1 00:00:00,160 --> 00:00:03,160 Speaker 1: Hello the Internet, and welcome to season thirty two, episode 2 00:00:03,240 --> 00:00:07,800 Speaker 1: five of Der Daily Says for May two thousand eight. Team, 3 00:00:07,800 --> 00:00:10,800 Speaker 1: my name is Jack O'Brien, a k never trust, a 4 00:00:10,800 --> 00:00:16,160 Speaker 1: big button, a smile. That's Jack O'Brien. That is courtesy 5 00:00:16,200 --> 00:00:22,400 Speaker 1: of Belviv Devo and my big butt. And I am 6 00:00:22,520 --> 00:00:25,079 Speaker 1: thrilled to be joined as always by my co host, 7 00:00:25,280 --> 00:00:29,760 Speaker 1: Mr Miles Gray. This is how we do we It's 8 00:00:29,880 --> 00:00:34,120 Speaker 1: Miles Gray night and I feel all right and the 9 00:00:34,280 --> 00:00:37,760 Speaker 1: pioneers here around as I geast. Thank you Chapman, Rice 10 00:00:37,840 --> 00:00:41,000 Speaker 1: for that. You know that's actually my karaoke song if 11 00:00:41,000 --> 00:00:43,960 Speaker 1: you ever go to Karao Gumi Manto Jordan's. This is 12 00:00:44,000 --> 00:00:46,559 Speaker 1: how we do it every time. Uh, and I love 13 00:00:46,600 --> 00:00:49,600 Speaker 1: it so thank you Chapman. Thank you for power aks 14 00:00:49,640 --> 00:00:52,160 Speaker 1: as weeken. Hopefully'll black out and three in the morning 15 00:00:52,200 --> 00:00:54,840 Speaker 1: and do like seventy like you do, still not turn 16 00:00:54,880 --> 00:00:56,600 Speaker 1: about sleep cycles. I would do what you gotta do. 17 00:00:57,120 --> 00:00:59,920 Speaker 1: I heard that she does it like Keith Richards wrote 18 00:00:59,920 --> 00:01:03,520 Speaker 1: the hook for Satisfaction, where he actually just has it 19 00:01:03,520 --> 00:01:07,120 Speaker 1: on a tape recorder and doesn't remember actually recording it. Anyway, 20 00:01:07,200 --> 00:01:09,479 Speaker 1: we are thrilled to be joined in our third Seed 21 00:01:09,920 --> 00:01:13,600 Speaker 1: by if you want away a K if it scoop 22 00:01:14,080 --> 00:01:17,480 Speaker 1: the scoop, if if it is scoop, if it is 23 00:01:17,480 --> 00:01:23,280 Speaker 1: scoop boop boop, you if it'd scoop if d scoop 24 00:01:23,319 --> 00:01:31,480 Speaker 1: boop if the Scooper the g mix. I had a 25 00:01:31,520 --> 00:01:35,160 Speaker 1: Michael Boobley album and someone it was early Michael Booble 26 00:01:35,440 --> 00:01:38,800 Speaker 1: where he was just doing Frank Sinatra covers and I 27 00:01:38,800 --> 00:01:41,560 Speaker 1: remember I was in high school and I tried to 28 00:01:41,600 --> 00:01:44,600 Speaker 1: give in. He was like my American history teacher, and 29 00:01:44,640 --> 00:01:47,320 Speaker 1: I know he liked like all that, you know, swing 30 00:01:47,400 --> 00:01:50,000 Speaker 1: music and Frank Sinatra. So I was like, oh, you 31 00:01:50,040 --> 00:01:52,600 Speaker 1: should play this. I think you'll really like it. And 32 00:01:52,680 --> 00:01:57,040 Speaker 1: he looks at it and he goes Michael Bubble and 33 00:01:57,120 --> 00:01:58,680 Speaker 1: like he was so sure. I was trying to trick 34 00:01:58,760 --> 00:02:01,600 Speaker 1: him into playing like rapping like no, Like I was like, 35 00:02:01,840 --> 00:02:03,480 Speaker 1: and I've finally gotten this. He was like, oh it's 36 00:02:03,520 --> 00:02:05,640 Speaker 1: really girls like yeah, I'm like I'm not good. Yeah. 37 00:02:06,120 --> 00:02:09,040 Speaker 1: I like that. He looked at me and he's like, oh, 38 00:02:09,200 --> 00:02:12,880 Speaker 1: this must be some rapper. Michael bubb wearing a suit, 39 00:02:13,320 --> 00:02:15,640 Speaker 1: this white man wearing a suit. Well it was a 40 00:02:15,680 --> 00:02:19,639 Speaker 1: blank and just had Michael wrote on it written on it. Yeah. Man, 41 00:02:19,639 --> 00:02:21,400 Speaker 1: he's one of them, I guess, great crooners. And that 42 00:02:21,520 --> 00:02:25,000 Speaker 1: was an exit over the you, which I don't think 43 00:02:25,200 --> 00:02:28,400 Speaker 1: was correct in retrospect, might have been over the yeah. 44 00:02:28,560 --> 00:02:31,000 Speaker 1: If he first of all, you are the first guest 45 00:02:31,120 --> 00:02:33,600 Speaker 1: on the dailies, I guys to say your own name 46 00:02:33,639 --> 00:02:36,840 Speaker 1: before I could say it, So I appreciate. I appreciate 47 00:02:36,919 --> 00:02:40,560 Speaker 1: the help. I was just looking at was looking through 48 00:02:40,560 --> 00:02:43,359 Speaker 1: the window, the window and having confused Yeah, I could 49 00:02:43,360 --> 00:02:45,440 Speaker 1: tell it was. It was a mess, but we're going 50 00:02:45,480 --> 00:02:49,480 Speaker 1: to keep it because you guys should know that. This 51 00:02:49,560 --> 00:02:52,560 Speaker 1: is how the second rate podcast is second at best. 52 00:02:52,720 --> 00:02:54,880 Speaker 1: If he would have something from your search history that 53 00:02:55,000 --> 00:02:57,280 Speaker 1: is revealing about who you are, as you can see 54 00:02:57,280 --> 00:03:00,040 Speaker 1: because I snipped it and tasted it in there of 55 00:03:00,680 --> 00:03:04,800 Speaker 1: the beginning of back that ass, because I was I 56 00:03:04,840 --> 00:03:07,400 Speaker 1: was putting in a taped audition, and I always feel 57 00:03:07,440 --> 00:03:10,280 Speaker 1: bad about just because normally you just put like whatever 58 00:03:10,320 --> 00:03:13,400 Speaker 1: the character is and the role that it's from. My 59 00:03:13,440 --> 00:03:15,600 Speaker 1: new thing is to kind of put something funny in 60 00:03:15,600 --> 00:03:19,079 Speaker 1: the description. So I was like cash money records from 61 00:03:19,080 --> 00:03:21,240 Speaker 1: the nine nine. I was like, I feel like there's more, 62 00:03:21,280 --> 00:03:23,160 Speaker 1: and it's like, yeah, from the nine nine in two 63 00:03:23,160 --> 00:03:27,040 Speaker 1: thousand's and then I was like in audition for Iffy, 64 00:03:28,160 --> 00:03:30,400 Speaker 1: so so that that's what I searched. That's what they 65 00:03:30,400 --> 00:03:33,720 Speaker 1: say at the beginning of Yeah, it's right after the 66 00:03:33,760 --> 00:03:35,880 Speaker 1: beat drop, which I was thinking about it too, because 67 00:03:35,920 --> 00:03:38,160 Speaker 1: the top comment on the YouTube video I found from 68 00:03:38,200 --> 00:03:41,160 Speaker 1: this was like, this was like the best beat drop 69 00:03:41,160 --> 00:03:46,080 Speaker 1: And it was like when you heard that, dude, you're like, oh, 70 00:03:46,200 --> 00:03:48,840 Speaker 1: it's about to go down. That was like some junior 71 00:03:48,880 --> 00:03:52,400 Speaker 1: high ship. Yeah, I would it was high school maybe, yeah, 72 00:03:52,680 --> 00:03:54,840 Speaker 1: just run to the dance floor. Yeah, oh yeah. It 73 00:03:54,960 --> 00:03:57,080 Speaker 1: was like and I'm trying to figure out what would 74 00:03:57,120 --> 00:03:59,800 Speaker 1: be the new generations back that ass were like when 75 00:03:59,840 --> 00:04:02,360 Speaker 1: you when you hear it, you try and tweet that 76 00:04:02,400 --> 00:04:04,560 Speaker 1: at a snight gang? What do you think this generations 77 00:04:04,600 --> 00:04:07,960 Speaker 1: back that acid? Yeah? Off the just once you hear 78 00:04:08,000 --> 00:04:11,360 Speaker 1: the first few like beats of the of the intro, 79 00:04:11,520 --> 00:04:15,480 Speaker 1: what has you run into the dance floor? Yellow? Oh? Yeah, 80 00:04:16,160 --> 00:04:21,920 Speaker 1: actually part that Oh yes, oh that's a good yes 81 00:04:22,000 --> 00:04:27,120 Speaker 1: for me pushing kids down with these kids in here, 82 00:04:27,200 --> 00:04:30,760 Speaker 1: what is something that's overrated? Oh? Rated? This is a 83 00:04:31,440 --> 00:04:34,120 Speaker 1: very related is shock value. And I've been noticing like 84 00:04:34,520 --> 00:04:36,760 Speaker 1: in the reason I say shock value is if you 85 00:04:37,120 --> 00:04:40,320 Speaker 1: aren't aware. Push It just dropped the Fire album today, 86 00:04:41,440 --> 00:04:44,600 Speaker 1: Dat Daytona. It's so good. But for the cover they 87 00:04:44,680 --> 00:04:50,360 Speaker 1: used Whitney Houston's like drug, you know, yeah, and he 88 00:04:50,440 --> 00:04:52,680 Speaker 1: paid lots of money for it, and I'm sure sure, 89 00:04:52,760 --> 00:04:54,839 Speaker 1: like he was trying to make a point. But the 90 00:04:54,880 --> 00:04:58,320 Speaker 1: point is that Push a t soul drug. So it 91 00:04:58,480 --> 00:05:02,360 Speaker 1: was just for the shock. But I'm you know, fucking tasteless. Yeah, 92 00:05:02,520 --> 00:05:05,279 Speaker 1: it's tasteless, and I gotta admit, you know, in the 93 00:05:05,320 --> 00:05:08,680 Speaker 1: peak of it, like you know, making fun of Whitney's addiction, 94 00:05:08,760 --> 00:05:11,680 Speaker 1: that was like the end thing. But then you have 95 00:05:11,800 --> 00:05:15,120 Speaker 1: to think about how there aren't that many black heroes, 96 00:05:15,200 --> 00:05:18,159 Speaker 1: so like like you know, we don't have to shoot 97 00:05:18,240 --> 00:05:21,640 Speaker 1: under yeah, ship on her legacy, like you know, drug 98 00:05:21,680 --> 00:05:25,600 Speaker 1: addiction aside. She's still has been and probably no one 99 00:05:25,640 --> 00:05:28,480 Speaker 1: has topped as one of the best kind of singers 100 00:05:28,520 --> 00:05:34,120 Speaker 1: of our time and yeah that best national anthem again 101 00:05:34,720 --> 00:05:38,479 Speaker 1: fer Yeah, that's not get ahead of ourselves. Yeah no, 102 00:05:38,600 --> 00:05:41,240 Speaker 1: it's it's just it's just one of those things where 103 00:05:41,240 --> 00:05:43,680 Speaker 1: it's like, yeah, she's she's dead. Why do we have 104 00:05:43,720 --> 00:05:47,120 Speaker 1: to remind people of her addiction? That was such a 105 00:05:47,760 --> 00:05:51,839 Speaker 1: you know what, wasn't it? Yeah, And he's like, and 106 00:05:51,839 --> 00:05:53,640 Speaker 1: then we're gonna make it look all fucked up because 107 00:05:53,680 --> 00:05:56,760 Speaker 1: that's my new aesthetic is just not much creativity, but 108 00:05:56,800 --> 00:05:58,479 Speaker 1: make it look sucked up. But I know the main 109 00:05:58,560 --> 00:06:01,240 Speaker 1: reason about that, it's the same reason he kind of 110 00:06:01,520 --> 00:06:04,440 Speaker 1: said the you know Candice Owen's type shot is he 111 00:06:04,480 --> 00:06:07,400 Speaker 1: wants to garner like a you know, shock, and it's like, 112 00:06:07,440 --> 00:06:09,680 Speaker 1: there's more to that, And I feel like they're shock 113 00:06:09,839 --> 00:06:12,440 Speaker 1: value is kind of dead in this error only because 114 00:06:13,160 --> 00:06:16,800 Speaker 1: we have real shocking things happening almost every day, so 115 00:06:16,839 --> 00:06:20,440 Speaker 1: we don't need that being shocked. I feel like the 116 00:06:20,520 --> 00:06:25,240 Speaker 1: shock value like the like a good golden time for 117 00:06:25,240 --> 00:06:27,480 Speaker 1: shock value is when things are so boring and bland 118 00:06:27,520 --> 00:06:29,360 Speaker 1: that you need to shake things up. I don't think 119 00:06:29,640 --> 00:06:32,800 Speaker 1: I think we need to start calming things down right around. Yeah, well, 120 00:06:32,920 --> 00:06:35,719 Speaker 1: you could still do something with shock value that isn't 121 00:06:35,800 --> 00:06:39,200 Speaker 1: just you know, absent of real critical thinking that it 122 00:06:39,240 --> 00:06:42,080 Speaker 1: starts crossing over into just offensive material, you know what 123 00:06:42,160 --> 00:06:44,200 Speaker 1: I mean. Like you can have a commentary on the 124 00:06:44,200 --> 00:06:46,200 Speaker 1: state of it's selling drugs in the hood or the 125 00:06:46,320 --> 00:06:49,560 Speaker 1: drug war and mass incarceration without just being like Hey man, 126 00:06:49,600 --> 00:06:51,960 Speaker 1: remember how Whinney Houston got Yeah, that's like and it's 127 00:06:51,960 --> 00:06:54,000 Speaker 1: the same ship of why Kanye is a just a 128 00:06:54,080 --> 00:06:57,520 Speaker 1: superficial thinker. He can think at the first level of oh, 129 00:06:57,640 --> 00:07:00,240 Speaker 1: this will be offensive, which will mean they'll think inc 130 00:07:00,440 --> 00:07:03,400 Speaker 1: and that's the commentary rather than am I kicking somebody 131 00:07:03,440 --> 00:07:06,680 Speaker 1: that's down and already? You know, women of color have 132 00:07:07,000 --> 00:07:09,240 Speaker 1: enough struggles that they deal with to them be like 133 00:07:09,320 --> 00:07:11,800 Speaker 1: yeo and this is legacy. Yeah, you can show so 134 00:07:11,840 --> 00:07:14,520 Speaker 1: many other images that, like, I do like the idea. 135 00:07:14,880 --> 00:07:17,760 Speaker 1: My one critique of Breaking Bad was that they never 136 00:07:17,800 --> 00:07:21,440 Speaker 1: showed the downside of like all this drug, all this 137 00:07:21,720 --> 00:07:24,240 Speaker 1: drug dealing, which is like all the addiction and people's 138 00:07:24,280 --> 00:07:27,400 Speaker 1: lives are ruined. So I mean having a cocaine rapper 139 00:07:27,720 --> 00:07:31,840 Speaker 1: like