WEBVTT - Pop Music with Brian Patrick Davis

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<v Speaker 1>I do feel like, one, Alex, it's nice to have

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<v Speaker 1>you here. It's nice to have you in Atlanta.

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<v Speaker 2>It's nice to be in Atlanta.

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<v Speaker 1>It was nice to have a little kiki.

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<v Speaker 2>It's nice to be in Atlanta.

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<v Speaker 3>Last night.

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<v Speaker 1>I'm really not going to drag you for folks. You

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<v Speaker 1>know what you did.

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<v Speaker 4>Can I know what he did?

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<v Speaker 2>We can't do this.

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<v Speaker 3>We can't allude to such things without addressing what's really

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<v Speaker 3>between us right now.

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<v Speaker 2>There's a rift between us.

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<v Speaker 1>Alex lied and said he knew how to play space.

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<v Speaker 3>I did not lie about knowing how to play space.

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<v Speaker 2>I know how to play space.

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<v Speaker 1>And he sat down and he was like, I could

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<v Speaker 1>be your partner. I know how to play. And then

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<v Speaker 1>he cut. He went over me. I threw a king

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<v Speaker 1>of diamonds. All the cards were on the table. He

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<v Speaker 1>put an ace of diamonds out. When he had diamonds,

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<v Speaker 1>other diamonds in his hand.

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<v Speaker 2>And then he reneged.

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<v Speaker 3>This is one of those situations where A, we'd been drinking. B,

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<v Speaker 3>I was distracted by some other outside sort of conversation.

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<v Speaker 3>I also didn't see what she put out. So I

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<v Speaker 3>had to, I can't talk. I can't talk to her

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<v Speaker 3>across the table. So I had to refocus and sort.

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<v Speaker 4>Of be like.

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<v Speaker 2>Out of your life. No, I'm not. I'm telling you.

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<v Speaker 1>No, this is my truth. When you threw the A's

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<v Speaker 1>and diamonds, no one was talking to you. Ty had

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<v Speaker 1>not came up to you and asked you about the

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<v Speaker 1>McDonald's yet. The McDonald's came in when you were nicked.

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<v Speaker 2>I was.

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<v Speaker 3>I'm going to say that because I don't renege.

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<v Speaker 1>The dirty dicks swinging around Bulldogs?

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<v Speaker 2>Let me say this.

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<v Speaker 3>Y'all were at Bulldogs? We had a trash night. We

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<v Speaker 3>had a trash gay night in Atlanta. We decided we

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<v Speaker 3>were going to be trash on the previous episode. We

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<v Speaker 3>were like, we're going to hang out. She leaves me

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<v Speaker 3>in Atlanta when I'm here. She'll go be with her girlfriend.

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<v Speaker 3>She's in love now.

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<v Speaker 4>I love that for you, by the way.

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<v Speaker 3>She doesn't want to spend gay time with her homeboy

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<v Speaker 3>who flew two hours here.

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<v Speaker 1>Because when I do renege in states.

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<v Speaker 4>Can I tell a secret?

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<v Speaker 2>Okay.

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<v Speaker 5>I also don't know how to play spades. And also,

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<v Speaker 5>I do not like watching people play spades. It gets

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<v Speaker 5>way too aggressive.

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<v Speaker 2>That's true.

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<v Speaker 3>I think there's way too much aggression to this game, Brian.

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<v Speaker 3>You are absolutely correct. And I just want to say

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<v Speaker 3>for the record, let me say this.

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<v Speaker 1>Yes.

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<v Speaker 2>That there is video proof.

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<v Speaker 3>Of me knowing how to play spades on Nick Cannon's

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<v Speaker 3>podcast with Paris Chaché.

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<v Speaker 2>We won.

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<v Speaker 3>All rounds. So there's actual proof of me knowing how

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<v Speaker 3>to play spades.

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<v Speaker 4>Sure.

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<v Speaker 1>I'm not doing this with you.

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<v Speaker 4>You know how to play TV spades. That ain't TV spades.

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<v Speaker 2>That ain't TV spades.

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<v Speaker 4>We play. Sure.

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<v Speaker 2>Sure.

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<v Speaker 1>But when shit gets real and we're in the back

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<v Speaker 1>of Bulldogs, you don't.

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<v Speaker 4>Know how to get it. With dirty dicks swinging around. Yeah,

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<v Speaker 4>you don't know how to.

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<v Speaker 1>Get the shit done.

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<v Speaker 2>Oh, by the way, Brian Patrick Davis is here, guys.

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<v Speaker 1>Oh, wait. Yeah, let's get to this intro.

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<v Speaker 4>We were talking about your intro.

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<v Speaker 1>I actually had an idea for this intro because I

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<v Speaker 1>was like, one, no one really knows what you do.

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<v Speaker 1>And typically when we intro somebody, we say what they do.

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<v Speaker 2>We even had to discuss amongst ourselves.

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<v Speaker 1>So then I was like, I'm going to do an

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<v Speaker 1>intro where I just guess what Brian does.

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<v Speaker 4>Okay.

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<v Speaker 2>Okay.

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<v Speaker 4>Okay.

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<v Speaker 2>I'm loving your facial response to this.

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<v Speaker 4>Guys, it's just, this is really funny because, like, a

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<v Speaker 4>lot of people say this.

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<v Speaker 2>Uh-huh, uh-huh.

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<v Speaker 1>So, guys, welcome. I'm not going to say influencer because

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<v Speaker 1>influencer is, like, tacky. I'm going to say tastemaker, culture curator.

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<v Speaker 4>Um....

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<v Speaker 1>Music enthusiast slash.

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<v Speaker 2>I was going to say aficionado.

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<v Speaker 1>That's what I was going to say.

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<v Speaker 2>I wanted to give it something above.

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<v Speaker 1>When I was first in Atlanta and met this dude,

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<v Speaker 1>also mysterious, rich kid.

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<v Speaker 2>I was going to say socialite. Socialite.

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<v Speaker 3>When people were really calling themselves that, I was like, no,

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<v Speaker 3>that person's a socialite.

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<v Speaker 4>Kind of like Jeremy O.

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<v Speaker 1>Harris before Jeremy O. Harris existed, but in the black

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<v Speaker 1>space of Atlanta. Yeah.

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<v Speaker 4>Give it up for Brian Patrick.

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<v Speaker 2>There we go. How do you feel about that evaluation?

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<v Speaker 4>So, I feel like that evaluation is kind of correct.

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<v Speaker 4>Anything you'd add?

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<v Speaker 2>Anything you'd take out?

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<v Speaker 4>So, yeah. A lot of people think that I'm a scammer.

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<v Speaker 2>Confirm or deny?

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<v Speaker 4>I'm gonna deny scammer. I am not a scammer. Truthfully, like, y'all,

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<v Speaker 4>I never really had, like, a stiff job until, like, COVID.

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<v Speaker 4>I was, like... I became the creative director at Slutty Vegan,

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<v Speaker 4>which is, like, a....

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<v Speaker 2>Well, that place is back in the news.

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<v Speaker 4>I did that for five years.

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<v Speaker 5>And then I got back to just kind of being

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<v Speaker 5>in the creative freelance music space. So by trade, I

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<v Speaker 5>started off as a graphic designer.

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<v Speaker 3>You were in the concrete loop.

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<v Speaker 4>Because that's where I first got introduced to you.

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<v Speaker 3>We were Twitter buddies for a very long time. Looking

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<v Speaker 3>back at when Twitter was really like, you know, the wild,

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<v Speaker 3>wild west.

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<v Speaker 4>Yes.

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<v Speaker 3>Cutting up one line together and I was like I

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<v Speaker 3>fuck with this individual right here.

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<v Speaker 5>Absolutely and I was just telling Sam that this is

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<v Speaker 5>our first time meeting in person I think no actually

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<v Speaker 5>I think we had like a little passing moment because

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<v Speaker 5>I used to come to Atlanta for like spring break

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<v Speaker 5>and stuff like that and I feel like we crossed

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<v Speaker 5>paths lightly I don't know if it was like an

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<v Speaker 5>official thing but this.

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<v Speaker 1>Is like our first like So are we talking like

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<v Speaker 1>Dick brushes past booty on the patio at Blake's?

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<v Speaker 2>Are we talking.

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<v Speaker 4>I don't think we're talking that.

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<v Speaker 2>I don't think we're talking that. No, I think it's

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<v Speaker 2>like I was out at like a.

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<v Speaker 4>So I do go out. Oh, you do go out. See?

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<v Speaker 1>This is years ago.

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<v Speaker 4>This is years ago.

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<v Speaker 2>Maybe like a Trax. Okay, period. Like a Trax.

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<v Speaker 4>Now that.

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<v Speaker 2>Trax Atlanta.

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<v Speaker 4>I think it was that.

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<v Speaker 2>Yeah, what a time.

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<v Speaker 4>So that means it was crowded wherever we went to.

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<v Speaker 2>It was crowded.

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<v Speaker 4>It was dark.

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<v Speaker 2>It was dark and crowded.

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<v Speaker 1>Seedy.

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<v Speaker 2>It was seedy. Shout out to Trax.

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<v Speaker 4>And Trax girls. What a time. Yes, absolutely.

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<v Speaker 1>What a time.

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<v Speaker 2>Look back at that.

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<v Speaker 5>But yeah, like by trade, I was a graphic designer.

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<v Speaker 5>And Concrete Loop kind of like was a place where I,

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<v Speaker 5>I forgot about Concrete Loop, got a lot of connects with,

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<v Speaker 5>And I started doing like a little freelance creative, a

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<v Speaker 5>little creative direction, got into songwriting, a little vocal production.

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<v Speaker 4>Just an it girl. Yeah. That's what I remember.

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<v Speaker 1>You were an it girly.

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<v Speaker 3>I mean, what can I say?

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<v Speaker 4>But yeah, that's, I mean.

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<v Speaker 5>Yeah, that's kind of like where... And as far as the...

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<v Speaker 5>Let me address, too, the not going outside thing.

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<v Speaker 2>Okay.

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<v Speaker 5>My social media handle for a long time has been

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<v Speaker 5>Black Socialite.

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<v Speaker 2>Quite literally, yeah.

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<v Speaker 4>And Fadia Cater, shout out to her.

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<v Speaker 1>Shout out to that oldie, Fadia.

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<v Speaker 4>Yeah.

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<v Speaker 5>Basically gave me that name back when I was partying,

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<v Speaker 5>you know, in Atlanta. I was way too young to

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<v Speaker 5>be out, but I was always out and... I just

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<v Speaker 5>got burnt out, y'all.

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<v Speaker 3>You said enough with the Freddie O pictures, you know.

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<v Speaker 3>Before Getty, there was Freddie O.

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<v Speaker 2>Shout out to Freddie O. Check the Freddie O.

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<v Speaker 5>And I think, like, y'all, like, honestly, like, when I

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<v Speaker 5>got into my 30s, I was just kind of like, ugh.

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<v Speaker 5>This is so, like, my party clothes are so binding.

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<v Speaker 4>I was tired of wearing heels. Like, you know what

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<v Speaker 4>I'm saying? Like, you just get to a point where

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<v Speaker 4>you're like, ugh.

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<v Speaker 5>And I see the same old queens pouring in, like,

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<v Speaker 5>old cups of coffee. It's just like, girl, like.

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<v Speaker 2>You were a girl about town.

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<v Speaker 4>Yeah, until I wasn't. But then I pop up for

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<v Speaker 4>special things. You do.

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<v Speaker 1>You pop out on occasion.

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<v Speaker 5>When my friends DJ, I pop out. I try to

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<v Speaker 5>be supportive.

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<v Speaker 4>Right, right, right.

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<v Speaker 1>It's always nice to see you outside, I have to say.

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<v Speaker 2>Yeah.

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<v Speaker 1>We're going to get into this year.

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<v Speaker 2>Let's dive in.

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<v Speaker 1>You picked 1998. But what you were really specific about.

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<v Speaker 1>This year, and overall what you wanted to talk about,

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<v Speaker 1>first and foremost, did I know you in 98?

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<v Speaker 2>No.

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<v Speaker 1>I would like you, we'd like to start with a guess.

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<v Speaker 1>Who were you in 98?

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<v Speaker 2>Yes.

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<v Speaker 1>What's it given?

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<v Speaker 2>Who was Brian? What was Brian doing?

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<v Speaker 5>In 98, I was doing a lot of performing in

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<v Speaker 5>my grandmother's basement.

