked you to go.

0:14:22.440 --> 0:14:27.800
<v Speaker 4>And whether it was fly to la or down to

0:14:27.880 --> 0:14:31.520
<v Speaker 4>San fran from Portland or whatever whatever it was, you

0:14:31.600 --> 0:14:34.320
<v Speaker 4>were both ready to do anything. And I asked you,

0:14:34.320 --> 0:14:38.000
<v Speaker 4>you know, if you would be willing to be the hosts.

0:14:38.240 --> 0:14:40.000
<v Speaker 3>Wait wait, wait, wait, I got to throw this in.

0:14:40.080 --> 0:14:43.160
<v Speaker 3>So I remember where I was. I was in my

0:14:43.240 --> 0:14:46.360
<v Speaker 3>car as well. You know, This was before twenty twenty

0:14:46.480 --> 0:14:50.000
<v Speaker 3>when everything shut down. San Francisco was still bustling, people

0:14:50.040 --> 0:14:53.880
<v Speaker 3>were walking everywhere, and we were getting this call from

0:14:54.160 --> 0:14:56.080
<v Speaker 3>Zach Levitt. You know, Sam said, you're going to get

0:14:56.080 --> 0:14:58.120
<v Speaker 3>this call from Zach Levitt. He wants to talk to

0:14:58.160 --> 0:15:02.480
<v Speaker 3>both of you. And I just remember feeling so I

0:15:02.560 --> 0:15:05.640
<v Speaker 3>always like to describe it as just you cradled us,

0:15:05.880 --> 0:15:08.360
<v Speaker 3>you know what I mean, Like you made us feel

0:15:08.840 --> 0:15:14.800
<v Speaker 3>so at home in that very first conversation. From that moment,

0:15:15.000 --> 0:15:17.280
<v Speaker 3>we you know, literally fell in love with you. And

0:15:17.320 --> 0:15:20.640
<v Speaker 3>you know that that doesn't happen often, but we could

0:15:20.680 --> 0:15:24.600
<v Speaker 3>tell that. You know, you were a solid, solid guy

0:15:25.000 --> 0:15:27.400
<v Speaker 3>who really wanted to do the story right.

0:15:27.960 --> 0:15:28.480
<v Speaker 4>Thank you.

0:15:28.880 --> 0:15:31.680
<v Speaker 2>And you have to remember too, we have to tell

0:15:31.720 --> 0:15:34.240
<v Speaker 2>our listeners this story. I remember, and I don't know

0:15:34.240 --> 0:15:36.360
<v Speaker 2>if it was in that first conversation. And yes, I

0:15:36.440 --> 0:15:38.520
<v Speaker 2>remember where I was. I was five feet from where

0:15:38.520 --> 0:15:40.640
<v Speaker 2>I am right now since I'm recording in my closet.

0:15:40.680 --> 0:15:44.720
<v Speaker 2>I was in my bedroom and I was instantly captivated

0:15:44.720 --> 0:15:46.920
<v Speaker 2>by your voice and I'm like, oh my god, like

0:15:46.960 --> 0:15:50.200
<v Speaker 2>I could listen to you talk for hours. But I

0:15:50.240 --> 0:15:52.360
<v Speaker 2>remember you saying, and I don't remember if it was

0:15:52.400 --> 0:15:54.240
<v Speaker 2>that first. I know, Zach, I know you don't like

0:15:54.240 --> 0:15:56.000
<v Speaker 2>your voice, but I love your fat Zach.

0:15:56.120 --> 0:15:58.920
<v Speaker 5>Accept it. You're a podcast post. Now you're in our

0:15:58.960 --> 0:15:59.680
<v Speaker 5>same realm.

0:16:00.120 --> 0:16:02.560
<v Speaker 2>But I remember, and I don't remember if it was

0:16:02.600 --> 0:16:05.200
<v Speaker 2>that very first conversation or the thousands we had after that,

0:16:05.280 --> 0:16:08.240
<v Speaker 2>but you're like, all right, Yvett and Russia like I'm

0:16:08.280 --> 0:16:11.080
<v Speaker 2>not sure which one of you I'm going to pick

0:16:11.080 --> 0:16:11.840
<v Speaker 2>as the host.

0:16:12.520 --> 0:16:15.160
<v Speaker 4>Wow, I don't remember that. I was probably like hedging

0:16:15.280 --> 0:16:17.400
<v Speaker 4>my best or something like right.

0:16:17.560 --> 0:16:20.360
<v Speaker 2>And and we're like, yeah, you know, it's we're just

0:16:20.400 --> 0:16:22.920
<v Speaker 2>happy to be a part of it. And Mom, you know,

0:16:22.960 --> 0:16:25.920
<v Speaker 2>it's like she knew what a podcast was before podcasts existed,

0:16:25.920 --> 0:16:28.680
<v Speaker 2>because she started recording and making all these recordings for

0:16:28.760 --> 0:16:29.760
<v Speaker 2>years and years and years.

0:16:30.440 --> 0:16:33.280
<v Speaker 5>And you know, Yvette and I have never had jealousy

0:16:33.480 --> 0:16:34.720
<v Speaker 5>anything like that, and we're like.

0:16:34.880 --> 0:16:38.840
<v Speaker 3>Never never any competition. So we were like, okay, well whoever.

0:16:38.680 --> 0:16:41.920
<v Speaker 5>Yep, whatever, and then you were like, no, it has

0:16:41.960 --> 0:16:43.200
<v Speaker 5>to be the two of you. I mean you tell

0:16:43.280 --> 0:16:43.720
<v Speaker 5>us like.

0:16:44.040 --> 0:16:47.320
<v Speaker 4>Yeah, well, I do remember that part because and I

0:16:47.320 --> 0:16:49.800
<v Speaker 4>think I told you this early on when we when

0:16:49.840 --> 0:16:53.400
<v Speaker 4>we first met. I've never seen siblings and I have

0:16:53.440 --> 0:16:56.000
<v Speaker 4>a brother that I'm super close with, but I've never

0:16:56.040 --> 0:17:00.520
<v Speaker 4>seen siblings. There is no competition, there is no jealousy,

0:17:00.560 --> 0:17:02.960
<v Speaker 4>There is nothing between the two of you except this,

0:17:03.600 --> 0:17:07.480
<v Speaker 4>like I said before, this warmth. And you weren't proscriptive

0:17:07.840 --> 0:17:10.320
<v Speaker 4>about it, like you know, we do everything together. But

0:17:10.359 --> 0:17:12.560
<v Speaker 4>it was evident right from the start that this is

0:17:12.600 --> 0:17:15.480
<v Speaker 4>how it had to be because you were finishing each

0:17:15.480 --> 0:17:19.280
<v Speaker 4>other's sentences, and I mean it was like it was

0:17:19.280 --> 0:17:22.400
<v Speaker 4>like you were twins or something. But yeah, the energy

0:17:23.080 --> 0:17:25.280
<v Speaker 4>I knew that having the two of you together, and

0:17:25.800 --> 0:17:27.879
<v Speaker 4>also you leaned on each other emotionally.

0:17:28.400 --> 0:17:29.680
<v Speaker 5>Yeah we just lost mom.

