WEBVTT - Ari Lennox

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<v Speaker 1>Money. We all take vlich. We are the authority on

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<v Speaker 1>all things R and Ladies and gentlemen, what's going on?

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<v Speaker 1>I am tanking and this R and D money podcast,

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<v Speaker 1>the authority on all things. All things are. And they

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<v Speaker 1>said we couldn't get it. They said we couldn't get it.

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<v Speaker 1>You are sought after. You are home grown voice. Now

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<v Speaker 1>you are a soulful songstress, classy and all her integrity

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<v Speaker 1>is intact. Ladies and gentlemen in the building, we got

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<v Speaker 1>our atltics, y'all got we Lord, how you doing good?

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<v Speaker 1>I have I have about to pick with you? Start

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<v Speaker 1>off Normally we like to go all the way back

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<v Speaker 1>to the beginning, which we're gonna do and start and

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<v Speaker 1>this is a very flowers oriented is Valentine would tell

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<v Speaker 1>you pod we get flowers. Really, yeah, all flowers to you.

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<v Speaker 1>This is this is your praise moment. This is for

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<v Speaker 1>you to talk your talk for celebration about who you are,

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<v Speaker 1>what you are, and why you are. Before we get

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<v Speaker 1>to that, there's lyric in one of your songs. Oh

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<v Speaker 1>my god, O hey, were you are talking trash? At

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<v Speaker 1>the end you say, this is not a rejection, Oh Lord,

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<v Speaker 1>show erection. You know this this is shady, out of control. Yeah,

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<v Speaker 1>how are you going to? How are you gonna be

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<v Speaker 1>out here? Triple beautiful? The oh thanks bad brown and

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<v Speaker 1>telling a man that he cannot appreciate what God has done.

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<v Speaker 1>Oh my god. I mean I just felt it was

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<v Speaker 1>it was giving lust and it wasn't giving pure love.

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<v Speaker 1>I needed that pure love. All right? On your side.

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<v Speaker 1>I'm on her side. Stop thinking. You think with your

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<v Speaker 1>mind because as your mind and your soul. You got

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<v Speaker 1>to understand, if you communicate with a woman's mind and

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<v Speaker 1>her soul, the body will following. From the defense attorney

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<v Speaker 1>to the prosecut I gotta go. Okay, I started off away,

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<v Speaker 1>but I have to. I'm a fan. I gotta follow.

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<v Speaker 1>And she hometown, So whatever you want. Oh ma, thank you,

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<v Speaker 1>thank you for coming, Thank you for having Thank you.

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<v Speaker 1>We we really really really appreciate you being here and here.

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<v Speaker 1>Um we love your music. Um, thank you got somebody

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<v Speaker 1>for you to be this nice and just a bright light.

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<v Speaker 1>You really be throwing some shade that niggas man at it.

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<v Speaker 1>She's she's she's nice to keep from y'all. Don't want

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<v Speaker 1>this other y'all don't want this other work. So let

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<v Speaker 1>me keep it. Let me keep it here for now. Yeah,

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<v Speaker 1>that is pretty me. Yeah. Listen, let's start at the beginning, right,

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<v Speaker 1>and I want to start off The moment I like

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<v Speaker 1>to identify is when did somebody say to you or

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<v Speaker 1>say about you that baby right there? Got it? She's special.

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<v Speaker 1>My grandma Holly, she was like she said, I sounded

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<v Speaker 1>like an angel. I guess I was singing in the house.

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<v Speaker 1>I was like three, and she was probably the first supportive,

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<v Speaker 1>um encouraging person who noticed that I had something going

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<v Speaker 1>on in my voice. So, yeah, and you're at three,

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<v Speaker 1>you don't know what's going on. You're just are you

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<v Speaker 1>emulating something at the time? Are you like a favorite

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<v Speaker 1>song music in your house at that at that age?

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<v Speaker 1>Did you grow up in a musical home? Oh? Well,

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<v Speaker 1>I didn't grow up in a musical home, but like

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<v Speaker 1>my parents were always playing like just everything from you know,

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<v Speaker 1>you know, the Jackson five to Eric Bonet, Alita Adams

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<v Speaker 1>and Mariah Carey Whitney. So I'm always listening to these

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<v Speaker 1>legends and watching Apollo with my other grandma. And yeah,

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<v Speaker 1>I guess that's when we talked about that all the time,

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<v Speaker 1>really about how parents it's important to play good music

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<v Speaker 1>for your kids. Oh my god, it's it's extremely important.

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<v Speaker 1>You gotta play good music for your kids because the

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<v Speaker 1>stuff that they're friends gonna music music for your friends,

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<v Speaker 1>I mean, for your kids so that they can influence.

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<v Speaker 1>Never exactly, I met someone who told me she never

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<v Speaker 1>listens to R and B or sold it all. She

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<v Speaker 1>just only listens to to trap music, which is beautiful.

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<v Speaker 1>I love trapped. But I was shocked. I don't know.

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<v Speaker 1>She was so cool, right, nobody listen whoever you are

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<v Speaker 1>young ladies stabbing nobody, I don't think. But but yeah,

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<v Speaker 1>I was shocked, Like I mean, but I feel like,

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<v Speaker 1>I'm sure that's what she listened to growing up. And yeah,

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<v Speaker 1>so it's a thing some people just don't listen too.

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<v Speaker 1>We're trying to change that. We're trying to change to

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<v Speaker 1>change it's a fight to give that um, to put

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<v Speaker 1>the good vibration, you know what I'm saying in the

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<v Speaker 1>mainstream for us. O, my god, talk about it, you

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<v Speaker 1>know what I mean? So, what was the next step

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<v Speaker 1>from there? Was it church? Was it? Was it the choir?

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<v Speaker 1>Was it the church? Um? Shout out to Mrs Kim,

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<v Speaker 1>Mrs Kelly, Uh, there are these amazing twins, gorgeous and

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<v Speaker 1>can sang down. They have this beautiful song called didn't

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<v Speaker 1>I and Ms Kelly, she was the choir director for

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<v Speaker 1>the youth and she gave me my first solo and

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<v Speaker 1>I just did a lot of singing. Heritage Fellowship Church

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<v Speaker 1>of Christ. Where's that? Where's that church? Rest in Virginia?

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<v Speaker 1>Are they still there? They still? I think so? Ye,

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<v Speaker 1>they're still going. I need to visit. I feel I

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<v Speaker 1>feel like I might have been there. I've been. I've

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<v Speaker 1>been to pretty much every church in the DMV. Really. Yeah.

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<v Speaker 1>I was singing and playing at every church, carrying my

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<v Speaker 1>keyboards and my aunt, my stand and a choir with

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<v Speaker 1>my group or a sing solo like I was at

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<v Speaker 1>every church doing. Wow. Yeah, it was a good It

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<v Speaker 1>was a good one. What church did you go to?

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<v Speaker 1>I went to Antioch Baptist Church in Upper Marlboro, Maryland. Okay, Patty,

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<v Speaker 1>he's still the pastor there? Sounds yeah? Yeah, we were.

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<v Speaker 1>We were a youth movement, the youth movement exactly that. Well,

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<v Speaker 1>it's a couple of things here into this, you know.

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<v Speaker 1>It was it was of course we were following behind

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<v Speaker 1>John p. K. Anything the New Life did that's what

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<v Speaker 1>we was on. But we also founded the first Christian

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<v Speaker 1>fraternities fraternity and sorority, So you know that that that's

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<v Speaker 1>that's where our kind of youth movement kind of grew

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<v Speaker 1>and began those moves that do step what is it

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<v Speaker 1>like a PG step show. I mean some of the

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<v Speaker 1>brothers had pledged worldly fraternities before they real quick you

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<v Speaker 1>gonna catch little boy doing they try to put him

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<v Speaker 1>in one of the fraternities. I don't think you're gonna

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<v Speaker 1>let him in the church one, but we don't judge.

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<v Speaker 1>If you want to be part of a q A,

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<v Speaker 1>you can't. Moving on, it's going to be good. It's

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<v Speaker 1>gonna be think about Christian fraternity anyway. So church any

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<v Speaker 1>singing in high school? Yes, Um, I went to Duke

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<v Speaker 1>Ellington School the Arts for a little while. I guess

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<v Speaker 1>the whole thing. Yeah, they let me in. I don't

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<v Speaker 1>know why else, and I um, I was always skipping,

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<v Speaker 1>but it was the school I like the most. I

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<v Speaker 1>stayed there in the longest there. I was always skipping. Yeah,

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<v Speaker 1>especially the last year he was cutting at the School

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<v Speaker 1>of the Arts. Yeah, I just I didn't feel like

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<v Speaker 1>a star and it I think like I felt kind

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<v Speaker 1>of like no one really cared. But towards the end,

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<v Speaker 1>like my teacher Mr. Bonds, I missed. I think I'm

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<v Speaker 1>saying his name right, forgive me, sir, but I, um,

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<v Speaker 1>he was very nice towards the end, like I feel

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<v Speaker 1>like he started to appreciate it, or like finding out

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<v Speaker 1>that I could sing, like he saw something in me

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<v Speaker 1>in the end. But by then I was running from

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<v Speaker 1>this X who moved on with some girl and they

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<v Speaker 1>were always being affectionate in school and it just killed

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<v Speaker 1>me inside. So I just I couldn't be at school

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<v Speaker 1>to see so I would be at the museums and stuff,

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<v Speaker 1>just skipping and riding the train by myself. So the

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<v Speaker 1>relationship aspect of your music, this started along always sadness,

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<v Speaker 1>always single, Yeah, always sadness, always single. Yeah, well sadness

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<v Speaker 1>because of the single right there? Not well yeah, I

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<v Speaker 1>guess sadness in other ways too, but like, yeah, it's

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<v Speaker 1>always been at things. It is content, it really is.

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<v Speaker 1>It's always there is this something that you consistently tap

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<v Speaker 1>into when you're writing your records. Um, I'm always thinking

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<v Speaker 1>about what's going on, and I feel like, yeah, it's

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<v Speaker 1>always what's ever happening now, Like I go on the studio. Now, well,

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<v Speaker 1>I guess I wouldn't have much to write about at

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<v Speaker 1>this point, well if it regards the romance. But yeah,

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<v Speaker 1>so let's go to Discovery. Okay, Discovery Discovery. So you're

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<v Speaker 1>out of high school and you're what are you doing?

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<v Speaker 1>And when do we get to the point where you're

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<v Speaker 1>getting this phone call and you're like, who is this again?

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<v Speaker 1>And what do you want from me? I mean, I

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<v Speaker 1>just got a job at public storage, and um, I

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<v Speaker 1>was making ten dollars an hour, and yeah, it was

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<v Speaker 1>a really good job. Like I knew this was like

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<v Speaker 1>the highest page job I've ever had, so I knew

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<v Speaker 1>I wanted to keep it. And um, the president of

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<v Speaker 1>Dreamville EB he called me and wanted to fly me

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<v Speaker 1>out to meet Cole in l A. And it was

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<v Speaker 1>history from there basically. So we're demos floating around or

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<v Speaker 1>is it? Like? How how is it that it's that

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<v Speaker 1>that connection? How does that happen for you? Obviously you're

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<v Speaker 1>from you from d C? Where you are you in

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<v Speaker 1>d C at this part? At this point, you know,

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<v Speaker 1>I'm like deep in the middle of nowhere Maryland, But um,

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<v Speaker 1>I'm like an hour from d C. So how how

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<v Speaker 1>how would it a label president here about you? So

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<v Speaker 1>oh wait, No, during this time, I wasn't in Maryland.

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<v Speaker 1>I was in Charlotte. But um yeah, he heard about

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<v Speaker 1>me through SoundCloud and this. Oh yeah, I was doing

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<v Speaker 1>a lot of stuff with Dave James and d J

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<v Speaker 1>G Humble, um eli evening a lot of people are yeah,

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<v Speaker 1>a lot of people and just throwing music out there.

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<v Speaker 1>And the guy Internet. Yeah, and this guy named omen Um,

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<v Speaker 1>he's amazing. He put me on to Cole Well Cold

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<v Speaker 1>like he told Cold about me. So were you at

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<v Speaker 1>this time where you're recording before way before the phone call?

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<v Speaker 1>Are you are you thinking to yourself, Um, one day

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<v Speaker 1>I'm going to be rich and I'm going to be

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<v Speaker 1>famous or are you like you never music? No? I

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<v Speaker 1>just always just kept doing it, and I was ready

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<v Speaker 1>to leave it all for this man. But he went

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<v Speaker 1>to the Middle he went to the military, and so

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<v Speaker 1>I was forced to kind of like focus on my dreams.

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<v Speaker 1>But like I really I always want to leave this

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<v Speaker 1>for love and start a family, Like I don't want

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<v Speaker 1>to keep doing No, you're not really know We're going

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<v Speaker 1>to get to that, okay, we sad I don't want

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<v Speaker 1>to give that much energy to like this. Man. Man, man,

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<v Speaker 1>it's like, I want a family. I feel like that

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<v Speaker 1>is that's true life, that's our true love. Like to

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<v Speaker 1>have a family is beautiful, it seems so I want that.

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<v Speaker 1>So for you, this is a moment in time. What

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<v Speaker 1>the music? Wow, I guess the moment. It never stops nothing.

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<v Speaker 1>How do you like? It's like, yes, this is great.

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<v Speaker 1>I'm very grateful for the bands I think in I

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<v Speaker 1>don't want to skip over getting to the discovery because

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<v Speaker 1>we're right here and I just want to address it.

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<v Speaker 1>I think there is so much um, there's so much

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<v Speaker 1>gold um. There's so many lessons within your gift, um,

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<v Speaker 1>within just who you are and what you represent. And

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<v Speaker 1>I feel like there are so many little girls who

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<v Speaker 1>look like you try to sing like you, They try

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<v Speaker 1>to look like you, to try to emulate your movements,

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<v Speaker 1>to try to emulate your sound, your essence. And because

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<v Speaker 1>we don't have a lot of real talent, real singers,

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<v Speaker 1>real things that we grew up on that inspired us.

