WEBVTT - Hannah Waddingham 0:00:05.880 --> 0:00:07.880 Hey, everybody, this is Bruce. Thank you for pulling up 0:00:07.880 --> 0:00:09.479 a chair today our Table for two. 0:00:09.640 --> 0:00:12.480 We are back in Hollywood at my favorite joint, the 0:00:12.520 --> 0:00:13.320 Sunset Tower. 0:00:13.480 --> 0:00:17.720 I'm gonna go trouble fries and I hadn't thought that. 0:00:20.600 --> 0:00:22.520 Today we're having lunch with an actress. 0:00:22.560 --> 0:00:26.800 If you might know from the Netflix series Sex Education. 0:00:27.640 --> 0:00:30.360 You might know recently from the movie The Fall Guy 0:00:30.680 --> 0:00:33.080 with Emily Blunt and Ryan Goslin. 0:00:33.840 --> 0:00:35.839 You might be expecting to. 0:00:35.840 --> 0:00:39.200 See her in the upcoming mission Impossible. But I bet 0:00:39.280 --> 0:00:44.559 you know her from Ted Lasser. Everybody loves Hannah. Just 0:00:44.600 --> 0:00:47.159 so you know, she's hugged everybody. You know what it 0:00:47.240 --> 0:00:52.520 is spot, Yes, that is right. We were having lunch 0:00:52.600 --> 0:00:58.240 with Hannah Waddingham, who just completed season three, potentially the 0:00:58.280 --> 0:01:00.760 final season of had Lasso, but. 0:01:00.720 --> 0:01:03.520 There's word on the street that there might be. 0:01:03.480 --> 0:01:04.360 A season four. 0:01:04.760 --> 0:01:07.319 So pull up a chair, grab a glass of rose, 0:01:08.000 --> 0:01:13.120 and stay tuned. I'm Bruce Bozzi and this is my 0:01:13.280 --> 0:01:15.000 podcast Table for two. 0:01:23.000 --> 0:01:25.880 If you've tuned in today, we are at the Sunset Tower. 0:01:26.520 --> 0:01:28.800 We are having lunch at I think both of our 0:01:28.840 --> 0:01:31.080 favorite joints. We love this place. 0:01:31.520 --> 0:01:37.959 Thank you. The rose is here, Darling cheers. This is amazing, 0:01:40.280 --> 0:01:41.000 is the best. 0:01:48.720 --> 0:01:53.280 So you you know, we talked about Melody Kelly and 0:01:53.320 --> 0:01:57.160 she's your mom and she was an opera singer and 0:01:57.320 --> 0:01:58.800 your maternal grandparents. 0:01:58.960 --> 0:02:01.960 So it's sounds like the art and music and. 0:02:03.520 --> 0:02:05.600 One hundred percent I mean that the force is so 0:02:05.720 --> 0:02:10.080 unbelievably strong. On my mother's side, they were both my 0:02:10.200 --> 0:02:12.840 mum's parents were both opper singers at the Gaiety Theater 0:02:12.919 --> 0:02:16.760 in the Island Land, tiny little thirty miles long, eleven 0:02:16.760 --> 0:02:20.880 miles wide, little island between the mainland and Ireland, and 0:02:21.080 --> 0:02:24.160 they were a big deal bit. And my mom was 0:02:24.520 --> 0:02:27.560 this kind of maverick of choosing to leave. And she 0:02:27.639 --> 0:02:30.280 came over when she was eighteen, you know, the only 0:02:30.840 --> 0:02:35.440 daughter of only child brother of my grandparents. She came 0:02:35.480 --> 0:02:38.360 over to London and went to Trinity College of Music. 0:02:38.800 --> 0:02:42.680 And was this kind of just extraordinary. 0:02:42.840 --> 0:02:45.400 Everything that I've read about her past and talked to 0:02:45.440 --> 0:02:50.440 her about, she was unbelievably quiet, but unbelievably talented. 0:02:51.200 --> 0:02:55.000 And she then joined the roll of. 0:02:55.040 --> 0:02:58.240 Her house Coup of Garden, like literally after one little 0:02:58.240 --> 0:03:00.440 tour she was in My Fair Lady briefly on tour 0:03:00.480 --> 0:03:03.639 when she was like twenty and then bizarrely went from 0:03:03.760 --> 0:03:07.720 musical theater to opera, which is quite unusual. And if 0:03:07.760 --> 0:03:09.920 you think about it back in the day, you know 0:03:10.000 --> 0:03:11.520 that was like in the early sixties. 