1 00:00:00,280 --> 00:00:02,840 Speaker 1: Brought to you by the reinvented two thousand twelve camera. 2 00:00:03,160 --> 00:00:07,600 Speaker 1: It's ready. Are you welcome to Stuff you should know 3 00:00:08,200 --> 00:00:11,560 Speaker 1: from How Stuff Works dot Com? Stuff you should know 4 00:00:11,680 --> 00:00:13,920 Speaker 1: is brought to you by Visa. We all have things 5 00:00:13,920 --> 00:00:16,640 Speaker 1: we like to think about online fraud. Shouldn't do one 6 00:00:16,720 --> 00:00:20,440 Speaker 1: of them, because with every purchase, PISA prevents to texts 7 00:00:20,640 --> 00:00:26,400 Speaker 1: and resolves online fraud safe secure Visa. Hey, and welcome 8 00:00:26,440 --> 00:00:29,120 Speaker 1: to the podcast. Josh and Chuck. Here a couple of 9 00:00:29,160 --> 00:00:32,240 Speaker 1: staff writers at how stuff works dot Com. How's it coming, Shuff, 10 00:00:32,920 --> 00:00:35,479 Speaker 1: It's going good, Josh, so Chuck. I hate to tell 11 00:00:35,479 --> 00:00:38,199 Speaker 1: you this, but there are people who are setting themselves 12 00:00:38,200 --> 00:00:40,920 Speaker 1: on fire all over India right now. Have you heard 13 00:00:40,920 --> 00:00:46,839 Speaker 1: anything about this right now? Possibly very lately. By right now, 14 00:00:46,880 --> 00:00:49,440 Speaker 1: I mean lately. No, I didn't know that. It's it's 15 00:00:49,440 --> 00:00:52,960 Speaker 1: becoming something of a widespread trend, actually terribly. UM. I 16 00:00:53,000 --> 00:00:56,080 Speaker 1: read about one guy who's a tea vendor. You know, 17 00:00:56,120 --> 00:00:58,280 Speaker 1: he just sells tea like you know, you buy a 18 00:00:58,280 --> 00:01:00,320 Speaker 1: hot dog right on the streets of New or This 19 00:01:00,320 --> 00:01:03,920 Speaker 1: guy just sells tea. Um. And apparently he fell in 20 00:01:04,560 --> 00:01:10,080 Speaker 1: the bad graces of a local representative of the local government. Uh. 21 00:01:10,080 --> 00:01:12,759 Speaker 1: And the guy was kind of being abused by this guy, 22 00:01:12,920 --> 00:01:17,640 Speaker 1: the the government official. Um, and in retaliation, he doused 23 00:01:17,720 --> 00:01:21,360 Speaker 1: himself in kerosene and set himself on fire in front 24 00:01:21,360 --> 00:01:25,119 Speaker 1: of the guy's house. That'll show him, yeah, pretty much. Um. 25 00:01:25,160 --> 00:01:27,880 Speaker 1: Now the guy lived, but he has burns like over 26 00:01:28,920 --> 00:01:31,319 Speaker 1: his body. And at this point you kind of wonder 27 00:01:31,400 --> 00:01:33,880 Speaker 1: that all right, well, which is worse? You know? Right? 28 00:01:34,040 --> 00:01:36,119 Speaker 1: It sounds like a terrible way to go. And and 29 00:01:36,200 --> 00:01:39,680 Speaker 1: the whole thing, uh kind of reminded me that of 30 00:01:39,720 --> 00:01:42,440 Speaker 1: an article i'd written into called is there a Worst 31 00:01:42,440 --> 00:01:46,039 Speaker 1: Way to Die? When I was I love this article. 32 00:01:46,400 --> 00:01:49,600 Speaker 1: It was like, uh, it was really interesting to write. 