WEBVTT - Papoose Interview

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<v Speaker 1>Real people, real celebrity real joined the Breakfast Morning everybody

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<v Speaker 1>is DJ Envy Angela yee shawl. I mean the guy.

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<v Speaker 1>We all the Breakfast Club special guests in the building.

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<v Speaker 1>Boot Stop, what stop? What's going on? Almond stores today? Yeah,

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<v Speaker 1>Today's today. Man. I like this follow up because you know,

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<v Speaker 1>knock around the Dream no, no, no say American Backward

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<v Speaker 1>not SMA dream took a while to come out, but

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<v Speaker 1>you can't right back with the Sophomore Project. Definitely, man,

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<v Speaker 1>definitely Man. Just trying to keep it going, man, and

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<v Speaker 1>keep that work ethic out there. Absolutely. Now. We were

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<v Speaker 1>talking about this behind the scenes about you being on

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<v Speaker 1>Love and Hip Hop, and we actually were kind of

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<v Speaker 1>excited about it between all of us because you know

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<v Speaker 1>the show. We're like, but then we heard you and

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<v Speaker 1>Remy was gonna be on there, and we're like, okay,

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<v Speaker 1>maybe you know they are stepping it out. We have

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<v Speaker 1>some other friends that are going to be on this

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<v Speaker 1>season as well. So how are you approaching What made

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<v Speaker 1>you decide to do that? Um, Actually, it was actually

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<v Speaker 1>a lot of interests there for a long time, you

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<v Speaker 1>know what I mean, But we was kind of hesitant

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<v Speaker 1>to do it. They actually wanted me to do it

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<v Speaker 1>when she was locked up, just start doing it and

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<v Speaker 1>build up to when she came home. But he was like, nah,

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<v Speaker 1>just going off for Other people were saying what I mean,

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<v Speaker 1>But when we looked into it, and to be honest,

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<v Speaker 1>they made an awful we couldn't refuse, you know what

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<v Speaker 1>I mean, good money, let's go for it. Saw something

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<v Speaker 1>new Man and this season that they said they actually

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<v Speaker 1>trying to have people on the show that are doing

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<v Speaker 1>stuff that are really moving out here. Wow, Wow, I

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<v Speaker 1>have to watch more like Rich Dollars and all those

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<v Speaker 1>guys like that. Shout out to them, you know what

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<v Speaker 1>I mean. I mean, I ain't trying this. Nobody. The

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<v Speaker 1>title it is love and hip hop, you know what

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<v Speaker 1>I'm saying. So it's like I always looked for that

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<v Speaker 1>whenever I did look at the show. I mean, Ryan

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<v Speaker 1>ran exactly, because I think people go on there and

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<v Speaker 1>they're like, oh, it's gonna be different when I go

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<v Speaker 1>on there, I'm gonna change it. And sometimes that doesn't happen.

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<v Speaker 1>But I will say the casts of people surrounding y'all

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<v Speaker 1>as well, you know, and did you rememly have to

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<v Speaker 1>talk and be like Okay, we're not gonna get dragged

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<v Speaker 1>into no drama. Let's make sure they don't try to

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<v Speaker 1>create room. Don't like that, man, she don't like to

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<v Speaker 1>play nothing or none of that. Like she like, whatever

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<v Speaker 1>gonna happen is gonna happen, Like I'm the one that

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<v Speaker 1>because you don't want them to put no surprise somebody up. Yeah,

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<v Speaker 1>but I'd be more like that. How you said, like

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<v Speaker 1>we need to worry about this, about it, like be

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<v Speaker 1>on point. She'd like you listen, we're not doing all that,

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<v Speaker 1>like what ever gonna happen, gonna happen. But they have

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<v Speaker 1>the planner and she's the Yeah, she's like, I don't

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<v Speaker 1>like like over thinking stuff, but it's possible and swing

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<v Speaker 1>on somebody. Though now we can't, we can't do that. Yeah,

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<v Speaker 1>was my worry that she's on there if somebody act

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<v Speaker 1>up and then me react and then it's on camera.