0:17:30.160 --> 0:17:33.320
<v Speaker 4>Yeah, yeah, absolutely, and you were both in there for

0:17:33.359 --> 0:17:35.919
<v Speaker 4>each other. And then hearing you talk about one another

0:17:36.680 --> 0:17:38.840
<v Speaker 4>that was the selling point. And you know, I do

0:17:38.960 --> 0:17:41.680
<v Speaker 4>have to say because there was there was a consideration,

0:17:42.000 --> 0:17:44.600
<v Speaker 4>like you know, early on, you know, when I took

0:17:44.640 --> 0:17:47.679
<v Speaker 4>the job, it's like, Okay, everybody's got a podcast, right,

0:17:48.000 --> 0:17:50.800
<v Speaker 4>it's like running dough, yeah, media or wherever, you know,

0:17:51.359 --> 0:17:55.160
<v Speaker 4>listen to my podcast, and and you know, everybody sort

0:17:55.200 --> 0:18:01.000
<v Speaker 4>of takes that opportunity to put themselves out there right

0:18:01.119 --> 0:18:04.200
<v Speaker 4>and and to be you know, to have their own

0:18:04.280 --> 0:18:07.680
<v Speaker 4>podcast and to be a host and that was never

0:18:07.720 --> 0:18:11.360
<v Speaker 4>really a consideration for me, especially with this story, because

0:18:12.280 --> 0:18:14.159
<v Speaker 4>one of the things, you know, when people ask me,

0:18:15.040 --> 0:18:16.720
<v Speaker 4>you know what, what is sort of one of the

0:18:16.960 --> 0:18:19.920
<v Speaker 4>overriding thoughts that you have as you're making these stories,

0:18:19.960 --> 0:18:21.720
<v Speaker 4>and I always say, get out of the way of

0:18:21.760 --> 0:18:26.000
<v Speaker 4>the story. And again it sounds you know, it sounds cliche,

0:18:26.040 --> 0:18:29.399
<v Speaker 4>and it probably is. But for me, it was like,

0:18:29.720 --> 0:18:32.399
<v Speaker 4>you know, if I can get the people that I

0:18:32.440 --> 0:18:35.359
<v Speaker 4>need to to to open up and to talk, the

0:18:35.440 --> 0:18:37.800
<v Speaker 4>story is great, and what the hell can I add

0:18:37.840 --> 0:18:40.760
<v Speaker 4>to it other than putting it together and writing it

0:18:40.840 --> 0:18:44.080
<v Speaker 4>and sort of shepherding it. But it's it's not my

0:18:44.280 --> 0:18:47.240
<v Speaker 4>story to tell, So it was never going to be

0:18:47.280 --> 0:18:51.480
<v Speaker 4>a consideration for me to host it myself. Which is

0:18:51.520 --> 0:18:55.560
<v Speaker 4>funny because I have come full circle on now with

0:18:55.560 --> 0:18:59.120
<v Speaker 4>with which we'll talk about later, the set coming out

0:18:59.119 --> 0:19:01.840
<v Speaker 4>which I'm which I'm hosting. But the other thing was

0:19:01.840 --> 0:19:07.200
<v Speaker 4>that I absolutely hate my voice, hate love and I

0:19:07.680 --> 0:19:08.040
<v Speaker 4>to it.

0:19:08.320 --> 0:19:10.680
<v Speaker 2>You're just a perfectionist, Zach, and I have to say

0:19:10.680 --> 0:19:13.399
<v Speaker 2>that right now and put that out there, like you

0:19:14.160 --> 0:19:18.360
<v Speaker 2>are a perfectionists because you're a true storyteller and you

0:19:18.400 --> 0:19:21.280
<v Speaker 2>want to get it one hundred million percent right every

0:19:21.320 --> 0:19:21.960
<v Speaker 2>single time.

0:19:22.320 --> 0:19:26.959
<v Speaker 4>That's true to my own detriment something. But in addition

0:19:27.000 --> 0:19:29.359
<v Speaker 4>to hearing you know, the way the two of you

0:19:30.040 --> 0:19:32.879
<v Speaker 4>interacted with one another, it was also your voices. I

0:19:32.920 --> 0:19:35.879
<v Speaker 4>was like, holy shit, your voices are so good and

0:19:36.080 --> 0:19:39.880
<v Speaker 4>totally ready to do this, And so yeah, we were.

0:19:40.000 --> 0:19:42.440
<v Speaker 4>We were sort of off and running. But of course

0:19:42.480 --> 0:19:45.600
<v Speaker 4>at that point I had no idea who was who

0:19:45.640 --> 0:19:47.560
<v Speaker 4>and how deep the story.

0:19:47.280 --> 0:19:52.520
<v Speaker 2>Would get, right, and you know, talking about that on

0:19:52.560 --> 0:19:56.240
<v Speaker 2>that level, we and I mean, I'm going to speak

0:19:56.240 --> 0:19:57.720
<v Speaker 2>for you bet here, and I know she'll chime in.

0:19:58.480 --> 0:20:04.480
<v Speaker 2>We never thought that our Hodel o'hanna, our Hodel family

0:20:05.080 --> 0:20:08.400
<v Speaker 2>would sign on, only because Yvette and I have well,

0:20:08.440 --> 0:20:11.399
<v Speaker 2>I've been much more open than Evett. But our mom,

0:20:12.080 --> 0:20:15.280
<v Speaker 2>you know, told everyone she ever met her story and

0:20:15.400 --> 0:20:19.320
<v Speaker 2>wanted to hear other people's stories as well, but everyone

0:20:19.400 --> 0:20:22.960
<v Speaker 2>else was much more private. So I would love to

0:20:23.080 --> 0:20:29.160
<v Speaker 2>know how you got our great uncle Steve, our uncle Peace,

0:20:29.280 --> 0:20:34.280
<v Speaker 2>our uncle Love, our you know uncle Joy, our our

0:20:34.320 --> 0:20:39.240
<v Speaker 2>aunt f two. Everybody like, how how did that happen?

0:20:39.720 --> 0:20:43.080
<v Speaker 4>Well, first of all, when I heard from you that

0:20:43.160 --> 0:20:46.600
<v Speaker 4>you had uncles named Peace, Love and.

0:20:46.680 --> 0:20:50.760
<v Speaker 5>Joy, Yeah, that doesn't happen every day myself.

0:20:51.359 --> 0:20:52.880
<v Speaker 4>I grew up in Woodstock, New York.

0:20:52.960 --> 0:20:56.760
<v Speaker 5>I mean, and you've never heard of a Peace, Love

0:20:56.760 --> 0:20:57.280
<v Speaker 5>and Joy.

0:20:57.760 --> 0:20:59.239
<v Speaker 4>You know. I know a lot of people with some

0:20:59.320 --> 0:21:02.639
<v Speaker 4>interesting names, but when I heard that their their names

0:21:02.640 --> 0:21:07.080
<v Speaker 4>were Peace, Love and Joy, I said, Okay, that's interesting.

0:21:07.160 --> 0:21:10.520
<v Speaker 4>I at least want to talk to them. That's that's

0:21:10.560 --> 0:21:14.280
<v Speaker 4>really interesting. But before I even got there, I knew

0:21:14.359 --> 0:21:18.280
<v Speaker 4>I wanted to speak with Steve, with Uncle Steve Odell,

0:21:18.520 --> 0:21:24.000
<v Speaker 4>because I knew that in order to tell Fauna's story

0:21:24.040 --> 0:21:27.240
<v Speaker 4>that you know, the black dahlia had to be a

0:21:27.280 --> 0:21:30.080
<v Speaker 4>part of it. Absolutely Obviously, that's going to be the

0:21:30.119 --> 0:21:34.040
<v Speaker 4>thing that people recognize, and it's a trojan horse, really

0:21:34.280 --> 0:21:37.679
<v Speaker 4>great to tell this bigger story of the family. And

0:21:37.720 --> 0:21:40.680
<v Speaker 4>I also, with or without Steve, this was always going

0:21:40.720 --> 0:21:44.879
<v Speaker 4>to be a story about family, because there was no

0:21:44.960 --> 0:21:47.120
<v Speaker 4>way that I was going to just do a black

0:21:47.200 --> 0:21:50.600
<v Speaker 4>dahlia story. It had been done so many times. I

0:21:50.640 --> 0:21:53.600
<v Speaker 4>knew I could bring some level of authenticity to it.