33 00:01:49,880 --> 00:01:53,440 Speaker 1: I talked to um, a funeral director, I talked to 34 00:01:53,920 --> 00:01:57,480 Speaker 1: a an E. R. Doctor, and I also spoke with 35 00:01:57,520 --> 00:01:59,960 Speaker 1: the guy who is the director of the Ernest beck 36 00:02:00,080 --> 00:02:03,480 Speaker 1: R Foundation. We'll talk about that in a minute. But um, 37 00:02:03,520 --> 00:02:07,800 Speaker 1: because there's no there's no quantifiable way to say, yes, 38 00:02:07,840 --> 00:02:09,760 Speaker 1: there's definitely a worse way to die, and here it is, 39 00:02:09,800 --> 00:02:13,560 Speaker 1: it's all subjective and even worse, there's um, there weren't 40 00:02:13,560 --> 00:02:17,800 Speaker 1: any you know, nationally recognized poles out there. I actually 41 00:02:17,840 --> 00:02:23,240 Speaker 1: contacted Gallop to find out if they'd ever asked that question. No. 42 00:02:23,360 --> 00:02:26,160 Speaker 1: I I wanted to find out what the data was 43 00:02:26,360 --> 00:02:28,480 Speaker 1: if they'd ever taken that poll, and they said that 44 00:02:28,520 --> 00:02:31,200 Speaker 1: they never had. I found one that was pretty close, 45 00:02:31,600 --> 00:02:36,040 Speaker 1: a gallop pole that was about UM, fear of dying, 46 00:02:36,520 --> 00:02:39,919 Speaker 1: not the worst way to die, and um. Astoundingly only 47 00:02:41,040 --> 00:02:45,040 Speaker 1: of the people polled said that they were afraid to die. Interesting, 48 00:02:45,200 --> 00:02:47,959 Speaker 1: and I think a really logical follow up question would 49 00:02:47,960 --> 00:02:50,560 Speaker 1: have would have been, how often do you actually think 50 00:02:50,600 --> 00:02:53,400 Speaker 1: about your own death? Maybe we should have conducted our 51 00:02:53,440 --> 00:02:56,000 Speaker 1: own pole. Maybe we will, we will, We'll get it 52 00:02:56,080 --> 00:02:58,560 Speaker 1: up on the site in no time instead of quiz 53 00:02:58,560 --> 00:03:02,880 Speaker 1: corner fear of death corner. Um. But while I was 54 00:03:02,960 --> 00:03:07,080 Speaker 1: researching it, I came across the impromptu poles about the 55 00:03:07,120 --> 00:03:12,040 Speaker 1: worst way to die. Immolation is usually ranks up pretty high. Yeah, 56 00:03:12,080 --> 00:03:14,639 Speaker 1: I would say, so burning to death not good, not 57 00:03:14,680 --> 00:03:16,480 Speaker 1: good at all. I would say drowning is probably up 58 00:03:16,480 --> 00:03:19,359 Speaker 1: there too. Drowning is up there too. Um. Yeah, they're 59 00:03:19,440 --> 00:03:23,359 Speaker 1: usually uh, they're usually interchangeable at the top. What's your 60 00:03:23,400 --> 00:03:27,360 Speaker 1: what's your worst way to die? Boy? Uh? I don't 61 00:03:27,360 --> 00:03:30,040 Speaker 1: know if I could say the worst method of death, 62 00:03:30,120 --> 00:03:33,680 Speaker 1: but I think that anything where I died alone would 63 00:03:33,720 --> 00:03:35,800 Speaker 1: be the worst way. That is very funny that you 64 00:03:35,800 --> 00:03:37,800 Speaker 1: bring that up, because I was doing extra research for 65 00:03:37,840 --> 00:03:42,040 Speaker 1: this podcast and there was a British pole um from 66 00:03:42,120 --> 00:03:45,360 Speaker 1: April this past April, and uh, the majority of the 67 00:03:45,360 --> 00:03:50,520 Speaker 1: respondents said that their worst death was a dying alone. Yeah. 68 00:03:50,680 --> 00:03:52,720 Speaker 1: Like Isaac ky Is, God rest his soul. He just 69 00:03:52,760 --> 00:03:55,200 Speaker 1: passed a few days ago and I think