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<v Speaker 1>But people know who to do that too and who not,

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<v Speaker 1>you know what I mean? Now, there was a time

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<v Speaker 1>behind the scenes they I remember hearing they said Poos

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<v Speaker 1>can't travel with Remy for a little while because he'd

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<v Speaker 1>be going nuts on people if anybody says something a

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<v Speaker 1>little sideways. Nah, I'll be I'll be chilling, man, I'll

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<v Speaker 1>be trying to keep that never happened. Oh nah, man,

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<v Speaker 1>I'm trying to get away from that. You know what

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<v Speaker 1>I'm saying. It's a business, right, you know what I mean?

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<v Speaker 1>So we're schilling. Were just positive? So are we trying

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<v Speaker 1>to make sure what part of your putting out this album?

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<v Speaker 1>And then you're doing loving hip hop and you guys

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<v Speaker 1>have the song out together now as well. It's this

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<v Speaker 1>all like a setup for your own show too. Oh yeah, definitely?

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<v Speaker 1>We um you know, interested in getting a spinding off

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<v Speaker 1>after this? You know it's a stepping stone. Are you

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<v Speaker 1>trying to stay on staying with fever? You know what

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<v Speaker 1>I mean? Right, definitely want to do that. Now the

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<v Speaker 1>record you got Todd Dallas sign on the hook? Are

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<v Speaker 1>you finally bucklingto the system and doing record? Man? Honestly,

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<v Speaker 1>I always I always did different joints man, you know

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<v Speaker 1>what I'm saying. It's just that people don't look deep

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<v Speaker 1>enough like my core audience. They know I always was

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<v Speaker 1>versatile and switched it up, you know what I'm saying. But, um,

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<v Speaker 1>the records are actually pushed out there, you might be right.

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<v Speaker 1>It wasn't you know what I mean, get towards that,

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<v Speaker 1>but I always had them, like on my mixtape, just

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<v Speaker 1>to be versatile. But yeah, I'm stepping it up a

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<v Speaker 1>little bit more. Then you have to tell your core audience.

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<v Speaker 1>It's not like I'm not who I was before. I'm

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<v Speaker 1>just expanding because sometimes your fans be like, what are

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<v Speaker 1>you trying to do? Are you're selling out? You're crossing over?

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<v Speaker 1>But I don't explain myself to them because you know what,

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<v Speaker 1>like a lot of people, they they hit me up

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<v Speaker 1>on social media, your path, swear man, you the best,

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<v Speaker 1>you greatest ever. I run them into the cement the street.

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<v Speaker 1>It's the same thing. But it's like, yo, man, that's cool,

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<v Speaker 1>But did you buy my album? Like, if I had

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<v Speaker 1>a penny for anybody that gave me them compliments, I'd

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<v Speaker 1>be rich. I'll been meeting the man. So I'm like, yo,

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<v Speaker 1>buy the actual project if you really believe it in

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<v Speaker 1>your heart? You know what I mean? That's how I feel.

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<v Speaker 1>Do you wish you would have ever remained independent throughout

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<v Speaker 1>your whole career? Man? Yeah, I definitely wish. It's way better, yo,

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<v Speaker 1>way better. I wish from the from the start, I

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<v Speaker 1>never ever signed to a major. Man, even with the

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<v Speaker 1>money that you got drive up. Yeah, the money helped.

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<v Speaker 1>The money was good, but I think I would have

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<v Speaker 1>cashed out better because I had such a demand, because

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<v Speaker 1>I would just went independent. Who knows why I would

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<v Speaker 1>have been at right now? You think the major lay

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<v Speaker 1>yeah project, Yeah it did because when when it was

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<v Speaker 1>time to drop the actual project, they started playing games. Yeah,

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<v Speaker 1>and we backed out and we left with some bread.