0:21:53.680 --> 0:21:56.840
<v Speaker 4>But if it were just about the black Dallia, it

0:21:56.920 --> 0:22:01.840
<v Speaker 4>was going to be viewed as something sensational and you know,

0:22:02.280 --> 0:22:06.359
<v Speaker 4>capitalizing on this gruesome, unsolved murder. And I did not

0:22:06.520 --> 0:22:09.920
<v Speaker 4>want that, Yeah, And I think that that's what we

0:22:10.040 --> 0:22:12.600
<v Speaker 4>connected on for sure. And I think when I when

0:22:12.640 --> 0:22:15.480
<v Speaker 4>I told you that I really wanted to tell the

0:22:15.560 --> 0:22:18.400
<v Speaker 4>story of the family. You know, my sort of entry

0:22:18.480 --> 0:22:22.560
<v Speaker 4>point was who would give away this baby to, you know,

0:22:22.840 --> 0:22:25.919
<v Speaker 4>to a family in Sparks, Nevada, Nevada, a black family

0:22:26.040 --> 0:22:29.879
<v Speaker 4>and tell them that she's black when she wasn't and

0:22:30.040 --> 0:22:33.159
<v Speaker 4>put her through this turmoil of having no idea who

0:22:33.280 --> 0:22:35.760
<v Speaker 4>she was? And you know what is that all about?

0:22:35.880 --> 0:22:37.879
<v Speaker 4>Like why why would that happen? And you know you

0:22:37.960 --> 0:22:41.200
<v Speaker 4>mentioned the onion analogy before, and it's it's it's like,

0:22:41.280 --> 0:22:44.639
<v Speaker 4>once you start asking that first question, you're in the

0:22:44.720 --> 0:22:45.200
<v Speaker 4>rabbit hole.

0:22:45.359 --> 0:22:45.560
<v Speaker 5>Yeah.

0:22:46.359 --> 0:22:49.840
<v Speaker 4>Yeah, and the Black Dahlia is a whole other, enormous

0:22:49.960 --> 0:22:53.040
<v Speaker 4>rabbit hole that you know. It's like, you know, once

0:22:53.119 --> 0:22:56.240
<v Speaker 4>you go in, you can never really get out. And

0:22:56.359 --> 0:23:00.280
<v Speaker 4>in fact, once you see the pictures of Elizabeth Short,

0:23:00.760 --> 0:23:03.440
<v Speaker 4>it's hard to get that out of your mind.

0:23:04.040 --> 0:23:04.280
<v Speaker 2>Yeah.

0:23:04.680 --> 0:23:07.520
<v Speaker 4>And so in telling the family story, I knew that

0:23:07.960 --> 0:23:11.960
<v Speaker 4>I wanted to incorporate this investigation. And if I'm telling

0:23:12.040 --> 0:23:15.879
<v Speaker 4>the family story and the investigation, I have to have

0:23:16.040 --> 0:23:19.200
<v Speaker 4>Steve Hodell, who literally wrote the book on the investigation.

0:23:19.560 --> 0:23:19.800
<v Speaker 5>Yeah.

0:23:19.920 --> 0:23:22.720
<v Speaker 4>Yeah, and is of course part of the family. I mean,

0:23:23.000 --> 0:23:27.000
<v Speaker 4>the idea of a son investigating his own father and

0:23:27.080 --> 0:23:30.800
<v Speaker 4>the most famous unsolved murder in American history is that

0:23:31.119 --> 0:23:34.760
<v Speaker 4>alone is enough for a massive story, and then you

0:23:35.080 --> 0:23:37.600
<v Speaker 4>incorporate all of these other things that we found out.

0:23:38.400 --> 0:23:41.119
<v Speaker 4>So I knew that I really wanted to get to Steve.

0:23:41.520 --> 0:23:41.720
<v Speaker 2>Yeah.

0:23:42.119 --> 0:23:45.320
<v Speaker 4>And so once I got Steve, I spoke with Love,

0:23:45.440 --> 0:23:48.040
<v Speaker 4>and Love was generous enough to say that he would

0:23:48.040 --> 0:23:52.399
<v Speaker 4>do it. And Fauna number two, Deborah Elizabeth Fauna, she

0:23:52.640 --> 0:23:56.639
<v Speaker 4>was difficult at first because you know, obviously her story

0:23:56.800 --> 0:24:01.880
<v Speaker 4>is so personal and so devasting, and she wasn't sure

0:24:01.920 --> 0:24:04.080
<v Speaker 4>that she wanted to tell it. And the last thing

0:24:04.119 --> 0:24:07.240
<v Speaker 4>that I wanted to do was trigger her by digging

0:24:07.320 --> 0:24:11.399
<v Speaker 4>into her tast and re traumatize her. Yeah, And I

0:24:11.600 --> 0:24:14.280
<v Speaker 4>was really really sensitive to that. And so you know,

0:24:14.359 --> 0:24:18.120
<v Speaker 4>I told everybody, look, I would love to have you all,

0:24:18.480 --> 0:24:20.920
<v Speaker 4>and I don't want anybody else speaking about you or

0:24:20.960 --> 0:24:24.480
<v Speaker 4>telling your story other than yourselves. Peace and Joy were

0:24:24.480 --> 0:24:28.199
<v Speaker 4>the last to come around. And you know, once there

0:24:28.359 --> 0:24:30.600
<v Speaker 4>was that agreement, I knew it was going to be

0:24:30.640 --> 0:24:33.480
<v Speaker 4>special because I knew I knew that there was a

0:24:33.600 --> 0:24:37.639
<v Speaker 4>story that none of them had told that. You know,

0:24:37.840 --> 0:24:43.040
<v Speaker 4>I was hoping to provide this forum to maybe have

0:24:43.200 --> 0:24:46.439
<v Speaker 4>some sort of catharsists or to be able to speak

0:24:46.480 --> 0:24:49.560
<v Speaker 4>about what they'd been through and have people hear it

0:24:49.840 --> 0:24:52.760
<v Speaker 4>and let them know that they were fans of theirs.

0:24:52.920 --> 0:24:55.800
<v Speaker 4>And you know, and I think that that's you know,

0:24:55.960 --> 0:24:59.440
<v Speaker 4>I never offer anybody any money. I've never done that once. Yeah,

0:25:00.800 --> 0:25:05.280
<v Speaker 4>I don't offer anything other than you can finally tell

0:25:05.320 --> 0:25:08.200
<v Speaker 4>your story, you know, and people are people are going

0:25:08.280 --> 0:25:08.680
<v Speaker 4>to listen.

0:25:08.840 --> 0:25:11.880
<v Speaker 3>There's power in that, you know, going into that room

0:25:12.240 --> 0:25:15.240
<v Speaker 3>with all of us, it was cathartic, you know at

0:25:15.320 --> 0:25:18.840
<v Speaker 3>that moment in time. You know, we had never done

0:25:18.880 --> 0:25:22.639
<v Speaker 3>that before, so that, you know, was a blessing for

0:25:22.800 --> 0:25:26.880
<v Speaker 3>all of us. But like you just said, everybody will

0:25:26.960 --> 0:25:30.879
<v Speaker 3>continue to live their lives and tell their own story

0:25:31.080 --> 0:25:34.399
<v Speaker 3>and in whatever way that they choose to. We do

0:25:34.680 --> 0:25:37.199
<v Speaker 3>know that, you know, by doing Root of Evil, there

0:25:37.320 --> 0:25:40.680
<v Speaker 3>was so much There was so much there that was

0:25:40.800 --> 0:25:44.399
<v Speaker 3>left on the cutting room floor, right, Zach, And we

0:25:44.600 --> 0:25:46.240
<v Speaker 3>really need to jump into that.