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<v Speaker 2>Singing, dancing.

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<v Speaker 4>All of that.

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<v Speaker 2>Okay.

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<v Speaker 1>A lot of people don't- Like, who's your go-to? What

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<v Speaker 1>are you, like, your go-to?

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<v Speaker 5>A lot of the girls, you know. Like, are you

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<v Speaker 5>Spice Girl in it? I'm Spice Girl in it. I'm

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<v Speaker 5>Destiny's Child in it.

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<v Speaker 2>Which Spice Girl are you?

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<v Speaker 4>I would say that I'm, you know, the baby of

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<v Speaker 4>scary and posh.

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<v Speaker 2>See, I was going to assume posh. You give posh. Yeah, yeah, yeah.

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<v Speaker 4>I'm a scary girl, though.

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<v Speaker 2>Oh, okay. Well, I mean, she's ours. She belongs to us.

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<v Speaker 4>But, like, definitely, like, Spice Girls, Destiny's Child.

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<v Speaker 2>Okay.

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<v Speaker 4>Britney.

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<v Speaker 2>Aaliyah.

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<v Speaker 4>Aaliyah, for sure.

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<v Speaker 2>I knew the entire.

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<v Speaker 4>Brian loves Aaliyah.

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<v Speaker 3>I knew the Are You That Somebody video choreography front

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<v Speaker 3>and back.

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<v Speaker 4>Absolutely. So I was just like a... I was very

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<v Speaker 4>much that kid. Like, yeah. I was the one that

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<v Speaker 4>was taking my CD booklet to school.

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<v Speaker 2>You know.

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<v Speaker 1>Showing off.

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<v Speaker 4>Yeah. For sure. For sure.

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<v Speaker 1>Showing off.

0:08:49.559 --> 0:08:53.000
<v Speaker 3>With, like, the liner, like, the booklet underneath the CD.

0:08:53.440 --> 0:08:54.780
<v Speaker 3>I know some motherfuckers that did that.

0:08:54.840 --> 0:08:56.850
<v Speaker 2>Absolutely. That's why it was so thick.

0:08:57.400 --> 0:08:58.870
<v Speaker 1>No, that's how you had to keep it. You put

0:08:58.890 --> 0:09:00.170
<v Speaker 1>the book and then you put the CD.

0:09:00.190 --> 0:09:00.970
<v Speaker 2>The CD, yeah.

0:09:01.070 --> 0:09:02.929
<v Speaker 1>To let people know also that you owned this.

0:09:03.090 --> 0:09:05.329
<v Speaker 4>And you walked around with this motherfucker.

0:09:05.350 --> 0:09:06.929
<v Speaker 1>From some CD thing.

0:09:07.010 --> 0:09:09.800
<v Speaker 4>This belongs to me. It's mine. I own everything.

0:09:09.980 --> 0:09:11.020
<v Speaker 2>It was the Bible.

0:09:11.080 --> 0:09:13.059
<v Speaker 4>It was your Bible. Yeah, for sure.

0:09:13.320 --> 0:09:13.680
<v Speaker 2>Okay.

0:09:14.040 --> 0:09:17.839
<v Speaker 5>And so I think like for me, like in 1998,

0:09:17.840 --> 0:09:20.010
<v Speaker 5>that was kind of like the first, I've always been

0:09:20.030 --> 0:09:22.729
<v Speaker 5>obsessed with music. Like as you guys know, like, I

0:09:22.770 --> 0:09:24.950
<v Speaker 5>think in 1998, that was kind of like the first

0:09:25.010 --> 0:09:28.670
<v Speaker 5>time where I think we had this infiltration of what

0:09:28.830 --> 0:09:32.510
<v Speaker 5>really became like the generic like pop sound kind of.

0:09:32.550 --> 0:09:36.120
<v Speaker 5>Like we were being inundated with like these white boy

0:09:36.160 --> 0:09:38.080
<v Speaker 5>bands that sounded like.

0:09:38.920 --> 0:09:39.979
<v Speaker 2>Us. Yeah.

0:09:40.080 --> 0:09:42.060
<v Speaker 1>That sounded like us and we were eating it the

0:09:42.100 --> 0:09:43.300
<v Speaker 1>fuck up. I know I was.

0:09:43.360 --> 0:09:44.420
<v Speaker 2>Yeah, same.

0:09:44.660 --> 0:09:46.500
<v Speaker 1>And I was always picking the one in the group

0:09:46.640 --> 0:09:48.360
<v Speaker 1>that sounded the blackest to me.

0:09:48.380 --> 0:09:48.900
<v Speaker 2>Yeah.

0:09:48.980 --> 0:09:51.040
<v Speaker 1>Not the one that acted the blackest, actually.

0:09:51.070 --> 0:09:51.730
<v Speaker 2>Right, there's a difference.

0:09:51.750 --> 0:09:53.910
<v Speaker 1>Because, you know, with Backstreet Boys, it was like Howie

0:09:53.929 --> 0:09:56.170
<v Speaker 1>was supposed to be the wigger, but it wasn't giving.

0:09:56.290 --> 0:09:57.310
<v Speaker 4>It wasn't hitting.

0:09:57.390 --> 0:09:58.069
<v Speaker 1>It wasn't hitting.

0:09:58.130 --> 0:09:59.410
<v Speaker 2>It was like, get Howie the fuck.

0:09:59.290 --> 0:09:59.650
<v Speaker 4>Out of here.

0:10:00.440 --> 0:10:01.819
<v Speaker 1>But the one who sang the Blackest.

0:10:01.840 --> 0:10:04.059
<v Speaker 4>With her corny ass. Yes. With them corny ass beanies.

0:10:04.080 --> 0:10:05.680
<v Speaker 1>With them big ass hoops and all that.

0:10:05.960 --> 0:10:06.480
<v Speaker 2>Get out of here.

0:10:06.520 --> 0:10:08.650
<v Speaker 1>I didn't like it. But the one who sang the

0:10:08.670 --> 0:10:11.410
<v Speaker 1>Blackest was Brian, in my opinion. So Brian was my man.

0:10:11.470 --> 0:10:13.210
<v Speaker 2>Brian Latrell. Brian Latrell.

0:10:14.650 --> 0:10:16.750
<v Speaker 4>And I was an NSYNC girlie.

0:10:16.910 --> 0:10:18.670
<v Speaker 3>I was going to ask which one. Yeah, I was

0:10:18.690 --> 0:10:20.490
<v Speaker 3>going to say, which political party did you belong to?

0:10:20.809 --> 0:10:23.810
<v Speaker 5>So I was definitely an NSYNC girlie just because I

0:10:23.870 --> 0:10:27.730
<v Speaker 5>felt like their music leaned more into the R &amp; B.

0:10:27.130 --> 0:10:29.110
<v Speaker 2>Sound of it all. Yes, I agree.

0:10:29.490 --> 0:10:33.490
<v Speaker 4>And also, like, they was fucking with, like, black producers

0:10:33.590 --> 0:10:35.510
<v Speaker 4>on their second album. You know what I'm saying? Like,

0:10:35.530 --> 0:10:37.140
<v Speaker 4>they tapped a lot of the girls that I was

0:10:37.280 --> 0:10:38.140
<v Speaker 4>already familiar with.

0:10:38.160 --> 0:10:40.320
<v Speaker 2>You saw them in more pictures with, like, Destiny's Child

0:10:40.580 --> 0:10:41.220
<v Speaker 2>than anybody else.

0:10:41.300 --> 0:10:44.540
<v Speaker 1>And we're keeping it real. Backstreet also tapped into black producers,

0:10:44.860 --> 0:10:46.580
<v Speaker 1>but it was, like, full force. It was, like, the

0:10:46.820 --> 0:10:49.800
<v Speaker 1>older niggas. And then NSYNC was getting with.

0:10:49.860 --> 0:10:52.170
<v Speaker 4>Like, the new shit. Shakespeare, the Rodney's.

0:10:52.270 --> 0:10:53.750
<v Speaker 1>Yeah, the new shit.

0:10:54.090 --> 0:10:56.730
<v Speaker 5>So they were more in line with, like, the girls

0:10:56.770 --> 0:10:58.569
<v Speaker 5>that I was fucking with, like, the Brandys.

0:10:58.610 --> 0:11:02.520
<v Speaker 1>But if there is no Backstreet, There is no NSYNC.

0:11:02.820 --> 0:11:04.199
<v Speaker 4>That's true. That's true.

0:11:04.740 --> 0:11:06.700
<v Speaker 1>You had to have Backstreet singing in the rain on

0:11:06.740 --> 0:11:07.800
<v Speaker 1>a joint first.

0:11:07.940 --> 0:11:08.600
<v Speaker 4>No, you did.

0:11:08.640 --> 0:11:11.819
<v Speaker 1>To even get over there. So it's like evolution. I

0:11:11.840 --> 0:11:13.960
<v Speaker 1>look at it like Wanda Sykes and me. It's like,

0:11:13.980 --> 0:11:16.200
<v Speaker 1>you can look at Wanda and go, oh, well, Wanda

0:11:16.220 --> 0:11:17.780
<v Speaker 1>wasn't giving dykes. She wasn't doing this.

0:11:17.800 --> 0:11:18.470
<v Speaker 4>Yeah, she was straight.

0:11:18.490 --> 0:11:19.920
<v Speaker 2>We needed Wanda.

0:11:19.610 --> 0:11:21.670
<v Speaker 1>And them shoulder pads, giving what she was giving.

0:11:21.690 --> 0:11:23.610
<v Speaker 4>There was straight Wanda before gay Wanda.

0:11:23.630 --> 0:11:25.530
<v Speaker 1>For Sam to pop out and just go like, what up?

0:11:25.550 --> 0:11:29.050
<v Speaker 2>Yeah, for sure. You know what I mean? For sure.

0:11:29.150 --> 0:11:42.270
<v Speaker 4>Yeah. Here's a question.

0:11:42.480 --> 0:11:46.770
<v Speaker 3>So you said you mentioned Britney. Is she your pop girlie?

0:11:46.990 --> 0:11:49.429
<v Speaker 3>Or it's like, who's your top? Who's like the girl

0:11:49.470 --> 0:11:51.530
<v Speaker 3>that like really broke the seal for you with like

0:11:51.550 --> 0:11:53.730
<v Speaker 3>pop music? Because when we talk about black, I don't

0:11:53.750 --> 0:11:57.050
<v Speaker 3>think we talk enough about black people's relationship to pop.

0:11:57.250 --> 0:11:59.410
<v Speaker 2>Yeah. Of course we love R &amp; B. Of course

0:11:59.429 --> 0:12:00.010
<v Speaker 2>we love hip hop.

0:12:00.290 --> 0:12:00.469
<v Speaker 4>Yeah.

0:12:00.490 --> 0:12:01.990
<v Speaker 2>But I love pop girls.

0:12:02.130 --> 0:12:02.429
<v Speaker 1>Yeah.

0:12:02.550 --> 0:12:04.600
<v Speaker 2>In a way that kind of shocks some people. They're like,

0:12:04.640 --> 0:12:05.800
<v Speaker 2>I thought you, no, no, no. It's not all hip

0:12:05.820 --> 0:12:06.439
<v Speaker 2>hop over here.

0:12:06.679 --> 0:12:09.540
<v Speaker 1>I feel like, and this is whatever, you can drag

0:12:09.559 --> 0:12:10.180
<v Speaker 1>me in the street.

0:12:10.200 --> 0:12:10.300
<v Speaker 4>Uh-uh.

0:12:10.660 --> 0:12:11.760
<v Speaker 1>People, I don't give a shit.

0:12:11.920 --> 0:12:12.160
<v Speaker 4>Uh-uh.

0:12:12.650 --> 0:12:13.979
<v Speaker 1>I don't feel like you're a real gay man if

0:12:14.000 --> 0:12:14.980
<v Speaker 1>you don't like the pop girlies.

0:12:15.030 --> 0:12:16.020
<v Speaker 4>Hey, no argument.

0:12:16.040 --> 0:12:18.020
<v Speaker 1>You have to have some of that in you.

0:12:18.179 --> 0:12:18.500
<v Speaker 2>Yeah.

0:12:18.700 --> 0:12:18.880
<v Speaker 4>Yeah.

0:12:18.940 --> 0:12:19.939
<v Speaker 2>Because they raised you.

0:12:20.100 --> 0:12:21.840
<v Speaker 4>Yeah, they did.

