WEBVTT - TGI – Episode 605 “Better Than Your Average Cory”

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<v Speaker 1>Had any weird dreams lately, Danielle.

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<v Speaker 2>On our way to lunch yesterday, I told Will Will

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<v Speaker 2>ask me. You know, I've started my medication, my anti

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<v Speaker 2>estrogen medication, and it's called demoxifen. There's all kinds of

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<v Speaker 2>potentially awful side effects like joint and muscle weakness and aches,

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<v Speaker 2>and you know, all the menopause symptoms, so like hot flashes,

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<v Speaker 2>night sweats, mood swings, irritability, just weight gain, like you

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<v Speaker 2>name it. There's a laundry list of things. And if

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<v Speaker 2>you research it online, you will inevitably find that people

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<v Speaker 2>seem to react horribly to it and nobody likes it,

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<v Speaker 2>and it's awful. It's horrible. And I was like, okay,

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<v Speaker 2>so I'm my doctor gave me a little bit of

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<v Speaker 2>like a positive pep talk about it before I started.

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<v Speaker 2>He said, how well, No, what he said was, this

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<v Speaker 2>is my medical oncologist. He said, how did you react

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<v Speaker 2>to pregnancy emotionally? Like what were your side effects of pregnancy?

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<v Speaker 2>And he said were you? And he said, because I

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<v Speaker 2>from and I don't know. Then when I told my practitioner,

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<v Speaker 2>my general practitioner, he said this, She's like, I've never

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<v Speaker 2>heard that. I don't know where he came up with that,

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<v Speaker 2>but whatever, she's like, hopefully it'll be true for you.

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<v Speaker 2>So he just said, like, especially emotionally mood swing wise,

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<v Speaker 2>if pregnancy really affected you, this might do the same

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<v Speaker 2>thing to you. And I said, good news was I didn't.

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<v Speaker 2>I wasn't strongly affected during pregnancy. So I'm going to

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<v Speaker 2>go into this with all the optimism in the world

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<v Speaker 2>that I'm not going to have any of these major

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<v Speaker 2>side effects, and in conjunction with that, to avoid any

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<v Speaker 2>of the joint pain and muscle weakness stuff, I'm gonna

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<v Speaker 2>start working out every single day, like at least five

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<v Speaker 2>days a week. I'm going to do something physical. Where

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<v Speaker 2>I had pretty much lived a very sedentary lifestyle for

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<v Speaker 2>the years before this, I'm going to just start being

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<v Speaker 2>really physical. And so I started working out regularly. I

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<v Speaker 2>have now been on it for almost thirty days and

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<v Speaker 2>I have truly no awful side effects thus far. Doesn't

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<v Speaker 2>mean some can start, but I so far am feeling

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<v Speaker 2>really great. I am having the occasional night sweats, but

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<v Speaker 2>all right, I can live with that. I haven't noticed

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<v Speaker 2>that I've had any incredible mood swings. If anything, dare

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<v Speaker 2>I say, I think it made me nicer. I don't know,

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<v Speaker 2>but I actually think I feel better. Jensen just wrote

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<v Speaker 2>the chap seconded, I think I'm happier since I've started

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<v Speaker 2>taking demoxifen. I don't know why, but I feel actually better.

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<v Speaker 2>I feel like I'm on an antidepressant, even though I've

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<v Speaker 2>never been on one. But the one pretty awful side

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<v Speaker 2>effect for me is that I am having very vivid,

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<v Speaker 2>weird dreams.

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<v Speaker 1>That's fun the ship.

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<v Speaker 2>Their anxiety inducing, and I was telling Will one yesterday

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<v Speaker 2>when we drove to lunch because it's just so weird.

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<v Speaker 2>I had a dream that I kept going back into.

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<v Speaker 2>So I'll wake up from a dream because I'm all

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<v Speaker 2>anxious in the dream. I'll wake up from it and go, Danielle,

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<v Speaker 2>it's just a dream. You're not really in the situation.

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<v Speaker 2>You can just go go back to sleep and just

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<v Speaker 2>like think about something else. And then I went back

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<v Speaker 2>into it over and over again. And you want to

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<v Speaker 2>know what it was? You want to know what my

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<v Speaker 2>dream was? Uh, Grover the Muppet. Grover the Muppet had

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<v Speaker 2>a not in his for that I needed to get out,

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<v Speaker 2>and I couldn't do it. I couldn't do it. I

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<v Speaker 2>was so close my hands in there.

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<v Speaker 3>You couldn't have picked a better like acid trip dream

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<v Speaker 3>to have a Muppet.

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<v Speaker 1>I mean it's like.

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<v Speaker 2>He was like, like, I couldn't like retangler. I was

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<v Speaker 2>using my bee free dtangler and I'm like spraying it

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<v Speaker 2>in his hair and I'm like, oh gosh, it's so close.