0:25:46.800 --> 0:25:49.160
<v Speaker 4>Should we start with a six hour interview I did

0:25:49.240 --> 0:25:50.879
<v Speaker 4>with with the two of you that I think I

0:25:51.000 --> 0:25:54.800
<v Speaker 4>ended up using about three minutes of yes, because once

0:25:54.840 --> 0:25:57.600
<v Speaker 4>you were, once you were narrating, I was like, Okay,

0:25:57.680 --> 0:25:59.840
<v Speaker 4>well you know this is going to be even better

0:26:00.080 --> 0:26:01.040
<v Speaker 4>with your narration.

0:26:01.880 --> 0:26:02.959
<v Speaker 5>So I think it's really important.

0:26:03.000 --> 0:26:05.960
<v Speaker 2>I want to take the opportunity to say this because Zach,

0:26:06.320 --> 0:26:09.000
<v Speaker 2>what you shared, you know about the family, Yvet and

0:26:09.080 --> 0:26:13.679
<v Speaker 2>I have promised the Hotels that we would never speak

0:26:13.720 --> 0:26:16.560
<v Speaker 2>for them moving on in the future. But with all

0:26:16.640 --> 0:26:19.439
<v Speaker 2>of the publicity and everything, you know you're with us,

0:26:19.520 --> 0:26:22.040
<v Speaker 2>we did, doctor Phil, doctor Oz that today show all

0:26:22.080 --> 0:26:24.399
<v Speaker 2>the things. I do want to take this opportunity to

0:26:24.560 --> 0:26:28.280
<v Speaker 2>say that I learned so much in that process because

0:26:29.000 --> 0:26:33.840
<v Speaker 2>I realized that what our family the Hotels went through

0:26:34.520 --> 0:26:38.000
<v Speaker 2>is not my story to tell, and they chose to

0:26:38.160 --> 0:26:43.719
<v Speaker 2>share their story with us, with the world, and anything

0:26:43.800 --> 0:26:49.399
<v Speaker 2>I've ever said publicly, I just want them and everyone

0:26:49.520 --> 0:26:53.119
<v Speaker 2>to know that I never ever, ever intentionally wanted to

0:26:53.200 --> 0:26:54.920
<v Speaker 2>hurt any of them ever.

0:26:55.880 --> 0:27:00.240
<v Speaker 5>And I know that whatever they choose to do, whatever

0:27:00.359 --> 0:27:01.520
<v Speaker 5>stories they decide to.

0:27:01.600 --> 0:27:05.520
<v Speaker 2>Tell, that we will always support them well always, and

0:27:06.680 --> 0:27:09.600
<v Speaker 2>I want them to have as much healing as we

0:27:09.880 --> 0:27:14.240
<v Speaker 2>have and success that we've had in everything, and I

0:27:14.440 --> 0:27:18.040
<v Speaker 2>just want to send them just all love and light always.

0:27:18.320 --> 0:27:19.720
<v Speaker 5>So I just really, really really.

0:27:19.640 --> 0:27:21.800
<v Speaker 3>Wanted to say that, and you know, at the end

0:27:21.840 --> 0:27:23.640
<v Speaker 3>of the day, you just have to remember you only

0:27:23.680 --> 0:27:25.600
<v Speaker 3>get one family, right, I.

0:27:25.680 --> 0:27:28.880
<v Speaker 4>Want to do the same Rasia. I spoke about those relationships,

0:27:28.920 --> 0:27:33.800
<v Speaker 4>and you know, I know that that some people are

0:27:34.240 --> 0:27:37.240
<v Speaker 4>you know, might be more private or or or just

0:27:37.320 --> 0:27:39.760
<v Speaker 4>sort of want to move on, and I respect that,

0:27:40.080 --> 0:27:44.600
<v Speaker 4>and I have nothing but love for everybody in the

0:27:44.640 --> 0:27:48.080
<v Speaker 4>Hodel family, those who participated in those who didn't, and

0:27:48.960 --> 0:27:52.159
<v Speaker 4>to have have trusted me with their stories. You know,

0:27:52.280 --> 0:27:54.560
<v Speaker 4>it's a scary thing. It's a really it can be

0:27:54.640 --> 0:27:57.240
<v Speaker 4>a really scary thing to put yourself out there like that,

0:27:57.600 --> 0:28:02.119
<v Speaker 4>and it takes an insane amount of courage to do that. Absolutely,

0:28:02.760 --> 0:28:04.880
<v Speaker 4>the bottom line is that all of you are such

0:28:04.920 --> 0:28:09.040
<v Speaker 4>incredible people in every way, and so yeah, I mean

0:28:09.080 --> 0:28:12.480
<v Speaker 4>it all starts from there, and then everything else, you know,

0:28:13.000 --> 0:28:15.680
<v Speaker 4>god willing can fall into place, and of course it

0:28:15.800 --> 0:28:19.560
<v Speaker 4>doesn't always because they're messy family dynamics, but it's an

0:28:19.600 --> 0:28:20.879
<v Speaker 4>ongoing process, right.

0:28:21.400 --> 0:28:25.160
<v Speaker 2>Yeah, if you think about it, like what family has

0:28:25.320 --> 0:28:29.800
<v Speaker 2>been in a room altogether, airing all the dirty laundry,

0:28:29.960 --> 0:28:33.760
<v Speaker 2>all the dirty skeletons, all the secrets. With an award

0:28:33.840 --> 0:28:37.440
<v Speaker 2>winning podcast creator and director and all these microphones.

0:28:37.760 --> 0:28:39.960
<v Speaker 4>I mean, you could have stopped that getting together in

0:28:39.960 --> 0:28:41.560
<v Speaker 4>a room because very few.

0:28:41.760 --> 0:28:44.680
<v Speaker 3>Right I was going to say that exactly, I would say,

0:28:44.920 --> 0:28:47.280
<v Speaker 3>very few have ever done that. And you know, there's

0:28:47.320 --> 0:28:50.240
<v Speaker 3>been so many, you know, different movies, you know that

0:28:50.520 --> 0:28:54.200
<v Speaker 3>deals with families, and one side of this family doesn't

0:28:54.240 --> 0:28:56.240
<v Speaker 3>agree with what the other side of the family does.

0:28:56.320 --> 0:28:59.920
<v Speaker 3>But the most important lesson I think that both Rush

0:29:00.080 --> 0:29:03.200
<v Speaker 3>and I learned is you have to respect what other

0:29:03.320 --> 0:29:06.960
<v Speaker 3>people went through, and you can never walk in their shoes.

0:29:07.080 --> 0:29:11.560
<v Speaker 3>You can only tell the story from your perspective, your truth.

0:29:11.440 --> 0:29:11.600
<v Speaker 4>You know.

0:29:12.320 --> 0:29:14.920
<v Speaker 3>And I think you did that and you you directed

0:29:15.000 --> 0:29:18.400
<v Speaker 3>us in a beautiful way, you know, Zach so And

0:29:18.480 --> 0:29:21.040
<v Speaker 3>that's why the story was so welcoming to so many.

0:29:21.680 --> 0:29:25.960
<v Speaker 4>It's hard to distill one, two, three, four, five, six, seven,

0:29:26.360 --> 0:29:31.000
<v Speaker 4>eight lives into a podcast where there's there's so much there.

0:29:31.760 --> 0:29:33.880
<v Speaker 4>But yeah, I mean, just as the two of you

0:29:34.040 --> 0:29:36.680
<v Speaker 4>took this platform, I mean, you know, I had hoped

0:29:36.680 --> 0:29:40.120
<v Speaker 4>that it would be a platform for for everybody to

0:29:41.000 --> 0:29:44.680
<v Speaker 4>sort of run with it in whatever way they chose afterwards.

0:29:45.160 --> 0:29:48.520
<v Speaker 4>In making it, I knew that it was an incredibly unique,

0:29:49.440 --> 0:29:52.600
<v Speaker 4>wild story, and we can get a couple of the

0:29:52.720 --> 0:29:56.640
<v Speaker 4>details sort of you know, moments that I lost my

0:29:56.760 --> 0:30:00.480
<v Speaker 4>shit where I was like, oh my god, yeah, us too.