0:03:13.040 --> 0:03:19.360 She was suddenly this fabulous young Angene. And I find 0:03:19.400 --> 0:03:22.800 it so magical that she was at Covent Garden. 0:03:23.280 --> 0:03:26.440 Kind of mid to late sixties around Joan Sutherland. 0:03:26.639 --> 0:03:29.799 Very special time. Oh yeahredible time. 0:03:30.480 --> 0:03:34.200 How did the realization go from having the pipes to 0:03:34.400 --> 0:03:38.360 do musical theater to sing opera because it's very different. 0:03:38.120 --> 0:03:40.560 Yeah, very different. And my god, she always remind me 0:03:40.560 --> 0:03:43.360 of it. In fact, when I made my Broadway debut 0:03:43.400 --> 0:03:45.360 in spamal Art, my dad gave me. 0:03:48.120 --> 0:03:50.880 My dad gave me a massive squeeze on the second 0:03:50.960 --> 0:03:53.080 night and went much better than last night. 0:03:52.960 --> 0:03:56.520 And I thought, brilliant, love you, and my mom went, 0:03:56.760 --> 0:03:57.320 oh lah. 0:03:57.360 --> 0:04:00.960 Because the opera singers always sing slightly off their lext 0:04:00.960 --> 0:04:04.040 talk brother off their legs, so they don't actually speak 0:04:04.080 --> 0:04:06.640 down here. She would always talk like that, but she's 0:04:06.680 --> 0:04:08.800 slightly singing all the time. 0:04:09.560 --> 0:04:12.200 And she was literally like, there you go. You're finally 0:04:12.200 --> 0:04:16.279 singing properly. Thanks parents. 0:04:17.880 --> 0:04:20.680 This is why I don't have a giant ego because 0:04:20.720 --> 0:04:23.159 I have been dead to the ground. 0:04:23.240 --> 0:04:25.160 But it might be where you have one of the 0:04:25.200 --> 0:04:26.680 best senses of humor. 0:04:27.320 --> 0:04:32.320 I think there is Oh my god, that's hysterical slash brute. 0:04:33.080 --> 0:04:35.720 It's it's like the compliment with the zame. 0:04:35.920 --> 0:04:36.280 Yes. 0:04:37.320 --> 0:04:40.960 Yeah, yeah, I've been literally like I had already had 0:04:41.440 --> 0:04:44.279 a fifteen year leading lady career in the West End 0:04:44.760 --> 0:04:46.919 and then suddenly my mum comes out with this and 0:04:46.960 --> 0:04:50.320 I was like, wait, are you just gently trashing everything 0:04:50.839 --> 0:04:52.679 everything I've previously done. 0:04:52.560 --> 0:04:58.040 That you have done so much here? Yeah, it's crazy. 0:04:58.480 --> 0:05:01.800 It's my life blood. B really it is, yes, and 0:05:01.880 --> 0:05:04.000 everyone knows that. I mean I've been quite vocal about that. 0:05:04.040 --> 0:05:06.320 I do love the screen, but theater is inos. 0:05:06.520 --> 0:05:09.360 I mean it's rat and the accolades. 0:05:10.080 --> 0:05:13.919 I mean, you've been quite acknowledged by your peers and 0:05:14.000 --> 0:05:16.239 by you know, your of your work. 0:05:16.839 --> 0:05:19.760 What was did you have a favorite? Well? First of all, 0:05:19.800 --> 0:05:21.280 what was the first show you did in your. 0:05:21.200 --> 0:05:25.000 Western Well, the first one that anyone would know about 0:05:25.160 --> 0:05:29.000 more would be Androloid Webber's The Beautiful Game, which is 0:05:29.000 --> 0:05:31.159 about the troubles in Northern Ireland, which I'll come back to, 0:05:31.480 --> 0:05:31.920 But the. 0:05:31.839 --> 0:05:33.479 First one that people probably don't know. 0:05:33.839 --> 0:05:36.000 Was when I was twenty two, I was in a 0:05:36.040 --> 0:05:38.360 thing called Saucy Jack and the Space Vixens. 0:05:38.600 --> 0:05:40.440 Saucy Jack and the Space. 