have his cover be just like the horrible, disgusting 140 00:07:31,880 --> 00:07:36,480 Speaker 1: downside of cocaine addiction is kind of an interesting idea. 141 00:07:36,600 --> 00:07:39,880 Speaker 1: But yeah, like we don't need to show Whitney Houston's 142 00:07:39,880 --> 00:07:42,200 Speaker 1: I mean, he's still going to be spitting those those 143 00:07:42,240 --> 00:07:45,200 Speaker 1: coke bo you know right away. Yeah, while his brother 144 00:07:45,280 --> 00:07:49,760 Speaker 1: Malice is now in the church, so I know Malice, 145 00:07:49,840 --> 00:07:52,240 Speaker 1: that's probably if anything, this is a win from Alice 146 00:07:52,240 --> 00:07:54,160 Speaker 1: because he's like, see, that's why I have to step away. 147 00:07:54,640 --> 00:07:57,400 Speaker 1: This is that's the devil at work? Oh my god, 148 00:07:57,640 --> 00:08:03,000 Speaker 1: yeah if he what is something that is underrated? Self care? Y'all? 149 00:08:03,040 --> 00:08:06,080 Speaker 1: Self caress? And the reason it kind of jumped into 150 00:08:06,160 --> 00:08:08,320 Speaker 1: my mind as I had one of my friends, one 151 00:08:08,320 --> 00:08:12,040 Speaker 1: of my like super activist friends, kind of really shipping 152 00:08:12,120 --> 00:08:15,720 Speaker 1: on the Royal wedding and people being quote unquote distracted 153 00:08:15,720 --> 00:08:19,240 Speaker 1: by it when their ship going on, and I popped 154 00:08:19,280 --> 00:08:23,440 Speaker 1: and I was like, well, here's an unpopular counterpoint. People 155 00:08:23,440 --> 00:08:28,240 Speaker 1: of color are dealing with so much stress every day. 156 00:08:28,400 --> 00:08:30,720 Speaker 1: We every day we're getting some news like we just 157 00:08:30,800 --> 00:08:37,480 Speaker 1: found out that Ice lost four hundred like immigrant children, 158 00:08:37,840 --> 00:08:39,920 Speaker 1: and just ship like that every day. That like if 159 00:08:39,960 --> 00:08:42,480 Speaker 1: for one Saturday you can just take your mind off 160 00:08:42,480 --> 00:08:45,280 Speaker 1: of it all just to focus on this wedding. I 161 00:08:45,320 --> 00:08:47,959 Speaker 1: think that's good for you and your mental health. Like 162 00:08:48,000 --> 00:08:49,720 Speaker 1: there really was. I did a tweet not too long 163 00:08:49,760 --> 00:08:51,640 Speaker 1: ago when I was like, I was feeling real down, 164 00:08:52,440 --> 00:08:57,040 Speaker 1: and I realized this because I've just been reading all 165 00:08:57,080 --> 00:08:58,880 Speaker 1: these news stories like and I think it was that 166 00:08:58,960 --> 00:09:03,360 Speaker 1: one week where like every day somebody because I was 167 00:09:03,720 --> 00:09:06,760 Speaker 1: angry that week because it was like every day, someone 168 00:09:06,840 --> 00:09:09,200 Speaker 1: called the cops on the black person for no reason. 169 00:09:09,400 --> 00:09:12,040 Speaker 1: There was a black person being like, you know, assaulted 170 00:09:12,080 --> 00:09:14,480 Speaker 1: by the police, and it just was like, oh yeah, 171 00:09:14,600 --> 00:09:16,960 Speaker 1: Like taking in all this it does take a toll. 172 00:09:17,040 --> 00:09:18,920 Speaker 1: We think we're just strong enough to like take it 173 00:09:18,960 --> 00:09:21,760 Speaker 1: and be angry, but you do need to like take 174 00:09:21,760 --> 00:09:24,839 Speaker 1: a step back and do something outside of this realm, 175 00:09:24,880 --> 00:09:27,760 Speaker 1: Like log off of Twitter, don't check news, Like take 176 00:09:27,800 --> 00:09:30,440 Speaker 1: an hour to do something that's relaxing. And I don't 177 00:09:30,440 --> 00:09:33,880 Speaker 1: mean watch like Handmaids Tell or seven seconds that's gonna 178 00:09:33,960 --> 00:09:38,880 Speaker 1: get your Yeah, like something just dumb and fun. Get 179 00:09:38,880 --> 00:09:41,720 Speaker 1: a massage, go to the whist spot like smoke, take 180 00:09:41,760 --> 00:09:45,960 Speaker 1: a huge rip off the end, and just like release 181 00:09:46,040 --> 00:09:48,319 Speaker 1: some of that stress, because it is we are at 182 00:09:48,360 --> 00:09:52,200 Speaker 1: a point in time where every day, especially if you're 183 00:09:52,240 --> 00:09:55,680 Speaker 1: an EmPATH, a super empathetic person, you are, you are 184 00:09:55,800 --> 00:09:59,160 Speaker 1: having that part of your brain just pulled on because 185 00:09:59,160 --> 00:10:02,120 Speaker 1: there's so much going on and you never think, especially 186 00:10:02,320 --> 00:10:05,040 Speaker 1: you know, the aspect of self care for people of 187 00:10:05,080 --> 00:10:07,160 Speaker 1: color is just so foreign anyway. I feel like the 188 00:10:07,200 --> 00:10:09,120 Speaker 1: new age people of color who are like, oh yeah, 189 00:10:09,160 --> 00:10:11,000 Speaker 1: therapy is a good thing. This is the thing, you know, 190 00:10:11,080 --> 00:10:13,240 Speaker 1: our parents have been like, no, you rest when you're dead. 191 00:10:14,120 --> 00:10:17,640 Speaker 1: What you're crying about, you know. So yeah, definitely make 192 00:10:17,679 --> 00:10:19,440 Speaker 1: sure you get some self care. So if you do 193 00:10:19,559 --> 00:10:24,280 Speaker 1: feel yourself feeling kind of sad or angry and you're like, 194 00:10:24,320 --> 00:10:26,600 Speaker 1: I don't know why, maybe take a second to just 195 00:10:26,800 --> 00:10:29,000 Speaker 1: take a breather, get back to you whatever that makes 196 00:10:29,000 --> 00:10:30,960 Speaker 1: you happy. Maybe you play music, maybe you like to write, 197 00:10:31,000 --> 00:10:32,520 Speaker 1: you want to paint, you want go to the museum 198 00:10:32,960 --> 00:10:35,000 Speaker 1: that you know around here. As you may have seen 199 00:10:35,080 --> 00:10:37,360 Speaker 1: my Instagram stories, Jack and I like to just suck 200 00:10:37,480 --> 00:10:40,880 Speaker 1: up flies with electric I saw that because I was 201 00:10:40,960 --> 00:10:42,480 Speaker 1: here the other day and I was like, oh, I 202 00:10:42,520 --> 00:10:45,120 Speaker 1: didn't know you guys were upstairs fighting a fly the 203 00:10:45,160 --> 00:10:50,160 Speaker 1: whole time. Yeah. Man, they make a basically it's a 204 00:10:50,200 --> 00:10:52,000 Speaker 1: bug zapp or like one of those things you here 205 00:10:52,040 --> 00:10:54,080 Speaker 1: at night in the summer, like when you're in the woods. 206 00:10:54,120 --> 00:10:56,000 Speaker 1: It's just like this is this is like you hear 207 00:10:56,040 --> 00:10:59,280 Speaker 1: the bugs. They make one of those in the shape 208 00:10:59,280 --> 00:11:03,760 Speaker 1: of a fucking tennis racket, and you just like fucking killed. 209 00:11:03,920 --> 00:11:06,600 Speaker 1: It's the most satisfying thing in the world. We looked 210 00:11:06,640 --> 00:11:09,880 Speaker 1: insane and people were being like people were commenting there like, oh, 211 00:11:09,960 --> 00:11:13,120 Speaker 1: it's like we've gotten to that episode I'm breaking bad right, 212 00:11:13,200 --> 00:11:15,840 Speaker 1: the bottle episode. I just want to say, if this 213 00:11:15,880 --> 00:11:18,439 Speaker 1: is why you're one of the greats, this is probably 214 00:11:18,559 --> 00:11:22,240 Speaker 1: the most core to the zeitgeist conversation we've ever had 215 00:11:22,240 --> 00:11:25,280 Speaker 1: around one of an over under, because yeah, I totally 216 00:11:25,320 --> 00:11:28,240 Speaker 1: agree with that, and there is something about the zeitgeist 217 00:11:28,400 --> 00:11:33,480 Speaker 1: that instead of shock value, were craving wholesomeness and self 218 00:11:33,559 --> 00:11:37,440 Speaker 1: care and you know, meaning relationships. There was just something 219 00:11:37,480 --> 00:11:40,520 Speaker 1: about that Royal wedding that you know, I accidentally was 220 00:11:40,640 --> 00:11:43,839 Speaker 1: up for it and it just felt like I needed it, 221 00:11:45,400 --> 00:11:49,600 Speaker 1: Like I was. I was, you know, practicing some moops 222 00:11:49,600 --> 00:11:57,080 Speaker 1: and just doing uh. But yeah, I happened to turn 223 00:11:57,160 --> 00:11:59,880 Speaker 1: it on and I'm now going to wake up in 224 00:12:00,000 --> 00:12:02,840 Speaker 1: intentionally for the next royal wedding because yeah, it just 225 00:12:02,960 --> 00:12:06,440 Speaker 1: felt like something going to be one of Williams kids. 226 00:12:06,600 --> 00:12:12,400 Speaker 1: I guess I don't know from thirty three years all right. 227 00:12:12,520 --> 00:12:14,480 Speaker 1: And finally, what is a myth? If you what's something 228 00:12:14,480 --> 00:12:16,600 Speaker 1: and people think it's true that you based on your 229 00:12:16,640 --> 00:12:19,959 Speaker 1: personal experience no to be false, Well, the fact is, 230 00:12:20,200 --> 00:12:23,120 Speaker 1: and I'll say the myth and then I'll say where 231 00:12:23,160 --> 00:12:26,960 Speaker 1: it came from, and the myth is women fought in 232 00:12:27,200 --> 00:12:29,800 Speaker 1: World War Two. Like, and I feel like some people 233 00:12:29,880 --> 00:12:32,920 Speaker 1: might be like, yeah, dah, but here's here's what happened. 234 00:12:33,240 --> 00:12:35,560 Speaker 1: I'm a big Battlefield fan. I've been playing Battlefield since 235 00:12:35,559 --> 00:12:39,120 Speaker 1: Battlefield Bad Company, been along for the friend that weird 236 00:12:39,160 --> 00:12:43,400 Speaker 1: like blues piano, remember that, And and like I've been 237 00:12:43,400 --> 00:12:47,160 Speaker 1: playing since four one, and now we're on five hard 238 00:12:47,200 --> 00:12:49,520 Speaker 1: Line too. Yeah, I played hard Line. It was trashed. 239 00:12:49,679 --> 00:12:52,160 Speaker 1: It was so trashed. But it was funny because you know, 240 00:12:52,280 --> 00:12:55,400 Speaker 1: people when one came out, all the four fans were 241 00:12:55,400 --> 00:12:58,000 Speaker 1: mad because they wanted modern warfare, and they're like, oh, 242 00:12:58,040 --> 00:13:01,319 Speaker 1: we're doing War one and then there and so they 243 00:13:01,320 --> 00:13:03,560 Speaker 1: got really mad because they thought, you know, a Battle 244 00:13:03,559 --> 00:13:05,960 Speaker 1: of five would be another modern warfare, but instead it's 245 00:13:06,000 --> 00:13:08,600 Speaker 1: World War two, even though everyone all kind of knew 246 00:13:08,600 --> 00:13:11,280 Speaker 1: it because that's the you know, but just a progression 247 00:13:11,280 --> 00:13:13,760 Speaker 1: of shooters right now, like modern warfare has been played 248 00:13:13,760 --> 00:13:16,720 Speaker 1: into the ground, futuristic warfare has, so yeah, we gotta 249 00:13:16,760 --> 00:13:19,240 Speaker 1: go back to the basics. Anyway, that aside, there's been 250 00:13:19,280 --> 00:13:22,960 Speaker 1: a huge slew of these idiot gamers who've been like, 251 00:13:23,000 --> 00:13:26,160 Speaker 1: you know, I just it's just historically inaccurate. Oh sorry, 252 00:13:26,160 --> 00:13:28,320 Speaker 1: there's something else I have to explain. So in a 253 00:13:28,360 --> 00:13:30,480 Speaker 1: lot of the Battlefield game they have a hero soldier 254 00:13:30,520 --> 00:13:34,319 Speaker 1: on front Battlefield once controversy was that the hero Soljier 255 00:13:34,559 --> 00:13:39,640 Speaker 1: was black. So not to be outdone, Battlefield five has 256 00:13:39,679 --> 00:13:43,040 Speaker 1: a woman on the cover and people are losing their ship. 257 00:13:43,080 --> 00:13:45,560 Speaker 1: They're saying it's historically inaccurate and all this, and I 258 00:13:45,600 --> 00:13:50,679 Speaker 1: even or the hashtag not my Battlefield, and it's just 259 00:13:50,760 --> 00:13:54,080 Speaker 1: because there's a woman on the cover and they're saying 260 00:13:54,080 --> 00:13:57,080 Speaker 1: it's historically inaccurate, when like a simple Google search will 261 00:13:57,160 --> 00:14:00,200 Speaker 1: let you know all the instances of women fighting in 262 00:14:00,400 --> 00:14:03,440 Speaker 1: World War Two. Uh. And just to run down a 263 00:14:03,440 --> 00:14:07,440 Speaker 1: few Italian attack forces had women in them. Uh. The 264 00:14:07,440 --> 00:14:11,959 Speaker 1: British train women to men a a cannons, uh. Yugoslavian 265 00:14:12,000 --> 00:14:15,840 Speaker 1: forces enlisted women and men equally, and there was the 266 00:14:16,000 --> 00:14:20,000 Speaker 1: Russian sniper squad we talked about, I think on our 267 00:14:20,040 --> 00:14:22,200 Speaker 1: Veterans the episode, we're talking about women who are fighting too, 268 00:14:22,200 --> 00:14:26,480 Speaker 1: because that is an often uh, I guess disregarded piece 269 00:14:26,480 --> 00:14:28,840 Speaker 1: of history because it doesn't it doesn't conform to the 270 00:14:28,920 --> 00:14:31,360 Speaker 1: narrative like men fight wars. Yeah, but it's it's so 271 00:14:31,400 --> 00:14:34,600 Speaker 1: funny because it is like the idea of people trying 272 00:14:34,640 --> 00:14:37,560 Speaker 1: to use false history to justify their bigotry in the 273 00:14:37,640 --> 00:14:41,440 Speaker 1: same way that whenever there's a black person in a fantasy, 274 