0:12:21.860 --> 0:12:25.960
<v Speaker 5>So for me, like I was I was already into

0:12:26.000 --> 0:12:28.120
<v Speaker 5>like Celine when I was younger.

0:12:29.540 --> 0:12:30.840
<v Speaker 4>I loved me some Celine.

0:12:30.920 --> 0:12:34.270
<v Speaker 5>Like she just something about her was just gave me.

0:12:34.590 --> 0:12:35.310
<v Speaker 4>She was very.

0:12:35.210 --> 0:12:35.930
<v Speaker 1>Always hated her.

0:12:36.620 --> 0:12:38.860
<v Speaker 2>Really? Always hated her. What was the beef?

0:12:38.880 --> 0:12:41.280
<v Speaker 4>Sam, she was always so cunt.

0:12:41.540 --> 0:12:44.309
<v Speaker 1>She gave me, first of all, she just gave me

0:12:44.390 --> 0:12:46.740
<v Speaker 1>principal energy. I just didn't like it.

0:12:46.750 --> 0:12:47.910
<v Speaker 2>That's the Boston coming out of her.

0:12:47.929 --> 0:12:50.550
<v Speaker 1>Yeah, I was just like, I don't, something about this is.

0:12:50.429 --> 0:12:52.390
<v Speaker 2>Just too rigid. It's triggering for her.

0:12:52.570 --> 0:12:53.989
<v Speaker 1>It's too strict for me.

0:12:53.990 --> 0:12:54.970
<v Speaker 2>Okay, I can see that, though.

0:12:54.990 --> 0:12:56.250
<v Speaker 4>It was too strict for me. But have you ever

0:12:56.270 --> 0:12:57.969
<v Speaker 4>seen her on stage with a black girl?

0:12:58.010 --> 0:12:59.530
<v Speaker 2>With Aretha? She cuts up.

0:12:59.530 --> 0:12:59.989
<v Speaker 4>She cuts up.

0:13:00.290 --> 0:13:02.410
<v Speaker 2>You know, people were upset about her for that, though.

0:13:02.429 --> 0:13:04.190
<v Speaker 3>They were like, you don't go toe-to-toe with Aretha, but

0:13:04.410 --> 0:13:06.980
<v Speaker 3>I viewed that as, like, Aretha Franklin giving her the space.

0:13:07.179 --> 0:13:07.900
<v Speaker 2>Yeah.

0:13:07.940 --> 0:13:09.179
<v Speaker 4>I think Aretha was like, if no other bitch is

0:13:09.200 --> 0:13:10.280
<v Speaker 4>gonna come up here, I'm gonna just do it. Can't

0:13:10.300 --> 0:13:10.820
<v Speaker 4>deny the voice.

0:13:11.040 --> 0:13:11.540
<v Speaker 2>Can't deny the voice.

0:13:11.559 --> 0:13:12.720
<v Speaker 4>Can't deny the voice.

0:13:12.740 --> 0:13:14.479
<v Speaker 2>But you just didn't see it. You didn't see it.

0:13:14.480 --> 0:13:15.280
<v Speaker 1>I just was just like, no.

0:13:15.360 --> 0:13:17.079
<v Speaker 4>She was giving Sam, come to my office.

0:13:17.120 --> 0:13:19.420
<v Speaker 1>Yes, and I was like, I don't want this.

0:13:19.300 --> 0:13:19.570
<v Speaker 2>On my screen.

0:13:19.590 --> 0:13:21.530
<v Speaker 4>No, no, no, okay. I can feel that. I can

0:13:21.550 --> 0:13:22.270
<v Speaker 4>feel that.

0:13:22.309 --> 0:13:23.070
<v Speaker 2>Yeah, she had your fire.

0:13:23.130 --> 0:13:25.270
<v Speaker 1>I'm also a bad kid.

0:13:25.410 --> 0:13:25.589
<v Speaker 4>Yeah.

0:13:25.650 --> 0:13:27.010
<v Speaker 1>I got in trouble a lot, so.

0:13:27.030 --> 0:13:29.050
<v Speaker 4>You give me that, too. Ha, ha, ha, ha.

0:13:29.450 --> 0:13:31.650
<v Speaker 1>I was always in trouble. Always in trouble. So it's

0:13:31.750 --> 0:13:32.929
<v Speaker 1>just probably my trauma.

0:13:32.970 --> 0:13:33.610
<v Speaker 4>Sorry, Celine.

0:13:33.690 --> 0:13:35.620
<v Speaker 2>It's me. She understands. She listens.

0:13:35.800 --> 0:13:37.959
<v Speaker 5>But Britney was kind of the one that.

0:13:40.780 --> 0:13:43.900
<v Speaker 4>So, Britney is Janet's daughter. Yes. I don't care what

0:13:43.940 --> 0:13:44.520
<v Speaker 4>nobody says.

0:13:44.540 --> 0:13:46.319
<v Speaker 2>Absolutely. She would even agree with this.

0:13:46.360 --> 0:13:47.520
<v Speaker 4>I don't care what nobody says. Yeah.

0:13:47.980 --> 0:13:51.700
<v Speaker 2>Absolutely. She did. Janet was the blueprint.

0:13:51.880 --> 0:13:52.210
<v Speaker 1>Yeah.

0:13:52.250 --> 0:13:52.470
<v Speaker 4>Yeah.

0:13:52.520 --> 0:13:52.809
<v Speaker 2>So....

0:13:54.120 --> 0:13:56.580
<v Speaker 4>And my sister, I have an older sister, was obsessed

0:13:56.600 --> 0:13:57.620
<v Speaker 4>with Janet growing up.

0:13:57.660 --> 0:13:58.760
<v Speaker 2>My mom was obsessed with Janet.

0:13:58.800 --> 0:14:02.450
<v Speaker 5>Obsessed with Janet by proxy. And so when I saw Britney,

0:14:02.470 --> 0:14:06.110
<v Speaker 5>I'm like, oh, bitch, this is Janet. She's trying to

0:14:06.150 --> 0:14:07.110
<v Speaker 5>give Janet.

0:14:07.270 --> 0:14:09.950
<v Speaker 4>You know? So I was a Britney girl, but then

0:14:09.970 --> 0:14:12.569
<v Speaker 4>when Christina came, I was like, wait a minute. Hold on.

0:14:13.230 --> 0:14:13.710
<v Speaker 2>Hold up.

0:14:14.330 --> 0:14:16.510
<v Speaker 4>The Puerto Rican princess is kind of turning it. Like,

0:14:16.580 --> 0:14:17.580
<v Speaker 4>what's happening here?

0:14:17.620 --> 0:14:22.010
<v Speaker 1>Christina came and it was like, a real bitch has arrived.

0:14:22.270 --> 0:14:22.830
<v Speaker 4>Yeah.

0:14:23.210 --> 0:14:24.770
<v Speaker 1>It really did feel like that. It felt like, I

0:14:24.790 --> 0:14:27.680
<v Speaker 1>love Britney, but it felt like Britney was like the

0:14:27.720 --> 0:14:30.240
<v Speaker 1>package they were pushing on us. And then Christina came

0:14:30.300 --> 0:14:30.520
<v Speaker 1>and it.

0:14:30.500 --> 0:14:32.720
<v Speaker 4>Was like, and Christina said, you got to rub me

0:14:32.740 --> 0:14:35.620
<v Speaker 4>the right way. And I was living for that.

0:14:35.640 --> 0:14:36.860
<v Speaker 1>A real bitch showed up.

0:14:37.320 --> 0:14:39.500
<v Speaker 3>You know, did you, did you, I just thought about

0:14:39.540 --> 0:14:42.500
<v Speaker 3>this because this exists in the same timeframe. Do you remember,

0:14:42.540 --> 0:14:45.590
<v Speaker 3>did you watch the real world, the real world rules?

0:14:45.610 --> 0:14:47.350
<v Speaker 3>Do you remember Katie versus Veronica?

0:14:48.080 --> 0:14:51.979
<v Speaker 2>Yes. That was Brittany versus Christina. It was.

0:14:52.140 --> 0:14:52.340
<v Speaker 4>It was.

0:14:52.380 --> 0:14:54.180
<v Speaker 1>Nancy Kerrigan versus Tanya.

0:14:54.220 --> 0:14:59.920
<v Speaker 4>Nasty white women fighting with each other. Yeah, yeah, yeah. Yeah.

0:15:00.130 --> 0:15:01.050
<v Speaker 2>It was exactly that.

0:15:01.150 --> 0:15:05.150
<v Speaker 4>It was exactly that. But also, like, I saw the relationship.

0:15:05.570 --> 0:15:08.770
<v Speaker 5>I think so early on, I saw the relationship between

0:15:08.870 --> 0:15:11.530
<v Speaker 5>those girls and the black girls that I love, too.

0:15:11.580 --> 0:15:13.340
<v Speaker 2>Yeah, yeah.

0:15:13.860 --> 0:15:16.080
<v Speaker 5>And kind of like as I got older and started

0:15:16.140 --> 0:15:21.640
<v Speaker 5>being like a somebody that critiqued music, I.

0:15:21.580 --> 0:15:25.300
<v Speaker 4>Started to kind of get upset a little bit. What

0:15:25.320 --> 0:15:29.090
<v Speaker 4>was the reason? Why do we always got to throw

0:15:29.130 --> 0:15:31.230
<v Speaker 4>some blonde hair on some shit?

0:15:31.410 --> 0:15:32.170
<v Speaker 2>Oh, man, yeah.

0:15:32.190 --> 0:15:34.510
<v Speaker 4>For people to consume it and receive it.

0:15:34.650 --> 0:15:36.120
<v Speaker 2>So what did you think of Pink when she came out?

0:15:36.130 --> 0:15:37.830
<v Speaker 3>Because we didn't know she was white for a second.

0:15:40.040 --> 0:15:43.070
<v Speaker 2>Pink really trick us. And I love pink.

0:15:43.510 --> 0:15:46.670
<v Speaker 5>Let me tell y'all a story. The place where I

0:15:46.730 --> 0:15:52.110
<v Speaker 5>got my lock started in the West End, pink, Alicia

0:15:52.150 --> 0:15:55.910
<v Speaker 5>Moore used to get her hair braided in that same shop.

0:15:57.510 --> 0:15:59.690
<v Speaker 5>And this was before she was pink, when she was

0:15:59.770 --> 0:16:00.290
<v Speaker 5>just Alicia Moore.

0:16:00.310 --> 0:16:01.710
<v Speaker 2>Before there you go.

0:16:01.730 --> 0:16:02.210
<v Speaker 4>Yeah.

0:16:02.290 --> 0:16:04.270
<v Speaker 5>She used to get her hair braided at that shop

0:16:04.470 --> 0:16:06.960
<v Speaker 5>and used to be outside smoking cigarettes and used to

0:16:07.000 --> 0:16:08.160
<v Speaker 5>be singing down.

0:16:08.220 --> 0:16:11.340
<v Speaker 2>And now she's launching herself in arenas. I was about to.

0:16:11.180 --> 0:16:12.380
<v Speaker 1>Say, that's really like.

0:16:12.500 --> 0:16:13.180
<v Speaker 2>What a trajectory.

0:16:13.240 --> 0:16:16.160
<v Speaker 1>Pink always gave, but I really been there, though.

0:16:16.180 --> 0:16:16.340
<v Speaker 4>Mm-hmm.

0:16:17.220 --> 0:16:17.980
<v Speaker 1>She always gave that.

0:16:18.000 --> 0:16:21.150
<v Speaker 5>But also, like, Pink also, I'ma be honest, I don't

0:16:21.170 --> 0:16:22.530
<v Speaker 5>believe Rockstar Pink.

0:16:22.710 --> 0:16:24.030
<v Speaker 4>I think she's a nigga for real.

0:16:24.190 --> 0:16:27.690
<v Speaker 2>Yeah, yeah. At heart, I think she's a baddie.

0:16:27.850 --> 0:16:32.450
<v Speaker 1>Like, I believe crazy, racist, hillbilly Kid Rock.

0:16:33.010 --> 0:16:33.680
<v Speaker 4>I believe it.

0:16:33.970 --> 0:16:35.230
<v Speaker 2>Absolutely. As a nigga from Michigan.

0:16:35.250 --> 0:16:37.050
<v Speaker 4>You're telling the truth. As a nigga from.

0:16:36.850 --> 0:16:38.530
<v Speaker 2>Michigan, that is exactly who you are.