0:30:00.840 --> 0:30:04.320
<v Speaker 4>But you know, you never really know for sure when

0:30:04.360 --> 0:30:08.000
<v Speaker 4>you're making these things how the audience will respond. But

0:30:08.680 --> 0:30:12.720
<v Speaker 4>I had a feeling that people would listen because it

0:30:12.960 --> 0:30:16.240
<v Speaker 4>is such a wild story, but I certainly couldn't have

0:30:16.600 --> 0:30:19.840
<v Speaker 4>ever anticipated the audience that it would have.

0:30:20.640 --> 0:30:23.920
<v Speaker 5>I want to know what was your oh shit moment?

0:30:24.360 --> 0:30:27.320
<v Speaker 4>I think my biggest oh shit moment. I decided to

0:30:27.360 --> 0:30:30.760
<v Speaker 4>put that at the end of episode three. You know,

0:30:30.880 --> 0:30:34.040
<v Speaker 4>I mentioned before about doing all of this research going

0:30:34.080 --> 0:30:35.760
<v Speaker 4>into the story, and one of these one of the

0:30:35.880 --> 0:30:40.040
<v Speaker 4>major topics of research was surrealist art. And I can't

0:30:40.120 --> 0:30:44.640
<v Speaker 4>remember who I heard it from. Maybe it was maybe

0:30:44.680 --> 0:30:48.720
<v Speaker 4>it was in Steve's book, I don't remember, but you know,

0:30:48.880 --> 0:30:53.360
<v Speaker 4>look into Robinson Jeffers because he had a poem called

0:30:53.440 --> 0:30:56.280
<v Speaker 4>Tomorrow and I read it and I was like, oh

0:30:56.360 --> 0:30:59.640
<v Speaker 4>my god, this is like, you know, the overriding theme

0:30:59.680 --> 0:31:04.040
<v Speaker 4>is about incest, and I'm like, okay, this is very

0:31:04.240 --> 0:31:07.640
<v Speaker 4>you know, this is really strange. And then to find

0:31:07.680 --> 0:31:12.400
<v Speaker 4>out that he had another poem named Fauna, I was like,

0:31:12.800 --> 0:31:16.800
<v Speaker 4>holy shit. I mean, I remember like losing sleep a

0:31:16.920 --> 0:31:20.120
<v Speaker 4>lot during the making of this first sort of the

0:31:20.240 --> 0:31:23.960
<v Speaker 4>mental piece of wrapping my mind around the Black Dahlia

0:31:24.040 --> 0:31:28.480
<v Speaker 4>murder and the fact that yeah, yeah, and the pictures

0:31:28.560 --> 0:31:32.000
<v Speaker 4>and how gruesome it was, and you know, really getting

0:31:32.040 --> 0:31:35.000
<v Speaker 4>into the details of that. But then the darkness of

0:31:35.600 --> 0:31:40.000
<v Speaker 4>understanding that George could have named his daughter and had

0:31:40.600 --> 0:31:44.760
<v Speaker 4>a hand in naming his granddaughter after these poems about.

0:31:44.560 --> 0:31:47.400
<v Speaker 5>Incest because of the surrealist connection.

0:31:47.800 --> 0:31:51.400
<v Speaker 4>You had this incest trial in nineteen forty nine, yep,

0:31:51.680 --> 0:31:56.160
<v Speaker 4>And I'm like, how sadistic could you be to do

0:31:56.360 --> 0:31:59.400
<v Speaker 4>something like that? And so I knew that that would

0:31:59.480 --> 0:32:03.000
<v Speaker 4>have the same impact on the audience. I mean, I'm

0:32:03.040 --> 0:32:07.440
<v Speaker 4>pretty jaded at this point, you know. Yeah, but if

0:32:07.480 --> 0:32:10.120
<v Speaker 4>it rocked me, I'm like, it's going to rock other people.

0:32:10.240 --> 0:32:12.680
<v Speaker 4>And I remember, you know, that was one of the

0:32:12.760 --> 0:32:15.840
<v Speaker 4>few times I like went on social media after that episode,

0:32:15.920 --> 0:32:17.200
<v Speaker 4>dropped on Twitter.

0:32:17.400 --> 0:32:19.360
<v Speaker 5>It's the only place you can find Zach Levitt.

0:32:19.600 --> 0:32:22.360
<v Speaker 4>Yeah, right, Yeah, I'm not a big social media person,

0:32:22.920 --> 0:32:26.640
<v Speaker 4>And I remember seeing the reaction people's jaws dropped. There

0:32:26.640 --> 0:32:29.320
<v Speaker 4>were there were like videos of people like, you know,

0:32:29.560 --> 0:32:31.600
<v Speaker 4>redoing their reactions.

0:32:31.480 --> 0:32:33.719
<v Speaker 5>Right, and the memes and the gifts.

0:32:34.000 --> 0:32:37.000
<v Speaker 4>Yeah, yeah, totally. That was That was That might have

0:32:37.080 --> 0:32:39.640
<v Speaker 4>been one of the biggest moments where I was like,

0:32:39.960 --> 0:32:40.680
<v Speaker 4>holy shit.

0:32:41.280 --> 0:32:43.320
<v Speaker 2>Yeah, And we didn't know that either. We knew that

0:32:43.400 --> 0:32:46.440
<v Speaker 2>George named Mom, but we didn't know where it came from,

0:32:46.720 --> 0:32:47.160
<v Speaker 2>not at.

0:32:47.080 --> 0:32:50.040
<v Speaker 4>All, Like I didn't yep, well that's where it came from.

0:32:50.480 --> 0:32:55.000
<v Speaker 3>Yeah, did you know back then that Root of Evil

0:32:55.400 --> 0:32:58.400
<v Speaker 3>would change the game in podcasting forever?

0:32:58.960 --> 0:33:01.400
<v Speaker 4>I thought that it would rest an eight with people

0:33:01.560 --> 0:33:04.520
<v Speaker 4>because at the end of the day, it's about a

0:33:04.600 --> 0:33:09.160
<v Speaker 4>family and as Kelly Kelly Hodel, Steve's brother says in

0:33:09.280 --> 0:33:12.960
<v Speaker 4>one of the episodes, like all families have skeletons if

0:33:13.000 --> 0:33:15.840
<v Speaker 4>you go back far enough. And I totally believe that

0:33:16.000 --> 0:33:19.520
<v Speaker 4>to be true. And so, you know, going into this

0:33:20.440 --> 0:33:22.680
<v Speaker 4>and I think I try to do this in all

0:33:22.720 --> 0:33:25.640
<v Speaker 4>of the stories that I tell. How can I connect

0:33:25.720 --> 0:33:30.000
<v Speaker 4>with people broadly? You know, starting with a story that

0:33:30.680 --> 0:33:33.840
<v Speaker 4>nobody really has had this experience? How can people connect

0:33:33.880 --> 0:33:37.920
<v Speaker 4>with a story that is just totally foreign to them? Right,

0:33:38.480 --> 0:33:41.120
<v Speaker 4>if you're interested enough, you'll stick around because it's a

0:33:41.200 --> 0:33:44.240
<v Speaker 4>fucked up story. But at the end, let's sort of

0:33:44.680 --> 0:33:48.600
<v Speaker 4>take this story that is my internal story and let's

0:33:48.640 --> 0:33:50.440
<v Speaker 4>turn it around and sort of push it out there

0:33:50.480 --> 0:33:53.760
<v Speaker 4>to you the listener. And here's how I dealt with

0:33:53.840 --> 0:33:56.360
<v Speaker 4>these things. How are you know? If I can do it,

0:33:56.480 --> 0:33:57.840
<v Speaker 4>you can do it? That sort of thing. And I

0:33:57.920 --> 0:34:01.120
<v Speaker 4>did want to have a positive message at the end

0:34:01.120 --> 0:34:03.840
<v Speaker 4>of Root of Evil, and that's what you all delivered

0:34:03.920 --> 0:34:06.720
<v Speaker 4>so beautifully, which is, you know, if we can get

0:34:06.800 --> 0:34:09.200
<v Speaker 4>through this trauma, or if we're willing to talk about it,

0:34:09.360 --> 0:34:11.759
<v Speaker 4>not get through, because you know, it's always a work

0:34:11.760 --> 0:34:15.120
<v Speaker 4>in progress, but if we can continue to speak about

0:34:15.160 --> 0:34:18.120
<v Speaker 4>it and be willing to go to these dark places

0:34:18.280 --> 0:34:21.120
<v Speaker 4>to help you and to help myself by putting it

0:34:21.160 --> 0:34:23.440
<v Speaker 4>out there, you know, maybe you can do it too.