0:05:40.200 --> 0:05:43.680 Victim the most amazing rock score. 0:05:43.920 --> 0:05:47.800 It was fabulous, and I played a character called Chesty Prospects. 0:05:49.560 --> 0:05:53.080 It was camp. I mean there was there was fetish 0:05:53.160 --> 0:05:54.680 where it was great. 0:05:54.720 --> 0:05:58.200 I was a fetish plastic smuggler in it, as you do, 0:05:59.320 --> 0:06:02.640 and so I started off doing that and then I 0:06:02.640 --> 0:06:06.400 I kind of graduated up to the leading woman role 0:06:06.560 --> 0:06:08.320 who was called Jubilee Climax. 0:06:08.880 --> 0:06:09.440 Jubilee. 0:06:10.400 --> 0:06:14.680 I want that that could be the title of someone's 0:06:14.760 --> 0:06:15.720 Jubilee climax. 0:06:15.800 --> 0:06:17.599 I'm in the middle of a Jubilee climax. 0:06:17.920 --> 0:06:20.360 I mean that that could be your code name. And 0:06:20.480 --> 0:06:21.559 you're checking into your hotel. 0:06:21.880 --> 0:06:23.719 That's genius, my god. 0:06:23.960 --> 0:06:25.240 And then you'd have to look at the face of 0:06:25.320 --> 0:06:25.960 the person. 0:06:25.760 --> 0:06:29.200 Checking you and being like yeah, yeah, yes, say it, 0:06:29.800 --> 0:06:30.599 come on, say it. 0:06:30.640 --> 0:06:32.280 I dare you. 0:06:44.760 --> 0:06:46.919 So it was it kind of I mean weeds, and 0:06:46.960 --> 0:06:50.479 I'm sure it wasn't like this one after the other, 0:06:50.720 --> 0:06:51.760 just a lot of work. 0:06:52.480 --> 0:06:55.000 Like you were like, okay, I show opened to show close. 0:06:55.360 --> 0:06:57.320 Yeah, I already had one. I already had one on 0:06:57.360 --> 0:07:00.800 the way. Yeah, I was extremely blessed. Yeah, extremely best 0:07:00.920 --> 0:07:06.640 and thankfully everything that I did in theater was a 0:07:06.720 --> 0:07:10.440 kind of pipe dream of mine realized and nothing that 0:07:10.600 --> 0:07:12.960 was like I made a deal with myself very early 0:07:13.000 --> 0:07:16.720 on for a sce, I don't I'm not hugely ambitious. 0:07:16.920 --> 0:07:19.560 I'd never had this huge plan at all. 0:07:20.840 --> 0:07:23.320 A very bohemian and kind of go with the flow 0:07:23.360 --> 0:07:25.800 and what's meant to come to me still now does. 0:07:26.240 --> 0:07:27.680 And there are things that I think, oh, I would 0:07:27.680 --> 0:07:29.280 have loved to have done that, and then my brain goes, 0:07:29.440 --> 0:07:31.000 but it's not for you. And I work on that 0:07:31.040 --> 0:07:32.720 basis all the time, and I did back then as well. 0:07:34.320 --> 0:07:39.080 I never wanted to do anything where I was like fifteenth, eighteenth, 0:07:39.200 --> 0:07:43.840 twentieth Fontein and Lamais. I thought I would rather create 0:07:43.880 --> 0:07:46.800 something that might falter, or I'd rather not do it. 0:07:46.880 --> 0:07:54.080 Whish you were clear, that's the best I think like that, Yeah. 0:07:52.440 --> 0:07:54.880 What was your kind of ethos? Things? 0:07:55.200 --> 0:08:00.680 You know, I don't Unfortunately I didn't have clarity. 0:08:01.120 --> 0:08:04.160 I kind of was going through the motions. 0:08:03.720 --> 0:08:09.240 Of everything, and uh, I look back, and you know, 0:08:10.480 --> 0:08:12.720 I'm at at that stage where I'm in my late 0:08:12.760 --> 0:08:15.640 fifties were like people say in midlife crisis, but hold on. 0:08:15.680 --> 0:08:20.920 Hold on one one second. What you are thet You're 0:08:20.960 --> 0:08:22.400 in your late fifties. 0:08:22.000 --> 0:08:24.640 Fifty eight, you are the hottest arch of sixties. 