1 00:00:01,760 --> 00:00:04,840 Speaker 1: Welcome to Naked Sports, the podcast where we live at 2 00:00:04,840 --> 00:00:09,760 Speaker 1: the intersection of sports, politics, and culture. Our purpose reveal 3 00:00:09,840 --> 00:00:12,000 Speaker 1: the common threads that bind them all. 4 00:00:12,080 --> 00:00:15,480 Speaker 2: So what's happening in women's basketball right now is what 5 00:00:15,520 --> 00:00:16,640 Speaker 2: we've been trying. 6 00:00:16,320 --> 00:00:18,880 Speaker 3: To get to for almost thirty years. 7 00:00:19,079 --> 00:00:22,160 Speaker 1: From the stadiums where athletes break barriers and set records, 8 00:00:22,480 --> 00:00:25,840 Speaker 1: Kamen Quark broke the all time single game assists record. 9 00:00:26,040 --> 00:00:27,920 Speaker 1: This is crazy for rookies to be doing. 10 00:00:28,160 --> 00:00:30,720 Speaker 2: To the polls where history is written, and now we 11 00:00:30,840 --> 00:00:34,320 Speaker 2: have Kamala Harrison. It feels more like women are sort 12 00:00:34,360 --> 00:00:37,960 Speaker 2: of taking what they've always deserved, as opposed to waiting 13 00:00:38,000 --> 00:00:40,280 Speaker 2: on somebody to give them what they've deserved. 14 00:00:40,320 --> 00:00:43,839 Speaker 1: Our discussions will uncover the vital connections between these realms 15 00:00:44,200 --> 00:00:47,360 Speaker 1: and the community we create. In each episode, we'll sit 16 00:00:47,400 --> 00:00:51,760 Speaker 1: down with athletes, political analysts, and culture critics, because at 17 00:00:51,800 --> 00:00:54,520 Speaker 1: the core of it all, how we see one issue 18 00:00:54,920 --> 00:00:59,000 Speaker 1: shines the light on all others. Welcome to Naked Sports. 19 00:00:59,480 --> 00:01:05,880 Speaker 1: I'm your Home, Gary Champion. A few years ago I 20 00:01:05,920 --> 00:01:09,640 Speaker 1: had the incredible opportunity to meet Fawn Weaver, the visionary 21 00:01:09,720 --> 00:01:13,440 Speaker 1: behind Uncle Nearest Whiskey. She welcomed me to her distillery 22 00:01:13,480 --> 00:01:17,479 Speaker 1: in Shelbyville, Tennessee, about forty five minutes south of Nashville. 23 00:01:18,120 --> 00:01:19,920 Speaker 1: I was there to do a story on the whiskey 24 00:01:19,959 --> 00:01:23,200 Speaker 1: that seemed to line the shelves at bars, restaurants, and 25 00:01:23,240 --> 00:01:27,600 Speaker 1: more importantly, every house party I attended. This distillery is 26 00:01:27,640 --> 00:01:31,240 Speaker 1: nestled on four hundred and thirty five acres of stunning land, 27 00:01:31,280 --> 00:01:34,760 Speaker 1: and while words can't fully capture its beauty, let me 28 00:01:34,840 --> 00:01:37,360 Speaker 1: just say it's a place that you all must see 29 00:01:37,360 --> 00:01:40,039 Speaker 1: for yourself. It's open to the public, so if you 30 00:01:40,160 --> 00:01:43,800 Speaker 1: are ever in the area and make sure you stop by. Well. 31 00:01:43,840 --> 00:01:47,600 Speaker 1: Today we are unpacking who is the woman behind Uncle 32 00:01:47,680 --> 00:01:51,760 Speaker 1: Nearest Whiskey, what's the origin story of this iconic brand. 33 00:01:52,200 --> 00:01:55,160 Speaker 1: And as a special treat for our listeners, Bonn has 34 00:01:55,160 --> 00:01:58,320 Speaker 1: given away some gems. That's right, free jewelry folks, for 35 00:01:58,480 --> 00:02:03,120 Speaker 1: life and for business. So stay tuned because today's podcast 36 00:02:03,280 --> 00:02:07,840 Speaker 1: is not just about whiskey. It's about legacy, empowerment and 37 00:02:07,880 --> 00:02:11,119 Speaker 1: the ability to think differently in a world that follows 38 00:02:11,200 --> 00:02:14,200 Speaker 1: norms and trends. Welcome to Naked Sports. 39 00:02:16,000 --> 00:02:19,480 Speaker 3: I am Fawn Weaver, CEO and founder of Uncle NAR's 40 00:02:19,480 --> 00:02:23,440 Speaker 3: Premium Whiskey and New York Times best best selling author 41 00:02:23,600 --> 00:02:27,280 Speaker 3: of Love and Whiskey. Uncle Nearest is the first known 42 00:02:27,320 --> 00:02:31,160 Speaker 3: African American master distiller. And how I learned about it 43 00:02:31,200 --> 00:02:32,799 Speaker 3: is it was on the cover of the New York 44 00:02:32,800 --> 00:02:36,120 Speaker 3: Times International edition. I was in sync for just for 45 00:02:36,160 --> 00:02:38,800 Speaker 3: a few days, and on the cover of it. It's 46 00:02:38,840 --> 00:02:40,760 Speaker 3: actually in the cover of my book, Love and Whiskey 47 00:02:40,919 --> 00:02:44,120 Speaker 3: is it's this photo of Jack Daniel and to his 48 00:02:44,240 --> 00:02:47,760 Speaker 3: immediate right as an African American man. Now I didn't 49 00:02:47,800 --> 00:02:50,360 Speaker 3: drink Jack then, I don't drink it now, but I 50 00:02:50,400 --> 00:02:52,560 Speaker 3: knew what he looked like. His company has done a 51 00:02:52,600 --> 00:02:55,919 Speaker 3: brilliant job at making his face ubiquitous around the world. 52 00:02:56,320 --> 00:02:58,840 Speaker 3: And so the moment I saw him, and then I 53 00:02:58,880 --> 00:03:01,520 Speaker 3: see this African America and next to them, and I 54 00:03:01,639 --> 00:03:05,000 Speaker 3: place it. I guessed that the image was taken sometime 55 00:03:05,040 --> 00:03:08,720 Speaker 3: in the nineteenth century, which would make it pretty astounding 56 00:03:09,000 --> 00:03:12,400 Speaker 3: that Jack, in the only known photo that he ever took, 57 00:03:12,760 --> 00:03:15,679 Speaker 3: would have had an African American man to his right. 58 00:03:16,400 --> 00:03:19,800 Speaker 3: The headline on that New York Times story was Jack 59 00:03:19,880 --> 00:03:24,960 Speaker 3: Daniels embraces a hidden ingredient help from a slave. So somehow, 60 00:03:25,480 --> 00:03:30,720 Speaker 3: with that photo and that headline, the internet went wild 61 00:03:31,400 --> 00:03:35,200 Speaker 3: and decided Jack Daniel was a slave owner. He stole 62 00:03:35,240 --> 00:03:38,040 Speaker 3: the recipe, he hid the slave. That's the story that 63 00:03:38,080 --> 00:03:41,000 Speaker 3: went all over the world. And I'm looking at this 64 00:03:41,120 --> 00:03:44,760 Speaker 3: and just as a person who loves history and especially 65 00:03:44,800 --> 00:03:47,040 Speaker 3: African American history, I'm looking at this and going, Yo, 66 00:03:47,760 --> 00:03:49,720 Speaker 3: if Jack Daniel wanted to hide this man. 67 00:03:51,600 --> 00:03:53,920 Speaker 1: He wouldn't taken hure yet, right. 68 00:03:54,440 --> 00:03:57,680 Speaker 3: And so the question that The New York Times was 69 00:03:57,720 --> 00:04:01,520 Speaker 3: really bringing forth was they weren't giving the answer as 70 00:04:01,600 --> 00:04:05,480 Speaker 3: much as they were asking a question. And the reason 71 00:04:05,560 --> 00:04:09,440 Speaker 3: why they were doing that is because the story had 72 00:04:09,520 --> 00:04:12,760 Speaker 3: been reported for quite some time and it was a 73 00:04:12,760 --> 00:04:16,080 Speaker 3: part of Jack Daniel's actual history that there was a 74 00:04:16,080 --> 00:04:18,679 Speaker 3: white preacher and distiller by the name of Dan Cole 75 00:04:19,120 --> 00:04:22,240 Speaker 3: who was the teacher and mentor of Jack Daniel. But 76 00:04:22,320 --> 00:04:25,400 Speaker 3: the town of Lynchberg was saying it wasn't actually Dan Cole, 77 00:04:25,839 --> 00:04:28,600 Speaker 3: it was an enslaved man on his property. And so 78 00:04:28,680 --> 00:04:31,159 Speaker 3: what The New York Times was doing was essentially putting 79 00:04:31,240 --> 00:04:34,080 Speaker 3: up a lob to see if there was a way 80 00:04:34,120 --> 00:04:37,520 Speaker 3: for someone to prove this Clay rise. And the journalist 81 00:04:37,920 --> 00:04:40,040 Speaker 3: he described it as a lob because he said Listen 82 00:04:40,400 --> 00:04:43,320 Speaker 3: didn't have all of the resources that it would take 83 00:04:43,320 --> 00:04:46,400 Speaker 3: in order to really dive into this story to prove it. 84 00:04:46,839 --> 00:04:48,920 Speaker 3: And so I lobbed it up and hoped that someone 85 00:04:48,920 --> 00:04:51,040 Speaker 3: else would do it, and sure enough, I was the 86 00:04:51,040 --> 00:04:53,920 Speaker 3: one who went ahead and took the ball and finished 87 00:04:53,920 --> 00:04:57,960 Speaker 3: the play. But when you look at that story, when 88 00:04:57,960 --> 00:05:01,320 Speaker 3: the entire world was looking at and saying, you know, 89 00:05:01,520 --> 00:05:03,920 Speaker 3: Jack Daniel stole it, and it's another one of these 90 00:05:03,960 --> 00:05:07,880 Speaker 3: instances where African Americans had been stolen from I'm looking 91 00:05:07,920 --> 00:05:12,240 Speaker 3: at it. I ordered Jack Daniel's legacy. His biography nears green, 92 00:05:12,279 --> 00:05:14,960 Speaker 3: and his boys are mentioned more times than Jack's own family. 93 00:05:15,320 --> 00:05:18,600 Speaker 3: And to understand the significance of that is to know 94 00:05:18,960 --> 00:05:23,240 Speaker 3: the reporter. The journalist who wrote the biography was essentially 95 00:05:23,600 --> 00:05:27,560 Speaker 3: hired by Jack's family to write this biography, even though 96 00:05:27,680 --> 00:05:32,000 Speaker 3: he had autonomy as to what got included and they 97 00:05:32,040 --> 00:05:35,640 Speaker 3: were not to influence it. They wanted a story of 98 00:05:35,760 --> 00:05:39,039 Speaker 3: Jack's life to be told, and so this journalist came 99 00:05:39,080 --> 00:05:43,279 Speaker 3: from Alabama to Lynchburg, Tennessee, interviewed all the people who 100 00:05:43,320 --> 00:05:46,240 Speaker 3: knew Jack best, all the people who knew his nephew 101 00:05:46,640 --> 00:05:49,279 Speaker 3: who took over the distillery before Jack died, and his 102 00:05:49,360 --> 00:05:53,120 Speaker 3: great nephews who were overseeing the distillery at that time, 103 00:05:53,880 --> 00:05:56,040 Speaker 3: the number of times they would have had to mention 104 00:05:56,279 --> 00:05:59,080 Speaker 3: Nearest and his boys for them to be listed in 105 00:05:59,200 --> 00:06:02,360 Speaker 3: this book many times. And then you take that and 106 00:06:02,400 --> 00:06:07,039 Speaker 3: you couple with the photo. I pretty quickly concluded that 107 00:06:07,240 --> 00:06:11,560 Speaker 3: not only was Jack not trying to hide who it 108 00:06:11,720 --> 00:06:14,000 Speaker 3: was that was his teacher, he was trying to make 109 00:06:14,000 --> 00:06:16,560 Speaker 3: sure America would not be able to wipe him out. 110 00:06:17,960 --> 00:06:23,320 Speaker 1: Amazing. I'm really curious when you did the research. And yes, 111 00:06:23,400 --> 00:06:27,039 Speaker 1: everyone thought because there is the story of a rasure 112 00:06:27,200 --> 00:06:29,919 Speaker 1: of African Americans being a rased in history, and it's true, 113 00:06:29,960 --> 00:06:34,200 Speaker 1: it's not wrong. It's actually very true. You found something 114 00:06:34,240 --> 00:06:36,680 Speaker 1: totally different just with the research. He wasn't trying to 115 00:06:36,680 --> 00:06:40,159 Speaker 1: erase him. In fact, he was. It sounds to me, 116 00:06:40,360 --> 00:06:42,640 Speaker 1: and you tell me if I'm incorrect, it sounds to 117 00:06:42,680 --> 00:06:46,360 Speaker 1: me that he was honoring a man who really was 118 00:06:46,360 --> 00:06:50,159 Speaker 1: was a huge contribution to what he was able to create, 119 00:06:50,240 --> 00:06:52,320 Speaker 1: but only what he could do during that time. 120 00:06:54,400 --> 00:06:57,600 Speaker 3: It's absolutely accurate, and I believe that Jack and then 121 00:06:57,600 --> 00:07:01,640 Speaker 3: his descendants continued this to make sure that no one 122 00:07:01,680 --> 00:07:04,760 Speaker 3: would ever be able to erase Nearest Green and George 123 00:07:04,800 --> 00:07:08,040 Speaker 3: Green and Eli Green from their story. So when you 124 00:07:08,080 --> 00:07:12,240 Speaker 3: look at what ended up happening is Jack passed away 125 00:07:12,240 --> 00:07:15,520 Speaker 3: in nineteen eleven. However, he turned over his distillery in 126 00:07:15,640 --> 00:07:19,640 Speaker 3: nineteen oh seven to his nephew Limb, and lim continued 127 00:07:19,680 --> 00:07:22,840 Speaker 3: to tell the story of Nears Green and his boys. 128 00:07:23,240 --> 00:07:26,320 Speaker 3: He went on record every single time it was asked 129 00:07:26,800 --> 00:07:29,600 Speaker 3: what is the difference between Tennessee whiskey and Kentucky bourbon. 130 00:07:29,640 --> 00:07:32,840 Speaker 3: There's only one thing that distinguishes that other than location, 131 00:07:33,440 --> 00:07:37,200 Speaker 3: and that's just taking this traditional bourbon distillate, running it 132 00:07:37,240 --> 00:07:39,840 Speaker 3: through sugar maple charcoal to filter it before it goes 133 00:07:39,840 --> 00:07:42,760 Speaker 3: into the barrels. Well, Jack's descendants were always very clear 134 00:07:42,800 --> 00:07:47,160 Speaker 3: and giving the credit for that process to the Africans 135 00:07:47,320 --> 00:07:50,560 Speaker 3: that were living there, to the enslaved people. That's also 136 00:07:50,640 --> 00:07:53,880 Speaker 3: something they didn't have to do because we have. What 137 00:07:53,920 --> 00:07:58,280 Speaker 3: has happened historically over our four hundred plus years in 138 00:07:58,320 --> 00:08:01,480 Speaker 3: this country is because we weren't able to patent, because 139 00:08:01,520 --> 00:08:05,080 Speaker 3: we weren't able to trademark. We're really just now figuring 140 00:08:05,120 --> 00:08:08,160 Speaker 3: out the things that we invented correct and we're just 141 00:08:08,240 --> 00:08:10,920 Speaker 3: now figuring out where we were involved in who we 142 00:08:11,000 --> 00:08:16,320 Speaker 3: helped with. And so what's interesting is that when Jack's 143 00:08:16,360 --> 00:08:19,840 Speaker 3: great nephews took over the distillery, there was four of them. 144 00:08:20,360 --> 00:08:22,960 Speaker 3: They made sure that when they opened up the distillery 145 00:08:23,040 --> 00:08:26,920 Speaker 3: for tours for the public, Nears Green's legacy, George Green's 146 00:08:26,960 --> 00:08:29,880 Speaker 3: legacy was always a part of those tours, so much 147 00:08:29,920 --> 00:08:33,319 Speaker 3: so that Nearest says, descendants that went away to college 148 00:08:33,360 --> 00:08:36,640 Speaker 3: would bring their college friends back take them on tours 149 00:08:36,640 --> 00:08:40,280 Speaker 3: of Jack Daniel so that they could talk about their ancestor. 150 00:08:41,160 --> 00:08:45,760 Speaker 3: It was never hidden. Then, in seventy eight, the last 151 00:08:45,800 --> 00:08:50,680 Speaker 3: of Jack's descendants to pass away, Regor Motlow. When he died, 152 00:08:51,040 --> 00:08:55,320 Speaker 3: It's almost like the story died with him, because between 153 00:08:55,360 --> 00:08:59,600 Speaker 3: seventy eight and seventy nine the story disappeared. So one 154 00:08:59,640 --> 00:09:03,679 Speaker 3: of us descendants came back with friends from college and 155 00:09:03,840 --> 00:09:06,880 Speaker 3: called her daughter and said, they whitewashed my great great 156 00:09:06,920 --> 00:09:09,920 Speaker 3: grandfather out of this story. And so we know the 157 00:09:09,960 --> 00:09:13,200 Speaker 3: exact timeframe that had happened, and it happened right after 158 00:09:13,679 --> 00:09:18,600 Speaker 3: Jack's descendants stopped having watch over the distillery, Okay, And 159 00:09:18,720 --> 00:09:23,839 Speaker 3: so I believe that Jack knew without them overseeing this, 160 00:09:24,240 --> 00:09:26,959 Speaker 3: that there was a really good chance that Naris's legacy 161 00:09:27,000 --> 00:09:29,440 Speaker 3: would be erased, and he wasn't wrong because if he 162 00:09:29,559 --> 00:09:33,240 Speaker 3: hadn't taken the photo the photo, we wouldn't have been 163 00:09:33,240 --> 00:09:34,040 Speaker 3: able to prove it. 164 00:09:34,360 --> 00:09:36,880 Speaker 1: Do me a favor, do me a favorite. Let's talk 165 00:09:36,920 --> 00:09:39,320 Speaker 1: about this photo, because I feel like people might and 166 00:09:39,360 --> 00:09:42,000 Speaker 1: I just want to focus in on this photograph, that 167 00:09:42,040 --> 00:09:44,800 Speaker 1: photograph that you saw in the International section of the 168 00:09:44,800 --> 00:09:47,880 Speaker 1: New York Times that day in Singapore. What what year 169 00:09:47,960 --> 00:09:48,920 Speaker 1: was that? 170 00:09:48,920 --> 00:09:50,320 Speaker 3: That was twenty. 