WEBVTT - The Spirited Actor - Rayan Lawrence (4/30/2024)

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<v Speaker 1>Hello, and welcome to the Spirited Actor Podcast with me

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<v Speaker 1>Tracy Moore. I was a casting director for film and

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<v Speaker 1>TV and commercials for over thirty years. I transitioned to

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<v Speaker 1>a celebrity acting coach after I cast a film New

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<v Speaker 1>Jersey Drive with executive producer Spike Lee and director Nick Domez.

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<v Speaker 1>I auditioned every rapper from biggiees Balls to Tupac, and

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<v Speaker 1>I realized that rappers and musical artists they needed help

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<v Speaker 1>transitioning to acting. My clients consist of musical artists from

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<v Speaker 1>Buster Rhymes to Eve, Missy Elliott, Angela Yee from The

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<v Speaker 1>Breakfast Club, and Vanessa Simmons, to name a few. I

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<v Speaker 1>also coach sports stars and host as well. I feel

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<v Speaker 1>I have the best of both worlds. As a casting director,

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<v Speaker 1>I know exactly what they're looking for, and as an

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<v Speaker 1>acting coach, I can coach you to be remembered in

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<v Speaker 1>that room. Now I know, I know actors want to

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<v Speaker 1>get the job. I get that, but being remembered by

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<v Speaker 1>casting director that is powerful. And now it's time for

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<v Speaker 1>meditation of the day. It is not worth the while

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<v Speaker 1>to let our imperfections disturb us. Always Henry Threau. Once

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<v Speaker 1>you truly embrace the truth that we are a work

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<v Speaker 1>in progress. Things will ease off, You'll relax a little more,

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<v Speaker 1>and it'll take the pressure off of you. We are

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<v Speaker 1>not perfect, and our imperfections really inspire us to be

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<v Speaker 1>better people. We can always make a choice to be better,

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<v Speaker 1>love more, judge less, and know that it's all going

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<v Speaker 1>to work out for the.

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<v Speaker 2>Best in the end.

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<v Speaker 1>Today I will celebrate everything in my life. Before we

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<v Speaker 1>get started, I'd like to remind everyone to look out

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<v Speaker 1>for my new show, Inside the Black Box. I'll be

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<v Speaker 1>co hosting with the great Joe Morton. We'll be on

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<v Speaker 1>Crackle Network real soon. I'll keep you posted. Welcome to

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<v Speaker 1>the Spirited Actor Podcast with me Tracy Moore. I am

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<v Speaker 1>so thrilled to have our guest on today because I

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<v Speaker 1>love when I get a chance to really have a

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<v Speaker 1>conversation with a solid actor, and this guest is so

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<v Speaker 1>solid for me, and I feel like the timing is

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<v Speaker 1>impeccable because now the sun is coming out, we can photosynthesize,

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<v Speaker 1>we can be smiling now and we're comors.

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<v Speaker 2>Oh, this is perfect to bring him off.

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<v Speaker 1>Ladies and gentlemen, please please put your hands together for

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<v Speaker 1>actor extraordinaire, mister Rayon Lauren.

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<v Speaker 3>Thank you so much, Tracy, thank you so much. Thank you.

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<v Speaker 2>You're welcome. I'm excited for you to be here as well.

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<v Speaker 1>When I was, excuse me, looking at the IMDb dot com,

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<v Speaker 1>which I tell all actors they know where to go,

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<v Speaker 1>so barbershop too, I coached Eve and when I read

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<v Speaker 1>your credit, I was like he had to beat by.

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<v Speaker 1>How were you but Barbershop one, I was on the

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<v Speaker 1>whole set in winter Chicago.

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<v Speaker 2>Barbershop two.

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<v Speaker 1>I only needed to be there two weeks, so I

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<v Speaker 1>don't you know, that's when I was there. But that

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<v Speaker 1>was a common denominator between us.

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<v Speaker 3>Oh, barbershop, barber shops. Fun, great cast, yes.

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<v Speaker 2>Bigger though that the one you did was a huge cast.

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<v Speaker 3>And I was able to actually be there with everybody.

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<v Speaker 3>You know that that was the fun part. Everybody, you know,

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<v Speaker 3>Quh Michael, like Nicki.

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<v Speaker 4>Minaj, everybody when I was there, So that was cool

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<v Speaker 4>to be amongst them, and nobody was Hollywood.

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<v Speaker 3>Everybody was cool. You know, we feel like we're all

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<v Speaker 3>you know, we're all.

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<v Speaker 4>At that level, you know, And it was Yeah, we

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<v Speaker 4>had so much fun, me especially me, JB and and

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<v Speaker 4>Cedric would be making jokes.

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<v Speaker 2>Cedric you yeah, let me tell you, Cedric, Cedric is crazy.

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<v Speaker 5>We all know that.

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<v Speaker 2>But Barbershop won during the takes, Like there was a

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<v Speaker 2>scene where it was all of us.

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<v Speaker 1>It was Eve, ice ice Q, Cedric, Michael Ely, Sean

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<v Speaker 1>Patrick and we were all like.

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<v Speaker 2>Just talking in the barbershop. And so when it was

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<v Speaker 2>when ice Cube would speak, Cedric would lead.

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<v Speaker 6>Because I had ears on the set, he would lead

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<v Speaker 6>it to even be like you know better abuse.

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<v Speaker 7>It was a crazy like yo e.

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<v Speaker 1>Her biting a hole in her bottom lip like and

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<v Speaker 1>then Tim would say cut and he would be like, Tedrick,

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<v Speaker 1>I'm not playing with you.

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<v Speaker 2>Taker. He was like, oh Whatgital, but I want to.

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<v Speaker 1>We had the board, We have the the a D

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<v Speaker 1>board right on the set and so he would walk

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<v Speaker 1>over here. One day he tried to give us a

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<v Speaker 1>lesson in architect like it was he just did the

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<v Speaker 1>most random supit stuff, but he messed with it.

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<v Speaker 2>It was so much fun.

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<v Speaker 3>He's great energy on set energy yeah he does, he does.

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<v Speaker 2>And we had night shoots.

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<v Speaker 1>So I decided that I wanted to title this the

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<v Speaker 1>Journey of an Actor because of like the credits that

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<v Speaker 1>I've read. Specifically, I love seeing actors resume when they've

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<v Speaker 1>done a lot of New York shows, and so that

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<v Speaker 1>just tells me as a casting director that that the

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<v Speaker 1>New York casting world is very familiar with you, and

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<v Speaker 1>you know, because we talk among ourselves, we.

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<v Speaker 2>Share people and all that others. So I just want

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<v Speaker 2>to start at the beginning.

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<v Speaker 1>Let's talk about your journey, like why did you choose

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<v Speaker 1>acting or did acting choose you?

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<v Speaker 3>Ah, that's that's that's a good. That's a good. Uh,

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<v Speaker 3>that's good. I would say acting chose me.

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<v Speaker 4>But I'm gonna tell you how growing up I would

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<v Speaker 4>I would get, you know, different people that would say, hey,

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<v Speaker 4>you know you have that look. You hit that you

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<v Speaker 4>know people, you got that look. So one time I

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<v Speaker 4>was I was bored. I wasn't working at the time.

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<v Speaker 3>I was just going to school, and I was like,

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<v Speaker 3>you know what, I'm hearing people say, you got this look?

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<v Speaker 3>Let me let me go and take some headshots somewhere.

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<v Speaker 4>So in New York Kings Pause, I went to King Swash, Yeah,

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<v Speaker 4>at that little portrait place that they do pictures, and

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<v Speaker 4>I looking at the news and say, you know, I've

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<v Speaker 4>been in the game for a minute looking at that,

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<v Speaker 4>and there was a casting that was looking for actors

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<v Speaker 4>and models, and I was like, Okay, let me these

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<v Speaker 4>pictures that I got from King Saws.

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<v Speaker 3>Let me send it to him. I send it to him.

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<v Speaker 3>They bring me in and say, hey, you know, you know,

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<v Speaker 3>we love you, love your shots.

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<v Speaker 4>We want to work with you. My very first audition

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<v Speaker 4>was for ESPN commercial call Take the Field, and I

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<v Speaker 4>booked it very first audition. So now I'm doing you know,

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<v Speaker 4>now auditioning for auditioning and I'm doing model at the

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<v Speaker 4>same time, both together, and I just.

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<v Speaker 3>Acting was more rewarding.

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<v Speaker 4>You know, you're sitting now, you learn the craft uh modeling,

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<v Speaker 4>You're there for hours in your you get you know, honestly,

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<v Speaker 4>you're bored.

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<v Speaker 3>You did probably four hours doing.

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<v Speaker 4>Nothing at least when you want set acting, you're there

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<v Speaker 4>for four us. But you're studying your lines, you know.

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<v Speaker 4>So I think that was more of a thing for me.

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<v Speaker 4>Is just you know, an intellect. It's just really learning

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<v Speaker 4>and really understanding what these characters about. I think that's

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<v Speaker 4>what was the intriguing part of it. This one time

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<v Speaker 4>earlier in my career, I was actually working with I

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<v Speaker 4>forget the name, right now of just talking about it today.

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<v Speaker 3>Uh, who's the Top Modeling again? What's his name?

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<v Speaker 1>Black Top Model's month yestor's.

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<v Speaker 3>Mother early in my career and.

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<v Speaker 4>Yeah, yeah, she was like, Ray, I'm going to send

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<v Speaker 4>you on these three auditions if you don't cut your

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<v Speaker 4>beer because at the time I had a goatee and

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<v Speaker 4>you know.

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<v Speaker 3>Not do commercial modeling. They want yeah clean, And I

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<v Speaker 3>was like, I don't want to cut it. I like

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<v Speaker 3>how I looked at them.

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<v Speaker 4>Anyway, she sent me the three audition I still ain't

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<v Speaker 4>cut my beer. Yeah, at that time, you're not even

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<v Speaker 4>as an actor, as a model, and you're just doing

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<v Speaker 4>what you want to do. We work after that, but

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<v Speaker 4>you know, it was going to show me the growth

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<v Speaker 4>that I've done all these years about listening.

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<v Speaker 3>You know, the people have been for a while, So

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<v Speaker 3>that was how I got into acting.