0:08:24.800 --> 0:08:26.160 I'm going to hold his head. 0:08:26.680 --> 0:08:28.760 Guys, if you haven't seen this man in pressure, he 0:08:28.880 --> 0:08:31.800 is the hottest fifty eight year old you've ever seen 0:08:32.000 --> 0:08:33.720 walking God's green Land. 0:08:34.880 --> 0:08:37.720 Thank you for joining us for table for two, Karen, 0:08:37.760 --> 0:08:39.480 I will be going upstairs. 0:08:40.280 --> 0:08:43.040 What what the hell I mean? I don't know? I 0:08:43.040 --> 0:08:46.560 mean or you're younger than me, I don't Oh, thank you. 0:08:46.720 --> 0:08:47.520 I'm just gonna say that. 0:08:48.720 --> 0:08:50.800 Carry on. I'm not going to interrupt you, but are 0:08:50.840 --> 0:08:53.400 you absolutely kidding me? 0:08:53.640 --> 0:08:57.400 I didn't have I didn't know what I wanted to do. 0:08:57.559 --> 0:08:59.480 I didn't I worked in the restaurant Posis for many, 0:08:59.480 --> 0:09:01.760 many years. That's a whole familial that was a whole 0:09:01.760 --> 0:09:04.120 family thing, like grandfather co founded. 0:09:04.559 --> 0:09:08.120 I worked thirty years, ninety four years in disastrous and 0:09:08.320 --> 0:09:11.000 but a beautiful journey. Yeah, like the families. 0:09:12.880 --> 0:09:17.240 And I think by having that, it just maybe I 0:09:18.400 --> 0:09:21.920 didn't have the sort of fire that I might have had, 0:09:22.320 --> 0:09:24.679 even though I kind of never wanted to be in 0:09:24.679 --> 0:09:25.160 that room. 0:09:25.520 --> 0:09:28.000 I went in that room. Really, I really didn't. 0:09:28.040 --> 0:09:29.040 Did you feel obliged? 0:09:29.679 --> 0:09:31.320 I felt my I mean, my parents like do what 0:09:31.360 --> 0:09:34.199 you want to do. I just I was good at it. 0:09:34.400 --> 0:09:37.600 And see that's the thing that Yeah. 0:09:37.440 --> 0:09:40.480 It came easy to you, easy both physically and. 0:09:40.480 --> 0:09:45.040 Yeah, and so I didn't I look back going God like. 0:09:45.200 --> 0:09:47.800 What would what would happen? Because you weren't basically in 0:09:48.080 --> 0:09:50.520 your family business too, you know you were. 0:09:51.080 --> 0:09:55.319 That's why I find it interesting. It's the it being easy, right, it's. 0:09:55.160 --> 0:09:57.520 In your bones, your bones, It's like, and you don't 0:09:57.559 --> 0:09:59.200 you almost don't have time to go hold on. 0:09:59.240 --> 0:10:00.680 This is one hundred percent. Oh do you know what? 0:10:02.040 --> 0:10:05.600 I love it enough to go into it. Yeah, that's 0:10:05.640 --> 0:10:07.200 very That's what I was asking. It's very interesting. 0:10:07.760 --> 0:10:15.320 Do you feel just theater folk verse film and television film? 0:10:13.880 --> 0:10:14.080 Yeah? 0:10:15.440 --> 0:10:20.400 Like the difference, I mean, like, is your vibe different? 0:10:20.640 --> 0:10:23.560 You like, you know, it's such a different Meetum, you 0:10:23.559 --> 0:10:29.360 know you're you're with theater people experience this live, you know, Cloie, 0:10:29.520 --> 0:10:31.520 you love theaterre Yeah, do. 0:10:31.520 --> 0:10:31.920 You know what? 0:10:32.040 --> 0:10:37.200 I was listening to M's one Emily Blues and I 0:10:37.240 --> 0:10:39.360 said something, Oh, she and I fell in love with 0:10:39.400 --> 0:10:40.120 each other nasively. 0:10:41.600 --> 0:10:44.000 We're both you know, kind of London. 0:10:44.000 --> 0:10:49.840 Sorry girls, she she said something very interesting that I 0:10:49.880 --> 0:10:54.480 hadn't actually thought about. You are in such a concentrated 0:10:54.600 --> 0:10:57.720 spotlight when you do like we did Full Guy together, 0:10:58.720 --> 0:11:00.920 or like Ted last you, or you're in such a 0:11:00.920 --> 0:11:02.040 concentrated spotlight. 