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<v Speaker 2>It's so close. And then he's talking to you and

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<v Speaker 2>you have to get this out, and I was like,

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<v Speaker 2>I'm trying. I really, I'm trying.

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<v Speaker 1>I'm trying.

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<v Speaker 2>I'm gonna and then I would like wake up and

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<v Speaker 2>I'd be sweating to death. I was like, oh God,

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<v Speaker 2>poor Grover. And then I'd be like, dang, yelle, Grover

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<v Speaker 2>is Grover's fine, Fine, it's okay, just go back to sleep.

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<v Speaker 2>And then I'd fall back asleep and I'd be Grovers

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<v Speaker 2>for just trying to work on the NOTT. And literally

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<v Speaker 2>it was all night. I woke up out.

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<v Speaker 4>Sorry, but it's such for the side effects you could

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<v Speaker 4>have had, you having anxiety inducing Grover Muppet dreams is

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<v Speaker 4>my favorite.

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<v Speaker 1>I love it so much.

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<v Speaker 3>I mean, when we're having you know, when we're having

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<v Speaker 3>a creative challenge, we're all working on stuff. We can

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<v Speaker 3>call it a Grover's not we got to figure out

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<v Speaker 3>episode of Pod Meets World. It's you know, we're really

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<v Speaker 3>in a Grover's.

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<v Speaker 1>We have to make this quick and it's stressful and weird.

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<v Speaker 4>If cameo, if Grover is on Cameo, I'm getting you.

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<v Speaker 2>Well, thanks forgetting the Grover voice. I'm trying to Groover

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<v Speaker 2>sound like he sounds a little like Cookie Monster, but

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<v Speaker 2>not as deep. A little a little, a little like that,

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<v Speaker 2>but not quite as deep. So I will say that

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<v Speaker 2>that one of the reasons I dreamt about Grover is

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<v Speaker 2>that Jensen has a book from his childhood called Grover

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<v Speaker 2>Goes to School and my children I've been reading it

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<v Speaker 2>to my children for the last couple of nights. Keaton

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<v Speaker 2>loves it, and it's about Grover's anxiety. He goes to

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<v Speaker 2>school and he wants everyone to like him, and so

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<v Speaker 2>to get everyone to like him, he does all these

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<v Speaker 2>things that he doesn't want to do and then ends

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<v Speaker 2>up having a his sterical, hysterical breakdown in school.

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<v Speaker 1>Twists and choke. Somebody like you to get it on tang.

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<v Speaker 2>So anyway, there's my tomoxafine update.

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<v Speaker 1>Here's Grover, guys, Here's this is your old.

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<v Speaker 5>That's right right, there's a little Kermany too, Yeah, mixed

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<v Speaker 5>with cookie Monster.

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<v Speaker 1>This is your old pal Grover.

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<v Speaker 2>Okay, yeah, I thought you played it again. I thought

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<v Speaker 2>played again.

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<v Speaker 1>Will you should maybe working voice was incredible?

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<v Speaker 2>Gosh, well I think I think you've got something there.

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<v Speaker 1>Yeah.

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<v Speaker 4>By the way, that's essentially you just saw a voiceover audition.

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<v Speaker 4>If you have to match somebody, you just keep listening

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<v Speaker 4>to it and then you just try to keep.

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<v Speaker 1>Yeah, mimic.

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<v Speaker 2>Welcome to Pod Meets World. I'm Daniel Fishall, I'm rather strong,

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<v Speaker 2>and I'm Wilfredell. So today we are recapping.

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<v Speaker 1>Got a little grovery. I'm gonna say it was like

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<v Speaker 1>it was like you still you can.

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<v Speaker 3>Get out of it.

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<v Speaker 1>Sorry, I'll do my own voice. It's wilfred El Kurry.

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<v Speaker 1>Really I want to hear it back, and I swear

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<v Speaker 1>you kind of went like.

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<v Speaker 6>I get a little crack method voiceover app.

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<v Speaker 1>My gosh.

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<v Speaker 2>Today we are recapping season six, episode five, Better than

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<v Speaker 2>Your Average Corey, which originally aired October twenty third, nineteen

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<v Speaker 2>ninety eight. The synopsis. After Corey is introduced to an

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<v Speaker 2>art prodigy, he develops an inferiority complex and blames his

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<v Speaker 2>lack of skills on his average upbringing. Meanwhile, when Rachel

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<v Speaker 2>almost chokes, she says she owes Jack anything he wants

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<v Speaker 2>for saving her life. It was directed by David Kendall

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<v Speaker 2>and it was written by Laura Runnels and Patty Carr. Yes,

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<v Speaker 2>So before I jump into guest stars, what were your

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<v Speaker 2>overall thought of the episode?

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<v Speaker 1>Go ahead? Will I want to hear you?

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<v Speaker 4>You go?

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<v Speaker 2>Okay?

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<v Speaker 4>I don't know exactly what ayahuasca does, but I imagine

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<v Speaker 4>it would make me feel like watching this episode, Wow,

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<v Speaker 4>this was an acid trip of weirdness.

