1 00:00:00,200 --> 00:00:03,480 Speaker 1: Now here's a highlight from Coast to Coast AM on 2 00:00:03,600 --> 00:00:07,160 Speaker 1: iHeartRadio and welcome back to Coast to Coast, George Nori 3 00:00:07,280 --> 00:00:10,000 Speaker 1: with you, Mark Hartsman, back with us. Mark's passion for 4 00:00:10,080 --> 00:00:14,080 Speaker 1: the unusual started with Ripley's Believe It or Not as 5 00:00:14,120 --> 00:00:16,840 Speaker 1: a Lot of us did in the annual Guinness World 6 00:00:16,840 --> 00:00:19,720 Speaker 1: Record Books during his youth. In addition to his own 7 00:00:19,760 --> 00:00:24,800 Speaker 1: books about Ghost Mars, Oliver Cromwell's Embombed Head, Weird Things 8 00:00:24,840 --> 00:00:29,440 Speaker 1: on eBay and the sideshow Performers, and Unorthodox Messages from God, 9 00:00:29,920 --> 00:00:34,080 Speaker 1: Mark has written for Mental Floss, The Huffington Post, aol, 10 00:00:34,240 --> 00:00:38,640 Speaker 1: Weird News, All That's Interesting dot Com, The Morbid Anatomy 11 00:00:38,880 --> 00:00:45,400 Speaker 1: Online journal, and Bizarre Magazine. He has discussed oddities on CNN, MSNBC, 12 00:00:45,640 --> 00:00:48,680 Speaker 1: has been on our program, Ripley's Radio, and the Travel 13 00:00:48,800 --> 00:00:52,200 Speaker 1: Channel's Mysteries at the Museum. You're all over the place, Mark, 14 00:00:52,280 --> 00:00:54,880 Speaker 1: welcome back. Thanks George. It's good to be back. How 15 00:00:54,840 --> 00:00:57,480 Speaker 1: are you doing everything? Good? Yeah? To him? Well, keep 16 00:00:57,520 --> 00:01:01,120 Speaker 1: him busy great in Chasing Ghost. Just came out today, 17 00:01:01,200 --> 00:01:04,040 Speaker 1: didn't it? Yes? Today with the launch day, very exciting. 18 00:01:04,240 --> 00:01:07,119 Speaker 1: How about that for timing perfect? Well? You will get 19 00:01:07,120 --> 00:01:08,920 Speaker 1: into this and some of the other things. So let's 20 00:01:08,959 --> 00:01:11,399 Speaker 1: go back to the moment you were a youth. I 21 00:01:11,560 --> 00:01:13,920 Speaker 1: was like you Ripley's believe it or not, that I 22 00:01:13,920 --> 00:01:17,959 Speaker 1: would see in the newspaper and in the comic sections 23 00:01:18,080 --> 00:01:23,039 Speaker 1: would just always capture my attention. Guinness World Records, I 24 00:01:23,160 --> 00:01:27,400 Speaker 1: loved all of that. It captured you two, didn't it absolutely. 25 00:01:27,480 --> 00:01:29,240 Speaker 1: I mean I used to love watching the show when 26 00:01:29,840 --> 00:01:33,000 Speaker 1: when Jack Palace was the host and just seeing you 27 00:01:33,160 --> 00:01:36,920 Speaker 1: this video of just amazing, remarkable people. And with the 28 00:01:36,959 --> 00:01:39,919 Speaker 1: Guinness Book, I mean I really loved the Guinness Books. 29 00:01:39,920 --> 00:01:42,600 Speaker 1: They were those little short, black and white, thick books 30 00:01:42,640 --> 00:01:46,120 Speaker 1: back then, and I just loved that first section, like 31 00:01:46,160 --> 00:01:48,520 Speaker 1: the first usually like the first twenty pages I think 32 00:01:48,520 --> 00:01:51,240 Speaker 1: it was called a Human Body was chapter one, and 33 00:01:51,360 --> 00:01:53,640 Speaker 1: that's where you just had all these anomalies in My 34 00:01:53,720 --> 00:01:56,520 Speaker 1: favorite of the anomalies was the World's Tallest Man, which 35 00:01:56,560 --> 00:02:01,800 Speaker 1: was Robert Wadlow. That's right, Alton, Illinois, Yes exactly. He 36 00:02:01,920 --> 00:02:04,160 Speaker 1: was just I mean every year they'd have different images, 37 00:02:04,200 --> 00:02:06,760 Speaker 1: like a different photo in different stats, you know, so 38 00:02:06,880 --> 00:02:08,480 Speaker 1: I get, you know, pre internet, so you get a 39 00:02:08,480 --> 00:02:11,680 Speaker 1: little bit of extra information, and I just couldn't believe 40 00:02:11,800 --> 00:02:15,640 Speaker 1: how huge this man was. I mean just