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<v Speaker 1>And so when someone like you comes around, and I

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<v Speaker 1>definitely understand the matters of the heart for sure, I

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<v Speaker 1>understand it. You know what I mean? I'm I'm married,

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<v Speaker 1>So I've i've I've kind of figured mine out. I'm

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<v Speaker 1>still working on but you know, I feel but it's

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<v Speaker 1>like there's a there's the other, there's another side to

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<v Speaker 1>that purpose that is just ongoing. As you keep saying,

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<v Speaker 1>it just keeps going, like no matter what else I

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<v Speaker 1>tried to do, I was like, yeah, I'm gonna play football.

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<v Speaker 1>I'll be seeing on the field first, I'll be singing

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<v Speaker 1>the you Can't hold Me. You know, it always grabbed

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<v Speaker 1>me and brought me back, you know, even when I

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<v Speaker 1>wanted to quit music, you know what I mean. I'm I'm,

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<v Speaker 1>I tell this story all the time. I'm at Jamie's

0:15:35.640 --> 0:15:38.880
<v Speaker 1>house and I'm like, I'm done. This music game isn't

0:15:38.920 --> 0:15:42.520
<v Speaker 1>about music. It's about all of these other things that

0:15:43.240 --> 0:15:45.760
<v Speaker 1>I don't want to be part of. And this is

0:15:45.760 --> 0:15:50.040
<v Speaker 1>two thousand two, this is before social media, before all

0:15:50.080 --> 0:15:55.280
<v Speaker 1>of this that, you know, And even then, I feel

0:15:55.360 --> 0:15:57.120
<v Speaker 1>like that. Then I was like I'm better than him,

0:15:57.520 --> 0:16:02.520
<v Speaker 1>I'm better, I'm better than her, he's I'm better. And

0:16:02.560 --> 0:16:05.200
<v Speaker 1>I was like, they won't spend money on me. I

0:16:05.240 --> 0:16:06.920
<v Speaker 1>got all of this, I do all of that, and

0:16:06.920 --> 0:16:08.480
<v Speaker 1>they're not feeling I'm gonna just go back home and

0:16:08.480 --> 0:16:12.720
<v Speaker 1>go to church. And one of the craziest moments of

0:16:12.800 --> 0:16:16.920
<v Speaker 1>clarity ever in in my musical musical life was Jamie

0:16:16.960 --> 0:16:19.480
<v Speaker 1>Foxx saying, you can't quit because if if you leave,

0:16:19.520 --> 0:16:21.600
<v Speaker 1>then what am I gonna do? And I was like,

0:16:21.840 --> 0:16:23.520
<v Speaker 1>I don't even know what that means. He's like, I

0:16:23.560 --> 0:16:28.680
<v Speaker 1>look to you, I listened to you. You inspire me,

0:16:28.760 --> 0:16:30.440
<v Speaker 1>so who's gonna do that? And his sister, who don't

0:16:30.480 --> 0:16:34.320
<v Speaker 1>really play no games, like, yeah, you stuff. So I

0:16:34.360 --> 0:16:36.200
<v Speaker 1>stayed in his house, he made He made me stay

0:16:36.240 --> 0:16:37.880
<v Speaker 1>at his house, use the studio and all of that

0:16:37.960 --> 0:16:42.120
<v Speaker 1>until I just figured my life out. But I say

0:16:42.120 --> 0:16:44.440
<v Speaker 1>all that to bring that back around is that I

0:16:44.480 --> 0:16:48.920
<v Speaker 1>didn't know who. I didn't know what my true purpose was,

0:16:49.000 --> 0:16:51.200
<v Speaker 1>because the beauty of what you just said is you

0:16:51.240 --> 0:16:53.880
<v Speaker 1>weren't looking for money or fame. There came a point

0:16:53.880 --> 0:16:56.760
<v Speaker 1>to where I thought that that was the validation and

0:16:56.800 --> 0:16:59.680
<v Speaker 1>I lost sight of what my true purpose was. And

0:16:59.840 --> 0:17:04.560
<v Speaker 1>I'm meant to give and inspire. I'm here to serve.

0:17:05.560 --> 0:17:10.080
<v Speaker 1>And once I was able to accept that, everything else

0:17:10.160 --> 0:17:14.800
<v Speaker 1>fell into place, and you have so much to give.

0:17:15.320 --> 0:17:17.520
<v Speaker 1>As I listened to your music like I'm listening to you,

0:17:17.680 --> 0:17:24.280
<v Speaker 1>I'm working out what you like it. That's it, it's

0:17:24.359 --> 0:17:30.879
<v Speaker 1>in here. Now. You got a real gift. You absolutely

0:17:30.920 --> 0:17:34.159
<v Speaker 1>have a real gift, even from a from a songwriters

0:17:34.200 --> 0:17:39.679
<v Speaker 1>standpoint to how you think now talking to you and

0:17:39.760 --> 0:17:42.560
<v Speaker 1>kind of seeing you in your reactions to things, things

0:17:42.560 --> 0:17:45.400
<v Speaker 1>are making even more sense to me as I've listened

0:17:45.440 --> 0:17:47.439
<v Speaker 1>to your music, because obviously you know we have the music,

0:17:47.520 --> 0:17:50.600
<v Speaker 1>and you make your assumptions off of whatever from the music.

0:17:50.640 --> 0:17:52.640
<v Speaker 1>But then you actually meet the person, You're like, oh,

0:17:52.680 --> 0:17:58.119
<v Speaker 1>I get it. It all makes sense, and I think

0:17:58.480 --> 0:18:04.920
<v Speaker 1>you know yourself Summer walker Um sayssor like it's very

0:18:05.119 --> 0:18:09.919
<v Speaker 1>pure than you. To me as a consumer, when I

0:18:09.960 --> 0:18:14.200
<v Speaker 1>listened to you, it feels very honest, you know what

0:18:14.240 --> 0:18:15.919
<v Speaker 1>I mean? Like you got a lyrical you tell her

0:18:16.320 --> 0:18:21.720
<v Speaker 1>to come back and get his bow. Wow, due right awesome,

0:18:22.440 --> 0:18:27.879
<v Speaker 1>But it's so visual. You go, you're gonna get it

0:18:27.920 --> 0:18:30.399
<v Speaker 1>so she can sign it for she got you. You

0:18:30.440 --> 0:18:37.960
<v Speaker 1>can't leave here without signing shout out to the end

0:18:44.000 --> 0:18:48.040
<v Speaker 1>if you want, we're gonna sit it right up here.

0:18:48.760 --> 0:18:53.240
<v Speaker 1>You talked about the dude rag like when the nick

0:18:53.280 --> 0:18:55.800
<v Speaker 1>got come pick up all this ship, Like don't forget

0:18:55.840 --> 0:19:00.880
<v Speaker 1>that too. Okay, shout out to Lemmens because he helped

0:19:00.920 --> 0:19:03.000
<v Speaker 1>me with that line. I think he was joking at first,

0:19:03.040 --> 0:19:06.280
<v Speaker 1>but I was like, nah, we need to keep that, Like,

0:19:06.400 --> 0:19:09.800
<v Speaker 1>I love it. That's what songwriting is about. Baby Face

0:19:09.840 --> 0:19:12.880
<v Speaker 1>told me that years ago, you have to have something

0:19:13.480 --> 0:19:17.280
<v Speaker 1>that they remember that sticks out. Yeah, out of all

0:19:17.320 --> 0:19:23.200
<v Speaker 1>the things, that's the thing I bring up that I

0:19:23.400 --> 0:19:31.400
<v Speaker 1>just love people. Uh, I don't know. Having people being

0:19:31.400 --> 0:19:34.720
<v Speaker 1>able to relate is like awesome, like fun with that,

0:19:34.840 --> 0:19:40.359
<v Speaker 1>you know. So, yeah, you're extremely relatable. Thanks. Alright, So

0:19:40.440 --> 0:19:43.600
<v Speaker 1>phone call, you get the phone call. We need we

0:19:43.640 --> 0:19:45.920
<v Speaker 1>need you to fly out here and see one of

0:19:46.000 --> 0:19:49.840
<v Speaker 1>the coldest You fly here and see cold Yeah, what

0:19:50.040 --> 0:20:00.080
<v Speaker 1>is going through your mind? Absolutely not, Absolutely I do that.

0:20:00.560 --> 0:20:05.440
<v Speaker 1>Hell no, I just got this job. I can't lose this. Yeah,

0:20:06.600 --> 0:20:11.160
<v Speaker 1>I can't lose this job. I hate flying. Um No,

0:20:11.480 --> 0:20:16.159
<v Speaker 1>I'm terrified. And and I knew, like, oh, this is

0:20:16.240 --> 0:20:19.800
<v Speaker 1>really a problem, this is my life could change. But

0:20:19.880 --> 0:20:23.960
<v Speaker 1>I was literally sitting there like telling myself no, and

0:20:24.000 --> 0:20:27.320
<v Speaker 1>I but I got drunk and I did it. I

0:20:27.359 --> 0:20:32.440
<v Speaker 1>got so drunk and I just never stopped alcohol. Alcohol

0:20:32.680 --> 0:20:35.399
<v Speaker 1>on the alcohol. There was no actual person who was

0:20:35.440 --> 0:20:38.080
<v Speaker 1>the battery, like girl, you tripping it was the juice.

0:20:38.640 --> 0:20:43.080
<v Speaker 1>I believe he kind of calmly was just like, yeah,

0:20:43.160 --> 0:20:45.680
<v Speaker 1>you know, just come tomorrow. Like it was so like

0:20:45.920 --> 0:20:51.399
<v Speaker 1>literally got the call and like, yeah, like literally tomorrow,

0:20:51.640 --> 0:20:54.439
<v Speaker 1>Like I think that's what it was. Um it was

0:20:54.560 --> 0:20:58.320
<v Speaker 1>insanely fast, and um I really had no time to

0:20:58.359 --> 0:21:01.800
<v Speaker 1>even think about it or to really discover myself. But

0:21:01.880 --> 0:21:04.520
<v Speaker 1>I definitely was like I don't think I can. I

0:21:04.560 --> 0:21:07.200
<v Speaker 1>just got this job. But he was he wasn't really

0:21:07.200 --> 0:21:11.240
<v Speaker 1>trying to hear it, like you know, like he saw

0:21:11.280 --> 0:21:15.280
<v Speaker 1>the future he did. Yeah, I didn't know what the hell.

0:21:16.280 --> 0:21:20.320
<v Speaker 1>I'm all. I feel like i'm music or in that way,

0:21:21.000 --> 0:21:23.520
<v Speaker 1>I'm kind of the most present in my life, like

0:21:23.640 --> 0:21:26.920
<v Speaker 1>I never think about what I could be, I guess

0:21:26.960 --> 0:21:31.160
<v Speaker 1>and this ship, I'm just very present. But I'm so

0:21:31.240 --> 0:21:33.320
<v Speaker 1>not that way in other aspects of my life, like

0:21:34.080 --> 0:21:37.959
<v Speaker 1>I e like my anxiety and anxious nature, but like um,

0:21:37.960 --> 0:21:40.520
<v Speaker 1>with music, I never I'm never really thinking of like

0:21:40.640 --> 0:21:43.600
<v Speaker 1>or what I could be, or like how big I

0:21:43.640 --> 0:21:46.439
<v Speaker 1>could get or something. Of course it'd be nice to

0:21:46.440 --> 0:21:48.520
<v Speaker 1>have that, but I'm not thinking about it like as

0:21:48.560 --> 0:21:53.440
<v Speaker 1>I'm Yeah, no, like where every day I'm not thinking

0:21:54.000 --> 0:21:57.680
<v Speaker 1>I would like more money. But I played a lottery

0:21:57.760 --> 0:22:05.560
<v Speaker 1>every week every No, that's right that they will, they will.

0:22:05.800 --> 0:22:08.800
<v Speaker 1>They get my awesome. I've been playing since the DMV.

0:22:09.160 --> 0:22:25.560
<v Speaker 1>Have you ever won big? Never? Damn, I don't think so.

0:22:25.680 --> 0:22:28.520
<v Speaker 1>Does this? Does Ja Cole? Does the name Ja Cole?

0:22:28.600 --> 0:22:30.240
<v Speaker 1>When you hear this, when you get there and you're

0:22:30.240 --> 0:22:32.200
<v Speaker 1>standing there, it's like they go, J Coole right there

0:22:32.280 --> 0:22:37.160
<v Speaker 1>and I'm right here? Does it? It doesn't like your

0:22:37.200 --> 0:22:42.359
<v Speaker 1>mind doesn't of course. I was like, oh my god, excited,

0:22:42.560 --> 0:22:48.119
<v Speaker 1>like it's J Cole in real life. Um. I immediately

0:22:48.880 --> 0:22:51.520
<v Speaker 1>we get to work. I think we started doing a

0:22:51.560 --> 0:22:55.080
<v Speaker 1>song to some beat um that was being made and

0:22:55.119 --> 0:22:57.160
<v Speaker 1>it was cool and never saw a light of the day,

0:22:57.200 --> 0:23:00.240
<v Speaker 1>thank god. But this other song I did stop uck

0:23:00.640 --> 0:23:02.800
<v Speaker 1>and um it was the song called FaceTime on my

0:23:02.880 --> 0:23:06.439
<v Speaker 1>first album, and it was crazy. How like that first

0:23:06.480 --> 0:23:13.480
<v Speaker 1>meeting we made a really incredible song. Organic? Yeah, very organic.

0:23:16.640 --> 0:23:19.240
<v Speaker 1>You're just writing a demo for someone? Oh my god,

0:23:19.359 --> 0:23:23.440
<v Speaker 1>Yes I was, Actually I was. It was for Rihanna.

