1 00:00:01,120 --> 00:00:07,920 Speaker 1: Real people, real celebrity real joined the Breakfast Morning everybody 2 00:00:08,000 --> 00:00:10,520 Speaker 1: is DJ Envy Angela yee shawl. I mean the guy. 3 00:00:10,560 --> 00:00:12,719 Speaker 1: We all the Breakfast Club special guests in the building. 4 00:00:13,000 --> 00:00:18,239 Speaker 1: Boot Stop, what stop? What's going on? Almond stores today? Yeah, 5 00:00:18,320 --> 00:00:20,959 Speaker 1: Today's today. Man. I like this follow up because you know, 6 00:00:21,320 --> 00:00:27,440 Speaker 1: knock around the Dream no, no, no say American Backward 7 00:00:28,400 --> 00:00:30,120 Speaker 1: not SMA dream took a while to come out, but 8 00:00:30,160 --> 00:00:32,680 Speaker 1: you can't right back with the Sophomore Project. Definitely, man, 9 00:00:32,880 --> 00:00:35,159 Speaker 1: definitely Man. Just trying to keep it going, man, and 10 00:00:35,240 --> 00:00:37,360 Speaker 1: keep that work ethic out there. Absolutely. Now. We were 11 00:00:37,360 --> 00:00:40,839 Speaker 1: talking about this behind the scenes about you being on 12 00:00:40,920 --> 00:00:42,960 Speaker 1: Love and Hip Hop, and we actually were kind of 13 00:00:42,960 --> 00:00:45,240 Speaker 1: excited about it between all of us because you know 14 00:00:45,280 --> 00:00:47,400 Speaker 1: the show. We're like, but then we heard you and 15 00:00:47,400 --> 00:00:49,280 Speaker 1: Remy was gonna be on there, and we're like, okay, 16 00:00:49,280 --> 00:00:51,640 Speaker 1: maybe you know they are stepping it out. We have 17 00:00:51,720 --> 00:00:53,680 Speaker 1: some other friends that are going to be on this 18 00:00:53,680 --> 00:00:56,400 Speaker 1: season as well. So how are you approaching What made 19 00:00:56,400 --> 00:00:59,560 Speaker 1: you decide to do that? Um, Actually, it was actually 20 00:00:59,600 --> 00:01:01,600 Speaker 1: a lot of interests there for a long time, you 21 00:01:01,680 --> 00:01:03,160 Speaker 1: know what I mean, But we was kind of hesitant 22 00:01:03,200 --> 00:01:04,560 Speaker 1: to do it. They actually wanted me to do it 23 00:01:04,560 --> 00:01:06,520 Speaker 1: when she was locked up, just start doing it and 24 00:01:06,600 --> 00:01:09,240 Speaker 1: build up to when she came home. But he was like, nah, 25 00:01:09,440 --> 00:01:12,280 Speaker 1: just going off for Other people were saying what I mean, 26 00:01:12,319 --> 00:01:14,360 Speaker 1: But when we looked into it, and to be honest, 27 00:01:14,400 --> 00:01:15,800 Speaker 1: they made an awful we couldn't refuse, you know what 28 00:01:15,800 --> 00:01:18,000 Speaker 1: I mean, good money, let's go for it. Saw something 29 00:01:18,000 --> 00:01:20,560 Speaker 1: new Man and this season that they said they actually 30 00:01:20,560 --> 00:01:22,000 Speaker 1: trying to have people on the show that are doing 31 00:01:22,000 --> 00:01:24,800 Speaker 1: stuff that are really moving out here. Wow, Wow, I 32 00:01:24,840 --> 00:01:26,880 Speaker 1: have to watch more like Rich Dollars and all those 33 00:01:26,880 --> 00:01:28,720 Speaker 1: guys like that. Shout out to them, you know what 34 00:01:28,760 --> 00:01:33,679 Speaker 1: I mean. I mean, I ain't trying this. Nobody. The 35 00:01:33,720 --> 00:01:35,280 Speaker 1: title it is love and hip hop, you know what 36 00:01:35,280 --> 00:01:37,479 Speaker 1: I'm saying. So it's like I always looked for that 37 00:01:37,600 --> 00:01:40,880 Speaker 1: whenever I did look at the show. I mean, Ryan 38 00:01:41,000 --> 00:01:42,880 Speaker 1: ran exactly, because I think people go on there and 39 00:01:42,880 --> 00:01:44,520 Speaker 1: they're like, oh, it's gonna be different when I go 40 00:01:44,560 --> 00:01:46,919 Speaker 1: on there, I'm gonna change it. And sometimes that doesn't happen. 