171 00:09:49,960 --> 00:09:53,520 Speaker 1: Sixteen, What was the year the photo was taken? 172 00:09:54,280 --> 00:09:55,440 Speaker 3: That nineteen oh four? 173 00:09:56,080 --> 00:10:00,280 Speaker 1: Nineteen oh four. The conditions of America in nineteen you know, 174 00:10:00,320 --> 00:10:03,200 Speaker 1: for would not suggest that a white man who is 175 00:10:03,400 --> 00:10:08,360 Speaker 1: as profitable and or as lucrative or well established as 176 00:10:08,920 --> 00:10:13,199 Speaker 1: Jack Daniels would take a photo with Uncle Nerest correct. 177 00:10:13,120 --> 00:10:16,280 Speaker 3: Well more importantly so that the African American in the 178 00:10:16,320 --> 00:10:19,400 Speaker 3: photo we've been able to positively identify as Nearest's son, 179 00:10:19,520 --> 00:10:24,960 Speaker 3: George Green. Okay, because Nearest retired and his sons George 180 00:10:24,960 --> 00:10:27,280 Speaker 3: and Eli, continued to work alongside Jack. 181 00:10:27,520 --> 00:10:29,640 Speaker 1: So George Green it wasn't Nearest city. 182 00:10:29,520 --> 00:10:32,440 Speaker 3: It wasn't nearest. Nearest was passed away by the time 183 00:10:32,520 --> 00:10:36,080 Speaker 3: that photo was taken. But the thing that I found 184 00:10:36,240 --> 00:10:39,360 Speaker 3: I still find most significant about the photo. It's not 185 00:10:39,520 --> 00:10:42,199 Speaker 3: just that George Green is to the right of Jack Daniel. 186 00:10:42,559 --> 00:10:44,520 Speaker 3: It's that if you look at the full photo, and 187 00:10:44,520 --> 00:10:47,440 Speaker 3: it's why I began Love and Whiskey with that photo 188 00:10:47,520 --> 00:10:50,079 Speaker 3: so people could see not the crop version that was 189 00:10:50,120 --> 00:10:52,400 Speaker 3: in the New York Times or even the crop version 190 00:10:52,480 --> 00:10:55,000 Speaker 3: I have on the cover. When you look at the 191 00:10:55,040 --> 00:10:58,520 Speaker 3: full photo, what you will notice is is the center 192 00:10:58,679 --> 00:11:02,480 Speaker 3: of the entire photo is around the African American man. 193 00:11:03,200 --> 00:11:06,040 Speaker 3: So Jack didn't just have him to his right. He 194 00:11:06,240 --> 00:11:10,640 Speaker 3: actually seeded the center position of the entire photograph to 195 00:11:10,720 --> 00:11:13,720 Speaker 3: George Green. And the other reason that's important is is 196 00:11:13,800 --> 00:11:17,680 Speaker 3: Jack never took another photo with other people his entire life. 197 00:11:17,760 --> 00:11:20,640 Speaker 3: There is exactly one photo with Jack Daniel with other 198 00:11:20,640 --> 00:11:22,920 Speaker 3: people in it, and he seeded the center position to 199 00:11:22,920 --> 00:11:24,880 Speaker 3: an African American man. 200 00:11:25,400 --> 00:11:28,760 Speaker 1: That is powerful. Do you know, Can you tell me 201 00:11:28,800 --> 00:11:31,559 Speaker 1: what happened to near screen? How did he pass away? 202 00:11:31,679 --> 00:11:34,520 Speaker 3: We have no idea. So that the US Census is 203 00:11:34,600 --> 00:11:38,400 Speaker 3: so interesting and the reason why the archives exist, now 204 00:11:38,480 --> 00:11:43,640 Speaker 3: why it was created. So in eighteen ninety a portion 205 00:11:43,800 --> 00:11:47,600 Speaker 3: of the census in America was burned in a fire. 206 00:11:48,000 --> 00:11:50,839 Speaker 3: It was just an accidental fire. You know buildings would 207 00:11:50,840 --> 00:11:54,280 Speaker 3: burn all the time. Then someone in our government made 208 00:11:54,360 --> 00:11:58,480 Speaker 3: the decision that if one portion of the census was 209 00:11:58,559 --> 00:12:02,800 Speaker 3: burned and destroyed, that all of the census should be 210 00:12:02,840 --> 00:12:06,120 Speaker 3: burned and destroyed. So we don't have an eighteen ninety census. 211 00:12:06,360 --> 00:12:08,520 Speaker 3: So we know that he was alive in eighteen eighty. 212 00:12:09,080 --> 00:12:11,679 Speaker 3: We know he was no longer alive in the census 213 00:12:11,679 --> 00:12:14,720 Speaker 3: in nineteen hundred, but we have no way of knowing 214 00:12:14,720 --> 00:12:17,839 Speaker 3: if he was still alive in eighteen ninety. And as 215 00:12:17,880 --> 00:12:21,040 Speaker 3: I began doing my research, I have him paying pull taxes, 216 00:12:21,480 --> 00:12:23,920 Speaker 3: which is, you know, the poll tax thing every time 217 00:12:24,000 --> 00:12:25,959 Speaker 3: black people don't vote. I'm like, are you kidding me? 218 00:12:26,600 --> 00:12:31,280 Speaker 3: They the poll tax is two dollars at that time 219 00:12:31,440 --> 00:12:34,800 Speaker 3: that nearest green and I have him paying poll taxes 220 00:12:34,880 --> 00:12:37,840 Speaker 3: every year that he was free up until eighteen eighty four, 221 00:12:38,280 --> 00:12:41,240 Speaker 3: And so it is possible he passed away in eighteen 222 00:12:41,240 --> 00:12:44,719 Speaker 3: eighty four. It's also possible that he no longer had 223 00:12:44,760 --> 00:12:47,040 Speaker 3: to pay the taxes because of how old you would 224 00:12:47,040 --> 00:12:49,720 Speaker 3: have been. We don't have any way of knowing, but 225 00:12:50,200 --> 00:12:52,440 Speaker 3: eighteen eighty four is the last time we have a 226 00:12:52,520 --> 00:12:55,199 Speaker 3: record of him. So that's why the brand Uncle near's 227 00:12:55,240 --> 00:12:57,920 Speaker 3: eighteen eighty four. We look at that and say that's 228 00:12:57,960 --> 00:13:02,200 Speaker 3: the last year that we believe that he put whiskey 229 00:13:02,240 --> 00:13:06,200 Speaker 3: into a barrel for Jack. And we say that because 230 00:13:06,240 --> 00:13:08,640 Speaker 3: that's the year Jack moved to the current location for 231 00:13:08,720 --> 00:13:12,160 Speaker 3: Jack Daniel Distillery. Nears Green is the only known master 232 00:13:12,240 --> 00:13:15,560 Speaker 3: distiller for Jack Daniel Distillery number seven. But that was 233 00:13:15,600 --> 00:13:18,000 Speaker 3: a different property than where it is now, Okay, And 234 00:13:18,160 --> 00:13:21,040 Speaker 3: so when he moved, that would have been the last 235 00:13:21,040 --> 00:13:24,560 Speaker 3: time that Nerros put whiskey in the barrel for Jack 236 00:13:24,559 --> 00:13:26,400 Speaker 3: would have been at eighteen eighty four. And that's also 237 00:13:26,440 --> 00:13:29,000 Speaker 3: the last year that I show records that he paid 238 00:13:29,200 --> 00:13:29,840 Speaker 3: the poll tax. 239 00:13:30,280 --> 00:13:32,040 Speaker 1: Pull tax is when you want to vote, you have 240 00:13:32,080 --> 00:13:34,280 Speaker 1: to pay a tax. That was also a deterrent for 241 00:13:34,360 --> 00:13:36,679 Speaker 1: many African Americans who were free an attacks. 242 00:13:36,480 --> 00:13:38,760 Speaker 3: Well absolutely, because white people didn't have to pay the 243 00:13:38,760 --> 00:13:41,200 Speaker 3: poll tax. Yeah, we had to pay the poll tax 244 00:13:41,280 --> 00:13:44,280 Speaker 3: in two dollars at that time. That meant you made 245 00:13:44,280 --> 00:13:48,079 Speaker 3: a decision between putting food on the table for an 246 00:13:48,240 --> 00:13:51,319 Speaker 3: entire week. That was a decision you had to make. 247 00:13:51,320 --> 00:13:54,439 Speaker 3: And it was so amazing to me because every black person, 248 00:13:54,760 --> 00:13:57,880 Speaker 3: every single black person in Lynchburg, Tennessee, paid that poll 249 00:13:57,960 --> 00:14:01,160 Speaker 3: tax and they voted. All of Mirris's boys, every single one, 250 00:14:01,559 --> 00:14:04,600 Speaker 3: paid that poll tax and voted. Of course, women, his 251 00:14:04,720 --> 00:14:07,359 Speaker 3: daughters weren't allowed to vote. That's a whole other conversation. 252 00:14:07,920 --> 00:14:10,880 Speaker 3: But the boys all paid the poll taxes and made 253 00:14:10,880 --> 00:14:11,480 Speaker 3: sure they voted. 254 00:14:12,440 --> 00:14:15,560 Speaker 1: When we return, we'll talk about how Fond revived the 255 00:14:15,679 --> 00:14:19,640 Speaker 1: legacy of Nearest Green and made Uncle Nears a billion 256 00:14:19,760 --> 00:14:30,320 Speaker 1: dollar brand back in a moment, welcome back to naked sports. 257 00:14:30,720 --> 00:14:35,160 Speaker 1: As far as records go, some historians estimate that Nearest 258 00:14:35,160 --> 00:14:39,520 Speaker 1: Green passed away in eighteen ninety. Also, Wikipedia says that 259 00:14:40,240 --> 00:14:43,720 Speaker 1: but when he passed away, his son, George took over 260 00:14:43,760 --> 00:14:44,960 Speaker 1: the business. 261 00:14:45,240 --> 00:14:51,120 Speaker 3: Yep, So his son continued the businessm Master Distiller. We 262 00:14:51,160 --> 00:14:54,760 Speaker 3: don't have. It's interesting because Jack Daniels has no record, 263 00:14:54,840 --> 00:14:57,800 Speaker 3: So so much of what I've had to discover is 264 00:14:57,840 --> 00:15:01,320 Speaker 3: outside of their record. And a part of that is 265 00:15:01,360 --> 00:15:06,400 Speaker 3: because a lot of people don't understand prohibition. It essentially 266 00:15:06,480 --> 00:15:10,680 Speaker 3: killed Jack Daniel Distillery. So prohibition began in Tennessee ten 267 00:15:10,800 --> 00:15:14,320 Speaker 3: years before federal prohibition. So Jack Daniel Distillery as we 268 00:15:14,440 --> 00:15:18,360 Speaker 3: know it that was here, moved to Saint Louis. They 269 00:15:18,440 --> 00:15:21,040 Speaker 3: moved to Saint Louis, they start up operated his nephew 270 00:15:21,040 --> 00:15:24,120 Speaker 3: Limbs set up operation there. That entire building burned down. 271 00:15:24,640 --> 00:15:27,920 Speaker 3: Who had to build a new Jack Daniel distillery across 272 00:15:27,960 --> 00:15:30,440 Speaker 3: the way in Saint Louis. And so the fact that 273 00:15:30,480 --> 00:15:35,840 Speaker 3: there's Guinea records, the fact that this photo exists is 274 00:15:36,000 --> 00:15:38,360 Speaker 3: because it was about a forty year window of time 275 00:15:38,920 --> 00:15:42,000 Speaker 3: that Jack Daniel Distillery did not exist in Lynchburg. 276 00:15:44,440 --> 00:15:47,920 Speaker 1: Prohibition please explain master distillery please? 277 00:15:48,080 --> 00:15:52,320 Speaker 3: Yeah, absolutely so. Prohibition was an experiment in America that 278 00:15:52,400 --> 00:15:53,240 Speaker 3: failed greatly. 279 00:15:53,840 --> 00:15:54,280 Speaker 1: You you. 280 00:15:55,920 --> 00:16:00,560 Speaker 3: Had the government trying to regulate people drinking alcohol, and 281 00:16:00,760 --> 00:16:03,800 Speaker 3: they had determined that the only way that you could 282 00:16:03,880 --> 00:16:06,200 Speaker 3: drink bourbon because we didn't have all the alcohols at 283 00:16:06,200 --> 00:16:08,960 Speaker 3: that time, it was basically like it was basically whiskey, 284 00:16:08,960 --> 00:16:13,280 Speaker 3: bourbon rye whisky in the East Coast. And they determined 285 00:16:13,320 --> 00:16:16,040 Speaker 3: that the only way that you should be able to 286 00:16:16,040 --> 00:16:19,280 Speaker 3: get bourbon is what a prescription. And so the only 287 00:16:19,400 --> 00:16:21,960 Speaker 3: Burke people that were still making bourbon were the ones 288 00:16:21,960 --> 00:16:23,680 Speaker 3: that were doing it for the pharmacies. And I'm like, 289 00:16:23,760 --> 00:16:25,680 Speaker 3: let me get this straight. So you knew what was 290 00:16:25,720 --> 00:16:27,680 Speaker 3: healthy enough to make it a prescription? 291 00:16:28,120 --> 00:16:28,280 Speaker 1: Yeah? 292 00:16:28,640 --> 00:16:32,320 Speaker 3: Tell But and So what ended up happening during prohibition 293 00:16:32,440 --> 00:16:35,040 Speaker 3: is alcohol didn't go away, just went in to speak easies. 294 00:16:35,360 --> 00:16:38,000 Speaker 3: The mob ran all the alcohol, so they made all 295 00:16:38,040 --> 00:16:40,720 Speaker 3: the money and then they paid off the government officials 296 00:16:40,720 --> 00:16:41,680 Speaker 3: to keep prohibition going. 297 00:16:43,440 --> 00:16:45,640 Speaker 1: A movie with al Capone or anything about ulture, so 298 00:16:45,680 --> 00:16:48,520 Speaker 1: you know what prohibition was. And also the advent of moonshine, 299 00:16:48,520 --> 00:16:49,840 Speaker 1: people were making their own. 300 00:16:49,920 --> 00:16:52,440 Speaker 3: Well absolutely a lot of people don't even know that's 301 00:16:52,440 --> 00:16:55,760 Speaker 3: how NASCAR began. So when you talk about sporting events, 302 00:16:56,080 --> 00:16:59,440 Speaker 3: most people have no idea that NASCAR began in Tennessee. 303 00:17:00,160 --> 00:17:04,520 Speaker 3: And the reason it was created was to outrun the 304 00:17:05,080 --> 00:17:09,520 Speaker 3: revenuers that were chasing after the moonshiners. So the moonshiners 305 00:17:09,560 --> 00:17:13,520 Speaker 3: created these soaked up vehicles that would outrun the police 306 00:17:13,560 --> 00:17:16,800 Speaker 3: and the revenuers and they would basically had these back 307 00:17:16,880 --> 00:17:19,919 Speaker 3: routes through the smoky mountains into North Carolina. So they 308 00:17:19,960 --> 00:17:23,680 Speaker 3: would run moonshine between Tennessee and North Carolina with these 309 00:17:23,840 --> 00:17:26,640 Speaker 3: really fast cars. That's what became NASCAR. 310 00:17:27,359 --> 00:17:30,639 Speaker 1: Wow, I had no idea. A lot of people including me, 311 00:17:30,920 --> 00:17:35,919 Speaker 1: thank you, I know, thank you for this education. Okay, yeah, yeah, wow, 312 00:17:36,040 --> 00:17:38,720 Speaker 1: that's so powerful. Master Distiller. So and the only reason 313 00:17:38,800 --> 00:17:41,360 Speaker 1: why I ask is because these questions are people will 314 00:17:41,400 --> 00:17:43,080 Speaker 1: want to know about Uncle Nears So the next time 315 00:17:43,080 --> 00:17:45,480 Speaker 1: they buy Uncle Near's eighteen eighty four, they know why 316 00:17:45,520 --> 00:17:46,800 Speaker 1: it's eighteen eighty four. 317 00:17:46,880 --> 00:17:50,920 Speaker 3: Absolutely and a master distiller. To answer your question, what 318 00:17:50,960 --> 00:17:53,879 Speaker 3: that essentially means is that person was over the stillhouse. 319 00:17:53,920 --> 00:17:57,720 Speaker 3: It was they were over the entire production of whiskey 320 00:17:57,800 --> 00:18:02,800 Speaker 3: making at that particular distillery. And so nears Green we 321 00:18:02,880 --> 00:18:07,320 Speaker 3: knew to be the master distiller because Jack's Jack and 322 00:18:07,400 --> 00:18:11,040 Speaker 3: his nephew and his great nephews all made sure that 323 00:18:11,200 --> 00:18:15,560 Speaker 3: was documented that nears Green was the first master distiller. However, 324 00:18:15,920 --> 00:18:23,080 Speaker 3: between that time frame and when Jackie Summers started Surrell 325 00:18:23,359 --> 00:18:26,959 Speaker 3: in Brooklyn, New York and became a master distiller I 326 00:18:26,960 --> 00:18:30,439 Speaker 3: believe in twenty twelve, between that time, we don't know 327 00:18:30,480 --> 00:18:34,480 Speaker 3: of a single other African American master distiller, Wow or 328 00:18:34,600 --> 00:18:37,960 Speaker 3: Black master distiller because Jackie is Caribbean, So we. 329 00:18:37,960 --> 00:18:40,680 Speaker 1: Don't know of a saint year to what year. 330 00:18:41,119 --> 00:18:46,639 Speaker 3: From eighteen eighty four until twenty twelve, we don't have 331 00:18:46,800 --> 00:18:51,000 Speaker 3: record of another master distiller, not because they didn't exist, 332 00:18:51,160 --> 00:18:53,280 Speaker 3: but because they weren't given credit. 