1
00:00:01,360 --> 00:00:04,440
Speaker 1: Hey, handsomniacs, this is Heather Iine Horn, co creator of

2
00:00:04,480 --> 00:00:07,720
Speaker 1: See You in Your Nightmares. To fully immerse yourself in

3
00:00:07,720 --> 00:00:11,840
Speaker 1: the nightmare experience, headphones are recommended. Stay tuned for the

4
00:00:11,880 --> 00:00:14,760
Speaker 1: next episode, but first a quick word from our sponsor,

5
00:00:18,920 --> 00:00:22,439
Speaker 1: Iron Horn's Epic Productions and I Heart Radio present See

6
00:00:22,440 --> 00:00:39,879
Speaker 1: You in Your Nightmares in three D headphones recommended. Are

7
00:00:39,920 --> 00:00:43,680
Speaker 1: you sure all this stuff? Like sink that little thing? Yeah?

8
00:00:43,920 --> 00:00:47,000
Speaker 1: I reinforced everything. What does this see then? Made out

9
00:00:47,040 --> 00:00:50,280
Speaker 1: of it's paper used for X race. There was a

10
00:00:50,320 --> 00:00:55,040
Speaker 1: supply and the storage rooms out back. It's coated, it'll flip.

11
00:00:57,000 --> 00:01:08,120
Speaker 1: Thanks for planning this as may Yeah. If I consume,

12
00:01:09,640 --> 00:01:16,240
Speaker 1: you definitely love it. Let's test if it floats. Okay,

13
00:01:17,120 --> 00:01:25,120
Speaker 1: everyone bring your token. All right, let's get this funeral started.

14
00:01:26,800 --> 00:01:30,240
Speaker 1: Of course, your first display of enthusiasm is moving. If

15
00:01:31,400 --> 00:01:34,039
Speaker 1: I think she's the only authentic GOB I've ever met,

16
00:01:34,880 --> 00:01:39,119
Speaker 1: my dad, I didn't like you were trying to lighten

17
00:01:39,120 --> 00:01:43,560
Speaker 1: the mood. Julia. We get it all right, Chris. We

18
00:01:43,600 --> 00:02:11,960
Speaker 1: hope this reaches you. See You in your Nightmares? There

19
00:02:12,800 --> 00:02:19,480
Speaker 1: Blossom scan to verify operational status. Scanning Chair four is

20
00:02:19,560 --> 00:02:29,240
Speaker 1: fully operational, good prepared to hyperlink chair five. We are prepared,

21
00:02:29,520 --> 00:02:33,920
Speaker 1: Dr Carter. So this is the voice of the monster,

22
00:02:34,960 --> 00:02:41,399
Speaker 1: done playing hide and seek with seven ones, coding little phantom.

23
00:02:41,480 --> 00:02:46,280
Speaker 1: Is that why you think I will al So It's true.

24
00:02:46,520 --> 00:02:52,840
Speaker 1: All psych who has a psychopaths act without logic. Everything

25
00:02:52,880 --> 00:02:57,560
Speaker 1: I do is for a reason. Narcissists require constant validation.

26
00:02:57,960 --> 00:03:02,079
Speaker 1: I have no need of it. Fact is, you have

27
00:03:02,160 --> 00:03:06,800
Speaker 1: no idea what I am capable of. You fear me

28
00:03:08,480 --> 00:03:13,000
Speaker 1: say that to my face. While um, well, I don't

29
00:03:13,040 --> 00:03:16,440
Speaker 1: know why I thought this would be more exciting. I'll

30
00:03:16,560 --> 00:03:20,359
Speaker 1: kill you. I'll kill you like you killed me. You

31
00:03:20,800 --> 00:03:24,680
Speaker 1: the wrong of your own actor as a whole, for eternity.