41 00:01:47,360 --> 00:01:49,600 Speaker 1: But I will say the casts of people surrounding y'all 42 00:01:49,640 --> 00:01:52,160 Speaker 1: as well, you know, and did you rememly have to 43 00:01:52,160 --> 00:01:53,960 Speaker 1: talk and be like Okay, we're not gonna get dragged 44 00:01:53,960 --> 00:01:56,800 Speaker 1: into no drama. Let's make sure they don't try to 45 00:01:56,840 --> 00:01:59,480 Speaker 1: create room. Don't like that, man, she don't like to 46 00:01:59,600 --> 00:02:02,120 Speaker 1: play nothing or none of that. Like she like, whatever 47 00:02:02,160 --> 00:02:04,120 Speaker 1: gonna happen is gonna happen, Like I'm the one that 48 00:02:04,400 --> 00:02:07,480 Speaker 1: because you don't want them to put no surprise somebody up. Yeah, 49 00:02:07,560 --> 00:02:09,280 Speaker 1: but I'd be more like that. How you said, like 50 00:02:09,880 --> 00:02:11,680 Speaker 1: we need to worry about this, about it, like be 51 00:02:11,760 --> 00:02:13,880 Speaker 1: on point. She'd like you listen, we're not doing all that, 52 00:02:13,919 --> 00:02:15,560 Speaker 1: like what ever gonna happen, gonna happen. But they have 53 00:02:15,639 --> 00:02:17,760 Speaker 1: the planner and she's the Yeah, she's like, I don't 54 00:02:18,040 --> 00:02:20,840 Speaker 1: like like over thinking stuff, but it's possible and swing 55 00:02:20,840 --> 00:02:24,720 Speaker 1: on somebody. Though now we can't, we can't do that. Yeah, 56 00:02:25,200 --> 00:02:27,160 Speaker 1: was my worry that she's on there if somebody act 57 00:02:27,240 --> 00:02:29,440 Speaker 1: up and then me react and then it's on camera. 58 00:02:29,560 --> 00:02:31,200 Speaker 1: But people know who to do that too and who not, 59 00:02:31,280 --> 00:02:33,639 Speaker 1: you know what I mean? Now, there was a time 60 00:02:33,680 --> 00:02:36,440 Speaker 1: behind the scenes they I remember hearing they said Poos 61 00:02:36,560 --> 00:02:38,520 Speaker 1: can't travel with Remy for a little while because he'd 62 00:02:38,560 --> 00:02:41,480 Speaker 1: be going nuts on people if anybody says something a 63 00:02:41,520 --> 00:02:44,480 Speaker 1: little sideways. Nah, I'll be I'll be chilling, man, I'll 64 00:02:44,480 --> 00:02:49,280 Speaker 1: be trying to keep that never happened. Oh nah, man, 65 00:02:49,560 --> 00:02:51,160 Speaker 1: I'm trying to get away from that. You know what 66 00:02:51,160 --> 00:02:53,799 Speaker 1: I'm saying. It's a business, right, you know what I mean? 67 00:02:53,960 --> 00:02:56,480 Speaker 1: So we're schilling. Were just positive? So are we trying 68 00:02:56,520 --> 00:02:59,320 Speaker 1: to make sure what part of your putting out this album? 69 00:02:59,360 --> 00:03:01,840 Speaker 1: And then you're doing loving hip hop and you guys 70 00:03:01,880 --> 00:03:04,239 Speaker 1: have the song out together now as well. It's this 71 00:03:04,400 --> 00:03:07,840 Speaker 1: all like a setup for your own show too. Oh yeah, definitely? 72 00:03:07,919 --> 00:03:10,799 Speaker 1: We um you know, interested in getting a spinding off 73 00:03:10,800 --> 00:03:12,520 Speaker 1: after this? You know it's a stepping stone. Are you 74 00:03:12,560 --> 00:03:14,280 Speaker 1: trying to stay on staying with fever? You know what 75 00:03:14,280 --> 00:03:15,960 Speaker 1: I mean? Right, definitely want to do that. Now the 76 00:03:15,960 --> 00:03:17,919 Speaker 1: record you got Todd Dallas sign on the hook? Are 77 00:03:17,960 --> 00:03:23,680 Speaker 1: you finally bucklingto the system and doing record? Man? Honestly, 78 00:03:23,720 --> 00:03:25,959 Speaker 1: I always I always did different joints man, you know 79 00:03:25,960 --> 00:03:27,600 Speaker 1: what I'm saying. It's just that people don't look deep 80 00:03:27,720 --> 00:03:29,799 Speaker 1: enough like my core audience. They know I always was 81 00:03:29,880 --> 00:03:31,920 Speaker 1: versatile and switched it up, you know what I'm saying. But, um, 82 00:03:32,120 --> 00:03:34,240 Speaker 1: the records are actually pushed out there, you might be right. 