1 00:00:02,920 --> 00:00:06,840 Speaker 1: Imagine your Ron Lieberman. You went to work on nine eleven, 2 00:00:07,680 --> 00:00:12,560 Speaker 1: terrorists slammed jetliners into two skyscrapers only nine feet from 3 00:00:12,560 --> 00:00:16,200 Speaker 1: your apartment. You don't know where your wife says stayed 4 00:00:16,280 --> 00:00:19,880 Speaker 1: last night, she never came home, and you can't leave 5 00:00:19,880 --> 00:00:23,160 Speaker 1: the hospital where you work. You're an emergency doctor, and man, 6 00:00:23,200 --> 00:00:26,040 Speaker 1: you think there's gonna be a massive surge of severely 7 00:00:26,079 --> 00:00:30,440 Speaker 1: injured patients. There's misinformation and more planes and crashes and 8 00:00:30,520 --> 00:00:34,599 Speaker 1: chaos and panic. Later, you hop in an ambulance, get 9 00:00:34,600 --> 00:00:37,240 Speaker 1: as close as you can to your apartment, hop out 10 00:00:37,760 --> 00:00:42,800 Speaker 1: and walk past smoldering ruins. And now it's like nine 11 00:00:42,880 --> 00:00:45,159 Speaker 1: or ten PM and you're standing in front of your 12 00:00:45,200 --> 00:00:48,360 Speaker 1: chained up building, flashing a light to the only residents 13 00:00:48,360 --> 00:00:51,240 Speaker 1: still there, asking them to see if your wife is home. 14 00:00:51,960 --> 00:00:59,440 Speaker 1: She isn't. But you can't just sleep. You feel sick, bubbling, anxiety, exhaustion, 15 00:01:00,000 --> 00:01:04,240 Speaker 1: irvis energy, tired but wired. So you go to a 16 00:01:04,319 --> 00:01:07,080 Speaker 1: high school near the World Trade Center, a staging area, 17 00:01:07,240 --> 00:01:11,960 Speaker 1: and volunteer. Finally, around two AM you leave. You walk 18 00:01:12,040 --> 00:01:14,720 Speaker 1: to a friend's place in the West Village. You crashed 19 00:01:14,720 --> 00:01:26,800 Speaker 1: on their couch, fit full feverish sleep for my Heart Media. 20 00:01:27,240 --> 00:01:30,080 Speaker 1: This is Missing on nine eleven, The story of one 21 00:01:30,120 --> 00:01:32,840 Speaker 1: woman who vanished on the eve of history and my 22 00:01:32,959 --> 00:02:04,280 Speaker 1: quest to find her. I'm your host, John Wallzac. On 23 00:02:04,360 --> 00:02:08,399 Speaker 1: September twelve, two th one, Weary and in shock, Ron 24 00:02:08,560 --> 00:02:11,520 Speaker 1: uses a volunteer badge to once again slip past security 25 00:02:11,560 --> 00:02:16,000 Speaker 1: barricades into the restricted zone. A post apocalyptic dust escape 26 00:02:16,560 --> 00:02:19,480 Speaker 1: nine eleven reduced the World Trade Center to two million 27 00:02:19,560 --> 00:02:23,320 Speaker 1: tons of debris, the pile, they call it, and later 28 00:02:23,520 --> 00:02:27,160 Speaker 1: ground zero. Accompanied by friends, Ron makes his way to 29 00:02:27,200 --> 00:02:30,600 Speaker 1: to Rector Place in Battery Park City, where he and 30 00:02:30,639 --> 00:02:35,280 Speaker 1: Snaha live. Sammy Fliciano, a doorman, is already there along 31 00:02:35,280 --> 00:02:38,800 Speaker 1: with two other building employees, going door to door checking 32 00:02:38,840 --> 00:02:41,320 Speaker 1: each unit. Well, were checking the apartments. One of the 33 00:02:41,680 --> 00:02:44,919 Speaker 1: one of the pieces of the of the airplane. One 34 00:02:44,919 --> 00:02:46,960 Speaker 1: of the pieces was inside one of the apartments. I 35 00:02:46,960 --> 00:02:51,680 Speaker 1: remember that. Wow, Yeah, I remember when I went to 36 00:02:51,680 --> 00:02:54,400 Speaker 1: one of the apartments and there was a piece of 37 00:02:54,440 --> 00:02:57,000 Speaker 1: an airplane inside the one of the apartments, the small 38 00:02:57,040 --> 00:03:00,840 Speaker 1: new piece. It's true, part of one of the planes 39 00:03:00,840 --> 00:03:04,320 Speaker 1: that hit the Twin towers, flew nine feet south and 40 00:03:04,440 --> 00:03:08,600 Speaker 1: crashed into an apartment at Rector. The FBI stops by 41 00:03:08,680 --> 00:03:11,720 Speaker 1: to take custody of it. When Ron gets to the building, 42 00:03:11,880 --> 00:03:14,840 Speaker 1: the power is off, so he takes the stairs and 43 00:03:15,040 --> 00:03:20,600 Speaker 1: enters his apartment. Here's what he told in two thousand one. 44 00:03:20,960 --> 00:03:23,560 Speaker 1: Everything looked untouched and there was just this gray layer 45 00:03:23,560 --> 00:03:26,200 Speaker 1: of of soot everywhere through the apartment because one of 46 00:03:26,240 --> 00:03:28,280 Speaker 1: the windows was open. I was really looking very hard 47 00:03:28,320 --> 00:03:29,920 Speaker 1: to see if I could see any trace of her, 48 00:03:29,960 --> 00:03:34,400 Speaker 1: and there was nothing. Nothing human. But Ron does see 49 00:03:34,440 --> 00:03:38,960 Speaker 1: prints in the dust, cat prints. He and have two cats, 50 00:03:39,200 --> 00:03:43,240 Speaker 1: Figa and Collie. Figa is a vulgar Italian word for 51 00:03:43,240 --> 00:03:46,840 Speaker 1: forgive me here pussy. Collie with a K is the 52 00:03:46,920 --> 00:03:50,480 Speaker 1: Hindu goddess of death and destruction, the black mother goddess 53 00:03:50,520 --> 00:03:55,320 Speaker 1: who inhabits the cremation ground. She's associated with sexuality and violence, 54 00:03:55,480 --> 00:03:59,440 Speaker 1: but also maternal love. Viga and Collie left little Prince 55 00:03:59,520 --> 00:04:02,800 Speaker 1: all over apartment in the nine eleven dust. Using a 56 00:04:02,840 --> 00:04:07,280 Speaker 1: digital camera, Ron starts taking pictures. I haven't been able 57 00:04:07,320 --> 00:04:10,280 Speaker 1: to view the images, but I'd love to. He also 58 00:04:10,320 --> 00:04:13,560 Speaker 1: grabs some stuff, including two phone books packed with numbers. 