0:16:38.550 --> 0:16:39.960
<v Speaker 1>When Pink made that rock star transition, I was like,

0:16:40.000 --> 0:16:42.320
<v Speaker 1>someone's forcing this on her. Like, someone forced the brand

0:16:42.340 --> 0:16:43.140
<v Speaker 1>in that damn bikini.

0:16:43.200 --> 0:16:43.620
<v Speaker 4>You know what I mean?

0:16:43.640 --> 0:16:45.200
<v Speaker 1>I was just like, yeah.

0:16:45.680 --> 0:16:46.500
<v Speaker 2>The same person.

0:16:46.520 --> 0:16:48.120
<v Speaker 4>Something about this don't feel.

0:16:48.440 --> 0:16:51.280
<v Speaker 5>And I think it's because I had that experience with her,

0:16:51.320 --> 0:16:53.400
<v Speaker 5>watching her get her hair braided.

0:16:53.580 --> 0:16:56.800
<v Speaker 4>I'm like, oh, girl, this is... You got her. Yeah.

0:16:56.830 --> 0:16:58.270
<v Speaker 2>This is, you know. Yeah.

0:16:58.290 --> 0:16:58.410
<v Speaker 4>So.

0:17:01.570 --> 0:17:04.450
<v Speaker 2>For the Britney of it all, how do you feel

0:17:04.490 --> 0:17:05.470
<v Speaker 2>about Britney of today?

0:17:05.490 --> 0:17:06.470
<v Speaker 4>I don't.

0:17:06.630 --> 0:17:07.070
<v Speaker 2>You don't?

0:17:07.690 --> 0:17:10.570
<v Speaker 4>I actually have this strange theory that that's not actually Britney. Oh,

0:17:10.590 --> 0:17:13.300
<v Speaker 4>you think it's AI? Not AI.

0:17:13.380 --> 0:17:17.020
<v Speaker 5>I think it's like a strange doppelganger that they hired.

0:17:17.119 --> 0:17:18.300
<v Speaker 2>Then what do you think the real Britney is?

0:17:18.500 --> 0:17:20.280
<v Speaker 4>I think she lives somewhere on a farm.

0:17:20.400 --> 0:17:21.780
<v Speaker 2>I honestly love this Britney story.

0:17:24.770 --> 0:17:25.700
<v Speaker 4>Say I'm not.

0:17:25.740 --> 0:17:26.470
<v Speaker 2>Do tell.

0:17:26.510 --> 0:17:27.930
<v Speaker 4>Say more. Elaborate, please.

0:17:28.050 --> 0:17:29.470
<v Speaker 1>I like crazy in the house Britney.

0:17:29.490 --> 0:17:29.889
<v Speaker 2>Elaborate, please.

0:17:29.910 --> 0:17:31.369
<v Speaker 1>You know why I like it? Because she keeps it

0:17:31.390 --> 0:17:33.490
<v Speaker 1>in the house. She's not outside.

0:17:33.570 --> 0:17:36.030
<v Speaker 4>But she's not really because we see it.

0:17:36.050 --> 0:17:37.430
<v Speaker 3>It's not really keeping it in the house if we

0:17:37.450 --> 0:17:37.830
<v Speaker 3>see it online.

0:17:37.970 --> 0:17:39.890
<v Speaker 4>And she's been outside, too. She's been outside.

0:17:39.970 --> 0:17:42.170
<v Speaker 1>Mostly when I see it, she's in the house doing

0:17:42.190 --> 0:17:44.030
<v Speaker 1>some weird dance in her drawers.

0:17:44.050 --> 0:17:46.990
<v Speaker 2>We owe her father an apology. Smoking a cigarette.

0:17:47.010 --> 0:17:48.330
<v Speaker 1>Doing something weird in the pool.

0:17:48.450 --> 0:17:50.310
<v Speaker 4>Lock her up. Back and back conservative shit.

0:17:50.369 --> 0:17:51.070
<v Speaker 2>Lock her up.

0:17:51.560 --> 0:17:51.879
<v Speaker 4>No.

0:17:52.150 --> 0:17:53.300
<v Speaker 2>We owe that man an apology.

0:17:53.320 --> 0:17:54.179
<v Speaker 4>That free Britney.

0:17:54.220 --> 0:17:55.240
<v Speaker 1>You should be allowed.

0:17:55.420 --> 0:17:58.000
<v Speaker 4>Let me tell you something. I watched that documentary.

0:17:58.040 --> 0:17:59.610
<v Speaker 1>You should be allowed to be crazy with your money

0:17:59.830 --> 0:18:00.770
<v Speaker 1>and mind your business.

0:18:00.950 --> 0:18:01.250
<v Speaker 2>Girl.

0:18:01.290 --> 0:18:02.369
<v Speaker 1>Britney don't be hurting people.

0:18:02.390 --> 0:18:04.030
<v Speaker 2>She be on Instagram with her pussy out.

0:18:04.210 --> 0:18:06.629
<v Speaker 4>She just got a DUI somewhere. She just got a DUI.

0:18:06.690 --> 0:18:07.260
<v Speaker 1>Yeah.

0:18:07.410 --> 0:18:08.090
<v Speaker 2>Lock her up.

0:18:08.140 --> 0:18:09.180
<v Speaker 1>Did the person die?

0:18:10.140 --> 0:18:11.420
<v Speaker 2>No, but they could have.

0:18:11.480 --> 0:18:13.500
<v Speaker 1>She could have killed herself. Did she hit anybody?

0:18:13.780 --> 0:18:14.220
<v Speaker 2>Sam.

0:18:14.540 --> 0:18:16.780
<v Speaker 1>Okay, so just let Brittany be.

0:18:16.980 --> 0:18:18.750
<v Speaker 4>Take away her keys. I thought she was about to

0:18:18.830 --> 0:18:20.270
<v Speaker 4>say Samantha.

0:18:20.369 --> 0:18:22.869
<v Speaker 1>Take away her car keys. Take away her car keys.

0:18:22.910 --> 0:18:23.750
<v Speaker 4>We owe that man.

0:18:23.790 --> 0:18:26.210
<v Speaker 2>We owe her father the deepest, sincerest apology.

0:18:26.359 --> 0:18:26.880
<v Speaker 4>I agree.

0:18:26.900 --> 0:18:28.520
<v Speaker 2>Because when I saw that documentary.

0:18:29.119 --> 0:18:31.139
<v Speaker 3>I was like, as soon as I saw pink and

0:18:31.190 --> 0:18:35.070
<v Speaker 3>blue hair with protest signs outside, I was like, we're wrong.

0:18:35.109 --> 0:18:36.630
<v Speaker 2>They're wrong. This is actually wrong.

0:18:36.650 --> 0:18:40.330
<v Speaker 4>Yeah, they them needs to go back up. Leave that alone.

0:18:40.430 --> 0:18:42.290
<v Speaker 2>Leave that family alone and lock her up.

0:18:42.410 --> 0:18:43.070
<v Speaker 4>I like it.

0:18:43.150 --> 0:18:44.750
<v Speaker 1>Brittany, I'm with you. Keep going.

0:18:44.869 --> 0:18:45.790
<v Speaker 4>See, that's the problem.

0:18:45.810 --> 0:18:47.290
<v Speaker 2>Keep going, girl.

0:18:47.390 --> 0:18:49.990
<v Speaker 4>It's people like you. That's why I'm glad that Brittany's

0:18:50.030 --> 0:18:50.889
<v Speaker 4>comments are turned off.

0:18:50.910 --> 0:18:51.710
<v Speaker 2>Turned them off.

0:18:51.730 --> 0:18:52.830
<v Speaker 4>She does not need.

0:18:52.690 --> 0:18:53.830
<v Speaker 2>Any of the reinforcement.

0:18:53.850 --> 0:18:56.030
<v Speaker 1>I'll be on the everyday clap.

0:18:56.170 --> 0:18:59.970
<v Speaker 4>I like that. Mama be up there with knives. I'm like, Girl.

0:18:59.990 --> 0:19:02.630
<v Speaker 4>I try not to think about Britney in that way

0:19:02.670 --> 0:19:07.550
<v Speaker 4>because I don't want her... Well, she's... I mean, tarnished

0:19:07.590 --> 0:19:09.550
<v Speaker 4>legacies are a whole other conversation. Yeah.

0:19:09.630 --> 0:19:11.090
<v Speaker 1>I was going to say that's how I feel about

0:19:11.109 --> 0:19:11.649
<v Speaker 1>Bill Cosby.

0:19:13.040 --> 0:19:15.410
<v Speaker 2>Bill Cosby and Britney Spears in the same... Yeah.

0:19:15.520 --> 0:19:19.280
<v Speaker 4>In the same conversation. But wait, you made a point too, Bryna.

0:19:19.300 --> 0:19:20.940
<v Speaker 3>You said that like, oh, we got to slap a

0:19:20.980 --> 0:19:23.880
<v Speaker 3>blonde wig on a woman, you know, these white girls

0:19:23.940 --> 0:19:25.000
<v Speaker 3>for it to be consumed.

0:19:25.080 --> 0:19:25.780
<v Speaker 1>And boys.

0:19:25.900 --> 0:19:26.600
<v Speaker 2>Well, yes.

0:19:27.000 --> 0:19:31.090
<v Speaker 3>So now I'll ask, what, like, do you, are you

0:19:31.130 --> 0:19:33.140
<v Speaker 3>happy now to see so many black girls in pop

0:19:33.160 --> 0:19:35.880
<v Speaker 3>right now? But they're not, how do you navigate?

0:19:36.140 --> 0:19:37.260
<v Speaker 1>Are there a lot of black girls in pop?

0:19:37.300 --> 0:19:39.340
<v Speaker 3>There's some, but how do you evaluate what's going on

0:19:39.359 --> 0:19:41.139
<v Speaker 3>with black girls in pop now?

0:19:41.280 --> 0:19:43.610
<v Speaker 4>I still think that black girls in pop are being

0:19:43.720 --> 0:19:46.310
<v Speaker 4>used for their songs. It's lacking. Yeah, it's lacking.

0:19:46.390 --> 0:19:51.260
<v Speaker 5>Specifically, and it's not with just white people anymore. It's

0:19:51.320 --> 0:19:52.340
<v Speaker 5>with K-pop.

0:19:52.460 --> 0:19:53.200
<v Speaker 2>Yeah, it's with K-pop.

0:19:54.740 --> 0:19:58.510
<v Speaker 1>Which is scary because Korean niggas is like robots.

0:19:59.390 --> 0:20:01.189
<v Speaker 4>They go in. They go the fuck in.

0:20:01.210 --> 0:20:02.670
<v Speaker 2>They pump that shit out.

0:20:03.050 --> 0:20:05.710
<v Speaker 1>They'll figure out how to do something where they skin

0:20:05.730 --> 0:20:07.130
<v Speaker 1>could turn color or something.

0:20:07.570 --> 0:20:09.010
<v Speaker 4>They'll really take over this whole thing.

0:20:09.030 --> 0:20:12.680
<v Speaker 2>They're taking it over. Are you a fan? No.

0:20:13.900 --> 0:20:17.139
<v Speaker 5>I'm a fan of the money that K-pop puts in

0:20:17.180 --> 0:20:20.660
<v Speaker 5>Black people's pockets because a lot of the Black creatives

0:20:21.040 --> 0:20:24.639
<v Speaker 5>that I know that have been writing songs and producing

0:20:25.100 --> 0:20:27.639
<v Speaker 5>records for a long time, they can go over there.

0:20:27.520 --> 0:20:28.200
<v Speaker 4>And make a bag.

0:20:28.240 --> 0:20:28.740
<v Speaker 2>Make a bag.

0:20:29.840 --> 0:20:34.420
<v Speaker 1>I don't, this is what I, my thing, there's a

0:20:34.440 --> 0:20:36.979
<v Speaker 1>lot of things that I have with it. One thing is,

0:20:37.220 --> 0:20:38.600
<v Speaker 1>I think I feel a little bit like you feel.

0:20:38.760 --> 0:20:42.070
<v Speaker 1>It's like, but you have to make it not Black.

0:20:42.510 --> 0:20:46.270
<v Speaker 1>for people to gravitate towards it. And like, that just hurts. Yeah.

0:20:46.290 --> 0:20:46.690
<v Speaker 1>You know?

0:20:46.890 --> 0:20:47.530
<v Speaker 2>It sucks.

