1 00:00:01,320 --> 00:00:04,280 Speaker 1: Welcome to Stuff you missed in History Class A production 2 00:00:04,400 --> 00:00:14,280 Speaker 1: of iHeartRadio Happy Friday. I'm Tracy V. Wilson and I'm 3 00:00:14,320 --> 00:00:17,840 Speaker 1: Holly Frye. We had our whole year end Unearthed for 4 00:00:18,280 --> 00:00:21,759 Speaker 1: twenty twenty three. Yes, indeed, you had a whole thing 5 00:00:21,800 --> 00:00:24,960 Speaker 1: you were going to talk about. I did so for 6 00:00:25,160 --> 00:00:28,680 Speaker 1: a long time. Pretty much every installment of Unearthed we 7 00:00:28,760 --> 00:00:35,360 Speaker 1: have had a whole section of repatriations. So sometimes this 8 00:00:35,440 --> 00:00:42,720 Speaker 1: has been like artifacts, artwork, something like that being returned 9 00:00:43,040 --> 00:00:46,239 Speaker 1: from a museum or other institution to the place that 10 00:00:46,280 --> 00:00:51,519 Speaker 1: originally came from. The word repatriations is also used to 11 00:00:51,560 --> 00:00:57,600 Speaker 1: talk about human remains being returned to their place of origin. 12 00:00:58,760 --> 00:01:02,160 Speaker 1: Some communities prefer the term repatriations. I have seen this 13 00:01:02,200 --> 00:01:06,480 Speaker 1: in a few write ups, especially relating to sometimes human 14 00:01:06,520 --> 00:01:12,280 Speaker 1: remains and sometimes other cultural or religious objects. And we 15 00:01:12,319 --> 00:01:15,920 Speaker 1: did not have any in the episode this time, even 16 00:01:16,000 --> 00:01:19,959 Speaker 1: though I had a whole gigantic list of them. And 17 00:01:20,080 --> 00:01:23,560 Speaker 1: part of it was the way that I did Unearthed 18 00:01:24,240 --> 00:01:29,000 Speaker 1: this year or this time, there were some things that 19 00:01:29,080 --> 00:01:31,520 Speaker 1: I wrote up. I did the write up sort of 20 00:01:31,560 --> 00:01:36,480 Speaker 1: as I went, but then I started just collecting the 21 00:01:36,560 --> 00:01:38,760 Speaker 1: links in the different categories and then I would go 22 00:01:38,840 --> 00:01:42,399 Speaker 1: back to them later and do the actual write up 23 00:01:42,440 --> 00:01:45,520 Speaker 1: up of all of them. Gotcha, And in this particular case, 24 00:01:46,800 --> 00:01:51,040 Speaker 1: the repatriations I had left for last, and I got 25 00:01:51,040 --> 00:01:56,240 Speaker 1: to them, and we already had two complete episodes of 26 00:01:57,040 --> 00:02:01,400 Speaker 1: Unearthed without the repatriations, and I was like, Okay, well, 27 00:02:01,440 --> 00:02:02,960 Speaker 1: I'm just gonna have to cut. I'm gonna have to 28 00:02:02,960 --> 00:02:05,480 Speaker 1: go through and like, let's find out what's the most interesting. 29 00:02:05,560 --> 00:02:10,480 Speaker 1: Make some cuts. And then as I was reading the 30 00:02:10,560 --> 00:02:14,440 Speaker 1: things that we had to talk about, overwhelmingly this time 31 00:02:15,280 --> 00:02:21,799 Speaker 1: they were things that had been looted, recently seized by 32 00:02:21,880 --> 00:02:26,680 Speaker 1: law enforcement. None of the ones. I mean, it's possible 33 00:02:26,680 --> 00:02:28,360 Speaker 1: that there were things that I did not see or 34 00:02:28,400 --> 00:02:30,960 Speaker 1: that were not reported, but nothing that I found from 35 00:02:31,120 --> 00:02:34,360 Speaker 1: the third quarter of or the fourth quarter of twenty 36 00:02:34,400 --> 00:02:39,880 Speaker 1: twenty three was about sort of the questioning of how 37 00:02:39,960 --> 00:02:43,640 Speaker 1: we look at these kinds of items from like a 38 00:02:43,680 --> 00:02:47,480 Speaker 1: cultural perspective, and how museums. None of it was about 39 00:02:47,480 --> 00:02:50,040 Speaker 1: like how are museums evaluating their own collection? Like what 40 00:02:50,080 --> 00:02:52,200 Speaker 1: does this mean? How do we how do we have 41 00:02:53,760 --> 00:02:58,720 Speaker 1: meaningful museum collections that are not harming communities that these 42 00:02:58,840 --> 00:03:04,160 Speaker 1: objects really belong to? Right? Overwhelmingly it was you know, 43 00:03:04,200 --> 00:03:07,360 Speaker 1: this was stolen from Nepal in nineteen eighty two, or 44 00:03:07,480 --> 00:03:10,720 Speaker 1: this was all connected to an antiquities dealer, and we 45 00:03:10,880 --> 00:03:14,040 Speaker 1: learned this antiquities dealer was trafficking and a lot of 46 00:03:14,040 --> 00:03:17,600 Speaker 1: stuff that was looted, like none of it really was 47 00:03:17,639 --> 00:03:21,160 Speaker 1: about greater questions, and I sort of just felt like 48 00:03:21,200 --> 00:03:27,640 Speaker 1: I was reading off a police blotterer. And the one 49 00:03:27,680 --> 00:03:32,520 Speaker 1: that wasn't related to that was one of a handful 50 00:03:33,080 --> 00:03:37,240 Speaker 1: of things that have made headlines where an individual person 51 00:03:38,200 --> 00:03:44,040 Speaker 1: has decided to return something that either they had gotten 52 00:03:44,200 --> 00:03:46,680 Speaker 1: or their family member had gotten, and in this case, 53 00:03:46,720 --> 00:03:51,240 Speaker 1: it was somebody who had inherited some items from their 54 00:03:51,360 --> 00:03:55,160 Speaker 1: late father, and one of their late father's last wishes 55 00:03:55,200 --> 00:03:58,720 Speaker 1: had been to return these items to where they came from. 56 00:03:59,160 --> 00:04:02,520 Speaker 1: And the reason that I didn't really get into that 57 00:04:02,760 --> 00:04:09,040 Speaker 1: was that, like, there was one specific expert who had 58 00:04:09,400 --> 00:04:11,480 Speaker 1: sort of volunteered their time to help with this, and 59 00:04:11,520 --> 00:04:14,840 Speaker 1: I was like, I feel like if I like, simultaneously, 60 00:04:14,840 --> 00:04:16,839 Speaker 1: I want to thank this person for their work, but 61 00:04:16,960 --> 00:04:19,839 Speaker 1: I also don't want to wind up in a position 62 00:04:19,880 --> 00:04:23,200 Speaker 1: where this person is being overwhelmed by requests for help 63 00:04:23,279 --> 00:04:25,440 Speaker 1: from people who are I want to return something and 64 00:04:25,480 --> 00:04:29,320 Speaker 1: I don't know how so yet. It just the more 65 00:04:29,360 --> 00:04:30,720 Speaker 1: I looked at it, the more I was like, I 66 00:04:30,760 --> 00:04:33,479 Speaker 1: cannot figure out a way to talk about this that 67 00:04:33,520 --> 00:04:36,240 Speaker 1: feels like it's a meaningful way and not just a 68 00:04:36,279 --> 00:04:41,560 Speaker 1: list of stuff that was more recently stolen. So that 69 00:04:41,720 --> 00:04:48,880 Speaker 1: is why no repatriation. We did not have an exhumations section. 70 00:04:49,040 --> 00:04:50,880 Speaker 1: It's actually been a little while I think since we 71 00:04:50,920 --> 00:04:55,839 Speaker 1: had a whole exhumation's section, because, as has been the 72 00:04:55,880 --> 00:04:57,640 Speaker 1: case a few times, most of the things that I 73 00:04:57,760 --> 00:05:00,280 Speaker 1: found that were about exhumations were not about like the 74 00:05:00,320 --> 00:05:05,160 Speaker 1: exhumation of a historically significant person for some reason. They 75 00:05:05,200 --> 00:05:09,960 Speaker 1: were like a family's ongoing effort to find closure in 76 00:05:10,120 --> 00:05:13,159 Speaker 1: their loved one's murder. And that does not feel like 77 00:05:14,200 --> 00:05:17,080 Speaker 1: what we are really focused on as a podcast. Yeah, 78 00:05:17,160 --> 00:05:20,240 Speaker 1: we are not a true crime show about ongoing murder 79 00:05:20,240 --> 00:05:25,760 Speaker 1: investigations unless the murder investigation is somebody that died in 80 00:05:25,920 --> 00:05:30,839 Speaker 1: like fifteen forty seven, the person who varnished the floorboards 81 00:05:30,880 --> 00:05:35,840 Speaker 1: of the theater where Shakespeare walked, where Shakespeare might have walked, 82 00:05:36,160 --> 00:05:39,600 Speaker 1: not even definitely walked, that varnisher might have been murdered. 