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<v Speaker 1>I didn't get it. I it was that you know

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<v Speaker 1>what it was? Is this? This episode?

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<v Speaker 4>To me? Had it has produced so many different memes

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<v Speaker 4>that have become famous that it seemed more like meme

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<v Speaker 4>beats than it did like an.

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<v Speaker 2>Entire Episodeery salary for sure.

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<v Speaker 4>Me me lying down looking like I'd been electrocuted a one.

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<v Speaker 4>Matt Matt trying to heimlich Maitland is another one. I mean,

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<v Speaker 4>there's like four or five moments in this that were

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<v Speaker 4>just the moment has become something I'm I'm over already,

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<v Speaker 4>the love triangle of.

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<v Speaker 2>Just running down the episode five over it.

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<v Speaker 4>I'm over every time he touches her, just running down

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<v Speaker 4>the stairs screaming.

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<v Speaker 1>Like, what do you do?

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<v Speaker 6>I don't get it.

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<v Speaker 2>There's nothing any of something?

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<v Speaker 1>What thing? I don't understand it. I thought the a story.

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<v Speaker 1>I got what they were going for.

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<v Speaker 4>I also got why we wanted Alexander Nikita to come on.

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<v Speaker 4>I thought she and Lindsay together look like they were

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<v Speaker 4>not even the same species. Like she she does. Lindsay

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<v Speaker 4>looks like she's, you know, eleven.

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<v Speaker 2>Footy pajamas and then.

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<v Speaker 4>Footy pajama still, and now she's got her friend. She

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<v Speaker 4>drives on in a motorcycle. It was like it just

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<v Speaker 4>it didn't Visually it looked very strange to me. It

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<v Speaker 4>was just a weird episode all the way around. I

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<v Speaker 4>don't even know if I liked it.

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<v Speaker 1>I really don't.

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<v Speaker 4>It's like when you finish an acid trip, you're not like,

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<v Speaker 4>was that fun?

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<v Speaker 1>I don't know, You're just like, thank god it's over

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<v Speaker 1>at this point, Yeah, that's funny. I did not think

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<v Speaker 1>this was that weird. Oh I thought it was. I

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<v Speaker 1>thought it was weird.

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<v Speaker 4>Just all of a sudden, the famous artist just comes

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<v Speaker 4>dowme and is now just living with them.

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<v Speaker 2>I why is she just a member of their family.

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<v Speaker 1>So weird.

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<v Speaker 6>It was just weird. This entire episode I thought was weird.

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<v Speaker 7>Yeah, okay, I completely agree with Will about how random

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<v Speaker 7>and off putting it was that the entire first multiple

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<v Speaker 7>scenes are all centering around this young girl.

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<v Speaker 2>She's thirteen at the time. Is she really she looks

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<v Speaker 2>like a contemporary Lindy.

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<v Speaker 1>Was Ben eleven? No, I don't think so. I think

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<v Speaker 1>by this point she was probably twelve or thirteen.

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<v Speaker 2>That's probably word what year Lindsay Ridgeway was born. We'll

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<v Speaker 2>get to that when the king path. Yeah, but that's

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<v Speaker 2>let's look at why you're Lindsay Ridgey was born. Will

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<v Speaker 2>figure it out. But Alexander Nikita is thirteen. I googled

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<v Speaker 2>that last night because in the scene with Ben, I

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<v Speaker 2>could not believe that they made so many little girl

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<v Speaker 2>jokes and references. And by the way, he is being

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<v Speaker 2>so rude.

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<v Speaker 1>It's it's weird.

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<v Speaker 2>Okay. So Lindsay was born in nineteen eighty five, so

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<v Speaker 2>she also was thirteen.

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<v Speaker 1>Okay, yeah, twelve or thirteen.

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<v Speaker 2>They're just a very different basically very different. But despite

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<v Speaker 2>their best efforts of pigtail braids and overalls, she looked

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<v Speaker 2>like a contemporary of Ben's, Like she looked like like

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<v Speaker 2>she could be another person in just a normal conversation

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<v Speaker 2>with Ben. But they had to make a big deal

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<v Speaker 2>about the fact that she was a little girl. But

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<v Speaker 2>she doesn't look like a little girl. She doesn't carry

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<v Speaker 2>herself even like a little girl. All of that if

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<v Speaker 2>I get past all of that, because all of that

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<v Speaker 2>was and I joked, when did she just become a

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<v Speaker 2>part of the family. I actually loved the a storyline.

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<v Speaker 2>I loved it really really didn't even know where really

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<v Speaker 2>it was going, just exactly because it was weird, but

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<v Speaker 2>loved where it ended. Just loved day.

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<v Speaker 4>I could watch Rusty act all day long. And that's

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<v Speaker 4>I'm fine with it. I love all that I love it.

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<v Speaker 1>Just it seemed to it seemed to kind of come

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<v Speaker 1>out of nowhere.