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<v Speaker 1>So you said something, And I want to point this

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<v Speaker 1>out because I have been to coach Tyson. I've known

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<v Speaker 1>Hillary for years, Beth Anne Hartisan and also Cynthia Bailey.

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<v Speaker 1>And one of the things that I really appreciate love

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<v Speaker 1>about models is that you guys don't have any words,

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<v Speaker 1>but you have the ability to sell something.

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<v Speaker 3>Yes, yes, So how can.

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<v Speaker 1>We now translate because there's something about your physicality that

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<v Speaker 1>I see in a poster.

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<v Speaker 2>And like, I got to get this one. You know

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<v Speaker 2>what I'm saying so and you're not saying so. For me,

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<v Speaker 2>it's almost as if models really have their hands tied

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<v Speaker 2>behind their backs right with the words.

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<v Speaker 1>Because musical artists and like athletes and hosts that I

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<v Speaker 1>helped transition, there's something that connects and they and they

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<v Speaker 1>speak vocally. So I say, it's very powerful, you know,

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<v Speaker 1>platform and foundation for you to be standing on because

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<v Speaker 1>you were forced through your physical you know, animations and

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<v Speaker 1>gestures to convey a message, which it sounds like you

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<v Speaker 1>successfully did because ESPN is not.

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<v Speaker 4>And then growing up watching ESPN, you know, to be

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<v Speaker 4>able to do your your very first audition BOOKT is amazing.

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<v Speaker 4>And going back to what you were saying about, you know,

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<v Speaker 4>you know, portraying something without the words, but now with

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<v Speaker 4>the acting, we both know now when we do have

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<v Speaker 4>times where it's no lines, what are you doing inside

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<v Speaker 4>to be able to give what this actor is feeling?

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<v Speaker 4>I learn how if I'm doing modeling, what's your intent?

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<v Speaker 2>What do you?

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<v Speaker 4>Like? You said like you're trying to sell your selling

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<v Speaker 4>this clothes. You know how you trying to without saying

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<v Speaker 4>the words.

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<v Speaker 3>So I think I help that.

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<v Speaker 4>So now if I go, I've done modeling here and there,

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<v Speaker 4>spread it out throughout my career, but you can go

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<v Speaker 4>back to it now and bring what you learn into

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<v Speaker 4>acting right to the modeling park.

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<v Speaker 1>Oh my god, because like now I see you know

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<v Speaker 1>especially like I agree, you do have a great look.

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<v Speaker 2>It's very unique. It's for me. It's your odds. Your

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<v Speaker 2>eyes really say a lot.

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<v Speaker 1>And help me determine what type of characters that you know,

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<v Speaker 1>I would be thinking.

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<v Speaker 2>So when I look at your resume from you know,

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<v Speaker 2>Blue Bloods to.

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<v Speaker 4>You know.

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<v Speaker 2>Lee Daniels Pien, Yes, unlike.

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<v Speaker 1>The versatility there you know what I mean. So but

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<v Speaker 1>this is what I love because Rayon, for real, like

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<v Speaker 1>I've been doing this for a very very long time,

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<v Speaker 1>I mean decades, and.

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<v Speaker 3>I know you you're doing it.

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<v Speaker 1>I know you know, and I appreciate you. Love that

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<v Speaker 1>for y'all because I love actors. There is something about

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<v Speaker 1>you and I want, like I get a chance to

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<v Speaker 1>see you. This is an audio except for your dry

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<v Speaker 1>and my kid love and stuff, but I get to

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<v Speaker 1>really see and resonate with your energy. And I also

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<v Speaker 1>feel like if I didn't see you, I would still

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<v Speaker 1>resonate with your energy. You come from a place where

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<v Speaker 1>you just don't appear to be jaded like most actors are.

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<v Speaker 2>And it's not a bad thing.

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<v Speaker 1>It's just that actors can There are people too, but

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<v Speaker 1>they can quote unquote stress about some crazy stuff, right.

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<v Speaker 2>And I come from live auditions.

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<v Speaker 1>I come from when actors really had to sit by

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<v Speaker 1>the phone and wait for somebody to call, or get

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<v Speaker 1>an answer machine or get an answering service for ten

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<v Speaker 1>dollars a month.

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<v Speaker 2>That would answer for you. So you're not any of

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<v Speaker 2>that or ooh, gotta make it.

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<v Speaker 1>What grounds you because you booked your first job off

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<v Speaker 1>of like and anybody that knows, like if you've ever

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<v Speaker 1>seen Sears photos or pennies, you know the Christmas that's

0:13:02.400 --> 0:13:06.520
<v Speaker 1>the photos he took you guys, ESPN.

0:13:06.200 --> 0:13:15.280
<v Speaker 3>Gig, Yes for real And I didn't know, right, You're

0:13:15.360 --> 0:13:16.199
<v Speaker 3>just like I know.

0:13:18.160 --> 0:13:22.360
<v Speaker 2>Ignorance is bliss though, because it wasn't for to you.

0:13:22.800 --> 0:13:25.440
<v Speaker 2>They were the best pictures you took.

0:13:25.559 --> 0:13:29.560
<v Speaker 4>Exactly exactly and you and you stepping in the Tracey up.

0:13:29.640 --> 0:13:31.719
<v Speaker 4>I'll come to accomplice all I want to go in.

0:13:31.880 --> 0:13:33.360
<v Speaker 4>I'm about to be the best ever.

0:13:33.520 --> 0:13:36.560
<v Speaker 3>You know, you just you just excited, but you see

0:13:36.600 --> 0:13:40.120
<v Speaker 3>the growth throughout all. You see a hearted but you

0:13:40.320 --> 0:13:40.640
<v Speaker 3>love it.

0:13:40.720 --> 0:13:46.520
<v Speaker 4>Yes, yes, because it keeps using, you know, to get

0:13:46.559 --> 0:13:49.439
<v Speaker 4>those yes. That's what yes are so important. When you

0:13:49.480 --> 0:13:51.319
<v Speaker 4>get those yeses, do all the nose that you get.

0:13:53.200 --> 0:13:56.640
<v Speaker 1>This is why I've always learned to trust my instinct.

0:13:56.720 --> 0:14:00.520
<v Speaker 1>But more importantly, there's always a voice that speed before

0:14:00.600 --> 0:14:06.280
<v Speaker 1>my thoughts. And I kept saying yesterday, Rayon is the

0:14:06.440 --> 0:14:09.319
<v Speaker 1>journey of an actor, like but the journey of an

0:14:09.360 --> 0:14:13.160
<v Speaker 1>actor that I would want to see not you know,

0:14:13.640 --> 0:14:15.719
<v Speaker 1>oh there's no role out there for me? And why

0:14:15.840 --> 0:14:19.840
<v Speaker 1>because it's easy for actors to go internal and beat

0:14:19.960 --> 0:14:20.440
<v Speaker 1>up in here.

0:14:21.040 --> 0:14:24.320
<v Speaker 2>But your light is like listen, I know.

0:14:24.440 --> 0:14:27.960
<v Speaker 1>They said it's a white Polish dude, there's five seven,

0:14:28.240 --> 0:14:29.360
<v Speaker 1>but maybe there's.

0:14:29.160 --> 0:14:30.040
<v Speaker 2>Some wee can work out.

0:14:30.200 --> 0:14:33.800
<v Speaker 3>Like you know, you're just you don't and you have

0:14:34.080 --> 0:14:34.720
<v Speaker 3>to have that.

0:14:35.560 --> 0:14:38.680
<v Speaker 1>It's really important actors that you are really listening to

0:14:38.840 --> 0:14:45.560
<v Speaker 1>this because I think sometimes some time is wasted on

0:14:46.040 --> 0:14:49.560
<v Speaker 1>continuing to internalize and beat yourself up, and you.

0:14:49.640 --> 0:14:50.560
<v Speaker 2>Are creating that.

0:14:50.840 --> 0:14:52.720
<v Speaker 3>So what is that.

0:14:54.240 --> 0:14:58.600
<v Speaker 2>Routine or mantra, what is it that keeps you your

0:14:58.760 --> 0:15:01.240
<v Speaker 2>light shining? What it is your life?

0:15:01.880 --> 0:15:06.960
<v Speaker 4>I think that the first and foremost part is having faith, right,

0:15:07.160 --> 0:15:12.080
<v Speaker 4>and you're believing God, and I think you know, learning

0:15:12.160 --> 0:15:16.760
<v Speaker 4>and and and and just just being a man of

0:15:16.840 --> 0:15:18.800
<v Speaker 4>God and just knowing, you know, I have the faith

0:15:18.880 --> 0:15:21.160
<v Speaker 4>and the perseverance to get through this, and I know

0:15:21.360 --> 0:15:23.480
<v Speaker 4>that I'm going to get to the top, you know,

0:15:23.600 --> 0:15:25.040
<v Speaker 4>and that's what keeps me going right.

0:15:25.360 --> 0:15:27.360
<v Speaker 3>And having your friends around you who are not.

0:15:27.520 --> 0:15:30.040
<v Speaker 4>Yes men, you know, they'll tell you this wasn't a

0:15:30.080 --> 0:15:32.720
<v Speaker 4>good auditional this, this wasn't the right choice. I think

0:15:32.840 --> 0:15:35.640
<v Speaker 4>all of those helped my family, you know, my parents

0:15:36.080 --> 0:15:39.040
<v Speaker 4>giving me the vote of confidence. I think all of that,

0:15:39.360 --> 0:15:42.640
<v Speaker 4>all of that really really helped me, you know, coming

0:15:42.760 --> 0:15:45.960
<v Speaker 4>up and like I was saying, you know, being naive

0:15:45.960 --> 0:15:49.240
<v Speaker 4>when I came into game. You know, my very first

0:15:49.320 --> 0:15:54.480
<v Speaker 4>year was offered a lead in this movie, right, feature film,

0:15:54.960 --> 0:15:56.720
<v Speaker 4>and I turned it down because it wasn't paying.

0:15:57.320 --> 0:15:59.560
<v Speaker 3>Naive, stop paying, I'm I'm not doing well.

0:15:59.680 --> 0:16:01.680
<v Speaker 4>Man is if you're not paying, you can do this

0:16:01.840 --> 0:16:07.800
<v Speaker 4>movie right in the past And eventually there was another

0:16:08.000 --> 0:16:10.320
<v Speaker 4>role on this same movie, which was the iary of

0:16:10.400 --> 0:16:12.360
<v Speaker 4>it where it was like, hey, you know because I

0:16:12.640 --> 0:16:13.160
<v Speaker 4>danced to him.