83 00:05:40,320 --> 00:05:42,479 Speaker 1: I would actually love that story. That would be great. 84 00:05:42,600 --> 00:05:47,279 Speaker 1: That does sound pretty cool. So yeah, that's kind of 85 00:05:47,320 --> 00:05:51,560 Speaker 1: the thinking behind some of those things this time around. 86 00:05:52,320 --> 00:05:54,640 Speaker 1: We will see, we will see what happens next time. 87 00:06:04,240 --> 00:06:07,000 Speaker 1: Was there anything and in these in these episodes that 88 00:06:07,080 --> 00:06:10,680 Speaker 1: particularly jumped out at you this time around, Holly, there's 89 00:06:10,720 --> 00:06:13,760 Speaker 1: a there's a favorite that you have. I'm always writing 90 00:06:13,760 --> 00:06:18,480 Speaker 1: down notes as we go the Egyptian artifacts in Scotland. 91 00:06:21,279 --> 00:06:25,279 Speaker 1: Of course, I'm like, it does two things. I know 92 00:06:25,360 --> 00:06:28,359 Speaker 1: I've mentioned before that I often whenever we do unearthed, 93 00:06:29,320 --> 00:06:32,520 Speaker 1: it makes me think about how we live today and 94 00:06:32,560 --> 00:06:35,400 Speaker 1: what people are going to extrapolate, meaning wise, from the 95 00:06:35,400 --> 00:06:38,360 Speaker 1: things they dig up from our houses. Right, And I'm 96 00:06:38,480 --> 00:06:41,160 Speaker 1: I'm still working on my campaign to make sure future 97 00:06:41,520 --> 00:06:44,960 Speaker 1: civilizations think that Gredo was some sort of deity. I'm 98 00:06:45,000 --> 00:06:49,640 Speaker 1: working very hard on this. But the Egyptian stuff made 99 00:06:49,640 --> 00:06:53,520 Speaker 1: me think, like, did no one consider maybe his family 100 00:06:53,720 --> 00:06:57,320 Speaker 1: did not think it was Kurshed, but they were trying 101 00:06:57,400 --> 00:07:00,560 Speaker 1: to give him even though it was not at burial 102 00:07:00,640 --> 00:07:05,279 Speaker 1: site and an Egyptian style burial where they're like, here's 103 00:07:05,320 --> 00:07:08,880 Speaker 1: all your stuff, you sure love Egypt. We're gonna do 104 00:07:09,000 --> 00:07:13,440 Speaker 1: this ceremonially at home. If that speculation was anywhere in 105 00:07:13,520 --> 00:07:15,400 Speaker 1: the in the write ups on this, I did not 106 00:07:15,520 --> 00:07:19,160 Speaker 1: see it, but yeah, I can imagine that also, Right, 107 00:07:19,240 --> 00:07:21,240 Speaker 1: That's what my friends would do. They would be like, 108 00:07:21,480 --> 00:07:24,600 Speaker 1: let's figure out this person collects all this weird stuff 109 00:07:24,600 --> 00:07:28,880 Speaker 1: that doesn't make it, probably cackling at the fact that 110 00:07:28,920 --> 00:07:32,679 Speaker 1: someone is going to think that Egyptians magically visited. Yeah, 111 00:07:32,720 --> 00:07:34,760 Speaker 1: that's how it would work in our in our circle. 112 00:07:36,240 --> 00:07:38,560 Speaker 1: This one might surprise you that this stuck out to me, 113 00:07:39,360 --> 00:07:43,600 Speaker 1: The sandal in the well, yeah, because I'm like, again, 114 00:07:43,840 --> 00:07:47,640 Speaker 1: has anybody theorized that this is a Braddy brother scenario? Right? 