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Speaker 1: I am all in.

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Speaker 2: All I am all in with Scott Patterson, an iHeartRadio podcast.

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Speaker 1: Hey everybody, Scott Patterson, I I'm all in podcast. This

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Speaker 1: is going to be part two of season six, episode seventeen.

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Speaker 1: I'm okay, You're okay. We just got to talk and

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Speaker 1: so much about it. We had so much to say,

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Speaker 1: we need to split it up into two episodes, so

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Speaker 1: this is going to be part two. Enjoy it, everyone.

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Speaker 3: So now we're at the inn and Rory is doing

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Speaker 3: all her Yale stuff and she has this hilarious interaction

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Speaker 3: with Michelle. He's all quite the busy bee, and we

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Speaker 3: get the whole post it note, Oh my god, I love,

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Speaker 3: and then Laura I says, well you did disrupt the system,

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Speaker 3: and Rory and Michelle are having a staring contest.

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Speaker 4: YadA, YadA.

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Speaker 3: Now we get a whole nother subclot in this very

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Speaker 3: dense episode of Richard and Emily calling from the jag

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Speaker 3: with their navigation system failing and suddenly they've invited themselves.

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Speaker 4: Over driving down. Griffith Park.

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Speaker 3: Wrote right off you, Oh my god, I know. I

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Speaker 3: love what Danielle said. She loved Vineyard Valentine and I'm

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Speaker 3: like you mean.

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Speaker 4: Like in February.

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Speaker 3: What okay, So we sort of get this whole thing,

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Speaker 3: which I love Richard with his glasses on with the

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Speaker 3: chain and then she's got her glasses in their hand

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Speaker 3: and oh, no problem, we'll see you at four thirty.

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Speaker 4: So we kind of get that.

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Speaker 3: Then we head to the and feel free to talk

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Speaker 3: about it all. Then we head to the missus Kim's

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Speaker 3: antiques and we see Zach sort of starting to I

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Speaker 3: want to ask her to marry me.

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Speaker 4: I want your permission.

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Speaker 3: The doorknobs seventy five dollars, So talk about it.

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Speaker 5: This is my book for the episode.

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Speaker 6: Really yeah, oh really, okay, go for it.

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Speaker 5: I mean you obviously you can disagree. But like missus

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Speaker 5: Kim just was like what left Field? From like six

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Speaker 5: seasons of us watching her, It's like suddenly she's like,

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Speaker 5: you're gonna support my daughter if you can write music

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Speaker 5: and be in a band.

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Speaker 4: Like where did this come from?

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Speaker 1: Right?

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Speaker 4: It was from left Field?

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Speaker 6: But also not at the same time, she's like, Okay,

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Speaker 6: I I kind of can't help this.

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Speaker 4: You guys are in love, but you better be good.

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Speaker 1: But like say that, she's like, I am with you,

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Speaker 1: I am with you. I am with you. Okay, But

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Speaker 1: this is what's so great about this show. It has

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Speaker 1: these moments of absurd magic. Yeah, right, because that scene

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Speaker 1: was funny.

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Speaker 5: Oh, it's not that I didn't enjoy it.

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Speaker 1: I know, it's strange, strange credulity, yes, I mean believability,

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Speaker 1: like what this ever happened in a billion years with

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Speaker 1: missus Kim, Like, but she has softened, they have their

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Speaker 1: drinking soaky together, she's grown, she's you know, she can

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Speaker 1: make her own decisions. And this guy shows up and

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Speaker 1: but but I get I get, I get it. But

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Speaker 1: that's what that's one of the special sauces of Gilmore Girls.

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Speaker 1: I agree.

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Speaker 4: Yeah, and it's so funny. How much is this door knob?

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Speaker 4: Seventy five dollars?

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Speaker 1: Could you throw in a door line? Her?

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Speaker 3: So funny? I wrote in my notes, gosh, this is

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Speaker 3: a really good script in this episode. So yeah, it

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Speaker 3: was one of the things for me that just stands

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Speaker 3: out is how good the writing was in this episode.

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Speaker 6: But here's my resume, here's my bank statements.

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Speaker 4: Short because of the door knob.

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Speaker 5: But like, no, I.

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Speaker 3: Really it's like she will evaluate it, you will write

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Speaker 3: a song and.

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Speaker 1: I but it's like, but it's like missus Kim suddenly

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Speaker 1: turning into Clive Davis, right right, a hit maker. It's like,

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Speaker 1: all of a sudden, that's what it is, Missus k

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Speaker 1: But but it's so funny because it's like I was

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Speaker 1: just watching the Clive Davis documentary and what a hit maker,

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Speaker 1: and he says, but you don't have a hit single,

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Speaker 1: and I'm gonna give you one, you know, I mean,

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Speaker 1: Clive Davis is the guy that gave Barry Manilow Mandy

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Speaker 1: after he yes, he'd make it.

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Speaker 4: Fact that she thinks she's a hit decider.

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Speaker 1: All of a sudden, she knows she has like knowledge

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Speaker 1: of the basic knowledge of the music industry. It's like,

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Speaker 1: you're nothing without a hit. You write a hit.