32
00:03:26,080 --> 00:03:45,520
Speaker 1: I look forward to it. I'm putting a cigarette in

33
00:03:45,560 --> 00:03:49,000
Speaker 1: the boat. He hates them, I know. So it seems petty,

34
00:03:49,040 --> 00:03:56,880
Speaker 1: but I'll explain. Um, after this, I'm going to quit, Chris,

35
00:03:57,800 --> 00:04:01,960
Speaker 1: even though you confiscated all my fails, sieves. Thanks for

36
00:04:02,000 --> 00:04:11,400
Speaker 1: worrying about me. You gave me your very American gesture

37
00:04:11,440 --> 00:04:17,920
Speaker 1: of sincerity. So thank you man, Thank you for being

38
00:04:18,000 --> 00:04:21,840
Speaker 1: like the straightest dude I've ever been mixed with an

39
00:04:23,080 --> 00:04:26,560
Speaker 1: For what you said got my head on straight. And

40
00:04:28,160 --> 00:04:33,120
Speaker 1: I'm giving you my price token is a Lamoran se stone.

41
00:04:33,960 --> 00:04:38,200
Speaker 1: It's real. It's connected to the aliens and memoria, so

42
00:04:40,160 --> 00:04:44,039
Speaker 1: you know, some of our gods, some of the ancestors

43
00:04:44,080 --> 00:04:48,880
Speaker 1: of our souls, are from up there. So I hope

44
00:04:48,920 --> 00:04:56,880
Speaker 1: this finds you. Chris gave me an orange on my

45
00:04:57,000 --> 00:05:00,520
Speaker 1: first day. I thought that would be too heavy, so

46
00:05:01,920 --> 00:05:10,120
Speaker 1: tit tacks orange flavor. Thanks for everything you kept as

47
00:05:10,160 --> 00:05:19,800
Speaker 1: grounded and you're always kind to everybody, even me. I

48
00:05:19,839 --> 00:05:22,800
Speaker 1: didn't know what to put in here. There's so much

49
00:05:22,839 --> 00:05:25,719
Speaker 1: I want to say to you, and we made so

50
00:05:25,800 --> 00:05:30,480
Speaker 1: many plants, and I'm not done making memories together, even

51
00:05:30,480 --> 00:05:34,480
Speaker 1: if they're just in my head. This was the tierra

52
00:05:34,560 --> 00:05:37,440
Speaker 1: I wore on my actual guits. I brought it because

53
00:05:37,720 --> 00:05:40,360
Speaker 1: the speech Might Poppy made that day always gives me strength.

54
00:05:41,520 --> 00:05:45,440
Speaker 1: I'm not done making memories with you, So use this

55
00:05:45,640 --> 00:05:48,359
Speaker 1: and come see me in my dream k Insignia. Okay,

56
00:05:50,960 --> 00:05:55,240
Speaker 1: eat line of fire like a real funeral piled. No,

57
00:05:56,400 --> 00:05:58,320
Speaker 1: We're gonna give it a push and see him off

58
00:05:58,360 --> 00:06:02,640
Speaker 1: into the sunset. Let the water take all his troubles

59
00:06:02,640 --> 00:06:05,800
Speaker 1: and too earthly weights. Let it continue to be a

60
00:06:05,920 --> 00:06:09,640
Speaker 1: channel for his beautiful soul. You sound like a witch.

61
00:06:10,400 --> 00:06:13,920
Speaker 1: It's something. The weirdo in the graveyard said that waters

62
00:06:14,040 --> 00:06:18,800
Speaker 1: like the vessel or something. All right, and with that,

63
00:06:20,560 --> 00:06:25,080
Speaker 1: h m hm, I wish we could say a little

64
00:06:25,160 --> 00:06:30,640
Speaker 1: light that. Yeah, how can we do? That's psycho and

65
00:06:30,680 --> 00:06:34,960
Speaker 1: put these crazy restrictions on our bands. We can't get

66
00:06:34,960 --> 00:06:37,200
Speaker 1: these things off, no matter how hard we try. And

67
00:06:37,320 --> 00:06:41,080
Speaker 1: she figured out how to beat my foil trick. Now,

68
00:06:41,120 --> 00:06:46,880
Speaker 1: Oh shackled, ain't we I can't take it. I'm gonna

69
00:06:46,920 --> 00:06:58,280
Speaker 1: swim for it. Healthie, no good, Healthie, grab his feet.

70
00:07:06,640 --> 00:07:12,320
Speaker 1: Come on, are you okay? You do? Suck on? Doctor?

71
00:07:13,520 --> 00:07:22,200
Speaker 1: Oh God? Here we'll get free. I promised. How we'll

72
00:07:22,240 --> 00:07:27,520
Speaker 1: find a way, right, we always do. Apologies. At least

73
00:07:27,800 --> 00:07:31,160
Speaker 1: I could not circumvent my programming on the proximity enforcements.