00:14:41,520 --> 00:14:43,600 Speaker 1: they're like, well, black people didn't exist in like Middle 275 00:14:43,640 --> 00:14:46,320 Speaker 1: Eastern Europe when we did. I'm not Middle Eastern, your 276 00:14:46,720 --> 00:14:50,280 Speaker 1: middle medieval Europe. It was like one they did. There's 277 00:14:50,440 --> 00:14:54,320 Speaker 1: tons of art that shows that too. Is like, it's 278 00:14:54,320 --> 00:14:57,120 Speaker 1: a fantasy, so why is why even is that a case? 279 00:14:57,440 --> 00:14:59,720 Speaker 1: But even to your point, you're wrong, And it's this 280 00:15:00,040 --> 00:15:04,280 Speaker 1: idea of this revisionist history to justify, in my opinion, 281 00:15:04,360 --> 00:15:08,560 Speaker 1: lazy writing and just whitewashed male whitewashed writing. And it's 282 00:15:08,800 --> 00:15:12,080 Speaker 1: and it's funny that you know, people are really trying 283 00:15:12,080 --> 00:15:13,680 Speaker 1: to because there was this guy and read it that 284 00:15:13,720 --> 00:15:15,880 Speaker 1: I kind of ran down the stats. I just ran 285 00:15:15,920 --> 00:15:19,200 Speaker 1: down Who's like, yeah, you know, as a video game 286 00:15:19,200 --> 00:15:21,880 Speaker 1: and history nerd, this makes me annoying. I was like, oh, 287 00:15:21,920 --> 00:15:25,200 Speaker 1: as a history nerd, and you are very aware of this, this, this, 288 00:15:25,320 --> 00:15:28,400 Speaker 1: and this, and he still hasn't replied, which means by 289 00:15:28,440 --> 00:15:32,640 Speaker 1: internet rules, I want, yeah, exactly, shut the funk up. Yeah, 290 00:15:33,400 --> 00:15:35,720 Speaker 1: a fan of history, I'm sorry, what what do you 291 00:15:35,800 --> 00:15:39,240 Speaker 1: consider history? Yeah, just like the idea like historic video 292 00:15:39,280 --> 00:15:42,560 Speaker 1: games and the movie A League of their Own and 293 00:15:42,600 --> 00:15:45,000 Speaker 1: that one the women stayed home play basic. Yeah, dude, 294 00:15:45,000 --> 00:15:48,680 Speaker 1: I love history Saving Private Ryan full metal jacket ship 295 00:15:48,880 --> 00:15:51,840 Speaker 1: like that. Yeah, please read the story of Night Witches 296 00:15:51,920 --> 00:15:54,760 Speaker 1: if you don't know about soldiers, female soldiers in World 297 00:15:54,760 --> 00:15:57,600 Speaker 1: War Two, the most badass battalion of soldiers was this 298 00:15:58,080 --> 00:16:01,040 Speaker 1: Russian group called the Night Witches. I think we've mentioned 299 00:16:01,080 --> 00:16:03,840 Speaker 1: them before on the show. But they would take old 300 00:16:03,880 --> 00:16:08,600 Speaker 1: timey like World War One era planes and fly in 301 00:16:08,840 --> 00:16:12,840 Speaker 1: over German territory and then cut the engine so they 302 00:16:12,840 --> 00:16:15,600 Speaker 1: were just gliding so it was silent, and then just 303 00:16:15,800 --> 00:16:18,280 Speaker 1: hand drop bombs out the side of their things on 304 00:16:18,320 --> 00:16:21,480 Speaker 1: the people. And people call them Nightwiches because you could 305 00:16:21,520 --> 00:16:24,480 Speaker 1: like hear them laughing as they pasted off like after 306 00:16:24,600 --> 00:16:31,400 Speaker 1: like that, Is that an oxygen movie? Yeah? Exactly. Yeah, 307 00:16:31,400 --> 00:16:33,880 Speaker 1: I don't know, I don't know, doggy, Yeah, that an 308 00:16:33,960 --> 00:16:38,280 Speaker 1: oxygen movie. It should be. All right, let's get into 309 00:16:38,720 --> 00:16:41,840 Speaker 1: what's happening today in the news. I wanted to talk 310 00:16:41,880 --> 00:16:48,120 Speaker 1: about two alternate stories involving Hollywood toxic masculinity. First of all, 311 00:16:48,680 --> 00:16:53,720 Speaker 1: in Good News, Harvey Weinstein turned himself in was led 312 00:16:53,760 --> 00:16:57,400 Speaker 1: out of the police precinct and handcuffs. Looked like he 313 00:16:57,440 --> 00:16:59,960 Speaker 1: was pretty high. To be honest, he was like smile 314 00:17:00,000 --> 00:17:04,359 Speaker 1: selling and you know, probably totally zand out. It's not 315 00:17:04,440 --> 00:17:06,480 Speaker 1: clear what was going on there, but he thought it 316 00:17:06,480 --> 00:17:10,560 Speaker 1: was hilarious that people were he's a fucking sociopath monster. 317 00:17:10,640 --> 00:17:12,320 Speaker 1: So I could also see him just being a fucking 318 00:17:12,320 --> 00:17:15,120 Speaker 1: psycho and just being like, I mean, you we all 319 00:17:15,160 --> 00:17:18,560 Speaker 1: know the Bill Cosby lean that he busted out there 320 00:17:21,080 --> 00:17:25,800 Speaker 1: was hilarious just because of how ridiculous it was underlying 321 00:17:25,840 --> 00:17:28,479 Speaker 1: just sort of how disconnected he is just completely just 322 00:17:28,560 --> 00:17:31,679 Speaker 1: earth essentially. Gosh, there was this weird thing that was 323 00:17:31,720 --> 00:17:35,240 Speaker 1: happening for the past you know, six seven months where 324 00:17:35,359 --> 00:17:37,919 Speaker 1: he was you know, we were reading all these stories 325 00:17:37,960 --> 00:17:42,760 Speaker 1: about him committing actual rapes and were attempted rapes and 326 00:17:43,000 --> 00:17:46,560 Speaker 1: some cases and just sexual assault and all all sorts 327 00:17:46,560 --> 00:17:48,399 Speaker 1: of ship and then you'd see pictures of him like 328 00:17:48,480 --> 00:17:51,040 Speaker 1: golfing in Malibu, and it's just like, what the fund 329 00:17:51,160 --> 00:17:54,560 Speaker 1: is happening. So this finally feels like there's a little 330 00:17:54,560 --> 00:17:58,640 Speaker 1: bit of closure on that story. Had handcuffs on, didn't Yeah, 331 00:17:57,920 --> 00:18:01,000 Speaker 1: he actually had three pairs of handcuffs on because of 332 00:18:01,119 --> 00:18:04,879 Speaker 1: his girth. He was not able to get fit into 333 00:18:04,920 --> 00:18:08,359 Speaker 1: a single because he couldn't get his arms behind his back, right, Yeah, 334 00:18:08,400 --> 00:18:10,240 Speaker 1: exactly what happens if you can't, like would it just 335 00:18:10,280 --> 00:18:14,879 Speaker 1: stretch your chest out? Like well, that's just Weinstein, you know, 336 00:18:15,040 --> 00:18:17,639 Speaker 1: benefit because if you are a person of color and 337 00:18:17,680 --> 00:18:21,639 Speaker 1: can't get your hands behind your back, shoot you in 338 00:18:21,680 --> 00:18:27,120 Speaker 1: the back of the head. He's going to plead not guilty. 339 00:18:27,200 --> 00:18:29,359 Speaker 1: But you know, some of his victims are coming forward 340 00:18:29,440 --> 00:18:32,240 Speaker 1: and saying they didn't know how much this was going 341 00:18:32,280 --> 00:18:34,800 Speaker 1: to help. Rosemagallant said, I have to admit I didn't 342 00:18:34,800 --> 00:18:36,439 Speaker 1: think I would see the day that he would have 343 00:18:36,480 --> 00:18:39,480 Speaker 1: handcuffs on him, But now I have a visceral need 344 00:18:39,520 --> 00:18:42,840 Speaker 1: for him to have handcuffs on. So he posted a 345 00:18:42,840 --> 00:18:45,640 Speaker 1: million dollar bail. He turned himself in and had a 346 00:18:45,680 --> 00:18:49,359 Speaker 1: million dollar cashier's check on hand, and so it was immediately, 347 00:18:49,840 --> 00:18:52,119 Speaker 1: you know, set free. But he has a one of 348 00:18:52,160 --> 00:18:54,640 Speaker 1: those tracking bracelets on and is not allowed to leave 349 00:18:54,680 --> 00:18:57,680 Speaker 1: New York or Connecticut and had to turn his passport 350 00:18:57,720 --> 00:19:01,040 Speaker 1: into So he's out there. If anybody wants to walk 351 00:19:01,080 --> 00:19:03,880 Speaker 1: around New York until you run into him. Yeah, now, 352 00:19:04,160 --> 00:19:07,119 Speaker 1: that's what's so wild about bails. It's like, yeah, a 353 00:19:07,160 --> 00:19:10,040 Speaker 1: million dollar bell. He was like, Okay, here you go, 354 00:19:10,440 --> 00:19:13,080 Speaker 1: you know, and you know that's a whole other thing 355 00:19:13,160 --> 00:19:15,800 Speaker 1: like cash bail and how that show works, and you 356 00:19:15,840 --> 00:19:18,680 Speaker 1: know how people with money are able to just instantly 357 00:19:18,720 --> 00:19:22,120 Speaker 1: free themselves while people who in lesser situations are basically 358 00:19:22,119 --> 00:19:25,520 Speaker 1: like that's one of those things that like trying to 359 00:19:25,680 --> 00:19:28,399 Speaker 1: explain to our kids, like, oh, yeah, if you have 360 00:19:28,520 --> 00:19:30,880 Speaker 1: enough money, you can just like pay to it and 361 00:19:30,920 --> 00:19:33,160 Speaker 1: let free when you do a crime, and you can 362 00:19:33,200 --> 00:19:35,320 Speaker 1: hang out until the judge is like, Okay, what do 363 00:19:35,400 --> 00:19:37,439 Speaker 1: you do unless you don't have enough money? Yeah, And 364 00:19:37,480 --> 00:19:39,080 Speaker 1: I just wanted to point out because I saw this 365 00:19:39,400 --> 00:19:43,600 Speaker 1: earlier this morning. A senior staff attorney, Scott hetchen Your 366 00:19:43,960 --> 00:19:47,720 Speaker 1: tweeted out, He's like, my client's stuck on. Riker's charged 367 00:19:47,760 --> 00:19:51,120 Speaker 1: with quote unquote violent felonies for stealing bikes for resale 368 00:19:51,160 --> 00:19:55,320 Speaker 1: value to support his addiction. First arrest ever, no actual violence. Meanwhile, 369 00:19:55,600 --> 00:19:58,399 Speaker 1: Weinstein is free to live in his mansion, travel freely 370 00:19:58,440 --> 00:20:02,320 Speaker 1: around New York, in Connecticut and elsewhere with permission. Two systems. 371 00:20:02,440 --> 00:20:05,199 Speaker 1: And that's true. It's like the difference between someone just 372 00:20:05,560 --> 00:20:09,479 Speaker 1: violently raping multiple women and a guy stealing bikes because 373 00:20:09,520 --> 00:20:13,000 Speaker 1: he has an addiction problem just shows the problem with 374 00:20:13,000 --> 00:20:15,520 Speaker 1: the system. Well yeah, and again that's why they need 375 00:20:15,520 --> 00:20:18,440 Speaker 1: more progressive sort of bail reform, that it's actually relative 376 00:20:18,520 --> 00:20:21,280 Speaker 1: to what you can afford. So someone like Harvey Weinstein 377 00:20:21,280 --> 00:20:23,960 Speaker 1: should be like, yo, can you put up twenty million? Yeah, 378 00:20:25,040 --> 00:20:28,120 Speaker 1: and maybe he only had to pay ten percent. I'm actually, well, yeah, 379 00:20:28,119 --> 00:20:30,240 Speaker 1: it's your bond. Yeah, that's the bond. But yeah, so 380 00:20:30,240 --> 00:20:31,919 Speaker 1: it's ten million dollars bail, but you only have to 381 00:20:31,920 --> 00:20:35,199 Speaker 1: post ten percent, So that's ten million dollar bail. And 382 00:20:35,240 --> 00:20:38,320 Speaker 1: he posted, yeah your body. Yeah, so you you pay 383 00:20:38,440 --> 00:20:43,960 Speaker 1: ten percent? Like that's how you know? Anyway? Yeah, I 384 00:20:45,880 --> 00:20:49,160 Speaker 1: have when I was wrongfully arrested by the police in Watts, California. 385 00:20:50,160 --> 00:20:53,600 Speaker 1: That sounds fishing to mean, I don't buy it. I know. 386 00:20:53,680 --> 00:20:56,040 Speaker 1: Did you see those pictures I posted on Facebook with guns? 387 00:20:56,119 --> 00:20:59,439 Speaker 1: You know? So I also wanted to talk about a 388 00:20:59,560 --> 00:21:03,639 Speaker 1: more old form of toxic masculinity that was visible in 389 00:21:03,680 --> 00:21:07,359 Speaker 1: this New York Times interview with the Arrested Development cast 390 00:21:07,440 --> 00:21:10,960 Speaker 1: ahead of the release of season five of Arrested Development. 391 00:21:11,440 --> 00:21:15,280 Speaker 1: So the cast is talking and you know, the interviewer 392 00:21:15,320 --> 00:21:18,879 Speaker 1: brings up Jeffrey Tambor's you know, rumored misbehavior on the 393 00:21:18,920 --> 00:21:25,240 Speaker 1: set of trans transparent sexual harassment and just verbal harassment, 394 00:21:25,320 --> 00:21:28,399 Speaker 1: and the interviewer says, you know, Jeffrey and talking about that, 395 00:21:28,440 --> 00:21:31,200 Speaker 1: you even talked about how you at one time like 396 00:21:31,640 --> 00:21:35,480 Speaker 1: lost your temper with Jessica Walter, his co star plays 397 00:21:35,560 --> 00:21:39,840 Speaker 1: Lucille Luth And it just turned into this thing where 398 00:21:40,040 --> 00:21:43,320 Speaker 1: you know, Jessica Walter started crying and was talking about how, 399 00:21:43,400 --> 00:21:46,480 Speaker 1: you know, she had never been treated that badly, and 400 00:21:46,520 --> 00:21:49,080 Speaker 1: then all the men in the room started just doing 401 00:21:49,119 --> 00:21:52,840 Speaker 1: this thing. It almost basically yeah, no, I wasn't that bad. See, 402 00:21:52,880 --> 00:21:54,480 Speaker 1: this is kind of how it works. This is a process, 403 00:21:54,560 --> 00:21:57,320 Speaker 1: you know, the relationships. Like the seventies, seven year old 404 00:21:57,359 --> 00:22:00,320 Speaker 1: actress doesn't know how the process works apparently, but they 405 00:22:00,320 --> 00:22:03,000 Speaker 1: were probably was in Hollywood, like the worst of it. 406 00:22:03,000 --> 00:22:06,560 Speaker 1: It really felt like you're eavesdropping on a dysfunctional family 407 00:22:06,880 --> 00:22:10,159 Speaker 1: having a dinner conversation in like the fifties, like because 408 00:22:10,200 --> 00:22:12,960 Speaker 1: they were like, mom, come on, it's like get over 409 00:22:13,000 --> 00:22:17,439 Speaker 1: at all the suns were and Aaliyah shock At tried 410 00:22:17,520 --> 00:22:20,520 Speaker 1: to kind of stand up for Jessica Walter and was like, yeah, 411 00:22:20,520 --> 00:22:23,760 Speaker 1: but the point is now things have changed. That's not right. 