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<v Speaker 4>It was another one of those episodes of like, this

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<v Speaker 4>is just the Corey we need right now, and so

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<v Speaker 4>this is the Corey we're going to give you, and.

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<v Speaker 1>Yeah, like this gets back to essential Cory in the

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<v Speaker 1>best way. This is raging Corey. It's a sister episode

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<v Speaker 1>of Raging Cory.

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<v Speaker 3>To me, I yeah, no, I yeah, I mean obviously

0:12:21.679 --> 0:12:24.560
<v Speaker 3>the b story was snubbed at the Emmys.

0:12:24.240 --> 0:12:24.720
<v Speaker 4>That you're.

0:12:26.080 --> 0:12:31.840
<v Speaker 3>Just can't believe it truly groundbreaking, and yeah, I mean

0:12:31.840 --> 0:12:35.520
<v Speaker 3>it's awful, it's embarrassing. I'm like embarrassed me too for

0:12:35.679 --> 0:12:36.120
<v Speaker 3>our show.

0:12:37.240 --> 0:12:38.280
<v Speaker 1>Why are we doing this?

0:12:38.400 --> 0:12:44.120
<v Speaker 3>And but then I was having this weird thought of like, actually, actually,

0:12:44.240 --> 0:12:48.200
<v Speaker 3>like there's probably people out there who really did enjoy this,

0:12:48.920 --> 0:12:50.920
<v Speaker 3>They're just not Boy Meets World fans.

0:12:51.320 --> 0:12:52.000
<v Speaker 1>Does that make sense?

0:12:52.040 --> 0:12:53.960
<v Speaker 3>Like there are people who were like tuning in on

0:12:54.000 --> 0:12:57.679
<v Speaker 3>a Friday night who probably really thought that the The

0:12:58.040 --> 0:13:00.880
<v Speaker 3>Love Triangle was like funny and like this sort of

0:13:01.440 --> 0:13:05.080
<v Speaker 3>like it's not fun effortless romp, but but it's not

0:13:05.120 --> 0:13:08.040
<v Speaker 3>funny because we're looking at it thirty years later, wanting

0:13:08.080 --> 0:13:10.240
<v Speaker 3>it to be part of an important show that has

0:13:10.280 --> 0:13:14.400
<v Speaker 3>these really well developed characters. And actually most people want

0:13:14.480 --> 0:13:18.720
<v Speaker 3>from their Friday night sitcoms, like people that are good looking,

0:13:19.679 --> 0:13:22.640
<v Speaker 3>making jokes and like doing stuff like you know, I

0:13:22.679 --> 0:13:25.400
<v Speaker 3>think the same jokes for now five episodes.

0:13:26.360 --> 0:13:27.079
<v Speaker 2>But it's a riff.

0:13:27.200 --> 0:13:29.679
<v Speaker 1>It's like if you if you are stuck watching your

0:13:29.760 --> 0:13:32.440
<v Speaker 1>kids show, like if you have a teenager and or

0:13:32.720 --> 0:13:34.600
<v Speaker 1>an eleven year old and they want to watch their

0:13:34.679 --> 0:13:35.960
<v Speaker 1>kids show and.

0:13:35.920 --> 0:13:40.960
<v Speaker 2>You're yeah, media coming to the planet every single episode.

0:13:41.160 --> 0:13:43.559
<v Speaker 2>Every episode, I'm like another meteor.

0:13:44.320 --> 0:13:47.640
<v Speaker 4>Writers is literally defending the fact that it's a romp.

0:13:47.800 --> 0:13:49.520
<v Speaker 3>Well here's what I started thinking, Well, it's not even

0:13:49.559 --> 0:13:52.600
<v Speaker 3>that it's a romp, it's that it's a riff exactly.

0:13:52.600 --> 0:13:53.320
<v Speaker 1>It's a sketch.

0:13:53.600 --> 0:13:54.679
<v Speaker 2>It's like a it's like.

0:13:54.640 --> 0:13:58.440
<v Speaker 3>A and And actually there's probably a contingent of people

0:13:58.600 --> 0:14:04.319
<v Speaker 3>for whom the Jack Eric Rachel's storyline was a relief

0:14:04.720 --> 0:14:07.559
<v Speaker 3>from what otherwise was a kind of oppressive, self serious show.

0:14:07.880 --> 0:14:10.880
<v Speaker 3>But I agree with you, those people just don't remember

0:14:10.920 --> 0:14:11.840
<v Speaker 3>it because why.

0:14:11.840 --> 0:14:15.880
<v Speaker 2>Can't Why couldn't they use Jack Eric and Rachel and

0:14:16.000 --> 0:14:18.360
<v Speaker 2>still have this thread of like there being a little

0:14:18.400 --> 0:14:21.360
<v Speaker 2>bit of jealousy and we're interested in her, but give

0:14:21.400 --> 0:14:26.200
<v Speaker 2>them another storyline. The entire all of their b storylines

0:14:26.560 --> 0:14:30.840
<v Speaker 2>for five episodes straight have been the same thing.