they found 70 00:03:55,240 --> 00:03:58,520 Speaker 1: him in his home jam with a treadmill going and 71 00:03:59,040 --> 00:04:01,240 Speaker 1: something is mundane said. It just seems like the most 72 00:04:01,400 --> 00:04:03,880 Speaker 1: depressing way to go. You know, you're lying there, your 73 00:04:03,880 --> 00:04:07,360 Speaker 1: treadmill still alive right next to you, and there you are, 74 00:04:07,600 --> 00:04:11,280 Speaker 1: right and and surrounded by no one. Right. Or Elvis Presley, 75 00:04:11,320 --> 00:04:13,280 Speaker 1: as you know, I have Elvis on the brain after 76 00:04:13,320 --> 00:04:16,680 Speaker 1: writing about Graceland and uh, you know Elvis famously died 77 00:04:17,240 --> 00:04:21,000 Speaker 1: in his bathroom reading a book and no one found him, 78 00:04:21,040 --> 00:04:23,040 Speaker 1: you know, for hours, So he was just laying there 79 00:04:23,040 --> 00:04:26,800 Speaker 1: in his bathroom. Yeah, so this the second worst aspect 80 00:04:26,880 --> 00:04:31,080 Speaker 1: of death that people came up with was not enough 81 00:04:31,120 --> 00:04:35,080 Speaker 1: access to pain relief, right, which is a big thing 82 00:04:35,160 --> 00:04:38,600 Speaker 1: to like if you basically there there's a really good 83 00:04:38,600 --> 00:04:41,440 Speaker 1: way to answer this question is by changing the wording. Uh, 84 00:04:41,600 --> 00:04:43,520 Speaker 1: is there the best way to die? I think you 85 00:04:43,560 --> 00:04:47,480 Speaker 1: would find across the board dying um in your sleep 86 00:04:47,920 --> 00:04:51,480 Speaker 1: would probably be the best, most highly rated way to go. 87 00:04:51,680 --> 00:04:54,920 Speaker 1: People don't want to feel pain now, people don't want 88 00:04:54,960 --> 00:04:58,800 Speaker 1: to be afraid or alone. Now. My worst death kind 89 00:04:58,839 --> 00:05:01,200 Speaker 1: of combines all these except for the pain part. I 90 00:05:01,200 --> 00:05:05,400 Speaker 1: don't think pain would be involved. Um plane crash, right, 91 00:05:05,960 --> 00:05:09,160 Speaker 1: I'm actually I'm flying to Malta a week or so 92 00:05:09,279 --> 00:05:12,320 Speaker 1: from now, and yeah, I'm not looking forward to the 93 00:05:12,400 --> 00:05:15,040 Speaker 1: to the plane ride. Uh. In My big problem with 94 00:05:15,040 --> 00:05:17,960 Speaker 1: with dying in a plane crash is if you're at 95 00:05:18,160 --> 00:05:22,120 Speaker 1: thirty thousand feet or something like that, it doesn't happen instantaneously. 96 00:05:23,040 --> 00:05:26,120 Speaker 1: A good minute or two headed straight to Earth at 97 00:05:26,160 --> 00:05:29,119 Speaker 1: like eight hundred miles an hour. But even that takes 98 00:05:29,120 --> 00:05:31,840 Speaker 1: a minute, maybe two, maybe three, depending on how high 99 00:05:31,920 --> 00:05:35,560 Speaker 1: up you are. And buddy, you're totally aware of what's 100 00:05:35,560 --> 00:05:38,160 Speaker 1: going on the whole time, right, You've got a solid 101 00:05:38,200 --> 00:05:41,039 Speaker 1: minute to three minutes to think about you know, hey, 102 00:05:41,160 --> 00:05:43,120 Speaker 1: I'm going to die, right, And the panic and the 103 00:05:43,200 --> 00:05:45,880 Speaker 1: hysteria just I would say with everyone on the plane, 104 00:05:45,880 --> 00:05:48,360 Speaker 1: it's not If you're by yourself, it would be bad enough. 