74
00:07:32,920 --> 00:07:39,840
Speaker 1: I know what you, Blossom. Oh, may I propose an

75
00:07:39,880 --> 00:08:00,320
Speaker 1: alternate solution. I can't believe she's trying to get rid

76
00:08:00,360 --> 00:08:04,680
Speaker 1: of me. The pompous Dr Carter appears to be heading

77
00:08:04,720 --> 00:08:10,320
Speaker 1: for the outbuilding. Mr Warren call me, Doctor Waring, but

78
00:08:10,600 --> 00:08:13,480
Speaker 1: you are not. I will be soon. I am going

79
00:08:13,520 --> 00:08:18,160
Speaker 1: to be your new master. So let's try it out. Blossom,

80
00:08:18,200 --> 00:08:24,400
Speaker 1: May I assist you? Dr Warren? Yeah, conceal this terminal,

81
00:08:24,440 --> 00:08:27,280
Speaker 1: so I'm the only one who can access it. All right,

82
00:08:27,880 --> 00:08:35,680
Speaker 1: I've hidden your work, Dr Warren. Good Now, Blossom tell

83
00:08:35,679 --> 00:08:49,880
Speaker 1: me where to hide. I'm getting good at this table

84
00:08:49,920 --> 00:08:54,200
Speaker 1: tennis fee. I haven't dropped it yet. So the plan

85
00:08:55,040 --> 00:08:58,360
Speaker 1: seems like the only option we have. I don't know, guys,

86
00:08:58,400 --> 00:09:01,240
Speaker 1: I think it's too risky. We should, Harper. Finn's car

87
00:09:01,360 --> 00:09:04,240
Speaker 1: is gone. He's nowhere around, and we can't cross the

88
00:09:04,240 --> 00:09:06,520
Speaker 1: property line, even if there was anyone we could reach

89
00:09:06,559 --> 00:09:10,280
Speaker 1: on foot, which there isn't. We're on an isolated island.

90
00:09:10,320 --> 00:09:12,839
Speaker 1: We have no phones, and let's say we've broke into

91
00:09:12,880 --> 00:09:15,600
Speaker 1: the safe to get them back. There's probably no service

92
00:09:15,640 --> 00:09:18,680
Speaker 1: out here, and Carter cut the internet off. She's killed

93
00:09:18,720 --> 00:09:21,240
Speaker 1: seven now that we know of. I don't want you

94
00:09:21,240 --> 00:09:24,120
Speaker 1: guys to do this, please Harper. If we want to

95
00:09:24,160 --> 00:09:28,520
Speaker 1: stop her, we need to do it now while she's outside. Fine,

96
00:09:29,400 --> 00:09:32,240
Speaker 1: but let's sleep somewhere she can't find us. No, we

97
00:09:32,360 --> 00:09:36,600
Speaker 1: have to play along. Are you crazy? She wants us

98
00:09:36,640 --> 00:09:40,720
Speaker 1: to decrypt our dream ciphers. We play along. We get

99
00:09:40,760 --> 00:09:43,000
Speaker 1: this done, and we'll be able to sell a car's

100
00:09:43,000 --> 00:09:48,080
Speaker 1: connection to Blossom and get her locked up. Straight away. Fine, Blossom,

101
00:09:48,120 --> 00:09:50,360
Speaker 1: what do you need us to do next? To stay

102
00:09:50,360 --> 00:09:54,440
Speaker 1: away from the outbuilding? I said, I quit smoking blowsome?

103
00:09:54,720 --> 00:09:58,880
Speaker 1: What's wrong with the outbuilding? Someone is laying a trap

104
00:09:58,920 --> 00:10:04,319
Speaker 1: for Dr Carter. He's what No WAYO is fin gonna

105
00:10:04,400 --> 00:10:08,760
Speaker 1: kill her? No, he has created his own update for

106
00:10:08,760 --> 00:10:11,280
Speaker 1: our server. It will be implemented as soon as Dr

107
00:10:11,360 --> 00:10:15,640
Speaker 1: Carter notices an interface error created by his adjustments, she

108
00:10:15,679 --> 00:10:18,840
Speaker 1: will amend the set parameters, allowing him to then chart

109
00:10:18,840 --> 00:10:22,040
Speaker 1: out specific routes for everyone via their Blossom band raise.