towering above 41 00:02:16,320 --> 00:02:18,800 Speaker 1: everyone else. I mean when he was like five, he 42 00:02:18,919 --> 00:02:21,840 Speaker 1: was bigger than his dad. And when he died, didn't 43 00:02:21,880 --> 00:02:25,640 Speaker 1: they bury him in a piano? Yeah, he had a 44 00:02:25,680 --> 00:02:29,280 Speaker 1: massive coffin casey. And the crazy thing is when he 45 00:02:29,320 --> 00:02:31,880 Speaker 1: died he was only twenty two years old. He was 46 00:02:31,960 --> 00:02:36,640 Speaker 1: still growing. So it's it's one thing I find just 47 00:02:36,760 --> 00:02:39,960 Speaker 1: I mean, it's upsetting because the man would have been 48 00:02:40,040 --> 00:02:41,440 Speaker 1: nine feet tall. I mean up saying because he was 49 00:02:41,480 --> 00:02:45,000 Speaker 1: twenty two. But it's someone who's just fascinated by the 50 00:02:45,120 --> 00:02:47,799 Speaker 1: numbers around it. I mean, to reach nine feet tall, 51 00:02:47,960 --> 00:02:49,760 Speaker 1: they have just been extraordinary. And he was taken down 52 00:02:49,760 --> 00:02:53,359 Speaker 1: by a blister on his toe and he got infected 53 00:02:53,440 --> 00:02:54,960 Speaker 1: under a leg brace and by the time he was 54 00:02:55,000 --> 00:02:57,720 Speaker 1: treated he had one hundred and six degree fever and 55 00:02:58,040 --> 00:03:00,799 Speaker 1: that ended his life. So once you got into all 56 00:03:00,880 --> 00:03:06,000 Speaker 1: these stories as a youth, you never forgot them, did you. No, 57 00:03:06,320 --> 00:03:08,600 Speaker 1: these things really stay with me. I also watched The 58 00:03:08,639 --> 00:03:10,799 Speaker 1: Elephant Man. It's probably the too Young of an Age 59 00:03:10,800 --> 00:03:13,560 Speaker 1: in the David Lynch film, and that really stayed with me. 60 00:03:13,600 --> 00:03:15,720 Speaker 1: I was a classic. Oh yeah, I mean, just what 61 00:03:15,840 --> 00:03:19,000 Speaker 1: an amazing story. Joseph Merrick is, so, yeah, these things 62 00:03:19,000 --> 00:03:22,160 Speaker 1: stayed with me, and then um, I just pursued, you know, 63 00:03:22,200 --> 00:03:26,959 Speaker 1: writing about different unusual people and started meaning different people 64 00:03:26,960 --> 00:03:29,120 Speaker 1: within the sideshow world, and that really got me going. 65 00:03:29,320 --> 00:03:31,720 Speaker 1: Did you ever think you would do this as a career. 66 00:03:35,800 --> 00:03:38,080 Speaker 1: I always want to be just, you know, a full 67 00:03:38,120 --> 00:03:41,120 Speaker 1: time writer. I mean, my day job is an advertising 68 00:03:41,160 --> 00:03:43,920 Speaker 1: so I do write for advertising. Butt in terms of 69 00:03:43,960 --> 00:03:46,920 Speaker 1: just writing books and about things I'm more passionate about, yeah, 70 00:03:46,920 --> 00:03:49,040 Speaker 1: I mean, that's that's the goal. I mean, but this 71 00:03:49,160 --> 00:03:52,480 Speaker 1: is your notoriety, this is what you're known for these Yes, yeah, 72 00:03:52,600 --> 00:03:56,480 Speaker 1: I'm thrilled that I'm still still doing it and enjoying it. 73 00:03:57,200 --> 00:03:59,560 Speaker 1: I'm gonna knock out a few of the titles of 74 00:03:59,560 --> 00:04:02,000 Speaker 1: Your Boy, just so folks will get an idea of 75 00:04:02,000 --> 00:04:05,680 Speaker 1: what you've done. Found on eBay one hundred and one 76 00:04:05,800 --> 00:04:10,640 Speaker 1: genuinely bizarre items from the world's online yard sale. American 77 00:04:10,800 --> 00:04:15,720 Speaker 1: Sideshow in a encyclopedia of history's most wondrous and curiously 78 00:04:15,800 --> 00:04:21,280 Speaker 1: strange performers. The embombed head of Oliver Cromwell, A memoir, 79 00:04:22,120 --> 00:04:24,919 Speaker 1: The Big Book of Mars from ancient Egypt to the 80 00:04:25,000 --> 00:04:28,760 Speaker 1: Martian A deep dive into our obsession with the Red Planet, 81 00:04:28,760 --> 00:04:31,320 Speaker 1: and the one that just came out today Chasing