0:14:31.240 --> 0:14:34.560
<v Speaker 4>Eric Watson, they're about to touch, he screams, wait.

0:14:35.160 --> 0:14:37.760
<v Speaker 2>But don't do this. I'm going to get her alone.

0:14:37.880 --> 0:14:42.640
<v Speaker 2>It's literally scene seventeen.

0:14:42.800 --> 0:14:44.960
<v Speaker 3>I agree with you, but I feel like I put

0:14:45.000 --> 0:14:46.880
<v Speaker 3>too much pressure on my shows. And I was just

0:14:46.920 --> 0:14:49.040
<v Speaker 3>saying that, like, there's probably a lot of people like

0:14:49.240 --> 0:14:51.680
<v Speaker 3>I don't know, because I didn't watch sitcoms, especially not

0:14:51.720 --> 0:14:53.760
<v Speaker 3>at this time. Like, I don't know what was Full

0:14:53.800 --> 0:14:56.960
<v Speaker 3>House much better? Was was your average say by the

0:14:57.000 --> 0:14:58.000
<v Speaker 3>Bell storyline?

0:14:58.080 --> 0:14:58.560
<v Speaker 1>Much more?

0:14:58.640 --> 0:14:58.760
<v Speaker 4>Like?

0:14:58.840 --> 0:15:00.840
<v Speaker 1>I don't think so. I think they were just kind

0:15:00.840 --> 0:15:02.840
<v Speaker 1>of a difficult thing.

0:15:03.240 --> 0:15:05.000
<v Speaker 3>Okay, but you know what I'm saying, Like the idea

0:15:05.000 --> 0:15:07.960
<v Speaker 3>of like having characters stuck in their ways doing the

0:15:08.000 --> 0:15:11.680
<v Speaker 3>same jokey thing was like a reason that a lot

0:15:11.720 --> 0:15:12.200
<v Speaker 3>of people.

0:15:12.240 --> 0:15:14.320
<v Speaker 1>Watch television and watched sitcoms in particular.

0:15:14.560 --> 0:15:16.960
<v Speaker 3>We just are used to we're putting this pressure of

0:15:17.080 --> 0:15:20.280
<v Speaker 3>like and Boy Meets World put it's a pressure on

0:15:20.920 --> 0:15:23.600
<v Speaker 3>you know, we have a child prodigy and a discussion

0:15:23.640 --> 0:15:25.160
<v Speaker 3>about what this means to be average.

0:15:25.240 --> 0:15:28.360
<v Speaker 1>Like we're a very intense show. So I don't know. Anyway,

0:15:28.600 --> 0:15:29.880
<v Speaker 1>did you like the b storyline?

0:15:30.760 --> 0:15:34.000
<v Speaker 3>No, it's of course, but that's not what I you know,

0:15:34.080 --> 0:15:36.760
<v Speaker 3>I also think that uh A Three's Company is like

0:15:38.000 --> 0:15:39.720
<v Speaker 3>just the worst thing that was ever produced.

0:15:39.720 --> 0:15:41.520
<v Speaker 1>Like, and there are people that love threes Company, but

0:15:41.560 --> 0:15:44.680
<v Speaker 1>I love the company is great. Yeah yeah, Like that

0:15:44.760 --> 0:15:45.880
<v Speaker 1>has no interest to me.

0:15:46.080 --> 0:15:48.680
<v Speaker 3>And so if like that's what they're riffing on, I

0:15:48.680 --> 0:15:50.280
<v Speaker 3>don't know, Like I don't know I mean, I know

0:15:50.360 --> 0:15:53.280
<v Speaker 3>that the actors on Three's Company were good and comedic,

0:15:53.600 --> 0:15:55.760
<v Speaker 3>but like, were those storylines memorable?

0:15:55.840 --> 0:15:58.840
<v Speaker 1>Do we care about the consistency of characters from episode No?

0:15:59.080 --> 0:16:01.520
<v Speaker 4>I would say, it's you got when you are now

0:16:01.520 --> 0:16:05.720
<v Speaker 4>in episode five and it is literally the same scene

0:16:05.960 --> 0:16:10.360
<v Speaker 4>in the same set of exactly the same thing happening.

0:16:10.440 --> 0:16:13.560
<v Speaker 4>Whether it's a it's fun, whether it's easy, whatever it is,

0:16:13.600 --> 0:16:14.800
<v Speaker 4>at some point you got to go.

0:16:15.040 --> 0:16:17.520
<v Speaker 6>Dude, give us something else. At least put us in

0:16:17.520 --> 0:16:19.520
<v Speaker 6>another place, right, all right?

0:16:19.560 --> 0:16:21.440
<v Speaker 4>This happens at a gas station or so, It's like,

0:16:21.480 --> 0:16:24.240
<v Speaker 4>how many times can I now run in and scream

0:16:24.480 --> 0:16:25.920
<v Speaker 4>because they're touchingout?