115 00:07:48,160 --> 00:07:52,440 Speaker 1: That's one of Yeah. I mean, like, especially if it's 116 00:07:52,480 --> 00:07:57,040 Speaker 1: all kind of fancy and beautifully you know, designed with 117 00:07:57,080 --> 00:08:01,920 Speaker 1: all the curly cues and the circular symbols. I'm like, yeah, 118 00:08:02,040 --> 00:08:06,680 Speaker 1: is that like, you know, two wealthy kids running around 119 00:08:06,680 --> 00:08:11,720 Speaker 1: playing and somebody steals somebody's sandal and throws it down 120 00:08:11,760 --> 00:08:13,840 Speaker 1: the well so they can never get it back. Yeah, 121 00:08:13,960 --> 00:08:17,600 Speaker 1: Or you know your ex who broke your heart throw 122 00:08:17,680 --> 00:08:21,200 Speaker 1: the favorite sandal down the well, just the one, keep 123 00:08:21,200 --> 00:08:23,960 Speaker 1: one for the other one might still be down there 124 00:08:24,040 --> 00:08:26,840 Speaker 1: in this scenario, that's true not be found in the well. True, 125 00:08:27,680 --> 00:08:31,720 Speaker 1: it was I don't know how. Uh. So often when 126 00:08:31,760 --> 00:08:34,040 Speaker 1: we're working on on Earth's I will wind up with 127 00:08:34,320 --> 00:08:37,800 Speaker 1: multiple articles about the same thing, and they are all 128 00:08:37,880 --> 00:08:41,920 Speaker 1: reporting the same points, and I'm like, I really feel 129 00:08:41,960 --> 00:08:47,400 Speaker 1: like everyone is reporting the same sources, reporting like people. 130 00:08:48,160 --> 00:08:53,199 Speaker 1: Sometimes a reporter is clearly doing original reporting, conducting interviews themselves, 131 00:08:53,280 --> 00:08:56,360 Speaker 1: all of that. Like, we've made no secret about the 132 00:08:56,400 --> 00:08:58,720 Speaker 1: fact that when we do this, we are reporting on 133 00:08:58,880 --> 00:09:03,959 Speaker 1: what is reported, right, we are not generally There are 134 00:09:03,960 --> 00:09:07,760 Speaker 1: some exceptions, but we're not generally like conducting interviews ourselves 135 00:09:07,800 --> 00:09:09,720 Speaker 1: with the people who did this research that would not 136 00:09:09,880 --> 00:09:14,200 Speaker 1: work for this format of episode in the time allowed 137 00:09:14,240 --> 00:09:17,720 Speaker 1: to do it. But sometimes it seems like there are 138 00:09:17,800 --> 00:09:20,840 Speaker 1: eight different newspaper articles all saying the exact same thing, 139 00:09:20,880 --> 00:09:23,000 Speaker 1: and it sort of feels like everybody is just kind 140 00:09:23,000 --> 00:09:27,000 Speaker 1: of reporting each other's work. And so I don't know 141 00:09:27,600 --> 00:09:31,640 Speaker 1: if that's what happened with this detail of it was 142 00:09:31,880 --> 00:09:35,120 Speaker 1: the sandal of somebody who was cleaning the well, right, 143 00:09:35,760 --> 00:09:38,680 Speaker 1: but like that just appeared everywhere and the description was 144 00:09:38,679 --> 00:09:41,679 Speaker 1: always so definitive, and I was like, how did we 145 00:09:41,960 --> 00:09:47,360 Speaker 1: conclude that it was clean? Possible? It's possible that somewhere 146 00:09:47,440 --> 00:09:51,000 Speaker 1: there's an explanation of how that was determined to be 147 00:09:51,080 --> 00:09:54,000 Speaker 1: the source of the sandal in the well. But every 148 00:09:54,080 --> 00:09:56,160 Speaker 1: time I was like, how do you know that's what happened, 149 00:09:56,160 --> 00:09:59,880 Speaker 1: because like I'm sort of thinking, I don't know. Maybe 150 00:10:00,000 --> 00:10:02,959 Speaker 1: somebody had a weird superstition about their shoe and they 151 00:10:03,000 --> 00:10:05,880 Speaker 1: wanted to throw it in the well, right, Maybe they 152 00:10:05,920 --> 00:10:12,480 Speaker 1: thought the shoe was haunted. Maybe