0:16:13.200 --> 0:16:16.240
<v Speaker 3>I'm Jamaican, so I know dance whole dancing. It was like, hey,

0:16:16.400 --> 0:16:18.840
<v Speaker 3>like you know, I just come down and like dancing

0:16:18.960 --> 0:16:19.400
<v Speaker 3>party said.

0:16:19.400 --> 0:16:21.800
<v Speaker 4>I was like, it's nothing, you know, even though before

0:16:21.920 --> 0:16:23.880
<v Speaker 4>like you turned down it not getting paid for the

0:16:23.960 --> 0:16:25.920
<v Speaker 4>duration that you was gonna do it. But I was like,

0:16:26.640 --> 0:16:28.600
<v Speaker 4>I left to dance. I'll come out, just have fun,

0:16:28.960 --> 0:16:31.480
<v Speaker 4>simple and I think. So I go there and then

0:16:31.520 --> 0:16:32.560
<v Speaker 4>they're like they see my.

0:16:32.680 --> 0:16:34.680
<v Speaker 3>Energy and they're like, hey, you know, we want you

0:16:34.800 --> 0:16:35.040
<v Speaker 3>to come.

0:16:35.160 --> 0:16:38.440
<v Speaker 4>You know, we want to again give you a role

0:16:38.520 --> 0:16:40.280
<v Speaker 4>and you know what I mean, and keep progressiing with

0:16:41.120 --> 0:16:43.240
<v Speaker 4>just seeing me come on and just having my energy.

0:16:43.760 --> 0:16:46.840
<v Speaker 3>Same thing. Stop paying. I'm not wasting my time doing

0:16:46.920 --> 0:16:47.800
<v Speaker 3>something that's not paid.

0:16:48.520 --> 0:16:51.720
<v Speaker 4>Now, you go a couple of years or maybe a

0:16:51.800 --> 0:16:54.680
<v Speaker 4>couple of months later after that, and you realize that

0:16:55.200 --> 0:16:56.880
<v Speaker 4>a lot of these projects that you take that you

0:16:56.920 --> 0:17:00.640
<v Speaker 4>don't get paid, you're still learning in your craft, You're

0:17:00.680 --> 0:17:03.920
<v Speaker 4>still building that that resume, You're still able to get

0:17:03.960 --> 0:17:06.719
<v Speaker 4>your real Because I've made multiple reels where I've had

0:17:06.760 --> 0:17:09.480
<v Speaker 4>the independent film reels until I started getting the network

0:17:09.520 --> 0:17:12.480
<v Speaker 4>TV reels and the reels are mixed of you know,

0:17:12.560 --> 0:17:17.160
<v Speaker 4>network tving and streaming services. So you know, I say

0:17:17.200 --> 0:17:19.359
<v Speaker 4>that's to say I really had to learn this and

0:17:19.760 --> 0:17:23.360
<v Speaker 4>learn kind of the hallway, you know, turning this. Who

0:17:23.400 --> 0:17:24.959
<v Speaker 4>wants to turn on a lead role? You know it's

0:17:25.000 --> 0:17:26.520
<v Speaker 4>not paying. You gotta you know, you gotta learn and

0:17:26.600 --> 0:17:28.720
<v Speaker 4>figure it out. You got like a part time job,

0:17:28.840 --> 0:17:30.920
<v Speaker 4>you know, do your part time job in between so

0:17:31.040 --> 0:17:34.600
<v Speaker 4>you can you know, obviously pay bills. That was one

0:17:34.600 --> 0:17:37.040
<v Speaker 4>of the things that I had to learn. Eight months

0:17:37.119 --> 0:17:41.520
<v Speaker 4>into my career. I got a Nike commercial, Nike National,

0:17:41.600 --> 0:17:46.600
<v Speaker 4>Nike com the the National Night commercial. Got eight months

0:17:46.640 --> 0:17:49.480
<v Speaker 4>in and now I'm sack eligible. It was a friend

0:17:49.560 --> 0:17:52.240
<v Speaker 4>of mine, the actually first movie with lines that I

0:17:52.480 --> 0:17:55.720
<v Speaker 4>that I accepted. He told me, and I always remember this,

0:17:55.800 --> 0:17:58.840
<v Speaker 4>He was like, ray On, don't join the union until you're.

0:17:58.680 --> 0:17:59.320
<v Speaker 3>A must joint.

0:17:59.520 --> 0:18:01.440
<v Speaker 4>And the reason why he said that was he was like,

0:18:01.920 --> 0:18:04.200
<v Speaker 4>you now that you're eligible eight months into your career,

0:18:04.280 --> 0:18:06.720
<v Speaker 4>you joining union, now you'll be doing nothing with extra work.

0:18:06.880 --> 0:18:08.560
<v Speaker 4>And I had the vision that I want to be

0:18:08.680 --> 0:18:11.359
<v Speaker 4>bigger than just doing extra work. That's the best advice.

0:18:12.040 --> 0:18:12.480
<v Speaker 3>So it took.

0:18:12.600 --> 0:18:15.800
<v Speaker 4>Yeah, time, I was everybody was wondering, Hey, how are

0:18:15.800 --> 0:18:18.639
<v Speaker 4>you able to do network TV? I'm doing the blue Bloods,

0:18:18.640 --> 0:18:22.399
<v Speaker 4>I'm doing the other projects, and they're like, how you

0:18:22.520 --> 0:18:23.960
<v Speaker 4>doing this stuff and you're non union?

0:18:24.000 --> 0:18:27.320
<v Speaker 3>I said, I ain't say much join. I was like

0:18:27.800 --> 0:18:28.320
<v Speaker 3>I was doing.

0:18:30.280 --> 0:18:33.440
<v Speaker 4>And I was able to you know, independent film and

0:18:33.560 --> 0:18:36.800
<v Speaker 4>still able to do network TV. Tyler perry House still

0:18:36.880 --> 0:18:38.920
<v Speaker 4>able to do all this stuff without having to be union.

0:18:39.000 --> 0:18:40.760
<v Speaker 4>But that was the best advice to the gave me

0:18:40.880 --> 0:18:43.160
<v Speaker 4>because I was still able to work my way through

0:18:43.200 --> 0:18:44.480
<v Speaker 4>the independent films.

0:18:44.240 --> 0:18:48.200
<v Speaker 3>Right to where I was now being.

0:18:48.040 --> 0:18:51.040
<v Speaker 4>The principal role, to the supporting role, to the lead

0:18:51.160 --> 0:18:54.040
<v Speaker 4>roles on his independent film. So I really like came

0:18:54.080 --> 0:18:56.239
<v Speaker 4>from the bottom to the top. Even though my very

0:18:56.280 --> 0:18:59.840
<v Speaker 4>first edition that I booked, even know offer that I had,

0:19:00.200 --> 0:19:03.760
<v Speaker 4>or the leader of feature film, I still literally came

0:19:03.800 --> 0:19:06.280
<v Speaker 4>from the bottom to the you know, now I'm not

0:19:06.400 --> 0:19:07.760
<v Speaker 4>the top yet, but work.

0:19:08.640 --> 0:19:13.480
<v Speaker 1>But I understand it's a process. But when you say

0:19:13.560 --> 0:19:16.320
<v Speaker 1>eight months in like that's you know, we have to

0:19:16.400 --> 0:19:18.200
<v Speaker 1>acknowledge that because that's very rare.

0:19:18.440 --> 0:19:19.119
<v Speaker 2>It's very rare.

0:19:22.000 --> 0:19:22.159
<v Speaker 4>You know.

0:19:22.640 --> 0:19:26.320
<v Speaker 2>My my understanding and observation in.

0:19:26.400 --> 0:19:29.720
<v Speaker 1>This business is that there are a lot of people

0:19:29.840 --> 0:19:32.880
<v Speaker 1>who want to be an actor, but very few people

0:19:33.000 --> 0:19:37.200
<v Speaker 1>who are actually talented and who will pursue the journey

0:19:37.280 --> 0:19:40.280
<v Speaker 1>and have the stamina to stay on. But you said

0:19:40.320 --> 0:19:43.280
<v Speaker 1>something really important, which is you have to love it.

0:19:43.520 --> 0:19:47.880
<v Speaker 1>If you do not love this, then you know it's

0:19:48.040 --> 0:19:51.040
<v Speaker 1>like when you're outside in the winter and your fakee call,

0:19:51.440 --> 0:19:51.720
<v Speaker 1>that's it.

0:19:51.920 --> 0:19:55.760
<v Speaker 2>Once your fe get call, that is it.

0:19:57.320 --> 0:19:59.280
<v Speaker 3>You got to be really built for And now we'll

0:19:59.320 --> 0:20:01.960
<v Speaker 3>get We'll get it. I'll tell you, like very important me.

0:20:02.960 --> 0:20:05.359
<v Speaker 3>I got a story. We're gonna go.

0:20:05.520 --> 0:20:08.119
<v Speaker 4>Okay, it's gonna it's not early my Chris pretty much,

0:20:08.400 --> 0:20:10.960
<v Speaker 4>maybe maybe five six years ago, but one of the

0:20:11.040 --> 0:20:13.080
<v Speaker 4>most defining moments of my career, and price of the

0:20:13.680 --> 0:20:16.719
<v Speaker 4>defining moment is I booked All Eyes on Me right

0:20:16.800 --> 0:20:17.600
<v Speaker 4>and I played trash.

0:20:17.600 --> 0:20:25.280
<v Speaker 3>Everybody knows, yes, crazy, you know what.

0:20:25.480 --> 0:20:27.440
<v Speaker 1>I have to say this because these are what I

0:20:27.520 --> 0:20:30.920
<v Speaker 1>call God Ray crumbs. But I just reached out to

0:20:31.160 --> 0:20:34.960
<v Speaker 1>Vinnie this morning, a really good friend of mine. Vinnie

0:20:35.080 --> 0:20:38.119
<v Speaker 1>was the first person that I coached, and then Vinnie

0:20:38.200 --> 0:20:39.720
<v Speaker 1>introduced me to s w V.

0:20:40.440 --> 0:20:45.919
<v Speaker 2>And then I got to Violater tweet Twinkie, I mean

0:20:46.119 --> 0:20:50.119
<v Speaker 2>Twinkie tweet Mitter Elliott, and then Buster.