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Speaker 3: She changed later she's all be flat and then he's

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Speaker 3: all cum o shoes, what's going on?

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Speaker 4: I guess this thing's great.

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Speaker 5: Yeah, I mean I enjoyed it. It was just really

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Speaker 5: I was like, remember with like Adam Brodie, you and.

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Speaker 4: Different like this.

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Speaker 3: Nobody can even talk to her daughter to suddenly like

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Speaker 3: yeah you can marry or if you run a hit song,

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Speaker 3: because it's.

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Speaker 6: At the end of the day.

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Speaker 1: Yeah, I mean, at this point she's probably given up,

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Speaker 1: you know, But I.

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Speaker 6: Also think, like I think missus Cam has this tough

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Speaker 6: exterior and she's you know, tough as nails and and whatnot,

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Speaker 6: but like she deep down inside has like this heart

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Speaker 6: and she is you know, she really does love her

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Speaker 6: daughter and just really wants the best for her, like

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Speaker 6: deep down inside. And that's what we're seeing right now.

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Speaker 5: I just love that that was the decider of you

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Speaker 5: can propose now that was it, not the bank statement,

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Speaker 5: not the job.

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Speaker 1: And I've never seen Zach so appealing or Todd Lowe's

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Speaker 1: so good.

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Speaker 4: I agree.

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Speaker 1: I thought Todd low was, like, like I I sat

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Speaker 1: there and watched it. I said, I did not know

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Speaker 1: he was that good an actor because he was.

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Speaker 3: Just caah, a good musician.

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Speaker 1: Right, he's all that right in the bag.

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Speaker 6: He made me like Zach again. Yeah, you know, like

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Speaker 6: not that I didn't like him, but I was always

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Speaker 6: just like, god, this guy, he's just.

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Speaker 4: A little filler character.

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Speaker 6: But no, like now I'm like, oh, I'm Zach, Like

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Speaker 6: this is.

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Speaker 1: Cool, right, it's a side of him we haven't seen

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Speaker 1: and he's very Yeah. Yeah, he's a really good actor.

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Speaker 1: I mean he's really good actor. This was This was like,

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Speaker 1: if I were his agent, I'd say, yeah, we're putting

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Speaker 1: that on the reel. That is going to represent you

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Speaker 1: for Gilmore.

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Speaker 3: Yeah it's good stuff, so okay. So then he kind

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Speaker 3: of pause on that for a second. We go to

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Speaker 3: Lorealis house. They're clearly cleaning. It made me very nervous

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Speaker 3: when she put the thing of flowers, obviously with water

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Speaker 3: in it, behind a cushion on the chair.

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Speaker 4: I was like, that's really messy.

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Speaker 3: But anyway, so they're cleaning the house because the Gilmore's

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Speaker 3: are coming, and Suki comes with.

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Speaker 4: The food and those takeedos looked for else.

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Speaker 1: I was like they did, they didn't know. I must

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Speaker 1: have been do you see.

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Speaker 4: When she fixed it? Fixed him up?

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Speaker 1: Though?

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Speaker 6: They actually looked good and she put like some like

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Speaker 6: lettuce and tomatoes and the I was like, I.

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Speaker 1: Think she could have done better. I love those scenes.

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Speaker 3: So then the jag shows up. They can't find them.

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Speaker 3: They're like, where are they?

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Speaker 4: This was such a ground.

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Speaker 3: There's a boat in here, Luke's boat.

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Speaker 4: You have a dog.

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Speaker 1: This is like the whole not like he's keeping his

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Speaker 1: dad's bones in there. Nobody's still not lying from me.

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Speaker 1: Oh god.

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Speaker 4: And then suddenly they're up in the better.

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Speaker 3: I mean, the whole thing is like, well, here they are,

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Speaker 3: and it's like, okay.

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Speaker 5: It felt like that scene, the dinner table scene a

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Speaker 5: little bit to me, were like, this is so much happening.

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Speaker 3: They have been to the house before, but I guess

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Speaker 3: this is the first time since the remodel.

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Speaker 6: And Emily I literally jog to the go around when

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Speaker 6: she gave the ultimate compliment of all time.

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Speaker 3: Yeah, well remind me, said she said, this house has

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Speaker 3: a certain charm.

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Speaker 6: It seems very homey.

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Speaker 4: I can see you and Luke here or something like that. Yeah,

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Speaker 4: I can see you in Luke here and there came

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Speaker 4: to the door and spun around.

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Speaker 1: It's so good.

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Speaker 3: That was really funny. So then we go back to

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Speaker 3: missus Kim listening to the demo you need to write

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Speaker 3: a hit, and then he says, I care a butt load.

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Speaker 4: The lines.

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Speaker 3: Can you write a hit three minutes tops and radio friendly?

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Speaker 3: I mean, the whole thing is so good. So that's

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Speaker 3: all going great. Uh, then we we come We're going

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Speaker 3: back and forth to the the dinner and that whole thing.

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Speaker 3: It's just kind of going back and forth with all

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Speaker 3: of it.