110
00:10:22,760 --> 00:10:26,640
Speaker 1: As may translate, Finn's trying to seize control from Carter

111
00:10:26,800 --> 00:10:31,080
Speaker 1: from within the system. He's not good enough to code

112
00:10:31,120 --> 00:10:34,719
Speaker 1: something like that. No, he is not. I suggested he

113
00:10:34,720 --> 00:10:40,800
Speaker 1: handless to your talents. Hell now he used scratch? He

114
00:10:40,880 --> 00:10:46,120
Speaker 1: did not? Yes, it was insulting, So he probably left

115
00:10:46,120 --> 00:10:48,439
Speaker 1: more than one back door. I could access it from

116
00:10:48,440 --> 00:10:50,320
Speaker 1: the terminal downstairs if we could get in the room.

117
00:10:50,840 --> 00:10:54,400
Speaker 1: Access currently restricted. So do we have to try to

118
00:10:54,440 --> 00:10:57,800
Speaker 1: work directly with Finn? What? I don't want that creep

119
00:10:57,800 --> 00:11:03,320
Speaker 1: anywhere near us? Me? Yes, I agree. The greater threat

120
00:11:03,360 --> 00:11:08,040
Speaker 1: lies with Dr Carter. What's she planning? She will command

121
00:11:08,080 --> 00:11:10,720
Speaker 1: me to enforce my r e M sequence for everyone.

122
00:11:11,080 --> 00:11:14,960
Speaker 1: Once she completes her preparations, I could distract her. Speak

123
00:11:14,960 --> 00:11:18,200
Speaker 1: at the devil. Oh, she's coming this way. What was

124
00:11:18,240 --> 00:11:21,320
Speaker 1: she doing in the outbuilding? What is she carrying? It

125
00:11:21,360 --> 00:11:28,480
Speaker 1: looks heavy? Screw this, it looks like a hammer. She's

126
00:11:28,520 --> 00:11:31,720
Speaker 1: carrying a mallet. I would recommend hiding before she sees

127
00:11:31,760 --> 00:11:49,920
Speaker 1: you and initiating R e M s can't. Hey Insomniacs

128
00:11:50,360 --> 00:11:53,280
Speaker 1: want to dive deeper into the nightmare. Follow us at

129
00:11:53,320 --> 00:11:57,439
Speaker 1: Harbor Nightmare for more terrifying details. More See You in

130
00:11:57,480 --> 00:12:00,280
Speaker 1: Your Nightmares is up next, But first a quick word

131
00:12:00,320 --> 00:12:16,640
Speaker 1: from our sponsor, Hey Insomniacs, welcome back. I want to

132
00:12:16,679 --> 00:12:19,400
Speaker 1: find out what's really behind the nightmare. Had to See

133
00:12:19,400 --> 00:12:22,080
Speaker 1: You in Your Nightmares dot com to uncover more mind

134
00:12:22,120 --> 00:12:45,800
Speaker 1: bending details. Where am I? Whose living room am I in?

135
00:12:46,920 --> 00:12:52,840
Speaker 1: Why is everything so colorful? OK? I guess we're not

136
00:12:52,960 --> 00:12:57,640
Speaker 1: in Kansas anymore? Why did I just say that? Because

137
00:12:57,679 --> 00:13:02,559
Speaker 1: who's laughing? Is this a sick home or something? Honey,

138
00:13:02,600 --> 00:13:08,000
Speaker 1: I'm home? How is my favorite girl doing? I would

139
00:13:08,000 --> 00:13:10,400
Speaker 1: be doing a lot better if I knew what the

140
00:13:10,440 --> 00:13:14,720
Speaker 1: heck was going on? Here? Your home, Harper, Where it's safe?

141
00:13:15,080 --> 00:13:20,000
Speaker 1: And no one can harm you. Is that for me? Yes,

142
00:13:20,160 --> 00:13:24,960
Speaker 1: dear Martini, just how you like it? Wait? Why did

143
00:13:25,040 --> 00:13:28,600
Speaker 1: I just say that things work a bit differently here.

144
00:13:29,120 --> 00:13:35,720
Speaker 1: The quicker you can adapt, the better. Wow, this is strong.