83 00:03:34,360 --> 00:03:36,320 Speaker 1: It wasn't you know what I mean, get towards that, 84 00:03:36,320 --> 00:03:37,920 Speaker 1: but I always had them, like on my mixtape, just 85 00:03:37,920 --> 00:03:40,520 Speaker 1: to be versatile. But yeah, I'm stepping it up a 86 00:03:40,520 --> 00:03:42,440 Speaker 1: little bit more. Then you have to tell your core audience. 87 00:03:42,480 --> 00:03:44,440 Speaker 1: It's not like I'm not who I was before. I'm 88 00:03:44,480 --> 00:03:47,360 Speaker 1: just expanding because sometimes your fans be like, what are 89 00:03:47,360 --> 00:03:49,240 Speaker 1: you trying to do? Are you're selling out? You're crossing over? 90 00:03:49,440 --> 00:03:51,280 Speaker 1: But I don't explain myself to them because you know what, 91 00:03:51,680 --> 00:03:54,080 Speaker 1: like a lot of people, they they hit me up 92 00:03:54,120 --> 00:03:56,360 Speaker 1: on social media, your path, swear man, you the best, 93 00:03:56,360 --> 00:03:58,680 Speaker 1: you greatest ever. I run them into the cement the street. 94 00:03:58,680 --> 00:04:00,560 Speaker 1: It's the same thing. But it's like, yo, man, that's cool, 95 00:04:00,560 --> 00:04:02,800 Speaker 1: But did you buy my album? Like, if I had 96 00:04:02,800 --> 00:04:05,240 Speaker 1: a penny for anybody that gave me them compliments, I'd 97 00:04:05,240 --> 00:04:06,880 Speaker 1: be rich. I'll been meeting the man. So I'm like, yo, 98 00:04:06,920 --> 00:04:08,920 Speaker 1: buy the actual project if you really believe it in 99 00:04:08,920 --> 00:04:10,880 Speaker 1: your heart? You know what I mean? That's how I feel. 100 00:04:11,040 --> 00:04:13,360 Speaker 1: Do you wish you would have ever remained independent throughout 101 00:04:13,360 --> 00:04:16,560 Speaker 1: your whole career? Man? Yeah, I definitely wish. It's way better, yo, 102 00:04:17,080 --> 00:04:18,960 Speaker 1: way better. I wish from the from the start, I 103 00:04:19,040 --> 00:04:21,599 Speaker 1: never ever signed to a major. Man, even with the 104 00:04:21,600 --> 00:04:24,239 Speaker 1: money that you got drive up. Yeah, the money helped. 105 00:04:24,240 --> 00:04:25,839 Speaker 1: The money was good, but I think I would have 106 00:04:25,839 --> 00:04:27,920 Speaker 1: cashed out better because I had such a demand, because 107 00:04:27,960 --> 00:04:29,760 Speaker 1: I would just went independent. Who knows why I would 108 00:04:29,760 --> 00:04:32,280 Speaker 1: have been at right now? You think the major lay 109 00:04:32,640 --> 00:04:35,279 Speaker 1: yeah project, Yeah it did because when when it was 110 00:04:35,320 --> 00:04:39,200 Speaker 1: time to drop the actual project, they started playing games. Yeah, 111 00:04:39,440 --> 00:04:41,640 Speaker 1: and we backed out and we left with some bread. 112 00:04:41,720 --> 00:04:44,359 Speaker 1: But the bigger picture got hurt by that because the 113 00:04:44,360 --> 00:04:46,240 Speaker 1: album didn't come out. So people was like, oh man, 114 00:04:46,240 --> 00:04:49,160 Speaker 1: the album. So that album that none of those signs 115 00:04:49,200 --> 00:04:52,080 Speaker 1: could ever come out, I mean, got outdated. So I 116 00:04:52,120 --> 00:04:53,760 Speaker 1: just had to revamp it. And I kept the same 117 00:04:53,839 --> 00:04:55,640 Speaker 1: concept and the same idea, but I had to revamp 118 00:04:55,680 --> 00:04:57,360 Speaker 1: because it got it was old, right, you know what 119 00:04:57,360 --> 00:04:59,920 Speaker 1: I mean? I saw interview recently. You said you and 120 00:05:00,040 --> 00:05:02,960 Speaker 1: rem a real competitive in the studio. Man. Oh yeah, yeah, 121 00:05:02,960 --> 00:05:06,640 Speaker 1: we're competitive definitely as far as what just just like 122 00:05:06,800 --> 00:05:10,640 Speaker 1: balls or like y'all can y'all tell each other now 123 00:05:10,640 --> 00:05:12,960 Speaker 1: that I was whacked. Oh yeah. It's hard to take 124 00:05:13,600 --> 00:05:15,680 Speaker 1: somebody close to you though sometimes I usually fire I 125 00:05:15,760 --> 00:05:17,479 Speaker 1: just fire you back, man, Like remember what's trying to 126 00:05:17,480 --> 00:05:19,080 Speaker 1: fire yourself. Officers fire you back. You know what I mean? 127 00:05:19,120 --> 00:05:20,919 Speaker 1: I chilled, she shilled. She don't like the chill, so 128 00:05:20,960 --> 00:05:24,719 Speaker 1: we go out. She ain't gonna chill, but just go 129 00:05:24,839 --> 00:05:27,640 Speaker 1: y'all know, but do you listen? And does she listen? 130 00:05:27,680 --> 00:05:30,159 Speaker 1: Like if you like? Mm, that's the bag. I don't 131 00:05:30,200 --> 00:05:32,240 Speaker 1: like that. You should change that? Would you really change it? 132 00:05:32,320 --> 00:05:34,960 Speaker 1: Or all? Give me down? But later on, I see 133 00:05:35,080 --> 00:05:36,760 Speaker 1: people are taking my advice on the low. You know, 134 00:05:37,400 --> 00:05:38,800 Speaker 1: she ain't gonna let me know on the spot, but 135 00:05:38,920 --> 00:05:40,680 Speaker 1: I see that she took my vice. Just red me 136 00:05:40,720 --> 00:05:43,000 Speaker 1: get disrespectful with because red Me is disrespectful. Like, yeah, 137 00:05:43,080 --> 00:05:46,920 Speaker 1: she's respectful everybody. She don't discriminate, you know what I mean. 138 00:05:47,600 --> 00:05:49,600 Speaker 1: I'm trying to change your but you know it's gonna 139 00:05:49,600 --> 00:05:52,240 Speaker 1: happen gradually. I like the fact that you're not afraid 140 00:05:51,880 --> 00:05:54,800 Speaker 1: that the show Black love man, Oh yeah, it's like yeo, 141 00:05:54,839 --> 00:05:57,919 Speaker 1: it is not even just Blackloo, this love in general. Nah. Yeah, definitely, 142 00:05:58,200 --> 00:05:59,719 Speaker 1: it's genuinely how we feel, you know what I mean 143 00:05:59,760 --> 00:06:01,880 Speaker 1: about each other. It's not a front. So when it's real, 144 00:06:02,120 --> 00:06:04,240 Speaker 1: you know, you don't gotta hid it. Like I feel 145 00:06:04,279 --> 00:06:05,400 Speaker 1: like I don't know when hip hop is like, we 146 00:06:05,400 --> 00:06:07,320 Speaker 1: don't let him host. You know what I mean, money 147 00:06:07,320 --> 00:06:09,800 Speaker 1: of a bitches, And I think that's just fake, you 148 00:06:09,800 --> 00:06:11,520 Speaker 1: know what I'm saying. So that's why you know we 149 00:06:11,600 --> 00:06:13,720 Speaker 1: needs afraid to show. I feel like it's influential, was 150 00:06:13,760 --> 00:06:15,560 Speaker 1: making other people want to do it. We just had 151 00:06:15,600 --> 00:06:17,520 Speaker 1: a discussion last week because Joe Budens had said he 152 00:06:17,520 --> 00:06:20,400 Speaker 1: didn't like how Meek moves with Nikki likes too he's 153 00:06:20,400 --> 00:06:23,440 Speaker 1: too much of a simple with her. Is the words 154 00:06:23,440 --> 00:06:26,520 Speaker 1: did he use that don't bother you at all? Nah man, 155 00:06:26,680 --> 00:06:28,840 Speaker 1: you gotta you gotta let me grow. Man, you know 156 00:06:28,880 --> 00:06:30,600 Speaker 1: what I'm saying. As you get older, you look at 157 00:06:30,680 --> 00:06:32,840 Speaker 1: life differently. And I know through my experiences certain things 158 00:06:32,880 --> 00:06:34,240 Speaker 1: I did when I was younger, I don't want to 159 00:06:34,240 --> 00:06:35,800 Speaker 1: be doing that no more. I want to be hit 160 00:06:35,920 --> 00:06:37,800 Speaker 1: in everywhere. I want to make a sacrifice and you 161 00:06:37,800 --> 00:06:40,600 Speaker 1: don't build a