59 00:04:13,880 --> 00:04:16,640 Speaker 1: Then he leaves. When he started making calls, I called 60 00:04:16,680 --> 00:04:18,680 Speaker 1: every single person in her phone book, and no one 61 00:04:18,720 --> 00:04:24,200 Speaker 1: had heard from her. Next up flyers designed by Say 62 00:04:24,279 --> 00:04:27,920 Speaker 1: has older brother Ashwyn. They quickly go up all over 63 00:04:28,000 --> 00:04:31,839 Speaker 1: the city, thousands of images of black and white and 64 00:04:31,920 --> 00:04:37,839 Speaker 1: in color too. She's everywhere and nowhere quote missing since 65 00:04:37,920 --> 00:04:42,080 Speaker 1: before the World Trade Center attack. Last seen five pm 66 00:04:42,320 --> 00:04:48,120 Speaker 1: Monday one. Dr sna and Philip M. D black hair, 67 00:04:48,360 --> 00:04:53,320 Speaker 1: brown eyes, five six and fifteen pounds olive skin, Indian, 68 00:04:53,720 --> 00:04:58,040 Speaker 1: thirty one years old, physician at St. Vincent's Hospital, Staten Island. 69 00:04:58,480 --> 00:05:01,240 Speaker 1: Last known to be at Century any one across from 70 00:05:01,360 --> 00:05:06,239 Speaker 1: w TC Monday, eighteen pm, while leaving with multiple large 71 00:05:06,279 --> 00:05:10,000 Speaker 1: shopping bags, wearing a brown knee length short sleeve shirt 72 00:05:10,080 --> 00:05:14,560 Speaker 1: dress and sandals. End quote and at the bottom Ron 73 00:05:14,560 --> 00:05:18,359 Speaker 1: and Ashwin's phone numbers, an email, and a website Ashwin created. 74 00:05:18,960 --> 00:05:21,400 Speaker 1: If you want, you can view an archive version of 75 00:05:21,400 --> 00:05:24,599 Speaker 1: the site via the Internet Archives way Back Machine. Go 76 00:05:24,800 --> 00:05:28,159 Speaker 1: to archive dot org, then search for a Magical Lab 77 00:05:28,279 --> 00:05:32,080 Speaker 1: dot com slash snay ha I M A G I 78 00:05:32,600 --> 00:05:38,960 Speaker 1: L A b dot com slash snay. For the families 79 00:05:38,960 --> 00:05:42,279 Speaker 1: and friends of World Trade Center victims, posting flyers around 80 00:05:42,279 --> 00:05:45,880 Speaker 1: the city is therapeutic, but ultimately, for the most part, 81 00:05:46,040 --> 00:05:50,400 Speaker 1: not useful. The flyers are portraits of humanity, of grief, 82 00:05:50,680 --> 00:05:54,880 Speaker 1: of love, but their investigative utility is minimal. They can't 83 00:05:54,920 --> 00:05:58,039 Speaker 1: bring back victims who were, say, trapped above the point 84 00:05:58,080 --> 00:06:01,680 Speaker 1: of impact high end the towers, unable to escape. But 85 00:06:01,760 --> 00:06:04,960 Speaker 1: the flyer of snay Huh is different because there's no 86 00:06:05,040 --> 00:06:08,880 Speaker 1: evidence snayhow was actually in the towers. Maybe she's just 87 00:06:09,240 --> 00:06:13,280 Speaker 1: lost or in a hospital or a shelter. I think 88 00:06:13,320 --> 00:06:16,520 Speaker 1: she's alive. I think she's somewhere and I just can't 89 00:06:16,520 --> 00:06:22,280 Speaker 1: find her yet. I want you to feel this immediacy. 90 00:06:22,600 --> 00:06:26,120 Speaker 1: Your wife is missing. Time is running out, so you 91 00:06:26,200 --> 00:06:28,680 Speaker 1: pacete flyers, and when you run out of energy, you 92 00:06:28,720 --> 00:06:32,800 Speaker 1: paste more with a sense of purpose. Flyers are just 93 00:06:32,880 --> 00:06:35,919 Speaker 1: the start, though. Snay House family also goes on a 94 00:06:36,000 --> 00:06:39,240 Speaker 1: media blitz, or to be more accurate, they try to 95 00:06:39,279 --> 00:06:44,200 Speaker 1: get media attention. Initially they fail. Thousands are missing. There 96 00:06:44,200 --> 00:06:47,279 Speaker 1: are too many stories to tell and too few reporters 97 00:06:47,320 --> 00:06:50,279 Speaker 1: to tell them. So on the evening of nine and 98 00:06:50,320 --> 00:06:54,120 Speaker 1: an act of desperation, snay house younger brother, John approaches 99 00:06:54,160 --> 00:06:57,479 Speaker 1: a reporter with w ABC and says this but on 100 00:06:57,520 --> 00:06:59,479 Speaker 1: the phone with her and she and she told me 101 00:06:59,520 --> 00:07:02,080 Speaker 1: that she was She couldn't leave because there was there 102 00:07:02,080 --> 00:07:04,160 Speaker 1: are people who are hurt. I told her, come on, 103 00:07:04,320 --> 00:07:08,120 Speaker 1: you know, just just leave the building, and and she said, no, 104 00:07:08,200 --> 00:07:10,200 Speaker 1: I have to help this person over here. Is lest 105 00:07:11,640 --> 00:07:14,560 Speaker 1: its last thing I heard from her. None of it 106 00:07:14,720 --> 00:07:18,520 Speaker 1: is true. It's all a lie. John made it up. 107 00:07:19,000 --> 00:07:22,880 Speaker 1: He did not speak to snay Haa on nine eleven. Weird, right, 108 00:07:23,440 --> 00:07:27,360 Speaker 1: This guy just calmly, casually and convincingly lies saying he 109 00:07:27,400 --> 00:07:29,840 Speaker 1: spoke to snay Haa on nine eleven that she called 110 00:07:29,920 --> 00:07:32,600 Speaker 1: him when she ran into the burning towers to save people. 111 00:07:33,640 --> 00:07:36,440 Speaker 1: But when you think about it, is it really that weird? 