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Speaker 4: But I just kind of liked it all.

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Speaker 1: Mm hmm.

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Speaker 5: Yeah that was also there was a lot happening, like

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Speaker 5: there really were like three stories.

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Speaker 3: Yea even gone to Kirk being a realtor. Yet like.

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Speaker 1: Then we have this whole like and like a stud real.

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Speaker 6: Is pregnant.

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Speaker 3: Oh yeah, that was interesting. Then we get to the

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Speaker 3: next day and they're walking and talking about final destination

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Speaker 3: three and I think we've already had one moment on

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Speaker 3: the couch where Rory brought up let's go check out Anna, like,

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Speaker 3: let's go check out her store, and Lurlai was like, no, no.

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Speaker 3: And if I were Lorlai and my kid went and

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Speaker 3: did that, I would be beyond pissed.

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Speaker 5: Yeah.

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Speaker 1: Yeah, she was pissed.

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Speaker 4: Yeah she was. It wasn't Rory's place at all.

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Speaker 3: No, no, no, So I wrote so basically, Rory says

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Speaker 3: she has errands.

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Speaker 4: I think Zach was in the gazebo.

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Speaker 1: Wait a minute, let's go back, which shows which shows

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Speaker 1: her respect for Luke.

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Speaker 4: I agree with you, Scott.

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Speaker 1: That is a real example of her, the level of

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Speaker 1: her spect like don't Rory, don't mess around with my

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Speaker 1: relationship with him or that guy's wishes, stay out of him.

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Speaker 5: I agree, and I think she's doing the same, Like

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Speaker 5: she stayed out of Rory's relationship with Logan too, so

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Speaker 5: it should be a mutual, you know, a mutual thing.

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Speaker 5: And also like.

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Speaker 4: The whole time, I'm like, Rory, you're so you're so dumb.

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Speaker 5: Like down the line, you're probably gonna meet Anna and

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Speaker 5: then she's gonna you know what I mean, Like.

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Speaker 1: You're the girl snooping around my Yeah, like, oh, you look.

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Speaker 5: Really familiar to my store and you and I feel like,

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Speaker 5: but it's true, like if you go back and she

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Speaker 5: and she like talks to her, which is not like

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Speaker 5: she walked in, looked at her, and left like that

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Speaker 5: had a conversation.

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Speaker 3: Yeah, I wrote w t F like I was actually

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Speaker 3: super pissed that Rory did that. Side note, very cute store,

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Speaker 3: really really cute store. I also thought it was interesting

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Speaker 3: Anna's interaction with the customer. She's very chill, but she's

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Speaker 3: very honest. She's like, it does not look at her

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Speaker 3: trust me. She wasn't a bee about it. She just

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Speaker 3: was like, hey, that trust me. I'm your best friend

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Speaker 3: right now. Don't get that.

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Speaker 4: Did you guys like at all?

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Speaker 6: And I don't know if this was just something I

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Speaker 6: picked upon or picked on or picked up brother that

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Speaker 6: the writers in this scene made me want to try

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Speaker 6: to think, sorry, I'm trying to get there, maybe try

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Speaker 6: to think that Anna and Luke would get together. I

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Speaker 6: don't know why did anybody get that the.

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Speaker 1: Customer you can't help but feel that way, because well.

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Speaker 6: The customers wearing the shirt that says your boyfriend wants me,

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Speaker 6: and like Anna was saying, like I picked everything in

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Speaker 6: this or I love one of one of the kind

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Speaker 6: pieces like everything in here I would wear like just

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Speaker 6: like little things like that, and I don't know, like

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Speaker 6: that that shirt.

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Speaker 4: I was like, are the writers.

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Speaker 6: Trying to tell me that Luke and Anna are gonna

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Speaker 6: start to get I.

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Speaker 1: Think by virtue of the fact that Shryl and Fenn

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Speaker 1: is all that and so appealing and so likable that yeah,

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Speaker 1: you they want you to think that. That's why chryl

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Speaker 1: and Fenn was cast in that role.

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Speaker 4: That's why I died somebody to be.

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Speaker 1: You know, somebody that was going to maybe get the

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Speaker 1: fans a little nervous.

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Speaker 3: So you could have that beer. Rightfully, so, Danielle. But

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Speaker 3: that's why I love the end where Luke says, oh yeah,

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Speaker 3: Anna dropped the you know, sent the bag over whatever.

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Speaker 3: He's so honest about it that any concerns I had,

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Speaker 3: like is he going to go, you know, make out

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Speaker 3: with Amma? I was sort of like, oh, he's that.

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Speaker 4: I thought he's not going to fel more.

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Speaker 6: For me, I had the ex opposite reaction to that.

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Speaker 6: For me, it fueled it.

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Speaker 4: I was like, he.

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Speaker 6: Accepted the bag from Anna, you know, like in the

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Speaker 6: sense of interest in my in my head he rejected

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Speaker 6: the luggage from Loralai, even.

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Speaker 4: Though he did, but in my head he did. He

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Speaker 4: was like, but I'll.