105 00:05:48,400 --> 00:05:51,159 Speaker 1: But you have hundreds of strangers that you were probably 106 00:05:51,200 --> 00:05:53,960 Speaker 1: annoyed with just moments earlier for one reason or another, 107 00:05:54,480 --> 00:05:56,680 Speaker 1: and you're all going through this. So at least you're 108 00:05:56,720 --> 00:05:59,680 Speaker 1: not going to die alone. But I'll tell you what, 109 00:06:00,720 --> 00:06:03,400 Speaker 1: if George Gallup asked the people on a plane that 110 00:06:03,440 --> 00:06:05,440 Speaker 1: was going down if they fear death, I'm pretty sure 111 00:06:05,480 --> 00:06:12,400 Speaker 1: that the percentages would skyrocket that had to be hastily performed. Pole. Yeah, exactly. So, UM, 112 00:06:12,560 --> 00:06:16,560 Speaker 1: you know, basically, check our our our approach to death, 113 00:06:16,600 --> 00:06:21,080 Speaker 1: our fear of death, um, and some theorist size uh 114 00:06:21,240 --> 00:06:24,679 Speaker 1: is a result of a kind of sanitizing of death. 115 00:06:25,600 --> 00:06:29,680 Speaker 1: Of UM, basically, our our desire to not look death 116 00:06:29,720 --> 00:06:35,280 Speaker 1: in the face, not think about death. UM. Becker Becker 117 00:06:35,360 --> 00:06:39,719 Speaker 1: and the anatology A lot of Ernest Becker's views his 118 00:06:39,720 --> 00:06:42,799 Speaker 1: his whole field was called the psychology of death, right 119 00:06:43,560 --> 00:06:49,440 Speaker 1: and UM. In Becker's opinion, UH, culture, every aspect of culture, 120 00:06:49,560 --> 00:06:54,960 Speaker 1: from our lazy boy recliners, to Nascar, to whiskey to 121 00:06:55,560 --> 00:07:00,240 Speaker 1: guitar hero to the climbing the corporate ladder, whatever it is, 122 00:07:00,720 --> 00:07:04,360 Speaker 1: it all serves to distract us from thinking about our 123 00:07:04,360 --> 00:07:10,640 Speaker 1: own mortality. So culture, as has been created to distract 124 00:07:10,720 --> 00:07:13,800 Speaker 1: us so we can throw ourselves into it. Um. That's 125 00:07:13,880 --> 00:07:18,640 Speaker 1: Becker stands. The problem is, is we In Becker's opinion, 126 00:07:18,680 --> 00:07:21,880 Speaker 1: he he died many, many years ago, UM at age 127 00:07:21,880 --> 00:07:24,559 Speaker 1: forty nine. Sadly, I wonder if he saw that one coming. 128 00:07:24,640 --> 00:07:26,400 Speaker 1: I don't know, but I'll bet you if there was 129 00:07:26,440 --> 00:07:28,720 Speaker 1: ever a human who is walking the earth who was 130 00:07:28,760 --> 00:07:30,800 Speaker 1: cool with it, or it was Becker and he died 131 00:07:30,800 --> 00:07:34,360 Speaker 1: of cancer too, So I mean he knew it was coming. Um. 132 00:07:34,400 --> 00:07:39,360 Speaker 1: But in Becker's opinion, we we know that death is coming. 133 00:07:39,480 --> 00:07:44,160 Speaker 1: We're distracting ourselves. So the unconscious mind UH has to 134 00:07:44,160 --> 00:07:47,400 Speaker 1: find an outlet somewhere, and usually that outlet is violence 135 00:07:47,520 --> 00:07:52,400 Speaker 1: or aggression or war. So in Becker's opinion, if we'd 136 00:07:52,400 --> 00:07:54,440 Speaker 1: all just go ahead and accept the fact that we 137 00:07:54,520 --> 00:07:58,040 Speaker 1: are going to die someday and we don't know when 138 00:07:58,080 --> 00:08:00,840 Speaker 1: it's gonna happen or how it's gonna happen, we'd all 139 00:08:00,880 --> 00:08:04,160 Speaker 1: be a lot better off. We'd all basically chill, right. 