333 00:18:56,040 --> 00:19:01,160 Speaker 1: So what do you think the relationship was from your 334 00:19:01,200 --> 00:19:03,439 Speaker 1: research which you've been able to ascertain what you've been 335 00:19:03,480 --> 00:19:08,359 Speaker 1: able to discover, what was the relationship between Jack Daniels 336 00:19:08,359 --> 00:19:09,160 Speaker 1: and their screen. 337 00:19:09,520 --> 00:19:12,600 Speaker 3: I still confident that I know what it was because 338 00:19:12,640 --> 00:19:18,000 Speaker 3: I've interviewed about one hundred of Nears' descendants. I've spent 339 00:19:18,119 --> 00:19:22,200 Speaker 3: time with them. I've gone and pulled documents from six 340 00:19:22,320 --> 00:19:25,240 Speaker 3: different states, all the states where he has branches, but 341 00:19:25,400 --> 00:19:29,000 Speaker 3: also Jack's family. And when you look at the descendants 342 00:19:29,119 --> 00:19:32,680 Speaker 3: and how their descendants were so close and continued throughout 343 00:19:32,720 --> 00:19:37,399 Speaker 3: the years, it's very clear that began somewhere, and it 344 00:19:37,520 --> 00:19:41,520 Speaker 3: makes the most sense that it predated his son and 345 00:19:42,080 --> 00:19:46,000 Speaker 3: Jack's nephews and those relationships that it began with Nears 346 00:19:46,080 --> 00:19:48,560 Speaker 3: and Jack. And so you have just to give a 347 00:19:48,560 --> 00:19:51,720 Speaker 3: little bit of background. Nears and Jack worked for the 348 00:19:51,760 --> 00:19:54,320 Speaker 3: same man. They worked for the same preacher on the 349 00:19:54,359 --> 00:19:56,760 Speaker 3: same property. I own that property now, so I have 350 00:19:56,840 --> 00:20:00,119 Speaker 3: an intimate understanding and knowledge of it. It was it's 351 00:20:00,160 --> 00:20:02,399 Speaker 3: three hundred and thirty eight acres. It's now three thirteen 352 00:20:02,400 --> 00:20:04,240 Speaker 3: because they've put roads through and all that stuff, but 353 00:20:04,800 --> 00:20:07,800 Speaker 3: it's that three hundred and thirty eight acre property. You 354 00:20:07,880 --> 00:20:11,280 Speaker 3: had this preacher in this distiller who had his home. 355 00:20:11,760 --> 00:20:14,359 Speaker 3: He married a teetotaler at a very young age. She 356 00:20:14,400 --> 00:20:17,040 Speaker 3: was only eighteen years old. So you have that home 357 00:20:17,160 --> 00:20:19,680 Speaker 3: on the property. They had what's really amazing, they had 358 00:20:19,720 --> 00:20:23,280 Speaker 3: eighteen kids. I think eleven survived, but that woman was 359 00:20:23,280 --> 00:20:24,040 Speaker 3: always pregnant. 360 00:20:24,280 --> 00:20:27,440 Speaker 1: So you have good lord, and so you have their home. 361 00:20:27,760 --> 00:20:30,280 Speaker 3: And then if you were to walk through what was 362 00:20:30,400 --> 00:20:34,040 Speaker 3: essentially forest area, if you were to walk through the 363 00:20:34,080 --> 00:20:37,840 Speaker 3: property for about twenty five thirty minutes, you would arrive 364 00:20:38,040 --> 00:20:42,040 Speaker 3: at where his distillery was on the property. But then 365 00:20:42,119 --> 00:20:45,000 Speaker 3: if you went about the same amount of time in 366 00:20:45,080 --> 00:20:48,320 Speaker 3: the other direction, it's been like a triangle, you would 367 00:20:48,400 --> 00:20:51,680 Speaker 3: arrive at his church. And so you had a man 368 00:20:51,720 --> 00:20:55,560 Speaker 3: who was keeping these three worlds essentially separate from one another. 369 00:20:55,880 --> 00:20:57,800 Speaker 3: His wife didn't want to have any parts of the 370 00:20:57,800 --> 00:21:02,040 Speaker 3: distillery whatsoever, the church didn't I And so you have 371 00:21:02,359 --> 00:21:06,159 Speaker 3: this distillery that's being run by an African American man 372 00:21:06,640 --> 00:21:09,800 Speaker 3: because the white man who actually owns it can't put 373 00:21:09,800 --> 00:21:12,120 Speaker 3: his hands on it because of his wife and because 374 00:21:12,119 --> 00:21:12,680 Speaker 3: of his church. 375 00:21:13,040 --> 00:21:15,040 Speaker 1: Interesting, and so I think. 376 00:21:14,920 --> 00:21:18,159 Speaker 3: That's a part of where the dynamic was different, is 377 00:21:18,560 --> 00:21:23,240 Speaker 3: he was essentially an absentee owner, right because his church 378 00:21:23,280 --> 00:21:25,119 Speaker 3: and his wife didn't want him to have any parts 379 00:21:25,119 --> 00:21:27,399 Speaker 3: of that distillery, so he just kind of pretended like 380 00:21:27,400 --> 00:21:31,480 Speaker 3: it wasn't there. But then nearest Green was making the whiskey. Well, 381 00:21:31,640 --> 00:21:35,400 Speaker 3: Jack Daniel comes as a young kid, about seven years old, 382 00:21:35,440 --> 00:21:38,760 Speaker 3: as a chore boy. He's the tenth child. His mother 383 00:21:38,880 --> 00:21:42,120 Speaker 3: dies of typhus fever seven days after she contracts it, 384 00:21:42,280 --> 00:21:45,679 Speaker 3: and he was only four months old. So imagine in 385 00:21:45,720 --> 00:21:47,919 Speaker 3: those days, men didn't know how to take care of kids. 386 00:21:48,320 --> 00:21:51,119 Speaker 3: This man is left now with ten kids, one that 387 00:21:51,240 --> 00:21:54,440 Speaker 3: needs to be wet nurse breastfed by nextdoor neighbor who 388 00:21:54,520 --> 00:21:57,560 Speaker 3: has an infant around the same age. And so you 389 00:21:57,760 --> 00:22:01,080 Speaker 3: have this man who now has two ten children, including 390 00:22:01,080 --> 00:22:04,359 Speaker 3: a four month old. Well, back in those days, the 391 00:22:04,400 --> 00:22:07,240 Speaker 3: way that you dealt with that, it wasn't babysitters and nannies. 392 00:22:07,280 --> 00:22:09,720 Speaker 3: You went and found somebody else to marry who would 393 00:22:09,720 --> 00:22:14,520 Speaker 3: take care of you'll take kids, correct. And so Jack's 394 00:22:14,520 --> 00:22:18,720 Speaker 3: father brought in a woman pretty early on, and by 395 00:22:18,760 --> 00:22:21,320 Speaker 3: all accounts, she just wasn't fond of Jack. And so 396 00:22:21,480 --> 00:22:24,320 Speaker 3: Jack left home at a very early age and began 397 00:22:24,400 --> 00:22:27,199 Speaker 3: working as a chore boy for this preacher and distiller 398 00:22:27,320 --> 00:22:30,240 Speaker 3: Dan Call and so when we look at Jack, because 399 00:22:30,280 --> 00:22:34,080 Speaker 3: of who he became, we automatically assumed that he came 400 00:22:34,119 --> 00:22:37,720 Speaker 3: from privilege. But as I began diving into, what I 401 00:22:37,840 --> 00:22:40,920 Speaker 3: discovered is he's seven years old. He's living and working 402 00:22:40,960 --> 00:22:44,280 Speaker 3: for this family. He's going and fetching water from them 403 00:22:44,320 --> 00:22:47,520 Speaker 3: for the well. He's feeding slot to the pigs, he's 404 00:22:47,560 --> 00:22:51,000 Speaker 3: milking cows. He's living in the barn a good portion 405 00:22:51,119 --> 00:22:54,119 Speaker 3: of the time because they had so many kids, so 406 00:22:54,200 --> 00:22:57,720 Speaker 3: many babies, that it was more peaceful to sleep in 407 00:22:57,760 --> 00:23:03,040 Speaker 3: the barn with the animals. It's hard for a person 408 00:23:03,160 --> 00:23:06,080 Speaker 3: of any color to believe that they are of any 409 00:23:06,119 --> 00:23:09,600 Speaker 3: privilege if that's your situation, if that's your circumstance. So 410 00:23:09,800 --> 00:23:13,000 Speaker 3: I don't believe that Nearest and Jack ever really saw 411 00:23:13,080 --> 00:23:16,400 Speaker 3: each other based on race. I certainly don't think Jack did, 412 00:23:17,119 --> 00:23:20,320 Speaker 3: and I don't believe it because he had such a 413 00:23:20,480 --> 00:23:23,560 Speaker 3: tough upbringing that there would be no way for him 414 00:23:23,560 --> 00:23:25,960 Speaker 3: to feel as though he was above anybody. 415 00:23:25,440 --> 00:23:28,639 Speaker 1: Else because of where he was in life, his station 416 00:23:28,800 --> 00:23:29,760 Speaker 1: in life. 417 00:23:29,560 --> 00:23:32,360 Speaker 3: His station in life did not allow him to have 418 00:23:32,520 --> 00:23:34,960 Speaker 3: any kind of privilege. 419 00:23:35,240 --> 00:23:37,719 Speaker 1: So you believe that they were, what would you how 420 00:23:37,720 --> 00:23:45,280 Speaker 1: would you categorize that relationship mentor mentee, teacher, student, teacher, 421 00:23:45,400 --> 00:23:50,120 Speaker 1: being nearest, teacher, being nearest, mentor being nearest and over 422 00:23:50,160 --> 00:23:54,840 Speaker 1: the years, based on the relationship with Jack and nearest 423 00:23:54,880 --> 00:23:58,280 Speaker 1: his son George. And it was interesting because George Green 424 00:23:58,640 --> 00:23:59,560 Speaker 1: his granddaughter. 425 00:23:59,680 --> 00:24:02,800 Speaker 3: He raised her. She lived with him until he passed away. 426 00:24:03,280 --> 00:24:05,880 Speaker 3: And one of the stories that she shared that's in 427 00:24:05,920 --> 00:24:09,920 Speaker 3: love and Whiskey, is Jack's nephew, Lim, who ran the distillery. 428 00:24:10,760 --> 00:24:14,080 Speaker 3: He would get drunk and this isn't you know everybody 429 00:24:14,080 --> 00:24:16,560 Speaker 3: in town knows this. Lim would get drunk, he'd get 430 00:24:16,600 --> 00:24:22,840 Speaker 3: a little bulligern and Miss Helen, George's granddaughter, she would 431 00:24:22,840 --> 00:24:26,480 Speaker 3: remember the phone ringing and someone saying, George, can you 432 00:24:26,520 --> 00:24:30,400 Speaker 3: please come talk to Lim. Lim didn't respect a single 433 00:24:30,480 --> 00:24:33,959 Speaker 3: person when he was drunk, except near his son. So 434 00:24:34,080 --> 00:24:35,919 Speaker 3: George would have to go down to the house and 435 00:24:35,920 --> 00:24:38,400 Speaker 3: go Lim, you know you can't talk to people like that. Lim, 436 00:24:38,480 --> 00:24:40,879 Speaker 3: you know you can't throw stuff like that. The level 437 00:24:41,000 --> 00:24:45,719 Speaker 3: of respect you have to have gained for the only 438 00:24:45,840 --> 00:24:48,360 Speaker 3: person to be able to talk down the wealthiest man 439 00:24:48,400 --> 00:24:49,600 Speaker 3: in town is a black man. 440 00:24:49,960 --> 00:24:54,840 Speaker 1: Yeah, yeah, because he knew he respected him as what 441 00:24:54,880 --> 00:24:57,320 Speaker 1: he came from. And what the work ethic in which 442 00:24:57,359 --> 00:25:00,919 Speaker 1: obviously they displayed, and how talented they were were and 443 00:25:01,000 --> 00:25:05,560 Speaker 1: did hear you? Decades later, hundreds of years later, you 444 00:25:05,680 --> 00:25:09,880 Speaker 1: come along and you find this story, and for whatever reasons, 445 00:25:09,920 --> 00:25:12,160 Speaker 1: you're intrigued, and I know the reasons, you just get 446 00:25:12,200 --> 00:25:14,719 Speaker 1: this black man is centered. Tell me more about this story. 447 00:25:15,280 --> 00:25:18,200 Speaker 3: Listen, I was about to turn forty. You couldn't tell 448 00:25:18,240 --> 00:25:21,320 Speaker 3: me a single story up until that point where we 449 00:25:21,359 --> 00:25:24,119 Speaker 3: would we could prove that we were there at the 450 00:25:24,160 --> 00:25:28,800 Speaker 3: beginning of a ubiquitous American brand. None, you couldn't tell 451 00:25:28,840 --> 00:25:30,920 Speaker 3: me a story where we were there at the beginning 452 00:25:31,000 --> 00:25:35,399 Speaker 3: of something that had been invented, where we where it 453 00:25:35,480 --> 00:25:39,920 Speaker 3: was proven, not that it's said. So you go to Houston, Texas. 454 00:25:39,960 --> 00:25:43,160 Speaker 3: You have lou Sille's restaurant. Her descendants have been very 455 00:25:43,160 --> 00:25:46,240 Speaker 3: clear in saying Pillsbury stole our recipe of instant biscuits 456 00:25:46,240 --> 00:25:48,440 Speaker 3: for her. They kept trying to buy it from her, 457 00:25:48,520 --> 00:25:51,880 Speaker 3: she kept saying no, they reverse engineered it, and all 458 00:25:51,920 --> 00:25:56,240 Speaker 3: of a sudden they have it. However, they can't prove it. Yeah, right, 459 00:25:56,359 --> 00:25:59,680 Speaker 3: So what we've had over the years is a history 460 00:25:59,760 --> 00:26:04,640 Speaker 3: of stories that we can't prove and with this photo 461 00:26:05,359 --> 00:26:11,399 Speaker 3: and with the accompanying documentation his biography, Jack's biography, and 462 00:26:11,440 --> 00:26:15,320 Speaker 3: a few other things. I'm looking at this and going, wait, 463 00:26:15,400 --> 00:26:17,560 Speaker 3: we could we actually have a story we can. 464 00:26:17,520 --> 00:26:21,480 Speaker 1: Prove h And that was new for us and your 465 00:26:21,560 --> 00:26:24,199 Speaker 1: idea when you knew that you could prove this story, 466 00:26:24,240 --> 00:26:27,399 Speaker 1: its origin, it's history in African American culture, your idea 467 00:26:27,480 --> 00:26:28,600 Speaker 1: was to do what then. 468 00:26:28,960 --> 00:26:31,480 Speaker 3: A book in a movie. So Love and Whiskey was 469 00:26:31,760 --> 00:26:35,120 Speaker 3: the first chapters of Love and Whiskey I wrote back 470 00:26:35,160 --> 00:26:39,520 Speaker 3: in twenty and sixteen. Now, mind you, my editor co 471 00:26:39,560 --> 00:26:41,080 Speaker 3: writer all the rest of that I did. So she 472 00:26:41,119 --> 00:26:44,240 Speaker 3: brought in her own researchers. They went back and reinterviewed 473 00:26:44,280 --> 00:26:47,159 Speaker 3: every person who I interviewed that was still alive. And 474 00:26:47,200 --> 00:26:50,359 Speaker 3: so the structure of it is not what I originally wrote. 475 00:26:50,800 --> 00:26:54,440 Speaker 3: But the content is in that I originally wrote back 476 00:26:54,520 --> 00:26:58,160 Speaker 3: in October twenty sixteen. It is throughout the book, it's basis, 477 00:26:58,240 --> 00:27:01,119 Speaker 3: the formation of the book itself, and so it was 478 00:27:01,240 --> 00:27:05,119 Speaker 3: always meant to be a book. But as I began 479 00:27:05,280 --> 00:27:09,359 Speaker 3: meeting with Nearess's family and Jack's family, what became clear 480 00:27:10,000 --> 00:27:13,800 Speaker 3: is that Nearis's story had been erased once before, and 481 00:27:13,880 --> 00:27:17,119 Speaker 3: there was a book, and there was newspaper articles and 482 00:27:17,280 --> 00:27:20,600 Speaker 3: magazines that made it clear who he was. So the 483 00:27:20,640 --> 00:27:23,280 Speaker 3: fact that it could happen once means it could happen again, 484 00:27:23,760 --> 00:27:26,360 Speaker 3: and a book wasn't going to prevent it from happening. 