0:34:23.560 --> 0:34:27.600
<v Speaker 4>And you know, I had this sort of idealistic idea that,

0:34:28.280 --> 0:34:30.440
<v Speaker 4>you know, maybe we could help people along the way.

0:34:30.480 --> 0:34:33.120
<v Speaker 4>And I think ultimately that's what really resonated with people.

0:34:33.160 --> 0:34:35.799
<v Speaker 4>It wasn't, you know, because you watch you look at

0:34:35.840 --> 0:34:39.120
<v Speaker 4>the reviews, you look at what people latch onto, and

0:34:39.239 --> 0:34:41.759
<v Speaker 4>it's not really about the black Dahlia, even though I

0:34:41.880 --> 0:34:44.279
<v Speaker 4>think we sort of put it out there in the

0:34:44.360 --> 0:34:47.239
<v Speaker 4>podcast that George Hodell was the killer. That's why I

0:34:47.360 --> 0:34:50.799
<v Speaker 4>believe I know there are others out there that don't

0:34:50.800 --> 0:34:51.200
<v Speaker 4>believe that.

0:35:12.440 --> 0:35:14.320
<v Speaker 2>Let's talk about the elephant in the room, shall we,

0:35:15.920 --> 0:35:19.279
<v Speaker 2>So we want to know the story of what the

0:35:19.480 --> 0:35:25.560
<v Speaker 2>original ending of episode seven was and what the finale

0:35:25.840 --> 0:35:28.800
<v Speaker 2>of Root of Evil episode eight was supposed to be.

0:35:29.640 --> 0:35:31.600
<v Speaker 3>Take a deep breath, Sack, take a deep breath.

0:35:32.080 --> 0:35:32.799
<v Speaker 5>That was a.

0:35:32.880 --> 0:35:36.120
<v Speaker 4>Difficult moment for me in a lot of ways. So

0:35:37.239 --> 0:35:42.400
<v Speaker 4>circling back to my first conversation on this project with

0:35:42.680 --> 0:35:45.800
<v Speaker 4>Sam Sheridan when he mentioned that the two of you

0:35:46.160 --> 0:35:49.680
<v Speaker 4>had been on twenty three and meters sort of digging

0:35:49.760 --> 0:35:54.440
<v Speaker 4>around seeing what would come back as far as DNA results.

0:35:55.000 --> 0:35:58.400
<v Speaker 4>Because of course, your mother, Fauna didn't know who her

0:35:58.480 --> 0:36:00.400
<v Speaker 4>father was, you know, when you talk talk about the

0:36:00.440 --> 0:36:02.520
<v Speaker 4>elephant in the room, Not only did she not know

0:36:02.640 --> 0:36:07.719
<v Speaker 4>who her father was, she had thought for many years

0:36:07.840 --> 0:36:10.399
<v Speaker 4>that it could have been George Hodell. So not only

0:36:10.480 --> 0:36:12.800
<v Speaker 4>would he have been her grandfather, but he would have

0:36:12.960 --> 0:36:16.759
<v Speaker 4>also been her father, which would mean that he would

0:36:16.800 --> 0:36:21.600
<v Speaker 4>have impregnated his own daughter tomorrow who gave birth the Fauna.

0:36:22.880 --> 0:36:27.759
<v Speaker 4>And that is not something that is unbelievable because we

0:36:27.960 --> 0:36:31.480
<v Speaker 4>know that there was an incest trial in Los Angeles

0:36:31.560 --> 0:36:35.279
<v Speaker 4>in nineteen forty nine, where this well known doctor in

0:36:35.480 --> 0:36:39.680
<v Speaker 4>La doctor George Hodell, was accused of having incest with

0:36:40.080 --> 0:36:45.279
<v Speaker 4>his daughter Tomorrow and impregnating her and then getting her

0:36:46.120 --> 0:36:47.120
<v Speaker 4>an illegal abortion.

0:36:47.880 --> 0:36:52.719
<v Speaker 2>So those are facts, and there were witnesses that ended

0:36:52.800 --> 0:36:54.960
<v Speaker 2>up recanting even though he was acquitted.

0:36:55.200 --> 0:36:57.279
<v Speaker 4>Yes, yes, there was a whole trial as we go

0:36:57.400 --> 0:37:01.840
<v Speaker 4>through in Root of Evil. So the idea of George

0:37:02.480 --> 0:37:07.080
<v Speaker 4>impregnating Tomorrow second time is not something that is out

0:37:07.160 --> 0:37:11.000
<v Speaker 4>of the realm of possibility, right, so we start from there. Okay,

0:37:11.600 --> 0:37:15.719
<v Speaker 4>who is Mom's father? And so that was something that

0:37:16.360 --> 0:37:19.360
<v Speaker 4>I thought from the very beginning, if we could answer this,

0:37:20.160 --> 0:37:24.000
<v Speaker 4>that would be a pretty dramatic way to close out

0:37:24.000 --> 0:37:26.719
<v Speaker 4>the series. Yeah, so that was always in the back

0:37:26.760 --> 0:37:28.640
<v Speaker 4>of my mind. I never knew if we would get

0:37:28.680 --> 0:37:31.719
<v Speaker 4>there or not. But you know, we sort of were

0:37:31.800 --> 0:37:35.160
<v Speaker 4>off and running with so many other beats of the story,

0:37:35.360 --> 0:37:38.640
<v Speaker 4>and you know, tracking this piece down and interviewing this

0:37:38.800 --> 0:37:41.320
<v Speaker 4>one and that one, and then I remember when we

0:37:41.400 --> 0:37:44.279
<v Speaker 4>first got together the first time in San Francisco. We

0:37:44.440 --> 0:37:46.560
<v Speaker 4>went on the computer and we went on twenty three

0:37:46.600 --> 0:37:48.360
<v Speaker 4>and meter and I said, Okay, let's let's do it.

0:37:48.480 --> 0:37:49.680
<v Speaker 4>Let's see, let's see.

0:37:49.520 --> 0:37:51.120
<v Speaker 5>What we got yeah, let's look at it.

0:37:51.480 --> 0:37:55.719
<v Speaker 4>Yeah, and you guys went on and I had never

0:37:55.800 --> 0:37:58.680
<v Speaker 4>been on a DNA website up until that moment, and

0:37:58.800 --> 0:38:01.239
<v Speaker 4>so I didn't really know what I was looking at

0:38:01.280 --> 0:38:04.399
<v Speaker 4>at first, and I was hoping to get some sort

0:38:04.400 --> 0:38:07.680
<v Speaker 4>of reaction from from the two of you, like what

0:38:08.000 --> 0:38:10.279
<v Speaker 4>are we looking at? And it turned out to be

0:38:10.320 --> 0:38:11.400
<v Speaker 4>a total nothing burger.