112 00:07:36,960 --> 00:07:40,720 Speaker 1: If your wife or daughter or sister disappeared, if you 113 00:07:40,920 --> 00:07:43,560 Speaker 1: felt a sense of urgency, if you felt like no 114 00:07:43,600 --> 00:07:47,920 Speaker 1: one was paying attention, what would you do. It isn't 115 00:07:47,960 --> 00:07:52,200 Speaker 1: just John's lie that grabs reporters, though The Flyer works too. 116 00:07:52,760 --> 00:07:56,040 Speaker 1: Remember Hugo Kogia, the man in episode one who knew 117 00:07:56,040 --> 00:07:58,960 Speaker 1: snayha in Seattle in the nineties whose ex girlfriend was 118 00:07:59,000 --> 00:08:02,640 Speaker 1: snay has roommate well. By two thousand one, Hugo is 119 00:08:02,680 --> 00:08:05,680 Speaker 1: living in New York working as a reporter for Newsday, 120 00:08:05,800 --> 00:08:09,119 Speaker 1: and by chance he sees the Flyer. She looked pretty 121 00:08:09,160 --> 00:08:11,320 Speaker 1: much the same I guess she did pretty much the same. 122 00:08:11,800 --> 00:08:16,120 Speaker 1: And then I saw her name and say, huh, I 123 00:08:16,120 --> 00:08:19,920 Speaker 1: mean that's a pretty unique name, snay Huff Phillip. And 124 00:08:20,200 --> 00:08:23,480 Speaker 1: I want to say. It took five to ten seconds 125 00:08:23,960 --> 00:08:26,520 Speaker 1: and then I put it together. Wait a minute, this, 126 00:08:26,760 --> 00:08:29,200 Speaker 1: I think this has to be her. I mean, it 127 00:08:29,240 --> 00:08:31,320 Speaker 1: looks like her. I think it looks like it looks 128 00:08:31,360 --> 00:08:33,760 Speaker 1: like what I remember. It looks like the person I remember. 129 00:08:34,200 --> 00:08:37,720 Speaker 1: And I'm almost positive that was her name. But right 130 00:08:37,760 --> 00:08:40,679 Speaker 1: it didn't add up that she was in New York, 131 00:08:41,240 --> 00:08:44,079 Speaker 1: because this is someone a new from Seattle. Um, so 132 00:08:44,600 --> 00:08:48,480 Speaker 1: that also seemed unlikely. You know, I'm going to say 133 00:08:48,520 --> 00:08:53,120 Speaker 1: that it was really out. Not until I spoke to 134 00:08:53,160 --> 00:08:56,680 Speaker 1: her husband that I think I right. So even even 135 00:08:56,720 --> 00:08:59,280 Speaker 1: at that point, I thought I'd pretty sure this is her, 136 00:08:59,400 --> 00:09:02,000 Speaker 1: But until I spooked her husband, I didn't know for sure. 137 00:09:04,840 --> 00:09:09,280 Speaker 1: Hugo's article, prompted by the fire Ron's on September two, 138 00:09:09,800 --> 00:09:14,680 Speaker 1: one headline lost in attacks wake family fears for city 139 00:09:14,679 --> 00:09:19,120 Speaker 1: woman missing since September by all signs, snay Ha Philip 140 00:09:20,400 --> 00:09:23,920 Speaker 1: is one of dozens, hundreds thousands of people who go 141 00:09:24,000 --> 00:09:26,920 Speaker 1: missing every day of every year for any number of 142 00:09:26,960 --> 00:09:30,360 Speaker 1: reasons she is different because she went missing in Lower 143 00:09:30,400 --> 00:09:33,800 Speaker 1: Manhattan the night before one of the biggest events in 144 00:09:33,840 --> 00:09:37,480 Speaker 1: American history. While the following buildings might not have killed her, 145 00:09:37,800 --> 00:09:41,880 Speaker 1: they essentially erased her. Here's what Ron said. I know 146 00:09:41,960 --> 00:09:44,120 Speaker 1: we live in a random universe, but is it really 147 00:09:44,240 --> 00:09:47,160 Speaker 1: that random? Is what happened to her and what happened 148 00:09:47,160 --> 00:09:51,120 Speaker 1: on September eleven unlucky timing or is it connected? The 149 00:09:51,160 --> 00:09:53,200 Speaker 1: police keep trying to lump her in with the missing 150 00:09:53,200 --> 00:09:55,480 Speaker 1: people from the World Trade Center. I don't know if 151 00:09:55,480 --> 00:09:57,960 Speaker 1: it's because they don't believe me, or they just don't 152 00:09:57,960 --> 00:10:01,520 Speaker 1: want to deal with anything else. We're using valuable time. 153 00:10:01,920 --> 00:10:05,559 Speaker 1: If she's somewhere, we can save her. The family has 154 00:10:05,600 --> 00:10:09,160 Speaker 1: filed two reports with the FBI, a missing person's report 155 00:10:09,240 --> 00:10:12,920 Speaker 1: with detectives at the First Precinct and with authorities investigating 156 00:10:12,960 --> 00:10:16,720 Speaker 1: the World Trade Center disaster. They've hired a private investigator, 157 00:10:17,080 --> 00:10:21,360 Speaker 1: checked hospitals and shelters, posted flyers all over Lower Manhattan, 158 00:10:21,760 --> 00:10:24,920 Speaker 1: and phoned every person in snay Haw Phillips addressed book. 159 00:10:25,400 --> 00:10:28,760 Speaker 1: They've even consulted with a psychic who told Lieberman his 160 00:10:28,800 --> 00:10:34,679 Speaker 1: wife is somewhere safe, unharmed, but unable to speak initially, 161 00:10:34,880 --> 00:10:37,520 Speaker 1: snay House family does not think she was at the 162 00:10:37,559 --> 00:10:42,240 Speaker 1: World Trade Center on nine eleven. Denial maybe, but logic too. 163 00:10:42,880 --> 00:10:45,760 Speaker 1: Here's what Ron told Rachel Shier, a reporter with the 164 00:10:45,760 --> 00:10:48,800 Speaker 1: New York Daily News. The only link to the World 165 00:10:48,840 --> 00:10:51,600 Speaker 1: Trade Center is that we live in Battery Park City. 166 00:10:52,040 --> 00:10:54,760 Speaker 1: We never go there. She had no business being there. 