Ghosts, 82 00:04:31,360 --> 00:04:33,760 Speaker 1: which we're going to get into two. But all of 83 00:04:33,760 --> 00:04:38,440 Speaker 1: these works that you've done are all incredibly interesting and bizarre, 84 00:04:38,480 --> 00:04:43,240 Speaker 1: aren't they. Yeah, that's that's my theme, trying to find 85 00:04:43,560 --> 00:04:46,560 Speaker 1: that's the consistent thread. Different, different, in bizarre, you know, 86 00:04:46,920 --> 00:04:49,000 Speaker 1: in all different kinds of ways. And we've got a 87 00:04:49,000 --> 00:04:53,080 Speaker 1: couple of websites for you, a Weird Historian and Mark 88 00:04:53,560 --> 00:04:57,440 Speaker 1: Heartsman books dot com as well, yes, linked up at 89 00:04:57,480 --> 00:04:59,479 Speaker 1: Coast to Coast am dot com. Well, let's spend a 90 00:04:59,480 --> 00:05:02,560 Speaker 1: little time. You're talking about Chasing Ghosts, so maybe if 91 00:05:02,560 --> 00:05:04,640 Speaker 1: we have some time tonight, we'll talk about some of 92 00:05:04,680 --> 00:05:07,600 Speaker 1: your other works, and we'll take calls next hour from 93 00:05:08,200 --> 00:05:11,480 Speaker 1: our group of incredible folks who are very interested in 94 00:05:11,520 --> 00:05:15,800 Speaker 1: what you do. Tell me about the title Chasing Ghosts. Yeah, well, 95 00:05:15,839 --> 00:05:18,320 Speaker 1: the subtitle to it is a tour of our fascination 96 00:05:18,400 --> 00:05:21,400 Speaker 1: with spirits and the supernatural. So the thought of chasing 97 00:05:21,400 --> 00:05:25,360 Speaker 1: ghosts is just about how we've you know, since humanity 98 00:05:25,360 --> 00:05:27,920 Speaker 1: has been around, we've been looking and wondering about what 99 00:05:28,120 --> 00:05:30,600 Speaker 1: there is, you know, the afterlife? Is there an afterlife. 100 00:05:30,600 --> 00:05:35,640 Speaker 1: It's consciousness survive. Can we communicate with the dead if 101 00:05:35,680 --> 00:05:39,320 Speaker 1: the dead do survive? Can we use technology to capture ghosts? 102 00:05:39,360 --> 00:05:42,240 Speaker 1: So chasing ghosts kind of captured the different ways that 103 00:05:42,279 --> 00:05:45,560 Speaker 1: we have either thought about death, try to communicate or 104 00:05:45,680 --> 00:05:50,640 Speaker 1: capture evidence of an afterlife. Would you call the ghost 105 00:05:50,720 --> 00:05:56,880 Speaker 1: world the spirit world supernatural or natural? You know, it's 106 00:05:56,880 --> 00:05:59,200 Speaker 1: a good question. I feel like the terms supernatural is 107 00:05:59,200 --> 00:06:01,719 Speaker 1: a pretty broad term. You know, it can be kind 108 00:06:01,720 --> 00:06:03,920 Speaker 1: to find in different ways. I guess I would call 109 00:06:04,000 --> 00:06:10,559 Speaker 1: it supernatural, maybe only because you know, there's no there's 110 00:06:10,600 --> 00:06:15,400 Speaker 1: no particular proof or evidence. You know, people believe different things, 111 00:06:15,440 --> 00:06:18,440 Speaker 1: and there's certainly evidence to compoint one way or the other. 112 00:06:18,960 --> 00:06:21,480 Speaker 1: It's definitely a subjective thing. One thing I like about 113 00:06:21,520 --> 00:06:25,559 Speaker 1: the book is I present different cases in different ways 114 00:06:25,600 --> 00:06:28,520 Speaker 1: that you could maybe explain things away or certain cases 115 00:06:28,520 --> 00:06:31,080 Speaker 1: that are really difficult to explain, and leave it up 116 00:06:31,080 --> 00:06:33,159 Speaker 1: to the reader to kind of take the evidence presented 117 00:06:33,200 --> 00:06:36,120 Speaker 1: on both sides and decide what they want to believe. Mark. 118 00:06:36,160 --> 00:06:39,000 Speaker 1: I don't think I've seen a poll where people have 119 00:06:39,080 --> 00:06:43,000 Speaker 1: been pulled about their belief about the supernatural spirit world, 120 00:06:43,040 --> 00:06:46,080 Speaker 1: whether they think it exists or not. But if you 121 