412 00:22:23,920 --> 00:22:28,359 Speaker 1: This is no longer okay, I gotta I got the 413 00:22:28,400 --> 00:22:33,080 Speaker 1: biggest crush on her, just just and then yeah. Then 414 00:22:33,119 --> 00:22:36,440 Speaker 1: immediately it was immediately like kind of oh yeah, because 415 00:22:36,480 --> 00:22:40,080 Speaker 1: there he didn't really get another word. Yeah, Jason Bateman, 416 00:22:40,240 --> 00:22:42,439 Speaker 1: really I think he kind of really took He came 417 00:22:42,480 --> 00:22:45,600 Speaker 1: out looking like fucking idiot, and I was like, as 418 00:22:45,640 --> 00:22:47,520 Speaker 1: someone who really loves the rest of development, it was 419 00:22:47,560 --> 00:22:49,600 Speaker 1: really difficult for me to like hear this because I 420 00:22:49,680 --> 00:22:52,719 Speaker 1: was like, damn, y'all fucking suck. Yeah, especially because you know, 421 00:22:52,920 --> 00:22:54,840 Speaker 1: Jason Bateman he knows a lot about acting. I mean, 422 00:22:54,880 --> 00:22:58,960 Speaker 1: he has eighty eight credits as an actor on on 423 00:22:59,040 --> 00:23:04,920 Speaker 1: IMDb compared to Jessica Walters hundred and fifty five, so 424 00:23:04,160 --> 00:23:08,560 Speaker 1: he knows a lot. A yeah, you know, he just 425 00:23:08,680 --> 00:23:12,000 Speaker 1: knows so much. It's it's just like we have to understand. 426 00:23:12,680 --> 00:23:16,119 Speaker 1: The one thing that makes him not fully canceled, at 427 00:23:16,160 --> 00:23:18,639 Speaker 1: least in my opinion, is that at least his apology 428 00:23:18,800 --> 00:23:21,800 Speaker 1: was like coherent. Most people will be like, oh, yeah, 429 00:23:21,800 --> 00:23:25,000 Speaker 1: I didn't mean an offender in that way. Still, bro, 430 00:23:25,320 --> 00:23:27,840 Speaker 1: you shouldn't have puffed yourselfs out like that, yeah, man. 431 00:23:27,960 --> 00:23:29,760 Speaker 1: And it was one of those things where it looked 432 00:23:29,800 --> 00:23:31,160 Speaker 1: like a lot of the men on this cast they 433 00:23:31,160 --> 00:23:34,040 Speaker 1: were just having trouble accepting that maybe they're bro Jeff 434 00:23:34,480 --> 00:23:36,879 Speaker 1: wasn't the best guy. Well, the way I explained it away, 435 00:23:37,000 --> 00:23:39,639 Speaker 1: the way I always look at it is I find 436 00:23:39,680 --> 00:23:42,680 Speaker 1: that men jumped to the defense of other shitty men 437 00:23:43,280 --> 00:23:45,760 Speaker 1: just because of the idea that they hope someone does 438 00:23:45,800 --> 00:23:48,240 Speaker 1: the same for them if they get caught up because 439 00:23:48,520 --> 00:23:51,040 Speaker 1: and it's and it's it's a whole process in their 440 00:23:51,040 --> 00:23:53,480 Speaker 1: head where like they're gonna be falsely caught up for 441 00:23:53,600 --> 00:23:55,480 Speaker 1: something I did air quotes. He's gonna they're gonna be 442 00:23:55,560 --> 00:23:58,600 Speaker 1: falsely caught up by something, and they're gonna need somebody 443 00:23:58,600 --> 00:24:01,800 Speaker 1: to defend. So it's kind of like that idea of like, 444 00:24:01,840 --> 00:24:04,760 Speaker 1: if you see an older woman being mistreated, you're gonna, 445 00:24:05,000 --> 00:24:07,120 Speaker 1: you know, try and step in for because you want 446 00:24:07,119 --> 00:24:08,960 Speaker 1: somebody to do that for your mom. And I think 447 00:24:08,960 --> 00:24:11,359 Speaker 1: it's the same difference where it's like a subliminal thing 448 00:24:11,400 --> 00:24:13,440 Speaker 1: where it's like I gotta step up for him because 449 00:24:13,480 --> 00:24:15,359 Speaker 1: I need I'm I'm gonna need someone to step up 450 00:24:15,359 --> 00:24:17,920 Speaker 1: for me maybe, And it might not even be that transactional. 451 00:24:17,920 --> 00:24:20,680 Speaker 1: It could just be that you're in denial about your behavior. 452 00:24:20,800 --> 00:24:24,240 Speaker 1: So you defend it because denial that there could be 453 00:24:24,280 --> 00:24:26,600 Speaker 1: something wrong. And then you try and explain it away, 454 00:24:26,680 --> 00:24:29,359 Speaker 1: like talking about his process or the relationships on the set, 455 00:24:29,400 --> 00:24:32,040 Speaker 1: like what I mean, honestly, it's Jeffrey Tambill really working 456 00:24:32,080 --> 00:24:34,760 Speaker 1: his process so much to say all those funny lines 457 00:24:34,800 --> 00:24:37,520 Speaker 1: that you've gotta scream at fun coworkers, and yeah, it 458 00:24:37,520 --> 00:24:40,760 Speaker 1: sounds like he's just like a fucking abusive coworker. Yeah, 459 00:24:40,960 --> 00:24:44,040 Speaker 1: we've all had them, or at least I have, and like, 460 00:24:44,240 --> 00:24:46,240 Speaker 1: you know, there's no excuse for that, and they exist 461 00:24:46,280 --> 00:24:50,120 Speaker 1: in every industry. And also, don't talk about your fucking process. 462 00:24:50,119 --> 00:24:52,080 Speaker 1: But just to do what I always do best and 463 00:24:52,119 --> 00:24:54,520 Speaker 1: make it about race. That's only white men who can 464 00:24:54,520 --> 00:24:57,359 Speaker 1: get away with that. There's like Marshall Ali isn't gonna 465 00:24:57,359 --> 00:24:59,440 Speaker 1: be busting any of that out because he'll be fired 466 00:24:59,480 --> 00:25:02,560 Speaker 1: so quick, even now, even now as an Oscar winning actor, 467 00:25:02,840 --> 00:25:04,840 Speaker 1: if he tried any of that stuff, they boot his 468 00:25:04,920 --> 00:25:08,919 Speaker 1: ass off set real quick because there's a you know, 469 00:25:09,359 --> 00:25:12,760 Speaker 1: especially since he's Muslim. You know, I've heard stuff about that, 470 00:25:12,840 --> 00:25:16,600 Speaker 1: you know, but yeah, no, it's it is like a 471 00:25:16,600 --> 00:25:21,159 Speaker 1: a artistry that's afforded to white performers, where it's like 472 00:25:21,200 --> 00:25:23,280 Speaker 1: I can be a dick and all this stuff, you know, 473 00:25:23,600 --> 00:25:25,760 Speaker 1: even the same way, like we hear stories of this. 474 00:25:25,880 --> 00:25:28,560 Speaker 1: You even when Christian Bale like wigged out on that person, 475 00:25:28,600 --> 00:25:30,560 Speaker 1: like everyone was like, oh man, he's yeah, he must 476 00:25:30,560 --> 00:25:33,360 Speaker 1: have been real focused, you know, you know, and then 477 00:25:33,359 --> 00:25:36,200 Speaker 1: my man, Kanye says Cosby innocent, and everybody freaks out. 478 00:25:36,320 --> 00:25:39,000 Speaker 1: You know, we don't get don't get the benefits, We 479 00:25:39,000 --> 00:25:43,240 Speaker 1: don't get the I mean honestly, like, let's not don't 480 00:25:43,280 --> 00:25:47,400 Speaker 1: play yourself here, listeners. Lucille Bluth is the better character 481 00:25:47,480 --> 00:25:51,840 Speaker 1: of the two of them. Anyway. I funk with Lucille 482 00:25:51,840 --> 00:25:57,359 Speaker 1: Bluth so hard because she is a savage. Okay, George, Okay, fine, 483 00:25:57,400 --> 00:25:59,480 Speaker 1: you started all this bullshit off. Great, But at the 484 00:25:59,560 --> 00:26:01,399 Speaker 1: end of the day, my god, I mean, I just 485 00:26:01,440 --> 00:26:03,159 Speaker 1: think of all the memes I love to share Lucille 486 00:26:03,160 --> 00:26:05,439 Speaker 1: Booth not really that many of George, Yeah, no, not 487 00:26:05,480 --> 00:26:10,040 Speaker 1: at all. Only remember the banana Stan That's that's like 488 00:26:10,440 --> 00:26:12,600 Speaker 1: his big move. But there's so many like sipping gifts 489 00:26:12,600 --> 00:26:18,440 Speaker 1: and don't ever do that again. Yeah, yeah, her performance 490 00:26:18,520 --> 00:26:22,080 Speaker 1: is fucking incredible. I just have a feeling about Jason Bateman. 491 00:26:22,119 --> 00:26:24,359 Speaker 1: I don't know. I've heard, like there's just these little 492 00:26:24,440 --> 00:26:27,399 Speaker 1: hints and like interviews from Michael Sarah when he was 493 00:26:27,480 --> 00:26:30,359 Speaker 1: much younger, being like, yeah, Jason Bateman really bullied me 494 00:26:30,440 --> 00:26:32,879 Speaker 1: on set, and then people are like, so it was 495 00:26:32,920 --> 00:26:35,200 Speaker 1: like good fun and he was like, no, he's really mean. 496 00:26:35,240 --> 00:26:39,439 Speaker 1: And then but then like it seems like he plays 497 00:26:39,440 --> 00:26:41,680 Speaker 1: it off like a joke. There's an interview with Vince 498 00:26:41,720 --> 00:26:44,800 Speaker 1: Vaughn and Jason Bateman for Couples Retreat. It's like a 499 00:26:44,880 --> 00:26:48,879 Speaker 1: presser and they just like Jason Bateman just seems like 500 00:26:48,920 --> 00:26:52,439 Speaker 1: he's the biggest asshole in the world. Yeah, with Maga 501 00:26:52,520 --> 00:26:55,920 Speaker 1: Vince Vaughan. Yeah, and I think maybe the closest to 502 00:26:56,160 --> 00:26:59,119 Speaker 1: real Jason Bateman we get if anybody I know people 503 00:26:59,160 --> 00:27:01,879 Speaker 1: say Ozark maybe, but I actually haven't watched that. But 504 00:27:01,920 --> 00:27:04,440 Speaker 1: if you've seen the movie The Gift, check that movie out, 505 00:27:04,560 --> 00:27:07,879 Speaker 1: because yeah, that's I think the real Jason Datemon. All right, 506 00:27:07,960 --> 00:27:18,880 Speaker 1: we're gonna take a quick break. We'll be right back hand. 507 00:27:18,960 --> 00:27:23,120 Speaker 1: We're back and this summit with North Korea maybe back on. 508 00:27:23,320 --> 00:27:25,439 Speaker 1: We don't know. Politico has a couple of articles to 509 00:27:25,600 --> 00:27:29,080 Speaker 1: that effect. Everybody's reporting it. Yeah, they're saying that they're 510 00:27:29,080 --> 00:27:32,560 Speaker 1: going to Singapore anyways, and that those flirty little sentences 511 00:27:32,560 --> 00:27:35,000 Speaker 1: in Trump's letter to Kim Jong un might have had 512 00:27:35,040 --> 00:27:39,040 Speaker 1: their desired effect. And yeah, so we'll see. We're just 513 00:27:39,119 --> 00:27:41,040 Speaker 1: kind of keeping our eye on it. It's just so 514 00:27:41,119 --> 00:27:43,520 Speaker 1: clear that, like it really is. It's like, well, you 515 00:27:43,640 --> 00:27:45,600 Speaker 1: know what, you talk to spicy, so now I don't 516 00:27:45,600 --> 00:27:47,280 Speaker 1: want to meet with you. And then they were like, 517 00:27:47,440 --> 00:27:49,440 Speaker 1: I'm sorry, girl, you know what, I didn't mean that 518 00:27:49,640 --> 00:27:51,800 Speaker 1: because that you're you know, your home girl. John Bolden 519 00:27:51,880 --> 00:27:53,960 Speaker 1: was saying some crazy say I can't just let that stand. 520 00:27:54,480 --> 00:27:58,160 Speaker 1: So it's so weird how one letters directly to Kim. 521 00:27:58,200 --> 00:27:59,680 Speaker 1: John will be like, not funk that it's over, but 522 00:27:59,720 --> 00:28:00,959 Speaker 1: if you want to talk, we can talk. And then 523 00:28:00,960 --> 00:28:03,760 Speaker 1: they're like, we're sorry or it's deeply regrettable, but we're 524 00:28:03,800 --> 00:28:07,359 Speaker 1: open to meet anytime, any place. So, you know, they 525 00:28:07,480 --> 00:28:10,639 Speaker 1: buck each other's language, and who knows if that's a 526 00:28:10,680 --> 00:28:15,080 Speaker 1: good thing. Buckle up indeed, Miles, Yep, there's a story 527 00:28:15,160 --> 00:28:17,720 Speaker 1: that we're calling spy gate. I know you guys, everyone's 528 00:28:17,760 --> 00:28:21,400 Speaker 1: calling it spi So what is sp spygate. We talked 529 00:28:21,400 --> 00:28:23,320 Speaker 1: a little bit about this, maybe this week or maybe 530 00:28:23,359 --> 00:28:25,480 Speaker 1: the week before, where it was found out that the 531 00:28:25,520 --> 00:28:29,040 Speaker 1: FBI has sent an informant to brush up against the 532 00:28:29,080 --> 00:28:32,240 Speaker 1: Trump campaign because you know, in a law enforcement apparatus, 533 00:28:32,280 --> 00:28:34,719 Speaker 1: would they heard that maybe the Russians were trying to 534 00:28:34,800 --> 00:28:38,800 Speaker 1: infiltrate a presidential campaign. So for the safety and integrity 535 00:28:38,840 --> 00:28:42,800 Speaker 1: of our democracy, the FBI is like, uh, I always 536 00:28:42,800 --> 00:28:44,400 Speaker 1: said one of our guys, just to see if they 537 00:28:44,400 --> 00:28:47,120 Speaker 1: can see what's going on for the safety and integrity 538 00:28:47,160 --> 00:28:51,520 Speaker 1: of president and the campaign as well, Campaire. And they 539 00:28:51,520 --> 00:28:53,560 Speaker 1: went to go see, like because a lot of their 540 00:28:53,600 --> 00:28:55,960 Speaker 1: campaign officials are being seen interacting with the Russians, and 541 00:28:56,000 --> 00:28:58,320 Speaker 1: many people who are around the campaign we're talking real 542 00:28:58,440 --> 00:29:00,560 Speaker 1: loud about interacting with the Russians, and they're like, what 543 00:29:00,600 --> 00:29:03,160 Speaker 1: the funk? And we're getting reports some other intelligence agencies. 