0:20:47.770 --> 0:20:49.530
<v Speaker 1>I don't necessarily blame anybody.

0:20:49.790 --> 0:20:49.850
<v Speaker 4>No.

0:20:49.869 --> 0:20:51.030
<v Speaker 1>It really is just culture.

0:20:51.150 --> 0:20:51.450
<v Speaker 4>Yeah.

0:20:51.550 --> 0:20:53.990
<v Speaker 1>But it just like, as a black person watching it,

0:20:53.990 --> 0:20:55.619
<v Speaker 1>you're like, come on.

0:20:55.650 --> 0:20:56.450
<v Speaker 2>For real? Yeah.

0:20:56.820 --> 0:20:59.700
<v Speaker 1>Then, I'm not going to hold you. I don't like

0:20:59.760 --> 0:21:01.760
<v Speaker 1>all the weird shit on them bitches' heads at the concerts.

0:21:01.880 --> 0:21:03.880
<v Speaker 1>All them lights and all that. All them lights and

0:21:04.260 --> 0:21:05.020
<v Speaker 1>all that.

0:21:05.040 --> 0:21:07.040
<v Speaker 4>Century Overload, for sure. It is.

0:21:07.080 --> 0:21:07.600
<v Speaker 2>Century Overload.

0:21:07.619 --> 0:21:09.420
<v Speaker 4>We don't need all of that. No, we don't need

0:21:09.460 --> 0:21:09.980
<v Speaker 4>all of that.

0:21:10.140 --> 0:21:13.410
<v Speaker 1>All them lights and all that. Third, And I know

0:21:13.430 --> 0:21:15.340
<v Speaker 1>I'm going to get yelled at, and if I'm ignorant

0:21:15.520 --> 0:21:18.109
<v Speaker 1>completely to this, I'll apologize. But from what I've learned,

0:21:18.140 --> 0:21:20.389
<v Speaker 1>it's like, they force a lot of these kids to

0:21:20.430 --> 0:21:21.810
<v Speaker 1>do this and put them in like.

0:21:21.830 --> 0:21:24.229
<v Speaker 4>The turnover around time is so quick with them. Right,

0:21:24.310 --> 0:21:26.550
<v Speaker 4>and they're like, you got to be in these like...

0:21:26.369 --> 0:21:27.250
<v Speaker 4>And there's a.

0:21:27.210 --> 0:21:30.130
<v Speaker 3>High suicide rate. Because they have to go to the military.

0:21:30.150 --> 0:21:31.460
<v Speaker 3>So there's a gap when they have to go to

0:21:31.500 --> 0:21:33.820
<v Speaker 3>do their active duty. So there's a gap so they

0:21:33.859 --> 0:21:34.880
<v Speaker 3>got to pump out another group.

0:21:34.900 --> 0:21:36.679
<v Speaker 1>But also the whole thing is like a camp.

0:21:36.800 --> 0:21:37.859
<v Speaker 2>It is.

0:21:37.980 --> 0:21:40.980
<v Speaker 1>It's like... Yeah. It doesn't feel like they're free and

0:21:41.040 --> 0:21:41.740
<v Speaker 1>having fun.

0:21:41.780 --> 0:21:45.110
<v Speaker 4>Which is parallel to the boy group thing that how they,

0:21:45.310 --> 0:21:45.670
<v Speaker 4>you know.

0:21:45.710 --> 0:21:45.830
<v Speaker 2>Yeah.

0:21:46.630 --> 0:21:48.650
<v Speaker 5>Down in Orlando, I don't know what they was doing

0:21:48.690 --> 0:21:50.149
<v Speaker 5>to their little boys, but they was fine at their

0:21:50.190 --> 0:21:51.210
<v Speaker 5>mall talent show.

0:21:51.230 --> 0:21:54.469
<v Speaker 1>But because they're Korean and I think the culture is

0:21:54.510 --> 0:21:57.929
<v Speaker 1>so rigid, it's like it doesn't look like they're having fun.

0:21:58.230 --> 0:22:00.389
<v Speaker 1>It's like Backstreet Boys, NSYNC, you would see them in

0:22:00.430 --> 0:22:01.209
<v Speaker 1>their downtime.

0:22:01.390 --> 0:22:01.800
<v Speaker 2>Having a good time.

0:22:01.820 --> 0:22:03.120
<v Speaker 4>Having a good time. Messing with the girlies.

0:22:03.240 --> 0:22:06.400
<v Speaker 1>And you got to know their personalities. These are like

0:22:06.480 --> 0:22:09.760
<v Speaker 1>manufactured personalities. It feels like these are manufactured answers. This

0:22:09.780 --> 0:22:11.600
<v Speaker 1>feels like these are manufactured good times.

0:22:11.900 --> 0:22:13.100
<v Speaker 4>If you even get to hear them talk.

0:22:13.780 --> 0:22:15.420
<v Speaker 1>If you get to hear them speak so it's just

0:22:15.510 --> 0:22:19.290
<v Speaker 1>kind of like and I was there when the most

0:22:19.350 --> 0:22:21.109
<v Speaker 1>famous one what you call it what's the name of

0:22:21.130 --> 0:22:24.420
<v Speaker 1>that group BTS when they came to SNL I was

0:22:24.460 --> 0:22:28.439
<v Speaker 1>there you were there it felt very handled Oh. It

0:22:28.460 --> 0:22:30.859
<v Speaker 1>felt very handled. Really? And I was just like, I

0:22:30.880 --> 0:22:32.600
<v Speaker 1>don't know. This is weird.

0:22:32.760 --> 0:22:34.840
<v Speaker 3>Like when the door closed in the restaurant and everyone

0:22:34.859 --> 0:22:36.040
<v Speaker 3>was like getting their.

0:22:35.900 --> 0:22:37.220
<v Speaker 4>Ass beat and shit. This is weird.

0:22:37.320 --> 0:22:38.260
<v Speaker 1>It was weird.

0:22:38.880 --> 0:22:40.680
<v Speaker 4>Nah, if I see you fuck up themselves again, you'll

0:22:40.700 --> 0:22:42.540
<v Speaker 4>be frying fish on Friday.

0:22:42.560 --> 0:22:43.260
<v Speaker 2>Like, don't play with me.

0:22:43.280 --> 0:22:45.000
<v Speaker 1>It felt real weird. Yeah.

0:22:45.100 --> 0:22:45.440
<v Speaker 4>You know?

0:22:45.460 --> 0:22:48.700
<v Speaker 5>And I think it's something to be said too about

0:22:48.760 --> 0:22:54.140
<v Speaker 5>just like, just the way that it, just the turnover times.

0:22:54.400 --> 0:22:56.960
<v Speaker 5>And like you said, that's a very like distinct thing. Like,

0:22:57.359 --> 0:22:59.700
<v Speaker 5>with the Backstreet Boys, you were able to, and maybe

0:22:59.720 --> 0:23:02.520
<v Speaker 5>it's because I'm not so ingrained in that culture, but, like,

0:23:02.800 --> 0:23:04.480
<v Speaker 5>you were able to, like, pick a favorite.

0:23:04.520 --> 0:23:07.479
<v Speaker 4>You could see behind-the-scenes videos. You saw those kind of things.

0:23:07.500 --> 0:23:09.020
<v Speaker 2>Yeah, I can't pick out any of these boys.

0:23:09.080 --> 0:23:10.340
<v Speaker 4>Yeah, where you got pieces of.

0:23:10.330 --> 0:23:12.770
<v Speaker 5>Their personality, but with these groups, because there's such a

0:23:13.290 --> 0:23:16.300
<v Speaker 5>high turnover rate, it's like, Nigga, we don't even know

0:23:16.340 --> 0:23:17.080
<v Speaker 5>none of y'all names.

0:23:17.140 --> 0:23:17.460
<v Speaker 4>Yeah.

0:23:17.540 --> 0:23:21.119
<v Speaker 1>But they do the same, the same formula. Like, in

0:23:21.140 --> 0:23:22.540
<v Speaker 1>the Backstreet Boys, I think it was, I mean, in

0:23:22.560 --> 0:23:24.270
<v Speaker 1>the BTS, I think it was June was like the

0:23:24.660 --> 0:23:25.119
<v Speaker 1>Wigga one.

0:23:25.220 --> 0:23:26.830
<v Speaker 4>And see, you even know the name. I couldn't even

0:23:26.850 --> 0:23:27.419
<v Speaker 4>tell you the name.

0:23:27.440 --> 0:23:28.470
<v Speaker 1>They had like a Wigga boy.

0:23:28.480 --> 0:23:31.690
<v Speaker 2>Meanwhile, I know every name, I know every name of B2K.

0:23:31.750 --> 0:23:32.450
<v Speaker 4>Yeah.

0:23:32.490 --> 0:23:34.590
<v Speaker 1>They had like a Wigga boy. But the kids who

0:23:34.609 --> 0:23:37.850
<v Speaker 1>like them know. I don't know because I'm not even invested.

0:23:37.910 --> 0:23:39.389
<v Speaker 2>It's hard to know because there's like 11 of them.

0:23:39.430 --> 0:23:40.910
<v Speaker 1>The kids who like them know.

0:23:41.310 --> 0:23:41.830
<v Speaker 4>You know what I mean?

0:23:41.850 --> 0:23:43.790
<v Speaker 1>They're like, they know what it is.

0:23:44.810 --> 0:23:47.149
<v Speaker 4>How many? Okay, what's the proper number for a boy band? Five.

0:24:03.080 --> 0:24:03.900
<v Speaker 2>Or any type of group.

0:24:03.920 --> 0:24:04.540
<v Speaker 4>Four or five.

0:24:04.560 --> 0:24:05.399
<v Speaker 2>Four or five.

0:24:06.080 --> 0:24:10.050
<v Speaker 4>I've had a girl group before, and it's very expensive.

0:24:10.270 --> 0:24:10.510
<v Speaker 2>I think.

0:24:10.890 --> 0:24:11.530
<v Speaker 1>It has to be.

0:24:11.550 --> 0:24:12.650
<v Speaker 2>There's so much. Yeah.

0:24:12.890 --> 0:24:16.050
<v Speaker 5>So, I mean, like, boys are easier when it comes

0:24:16.070 --> 0:24:19.020
<v Speaker 5>to just, like, the overall upkeep of, like, styling and

0:24:19.040 --> 0:24:21.340
<v Speaker 5>make sure everybody's grooming is correct and all of that

0:24:21.359 --> 0:24:21.920
<v Speaker 5>shit like that.

0:24:22.260 --> 0:24:23.340
<v Speaker 1>But girls....

0:24:24.240 --> 0:24:27.879
<v Speaker 5>Boys, you can do five at the maximum. Girls, I'm

0:24:27.920 --> 0:24:29.260
<v Speaker 5>not fucking with more than three.

0:24:29.440 --> 0:24:29.800
<v Speaker 1>Three.

0:24:29.820 --> 0:24:31.000
<v Speaker 4>Oh, wow.

0:24:31.200 --> 0:24:33.609
<v Speaker 3>I mean, three, the classic number for the number they

0:24:33.630 --> 0:24:35.290
<v Speaker 3>landed on for Destiny's Child, certainly. 3LW.

0:24:35.450 --> 0:24:38.170
<v Speaker 2>They were like, oh, yeah, we're right here. 3LW.

0:24:38.290 --> 0:24:43.170
<v Speaker 4>Three girls is still pushing it. Really? It's so young.

0:24:43.190 --> 0:24:44.300
<v Speaker 3>So do you think that has something to do with

0:24:44.410 --> 0:24:46.820
<v Speaker 3>how Beyonce came upon Chloe and Halle? They were like,

0:24:47.000 --> 0:24:48.440
<v Speaker 3>I'm going to get two girls and they got to

0:24:48.480 --> 0:24:48.959
<v Speaker 3>be related.

0:24:49.060 --> 0:24:50.320
<v Speaker 1>How many cheetah girls were there?

0:24:50.900 --> 0:24:53.780
<v Speaker 3>There were four to start.

0:24:53.940 --> 0:24:55.900
<v Speaker 5>And did you see that Raven announced that Cheetah Girls

0:24:55.960 --> 0:24:58.480
<v Speaker 5>is back? Without Keely.

0:24:59.240 --> 0:24:59.879
<v Speaker 4>I'm not mad at her.

0:25:01.270 --> 0:25:06.290
<v Speaker 3>You can rewrite her out. I mean, girl. You said

0:25:06.310 --> 0:25:07.030
<v Speaker 3>we're not going to miss her.