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<v Speaker 1>But the bigger picture got hurt by that because the

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<v Speaker 1>album didn't come out. So people was like, oh man,

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<v Speaker 1>the album. So that album that none of those signs

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<v Speaker 1>could ever come out, I mean, got outdated. So I

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<v Speaker 1>just had to revamp it. And I kept the same

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<v Speaker 1>concept and the same idea, but I had to revamp

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<v Speaker 1>because it got it was old, right, you know what

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<v Speaker 1>I mean? I saw interview recently. You said you and

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<v Speaker 1>rem a real competitive in the studio. Man. Oh yeah, yeah,

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<v Speaker 1>we're competitive definitely as far as what just just like

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<v Speaker 1>balls or like y'all can y'all tell each other now

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<v Speaker 1>that I was whacked. Oh yeah. It's hard to take

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<v Speaker 1>somebody close to you though sometimes I usually fire I

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<v Speaker 1>just fire you back, man, Like remember what's trying to

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<v Speaker 1>fire yourself. Officers fire you back. You know what I mean?

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<v Speaker 1>I chilled, she shilled. She don't like the chill, so

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<v Speaker 1>we go out. She ain't gonna chill, but just go

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<v Speaker 1>y'all know, but do you listen? And does she listen?

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<v Speaker 1>Like if you like? Mm, that's the bag. I don't

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<v Speaker 1>like that. You should change that? Would you really change it?

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<v Speaker 1>Or all? Give me down? But later on, I see

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<v Speaker 1>people are taking my advice on the low. You know,

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<v Speaker 1>she ain't gonna let me know on the spot, but

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<v Speaker 1>I see that she took my vice. Just red me

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<v Speaker 1>get disrespectful with because red Me is disrespectful. Like, yeah,

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<v Speaker 1>she's respectful everybody. She don't discriminate, you know what I mean.

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<v Speaker 1>I'm trying to change your but you know it's gonna

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<v Speaker 1>happen gradually. I like the fact that you're not afraid

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<v Speaker 1>that the show Black love man, Oh yeah, it's like yeo,

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<v Speaker 1>it is not even just Blackloo, this love in general. Nah. Yeah, definitely,

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<v Speaker 1>it's genuinely how we feel, you know what I mean

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<v Speaker 1>about each other. It's not a front. So when it's real,

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<v Speaker 1>you know, you don't gotta hid it. Like I feel

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<v Speaker 1>like I don't know when hip hop is like, we

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<v Speaker 1>don't let him host. You know what I mean, money

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<v Speaker 1>of a bitches, And I think that's just fake, you

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<v Speaker 1>know what I'm saying. So that's why you know we

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<v Speaker 1>needs afraid to show. I feel like it's influential, was

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<v Speaker 1>making other people want to do it. We just had

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<v Speaker 1>a discussion last week because Joe Budens had said he

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<v Speaker 1>didn't like how Meek moves with Nikki likes too he's

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<v Speaker 1>too much of a simple with her. Is the words

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<v Speaker 1>did he use that don't bother you at all? Nah man,

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<v Speaker 1>you gotta you gotta let me grow. Man, you know

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<v Speaker 1>what I'm saying. As you get older, you look at

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<v Speaker 1>life differently. And I know through my experiences certain things

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<v Speaker 1>I did when I was younger, I don't want to

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<v Speaker 1>be doing that no more. I want to be hit

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<v Speaker 1>in everywhere. I want to make a sacrifice and you

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<v Speaker 1>don't build a family. Absolutely what I'm saying. And the

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<v Speaker 1>albums out now, who who's on the album? Um? I

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<v Speaker 1>got a joint with me may No Red Cafe. You

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<v Speaker 1>know what I'm saying. I gotta joint with me and

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<v Speaker 1>Troy yaf um Ron Browns. I got DJ Premier people

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<v Speaker 1>like that. You can't kept the real New York. Yeah, definitely,

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<v Speaker 1>Man's that's where I'm from. Man like, I ain't ashamed

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<v Speaker 1>to say at one point, at one point, you got

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<v Speaker 1>a problem, he said, J's weren't supporting you. Are you

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<v Speaker 1>still having that problem? Oh yeah, he said, Hell yeah.