544 00:29:03,360 --> 00:29:05,720 Speaker 1: So they went to check that out. Donald Trump has 545 00:29:05,800 --> 00:29:09,440 Speaker 1: now or for the last week, been calling this spy gate, 546 00:29:09,640 --> 00:29:12,360 Speaker 1: where he is saying the story is they sent a 547 00:29:12,720 --> 00:29:15,480 Speaker 1: mold to infiltrate the campaign, try and bring it down 548 00:29:15,600 --> 00:29:20,000 Speaker 1: or some ship. It's like completely fucking bonkers. But again, 549 00:29:20,200 --> 00:29:22,840 Speaker 1: when you're in this administration situation where you're trying to 550 00:29:22,840 --> 00:29:24,920 Speaker 1: explain away all your bad doing by just being like, 551 00:29:25,200 --> 00:29:26,920 Speaker 1: oh wha, actually, law enforcements all fucked up. You know, 552 00:29:26,920 --> 00:29:28,640 Speaker 1: they're actually pretty funked up. It's not really what I've 553 00:29:28,640 --> 00:29:30,640 Speaker 1: been doing. It's because there's a deep state blah blah blah. 554 00:29:30,760 --> 00:29:32,360 Speaker 1: And again, if we really want to play this theory 555 00:29:32,360 --> 00:29:34,040 Speaker 1: out that the deep state was trying to bring Donald 556 00:29:34,040 --> 00:29:36,719 Speaker 1: Trump down, why the fund is he president? If they 557 00:29:36,760 --> 00:29:38,920 Speaker 1: really wanted to, they could have said they were investigating 558 00:29:39,000 --> 00:29:42,040 Speaker 1: him from the jump. So like, nothing really tracks about 559 00:29:42,080 --> 00:29:46,440 Speaker 1: this whole fucking thing. So fast forward to yesterday where 560 00:29:46,680 --> 00:29:48,880 Speaker 1: Donald Trump was basically telling the d o J like, 561 00:29:48,960 --> 00:29:51,960 Speaker 1: you need to meet with some GOP hacks of mine, 562 00:29:52,040 --> 00:29:55,000 Speaker 1: like Devin noonez uh and show them all the paperwork 563 00:29:55,040 --> 00:29:57,560 Speaker 1: about this, because you have to prove to us that 564 00:29:57,600 --> 00:30:00,920 Speaker 1: this there was some darker ship going on. And essentially 565 00:30:01,040 --> 00:30:04,800 Speaker 1: is the president asking for them to share confidential information 566 00:30:05,160 --> 00:30:09,320 Speaker 1: about an investigation into him with his people, which is 567 00:30:09,320 --> 00:30:16,840 Speaker 1: why it is extremely unprecedented and problematic. Just think about that, 568 00:30:16,960 --> 00:30:19,080 Speaker 1: Just think about it's almost like, uh, yeah, can I 569 00:30:19,080 --> 00:30:22,760 Speaker 1: look at your documents real quick? We're investigating around you. Yeah, 570 00:30:22,800 --> 00:30:24,320 Speaker 1: but you know, I kind of need to see that. 571 00:30:24,400 --> 00:30:25,960 Speaker 1: Don't trust it. That doesn't it doesn't work like that, 572 00:30:26,000 --> 00:30:29,760 Speaker 1: my guy. So anyway, so they have this meeting, uh, 573 00:30:29,760 --> 00:30:34,080 Speaker 1: and it turns out that there obviously wasn't anything fucking 574 00:30:34,120 --> 00:30:36,600 Speaker 1: happening because there was no spy gate to begin with. 575 00:30:36,760 --> 00:30:39,960 Speaker 1: This is all about the dark ship that's happening around 576 00:30:39,960 --> 00:30:43,240 Speaker 1: the campaign and the administration. So Adam Schiff comes out 577 00:30:43,240 --> 00:30:46,240 Speaker 1: of this meeting basically saying something to the effect not 578 00:30:46,280 --> 00:30:48,440 Speaker 1: to the effect of he comes out and said, nothing 579 00:30:48,440 --> 00:30:50,440 Speaker 1: we heard today has changed our view that there is 580 00:30:50,480 --> 00:30:53,320 Speaker 1: no evidence to support any allegation that the FBI or 581 00:30:53,320 --> 00:30:57,000 Speaker 1: any intelligence agency placed a spy in the Trump campaign 582 00:30:57,240 --> 00:31:01,120 Speaker 1: or otherwise failed to follow appropriate procedures and protocols. So 583 00:31:01,160 --> 00:31:03,960 Speaker 1: the whole thing was then being like the systems corrupt, See, 584 00:31:03,960 --> 00:31:06,040 Speaker 1: this is all unfair. Turns out they look at the 585 00:31:06,080 --> 00:31:09,560 Speaker 1: documents and there's nothing there that even remotely confirms any 586 00:31:09,600 --> 00:31:12,400 Speaker 1: of these lives. Because again, this is part of the 587 00:31:12,480 --> 00:31:15,720 Speaker 1: distraction plan to say anything but us, and that's the 588 00:31:15,760 --> 00:31:17,479 Speaker 1: mark of the guilty people, because let's I mean, if 589 00:31:17,480 --> 00:31:19,680 Speaker 1: you run it from the top, remember Obama tapped his 590 00:31:19,720 --> 00:31:23,080 Speaker 1: wires first, then there was all those the dodgy dossier. 591 00:31:23,480 --> 00:31:26,160 Speaker 1: Then it was about all those FBI agents texting each 592 00:31:26,160 --> 00:31:29,000 Speaker 1: other and that's the corruption. Then there's the fucking memo, 593 00:31:29,320 --> 00:31:32,640 Speaker 1: Remember the memo. The memo was supposed to show everything 594 00:31:32,680 --> 00:31:35,720 Speaker 1: and show that Trump was innocent, and they take L 595 00:31:35,880 --> 00:31:38,840 Speaker 1: after L and it's funny that. I mean, I feel 596 00:31:38,880 --> 00:31:41,520 Speaker 1: like the media has to take a harder line and 597 00:31:41,560 --> 00:31:44,480 Speaker 1: be like, Okay, here's the new bullshit thing they're trying 598 00:31:44,520 --> 00:31:47,560 Speaker 1: to do to distract from all of the smoke around 599 00:31:47,560 --> 00:31:50,240 Speaker 1: this potential fire. Yeah, so you know, we'll see what 600 00:31:50,280 --> 00:31:52,720 Speaker 1: the next one was. But Devin Nounez, you know, there 601 00:31:52,760 --> 00:31:54,800 Speaker 1: wasn't anything in there that would help him because he 602 00:31:54,840 --> 00:31:56,920 Speaker 1: has not said a fucking thing since the meeting, and 603 00:31:56,960 --> 00:31:58,360 Speaker 1: you think he would be out there with his chest 604 00:31:58,360 --> 00:32:00,960 Speaker 1: out on Fox News being like this clearly proves that 605 00:32:01,840 --> 00:32:05,760 Speaker 1: the d o J is collusion and Russia, Like, okay, yeah, 606 00:32:05,880 --> 00:32:07,840 Speaker 1: I think it also has to do with the fact 607 00:32:08,160 --> 00:32:10,920 Speaker 1: and maybe this is pure coincidence, but I think that 608 00:32:11,240 --> 00:32:16,560 Speaker 1: Trump's base are people who their main motivating feeling is 609 00:32:16,640 --> 00:32:20,440 Speaker 1: resentment and feeling like they've been screwed over, and so 610 00:32:20,720 --> 00:32:25,480 Speaker 1: for him to accurately sort of tap into how they're feeling. 611 00:32:25,920 --> 00:32:29,200 Speaker 1: He has to constantly be complaining about, you know, being 612 00:32:29,240 --> 00:32:32,920 Speaker 1: screwed over and being treated unfairly because it makes him 613 00:32:32,960 --> 00:32:35,280 Speaker 1: the underdog. And it's like, yeah, so you can identify 614 00:32:35,360 --> 00:32:39,240 Speaker 1: me with me, the scam artist, pseudo billionaire who's bleeding 615 00:32:39,240 --> 00:32:42,720 Speaker 1: the country dry. Yeah, and both of their complaints happened 616 00:32:42,720 --> 00:32:45,120 Speaker 1: to be bullshit. Yeah. Well, and then also too, if 617 00:32:45,120 --> 00:32:47,160 Speaker 1: you think about like Leslie Stall from sixty Minutes, she 618 00:32:47,200 --> 00:32:49,560 Speaker 1: was in some interview this week and was saying she 619 00:32:49,720 --> 00:32:52,760 Speaker 1: was with Trump like right around maybe right after the 620 00:32:52,800 --> 00:32:54,680 Speaker 1: election or maybe in the last month or so, and 621 00:32:54,680 --> 00:32:55,920 Speaker 1: she was like, why do you always like come at 622 00:32:55,960 --> 00:32:58,680 Speaker 1: the press like and do this. He's like, we'll have 623 00:32:58,760 --> 00:33:01,120 Speaker 1: to discredit you. When you prind something bad about me. 624 00:33:01,200 --> 00:33:03,760 Speaker 1: No one's gonna believe me because my line is always 625 00:33:03,760 --> 00:33:05,880 Speaker 1: that you guys are full of shit. So he's doing 626 00:33:05,920 --> 00:33:09,280 Speaker 1: the same tactic with law Enforcement's just dragged them through 627 00:33:09,280 --> 00:33:14,200 Speaker 1: the mud. So whenever they present actual evidence, he will hopefully, 628 00:33:14,480 --> 00:33:18,160 Speaker 1: you know, kneecap the integrity perceived integrity of law enforcement 629 00:33:18,160 --> 00:33:22,520 Speaker 1: in the country. Nice try, but hopefully, I mean, let's 630 00:33:22,600 --> 00:33:25,000 Speaker 1: let's make sure it's not It was a failed try. 631 00:33:25,000 --> 00:33:28,000 Speaker 1: Attempt before you know, he scoots off in the wind. 632 00:33:28,600 --> 00:33:30,920 Speaker 1: So before we get to our next story, I just 633 00:33:30,920 --> 00:33:33,400 Speaker 1: want to remind people of a quote we talked about 634 00:33:33,400 --> 00:33:36,840 Speaker 1: this interview John Kelly did with MPR two weeks ago, 635 00:33:36,960 --> 00:33:40,240 Speaker 1: where MPR seemed to like really be cutting all of 636 00:33:40,280 --> 00:33:43,240 Speaker 1: the like really awful ship out of the interview and 637 00:33:43,280 --> 00:33:46,400 Speaker 1: like really focusing on the things that humanized Kelly and 638 00:33:46,920 --> 00:33:51,280 Speaker 1: um one of one of the weird quotes weird quotes 639 00:33:51,320 --> 00:33:55,440 Speaker 1: from Kelly. MPR asked Kelly to comment on people who 640 00:33:55,520 --> 00:33:58,120 Speaker 1: say it's quote cruel and heartless to take a mother 641 00:33:58,240 --> 00:34:01,600 Speaker 1: away from her children, all right, because the new thing 642 00:34:01,720 --> 00:34:05,880 Speaker 1: is that they're going to split up illegal immigrants immigrant families, 643 00:34:06,240 --> 00:34:09,720 Speaker 1: and Kelly said, I wouldn't put it quite that way. 644 00:34:09,800 --> 00:34:12,720 Speaker 1: The children will be taken care of, put into foster 645 00:34:12,840 --> 00:34:16,280 Speaker 1: care or whatever. But the big points is they elected 646 00:34:16,280 --> 00:34:19,080 Speaker 1: to come illegally to the United States. That this is 647 00:34:19,120 --> 00:34:21,879 Speaker 1: a technique that no one hopes will be used extensively 648 00:34:22,120 --> 00:34:26,080 Speaker 1: or for very long. So yes, these children who are 649 00:34:26,080 --> 00:34:30,480 Speaker 1: being put into foster care or whatever are choosing to 650 00:34:30,560 --> 00:34:33,040 Speaker 1: come to the country. So it's I feel like this 651 00:34:33,120 --> 00:34:36,480 Speaker 1: is a long term tactic that's been used against children 652 00:34:36,520 --> 00:34:40,280 Speaker 1: of color. That's a new abbreviation for people's CEOC. Actually 653 00:34:40,280 --> 00:34:44,239 Speaker 1: don't use that one of the canyons, but like you know, 654 00:34:44,360 --> 00:34:47,280 Speaker 1: it's the same thing when young black kids are tried 655 00:34:47,320 --> 00:34:50,879 Speaker 1: as adults. Like it's why like people can see someone 656 00:34:50,960 --> 00:34:53,480 Speaker 1: like Tamir Rice get killed and not bad n eye. 657 00:34:53,760 --> 00:34:56,319 Speaker 1: You're making these kids seem more mature and adults. You're 658 00:34:56,360 --> 00:34:59,120 Speaker 1: taking away their innocence of being children, but being like, 659 00:34:59,120 --> 00:35:02,800 Speaker 1: oh no, these are fun and MS thirteen's Yang kids 660 00:35:02,840 --> 00:35:05,239 Speaker 1: probably probably had their parents bring them up here. Have 661 00:35:05,320 --> 00:35:09,319 Speaker 1: you seen child African soldiers? Basically like that that's coming 662 00:35:09,320 --> 00:35:11,879 Speaker 1: over here. And it's also I think just a very 663 00:35:11,960 --> 00:35:15,759 Speaker 1: barbaric tactic to try and dissuade people from being like, well, 664 00:35:15,760 --> 00:35:18,120 Speaker 1: when you come, we will split you up, so don't 665 00:35:18,120 --> 00:35:20,759 Speaker 1: even think about a type of ship again for him 666 00:35:20,800 --> 00:35:23,080 Speaker 1: to say like, yeah, live in foster care or whatever, 667 00:35:23,239 --> 00:35:26,920 Speaker 1: like you're not talking about human children. Yeah, So not 668 00:35:27,080 --> 00:35:30,200 Speaker 1: surprisingly really when you when you think that that's how 669 00:35:30,239 --> 00:35:33,120 Speaker 1: they are thinking of these children who they are splitting 670 00:35:33,160 --> 00:35:36,800 Speaker 1: from their parents. The federal government has in the past 671 00:35:36,840 --> 00:35:40,200 Speaker 1: couple of weeks lost track of one thousand, four hundred 672 00:35:40,200 --> 00:35:43,800 Speaker 1: and seventy five migrant children. They just don't know what 673 00:35:43,960 --> 00:35:47,520 Speaker 1: happened to these kids rather than foster care there in whatever, yeah, 674 00:35:47,800 --> 00:35:50,560 Speaker 1: in the whatever exactly. They don't know where they are. 675 00:35:50,960 --> 00:35:54,160 Speaker 1: They don't know if they've been taken by family or 676 00:35:54,320 --> 00:35:58,480 Speaker 1: taken by you know, human smugglers or you know, put 677 00:35:58,520 --> 00:36:02,279 Speaker 1: into forced work camps. They just don't know. But that 678 00:36:02,480 --> 00:36:06,759 Speaker 1: is something they have found. They've come across children who 679 00:36:06,840 --> 00:36:11,600 Speaker 1: have been forced into labor after coming across the border, 680 00:36:11,680 --> 00:36:14,000 Speaker 1: well by like families that there or the whoever's care 681 00:36:14,040 --> 00:36:16,640 Speaker 1: they were put into. An AP investigation found in two 682 00:36:16,640 --> 00:36:19,680 Speaker 1: thousand sixteen the more than two dozen unaccompanied children had 683 00:36:19,719 --> 00:36:22,480 Speaker 1: been sent to homes where they were sexually assaulted, starved, 684 00:36:22,560 --> 00:36:24,839 Speaker 1: or forced to work for little or no pay. So 685 00:36:24,920 --> 00:36:28,720 Speaker 1: that is something that happens, and they know that happens. 