family. Absolutely what I'm saying. And the 162 00:06:40,600 --> 00:06:43,240 Speaker 1: albums out now, who who's on the album? Um? I 163 00:06:43,320 --> 00:06:46,760 Speaker 1: got a joint with me may No Red Cafe. You 164 00:06:46,760 --> 00:06:48,160 Speaker 1: know what I'm saying. I gotta joint with me and 165 00:06:48,240 --> 00:06:52,120 Speaker 1: Troy yaf um Ron Browns. I got DJ Premier people 166 00:06:52,160 --> 00:06:55,159 Speaker 1: like that. You can't kept the real New York. Yeah, definitely, 167 00:06:55,240 --> 00:06:57,800 Speaker 1: Man's that's where I'm from. Man like, I ain't ashamed 168 00:06:57,800 --> 00:06:59,440 Speaker 1: to say at one point, at one point, you got 169 00:06:59,440 --> 00:07:01,080 Speaker 1: a problem, he said, J's weren't supporting you. Are you 170 00:07:01,120 --> 00:07:03,920 Speaker 1: still having that problem? Oh yeah, he said, Hell yeah. 171 00:07:04,720 --> 00:07:07,800 Speaker 1: Say what you got to say to Envy right now? 172 00:07:07,960 --> 00:07:10,640 Speaker 1: You know, all right, Envy, Man play my record. Man 173 00:07:10,840 --> 00:07:15,679 Speaker 1: plays to every everyone playing very played you every morning 174 00:07:15,720 --> 00:07:19,720 Speaker 1: to the point where other people complained. The complain that's 175 00:07:19,720 --> 00:07:22,760 Speaker 1: the problem. That's the problem. Though. I'm glad you said 176 00:07:22,760 --> 00:07:24,440 Speaker 1: they don't care, but those are the haters. That's why 177 00:07:24,480 --> 00:07:26,560 Speaker 1: I can't give me I'll need to be stop hating. Man. 178 00:07:26,920 --> 00:07:28,160 Speaker 1: You know what I'm saying. I don't know what. Why 179 00:07:28,240 --> 00:07:30,120 Speaker 1: did they complain about? I think and you know that 180 00:07:30,160 --> 00:07:32,480 Speaker 1: we actually they said the records to New York. That's 181 00:07:32,480 --> 00:07:34,880 Speaker 1: what they were saying. But I called over. I asked 182 00:07:34,880 --> 00:07:36,880 Speaker 1: them to make a universal version. But you know what, 183 00:07:36,960 --> 00:07:39,080 Speaker 1: that's Those are people. I need to be slapped because 184 00:07:39,080 --> 00:07:41,760 Speaker 1: why a hating? Why are you hating on me for 185 00:07:41,880 --> 00:07:43,840 Speaker 1: I'm playing what I gotta do to support my family. 186 00:07:43,840 --> 00:07:45,800 Speaker 1: Don't try to stop me from eating, Like, come on. Man, 187 00:07:46,360 --> 00:07:48,280 Speaker 1: that's good advice though to do a universal you're talking 188 00:07:48,280 --> 00:07:49,960 Speaker 1: about this now I did it. I took his advice though, 189 00:07:50,160 --> 00:07:53,400 Speaker 1: I did it. But um, yeah, I think that. I think. 190 00:07:53,400 --> 00:07:55,240 Speaker 1: I think Envy and the other DJ show me a 191 00:07:55,280 --> 00:07:57,320 Speaker 1: little bit more like they don't owe me nothing, but 192 00:07:57,440 --> 00:07:58,880 Speaker 1: you know, if you feel like I'm doing something that's 193 00:07:58,920 --> 00:08:01,240 Speaker 1: worth it, YO help me. And then they gave me 194 00:08:01,280 --> 00:08:03,640 Speaker 1: some feedback to im like here's what the issue is 195 00:08:03,680 --> 00:08:06,320 Speaker 1: and gave yeah, definitely. But I can't say he don't 196 00:08:06,440 --> 00:08:08,200 Speaker 1: play my music because he do play it, you know 197 00:08:08,240 --> 00:08:10,119 Speaker 1: what I mean kind of time. But I'm just saying, 198 00:08:10,160 --> 00:08:11,840 Speaker 1: like you know, when some of the out the town 199 00:08:11,920 --> 00:08:14,000 Speaker 1: dudes come out, I need that same parade, you know 200 00:08:14,000 --> 00:08:16,640 Speaker 1: what I mean, going so same shot. I feel like 201 00:08:16,640 --> 00:08:18,640 Speaker 1: I could take it from there. Yeah I can't. Just 202 00:08:18,680 --> 00:08:20,520 Speaker 1: I mean I feel don't just play the record once 203 00:08:20,600 --> 00:08:22,560 Speaker 1: or twice, like, yeah, I don't really help programming and 204 00:08:22,600 --> 00:08:25,240 Speaker 1: the people. I needed consistency so I can grow and 205 00:08:25,440 --> 00:08:27,560 Speaker 1: I mean really get some with Now I said, you 206 00:08:27,600 --> 00:08:30,679 Speaker 1: hating on some other rappers. They probably deserved it. Trolling. 