0:23:23.520 --> 0:23:26.800
<v Speaker 1>I forgot. Yeah. I think we were in there right,

0:23:27.160 --> 0:23:30.480
<v Speaker 1>we were writing for Rihanna. But um, you know, I

0:23:30.480 --> 0:23:32.920
<v Speaker 1>don't think she I don't know if she ever even

0:23:32.920 --> 0:23:38.639
<v Speaker 1>heard it, but um, yeah, FaceTime, Yeah it did. This

0:23:38.680 --> 0:23:40.720
<v Speaker 1>is how it goes. Like a lot a lot of

0:23:40.720 --> 0:23:45.080
<v Speaker 1>people in our industry, they don't take those chances when

0:23:45.119 --> 0:23:48.560
<v Speaker 1>someone says I need you to come and help someone

0:23:48.600 --> 0:23:52.080
<v Speaker 1>else's career and you know, further their career. A lot

0:23:52.080 --> 0:23:56.440
<v Speaker 1>of time, especially artists that are writers, like I might

0:23:56.480 --> 0:23:58.720
<v Speaker 1>give away my biggest record are I'm like, you know

0:23:58.720 --> 0:24:01.520
<v Speaker 1>what I mean. We I want to say that because

0:24:01.520 --> 0:24:04.639
<v Speaker 1>we are all we're all songwriters. We fall in love

0:24:05.680 --> 0:24:09.440
<v Speaker 1>with the music and sometimes you'll leave the studio and

0:24:09.440 --> 0:24:12.520
<v Speaker 1>you're like, damn, I probably could have kept that one.

0:24:13.480 --> 0:24:15.960
<v Speaker 1>You know, you have those moments, especially when you're strictly

0:24:16.000 --> 0:24:18.280
<v Speaker 1>a songwriter. You know, Like I've had moments where I

0:24:18.320 --> 0:24:20.600
<v Speaker 1>was strictly that's just what I was. I was a

0:24:20.680 --> 0:24:24.240
<v Speaker 1>hired gun called j to write some songs, and I

0:24:24.280 --> 0:24:27.520
<v Speaker 1>definitely had some moments where I'm riding home and I'm like, man,

0:24:27.560 --> 0:24:30.560
<v Speaker 1>I hope that nigger don't sing this the way. Maybe

0:24:30.600 --> 0:24:34.560
<v Speaker 1>I keep it. You just have those moments, man I

0:24:34.560 --> 0:24:39.639
<v Speaker 1>wrote that about such and such. Yeah, but it makes

0:24:41.040 --> 0:24:45.720
<v Speaker 1>it makes those opportunities where you were Now you can

0:24:45.920 --> 0:24:49.240
<v Speaker 1>create a fun people to understand that. Just take the opportunity.

0:24:50.240 --> 0:24:53.720
<v Speaker 1>You have a full career off going to l a flying,

0:24:54.280 --> 0:24:59.280
<v Speaker 1>don't like flying to write for another artist. This song

0:24:59.359 --> 0:25:02.480
<v Speaker 1>ends up on your album. Yeah, it's a great song.

0:25:02.640 --> 0:25:05.640
<v Speaker 1>Thank you, thank you for what I mean. So it's like,

0:25:06.720 --> 0:25:09.240
<v Speaker 1>that's that's just how this ship works. If you take

0:25:09.280 --> 0:25:14.159
<v Speaker 1>those opportunities. You have to learn that. Wow. Really I

0:25:14.240 --> 0:25:17.639
<v Speaker 1>was taking to the Davante approach, this publishing companies for

0:25:17.720 --> 0:25:21.800
<v Speaker 1>his damn self publishing, and all my music was for me,

0:25:22.119 --> 0:25:25.919
<v Speaker 1>really for me. No one's going to sing it like me.

0:25:26.680 --> 0:25:30.000
<v Speaker 1>Yeah it's me, it's mine. Yeah, that's but that's kind

0:25:30.000 --> 0:25:37.199
<v Speaker 1>of true though it should always Wow broke right then

0:25:37.200 --> 0:25:40.200
<v Speaker 1>I got sat on the bench. So when I got bitch,

0:25:40.440 --> 0:25:43.280
<v Speaker 1>you know, no money. And so Jamie Foxx was the

0:25:43.320 --> 0:25:47.879
<v Speaker 1>first person to start stealing on my song. Yeah, I

0:25:47.880 --> 0:25:51.440
<v Speaker 1>think I need that. When I said I was, it

0:25:51.560 --> 0:25:59.639
<v Speaker 1>was damn kind of his. It was kind of his.

0:26:02.840 --> 0:26:04.800
<v Speaker 1>I was forced into what I was, sitting on the bench.

0:26:04.920 --> 0:26:10.200
<v Speaker 1>They wouldn't put me out. I would put my music out. Um,

0:26:10.320 --> 0:26:12.520
<v Speaker 1>Jamie was giving me an opportunity to find my way back,

0:26:12.560 --> 0:26:16.120
<v Speaker 1>just writing, producing in his space, running to Damon Thomas

0:26:16.520 --> 0:26:19.280
<v Speaker 1>hanging out with Tyrese with how you're gonna act like that?

0:26:19.320 --> 0:26:23.200
<v Speaker 1>It's going crazy and Damon Thomas, you know it gives

0:26:23.200 --> 0:26:25.439
<v Speaker 1>me to Hollywood. I'm like that sound crazy like this

0:26:26.280 --> 0:26:31.960
<v Speaker 1>you wrote that. So I'm just and they're like you

0:26:31.960 --> 0:26:36.119
<v Speaker 1>should come, should come work with us? Wow, Like I

0:26:36.119 --> 0:26:40.560
<v Speaker 1>don't like giving away my songs, my sauceman down to

0:26:40.600 --> 0:26:47.399
<v Speaker 1>my last go up to underdogs, meet this guy, um

0:26:47.560 --> 0:26:53.880
<v Speaker 1>and first records we do are oh for Marion um

0:26:54.119 --> 0:26:58.879
<v Speaker 1>And I'm trying to First of all, I'm obsessed with

0:26:58.920 --> 0:27:04.360
<v Speaker 1>that album. Obsessed, went crazy, insane. That is my favorite.

0:27:05.000 --> 0:27:08.959
<v Speaker 1>Oh my god, like literally ran that album into the ground,

0:27:09.080 --> 0:27:14.080
<v Speaker 1>Like I love the whole album especially I'm trying to Yes,

0:27:14.160 --> 0:27:20.359
<v Speaker 1>I love this is super full circle. Were you a

0:27:20.400 --> 0:27:33.200
<v Speaker 1>part of I'm trying to background? He sings the backgrounds

0:27:33.200 --> 0:27:39.879
<v Speaker 1>and I sing the backgrounds. I'm fan girl, y'all are amazing.

0:27:40.720 --> 0:27:44.200
<v Speaker 1>Oh my god, like that that was literally you could

0:27:44.240 --> 0:27:47.840
<v Speaker 1>tell with that project UM like group like people like

0:27:47.960 --> 0:27:54.000
<v Speaker 1>people came together. That was a gorgeous, soulful cohesive. Was

0:27:54.040 --> 0:27:56.320
<v Speaker 1>the weekend. It's a great moment. Yeah, it was like

0:27:56.359 --> 0:28:01.880
<v Speaker 1>a star weekend. What it was just happening in a weekend.

0:28:03.480 --> 0:28:05.119
<v Speaker 1>We'll we'll give you a quick story. We'll get a

0:28:05.160 --> 0:28:13.200
<v Speaker 1>quick story. No, no, So All Star Weekend in l A.

0:28:13.520 --> 0:28:17.080
<v Speaker 1>Maybe two thousand three three one of those. I'm sure

0:28:17.160 --> 0:28:21.120
<v Speaker 1>somebody in the comments so be like it was two okay, okay,

0:28:21.280 --> 0:28:29.080
<v Speaker 1>you google it. But somewhere around that time, and they

0:28:29.119 --> 0:28:32.040
<v Speaker 1>had the Grammys and All Star Weekend in l A

0:28:32.119 --> 0:28:36.600
<v Speaker 1>that same weekend, and Um, the Underdogs was a collective.

0:28:36.800 --> 0:28:41.800
<v Speaker 1>It was we were like transformers. Literally it was five

0:28:41.960 --> 0:28:44.720
<v Speaker 1>to ten, I would say anywhere between that five to ten,

0:28:45.240 --> 0:28:50.680
<v Speaker 1>like really established songwriters producers who all came together and

0:28:50.920 --> 0:28:53.800
<v Speaker 1>we formed like Votron, and we just wrote songs and

0:28:53.880 --> 0:28:59.400
<v Speaker 1>produced songs for people, and we ended up everybody was

0:28:59.480 --> 0:29:01.719
<v Speaker 1>kind of when the l a, I'm going to go

0:29:01.840 --> 0:29:05.000
<v Speaker 1>out thing that we can and it ended up being

0:29:05.040 --> 0:29:12.160
<v Speaker 1>tanked myself, Eric Dawkins and Antonio Dickens, Dixon Dixon, Um,

0:29:12.200 --> 0:29:17.800
<v Speaker 1>Antonio Dixon, and we were like, we got records. Let's

0:29:17.800 --> 0:29:22.080
<v Speaker 1>just because oh was waiting in the lobby. See this

0:29:22.080 --> 0:29:23.480
<v Speaker 1>is a different I'm gonna give you. I'm gonna give

0:29:23.480 --> 0:29:25.320
<v Speaker 1>you a little context of how the music business used

0:29:25.320 --> 0:29:29.200
<v Speaker 1>to be. It's a little different now. But for the underdogs.

0:29:29.200 --> 0:29:32.440
<v Speaker 1>We had had so much success as writers and producers

0:29:32.440 --> 0:29:35.720
<v Speaker 1>that they would labels would literally just send their artists

0:29:35.760 --> 0:29:39.080
<v Speaker 1>there and have them wait in the lobby and be paying.

0:29:39.920 --> 0:29:45.080
<v Speaker 1>Yeah yeah, wait, why yes, because they were waiting to

0:29:45.240 --> 0:29:49.239
<v Speaker 1>get their turn in the studio. I can name the

0:29:49.240 --> 0:29:52.240
<v Speaker 1>biggest of the biggest artists who I will not who

0:29:52.360 --> 0:29:55.800
<v Speaker 1>said in that lobby for hours, and we used to

0:29:55.840 --> 0:30:03.520
<v Speaker 1>figure out ways to entertain them. What j would do

0:30:03.560 --> 0:30:08.240
<v Speaker 1>is pull out the dice, oh and take these artists money.

0:30:08.320 --> 0:30:18.920
<v Speaker 1>These artists were the girls were not there. Marion had

0:30:19.000 --> 0:30:22.560
<v Speaker 1>just done a weekend two k's two K shows by

0:30:22.640 --> 0:30:25.800
<v Speaker 1>himself because he was a solo artist, and they got

0:30:25.800 --> 0:30:29.360
<v Speaker 1>a honey with him. Had to take it. Um no.

0:30:29.640 --> 0:30:32.720
<v Speaker 1>I took that, and I told him before we start,

0:30:32.760 --> 0:30:35.080
<v Speaker 1>I said, oh, don't do this. You don't know him.

0:30:35.680 --> 0:30:39.120
<v Speaker 1>You don't know him like I know him. You're not

0:30:39.200 --> 0:30:46.720
<v Speaker 1>from this place. He had that. Oh my god, it's amazing.

0:30:47.160 --> 0:30:49.320
<v Speaker 1>But you know they would have that. They would have

0:30:49.360 --> 0:30:52.520
<v Speaker 1>been waiting. It might be four or five artists. Yeah, wow,

0:30:52.680 --> 0:30:57.800
<v Speaker 1>all paying a studio right day? You I mean, I

0:30:57.920 --> 0:31:00.239
<v Speaker 1>turned it into that. But they were waiting to get

0:31:00.280 --> 0:31:02.959
<v Speaker 1>in these rooms and get sessions going and we just

0:31:03.000 --> 0:31:05.840
<v Speaker 1>took a liking to Oh. Oh, it's just I don't

0:31:05.840 --> 0:31:09.800
<v Speaker 1>know have you met him yet. I feel like he

0:31:09.920 --> 0:31:13.560
<v Speaker 1>is a great guy. We talked once in online. Yeah

0:31:13.440 --> 0:31:17.200
<v Speaker 1>it was a great guy, amazing spirit. And one day

0:31:17.280 --> 0:31:23.800
<v Speaker 1>this food driving on the freeway comes up with oh

0:31:24.040 --> 0:31:37.080
<v Speaker 1>what literally he's driving escort y. Yeah, that's amazing, the

0:31:37.120 --> 0:31:43.280
<v Speaker 1>windows down like this want this? Okay, alright, But that

0:31:43.320 --> 0:31:45.280
<v Speaker 1>was my last because I looked at Oh and I said,

0:31:45.280 --> 0:31:48.120
<v Speaker 1>I said, he's trying to cross over, very tough space,

0:31:48.160 --> 0:31:50.680
<v Speaker 1>to cross over from a boy to a man. Y'all

0:31:50.760 --> 0:31:54.400
<v Speaker 1>did the hardest thing. And I said, you need a

0:31:54.480 --> 0:31:59.960
<v Speaker 1>song called Oh my God. That song was hot. He is.

0:32:00.280 --> 0:32:04.200
<v Speaker 1>It's vain, I said, but it's a response. How do

0:32:04.240 --> 0:32:06.640
<v Speaker 1>we get every a column response? We need everybody to

0:32:06.760 --> 0:32:10.280
<v Speaker 1>know your name and know the effect that you have

0:32:10.920 --> 0:32:14.080
<v Speaker 1>on women. It has to be completely associated with your name.

0:32:14.120 --> 0:32:16.800
<v Speaker 1>That's the last track I actually produced on the NPC

0:32:16.960 --> 0:32:19.120
<v Speaker 1>before I switched off the computer and logic all that stuff.