167 00:10:55,440 --> 00:11:00,320 Speaker 1: Shire's article runs on September headline She's law in a 168 00:11:00,400 --> 00:11:03,880 Speaker 1: sea of missing Battery Park City doc vanished the day 169 00:11:03,880 --> 00:11:07,320 Speaker 1: before attack. When you contacted me and said that you 170 00:11:07,320 --> 00:11:09,800 Speaker 1: were interested in a story that I wrote, I instantly 171 00:11:09,800 --> 00:11:12,920 Speaker 1: guessed that it was that it was that one, because 172 00:11:12,960 --> 00:11:15,240 Speaker 1: out of all the stories I wrote for the Daily News, 173 00:11:15,760 --> 00:11:18,600 Speaker 1: um that that is honestly the one I remember the most. 174 00:11:19,280 --> 00:11:23,960 Speaker 1: Shire started working for the Daily News eleven she was 175 00:11:24,000 --> 00:11:27,320 Speaker 1: in Brooklyn, unable to make it into Manhattan. I was 176 00:11:27,360 --> 00:11:30,720 Speaker 1: a New York reporter, and and like our our instinct 177 00:11:30,800 --> 00:11:32,840 Speaker 1: was to go and try and and and get close 178 00:11:32,880 --> 00:11:35,400 Speaker 1: to the place to do our jobs. And there was 179 00:11:35,440 --> 00:11:40,000 Speaker 1: a sense of of like excitement, because you know, that's 180 00:11:40,040 --> 00:11:42,840 Speaker 1: what we're sort of trained to feel when when a 181 00:11:42,840 --> 00:11:46,760 Speaker 1: big story happens. Um strangely enough, I mean, also was 182 00:11:46,800 --> 00:11:50,520 Speaker 1: this horrific thing that was sort of beyond anybody's comprehension. 183 00:11:51,200 --> 00:11:53,280 Speaker 1: And I mean, now we all look back on it, 184 00:11:53,440 --> 00:11:56,640 Speaker 1: you know, we all know what happened, but you know, 185 00:11:56,920 --> 00:12:00,040 Speaker 1: in the moment, of course, we we didn't anticipate. It 186 00:12:00,640 --> 00:12:04,640 Speaker 1: was just impossible to imagine that that the World Trade 187 00:12:04,640 --> 00:12:08,440 Speaker 1: Center was going to collapse after the attacks, one of 188 00:12:08,480 --> 00:12:12,360 Speaker 1: her editors assigned her a story on the family believed 189 00:12:12,400 --> 00:12:16,560 Speaker 1: that if the media, you know, covered the story that 190 00:12:17,080 --> 00:12:20,559 Speaker 1: at that point, it was still days after she had disappeared, 191 00:12:21,040 --> 00:12:23,440 Speaker 1: and so I think that they had a belief that 192 00:12:24,000 --> 00:12:27,760 Speaker 1: the more coverage there was of her story, the more 193 00:12:27,880 --> 00:12:30,840 Speaker 1: chance they had of finding her. Tell me what you 194 00:12:30,840 --> 00:12:34,439 Speaker 1: remember about reporting it, what you remember about it? Well, 195 00:12:34,480 --> 00:12:39,640 Speaker 1: I remember I remember talking to her husband, Ron. I 196 00:12:39,720 --> 00:12:46,679 Speaker 1: can't remember now exactly what he remember him being very distraught. Um, 197 00:12:46,720 --> 00:12:50,280 Speaker 1: you know, and really again, I mean, I think that 198 00:12:50,640 --> 00:12:53,280 Speaker 1: my story, I think was one of the earlier ones 199 00:12:53,360 --> 00:12:56,000 Speaker 1: that was written about her case. It was just days 200 00:12:56,080 --> 00:12:59,840 Speaker 1: after nine eleven, or a week or two afterwards. So 201 00:13:00,800 --> 00:13:03,320 Speaker 1: you know, they still had a lot of hope that 202 00:13:03,320 --> 00:13:05,440 Speaker 1: that maybe they would locate her or at least find 203 00:13:05,480 --> 00:13:09,160 Speaker 1: out what had happened to her, and Um, I remember 204 00:13:09,280 --> 00:13:14,360 Speaker 1: him being very you know, very distraught and really kind 205 00:13:14,400 --> 00:13:19,000 Speaker 1: of at his wits end about what had happened to her, 206 00:13:19,679 --> 00:13:25,160 Speaker 1: And he was very focused on the idea that somehow 207 00:13:25,280 --> 00:13:28,880 Speaker 1: what had happened to her, if I'm remembering this correctly, 208 00:13:29,080 --> 00:13:32,600 Speaker 1: had had somehow connected to nine eleven. He had this 209 00:13:32,720 --> 00:13:37,640 Speaker 1: idea that maybe the day before she had been at 210 00:13:37,960 --> 00:13:41,640 Speaker 1: you know, in the wrong place, you know, or or 211 00:13:41,679 --> 00:13:44,480 Speaker 1: in proximity to the wrong people, like you sort of 212 00:13:44,520 --> 00:13:48,560 Speaker 1: theorized that maybe there were you know, there were terrorists 213 00:13:48,600 --> 00:13:52,480 Speaker 1: who were lurking around the day before nine eleven, you know, 214 00:13:52,640 --> 00:13:55,320 Speaker 1: and she had sort of been in the wrong place 215 00:13:55,360 --> 00:13:58,079 Speaker 1: at the wrong time or something. I mean, I don't 216 00:13:58,280 --> 00:14:02,079 Speaker 1: that was I don't think based on any actual evidence 217 00:14:02,200 --> 00:14:06,240 Speaker 1: or or or reality. But of course these were early days, 218 00:14:06,240 --> 00:14:10,760 Speaker 1: like we knew much less about the whole event of 219 00:14:10,880 --> 00:14:14,480 Speaker 1: nine eleven than we do now. Um so, I mean, 220 00:14:14,600 --> 00:14:17,520 Speaker 1: and also it was just a time. I think it 221 00:14:17,640 --> 00:14:21,840 Speaker 1: was a very strange moment in New York, especially where 222 00:14:22,520 --> 00:14:25,360 Speaker 1: you know, the world had turned upside down and there 223 00:14:25,480 --> 00:14:29,320 Speaker 1: was this kind of general sense that we had entered 224 00:14:29,400 --> 00:14:33,040 Speaker 1: this this kind of apocalyptic reality where anything was possible. 