0:16:26.000 --> 0:16:28.200
<v Speaker 2>Can do none of you work? Do none of you

0:16:28.280 --> 0:16:30.000
<v Speaker 2>go to school? Do none of Like?

0:16:30.080 --> 0:16:30.320
<v Speaker 1>What?

0:16:30.600 --> 0:16:32.640
<v Speaker 2>Why are you just always home?

0:16:33.680 --> 0:16:34.400
<v Speaker 1>Eat hot dogs?

0:16:34.840 --> 0:16:35.080
<v Speaker 4>Uh?

0:16:35.240 --> 0:16:35.720
<v Speaker 1>Oh okay?

0:16:35.800 --> 0:16:39.320
<v Speaker 3>But the story, besides the first scene, which I was like, wow,

0:16:39.360 --> 0:16:42.160
<v Speaker 3>this is what are we doing? As soon as mister

0:16:42.240 --> 0:16:43.160
<v Speaker 3>Feenie was like.

0:16:43.400 --> 0:16:46.800
<v Speaker 1>Let's talk about classical ouch and renaissance, like what stop?

0:16:47.000 --> 0:16:49.280
<v Speaker 3>Like I'm gonna like I'm throwing up in my mouth

0:16:49.280 --> 0:16:52.200
<v Speaker 3>of how cheesy and bad and poorly written and everything

0:16:52.200 --> 0:16:52.640
<v Speaker 3>about this.

0:16:53.120 --> 0:16:57.040
<v Speaker 1>Then the kidnapped the Matthews fans well, but.

0:16:57.080 --> 0:17:00.200
<v Speaker 3>Once, once you just accept that ridiculousness, right, Yes, I

0:17:00.680 --> 0:17:05.720
<v Speaker 3>freaking I think Ben Savage's best performance of boy MutS World.

0:17:05.800 --> 0:17:09.399
<v Speaker 3>Maybe I think this might be my favorite. He was

0:17:09.440 --> 0:17:11.800
<v Speaker 3>having so much fun. He is hysterical.

0:17:12.040 --> 0:17:13.119
<v Speaker 1>Ben is very funny.

0:17:13.480 --> 0:17:16.560
<v Speaker 3>Jokes on top of jokes, so they're writing this anxious,

0:17:16.560 --> 0:17:18.600
<v Speaker 3>stretched out Corey, which is still my favorite Corey. I

0:17:18.640 --> 0:17:22.320
<v Speaker 3>love that they like wheel spinning. He's making it everybody's problem.

0:17:22.640 --> 0:17:26.520
<v Speaker 3>I love that Corey. And then Ben was adding so

0:17:26.720 --> 0:17:30.560
<v Speaker 3>many like he was like some curveballs on every joke

0:17:30.760 --> 0:17:32.760
<v Speaker 3>and like like there was one moment where he has

0:17:32.800 --> 0:17:33.560
<v Speaker 3>a line to me and.

0:17:33.520 --> 0:17:34.640
<v Speaker 1>He raised his eyebrow.

0:17:35.040 --> 0:17:38.320
<v Speaker 3>Yeah, and I was like crying, oh yeah, when I

0:17:38.400 --> 0:17:41.080
<v Speaker 3>was sitting there going he did that for me, you know,

0:17:41.160 --> 0:17:43.880
<v Speaker 3>and I just it was that classic, like, oh my god,

0:17:43.960 --> 0:17:46.200
<v Speaker 3>Ben is so funny and there I think they wrote

0:17:46.200 --> 0:17:48.360
<v Speaker 3>to Corey well in this episode, and then I think

0:17:48.440 --> 0:17:52.120
<v Speaker 3>Ben delivered one of the best performances.

0:17:51.480 --> 0:17:54.520
<v Speaker 4>Of Maybe that's my problem with the episode. Then maybe

0:17:54.560 --> 0:17:57.000
<v Speaker 4>the Bet story so tainted. It's like somebody delivered this

0:17:57.080 --> 0:17:59.080
<v Speaker 4>beautiful soiux flet and took it on top of it.

0:17:59.240 --> 0:18:02.240
<v Speaker 1>Yes, right exactly.

0:18:02.400 --> 0:18:05.720
<v Speaker 3>I mean when he gets up to sing at the end,

0:18:07.560 --> 0:18:10.639
<v Speaker 3>and Rusty's amazing, Yeah, absolutely, oh yeah, and then they're scene.

0:18:10.680 --> 0:18:12.520
<v Speaker 1>I mean it's just like, oh this is this is

0:18:12.560 --> 0:18:14.360
<v Speaker 1>all class. And then the salary beat.

0:18:14.400 --> 0:18:15.720
<v Speaker 3>I mean, all of that it was like some of

0:18:15.760 --> 0:18:18.880
<v Speaker 3>the most memorable, most very meme.