0:25:07.950 --> 0:25:10.189
<v Speaker 4>Promises, promises. No, we don't need that.

0:25:10.210 --> 0:25:10.909
<v Speaker 1>I'm going to miss it.

0:25:11.550 --> 0:25:12.550
<v Speaker 2>You kind of need that mess.

0:25:12.650 --> 0:25:13.770
<v Speaker 4>I miss it.

0:25:13.830 --> 0:25:16.040
<v Speaker 3>I agree with that. You do kind of need the

0:25:16.100 --> 0:25:17.340
<v Speaker 3>messy one to come back.

0:25:17.500 --> 0:25:17.840
<v Speaker 2>I do.

0:25:18.200 --> 0:25:20.530
<v Speaker 4>I never really saw it for Keely. Really? A lot

0:25:20.570 --> 0:25:22.790
<v Speaker 4>of people. She just kind of just gave me like

0:25:22.869 --> 0:25:23.750
<v Speaker 4>a very....

0:25:25.030 --> 0:25:27.350
<v Speaker 2>I mean, the KFC to the face really, like, talk

0:25:27.369 --> 0:25:28.210
<v Speaker 2>about Tarnished Legacies.

0:25:28.230 --> 0:25:31.430
<v Speaker 4>Very New Jersey. Yeah.

0:25:31.470 --> 0:25:32.830
<v Speaker 1>A lot of this is shady.

0:25:33.010 --> 0:25:34.790
<v Speaker 2>It's very shady. It's very shady.

0:25:34.810 --> 0:25:37.859
<v Speaker 4>Like, girl, mm-mm. I just am not really seeing it.

0:25:37.880 --> 0:25:42.320
<v Speaker 4>She doesn't really align with the Disney brand, either. Oh, wow.

0:25:42.340 --> 0:25:44.399
<v Speaker 2>You know? You were in the rooms back then, hun.

0:25:44.440 --> 0:25:45.439
<v Speaker 2>You were in those rooms back then.

0:25:45.460 --> 0:25:48.020
<v Speaker 4>Yeah, she doesn't really align with that. I could see

0:25:48.060 --> 0:25:50.609
<v Speaker 4>why they were kind of like, mm. Do we need killing?

0:25:50.680 --> 0:25:53.969
<v Speaker 3>Brian, do you think every boy brand girl group is

0:25:54.050 --> 0:25:56.950
<v Speaker 3>built with the intention on making one person a solo star?

0:25:57.550 --> 0:26:00.290
<v Speaker 5>I don't think to start off it is. I think

0:26:00.369 --> 0:26:05.900
<v Speaker 5>to start off, everything is very kumbaya. Everybody's like, you know,

0:26:06.020 --> 0:26:09.500
<v Speaker 5>for the purpose. But I think the demise of a

0:26:09.540 --> 0:26:14.390
<v Speaker 5>lot of girl groups, specifically girl bands, is that, you know,

0:26:15.070 --> 0:26:18.330
<v Speaker 5>one person either just starts smelling themselves too much or

0:26:18.350 --> 0:26:21.470
<v Speaker 5>they have somebody in their ear telling them like, hey.

0:26:21.490 --> 0:26:22.570
<v Speaker 4>Look, girl, you need to.

0:26:22.990 --> 0:26:23.190
<v Speaker 2>What?

0:26:24.190 --> 0:26:24.630
<v Speaker 4>I feel like.

0:26:25.400 --> 0:26:28.070
<v Speaker 1>Backstreet, did anyone try to go solo?

0:26:28.869 --> 0:26:32.510
<v Speaker 3>If anybody, I would assume like a Nick or Joey.

0:26:32.670 --> 0:26:35.290
<v Speaker 4>I think Nick tried to have a solo career.

0:26:35.310 --> 0:26:35.480
<v Speaker 1>He did.

0:26:35.510 --> 0:26:36.210
<v Speaker 4>He did try.

0:26:36.310 --> 0:26:38.010
<v Speaker 1>It was Nick who tried to go solo.

0:26:38.070 --> 0:26:38.429
<v Speaker 4>Yeah.

0:26:38.750 --> 0:26:40.889
<v Speaker 5>But I don't think that was like during the band.

0:26:40.950 --> 0:26:43.430
<v Speaker 5>I think it was after the fact. It was after

0:26:43.450 --> 0:26:43.750
<v Speaker 5>the fact.

0:26:43.770 --> 0:26:45.630
<v Speaker 1>And it was no push from any one of them

0:26:45.690 --> 0:26:47.909
<v Speaker 1>to like kind of go do their own thing. NSYNC,

0:26:47.930 --> 0:26:49.109
<v Speaker 1>you knew Justin was going to be there.

0:26:49.130 --> 0:26:50.710
<v Speaker 2>You knew Justin was going to be there. In the

0:26:50.730 --> 0:26:51.859
<v Speaker 2>same way that you knew Beyonce.

0:26:51.720 --> 0:26:52.719
<v Speaker 1>Was going to be there.

0:26:52.900 --> 0:26:54.939
<v Speaker 4>The gone video was the goodbye. The gone video was

0:26:55.080 --> 0:26:57.280
<v Speaker 4>the goodbye. He was gone. I'm gone. I saw that video.

0:26:57.359 --> 0:26:59.340
<v Speaker 1>I said, we will not see Justin with them boys

0:26:59.619 --> 0:27:00.280
<v Speaker 1>ever again.

0:27:01.400 --> 0:27:02.030
<v Speaker 4>And I was glad.

0:27:02.670 --> 0:27:04.450
<v Speaker 1>I was a Justin Gurley since Mickey Mouse Club. That's

0:27:04.490 --> 0:27:06.350
<v Speaker 1>my man. So I was happy to see him go.

0:27:06.350 --> 0:27:06.949
<v Speaker 2>Oh, that's your man.

0:27:06.970 --> 0:27:07.390
<v Speaker 1>I love Justin.

0:27:07.450 --> 0:27:08.510
<v Speaker 4>Your man, your man, your man.

0:27:08.570 --> 0:27:09.730
<v Speaker 2>I love Justin.

0:27:09.770 --> 0:27:11.490
<v Speaker 1>Mickey Mouse Club, when he was doing the bogo and shit.

0:27:11.510 --> 0:27:12.880
<v Speaker 4>So how do you feel about him now?

0:27:13.340 --> 0:27:15.340
<v Speaker 2>Yeah, what's your take on Justin of today?

0:27:15.940 --> 0:27:16.540
<v Speaker 1>He's fine.

0:27:16.760 --> 0:27:17.160
<v Speaker 4>Oh, really?

0:27:17.280 --> 0:27:17.800
<v Speaker 1>Is he?

0:27:17.960 --> 0:27:18.620
<v Speaker 2>Yeah, yeah. Mr.

0:27:18.680 --> 0:27:22.159
<v Speaker 4>Beat Your Feet in the D.C., yeah. DUI Justin.

0:27:22.440 --> 0:27:23.300
<v Speaker 1>Listen.

0:27:23.320 --> 0:27:26.940
<v Speaker 4>He had some recent DUIs. They're made for each other.

0:27:27.420 --> 0:27:30.500
<v Speaker 4>They're made for each other. They should have never broken up.

0:27:30.500 --> 0:27:31.619
<v Speaker 2>They should have never broken up.

0:27:34.080 --> 0:27:35.240
<v Speaker 1>Justin needed to be free.

0:27:36.000 --> 0:27:36.859
<v Speaker 2>Justin needed to be free.

0:27:36.880 --> 0:27:37.640
<v Speaker 1>He needed to get out there.

0:27:37.700 --> 0:27:41.710
<v Speaker 4>Oh, he's free. I think he's been free for a

0:27:41.730 --> 0:27:43.710
<v Speaker 4>long time. They found meth in his system.

0:27:44.070 --> 0:27:45.449
<v Speaker 1>I love that for him.

0:27:45.510 --> 0:27:48.020
<v Speaker 4>Do you, Sam? She loves messy whites.

0:27:48.190 --> 0:27:49.500
<v Speaker 2>Okay.

0:27:49.540 --> 0:27:50.540
<v Speaker 4>Now, I'm going to.

0:27:50.720 --> 0:27:52.580
<v Speaker 1>I love a person who likes to party. You know what?

0:27:52.640 --> 0:27:53.060
<v Speaker 4>Party.

0:27:53.320 --> 0:27:56.020
<v Speaker 2>Party. You said 365 Party Girl.

0:27:56.040 --> 0:27:56.520
<v Speaker 1>Do your part again.

0:27:56.540 --> 0:27:57.620
<v Speaker 4>Are you a Charli XCX fan?

0:27:58.560 --> 0:27:59.220
<v Speaker 1>Are you?

0:27:59.359 --> 0:28:01.100
<v Speaker 2>No. I think you would love Charli XCX.

0:28:01.180 --> 0:28:02.700
<v Speaker 4>I think you would live. I think you would live

0:28:02.720 --> 0:28:03.020
<v Speaker 4>for Charli.

0:28:03.040 --> 0:28:04.810
<v Speaker 2>I don't think you're giving Charli XCX a chance.

0:28:04.940 --> 0:28:06.660
<v Speaker 4>I should. She might live for Brat Charli.

0:28:06.680 --> 0:28:07.890
<v Speaker 2>She might live for Brat Charli.

0:28:08.030 --> 0:28:09.830
<v Speaker 4>I'm going to have to listen to it today. Before

0:28:09.869 --> 0:28:12.350
<v Speaker 4>or after that, I don't know. But Brat Charli.

0:28:12.369 --> 0:28:14.570
<v Speaker 2>Brat Charli. Were you here for Brat Summer? Because I

0:28:14.750 --> 0:28:15.270
<v Speaker 2>had a blast.

0:28:15.350 --> 0:28:16.070
<v Speaker 4>It was a Brat Summer.

0:28:16.090 --> 0:28:21.770
<v Speaker 5>Summer I still bump 360 365 come on like hello

0:28:21.790 --> 0:28:23.310
<v Speaker 5>yeah yeah 666 with.

0:28:23.050 --> 0:28:24.409
<v Speaker 4>The princess streak I.

0:28:24.369 --> 0:28:27.870
<v Speaker 3>Was living for that because it was just like embracing

0:28:27.970 --> 0:28:31.130
<v Speaker 3>all of just like the dirty funky, just like we

0:28:31.170 --> 0:28:33.370
<v Speaker 3>in the club, smoking a cigarette.

0:28:33.470 --> 0:28:34.610
<v Speaker 4>And Alex, let me tell you something.

0:28:34.630 --> 0:28:36.650
<v Speaker 2>It was crazy. It was a crazy, sweaty time.

0:28:36.670 --> 0:28:36.949
<v Speaker 4>I loved it.

0:28:36.970 --> 0:28:39.850
<v Speaker 5>Let me tell you something. So you guys know I'm

0:28:39.870 --> 0:28:42.560
<v Speaker 5>a vinyl collector. I went to my favorite vinyl store

0:28:42.580 --> 0:28:45.760
<v Speaker 5>to buy Brat on vinyl. And I didn't know that

0:28:45.780 --> 0:28:49.900
<v Speaker 5>they had signed copies from Charlie XCX at the record store.

0:28:50.360 --> 0:28:54.200
<v Speaker 5>So I go and I just, I'm there to buy Brat.

0:28:54.280 --> 0:28:54.540
<v Speaker 2>Right.

0:28:55.000 --> 0:28:57.000
<v Speaker 4>I pick up Brat and I'm like, oh shit, this

0:28:57.060 --> 0:28:58.640
<v Speaker 4>is signed. It's the last one.

0:28:59.920 --> 0:29:01.580
<v Speaker 2>Oh, so she came into the store and just like

0:29:01.620 --> 0:29:03.800
<v Speaker 2>scribbled on a bunch of them and was like, I bounced.

0:29:04.120 --> 0:29:06.440
<v Speaker 4>Either that or they brought some to the show. Right, right, right.

0:29:06.460 --> 0:29:10.680
<v Speaker 4>One of those. So I buy, I have the vinyl

0:29:10.740 --> 0:29:11.780
<v Speaker 4>in my hand.

0:29:11.870 --> 0:29:14.050
<v Speaker 5>And this little white twink comes up to me and

0:29:14.110 --> 0:29:17.330
<v Speaker 5>he's like, oh my God, is that the sign Brad Vinyl?