686 00:36:28,760 --> 00:36:32,120 Speaker 1: This is a two thousand sixteen investigation. And that's two 687 00:36:32,120 --> 00:36:34,839 Speaker 1: thousand sixteen, right, and heard fast forward to eighteen and 688 00:36:34,960 --> 00:36:38,280 Speaker 1: well we'd have lost nearly children. They're paying so little 689 00:36:38,280 --> 00:36:41,200 Speaker 1: attention that they lost track of. Well, you know, Ice 690 00:36:41,280 --> 00:36:43,799 Speaker 1: has been really killing it this week with this and 691 00:36:44,120 --> 00:36:47,359 Speaker 1: murdering someone. You know, it's really and did you hear 692 00:36:47,400 --> 00:36:52,040 Speaker 1: about that comedian that got investigated by the Department of 693 00:36:52,080 --> 00:36:55,560 Speaker 1: Homeland Security. Well, he did a tweet on Cinco de 694 00:36:55,680 --> 00:36:59,920 Speaker 1: Mayo where he said for every it was pretty gnarly. 695 00:37:00,040 --> 00:37:02,400 Speaker 1: He was like, for every ICE agent you kill, you 696 00:37:02,480 --> 00:37:06,400 Speaker 1: get to wear one like racially insensitive thing for Sinco 697 00:37:06,480 --> 00:37:08,920 Speaker 1: de Maya. And it was like a joke and he 698 00:37:09,000 --> 00:37:11,200 Speaker 1: said the next day he got like a knock on 699 00:37:11,280 --> 00:37:13,279 Speaker 1: the store and it was like to do and it 700 00:37:13,360 --> 00:37:16,319 Speaker 1: was like, we wanted to investigate this, and he was like, well, 701 00:37:16,320 --> 00:37:19,960 Speaker 1: what about all the ship that the writers posting and 702 00:37:20,040 --> 00:37:22,120 Speaker 1: calling for the deaths and you're like checking for me, 703 00:37:22,160 --> 00:37:24,359 Speaker 1: which is a good point. It's like it's funny how 704 00:37:24,520 --> 00:37:27,080 Speaker 1: like that's what will gets you check and when like, 705 00:37:27,520 --> 00:37:30,360 Speaker 1: let's not forget that fucking what his name, Ted Nugent 706 00:37:30,440 --> 00:37:33,479 Speaker 1: called for the death of Obama and like that dude 707 00:37:33,520 --> 00:37:36,000 Speaker 1: is still walking around sitting pretty Yeah. I know the 708 00:37:36,040 --> 00:37:37,560 Speaker 1: A C. L u is. I think they're bringing some 709 00:37:37,640 --> 00:37:40,680 Speaker 1: kind of lawsuit because they found out that their government 710 00:37:40,760 --> 00:37:43,520 Speaker 1: is monitoring Twitter and social media for ship like this 711 00:37:43,600 --> 00:37:46,720 Speaker 1: and they're like, excuse me, what the are you all doing? Yeah, anyway, 712 00:37:46,800 --> 00:37:51,040 Speaker 1: ICE has asked for permission to begin routinely destroying eleven 713 00:37:51,120 --> 00:37:55,160 Speaker 1: kinds of records with regard regarding how they treat people, 714 00:37:56,320 --> 00:38:00,680 Speaker 1: especially those related to sexual assaults, solitary confinement, and even 715 00:38:00,840 --> 00:38:04,440 Speaker 1: deaths of people in its custody. They're trying to, you know, 716 00:38:04,920 --> 00:38:07,720 Speaker 1: shrink that window of how long they keep those records. 717 00:38:07,760 --> 00:38:11,120 Speaker 1: That's fucking This is just criminal, you know what I mean? 718 00:38:11,160 --> 00:38:13,800 Speaker 1: And I don't know who the fuck has to I 719 00:38:13,800 --> 00:38:15,680 Speaker 1: don't know do we have to just blight up the 720 00:38:15,680 --> 00:38:18,719 Speaker 1: phone lines, hill or something to get them to do something, 721 00:38:18,719 --> 00:38:21,600 Speaker 1: because who has to answer this is it? Kirsten Nielsen 722 00:38:21,680 --> 00:38:24,680 Speaker 1: at DHS technically becomes Health and Human Services problem because 723 00:38:24,680 --> 00:38:26,280 Speaker 1: they split them up and then Health and Human Services 724 00:38:26,320 --> 00:38:29,160 Speaker 1: takes them. I mean, you don't want to accept that 725 00:38:29,760 --> 00:38:33,319 Speaker 1: this country would treat children like this or be so 726 00:38:33,520 --> 00:38:35,960 Speaker 1: lax in their treatment of children like this that this 727 00:38:36,000 --> 00:38:38,279 Speaker 1: can happen. But at the same time, I believe it 728 00:38:38,520 --> 00:38:41,319 Speaker 1: because we have such a like a stance with with 729 00:38:41,360 --> 00:38:44,520 Speaker 1: immigrants and anyone who is not an American or a 730 00:38:44,520 --> 00:38:46,960 Speaker 1: white American where it's just like kind of like, okay, 731 00:38:47,040 --> 00:38:49,200 Speaker 1: let's they're kind of people, just like we can't even 732 00:38:49,239 --> 00:38:51,719 Speaker 1: help Puerto Ricans who are American people and have give 733 00:38:51,800 --> 00:38:53,799 Speaker 1: them the dignity of like running water and electric I mean, 734 00:38:53,800 --> 00:38:56,680 Speaker 1: how do we expect them to care about immigrant children 735 00:38:56,680 --> 00:38:59,160 Speaker 1: when they don't even want to budge when American children's 736 00:38:59,160 --> 00:39:01,480 Speaker 1: are shot down? In cool? This country just doesn't care 737 00:39:01,480 --> 00:39:03,600 Speaker 1: about kids anymore. You know. We went from kids or 738 00:39:03,640 --> 00:39:07,120 Speaker 1: the future to kids need to just shut up and duck. Yeah. 739 00:39:07,800 --> 00:39:10,279 Speaker 1: I've read a theory once that I think about all 740 00:39:10,320 --> 00:39:13,440 Speaker 1: the time that the reason that American horror movies always 741 00:39:13,440 --> 00:39:16,960 Speaker 1: have like creepy children in them is because that's like 742 00:39:17,000 --> 00:39:20,960 Speaker 1: a thing that we are like subconsciously wrestling with the 743 00:39:21,000 --> 00:39:23,719 Speaker 1: fact that we just treat our children like shit basically, 744 00:39:23,960 --> 00:39:28,239 Speaker 1: And so that's why we find children scary. Oh yeah, 745 00:39:28,320 --> 00:39:31,359 Speaker 1: like that little girl in the hills have eyes right exactly? Hey, 746 00:39:31,560 --> 00:39:39,480 Speaker 1: Mr oh Ship. Yeah wait is this because I'm humanizing? Yeah? 747 00:39:39,520 --> 00:39:43,080 Speaker 1: So in other words, if you find those children scary, 748 00:39:43,120 --> 00:39:46,200 Speaker 1: there's something wrong with you. You need to Well, they're freaky. 749 00:39:46,239 --> 00:39:50,080 Speaker 1: They're meant to look freaky. Jack, all right, And finally 750 00:39:50,360 --> 00:39:54,080 Speaker 1: we have some gun news. Yeah, some more some more 751 00:39:54,120 --> 00:39:56,920 Speaker 1: good news, I guess, well, good news if you're the 752 00:39:57,000 --> 00:39:59,839 Speaker 1: n r A. Because they are nutting their pants, they're 753 00:40:00,000 --> 00:40:04,520 Speaker 1: wrenching their bench as Jack O'Brien once said, because two 754 00:40:04,560 --> 00:40:08,480 Speaker 1: good guys with guns actually stopped a potential mass shooter. Now, 755 00:40:08,760 --> 00:40:11,120 Speaker 1: this man walked into a restaurant, Oklahoma with pistol and 756 00:40:11,160 --> 00:40:12,920 Speaker 1: he opened fire on some of the patrons. He hit 757 00:40:13,000 --> 00:40:15,880 Speaker 1: a mother and a daughter and injured another. But the 758 00:40:15,920 --> 00:40:21,200 Speaker 1: only person who uh life ended was the shooter himself. Now, 759 00:40:21,239 --> 00:40:22,880 Speaker 1: Wayne Lapierre at the n r A, he must have 760 00:40:22,920 --> 00:40:26,480 Speaker 1: given an extra blood offering to Satan or Joe bu 761 00:40:26,600 --> 00:40:30,080 Speaker 1: or whoever it is for this to happen, because now 762 00:40:30,360 --> 00:40:32,960 Speaker 1: that's all they're touting is, oh, so you see what happens. 763 00:40:32,960 --> 00:40:34,720 Speaker 1: You've got two good guys with a gun. They stopped 764 00:40:34,719 --> 00:40:36,960 Speaker 1: the shooter. Now we don't need gun control. And all 765 00:40:37,040 --> 00:40:39,879 Speaker 1: y'all are soy boys. So not to say that the 766 00:40:39,920 --> 00:40:42,120 Speaker 1: acts of these two men isn't heroic at all. I mean, 767 00:40:42,440 --> 00:40:45,000 Speaker 1: we have police who were even at Parkland, who couldn't 768 00:40:45,000 --> 00:40:47,520 Speaker 1: manage to get it together to try and protect somebody. Okay, 769 00:40:47,600 --> 00:40:50,520 Speaker 1: so you can't take that away from these people. But 770 00:40:50,640 --> 00:40:53,839 Speaker 1: I think what is disingenuous is just to sort of 771 00:40:53,960 --> 00:40:56,440 Speaker 1: have your confirmation by has gone wild with this and 772 00:40:56,520 --> 00:40:58,440 Speaker 1: say like, oh, you see, now this proves everything and 773 00:40:58,440 --> 00:41:02,600 Speaker 1: everything else is negated because there has been study after 774 00:41:02,719 --> 00:41:05,239 Speaker 1: study that puts the rest to the myth of the 775 00:41:05,320 --> 00:41:07,799 Speaker 1: good guy with the gun. But I'll just I'll say 776 00:41:07,840 --> 00:41:09,800 Speaker 1: this one stat because the FBI does you know, a 777 00:41:09,880 --> 00:41:12,040 Speaker 1: lot of reports on these kinds of things, and on 778 00:41:12,120 --> 00:41:15,319 Speaker 1: active shooter events. Between two thousand thirteen, only about three 779 00:41:15,360 --> 00:41:18,040 Speaker 1: percent were stopped by a civilian with a gun. Unarmed 780 00:41:18,040 --> 00:41:22,520 Speaker 1: civilians actually stop more incidents about and most of the 781 00:41:22,560 --> 00:41:26,919 Speaker 1: incidents more ended on the shooters initiative, whether that means 782 00:41:26,920 --> 00:41:29,360 Speaker 1: whether they took their own life or simply just stopped 783 00:41:29,440 --> 00:41:31,960 Speaker 1: or flit the scene. Well, I have the scoreboard for you, miles. 784 00:41:31,960 --> 00:41:34,840 Speaker 1: Are you already for the scores the shoots? So the 785 00:41:34,880 --> 00:41:38,400 Speaker 1: current scores for shootings in the US is one hundred 786 00:41:38,480 --> 00:41:41,600 Speaker 1: and one mass shooters, one good guy with gun and 787 00:41:41,760 --> 00:41:44,080 Speaker 1: one good guy without guns. So it seems like the 788 00:41:44,080 --> 00:41:46,480 Speaker 1: good guys with guns are tied with good There were 789 00:41:46,480 --> 00:41:48,879 Speaker 1: two good guys with guns, so I mean, but their 790 00:41:49,080 --> 00:41:52,640 Speaker 1: scores together there were a teams since this was So 791 00:41:52,719 --> 00:41:56,239 Speaker 1: the score is one one one, and it seems like 792 00:41:56,280 --> 00:41:59,200 Speaker 1: mass shootings are up by a hundred. Yeah, exactly. Alright, 793 00:41:59,239 --> 00:42:01,160 Speaker 1: We're gonna take it quick break. We'll be right back 794 00:42:09,640 --> 00:42:13,879 Speaker 1: and we're back. And the big news in the world 795 00:42:13,880 --> 00:42:18,040 Speaker 1: of pop culture is I have e d um no, no, 796 00:42:18,040 --> 00:42:21,399 Speaker 1: no, no no, that's no no, this isn't the edge you're 797 00:42:22,400 --> 00:42:28,879 Speaker 1: uh So, Solo a Star Wars story is right, of course, 798 00:42:29,200 --> 00:42:31,480 Speaker 1: you were just joking. Everybody knows you're joking. And even 799 00:42:31,520 --> 00:42:35,319 Speaker 1: if I did, you know, like it's normal. Uh So, 800 00:42:37,280 --> 00:42:40,960 Speaker 1: our writer Jam McNab put together I don't think I 801 00:42:41,000 --> 00:42:46,440 Speaker 1: should be a shame honestly, and anyway, we're getting off 802 00:42:46,440 --> 00:42:51,720 Speaker 1: back here. Sorry, that's my fault. So he put together 803 00:42:52,360 --> 00:42:54,880 Speaker 1: a bunch of things that were sort of what George 804 00:42:54,960 --> 00:42:57,240 Speaker 1: Lucas wanted to do with the character of Han Solo 805 00:42:57,360 --> 00:43:00,399 Speaker 1: in early drafts of Star Wars and even in early 806 00:43:00,480 --> 00:43:03,280 Speaker 1: drafts of the prequels. So in one of the early 807 00:43:03,360 --> 00:43:06,759 Speaker 1: drafts of Star Wars, uh Han Solo was described as 808 00:43:06,800 --> 00:43:11,680 Speaker 1: a huge, green skinned monster with no nose and large gills. 