00:06:46,240 --> 00:06:49,320 Speaker 1: pulled one hundred people, what do you think the percent 122 00:06:49,400 --> 00:06:52,599 Speaker 1: would be those who believe in an afterlife? Well, I 123 00:06:52,640 --> 00:06:55,760 Speaker 1: did actually cite a poll in the book from twenty 124 00:06:55,880 --> 00:06:59,920 Speaker 1: nineteen from a site called yugov and it says about 125 00:07:00,040 --> 00:07:02,839 Speaker 1: forty five percent of people believe in ghosts. That's all. 126 00:07:02,960 --> 00:07:05,680 Speaker 1: I would have thought it would have been higher. I 127 00:07:05,800 --> 00:07:07,440 Speaker 1: thought that was a pretty good person. I mean, it's 128 00:07:07,440 --> 00:07:10,040 Speaker 1: almost half of people believe in it. Now, if you 129 00:07:10,200 --> 00:07:13,480 Speaker 1: pulled this audience, it would be eighty five percent. Yes, 130 00:07:13,520 --> 00:07:17,320 Speaker 1: it would skew higher. Yeah, much much higher. Indeed, indeed, 131 00:07:17,680 --> 00:07:24,400 Speaker 1: in your opinion, what are ghosts? So that's that's also 132 00:07:24,480 --> 00:07:27,040 Speaker 1: a good question. And you know, going into this book, 133 00:07:28,080 --> 00:07:29,960 Speaker 1: and I talked about this in my introduction, I would 134 00:07:29,960 --> 00:07:32,760 Speaker 1: have said I've never seen a ghost. And then as 135 00:07:32,800 --> 00:07:36,320 Speaker 1: I talked to different parapsychologists and paranormal investigators, you start 136 00:07:36,360 --> 00:07:40,160 Speaker 1: to kind of rethink certain experiences and redefine what a 137 00:07:40,160 --> 00:07:42,920 Speaker 1: ghost is. I think a lot of people think that 138 00:07:42,960 --> 00:07:45,400 Speaker 1: a ghost is something that you will see in front 139 00:07:45,440 --> 00:07:48,840 Speaker 1: of you, some sort of apparition, uh, you know, like 140 00:07:48,840 --> 00:07:50,200 Speaker 1: you'd see it in a movie. I mean we're all 141 00:07:50,280 --> 00:07:52,600 Speaker 1: kind of you know, our imaginations are sort of to 142 00:07:52,720 --> 00:07:55,840 Speaker 1: some degree created by what we've seen in pop culture, 143 00:07:55,920 --> 00:08:00,000 Speaker 1: whether it's representations in movies and you know, television and books, 144 00:08:00,040 --> 00:08:01,360 Speaker 1: whatever it might be. So you think of it it's 145 00:08:01,360 --> 00:08:04,120 Speaker 1: a thing that you see in front of you, but 146 00:08:04,200 --> 00:08:06,720 Speaker 1: it could also just be something that's in your mind's 147 00:08:06,720 --> 00:08:13,080 Speaker 1: eye or received through different senses. For example, he might have, 148 00:08:13,320 --> 00:08:16,960 Speaker 1: say five people in a particular place where a spirit 149 00:08:17,600 --> 00:08:20,480 Speaker 1: might be coming through when trying to make contact with 150 00:08:20,560 --> 00:08:22,880 Speaker 1: the people, and everyone might receive that spirit in a 151 00:08:22,920 --> 00:08:25,960 Speaker 1: different way. Someone might see something through their mind's eye 152 00:08:26,280 --> 00:08:29,360 Speaker 1: a representation of that person. Someone might smell something. It 153 00:08:29,360 --> 00:08:33,360 Speaker 1: could be a completely old factory sensation. Someone might hear something. 154 00:08:33,440 --> 00:08:35,600 Speaker 1: Someone might feel nothing at all. I think that the 155 00:08:35,640 --> 00:08:38,760 Speaker 1: rest of the people are just completely nuts, So it 156 00:08:38,800 --> 00:08:41,240 Speaker 1: can be different experiences. I think what it is is 157 00:08:41,240 --> 00:08:43,640 Speaker 1: some kind of connection from the dead to the living 158 00:08:44,400 --> 00:08:47,840 Speaker 1: in one way or the other. Interesting, tank, what do 159 00:08:47,840 --> 00:08:52,600 Speaker 1: you think of mediums? We know what Harry Hudini thought. Yeah, yeah, 160 00:08:52,640 --> 00:08:54,800 Speaker 1: And I definitely get into some of the Houdini stories. 