0:20:50.440 --> 0:20:54.680
<v Speaker 3>Wow, but for you to say that that's a beautiful Yeah.

0:20:54.800 --> 0:20:57.080
<v Speaker 3>We follow each other. Now. I well, since I had

0:20:57.240 --> 0:21:01.440
<v Speaker 3>booked the job, so I ended up All Eyes a nice,

0:21:01.640 --> 0:21:04.639
<v Speaker 3>nice supporting role, now, you know. And I'm like, this

0:21:04.720 --> 0:21:07.879
<v Speaker 3>is about to be on I'm in Ebony magazine.

0:21:07.960 --> 0:21:10.760
<v Speaker 4>I'm in h At that time, I was I was

0:21:10.840 --> 0:21:12.920
<v Speaker 4>doing I think I was doing Underground at the same

0:21:12.960 --> 0:21:13.359
<v Speaker 4>time too.

0:21:13.920 --> 0:21:16.440
<v Speaker 3>I'm not right before that, I did Underground.

0:21:18.960 --> 0:21:21.040
<v Speaker 2>Listen, I've seen All Eyes on me.

0:21:21.280 --> 0:21:22.640
<v Speaker 5>A lot of my friends are.

0:21:22.560 --> 0:21:23.160
<v Speaker 2>In that story.

0:21:23.200 --> 0:21:25.440
<v Speaker 3>Yeah.

0:21:25.560 --> 0:21:30.200
<v Speaker 4>So so now I'm just coming off of Underground.

0:21:30.520 --> 0:21:31.719
<v Speaker 3>Yeah, not coming off Underground.

0:21:31.720 --> 0:21:33.480
<v Speaker 4>So now All Eyes and we got this nice supporting

0:21:33.560 --> 0:21:36.520
<v Speaker 4>role playing a trench and I'm throughout the movie. And

0:21:36.600 --> 0:21:39.320
<v Speaker 4>then what happens now, I I you know, I got

0:21:39.400 --> 0:21:42.080
<v Speaker 4>my stylist with me, I got my sister with me.

0:21:42.400 --> 0:21:44.120
<v Speaker 4>We get out, get out the cat like, and I'm

0:21:44.119 --> 0:21:46.080
<v Speaker 4>gonna present it the right way, get out the cat like.

0:21:46.080 --> 0:21:48.080
<v Speaker 4>And I see my agent at the time, She's like,

0:21:48.160 --> 0:21:50.760
<v Speaker 4>bring on your star. I'm in my nice suit. I

0:21:50.840 --> 0:21:52.600
<v Speaker 4>get on the red carpet. I'm owning the red car.

0:21:52.720 --> 0:21:55.040
<v Speaker 3>I'm in the shade room at that time. Of matter

0:21:55.080 --> 0:21:57.560
<v Speaker 3>of fact, Tracy I'm in during our whole period.

0:21:57.720 --> 0:22:01.320
<v Speaker 4>I'm in GQ magazine for the best top ten Best

0:22:01.400 --> 0:22:02.399
<v Speaker 4>Dressed Mail with Michael B.

0:22:02.640 --> 0:22:06.040
<v Speaker 3>Jordan. Now I'm now looking like I'm going to be

0:22:06.200 --> 0:22:09.359
<v Speaker 3>you know up there. Yeah. My dad is like, rayon,

0:22:09.600 --> 0:22:11.600
<v Speaker 3>you know you're about to blow up. And I tell

0:22:11.680 --> 0:22:13.879
<v Speaker 3>my dad, you know what, I don't think this is

0:22:13.960 --> 0:22:16.280
<v Speaker 3>the moment. I just had a feeling. This wasn't a

0:22:16.359 --> 0:22:19.080
<v Speaker 3>moment after everything that everybody was saying. I don't think

0:22:19.200 --> 0:22:21.320
<v Speaker 3>this is the moment. I just had that feeling. Anyway,

0:22:21.760 --> 0:22:23.919
<v Speaker 3>we get into We get into the theater and Russell

0:22:23.960 --> 0:22:27.280
<v Speaker 3>Simmons asked to sit next to me right lee. Russell said, hey,

0:22:27.440 --> 0:22:29.320
<v Speaker 3>you know because that see it open the aird for

0:22:29.400 --> 0:22:30.480
<v Speaker 3>you of course.

0:22:30.960 --> 0:22:33.280
<v Speaker 4>And I'm now my agency, like I said, my styles,

0:22:33.320 --> 0:22:36.760
<v Speaker 4>my sister friends, and you know we you know, everybody

0:22:36.800 --> 0:22:37.959
<v Speaker 4>in the cash you know, get up. We get up

0:22:37.960 --> 0:22:40.560
<v Speaker 4>boom before the movie starts and we look at the

0:22:40.680 --> 0:22:45.360
<v Speaker 4>movie and I'm in just two scenes with no lines.

0:22:47.240 --> 0:22:50.920
<v Speaker 4>So I go from supporting with lines to nothing. You

0:22:51.040 --> 0:22:53.840
<v Speaker 4>see me twice and I look like an extra Ooh

0:22:54.119 --> 0:22:57.040
<v Speaker 4>so disappointed, so disappointed, But I wasn't angry.

0:22:57.560 --> 0:22:58.720
<v Speaker 3>I've been in the business for so.

0:22:58.760 --> 0:23:01.880
<v Speaker 4>Long, so I you know, and so the next day

0:23:01.880 --> 0:23:04.040
<v Speaker 4>I wake up and I do a five minute video

0:23:04.680 --> 0:23:06.520
<v Speaker 4>and I say, I'm glad God did this to me

0:23:06.600 --> 0:23:09.320
<v Speaker 4>because I'm built for this, you know. And I'm like,

0:23:09.480 --> 0:23:11.360
<v Speaker 4>you know, I know I'm gonna make the bounce back

0:23:11.480 --> 0:23:15.200
<v Speaker 4>right now. Fast forward to five years later, be in Math.

0:23:15.400 --> 0:23:19.600
<v Speaker 4>Was that boom that bounced back right So I didn't

0:23:19.640 --> 0:23:22.080
<v Speaker 4>let it determin I was disappointed that it happened, yeah,

0:23:22.320 --> 0:23:25.080
<v Speaker 4>but bounce back from it. And I wanted to make

0:23:25.119 --> 0:23:28.399
<v Speaker 4>sure people knew. My story specifically with that is that

0:23:28.560 --> 0:23:31.280
<v Speaker 4>that could really derail your career. You go from your

0:23:31.920 --> 0:23:34.600
<v Speaker 4>ear everything hot the way you don't you don't see

0:23:34.600 --> 0:23:37.600
<v Speaker 4>yourself at all, like so you know, and you know

0:23:37.720 --> 0:23:42.080
<v Speaker 4>how many days you worked on that set exactly. People

0:23:42.160 --> 0:23:44.720
<v Speaker 4>was like, well, you at least you got paid. No,

0:23:45.240 --> 0:23:46.720
<v Speaker 4>I would I would have did that movie and not

0:23:46.760 --> 0:23:48.639
<v Speaker 4>get paid. I would have been happy, you know, but

0:23:48.720 --> 0:23:50.440
<v Speaker 4>to obviously keep my scenes and stuff like that.

0:23:51.080 --> 0:23:54.840
<v Speaker 3>But yeah, that happened, and you know, I stayed, I

0:23:54.920 --> 0:23:58.480
<v Speaker 3>had my chin up, and you know, now that's great story.

0:23:59.000 --> 0:24:02.960
<v Speaker 1>Yeah story, because I think that you know, a lot

0:24:03.040 --> 0:24:07.719
<v Speaker 1>of actors don't know that when you film, especially aspiring

0:24:08.240 --> 0:24:13.720
<v Speaker 1>actors that and sometimes even I've worked with a couple

0:24:13.760 --> 0:24:16.320
<v Speaker 1>of people like really, but you film out of sequence.

0:24:17.040 --> 0:24:19.440
<v Speaker 2>So that's why it's so important for you to really

0:24:19.720 --> 0:24:23.080
<v Speaker 2>know that whole script, to know that whole story.

0:24:23.560 --> 0:24:25.480
<v Speaker 5>So you were on that.

0:24:25.680 --> 0:24:29.160
<v Speaker 1>Set filming all of that stuff, but when you got

0:24:29.240 --> 0:24:34.200
<v Speaker 1>to the edit room and they had to trim, and

0:24:34.400 --> 0:24:37.480
<v Speaker 1>you didn't know. So that's why, audience, I just want

0:24:37.560 --> 0:24:41.200
<v Speaker 1>the listeners to understand he had no concept, no clue

0:24:41.280 --> 0:24:44.119
<v Speaker 1>unless he was in the editing room himself.

0:24:43.800 --> 0:24:46.760
<v Speaker 2>And he saw And that happens a lot.

0:24:47.400 --> 0:24:52.000
<v Speaker 4>Yeah, I would see the producers out and they'll, you know,

0:24:52.040 --> 0:24:55.200
<v Speaker 4>buy me, and we have no conversation of what's about

0:24:55.240 --> 0:24:57.080
<v Speaker 4>to happen. You know, they don't treat me any differently. Oh,

0:24:57.359 --> 0:24:59.560
<v Speaker 4>cut yourself, you know what I mean. It's it's part

0:24:59.600 --> 0:25:01.040
<v Speaker 4>of this right.

0:25:02.440 --> 0:25:05.840
<v Speaker 1>But you know, once again, I mean rayon going back

0:25:06.320 --> 0:25:09.600
<v Speaker 1>to the original. What you are built on the foundation

0:25:09.760 --> 0:25:13.520
<v Speaker 1>that you created for yourself. Most people couldnot come back

0:25:13.560 --> 0:25:13.800
<v Speaker 1>from that.

0:25:15.600 --> 0:25:17.960
<v Speaker 2>Excuse me. I did a play.

0:25:20.000 --> 0:25:24.879
<v Speaker 1>And it was manifested from class because it came from

0:25:24.920 --> 0:25:28.600
<v Speaker 1>an exercise dream. Your biggest dream, don't get involved in editing.

0:25:28.800 --> 0:25:32.000
<v Speaker 1>Doubting Nana just dream. If you don't dream, dream bit right.