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<v Speaker 1>Say what you got to say to Envy right now?

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<v Speaker 1>You know, all right, Envy, Man play my record. Man

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<v Speaker 1>plays to every everyone playing very played you every morning

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<v Speaker 1>to the point where other people complained. The complain that's

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<v Speaker 1>the problem. That's the problem. Though. I'm glad you said

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<v Speaker 1>they don't care, but those are the haters. That's why

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<v Speaker 1>I can't give me I'll need to be stop hating. Man.

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<v Speaker 1>You know what I'm saying. I don't know what. Why

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<v Speaker 1>did they complain about? I think and you know that

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<v Speaker 1>we actually they said the records to New York. That's

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<v Speaker 1>what they were saying. But I called over. I asked

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<v Speaker 1>them to make a universal version. But you know what,

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<v Speaker 1>that's Those are people. I need to be slapped because

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<v Speaker 1>why a hating? Why are you hating on me for

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<v Speaker 1>I'm playing what I gotta do to support my family.

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<v Speaker 1>Don't try to stop me from eating, Like, come on. Man,

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<v Speaker 1>that's good advice though to do a universal you're talking

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<v Speaker 1>about this now I did it. I took his advice though,

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<v Speaker 1>I did it. But um, yeah, I think that. I think.

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<v Speaker 1>I think Envy and the other DJ show me a

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<v Speaker 1>little bit more like they don't owe me nothing, but

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<v Speaker 1>you know, if you feel like I'm doing something that's

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<v Speaker 1>worth it, YO help me. And then they gave me

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<v Speaker 1>some feedback to im like here's what the issue is

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<v Speaker 1>and gave yeah, definitely. But I can't say he don't

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<v Speaker 1>play my music because he do play it, you know

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<v Speaker 1>what I mean kind of time. But I'm just saying,

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<v Speaker 1>like you know, when some of the out the town

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<v Speaker 1>dudes come out, I need that same parade, you know

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<v Speaker 1>what I mean, going so same shot. I feel like

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<v Speaker 1>I could take it from there. Yeah I can't. Just

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<v Speaker 1>I mean I feel don't just play the record once

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<v Speaker 1>or twice, like, yeah, I don't really help programming and

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<v Speaker 1>the people. I needed consistency so I can grow and

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<v Speaker 1>I mean really get some with Now I said, you

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<v Speaker 1>hating on some other rappers. They probably deserved it. Trolling.

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<v Speaker 1>Oh yeah, complex what was he doing? So it's kind

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<v Speaker 1>of like a it's like a hitting camera, you know,

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<v Speaker 1>trolling something. They had these rappers, I'm coming rappers come

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<v Speaker 1>in the studio. They got to work with pet Poos

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<v Speaker 1>and he dissed them on their own track. Basically, Yeah,

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<v Speaker 1>I was watching it. They were like, oh man, I

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<v Speaker 1>was growing up. I was, you know, listening to him

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<v Speaker 1>since I was thirteen. I didn't. Yeah, I mean, it

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<v Speaker 1>was just um set for complex. It was all the fun,

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<v Speaker 1>you know what I mean. They actually gave them them

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<v Speaker 1>do some exposure on the site, you know what I'm saying, right,

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<v Speaker 1>So it wasn't yeah, because they were like, here's a

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<v Speaker 1>link to hear this rap. Ye. Yeah, yeah, it was.