0:32:19.160 --> 0:32:21.160
<v Speaker 1>But that was the last one, and I was like,

0:32:21.360 --> 0:32:23.480
<v Speaker 1>I got one. But to me, it was nothing vain

0:32:23.560 --> 0:32:29.880
<v Speaker 1>about that song. He still adamantly was trying to please her, absolutely,

0:32:32.040 --> 0:32:36.240
<v Speaker 1>But think about this though, like you want, Like Jenie,

0:32:36.280 --> 0:32:37.320
<v Speaker 1>I used to do it all the time. He used

0:32:37.320 --> 0:32:39.760
<v Speaker 1>to always put g in everything. He still always trying

0:32:39.760 --> 0:32:43.080
<v Speaker 1>to find a way to throw a G in. You

0:32:43.120 --> 0:32:46.880
<v Speaker 1>know what I'm saying. Whatever song he was singing, right,

0:32:47.520 --> 0:32:51.920
<v Speaker 1>so you know you sing that about me and so oh.

0:32:52.120 --> 0:32:55.800
<v Speaker 1>I think we were consciously trying to make sure that

0:32:56.480 --> 0:32:59.640
<v Speaker 1>you know his name because he was coming from a

0:32:59.640 --> 0:33:04.680
<v Speaker 1>group that separate him unless he is oh than the loco. Oh,

0:33:05.000 --> 0:33:08.600
<v Speaker 1>that's always oh sing oh and Oh, it's gonna give

0:33:08.600 --> 0:33:11.959
<v Speaker 1>it to you. You know what I'm saying. He might

0:33:12.000 --> 0:33:16.960
<v Speaker 1>have had like he was doing something turned into he

0:33:17.040 --> 0:33:21.200
<v Speaker 1>was spinning with it. That's that's took it too far.

0:33:21.320 --> 0:33:23.840
<v Speaker 1>When you come from a dancing world, when you come

0:33:23.840 --> 0:33:26.640
<v Speaker 1>from a dancing the world like myself, Like when you dance.

0:33:27.040 --> 0:33:28.640
<v Speaker 1>You know what I'm saying, You try you try to

0:33:28.960 --> 0:33:31.560
<v Speaker 1>try to make this guy dancer. Now he's a dancer.

0:33:31.560 --> 0:33:33.840
<v Speaker 1>This is the thing I danced in my first video,

0:33:34.200 --> 0:33:36.800
<v Speaker 1>Monster Dances. You know what I'm saying. But it seems

0:33:36.840 --> 0:33:39.720
<v Speaker 1>like it's a correlation between me dancing and the song

0:33:39.800 --> 0:33:46.520
<v Speaker 1>is not working. Why I stopping That's the only reason

0:33:46.840 --> 0:33:52.959
<v Speaker 1>I stopped dancing. But I can dance start again. I

0:33:53.040 --> 0:33:55.800
<v Speaker 1>want to see, I do. I do want to see.

0:33:55.800 --> 0:33:59.200
<v Speaker 1>It's not going to do this to do this for

0:33:59.280 --> 0:34:05.680
<v Speaker 1>your flavors, you know, but I didn't think you'd really

0:34:05.720 --> 0:34:11.280
<v Speaker 1>do it. Have you written any records for anyone else? Never?

0:34:12.520 --> 0:34:16.520
<v Speaker 1>I did a session, um with someone really amazing. I

0:34:16.560 --> 0:34:19.359
<v Speaker 1>won't say her name because I don't know if it's

0:34:19.400 --> 0:34:21.640
<v Speaker 1>weird to say I don't. I don't know if it would,

0:34:22.080 --> 0:34:27.880
<v Speaker 1>but I did a session with her, and um, yeah

0:34:27.960 --> 0:34:30.360
<v Speaker 1>that was cool. That was really cool. It was my

0:34:30.400 --> 0:34:32.800
<v Speaker 1>first time. I think that was my first time outside

0:34:32.800 --> 0:34:37.759
<v Speaker 1>of this song I thought was for Rihanna. Yeah right,

0:34:39.000 --> 0:34:41.279
<v Speaker 1>I think sure, Yeah, I think you should write for

0:34:41.280 --> 0:34:44.080
<v Speaker 1>more people. I don't know. No, you're not ready to

0:34:44.080 --> 0:34:46.200
<v Speaker 1>get away. I'm not when it's not even that I

0:34:47.000 --> 0:34:49.080
<v Speaker 1>take him like I would love. I don't know if

0:34:49.120 --> 0:34:55.040
<v Speaker 1>I have, I've lost I think my passion for writing. Honestly,

0:34:55.080 --> 0:34:57.160
<v Speaker 1>I don't really know what else to say at this point.

0:34:57.640 --> 0:34:59.279
<v Speaker 1>I am I gonna talk about I think that's when

0:34:59.360 --> 0:35:03.600
<v Speaker 1>writing for other people becomes becomes special, because it's like,

0:35:04.200 --> 0:35:07.880
<v Speaker 1>you know, let me tell me your story, story down

0:35:08.120 --> 0:35:10.600
<v Speaker 1>what I'm saying, like, give me, let's let's just hang

0:35:10.600 --> 0:35:12.000
<v Speaker 1>out for a day. Let's hit the moll, let's go

0:35:12.040 --> 0:35:14.880
<v Speaker 1>grab some food, and let's just talk and chop and build.

0:35:15.239 --> 0:35:17.520
<v Speaker 1>And you know, I'm in a I'm in a session

0:35:17.920 --> 0:35:22.560
<v Speaker 1>with UH with Kate Michelle and my dog, right and

0:35:22.640 --> 0:35:25.400
<v Speaker 1>so we're in the session and we you know, we

0:35:25.600 --> 0:35:27.520
<v Speaker 1>we got it in and we just we just get

0:35:27.600 --> 0:35:30.480
<v Speaker 1>to talking trash like Cay Michelle just you know, she's prediculous.

0:35:30.480 --> 0:35:32.640
<v Speaker 1>So we just we just go at it. But I'm like, so,

0:35:32.840 --> 0:35:34.759
<v Speaker 1>I said, I saw you another online other day, just

0:35:34.760 --> 0:35:36.399
<v Speaker 1>talk you. I don't know why you be online talking crazy.

0:35:36.440 --> 0:35:37.759
<v Speaker 1>I'm telling her when I was doing the same thing.

0:35:37.920 --> 0:35:39.840
<v Speaker 1>And She's like this, na funk that, you know what

0:35:39.880 --> 0:35:41.960
<v Speaker 1>I'm saying, Like he had the write one. I was

0:35:42.000 --> 0:35:44.919
<v Speaker 1>the right one that motherucker tried to write one. I said, oh, Ship,

0:35:46.360 --> 0:35:53.439
<v Speaker 1>you've got yeah, bla blast on Twitter and I'm gonna

0:35:53.480 --> 0:35:58.040
<v Speaker 1>blast back. I said, yeah, yeah yeah. And that became

0:35:58.400 --> 0:36:02.200
<v Speaker 1>like that was exciting game. It's like a game, like

0:36:02.239 --> 0:36:05.719
<v Speaker 1>a puzzle piece. All this is beautiful. It's psychology too,

0:36:05.960 --> 0:36:13.200
<v Speaker 1>it's and and it's getting it out. The worst things

0:36:13.239 --> 0:36:15.319
<v Speaker 1>you can do is just had it breathing inside of

0:36:15.360 --> 0:36:20.840
<v Speaker 1>you and you just never like, let me, let keeping

0:36:20.880 --> 0:36:24.239
<v Speaker 1>the gift to yourself, keep the gift to you. I'll

0:36:24.320 --> 0:36:29.680
<v Speaker 1>stop the world, stop thinking about going to school for psychology,

0:36:29.880 --> 0:36:32.080
<v Speaker 1>and this could be a way to well, I mean

0:36:32.160 --> 0:36:35.440
<v Speaker 1>music for me, it's completely therapeutic. Yeah, maybe you know

0:36:35.440 --> 0:36:37.760
<v Speaker 1>what I mean. Like my my my wife is always

0:36:38.120 --> 0:36:42.080
<v Speaker 1>looking for certain emotions out of me, are certain responses

0:36:42.080 --> 0:36:46.520
<v Speaker 1>out of me, um, and they're not available. Because I

0:36:46.560 --> 0:36:50.160
<v Speaker 1>put it all in my music. I'm able to meet

0:36:50.160 --> 0:36:53.279
<v Speaker 1>her at a at a better place because I just,

0:36:53.440 --> 0:36:56.279
<v Speaker 1>I just I do all the sparring and all the screaming,

0:36:56.400 --> 0:36:58.560
<v Speaker 1>and you know all that I put that in my music.

0:36:58.640 --> 0:37:00.960
<v Speaker 1>So therefore, when I find me get to talk to her,

0:37:01.160 --> 0:37:15.840
<v Speaker 1>it's I'm in this place. That's good. Let her. But

0:37:15.960 --> 0:37:18.360
<v Speaker 1>I think I think as he's saying, I think you

0:37:18.440 --> 0:37:21.360
<v Speaker 1>have a lot to offer in that space, which is

0:37:21.400 --> 0:37:25.600
<v Speaker 1>an awesome space. You know what I mean to um,

0:37:25.840 --> 0:37:31.120
<v Speaker 1>to further the legacy of who you are, because I well,

0:37:31.160 --> 0:37:34.719
<v Speaker 1>I know this is no excuse for me and comparison

0:37:34.960 --> 0:37:40.120
<v Speaker 1>to you and you and so many other legends. I've

0:37:40.160 --> 0:37:43.799
<v Speaker 1>been writing like all my life, I've wrote this mixtape.

0:37:43.920 --> 0:37:45.400
<v Speaker 1>There was a mixtape I did way back in the

0:37:45.480 --> 0:37:48.839
<v Speaker 1>day called five Finger Discount. Then there was Areography, and

0:37:48.920 --> 0:37:52.000
<v Speaker 1>then there was Shad but Her Baby, and these were

0:37:52.200 --> 0:37:54.879
<v Speaker 1>all the things that I wrote myself. And then by

0:37:54.920 --> 0:37:57.680
<v Speaker 1>the time Shape Butter Baby happened, I feel like I

0:37:57.760 --> 0:38:01.160
<v Speaker 1>was just after after that, I was just burnt the

0:38:01.200 --> 0:38:09.479
<v Speaker 1>funk out, like thin and you gotta plaque off that record. Yeah,

0:38:09.880 --> 0:38:15.840
<v Speaker 1>let's cues. Yeah, this this same music that's just living somewhere.

0:38:16.080 --> 0:38:18.920
<v Speaker 1>And then I slip everyone under a bush music is

0:38:18.920 --> 0:38:25.360
<v Speaker 1>living worldwide, millions of people mothers. What goes in what

0:38:25.480 --> 0:38:28.239
<v Speaker 1>goes into the thinking when you're writing a record like

0:38:28.280 --> 0:38:31.200
<v Speaker 1>Shape by the Baby for you, like, what was what

0:38:31.280 --> 0:38:35.120
<v Speaker 1>were your thoughts with that record? I was literally my

0:38:35.239 --> 0:38:40.560
<v Speaker 1>friend Elite. He's amazing, an amazing person, amazing producer, and

0:38:40.600 --> 0:38:44.560
<v Speaker 1>we're always kind of like playing in the studio. We're

0:38:44.600 --> 0:38:47.799
<v Speaker 1>not it doesn't feel like work. So I think I

0:38:47.880 --> 0:38:51.880
<v Speaker 1>was playing Sims, either playing Sims probably on the side.

0:38:52.120 --> 0:38:56.400
<v Speaker 1>Probably SIMS was around since three computer game and uh

0:38:57.080 --> 0:39:01.960
<v Speaker 1>sour Patches, probably somewhere around eating sour batches. And I

0:39:02.000 --> 0:39:04.480
<v Speaker 1>think I literally was doing my hair on the couch

0:39:04.719 --> 0:39:07.359
<v Speaker 1>with Shade Butter Like I was literally doing my hair,

0:39:08.000 --> 0:39:13.640
<v Speaker 1>um and it just happened. And then my friend or manager,

0:39:13.800 --> 0:39:20.080
<v Speaker 1>Maddie Um for many years or many years back, like

0:39:20.160 --> 0:39:22.239
<v Speaker 1>he would just jokingly call me like a shade butter

0:39:22.320 --> 0:39:25.160
<v Speaker 1>baby before I would get on stage. And so I

0:39:25.200 --> 0:39:27.239
<v Speaker 1>feel like all of it kind of like matched in

0:39:27.280 --> 0:39:30.720
<v Speaker 1>that studio moment, like that, were you really leaving shade

0:39:30.719 --> 0:39:36.960
<v Speaker 1>butter on niggas on purpose? Not on purpose? Not on purpose?

0:39:37.040 --> 0:39:47.879
<v Speaker 1>But I mean it's just like, yeah, literally right here,

0:39:48.760 --> 0:39:57.920
<v Speaker 1>she even wrote a song. I've never thought about this,

0:39:58.080 --> 0:40:04.680
<v Speaker 1>but this is how I mean when we really pillows

0:40:04.719 --> 0:40:10.759
<v Speaker 1>are out there, I mean purpose yeah, damn, I've never

0:40:10.840 --> 0:40:14.640
<v Speaker 1>thought about it, but I yeah, I destroyed so many

0:40:14.640 --> 0:40:19.399
<v Speaker 1>pillows just naturally, naturally because of the oils in my hair.

0:40:20.640 --> 0:40:22.759
<v Speaker 1>You know, there's all kinds of oils in there, is

0:40:22.840 --> 0:40:26.879
<v Speaker 1>castor oil, there's olive oil, shave butter sometimes and yeah,

0:40:27.120 --> 0:40:34.680
<v Speaker 1>stroied a lot of pillows, yeah, but not not noters

0:40:35.200 --> 0:40:38.279
<v Speaker 1>need it bad. I need it bad. But it's not

0:40:38.360 --> 0:40:43.320
<v Speaker 1>always a romantic thing. It's just you, yeah, the pillow

0:40:43.360 --> 0:40:47.279
<v Speaker 1>cases as though, because it's like all these oils and

0:40:47.400 --> 0:41:00.759
<v Speaker 1>sens it's like you get the reminisce when you know, damn, yeah, yourself, man,

0:41:03.960 --> 0:41:11.000
<v Speaker 1>She won't call me back. You wat that pillow brother,

0:41:12.840 --> 0:41:16.239
<v Speaker 1>even if she won't call you, but wash it out,

0:41:16.640 --> 0:41:19.040
<v Speaker 1>you're not coming back. Just watch it out, get over.