0:11:02.600 --> 0:11:04.280 There are I feel like. 0:11:04.240 --> 0:11:08.720 I've taken into my life, maybe one or two people 0:11:08.800 --> 0:11:13.400 from each job. And that's not intentional, but you kind 0:11:13.400 --> 0:11:16.920 of all fall in love with each other, but it 0:11:17.000 --> 0:11:20.800 becomes apparent quite quickly the ones that you'll check in 0:11:20.880 --> 0:11:23.800 with always down the line. 0:11:24.160 --> 0:11:28.960 You know. It's a funny old thing because theater, there's. 0:11:28.760 --> 0:11:33.560 The obvious daily muscularity of you all have to pull 0:11:33.600 --> 0:11:35.640 together when the curtain goes off at seven point thirty. 0:11:36.800 --> 0:11:42.520 Everyone follow spot front of house, everyone, the orchestra, you 0:11:42.600 --> 0:11:44.839 all have to be there and everything. The thing I 0:11:44.880 --> 0:11:47.679 love about it, everything in everyone's life has to be 0:11:47.720 --> 0:11:48.280 put to. 0:11:48.240 --> 0:11:51.040 One side in the wings, in the box, and you 0:11:51.120 --> 0:11:52.119 pick it up afterwards. 0:11:52.440 --> 0:11:54.080 You might be able to see it in someone's eyes 0:11:54.080 --> 0:11:55.640 and you give them a squeeze on stage and you're like, 0:11:55.679 --> 0:11:56.880 it's fine, it's fine, I'll come and see you. 0:11:56.880 --> 0:11:59.000 With the interval and you'll have a squeeze, you had 0:11:59.000 --> 0:12:02.240 a shitty day. You know, there's that, But in general, 0:12:02.600 --> 0:12:04.200 you will leave everything to one side. 0:12:05.080 --> 0:12:08.240 Whereas when you're on a film set particularly, it is 0:12:08.280 --> 0:12:12.960 a far more singular lifestyle and you have this kind 0:12:12.960 --> 0:12:15.840 of full on immersive. 0:12:15.360 --> 0:12:18.800 Experience and we need one. 0:12:20.360 --> 0:12:21.040 And then you leave. 0:12:21.240 --> 0:12:24.560 Yeah. Yeah, And even though you are kind of in 0:12:24.600 --> 0:12:28.240 and out of each other's trailers, it's not the same 0:12:28.400 --> 0:12:31.400 as being backstage where you basically bed in. You know, 0:12:31.440 --> 0:12:36.600 you're like residents along with the mice, and there's far 0:12:36.679 --> 0:12:39.280 less higher army. 0:12:39.760 --> 0:12:41.960 Yeah that everyone knows. You've got to handle it like 0:12:41.960 --> 0:12:43.040 this otherwise you won't flush. 0:12:43.679 --> 0:12:45.760 But I love all of them. I love all of that, 0:12:45.880 --> 0:12:49.199 and I do miss it. But the thing I love 0:12:49.200 --> 0:12:52.280 about the film set is I was actually saying this 0:12:52.640 --> 0:12:56.679 more than ever on set with David leach m and Ryan. 0:12:56.720 --> 0:12:58.280 At one point I said, I love that we're all 0:12:58.280 --> 0:13:02.559 feeding off each other's wat ifs, because you're given far 0:13:02.600 --> 0:13:07.280 more of a carte blanche to explore each other, and 0:13:07.720 --> 0:13:09.800 you know, just add little bits in here in each 0:13:09.840 --> 0:13:11.920 of your what ifs, and then you act it on camera. 0:13:12.559 --> 0:13:15.199 So it's a lot of singular people joining together in 0:13:15.280 --> 0:13:19.520 an explosive moment, whereas theater you are all like, you 0:13:19.600 --> 0:13:21.679 know your ropes, you know which one you're pulling, and 0:13:21.720 --> 0:13:24.640 you all pull together for a protracted period of time, 0:13:25.200 --> 0:13:28.920 you know. So just it's like getting on different animals 0:13:29.880 --> 0:13:31.920 and reminding yourself how that baby works. 