485 00:27:26,680 --> 00:27:29,560 Speaker 3: And so the question became, why are we all still 486 00:27:29,600 --> 00:27:31,960 Speaker 3: talking about Jack Daniel and Johnny Walker and Jim Bean 487 00:27:32,000 --> 00:27:35,760 Speaker 3: to this day? Very simple, we see their bottles everywhere, yep. 488 00:27:36,000 --> 00:27:39,760 Speaker 3: So to cement the legacy of Nearest Green, that was 489 00:27:40,000 --> 00:27:43,359 Speaker 3: imperative that we made sure that not only did he 490 00:27:43,520 --> 00:27:46,920 Speaker 3: have his own bottle to sit alongside Jim, Johnny and Jack, 491 00:27:47,280 --> 00:27:50,200 Speaker 3: but it was important that it become very early on 492 00:27:50,400 --> 00:27:53,080 Speaker 3: the most awarded bourbon in the world, because we were 493 00:27:53,080 --> 00:27:56,400 Speaker 3: saying the level of excellence in which Nearest operated, we're 494 00:27:56,400 --> 00:28:00,119 Speaker 3: going to mirror that all these years later. I mean, 495 00:28:00,200 --> 00:28:01,720 Speaker 3: this is the sixth year in a row that Uncle 496 00:28:01,800 --> 00:28:04,720 Speaker 3: Ners is the most awarded bourbon in the world. That's 497 00:28:04,800 --> 00:28:09,800 Speaker 3: not by accident, that's very intentional. I should also clarify 498 00:28:09,960 --> 00:28:13,359 Speaker 3: why we refer to him as Uncle Nears for the brand, 499 00:28:13,880 --> 00:28:15,959 Speaker 3: but I don't refer to him as Uncle Nears as 500 00:28:16,000 --> 00:28:18,399 Speaker 3: a person. As a person. I refer to him as 501 00:28:18,480 --> 00:28:21,720 Speaker 3: Nearest Green. That's what he referred to himself as, but 502 00:28:22,040 --> 00:28:25,639 Speaker 3: his legal name was Nathan Green. And enslaved people on 503 00:28:25,680 --> 00:28:30,439 Speaker 3: the other side of being freed, many of them chose 504 00:28:30,520 --> 00:28:33,200 Speaker 3: to abandon the names that were given to them because 505 00:28:33,240 --> 00:28:35,520 Speaker 3: so many of them those names were tied to either 506 00:28:35,880 --> 00:28:40,280 Speaker 3: their slave owners or children of the slave owners. And 507 00:28:40,320 --> 00:28:42,920 Speaker 3: so what you see a lot with enslaved people is 508 00:28:43,040 --> 00:28:46,480 Speaker 3: after the Civil War, they no longer use those names anymore. 509 00:28:46,960 --> 00:28:50,800 Speaker 3: That was the case with Neares Green. He completely abandoned 510 00:28:50,840 --> 00:28:54,440 Speaker 3: using Nathan Green. But more importantly, every legal document from 511 00:28:54,480 --> 00:29:00,000 Speaker 3: his children and his grandchildren never said Nathan. Every single 512 00:29:00,160 --> 00:29:03,880 Speaker 3: one was Nearest Felled phonetically, so many different ways, but 513 00:29:04,240 --> 00:29:07,600 Speaker 3: every single one of them used Nearest And so I 514 00:29:07,640 --> 00:29:09,520 Speaker 3: had to begin looking at it to figure out, well, 515 00:29:09,520 --> 00:29:14,520 Speaker 3: why would he possibly have abandoned Nathan. And there's two reasons. One, 516 00:29:14,640 --> 00:29:17,960 Speaker 3: the largest land, the largest slave owner in the Lynchburg 517 00:29:18,120 --> 00:29:22,080 Speaker 3: area was named Nathan Green. That's one reason. The other 518 00:29:22,240 --> 00:29:27,680 Speaker 3: reason is the most successful, well known Confederate general in 519 00:29:27,720 --> 00:29:30,400 Speaker 3: this area is a man by the name of Nathan 520 00:29:30,400 --> 00:29:33,360 Speaker 3: Bedford Forest. And by in this area, I mean he 521 00:29:33,400 --> 00:29:37,520 Speaker 3: literally came through here recruiting men for forrest escorts. Well. 522 00:29:37,560 --> 00:29:40,680 Speaker 3: He also just happens to be the first Grand Wizard 523 00:29:40,680 --> 00:29:44,160 Speaker 3: of the kou Klux Plam. So in this area, the 524 00:29:44,240 --> 00:29:49,760 Speaker 3: name Nathan is not great Nathan, it's not awesome. And 525 00:29:49,880 --> 00:29:53,160 Speaker 3: so when we were creating the brand, we had a 526 00:29:53,160 --> 00:29:57,160 Speaker 3: pretty big challenge because we couldn't name it Nearest Green 527 00:29:57,680 --> 00:30:00,960 Speaker 3: because before we identified him as Neares Green and made 528 00:30:01,000 --> 00:30:03,440 Speaker 3: him a household name, if you or I had seen 529 00:30:03,520 --> 00:30:07,280 Speaker 3: Nearest Green on a whiskey label, it basically is like 530 00:30:07,320 --> 00:30:11,080 Speaker 3: the nearest golf the closest golf course. It's not a human, 531 00:30:11,240 --> 00:30:14,239 Speaker 3: it's a thing. Nearest Green, correct, It's a thing. And 532 00:30:14,320 --> 00:30:17,720 Speaker 3: so we couldn't use Nearest Green until such time as 533 00:30:17,720 --> 00:30:20,320 Speaker 3: we identified him as a human being. And so we 534 00:30:20,440 --> 00:30:23,560 Speaker 3: really only had one choice of what name to use, 535 00:30:23,920 --> 00:30:26,440 Speaker 3: and it was a name that everybody in Lynchberg, white 536 00:30:26,440 --> 00:30:28,959 Speaker 3: and black, referred to him as, which is uncle Nears. 537 00:30:29,400 --> 00:30:33,320 Speaker 3: And we struggled with that one because historically, when you 538 00:30:33,440 --> 00:30:36,560 Speaker 3: would call someone an aunt or an uncle and their 539 00:30:36,720 --> 00:30:40,840 Speaker 3: African American, it was really to distinguish good Negro house Negro. 540 00:30:41,160 --> 00:30:44,560 Speaker 3: That type of thing is aunt and uncle. In Lynchburg. 541 00:30:44,840 --> 00:30:50,360 Speaker 3: In that instance, the most well respected people that were 542 00:30:50,400 --> 00:30:54,680 Speaker 3: there were Uncle Nearest, Uncle Jack, and Uncle Felix. Two 543 00:30:54,720 --> 00:30:58,240 Speaker 3: of the three were white. Okay, So it wasn't a 544 00:30:58,280 --> 00:31:00,520 Speaker 3: matter of good negro. It was a matter it was 545 00:31:00,560 --> 00:31:02,960 Speaker 3: a term of endearment. It was more importantly a term 546 00:31:03,000 --> 00:31:06,040 Speaker 3: of respect. And so even though we knew we would 547 00:31:06,080 --> 00:31:09,160 Speaker 3: have to explain that, we decided we would go with 548 00:31:09,320 --> 00:31:11,480 Speaker 3: Uncle Nears. But if you look at the name of 549 00:31:11,520 --> 00:31:15,680 Speaker 3: the distillery we announced in twenty eighteen before we started 550 00:31:15,680 --> 00:31:18,160 Speaker 3: building it, all the rest of that that was always 551 00:31:18,240 --> 00:31:21,320 Speaker 3: named nears Green Distillery. It has never been named Uncle 552 00:31:21,400 --> 00:31:24,840 Speaker 3: Neris because we were confident that at some point we 553 00:31:24,880 --> 00:31:28,720 Speaker 3: would make Nearest Green's name known around the world where 554 00:31:28,760 --> 00:31:31,640 Speaker 3: when people see it on a bottle, they know who 555 00:31:31,680 --> 00:31:33,840 Speaker 3: it is. So about a month and a half ago 556 00:31:33,960 --> 00:31:37,680 Speaker 3: we released nears Green, Tennessee and whiskey. Because now when 557 00:31:37,680 --> 00:31:40,240 Speaker 3: people see that name on a bottle, they know it's all. 558 00:31:40,360 --> 00:31:42,760 Speaker 1: Now, that's right. You've built the name. You've built the 559 00:31:42,800 --> 00:31:44,600 Speaker 1: Uncle Nearest name in a way in which people are 560 00:31:44,680 --> 00:31:46,800 Speaker 1: very familiar and it is a part of our world 561 00:31:47,280 --> 00:31:50,840 Speaker 1: in which we live. Congratulations to you on that business model. 562 00:31:50,920 --> 00:31:53,880 Speaker 1: So smart, but so divine, but almost just it was 563 00:31:53,920 --> 00:31:56,840 Speaker 1: appointed it was God knew that you needed it happened 564 00:31:56,960 --> 00:32:02,120 Speaker 1: in every It feels to me very divine. If today, 565 00:32:02,160 --> 00:32:04,520 Speaker 1: in this moment, God says, look at this article while 566 00:32:04,560 --> 00:32:07,480 Speaker 1: you're in Singapore, have this vision. You want a book, 567 00:32:07,520 --> 00:32:09,280 Speaker 1: you want a movie, but then there's just so much 568 00:32:09,320 --> 00:32:11,760 Speaker 1: more to it. If everyone listening. I had that wonderful 569 00:32:11,760 --> 00:32:15,840 Speaker 1: opportunity to visit and it is a beautiful property that 570 00:32:15,880 --> 00:32:20,200 Speaker 1: you have, a beautiful You've created such a beautiful living 571 00:32:20,320 --> 00:32:23,840 Speaker 1: legacy to Nearest Green, and it is for the world 572 00:32:23,960 --> 00:32:27,560 Speaker 1: to see. But you've also done not even on the 573 00:32:27,600 --> 00:32:30,280 Speaker 1: business aspect, because we're going to get into that, because 574 00:32:30,320 --> 00:32:34,320 Speaker 1: that's phenomenal, but you, to me, did the unnecessary step 575 00:32:34,360 --> 00:32:36,880 Speaker 1: that most people forget to do, and you brought in 576 00:32:36,960 --> 00:32:40,640 Speaker 1: his descendants and you said, I want you also to 577 00:32:40,680 --> 00:32:43,320 Speaker 1: be a part of this. Now, that to me is 578 00:32:43,480 --> 00:32:48,000 Speaker 1: another divine appointment and why I believe there is so 579 00:32:48,080 --> 00:32:51,600 Speaker 1: much success because of the intention behind the product. Can 580 00:32:51,640 --> 00:32:53,360 Speaker 1: you talk to us about how you were able to 581 00:32:53,400 --> 00:32:57,760 Speaker 1: find some of Green's descendants and incorporate a relationship, a 582 00:32:57,800 --> 00:33:01,800 Speaker 1: work relationship, a mentorship if you will, to make sure 583 00:33:01,840 --> 00:33:05,320 Speaker 1: that they can understand who he is and also benefit 584 00:33:05,360 --> 00:33:07,080 Speaker 1: from it. In many ways and perhaps come back and 585 00:33:07,560 --> 00:33:09,680 Speaker 1: work for their uncle in there. 586 00:33:09,800 --> 00:33:13,040 Speaker 3: Yeah. Yeah, So before we ever sold a bottle of 587 00:33:13,120 --> 00:33:16,239 Speaker 3: Uncle Nears, before any were in the marketplace, we had 588 00:33:16,280 --> 00:33:21,320 Speaker 3: already begun paying for the college for college scholarships for 589 00:33:21,440 --> 00:33:25,000 Speaker 3: every single one of Nearest Green's descendants. We were paying 590 00:33:25,200 --> 00:33:28,720 Speaker 3: for all of them to go to college. And so 591 00:33:28,960 --> 00:33:33,080 Speaker 3: Nearest Green's great great granddaughter, our Master Blinder, Victoria Ady Butler, 592 00:33:33,120 --> 00:33:39,040 Speaker 3: who was phenomenal. I met her attending the graduation of 593 00:33:39,440 --> 00:33:42,240 Speaker 3: her niece, who we had just put through college at 594 00:33:42,240 --> 00:33:46,160 Speaker 3: the University of Tennessee, Chattanooga, and she was graduating with honors. 595 00:33:46,400 --> 00:33:49,280 Speaker 3: She invited us out, we came out. That's how Victoria 596 00:33:49,320 --> 00:33:53,240 Speaker 3: and I met. And so the interesting thing is my 597 00:33:53,400 --> 00:33:56,920 Speaker 3: dream was always to have the company full of Green descendants. 598 00:33:57,280 --> 00:33:59,760 Speaker 3: But I didn't think through this very well, because if 599 00:33:59,760 --> 00:34:01,680 Speaker 3: I had, I wouldn't have paid for them all to 600 00:34:01,720 --> 00:34:06,720 Speaker 3: go to college. Because now they're looking at me like, 601 00:34:06,840 --> 00:34:08,759 Speaker 3: let me get this straight. So I now I have 602 00:34:08,880 --> 00:34:12,359 Speaker 3: my JD, I have my masters, I have my and 603 00:34:12,440 --> 00:34:15,960 Speaker 3: you want us to come work in Shelbyville, Tennessee, into 604 00:34:16,320 --> 00:34:19,640 Speaker 3: New York and California and Texas. And I've had zero 605 00:34:19,800 --> 00:34:24,160 Speaker 3: luck zero. So this is really just Victoria and I 606 00:34:24,440 --> 00:34:26,600 Speaker 3: and the rest of the Green family members. They come, 607 00:34:26,680 --> 00:34:30,440 Speaker 3: they support, they bring their friends to the distillery, but 608 00:34:30,880 --> 00:34:33,439 Speaker 3: they are like, yo, were not come. We're not coming 609 00:34:33,480 --> 00:34:36,880 Speaker 3: to the middle of Shelbyville, Tennessee. When we have so 610 00:34:37,000 --> 00:34:41,360 Speaker 3: many choices, Yeah, to do whatever we want. However, that 611 00:34:41,480 --> 00:34:44,560 Speaker 3: being said, I have not given up hope that over 612 00:34:44,719 --> 00:34:47,760 Speaker 3: most time years that we're going to have so many 613 00:34:47,800 --> 00:34:52,399 Speaker 3: Green family members working at the distillery and a part 614 00:34:52,520 --> 00:34:55,120 Speaker 3: of the family business. I look at this as them 615 00:34:55,239 --> 00:34:56,800 Speaker 3: out there sewing their royal oaths. 616 00:34:56,920 --> 00:34:57,080 Speaker 1: Right. 617 00:34:57,440 --> 00:34:59,440 Speaker 3: You know, you got one working at a PR firm, 618 00:34:59,480 --> 00:35:02,440 Speaker 3: and and diego, you got one down A few of 619 00:35:02,480 --> 00:35:06,000 Speaker 3: them actually down in Texas, and it's just really special 620 00:35:06,080 --> 00:35:10,200 Speaker 3: to be connected. The head of security for the leadership 621 00:35:10,280 --> 00:35:12,880 Speaker 3: at Meta is actually one of Nearest's descendants. 622 00:35:13,480 --> 00:35:16,600 Speaker 1: Von Weaver has written a New York Times bestselling book, 623 00:35:16,800 --> 00:35:20,400 Speaker 1: Love and Whiskey, and she continues this great legacy of 624 00:35:20,520 --> 00:35:23,799 Speaker 1: near a screen. But when we come back, she will 625 00:35:23,840 --> 00:35:27,040 Speaker 1: explain how playing offense has kept her head and shoulders 626 00:35:27,040 --> 00:35:30,160 Speaker 1: above the rest in this liquor game. But more importantly, 627 00:35:30,280 --> 00:35:42,120 Speaker 1: she's given out those gems back in a moment how 628 00:35:42,120 --> 00:35:44,920 Speaker 1: do you create this business model that is now a 629 00:35:45,000 --> 00:35:48,959 Speaker 1: billion dollar valuation. Congratulations to you and all your hard work, 630 00:35:49,120 --> 00:35:52,040 Speaker 1: and your husband and your family members, and your employees 631 00:35:52,080 --> 00:35:55,680 Speaker 1: and your investors and everyone who believes in the vision. 632 00:35:56,000 --> 00:35:59,399 Speaker 1: Congratulations to you. You deserve to be celebrated. So when 633 00:35:59,400 --> 00:36:02,520 Speaker 1: I see you celebrated, it warms my heart because you 634 00:36:02,600 --> 00:36:05,719 Speaker 1: deserve that. So thank you for showing us it can 635 00:36:05,840 --> 00:36:08,439 Speaker 1: be done. But then now tell us how it was done. 636 00:36:08,920 --> 00:36:12,280 Speaker 3: You know, it's so hard to condense because we did 637 00:36:12,440 --> 00:36:17,040 Speaker 3: so much so fast. So I think the easiest way 638 00:36:17,080 --> 00:36:19,040 Speaker 3: to say it is is that most of the time, 639 00:36:19,080 --> 00:36:22,160 Speaker 3: when people start a business and they go out, they're 640 00:36:22,200 --> 00:36:26,600 Speaker 3: focused on their marketing, their sales, their pr They're playing offense, right, 641 00:36:26,640 --> 00:36:29,280 Speaker 3: It's about telling the story of their brand. It's about 642 00:36:29,320 --> 00:36:32,400 Speaker 3: getting it out there to the public. In our instance, 643 00:36:32,480 --> 00:36:34,799 Speaker 3: because our story was smack dab in the middle of 644 00:36:34,920 --> 00:36:39,120 Speaker 3: Jack Daniels, which is now owned by another company, we 645 00:36:39,160 --> 00:36:41,759 Speaker 3: didn't have any way of knowing if whether or not 646 00:36:41,760 --> 00:36:45,120 Speaker 3: they were going to point every rocket, every grenade, and 647 00:36:45,160 --> 00:36:49,480 Speaker 3: so we came into the business playing both offense and defense, 648 00:36:50,160 --> 00:36:53,080 Speaker 3: and a part of our defense strategy was a little 649 00:36:53,120 --> 00:36:56,680 Speaker 3: Tasmanian like, meaning we were going to do so many 650 00:36:56,719 --> 00:36:59,799 Speaker 3: things simultaneously that if they threw a grenade over here, 651 00:37:00,040 --> 00:37:02,600 Speaker 3: it's cool, we already moved to over here. If they 652 00:37:02,640 --> 00:37:05,080 Speaker 3: pointed their rockets to us over there, it's all right, 653 00:37:05,160 --> 00:37:08,400 Speaker 3: we already moved over here. And so we went peddled 654 00:37:08,440 --> 00:37:11,040 Speaker 3: to the metal in a way that no one has 655 00:37:11,280 --> 00:37:14,440 Speaker 3: ever come into this industry of any race, of any gender, 656 00:37:14,920 --> 00:37:17,840 Speaker 3: No one has ever come into this industry as hard 657 00:37:17,880 --> 00:37:21,319 Speaker 3: as we did. But we did it out of survival. 