somebody spin on their shoe. 153 00:10:12,520 --> 00:10:20,440 Speaker 1: There could be anything, and there's very beautiful. The one 154 00:10:20,440 --> 00:10:22,400 Speaker 1: of the other things that jumped out at me, of course, 155 00:10:22,640 --> 00:10:25,680 Speaker 1: was the Busy Fiend. Yes, and I told you I 156 00:10:25,679 --> 00:10:27,560 Speaker 1: want to make a drink called the Busy Fiend now 157 00:10:27,600 --> 00:10:30,160 Speaker 1: that has a lot of caffeine and cinnamon in it. 158 00:10:31,880 --> 00:10:35,880 Speaker 1: We'll get ready to work on that. But what it 159 00:10:35,920 --> 00:10:39,600 Speaker 1: really made me chuckle about is the idea of it 160 00:10:39,679 --> 00:10:43,560 Speaker 1: made me want to start going to thrift stores and 161 00:10:43,640 --> 00:10:46,160 Speaker 1: buying paintings so that I could paint a little fiend 162 00:10:46,200 --> 00:10:51,520 Speaker 1: into each one of them. That sounds great. One of 163 00:10:51,559 --> 00:10:53,680 Speaker 1: the things that struck me about that is that one 164 00:10:53,679 --> 00:10:56,040 Speaker 1: of the things that I read had all of these 165 00:10:56,160 --> 00:11:00,280 Speaker 1: quotes from like reviews of the painting from the time 166 00:11:01,640 --> 00:11:07,480 Speaker 1: that really reminded me of like when somebody reads an 167 00:11:07,520 --> 00:11:11,080 Speaker 1: advanced copy of a book and they post about it 168 00:11:11,120 --> 00:11:14,679 Speaker 1: on their good Reads and then twenty seven other people 169 00:11:15,160 --> 00:11:18,000 Speaker 1: who have not read the book give it a one 170 00:11:18,040 --> 00:11:23,440 Speaker 1: star review, right like it just people seemed, uh so, 171 00:11:25,000 --> 00:11:28,120 Speaker 1: they had such strong feelings about this, this image in 172 00:11:28,160 --> 00:11:30,480 Speaker 1: the painting, and some of them, I was like, did 173 00:11:30,520 --> 00:11:34,520 Speaker 1: you were you? You weren't there though it seems like 174 00:11:34,640 --> 00:11:38,880 Speaker 1: you were not writing from where the painting was displayed, 175 00:11:39,000 --> 00:11:43,960 Speaker 1: right like, uh yeah, but they're an expert on Shakespeare. 176 00:11:45,360 --> 00:11:48,079 Speaker 1: Did you know he walked upon the I can't get 177 00:11:48,120 --> 00:11:52,320 Speaker 1: over the floorboard thing, the floorward thing. I'm like, okay. 178 00:11:53,800 --> 00:11:56,120 Speaker 1: The last thing that of course jumped out at me 179 00:11:56,240 --> 00:12:02,479 Speaker 1: that will surprise no one is like, bring the wooly dog. Yeah, 180 00:12:02,520 --> 00:12:05,080 Speaker 1: did you see any pictures of the pelt or the 181 00:12:05,960 --> 00:12:08,600 Speaker 1: I didn't see pictures of the pelt. Something we did 182 00:12:08,600 --> 00:12:14,840 Speaker 1: not mention was part of this work involved an artistic 183 00:12:15,160 --> 00:12:19,480 Speaker 1: rendering of what these dogs would have looked like, because, 184 00:12:19,480 --> 00:12:23,360 Speaker 1: of course, based on when there are no photos, we 185 00:12:24,880 --> 00:12:27,640 Speaker 1: few to know there may be some somewhere, but they 186 00:12:27,640 --> 00:12:32,920 Speaker 1: would have been like from a pretty early era of photographs. 187 00:12:33,559 --> 00:12:37,080 Speaker 1: But yeah, there was an artistic rendering that was made 188 00:12:37,800 --> 00:12:44,080 Speaker 1: oh they're white. Yeah, oh they're spits type. Oh my gosh, 189 00:12:44,120 --> 00:12:50,480 Speaker 1: bring back the wooly dog. Yeah, yes, I did think 190 00:12:50,520 --> 00:12:58,319 Speaker 1: that this dog was very cute from the painfully cute rendering. 