809 00:43:12,320 --> 00:43:15,280 Speaker 1: And this is this is George Lucas his first thought, 810 00:43:15,440 --> 00:43:18,720 Speaker 1: this is his vision for Solo, and his first line, 811 00:43:18,920 --> 00:43:22,560 Speaker 1: you old star dog took award to get you out here. 812 00:43:23,040 --> 00:43:28,840 Speaker 1: Oh you old star dog, you old star dog. That says, 813 00:43:28,960 --> 00:43:31,680 Speaker 1: the giant green monster with no nose, how can we 814 00:43:31,719 --> 00:43:34,319 Speaker 1: never seen a dog in Star Wars? Right? I don't 815 00:43:34,320 --> 00:43:36,320 Speaker 1: know how to get where did he developed this concept 816 00:43:36,360 --> 00:43:40,279 Speaker 1: of a dog? Right? Okay George Lucas? Um, yeah, but 817 00:43:40,640 --> 00:43:42,919 Speaker 1: it's just funny that, you know. The thing that people 818 00:43:42,920 --> 00:43:46,000 Speaker 1: always say is that Han Solo is like the character 819 00:43:46,080 --> 00:43:48,320 Speaker 1: that you identify with and like want to be because 820 00:43:48,400 --> 00:43:50,759 Speaker 1: lives a little like whiny and like he's the and 821 00:43:51,320 --> 00:43:53,959 Speaker 1: he would have just totally fucked that up. But you're 822 00:43:54,040 --> 00:43:57,520 Speaker 1: making him old crane, no nose, green skin monster. Yeah, 823 00:43:57,600 --> 00:44:02,920 Speaker 1: and this is my homie, Hans Solo. UM, I love you, 824 00:44:03,680 --> 00:44:08,640 Speaker 1: you know. I I think that if you want to 825 00:44:08,680 --> 00:44:12,920 Speaker 1: see George Lucas's vision, like pure and uncut, look at 826 00:44:12,920 --> 00:44:15,759 Speaker 1: the Prequels. But if you want to see like a 827 00:44:15,800 --> 00:44:19,440 Speaker 1: movie that has George Lucas's input and the input of 828 00:44:19,520 --> 00:44:22,640 Speaker 1: a hundred other really talented people, look at The Ridge Trip. 829 00:44:22,880 --> 00:44:30,080 Speaker 1: Because like because like the studio was still had enough 830 00:44:30,080 --> 00:44:32,120 Speaker 1: control at that point and they were like, Jesus is 831 00:44:32,160 --> 00:44:34,960 Speaker 1: gonna be a disaster, and so they made him take notes, 832 00:44:35,080 --> 00:44:37,400 Speaker 1: they made him work with all the other artists that 833 00:44:37,440 --> 00:44:40,239 Speaker 1: were working on the movie, and he didn't get to 834 00:44:40,480 --> 00:44:42,640 Speaker 1: just do whatever the funk he wanted to. Yeah, his 835 00:44:42,800 --> 00:44:45,920 Speaker 1: wife was a big part of it. The guardrails basically 836 00:44:45,960 --> 00:44:48,000 Speaker 1: they kept the thing on the road. Yeah, so there 837 00:44:48,040 --> 00:44:51,799 Speaker 1: were people who were like, yo, Han Solo should not 838 00:44:51,880 --> 00:44:54,600 Speaker 1: be jar jar binks, like Han Solo should be a 839 00:44:54,640 --> 00:45:02,040 Speaker 1: fucking cool dude exactly exactly my green skin No nos guy. Right. 840 00:45:02,640 --> 00:45:05,759 Speaker 1: Once they decided to make him human, his first description 841 00:45:05,800 --> 00:45:10,239 Speaker 1: of him barely bearded but ruggedly handsome, So clearly he 842 00:45:10,320 --> 00:45:13,480 Speaker 1: was describing what he thought of himself. Yeah, he's like 843 00:45:13,520 --> 00:45:16,719 Speaker 1: with like a totally tight neck throat area, not like 844 00:45:16,760 --> 00:45:21,160 Speaker 1: a gross double chin. That's a weird description. Strong chin. 845 00:45:21,480 --> 00:45:23,719 Speaker 1: He's not growing his beard because he doesn't have one. 846 00:45:23,840 --> 00:45:28,000 Speaker 1: He he has one, uh, but weirdly, he was checked 847 00:45:28,080 --> 00:45:31,040 Speaker 1: up with a female Boma who looked like a cross 848 00:45:31,120 --> 00:45:35,080 Speaker 1: between a brown bear and a guinea pig. That's who 849 00:45:35,120 --> 00:45:36,960 Speaker 1: he was. That was supposed to be the Chewbacca or 850 00:45:37,000 --> 00:45:40,320 Speaker 1: there was also Chewbacca. No, that's who he was sleeping with. Oh, 851 00:45:40,360 --> 00:45:45,640 Speaker 1: he had a sexual relationship with a Chewbacca like alien. Wow, Okay, 852 00:45:45,840 --> 00:45:48,160 Speaker 1: I think I think we discovered that George Lucas is 853 00:45:48,200 --> 00:45:52,840 Speaker 1: a furry before. Can you imagine the original script that like, 854 00:45:52,920 --> 00:45:56,120 Speaker 1: no one's ever Seen is just a weird alien king film. 855 00:45:56,200 --> 00:45:58,640 Speaker 1: He was like, yeah, and then they yiftft all night. 856 00:45:59,360 --> 00:46:07,319 Speaker 1: That's that. Oh it's where Sligo goes in the okay, George, Yeah, yeah. 857 00:46:07,360 --> 00:46:10,440 Speaker 1: He had some really weird ideas about this character. Lucas 858 00:46:10,440 --> 00:46:13,760 Speaker 1: told one of the writers, Leonard Rips, that Han Solo 859 00:46:13,880 --> 00:46:16,560 Speaker 1: was secretly married to a Wookie, but they couldn't actually 860 00:46:16,560 --> 00:46:22,160 Speaker 1: say that because it would be controversial. Yeah, Like I 861 00:46:22,200 --> 00:46:24,640 Speaker 1: even tell the guys, like, you know, my my idea 862 00:46:24,760 --> 00:46:27,520 Speaker 1: was Solo is that he actually he's with a whookie. 863 00:46:27,800 --> 00:46:30,520 Speaker 1: Keep that on the low, Okay, So I don't need 864 00:46:30,560 --> 00:46:36,120 Speaker 1: to know that. I just now, no, no, can you 865 00:46:36,120 --> 00:46:39,960 Speaker 1: give me ride? Um. And then in the prequels, when 866 00:46:40,000 --> 00:46:42,879 Speaker 1: he actually like could do whatever he wanted, he had 867 00:46:42,920 --> 00:46:45,799 Speaker 1: a whole storyline written that they just didn't get to 868 00:46:45,960 --> 00:46:49,560 Speaker 1: shooting because it was like this sprawling thing already, but 869 00:46:49,800 --> 00:46:52,520 Speaker 1: they were gonna meet child Han Solo and he was 870 00:46:52,560 --> 00:46:56,480 Speaker 1: going to be raised by Chewbacca, which would mean that 871 00:46:56,520 --> 00:46:59,000 Speaker 1: the original trilogy is all about Han Solo just hang 872 00:46:59,040 --> 00:47:02,239 Speaker 1: out with his like Ed has adopted five, which is 873 00:47:02,280 --> 00:47:06,080 Speaker 1: kind of weird or like kind of punks around. He's like, yeah, well, 874 00:47:06,080 --> 00:47:09,160 Speaker 1: my Stepdad is my subordinate. Now. It just demonstrates like 875 00:47:09,280 --> 00:47:13,359 Speaker 1: how George Lucas is totally out of touch with what 876 00:47:13,480 --> 00:47:17,200 Speaker 1: questions the audience wanted answered. Like in the prequels, he's like, 877 00:47:17,400 --> 00:47:20,759 Speaker 1: all right, so how does he understand? Chewy? He has 878 00:47:20,800 --> 00:47:23,879 Speaker 1: to be raised by him? So we'll go to keshik right, 879 00:47:24,520 --> 00:47:27,200 Speaker 1: three jedies deep and uh yeah, they will be he 880 00:47:27,239 --> 00:47:30,640 Speaker 1: will be raised by How does the force work? Scientifically? 881 00:47:30,719 --> 00:47:34,279 Speaker 1: What is it called the chemical in your blood? Everybody 882 00:47:34,320 --> 00:47:36,919 Speaker 1: needs to know that this ten year old human boy 883 00:47:37,040 --> 00:47:41,440 Speaker 1: was raised by bear monsters. That's what they want. Um 884 00:47:41,480 --> 00:47:44,560 Speaker 1: apparently in the new movie. Uh, I don't know if 885 00:47:44,600 --> 00:47:46,640 Speaker 1: we should. This isn't really a spoiler. This is just 886 00:47:47,239 --> 00:47:50,360 Speaker 1: it'll spoil one of the worst things for you, I guess. Okay, 887 00:47:50,360 --> 00:47:53,000 Speaker 1: So if you this is a very diet light spoiler. 888 00:47:53,000 --> 00:47:55,200 Speaker 1: But if you're really trying to go into Virgin ears 889 00:47:55,200 --> 00:48:00,719 Speaker 1: and eyes, skip now. Han surname Solo is just given 890 00:48:00,760 --> 00:48:04,080 Speaker 1: to him by the Empire's customs guy because he's alone. 891 00:48:04,520 --> 00:48:08,319 Speaker 1: So that's your spoiler. Sounds kind of stupid, but I 892 00:48:08,400 --> 00:48:11,200 Speaker 1: heard the movies solid I'm gonna well, yeah, I'm gonna 893 00:48:11,200 --> 00:48:14,400 Speaker 1: despite all the hiccups, though had me a little shook 894 00:48:14,520 --> 00:48:17,200 Speaker 1: along the way where I was like, oh, because only 895 00:48:17,239 --> 00:48:19,840 Speaker 1: the best movies have nine directors and bunch of reshoots. 896 00:48:20,719 --> 00:48:24,600 Speaker 1: So ye s So usually it's a bad time when 897 00:48:24,640 --> 00:48:27,680 Speaker 1: there's like forty different writers on a movie. But like 898 00:48:27,800 --> 00:48:32,320 Speaker 1: you usually keep one director. When you get directors and writers, 899 00:48:32,360 --> 00:48:34,680 Speaker 1: that's yeah, that's you're in the danger zone. Yeah, but 900 00:48:34,719 --> 00:48:38,960 Speaker 1: apparently they pulled it off decently. I'm excited for it. 901 00:48:39,960 --> 00:48:41,480 Speaker 1: Are you excited for it? If you Yeah, I have 902 00:48:41,560 --> 00:48:43,719 Speaker 1: to watch it for Nerdifficent. Well you don't have to 903 00:48:43,719 --> 00:48:46,480 Speaker 1: watch it for that's the only reason watch. I've gotten 904 00:48:46,560 --> 00:48:50,440 Speaker 1: to U two updates about having to watch it for 905 00:48:50,480 --> 00:48:53,160 Speaker 1: Nerdifficent and has been keeping me in the loop. Super 906 00:48:53,160 --> 00:48:57,040 Speaker 1: producer Hannah super du super du. So, Yeah, I'm gonna 907 00:48:57,040 --> 00:48:58,839 Speaker 1: make sure I watch that tonight. Are do you do 908 00:48:58,840 --> 00:49:02,279 Speaker 1: you funk? With Han Solo as character? I think I 909 00:49:02,320 --> 00:49:04,799 Speaker 1: love Donald Glover. That's enough to get me. Yeah, that's 910 00:49:05,200 --> 00:49:06,719 Speaker 1: I want to see him get down with a drug. 911 00:49:06,760 --> 00:49:08,160 Speaker 1: I need him to get these points. You know he 912 00:49:08,239 --> 00:49:10,680 Speaker 1: got points on the back end. Oh yes, Well, he's 913 00:49:10,719 --> 00:49:12,080 Speaker 1: like he's gonna have his own spin off too, right, 914 00:49:12,200 --> 00:49:13,719 Speaker 1: isn't the next one? Oh? Yeah, I can't wait to 915 00:49:14,600 --> 00:49:18,120 Speaker 1: play his cousin and something like, Yo, Lando, we're gonna 916 00:49:18,200 --> 00:49:21,480 Speaker 1: come down by don't come down here, you know I'm 917 00:49:21,520 --> 00:49:24,520 Speaker 1: down by the space by you. Yes, somehow become real, 918 00:49:24,640 --> 00:49:27,719 Speaker 1: wildly problematic. You don't dying about a spape by you? 919 00:49:27,719 --> 00:49:29,960 Speaker 1: You know, I got you know you only I only 920 00:49:30,000 --> 00:49:34,160 Speaker 1: mess with the with the watch women's you know when women, 921 00:49:34,280 --> 00:49:37,800 Speaker 1: you know, just like what happened happened, they're like Louisiana 922 00:49:37,920 --> 00:49:42,040 Speaker 1: exists in the stars. Ain't coming down to buy you. 923 00:49:42,040 --> 00:49:43,560 Speaker 1: You don't know what you I'm trying to buy me 924 00:49:43,680 --> 00:49:46,160 Speaker 1: my own little princess lair. You know she ain't around, Yeah, 925 00:49:46,200 --> 00:49:50,439 Speaker 1: but I feel like she's gonna come. Don't burn that, Okrah. 