658 00:37:21,800 --> 00:37:25,080 Speaker 3: We did it out of a necessity to both defend 659 00:37:25,880 --> 00:37:28,480 Speaker 3: and to play offense at the same time. 660 00:37:29,400 --> 00:37:31,400 Speaker 1: I love it. And so when you say play offense, 661 00:37:31,440 --> 00:37:33,919 Speaker 1: what did that look like? Just giving these Yeah? 662 00:37:34,000 --> 00:37:36,959 Speaker 3: No, that part of it playing offense is getting out 663 00:37:37,000 --> 00:37:40,480 Speaker 3: there and talking about the brand, being in the press 664 00:37:40,520 --> 00:37:44,520 Speaker 3: every single day, going out and pitching the distributors. And 665 00:37:44,680 --> 00:37:48,240 Speaker 3: because every single market you can't sell to a consumer 666 00:37:48,280 --> 00:37:49,920 Speaker 3: if you're in the alcohol business, you have to pick 667 00:37:49,960 --> 00:37:52,960 Speaker 3: sell to a distributor. That means the distributor is actually 668 00:37:53,000 --> 00:37:55,720 Speaker 3: your buyer. They're the ones too you have to convince. 669 00:37:56,120 --> 00:37:59,759 Speaker 3: And so every day my chief brand officer, Kate, we 670 00:37:59,800 --> 00:38:02,799 Speaker 3: had one other team member, Steven and I we would 671 00:38:02,800 --> 00:38:06,080 Speaker 3: be on planes every day going and pitching distributors across 672 00:38:06,120 --> 00:38:10,200 Speaker 3: this country, and so there was no outside of the sabbath. 673 00:38:10,840 --> 00:38:13,680 Speaker 3: This has been I have worked six days a week 674 00:38:13,840 --> 00:38:19,120 Speaker 3: easily sixteen eighteen hours adays since the beginning, and we 675 00:38:19,239 --> 00:38:22,680 Speaker 3: look back on it and realize if we hadn't did that, 676 00:38:22,760 --> 00:38:24,960 Speaker 3: if we hadn't done that, we would be dead. Not 677 00:38:25,200 --> 00:38:30,000 Speaker 3: because Jack Daniel's parent company would have killed us, but 678 00:38:30,160 --> 00:38:32,680 Speaker 3: because this business has a ninety nine point nine to 679 00:38:32,760 --> 00:38:36,960 Speaker 3: nine percent failure rate that I mean, they didn't have 680 00:38:37,000 --> 00:38:38,960 Speaker 3: to do anything but sit back and do nothing. In 681 00:38:39,000 --> 00:38:41,680 Speaker 3: the likelihood that we would have failed was really really high, 682 00:38:42,960 --> 00:38:46,360 Speaker 3: and so for us, we had to do so much 683 00:38:47,000 --> 00:38:50,719 Speaker 3: to represent, to build this brand, and to build it 684 00:38:50,719 --> 00:38:55,520 Speaker 3: with a coalition of everyone. People looking at this would think, okay, well, 685 00:38:55,520 --> 00:38:58,120 Speaker 3: it was an African American story. It was built by 686 00:38:58,120 --> 00:39:02,319 Speaker 3: an African American woman, so surely the consumer is African Americans. 687 00:39:02,480 --> 00:39:05,600 Speaker 3: But that's absolutely not true. In twenty sixteen, we weren't 688 00:39:05,680 --> 00:39:08,839 Speaker 3: drinking bourbon. Yeah, like you could, you know, you could 689 00:39:08,880 --> 00:39:10,759 Speaker 3: count on a few hands the number of. 690 00:39:10,640 --> 00:39:14,760 Speaker 1: People, and so everybody was drinking Jack though, yeah, yeah, yeah. 691 00:39:15,480 --> 00:39:18,719 Speaker 3: I mean, but actually, but when you looked at even 692 00:39:18,840 --> 00:39:23,200 Speaker 3: Jack stats, African Americans didn't even represent a full percentage. 693 00:39:23,440 --> 00:39:26,279 Speaker 1: Oh really, why it was just the marketing of it, then, 694 00:39:26,800 --> 00:39:27,200 Speaker 1: just the. 695 00:39:27,120 --> 00:39:31,719 Speaker 3: Marketing of it, Jack damn African Americans black people as 696 00:39:31,719 --> 00:39:35,600 Speaker 3: the Black Americans did not represent a full percentage. Wow 697 00:39:36,080 --> 00:39:38,280 Speaker 3: that it was just and so a lot of people 698 00:39:38,320 --> 00:39:41,960 Speaker 3: don't understand how difficult it was to build this brand 699 00:39:42,040 --> 00:39:44,360 Speaker 3: because we didn't have us as a base. 700 00:39:44,840 --> 00:39:47,719 Speaker 1: Wow wow wow wow wow wow. 701 00:39:47,880 --> 00:39:51,040 Speaker 3: So we have to build it to everybody who already 702 00:39:51,120 --> 00:39:52,520 Speaker 3: were bourbon consumers. 703 00:39:52,960 --> 00:39:54,560 Speaker 1: What were the black folks drinking? 704 00:39:54,640 --> 00:39:57,840 Speaker 3: Fun not that you have crowd and kognyak. 705 00:39:58,080 --> 00:39:59,799 Speaker 1: I was gonna say, whe're a purple bag at because 706 00:40:00,080 --> 00:40:03,040 Speaker 1: the dominoes. We put the dominoes in the purple bag. 707 00:40:04,080 --> 00:40:04,800 Speaker 1: This is what you know. 708 00:40:05,040 --> 00:40:05,520 Speaker 3: You don't know why. 709 00:40:06,000 --> 00:40:06,919 Speaker 1: It's just in the house. 710 00:40:07,040 --> 00:40:11,040 Speaker 3: It's so the crown, it's so funny. Because Nerost's descendants 711 00:40:11,040 --> 00:40:14,359 Speaker 3: were all drinking crown. I was like, I had never 712 00:40:14,480 --> 00:40:18,200 Speaker 3: had crown. And so I said one day because one 713 00:40:18,200 --> 00:40:21,560 Speaker 3: of his eldest descendant in Saint Louis, she would hide 714 00:40:21,560 --> 00:40:23,960 Speaker 3: the crown when I came over because he felt guilty. 715 00:40:24,440 --> 00:40:27,759 Speaker 3: I meant, Antie just let me taste the crown since 716 00:40:27,800 --> 00:40:29,760 Speaker 3: I know you hit it. She had it under the sink. 717 00:40:29,880 --> 00:40:31,399 Speaker 3: I was like, you don't have to hide it. When 718 00:40:31,400 --> 00:40:40,160 Speaker 3: I come around, I tasted it was terrible. I was like, no, wonder, 719 00:40:40,200 --> 00:40:42,360 Speaker 3: we have a hard time drinking bourbon. We've been drinking 720 00:40:42,440 --> 00:40:45,840 Speaker 3: trash for so long, so we don't know what quality 721 00:40:45,920 --> 00:40:49,200 Speaker 3: tastes like. And so we really had to train the 722 00:40:49,320 --> 00:40:53,080 Speaker 3: palettes of a lot of women and people of color 723 00:40:53,239 --> 00:40:56,759 Speaker 3: to really be able to enjoy the quality of a 724 00:40:56,800 --> 00:40:57,440 Speaker 3: pure bourbon. 725 00:40:58,680 --> 00:41:01,680 Speaker 1: Do you tell me, I'm just gonna mirror back what 726 00:41:01,719 --> 00:41:03,759 Speaker 1: I think I hear and what I've noticed. What a 727 00:41:03,760 --> 00:41:06,719 Speaker 1: lot of successful brands, even with individuals you made it. 728 00:41:07,200 --> 00:41:12,040 Speaker 1: Your story was so very niche not your audience, but 729 00:41:12,160 --> 00:41:16,560 Speaker 1: the story of Nearest Green was so very particular, and 730 00:41:16,640 --> 00:41:19,960 Speaker 1: it was the story of this this master de sailor 731 00:41:20,200 --> 00:41:24,080 Speaker 1: who created a hand in hand taught Jack Daniels in 732 00:41:24,120 --> 00:41:26,799 Speaker 1: many ways, right, would you? Is that fair? 733 00:41:27,160 --> 00:41:29,840 Speaker 3: It absolutely is, I would say the way when we 734 00:41:29,960 --> 00:41:32,480 Speaker 3: began this, we were always very clear in saying we 735 00:41:32,480 --> 00:41:34,839 Speaker 3: weren't just building a bourbon brand, a whiskey brand. We 736 00:41:34,840 --> 00:41:38,120 Speaker 3: were building the next great American brand. Hard stop. Yeah, 737 00:41:38,200 --> 00:41:40,560 Speaker 3: we believe that we were creating the great, the next 738 00:41:40,600 --> 00:41:45,120 Speaker 3: great American brand that would be embraced by every American 739 00:41:45,280 --> 00:41:49,680 Speaker 3: because it's in every brands and it's American story. You 740 00:41:49,760 --> 00:41:53,080 Speaker 3: have an African American and a white man walking working 741 00:41:53,160 --> 00:41:56,759 Speaker 3: side by side. You have the process that is being 742 00:41:56,880 --> 00:42:00,759 Speaker 3: utilized that makes it special as being credit with having 743 00:42:00,800 --> 00:42:04,160 Speaker 3: come in with the enslaved people, having been perfected by 744 00:42:04,320 --> 00:42:07,480 Speaker 3: Nearest Green and the folks that are there. And so 745 00:42:07,760 --> 00:42:10,719 Speaker 3: you're looking at this and saying, what story is more 746 00:42:10,760 --> 00:42:11,600 Speaker 3: American than this? 747 00:42:12,400 --> 00:42:15,880 Speaker 1: But fine? In a very polarized world. The reason what 748 00:42:15,960 --> 00:42:18,040 Speaker 1: I say about you just in casual I'm like, she 749 00:42:18,280 --> 00:42:22,160 Speaker 1: has been able to create a brand, and most people 750 00:42:22,239 --> 00:42:24,799 Speaker 1: will think black woman, black brand. But there is the 751 00:42:24,840 --> 00:42:27,040 Speaker 1: way in which you tell the story, how you carry yourself, 752 00:42:27,040 --> 00:42:28,840 Speaker 1: the way you move, the way you conduct business. It 753 00:42:28,920 --> 00:42:31,719 Speaker 1: is something for everyone. But it's also the brand. You 754 00:42:31,760 --> 00:42:36,160 Speaker 1: talk about a relationship, Jack and Nearest our friends. They 755 00:42:36,200 --> 00:42:40,000 Speaker 1: are mental as you said, mentor mentee. That is something 756 00:42:40,080 --> 00:42:43,799 Speaker 1: everybody can get behind because there is the unification in 757 00:42:43,840 --> 00:42:46,160 Speaker 1: the world where we are so polarized, especially in a 758 00:42:46,200 --> 00:42:48,920 Speaker 1: time when during that time that we're all the same. 759 00:42:49,080 --> 00:42:49,640 Speaker 1: You know what I mean. 760 00:42:49,680 --> 00:42:53,240 Speaker 3: I think Okay, And when you look at so white 761 00:42:53,280 --> 00:42:56,360 Speaker 3: people are still about sixty percent of this country. African 762 00:42:56,400 --> 00:43:00,319 Speaker 3: Americans Black Americans thirteen point nine percent. Right, So the 763 00:43:00,360 --> 00:43:03,960 Speaker 3: two of us combined are about seventy five percent of 764 00:43:04,000 --> 00:43:07,520 Speaker 3: the population of this country. And I'm telling a story 765 00:43:07,600 --> 00:43:10,439 Speaker 3: that is uniquely credited with those two people, with those 766 00:43:10,440 --> 00:43:15,919 Speaker 3: two groups. So this story, even before it reaches Latinos 767 00:43:15,960 --> 00:43:18,440 Speaker 3: and Asians and Native Americans and all the rest of 768 00:43:18,480 --> 00:43:22,200 Speaker 3: this we still it's still seventy five percent of this 769 00:43:22,400 --> 00:43:24,719 Speaker 3: country that it already covers. 770 00:43:25,239 --> 00:43:29,320 Speaker 1: But I think also it's a story of a white 771 00:43:29,320 --> 00:43:31,759 Speaker 1: man embracing a black man in a time when that 772 00:43:31,840 --> 00:43:37,240 Speaker 1: was not considered appropriate and or legal and or kosher, 773 00:43:37,280 --> 00:43:40,560 Speaker 1: whatever word you want to use. And when you see that, 774 00:43:40,560 --> 00:43:43,600 Speaker 1: that to me is hopeful. It's a hopeful story. 775 00:43:43,920 --> 00:43:46,799 Speaker 3: It's a hopeful story. We're looking at someone who was 776 00:43:46,880 --> 00:43:51,799 Speaker 3: potentially the first known ally for us, and not just 777 00:43:51,880 --> 00:43:55,719 Speaker 3: an ally of nearest and of his son George and 778 00:43:55,760 --> 00:43:58,920 Speaker 3: his son Eli, but you're talking about a man who 779 00:43:59,080 --> 00:44:03,279 Speaker 3: built a companympany in the nineteenth century in which he 780 00:44:03,440 --> 00:44:07,719 Speaker 3: paid people on tenure, not race. That was unheard of, 781 00:44:07,840 --> 00:44:11,160 Speaker 3: and so there were I was really fortunate that when 782 00:44:11,200 --> 00:44:15,120 Speaker 3: I arrived in Lynchburg, Tennessee, Nears's granddaughter was one hundred 783 00:44:15,160 --> 00:44:18,520 Speaker 3: and six. She was still alive. But you also had 784 00:44:18,560 --> 00:44:22,920 Speaker 3: all these African American men who had spent their entire 785 00:44:23,000 --> 00:44:26,439 Speaker 3: careers working at Jack Daniel Distillery. And when I tell 786 00:44:26,520 --> 00:44:29,800 Speaker 3: you, you're talking about men who were working there in the forties, 787 00:44:29,840 --> 00:44:32,920 Speaker 3: in the fifties and the sixties, and every memory they 788 00:44:32,920 --> 00:44:36,560 Speaker 3: had was found. How was that even possible? And they 789 00:44:36,600 --> 00:44:40,120 Speaker 3: would talk about how if they were doing a particular 790 00:44:40,200 --> 00:44:42,640 Speaker 3: job and they were paid a certain wage and a 791 00:44:42,680 --> 00:44:46,720 Speaker 3: white person came in after them to do that same job, 792 00:44:47,239 --> 00:44:50,560 Speaker 3: they were paid more than the white person. That is 793 00:44:50,800 --> 00:44:55,560 Speaker 3: unheard of in that day and age. And that continued 794 00:44:55,960 --> 00:45:00,920 Speaker 3: throughout the legacy of this distillery, of Jack's des Sendens continue, 795 00:45:00,960 --> 00:45:02,320 Speaker 3: they continue to be allies. 796 00:45:02,960 --> 00:45:05,160 Speaker 1: It would be nice to find more of those allies. 797 00:45:05,200 --> 00:45:07,200 Speaker 1: It would be nice to tell more of those stories. 798 00:45:07,200 --> 00:45:10,440 Speaker 1: It would be nice to have those allies at the forefront. 799 00:45:10,520 --> 00:45:14,959 Speaker 1: And in today's America I'm talking is in twenty twenty four, 800 00:45:15,440 --> 00:45:19,200 Speaker 1: telling those stories, finding them, highlighting them, celebrating the people 801 00:45:19,239 --> 00:45:22,520 Speaker 1: that they mentor and mentee with, work with teacher, student, whatever, 802 00:45:22,520 --> 00:45:25,359 Speaker 1: that relationship is we could use so much of that. 803 00:45:25,920 --> 00:45:29,000 Speaker 1: Do you ultimately know, because there's so much more than 804 00:45:29,120 --> 00:45:31,759 Speaker 1: just for you. I already know that you haven't shared 805 00:45:31,760 --> 00:45:33,480 Speaker 1: that with me. There's so much more than just the 806 00:45:33,520 --> 00:45:35,799 Speaker 1: whiskey I know that you bought. You guys are working 807 00:45:35,800 --> 00:45:37,560 Speaker 1: on a Cognak for my understand. 808 00:45:37,640 --> 00:45:41,720 Speaker 3: Absolutely, we're the largest Cognac vineyard, the largest vineyard owner 809 00:45:42,040 --> 00:45:44,919 Speaker 3: of Grand Champagne grapes, which is the Kreme dela Crome 810 00:45:44,960 --> 00:45:48,200 Speaker 3: of Cognac grapes in the city of Cognac, France. It 811 00:45:48,320 --> 00:45:51,399 Speaker 3: is absolutely the first time an African American has bought 812 00:45:51,480 --> 00:45:54,279 Speaker 3: vineyards there. But I also believe it maybe the first 813 00:45:54,280 --> 00:45:57,759 Speaker 3: time an American hass period because the process there. You 814 00:45:57,800 --> 00:46:01,439 Speaker 3: can't just go into Cognac and buys It doesn't work 815 00:46:01,480 --> 00:46:04,600 Speaker 3: that way. If you buy a property and it has 816 00:46:04,680 --> 00:46:07,080 Speaker 3: only if you try to buy a property, and this 817 00:46:07,520 --> 00:46:10,240 Speaker 3: could be a you know, a twenty million dollar property, 818 00:46:10,360 --> 00:46:14,960 Speaker 3: if it has even a half of an acre of vineyards, 819 00:46:15,000 --> 00:46:18,680 Speaker 3: the city controls it. The city controls the purchase process. 820 00:46:18,840 --> 00:46:21,600 Speaker 3: So you could go in, you could you could actually 821 00:46:21,640 --> 00:46:24,680 Speaker 3: place an offer, you could have that offer received and 822 00:46:24,719 --> 00:46:27,040 Speaker 3: go into escrow, which by the way, happened with us, 823 00:46:27,320 --> 00:46:30,680 Speaker 3: you get into escrow, it gets printed publicly in the 824 00:46:30,719 --> 00:46:34,000 Speaker 3: newspapers for people to bid against you, and there is 825 00:46:34,080 --> 00:46:38,160 Speaker 3: a single person who oversees the process that makes the 826 00:46:38,239 --> 00:46:41,040 Speaker 3: determination of who in that bidding process gets to buy 827 00:46:41,080 --> 00:46:41,920 Speaker 3: those vineyards. 