0:09:10.040 --> 0:09:11.720
<v Speaker 1>It was all the fun. After it, we all shook

0:09:11.760 --> 0:09:13.200
<v Speaker 1>hands and laughed, you know what I mean. It was

0:09:13.240 --> 0:09:15.719
<v Speaker 1>it was a good look. Somebody could have that could

0:09:15.760 --> 0:09:17.640
<v Speaker 1>have went wrong. Somebody could have got mad and you

0:09:17.679 --> 0:09:19.800
<v Speaker 1>never know. Oh yeah, no, we wasn't gonna do that. Man.

0:09:20.040 --> 0:09:21.360
<v Speaker 1>We know it was a prank and that's what we

0:09:21.360 --> 0:09:23.600
<v Speaker 1>had in our mind from the door. So we even

0:09:23.679 --> 0:09:25.640
<v Speaker 1>just having some fun, that's all. Man. Now. I saw

0:09:25.640 --> 0:09:28.079
<v Speaker 1>another interview recently you did when you said you disagree

0:09:28.080 --> 0:09:29.720
<v Speaker 1>with they sat rocket when he said in New York

0:09:29.960 --> 0:09:32.640
<v Speaker 1>doesn't have a distinct sound. Oh yeah. They asked me that.

0:09:32.679 --> 0:09:33.920
<v Speaker 1>I was on an interview with all I Think all

0:09:34.000 --> 0:09:35.959
<v Speaker 1>hip Hop dot Com and they asked me about that,

0:09:36.000 --> 0:09:37.520
<v Speaker 1>and I was like, yeah, I totally disagree. Of course,

0:09:37.559 --> 0:09:40.200
<v Speaker 1>New York has a distinct sound right now, though, I

0:09:40.200 --> 0:09:42.280
<v Speaker 1>mean in the nineties they did, early two thousands, I

0:09:42.280 --> 0:09:44.480
<v Speaker 1>don't know about right now. I think we do. And

0:09:44.520 --> 0:09:46.800
<v Speaker 1>I used on Bobby Smurder for example. I think Bobby

0:09:46.800 --> 0:09:49.719
<v Speaker 1>Smurder is a New York sound, you know what I mean,

0:09:49.800 --> 0:09:53.000
<v Speaker 1>not just lyrically, but you hear Brooklyn in that man,

0:09:53.480 --> 0:09:54.680
<v Speaker 1>you know what I mean. I liked the hit Shore.

0:09:54.720 --> 0:09:56.680
<v Speaker 1>I love it when you hit like things like that

0:09:56.720 --> 0:09:58.400
<v Speaker 1>of that nature. Like some of these dudes you here,

0:09:58.720 --> 0:10:00.920
<v Speaker 1>they don't sound like they from here, even in the interviews,

0:10:01.440 --> 0:10:03.439
<v Speaker 1>even the interview, they talk like they from another region.

0:10:03.520 --> 0:10:05.320
<v Speaker 1>I think that's because they're influenced by a lot of

0:10:05.320 --> 0:10:08.200
<v Speaker 1>the rappers that like. You gotta think. You look at

0:10:08.400 --> 0:10:11.599
<v Speaker 1>Fattip Fetti Wapp was influenced by Gucci man, you know

0:10:11.600 --> 0:10:13.240
<v Speaker 1>what I mean. You look at him trying to think

0:10:13.240 --> 0:10:16.080
<v Speaker 1>asav Rocky said he was influenced by rappers from Texas.

0:10:16.080 --> 0:10:19.800
<v Speaker 1>That Texas, so they have that sling like I was

0:10:19.840 --> 0:10:22.320
<v Speaker 1>influenced by your nass, your jay Z. So those are

0:10:22.320 --> 0:10:23.760
<v Speaker 1>the type of things that influence me. It is just

0:10:23.760 --> 0:10:25.800
<v Speaker 1>I think they're influences, right, Yeah, that's the music. But

0:10:25.840 --> 0:10:28.920
<v Speaker 1>I'm saying when they when they're talking, they see me

0:10:28.960 --> 0:10:33.160
<v Speaker 1>like vocal canus. Yeah, I'm saying everything has an overall picture. Yeah,

0:10:33.200 --> 0:10:35.160
<v Speaker 1>New York definitely has. We always gonna have a sound.