0:25:33.400 --> 0:25:37.560
<v Speaker 1>So this great situation came out of that for me.

0:25:39.960 --> 0:25:41.199
<v Speaker 5>But the thing is is that.

0:25:43.280 --> 0:25:49.119
<v Speaker 1>It's important to know who you are because noise and influences.

0:25:49.520 --> 0:25:52.440
<v Speaker 1>The woman that was the lead in this play that

0:25:52.760 --> 0:26:00.040
<v Speaker 1>Oprah Winfrey came to that I directed, and oprahray.

0:26:00.119 --> 0:26:04.920
<v Speaker 2>Her she is no longer in the business. Oh no,

0:26:06.000 --> 0:26:10.520
<v Speaker 2>And she's no longer in the business because that was

0:26:10.640 --> 0:26:11.440
<v Speaker 2>her first play.

0:26:11.960 --> 0:26:12.160
<v Speaker 3>Yeah.

0:26:12.880 --> 0:26:15.040
<v Speaker 1>We were in a ninety nine sea theater, so you know,

0:26:15.119 --> 0:26:16.720
<v Speaker 1>it was very it was a black box and it

0:26:16.800 --> 0:26:23.280
<v Speaker 1>was very intimate, so you know, everybody saw her and

0:26:23.960 --> 0:26:27.159
<v Speaker 1>like it just felt like Oprah was really and this

0:26:27.320 --> 0:26:30.080
<v Speaker 1>was in the beginning of Oprah's career, you know as

0:26:30.160 --> 0:26:32.440
<v Speaker 1>the Obrah and p Show, but it just felt like

0:26:32.640 --> 0:26:34.960
<v Speaker 1>she was gonna take her under her wings.

0:26:35.119 --> 0:26:38.120
<v Speaker 2>It was too much for her family. Her first play,

0:26:38.160 --> 0:26:40.440
<v Speaker 2>and Oprah was talking about if you're going to be,

0:26:40.760 --> 0:26:41.280
<v Speaker 2>you're going to.

0:26:41.280 --> 0:26:42.639
<v Speaker 1>Be and she was.

0:26:43.119 --> 0:26:46.480
<v Speaker 2>She was working for her family business. So her dad

0:26:46.800 --> 0:26:47.560
<v Speaker 2>wasn't like.

0:26:49.160 --> 0:26:52.719
<v Speaker 1>It was over, but still that nope, we got this business.

0:26:52.880 --> 0:26:56.600
<v Speaker 1>And the fiance was like nope, because we had this plan.

0:26:56.960 --> 0:26:59.399
<v Speaker 1>And when I tell you, ray On one of the

0:26:59.480 --> 0:27:03.040
<v Speaker 1>most talent to people. And I always think what if?

0:27:03.400 --> 0:27:09.280
<v Speaker 1>Because if anybody saw her, they would react the same

0:27:09.359 --> 0:27:12.919
<v Speaker 1>way we did. So that's how I know she hasn't worked.

0:27:13.920 --> 0:27:18.280
<v Speaker 1>You know, it's undeniable. So again, if there there's two

0:27:18.359 --> 0:27:20.760
<v Speaker 1>things I want to address, one, I want to address

0:27:20.800 --> 0:27:23.240
<v Speaker 1>the training and for you to talk about the importance

0:27:23.320 --> 0:27:26.919
<v Speaker 1>of that to actors. And then just kind of segueing

0:27:27.000 --> 0:27:30.880
<v Speaker 1>after that, like what is your process when you approach

0:27:31.000 --> 0:27:33.360
<v Speaker 1>these memorable characters that you play?

0:27:33.920 --> 0:27:37.040
<v Speaker 3>Yes, yes, yes, repeat the first one again.

0:27:37.080 --> 0:27:40.880
<v Speaker 2>Now we're going so training, How important is training?

0:27:41.400 --> 0:27:42.400
<v Speaker 3>Training is very important?

0:27:42.400 --> 0:27:45.119
<v Speaker 4>And and and I can even just go back to recently,

0:27:45.119 --> 0:27:48.000
<v Speaker 4>I've been training for a while, so it started just

0:27:48.040 --> 0:27:49.600
<v Speaker 4>getting into acting one on one right.

0:27:49.960 --> 0:27:52.920
<v Speaker 3>So now one of the coaches I studied with will

0:27:52.960 --> 0:27:55.760
<v Speaker 3>helped me would be in Chik Chic from.

0:28:00.080 --> 0:28:02.560
<v Speaker 2>That's My Guy Death Together.

0:28:02.960 --> 0:28:05.719
<v Speaker 3>Oh yeah, yes, yes, yes, yes, yes, I gotta tell

0:28:05.760 --> 0:28:10.720
<v Speaker 3>them on the pock. So as soon as I was

0:28:10.800 --> 0:28:11.919
<v Speaker 3>coming back for season two of.

0:28:11.960 --> 0:28:15.040
<v Speaker 4>BMF and I saw how big of a jump this

0:28:15.160 --> 0:28:18.280
<v Speaker 4>character went from season one to season two, I said, oh.

0:28:18.200 --> 0:28:20.320
<v Speaker 3>No, I got I gotta get coaching for this.

0:28:20.680 --> 0:28:23.159
<v Speaker 4>You already know, you know, uh, you know, sometimes you

0:28:23.200 --> 0:28:24.840
<v Speaker 4>can go through maybe certain roles of coaching, but I

0:28:24.880 --> 0:28:27.800
<v Speaker 4>think coach is important. So now pretty much the majority

0:28:27.840 --> 0:28:29.800
<v Speaker 4>of my roles that I do coaching and me and

0:28:29.920 --> 0:28:32.480
<v Speaker 4>Chic work with it, work together on it.

0:28:32.600 --> 0:28:34.720
<v Speaker 3>And as soon as I got with Chic on this one,

0:28:35.720 --> 0:28:37.080
<v Speaker 3>we got to it where.

0:28:37.840 --> 0:28:41.320
<v Speaker 4>You know, he would challenge me with certain things, how

0:28:41.360 --> 0:28:44.160
<v Speaker 4>do you feel, you know, when you're in this specific

0:28:44.680 --> 0:28:45.320
<v Speaker 4>moment before?

0:28:45.360 --> 0:28:47.440
<v Speaker 3>What are you thinking before you start this scene?

0:28:47.560 --> 0:28:50.080
<v Speaker 4>So it's a lot of just different things that he

0:28:50.160 --> 0:28:53.560
<v Speaker 4>would give me to think and him not giving me

0:28:53.640 --> 0:28:55.600
<v Speaker 4>the answer, but for me to really really think about

0:28:55.640 --> 0:28:57.760
<v Speaker 4>it and come up with the answer and portray that.

0:28:58.280 --> 0:28:59.959
<v Speaker 3>But I would say, just try.

0:29:00.000 --> 0:29:02.120
<v Speaker 4>I think it's just just important that you guys can

0:29:02.200 --> 0:29:05.120
<v Speaker 4>see more things that we can see as a person

0:29:05.440 --> 0:29:06.640
<v Speaker 4>in this actual role.

0:29:07.040 --> 0:29:08.920
<v Speaker 3>Right, you can see something like, well did you think

0:29:08.960 --> 0:29:09.920
<v Speaker 3>of that? You know?

0:29:10.480 --> 0:29:13.000
<v Speaker 4>I think that's that's why it's so important, because we

0:29:13.120 --> 0:29:15.360
<v Speaker 4>got a certain perspective of certain things when we study

0:29:15.360 --> 0:29:18.000
<v Speaker 4>in these characters. But you've got to see something that's right,

0:29:18.200 --> 0:29:21.960
<v Speaker 4>the little subliminal messages, you know what I mean? She

0:29:22.120 --> 0:29:24.360
<v Speaker 4>will ask me, well, how would he walk right?

0:29:24.800 --> 0:29:25.720
<v Speaker 3>How was you know?

0:29:25.840 --> 0:29:28.000
<v Speaker 4>How what do you talk different, you know, with his

0:29:28.160 --> 0:29:29.600
<v Speaker 4>hands move a little different. What do you do a

0:29:29.600 --> 0:29:32.200
<v Speaker 4>little things in the windows like that? You know. So

0:29:32.440 --> 0:29:36.640
<v Speaker 4>I think that's why the coaching just so much helps

0:29:36.880 --> 0:29:41.760
<v Speaker 4>a lot, you know, and how to dissect doing monologues.

0:29:41.800 --> 0:29:44.880
<v Speaker 3>I hated monologues, Tracy. I hated it. I really hated.

0:29:45.440 --> 0:29:47.960
<v Speaker 3>I just just was boring, like you know, like a

0:29:48.040 --> 0:29:52.040
<v Speaker 3>monologue of us, I want, I want to talk. Let's talk.

0:29:53.600 --> 0:29:54.840
<v Speaker 5>Yeah you can.

0:29:55.400 --> 0:29:56.520
<v Speaker 3>You can't with the monologue.

0:29:56.520 --> 0:29:58.920
<v Speaker 4>You could, you know, by just listening, looking at the

0:29:59.000 --> 0:30:02.360
<v Speaker 4>person and you're looking in their eyes right and getting

0:30:02.360 --> 0:30:04.280
<v Speaker 4>your answer from their eyes right.

0:30:04.480 --> 0:30:08.520
<v Speaker 2>And also like you create just as you sort of

0:30:08.600 --> 0:30:11.880
<v Speaker 2>choreograph your movement. It's like what if the woman or.

0:30:12.160 --> 0:30:14.200
<v Speaker 1>Person you were talking to got about of the chair,

0:30:14.520 --> 0:30:18.800
<v Speaker 1>your eyes should follow them, you know. And then when

0:30:19.120 --> 0:30:22.480
<v Speaker 1>actors ask a question, the only way we the audience

0:30:22.600 --> 0:30:23.760
<v Speaker 1>know is like your reaction.

0:30:24.240 --> 0:30:27.360
<v Speaker 2>So when you ask, give that space for the reaction.

0:30:27.720 --> 0:30:29.000
<v Speaker 2>Let's see it so we know.