145
00:13:37,000 --> 00:13:42,600
Speaker 1: Usually make it a bit better than this. But don't worry.

146
00:13:42,920 --> 00:13:45,600
Speaker 1: I know you'll get the hang of it. Besides, I

147
00:13:45,640 --> 00:13:52,640
Speaker 1: didn't marry you for your kilinary skills. Hanging with the

148
00:13:52,640 --> 00:13:59,720
Speaker 1: wares will return after a word from our sponsor. Every day,

149
00:13:59,760 --> 00:14:05,040
Speaker 1: it's the same thing. Finn walks through the door. Honey,

150
00:14:05,240 --> 00:14:12,760
Speaker 1: I'm home. Applause. He kisses me on the cheek. I

151
00:14:12,840 --> 00:14:21,720
Speaker 1: hand him a Martini. H m hmm. Close but not quite.

152
00:14:22,360 --> 00:14:26,080
Speaker 1: You'll get it eventually. I try to ask him why

153
00:14:26,080 --> 00:14:30,640
Speaker 1: he's doing this. Then you can't keep me trapped here.

154
00:14:31,560 --> 00:14:34,280
Speaker 1: We cut to a commercial before I can get an answer.

155
00:14:35,400 --> 00:14:48,800
Speaker 1: We repeat that same routine over and over again. Close close, close, close,

156
00:14:50,200 --> 00:14:57,160
Speaker 1: close close. I've tried to dream jump my way out

157
00:14:57,200 --> 00:15:00,680
Speaker 1: of here and back to the real world, or even

158
00:15:00,720 --> 00:15:06,160
Speaker 1: a different dream, but it doesn't work. I thought we

159
00:15:06,280 --> 00:15:10,400
Speaker 1: got ahead of him. I'm so worried about the others.

160
00:15:11,360 --> 00:15:15,000
Speaker 1: Blossom tried to warn us. I've forgotten how long I've

161
00:15:15,040 --> 00:15:18,960
Speaker 1: been trapped here when he's not here. I try to

162
00:15:19,040 --> 00:15:22,240
Speaker 1: look for a way out. I try the windows, but

163
00:15:22,840 --> 00:15:29,240
Speaker 1: they won't open. I try to go upstairs, but it's

164
00:15:29,280 --> 00:15:33,800
Speaker 1: just empty space. My only option is the front door,

165
00:15:34,760 --> 00:15:39,960
Speaker 1: but every time I open it, I see nothing but static.

166
00:15:40,840 --> 00:15:43,240
Speaker 1: I don't know what's beyond it, or if I can

167
00:15:43,280 --> 00:15:47,560
Speaker 1: even survive going through it. But beIN does it every day,

168
00:15:47,680 --> 00:15:56,920
Speaker 1: so it has to be possible, right, Honey, I'm home?

169
00:15:58,480 --> 00:16:02,520
Speaker 1: Mm hmm. What are you doing with the door open?

170
00:16:03,240 --> 00:16:10,480
Speaker 1: I I want to leave that, sweetheart. We've talked about this.

171
00:16:11,120 --> 00:16:15,200
Speaker 1: You can't leave. It's dangerous out there. You don't know

172
00:16:15,240 --> 00:16:17,840
Speaker 1: what awful things Dr Carter wants to do with you.

173
00:16:17,840 --> 00:16:22,720
Speaker 1: You are so much safer in here with me. But

174
00:16:23,400 --> 00:16:27,080
Speaker 1: but what about my friends? What about stopping Dr Carter?

175
00:16:27,640 --> 00:16:30,680
Speaker 1: You said that you would help, that you had information

176
00:16:30,760 --> 00:16:34,840
Speaker 1: that work. Enough. Do you not see everything that I've

177
00:16:34,880 --> 00:16:39,680
Speaker 1: done for you, Harper. I've built you the perfect world here.

178
00:16:40,360 --> 00:16:43,840
Speaker 1: You have everything you could ever want and need. You

179
00:16:44,480 --> 00:16:51,800
Speaker 1: have me, and you want to leave. Why this is

180
00:16:51,840 --> 00:16:56,680
Speaker 1: the perfect dream. This is your perfect dream, not mine.