0:10:35.200 --> 0:10:36.720
<v Speaker 1>Like I said, I use That's why I use Smirred

0:10:36.760 --> 0:10:39.240
<v Speaker 1>as an example, because that's why I liked it so much.

0:10:39.440 --> 0:10:41.520
<v Speaker 1>I heard that New York like that, Brooklyn. You could

0:10:41.520 --> 0:10:42.839
<v Speaker 1>tell them out there, you know what I mean. You

0:10:42.880 --> 0:10:44.719
<v Speaker 1>can hear and you can feel it. So what's the

0:10:44.800 --> 0:10:47.480
<v Speaker 1>overall golf? Golf for papoos? Where do you see yourself? Like,

0:10:47.520 --> 0:10:50.480
<v Speaker 1>what would that be ideal for you? I just see

0:10:50.520 --> 0:10:52.959
<v Speaker 1>myself growing on different levels and you know, opening different

0:10:52.960 --> 0:10:55.679
<v Speaker 1>businesses and getting money and just being a family man,

0:10:55.760 --> 0:11:00.199
<v Speaker 1>taking care of my family. Balanced. Yeah, definitely. I saw

0:11:00.200 --> 0:11:02.520
<v Speaker 1>you teet one did it? You tweeted um? So? Oh

0:11:02.559 --> 0:11:05.240
<v Speaker 1>so they acting like they want lyrics again? When fab

0:11:05.320 --> 0:11:09.520
<v Speaker 1>was doing the free Friday, Yeah yeah. Do you think

0:11:09.559 --> 0:11:11.760
<v Speaker 1>that was a novelty thing or you think people really

0:11:11.800 --> 0:11:16.600
<v Speaker 1>want the lyrics again. Um, I think because I think

0:11:17.080 --> 0:11:20.040
<v Speaker 1>most of the mainstream was just paying attention because Fab

0:11:20.080 --> 0:11:23.360
<v Speaker 1>did it, because he never stopped freestyling. I mean, not

0:11:23.440 --> 0:11:25.520
<v Speaker 1>just myself, a lot of rot we never stopped freestyling,

0:11:25.520 --> 0:11:27.840
<v Speaker 1>you know what I mean. Nobody wasn't really paying attention

0:11:27.840 --> 0:11:29.640
<v Speaker 1>like that. But I think when Fab did it, you know,

0:11:29.679 --> 0:11:31.839
<v Speaker 1>I mean it shout the fab. It just made the

0:11:32.480 --> 0:11:34.800
<v Speaker 1>mainstream people pay attention for a little while. I mean

0:11:34.840 --> 0:11:38.120
<v Speaker 1>that's and I think especially over the old school beats. Yeah, yeah,

0:11:38.120 --> 0:11:39.839
<v Speaker 1>you do it over the nineties beach It's like, oh okay,

0:11:39.840 --> 0:11:42.719
<v Speaker 1>he really freestyling. Oh yeah, definitely definitely. But that never

0:11:42.760 --> 0:11:44.520
<v Speaker 1>stopped though. Would you would you ever do a turn

0:11:44.600 --> 0:11:49.000
<v Speaker 1>up record? Um? What you mean like a trap beat? Yeah,

0:11:49.080 --> 0:11:50.960
<v Speaker 1>I'll do it just to show my versatility and keep

0:11:50.960 --> 0:11:52.880
<v Speaker 1>it moving, you know what I'm saying, Like like how

0:11:52.880 --> 0:11:55.760
<v Speaker 1>Big did when he did the um Bone Dogs. Yeah,

0:11:55.760 --> 0:11:57.839
<v Speaker 1>but I wouldn't stayed in and just lived and move in,

0:11:58.160 --> 0:11:59.360
<v Speaker 1>you know what I mean. I cheered for men and