0:30:29.680 --> 0:30:33.320
<v Speaker 1>You know, it's just really making an inclusive because as

0:30:33.360 --> 0:30:36.480
<v Speaker 1>a castine director, oh my god, I used to do

0:30:36.640 --> 0:30:39.480
<v Speaker 1>Actors Connection and it was like twenty eight to thirty

0:30:39.520 --> 0:30:42.760
<v Speaker 1>monologues per session that I would do, right, and I

0:30:42.800 --> 0:30:46.800
<v Speaker 1>would do like maybe two a month, but they all

0:30:46.960 --> 0:30:50.880
<v Speaker 1>started with actors doing that breathing and all that, and

0:30:50.960 --> 0:30:54.600
<v Speaker 1>I'm like, no, what happened before.

0:30:54.400 --> 0:30:58.080
<v Speaker 3>You started this speech exactly? We need to do it right.

0:31:00.080 --> 0:31:04.360
<v Speaker 1>Yeah, I understand what you're saying. Our time has flown

0:31:04.880 --> 0:31:06.000
<v Speaker 1>by Rayon.

0:31:07.320 --> 0:31:11.080
<v Speaker 2>Fun I'm having a blast, man. I'm taking this from

0:31:11.120 --> 0:31:11.720
<v Speaker 2>me all day.

0:31:11.760 --> 0:31:15.960
<v Speaker 1>After this, I just want to ask you, well, you

0:31:16.040 --> 0:31:18.160
<v Speaker 1>know what, I'm gonna give you that space and class

0:31:18.200 --> 0:31:21.600
<v Speaker 1>and session to give your last words, because I mean,

0:31:21.920 --> 0:31:25.400
<v Speaker 1>you have been everything that I really wanted today in

0:31:25.560 --> 0:31:29.480
<v Speaker 1>terms of the journey, and but from the perspective of

0:31:29.840 --> 0:31:34.720
<v Speaker 1>just coming in loving it and not having that fear

0:31:35.200 --> 0:31:39.120
<v Speaker 1>or concern of judgment, just being who you are in

0:31:39.240 --> 0:31:43.560
<v Speaker 1>your own space. That's beautiful and that's why your career

0:31:43.640 --> 0:31:46.160
<v Speaker 1>moves the way it is. That's why you go continue

0:31:46.560 --> 0:31:46.960
<v Speaker 1>and when you.

0:31:47.040 --> 0:31:50.520
<v Speaker 2>Are the red carpet now please no shortcut, Please.

0:31:54.560 --> 0:31:58.440
<v Speaker 1>Open your door, say hold on waited the red.

0:31:58.400 --> 0:31:59.720
<v Speaker 3>Car go ty.

0:31:59.760 --> 0:32:02.440
<v Speaker 4>We need to get to which I want the listener

0:32:02.520 --> 0:32:06.040
<v Speaker 4>to understand. It's even even outside.

0:32:05.600 --> 0:32:07.920
<v Speaker 3>Of just the acting, the business part of it is

0:32:07.960 --> 0:32:08.520
<v Speaker 3>so important.

0:32:08.920 --> 0:32:12.600
<v Speaker 1>Okay, so we can we can extend another invitation and

0:32:12.680 --> 0:32:15.800
<v Speaker 1>we'll do ray On Lewis Part two. How's that, Laurence

0:32:15.920 --> 0:32:20.840
<v Speaker 1>Laurence Rayon Lawrence Part two The Business of Show Business?

0:32:20.880 --> 0:32:24.320
<v Speaker 2>Because that is major. I'm glad that you want to

0:32:24.400 --> 0:32:24.920
<v Speaker 2>come back.

0:32:26.520 --> 0:32:29.960
<v Speaker 3>Yeah, okay, so cool.

0:32:30.360 --> 0:32:33.720
<v Speaker 1>So Elsa is gonna come on and introduce you to

0:32:33.840 --> 0:32:35.800
<v Speaker 1>the two actors that are going to ask you questions.

0:32:36.360 --> 0:32:37.560
<v Speaker 2>So here we go.

0:32:38.640 --> 0:32:42.800
<v Speaker 5>Yes, yes, thank you so much, Rayon. That was that

0:32:43.000 --> 0:32:46.720
<v Speaker 5>was awesome. So today we have two of our spirited actors.

0:32:46.840 --> 0:32:50.719
<v Speaker 5>We have missed Shemiah Lucas. Welcome, Shemiah. You can come

0:32:50.800 --> 0:32:56.600
<v Speaker 5>on camera, Hey, Shamiah, and we have missed Ashley Creary.

0:32:57.200 --> 0:32:59.080
<v Speaker 5>Welcome Ashley. You can come on camera as well.

0:32:59.680 --> 0:33:05.160
<v Speaker 3>Yeah, actually, and she is.

0:33:05.640 --> 0:33:07.800
<v Speaker 5>You can unmute Ashley and ask you a question.

0:33:12.840 --> 0:33:15.040
<v Speaker 2>Hey, Rihanna, how are you yourself?

0:33:15.800 --> 0:33:16.440
<v Speaker 7>I'm amazing?

0:33:17.080 --> 0:33:20.760
<v Speaker 6>So I wanted to say that your perseverance and your

0:33:20.840 --> 0:33:24.400
<v Speaker 6>faith is actually impressive. And I wanted to know when

0:33:24.440 --> 0:33:26.520
<v Speaker 6>you were filming that role of Trash that you said

0:33:26.560 --> 0:33:28.360
<v Speaker 6>you only had two scenes.

0:33:29.560 --> 0:33:31.280
<v Speaker 3>At that moment that made it.

0:33:35.320 --> 0:33:37.560
<v Speaker 6>You said at that moment that she knew that it

0:33:37.680 --> 0:33:41.560
<v Speaker 6>wasn't your time. Yeah, was there any reason that you felt.

0:33:41.360 --> 0:33:43.760
<v Speaker 3>That way I just I don't know. I just felt

0:33:44.200 --> 0:33:46.720
<v Speaker 3>right before the movie, it just didn't feel like this

0:33:47.000 --> 0:33:49.000
<v Speaker 3>was it. I just I just I don't know.

0:33:49.200 --> 0:33:52.400
<v Speaker 4>Even though like everything else was happening, these magazines, the

0:33:52.520 --> 0:33:55.520
<v Speaker 4>GQ and you know, everybody just hyped a bot, I

0:33:55.680 --> 0:33:57.240
<v Speaker 4>just it was just inkland.

0:33:57.280 --> 0:33:59.480
<v Speaker 3>I guess like I was just like this, this is

0:33:59.520 --> 0:33:59.960
<v Speaker 3>not going to be.

0:34:00.080 --> 0:34:02.880
<v Speaker 4>Yet, you know, being math right before it, I was like,

0:34:03.520 --> 0:34:05.960
<v Speaker 4>this is gonna be it, This is gonna be the one,

0:34:06.400 --> 0:34:07.160
<v Speaker 4>you know, and it.

0:34:07.280 --> 0:34:10.840
<v Speaker 3>Was just it was just really a feeling. I like that.

0:34:11.040 --> 0:34:11.719
<v Speaker 7>That's impressive.

0:34:12.320 --> 0:34:17.759
<v Speaker 5>Thank you, Thank you, Ashley ast Media. What's your question?

0:34:21.920 --> 0:34:23.040
<v Speaker 3>Yeah, I think you got the mule law.

0:34:32.600 --> 0:34:41.360
<v Speaker 2>No, no, no, we don't hear you. It's weird.

0:34:42.280 --> 0:34:45.920
<v Speaker 5>Mhmm okay, so we can we.

0:34:45.960 --> 0:34:47.520
<v Speaker 3>Can she can't she type it?

0:34:47.640 --> 0:34:47.800
<v Speaker 4>Or no?

0:34:48.040 --> 0:34:50.480
<v Speaker 3>Not on zooms right, you can't, Like you.

0:34:50.480 --> 0:35:07.520
<v Speaker 5>Want to type your question in the and Mea says,

0:35:07.640 --> 0:35:09.160
<v Speaker 5>what is your dream role?

0:35:10.320 --> 0:35:11.560
<v Speaker 3>Oh that's good.

0:35:12.120 --> 0:35:14.279
<v Speaker 4>Well I got my degree in criminal justice. I wanted

0:35:14.320 --> 0:35:19.200
<v Speaker 4>to be an FBI agent, So literally I just played

0:35:19.239 --> 0:35:22.759
<v Speaker 4>my dream role. Actually, I just did this movie where

0:35:22.760 --> 0:35:26.680
<v Speaker 4>I played a high profile detective, so that's definitely my

0:35:26.840 --> 0:35:29.640
<v Speaker 4>dream role. Now it wasn't the dream project, not yet.

0:35:29.960 --> 0:35:32.920
<v Speaker 4>It's an indie, but that was the dream role was

0:35:33.000 --> 0:35:38.040
<v Speaker 4>to play a high end detective or a FBI agent.

0:35:38.520 --> 0:35:41.279
<v Speaker 4>So that's that's my dream role. But I'm doing a

0:35:41.320 --> 0:35:43.080
<v Speaker 4>big level. But I just did it on the you know,

0:35:43.200 --> 0:35:45.719
<v Speaker 4>the small It was fun. It was fun doing it.

0:35:46.160 --> 0:35:48.880
<v Speaker 4>I took a lot of pride in that. And you know,

0:35:49.000 --> 0:35:50.160
<v Speaker 4>just to go back if we have a little bit

0:35:50.200 --> 0:35:52.680
<v Speaker 4>of time, you know when when Tracy talks about whenever,

0:35:53.239 --> 0:35:55.720
<v Speaker 4>like once you book that role or even the audition

0:35:55.920 --> 0:35:59.120
<v Speaker 4>right now, because I've been in the game so long,

0:36:00.320 --> 0:36:03.839
<v Speaker 4>you automatically start to think, Okay, how does this person think?

0:36:04.040 --> 0:36:04.200
<v Speaker 1>Right?

0:36:04.719 --> 0:36:07.399
<v Speaker 4>You know, so now you know, and I'm not saying

0:36:07.440 --> 0:36:10.799
<v Speaker 4>everybody do this thing, but you know these cops, right,

0:36:10.880 --> 0:36:12.520
<v Speaker 4>they like to go to the bar and have a beer.

0:36:12.680 --> 0:36:14.000
<v Speaker 3>Like I don't drink beer at all.

0:36:14.239 --> 0:36:16.880
<v Speaker 4>I started going to bar every night on set, drinking

0:36:16.920 --> 0:36:19.320
<v Speaker 4>a beer after just to have the mental space.