0:38:11.719 --> 0:38:15.080
<v Speaker 5>Yeah, we didn't know. Yeah, we didn't know. Right, We

0:38:15.200 --> 0:38:17.839
<v Speaker 5>had no clue. Is there so many half siblings all

0:38:17.880 --> 0:38:18.920
<v Speaker 5>the thing? Yeah, it was a lot.

0:38:19.239 --> 0:38:21.120
<v Speaker 4>Yeah, it was more like you might be related to

0:38:21.239 --> 0:38:24.200
<v Speaker 4>this person, you might have this background in your DNA.

0:38:24.560 --> 0:38:27.600
<v Speaker 4>But it certainly wasn't going to answer the question of

0:38:28.920 --> 0:38:32.520
<v Speaker 4>was George Odell Fauna's father? Right, was not going to

0:38:32.640 --> 0:38:33.080
<v Speaker 4>answer that.

0:38:33.440 --> 0:38:37.359
<v Speaker 5>There was no definitive answer. Yeah, not without somebody analyzing

0:38:37.400 --> 0:38:38.040
<v Speaker 5>all that data.

0:38:38.719 --> 0:38:43.000
<v Speaker 4>So we go through. I am writing the episodes and

0:38:43.160 --> 0:38:46.680
<v Speaker 4>putting them together. We're, you know, we're we're building the

0:38:47.480 --> 0:38:50.719
<v Speaker 4>you know, the final product. And there was always this

0:38:50.920 --> 0:38:53.920
<v Speaker 4>idea in my mind. I remember asking the two of you,

0:38:54.120 --> 0:38:56.200
<v Speaker 4>when was the last time you were in the same

0:38:56.280 --> 0:38:59.759
<v Speaker 4>room with your uncles and your aunt, and you said,

0:39:00.440 --> 0:39:01.920
<v Speaker 4>all of us together, it's been.

0:39:02.200 --> 0:39:03.680
<v Speaker 5>Decades nineteen eighties.

0:39:03.760 --> 0:39:08.880
<v Speaker 4>Probably, yeah, so again sort of having this idealistic approach

0:39:09.000 --> 0:39:12.040
<v Speaker 4>of like, maybe I can bring the family together and

0:39:12.760 --> 0:39:16.040
<v Speaker 4>you know, heal some wounds and put things back together

0:39:16.120 --> 0:39:19.719
<v Speaker 4>for them. I mean, you know, I had these noble intentions.

0:39:20.080 --> 0:39:22.560
<v Speaker 4>Maybe I was naive, and I certainly didn't you know,

0:39:22.719 --> 0:39:24.920
<v Speaker 4>I didn't live the lives that any any of the

0:39:24.960 --> 0:39:30.720
<v Speaker 4>Hodell family has. So, but everybody was into it. Everybody agreed,

0:39:31.080 --> 0:39:33.400
<v Speaker 4>and I knew one way or another that it was

0:39:33.480 --> 0:39:36.000
<v Speaker 4>going to be a powerful moment. It was.

0:39:36.120 --> 0:39:37.080
<v Speaker 5>It was very powerful.

0:39:37.120 --> 0:39:39.480
<v Speaker 4>It was everybody was crying in the room. I was

0:39:39.560 --> 0:39:43.279
<v Speaker 4>crying everybody. I could almost start tearing up thinking about

0:39:43.320 --> 0:39:45.000
<v Speaker 4>it right now, honestly.

0:39:44.960 --> 0:39:46.160
<v Speaker 5>I mean too. Yeah.

0:39:46.719 --> 0:39:48.600
<v Speaker 4>So we put a pin in the twenty three and

0:39:48.680 --> 0:39:54.439
<v Speaker 4>me thing, Okay, we'll pull up out. Literally the day

0:39:54.600 --> 0:39:57.520
<v Speaker 4>before we were going to record that in the room

0:39:57.600 --> 0:40:03.040
<v Speaker 4>with all of us together, my producer found out that

0:40:03.840 --> 0:40:08.680
<v Speaker 4>we could take Fauna's DNA profile, which you had also uploaded.

0:40:08.719 --> 0:40:10.879
<v Speaker 4>I should have mentioned that earlier. We weren't just looking

0:40:10.920 --> 0:40:12.319
<v Speaker 4>at your DNA profiles.

0:40:13.080 --> 0:40:13.680
<v Speaker 5>We had moms.

0:40:15.640 --> 0:40:19.040
<v Speaker 4>We were looking at Mom's DNA profile, which told her

0:40:19.640 --> 0:40:22.200
<v Speaker 4>her ethnic background and that kind of thing. But we

0:40:22.360 --> 0:40:27.040
<v Speaker 4>had this digital DNA profile and if we uploaded it

0:40:27.239 --> 0:40:31.040
<v Speaker 4>to this other website, it would tell you if you

0:40:31.160 --> 0:40:34.759
<v Speaker 4>were a product of incest, and so we didn't need

0:40:34.880 --> 0:40:38.160
<v Speaker 4>the answer of okay, it will tell you that George

0:40:38.200 --> 0:40:41.480
<v Speaker 4>Hodell is your father. But if if the results come

0:40:41.560 --> 0:40:44.200
<v Speaker 4>back yes you are a product of incest, we know

0:40:44.280 --> 0:40:48.279
<v Speaker 4>who the father is. It's George, right. We literally the

0:40:48.440 --> 0:40:52.719
<v Speaker 4>day before we were set to record, Lloyd says, I

0:40:52.800 --> 0:40:56.040
<v Speaker 4>found this website and I spoke to and you know,

0:40:56.200 --> 0:40:59.839
<v Speaker 4>I'm being crazy, I'm like, okay, speak to the person

0:41:00.080 --> 0:41:04.080
<v Speaker 4>it runs it, just to make sure. I was like, look,

0:41:04.200 --> 0:41:06.200
<v Speaker 4>I'm not going to do this if we're not one

0:41:06.239 --> 0:41:09.800
<v Speaker 4>thousand percent sure that this is authentic and not some

0:41:10.760 --> 0:41:13.680
<v Speaker 4>you know, money grab on the internet or whatever. And

0:41:14.200 --> 0:41:15.920
<v Speaker 4>you know, I just I wasn't going to fuck with

0:41:16.000 --> 0:41:19.320
<v Speaker 4>everybody like that. You know, this is your lives and

0:41:19.440 --> 0:41:23.239
<v Speaker 4>it had to be accurate. And so Lloyd spoke with

0:41:23.840 --> 0:41:28.040
<v Speaker 4>this woman who is like the foremost DNA expert, and

0:41:28.520 --> 0:41:30.000
<v Speaker 4>I got on the phone with the two of them

0:41:31.040 --> 0:41:34.160
<v Speaker 4>and I was able to authenticate it and Okay, this

0:41:34.360 --> 0:41:36.439
<v Speaker 4>is this is what we need to do, because again,

0:41:36.640 --> 0:41:39.960
<v Speaker 4>like you know, talking about whether it's surrealist art or

0:41:40.080 --> 0:41:43.239
<v Speaker 4>these other facets of the story. Okay, now now I'm

0:41:43.320 --> 0:41:48.040
<v Speaker 4>looking at DNA and these scientific results that I don't understand.

0:41:48.239 --> 0:41:51.279
<v Speaker 4>How can I understand that? So she walked me through

0:41:51.360 --> 0:41:53.960
<v Speaker 4>it and I said, Okay, we now know that if

0:41:54.040 --> 0:41:57.719
<v Speaker 4>we just click enter on this website we will have

0:41:57.960 --> 0:42:01.280
<v Speaker 4>these results. And I was like, holy shit, holy shit, holy.

0:42:01.160 --> 0:42:03.120
<v Speaker 5>Shit, holy shit, holy shit, holy shit, holy.