828 00:46:42,360 --> 00:46:48,439 Speaker 1: Wow, it's no joke and so and understandably so, because 829 00:46:48,480 --> 00:46:50,560 Speaker 1: they want to keep it. Krem day la krem if 830 00:46:50,560 --> 00:46:53,399 Speaker 1: you will. I'm assuming or well generational. 831 00:46:53,560 --> 00:46:57,960 Speaker 3: So the difference between cognac and other spirits is that 832 00:46:58,160 --> 00:47:01,319 Speaker 3: in cognac, the majority of cognac is not made by 833 00:47:01,320 --> 00:47:03,799 Speaker 3: the house. As we know, Hennessy only makes about two 834 00:47:03,840 --> 00:47:07,160 Speaker 3: percent of their own product. You have all of these 835 00:47:07,320 --> 00:47:12,200 Speaker 3: generational farmers and distillers, small family businesses that have been 836 00:47:12,200 --> 00:47:15,680 Speaker 3: doing this for twenty generations, for all the big guys 837 00:47:15,719 --> 00:47:20,160 Speaker 3: for Remy, for Martel, for Crevasier, and for Hennessy. So 838 00:47:20,280 --> 00:47:22,759 Speaker 3: when they're looking at it, they are looking at it 839 00:47:22,800 --> 00:47:25,720 Speaker 3: and saying, who's going to take care of these vineyards 840 00:47:25,800 --> 00:47:28,640 Speaker 3: the best and who is going to protect this for 841 00:47:28,800 --> 00:47:32,920 Speaker 3: generations to come? So smart and my mindset is so 842 00:47:33,160 --> 00:47:38,120 Speaker 3: focused on generations to come that they were comfortable and 843 00:47:38,120 --> 00:47:41,480 Speaker 3: when you think about it Americans in general, that's usually 844 00:47:41,520 --> 00:47:44,000 Speaker 3: not how we think, which is why I think Americans 845 00:47:44,000 --> 00:47:46,880 Speaker 3: have not been able to buy there before, because we 846 00:47:47,080 --> 00:47:49,719 Speaker 3: come in there and we're thinking about this generation, what 847 00:47:49,760 --> 00:47:52,440 Speaker 3: we can build in this generation. And I came in 848 00:47:52,520 --> 00:47:55,439 Speaker 3: and I shared the story, and I was focused on 849 00:47:55,760 --> 00:47:58,480 Speaker 3: how I'm going to keep those farmers and those distillers 850 00:47:58,560 --> 00:48:02,600 Speaker 3: working for the next twenty generations. My pitch was completely different, 851 00:48:02,880 --> 00:48:06,040 Speaker 3: but my pitch was from the heart, and they approved 852 00:48:06,040 --> 00:48:09,120 Speaker 3: it and we bought that property. So it's not named 853 00:48:09,200 --> 00:48:12,280 Speaker 3: Uncle Ners, but Uncle Nears Inc. Does own now that. 854 00:48:12,200 --> 00:48:16,560 Speaker 1: French company and the name of the company not sharing it. 855 00:48:19,440 --> 00:48:21,080 Speaker 1: Get it? When do we get this year? 856 00:48:21,120 --> 00:48:23,920 Speaker 3: In a wait, you'll begin hearing about it toward the 857 00:48:24,040 --> 00:48:24,640 Speaker 3: end of spring. 858 00:48:25,160 --> 00:48:27,480 Speaker 1: Okay, here, all right, I'm fine, I'm patient, I'm fine. 859 00:48:27,480 --> 00:48:29,680 Speaker 1: I'm here. I'm here to support and talk about all 860 00:48:29,719 --> 00:48:33,440 Speaker 1: the time. Yes, okay. So then I also, though, believe 861 00:48:33,600 --> 00:48:36,319 Speaker 1: on that there is still more beyond that. 862 00:48:37,320 --> 00:48:40,279 Speaker 3: Oh well, we already bought a vodka company that releases. 863 00:48:40,680 --> 00:48:44,279 Speaker 3: We completely have completed the rebranding of that that goes 864 00:48:44,320 --> 00:48:47,200 Speaker 3: back into the market next year as well. So Uncle 865 00:48:47,280 --> 00:48:50,600 Speaker 3: Near's Inc. Will go from being a single whiskey brand 866 00:48:51,080 --> 00:48:55,040 Speaker 3: to being a portfolio company that owns a whiskey company, 867 00:48:55,080 --> 00:48:57,920 Speaker 3: a bourbon company, that owns a vodka company, and that 868 00:48:58,040 --> 00:49:01,400 Speaker 3: owns a cognac company. The only we'll be missing as tequila. 869 00:49:01,400 --> 00:49:02,480 Speaker 3: And I'm not mad about that. 870 00:49:02,840 --> 00:49:04,480 Speaker 1: I'm not mad about that we got enough. What do 871 00:49:04,520 --> 00:49:08,160 Speaker 1: you feel, Sally? I also feel not that it wouldn't matter, 872 00:49:08,200 --> 00:49:10,600 Speaker 1: if it would be wonderful to embrace, but how do 873 00:49:10,640 --> 00:49:13,279 Speaker 1: you feel? And I do know that there was some 874 00:49:13,360 --> 00:49:16,160 Speaker 1: pushback when you talked about other brands or stars or 875 00:49:16,200 --> 00:49:20,120 Speaker 1: celebrities aligning and creating their own, you know, their own 876 00:49:20,239 --> 00:49:25,200 Speaker 1: version of a kognak and or bourbon or tequila. What 877 00:49:25,400 --> 00:49:28,799 Speaker 1: was your philosophy on that You said you weren't necessarily 878 00:49:28,840 --> 00:49:32,080 Speaker 1: worried about that space because it was a different brand philosophy. 879 00:49:32,719 --> 00:49:36,960 Speaker 3: I don't worry about anybody so this thing. So I So, 880 00:49:37,080 --> 00:49:39,560 Speaker 3: if you've ever spent any time around Greg Popovich, I 881 00:49:39,600 --> 00:49:43,640 Speaker 3: am the school of Greg Popovich. And players would always 882 00:49:43,719 --> 00:49:45,960 Speaker 3: come to the Spurs and they you know, come to 883 00:49:46,160 --> 00:49:48,280 Speaker 3: and if they weren't a part of the Spurs poultry 884 00:49:48,360 --> 00:49:50,600 Speaker 3: yet and they got traded in or whatever, and they 885 00:49:50,600 --> 00:49:52,799 Speaker 3: look at these scouting reports and they're like, where's the 886 00:49:52,800 --> 00:49:57,440 Speaker 3: scouting report? It's a page long, and Pop's philosophy was always, 887 00:49:57,520 --> 00:49:59,520 Speaker 3: if you do your job, you don't have to worry 888 00:49:59,520 --> 00:50:02,880 Speaker 3: about what they do. You do your job with excellence, 889 00:50:03,000 --> 00:50:05,160 Speaker 3: and so I don't care if it's a celebrity and 890 00:50:05,200 --> 00:50:08,799 Speaker 3: not a celebrity have. I come from a school of 891 00:50:08,920 --> 00:50:13,040 Speaker 3: thought where if we do our job, it doesn't matter 892 00:50:13,080 --> 00:50:17,040 Speaker 3: who else is in the industry. So I have every 893 00:50:17,080 --> 00:50:20,160 Speaker 3: celebrity that has come in, if they've reached into me 894 00:50:20,280 --> 00:50:22,680 Speaker 3: and asked for advice, I've given it to them. The 895 00:50:22,800 --> 00:50:26,359 Speaker 3: number of celebrities and they're people who have reached into 896 00:50:26,400 --> 00:50:29,640 Speaker 3: me over the years, but they reach into me wanting 897 00:50:29,680 --> 00:50:32,080 Speaker 3: to do some type of partnership, and every time it's 898 00:50:32,120 --> 00:50:34,560 Speaker 3: a no for me. And the reason it's a no 899 00:50:34,760 --> 00:50:38,439 Speaker 3: for me is my focus is Nearest. I don't want 900 00:50:38,480 --> 00:50:43,759 Speaker 3: a single distraction and I want Nearest to be that star. Well, 901 00:50:43,800 --> 00:50:46,400 Speaker 3: the moment a celebrity comes in, even if they're just 902 00:50:46,640 --> 00:50:49,600 Speaker 3: an investor, and their name is attached. So if you 903 00:50:49,680 --> 00:50:55,200 Speaker 3: look at it, Sincora right. Sincoro has always had five owners, 904 00:50:55,440 --> 00:50:59,160 Speaker 3: the husband and wife couple that own the Boston Celtics, 905 00:50:59,520 --> 00:51:02,719 Speaker 3: and the husband and wife owners that own another basketball team. 906 00:51:02,760 --> 00:51:06,319 Speaker 3: And then you had Jordan right. Jordan has never run it. 907 00:51:06,640 --> 00:51:09,560 Speaker 3: Jordan has never really been involved in it other than 908 00:51:09,840 --> 00:51:12,759 Speaker 3: he's one of five. That's why it's called Sinkoro. There 909 00:51:12,760 --> 00:51:16,280 Speaker 3: were always five equal partners. Who do we know from Cincoro? 910 00:51:17,000 --> 00:51:18,080 Speaker 1: Jordan right? 911 00:51:18,560 --> 00:51:22,800 Speaker 3: And so it rises and falls on Jordan. Lobos tequila 912 00:51:23,000 --> 00:51:27,759 Speaker 3: that came out and the person who founded it. I 913 00:51:27,880 --> 00:51:33,320 Speaker 3: believe this, Diego his grandfather I think created Lobos in Mexico, 914 00:51:33,440 --> 00:51:37,600 Speaker 3: and it's got this amazing story to it. None of 915 00:51:37,680 --> 00:51:41,719 Speaker 3: us know that story. We know it's Lebron's to kill it. 916 00:51:42,160 --> 00:51:45,640 Speaker 3: Here's the thing. Lebron drinks red wine all the time. 917 00:51:46,960 --> 00:51:50,760 Speaker 3: Barn lies the problem, right, Yeah, Lebron wins a championship, 918 00:51:50,920 --> 00:51:53,560 Speaker 3: he's going and he's drinking a bottle of red wine. 919 00:51:53,680 --> 00:51:56,360 Speaker 3: If he wins a big game, he's drinking a bottle 920 00:51:56,400 --> 00:51:59,960 Speaker 3: of red wine. And so the challenge with celebrities being 921 00:52:00,200 --> 00:52:05,080 Speaker 3: connected to spirit brands is that if that is not 922 00:52:05,520 --> 00:52:09,160 Speaker 3: what they are investing their time and energy into, not 923 00:52:09,320 --> 00:52:12,480 Speaker 3: just posting a social media post every six weeks or 924 00:52:12,520 --> 00:52:16,120 Speaker 3: eight weeks or whatever the agreement says, but they're really 925 00:52:16,280 --> 00:52:20,720 Speaker 3: in there creatively helping to run the business. The very 926 00:52:20,760 --> 00:52:26,080 Speaker 3: few Spirit brands that have worked that had celebrity faces. 927 00:52:26,400 --> 00:52:29,560 Speaker 3: When you look at them, every single one of them 928 00:52:29,600 --> 00:52:33,719 Speaker 3: put their own careers on hold and began working for 929 00:52:33,880 --> 00:52:36,600 Speaker 3: that company. If you look at Ryan Reynolds, he did 930 00:52:36,840 --> 00:52:41,760 Speaker 3: aviation and Deadpoole, and he used Deadpoole to sell aviation products, 931 00:52:41,760 --> 00:52:44,719 Speaker 3: and he used aviation to sell But you couldn't go 932 00:52:45,239 --> 00:52:47,719 Speaker 3: around this country and not see Ryan Reynolds on the 933 00:52:47,800 --> 00:52:50,680 Speaker 3: side of a billboard. But he was truly the chief 934 00:52:50,760 --> 00:52:55,240 Speaker 3: creative officer those commercials, all that social media stuff Ryan 935 00:52:55,400 --> 00:52:58,080 Speaker 3: was doing that you had. George Crony just went back 936 00:52:58,120 --> 00:53:00,279 Speaker 3: to the red carpet in Venice, right, it was the 937 00:53:00,320 --> 00:53:02,680 Speaker 3: whole big deal. It's his first time at the Venice 938 00:53:02,680 --> 00:53:06,120 Speaker 3: Film Festival in the last decade, all this fanfare, Well, 939 00:53:06,120 --> 00:53:09,520 Speaker 3: what happened the last decade? It was building gotta migos 940 00:53:10,000 --> 00:53:14,279 Speaker 3: and so you take the rock with Tearamana. He was 941 00:53:14,400 --> 00:53:18,480 Speaker 3: selling tequila before he had a brand, meaning he had 942 00:53:18,520 --> 00:53:21,280 Speaker 3: been building it up on his social media. He was 943 00:53:21,400 --> 00:53:24,600 Speaker 3: using tequila instead of milk for his corn flakes. 944 00:53:24,360 --> 00:53:28,120 Speaker 1: Like right, every one of his cheap mails, he'd always 945 00:53:28,120 --> 00:53:31,279 Speaker 1: have Teamana right there. We'd sit there and watch always. 946 00:53:30,760 --> 00:53:33,480 Speaker 3: And so what most of the celebrities that are coming 947 00:53:33,520 --> 00:53:37,480 Speaker 3: into the Spirit's industry don't understand is you actually have 948 00:53:37,600 --> 00:53:39,880 Speaker 3: to be a part of the business. You can't just 949 00:53:40,080 --> 00:53:44,280 Speaker 3: take a few photos and do some you know, social 950 00:53:44,320 --> 00:53:47,920 Speaker 3: media posts and a commercial or billboard here or there. 951 00:53:48,360 --> 00:53:52,160 Speaker 3: The Spirits consumer is not moved by that, not for 952 00:53:52,239 --> 00:53:53,319 Speaker 3: any real period of time. 953 00:53:54,280 --> 00:53:59,480 Speaker 1: Was your intention, and obviously I mean initially because it changes, right, 954 00:54:00,000 --> 00:54:01,719 Speaker 1: It's almost like a TV show what it starts out 955 00:54:01,719 --> 00:54:04,560 Speaker 1: to be and ends up being something totally different. What 956 00:54:04,760 --> 00:54:07,839 Speaker 1: was your intention to create a brand that would sit 957 00:54:07,880 --> 00:54:10,520 Speaker 1: in the culture, and I'm talking about the black culture specifically, 958 00:54:10,880 --> 00:54:13,640 Speaker 1: that would sit and represent something for the culture. 959 00:54:14,160 --> 00:54:16,680 Speaker 3: No, there's no way for that to be a plan. 960 00:54:16,920 --> 00:54:22,799 Speaker 3: The culture wasn't drinking bourbon. So I created it it 961 00:54:22,960 --> 00:54:27,719 Speaker 3: for me. I wanted to create the next great American brand, Hardstock, 962 00:54:28,400 --> 00:54:32,759 Speaker 3: and you cannot look at America and not see the 963 00:54:32,840 --> 00:54:36,920 Speaker 3: influence of the culture. It's impossible for something to be 964 00:54:37,120 --> 00:54:40,360 Speaker 3: a great American brand and the culture not be a 965 00:54:40,520 --> 00:54:41,680 Speaker 3: huge part of that. 966 00:54:42,200 --> 00:54:44,319 Speaker 1: And that isn't clear. When you say the culture, you 967 00:54:44,360 --> 00:54:47,040 Speaker 1: mean the African American culture. Everything I mean what you 968 00:54:47,080 --> 00:54:47,760 Speaker 1: mean culture. 969 00:54:48,440 --> 00:54:51,799 Speaker 3: So it's really funny I was speaking at Jordan and 970 00:54:52,000 --> 00:54:54,279 Speaker 3: Jordan Brands and they said, you know, we keep hearing 971 00:54:54,280 --> 00:54:55,960 Speaker 3: about the culture of the culture. We know the culture 972 00:54:56,120 --> 00:54:59,320 Speaker 3: assumes a lot. Can you define for me the culture. 973 00:54:59,400 --> 00:55:01,879 Speaker 3: It was the first time I ever had the question asked, 974 00:55:02,200 --> 00:55:05,960 Speaker 3: and the best way I could describe the culture. I 975 00:55:06,040 --> 00:55:09,200 Speaker 3: can't say it's black Americans are African American because I 976 00:55:09,200 --> 00:55:11,759 Speaker 3: don't think there's anybody in this world that would not 977 00:55:11,840 --> 00:55:14,240 Speaker 3: say that. Jlo and Eminem are a part of the culture, 978 00:55:15,120 --> 00:55:18,719 Speaker 3: very absolutely a part of the culture. I define the 979 00:55:18,840 --> 00:55:23,759 Speaker 3: culture is everybody who is moved and influenced by hip 980 00:55:23,760 --> 00:55:27,839 Speaker 3: hop and afrobeats, meaning they're on two and four. So 981 00:55:28,800 --> 00:55:32,200 Speaker 3: this is the best way to explain this. When Barry Gordy, 982 00:55:32,719 --> 00:55:36,640 Speaker 3: what made him so successful in Motown is he realized 983 00:55:37,160 --> 00:55:40,880 Speaker 3: that the culture this is Black America and everybody we 984 00:55:41,000 --> 00:55:44,719 Speaker 3: hang around, Everybody that hangs around us dances on two 985 00:55:44,760 --> 00:55:48,359 Speaker 3: and four, claps on two and four, all of ours. 986 00:55:48,640 --> 00:55:51,759 Speaker 3: You have friends on shore that are not black, but 987 00:55:51,880 --> 00:55:54,160 Speaker 3: they have a similar rhythm to you because they've been 988 00:55:54,160 --> 00:55:59,000 Speaker 3: around you a long time. Sure those people, Barry Gordy understood, 989 00:55:59,040 --> 00:56:01,040 Speaker 3: they're all on two and four. Okay, now you've got 990 00:56:01,040 --> 00:56:04,040 Speaker 3: American bandstand over here, they're all clapping and dancing all 991 00:56:04,080 --> 00:56:07,120 Speaker 3: one in three. So what Barry Gordy figured out is 992 00:56:07,120 --> 00:56:10,239 Speaker 3: if I can create music that hits one, two, three, 993 00:56:10,320 --> 00:56:13,120 Speaker 3: and four, I bring black people and white people to 994 00:56:13,200 --> 00:56:16,879 Speaker 3: the dance floor. But everybody that's on that two and four, 995 00:56:17,600 --> 00:56:20,680 Speaker 3: that's our culture. It's all been influenced by us. It's 996 00:56:20,719 --> 00:56:24,160 Speaker 3: all afrobeat. It started with our music. It's I think 997 00:56:24,200 --> 00:56:28,520 Speaker 3: Sidney Poitier has the best line ever in Guest Who's 998 00:56:28,560 --> 00:56:32,400 Speaker 3: Coming to Dinner where the Tracy Spencer is trying to 999 00:56:32,600 --> 00:56:37,440 Speaker 3: understand why black people have more rhythm than white people, 1000 00:56:37,480 --> 00:56:41,240 Speaker 3: and Sidney Poitier's response was, you do the watch to see. 1001 00:56:41,239 --> 00:56:44,720 Speaker 3: We are the watch two see. So every person who's 1002 00:56:44,760 --> 00:56:47,920 Speaker 3: a part of that I consider a part of the culture. 