0:29:17.350 --> 0:29:20.030
<v Speaker 5>Because apparently they had posted it on Instagram and I just,

0:29:20.350 --> 0:29:20.770
<v Speaker 5>I didn't know.

0:29:20.830 --> 0:29:21.590
<v Speaker 2>You just stumbled in.

0:29:23.090 --> 0:29:25.330
<v Speaker 5>And I was like, yeah. And he was like, oh

0:29:25.350 --> 0:29:27.370
<v Speaker 5>my gosh, where'd you get it? And I pointed to

0:29:27.410 --> 0:29:28.710
<v Speaker 5>the spot where I got it and I had the

0:29:28.750 --> 0:29:32.610
<v Speaker 5>last one. And he just like stared, like he gave

0:29:32.650 --> 0:29:34.250
<v Speaker 5>me the fucking death stare.

0:29:34.290 --> 0:29:35.990
<v Speaker 4>Wow. And he was like.

0:29:36.490 --> 0:29:37.770
<v Speaker 1>Like you were supposed to give it up?

0:29:37.810 --> 0:29:40.580
<v Speaker 2>Like I was mine. Get your black... Get your black... Yeah,

0:29:40.600 --> 0:29:42.120
<v Speaker 2>like he had... Get your.

0:29:41.760 --> 0:29:42.580
<v Speaker 4>Nigger pics off.

0:29:43.240 --> 0:29:45.640
<v Speaker 1>Yeah, he had more rights to it. Get your nigger

0:29:45.660 --> 0:29:48.700
<v Speaker 1>pics off of my Charlie XCX. You don't understand it

0:29:48.720 --> 0:29:50.340
<v Speaker 1>like I do. Is this person white?

0:29:51.080 --> 0:29:54.020
<v Speaker 2>That's... I'm saying this Charlie XCX? Yes.

0:29:54.200 --> 0:29:56.910
<v Speaker 4>Oh, yeah. She's half white, half... She's white.

0:29:56.950 --> 0:29:58.340
<v Speaker 2>She's white.

0:29:58.360 --> 0:30:01.620
<v Speaker 3>She's like a Southeast Asian sort of situation.

0:30:02.220 --> 0:30:04.960
<v Speaker 4>She's like an Albanian. Something like that.

0:30:05.000 --> 0:30:05.820
<v Speaker 2>She's spiritually white.

0:30:05.840 --> 0:30:07.400
<v Speaker 1>She's spiritually culturally white.

0:30:07.460 --> 0:30:08.580
<v Speaker 2>She's British. She's British.

0:30:08.600 --> 0:30:10.920
<v Speaker 1>So he was like, you don't understand. Like, I understand.

0:30:10.940 --> 0:30:13.050
<v Speaker 4>Oh, baby, I thought that I was going to have

0:30:13.070 --> 0:30:15.170
<v Speaker 4>to scrap. Not for nothing. Fair. Oh.

0:30:15.930 --> 0:30:19.650
<v Speaker 2>Fair. As long as.

0:30:19.730 --> 0:30:21.250
<v Speaker 3>Brian, she will turn on you in a heartbeat. I'm

0:30:21.270 --> 0:30:23.690
<v Speaker 3>telling you, she would have jumped you with that white boy.

0:30:23.690 --> 0:30:24.280
<v Speaker 4>No, I'm saying the same.

0:30:24.300 --> 0:30:25.520
<v Speaker 2>She would have jumped you with that white boy.

0:30:25.540 --> 0:30:26.900
<v Speaker 4>No, no, no, no, no. I'm just saying it has

0:30:26.920 --> 0:30:27.300
<v Speaker 4>to be like.

0:30:27.320 --> 0:30:27.970
<v Speaker 1>Sam, I'm a pop pop.

0:30:28.040 --> 0:30:29.560
<v Speaker 4>It has to be like, turn.

0:30:29.400 --> 0:30:31.880
<v Speaker 1>About his fair play. Like, if it's the last signed

0:30:31.920 --> 0:30:34.020
<v Speaker 1>Brandy album, he got to give it up to a

0:30:34.060 --> 0:30:34.720
<v Speaker 1>black person.

0:30:34.740 --> 0:30:39.080
<v Speaker 2>Uh-oh. How do you feel about that? Buckle Bible.

0:30:39.480 --> 0:30:42.300
<v Speaker 4>I think that, yes.

0:30:42.460 --> 0:30:47.300
<v Speaker 5>It's just the last Brandy vinyl signed.

0:30:47.580 --> 0:30:49.240
<v Speaker 4>Yes, you do have to give it to me.

0:30:49.340 --> 0:30:53.890
<v Speaker 5>But I'm also taking the Charlie XCX vinyl because reparation.

0:30:53.910 --> 0:30:55.490
<v Speaker 4>I ain't mad at that. I ain't mad at that

0:30:55.550 --> 0:30:55.740
<v Speaker 4>at all.

0:30:55.750 --> 0:30:56.810
<v Speaker 1>I'm not mad at that double down.

0:30:58.610 --> 0:31:00.630
<v Speaker 4>You got, you got, you turned, you turned 10. You

0:31:00.650 --> 0:31:03.080
<v Speaker 4>did it. You did it. No, like give me, this

0:31:03.280 --> 0:31:04.100
<v Speaker 4>belongs to me.

0:31:04.140 --> 0:31:04.979
<v Speaker 2>This belongs to me.

0:31:05.020 --> 0:31:07.620
<v Speaker 4>Which was also the name of a Brandy song. It

0:31:07.860 --> 0:31:11.900
<v Speaker 4>all belongs to me. Excuse me?

0:31:11.920 --> 0:31:15.080
<v Speaker 5>I literally was, he was looking at me like, so

0:31:15.140 --> 0:31:16.020
<v Speaker 5>you're not going to give it to me?

0:31:16.080 --> 0:31:18.650
<v Speaker 4>I'm like, bitch, fuck off.

0:31:19.450 --> 0:31:22.330
<v Speaker 3>So in the spirit of black pop, And us embracing

0:31:22.350 --> 0:31:28.190
<v Speaker 3>Charli XCX, who was also referred to as a human ashtray.

0:31:28.790 --> 0:31:31.340
<v Speaker 3>I would love to get your thoughts on Miss Girl,

0:31:31.940 --> 0:31:33.960
<v Speaker 3>Azealia Banks.

0:31:33.980 --> 0:31:35.560
<v Speaker 1>How did we get here?

0:31:35.620 --> 0:31:37.640
<v Speaker 4>Because she's a black pop girl.

0:31:37.660 --> 0:31:39.330
<v Speaker 2>And I really want to know what?

0:31:40.150 --> 0:31:41.730
<v Speaker 1>The fact that you mentioned her is going to be

0:31:41.770 --> 0:31:43.550
<v Speaker 1>a curse down upon us. Great.

0:31:43.590 --> 0:31:46.910
<v Speaker 3>I would love to get Azalea Banks on.

0:31:46.970 --> 0:31:48.970
<v Speaker 1>I don't know how, but she always knows what her

0:31:49.020 --> 0:31:49.460
<v Speaker 1>name is.

0:31:49.460 --> 0:31:53.140
<v Speaker 3>She always finds herself. I'm going to keep it a bug. Okay,

0:31:53.160 --> 0:31:53.780
<v Speaker 3>keep it smooth.

0:31:53.960 --> 0:31:57.380
<v Speaker 5>I am an Azalea Banks apologist.

0:31:57.400 --> 0:31:57.720
<v Speaker 2>Dang.

0:31:58.160 --> 0:31:58.480
<v Speaker 4>Dang.

0:31:59.010 --> 0:31:59.330
<v Speaker 2>Same.

0:31:59.590 --> 0:32:02.540
<v Speaker 3>She gets support from me. I understand two things can

0:32:02.580 --> 0:32:06.020
<v Speaker 3>be true at once at the same time. She's batshit crazy.

0:32:06.240 --> 0:32:09.560
<v Speaker 4>She's absolutely out of her mind, but I adore her.

0:32:10.280 --> 0:32:13.900
<v Speaker 2>I'm not skipping it. Let me tell you something.

0:32:14.020 --> 0:32:17.800
<v Speaker 1>I got an Azealia Banks story. She almost did pause.

0:32:17.920 --> 0:32:19.290
<v Speaker 1>But then she couldn't do it because of COVID and

0:32:19.310 --> 0:32:19.750
<v Speaker 1>then she was.

0:32:19.670 --> 0:32:21.810
<v Speaker 2>Mad at us. Oh my God.

0:32:21.830 --> 0:32:22.709
<v Speaker 4>This is why you nervous.

0:32:23.050 --> 0:32:24.720
<v Speaker 2>I'm so nervous.

0:32:24.760 --> 0:32:26.920
<v Speaker 1>But also, when I first moved to New York for SNL,

0:32:27.100 --> 0:32:28.540
<v Speaker 1>I remember I lived in East Harlem in that little,

0:32:28.560 --> 0:32:29.660
<v Speaker 1>I don't know if you remember, I lived in that

0:32:29.680 --> 0:32:33.300
<v Speaker 1>little ass apartment in East Harlem. My neighbor downstairs apparently

0:32:33.340 --> 0:32:35.490
<v Speaker 1>was her manager. He was a mess of a, a mess,

0:32:35.590 --> 0:32:36.510
<v Speaker 1>a mess of a white gay.

0:32:36.550 --> 0:32:36.910
<v Speaker 2>Of course.

0:32:37.030 --> 0:32:37.690
<v Speaker 1>A mess.

0:32:37.710 --> 0:32:38.330
<v Speaker 2>That's her demographic.

0:32:38.350 --> 0:32:39.330
<v Speaker 4>That's her demographic.

0:32:39.350 --> 0:32:40.610
<v Speaker 2>Like one, one night.

0:32:40.650 --> 0:32:42.650
<v Speaker 4>She loves and hates messy white gays. She loves and

0:32:42.690 --> 0:32:43.610
<v Speaker 4>hates white gays. One day I.

0:32:43.570 --> 0:32:48.770
<v Speaker 1>Came home and he was like, completely shit-faced, just on

0:32:48.810 --> 0:32:50.950
<v Speaker 1>the stairs, crying and throwing up. And I just had

0:32:50.970 --> 0:32:51.750
<v Speaker 1>to walk over him.

0:32:51.790 --> 0:32:52.350
<v Speaker 2>Lord, what did she do?

0:32:52.390 --> 0:32:54.290
<v Speaker 1>Just a mess of a dude. But he would always

0:32:54.330 --> 0:32:56.510
<v Speaker 1>be like, yeah, we need to get you with Azalea.

0:32:56.550 --> 0:32:58.290
<v Speaker 1>You know what I'm saying? He would kinky with y'all

0:32:58.470 --> 0:32:59.850
<v Speaker 1>a little bit. And he'd be like, yeah, we need

0:32:59.870 --> 0:33:01.850
<v Speaker 1>to get you with Azalea. So y'all had ordered some

0:33:01.870 --> 0:33:04.560
<v Speaker 1>wallpaper that she was trying to go out and do

0:33:04.600 --> 0:33:06.700
<v Speaker 1>interior design out in the city. So she had ordered

0:33:06.720 --> 0:33:09.120
<v Speaker 1>some wallpaper and they delivered it. This nigga stole the wallpaper.

0:33:09.620 --> 0:33:12.220
<v Speaker 1>from downstairs, put it on his walls in his house,

0:33:12.380 --> 0:33:13.800
<v Speaker 1>and then invited us over, bitch.

0:33:13.960 --> 0:33:14.360
<v Speaker 4>And we was.

0:33:15.040 --> 0:33:16.540
<v Speaker 2>Is that my motherfucking wallpaper?

0:33:17.820 --> 0:33:20.200
<v Speaker 3>And I can't imagine that the wallpaper was put on

0:33:20.220 --> 0:33:23.230
<v Speaker 3>the walls neatly. The unadulterated gauze. I can't imagine that

0:33:23.250 --> 0:33:25.390
<v Speaker 3>the wallpaper was put on neatly, too. It doesn't sound

0:33:25.410 --> 0:33:27.010
<v Speaker 3>like it was put on properly. It feels like it

0:33:27.050 --> 0:33:28.210
<v Speaker 3>was crumpled up in certain areas.

0:33:28.270 --> 0:33:29.590
<v Speaker 2>It also was like, bitch, that.