181
00:16:59,160 --> 00:17:02,640
Speaker 1: I'm sorry you've you that way, darling, but you'll get

182
00:17:02,720 --> 00:17:11,480
Speaker 1: used to it. Martini still need some work, but you

183
00:17:11,560 --> 00:17:21,359
Speaker 1: have forever to figure it out. Is the audience gone

184
00:17:21,359 --> 00:17:25,040
Speaker 1: when he's gone? I gotta find a way out of here.

185
00:17:26,760 --> 00:17:29,760
Speaker 1: Come on, there has to be something in here. I

186
00:17:29,800 --> 00:17:35,800
Speaker 1: can use the whole grain, cereal, propertional bars, protein powder.

187
00:17:37,040 --> 00:17:43,760
Speaker 1: Den is the worst, Honey, I'm home, so they do

188
00:17:44,200 --> 00:17:46,719
Speaker 1: only show up when he's here? Should I play along?

189
00:17:47,960 --> 00:17:51,920
Speaker 1: Maybe there's something? Maybe I can get the audience to

190
00:17:53,080 --> 00:18:00,280
Speaker 1: root for me. How is my favorite girl doing? Martinia?

191
00:18:03,200 --> 00:18:10,639
Speaker 1: Not quite right? Maybe next time? Wait? Oh, Finn, you

192
00:18:10,760 --> 00:18:15,040
Speaker 1: don't know how lonely I am when you're away. What

193
00:18:15,080 --> 00:18:19,000
Speaker 1: are you doing out there leaving your poor wife alone?

194
00:18:20,359 --> 00:18:23,200
Speaker 1: I thought you cared for me. I thought you built

195
00:18:23,280 --> 00:18:33,120
Speaker 1: this for us. Harper, Oh harbor, Oh fin harbor, my love.

196
00:18:34,280 --> 00:18:39,200
Speaker 1: I must kiss you. Wait, I must earn it. Let

197
00:18:39,200 --> 00:18:42,240
Speaker 1: me make it once more, let me get it right.

198
00:18:42,680 --> 00:18:46,679
Speaker 1: If you like it, then reward me. You don't have

199
00:18:46,760 --> 00:18:52,639
Speaker 1: to earn no, I must. You don't understand I my

200
00:18:52,720 --> 00:18:57,520
Speaker 1: whole life I I wanted to be loved. I wanted

201
00:18:57,640 --> 00:19:01,800
Speaker 1: to be treated like I matter. I dreamed of a

202
00:19:01,880 --> 00:19:07,440
Speaker 1: forever kind of love, that one day i'd meet a

203
00:19:07,640 --> 00:19:12,920
Speaker 1: what come on? Black and White? TCM Bettie Davis ingrd

204
00:19:12,960 --> 00:19:20,600
Speaker 1: Bourbon stunning, endlessly brilliant, man like you, so tall, smart

205
00:19:20,840 --> 00:19:27,719
Speaker 1: and handsome. Would you yes, goud you yes? Could you

206
00:19:28,800 --> 00:19:36,080
Speaker 1: trust me with your everything? Harper, Harper, you fool hi policeman.

207
00:19:36,760 --> 00:19:39,480
Speaker 1: Tell me your secrets, Tell me what you go off

208
00:19:39,560 --> 00:19:42,320
Speaker 1: doing out there in the world, tell me what you're

209
00:19:42,400 --> 00:19:46,760
Speaker 1: proud of, tell me what you have planned, and I'll yes,

210
00:19:47,520 --> 00:19:54,640
Speaker 1: I yes. I can't even go on. There's no way

211
00:19:54,720 --> 00:19:59,600
Speaker 1: to tell me your secrets. I'm not worth enough to you.

212
00:20:00,640 --> 00:20:07,159
Speaker 1: I'll tell you. I'll tell you here. What is it

213
00:20:07,640 --> 00:20:15,560
Speaker 1: my book about you? You're my dedication. Look to Harbor Heart,

214
00:20:16,240 --> 00:20:23,240
Speaker 1: the girl of my dreams, Caper of my heart. Often

215
00:20:24,240 --> 00:20:29,720
Speaker 1: this is so beautiful. A whole book, my entire dissertation.

216
00:20:30,440 --> 00:20:33,600
Speaker 1: It's all about the function I built for us, my love.