225 00:14:33,920 --> 00:14:37,920 Speaker 1: Snay House story also appears on multiple TV programs, including 226 00:14:38,000 --> 00:14:42,800 Speaker 1: Extra and where her mom Onto makes an emotional plea 227 00:14:42,880 --> 00:14:45,880 Speaker 1: for help. I have the feeling that she is alive 228 00:14:47,000 --> 00:14:50,280 Speaker 1: and that we are not getting enough how to go 229 00:14:50,400 --> 00:14:57,800 Speaker 1: to find her, and that's the hardest block. Snay House 230 00:14:57,840 --> 00:15:01,280 Speaker 1: family is skeptical of the ny p D. They take 231 00:15:01,360 --> 00:15:04,600 Speaker 1: matters into their own hands and hire a private investigator, 232 00:15:05,080 --> 00:15:07,760 Speaker 1: and when he fails to turn up leads, they hire 233 00:15:07,880 --> 00:15:12,240 Speaker 1: another investigator, a retired FBI agent named Ken Gollant, who 234 00:15:12,240 --> 00:15:15,560 Speaker 1: declined to speak with me. All the while, they pushed 235 00:15:15,560 --> 00:15:20,200 Speaker 1: the NYPD hard. They don't want SNA preemptively written off 236 00:15:20,280 --> 00:15:24,000 Speaker 1: as quote, just another nine eleven victim. They need people 237 00:15:24,040 --> 00:15:27,760 Speaker 1: to understand. They need the cops to understand that something 238 00:15:27,800 --> 00:15:31,640 Speaker 1: could have happened to say, before nine eleven she disappeared 239 00:15:31,640 --> 00:16:00,000 Speaker 1: on she could still be alive. The first big clue 240 00:16:00,320 --> 00:16:04,440 Speaker 1: arrives via credit card records say used Ron's Amex to 241 00:16:04,480 --> 00:16:07,240 Speaker 1: make two purchases at Century twenty one on the evening 242 00:16:07,240 --> 00:16:13,560 Speaker 1: of six oh five pm bed linens and lingerie, three 243 00:16:13,600 --> 00:16:17,280 Speaker 1: pairs of shoes. Ron calls Century twenty one and they 244 00:16:17,320 --> 00:16:20,320 Speaker 1: allow him to view their security footage and for about 245 00:16:20,320 --> 00:16:22,200 Speaker 1: two weeks. I set and watched this tape for about 246 00:16:22,200 --> 00:16:24,600 Speaker 1: five hours a day, you know, frame by frame. It's 247 00:16:24,600 --> 00:16:28,000 Speaker 1: one of those stop action photos. What I actually found 248 00:16:28,000 --> 00:16:31,920 Speaker 1: my wife on the tape shopping alone. There she is, 249 00:16:32,160 --> 00:16:36,360 Speaker 1: in slow motion, browsing through coats. The time stamp says 250 00:16:36,520 --> 00:16:41,320 Speaker 1: sixteen fifty seven military time for four fifty seven PM. 251 00:16:41,360 --> 00:16:45,360 Speaker 1: That's a problem. There's a discrepancy because, according to the 252 00:16:45,480 --> 00:16:49,840 Speaker 1: nyp DNA left her apartment between five fifteen and five 253 00:16:49,920 --> 00:16:53,480 Speaker 1: thirty thirty minutes after she was caught on tape in 254 00:16:53,520 --> 00:16:59,280 Speaker 1: century one impossible. So something's off, either the camera's clock 255 00:16:59,560 --> 00:17:03,760 Speaker 1: or the end I p d S timeline. Anyway, PM, 256 00:17:04,200 --> 00:17:08,520 Speaker 1: three pairs of shoes, then nothing. Here is snay Haus 257 00:17:08,600 --> 00:17:12,960 Speaker 1: cousin au in two thousand two Unsolved Mysteries. She leaves 258 00:17:12,960 --> 00:17:16,199 Speaker 1: the store and then she just disappears. There is not 259 00:17:16,520 --> 00:17:20,480 Speaker 1: a trace of her nothing, not a credit card transaction, 260 00:17:20,560 --> 00:17:23,159 Speaker 1: no money taken out of her account, no emails, no 261 00:17:23,320 --> 00:17:27,199 Speaker 1: phone calls. Nothing. How does that happen? It's it's a 262 00:17:27,280 --> 00:17:34,840 Speaker 1: complete mystery. As snay House family frantically searches for clues, 263 00:17:35,160 --> 00:17:38,960 Speaker 1: a critical witness comes forward. Her name is Sonya Mora. 264 00:17:39,440 --> 00:17:43,640 Speaker 1: She's a shoe saleswoman at Century She claims to remember 265 00:17:43,720 --> 00:17:49,000 Speaker 1: ringing up Snayha and something else. She says Snaha was 266 00:17:49,040 --> 00:17:54,400 Speaker 1: with someone another woman except what she is that true? 267 00:17:55,080 --> 00:17:57,960 Speaker 1: This is a critical clue. But the mystery woman does 268 00:17:58,000 --> 00:18:01,480 Speaker 1: not show up with sna on Century twenty one security footage, 269 00:18:01,680 --> 00:18:05,840 Speaker 1: and Sonya, the saleswoman, well, her story either changed multiple 270 00:18:05,920 --> 00:18:10,000 Speaker 1: times or it's been misreported by the NYPD, snay House 271 00:18:10,040 --> 00:18:14,119 Speaker 1: family and the media. Because I've seen multiple versions of 272 00:18:14,160 --> 00:18:17,320 Speaker 1: it and they can't all be true. We reached out 273 00:18:17,320 --> 00:18:20,600 Speaker 1: to Sonya, but once we identified ourselves as journalists, she 274 00:18:20,720 --> 00:18:24,159 Speaker 1: stopped responding and she changed her voicemail greeting to remove 275 00:18:24,200 --> 00:18:28,359 Speaker 1: her name for now. Then, unfortunately, we have to rely 276 00:18:28,440 --> 00:18:31,159 Speaker 1: on second hand accounts of what Sonya claimed to have 277 00:18:31,240 --> 00:18:34,800 Speaker 1: seen on the evening of nine. In one version, Sonya 278 00:18:34,840 --> 00:18:37,840 Speaker 1: said snay House with another woman, an Indian woman, who 279 00:18:37,920 --> 00:18:41,040 Speaker 1: she described as a friend. The two women allegedly told 280 00:18:41,040 --> 00:18:44,040 Speaker 1: Sonya that after buying shoes, they might go quote to 281 00:18:44,080 --> 00:18:49,560 Speaker 1: the lingerie area, presumably inside Century twenty one. In another version, 282 00:18:49,680 --> 00:18:52,920 Speaker 1: according to Sonya, snay might have been with another woman. 