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Speaker 6: Take the bag from Anna, Like I don't. I don't

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Speaker 6: know why, but like that, don't.

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Speaker 1: You think Anna might owe him something after twelve years

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Speaker 1: of keeping it hidden that he had they had a

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Speaker 1: child together.

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Speaker 4: I just think she was doing a nice gesture.

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Speaker 3: And I understand where you're coming from, because I think

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Speaker 3: everybody could kind of worry about that. But I think

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Speaker 3: it I sort of took it like after what Luke said,

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Speaker 3: I'm not worried about that.

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Speaker 4: I don't see the exact opposite.

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Speaker 3: I don't think Luke's a cheater, cheater, pumpkin eater, because

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Speaker 3: remember whosy that was up in the room and he

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Speaker 3: saw it and he was so bummed out.

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Speaker 4: Remember that, I agree with you.

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Speaker 6: I would never have think that that Luke would make

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Speaker 6: even make out with her or even touch her, you

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Speaker 6: know whatever, Like I would never think that. But for me,

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Speaker 6: it was kind of like is Anna going to try

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Speaker 6: to soup in?

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Speaker 4: Like is is she?

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Speaker 5: The writers made her really likable in that scene, so

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Speaker 5: it's hard to like not think about it, and just

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Speaker 5: like you have no reason specifically from that scene of

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Speaker 5: first meeting her, like oh she's the worst, you know,

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Speaker 5: like you just can't help that, Like.

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Speaker 1: This is These are the notes that the Pelatinos are

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Speaker 1: giving to the casting director. Find somebody. Let's get some

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Speaker 1: people in that are going to be uh, you know

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Speaker 1: that are going to freak the audience out in the

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Speaker 1: way that they are freaking out out right now. So

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Speaker 1: it's a short list of people, right, you got to

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Speaker 1: get a name, you got to get and they found

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Speaker 1: a sheryland fent I was like, oh, yeah.

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Speaker 4: Okay, yes, I mean right, she's legit.

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Speaker 1: That's that is a legit rival.

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Speaker 3: Well she also was a Laura lie vibe because she

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Speaker 3: was up for the rest, does you know.

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Speaker 4: So then Kirk's a realtor.

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Speaker 1: There's one, there's one other thing.

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Speaker 4: Talk about it.

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Speaker 1: Let's go back and dissect how Luke got that bag.

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Speaker 1: He said, Anna sent it over. You just mentioned it.

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Speaker 3: Of course I've been mentioning it for like eight episodes

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Speaker 3: of the podcast. But if we're going in order, we're

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Speaker 3: not there yet, so but we can jump around.

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Speaker 1: Go ahead, because it's kind of German to what we're

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Speaker 1: talking about.

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Speaker 4: Good word to Germany.

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Speaker 1: So you know, maybe that was April's idea. Maybe that

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Speaker 1: was April's gift.

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Speaker 4: That's such a great point, Like, hey, mom.

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Speaker 1: He's like sewing a thing and that's just embarrassing for me.

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Speaker 1: I don't want him showing up.

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Speaker 3: Pot send him over.

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Speaker 1: Maybe it's a gift from Anna and he, I mean

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Speaker 1: from April that he didn't want to tell Laurel I

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Speaker 1: it was from April, but Anna sent it over.

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Speaker 3: Or I think it could be, but like I think

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Speaker 3: he being truthful with lower Lai. But also they're a team,

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Speaker 3: Anna and April, so they April might have said, yeah, Mom,

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Speaker 3: let's send the bag over, or Mom, go drop the

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Speaker 3: bag off. You've got this great bag, Like it doesn't

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Speaker 3: have to be Awdrey or like like oh, ulterior motives.

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Speaker 3: This is just the mom of his kid and they're like,

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Speaker 3: hey have the bag.

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Speaker 1: Mm hmm.

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Speaker 4: It's like okay, great, Yeah.

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Speaker 3: I don't know that it's so always so evil.

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Speaker 4: Maybe it's just like a nice gesture.

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Speaker 3: She's taken the kid onto the mathlete or whatever.

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Speaker 4: And it's just there are.

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Speaker 1: Just so many scenes between Luke and April and Anna

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Speaker 1: that are missing from these episodes. Yeah, you're right, and

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Speaker 1: it's all you know what I mean. So it's like

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Speaker 1: you're so right. It's a bit confusing.

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Speaker 4: Yeah, so you truth.

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Speaker 5: Kind of like up to our imagination in a sense.

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Speaker 3: Right, And obviously what's happening is that's happening because we're

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00:17:01,680 --> 00:17:05,080
Speaker 3: all like so passionate about how we feel, but we

344
00:17:05,160 --> 00:17:08,120
Speaker 3: have no idea what the real intentions were, and we're

345
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Speaker 3: all looking for Easter eggs, different Easter eggs.

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Speaker 4: And like this means something, you know, right.