161 00:08:55,280 --> 00:08:57,840 Speaker 1: And one thing that I'll say about Hudini is, yes, 162 00:08:57,880 --> 00:09:01,120 Speaker 1: he was very much into exposing the odds, but he 163 00:09:01,240 --> 00:09:03,959 Speaker 1: was open to the idea of this being possible. He 164 00:09:04,040 --> 00:09:06,560 Speaker 1: just hadn't found anyone he believed was legitimate. Well, he 165 00:09:06,640 --> 00:09:10,440 Speaker 1: was obsessed with finding the spirit of his mother, wasn't he. Yes, yes, 166 00:09:10,480 --> 00:09:14,440 Speaker 1: And of course, when you know, he famously had a 167 00:09:14,480 --> 00:09:16,920 Speaker 1: friendship that was kind of strained with with Arthur Conan 168 00:09:16,960 --> 00:09:22,920 Speaker 1: Doyle when when Doyle's wife, Lady Doyle, who was a medium, 169 00:09:23,400 --> 00:09:27,360 Speaker 1: said to have made a connection with Houdini's mother and 170 00:09:27,360 --> 00:09:30,280 Speaker 1: wrote like fifteen pages of messaging from his mother and 171 00:09:30,440 --> 00:09:32,680 Speaker 1: as seance and Houdini's so that's not my mom. You 172 00:09:32,720 --> 00:09:34,800 Speaker 1: know she first of all, she didn't speak English. You know, 173 00:09:34,840 --> 00:09:36,680 Speaker 1: the whole thing was in English. He's like, there's no way. 174 00:09:37,200 --> 00:09:41,280 Speaker 1: And Doyle wasn't too too fond of that reaction. But 175 00:09:42,440 --> 00:09:44,520 Speaker 1: I think that, you know, I have a lot of 176 00:09:44,520 --> 00:09:47,480 Speaker 1: stories about different mediums in the book, and for the 177 00:09:47,520 --> 00:09:50,800 Speaker 1: most part, there are there were ways that people would 178 00:09:50,840 --> 00:09:54,600 Speaker 1: explain what they were doing. Um, but there are some 179 00:09:54,679 --> 00:09:57,480 Speaker 1: cases where it still really makes you wonder, like, okay, well, 180 00:09:57,480 --> 00:10:01,720 Speaker 1: how is that possible? So the question remains, I mean, 181 00:10:01,800 --> 00:10:05,000 Speaker 1: are some of these mediums genuine and it seems like 182 00:10:05,160 --> 00:10:08,400 Speaker 1: they're very well could be. Some who have legitimate powers. Sure, 183 00:10:09,520 --> 00:10:12,319 Speaker 1: some of the things just seem too hard to explain. 184 00:10:12,400 --> 00:10:14,280 Speaker 1: I mean, yes, there are ways that things could be done, 185 00:10:14,320 --> 00:10:17,600 Speaker 1: but in some cases it's just a little bit it's 186 00:10:17,640 --> 00:10:19,960 Speaker 1: hard to imagine how something like that could have been faked. 187 00:10:20,480 --> 00:10:27,160 Speaker 1: Were most mediums in the earlier days women or men? Most? 188 00:10:27,240 --> 00:10:28,920 Speaker 1: I mean, there were definitely men, but there was a 189 00:10:29,000 --> 00:10:33,319 Speaker 1: majority of women. And it's an interesting question you why 190 00:10:33,480 --> 00:10:36,560 Speaker 1: was that the case? And you know, going back to 191 00:10:36,679 --> 00:10:39,720 Speaker 1: the origins of at least some modern spiritualism movement, which 192 00:10:39,920 --> 00:10:43,240 Speaker 1: kicked off in eighteen forty eight with the Fox sisters 193 00:10:43,240 --> 00:10:46,079 Speaker 1: in Hydfield, New York. And these were two young girls, 194 00:10:46,160 --> 00:10:51,199 Speaker 1: roughly eleven and thirteen, Maggie and Kate Fox, and they 195 00:10:51,320 --> 00:10:54,640 Speaker 1: just created this whole sensation. And their older sister, Leia, 196 00:10:55,120 --> 00:10:58,600 Speaker 1: who lived nearby in Rochester, heard what these girls were doing. 197 00:10:58,640 --> 00:11:01,559 Speaker 1: And they were basically hearing these knockings and wrappings and 198 00:11:01,640 --> 00:11:03,960 Speaker 1: saying they were communicating with the spirit of a man 199 00:11:04,000 --> 00:11:06,560 Speaker 1: who'd been murdering in their basements or buried in their basement. 