283 00:18:53,480 --> 00:19:00,520 Speaker 1: Maybe these are obviously very different accounts. In one is 284 00:19:00,520 --> 00:19:04,359 Speaker 1: clearly with another woman. She speaks to Sonya directly and 285 00:19:04,440 --> 00:19:06,440 Speaker 1: says she and the mystery woman might go to the 286 00:19:06,520 --> 00:19:10,119 Speaker 1: lingerie area in the other Sonya isn't even sure if 287 00:19:10,160 --> 00:19:14,320 Speaker 1: the two women are together. And then there's this. Remember 288 00:19:14,359 --> 00:19:16,840 Speaker 1: earlier when I gave you the website snay How's older 289 00:19:16,840 --> 00:19:21,679 Speaker 1: brother Ashwyn created imagical lab dot com slash snay Haa. Well, 290 00:19:21,960 --> 00:19:25,280 Speaker 1: via an archive version of that site, I found something that, 291 00:19:25,359 --> 00:19:28,399 Speaker 1: to my knowledge, has never been reported in any account 292 00:19:28,440 --> 00:19:32,480 Speaker 1: of snay house disappearance. According to the site, quote, Ron 293 00:19:32,600 --> 00:19:36,160 Speaker 1: spoke to the saleswoman who assisted snay Haa at century one. 294 00:19:36,600 --> 00:19:39,479 Speaker 1: She said Snayha was in good spirits and with another 295 00:19:39,520 --> 00:19:43,919 Speaker 1: Indian maybe woman around thirty five to a hundred and 296 00:19:43,960 --> 00:19:47,280 Speaker 1: twenty pounds with short black hair, and that they were 297 00:19:47,320 --> 00:19:51,359 Speaker 1: headed to Victoria's Secret and Jones of New York. End quote. 298 00:19:52,320 --> 00:19:55,639 Speaker 1: This is the very first concrete clue I've ever seen 299 00:19:56,000 --> 00:20:00,560 Speaker 1: indicating where sna may have gone on after century twenty one. 300 00:20:00,840 --> 00:20:04,080 Speaker 1: For some reason, though her family never mentioned it publicly, 301 00:20:04,400 --> 00:20:08,000 Speaker 1: not in interviews, and later not in court, it exists 302 00:20:08,080 --> 00:20:11,200 Speaker 1: only on one archive page of a site created right 303 00:20:11,200 --> 00:20:15,400 Speaker 1: after nine eleven by say As brother Ashwin is it true, 304 00:20:15,760 --> 00:20:19,040 Speaker 1: which account of the last known sighting of sna is accurate? 305 00:20:19,520 --> 00:20:23,320 Speaker 1: What was she alone clearly with another woman, maybe with 306 00:20:23,359 --> 00:20:28,080 Speaker 1: another woman going to the lingerie area or specifically to 307 00:20:28,240 --> 00:20:32,560 Speaker 1: Victoria's Secret and Jones New York. Unfortunately I don't know. 308 00:20:33,119 --> 00:20:36,800 Speaker 1: Ashwyn says older brother did not respond to interview requests. 309 00:20:39,680 --> 00:20:42,320 Speaker 1: So what about the version in which Snay and the 310 00:20:42,359 --> 00:20:45,800 Speaker 1: mystery woman said that after century one they were going 311 00:20:45,840 --> 00:20:49,000 Speaker 1: to Victoria's Secret and Jones New York, a clothing store. 312 00:20:49,800 --> 00:20:53,560 Speaker 1: If accurate, this is a critical clue, the only clue 313 00:20:53,720 --> 00:20:59,320 Speaker 1: so far about where may have gone on after century So, 314 00:20:59,640 --> 00:21:02,000 Speaker 1: even though I think this is a long shot, I 315 00:21:02,080 --> 00:21:05,080 Speaker 1: tried to find all Victoria's Secret and Jones New York 316 00:21:05,119 --> 00:21:08,239 Speaker 1: locations in Manhattan in two thousand one to see if 317 00:21:08,240 --> 00:21:11,200 Speaker 1: there were any neighborhoods or malls that had both stores 318 00:21:11,480 --> 00:21:15,040 Speaker 1: to see where Snahob might have gone. First, I contacted 319 00:21:15,080 --> 00:21:19,160 Speaker 1: Authentic Brands Group, which owns Jones New York, and L Brands, 320 00:21:19,280 --> 00:21:23,200 Speaker 1: which owns Victoria's Secret. Authentic Brands didn't respond to us 321 00:21:23,280 --> 00:21:26,080 Speaker 1: at all. L Brands told me that they looked into 322 00:21:26,119 --> 00:21:28,680 Speaker 1: it and quote, do not have the information you are 323 00:21:28,720 --> 00:21:31,880 Speaker 1: requesting a list of their Manhattan's stores in two thousand one. 324 00:21:32,520 --> 00:21:35,520 Speaker 1: So we dug into old phone books. A quick shout 325 00:21:35,560 --> 00:21:38,280 Speaker 1: out here to the New York Public Library, which searched 326 00:21:38,280 --> 00:21:40,479 Speaker 1: through a two thousand one phone book for US and 327 00:21:40,520 --> 00:21:44,920 Speaker 1: sent us scanned images. We found eight Victoria's Secret locations 328 00:21:44,960 --> 00:21:49,359 Speaker 1: in Manhattan, but only one Jones New York store. Interestingly enough, 329 00:21:49,600 --> 00:21:52,240 Speaker 1: one of the Victoria's Secret stores was in the mall 330 00:21:52,400 --> 00:21:55,320 Speaker 1: underneath the World Trade Center. Do you hear it mentioned 331 00:21:55,320 --> 00:22:01,440 Speaker 1: in this emergency dispatch from nine eleven a minute ago? 332 00:22:01,480 --> 00:22:06,080 Speaker 1: And I was set up the building buildings now building now, 333 00:22:06,240 --> 00:22:12,119 Speaker 1: I was treatment build all this day. I got it 334 00:22:13,119 --> 00:22:19,560 Speaker 1: on the floor of that. It makes sense that on 335 00:22:20,440 --> 00:22:23,639 Speaker 1: Snayhop may have gone to this Victoria's Secret in the 336 00:22:23,760 --> 00:22:26,320 Speaker 1: mall under the Trade Center. It would have been on 337 00:22:26,440 --> 00:22:28,840 Speaker 1: the way back to her apartment, but she would have 338 00:22:28,920 --> 00:22:31,680 Speaker 1: had only forty minutes to get there and shop. She 339 00:22:31,880 --> 00:22:35,600 Speaker 1: left Century one around seven eighteen pm, and the Victoria's 340 00:22:35,640 --> 00:22:39,040 Speaker 1: Secret at the Trade Center closed at eight pm. Also, 341 00:22:39,320 --> 00:22:41,600 Speaker 1: there was no Jones New York store in the Trade 342 00:22:41,640 --> 00:22:44,800 Speaker 1: Center mall. In fact, the only Jones New York store 343 00:22:44,880 --> 00:22:47,440 Speaker 1: in Manhattan in two thousand one that we could find 344 00:22:47,880 --> 00:22:52,119 Speaker 1: was located at one nineteen West Street in Midtown. The 345 00:22:52,240 --> 00:22:56,280 Speaker 1: nearest Victoria's Secret to that was at four