0:18:19.119 --> 0:18:21.639
<v Speaker 4>So this episode is very meme. And again I didn't

0:18:22.000 --> 0:18:25.320
<v Speaker 4>the a storyline was good. Again, I can watch Rusty

0:18:25.320 --> 0:18:27.000
<v Speaker 4>act all the time. So I said, I didn't hate

0:18:27.000 --> 0:18:27.560
<v Speaker 4>this episode.

0:18:27.640 --> 0:18:28.720
<v Speaker 1>It was just weird.

0:18:29.400 --> 0:18:32.399
<v Speaker 4>And maybe it's weird because of the little you know,

0:18:32.440 --> 0:18:35.480
<v Speaker 4>Lindsay looked so strange next to Alexander. She did she

0:18:35.720 --> 0:18:38.240
<v Speaker 4>really looked like she was Ben's age, even though she wasn't.

0:18:38.760 --> 0:18:40.920
<v Speaker 1>And then it just the.

0:18:40.880 --> 0:18:43.560
<v Speaker 4>Whole Bet storyline. It's like I couldn't I couldn't get

0:18:43.560 --> 0:18:45.840
<v Speaker 4>over it. It was just we got to do something else

0:18:45.880 --> 0:18:46.720
<v Speaker 4>with these characters.

0:18:46.800 --> 0:18:49.159
<v Speaker 2>I know, if this continues to be the storyline, I

0:18:49.200 --> 0:18:50.080
<v Speaker 2>don't know what I'm going to do.

0:18:50.160 --> 0:18:54.960
<v Speaker 1>I don't really know. It's bad. It's bad. Okay, So

0:18:56.000 --> 0:18:58.280
<v Speaker 1>Ben is hysterical and I.

0:18:58.280 --> 0:19:00.880
<v Speaker 2>Love this whole Hat storyline. I really, once you get

0:19:00.920 --> 0:19:03.520
<v Speaker 2>past the awkward first scene and all the set up

0:19:03.600 --> 0:19:05.399
<v Speaker 2>reply that.

0:19:05.480 --> 0:19:10.320
<v Speaker 1>I can agree with that and Ben's doing like he's

0:19:11.880 --> 0:19:15.679
<v Speaker 1>and all this stuff he's doing with I was like,

0:19:18.240 --> 0:19:22.000
<v Speaker 1>tell me what girl, it's it's and that's just I

0:19:22.160 --> 0:19:26.280
<v Speaker 1>just love getting away from the cord to pengast. It's great.

0:19:26.400 --> 0:19:29.560
<v Speaker 4>So you know what it is, it's it's I might

0:19:29.640 --> 0:19:33.600
<v Speaker 4>have done it first, but now all of us seemed

0:19:33.680 --> 0:19:37.160
<v Speaker 4>to be acting the way we were acting with each

0:19:37.240 --> 0:19:39.040
<v Speaker 4>other behind the scenes.

0:19:39.640 --> 0:19:42.879
<v Speaker 1>Now on camera, and I think that's what I mean,

0:19:42.920 --> 0:19:43.280
<v Speaker 1>that's Ben.

0:19:43.359 --> 0:19:45.720
<v Speaker 4>I was watching Ben last night like those were conversations

0:19:45.760 --> 0:19:48.480
<v Speaker 4>with Ben, so there was That's what I think a

0:19:48.520 --> 0:19:50.120
<v Speaker 4>lot of it is is us trying to make each

0:19:50.119 --> 0:19:52.680
<v Speaker 4>other laugh the way we would when we're around craft service.

0:19:52.400 --> 0:19:54.359
<v Speaker 1>And all that other kind of stuff. That's what it was.

0:19:54.480 --> 0:19:57.359
<v Speaker 1>So yeah, No, Ben was great, You're right. Sorry, amazing.

0:19:57.760 --> 0:20:01.960
<v Speaker 2>Alexandra Nikita, who is playing herself, dubbed the Petite Picasso

0:20:02.119 --> 0:20:06.119
<v Speaker 2>at just twelve years old. Alexander was born in Vassluis, Romania,

0:20:06.440 --> 0:20:09.240
<v Speaker 2>and her father escaped Communist rule when she was just

0:20:09.320 --> 0:20:11.520
<v Speaker 2>three months old. Her and her mother had to wait

0:20:11.600 --> 0:20:14.200
<v Speaker 2>two years to join him in California, where she quickly

0:20:14.320 --> 0:20:17.960
<v Speaker 2>learned pen and ink, then was working with watercolors by five.

0:20:18.400 --> 0:20:21.520
<v Speaker 2>By her seventh birthday, she had mastered oil and acrylics,

0:20:21.560 --> 0:20:25.160
<v Speaker 2>and her first solo show was at the Whittier Public Library.