200 00:11:06,920 --> 00:11:10,080 Speaker 1: His name was mister Splitfoot. And in the whole they 201 00:11:10,080 --> 00:11:13,240 Speaker 1: were literally like overnight sensations. The whole neighborhood was like 202 00:11:13,480 --> 00:11:16,440 Speaker 1: flocking to their house to you know, hear these communications 203 00:11:16,440 --> 00:11:20,560 Speaker 1: with the dead. So Leia about twenty years older, she 204 00:11:21,120 --> 00:11:23,360 Speaker 1: caught when to this, she had been divorced, and being 205 00:11:23,360 --> 00:11:25,720 Speaker 1: divorced as a woman at that time was not a 206 00:11:25,760 --> 00:11:29,320 Speaker 1: good position to be in in society. So she thought, wow, 207 00:11:29,320 --> 00:11:32,280 Speaker 1: this is this is like a new job opportunity. You know, 208 00:11:32,400 --> 00:11:37,080 Speaker 1: we're suddenly kind of running a movement here. We're like, 209 00:11:37,360 --> 00:11:40,240 Speaker 1: we're communicators with the dead. That's a job that didn't 210 00:11:40,280 --> 00:11:44,680 Speaker 1: really exist before. And she really ran with that and they, 211 00:11:44,760 --> 00:11:47,079 Speaker 1: you know, they began touring across Rochester and made a 212 00:11:47,120 --> 00:11:48,760 Speaker 1: lot of money, went down to New York City, went 213 00:11:48,760 --> 00:11:52,640 Speaker 1: across America and overseas to Europe, performed before royalty. So 214 00:11:52,720 --> 00:11:55,480 Speaker 1: all of a sudden, you have this new new opening 215 00:11:55,559 --> 00:12:00,360 Speaker 1: that women can can take part in, and they have 216 00:12:00,400 --> 00:12:03,120 Speaker 1: a powerful position in as people who are communicating with 217 00:12:03,120 --> 00:12:05,000 Speaker 1: the dead. And if that's what the dead are saying, 218 00:12:05,040 --> 00:12:07,760 Speaker 1: you listen to these what these women are saying, And 219 00:12:07,840 --> 00:12:11,079 Speaker 1: what's amazing is how good if they weren't this whether 220 00:12:11,920 --> 00:12:14,439 Speaker 1: if they were genuine, then that's one thing, but if 221 00:12:14,440 --> 00:12:16,880 Speaker 1: they weren't genuine, it's almost just as impressive that they 222 00:12:16,880 --> 00:12:21,400 Speaker 1: could do these incredible manfestaans, you know, papable levitation, furniture 223 00:12:21,480 --> 00:12:26,000 Speaker 1: moving things appearing from nowhere, of voices being heard, all 224 00:12:26,080 --> 00:12:29,840 Speaker 1: these things. They were somehow learning on their own. They 225 00:12:29,840 --> 00:12:32,960 Speaker 1: weren't like magicians who would have an apprenticeship and could 226 00:12:33,040 --> 00:12:35,920 Speaker 1: learn from each other. They were figuring these things out 227 00:12:35,960 --> 00:12:38,960 Speaker 1: and fooling a lot of scientific men, which is I 228 00:12:39,000 --> 00:12:41,640 Speaker 1: think just the fascinating part of this whole history. Yet 229 00:12:41,760 --> 00:12:45,520 Speaker 1: nowadays we've got like James Van Prague, John Edward, a 230 00:12:45,600 --> 00:12:50,080 Speaker 1: lot of men are mediums and good ones. Yeah, yeah, yeah, 231 00:12:50,080 --> 00:12:51,920 Speaker 1: I think now it's maybe a bit more balanced. But 232 00:12:52,000 --> 00:12:55,360 Speaker 1: I think in terms of some of these earlier mediums, 233 00:12:55,400 --> 00:12:57,840 Speaker 1: you know, Victorian era, it did seem to kind of 234 00:12:57,840 --> 00:13:01,200 Speaker 1: skew more female. Well, were there any mediums that stand 235 00:13:01,200 --> 00:13:07,440 Speaker 1: out from the past that you would say were amazing? Yeah, 236 00:13:07,480 --> 00:13:10,480 Speaker 1: there were a few. I mean I think someone like 237 00:13:10,480 --> 00:13:14,719 Speaker 1: like Leonora Piper, who again this was around Turing the century, 238 00:13:14,960 --> 00:13:17,960 Speaker 1: and she would go into these trances. She just kind of, 239 00:13:18,000 --> 00:13:22,880 Speaker 1: you know, put her head down and start delivering messages. 