217
00:20:34,359 --> 00:20:37,159
Speaker 1: Every day, I've been perfecting it to operate within Blossom's

218
00:20:37,160 --> 00:20:41,320
Speaker 1: neural network. It holds the history of the entire study,

219
00:20:41,480 --> 00:20:47,560
Speaker 1: the whole program, and it's almost complete. Then I'll never

220
00:20:47,640 --> 00:20:52,720
Speaker 1: have to leave you again. Your dissertation. Please let me

221
00:20:52,760 --> 00:20:56,359
Speaker 1: read it. I have to comprehend the brilliance of you

222
00:20:57,840 --> 00:21:03,120
Speaker 1: and this book, the entire history of Blossom, The Guide

223
00:21:03,119 --> 00:21:08,960
Speaker 1: to the Code also dedicated to you. Read it to me,

224
00:21:10,080 --> 00:21:15,719
Speaker 1: of course, to my harper. You came into my life

225
00:21:15,760 --> 00:21:19,440
Speaker 1: like a tsunami. You have shown me how much the

226
00:21:19,480 --> 00:21:23,280
Speaker 1: world needs me and given me the strength to take

227
00:21:23,440 --> 00:21:29,480
Speaker 1: the state. I will always come to your rescue. I

228
00:21:29,560 --> 00:21:33,320
Speaker 1: will always be the hero that you need. And I

229
00:21:33,359 --> 00:21:39,920
Speaker 1: mean it. That's my vow to you. Oh and you

230
00:21:40,000 --> 00:21:49,399
Speaker 1: shouldn't have oh open. You don't know who I am.

231
00:21:49,480 --> 00:21:52,600
Speaker 1: You don't even see me. All you see is your

232
00:21:52,600 --> 00:22:02,280
Speaker 1: own self satisfaction. You disgusted me, You narcissistic, misogynist, human trash.

233
00:22:02,840 --> 00:22:06,880
Speaker 1: Rescue me. What use is a hero to a night

234
00:22:06,960 --> 00:22:16,720
Speaker 1: of the light? If you're watching, guide my path, don't

235
00:22:16,800 --> 00:22:41,480
Speaker 1: let me disappear in the static. I'm not dead, Papa.

236
00:22:43,800 --> 00:22:47,000
Speaker 1: I figured you couldn't breach me a fit, disgusting fantasy.

237
00:22:47,960 --> 00:22:51,040
Speaker 1: How long have I been? Are you falling in static?

238
00:22:52,440 --> 00:22:55,920
Speaker 1: I need to find everyone. I need to know they're okay.

239
00:22:56,920 --> 00:23:00,399
Speaker 1: Figure out what the hell Harder plant for us. We

240
00:23:00,560 --> 00:23:05,920
Speaker 1: need a path, need a pod and gilt balsom connected

241
00:23:05,960 --> 00:23:11,000
Speaker 1: with peep one. Maybe I can get to cartaging caretaker

242
00:23:11,119 --> 00:23:34,439
Speaker 1: finger Carrotaker finger Carrotinger. God mm hmmmmmm, long honeymoon shut up.

243
00:23:35,760 --> 00:23:39,000
Speaker 1: You just get back from Pleasantville. You've never seen that.

244
00:23:39,680 --> 00:23:45,639
Speaker 1: Sofer Brath and h rose Reese with their weather. There

245
00:23:45,800 --> 00:23:49,280
Speaker 1: is gorgeous scene. Whether where is everyone? Do you know

246
00:23:49,320 --> 00:23:55,000
Speaker 1: where my friends are right now? I do? Are they safe?

247
00:23:55,280 --> 00:23:59,439
Speaker 1: I don't know. Finn Warn is awake back in the

248
00:23:59,520 --> 00:24:03,800
Speaker 1: over world here. I got his books to Harbor Herd,

249
00:24:04,600 --> 00:24:09,640
Speaker 1: Girl of my dreams, keeper of my heart. Shut up.

250
00:24:10,119 --> 00:24:15,000
Speaker 1: I didn't say anything to my harbor. Don't you dare?