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Speaker 7: I just feel like to Scott's comment that these scenes

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Speaker 7: are missing, I just always got the feeling that those

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Speaker 7: they're not necessarily missing so much as they never happened. Like,

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Speaker 7: I don't know how much Luke is really in contact

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Speaker 7: with Anna, because it seems like he's in contact with April. Like,

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Speaker 7: it's April that calls him and says, can you come

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Speaker 7: with me on this trip? It's not Anna asking him

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Speaker 7: to do it.

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Speaker 3: Correct, but her mom. Yeah, she wasn't just gonna pick

356
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Speaker 3: all the cat right, She's like, oh, hey, mom, can

357
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Speaker 3: you go to the mathlete? Oh?

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Speaker 4: Shoot, I can't go. There's a big sale at the store.

359
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Speaker 4: Do you think it's okay if I call dad or well,

360
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Speaker 4: I don't know.

361
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Speaker 7: She went and found Luke without her mom even knowing

362
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Speaker 7: in the first place. It's right, we don't know to

363
00:17:53,880 --> 00:17:56,600
Speaker 7: grab the sample of his hair, and Anna had no idea.

364
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Speaker 5: But I feel like moving forward, that definitely like the

365
00:18:00,200 --> 00:18:02,760
Speaker 5: mom's involved and knows exactly where her daughter is and

366
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Speaker 5: with who. I think that was kind of like a

367
00:18:05,040 --> 00:18:08,520
Speaker 5: little bit different school project thing went off, But they're

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Speaker 5: spending time together now.

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Speaker 1: Well that that's you know, Anna, I'm sorry. April showing

370
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Speaker 1: up at the diner was her filling her the empty

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Speaker 1: space in her heart. Yes, that was a search for

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Speaker 1: her biological father. And how moving is that that she

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Speaker 1: kept it from her own mother. She felt the need

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Speaker 1: to do this, as all children in her situation feel.

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Speaker 3: She kept it from the mom I got the mom

376
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Speaker 3: knew what the science project was.

377
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Speaker 7: No, she's when Luke goes to confront Anna about it,

378
00:18:44,400 --> 00:18:46,359
Speaker 7: she's like, oh, I didn't know she was doing it

379
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Speaker 7: until it was done, and she went through letters and

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Speaker 7: got the names, and.

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Speaker 4: Thank god you for your memories because.

382
00:18:52,320 --> 00:19:04,960
Speaker 3: April's only got a little mind of her own. Yeah,

383
00:19:04,960 --> 00:19:08,160
Speaker 3: but we don't know what's going on. There's obviously conversations.

384
00:19:08,200 --> 00:19:11,600
Speaker 3: We're not seen, right, Like, you don't just not talk

385
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Speaker 3: to the mom of a twelve year old. They have

386
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Speaker 3: to like coordinate our rides, you know what I mean.

387
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Speaker 1: There's plenty of communication, exactly plenty of communication.

388
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Speaker 3: So here's the things we have to talk about. We've

389
00:19:23,040 --> 00:19:26,960
Speaker 3: got to talk about Kirk and that the Gilmore's are

390
00:19:27,000 --> 00:19:31,359
Speaker 3: maybe shopping in Stars Hollow. Zach and Lane do get

391
00:19:31,400 --> 00:19:34,159
Speaker 3: engaged missus Kim puts down the little stool so he

392
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Speaker 3: can get down on one knee, and she gave the

393
00:19:36,359 --> 00:19:41,320
Speaker 3: ring super major, super major. Then we get to the

394
00:19:41,359 --> 00:19:43,840
Speaker 3: scene of sort of like talking about Final Destination one

395
00:19:43,840 --> 00:19:45,920
Speaker 3: and two because they had gone to see Final Destination

396
00:19:46,040 --> 00:19:49,080
Speaker 3: three and that's a big subplot. And then we kind

397
00:19:49,119 --> 00:19:51,480
Speaker 3: of are, you know, into the bag scene. So I

398
00:19:51,480 --> 00:19:53,160
Speaker 3: think we kind of need to talk about all of it.

399
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Speaker 3: Oh and then one more button on it that Loralai

400
00:19:59,400 --> 00:20:03,240
Speaker 3: gets back, goes back to Logan and he's all in

401
00:20:03,280 --> 00:20:06,080
Speaker 3: a dither because he didn't know where she was, and

402
00:20:06,200 --> 00:20:08,800
Speaker 3: you know, he's been calling and calling, and we get

403
00:20:09,280 --> 00:20:13,000
Speaker 3: both the parallel of Lorelei and Rory.

404
00:20:13,200 --> 00:20:16,720
Speaker 4: No, I'm fine, We're fine. I'm fine, when it's like, no,

405
00:20:16,880 --> 00:20:20,280
Speaker 4: you're not, so talk about it all as you will.

406
00:20:23,520 --> 00:20:26,560
Speaker 5: Well, I think I think for the bag, no one

407
00:20:26,560 --> 00:20:29,359
Speaker 5: would have ever known if Rory didn't go to the store.