0:41:20.600 --> 0:41:24.919
<v Speaker 1>I don't. I just never thought of that. Never. That's

0:41:24.920 --> 0:41:28.200
<v Speaker 1>what the music does. What the music does, it travels,

0:41:29.160 --> 0:41:32.759
<v Speaker 1>It travels all of those songs and yours. Like I

0:41:32.840 --> 0:41:37.680
<v Speaker 1>said earlier, your songs are so vivid. Yeah, thank you.

0:41:38.280 --> 0:41:41.120
<v Speaker 1>That's a that that is a talent in itself. Thank you.

0:41:41.520 --> 0:41:45.000
<v Speaker 1>Like we appreciate the songwriter, thank you. The vocal is

0:41:45.040 --> 0:41:48.759
<v Speaker 1>one thing. Yes, you're in a great vocal. Thank you songwriter,

0:41:48.840 --> 0:41:52.200
<v Speaker 1>because that's that's the thought process that is like, Okay,

0:41:52.400 --> 0:41:56.080
<v Speaker 1>if I say it this way, it could hit you

0:41:56.120 --> 0:41:57.759
<v Speaker 1>know a little bit, But if I said this way,

0:41:57.760 --> 0:42:01.360
<v Speaker 1>it could sting. Yeah, I think I'm a wrecked person.

0:42:02.000 --> 0:42:04.359
<v Speaker 1>So I've really sing like how I talk and how

0:42:04.400 --> 0:42:07.319
<v Speaker 1>I communicate with people. And sometimes that can be too much.

0:42:08.600 --> 0:42:12.000
<v Speaker 1>Sometimes it's you know, just right. But yeah, if yeah,

0:42:12.320 --> 0:42:15.680
<v Speaker 1>that's a thing. But it should be unapologetic for it

0:42:15.680 --> 0:42:19.200
<v Speaker 1>should be exactly how you feel it and how you

0:42:19.239 --> 0:42:25.080
<v Speaker 1>see it. Because as the art is consumed by consumers,

0:42:25.560 --> 0:42:30.600
<v Speaker 1>you aren't necessarily creating for them. You are just you

0:42:30.600 --> 0:42:35.600
<v Speaker 1>are creating first for you, like you're just singing it,

0:42:35.680 --> 0:42:38.880
<v Speaker 1>writing it, producing it the way you feel it. They're

0:42:38.880 --> 0:42:41.279
<v Speaker 1>not in the room when you're doing that. And you

0:42:41.360 --> 0:42:43.239
<v Speaker 1>know what I'm saying, it's not a gallery of people

0:42:43.280 --> 0:42:44.759
<v Speaker 1>like no, no, no, change the lyrics or you know

0:42:44.760 --> 0:42:47.400
<v Speaker 1>what I'm saying, I'm singing it better. No, that's all you.

0:42:47.600 --> 0:42:51.360
<v Speaker 1>It's a painter on his east. So just all this

0:42:51.440 --> 0:42:53.920
<v Speaker 1>color will work right. Maybe maybe we'll throw some trees

0:42:54.040 --> 0:42:57.239
<v Speaker 1>right here, because some throw some trees in here and

0:42:57.239 --> 0:42:59.799
<v Speaker 1>you guys see and you can go fishing right in

0:42:59.800 --> 0:43:05.719
<v Speaker 1>here this bottom. But they're not involved in that process,

0:43:06.239 --> 0:43:10.440
<v Speaker 1>and so it should be exactly how you feel it.

0:43:11.640 --> 0:43:15.560
<v Speaker 1>And they have to decide if the art it's for

0:43:15.640 --> 0:43:25.040
<v Speaker 1>them or not. Yes, they do, Butax, you know what

0:43:25.120 --> 0:43:29.560
<v Speaker 1>it feels like. I don't think you know. I don't

0:43:29.560 --> 0:43:34.239
<v Speaker 1>think you know how big you are. I don't think

0:43:34.320 --> 0:43:37.239
<v Speaker 1>you know how influential you. I don't think you know

0:43:38.520 --> 0:43:41.920
<v Speaker 1>you know. I think you have a self worth for sure,

0:43:42.200 --> 0:43:46.239
<v Speaker 1>Yes you have that. I don't think you have the

0:43:46.440 --> 0:43:53.080
<v Speaker 1>full perspective maybe aloof for sure of like what you are, Yeah,

0:43:53.560 --> 0:43:57.640
<v Speaker 1>thank you, Yeah, it's I don't know what that like

0:43:57.680 --> 0:44:01.239
<v Speaker 1>when you were talking about the beautiful girl that like

0:44:02.120 --> 0:44:05.400
<v Speaker 1>that looked like me, that are inspired when they're listening

0:44:05.440 --> 0:44:08.279
<v Speaker 1>to this music. When I was saying those things, I

0:44:08.360 --> 0:44:13.400
<v Speaker 1>literally wasn't thinking about that part. That's literally my favorite part,

0:44:13.480 --> 0:44:17.560
<v Speaker 1>Like seeing young people are like just people, just black

0:44:17.600 --> 0:44:20.879
<v Speaker 1>women that funk with what I'm doing, women that funk

0:44:20.920 --> 0:44:23.759
<v Speaker 1>with what I'm doing, and it's it's everything to me,

0:44:23.840 --> 0:44:28.080
<v Speaker 1>And that is the exciting part seeing like, um, when

0:44:28.080 --> 0:44:32.840
<v Speaker 1>I got my transcripts at Theodore Roosevelt UM, the school

0:44:32.880 --> 0:44:35.000
<v Speaker 1>that I graduated from because duke go intown and graduate

0:44:35.000 --> 0:44:38.160
<v Speaker 1>from there, I got I got, yeah, I got kicked out.

0:44:39.440 --> 0:44:44.600
<v Speaker 1>Do you meet them in football? My god, get me

0:44:44.600 --> 0:44:51.200
<v Speaker 1>in trouble? Wow? That's amazing. Congrats though, great way to

0:44:51.239 --> 0:44:57.000
<v Speaker 1>say whatever, because I'm waiting here what you're talking about football?

0:44:57.840 --> 0:45:07.799
<v Speaker 1>Our Bundy ship. But it was it was great though.

0:45:08.760 --> 0:45:12.480
<v Speaker 1>I went there to pick up my transcripts and this

0:45:13.360 --> 0:45:16.840
<v Speaker 1>I um, this beautiful girl, she had locked. She was

0:45:16.920 --> 0:45:19.839
<v Speaker 1>gorgeous and she was like are you. I was like hi,

0:45:20.200 --> 0:45:23.279
<v Speaker 1>and we had this beautiful moment and it was just

0:45:24.360 --> 0:45:28.080
<v Speaker 1>it was unmatched. Like that was like I was surprised

0:45:28.080 --> 0:45:30.480
<v Speaker 1>at someone so young, like you're in high school and

0:45:30.480 --> 0:45:33.520
<v Speaker 1>you you funk with me like I was shocked. I'd

0:45:33.560 --> 0:45:38.239
<v Speaker 1>be shocked a lot. Yeah, I'll be shocked, and I

0:45:38.280 --> 0:45:43.839
<v Speaker 1>think and I've been taking um this, it's been weird.

0:45:43.880 --> 0:45:46.200
<v Speaker 1>It's been like ten days over ten days, i haven't

0:45:46.200 --> 0:45:48.919
<v Speaker 1>been on the internet, and I've been kind of like

0:45:49.520 --> 0:45:53.040
<v Speaker 1>forced to be outside, but um more and more like

0:45:53.080 --> 0:45:56.800
<v Speaker 1>I'm like more outside but um, yeah, I realized that

0:45:56.960 --> 0:45:59.640
<v Speaker 1>is a thing that needs to happen. I've been sheltered,

0:46:00.040 --> 0:46:04.520
<v Speaker 1>sheltered in the internet world and kind of like, um,

0:46:04.520 --> 0:46:07.319
<v Speaker 1>a slave to it, like really just addicted to it.

0:46:07.480 --> 0:46:10.160
<v Speaker 1>And so I feel like I'm finally waking up and

0:46:10.320 --> 0:46:16.040
<v Speaker 1>experiencing real life and real human connections. You know, there's

0:46:16.160 --> 0:46:18.960
<v Speaker 1>nothing like really getting to know people for who they

0:46:19.000 --> 0:46:21.040
<v Speaker 1>really are and they really are and they really are

0:46:21.080 --> 0:46:28.760
<v Speaker 1>and they really are, they really are. When we met people,

0:46:28.840 --> 0:46:31.879
<v Speaker 1>like we actually met people. You know what I'm saying.

0:46:31.920 --> 0:46:35.280
<v Speaker 1>You met, you sat down, your dance, you had a drink,

0:46:35.480 --> 0:46:37.000
<v Speaker 1>you know what I'm saying. You come over the house,

0:46:37.040 --> 0:46:38.719
<v Speaker 1>you know what I'm saying, and try to avoid their

0:46:38.719 --> 0:46:42.359
<v Speaker 1>mom and when you're running in like it was real interaction.

0:46:42.480 --> 0:46:48.000
<v Speaker 1>So getting comfortable with a person was way different. You

0:46:48.000 --> 0:46:51.040
<v Speaker 1>know what I'm saying to you. You didn't have to

0:46:51.080 --> 0:46:52.879
<v Speaker 1>weed out a whole budget, you know what I'm saying.

0:46:52.880 --> 0:46:54.799
<v Speaker 1>And it's something if you knew somebody on the block

0:46:54.880 --> 0:46:56.799
<v Speaker 1>they had to. They had the four one one on them.

0:46:56.920 --> 0:46:59.520
<v Speaker 1>I need that, you know what I'm saying, d M

0:46:59.600 --> 0:47:04.040
<v Speaker 1>about them, and I'm done with that. You've done to

0:47:05.320 --> 0:47:08.720
<v Speaker 1>connect and be comfortable and have those maybe intimate moments,

0:47:08.719 --> 0:47:11.120
<v Speaker 1>you know what I'm saying, without having this this this

0:47:11.120 --> 0:47:13.680
<v Speaker 1>this extra thought about motive and all of these other

0:47:13.719 --> 0:47:15.680
<v Speaker 1>things that go along with it, so you can meet

0:47:15.719 --> 0:47:20.240
<v Speaker 1>a shady person in real life. Sure, it's just literally

0:47:20.239 --> 0:47:24.120
<v Speaker 1>people are cat fishing in different ways, like they're sometimes

0:47:24.120 --> 0:47:27.280
<v Speaker 1>they're literally not who they say, but literally I've seen

0:47:27.440 --> 0:47:31.160
<v Speaker 1>people have completely different persona online and I would ask

0:47:31.239 --> 0:47:33.920
<v Speaker 1>the person like, why don't you show the world who

0:47:33.960 --> 0:47:37.360
<v Speaker 1>you really are? And you know, for whatever reason, they

0:47:37.400 --> 0:47:41.240
<v Speaker 1>refuse to people. So many people are living a lie,

0:47:41.239 --> 0:47:44.479
<v Speaker 1>And it's just I'd rather meet people in real life

0:47:44.600 --> 0:47:46.560
<v Speaker 1>as they are. And I feel like the only way

0:47:46.600 --> 0:47:49.920
<v Speaker 1>you can really do that is take your time, like

0:47:50.160 --> 0:47:53.279
<v Speaker 1>literally get to know people like I can't. I just

0:47:53.360 --> 0:48:00.560
<v Speaker 1>can't afford anymore shady experiences. So I've really I'm guarded.

0:48:00.560 --> 0:48:05.160
<v Speaker 1>I'm guarded a bit more. Arts tell you so trifling.

0:48:07.080 --> 0:48:10.400
<v Speaker 1>You know, it's crazy about that. It wasn't. I was

0:48:11.200 --> 0:48:14.960
<v Speaker 1>so mesmerized, but you know, in hindsight, it wasn't. It

0:48:15.040 --> 0:48:17.879
<v Speaker 1>was not It was not all of that. But I

0:48:17.920 --> 0:48:20.960
<v Speaker 1>was so the moment. It was the moment. It was

0:48:21.000 --> 0:48:26.280
<v Speaker 1>a moment. It was a moment, it was a good time.

0:48:27.840 --> 0:48:29.920
<v Speaker 1>And then after that it wasn't that great. I was

0:48:29.960 --> 0:48:33.319
<v Speaker 1>not great. That's how it normally is, though, Yeah, it's

0:48:33.360 --> 0:48:37.160
<v Speaker 1>normally you were like, what was that? Yeah? What the

0:48:37.239 --> 0:48:43.000
<v Speaker 1>fun was that? I really really Yeah, I romanticized, but

0:48:43.040 --> 0:48:44.960
<v Speaker 1>it's always hard when you're in it, you know what

0:48:45.000 --> 0:48:48.319
<v Speaker 1>I mean, to to consider outside of it, like you

0:48:48.400 --> 0:48:51.040
<v Speaker 1>just don't. You're just in it and you're going along

0:48:51.080 --> 0:48:53.200
<v Speaker 1>for the ride. So in your mind you're going to

0:48:53.280 --> 0:48:59.400
<v Speaker 1>process it was because you wanted. Yeah, you know what

0:48:59.400 --> 0:49:04.319
<v Speaker 1>I'm saying. Damn. Yeah, And I'm realizing it's it's clear, Yeah,

0:49:04.360 --> 0:49:07.759
<v Speaker 1>it's all of it. It's I'm falling. I'm mesmerized by

0:49:07.840 --> 0:49:10.560
<v Speaker 1>all of it. How fine the person is, you know,

0:49:10.640 --> 0:49:13.920
<v Speaker 1>their soul, their energy, like all of these things, you know,

0:49:15.120 --> 0:49:17.480
<v Speaker 1>and you're a lover. Yeah, I can tell you're a

0:49:17.520 --> 0:49:21.919
<v Speaker 1>hopeless romantic cure. I'm tired. I don't want to be

0:49:22.040 --> 0:49:24.600
<v Speaker 1>I don't think you're even don't think you're going to

0:49:24.600 --> 0:49:28.040
<v Speaker 1>be able to change it. I think you can fight

0:49:27.000 --> 0:49:31.320
<v Speaker 1>it as long as you want, but you are. I'm changing.