207 00:08:31,400 --> 00:08:36,880 Speaker 1: Oh yeah, complex what was he doing? So it's kind 208 00:08:36,880 --> 00:08:41,040 Speaker 1: of like a it's like a hitting camera, you know, 209 00:08:41,160 --> 00:08:44,040 Speaker 1: trolling something. They had these rappers, I'm coming rappers come 210 00:08:44,040 --> 00:08:46,400 Speaker 1: in the studio. They got to work with pet Poos 211 00:08:46,760 --> 00:08:49,400 Speaker 1: and he dissed them on their own track. Basically, Yeah, 212 00:08:49,440 --> 00:08:51,959 Speaker 1: I was watching it. They were like, oh man, I 213 00:08:52,000 --> 00:08:53,959 Speaker 1: was growing up. I was, you know, listening to him 214 00:08:53,960 --> 00:08:58,400 Speaker 1: since I was thirteen. I didn't. Yeah, I mean, it 215 00:08:58,520 --> 00:09:01,720 Speaker 1: was just um set for complex. It was all the fun, 216 00:09:02,120 --> 00:09:03,880 Speaker 1: you know what I mean. They actually gave them them 217 00:09:03,920 --> 00:09:06,199 Speaker 1: do some exposure on the site, you know what I'm saying, right, 218 00:09:06,240 --> 00:09:07,800 Speaker 1: So it wasn't yeah, because they were like, here's a 219 00:09:07,840 --> 00:09:10,000 Speaker 1: link to hear this rap. Ye. Yeah, yeah, it was. 220 00:09:10,040 --> 00:09:11,720 Speaker 1: It was all the fun. After it, we all shook 221 00:09:11,760 --> 00:09:13,200 Speaker 1: hands and laughed, you know what I mean. It was 222 00:09:13,240 --> 00:09:15,719 Speaker 1: it was a good look. Somebody could have that could 223 00:09:15,760 --> 00:09:17,640 Speaker 1: have went wrong. Somebody could have got mad and you 224 00:09:17,679 --> 00:09:19,800 Speaker 1: never know. Oh yeah, no, we wasn't gonna do that. Man. 225 00:09:20,040 --> 00:09:21,360 Speaker 1: We know it was a prank and that's what we 226 00:09:21,360 --> 00:09:23,600 Speaker 1: had in our mind from the door. So we even 227 00:09:23,679 --> 00:09:25,640 Speaker 1: just having some fun, that's all. Man. Now. I saw 228 00:09:25,640 --> 00:09:28,079 Speaker 1: another interview recently you did when you said you disagree 229 00:09:28,080 --> 00:09:29,720 Speaker 1: with they sat rocket when he said in New York 230 00:09:29,960 --> 00:09:32,640 Speaker 1: doesn't have a distinct sound. Oh yeah. They asked me that. 231 00:09:32,679 --> 00:09:33,920 Speaker 1: I was on an interview with all I Think all 232 00:09:34,000 --> 00:09:35,959 Speaker 1: hip Hop dot Com and they asked me about that, 233 00:09:36,000 --> 00:09:37,520 Speaker 1: and I was like, yeah, I totally disagree. Of course, 234 00:09:37,559 --> 00:09:40,200 Speaker 1: New York has a distinct sound right now, though, I 235 00:09:40,200 --> 00:09:42,280 Speaker 1: mean in the nineties they did, early two thousands, I 236 00:09:42,280 --> 00:09:44,480 Speaker 1: don't know about right now. I think we do. And 237 00:09:44,520 --> 00:09:46,800 Speaker 1: I used on Bobby Smurder for example. I think Bobby 238 00:09:46,800 --> 00:09:49,719 Speaker 1: Smurder is a New York sound, you know what I mean, 239 00:09:49,800 --> 00:09:53,000 Speaker 1: not just lyrically, but you hear Brooklyn in that man, 240 00:09:53,480 --> 00:09:54,680 Speaker 1: you know what I mean. I liked the hit Shore. 