0:42:02.960 --> 0:42:05.239
<v Speaker 4>Shit, because we're all going to be in the room

0:42:05.360 --> 0:42:11.440
<v Speaker 4>tomorrow together. And nobody wanted it to be George Hodell

0:42:11.840 --> 0:42:14.719
<v Speaker 4>for obvious reasons. You never want that to be your

0:42:15.040 --> 0:42:17.240
<v Speaker 4>family history. I mean, it's awful.

0:42:17.760 --> 0:42:20.479
<v Speaker 2>I didn't want it, but I thought it with every

0:42:20.560 --> 0:42:23.359
<v Speaker 2>part of my being that he was the father, right,

0:42:23.440 --> 0:42:26.120
<v Speaker 2>and we know everyone knows that I did not, But

0:42:26.280 --> 0:42:29.480
<v Speaker 2>still you still want confirmation regardless. Yeah.

0:42:29.880 --> 0:42:33.880
<v Speaker 4>Absolutely, And to everybody's credit, you were all willing to,

0:42:34.520 --> 0:42:36.400
<v Speaker 4>you know, to be a witness to that and to

0:42:36.520 --> 0:42:39.000
<v Speaker 4>go through with it, as scary as it is. I mean, god,

0:42:40.239 --> 0:42:42.880
<v Speaker 4>you know, finding out if this guy that you know

0:42:43.160 --> 0:42:47.719
<v Speaker 4>was a monster could have been the father of your mother. Yeah,

0:42:48.120 --> 0:42:53.120
<v Speaker 4>so yeah, going into it with anxiety, trepidation, you know,

0:42:53.280 --> 0:42:57.120
<v Speaker 4>all of those feelings, but also knowing like if we're

0:42:57.120 --> 0:42:58.800
<v Speaker 4>going to do this, let's do it. Let's do it.

0:42:59.080 --> 0:43:02.279
<v Speaker 4>You've all put your lives out there and this is

0:43:02.320 --> 0:43:04.120
<v Speaker 4>a big moment that everybody wants to hear.

0:43:04.440 --> 0:43:07.360
<v Speaker 5>So did you know the day before? Did you know

0:43:07.480 --> 0:43:10.560
<v Speaker 5>before we did it in the recording? He did, didn't you, Zach?

0:43:10.800 --> 0:43:12.960
<v Speaker 4>So I will tell you that we put it in

0:43:13.080 --> 0:43:18.280
<v Speaker 4>the day before and the results came back while everybody

0:43:18.480 --> 0:43:20.000
<v Speaker 4>was setting up in the room.

0:43:20.120 --> 0:43:20.359
<v Speaker 1>Holy.

0:43:21.480 --> 0:43:24.680
<v Speaker 4>So I knew that my reaction was not going to

0:43:24.719 --> 0:43:27.880
<v Speaker 4>be a part of the podcast, and I had to know.

0:43:28.120 --> 0:43:29.560
<v Speaker 4>So I went in the hallway and I checked.

0:43:29.719 --> 0:43:32.000
<v Speaker 5>Yeah, of course you did. Of course you did. I

0:43:32.120 --> 0:43:34.160
<v Speaker 5>knew you knew, but I couldn't read your face.

0:43:34.719 --> 0:43:38.840
<v Speaker 4>That's like, yeah, I tried to betray nothing. Yeah, I

0:43:39.000 --> 0:43:40.560
<v Speaker 4>tried not to betray anything.

0:43:40.600 --> 0:43:40.960
<v Speaker 5>He didn't.

0:43:42.239 --> 0:43:49.480
<v Speaker 4>And then yeah, after our whole session together, and I

0:43:49.600 --> 0:43:52.280
<v Speaker 4>use that word because it really felt like a therapy session,

0:43:52.600 --> 0:43:52.880
<v Speaker 4>it was.

0:43:53.200 --> 0:43:54.000
<v Speaker 5>It absolutely was.

0:43:54.640 --> 0:43:59.200
<v Speaker 4>Now here we have this critical piece of information which

0:43:59.280 --> 0:44:02.440
<v Speaker 4>is going to be the culmination to the whole story. Right.

0:44:02.520 --> 0:44:05.640
<v Speaker 4>We started with Fauna's story. Yeah, in episode one that

0:44:05.719 --> 0:44:08.080
<v Speaker 4>she was given away at birth? Why was she given

0:44:08.080 --> 0:44:10.880
<v Speaker 4>away at birth? When she finds out at the end

0:44:10.920 --> 0:44:13.759
<v Speaker 4>of episode one, that she was saved by the ghetto, right.

0:44:14.280 --> 0:44:17.640
<v Speaker 5>That that's right, she was saved by the ghetto.

0:44:18.080 --> 0:44:22.640
<v Speaker 4>Yeah, maybe that her father is this awful serial killer.

0:44:22.680 --> 0:44:27.560
<v Speaker 4>I mean, God, could there be anything worse. So we

0:44:27.680 --> 0:44:30.760
<v Speaker 4>have this opportunity now to end the series, to bookend

0:44:30.800 --> 0:44:34.680
<v Speaker 4>the series with you know, question in the beginning, answer

0:44:34.920 --> 0:44:37.600
<v Speaker 4>in the very end. And I thought that that would

0:44:37.640 --> 0:44:42.360
<v Speaker 4>be incredibly rewarding for the audience, but more so than that,

0:44:43.560 --> 0:44:46.680
<v Speaker 4>it was about all of you, like providing this answer

0:44:46.840 --> 0:44:49.960
<v Speaker 4>to all of you that you never had. Yeah, And

0:44:50.120 --> 0:44:53.880
<v Speaker 4>so there was this opportunity to close the book on

0:44:54.760 --> 0:44:57.120
<v Speaker 4>these thoughts that you've had all your lives, that your

0:44:57.160 --> 0:44:59.920
<v Speaker 4>mother lived her whole life with. And we can answer

0:45:00.080 --> 0:45:01.920
<v Speaker 4>that question right here, and we're about to do it.

0:45:02.920 --> 0:45:04.040
<v Speaker 4>So let's do it.

0:45:04.400 --> 0:45:04.880
<v Speaker 5>Let's do it.

0:45:12.120 --> 0:45:15.720
<v Speaker 1>We'll continue this conversation on the next episode of Facing Evil,

0:45:16.280 --> 0:45:20.680
<v Speaker 1>which will be available tomorrow, June sixteenth. Stay tuned to

0:45:20.760 --> 0:45:45.600
<v Speaker 1>hear the shocking truth about the Hodell family legacy. Facing

0:45:45.680 --> 0:45:49.880
<v Speaker 1>Evil is a production of iHeartRadio and Tenderfoot TV. The

0:45:49.960 --> 0:45:52.920
<v Speaker 1>show is hosted by Russia paquerero In a Vet Gentile,

0:45:53.719 --> 0:45:57.400
<v Speaker 1>Matt Frederick, and Alex Williams Our executive producers on behalf

0:45:57.440 --> 0:46:02.200
<v Speaker 1>of iHeartRadio, with producers Trevor Young and Jesse Funk. Donald

0:46:02.239 --> 0:46:05.480
<v Speaker 1>albright In Payne Lindsay our executive producers on behalf of

0:46:05.520 --> 0:46:11.480
<v Speaker 1>Tenderfoot TV, alongside producer Tracy Kaplan. Our researcher is Carolyn Talmage.

0:46:12.280 --> 0:46:15.840
<v Speaker 1>Original music by Makeup and Vanity Set. Find us on

0:46:15.920 --> 0:46:20.560
<v Speaker 1>social media or email us at facingevilpod at tenderfoot dot tv.

0:46:21.520 --> 0:46:25.440
<v Speaker 1>For more podcasts from iHeartRadio or Tenderfoot TV, visit the

0:46:25.520 --> 0:46:29.560
<v Speaker 1>iHeartRadio app, Apple Podcasts, or wherever you listen to your

0:46:29.640 --> 0:46:30.320
<v Speaker 1>favorite shows