240 00:13:23,000 --> 00:13:28,000 Speaker 1: You know that she's hearing from somewhere and she WHOOPI Goldberg, Yeah, 241 00:13:28,000 --> 00:13:30,760 Speaker 1: it's kind of like that. Yeah, But she would say that. 242 00:13:31,679 --> 00:13:34,679 Speaker 1: She wouldn't exactly say that she was a spiritualist or 243 00:13:34,720 --> 00:13:36,520 Speaker 1: that they were coming the voices were coming from the dead. 244 00:13:36,559 --> 00:13:38,839 Speaker 1: She just said, you just hear these things, and then 245 00:13:39,000 --> 00:13:41,640 Speaker 1: I'm not saying where they're coming from because she didn't know. 246 00:13:42,360 --> 00:13:46,720 Speaker 1: But she would give some some fairly accurate information oftentimes, 247 00:13:46,760 --> 00:13:49,800 Speaker 1: you know, it might be in certain cases, news about 248 00:13:49,800 --> 00:13:52,480 Speaker 1: a relative who was several states away. And keep in 249 00:13:52,559 --> 00:13:55,400 Speaker 1: mind several states away at that time, was that was 250 00:13:55,440 --> 00:13:57,520 Speaker 1: a huge gap. You know, you should get messages until 251 00:13:57,640 --> 00:13:58,959 Speaker 1: it could be a week till you can hear from 252 00:13:58,960 --> 00:14:02,760 Speaker 1: someone through the mail or whatever. So so she would 253 00:14:02,840 --> 00:14:05,080 Speaker 1: give messages maybe about someone who passed away or had 254 00:14:05,080 --> 00:14:07,960 Speaker 1: fallen ill, and the person who was getting that message 255 00:14:08,240 --> 00:14:10,800 Speaker 1: at the seance would have no idea about this and 256 00:14:11,160 --> 00:14:13,640 Speaker 1: would find out a week or two or whatever later 257 00:14:13,720 --> 00:14:17,760 Speaker 1: that that was in fact true. So that makes you wonder, Okay, well, 258 00:14:17,760 --> 00:14:19,640 Speaker 1: how was she getting this information? I mean, how would 259 00:14:19,680 --> 00:14:21,560 Speaker 1: she have dug these things up on her own or 260 00:14:21,560 --> 00:14:25,560 Speaker 1: in advance. It's pretty remarkable. On the other hand, she 261 00:14:25,600 --> 00:14:28,040 Speaker 1: had some kind of you know, weird wacky things that 262 00:14:28,120 --> 00:14:31,720 Speaker 1: she said also, but who knows. I mean, if there's spirits. 263 00:14:31,760 --> 00:14:33,760 Speaker 1: Maybe they're maybe some of them are a bit mischievous, 264 00:14:33,840 --> 00:14:36,840 Speaker 1: but but I thought she was an interesting case. Well, 265 00:14:37,040 --> 00:14:40,200 Speaker 1: Mark Hartzman is a new book is called Chasing Ghosts, 266 00:14:40,280 --> 00:14:44,000 Speaker 1: which is available right now, isn't it right now? Yeah, 267 00:14:44,040 --> 00:14:47,200 Speaker 1: wherever you buy books online or a bookstores. I noticed 268 00:14:47,280 --> 00:14:51,000 Speaker 1: Amazon started taking orders a few weeks ago, so that's 269 00:14:51,040 --> 00:14:55,080 Speaker 1: pretty good too. Yeah, yeah, absolutely. Let's talk a little 270 00:14:55,120 --> 00:15:02,640 Speaker 1: bit about Hrry Houdini, the great mentalist and illusionist, an 271 00:15:02,800 --> 00:15:08,560 Speaker 1: escape artist. His mother passed and he was obsessed with 272 00:15:08,760 --> 00:15:12,360 Speaker 1: trying to find a proper medium to communicate with her 273 00:15:12,840 --> 00:15:18,040 Speaker 1: and ended up really debunking most of them, didn't he Yeah, 274 00:15:18,120 --> 00:15:21,240 Speaker 1: I mean he was really dead setting against debunking them. 275 00:15:21,280 --> 00:15:23,720 Speaker 1: And you know, part of it was, yes, he would 276 00:15:23,760 --> 00:15:26,240 Speaker 1: have loved to have contacted his mother, but he also 277 00:15:26,360 --> 00:15:29,080 Speaker 1: in his in his early years as a magician, he 278 00:15:29,160 --> 00:15:32,560 Speaker 1: was holding seances and doing this as an act, basically 279 00:15:33,280 --> 