140 00:08:04,200 --> 00:08:06,480 Speaker 1: And I know, along those same lines of how we 141 00:08:06,760 --> 00:08:10,560 Speaker 1: UH insulate ourselves from death as how, there's not as 142 00:08:10,600 --> 00:08:13,240 Speaker 1: many open casket funerals these days. And I know back 143 00:08:13,360 --> 00:08:16,080 Speaker 1: in the in the olden times, as they say, well 144 00:08:16,080 --> 00:08:19,000 Speaker 1: as recent is the nineteenth century. Yeah, people would sit 145 00:08:19,120 --> 00:08:20,960 Speaker 1: up with the dead. I know. That's a Southern tradition 146 00:08:21,000 --> 00:08:23,280 Speaker 1: where you would literally have the body in your house 147 00:08:23,720 --> 00:08:26,000 Speaker 1: or wherever they died, and uh, you know the family 148 00:08:26,080 --> 00:08:30,160 Speaker 1: is just hanging out, yeah, for for days on it. Yeah. 149 00:08:30,640 --> 00:08:33,959 Speaker 1: And one of the points of that was to socialized 150 00:08:34,040 --> 00:08:37,959 Speaker 1: children to death public viewings, right, Yeah. And plus another 151 00:08:38,000 --> 00:08:40,720 Speaker 1: aspect of it was, um, usually it wasn't the home 152 00:08:41,120 --> 00:08:44,240 Speaker 1: because most people died in the home because modern medicine, 153 00:08:44,480 --> 00:08:46,840 Speaker 1: you know, just kind of went, you know, good luck 154 00:08:46,840 --> 00:08:50,480 Speaker 1: with that pal see see in hell, that kind of thing. Um. 155 00:08:50,920 --> 00:08:54,559 Speaker 1: And uh, nowadays, you know, in nineteen hundred, the average 156 00:08:54,600 --> 00:08:58,240 Speaker 1: life expectancy was, um, it was like forty nine years old. 157 00:08:58,720 --> 00:09:01,240 Speaker 1: In two thousand and eight, it's seventies seven, creeping up 158 00:09:01,240 --> 00:09:03,640 Speaker 1: on seventy eight. If it's not, they're already. So that 159 00:09:03,760 --> 00:09:08,480 Speaker 1: extra you know, twenty almost thirty years has really kind 160 00:09:08,559 --> 00:09:11,880 Speaker 1: of um strung us out right. We are really interested 161 00:09:11,960 --> 00:09:15,360 Speaker 1: in in squeezing every last minute out of it, even 162 00:09:15,440 --> 00:09:20,280 Speaker 1: sadly beyond the time when the quality of life has diminished. 163 00:09:20,640 --> 00:09:22,400 Speaker 1: So what are he's saying, Well, I'm saying, we have 164 00:09:22,440 --> 00:09:25,679 Speaker 1: all these machines to keep us alive, to breathe for us, 165 00:09:26,200 --> 00:09:28,880 Speaker 1: and we know that they're out there. Um, so we 166 00:09:28,960 --> 00:09:32,480 Speaker 1: have thrown ourselves even further into this denial of death. 