Seventh Avenue, 346 00:22:56,560 --> 00:22:59,640 Speaker 1: a five minute walk. So if the account in which 347 00:23:00,080 --> 00:23:02,320 Speaker 1: Hot and the mystery Woman said they were going to 348 00:23:02,440 --> 00:23:05,680 Speaker 1: Victoria's Secret and Jones, New York is true, and that's 349 00:23:05,720 --> 00:23:09,960 Speaker 1: a big if, then maybe they went to Midtown. Anyway, 350 00:23:10,160 --> 00:23:13,040 Speaker 1: what about the mystery woman? Did Snayhouse stay with her 351 00:23:13,240 --> 00:23:17,440 Speaker 1: the night of did she even exist? Here's snay House 352 00:23:17,520 --> 00:23:20,920 Speaker 1: cousin on you on Unsolved Mysteries. We have no idea 353 00:23:20,960 --> 00:23:24,200 Speaker 1: who this person is and that she never existed in 354 00:23:24,240 --> 00:23:26,760 Speaker 1: Snail's past. We've gone through her phone books, We've gone 355 00:23:26,800 --> 00:23:31,000 Speaker 1: through email. There's no like phone call even made to 356 00:23:31,160 --> 00:23:35,600 Speaker 1: this person during that day. She doesn't exist anywhere else. 357 00:23:36,119 --> 00:23:38,920 Speaker 1: I mean, it could be very possible Snail run into her. 358 00:23:39,000 --> 00:23:41,760 Speaker 1: It could be an old time friend. But if the 359 00:23:41,840 --> 00:23:44,760 Speaker 1: woman was an old time friend, why would she stay 360 00:23:44,800 --> 00:23:48,200 Speaker 1: in the shadows. She never came forward, not to snay 361 00:23:48,240 --> 00:23:51,280 Speaker 1: House family, not to the cops, not to the press. 362 00:24:15,600 --> 00:24:19,680 Speaker 1: As Snayhouse family forced forward with an independent investigation, the 363 00:24:19,880 --> 00:24:23,760 Speaker 1: NYPD was on the case too. The lead investigator's name 364 00:24:23,840 --> 00:24:28,119 Speaker 1: was Detective Richard Stark. I tried really hard to find Stark. 365 00:24:28,600 --> 00:24:35,800 Speaker 1: Unfortunately his name is more common than you'd think. Good evening, Hey, Richard, 366 00:24:35,880 --> 00:24:39,159 Speaker 1: this is John Waltzock. How are you alright? So? How 367 00:24:39,240 --> 00:24:41,520 Speaker 1: are you good? So? I don't know if I have 368 00:24:41,600 --> 00:24:44,600 Speaker 1: the right person. I'm looking for a detective Richard Stark 369 00:24:44,720 --> 00:24:49,000 Speaker 1: or Starks, who investigated, uh, the Snayhoff Phillip case and 370 00:24:49,160 --> 00:24:53,480 Speaker 1: the fall of two thousand one. Would that be you? No? No, 371 00:24:53,760 --> 00:24:59,040 Speaker 1: that that that is not me. This was Richard A. Starks, 372 00:24:59,280 --> 00:25:03,240 Speaker 1: who also worked for the NYPD. Coincidentally, on nine eleven, 373 00:25:03,520 --> 00:25:07,840 Speaker 1: Richard A. Starks saw United flight hit the South Tower 374 00:25:08,320 --> 00:25:11,120 Speaker 1: and later he worked at ground zero looking for bodies. 375 00:25:11,640 --> 00:25:17,640 Speaker 1: But wrong guy. Then there's Richard Stark, an eight year 376 00:25:17,640 --> 00:25:20,640 Speaker 1: old nine eleven survivor who escaped from the Marriott World 377 00:25:20,640 --> 00:25:26,119 Speaker 1: Trade Center, the hotel between the twin Towers. Nope, Plus 378 00:25:26,200 --> 00:25:29,560 Speaker 1: a Richard Stark in Arizona who runs the NYPD the 379 00:25:29,640 --> 00:25:34,080 Speaker 1: New York Pizza Department. But as hard as I tried, 380 00:25:34,400 --> 00:25:37,280 Speaker 1: I could not find the Richard Stark, the one who 381 00:25:37,320 --> 00:25:41,560 Speaker 1: investigated this case. He's never spoken publicly about it. He's 382 00:25:41,600 --> 00:25:47,000 Speaker 1: never given an interview until now. Um and a Richard Stark, Um, 383 00:25:48,640 --> 00:25:54,560 Speaker 1: I live in Manhattan, Oh, the police office from five 384 00:25:55,240 --> 00:25:58,240 Speaker 1: next time on missing on nine eleven? Were you able 385 00:25:58,480 --> 00:26:01,680 Speaker 1: visually to make an identification of that woman as her? 386 00:26:01,880 --> 00:26:06,440 Speaker 1: How much how certain were you? How much doubt did you? Not? 387 00:26:06,840 --> 00:26:13,240 Speaker 1: A facial? No? No, not a positive idea? This week 388 00:26:13,440 --> 00:26:16,840 Speaker 1: A little vignette. It doesn't fit neatly into the narrative, 389 00:26:17,040 --> 00:26:20,600 Speaker 1: but I want to include it anyway. Shortly after nine eleven, 390 00:26:20,920 --> 00:26:25,160 Speaker 1: Patrick Tracy, an Irish doctor and world renowned aesthetic medicine specialist, 391 00:26:25,400 --> 00:26:29,320 Speaker 1: visited New York. While wandering the streets, he saw one 392 00:26:29,359 --> 00:26:32,680 Speaker 1: of the ubiquitous missing Snayhuff flyers. He took it with 393 00:26:32,840 --> 00:26:36,160 Speaker 1: him back to Ireland, a nine eleven memento, a piece 394 00:26:36,200 --> 00:26:40,200 Speaker 1: of history. Later, he framed it alongside an article he 395 00:26:40,240 --> 00:26:42,760 Speaker 1: wrote for the Irish Medical Times and hung it in 396 00:26:42,840 --> 00:26:46,480 Speaker 1: a library in his Dublin clinic. Well around June two 397 00:26:46,520 --> 00:26:49,440 Speaker 1: thousand and six. Guests who visited the clinic and saw 398 00:26:49,520 --> 00:26:54,439 Speaker 1: the poster Michael Jackson. Tracy writes in his book Behind 399 00:26:54,520 --> 00:26:58,399 Speaker 1: the Mask about Jackson quote, his attention was drawn to 400 00:26:58,520 --> 00:27:00,920 Speaker 1: a picture high on the for part of my wall, 401 00:27:01,280 --> 00:27:04,520 Speaker 1: which he studied intensely. It was an image of a 402 00:27:04,600 --> 00:27:08,680 Speaker 1: young doctor sna and Philip, who had gone missing during 403 00:27:08,720 --> 00:27:12,439 Speaker 1: the World Trade Center terrorist attack. I watched as Michael 404 00:27:12,520 --> 00:27:15,680 Speaker 1: stood up, took the picture from the wall and studied it. 405 00:27:16,440 --> 00:27:20,520 Speaker 1: His facial expression totally changed and his eyes grew sad 406 00:27:20,720 --> 00:27:23,199 Speaker 1: as he focused on the picture of the missing intern 407 00:27:23,600 --> 00:27:26,920 Speaker 1: set against the twisted wreckage of the buildings. That the 408 00:27:27,040 --> 00:27:30,600 Speaker 1: singer was a deeply empathetic person was now beyond doubt 409 00:27:30,720 --> 00:27:34,320 Speaker 1: in my mind. That's so very sad, he said in 410 00:27:34,400 --> 00:27:39,040 Speaker 1: a mournful voice. Recently I spoke to Dr Tracy via Skype. 