191 00:12:59,200 --> 00:13:04,280 Speaker 1: So yeah, oh my goodness, yeah, oh my goodness. As 192 00:13:04,320 --> 00:13:07,480 Speaker 1: I understand it, the way this happened was that the 193 00:13:08,920 --> 00:13:11,040 Speaker 1: Smithsonian was like, hey, we want to look at this 194 00:13:11,800 --> 00:13:15,240 Speaker 1: at this pelp, but we also like, we want your input, 195 00:13:16,600 --> 00:13:21,040 Speaker 1: and so actively sought out input for that, which is cool, 196 00:13:21,120 --> 00:13:23,240 Speaker 1: and I'm glad that they not taged not only that 197 00:13:23,320 --> 00:13:26,280 Speaker 1: there was co authorship, but they made it very clear 198 00:13:26,320 --> 00:13:29,120 Speaker 1: like we would not have understood any of this. Yeah, yeah, 199 00:13:29,120 --> 00:13:34,120 Speaker 1: had we not spoken to these people, which is very cool. 200 00:13:34,160 --> 00:13:36,199 Speaker 1: But also bring back the only dog just for the 201 00:13:37,440 --> 00:13:42,600 Speaker 1: not of any cultural or heritage importance. I just want 202 00:13:42,600 --> 00:13:47,560 Speaker 1: there to be booling dollar. Yeah. Yeah. I am looking 203 00:13:47,600 --> 00:13:49,560 Speaker 1: at an article now where there are some photos that 204 00:13:49,600 --> 00:13:54,040 Speaker 1: were taken in like the late eighteen hundreds that are 205 00:13:54,520 --> 00:13:57,360 Speaker 1: are printed in this and like, I don't know, as 206 00:13:57,400 --> 00:14:00,600 Speaker 1: we've talked before, I have always been more of a 207 00:14:00,600 --> 00:14:03,680 Speaker 1: cat person than a dog person. But I find this 208 00:14:03,760 --> 00:14:08,200 Speaker 1: dog to be very cute. So cute puppers all the 209 00:14:08,240 --> 00:14:13,160 Speaker 1: puppers all the time. Yeah. Yeah, those are the main 210 00:14:13,200 --> 00:14:17,320 Speaker 1: things that jumped out at me this time around art 211 00:14:17,679 --> 00:14:23,120 Speaker 1: art art hand axes, love it. Yeah, it took me 212 00:14:23,160 --> 00:14:25,840 Speaker 1: a while to figure out like that. I read the 213 00:14:25,880 --> 00:14:29,000 Speaker 1: same you know, same basic points right up of the 214 00:14:29,440 --> 00:14:32,520 Speaker 1: hand acts and the painting a few times, and I 215 00:14:32,600 --> 00:14:37,920 Speaker 1: was like, why, I feel like there's something missing. And 216 00:14:37,960 --> 00:14:42,200 Speaker 1: then I went to the actual paper and got into 217 00:14:42,240 --> 00:14:47,440 Speaker 1: the papers description of like thunderstones and the sort of 218 00:14:48,240 --> 00:14:50,920 Speaker 1: cultural importance of these objects people were finding that they 219 00:14:50,960 --> 00:14:53,480 Speaker 1: did not really understand was like a prehistoric hand ax, 220 00:14:53,560 --> 00:14:57,160 Speaker 1: which is what we think they are today, but people 221 00:14:57,200 --> 00:14:59,320 Speaker 1: had sort of built a mythology around them. And I 222 00:14:59,360 --> 00:15:02,080 Speaker 1: was like, oh, this makes it make sense, Like why 223 00:15:02,240 --> 00:15:08,440 Speaker 1: why he'd want one? Yeah? Yeah. So again, Happy Friday everybody. 224 00:15:08,800 --> 00:15:11,880 Speaker 1: Whatever is happening on your weekend. I hope it is 225 00:15:12,080 --> 00:15:16,480 Speaker 1: as great as possible. We will have a Saturday Classic tomorrow. 226 00:15:16,840 --> 00:15:25,720 Speaker 1: We will have something brand new on Monday. Stuff you 227 00:15:25,760 --> 00:15:28,880 Speaker 1: missed in History Class is a production of iHeartRadio. For 228 00:15:29,000 --> 00:15:33,400 Speaker 1: more podcasts from iHeartRadio, visit the iHeartRadio app, Apple Podcasts, 229 00:15:33,520 --> 00:15:37,440 Speaker 1: or wherever you listen to your favorite shows.