408
00:20:30,359 --> 00:20:33,119
Speaker 5: And I think that it just going back to she

409
00:20:33,160 --> 00:20:37,000
Speaker 5: should have never done that. I wish I wish Laura

410
00:20:37,080 --> 00:20:38,880
Speaker 5: I didn't know that that bag was from the store

411
00:20:38,920 --> 00:20:41,880
Speaker 5: because she had Luke have just walked into any store

412
00:20:41,880 --> 00:20:43,840
Speaker 5: and bought a bag. And you know, like people make

413
00:20:43,880 --> 00:20:47,000
Speaker 5: weird purchases sometimes that are out of character, and it

414
00:20:47,040 --> 00:20:48,480
Speaker 5: could have been that that.

415
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Speaker 3: Would have hurt my feelings just as much, and I

416
00:20:50,560 --> 00:20:51,200
Speaker 3: think it would.

417
00:20:51,080 --> 00:20:52,159
Speaker 5: Hurt my feelings more.

418
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Speaker 1: They're really trying to make Luca it's kind of like

419
00:20:54,840 --> 00:20:59,359
Speaker 1: this underhanded guy. Now, It's just it's just really just

420
00:20:59,440 --> 00:21:04,040
Speaker 1: the are they We don't feel like they're not. They're not.

421
00:21:04,960 --> 00:21:05,720
Speaker 4: No, I don't.

422
00:21:05,760 --> 00:21:07,440
Speaker 3: I think in this moment, I was.

423
00:21:07,520 --> 00:21:08,359
Speaker 4: More a bag.

424
00:21:08,480 --> 00:21:10,280
Speaker 1: So what Well, that's what I'm saying.

425
00:21:10,040 --> 00:21:12,480
Speaker 3: Like it was just a bag.

426
00:21:12,520 --> 00:21:15,440
Speaker 5: But I think that because Rory found out it was

427
00:21:15,480 --> 00:21:19,480
Speaker 5: from Anna store, it made it. It made it more

428
00:21:19,520 --> 00:21:22,320
Speaker 5: painful for Laura l I and I think that I

429
00:21:22,400 --> 00:21:24,040
Speaker 5: just wish that she never went to the store so

430
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Speaker 5: we didn't know. Like you know, sometimes it's like some

431
00:21:26,760 --> 00:21:29,800
Speaker 5: things are better left unsaid, like the bag being from

432
00:21:29,800 --> 00:21:30,640
Speaker 5: the store should.

433
00:21:30,400 --> 00:21:31,200
Speaker 1: Have been one of them.

434
00:21:31,320 --> 00:21:32,679
Speaker 4: Yeah, ignorance is bliss.

435
00:21:33,480 --> 00:21:38,439
Speaker 1: Mm hmm. Well, we talked about it.

436
00:21:48,240 --> 00:21:48,520
Speaker 3: The bus.

437
00:21:48,520 --> 00:21:50,840
Speaker 1: We throw the characters under the bus that we're done

438
00:21:50,880 --> 00:21:51,600
Speaker 1: talking about.

439
00:21:52,119 --> 00:21:56,960
Speaker 4: We throw each other under the bus. Zane. She's like,

440
00:21:57,440 --> 00:21:59,000
Speaker 4: I'm gonna need a nap after this.

441
00:21:59,240 --> 00:22:03,400
Speaker 3: I know, I know. But we all bring our own

442
00:22:03,480 --> 00:22:07,000
Speaker 3: perspective to it too. That's what I realized, Like my

443
00:22:07,160 --> 00:22:11,760
Speaker 3: own perspective about this is coming because of my own life,

444
00:22:12,040 --> 00:22:15,280
Speaker 3: and you all may have your perspectives because of your

445
00:22:15,400 --> 00:22:15,960
Speaker 3: own lives.

446
00:22:16,119 --> 00:22:17,880
Speaker 4: And I think it's like any great.

447
00:22:17,680 --> 00:22:21,639
Speaker 3: Book, right like you you read it, but two people

448
00:22:21,720 --> 00:22:23,400
Speaker 3: can see it totally differently.

449
00:22:23,520 --> 00:22:26,560
Speaker 1: Oh that is for sure. Oh that is for sure.

450
00:22:28,560 --> 00:22:30,600
Speaker 4: So what do we give it.

451
00:22:33,680 --> 00:22:36,560
Speaker 1: Well, based on I think it gave us, like, you know,

452
00:22:37,760 --> 00:22:39,960
Speaker 1: two this is a two parter. It gave us a

453
00:22:40,000 --> 00:22:45,159
Speaker 1: two part pretty awesome podcast. Yeah, so it had to

454
00:22:45,160 --> 00:22:47,400
Speaker 1: be a pretty good darn episode.

455
00:22:47,480 --> 00:22:54,479
Speaker 3: I mean, yeah, I'm a i'm a I'm a ten whoa.

456
00:22:53,960 --> 00:22:57,399
Speaker 5: I'm a ten.

457
00:22:56,000 --> 00:22:57,040
Speaker 4: Pan am bags.

458
00:22:57,840 --> 00:23:02,080
Speaker 3: Jesus, I wanted to ten with cheeses from Monty, but

459
00:23:02,480 --> 00:23:04,320
Speaker 3: I'm gonna go ten pan am bags.