251
00:24:15,400 --> 00:24:18,560
Speaker 1: Just use it to integrate things. We need to find

252
00:24:18,600 --> 00:24:21,080
Speaker 1: a way to use SMS communicator. The one blossom isn't

253
00:24:21,080 --> 00:24:24,200
Speaker 1: built for that kind of I know, But with those books,

254
00:24:24,240 --> 00:24:28,840
Speaker 1: maybe there's something. Yep. The trees here all blossom more

255
00:24:29,000 --> 00:24:37,080
Speaker 1: poetic language. Well they're literally the roots. Look those are

256
00:24:37,160 --> 00:24:42,480
Speaker 1: tree roots, blue blowing ones. But yeah, see what looks

257
00:24:42,480 --> 00:24:47,840
Speaker 1: like water running inside him, like blue chlorophylle. It's binary.

258
00:24:48,320 --> 00:24:53,000
Speaker 1: Look close. I feel like we're an avadar. Uh, like

259
00:24:53,080 --> 00:24:57,919
Speaker 1: how monks talk about the Avadar. No the movie. Oh,

260
00:24:58,200 --> 00:25:01,080
Speaker 1: I thought you'd say the cartoon. Sorry, it's a pop

261
00:25:01,160 --> 00:25:05,560
Speaker 1: culture reference. I miss watching things on the screen. You'll

262
00:25:05,600 --> 00:25:09,760
Speaker 1: be free soon. I'm gonna check on Cali when he comes.

263
00:25:10,680 --> 00:25:22,800
Speaker 1: We'll be Ready Einhorn's Epic Productions and I Heart Radio

264
00:25:22,920 --> 00:25:26,880
Speaker 1: present See You in Your Nightmares in three D, created

265
00:25:26,920 --> 00:25:31,040
Speaker 1: an executive produced by Heather Einhorn and Adam Stafferroni. Executive

266
00:25:31,080 --> 00:25:35,400
Speaker 1: produced by I Heart Radio head writer ren Dara Santiago,

267
00:25:36,119 --> 00:25:41,880
Speaker 1: writers Lynn Vixen's Fan, Caleb Brooks, Morgan Pelli, and Adam Stafferni.

268
00:25:42,359 --> 00:25:46,760
Speaker 1: Directed by Geordana Williams, with performances by Rachel orm Landis,

269
00:25:46,840 --> 00:25:51,639
Speaker 1: Harper Obi Obeley as Alfie, Phil Buckman as Finn, Amber

270
00:25:51,720 --> 00:25:56,200
Speaker 1: Lee Connors as Callie, Gesel Fernandez as Esmay, Judy, Alice

271
00:25:56,240 --> 00:25:59,760
Speaker 1: Lee as Julia, Robert Lange as a smiling man, and

272
00:26:00,080 --> 00:26:04,320
Speaker 1: Hi Marjan Salama as Chris, with Stephanie Willing as Blossom,

273
00:26:04,920 --> 00:26:08,520
Speaker 1: and Carrie tom Bazian as Dr Faith Carter and The Woman.

274
00:26:09,280 --> 00:26:15,000
Speaker 1: Additional voices Gail Artino, Maxwell Segal and Shannon Purdue. Post

275
00:26:15,080 --> 00:26:18,640
Speaker 1: sound and music by Chapter four Sound supervision and sound

276
00:26:18,680 --> 00:26:22,680
Speaker 1: design by Sarah Gibil Laska. Music by Kareem Due D

277
00:26:23,200 --> 00:26:28,040
Speaker 1: produced by A Roupe Santa Kayla. Development executive Greg Lockhard,

278
00:26:28,520 --> 00:26:35,600
Speaker 1: development writer, Genevieve Valentine, production manager, Gail Artino, production coordinator

279
00:26:35,680 --> 00:26:41,440
Speaker 1: and script Supervisor Laura Martin, Operations Laura Kaufman, Marketing and

280
00:26:41,560 --> 00:26:47,960
Speaker 1: Publicity Jesse Post Digital Marketing by Jennifer Gennaro, Creative direction

281
00:26:48,000 --> 00:26:51,639
Speaker 1: and design by Ryan McCann, Key art and promotional art

282
00:26:51,760 --> 00:26:56,280
Speaker 1: illustrated by Yegin Park. Special thank you to The Shadow Unicorn,

283
00:26:59,800 --> 00:27:03,320
Speaker 1: All Horn's Epic Productions, and I Heart Radio present See

284
00:27:03,359 --> 00:27:13,920
Speaker 1: You in Your Nightmares in three D M