167 00:09:33,840 --> 00:09:36,160 Speaker 1: It right, So the very things that keep us alive 168 00:09:36,280 --> 00:09:40,720 Speaker 1: or distracting us from the obvious pretty much and the inevitable. Yeah, 169 00:09:40,760 --> 00:09:42,640 Speaker 1: and there was there was another aspect when you brought 170 00:09:42,720 --> 00:09:45,120 Speaker 1: up nineteenth century that I found really interesting. There was 171 00:09:45,160 --> 00:09:49,440 Speaker 1: a trend. Have you heard a bereavement photography? Uh? Yeah, 172 00:09:49,480 --> 00:09:51,439 Speaker 1: that was um Like, have you seen the movie The 173 00:09:51,440 --> 00:09:54,440 Speaker 1: Assassination of Jesse James? I have not. Yeah, he was 174 00:09:54,480 --> 00:09:58,480 Speaker 1: famously a photographed and his casket uh you know, and 175 00:09:58,520 --> 00:09:59,920 Speaker 1: the whole town came out. They had him on a 176 00:10:00,000 --> 00:10:02,200 Speaker 1: block of ice. The whole town came and viewed the 177 00:10:02,200 --> 00:10:05,560 Speaker 1: body and had their picture made with picture made were 178 00:10:05,600 --> 00:10:07,839 Speaker 1: from the South picture had their picture made with the 179 00:10:08,000 --> 00:10:10,880 Speaker 1: body of Jesse James. This is that what you're talking about? That? Yeah? 180 00:10:10,920 --> 00:10:13,680 Speaker 1: I mean it's it's it's it's a photograph of a 181 00:10:13,720 --> 00:10:17,640 Speaker 1: dead person. Um. For usually though it was of a 182 00:10:17,720 --> 00:10:21,120 Speaker 1: loved one, and oftentimes they'd be on a couch sitting 183 00:10:21,200 --> 00:10:24,240 Speaker 1: up looking like they were sleeping or in bed looking 184 00:10:24,240 --> 00:10:26,880 Speaker 1: like they were sleeping. Sometimes their eyes were propped open 185 00:10:26,960 --> 00:10:29,839 Speaker 1: to make it look like they were awake. That's really uh, 186 00:10:30,120 --> 00:10:33,640 Speaker 1: it was kind of odd, but it actually still continues today. 187 00:10:33,760 --> 00:10:38,040 Speaker 1: There are there is bereavement photography. Usually it's um used 188 00:10:38,080 --> 00:10:43,080 Speaker 1: by parents whose child was was stillborn or died at 189 00:10:43,080 --> 00:10:44,720 Speaker 1: a very very young age and this will be the 190 00:10:44,760 --> 00:10:46,920 Speaker 1: only photo that they ever have of them. Is this 191 00:10:46,960 --> 00:10:50,880 Speaker 1: the United States mainly, Yeah, it's um, it's you don't 192 00:10:50,920 --> 00:10:53,199 Speaker 1: want to stay time, because clearly they're they're getting something 193 00:10:53,280 --> 00:10:56,400 Speaker 1: from it, like I'm sure it poses like it creates 194 00:10:56,400 --> 00:10:59,200 Speaker 1: a sense of catharsis or finality to it. And and 195 00:10:59,240 --> 00:11:01,199 Speaker 1: plus they and say, well, this is what my baby 196 00:11:01,200 --> 00:11:03,440 Speaker 1: looked like is for a short time as he or 197 00:11:03,480 --> 00:11:05,840 Speaker 1: she was on earth, you know, Um, and it's a 198 00:11:05,920 --> 00:11:07,760 Speaker 1: it's very sad, but I imagine that you can get 199 00:11:07,800 --> 00:11:10,079 Speaker 1: something out of it. Who am I to judge exactly? 200 00:11:10,200 --> 00:11:13,319 Speaker 1: And and photography in general kind of has since it 201 00:11:13,520 --> 00:11:16,680 Speaker 1: since it was created, has always had kind of this 202 00:11:16,800 --> 00:11:21,360 Speaker 1: fascination with death, like breathment photography or outlaws. Um. Even 203 00:11:21,440 --> 00:11:24,160 Speaker 1: even Pablo Escobar, you know there's that famous photo of 204 00:11:24,240 --> 00:11:26,960 Speaker 1: him all bloated and dead on that rooftop and meta 205 00:11:27,040 --> 00:11:30,800 