1003 00:56:48,000 --> 00:56:52,160 Speaker 3: I don't think we can limit the culture to just 1004 00:56:52,480 --> 00:56:55,920 Speaker 3: us as African Americans are Black Americans, because you go 1005 00:56:56,040 --> 00:56:59,759 Speaker 3: into any hip hop concert, any hip hop concert. 1006 00:56:59,480 --> 00:57:02,560 Speaker 1: Everybody's there. But you're saying the culture is to what 1007 00:57:02,600 --> 00:57:05,360 Speaker 1: I'm trying to understand is the answer. So you're saying 1008 00:57:05,480 --> 00:57:08,040 Speaker 1: we are the culture, but everyone is a part of 1009 00:57:08,080 --> 00:57:10,120 Speaker 1: the culture. We create the culture. 1010 00:57:10,760 --> 00:57:13,880 Speaker 3: I am saying that African Americans as a general rule, 1011 00:57:14,200 --> 00:57:16,960 Speaker 3: those of us and not just African Americans Black Americans. 1012 00:57:17,280 --> 00:57:21,080 Speaker 3: We have created the culture, but we are no longer 1013 00:57:21,760 --> 00:57:24,680 Speaker 3: the full entirety of the culture because you're influenced so 1014 00:57:24,840 --> 00:57:27,880 Speaker 3: many that they've come into it. So when we look 1015 00:57:27,920 --> 00:57:31,000 Speaker 3: at the culture now, we will look at all these 1016 00:57:31,200 --> 00:57:34,640 Speaker 3: people and absolutely say they are part of the culture 1017 00:57:35,040 --> 00:57:39,040 Speaker 3: that aren't necessarily African American. I'll look at DJ Khalt. 1018 00:57:39,400 --> 00:57:41,800 Speaker 3: You cannot pay me to believe DJ Khalid at a 1019 00:57:41,840 --> 00:57:42,560 Speaker 3: part of the culture. 1020 00:57:42,840 --> 00:57:45,760 Speaker 1: Well, he's influenced by the culture. His music is influenced 1021 00:57:45,800 --> 00:57:47,320 Speaker 1: by the culture, and now he is a part of 1022 00:57:47,360 --> 00:57:47,720 Speaker 1: the culture. 1023 00:57:47,920 --> 00:57:50,640 Speaker 3: J Kalid is a part of the culture. He's a 1024 00:57:50,760 --> 00:57:55,000 Speaker 3: part of what moves the culture. And he's not African American, 1025 00:57:55,040 --> 00:57:58,840 Speaker 3: he's not Black American, but he was so influenced by 1026 00:57:58,920 --> 00:58:01,280 Speaker 3: it that he's now part of it. So my whole 1027 00:58:01,520 --> 00:58:04,640 Speaker 3: my point here is is that the culture has expanded 1028 00:58:05,440 --> 00:58:09,360 Speaker 3: to include people that have been moved by. 1029 00:58:09,240 --> 00:58:15,040 Speaker 1: Us, and you've created something that incorporates them as well. 1030 00:58:15,240 --> 00:58:19,680 Speaker 3: Everybody, like literally everybody. You come to Nears Green Distillery 1031 00:58:19,680 --> 00:58:24,000 Speaker 3: on any given day, you go see everybody under the sun. 1032 00:58:24,280 --> 00:58:27,360 Speaker 3: But I'm gonna tell you. You will see a group of 1033 00:58:27,440 --> 00:58:29,640 Speaker 3: people on one side, we have a bar. We have 1034 00:58:29,720 --> 00:58:34,360 Speaker 3: the world's longest bars at Nears Green Distillery and on isside. Saturdays, 1035 00:58:35,480 --> 00:58:39,200 Speaker 3: on any given that Saturday, we'll have a DJ. The 1036 00:58:39,320 --> 00:58:43,040 Speaker 3: DJ will be playing wobble. You will have one group 1037 00:58:43,080 --> 00:58:46,880 Speaker 3: of people on the dance floor wobbling. You will have 1038 00:58:46,960 --> 00:58:52,400 Speaker 3: another group of people same song line dancing. They're being 1039 00:58:52,560 --> 00:58:57,640 Speaker 3: influenced by the culture. And so I don't look at 1040 00:58:57,640 --> 00:59:00,000 Speaker 3: those people and say they're part of the culture. Absolutely not, 1041 00:59:00,240 --> 00:59:03,240 Speaker 3: But they are now influenced by it. They do have 1042 00:59:03,360 --> 00:59:06,880 Speaker 3: a curiosity about it and they want to embrace it. 1043 00:59:07,280 --> 00:59:09,480 Speaker 3: And so for us, when I look at the culture, 1044 00:59:09,520 --> 00:59:11,800 Speaker 3: I want to make sure that the culture is not 1045 00:59:11,920 --> 00:59:16,280 Speaker 3: so exclusive that we actually make the culture go away, 1046 00:59:16,800 --> 00:59:20,880 Speaker 3: because over time we haven't included it. But if again, 1047 00:59:21,040 --> 00:59:24,040 Speaker 3: let's go back to our population, thirteen point nine percent, 1048 00:59:24,360 --> 00:59:26,919 Speaker 3: are we saying the culture is limited to thirteen point 1049 00:59:26,960 --> 00:59:30,160 Speaker 3: nine percent of the not absolutely not? So then the 1050 00:59:30,240 --> 00:59:33,400 Speaker 3: question who else is included in the c culture? So 1051 00:59:33,440 --> 00:59:36,880 Speaker 3: the way I define it is the people that are 1052 00:59:36,920 --> 00:59:37,560 Speaker 3: on too and floor. 1053 00:59:39,560 --> 00:59:41,000 Speaker 1: Yeah, that's that's why you define it. 1054 00:59:41,080 --> 00:59:41,760 Speaker 3: People who are. 1055 00:59:41,600 --> 00:59:45,320 Speaker 1: Onto enforcement, people are on I think that the through line, though, 1056 00:59:45,520 --> 00:59:47,720 Speaker 1: is not too far off. The through line is that 1057 00:59:48,040 --> 00:59:51,080 Speaker 1: we have we are always a part of the culture. 1058 00:59:51,080 --> 00:59:54,080 Speaker 1: We create the culture, and we are inclusive of the culture. 1059 00:59:54,400 --> 00:59:56,600 Speaker 1: We are the wat to see, we are the what, 1060 00:59:56,960 --> 00:59:57,960 Speaker 1: we are the wa too. 1061 00:59:58,080 --> 01:00:00,440 Speaker 3: We are the way to sea so Lo where it 1062 01:00:00,480 --> 01:00:04,080 Speaker 3: all begins. Yes, so it all even though we now 1063 01:00:04,200 --> 01:00:08,840 Speaker 3: have so many people that we have influenced from. And 1064 01:00:08,840 --> 01:00:12,520 Speaker 3: that's not just in America, that's around the world. You 1065 01:00:12,680 --> 01:00:16,760 Speaker 3: go everywhere. You have reinfluenced the Backstreet Boys and in 1066 01:00:16,960 --> 01:00:19,120 Speaker 3: c who then country. 1067 01:00:19,360 --> 01:00:22,440 Speaker 1: All the rock and roll, you go down the lit absolutely, but. 1068 01:00:22,440 --> 01:00:24,680 Speaker 3: When you think of some of the biggest music now 1069 01:00:24,880 --> 01:00:30,080 Speaker 3: is K pop pop directly influenced by Backstreet Boys, in Sync, 1070 01:00:30,160 --> 01:00:33,160 Speaker 3: that whole boy band thing, and those boy bands were 1071 01:00:33,160 --> 01:00:35,640 Speaker 3: directly influenced by the culture. 1072 01:00:36,000 --> 01:00:39,000 Speaker 1: Yes, correct, I absolutely agree with that. Okay, sorry, before 1073 01:00:39,040 --> 01:00:40,680 Speaker 1: I let you go, I want to talk about the 1074 01:00:40,680 --> 01:00:42,680 Speaker 1: book because I know that you just said I feel 1075 01:00:42,720 --> 01:00:45,360 Speaker 1: that there's a movie coming. But this book, people, it's 1076 01:00:45,400 --> 01:00:48,120 Speaker 1: a great Christmas gift. You can buy a package. You 1077 01:00:48,120 --> 01:00:50,880 Speaker 1: can buy a book as well as I get some 1078 01:00:51,040 --> 01:00:54,360 Speaker 1: Uncle Nearest whiskey. That's a great package. That's a perfect 1079 01:00:54,360 --> 01:00:57,360 Speaker 1: package to have this whiskey and then understand the history 1080 01:00:57,400 --> 01:01:00,360 Speaker 1: behind it. Love and whiskey is what fond for people 1081 01:01:00,400 --> 01:01:03,040 Speaker 1: who will purchase it. You can get it anywhere on Amazon, 1082 01:01:03,120 --> 01:01:04,800 Speaker 1: wherever you buy your books. Go out and get it. 1083 01:01:04,840 --> 01:01:07,640 Speaker 1: Please to what is it? What is the goal? When 1084 01:01:07,640 --> 01:01:09,920 Speaker 1: people read that? What would you like them to walk 1085 01:01:09,960 --> 01:01:10,600 Speaker 1: away with? 1086 01:01:11,240 --> 01:01:14,800 Speaker 3: I think the subtitle almost tells it all, which is 1087 01:01:15,320 --> 01:01:18,960 Speaker 3: the remarkable true story of Jack Daniel, his master distiller 1088 01:01:19,000 --> 01:01:23,160 Speaker 3: nears Green and the improbable rise of Uncle Nears This story, 1089 01:01:23,200 --> 01:01:26,920 Speaker 3: this book, it tells all those things. So people who 1090 01:01:26,960 --> 01:01:30,960 Speaker 3: read it and they're looking for an incredible business book, 1091 01:01:31,200 --> 01:01:33,640 Speaker 3: This thing sat on the New York Times bestseller list 1092 01:01:33,720 --> 01:01:38,200 Speaker 3: on the business side for thirteen weeks and on the 1093 01:01:38,280 --> 01:01:42,520 Speaker 3: nonfiction side hardcover for five weeks. And so when you 1094 01:01:42,560 --> 01:01:45,120 Speaker 3: look at who it's appealing to, one of the things 1095 01:01:45,240 --> 01:01:48,880 Speaker 3: I've been so fascinated with is most men read it 1096 01:01:48,920 --> 01:01:52,840 Speaker 3: in two days. It's been and I kept seeing it 1097 01:01:52,880 --> 01:01:56,480 Speaker 3: on social media so much that I finally DMed one 1098 01:01:56,560 --> 01:01:59,120 Speaker 3: person who had posted it, and I said, can you 1099 01:01:59,160 --> 01:02:01,360 Speaker 3: tell me what it is? The two day thing? And 1100 01:02:01,400 --> 01:02:06,120 Speaker 3: he said, because what you're doing is so unbelievable, we 1101 01:02:06,200 --> 01:02:08,280 Speaker 3: know you're still living, so we know nobody killed you 1102 01:02:08,320 --> 01:02:11,200 Speaker 3: in this process, but we can't put it down till 1103 01:02:11,200 --> 01:02:13,120 Speaker 3: we get to the end to figure out how did 1104 01:02:13,160 --> 01:02:17,040 Speaker 3: you get to that gautlet? And so you get the 1105 01:02:17,560 --> 01:02:21,480 Speaker 3: unfiltered version of how this company was built, but you 1106 01:02:21,720 --> 01:02:26,760 Speaker 3: also get the unfiltered version of how Jack Daniel became 1107 01:02:26,880 --> 01:02:30,400 Speaker 3: who he was, how Nearest Green became who he was, 1108 01:02:30,920 --> 01:02:35,520 Speaker 3: and why we're still talking about both of them. 1109 01:02:35,640 --> 01:02:38,160 Speaker 1: And that is it? And is so shall it be done? 1110 01:02:38,240 --> 01:02:39,840 Speaker 1: What a great gift? That's a gift we need to 1111 01:02:39,880 --> 01:02:41,640 Speaker 1: give for everybody for the holidays. Like I feel like 1112 01:02:41,680 --> 01:02:44,320 Speaker 1: that's that's it makes no perfect sense. It's the only 1113 01:02:44,320 --> 01:02:46,040 Speaker 1: thing to give up, it's the only. 1114 01:02:45,880 --> 01:02:48,600 Speaker 3: Thing to I agree. Women are devouring it, and I 1115 01:02:48,680 --> 01:02:52,000 Speaker 3: knew that women would devour it. But I'm especially proud 1116 01:02:52,120 --> 01:02:54,680 Speaker 3: that men are reading it as quickly as women are, 1117 01:02:54,800 --> 01:02:57,200 Speaker 3: because it's it's very rare for there to be a 1118 01:02:57,240 --> 01:03:00,400 Speaker 3: book that men and women are equally touched by. 1119 01:03:01,400 --> 01:03:02,520 Speaker 1: What keeps you up at night? 1120 01:03:03,320 --> 01:03:05,880 Speaker 3: Nothing? I sleep? Real, well, what are. 1121 01:03:05,800 --> 01:03:09,960 Speaker 1: Your goals after you finish creating this huge dynasty that 1122 01:03:10,000 --> 01:03:12,800 Speaker 1: you've already created and are continuing to pour into. Is 1123 01:03:12,800 --> 01:03:14,840 Speaker 1: there another industry you'd like to delve into. 1124 01:03:15,200 --> 01:03:17,960 Speaker 3: Absolutely not. I'll spend all of my days building in 1125 01:03:18,000 --> 01:03:21,440 Speaker 3: this industry because when you look at the spirit conglomerates 1126 01:03:21,880 --> 01:03:25,400 Speaker 3: around the world, they've been doing this for generations, and 1127 01:03:25,480 --> 01:03:28,560 Speaker 3: so it will take me an entire generation just to 1128 01:03:28,600 --> 01:03:32,720 Speaker 3: get this to a place that can even really truly 1129 01:03:32,800 --> 01:03:35,080 Speaker 3: compete with these spirit conglomerates that have been doing this 1130 01:03:35,120 --> 01:03:38,760 Speaker 3: for generations. So no, the spirits industry has me for 1131 01:03:38,920 --> 01:03:42,880 Speaker 3: every breath that I'm here. But you will see the 1132 01:03:43,000 --> 01:03:47,040 Speaker 3: Cognac Company rise to be something extraordinary and go toe 1133 01:03:47,040 --> 01:03:49,800 Speaker 3: to toe with all the other big cognac houses that 1134 01:03:49,840 --> 01:03:52,080 Speaker 3: are out there. You will see the same thing from 1135 01:03:52,080 --> 01:03:55,440 Speaker 3: the vodka company across the board. You will begin to 1136 01:03:55,560 --> 01:03:59,640 Speaker 3: see my fingerprint in every single part of this spirit's 1137 01:03:59,640 --> 01:04:02,240 Speaker 3: industry street. And that'll take for me the better part 1138 01:04:02,280 --> 01:04:04,160 Speaker 3: of the next twenty five years. And after that, I 1139 01:04:04,240 --> 01:04:05,920 Speaker 3: just want to be chairman of the board and just 1140 01:04:06,000 --> 01:04:07,919 Speaker 3: kind of chill. I don't know, chill. 1141 01:04:08,440 --> 01:04:12,120 Speaker 1: Yeah, you deserve that. You deserve that when you are 1142 01:04:12,160 --> 01:04:14,960 Speaker 1: presented with the problem, How's what's the first thing you 1143 01:04:14,960 --> 01:04:18,680 Speaker 1: do when you when you begin to turn to solution, orient. 1144 01:04:18,560 --> 01:04:23,120 Speaker 3: Positively, pray, say it again, pause and pray, Pause and pray, 1145 01:04:23,400 --> 01:04:27,800 Speaker 3: Pause and pray, And it's probably the order is probably pause, 1146 01:04:28,480 --> 01:04:36,160 Speaker 3: bring my breath to a control place of calm, pray. 1147 01:04:36,200 --> 01:04:40,400 Speaker 3: Because I'm always looking for solutions when problems, when challenges 1148 01:04:40,480 --> 01:04:43,720 Speaker 3: come to me. I am a believer that every problem, 1149 01:04:43,880 --> 01:04:48,680 Speaker 3: every challenge, is essentially the shell of an opportunity. But 1150 01:04:48,800 --> 01:04:51,360 Speaker 3: you've got to get through the shell to get to 1151 01:04:51,400 --> 01:04:54,400 Speaker 3: the opportunity. The question becomes how long do you spend 1152 01:04:54,440 --> 01:04:58,360 Speaker 3: on the shell? And so for me, I'm always trying 1153 01:04:58,400 --> 01:05:02,040 Speaker 3: to get to the opportunity at the middle of it 1154 01:05:02,080 --> 01:05:05,040 Speaker 3: as quickly as I possibly can, so I do not 1155 01:05:05,240 --> 01:05:07,560 Speaker 3: waste my time or breadth on the shell. 