0:11:59.400 --> 0:12:03.280
<v Speaker 1>keep it moving. You can't do it that's cool, like

0:12:03.280 --> 0:12:05.040
<v Speaker 1>to be versatil. I just don't like when cass stay

0:12:05.080 --> 0:12:06.719
<v Speaker 1>did you know what I mean as a fan, you

0:12:06.720 --> 0:12:08.320
<v Speaker 1>know what I mean. Do you like what New York

0:12:08.440 --> 0:12:11.040
<v Speaker 1>is at right now? Yeah? Yeah, I like when New

0:12:11.160 --> 0:12:12.679
<v Speaker 1>York is at right now. I mean I just dropped

0:12:12.640 --> 0:12:13.760
<v Speaker 1>my album to day. I feel like we're in a

0:12:13.760 --> 0:12:18.240
<v Speaker 1>good space. It's where album coming out on Fridays now. Yeah,

0:12:18.240 --> 0:12:19.600
<v Speaker 1>they switched it up, and that's like a big deal

0:12:19.640 --> 0:12:21.800
<v Speaker 1>to anybody, right because you know, we're so used to

0:12:22.120 --> 0:12:24.080
<v Speaker 1>I can't even ever remember a time when albums didn't

0:12:24.120 --> 0:12:25.920
<v Speaker 1>come out on Tuesdays. I mean, they actually gave me

0:12:25.960 --> 0:12:27.800
<v Speaker 1>the option, and I chose the Friday because I was

0:12:27.800 --> 0:12:29.400
<v Speaker 1>supposed to come out in June, but then we pushed

0:12:29.400 --> 0:12:30.880
<v Speaker 1>back and he was like, Yo, you want to do

0:12:30.920 --> 0:12:32.800
<v Speaker 1>a Tuesday because they're doing Fridays now. I say, I'll

0:12:32.840 --> 0:12:36.319
<v Speaker 1>do the Friday. It sounds good, something new, you know

0:12:36.360 --> 0:12:38.080
<v Speaker 1>what I mean. So whatever, I was with it, and

0:12:38.840 --> 0:12:41.240
<v Speaker 1>the song called Michael Jackson Um. In the chorus, I

0:12:41.240 --> 0:12:43.720
<v Speaker 1>made a reference to Jenna Jackson and Michael Jackson like

0:12:43.720 --> 0:12:45.240
<v Speaker 1>she wanted control and I want to beat it like

0:12:45.280 --> 0:12:47.160
<v Speaker 1>Michael Jackson got you know what I mean. So the

0:12:47.240 --> 0:12:48.920
<v Speaker 1>chorus was kind of catchy. So I was like, that's

0:12:48.920 --> 0:12:51.280
<v Speaker 1>the title of Michael Jackson, because I'm listening, listening for

0:12:51.320 --> 0:12:54.640
<v Speaker 1>a sample, I'm no Michael Jackson. Yeah, yeah, No. It

0:12:54.679 --> 0:12:57.080
<v Speaker 1>was just the references and the metaphors to Jenna Jackson

0:12:57.120 --> 0:13:02.000
<v Speaker 1>and Michael Jackson. That's like a great description of your relationship. Okay, right, right,

0:13:02.120 --> 0:13:05.640
<v Speaker 1>right exactly, Man, shout out the rim. All right, Well,

0:13:05.679 --> 0:13:08.200
<v Speaker 1>we appreciate you joining us. Yeah, man, thanks for having me. Man,

0:13:08.240 --> 0:13:10.480
<v Speaker 1>I need anybody to go out there and cop that project.

0:13:10.520 --> 0:13:12.520
<v Speaker 1>You Can't Stop Destiny. It's on our tunes. Men. I

0:13:12.520 --> 0:13:14.199
<v Speaker 1>think y'all gonna love it. Man, all right, it's the

0:13:14.240 --> 0:13:17.479
<v Speaker 1>breakfast of its path poosh path poos. Yeah.