926 00:49:50,719 --> 00:49:56,160 Speaker 1: It's just like Louisiana just written on about exterior loop 927 00:49:56,320 --> 00:50:03,319 Speaker 1: by you, um Jerome Calarisians on the porch. Oh yeah, 928 00:50:03,400 --> 00:50:06,319 Speaker 1: you know what. I've been waiting for Lando to stop by. Yeah. 929 00:50:06,360 --> 00:50:09,759 Speaker 1: It's like Lando's family reunion. That's the the movie Oh 930 00:50:09,800 --> 00:50:13,240 Speaker 1: You're too good? Huh in that class city. Okay, Lando's 931 00:50:13,320 --> 00:50:16,440 Speaker 1: family reunion and like Donald Glover will wear a dress 932 00:50:16,440 --> 00:50:20,640 Speaker 1: and be like the matriarch of the family. Don't let 933 00:50:20,680 --> 00:50:24,080 Speaker 1: me get my blasts are out my purse. Oh my goodness. Yeah. 934 00:50:24,080 --> 00:50:26,960 Speaker 1: I wonder if they will ever have the guts to 935 00:50:27,040 --> 00:50:31,600 Speaker 1: make a Star Wars movie that is like a different 936 00:50:31,680 --> 00:50:34,799 Speaker 1: genre almost because it feels like all of them have 937 00:50:35,000 --> 00:50:37,279 Speaker 1: kind of taken place and felt like they take place 938 00:50:37,320 --> 00:50:42,239 Speaker 1: in the same universe. Um, Marvel Cinematic Universe had the 939 00:50:42,280 --> 00:50:47,160 Speaker 1: balls to make the Thor Ragnarok, which is almost a 940 00:50:47,200 --> 00:50:50,040 Speaker 1: straight up comedy, but I mean they still pull off 941 00:50:50,080 --> 00:50:52,719 Speaker 1: all the visuals throw a rag update. By the way, 942 00:50:52,760 --> 00:50:55,279 Speaker 1: lots of people from nerdess Sins still haven't seen it. 943 00:50:55,880 --> 00:50:58,440 Speaker 1: I tried searching it. It's I have to wait till 944 00:50:58,440 --> 00:51:00,279 Speaker 1: it comes out on Netflix. I think I'm just buy 945 00:51:00,320 --> 00:51:03,560 Speaker 1: it on Voodoo so that people can Maybe I'll gifted 946 00:51:03,600 --> 00:51:06,520 Speaker 1: to you on iTunes if you do that, because thank you. 947 00:51:06,640 --> 00:51:08,399 Speaker 1: As I was moving, I stumbled upon a fifty dollar 948 00:51:08,520 --> 00:51:10,600 Speaker 1: iTunes that I didn't know I had, So that's like 949 00:51:10,680 --> 00:51:13,319 Speaker 1: free money, so that what I gain is your game two. 950 00:51:13,480 --> 00:51:16,480 Speaker 1: Thank you. One thing though, I will say, I remember 951 00:51:16,520 --> 00:51:18,239 Speaker 1: initially when they were talking about Solo, They're like, this 952 00:51:18,280 --> 00:51:20,800 Speaker 1: is more like a gangster flick. Gangster flick is a 953 00:51:20,840 --> 00:51:23,080 Speaker 1: gangster flick. It's not It's a it's a gangster flick 954 00:51:23,200 --> 00:51:24,920 Speaker 1: that takes place in the Star Wars universe. Now, I 955 00:51:25,040 --> 00:51:27,400 Speaker 1: stay away from all reviews and like any kind of 956 00:51:27,440 --> 00:51:30,360 Speaker 1: information on Star Wars films. So I think that was 957 00:51:30,400 --> 00:51:31,680 Speaker 1: the last thing they said about it. I could be 958 00:51:31,680 --> 00:51:34,560 Speaker 1: totally off. That could have been five directors exactly right, 959 00:51:35,040 --> 00:51:37,440 Speaker 1: So now it could just be like a big you know, 960 00:51:37,680 --> 00:51:39,799 Speaker 1: it's a small world after all, kind of yeah. I mean, 961 00:51:39,920 --> 00:51:42,759 Speaker 1: Lord and Miller were originally the directors, and those are 962 00:51:42,760 --> 00:51:44,799 Speaker 1: the guys who made you know, Cloudy with a Chance 963 00:51:44,800 --> 00:51:48,640 Speaker 1: of Meatballs and uh, you know the Lego movie and 964 00:51:48,800 --> 00:51:52,640 Speaker 1: gangster flicks. Yeah, exactly. But so I was assuming. I 965 00:51:52,680 --> 00:51:55,000 Speaker 1: was excited about that because I mean that that seemed 966 00:51:55,080 --> 00:51:57,680 Speaker 1: like a weird new direction for them to take with 967 00:51:57,719 --> 00:52:01,480 Speaker 1: the universe. And then apparently they their eyes were bigger 968 00:52:01,480 --> 00:52:04,319 Speaker 1: than their stomachs when it came to how their appetite 969 00:52:04,360 --> 00:52:09,799 Speaker 1: for risk and one was dark. I don't like genre wise, 970 00:52:09,840 --> 00:52:12,160 Speaker 1: it was really genre Benny, But it was like totally 971 00:52:12,200 --> 00:52:15,120 Speaker 1: I was like, oh, okay, let them know that lives 972 00:52:15,160 --> 00:52:19,000 Speaker 1: were lost in these Star Wars for real. All right, 973 00:52:19,360 --> 00:52:21,279 Speaker 1: you guys know what time it is. It's Friday. That 974 00:52:21,320 --> 00:52:25,440 Speaker 1: means it is time for Bloyd Wah. So not a 975 00:52:25,440 --> 00:52:27,719 Speaker 1: whole lot going on this week. There's a lot of 976 00:52:28,320 --> 00:52:31,120 Speaker 1: royal recapping going on. It must be a good week 977 00:52:31,160 --> 00:52:32,640 Speaker 1: to write on these magazines because you could be like 978 00:52:32,680 --> 00:52:34,840 Speaker 1: well to do recaps, were never write anything. It'll be 979 00:52:34,840 --> 00:52:38,279 Speaker 1: a special collector's edition. Um Star got a little bit 980 00:52:38,800 --> 00:52:43,520 Speaker 1: messy and their cover is thirty most Hated TV Hosts. 981 00:52:43,920 --> 00:52:48,120 Speaker 1: And however you have Kelly RiPP a phony backstabber, Megan 982 00:52:48,280 --> 00:52:52,880 Speaker 1: Kelly at war with Savannah and Hoodah Bill, Maher Biggott 983 00:52:53,000 --> 00:53:00,720 Speaker 1: and sex fiend. But I mean, yeah, I'm totally discover 984 00:53:00,920 --> 00:53:06,040 Speaker 1: with Superhead to me or black. But once you get 985 00:53:06,080 --> 00:53:09,000 Speaker 1: into the article, it really comes off as more like 986 00:53:09,040 --> 00:53:12,920 Speaker 1: Trump's burn book. Let's see Megan Kelly, but she had 987 00:53:12,960 --> 00:53:17,560 Speaker 1: something to say about Yeah, Hannity isn't there. But Rosie O'Donnell, 988 00:53:18,400 --> 00:53:23,000 Speaker 1: Rosie O'Donnell hasn't been a TV host for like years? 989 00:53:23,040 --> 00:53:26,040 Speaker 1: What the funk? Yeah? No, man, that's because they checked 990 00:53:26,040 --> 00:53:28,480 Speaker 1: with Trump on that ship. Then is Jerry Springer on there, 991 00:53:30,800 --> 00:53:35,360 Speaker 1: Barack Obama and whatever it's gonna be like, or and 992 00:53:35,400 --> 00:53:38,400 Speaker 1: there's like Sally Yates like the a g wait, what 993 00:53:38,640 --> 00:53:41,600 Speaker 1: she not even on the TV. It's becoming really transparent. 994 00:53:41,640 --> 00:53:46,239 Speaker 1: Speaking of the Obama thing, they had Letterman on their Letterman. Yeah, 995 00:53:46,440 --> 00:53:50,040 Speaker 1: so it's just like, yeah, the people hate Letterman again. 996 00:53:50,320 --> 00:53:52,960 Speaker 1: We say this all the time. But David Pecker, the 997 00:53:53,000 --> 00:53:56,160 Speaker 1: Trump's tablet god, is Trump's holm me. So I'm sure 998 00:53:56,560 --> 00:53:58,200 Speaker 1: you had a little input or at this point, I 999 00:53:58,200 --> 00:54:00,719 Speaker 1: think they just know how to write him because they wait, 1000 00:54:00,760 --> 00:54:03,880 Speaker 1: if you said anything hot about the Donald, then you 1001 00:54:03,920 --> 00:54:07,360 Speaker 1: will be listed. Yeah, because I'm pretty sure you couldn't 1002 00:54:07,360 --> 00:54:09,879 Speaker 1: have an objective list about most TV most hated TV 1003 00:54:09,960 --> 00:54:14,600 Speaker 1: hosts and not mentioned Kathie Lee. Yeah. Uh. And then 1004 00:54:14,640 --> 00:54:22,160 Speaker 1: the National enquire the cover shout Toda fired, thank you, 1005 00:54:22,480 --> 00:54:26,279 Speaker 1: the secret plot that will cost anchor her job revealed, 1006 00:54:26,760 --> 00:54:31,759 Speaker 1: but she hasn't been fired, so uh. If as always, 1007 00:54:31,800 --> 00:54:35,720 Speaker 1: it's been a pleasure having you. Where can people find you? 1008 00:54:35,719 --> 00:54:37,839 Speaker 1: You know you can find me on Twitter, Instagram, if 1009 00:54:37,840 --> 00:54:40,320 Speaker 1: you why the way, I f y n W I 1010 00:54:40,400 --> 00:54:43,440 Speaker 1: D I w E twitch at if d's you know, 1011 00:54:43,600 --> 00:54:46,879 Speaker 1: been real conflicted playing Conan Exiles because it's a real 1012 00:54:46,920 --> 00:54:51,759 Speaker 1: fun survival game. You can capture slaves, and I've only 1013 00:54:51,760 --> 00:54:54,480 Speaker 1: been capturing white slaves. That's my only rule, as you 1014 00:54:54,640 --> 00:54:58,560 Speaker 1: only only white slaves in my camp. Yeah, whoa interesting 1015 00:54:58,800 --> 00:55:02,239 Speaker 1: capturing slaves and the wick with its type it's called 1016 00:55:02,280 --> 00:55:05,680 Speaker 1: like it's kind of like do you remember rust. H Well, 1017 00:55:05,719 --> 00:55:07,719 Speaker 1: it's like it's a comvival game. Yeah, it's like a 1018 00:55:07,800 --> 00:55:10,680 Speaker 1: survival game where like you you can like build, you 1019 00:55:10,719 --> 00:55:13,080 Speaker 1: can find resources and you can make like a base 1020 00:55:13,360 --> 00:55:17,920 Speaker 1: home carpentry and technically you don't have to capture slaves. 1021 00:55:17,920 --> 00:55:20,080 Speaker 1: Just speeds up the process. Of course I'm gonna do it. 1022 00:55:21,200 --> 00:55:23,120 Speaker 1: I like the lesson there. Now you could do it 1023 00:55:23,160 --> 00:55:27,799 Speaker 1: all yourself. But if you force these people into you 1024 00:55:27,800 --> 00:55:30,759 Speaker 1: can get that ship, you know, and they say, we 1025 00:55:30,800 --> 00:55:33,320 Speaker 1: didn't build this, but it takes yeah, it takes place 1026 00:55:33,360 --> 00:55:36,120 Speaker 1: in the Conan universe. So it's like, so that's why 1027 00:55:36,120 --> 00:55:40,359 Speaker 1: it's like like that ex pope in their masturbating bear. No, no, no, no, 1028 00:55:40,440 --> 00:55:46,680 Speaker 1: not that preparation, oh Coonan. But but they call them thralls. 1029 00:55:46,800 --> 00:55:48,480 Speaker 1: I like that. They're like, we're not going to call 1030 00:55:48,520 --> 00:55:50,600 Speaker 1: them slaves. I'm like, I get that, but still because 1031 00:55:50,600 --> 00:55:54,920 Speaker 1: they're so enthralled with their situation. See, guys, they like it. 1032 00:55:54,960 --> 00:55:58,239 Speaker 1: They're happy. Speaking of who built this country? Did you 1033 00:55:58,320 --> 00:56:00,640 Speaker 1: all get a chance to talk about the National the souses. 1034 00:56:01,040 --> 00:56:04,560 Speaker 1: Uh Hamilton's tweet, No note, we don't even we don't 1035 00:56:04,560 --> 00:56:06,880 Speaker 1: even give that guy in here. Yeah, oh man, I 1036 00:56:06,920 --> 00:56:10,800 Speaker 1: told him to hisself down there, you know, get a 1037 00:56:11,280 --> 00:56:14,440 Speaker 1: you know, good old pun. There the funk out of here, 1038 00:56:14,480 --> 00:56:16,440 Speaker 1: you know. Just iff he thinks I'll see you'all on Twitter. 1039 00:56:17,120 --> 00:56:20,000 Speaker 1: Just diffy stuff. Miles, where can people find you? Find 1040 00:56:20,000 --> 00:56:23,200 Speaker 1: me on Twitter and Instagram at Miles of Gray and 1041 00:56:23,440 --> 00:56:26,400 Speaker 1: Guys on Monday, who will be answering some of the 1042 00:56:26,480 --> 00:56:28,840 Speaker 1: questions you submitted to us, So stick around for that 1043 00:56:29,040 --> 00:56:32,400 Speaker 1: to day. Yeah, just a little behind the scenes, just 1044 00:56:32,640 --> 00:56:36,640 Speaker 1: Miles and Jack episode where we answer some of your questions, 1045 00:56:37,080 --> 00:56:40,280 Speaker 1: talk about us, talk about us. Take behind the scenes, 1046 00:56:41,440 --> 00:56:44,799 Speaker 1: all right. You can find me at Jack Underscore O'Brien 1047 00:56:45,000 --> 00:56:47,680 Speaker 1: on Twitter. You can find us at Daily Z Guys 1048 00:56:47,760 --> 00:56:50,040 Speaker 1: on Twitter. We're at the Daily Z Guys on Instagram. 1049 00:56:50,040 --> 00:56:53,279 Speaker 1: We have Facebook fan page and a website daily dot 1050 00:56:53,280 --> 00:56:56,440 Speaker 1: Com where we post our episodes and our foot to 1051 00:56:56,600 --> 00:57:01,760 Speaker 1: the information that was in the episode today, Uh the sources, 1052 00:57:01,960 --> 00:57:04,960 Speaker 1: and we also link off to the song that we 1053 00:57:05,080 --> 00:57:07,480 Speaker 1: ride out on. Miles. What are we gonna ride out 1054 00:57:07,480 --> 00:57:12,040 Speaker 1: on this week? Wow? Let me think? Uh, I want 1055 00:57:12,080 --> 00:57:14,360 Speaker 1: to kick the weekend off, right, This is gonna be 1056 00:57:14,360 --> 00:57:18,000 Speaker 1: a good weekend. So let's do a track this week 1057 00:57:18,440 --> 00:57:21,240 Speaker 1: for Friday, We'll do Tears to forty five mixed by 1058 00:57:21,280 --> 00:57:23,919 Speaker 1: the l Michael's Affair. Now, this is a guy who 1059 00:57:23,960 --> 00:57:26,920 Speaker 1: basically like flipped a lot of sampled music from Isaac 1060 00:57:26,920 --> 00:57:29,480 Speaker 1: Hayes or like Wu Tang songs and put them together 1061 00:57:29,520 --> 00:57:32,600 Speaker 1: with bands. I've played tracks like this before, but this 1062 00:57:32,680 --> 00:57:34,760 Speaker 1: is like of a I believe a League Fields track 1063 00:57:34,880 --> 00:57:38,480 Speaker 1: that uh yeah, after the laughter our tears. So this 1064 00:57:38,560 --> 00:57:41,600 Speaker 1: is Tears forty five mix. You might recognize some of 1065 00:57:41,600 --> 00:57:44,600 Speaker 1: the sounds in there because they have this sampled. Yeah, 1066 00:57:44,920 --> 00:57:48,000 Speaker 1: take that into your weekend, alright, and we're gonna write 1067 00:57:48,000 --> 00:57:51,520 Speaker 1: out on that. We will be back on Tuesday with 1068 00:57:51,760 --> 00:57:54,600 Speaker 1: another episode of The Daily Zeitgeist and a special episode 1069 00:57:54,640 --> 00:57:56,520 Speaker 1: for you guys. On Monday, we will talk to you 1070 00:57:56,560 --> 00:58:02,040 Speaker 1: guys in have a good long weekend. By Spory Hafter 1071 00:58:03,960 --> 00:58:43,800 Speaker 1: Lofter comes see after Love to comes to after Laughter 1072 00:58:45,120 --> 00:59:31,360 Speaker 1: comes se Hafter Lefter comes, m h The Bull, the Bull, 1073 00:59:35,680 --> 01:00:02,920 Speaker 1: the Bull, the O. I would not come on a 1074 01:00:03,120 --> 01:00:14,400 Speaker 1: home to t I to be