0:13:53.440 --> 0:13:55.960 Thanks so much for joining us on Table for two. 0:13:56.559 --> 0:14:00.920 Our guest, Hannah Waddingham has had an incredibly wide way acting. 0:14:00.640 --> 0:14:04.840 Career, both in film and television and on stage, and 0:14:04.920 --> 0:14:07.720 she has played so many incredible characters, from the Wicked 0:14:07.760 --> 0:14:10.920 Witch of the West to Rebecca Welton and Ted Lasso. 0:14:11.480 --> 0:14:14.280 I'm curious how does she choose her roles. 0:14:15.120 --> 0:14:19.400 I like characters who I have to find something to love. 0:14:20.240 --> 0:14:21.120 I used to get quite. 0:14:20.960 --> 0:14:23.240 Offended that people would say that Rebecca Wilton is like 0:14:23.240 --> 0:14:24.240 the darl Vader of the thing. 0:14:24.280 --> 0:14:32.120 I was like, well, she's been massively wronged. What's your problem. Yeah, Yeah, 0:14:32.200 --> 0:14:34.200 it's interesting. 0:14:33.680 --> 0:14:37.880 And I mean maybe it's the gentle mind of a 0:14:37.920 --> 0:14:40.360 serial killer, that whole thing of like, oh no, but 0:14:40.360 --> 0:14:41.800 you've got to find the love for them and the 0:14:41.880 --> 0:14:44.720 love for that character, like that's on you. 0:14:45.160 --> 0:14:48.080 Yeah, okay, because you're a person in wild Yeah. 0:14:48.200 --> 0:14:50.080 I just signed off on something this morning which will 0:14:50.080 --> 0:14:50.680 be exciting. 0:14:50.680 --> 0:14:53.080 It a movie that I'm doing, And I basically sat 0:14:53.120 --> 0:14:55.360 down with the director and said, I really love the 0:14:55.360 --> 0:14:57.640 idea of working with you and the people that you're 0:14:58.040 --> 0:15:01.680 trying to assemble, but I I basically want to play 0:15:01.840 --> 0:15:03.800 this in the script because. 0:15:03.560 --> 0:15:09.360 It was too obvious. It was too you know, kind 0:15:09.400 --> 0:15:11.480 of curvy. 0:15:10.600 --> 0:15:16.520 Blondie busty, and so I've said I'm in if we 0:15:16.560 --> 0:15:17.480 can turn it on its head. 0:15:18.880 --> 0:15:21.320 Okay, So you bring up something that was on my mind, 0:15:22.080 --> 0:15:27.359 which is the objectification in like in being objectified. 0:15:27.440 --> 0:15:28.280 Yeah, I mean you're. 0:15:28.520 --> 0:15:32.880 Very beautiful, your everything that sort of classically gets objectified 0:15:32.880 --> 0:15:38.280 and hardy. Yeah, and recently you called journalist out for 0:15:38.480 --> 0:15:40.960 sort of and I think justifiably. So when I was 0:15:41.000 --> 0:15:43.920 watching E whatever the hell I was watching, and I 0:15:43.960 --> 0:15:46.200 was like, good for you, Hannah, I'm like, like. 0:15:46.320 --> 0:15:49.000 Hey, would you would you ask a guy like you know, 0:15:48.880 --> 0:15:49.880 you know, yeah? 0:15:49.880 --> 0:15:52.120 And it was disappointing because I've known him for twenty years. 0:15:52.160 --> 0:15:53.600 That's really disappointing. Really. 0:15:54.480 --> 0:15:58.720 That's why I was so disappointed because we've always had 0:15:59.200 --> 0:16:01.440 such a mutually. 0:16:00.960 --> 0:16:08.280 Beneficial relationship, always respectful, and I think I supp you know, 0:16:08.480 --> 0:16:11.560 to his credit. He emailed me afterwards and we got 0:16:11.560 --> 0:16:13.800 into it a bit, and I said, what on earth 0:16:13.800 --> 0:16:16.440 were you thinking? Not only had I been photographed, I 0:16:16.480 --> 0:16:19.800 was just about to host the whole of the Olivias. 