0:36:19.360 --> 0:36:20.320
<v Speaker 3>And this is what these guys do.

0:36:20.600 --> 0:36:22.279
<v Speaker 4>They go to bed, they go to the bar and

0:36:22.400 --> 0:36:24.800
<v Speaker 4>just hang out and just think about how the day process,

0:36:24.840 --> 0:36:27.040
<v Speaker 4>how the day was, how many arrests they had, you know.

0:36:27.400 --> 0:36:30.040
<v Speaker 3>So that's literally what I what I did so a

0:36:30.080 --> 0:36:30.640
<v Speaker 3>lot of roles.

0:36:31.239 --> 0:36:34.320
<v Speaker 4>I would automatically think about, Okay, how this guy feels,

0:36:34.400 --> 0:36:37.200
<v Speaker 4>and I would just going to that moment, you know

0:36:37.360 --> 0:36:39.680
<v Speaker 4>before I tell you this roll out that I'm doing

0:36:39.800 --> 0:36:42.640
<v Speaker 4>right now. I'm playing a character in the seventies, this

0:36:42.760 --> 0:36:46.920
<v Speaker 4>big gangsten Hall of Them, and I don't smoke cigars.

0:36:47.000 --> 0:36:49.279
<v Speaker 4>He smoked cigars. I had to go on set and

0:36:49.440 --> 0:36:51.200
<v Speaker 4>learn how to smoke a cigar, which I learned from

0:36:51.239 --> 0:36:54.680
<v Speaker 4>BMF and I started smoking cigar one night just there,

0:36:55.640 --> 0:36:58.239
<v Speaker 4>you know, in the moment, you know.

0:36:58.440 --> 0:36:58.520
<v Speaker 2>So.

0:37:00.040 --> 0:37:02.840
<v Speaker 4>Crazy, you just gotta love it, just wanting to really

0:37:03.040 --> 0:37:06.600
<v Speaker 4>be these characters, really be in in in this space.

0:37:06.760 --> 0:37:09.040
<v Speaker 4>And when we have time for second one, I'll tell

0:37:09.040 --> 0:37:12.600
<v Speaker 4>you how the bm meth process was because that was different.

0:37:14.239 --> 0:37:16.799
<v Speaker 2>Character. And you know, I'll write that down because I'm

0:37:16.800 --> 0:37:18.880
<v Speaker 2>gonna ask you, Yeah, that.

0:37:18.960 --> 0:37:20.640
<v Speaker 3>One was really that one was really deep.

0:37:22.160 --> 0:37:22.399
<v Speaker 2>Wow.

0:37:23.520 --> 0:37:27.000
<v Speaker 1>Oh, I mean, once again, thank you, thank you, Elsa,

0:37:27.680 --> 0:37:30.879
<v Speaker 1>thank you Ashley and Shemiah, thank you so much.

0:37:32.520 --> 0:37:36.160
<v Speaker 2>Rayon is staying with us, you guys, so you are

0:37:36.280 --> 0:37:37.880
<v Speaker 2>blessed and I'm so grateful.

0:37:38.360 --> 0:37:41.600
<v Speaker 1>When we come back, these two spirited actors are going

0:37:41.680 --> 0:37:43.360
<v Speaker 1>to do class in session.

0:37:44.760 --> 0:37:47.080
<v Speaker 2>When we come back on the Spirited Actor Podcast with

0:37:47.200 --> 0:37:48.080
<v Speaker 2>me Tracy Moore.

0:37:49.640 --> 0:37:53.040
<v Speaker 1>Welcome back to the Spirited Actor Podcast with me Tracy Moore,

0:37:53.160 --> 0:37:56.680
<v Speaker 1>and you are still blessed. Rayon Lawrence is still with

0:37:56.960 --> 0:38:00.279
<v Speaker 1>us and he's gonna be with us for class and session. Then,

0:38:00.520 --> 0:38:06.880
<v Speaker 1>so we are going to have Elsa introduce our Spirited actors.

0:38:07.040 --> 0:38:12.080
<v Speaker 2>We have two ladies here today, Elsa, who we are today?

0:38:12.560 --> 0:38:17.040
<v Speaker 5>We have a brand new spirited actor. We have missus

0:38:17.120 --> 0:38:25.959
<v Speaker 5>Ashley Prairie. Welcome Ashley, Hello, and returning as a Spirited actor.

0:38:26.040 --> 0:38:29.560
<v Speaker 5>We have miss Shemia and Lucas. Welcome back, Shamiah Hi.

0:38:33.960 --> 0:38:38.600
<v Speaker 5>So today's scene is Crazy Love, written by Ariel Bryce.

0:38:39.719 --> 0:38:44.680
<v Speaker 5>Two friends Ryese and Carmen are out to lunch discussing life.

0:38:50.920 --> 0:38:51.840
<v Speaker 2>Don't think I'm crazy?

0:38:53.920 --> 0:38:57.040
<v Speaker 7>But what would you think if I started seeing Tad again?

0:38:58.760 --> 0:38:59.440
<v Speaker 7>Are you crazy?

0:39:01.400 --> 0:39:03.200
<v Speaker 2>I'm not really no.

0:39:03.800 --> 0:39:07.640
<v Speaker 7>Look have you forgotten what he did to you last time?

0:39:09.160 --> 0:39:11.719
<v Speaker 2>I haven't. But he's different now.

0:39:12.239 --> 0:39:13.040
<v Speaker 7>He has a son.

0:39:14.400 --> 0:39:15.279
<v Speaker 2>How old is the kid?

0:39:16.760 --> 0:39:17.000
<v Speaker 1>Nine?

0:39:19.160 --> 0:39:21.040
<v Speaker 7>But y'all broke up seven years ago.

0:39:22.440 --> 0:39:24.440
<v Speaker 2>Common I don't need your judgment.

0:39:27.360 --> 0:39:28.120
<v Speaker 7>I'm not judging you.

0:39:28.200 --> 0:39:32.200
<v Speaker 6>I'm your friend, rees your friend that you came to

0:39:32.280 --> 0:39:33.920
<v Speaker 6>because I have some type of common sense.

0:39:34.200 --> 0:39:36.759
<v Speaker 7>I just I don't want to see the recent Ted

0:39:36.840 --> 0:39:40.520
<v Speaker 7>saga kick up again. I remember what you went through.

0:39:42.880 --> 0:39:46.160
<v Speaker 5>Yeah, it's not the same.

0:39:47.640 --> 0:39:50.359
<v Speaker 7>Are you sure you can do this because this time

0:39:50.400 --> 0:39:52.160
<v Speaker 7>around it's not just you and him. There's a child

0:39:52.280 --> 0:39:56.120
<v Speaker 7>involved and a mother that you have a history with.

0:39:58.600 --> 0:40:04.800
<v Speaker 7>She's not a factor. She messed away. You say that

0:40:04.960 --> 0:40:05.800
<v Speaker 7>like you're relieved.

0:40:07.080 --> 0:40:07.800
<v Speaker 2>You're judging me.

0:40:09.960 --> 0:40:10.640
<v Speaker 7>How long ago?

0:40:13.080 --> 0:40:13.920
<v Speaker 2>Seven months?

0:40:15.800 --> 0:40:18.359
<v Speaker 5>Whoa was he with her?

0:40:18.880 --> 0:40:19.080
<v Speaker 3>Ted?

0:40:20.320 --> 0:40:21.480
<v Speaker 1>Mmm? Oh?

0:40:21.640 --> 0:40:21.960
<v Speaker 5>And off?

0:40:23.640 --> 0:40:27.840
<v Speaker 7>Are you sure he's over her? See on.

0:40:29.640 --> 0:40:30.719
<v Speaker 2>Not walking away from me?

0:40:31.960 --> 0:40:32.840
<v Speaker 7>You came to me.

0:40:37.000 --> 0:40:39.200
<v Speaker 6>You came to me, and now you want to leave

0:40:39.280 --> 0:40:41.480
<v Speaker 6>because you can't deal with the fact that I'm calling

0:40:41.520 --> 0:40:42.400
<v Speaker 6>you out on your stuff.

0:40:43.719 --> 0:40:45.400
<v Speaker 7>If you woke away, Now, what are you gonna do

0:40:45.480 --> 0:40:47.880
<v Speaker 7>with him? What are you gonna do with him?

0:40:47.920 --> 0:40:50.040
<v Speaker 6>When he gets upset but you one decides to tell

0:40:50.080 --> 0:40:52.960
<v Speaker 6>you that you're not his mother, You're gonna leave.

0:40:55.040 --> 0:40:57.800
<v Speaker 2>It's always the worst case scenarios with you.

0:40:58.680 --> 0:41:02.319
<v Speaker 6>In this case, Yes, that boy vividly remembers his mother

0:41:02.840 --> 0:41:07.560
<v Speaker 6>and actively misses her, and so does Ted. Their hearts

0:41:07.600 --> 0:41:13.239
<v Speaker 6>are broken, slowly healing and gently being mended. Ted is

0:41:13.320 --> 0:41:16.239
<v Speaker 6>still dealing with her. But when y'all were done. Y'all

0:41:16.280 --> 0:41:19.640
<v Speaker 6>were done, and it wasn't because of you and what

0:41:19.920 --> 0:41:21.640
<v Speaker 6>you're supposed to come in and make it all right.

0:41:24.000 --> 0:41:30.399
<v Speaker 7>Okay, you're right. I'm sorry. I'm not trying to make

0:41:30.440 --> 0:41:31.120
<v Speaker 7>decisions for you.

0:41:31.719 --> 0:41:32.360
<v Speaker 2>I never would.

0:41:33.640 --> 0:41:34.840
<v Speaker 7>I just want what's best for you.

0:41:36.360 --> 0:41:40.160
<v Speaker 2>He's changed, I mean, just try to give him a chance.

0:41:41.000 --> 0:41:41.799
<v Speaker 2>Here he comes now.

0:41:47.480 --> 0:41:49.799
<v Speaker 4>D oh wow.

0:41:50.120 --> 0:41:54.680
<v Speaker 1>Okay, all right, you tell you guys, Okay, Rayon, I'm

0:41:54.719 --> 0:41:58.840
<v Speaker 1>gonna throw it to you and whatever constructive criticism, feedback,

0:41:58.880 --> 0:41:59.839
<v Speaker 1>whatever you want to give them.