0:33:29.610 --> 0:33:32.450
<v Speaker 4>Is a gag, and then invited y'all over. Oh, she

0:33:32.490 --> 0:33:35.370
<v Speaker 4>didn't give a fuck. Does Azalea know about this?

0:33:35.410 --> 0:33:36.890
<v Speaker 2>It was also wallpaper.

0:33:36.970 --> 0:33:39.710
<v Speaker 1>Like, For a business. It wasn't for.

0:33:39.910 --> 0:33:41.360
<v Speaker 4>It wasn't home decor.

0:33:41.400 --> 0:33:43.220
<v Speaker 1>It wasn't home wallpaper.

0:33:43.280 --> 0:33:45.260
<v Speaker 4>Wow, he was doing bad. He was doing bad. It

0:33:45.300 --> 0:33:46.240
<v Speaker 4>was wild.

0:33:46.380 --> 0:33:50.420
<v Speaker 1>It was a wild little time when she entered my atmosphere.

0:33:50.980 --> 0:33:52.950
<v Speaker 2>I truly just like....

0:33:54.040 --> 0:33:56.400
<v Speaker 3>Also, Azealia is very, for me, like when I moved

0:33:56.420 --> 0:33:59.380
<v Speaker 3>to New York. So when 212 came out, I was

0:33:59.420 --> 0:34:02.040
<v Speaker 3>like new to New York. Her music was banging. I

0:34:02.080 --> 0:34:03.140
<v Speaker 3>was like, who is this?

0:34:03.200 --> 0:34:05.840
<v Speaker 4>She was probably everywhere. She was everywhere.

0:34:05.900 --> 0:34:09.090
<v Speaker 1>I also believe all her tea. When she says her shit,

0:34:09.110 --> 0:34:10.730
<v Speaker 1>she doesn't spark me as a liar. When she be

0:34:10.770 --> 0:34:14.330
<v Speaker 1>saying shit, I'm like, no, that's real. That happened.

0:34:14.469 --> 0:34:15.489
<v Speaker 4>That happened.

0:34:15.890 --> 0:34:20.200
<v Speaker 1>I got an off mic, but yes. I'm like, nah,

0:34:20.219 --> 0:34:21.620
<v Speaker 1>that bitch ain't lying.

0:34:21.900 --> 0:34:23.739
<v Speaker 4>I have an Azalea story, too, that I would like

0:34:23.760 --> 0:34:27.200
<v Speaker 4>to tell off mic. Oh, okay. Because we're not looking

0:34:27.239 --> 0:34:32.950
<v Speaker 4>for a fight. We're all so scared. Honestly, I think I.

0:34:32.930 --> 0:34:34.009
<v Speaker 2>Would have a key with her.

0:34:34.170 --> 0:34:36.290
<v Speaker 3>She would hate every word coming out of my mouth,

0:34:36.330 --> 0:34:37.710
<v Speaker 3>but I would love the fact that she hates me.

0:34:37.969 --> 0:34:40.610
<v Speaker 5>Let's just say I was at a party in L.A.,

0:34:40.810 --> 0:34:42.850
<v Speaker 5>Rich Hillfiger was there, and she was there.

0:34:42.870 --> 0:34:43.630
<v Speaker 4>Okay. Okay.

0:34:44.450 --> 0:34:49.900
<v Speaker 2>And we will leave it at that. Yes. Well, we

0:34:50.219 --> 0:34:51.620
<v Speaker 2>are coming to the close of this episode.

0:34:51.960 --> 0:34:52.170
<v Speaker 4>We are.

0:34:52.300 --> 0:34:54.180
<v Speaker 2>Which I hate that we have to end.

0:34:54.280 --> 0:34:55.660
<v Speaker 1>It was such a good time.

0:34:55.680 --> 0:34:57.120
<v Speaker 2>But we've had so much fun with you, Brian.

0:34:57.180 --> 0:34:59.620
<v Speaker 1>I think just for the sake of the show... The

0:34:59.640 --> 0:35:00.140
<v Speaker 1>year was 1998.

0:35:00.140 --> 0:35:02.440
<v Speaker 2>The year was 98.

0:35:02.440 --> 0:35:04.620
<v Speaker 5>And then 2000.

0:35:04.620 --> 0:35:07.000
<v Speaker 4>And then 2000. And then 2002.

0:35:07.000 --> 0:35:07.720
<v Speaker 1>And then 2004.

0:35:07.719 --> 0:35:08.820
<v Speaker 4>And then 2010.

0:35:08.820 --> 0:35:10.069
<v Speaker 2>Well, I'll ask this.

0:35:10.140 --> 0:35:12.910
<v Speaker 3>Do you think, do you think looking back on the

0:35:12.969 --> 0:35:15.230
<v Speaker 3>start of pop music for, and it's in the way

0:35:15.290 --> 0:35:15.810
<v Speaker 3>we hear.

0:35:15.650 --> 0:35:19.750
<v Speaker 4>It now, do you think, what would you see moving forward?

0:35:20.070 --> 0:35:22.969
<v Speaker 3>And like, do you think that like, do you think

0:35:23.030 --> 0:35:26.520
<v Speaker 3>that we've learned or that the pop music industry has,

0:35:26.950 --> 0:35:30.090
<v Speaker 3>Has it gotten better or has it gotten worse?

0:35:30.870 --> 0:35:33.410
<v Speaker 5>I don't think it's gotten better or worse. I just

0:35:33.450 --> 0:35:36.969
<v Speaker 5>think it is what it is right now. I do

0:35:37.010 --> 0:35:40.629
<v Speaker 5>wish that we would give people their flowers that have

0:35:40.690 --> 0:35:49.270
<v Speaker 5>basically been the blueprint of what has become standard in pop.

0:35:50.770 --> 0:35:53.890
<v Speaker 5>For instance, the K-pop girls need to just Pay more

0:35:53.930 --> 0:35:55.299
<v Speaker 5>homage to Tinashe.

0:35:55.440 --> 0:35:56.440
<v Speaker 4>Stop shitting on her.

0:35:56.520 --> 0:35:59.500
<v Speaker 5>You know, y'all have kind of like ran with her

0:35:59.520 --> 0:36:06.050
<v Speaker 5>whole thing visually, sonically. Just when you're going to reference somebody,

0:36:06.090 --> 0:36:07.260
<v Speaker 5>just say what the reference is.

0:36:07.270 --> 0:36:09.270
<v Speaker 4>Just be honest about the reference. But this is the problem.

0:36:09.290 --> 0:36:09.930
<v Speaker 4>This is what I'm saying.

0:36:09.989 --> 0:36:12.910
<v Speaker 1>The problem to me with the K-pop shit is because

0:36:12.969 --> 0:36:15.629
<v Speaker 1>it's so manufactured. Do they know who they're stealing from?

0:36:16.239 --> 0:36:17.940
<v Speaker 1>Do they even, like, are they connected?

0:36:17.960 --> 0:36:19.580
<v Speaker 2>Because these are also Gen Z, like, kids.

0:36:19.620 --> 0:36:21.740
<v Speaker 1>Like, you get what I'm saying? Like, do K-pop dudes

0:36:21.820 --> 0:36:22.819
<v Speaker 1>know who New Edition is?

0:36:23.100 --> 0:36:23.160
<v Speaker 4>No.

0:36:23.160 --> 0:36:26.080
<v Speaker 1>Do you get what I'm saying? Like, do they even know?

0:36:26.380 --> 0:36:28.900
<v Speaker 1>Because it feels like it's like, here's the formula.

0:36:28.980 --> 0:36:30.890
<v Speaker 4>Do this. I'm not so mad. At this point. I'm

0:36:30.930 --> 0:36:32.890
<v Speaker 4>not as mad at the artists as I am at

0:36:32.930 --> 0:36:34.069
<v Speaker 4>the people who are handling them.

0:36:34.090 --> 0:36:35.170
<v Speaker 2>That are handling them. That's true.

0:36:35.190 --> 0:36:38.169
<v Speaker 4>Right. That's it. So for me, it's just like, just say,

0:36:38.290 --> 0:36:38.850
<v Speaker 4>you know what I'm saying?

0:36:38.870 --> 0:36:42.110
<v Speaker 5>There's nothing wrong with being referential. When it comes to creative,

0:36:42.150 --> 0:36:44.130
<v Speaker 5>there's nothing new under the sun, really.

0:36:44.150 --> 0:36:44.290
<v Speaker 4>Right.

0:36:45.270 --> 0:36:47.930
<v Speaker 5>Every idea that you've had, somebody else has had it

0:36:48.090 --> 0:36:49.770
<v Speaker 5>in most situations.

0:36:49.989 --> 0:36:51.450
<v Speaker 1>A hundred percent.

0:36:51.510 --> 0:36:54.880
<v Speaker 4>So just say what the reference is. It's okay. Nobody's

0:36:54.900 --> 0:36:55.779
<v Speaker 4>going to be mad at it.

0:36:55.780 --> 0:36:58.000
<v Speaker 3>And if you don't know the reference, Brian has a

0:36:58.100 --> 0:37:00.540
<v Speaker 3>thick CD case book to reference it for you because

0:37:00.580 --> 0:37:03.580
<v Speaker 3>he has every single last piece of music ever made.

0:37:04.160 --> 0:37:05.840
<v Speaker 1>And I feel like we'll end on that.

0:37:05.880 --> 0:37:06.400
<v Speaker 3>That's right.

0:37:06.840 --> 0:37:07.180
<v Speaker 4>Guys.

0:37:07.660 --> 0:37:10.160
<v Speaker 2>This has been Brian. Tell the people where they can

0:37:10.180 --> 0:37:12.530
<v Speaker 2>find you. You already said it. You said Black Socialite,

0:37:12.550 --> 0:37:13.259
<v Speaker 2>and that's what it is.

0:37:13.260 --> 0:37:15.890
<v Speaker 5>You can find me on my handles, Black Socialite, or

0:37:15.910 --> 0:37:18.090
<v Speaker 5>you can follow my vinyl content at MahaloX.

0:37:18.110 --> 0:37:21.700
<v Speaker 2>The visuals go off every... I'd say.

0:37:21.780 --> 0:37:24.300
<v Speaker 3>You are the, when Beyonce said you are the visuals,

0:37:24.560 --> 0:37:25.160
<v Speaker 3>I think of you.

0:37:25.200 --> 0:37:28.120
<v Speaker 4>You are the visuals. Because there's always a visual thing

0:37:28.140 --> 0:37:28.580
<v Speaker 4>with Brian.

0:37:28.680 --> 0:37:29.899
<v Speaker 2>Oh, absolutely. Yes.

0:37:29.920 --> 0:37:31.200
<v Speaker 1>That's why the nigga don't go out no more.

0:37:31.219 --> 0:37:33.040
<v Speaker 2>That's true. You're creating.

0:37:33.160 --> 0:37:34.440
<v Speaker 4>You're off creating.

0:37:35.500 --> 0:37:35.920
<v Speaker 2>Thank you so much.

0:37:35.940 --> 0:37:37.780
<v Speaker 3>It takes a lot to get ready. Yeah, he can't

0:37:37.800 --> 0:37:41.750
<v Speaker 3>just pop out. Thanks again, everybody, for listening. Don't forget

0:37:41.770 --> 0:37:44.750
<v Speaker 3>to like, share, subscribe, comment. This has been Look Back

0:37:44.810 --> 0:37:46.330
<v Speaker 3>At It. I've been Alex English.

0:37:46.390 --> 0:37:47.069
<v Speaker 1>And I'm Sam J.

0:37:47.210 --> 0:37:48.250
<v Speaker 2>And we will see you again.

0:37:48.850 --> 0:37:48.930
<v Speaker 4>Wee!

0:37:50.270 --> 0:37:52.770
<v Speaker 1>Look Back At It is a production of iHeartMedia, and

0:37:52.810 --> 0:37:55.790
<v Speaker 1>this is important. It is co-hosted by me, Sam Jay,

0:37:56.230 --> 0:37:59.239
<v Speaker 1>and Alex English. Theme music by Aaron Kaufman. It is

0:37:59.300 --> 0:38:05.180
<v Speaker 1>executive produced by Lindsay Hoffman, Anna Hosnier, and Jenna Cagle. Co-produced, mixed,

0:38:05.360 --> 0:38:09.970
<v Speaker 1>and mastered by Carmen Laurent. Additional support by Casey Donahue.

0:38:10.270 --> 0:38:11.770
<v Speaker 1>Research by Jabari Davis.