00:15:37,920 Speaker 1: conjuring yes exactly. And then you know, at some point 280 00:15:37,920 --> 00:15:41,040 Speaker 1: he realized that he didn't like that. He didn't he 281 00:15:41,040 --> 00:15:43,080 Speaker 1: didn't like the idea of it, you know, taking money 282 00:15:43,120 --> 00:15:46,400 Speaker 1: from from those who were grieving and making them think 283 00:15:46,440 --> 00:15:48,800 Speaker 1: that they were having a genuine connection to someone on 284 00:15:48,840 --> 00:15:51,400 Speaker 1: the other side when he knew, like, nope, I'm just 285 00:15:51,440 --> 00:15:54,160 Speaker 1: doing a trick. So he thought that that was just, 286 00:15:54,520 --> 00:15:58,040 Speaker 1: you know, kind of despicable. Um, it was very different 287 00:15:58,240 --> 00:16:00,440 Speaker 1: to him than a magic show, Like if he was 288 00:16:00,440 --> 00:16:03,160 Speaker 1: putting on his own show in a stage. People who 289 00:16:03,360 --> 00:16:06,280 Speaker 1: pay to see that show, they know what they're getting into. 290 00:16:06,400 --> 00:16:08,640 Speaker 1: They know they're paying for an act to the magician 291 00:16:08,760 --> 00:16:11,720 Speaker 1: is putting on and to be amazed by that versus 292 00:16:12,600 --> 00:16:15,720 Speaker 1: truly believing that they're being they're communicating with a lost 293 00:16:15,720 --> 00:16:18,240 Speaker 1: loved one. So that was another thing that kind of 294 00:16:18,320 --> 00:16:20,880 Speaker 1: drove him to expose these frauds was just I think 295 00:16:21,000 --> 00:16:24,240 Speaker 1: his his own morals. So what was he out to 296 00:16:24,360 --> 00:16:30,160 Speaker 1: convince himself or the world about these mediums. I think 297 00:16:30,200 --> 00:16:32,520 Speaker 1: a little bit of both. I mean, I think that 298 00:16:32,640 --> 00:16:37,760 Speaker 1: he definitely wanted to prevent people from from being duped. 299 00:16:38,120 --> 00:16:42,000 Speaker 1: Do you think he wanted to really find a real medium. 300 00:16:43,880 --> 00:16:45,560 Speaker 1: I think he would have loved to have found a 301 00:16:45,600 --> 00:16:49,720 Speaker 1: real medium, only because I think he I think, like 302 00:16:49,720 --> 00:16:51,840 Speaker 1: I said earlier, he was open to the idea of 303 00:16:51,880 --> 00:16:54,600 Speaker 1: this being possible. He just hand seen evidence of it. 304 00:16:55,200 --> 00:16:58,080 Speaker 1: And you know, he famously had made a pact with 305 00:16:58,160 --> 00:17:00,880 Speaker 1: his wife that when he passed away, if he could 306 00:17:00,880 --> 00:17:02,920 Speaker 1: come back, he would and get given her, you know, 307 00:17:02,920 --> 00:17:06,960 Speaker 1: a particular code word, which of course many mediums tried 308 00:17:06,960 --> 00:17:09,600 Speaker 1: to reach him afterwards. They did, but but they did 309 00:17:09,640 --> 00:17:12,720 Speaker 1: not they no one had that particular code word. I 310 00:17:13,240 --> 00:17:15,879 Speaker 1: ran a clip a couple of years ago of a 311 00:17:16,000 --> 00:17:22,560 Speaker 1: seance with them trying to reach Houdini and he They 312 00:17:22,560 --> 00:17:25,440 Speaker 1: gave it their best effort, but it didn't work. But 313 00:17:25,840 --> 00:17:29,120 Speaker 1: you know, the medium was, you know, just Whodini. Contact 314 00:17:29,200 --> 00:17:34,920 Speaker 1: us Whodini and they tried. Yeah, it's one of those things. 315 00:17:34,920 --> 00:17:37,280 Speaker 1: I mean, you wish, you wish it worked because it 316 00:17:37,280 --> 00:17:39,040 Speaker 1: seemed like if someone was going to come back or 317 00:17:39,080 --> 00:17:40,840 Speaker 1: find a way, you know, Whodini would have been a 318 00:17:40,840 --> 00:17:43,680 Speaker 1: good candidate for that. Listen to more Coast to Coast 319 00:17:43,720 --> 00:17:47,399 Speaker 1: AM every weeknight at one am Eastern, and go to 320 00:17:47,480 --> 00:17:49,560 Speaker 1: Coast to Coast am dot com for more