411 00:27:39,640 --> 00:27:43,119 Speaker 1: Jackson was already upset at Tracy's clinic. He had just 412 00:27:43,359 --> 00:27:47,040 Speaker 1: shown him his videlago and burned scars. Then he saw 413 00:27:47,080 --> 00:27:49,159 Speaker 1: the flyer of snay Ha. So do you think that 414 00:27:49,280 --> 00:27:52,199 Speaker 1: this poster when he saw, in addition to discussing vid 415 00:27:52,280 --> 00:27:54,800 Speaker 1: al Ago, you think that's kind of what triggered that 416 00:27:54,880 --> 00:27:59,920 Speaker 1: moment for him. I think he wanted to cry, probably anyway, 417 00:28:00,600 --> 00:28:02,560 Speaker 1: and he had left the room and just GiB a 418 00:28:02,640 --> 00:28:05,040 Speaker 1: sort of a focus. But he didn't do anything more 419 00:28:05,160 --> 00:28:07,639 Speaker 1: than we presides and talked, you know, sort of in 420 00:28:07,720 --> 00:28:12,120 Speaker 1: an emotional sense. So there you have it. Snay House 421 00:28:12,160 --> 00:28:14,920 Speaker 1: family and friends were so successful in spreading the missing 422 00:28:15,000 --> 00:28:19,080 Speaker 1: flyer that years later even Michael Jackson saw it in 423 00:28:19,240 --> 00:28:25,760 Speaker 1: Ireland homework this week. One? Did you or do you 424 00:28:26,240 --> 00:28:29,200 Speaker 1: work for Authentic Brands Group which owns Jones New York 425 00:28:29,560 --> 00:28:32,520 Speaker 1: or L Brands, which owns Victoria's Secret. Do you have 426 00:28:32,680 --> 00:28:35,680 Speaker 1: a list of their two thousand one Manhattan store locations? 427 00:28:36,400 --> 00:28:39,680 Speaker 1: Do you know if either company saved security footage from 428 00:28:40,480 --> 00:28:44,040 Speaker 1: or nine eleven? Did you work for Victoria's Secret or 429 00:28:44,120 --> 00:28:47,640 Speaker 1: Jones New York in Manhattan in two thousand one? Two? 430 00:28:48,320 --> 00:28:50,880 Speaker 1: I don't know the name of the first private investigator 431 00:28:51,000 --> 00:28:55,600 Speaker 1: that Snayhouse family hired. Do you Three? Do you have 432 00:28:55,720 --> 00:28:58,760 Speaker 1: a copy of the report prepared by the second private investigator? 433 00:28:58,920 --> 00:29:02,600 Speaker 1: Can go on? If so? Contact us if you want, 434 00:29:02,880 --> 00:29:05,959 Speaker 1: we will protect your identity. You can reach us by 435 00:29:06,040 --> 00:29:09,680 Speaker 1: phone at one eight three three New Tips that's one 436 00:29:09,840 --> 00:29:13,640 Speaker 1: eight three three six three nine, eight four seven seven 437 00:29:14,120 --> 00:29:19,080 Speaker 1: again one eight three three six three nine eight four 438 00:29:19,360 --> 00:29:22,680 Speaker 1: seven seven, or you can reach us via email at 439 00:29:22,760 --> 00:29:26,240 Speaker 1: tips at iHeart media dot com. That's tips t I 440 00:29:26,440 --> 00:29:30,200 Speaker 1: p s at I heeart Media dot com. Ben Bowen 441 00:29:30,320 --> 00:29:33,840 Speaker 1: is our executive producer. Paul Decan is our supervising producer. 442 00:29:34,080 --> 00:29:37,640 Speaker 1: Chris Brown is our assistant producer, Seth Nicholas Johnson is 443 00:29:37,680 --> 00:29:41,240 Speaker 1: our producer. Sam T. Garden is our research assistant, and 444 00:29:41,320 --> 00:29:44,880 Speaker 1: I'm Your host and executive producer John Wallzach. Cover art 445 00:29:44,920 --> 00:29:49,000 Speaker 1: by Pam Peacock, Newsday article voiced by Paul Deckan Ron 446 00:29:49,080 --> 00:29:53,040 Speaker 1: Lieberman voiced by Seth Nicholas Johnson. Special thanks to Tamika 447 00:29:53,120 --> 00:29:56,080 Speaker 1: Campbell at I Heart and to Christophe Zappery in New Orleans. 448 00:29:56,440 --> 00:30:00,440 Speaker 1: Also thank you to Hugo Kogia, Rachel Shyer, Sammy Fli, Siano, 449 00:30:00,720 --> 00:30:04,920 Speaker 1: Richard A. Starks, Dr Patrick Tracy, Detective Richard Stark, the 450 00:30:05,000 --> 00:30:08,760 Speaker 1: New York Public Library, and asp Rock. Original theme music 451 00:30:08,840 --> 00:30:11,920 Speaker 1: by ASoP Rock. Check out a soops website at ASoP 452 00:30:12,040 --> 00:30:15,800 Speaker 1: rock dot com. Archival audio from Unsolved Mysteries provided by 453 00:30:15,880 --> 00:30:20,120 Speaker 1: Cosgrove Mirror Productions. Audio from twenty provided by ABC News. 454 00:30:20,600 --> 00:30:22,960 Speaker 1: You can find me on Twitter at at John wallzac 455 00:30:23,320 --> 00:30:27,280 Speaker 1: j O n W A L c z A K. 456 00:30:28,080 --> 00:30:30,560 Speaker 1: If you like this show, check out our first season, 457 00:30:30,800 --> 00:30:34,240 Speaker 1: Missing in Alaska, about the nineteen seventy two disappearance of 458 00:30:34,320 --> 00:30:37,840 Speaker 1: two congressmen. Missing on nine eleven is a co production 459 00:30:37,880 --> 00:30:39,800 Speaker 1: of iHeart media and Greenfork media