0:49:31.680 --> 0:49:33.759
<v Speaker 1>I'm changing for the better. You're not going to do

0:49:34.920 --> 0:49:38.200
<v Speaker 1>But why Okay, here's that question though, why is it?

0:49:38.200 --> 0:49:42.359
<v Speaker 1>Why is it better to not be that? Why not

0:49:43.280 --> 0:49:47.200
<v Speaker 1>hopeless romance? Because it's literally it's it's toxic, it's you're

0:49:48.480 --> 0:49:53.960
<v Speaker 1>just so hopeful, it's too much hope, too much bright eyed, naive,

0:49:54.640 --> 0:49:58.640
<v Speaker 1>and it's it's said, it's so damn I love Disney,

0:49:58.680 --> 0:50:02.799
<v Speaker 1>but so damn Disney's I'm tired of being this little Cinderella.

0:50:03.600 --> 0:50:14.960
<v Speaker 1>You can be, I don't want to be together. I

0:50:15.000 --> 0:50:18.360
<v Speaker 1>think I think that na she wasn't given it nobody.

0:50:18.480 --> 0:50:22.200
<v Speaker 1>I think that you can be strong and still be

0:50:22.920 --> 0:50:31.520
<v Speaker 1>if she was. I'm trying to get out of the

0:50:31.520 --> 0:50:35.920
<v Speaker 1>Cinderella probably the other day of having fun and that's beautiful,

0:50:36.000 --> 0:50:43.000
<v Speaker 1>and that's beautiful. You can still be strong, trying to

0:50:43.000 --> 0:50:49.080
<v Speaker 1>give and hopeful. Yes, I mean hopeless, hopeless. You can hope, well,

0:50:49.160 --> 0:50:51.080
<v Speaker 1>we can say hopeless romantic, but you can still be

0:50:51.120 --> 0:50:53.840
<v Speaker 1>strong and hopeful at the same time. You can because

0:50:54.160 --> 0:50:57.480
<v Speaker 1>because I think that I'm a glass is half full

0:50:57.840 --> 0:50:59.920
<v Speaker 1>kind of guy. Anybody that knows me will tell you that,

0:51:00.080 --> 0:51:03.759
<v Speaker 1>wow I am. I am searching for the light in

0:51:03.760 --> 0:51:06.879
<v Speaker 1>the dark situation, and no matter how small or dim

0:51:06.960 --> 0:51:10.120
<v Speaker 1>that light is, I'm going to rest on that light.

0:51:11.040 --> 0:51:12.799
<v Speaker 1>That's what I was supposed to get out of this,

0:51:13.680 --> 0:51:16.400
<v Speaker 1>and that's what I move on with. And so it

0:51:16.480 --> 0:51:20.600
<v Speaker 1>keeps me from one area. I'm so positive. I don't

0:51:20.640 --> 0:51:22.759
<v Speaker 1>want to be anymore like that. You don't want to

0:51:22.800 --> 0:51:28.400
<v Speaker 1>be positive the outlook, and it hasn't served me. I

0:51:28.440 --> 0:51:31.680
<v Speaker 1>feel like if I approach a relationship not attached to

0:51:32.480 --> 0:51:35.200
<v Speaker 1>any outcome, I think I'd be better off. I'm so

0:51:37.440 --> 0:51:42.920
<v Speaker 1>it's bad for an anxious person. Listen, I would say,

0:51:43.480 --> 0:51:46.560
<v Speaker 1>you know, I would say, make the audit and whatever

0:51:46.600 --> 0:51:49.560
<v Speaker 1>you feel like the adjustments need to be, you make

0:51:49.640 --> 0:51:54.239
<v Speaker 1>them and see how that works. But I think ultimately

0:51:55.400 --> 0:52:00.239
<v Speaker 1>your true self and being your true self, it's what's

0:52:00.280 --> 0:52:02.719
<v Speaker 1>going to pay off in the end. Now, somebody's going

0:52:02.719 --> 0:52:09.239
<v Speaker 1>to appreciate that a sweet, little freaking something, hey, listen,

0:52:09.360 --> 0:52:14.160
<v Speaker 1>might might be the little guy that you pay attention

0:52:13.760 --> 0:52:20.960
<v Speaker 1>at doing a little. Guys might treat you right. Yeah,

0:52:21.880 --> 0:52:31.239
<v Speaker 1>what I got, sisters. I like him, he like you

0:52:31.320 --> 0:52:34.560
<v Speaker 1>so much, he's so nice to you. I've given I've

0:52:34.600 --> 0:52:44.000
<v Speaker 1>given that though anyway, I've been open. I think I've

0:52:44.040 --> 0:52:46.160
<v Speaker 1>been too open, and now it's time to like, Okay,

0:52:46.160 --> 0:52:50.080
<v Speaker 1>there's enough of that, like I've been too to like,

0:52:50.440 --> 0:52:53.959
<v Speaker 1>I really feel like it's I've been so lenient, even

0:52:54.040 --> 0:52:58.799
<v Speaker 1>with my standards, ridiculously so and um but now it's

0:52:58.840 --> 0:53:01.560
<v Speaker 1>like hell Na, like there's a there's a list now,

0:53:01.800 --> 0:53:07.560
<v Speaker 1>like and I'm wavering you mad ag, you're checking red flags. Yeah,

0:53:07.600 --> 0:53:09.239
<v Speaker 1>and I'm sure they've got some cameras trying to catch

0:53:09.280 --> 0:53:13.120
<v Speaker 1>you somewhere with somebody. So you know, nobody's thinking. Nobody's

0:53:13.160 --> 0:53:19.560
<v Speaker 1>thinking about you. Look at Ann and uh no, no,

0:53:20.840 --> 0:53:35.960
<v Speaker 1>the Dwarf number eighth. This is this is on topic.

0:53:36.040 --> 0:53:42.439
<v Speaker 1>They're they're all Disney, They're all Disney. All right. Um, well, yeah,

0:53:42.440 --> 0:53:44.640
<v Speaker 1>it's a different time. But as we talk about times,

0:53:44.680 --> 0:53:48.840
<v Speaker 1>as we get into times, and you are timeless, thank you,

0:53:48.840 --> 0:53:51.440
<v Speaker 1>you are too. We wanna thank you. We want to

0:53:51.480 --> 0:53:55.800
<v Speaker 1>get some information from you about your time here, okay,

0:53:56.280 --> 0:53:59.719
<v Speaker 1>on this planet and the music that you've heard, and

0:53:59.760 --> 0:54:06.080
<v Speaker 1>how resonates with you? Okay, what are your top five

0:54:07.400 --> 0:54:12.000
<v Speaker 1>R and B artists? Male or female? Oh my god?

0:54:12.200 --> 0:54:19.600
<v Speaker 1>What the fun? Yes? But do you hear? I feel

0:54:20.480 --> 0:54:23.920
<v Speaker 1>no pressure. No, it's you, it's yours. Just I'm not

0:54:23.920 --> 0:54:27.680
<v Speaker 1>going to do five. No, I'm not gonna do five.

0:54:28.120 --> 0:54:30.040
<v Speaker 1>Just we're gonna we're gonna lock the doors. Were ready

0:54:30.040 --> 0:54:33.719
<v Speaker 1>to church when it's it's funny. I can't decide. I

0:54:33.760 --> 0:54:38.719
<v Speaker 1>can't decide. I don't. I'm indecisive. When's your birthday? March

0:54:39.400 --> 0:54:45.279
<v Speaker 1>on the aries? Okay, when's your birthday? Capricorn? Capricorn? You

0:54:45.400 --> 0:54:53.359
<v Speaker 1>run the whole thing, whole thing. I don't know how that?

0:54:53.719 --> 0:54:58.360
<v Speaker 1>No idea to five? July night? July night? Oh a cancer?

0:54:59.000 --> 0:55:08.680
<v Speaker 1>Oh and I like us, like us? Top five? My

0:55:08.880 --> 0:55:14.000
<v Speaker 1>brother is a Capricorn. Um top five? Just all right,

0:55:14.080 --> 0:55:21.680
<v Speaker 1>I'm gonna just all right. Mariah carry Um, Mini, Riperton,

0:55:22.880 --> 0:55:31.360
<v Speaker 1>Aretha Franklin, why not, Um, Whitney, Houston, Fitzgerald. I can't

0:55:31.400 --> 0:55:35.920
<v Speaker 1>do this though, No, no, you're not done. No, no not.

0:55:36.920 --> 0:55:39.720
<v Speaker 1>That's all you get. You get five. That's a powerful five.

0:55:40.080 --> 0:55:45.680
<v Speaker 1>But what about guys? You win? Females? That's fine, that's fine,

0:55:45.800 --> 0:55:47.839
<v Speaker 1>all right, that'll be cold because I don't make music

0:55:47.840 --> 0:55:54.200
<v Speaker 1>for dudes either, think about Oh my god, I should

0:55:54.239 --> 0:56:00.200
<v Speaker 1>I should? No, No, we're done, yours next five this

0:56:00.239 --> 0:56:02.480
<v Speaker 1>first of all, this is you. You don't have to

0:56:02.840 --> 0:56:05.000
<v Speaker 1>because hes gonna tell a story he told on another podcast.

0:56:05.200 --> 0:56:09.960
<v Speaker 1>That's crazy crazy. He recycling for us. I just tell

0:56:10.000 --> 0:56:12.480
<v Speaker 1>my truth, and they happened. I just happened to tell

0:56:12.560 --> 0:56:21.560
<v Speaker 1>them a lot. What happened? Sorry, Yeah, amazing, amazing, Top five, amazing,

0:56:21.560 --> 0:56:23.319
<v Speaker 1>top five. I know you wanted to give us a dub.

0:56:24.080 --> 0:56:26.759
<v Speaker 1>You probably gonna fight us later more. It's it's fine,

0:56:26.880 --> 0:56:31.120
<v Speaker 1>it's fine, but your five is amazing. Top five R

0:56:31.239 --> 0:56:38.200
<v Speaker 1>and B songs that soundtrack? What's your sound track? I

0:56:38.280 --> 0:56:43.280
<v Speaker 1>don't know. Okay, between the house to you know, making love,

0:56:43.360 --> 0:56:46.279
<v Speaker 1>to put on your shape butter, to make you know

0:56:46.320 --> 0:56:56.960
<v Speaker 1>what already was like love. I've never been to see

0:56:57.000 --> 0:57:02.239
<v Speaker 1>it to see yeah. No, I've never made love to

0:57:02.320 --> 0:57:07.919
<v Speaker 1>Joe to see Wow. Every everybody in the room said, wow,

0:57:07.960 --> 0:57:11.680
<v Speaker 1>that's crazy. I don't even know how you do. I

0:57:11.680 --> 0:57:14.799
<v Speaker 1>don't even know how to do that without and just

0:57:15.000 --> 0:57:27.680
<v Speaker 1>like that down go crazy. Wait, I'm slow, what's that? Listen?

0:57:27.720 --> 0:57:31.280
<v Speaker 1>You're top R and B songs right now, let's go

0:57:33.120 --> 0:57:42.439
<v Speaker 1>all right? Um, Dion Ferris hopeless? Um, can't you see

0:57:42.520 --> 0:57:52.760
<v Speaker 1>total um Jesus with Kesha? I almost messed up her name. Yeah,

0:57:52.840 --> 0:57:56.840
<v Speaker 1>this is so hard. Why are you doing? You're almost there?

0:57:57.120 --> 0:58:04.400
<v Speaker 1>I'm not almost there? Almost that? Okay, um y'all this

0:58:04.520 --> 0:58:10.560
<v Speaker 1>is hard shit man? How did how Uh nobody's supposed

0:58:10.560 --> 0:58:17.440
<v Speaker 1>to be here? How did you get here? Uh? Massive?

0:58:18.000 --> 0:58:21.120
<v Speaker 1>These are all songs that start hearing it in my head.

0:58:24.040 --> 0:58:33.560
<v Speaker 1>Oh grape Vine, Brownstone, Greg, Um, what am I on? Four?

0:58:33.640 --> 0:58:42.320
<v Speaker 1>You got one more to though? Oh lord? Um, y'all,

0:58:42.360 --> 0:58:45.520
<v Speaker 1>this is not unfair. This is unfair. This is evil

0:58:45.600 --> 0:58:53.400
<v Speaker 1>what you're doing at M R and B. Oh my god.

0:58:54.480 --> 0:59:00.760
<v Speaker 1>Okay my last one resentment Beyonce. You gotta have a

0:59:00.800 --> 0:59:06.960
<v Speaker 1>few recording Yeah, strong list. We're all girls again. It's fine.

0:59:07.040 --> 0:59:10.920
<v Speaker 1>So what we're starting to get the message power, We're

0:59:10.960 --> 0:59:14.960
<v Speaker 1>starting You ain't ship's starting to get the message. Know,

0:59:15.160 --> 0:59:18.160
<v Speaker 1>I love Maybe we should do it together? No, I

0:59:18.360 --> 0:59:20.680
<v Speaker 1>love you. You're gonna take all women. I got it.

0:59:21.200 --> 0:59:23.160
<v Speaker 1>I hate Mary. Jake says Mary, let's go to our

0:59:23.240 --> 0:59:35.120
<v Speaker 1>taking women, Mary, Mary, Mary, I need twenty okay Mary,

0:59:35.320 --> 0:59:41.880
<v Speaker 1>Um okay, my favorite Mary song. Um that song child,

0:59:42.080 --> 0:59:53.520
<v Speaker 1>he said, it's your child, And yeah, I like that one.