241 00:09:54,720 --> 00:09:56,680 Speaker 1: I love it when you hit like things like that 242 00:09:56,720 --> 00:09:58,400 Speaker 1: of that nature. Like some of these dudes you here, 243 00:09:58,720 --> 00:10:00,920 Speaker 1: they don't sound like they from here, even in the interviews, 244 00:10:01,440 --> 00:10:03,439 Speaker 1: even the interview, they talk like they from another region. 245 00:10:03,520 --> 00:10:05,320 Speaker 1: I think that's because they're influenced by a lot of 246 00:10:05,320 --> 00:10:08,200 Speaker 1: the rappers that like. You gotta think. You look at 247 00:10:08,400 --> 00:10:11,599 Speaker 1: Fattip Fetti Wapp was influenced by Gucci man, you know 248 00:10:11,600 --> 00:10:13,240 Speaker 1: what I mean. You look at him trying to think 249 00:10:13,240 --> 00:10:16,080 Speaker 1: asav Rocky said he was influenced by rappers from Texas. 250 00:10:16,080 --> 00:10:19,800 Speaker 1: That Texas, so they have that sling like I was 251 00:10:19,840 --> 00:10:22,320 Speaker 1: influenced by your nass, your jay Z. So those are 252 00:10:22,320 --> 00:10:23,760 Speaker 1: the type of things that influence me. It is just 253 00:10:23,760 --> 00:10:25,800 Speaker 1: I think they're influences, right, Yeah, that's the music. But 254 00:10:25,840 --> 00:10:28,920 Speaker 1: I'm saying when they when they're talking, they see me 255 00:10:28,960 --> 00:10:33,160 Speaker 1: like vocal canus. Yeah, I'm saying everything has an overall picture. Yeah, 256 00:10:33,200 --> 00:10:35,160 Speaker 1: New York definitely has. We always gonna have a sound. 257 00:10:35,200 --> 00:10:36,720 Speaker 1: Like I said, I use That's why I use Smirred 258 00:10:36,760 --> 00:10:39,240 Speaker 1: as an example, because that's why I liked it so much. 259 00:10:39,440 --> 00:10:41,520 Speaker 1: I heard that New York like that, Brooklyn. You could 260 00:10:41,520 --> 00:10:42,839 Speaker 1: tell them out there, you know what I mean. You 261 00:10:42,880 --> 00:10:44,719 Speaker 1: can hear and you can feel it. So what's the 262 00:10:44,800 --> 00:10:47,480 Speaker 1: overall golf? Golf for papoos? Where do you see yourself? Like, 263 00:10:47,520 --> 00:10:50,480 Speaker 1: what would that be ideal for you? I just see 264 00:10:50,520 --> 00:10:52,959 Speaker 1: myself growing on different levels and you know, opening different 265 00:10:52,960 --> 00:10:55,679 Speaker 1: businesses and getting money and just being a family man, 266 00:10:55,760 --> 00:11:00,199 Speaker 1: taking care of my family. Balanced. Yeah, definitely. I saw 267 00:11:00,200 --> 00:11:02,520 Speaker 1: you teet one did it? You tweeted um? So? Oh 268 00:11:02,559 --> 00:11:05,240 Speaker 1: so they acting like they want lyrics again? When fab 269 00:11:05,320 --> 00:11:09,520 Speaker 1: was doing the free Friday, Yeah yeah. Do you think 270 00:11:09,559 --> 00:11:11,760 Speaker 1: that was a novelty thing or you think people really 271 00:11:11,800 --> 00:11:16,600 Speaker 1: want the lyrics again. Um, I think because I think 272 00:11:17,080 --> 00:11:20,040 Speaker 1: most of the mainstream was just paying attention because Fab 273 00:11:20,080 --> 00:11:23,360 Speaker 1: did it, because he never stopped freestyling. I mean, not 274 00:11:23,440 --> 00:11:25,520 Speaker 1: just myself, a lot of rot we never stopped freestyling, 275 00:11:25,520 --> 00:11:27,840 Speaker 1: you know what I mean. Nobody wasn't really paying attention 276 00:11:27,840 --> 00:11:29,640 Speaker 1: like that. But I think when Fab did it, you know, 277 00:11:29,679 --> 00:11:31,839 Speaker 1: I mean it shout the fab. It just made the 278 00:11:32,480 --> 00:11:34,800 Speaker 1: mainstream people pay attention for a little while. I mean 279 00:11:34,840 --> 00:11:38,120 Speaker 1: that's and I think especially over the old school beats. Yeah, yeah, 280 00:11:38,120 --> 00:11:39,839 Speaker 1: you do it over the nineties beach It's like, oh okay, 281 00:11:39,840 --> 00:11:42,719 Speaker 1: he really freestyling. Oh yeah, definitely