0:16:19.080 --> 0:16:21.400 And I just had to perform. What on earth are 0:16:21.440 --> 0:16:23.400 you doing? You're better than that? 0:16:24.200 --> 0:16:28.960 And he just said, forgive me. I was over familiar 0:16:29.000 --> 0:16:32.720 for seconds, so I took it. But I did say 0:16:32.720 --> 0:16:36.960 to him, make no mistake, you cannot and must not 0:16:37.520 --> 0:16:40.840 ever man or woman, speak to anybody like that ever again. 0:16:40.920 --> 0:16:43.440 And it wasn't kind of actually what he said. It 0:16:43.520 --> 0:16:48.320 was his mannerism. He kind of went, I. 0:16:48.320 --> 0:16:48.960 Couldn't see that. 0:16:49.320 --> 0:16:52.160 No nobody saw that. That is an exclusive, my friend. 0:16:52.720 --> 0:16:56.240 But that made me go from nought to absolutely mental. 0:16:56.720 --> 0:17:00.680 And I'm actually quite absolutely let you. 0:17:00.680 --> 0:17:02.960 Get away with them? 0:17:04.960 --> 0:17:06.960 No, no, no, no no, And I'm nipping it in the 0:17:07.000 --> 0:17:08.640 bug because my daughter will be watching this. 0:17:09.680 --> 0:17:12.679 And I can't. I can't have it. I can't have it. 0:17:12.680 --> 0:17:17.080 It's just And then what actually surprised me more than anything, 0:17:17.880 --> 0:17:19.800 because I get it that he's trying to get his 0:17:19.880 --> 0:17:22.200 shot and he forgot himself for a moment. 0:17:22.760 --> 0:17:29.400 What I don't understand is the amount of unbelievably acidic 0:17:29.520 --> 0:17:32.000 comments I got online. 0:17:31.600 --> 0:17:36.679 From women, from women saying, oh you love the spotlight, 0:17:36.880 --> 0:17:39.639 you love it if you had a split in your skirt. No, no, no, 0:17:39.760 --> 0:17:44.280 it was a custom made, beautiful Marquesa gown where I'd 0:17:44.440 --> 0:17:48.560 very carefully said, let's have it mid thy and no 0:17:48.680 --> 0:17:54.200 further up. Beautiful, diaphanous, stunning gown made me by beautiful seamstresses. 0:17:55.040 --> 0:18:00.120 And to have people women women, Yeah, bad show man, 0:18:00.240 --> 0:18:01.480 and I'm such a girl's girl. 0:18:01.640 --> 0:18:03.679 That's what upset me. Yeah, I can deal with the 0:18:03.720 --> 0:18:05.119 photographer me and I fine. 0:18:05.720 --> 0:18:08.720 But that it's interesting that kind of goes in line 0:18:08.800 --> 0:18:12.800 with when people say, and I might be stretching in 0:18:12.840 --> 0:18:14.200 a little bit, when something. 0:18:13.960 --> 0:18:17.520 Happens to somebody, you get whistle that you get it. 0:18:17.720 --> 0:18:19.399 Oh well you deserved it because it was what you 0:18:19.400 --> 0:18:19.879 were worried. 0:18:20.000 --> 0:18:22.400 Yeah, or you get and that's no, no, no, no, no, yeah, 0:18:22.960 --> 0:18:25.320 whiffs of the accused, right exactly? If I have whiffs 0:18:25.359 --> 0:18:28.280 of the accused, do you have you come across that 0:18:28.320 --> 0:18:28.640 a lot. 0:18:28.560 --> 0:18:29.119 In your career? 0:18:29.520 --> 0:18:31.760 No, barre not No. 0:18:31.920 --> 0:18:35.679 I think I am constantly told that most men are 0:18:35.720 --> 0:18:42.080 scared of me. Why, I mean, I might, I mean 0:18:42.880 --> 0:18:45.440 it's such a silly egg you are. 0:18:46.080 --> 0:18:48.920 I don't get it. Are you in a relationship work now? 0:18:48.960 --> 0:18:49.240 I'm not. 0:18:50.240 --> 0:18:52.080 You need to sort that out. 0:18:52.119 --> 0:18:55.439 There's something that is a complete mystery to me. I 0:18:55.480 --> 0:18:58.640 am almost perpetually single and very broed of it. 0:18:59.040 --> 0:19:00.880 It just turn fifty and I'm not down with. 0:19:00.920 --> 0:19:04.920 Any Yes, look at you, well, look at you. 0:19:05.480 --> 0:19:07.800 He's being nice. 0:19:08.160 --> 0:19:12.760 Excuse me. It