0:42:00.440 --> 0:42:03.360
<v Speaker 3>Yeah. I like I like I like it. I like it.

0:42:03.960 --> 0:42:05.080
<v Speaker 3>I like you guys.

0:42:05.280 --> 0:42:12.480
<v Speaker 4>Stillness, it's sort of right. You said the name again.

0:42:12.520 --> 0:42:22.000
<v Speaker 4>Sorry yeah, yeah, so sorry, Sami. Yeah, I just just

0:42:22.520 --> 0:42:25.319
<v Speaker 4>the technically, I guess because of the location. I would

0:42:25.400 --> 0:42:27.040
<v Speaker 4>just want to see a little bit more of you.

0:42:27.320 --> 0:42:29.840
<v Speaker 4>That's that's really it. But I like how you was

0:42:30.840 --> 0:42:33.160
<v Speaker 4>taking in everything that you were, the conversation that you

0:42:33.200 --> 0:42:36.680
<v Speaker 4>were having. You guys were both listening and engaged. I

0:42:36.920 --> 0:42:41.719
<v Speaker 4>like the prop using the prop use of the prop. Yeah,

0:42:41.920 --> 0:42:45.799
<v Speaker 4>I definitely like like all that. You know, you guys

0:42:45.840 --> 0:42:52.439
<v Speaker 4>were both listening. I like the emotional aspect of it. Yeah,

0:42:53.360 --> 0:42:53.759
<v Speaker 4>good job.

0:42:53.840 --> 0:42:59.120
<v Speaker 2>Wow, Wow, thank you, thank you Rayon for that.

0:42:59.719 --> 0:43:03.040
<v Speaker 1>And I also want to say that one of the

0:43:03.120 --> 0:43:05.840
<v Speaker 1>things that I would say, especially in this scene, Ashley,

0:43:06.480 --> 0:43:10.759
<v Speaker 1>is just to explore other possibilities of being angry or

0:43:10.920 --> 0:43:16.160
<v Speaker 1>being judgmental, you know, because you know the situation. And

0:43:16.840 --> 0:43:18.800
<v Speaker 1>I feel like you're that person that she told you

0:43:19.440 --> 0:43:25.200
<v Speaker 1>everything and tells you everything, so you reacting to different

0:43:25.320 --> 0:43:28.560
<v Speaker 1>ways to how these things make you feel. Well, just

0:43:29.200 --> 0:43:34.279
<v Speaker 1>because I get Tomia's character, but you give her so

0:43:34.520 --> 0:43:36.880
<v Speaker 1>much when you know it's like, oh you're judging no,

0:43:37.200 --> 0:43:41.360
<v Speaker 1>because you know everything, So it just gives more to

0:43:41.400 --> 0:43:45.799
<v Speaker 1>play off, if that makes sense. Okay, Okay, I want

0:43:45.920 --> 0:43:52.080
<v Speaker 1>everybody don't listen. Rayon is coming back, so don't get

0:43:52.200 --> 0:43:55.279
<v Speaker 1>missed on me right but right now he got to go,

0:43:56.239 --> 0:43:59.520
<v Speaker 1>So I want everybody to put their hands together for

0:43:59.680 --> 0:44:03.120
<v Speaker 1>part one of mister Rayon Long.

0:44:05.040 --> 0:44:09.239
<v Speaker 3>Thank you guys, Thank you kind sir, Thank you for

0:44:09.320 --> 0:44:11.360
<v Speaker 3>having me, my pleasure. It's an honor.

0:44:12.160 --> 0:44:14.319
<v Speaker 1>Oh well, you're coming back, so you and else are

0:44:14.360 --> 0:44:16.800
<v Speaker 1>gonna work that out. And then when you talk to

0:44:16.920 --> 0:44:22.040
<v Speaker 1>she say, Tracy said, that's how I addressed it.

0:44:24.760 --> 0:44:25.920
<v Speaker 3>I'm gonna speak right now.

0:44:26.560 --> 0:44:28.440
<v Speaker 2>When you do it, you're gonna.

0:44:28.239 --> 0:44:33.799
<v Speaker 4>Be you to Tracy, I'm gonna speak to it right

0:44:33.840 --> 0:44:36.400
<v Speaker 4>now for sure, all right, tell I.

0:44:36.520 --> 0:44:38.000
<v Speaker 2>Know because we were supposed to be.

0:44:38.160 --> 0:44:40.239
<v Speaker 1>But I just want to say thank you so much

0:44:40.360 --> 0:44:43.560
<v Speaker 1>for really bringing to life the journey of an actor.

0:44:43.719 --> 0:44:45.799
<v Speaker 1>And I'm so excited for part two you because that's

0:44:45.880 --> 0:44:48.040
<v Speaker 1>really gonna I got funny.

0:44:48.080 --> 0:44:49.640
<v Speaker 3>I got, I got so much more.

0:44:50.280 --> 0:44:51.960
<v Speaker 2>All Right, Well, I'm just gonna say, get all your

0:44:52.000 --> 0:44:54.080
<v Speaker 2>markets head go and you just go with it. I'll

0:44:54.120 --> 0:44:55.680
<v Speaker 2>part two, I'll just be listening to.

0:44:56.440 --> 0:45:00.799
<v Speaker 1>Okay, But ladies and gentlemen, what a great great man

0:45:01.080 --> 0:45:06.280
<v Speaker 1>and great great actor, Rayon Lewis Lawrence.

0:45:06.440 --> 0:45:09.640
<v Speaker 2>Why don't want to call you Lewis Rayon Lawrence? Everybody?

0:45:10.840 --> 0:45:13.520
<v Speaker 1>And when we come back on the Spirited Actor Podcast

0:45:13.600 --> 0:45:16.680
<v Speaker 1>with me Tracy Moore, I'm gonna give you loves.

0:45:17.400 --> 0:45:21.000
<v Speaker 2>That's what I'm welcome to Kudo's Corner.

0:45:21.360 --> 0:45:25.360
<v Speaker 1>Kudos Corner is where we celebrate spirited actors and we

0:45:25.560 --> 0:45:27.080
<v Speaker 1>support them and their work.

0:45:27.719 --> 0:45:30.560
<v Speaker 2>We love them and we just give them big hugs.

0:45:31.120 --> 0:45:34.800
<v Speaker 1>And this week's Kudos Corner put the spotlight on spirited

0:45:34.880 --> 0:45:39.080
<v Speaker 1>actor Miles Marrable. Miles has been a proud spirited actor

0:45:39.200 --> 0:45:44.960
<v Speaker 1>since birth. Literally recently, he starred as Lieutenant Clark in

0:45:45.040 --> 0:45:50.000
<v Speaker 1>the off Broadway play The Buffalo Hero of World War One,

0:45:50.680 --> 0:45:55.719
<v Speaker 1>the Wayne Minor story, directed by Canthedo Robinson, who has

0:45:55.800 --> 0:45:56.880
<v Speaker 1>been a guest here on the.

0:45:56.880 --> 0:46:02.320
<v Speaker 2>Spirited Actor podcast with Me Tracy Moore. Miles has also.

0:46:02.160 --> 0:46:05.440
<v Speaker 1>Made appearances in the first season of Wu Tang and

0:46:05.760 --> 0:46:11.480
<v Speaker 1>American Saga, and the indie short RSVP, and my Crackle

0:46:11.600 --> 0:46:14.720
<v Speaker 1>TV show Inside the black Box, where he is also

0:46:14.920 --> 0:46:18.919
<v Speaker 1>instrumental in the writer's room, working with producers and head

0:46:19.000 --> 0:46:24.399
<v Speaker 1>writer Spruce Henry. In addition to acting, Miles has put

0:46:24.480 --> 0:46:28.160
<v Speaker 1>in great work on his rap career. His song Secure

0:46:28.480 --> 0:46:32.399
<v Speaker 1>was recently featured in season three of the Bounced TV

0:46:32.600 --> 0:46:37.200
<v Speaker 1>series Johnson. The song pre Check and Maple Leaves are

0:46:37.320 --> 0:46:41.120
<v Speaker 1>two other available songs Kudos to Miles.

0:46:41.360 --> 0:46:45.759
<v Speaker 2>Variable and now It's Time to Give Love.

0:46:47.840 --> 0:46:50.279
<v Speaker 1>When I was sixteen years old in San Francisco, I

0:46:50.320 --> 0:46:54.759
<v Speaker 1>didn't like the feeling of jealousy. My boyfriend started to

0:46:55.320 --> 0:46:58.200
<v Speaker 1>like this other girl and that was the first time

0:46:58.239 --> 0:46:58.960
<v Speaker 1>I felt it, and.

0:46:59.040 --> 0:47:00.239
<v Speaker 2>It really hurt.

0:47:01.120 --> 0:47:07.600
<v Speaker 1>I cried listen to sad songs. Then I started thinking

0:47:07.800 --> 0:47:10.800
<v Speaker 1>about all the great things about me that she didn't

0:47:10.880 --> 0:47:15.759
<v Speaker 1>have and I started feeling good about myself slowly and

0:47:15.960 --> 0:47:19.200
<v Speaker 1>better and better, and then I realized she could never

0:47:19.360 --> 0:47:24.880
<v Speaker 1>be meet it, and I was really cool. Love you

0:47:25.719 --> 0:47:34.640
<v Speaker 1>more than anyone else and embraced your uniqueness because nobody

0:47:35.040 --> 0:47:38.000
<v Speaker 1>can be you. Don't forget to look out for us.

0:47:38.120 --> 0:47:40.960
<v Speaker 1>On our new show, Inside the Black Box. My co

0:47:41.200 --> 0:47:44.960
<v Speaker 1>host will be Joe the Legend Morton. It's going to

0:47:45.040 --> 0:47:48.160
<v Speaker 1>be The Spirited Actor Podcast on Steroids.

0:47:48.560 --> 0:47:52.240
<v Speaker 2>We'll be streaming on the Crackle network. I'll keep you posted.

0:47:52.440 --> 0:47:55.719
<v Speaker 1>Thank you for joining us on the Spirited Actor Podcast

0:47:55.840 --> 0:47:59.200
<v Speaker 1>with me Tracy Moore. I look forward to our next

0:47:59.280 --> 0:48:00.439
<v Speaker 1>Spirited Podcast.

0:48:00.840 --> 0:48:01.200
<v Speaker 2>Thank you,