0:59:50.560 --> 1:00:11.480
<v Speaker 1>You a little more that Sorry, it gets expensive. I

1:00:11.520 --> 1:00:15.360
<v Speaker 1>know you've got some bags right with you. No, it's

1:00:15.400 --> 1:00:21.920
<v Speaker 1>not that everything. It's interesting. When I started singing cut

1:00:30.600 --> 1:00:32.600
<v Speaker 1>you fellas would be lying on the ground if I

1:00:32.640 --> 1:00:35.439
<v Speaker 1>stopped before we even get to the next thing. Though,

1:00:37.320 --> 1:00:46.280
<v Speaker 1>this has to this conversation has to happen. Okay, on it? Oh, yeah,

1:00:46.440 --> 1:00:50.080
<v Speaker 1>on it. I love Jasmine a lot. On it. In

1:00:50.200 --> 1:00:56.760
<v Speaker 1>my opinion, is the female win. We wait, very aggressive,

1:00:58.040 --> 1:01:02.959
<v Speaker 1>very straight to the point room record, and a lot

1:01:03.000 --> 1:01:06.720
<v Speaker 1>of women don't make songs like that. So for y'all

1:01:06.800 --> 1:01:13.480
<v Speaker 1>to make that record, it felt like it was hard.

1:01:15.040 --> 1:01:19.520
<v Speaker 1>It was always stopped. Wait what No, it was hard

1:01:19.600 --> 1:01:26.160
<v Speaker 1>getting Jasmine too to be freaky because she's she's she

1:01:26.320 --> 1:01:29.560
<v Speaker 1>don't want to be she don't want to get nasty.

1:01:29.640 --> 1:01:32.200
<v Speaker 1>And I said, come on, you have to. She wanted

1:01:32.200 --> 1:01:34.320
<v Speaker 1>to change it a little bit. I said, no, spit

1:01:34.440 --> 1:01:37.480
<v Speaker 1>on it, sit on it, and I had I had

1:01:37.520 --> 1:01:40.320
<v Speaker 1>to just gently say it has to be this way

1:01:40.440 --> 1:01:43.000
<v Speaker 1>like it. It has to be this way, like you know,

1:01:43.120 --> 1:01:45.400
<v Speaker 1>you can't change it, you can't do this like we

1:01:45.520 --> 1:01:50.600
<v Speaker 1>have a great hype. That's amazing. Women need a friend, like,

1:01:51.600 --> 1:01:53.960
<v Speaker 1>oh my god, I don't know if you have a friend,

1:01:55.240 --> 1:01:59.560
<v Speaker 1>but you need a friend. I wanna keep your man,

1:02:00.080 --> 1:02:06.440
<v Speaker 1>talk about you a friend like her home girl. It

1:02:06.520 --> 1:02:13.880
<v Speaker 1>has to be this way, yes, but it wasn't. It

1:02:13.920 --> 1:02:21.320
<v Speaker 1>wasn't vile. No, it wasn't on it than a esay no,

1:02:21.680 --> 1:02:33.400
<v Speaker 1>because you hear keep going yeah, yes, we don't want

1:02:33.400 --> 1:02:39.160
<v Speaker 1>to drive, we don't want to dry bites, okay whatever. Yeah,

1:02:39.800 --> 1:02:45.880
<v Speaker 1>it was about yeah, yeah, you're right. It was you

1:02:46.080 --> 1:02:53.440
<v Speaker 1>receive You received the message from different people differently. Right.

1:02:53.640 --> 1:02:58.240
<v Speaker 1>The vessel is very important in terms of the transfer

1:02:58.280 --> 1:03:05.479
<v Speaker 1>of information, and so when you sang that, it felt right,

1:03:05.960 --> 1:03:08.680
<v Speaker 1>thank you. It didn't feel like why is she sicking that?

1:03:09.160 --> 1:03:20.439
<v Speaker 1>It felt like hallelujah, halle hallelujah. The fact that y'all

1:03:20.520 --> 1:03:24.400
<v Speaker 1>was right because you can get that off sometimes on

1:03:24.520 --> 1:03:26.960
<v Speaker 1>something I'm just gonna get freaky and it's just gonna

1:03:26.960 --> 1:03:30.040
<v Speaker 1>be whatever it is. But to actually be singing it

1:03:30.320 --> 1:03:44.320
<v Speaker 1>put vibrato. Yeah, it is a heritage fellowship. It had

1:03:44.960 --> 1:03:48.800
<v Speaker 1>so much soul and spit because for me, for I mean,

1:03:49.080 --> 1:03:53.000
<v Speaker 1>I think for us as a collective, like sex is

1:03:53.000 --> 1:03:55.360
<v Speaker 1>not just sex right for I then talk about everybody

1:03:55.360 --> 1:03:59.680
<v Speaker 1>in this room. Is what we do sexist, it's making

1:03:59.680 --> 1:04:04.720
<v Speaker 1>it's spiritual. Yeah, it has to be a certain spiritual

1:04:04.840 --> 1:04:07.600
<v Speaker 1>tone connected to in order to that for that to

1:04:07.640 --> 1:04:11.320
<v Speaker 1>be a proper connection. If we are in exchanging souls,

1:04:11.360 --> 1:04:15.880
<v Speaker 1>we're not doing this the right way. We're not intertwined, right,

1:04:16.760 --> 1:04:20.280
<v Speaker 1>We're not doing it the right way. Yeah, okay, I'm sorry.

1:04:20.320 --> 1:04:22.320
<v Speaker 1>And if you're not, only you're not doing it right.

1:04:23.920 --> 1:04:30.680
<v Speaker 1>Shout out to Jasmine Sellivan that amazing, amazing record things

1:04:30.960 --> 1:04:36.480
<v Speaker 1>you know, some of your system off that. Thank you

1:04:36.560 --> 1:04:38.560
<v Speaker 1>so much. I love doing it. I love it so

1:04:38.720 --> 1:04:41.520
<v Speaker 1>much from my favorite songs. And shout out to Cardiac

1:04:41.560 --> 1:04:53.160
<v Speaker 1>he produced it produced when it's beautiful. Wow, damn you're connected. Yeah,

1:04:53.280 --> 1:04:56.560
<v Speaker 1>you make some sexy songs, Tank and you sound it's

1:04:56.680 --> 1:05:00.800
<v Speaker 1>church sex. Yes, it really is sex. The church's church

1:05:00.840 --> 1:05:04.520
<v Speaker 1>section church sex for sure. Sex for sure. It's it's

1:05:04.520 --> 1:05:06.800
<v Speaker 1>sneaking in, sticking in the basement or somewhere on the

1:05:06.840 --> 1:05:11.680
<v Speaker 1>pews at the church. Yeah, sometimes you got to wait.

1:05:11.760 --> 1:05:18.280
<v Speaker 1>You did that before. What I want to get from you.

1:05:19.360 --> 1:05:25.680
<v Speaker 1>I was in the I was listen, man, who is

1:05:25.720 --> 1:05:30.640
<v Speaker 1>you doing? I don't want to talk about church market

1:05:30.640 --> 1:05:34.560
<v Speaker 1>the basement. You know what I'm saying. Listen, when you

1:05:34.600 --> 1:05:38.480
<v Speaker 1>are in church all the time, this is where this

1:05:38.520 --> 1:05:42.040
<v Speaker 1>is where you lived in church. Biggest freaks in the house.

1:05:42.120 --> 1:05:49.000
<v Speaker 1>So it's my house. I'm his house. The church is

1:05:49.000 --> 1:05:54.360
<v Speaker 1>the building where all the houses congregated. But okay, come on,

1:05:54.440 --> 1:05:58.320
<v Speaker 1>come on, past come on listen. I remember someone took

1:05:58.360 --> 1:06:02.120
<v Speaker 1>me to a church time ago, right, and I'm watching

1:06:02.600 --> 1:06:07.240
<v Speaker 1>I'm watching the mannarisms of the pastor, and in my head,

1:06:07.280 --> 1:06:14.280
<v Speaker 1>I don't say this out loud, but I'm going it

1:06:14.440 --> 1:06:19.320
<v Speaker 1>is giving. This is what I'm feeling, right. It is

1:06:19.400 --> 1:06:24.560
<v Speaker 1>because I want to say he said, I know that

1:06:25.400 --> 1:06:45.800
<v Speaker 1>I may not know. I don't know Blonians. Yeah, and um,

1:06:46.360 --> 1:06:50.720
<v Speaker 1>we're building an R and B votron. Okay, so we

1:06:50.760 --> 1:06:54.640
<v Speaker 1>need to know who you're getting the vocals from, who

1:06:54.680 --> 1:06:57.840
<v Speaker 1>you're getting the performance style from, who you're getting the

1:06:57.920 --> 1:07:01.240
<v Speaker 1>styling from, and who you're getting the passion from the

1:07:01.400 --> 1:07:04.240
<v Speaker 1>heart of the artist. So let's start at the beginning.

1:07:05.400 --> 1:07:07.600
<v Speaker 1>The voice. Who you getting the vocals from to build

1:07:07.600 --> 1:07:14.720
<v Speaker 1>your R and B artist? Oh, I'm creating from scratch,

1:07:15.200 --> 1:07:20.160
<v Speaker 1>Oh my god, vocal who's folk? Easy bank, Who's focal.

1:07:24.920 --> 1:07:32.280
<v Speaker 1>Maybe Etta James, maybe so stirring. I want that growl,

1:07:32.920 --> 1:07:38.600
<v Speaker 1>so stirring that Rice. Rice has been thrown on sha Yeah,

1:07:38.600 --> 1:07:47.920
<v Speaker 1>she like a growling singing like Fantasia, Oh my gosh, anointed,

1:07:48.680 --> 1:07:55.840
<v Speaker 1>like chilling, American's idol, American idol. You talk about crying,

1:07:56.000 --> 1:08:01.000
<v Speaker 1>Oh my god, for no reason. She just nerves everything.

1:08:02.200 --> 1:08:07.720
<v Speaker 1>She was the best singers ever, She's everything. Okay, who

1:08:07.760 --> 1:08:12.439
<v Speaker 1>are you getting the performance style from? Well? One day,

1:08:12.440 --> 1:08:15.000
<v Speaker 1>I would like to really get comfortable. I always imagine

1:08:15.000 --> 1:08:18.320
<v Speaker 1>myself or sorry, the person this is a person is

1:08:18.360 --> 1:08:20.320
<v Speaker 1>the person that we're creating. Okay, it has nothing to

1:08:20.320 --> 1:08:29.400
<v Speaker 1>do with me then, all right, so um prince, Yeah

1:08:30.320 --> 1:08:37.000
<v Speaker 1>you just see the perfect stand. Yeah yeah, always, I

1:08:37.000 --> 1:08:39.679
<v Speaker 1>feel like he's just all He's commands that stage such

1:08:39.680 --> 1:08:44.639
<v Speaker 1>a start, he commends in every facet and I don't

1:08:44.640 --> 1:08:47.320
<v Speaker 1>even I don't even know what this's on purpose. I

1:08:47.439 --> 1:08:50.559
<v Speaker 1>just think he just did whatever the funk came to

1:08:50.640 --> 1:08:54.519
<v Speaker 1>his mind. This is how I feel. There should be

1:08:54.600 --> 1:09:01.320
<v Speaker 1>no back to these chains and did it? Man? Yeah? Yeah, yes,

1:09:02.680 --> 1:09:05.400
<v Speaker 1>what did they call chap? Chaps? Man? I don't know.

1:09:06.080 --> 1:09:08.960
<v Speaker 1>I'm gonna I'm gonna sit on this horse, asshole Nick

1:09:10.200 --> 1:09:12.960
<v Speaker 1>did he do that? I know that Furst was sticking

1:09:12.960 --> 1:09:16.320
<v Speaker 1>the ship out of the he was sitting on a

1:09:16.360 --> 1:09:22.080
<v Speaker 1>horse naked prints. Here we go. Who are you getting

1:09:22.680 --> 1:09:27.479
<v Speaker 1>the styling from styling? Um? Do you want your artists

1:09:27.479 --> 1:09:32.160
<v Speaker 1>to look like wow? Oh, look like or dressed like

1:09:32.720 --> 1:09:37.000
<v Speaker 1>that ship? I dressed like like you know, well the style.

1:09:37.760 --> 1:09:43.360
<v Speaker 1>I really like Kyle, Rihanna and Kylie dress. I think

1:09:43.400 --> 1:09:47.040
<v Speaker 1>they're Kylie Jenner and Rihanna. I think they're some of

1:09:47.080 --> 1:09:51.320
<v Speaker 1>the fliest women ever. I don't know or to me,

1:09:51.479 --> 1:09:53.400
<v Speaker 1>I just fun with their stuff. I want to dress

1:09:53.479 --> 1:09:56.720
<v Speaker 1>like that. It never really works out that way, but

1:09:56.880 --> 1:10:01.400
<v Speaker 1>I want what I want to But how I wanted

1:10:01.439 --> 1:10:05.120
<v Speaker 1>to look. I guess she's a girl. Um, I want

1:10:05.160 --> 1:10:09.800
<v Speaker 1>her to look like um me, I guess okay, maybe

1:10:09.800 --> 1:10:19.439
<v Speaker 1>that's okay now sorry me with like forcey hair, that

1:10:19.439 --> 1:10:25.880
<v Speaker 1>would be cool, Yes, beautiful kinky afro hair. Who are

1:10:25.920 --> 1:10:29.880
<v Speaker 1>you getting the passion from the heart of this artist? Passion?

1:10:30.600 --> 1:10:34.599
<v Speaker 1>What do you mean in terms of delivery? Delivery? How

1:10:34.640 --> 1:10:39.400
<v Speaker 1>you feel it? Phil? Who makes me feel? Which one

1:10:40.120 --> 1:10:41.800
<v Speaker 1>of all the artists you've named? Who are you going

1:10:41.840 --> 1:10:46.439
<v Speaker 1>to take the emotion from fantasia? Yeah? Because like us

1:10:47.320 --> 1:10:55.639
<v Speaker 1>oh my god, I wish everybody, yes, that woman is annointed.