was fifty. Turning fifty in any way 0:19:14.080 --> 0:19:17.160 hard or no. I love it. I don't mind it. 0:19:17.240 --> 0:19:17.760 I love it. 0:19:18.359 --> 0:19:22.879 I think I've been so blessed by the arrival of 0:19:22.920 --> 0:19:25.720 my daughter into my life, and I know so many 0:19:25.960 --> 0:19:28.280 dear friends who haven't been able to have that. 0:19:28.600 --> 0:19:32.439 And I've also lost, either through illness or through not 0:19:32.480 --> 0:19:33.080 being able to. 0:19:33.040 --> 0:19:35.919 Cope with their world anymore, a lot of people that 0:19:36.040 --> 0:19:37.040 haven't made it to fifty. 0:19:37.280 --> 0:19:41.800 Wow. Right, So I went away on a trip and 0:19:42.920 --> 0:19:45.480 took my nearest and dearest with me, and on my. 0:19:45.440 --> 0:19:48.040 Fiftieth birthday, I said that to all of them, you know, 0:19:48.200 --> 0:19:51.920 the little group we had, that I'm so blessed. 0:19:51.480 --> 0:19:53.720 To have all of them. 0:19:54.480 --> 0:19:57.439 And I did get quite sad about the people I 0:19:57.480 --> 0:20:00.480 know who haven't made it to fifty. And you know, 0:20:00.800 --> 0:20:05.520 especially in this industry that can be so brutal. They've 0:20:05.520 --> 0:20:09.040 all been in this industry. I did raise a glass 0:20:09.040 --> 0:20:12.000 to them, and I didn't want to be morose on 0:20:12.080 --> 0:20:15.640 that day. But you do kind of reflect a lot, 0:20:15.720 --> 0:20:19.760 don't you, around your fiftiethly So I had an amazing 0:20:19.840 --> 0:20:23.320 day with my little girl, who turned ten five days previously, 0:20:23.960 --> 0:20:25.840 and you know, it's just me and her. 0:20:25.960 --> 0:20:31.119 We are a total little team. And I was totally 0:20:31.160 --> 0:20:31.480 cool it. 0:20:31.520 --> 0:20:34.639 I love that I'm exactly ten years sorry that I'm 0:20:34.640 --> 0:20:37.800 exactly forty years older than her, and we'll always have 0:20:38.000 --> 0:20:39.720 those stepping stones. 0:20:39.880 --> 0:20:40.040 Yeah. 0:20:40.080 --> 0:20:43.080 I was sitting there at the dressing table and when 0:20:43.080 --> 0:20:45.280 I was thirty eight and literally thought, oh my. 0:20:45.200 --> 0:20:47.080 God, I've forgotten to have a child. 0:20:48.280 --> 0:20:51.840 Just suddenly, Yes, it's like my Obrey's when hello. And 0:20:51.920 --> 0:20:54.880 it felt like, you know, like in Moontielhood. It felt 0:20:54.880 --> 0:20:57.640 like I grabbed the last egg from underneath the door 0:20:57.720 --> 0:20:59.440 that was coming down, like his hat. 0:21:01.280 --> 0:21:01.920 I really didn't. 0:21:01.960 --> 0:21:04.160 I was like, Oh, that's that's the girl. 0:21:05.080 --> 0:21:06.399 I really really did. 0:21:16.359 --> 0:21:20.399 You played? Yeah, I mean you gorgeous. 0:21:21.640 --> 0:21:24.680 Well my mom kept saying yeah, and prosthetic nose and chin. 0:21:27.240 --> 0:21:30.440 My mom had always said, why do you why do 0:21:30.520 --> 0:21:32.840 you always covered up what you look like, why can't 0:21:32.880 --> 0:21:33.520 you just be you? 0:21:33.720 --> 0:21:36.480 And I'm like, because I don't need to be me. 0:21:38.000 --> 0:21:39.960 I'm me in life, I don't need to be me. 0:21:40.080 --> 0:21:43.240 In my work. And she's like, but why why do 0:21:43.320 --> 0:21:45.359 you Why don't you let people in my twenties and thirties, 0:21:45.520 --> 0:21:47.439 why don't you let people see how lovely you are? 0:21:47.680 --> 0:21:51.200 And I was like, because it's not fun. I love 0:21:51.280 --> 0:21:53.800 the fact that I was unrecognizable in a lot of 0:21:53.880 --> 0:21:55.879