460
00:23:04,560 --> 00:23:05,600
Speaker 4: I thought there.

461
00:23:05,600 --> 00:23:07,639
Speaker 7: I thought there were a lot of funny lines in

462
00:23:07,680 --> 00:23:09,840
Speaker 7: this episode, Like I was laughing.

463
00:23:09,720 --> 00:23:11,080
Speaker 4: A lot at the dialogue.

464
00:23:11,200 --> 00:23:13,040
Speaker 3: So I gave it a nine.

465
00:23:13,640 --> 00:23:15,480
Speaker 4: Uh, Spiders in the shower.

466
00:23:17,840 --> 00:23:24,000
Speaker 6: I gave it a nine too, except nine pastalis sukis, I'll.

467
00:23:23,840 --> 00:23:34,680
Speaker 5: Give it and eight point seven GPS systems from the car.

468
00:23:35,560 --> 00:23:38,880
Speaker 1: I'm going to give it nine point six three seven

469
00:23:39,240 --> 00:23:46,360
Speaker 1: puncture wounds on Luke's thumb and nine point sixty five

470
00:23:46,520 --> 00:23:51,719
Speaker 1: seven millileaders of blood leaking out of his thumb. And

471
00:23:51,800 --> 00:23:55,199
Speaker 1: I just deducted first because I thought it had some

472
00:23:55,240 --> 00:23:59,960
Speaker 1: structural issues. But I think I think you guys are right.

473
00:24:00,160 --> 00:24:06,800
Speaker 1: This is fantastic dialogue, funny, funny stuff, very memorable stuff.

474
00:24:09,480 --> 00:24:11,000
Speaker 1: Best lines I already stated mine.

475
00:24:11,880 --> 00:24:14,600
Speaker 3: I still say my best line was I'm not trying

476
00:24:14,600 --> 00:24:15,920
Speaker 3: to get back with you.

477
00:24:16,320 --> 00:24:19,399
Speaker 4: I have to get the exact line. I want you back,

478
00:24:20,280 --> 00:24:22,679
Speaker 4: my best line, I don't want you back.

479
00:24:24,359 --> 00:24:27,200
Speaker 6: Mine was do you want to make a pro con list? Oh?

480
00:24:27,280 --> 00:24:35,840
Speaker 7: Yeah, mine was Laura I talking to uh Kirk about

481
00:24:35,920 --> 00:24:38,040
Speaker 7: his real estate business, and she said I had to

482
00:24:38,040 --> 00:24:38,680
Speaker 7: write down.

483
00:24:38,520 --> 00:24:39,480
Speaker 4: Exactly what she said.

484
00:24:39,800 --> 00:24:42,560
Speaker 7: She says, take your jacket and your dippy star Trek

485
00:24:42,560 --> 00:24:49,040
Speaker 7: device and your creepy new career and scram it's so good.

486
00:24:49,560 --> 00:24:52,879
Speaker 5: Mine was from Michelle with the post its. He's like, no,

487
00:24:53,040 --> 00:24:55,720
Speaker 5: little Laureli, it's not the cost that is the problem.

488
00:24:55,760 --> 00:24:56,679
Speaker 4: It's the disruption.

489
00:24:57,640 --> 00:25:02,520
Speaker 1: It's just the delivery. Oh my god. All right, I

490
00:25:02,560 --> 00:25:04,760
Speaker 1: guess that's gonna wrap it up what he.

491
00:25:04,760 --> 00:25:09,320
Speaker 3: Says and potentially have sex with Perspective Coffee, Like, I'll check.

492
00:25:10,359 --> 00:25:18,040
Speaker 1: What right, And remember, you can now get three different

493
00:25:18,359 --> 00:25:23,159
Speaker 1: Gilmore Girls coffees, Luke Steiner Blend, Stars, Hollow Signature, hazel

494
00:25:23,240 --> 00:25:25,240
Speaker 1: Nut Blend, and you get a talk Fast Blend which

495
00:25:25,280 --> 00:25:31,080
Speaker 1: is a dragonfly in Blend. Beautiful coffees, Beautiful coffees. Scotty

496
00:25:31,080 --> 00:25:34,040
Speaker 1: Peace Big Mud Coffee is supplying the coffee for this venture.

497
00:25:34,160 --> 00:25:38,360
Speaker 1: You can get the coffee exclusively at the Warner Brothers

498
00:25:38,440 --> 00:25:39,480
Speaker 1: studio store.

499
00:25:40,040 --> 00:25:41,040
Speaker 4: I wonder if I should try it.

500
00:25:41,080 --> 00:25:43,160
Speaker 3: I've never had a cup of coffee, but if I do,

501
00:25:44,080 --> 00:25:48,040
Speaker 3: I'm gonna.

502
00:25:46,720 --> 00:25:51,040
Speaker 1: That would be the Yeah, that, that would be the one.

503
00:25:51,160 --> 00:25:53,239
Speaker 1: You would want to get one of those? Yeah, well

504
00:25:53,240 --> 00:25:55,080
Speaker 1: wait a minute, there were didn't you take a bag

505
00:25:55,160 --> 00:25:56,360
Speaker 1: of a Scottie Peace home?