1156 01:05:08,840 --> 01:05:10,919 Speaker 1: And when you say you pause and praise the prayer, God, 1157 01:05:11,000 --> 01:05:13,840 Speaker 1: lead me, show me, give me the solution. What is it. 1158 01:05:14,080 --> 01:05:17,480 Speaker 3: No, it's no particular prayer. It's just a continual conversation. 1159 01:05:18,640 --> 01:05:22,000 Speaker 3: And it's usually I will pause and it's whatever the 1160 01:05:22,040 --> 01:05:24,680 Speaker 3: conversation is, because the thing is that I'm talking to 1161 01:05:24,720 --> 01:05:28,520 Speaker 3: God all day long, and so the pause is more 1162 01:05:28,640 --> 01:05:30,960 Speaker 3: so for Him to be able to share with me 1163 01:05:31,240 --> 01:05:34,480 Speaker 3: what direction to go in next than it is for 1164 01:05:34,560 --> 01:05:41,000 Speaker 3: anything else. I like shortcuts. Yeah, who saying so if 1165 01:05:41,040 --> 01:05:42,920 Speaker 3: he don't give me a shortcut. I want to hear 1166 01:05:42,960 --> 01:05:44,200 Speaker 3: it quick fasten, in a hurry. 1167 01:05:46,280 --> 01:05:51,280 Speaker 1: When you look back over your life and from the 1168 01:05:51,320 --> 01:05:53,720 Speaker 1: moment you read the article to where you are today, 1169 01:05:54,440 --> 01:05:58,240 Speaker 1: obviously you're in continual praise and gratefulness, but you also 1170 01:05:58,360 --> 01:06:00,920 Speaker 1: know that he gave this to you. It is so 1171 01:06:01,000 --> 01:06:06,240 Speaker 1: beautiful to watch the celebration of black women, and I 1172 01:06:06,320 --> 01:06:12,440 Speaker 1: think that oftentimes there is this narrative that we aren't celebrated. 1173 01:06:12,520 --> 01:06:15,240 Speaker 1: But if we take a moment to pause and pray 1174 01:06:15,400 --> 01:06:17,480 Speaker 1: and to acknowledge, we see more of it than we 1175 01:06:17,520 --> 01:06:22,000 Speaker 1: really think we do. And so I thank you today 1176 01:06:22,680 --> 01:06:26,840 Speaker 1: for me for one giving me encouragement, but two reminded 1177 01:06:26,880 --> 01:06:29,680 Speaker 1: me that we are celebrated and we are winning in 1178 01:06:29,720 --> 01:06:32,240 Speaker 1: a world that may make us feel some times, especially 1179 01:06:32,680 --> 01:06:35,440 Speaker 1: after the election. You put a post up, and I 1180 01:06:35,440 --> 01:06:37,680 Speaker 1: think that people may not have received it the way 1181 01:06:37,680 --> 01:06:39,000 Speaker 1: in which your intention was. 1182 01:06:39,040 --> 01:06:42,080 Speaker 3: And I understood, Oh they did ninety nine percent? Did 1183 01:06:42,280 --> 01:06:45,320 Speaker 3: I didn't get I didn't get negative responsiblity that I'm glad. 1184 01:06:45,440 --> 01:06:47,800 Speaker 1: I'm glad. I'm glad because I felt like people were 1185 01:06:47,800 --> 01:06:50,200 Speaker 1: pushing back. Maybe that was a private conversation, but I 1186 01:06:50,240 --> 01:06:53,800 Speaker 1: was like, I understand what she's saying. And I love that. 1187 01:06:53,920 --> 01:06:55,960 Speaker 1: I love what you said because you're like, look, no 1188 01:06:55,960 --> 01:06:58,800 Speaker 1: matter what, he's still in the throne. 1189 01:06:58,680 --> 01:07:01,400 Speaker 3: Y'all, this is gonna happen every four years, our every 1190 01:07:01,480 --> 01:07:05,200 Speaker 3: three Yes, you have a country in which people have 1191 01:07:05,320 --> 01:07:09,160 Speaker 3: different world views. People got so upset after that election, 1192 01:07:09,360 --> 01:07:12,280 Speaker 3: like Jesus died again. Okay, so we need to start 1193 01:07:12,320 --> 01:07:19,120 Speaker 3: there at understanding that she got further to the White 1194 01:07:19,160 --> 01:07:22,720 Speaker 3: House than any person. When you look at side by 1195 01:07:22,800 --> 01:07:27,880 Speaker 3: side how her performance was compared to Trump in twenty 1196 01:07:27,920 --> 01:07:31,720 Speaker 3: six in twenty twenty, wipe the floor with them. If 1197 01:07:31,760 --> 01:07:35,240 Speaker 3: you look at her performance compared to Hillary Clinton's performance, 1198 01:07:36,520 --> 01:07:38,880 Speaker 3: she I think she got four million more votes. 1199 01:07:39,040 --> 01:07:42,080 Speaker 1: Mean she Hillary or she no, Kamala. 1200 01:07:41,760 --> 01:07:45,080 Speaker 3: Got four I think it's four million more votes than 1201 01:07:45,360 --> 01:07:48,800 Speaker 3: Hillary did. And she got like six million more votes 1202 01:07:48,840 --> 01:07:50,600 Speaker 3: than Trump did on the last election. 1203 01:07:50,680 --> 01:07:53,280 Speaker 1: And Hillary won the popular vote, more people voted for her. 1204 01:07:53,360 --> 01:07:57,200 Speaker 1: It was the electoral college that stopped the wind. I 1205 01:07:57,240 --> 01:08:00,680 Speaker 1: hear what you're saying. What I took from your message 1206 01:08:00,720 --> 01:08:02,960 Speaker 1: was and everyone could receive it because there was so 1207 01:08:03,040 --> 01:08:05,800 Speaker 1: much pain, and it reminded us many of us. I'm 1208 01:08:05,800 --> 01:08:07,760 Speaker 1: not speaking for all black women but it reminded them 1209 01:08:07,800 --> 01:08:10,920 Speaker 1: of their personal experience, primarily at work, I would think, 1210 01:08:11,360 --> 01:08:15,640 Speaker 1: But the reality was, we have to dust ourselves off, 1211 01:08:15,800 --> 01:08:18,280 Speaker 1: figure this out and get back to not focusing on 1212 01:08:18,320 --> 01:08:21,040 Speaker 1: the shell. Let's get back to figuring out the solution. 1213 01:08:21,400 --> 01:08:24,599 Speaker 1: But most importantly, what did our ancestors go through. I'm 1214 01:08:24,640 --> 01:08:27,559 Speaker 1: speaking from somebody who was broken. I'm like, my ancestors 1215 01:08:27,560 --> 01:08:28,880 Speaker 1: would be embarrassed. 1216 01:08:30,200 --> 01:08:35,320 Speaker 3: Listen, they would, they would beat our tails. Yes, going on, 1217 01:08:35,439 --> 01:08:39,160 Speaker 3: They're like, you do realize we came here in change. Well, 1218 01:08:39,760 --> 01:08:42,160 Speaker 3: even if we just go back, even if we just 1219 01:08:42,240 --> 01:08:45,000 Speaker 3: go back to the sixties, y'all, we could be legally 1220 01:08:45,040 --> 01:08:51,200 Speaker 3: fire hoes. So we have to understand Number one, the 1221 01:08:51,360 --> 01:08:54,120 Speaker 3: progress has been that has been made has been great, 1222 01:08:54,600 --> 01:08:57,440 Speaker 3: and you cannot ripe and a peach with a blowtorch. 1223 01:08:58,200 --> 01:09:00,920 Speaker 3: Every four years, we keep trying to take a blow 1224 01:09:01,000 --> 01:09:05,240 Speaker 3: torch to this peach called America. We are still in 1225 01:09:05,600 --> 01:09:08,400 Speaker 3: our infancy. You try, I mean you travel the world 1226 01:09:08,479 --> 01:09:11,800 Speaker 3: like I do. There's literally bottles of cognac older than 1227 01:09:11,840 --> 01:09:15,799 Speaker 3: our entire country. Correct, So we have to remember every 1228 01:09:15,960 --> 01:09:19,960 Speaker 3: four years. Democracy is working as it's supposed to. But 1229 01:09:20,120 --> 01:09:23,560 Speaker 3: that means that you have people from different plate backgrounds, 1230 01:09:23,640 --> 01:09:27,560 Speaker 3: different worldviews that are not going to agree with your worldview. 1231 01:09:28,000 --> 01:09:30,680 Speaker 3: It's going to happen every four years. And if we 1232 01:09:30,760 --> 01:09:35,120 Speaker 3: allow ourselves to be rocked every four years like people 1233 01:09:35,160 --> 01:09:37,680 Speaker 3: were rocked in this election, come on. 1234 01:09:37,720 --> 01:09:41,160 Speaker 1: Now, we'd be we would be exhausted, we couldn't continue. 1235 01:09:41,200 --> 01:09:42,840 Speaker 1: And that's not what we're built from. It's not in 1236 01:09:42,880 --> 01:09:45,559 Speaker 1: our DNA and it's not our cellular memory. And I 1237 01:09:45,600 --> 01:09:48,680 Speaker 1: am aware of that. And I listened when you said that. 1238 01:09:49,240 --> 01:09:51,600 Speaker 1: I was like, get I get it. Listen, But you know, 1239 01:09:52,080 --> 01:09:55,639 Speaker 1: I think, and I'll be fair because I understand the hurt, 1240 01:09:55,760 --> 01:09:58,160 Speaker 1: like we've all been heard before. But the reality is, 1241 01:09:58,200 --> 01:10:00,439 Speaker 1: what do we do? Give this pain some per and. 1242 01:10:00,400 --> 01:10:04,000 Speaker 3: Remember absolutely, And it's here's the thing. It's okay to 1243 01:10:04,040 --> 01:10:08,160 Speaker 3: be hurt, it's pay to grief, but move move like 1244 01:10:08,360 --> 01:10:12,920 Speaker 3: what our ancestors did to get us to this place. 1245 01:10:13,760 --> 01:10:15,800 Speaker 3: It is disrespectful for them. 1246 01:10:16,160 --> 01:10:16,720 Speaker 1: It is this. 1247 01:10:18,400 --> 01:10:18,879 Speaker 3: Ground. 1248 01:10:19,320 --> 01:10:20,200 Speaker 1: It is just they. 1249 01:10:20,800 --> 01:10:23,400 Speaker 3: I mean, every when an African American doesn't show up 1250 01:10:23,400 --> 01:10:26,639 Speaker 3: to vote, if it is so annoying to me, because 1251 01:10:26,880 --> 01:10:30,519 Speaker 3: knowing what our ancestors went through to get us the 1252 01:10:30,640 --> 01:10:36,479 Speaker 3: right to vote, not voting to me is absolutely absurd 1253 01:10:36,600 --> 01:10:40,120 Speaker 3: because this was not something that was given to us. Yes, 1254 01:10:40,160 --> 01:10:44,000 Speaker 3: this is something that was fought for with blood. 1255 01:10:45,800 --> 01:10:47,920 Speaker 1: You talked about poll tax at the very beginning of 1256 01:10:47,920 --> 01:10:51,280 Speaker 1: this podcast, and it's just a reminder as we wrap 1257 01:10:51,320 --> 01:10:55,400 Speaker 1: this podcast, it's disrespectful. It really truly is if we 1258 01:10:55,439 --> 01:10:57,559 Speaker 1: don't go out there and vote and continue to fight 1259 01:10:57,720 --> 01:11:00,479 Speaker 1: in whatever way that looks for you, for me, whatever 1260 01:11:00,520 --> 01:11:05,280 Speaker 1: the mission is. I when I think about how successful 1261 01:11:05,320 --> 01:11:07,400 Speaker 1: you've been in business, which is why I wanted to 1262 01:11:07,439 --> 01:11:12,519 Speaker 1: talk to you, your mindset is different. This is why 1263 01:11:12,520 --> 01:11:17,400 Speaker 1: everybody doesn't have a billion dollar corporation right so as 1264 01:11:17,439 --> 01:11:21,120 Speaker 1: I everyone doesn't have it. But if we could incorporate that, 1265 01:11:21,240 --> 01:11:24,879 Speaker 1: if we could incorporate that mindset, what is your message? 1266 01:11:25,360 --> 01:11:27,280 Speaker 1: What is your message? Not just to black women, but 1267 01:11:27,320 --> 01:11:31,320 Speaker 1: what is your message when you go into any process? 1268 01:11:31,520 --> 01:11:35,160 Speaker 1: Your business philosophy is what it is? There an elevator 1269 01:11:35,200 --> 01:11:36,720 Speaker 1: pitch to your business philosophy. 1270 01:11:36,840 --> 01:11:41,080 Speaker 3: No, but stop getting stuck on the challenges. Stop focusing 1271 01:11:41,160 --> 01:11:43,800 Speaker 3: on the challenges the way that I describe it. Because 1272 01:11:43,800 --> 01:11:47,280 Speaker 3: people love to ask me the same question, what has 1273 01:11:47,360 --> 01:11:50,720 Speaker 3: been your biggest challenge? And I always respond to them 1274 01:11:50,760 --> 01:11:53,960 Speaker 3: that's like asking you Sidney with Laughlin, which hurdle is 1275 01:11:54,000 --> 01:11:57,559 Speaker 3: the most challenging hurdle. What the hell don't You're a hurdler, 1276 01:11:58,120 --> 01:12:02,799 Speaker 3: so every hurdle is. My job is to keep the pace, 1277 01:12:02,880 --> 01:12:06,280 Speaker 3: to know the rhythm in between those hurdles. That is 1278 01:12:06,360 --> 01:12:11,240 Speaker 3: my job. So as an entrepreneur, you can't get stuck 1279 01:12:11,520 --> 01:12:15,000 Speaker 3: on the challenges. Those are simply hurdles. They're supposed to 1280 01:12:15,080 --> 01:12:18,200 Speaker 3: be there if you want to be if you want 1281 01:12:18,200 --> 01:12:21,040 Speaker 3: to be a Shakatte Carrie Richardson or a Noah Alliles 1282 01:12:21,479 --> 01:12:23,719 Speaker 3: or any of those folks, don't. 1283 01:12:23,600 --> 01:12:27,400 Speaker 1: Be an entrepreneur. Yep, your track will not be clear. 1284 01:12:28,200 --> 01:12:31,840 Speaker 1: It won't, but that's in life. You know, I needed 1285 01:12:31,840 --> 01:12:34,840 Speaker 1: this in my spirit. Thank you for that. Don't get 1286 01:12:34,840 --> 01:12:37,519 Speaker 1: stuck on the challenge, don't don't look at the shell. 1287 01:12:37,600 --> 01:12:39,160 Speaker 1: Let's get to the middle of it. Let's get to 1288 01:12:39,160 --> 01:12:41,880 Speaker 1: the solution. Let's figure it out quick. It changes your 1289 01:12:41,880 --> 01:12:44,439 Speaker 1: whole philosophy. Not fine. I'm telling you, I don't know 1290 01:12:44,479 --> 01:12:47,280 Speaker 1: by anybody else, but this is for me. This word 1291 01:12:47,400 --> 01:12:50,040 Speaker 1: was for me. You always have a word, but this 1292 01:12:50,240 --> 01:12:52,320 Speaker 1: was for me. And we so need to hear that. 1293 01:12:52,800 --> 01:12:55,120 Speaker 1: We need to hear that. We need not when people 1294 01:12:55,160 --> 01:12:57,799 Speaker 1: were you know, we we have different people in our lives. 1295 01:12:57,880 --> 01:13:01,080 Speaker 1: And it's a mindset that's some people can't adopt. But 1296 01:13:01,120 --> 01:13:03,520 Speaker 1: once you show them it can be done. 1297 01:13:03,840 --> 01:13:06,360 Speaker 3: It can be done. I tell people all the time, 1298 01:13:06,520 --> 01:13:11,480 Speaker 3: I deal with challenges every day that have taken entrepreneurs 1299 01:13:11,520 --> 01:13:13,120 Speaker 3: out if they had to deal with it one time 1300 01:13:13,120 --> 01:13:16,000 Speaker 3: and a five year window, and I deal with them 1301 01:13:16,120 --> 01:13:20,640 Speaker 3: every day. And for me, when I look at something 1302 01:13:21,000 --> 01:13:23,880 Speaker 3: and there's a challenge that comes at me, I don't 1303 01:13:23,920 --> 01:13:26,360 Speaker 3: have time to sit there and focus on that challenge. 1304 01:13:26,560 --> 01:13:30,520 Speaker 3: I've got to find the solution as quickly as possible. 1305 01:13:30,800 --> 01:13:33,680 Speaker 3: And if I feel stalemate in that solution, guess what, 1306 01:13:34,080 --> 01:13:36,160 Speaker 3: I'm working on something else that I already know the 1307 01:13:36,160 --> 01:13:39,040 Speaker 3: solution for. Because when that happens, it's a little bit 1308 01:13:39,080 --> 01:13:42,120 Speaker 3: like if you're looking for if you're looking for keys, 1309 01:13:42,479 --> 01:13:44,280 Speaker 3: you can't find the keys. You can't find the keys, 1310 01:13:44,520 --> 01:13:46,960 Speaker 3: you finally stop looking for the keys, and all of 1311 01:13:47,000 --> 01:13:49,760 Speaker 3: a sudden keys are right in front of you. That's 1312 01:13:49,800 --> 01:13:52,759 Speaker 3: the same way it is with challenges. If you keep 1313 01:13:52,880 --> 01:13:56,320 Speaker 3: looking at the challenges, you missed the solution. 1314 01:13:56,880 --> 01:13:58,800 Speaker 1: I want to thank Fann Weaver for being our guest 1315 01:13:58,880 --> 01:14:02,719 Speaker 1: this week on Naked Sport. Words truly appreciate how candid 1316 01:14:02,720 --> 01:14:05,400 Speaker 1: she is, and more importantly, the way in which she 1317 01:14:05,760 --> 01:14:08,840 Speaker 1: only looks for solutions. I hope you all enjoyed this 1318 01:14:09,000 --> 01:14:15,320 Speaker 1: edition of Naked Sports. Talk to y'all later Naked Sports 1319 01:14:15,520 --> 01:14:19,240 Speaker 1: written and executive produced by me Carrie Champion, produced by 1320 01:14:19,320 --> 01:14:22,839 Speaker 1: Jock Vice Thomas, sound Design and mastered by Dwayne Crawford. 1321 01:14:22,920 --> 01:14:26,840 Speaker 1: Associate producer Olubusayl Shabby. Naked Sports is a part of 1322 01:14:26,880 --> 01:14:29,240 Speaker 1: the Black Effect podcast Network in iHeartMedia