Speaker 1: ying or a famous photo of Lizzie Borden's father, uh, 206 00:11:31,240 --> 00:11:34,120 Speaker 1: you know, kind of sideways on the couch. Yeah, face 207 00:11:34,360 --> 00:11:36,600 Speaker 1: mashed in And what is it about as humans that 208 00:11:36,679 --> 00:11:40,160 Speaker 1: wish that that photo wasn't so greeny, that you could 209 00:11:40,200 --> 00:11:42,480 Speaker 1: make it out a little more, you know. But at 210 00:11:42,480 --> 00:11:44,600 Speaker 1: the same time we kind of lets the imagination run. Well, 211 00:11:44,800 --> 00:11:47,760 Speaker 1: we're a sick, sick, twisted species. We're afraid of her 212 00:11:47,760 --> 00:11:51,440 Speaker 1: own death, and yet we love morbid photography of dead people, 213 00:11:51,720 --> 00:11:53,800 Speaker 1: or at least you and I we don't want to. 214 00:11:54,240 --> 00:11:56,319 Speaker 1: I guess we shouldn't speak for the rest of humanity, 215 00:11:56,400 --> 00:11:59,439 Speaker 1: although you know, I'd say we're fairly typical. Um. But 216 00:11:59,440 --> 00:12:02,600 Speaker 1: but back to the photography part. There's, um, there's this 217 00:12:02,880 --> 00:12:08,880 Speaker 1: really cool exhibit uh by a German photographer named Walter Shells, right, 218 00:12:09,559 --> 00:12:12,160 Speaker 1: and uh. He did this series called Life Before Death. 219 00:12:12,960 --> 00:12:14,760 Speaker 1: And what he did was he went and visited people 220 00:12:14,760 --> 00:12:17,839 Speaker 1: who were terminally ill, spent the last you know, a 221 00:12:17,840 --> 00:12:20,520 Speaker 1: couple of days of their lives with him, got you know, 222 00:12:20,800 --> 00:12:23,240 Speaker 1: took series of photographs of him, got like the one 223 00:12:23,280 --> 00:12:26,520 Speaker 1: he's looking for, and then arranged to take another photo 224 00:12:26,520 --> 00:12:29,840 Speaker 1: of them right after they died, and he juxtaposed them 225 00:12:29,880 --> 00:12:31,920 Speaker 1: one right next to the other, and there's actually a 226 00:12:32,000 --> 00:12:36,320 Speaker 1: really great spread on the Guardian the Guardians UK site. 227 00:12:36,520 --> 00:12:38,280 Speaker 1: What he find it was it was it uplifting or 228 00:12:38,360 --> 00:12:41,720 Speaker 1: was it depressing? It's very subjective. It's death. You know, 229 00:12:41,800 --> 00:12:45,480 Speaker 1: there's no objectivity with death. We have no idea what's 230 00:12:45,480 --> 00:12:48,360 Speaker 1: coming after this. It's all subjective. You're scared of it, 231 00:12:48,559 --> 00:12:52,559 Speaker 1: you're not scared of it whatever. Um So it's definitely 232 00:12:52,559 --> 00:12:54,440 Speaker 1: one of those things where you know you're going to 233 00:12:54,480 --> 00:12:55,880 Speaker 1: take what you want out of it, and some are 234 00:12:55,880 --> 00:12:59,640 Speaker 1: more startling than others. But it's it's really it's odd 235 00:12:59,679 --> 00:13:02,680 Speaker 1: and it's oddly comforting. Yeah, i'd like to see that. Yeah, 236 00:13:02,720 --> 00:13:06,160 Speaker 1: well you can see it on the Guardians side. But 237 00:13:06,280 --> 00:13:08,760 Speaker 1: first don't forget to go to how Stuff works dot 238 00:13:08,840 --> 00:13:10,880 Speaker 1: com and read is there a Worst Way to Die? 239 00:13:10,920 --> 