1:10:55.760 --> 1:11:00.600
<v Speaker 1>She's a preacher saying, and I purposely I wouldn't go

1:11:00.600 --> 1:11:04.320
<v Speaker 1>out and watch her performer. I couldn't. I couldn't take

1:11:04.360 --> 1:11:07.760
<v Speaker 1>that every night. I couldn't. I couldn't dedicate my life

1:11:07.760 --> 1:11:14.760
<v Speaker 1>to the Lord I do. When I'm on stage with Jasmine,

1:11:14.160 --> 1:11:18.000
<v Speaker 1>I'm I'm a fan, so I'm so mesmerized. I damn

1:11:18.040 --> 1:11:22.760
<v Speaker 1>never forget what the fun I'm here. I'm chills. I've

1:11:22.840 --> 1:11:26.080
<v Speaker 1>never felt that was someone before on stage. Literally, she

1:11:26.200 --> 1:11:28.960
<v Speaker 1>gives me so much chills just being that close to

1:11:28.960 --> 1:11:33.880
<v Speaker 1>her and hearing her. It's crazy monsters. People with that

1:11:33.960 --> 1:11:38.200
<v Speaker 1>kind of vocal will definitely derail any intentions that you

1:11:38.240 --> 1:11:41.880
<v Speaker 1>went out through. It happened to me with oh my God,

1:11:43.439 --> 1:11:48.520
<v Speaker 1>oh my god. It was supposed to be a duet.

1:11:48.560 --> 1:11:56.160
<v Speaker 1>It wasn't quite an it was Melana Adams. And it

1:11:56.280 --> 1:11:58.559
<v Speaker 1>wasn't that I didn't know what to do. I just

1:11:58.640 --> 1:12:02.800
<v Speaker 1>couldn't do anything. Yeah, I couldn't do anything. I was

1:12:02.800 --> 1:12:06.400
<v Speaker 1>standing there like, yeah, I'm gonna change my life. Like

1:12:06.479 --> 1:12:14.440
<v Speaker 1>the building, the entire built that was wild when I

1:12:14.520 --> 1:12:19.840
<v Speaker 1>experienced this is online if the entire when I say

1:12:19.880 --> 1:12:26.759
<v Speaker 1>building was shaking. Yeah, she's everything. It's like it's like that.

1:12:27.240 --> 1:12:32.760
<v Speaker 1>It's like, oh my god, not even close. It's like that, Yeah,

1:12:32.760 --> 1:12:36.800
<v Speaker 1>I need I need this, I need this from my soul. Um.

1:12:36.840 --> 1:12:39.000
<v Speaker 1>We got we got one more thing for you women. Yeah,

1:12:39.120 --> 1:12:40.840
<v Speaker 1>we got. We gotta a little part of the show.

1:12:42.080 --> 1:12:46.559
<v Speaker 1>It's a it's ain't saying on that. Oh my lord,

1:12:47.160 --> 1:12:51.080
<v Speaker 1>what the hell the story? What the is this? Yeah, yeah,

1:12:51.160 --> 1:12:53.759
<v Speaker 1>that's exactly what it is. Funnier fucked up are funny

1:12:53.800 --> 1:12:58.080
<v Speaker 1>and funny and fucked up either one. Just a story

1:12:58.320 --> 1:13:00.200
<v Speaker 1>and it's just you just don't include no that sames

1:13:00.200 --> 1:13:03.559
<v Speaker 1>in it. Just of your travels, of my travels, you

1:13:03.560 --> 1:13:04.920
<v Speaker 1>know what I mean. When you were just like when

1:13:04.960 --> 1:13:06.840
<v Speaker 1>you you know, you literally was just saying like yo,

1:13:07.000 --> 1:13:10.360
<v Speaker 1>that was wow, this ship. I can't believe this ship.

1:13:10.640 --> 1:13:13.360
<v Speaker 1>Oh my god, of my travels, y'all. I don't know,

1:13:13.560 --> 1:13:15.200
<v Speaker 1>because it could be before the industry, could be in

1:13:15.200 --> 1:13:17.240
<v Speaker 1>the industry, could be whatever. But it's just you know,

1:13:17.240 --> 1:13:19.599
<v Speaker 1>a story that you just don't you don't put you know,

1:13:19.680 --> 1:13:23.240
<v Speaker 1>you put nobody else name in it, say no names,

1:13:24.120 --> 1:13:25.519
<v Speaker 1>look at you and while you're telling the story, but

1:13:26.120 --> 1:13:31.680
<v Speaker 1>tell that story about me. You ain't saying no names.

1:13:33.240 --> 1:13:38.160
<v Speaker 1>I mean, it's bad. I shouldn't tell this. Okay, so bad,

1:13:38.160 --> 1:13:42.040
<v Speaker 1>it's good. Oh it's not good. I can't even tell

1:13:42.040 --> 1:13:44.880
<v Speaker 1>you the whole thing. I just can't say no names,

1:13:44.920 --> 1:13:49.840
<v Speaker 1>just say you know names. It's this guy. He says

1:13:49.920 --> 1:13:52.680
<v Speaker 1>something so mean to me at a festival once, with

1:13:52.800 --> 1:13:56.040
<v Speaker 1>a smile on his face, and I was like, did

1:13:56.080 --> 1:13:58.880
<v Speaker 1>you really just say that? And he was just like, yeah,

1:13:58.920 --> 1:14:01.080
<v Speaker 1>I just said that. Can't even tell you what he said,

1:14:01.080 --> 1:14:03.160
<v Speaker 1>because it was the worst thing anyone's ever said to me,

1:14:03.400 --> 1:14:06.679
<v Speaker 1>one of the worst things. And I was I walked

1:14:06.680 --> 1:14:08.519
<v Speaker 1>away and I was like, I can't say it. I'm

1:14:08.560 --> 1:14:11.840
<v Speaker 1>embarrassed because it's it's so bad, it's terrible. It was

1:14:11.960 --> 1:14:15.040
<v Speaker 1>so mean and it wasn't true, it was it was

1:14:15.120 --> 1:14:20.960
<v Speaker 1>just it was so sad. Um was there, right? Um?

1:14:21.120 --> 1:14:23.880
<v Speaker 1>So I leave and I told my friend, you know what,

1:14:23.920 --> 1:14:31.040
<v Speaker 1>I'm gonna fight him. She was like, she was like no,

1:14:31.720 --> 1:14:33.920
<v Speaker 1>and she would not let me out the door. I've

1:14:34.800 --> 1:14:39.160
<v Speaker 1>superhuman strength, pushed her out the way, went out the

1:14:39.240 --> 1:14:43.080
<v Speaker 1>stairs to find him, didn't see him, and went outside

1:14:43.080 --> 1:14:46.240
<v Speaker 1>to find him. Didn't see him. Then I catch him

1:14:46.240 --> 1:14:51.280
<v Speaker 1>in the hallway and three piece of yeah, and his

1:14:51.400 --> 1:14:54.840
<v Speaker 1>friend was so shocked. He he was about to square

1:14:54.920 --> 1:15:02.960
<v Speaker 1>up right, he was work by girls. It happened so fast,

1:15:03.800 --> 1:15:07.320
<v Speaker 1>but I needed to do piece. That's what the security said.

1:15:07.360 --> 1:15:11.880
<v Speaker 1>I don't remember much. Are you black? Pretty much? But

1:15:12.000 --> 1:15:15.200
<v Speaker 1>I know I landed on the space. You know what. Yeah,

1:15:16.720 --> 1:15:19.080
<v Speaker 1>that might be the unexpected, that might be one of

1:15:19.120 --> 1:15:23.280
<v Speaker 1>the best. Really understand those names because it's so unexpected,

1:15:23.479 --> 1:15:27.080
<v Speaker 1>so funny. Look how you're telling so it's really yeah,

1:15:27.120 --> 1:15:36.120
<v Speaker 1>I just had to tell them what you did and

1:15:36.200 --> 1:15:42.320
<v Speaker 1>tell them what you did. Yeah, it was that's amazing.

1:15:43.040 --> 1:15:51.880
<v Speaker 1>Really No, no, no, I'm not No, no, I don't

1:15:51.920 --> 1:15:56.040
<v Speaker 1>want to create this delusion that I'm an amazing fighter.

1:15:56.080 --> 1:15:59.840
<v Speaker 1>I don't want people to come up to you just

1:16:01.120 --> 1:16:04.080
<v Speaker 1>you just had a great moment and it should be celebrated.

1:16:04.080 --> 1:16:08.519
<v Speaker 1>It's a beautiful Mari three piece, But I don't want

1:16:08.520 --> 1:16:11.880
<v Speaker 1>to be fighting. People know you're gonna been gonna take

1:16:11.880 --> 1:16:17.800
<v Speaker 1>this nickname the three piece. The three piece is security right.

1:16:17.840 --> 1:16:21.679
<v Speaker 1>Security is prevention right, And so when they hear three piece,

1:16:21.960 --> 1:16:30.280
<v Speaker 1>they're gonna know I am not a fighter. I am

1:16:30.320 --> 1:16:34.840
<v Speaker 1>not a violent person in a relationship. This is not

1:16:34.960 --> 1:16:38.240
<v Speaker 1>like I'm not going around punching mabu. This this was

1:16:38.280 --> 1:16:43.720
<v Speaker 1>just disrespect. It was it was just it was like

1:16:43.920 --> 1:16:47.120
<v Speaker 1>this it felt like a reality show, like it was

1:16:47.240 --> 1:16:50.880
<v Speaker 1>unreal what he said to me. It was like, I'm

1:16:50.960 --> 1:16:53.439
<v Speaker 1>so nice. Why are you being me? I like how

1:16:53.479 --> 1:16:57.439
<v Speaker 1>you came to the decision though, Yeah, I'm going to

1:16:57.479 --> 1:17:00.320
<v Speaker 1>fight him. Yeah, I was sure I should fight him.

1:17:00.400 --> 1:17:06.280
<v Speaker 1>I was sure I should. You proceed to get to

1:17:06.400 --> 1:17:11.200
<v Speaker 1>it is. That is admirable because disrespect has to be

1:17:11.320 --> 1:17:19.240
<v Speaker 1>met with. You gonna learn to respect me. I always

1:17:19.360 --> 1:17:23.400
<v Speaker 1>doesn't always, but some people need to know he did

1:17:23.439 --> 1:17:26.000
<v Speaker 1>because that was wild. Some people need to know. We

1:17:26.360 --> 1:17:34.640
<v Speaker 1>believe in that A three piece Linux we are. We

1:17:34.760 --> 1:17:41.200
<v Speaker 1>are elated that you stopped by to give us a

1:17:41.240 --> 1:17:46.440
<v Speaker 1>little bit of your time, a little bit of your energy, um,

1:17:46.640 --> 1:17:49.559
<v Speaker 1>a little bit of your gift insight, where you've been,

1:17:49.600 --> 1:17:53.000
<v Speaker 1>where you're going. This was beautiful and we encourage you.

1:17:53.600 --> 1:17:58.519
<v Speaker 1>Thank you with with all that you have and with

1:17:58.560 --> 1:18:03.200
<v Speaker 1>all that you can keep going. Please keep going. Will

1:18:03.200 --> 1:18:06.200
<v Speaker 1>I'm gonna stop being We're gonna keep supporting Strange. Thank you.

1:18:06.240 --> 1:18:12.080
<v Speaker 1>I'm gonna be in the comments. Yeah, he gonna definitely

1:18:12.120 --> 1:18:16.960
<v Speaker 1>be in the college. I'm working on it. You work

1:18:17.040 --> 1:18:23.840
<v Speaker 1>with you and you anytime do this available. I would

1:18:23.880 --> 1:18:26.920
<v Speaker 1>love that time of the day, already thinking about the

1:18:27.040 --> 1:18:35.080
<v Speaker 1>next project. Right, that's expensive. That looks ex vocals. What

1:18:35.240 --> 1:18:38.960
<v Speaker 1>you have you can't saying you can't get on that. Yeah,

1:18:40.000 --> 1:18:43.800
<v Speaker 1>what we're doing, don't play with no vocals that I'm

1:18:43.840 --> 1:18:47.120
<v Speaker 1>sorry for accident. That's fine. Fine, A couple, got a

1:18:47.120 --> 1:18:51.280
<v Speaker 1>couple more here, you're a couple more. Wow, that looks

1:18:51.320 --> 1:18:54.599
<v Speaker 1>like a very This is the place where you get sing. Yeah. Yeah,

1:18:54.640 --> 1:18:57.040
<v Speaker 1>I would love that and enjoy yourself. So anytime we

1:18:57.080 --> 1:19:01.720
<v Speaker 1>are available to you, and because you too, Okay, I'm serious, No,

1:19:02.000 --> 1:19:07.040
<v Speaker 1>I need y'all. I mentioned it on my live and

1:19:04.360 --> 1:19:13.479
<v Speaker 1>I'm serious. I love that. But the music is insane.

1:19:14.040 --> 1:19:19.160
<v Speaker 1>Ladies and gentlemen, my name is Tank and this has

1:19:19.280 --> 1:19:24.280
<v Speaker 1>been the R and B Money Podcast with the amazing

1:19:25.080 --> 1:19:42.320
<v Speaker 1>R Money. R and B Money is a production of

1:19:42.360 --> 1:19:45.559
<v Speaker 1>the Black Effect podcast Network. For more podcasts from I

1:19:45.680 --> 1:19:49.400
<v Speaker 1>Heart Radio, visit the R Heart Radio Apple Apple Podcast,

1:19:49.520 --> 1:19:52.200
<v Speaker 1>or wherever you're listening to your favorite shows. Don't forget

1:19:52.240 --> 1:19:55.439
<v Speaker 1>to subscribe to and rate our show, and you can

1:19:55.439 --> 1:19:58.720
<v Speaker 1>connect with us on social media via at R and

1:19:58.720 --> 1:20:01.720
<v Speaker 1>B Money podcast or at the Real Tank or at

1:20:01.800 --> 1:20:02.640
<v Speaker 1>ja Valentine