506
00:25:56,480 --> 00:25:58,280
Speaker 4: Or I never had a cup of coffee my life,

507
00:25:58,320 --> 00:26:00,000
Speaker 4: Why would I take you? I would steal your coffee.

508
00:26:01,240 --> 00:26:05,160
Speaker 1: Not stealing. It's like, come on, all the work you did,

509
00:26:05,200 --> 00:26:05,760
Speaker 1: you earned it.

510
00:26:06,640 --> 00:26:09,720
Speaker 3: But I served coffee, So I should get some in

511
00:26:09,760 --> 00:26:10,440
Speaker 3: the house.

512
00:26:10,240 --> 00:26:11,480
Speaker 4: For for guests.

513
00:26:11,800 --> 00:26:13,280
Speaker 1: Yeah you know, yeah, get some.

514
00:26:14,680 --> 00:26:18,080
Speaker 3: April and Anna come over because I'm on their side.

515
00:26:20,359 --> 00:26:20,879
Speaker 4: Coffee.

516
00:26:21,359 --> 00:26:27,080
Speaker 1: Uh huh. Anyway, thanks, ladies, appreciate it. Susanne French, Danielle Romo,

517
00:26:27,960 --> 00:26:33,320
Speaker 1: Tara suit, Amy Sugarman and we'll see next time like this.

518
00:26:33,440 --> 00:26:34,840
Speaker 4: Get your tickets to the streams.

519
00:26:35,160 --> 00:26:38,600
Speaker 1: Oh yeah, were still still streaming. We're still streaming.

520
00:26:38,600 --> 00:26:40,680
Speaker 4: We're streaming for a little a little bit longer.

521
00:26:40,880 --> 00:26:43,479
Speaker 1: You got to watch that dang thing. Man, it's fun

522
00:26:43,920 --> 00:26:44,399
Speaker 1: to watch.

523
00:26:44,440 --> 00:26:47,760
Speaker 3: You see the snope just go right in Keiko's mouth.

524
00:26:47,920 --> 00:26:50,919
Speaker 1: Oh god, it went right in her mouth covered.

525
00:26:51,480 --> 00:26:52,960
Speaker 4: Those are still covered.

526
00:26:53,560 --> 00:26:57,560
Speaker 1: She got covered, yeah, her, she and Vanessa got covered.

527
00:26:57,760 --> 00:27:00,720
Speaker 3: And Sally told me she saw it took off because

528
00:27:00,720 --> 00:27:02,960
Speaker 3: she didn't want her hair to get mussed up.

529
00:27:02,960 --> 00:27:05,399
Speaker 4: And I agree, right, she was like, I.

530
00:27:05,520 --> 00:27:07,840
Speaker 3: Saw that and I high tailed it.

531
00:27:08,280 --> 00:27:11,600
Speaker 1: Yes, Sebastian and I just moved forward. By the way.

532
00:27:12,320 --> 00:27:15,200
Speaker 1: You know this uh this Australian tour. Sebastian and I

533
00:27:15,280 --> 00:27:15,760
Speaker 1: both are you.

534
00:27:15,800 --> 00:27:17,240
Speaker 4: Know, he's serious.

535
00:27:17,720 --> 00:27:19,000
Speaker 1: He's serious as a heart attack.

536
00:27:19,400 --> 00:27:24,359
Speaker 3: Could you see the video one of the videos that

537
00:27:24,440 --> 00:27:28,000
Speaker 3: Sebastian and Kego and Sally made one million views.

538
00:27:28,960 --> 00:27:30,320
Speaker 4: We just hit one million.

539
00:27:30,400 --> 00:27:33,240
Speaker 1: Oh yeah. And when I was at Warner Brothers, a

540
00:27:33,280 --> 00:27:37,600
Speaker 1: single long video with all the over million two point

541
00:27:37,680 --> 00:27:41,200
Speaker 1: three million, Oh my god. Oh yeah. These are these

542
00:27:41,200 --> 00:27:44,360
Speaker 1: are happy fans right now. We've got to keep providing

543
00:27:44,400 --> 00:27:47,040
Speaker 1: them with happiness, which is what we're doing.

544
00:27:47,200 --> 00:27:48,600
Speaker 4: Just want to do that next week because we're out

545
00:27:48,600 --> 00:27:48,880
Speaker 4: of time.

546
00:27:49,400 --> 00:27:53,440
Speaker 1: Yeah, we're right. Anyway, Thanks for downloading, kids, keep the

547
00:27:53,480 --> 00:27:56,399
Speaker 1: cards and letters coming and we will see you next time.

548
00:27:56,560 --> 00:28:27,960
Speaker 1: Stay safe everyone, hey, everybody, and don't forget Follow us

549
00:28:27,960 --> 00:28:32,199
Speaker 1: on Instagram at I Am all In podcast and email

550
00:28:32,320 --> 00:28:44,640
Speaker 1: us at Gilmore at iHeartRadio dot com,