00:13:13,400 Speaker 1: It's a pretty cool article if I do say so myself, 240 00:13:13,840 --> 00:13:16,760 Speaker 1: and stick around to find out which article makes me 241 00:13:16,800 --> 00:13:19,839 Speaker 1: pretty excited. It scares the hell out of chuck. Right 242 00:13:19,840 --> 00:13:22,680 Speaker 1: after this stuff you should know is brought to you 243 00:13:22,720 --> 00:13:25,760 Speaker 1: by Visa. We all have things to think about, like, say, 244 00:13:25,880 --> 00:13:27,840 Speaker 1: what's the best site to buy a new leather jacket, 245 00:13:28,240 --> 00:13:30,760 Speaker 1: or whether to buy the three or six megapixel camera. 246 00:13:31,320 --> 00:13:33,800 Speaker 1: But thankfully we don't need to think about online fraud 247 00:13:34,200 --> 00:13:36,920 Speaker 1: because for every purchase you make, Visa keeps an eye 248 00:13:36,920 --> 00:13:40,400 Speaker 1: out for fraud with real time fraud monitoring and by 249 00:13:40,440 --> 00:13:44,040 Speaker 1: making sure you're not liable for any unauthorized purchases. How's 250 00:13:44,080 --> 00:13:50,840 Speaker 1: that for peace of mind? Safe, secure Visa. So Chuck, 251 00:13:50,880 --> 00:13:53,440 Speaker 1: we're back. I know this. Uh, this article scares the 252 00:13:53,440 --> 00:13:56,400 Speaker 1: hell out of you. I like it. Tell us about it. 253 00:13:57,200 --> 00:14:00,840 Speaker 1: What's the missiplicity project? You want to tell everybody? Yeah, 254 00:14:00,840 --> 00:14:03,760 Speaker 1: it has to do with dog cloning, cloning your pets 255 00:14:04,000 --> 00:14:06,600 Speaker 1: and h kind of creeps me out. I know that 256 00:14:06,679 --> 00:14:09,280 Speaker 1: you love your dogs like I do, but you want 257 00:14:09,280 --> 00:14:11,560 Speaker 1: to clone yours? Do you want to have nine instead 258 00:14:11,600 --> 00:14:13,640 Speaker 1: of three? Well, my dogs are never going to die, 259 00:14:13,800 --> 00:14:15,480 Speaker 1: not if I have anything to say about it. But 260 00:14:15,520 --> 00:14:18,040 Speaker 1: if they do, I feel comforted knowing that I can 261 00:14:18,080 --> 00:14:20,720 Speaker 1: bring them back. Well, you better get a second job, buddy, 262 00:14:20,880 --> 00:14:23,120 Speaker 1: It ain't you. No, I know it's not. I'm saving 263 00:14:23,200 --> 00:14:26,320 Speaker 1: up already. Actually, it's like put kids through college, or 264 00:14:26,440 --> 00:14:29,120 Speaker 1: you know, bring dogs back to life. Right, And we 265 00:14:29,160 --> 00:14:31,240 Speaker 1: want to give a shout out to how stuff Works 266 00:14:31,280 --> 00:14:34,920 Speaker 1: freelancer Julia Layton for creating a really cool article. You 267 00:14:34,920 --> 00:14:37,160 Speaker 1: can check it out on how stuff works dot com. 268 00:14:37,200 --> 00:14:41,160 Speaker 1: Just type in what's the mis Simplicity Project For more 269 00:14:41,200 --> 00:14:43,520 Speaker 1: on this and thousands of other topics. Does it how 270 00:14:43,560 --> 00:14:46,720 Speaker 1: stuff works dot com? Let us know what you did. 271 00:14:46,880 --> 00:14:52,640 Speaker 1: Send an email to podcast at how stuff works dot com. 272 00:14:52,760 --> 00:14:55,440 Speaker 1: Brought to you by the reinvented two thousand twelve Camray. 273 00:14:55,640 --> 00:14:56,880 Speaker 1: It's ready, are you