definitely. But that never 282 00:11:42,760 --> 00:11:44,520 Speaker 1: stopped though. Would you would you ever do a turn 283 00:11:44,600 --> 00:11:49,000 Speaker 1: up record? Um? What you mean like a trap beat? Yeah, 284 00:11:49,080 --> 00:11:50,960 Speaker 1: I'll do it just to show my versatility and keep 285 00:11:50,960 --> 00:11:52,880 Speaker 1: it moving, you know what I'm saying, Like like how 286 00:11:52,880 --> 00:11:55,760 Speaker 1: Big did when he did the um Bone Dogs. Yeah, 287 00:11:55,760 --> 00:11:57,839 Speaker 1: but I wouldn't stayed in and just lived and move in, 288 00:11:58,160 --> 00:11:59,360 Speaker 1: you know what I mean. I cheered for men and 289 00:11:59,400 --> 00:12:03,280 Speaker 1: keep it moving. You can't do it that's cool, like 290 00:12:03,280 --> 00:12:05,040 Speaker 1: to be versatil. I just don't like when cass stay 291 00:12:05,080 --> 00:12:06,719 Speaker 1: did you know what I mean as a fan, you 292 00:12:06,720 --> 00:12:08,320 Speaker 1: know what I mean. Do you like what New York 293 00:12:08,440 --> 00:12:11,040 Speaker 1: is at right now? Yeah? Yeah, I like when New 294 00:12:11,160 --> 00:12:12,679 Speaker 1: York is at right now. I mean I just dropped 295 00:12:12,640 --> 00:12:13,760 Speaker 1: my album to day. I feel like we're in a 296 00:12:13,760 --> 00:12:18,240 Speaker 1: good space. It's where album coming out on Fridays now. Yeah, 297 00:12:18,240 --> 00:12:19,600 Speaker 1: they switched it up, and that's like a big deal 298 00:12:19,640 --> 00:12:21,800 Speaker 1: to anybody, right because you know, we're so used to 299 00:12:22,120 --> 00:12:24,080 Speaker 1: I can't even ever remember a time when albums didn't 300 00:12:24,120 --> 00:12:25,920 Speaker 1: come out on Tuesdays. I mean, they actually gave me 301 00:12:25,960 --> 00:12:27,800 Speaker 1: the option, and I chose the Friday because I was 302 00:12:27,800 --> 00:12:29,400 Speaker 1: supposed to come out in June, but then we pushed 303 00:12:29,400 --> 00:12:30,880 Speaker 1: back and he was like, Yo, you want to do 304 00:12:30,920 --> 00:12:32,800 Speaker 1: a Tuesday because they're doing Fridays now. I say, I'll 305 00:12:32,840 --> 00:12:36,319 Speaker 1: do the Friday. It sounds good, something new, you know 306 00:12:36,360 --> 00:12:38,080 Speaker 1: what I mean. So whatever, I was with it, and 307 00:12:38,840 --> 00:12:41,240 Speaker 1: the song called Michael Jackson Um. In the chorus, I 308 00:12:41,240 --> 00:12:43,720 Speaker 1: made a reference to Jenna Jackson and Michael Jackson like 309 00:12:43,720 --> 00:12:45,240 Speaker 1: she wanted control and I want to beat it like 310 00:12:45,280 --> 00:12:47,160 Speaker 1: Michael Jackson got you know what I mean. So the 311 00:12:47,240 --> 00:12:48,920 Speaker 1: chorus was kind of catchy. So I was like, that's 312 00:12:48,920 --> 00:12:51,280 Speaker 1: the title of Michael Jackson, because I'm listening, listening for 313 00:12:51,320 --> 00:12:54,640 Speaker 1: a sample, I'm no Michael Jackson. Yeah, yeah, No. It 314 00:12:54,679 --> 00:12:57,080 Speaker 1: was just the references and the metaphors to Jenna Jackson 315 00:12:57,120 --> 00:13:02,000 Speaker 1: and Michael Jackson. That's like a great description of your relationship. Okay, right, right, 316 00:13:02,120 --> 00:13:05,640 Speaker 1: right exactly, Man, shout out the rim. All right, Well, 317 00:13:05,679 --> 00:13:08,200 Speaker 1: we appreciate you joining us. Yeah, man, thanks for having me. Man, 318 00:13:08,240 --> 00:13:10,480 Speaker 1: I need anybody to go out there and cop that project. 319 00:13:10,520 --> 00:13:12,520 Speaker 1: You Can't Stop Destiny. It's on our tunes. Men. I 320 00:13:12,520 --> 00:13:14,199 Speaker 1: think y'all gonna love it. Man, all right, it's the 321 00:13:14,240 --> 00:13:17,479 Speaker 1: breakfast of its path poosh path poos. Yeah.