0:20:25.280 --> 0:20:28.320
<v Speaker 2>At just eight years old, she traveled around the world

0:20:28.400 --> 0:20:31.200
<v Speaker 2>displaying her pieces and became the youngest artist ever to

0:20:31.320 --> 0:20:34.320
<v Speaker 2>sign with international art publishers, and by the time she

0:20:34.480 --> 0:20:37.000
<v Speaker 2>was on Boy Meets World at thirteen, she had delivered

0:20:37.200 --> 0:20:42.400
<v Speaker 2>sixteen solo shows and at least one point five million

0:20:42.600 --> 0:20:45.600
<v Speaker 2>in sales, and in two thousand and one, a school

0:20:45.720 --> 0:20:49.800
<v Speaker 2>in her hometown of Veslui, Romania, was named in her honor.

0:20:50.080 --> 0:20:55.040
<v Speaker 2>Collectors include Oprah Winfrey, whose show she appeared on, Calvin Klein,

0:20:55.280 --> 0:20:58.000
<v Speaker 2>Little Richard, Alec Baldwin, and Whoopee Goldberg.

0:20:59.080 --> 0:21:01.439
<v Speaker 1>Michael Jacobs, Oh, of course, that's right.

0:21:01.480 --> 0:21:03.240
<v Speaker 3>Yeah, I went to his house in Aspen, and I

0:21:03.280 --> 0:21:05.639
<v Speaker 3>remember she had her paint one of her paintings on

0:21:05.720 --> 0:21:08.280
<v Speaker 3>the wall. So I'm sure that's where this came about,

0:21:08.280 --> 0:21:12.239
<v Speaker 3>because we're so into our art and collection collecting art

0:21:12.320 --> 0:21:14.920
<v Speaker 3>that yeah. And I think it's funny because he probably

0:21:15.320 --> 0:21:17.560
<v Speaker 3>wanted to do this episode based on, you know, the

0:21:17.680 --> 0:21:20.119
<v Speaker 3>idea that this kid was a kid, but then by

0:21:20.160 --> 0:21:21.200
<v Speaker 3>the time we actually got her.

0:21:21.160 --> 0:21:23.160
<v Speaker 1>For the episode, she just was older.

0:21:23.200 --> 0:21:26.000
<v Speaker 3>You know, she just older, even she's so self possessed

0:21:26.040 --> 0:21:29.760
<v Speaker 3>and like yes, as like a very mature presence that Yeah.

0:21:29.880 --> 0:21:32.640
<v Speaker 1>You guys still have your scripts. Yeah, it's the only

0:21:32.680 --> 0:21:34.800
<v Speaker 1>script I guess I kept from. I think I still

0:21:34.840 --> 0:21:36.920
<v Speaker 1>have money. She signed a script, and she drew on.

0:21:37.119 --> 0:21:39.040
<v Speaker 4>She drew on all our She each gave us each

0:21:39.040 --> 0:21:40.720
<v Speaker 4>a script that she signed, and she drew like a

0:21:40.800 --> 0:21:42.399
<v Speaker 4>little like a painting.

0:21:42.520 --> 0:21:44.320
<v Speaker 1>Maybe you don't have one of them. Maybe it was

0:21:44.480 --> 0:21:45.879
<v Speaker 1>just for writer, but you know, he might have a

0:21:45.960 --> 0:21:47.440
<v Speaker 1>Jonathan Taylor Thomas signed script.

0:21:47.480 --> 0:21:49.040
<v Speaker 2>I don't know, but maybe I don't know. I have

0:21:49.160 --> 0:21:50.480
<v Speaker 2>Jonathan Taylor Thomas taboo.

0:21:53.680 --> 0:21:54.040
<v Speaker 1>Me too.

0:21:54.840 --> 0:21:58.399
<v Speaker 2>The good news is she will be appearing on our

0:21:58.480 --> 0:22:01.720
<v Speaker 2>podcast this season, so up upcoming podcast guests.

0:22:03.760 --> 0:22:04.600
<v Speaker 1>That's awesome.

0:22:05.680 --> 0:22:08.240
<v Speaker 2>So she would eventually graduate from UCLA and she is

0:22:08.320 --> 0:22:11.320
<v Speaker 2>still painting today at thirty nine. She has two children

0:22:11.400 --> 0:22:16.159
<v Speaker 2>of her own and exhibits her work regularly. So I

0:22:16.480 --> 0:22:18.480
<v Speaker 2>do you guys have any memory of her being on

0:22:18.600 --> 0:22:20.320
<v Speaker 2>set this week? Do you remember this episode?

0:22:20.560 --> 0:22:20.720
<v Speaker 4>I do?

0:22:21.080 --> 0:22:21.240
<v Speaker 1>I do.

0:22:21.400 --> 0:22:23.760
<v Speaker 3>I absolutely just remember liking her a lot, like she

0:22:23.920 --> 0:22:27.000
<v Speaker 3>was really cook and cool and also looking back and

0:22:27.119 --> 0:22:29.879
<v Speaker 3>like this is they gave her a lot and she's like,

0:22:30.320 --> 0:22:32.520
<v Speaker 3>you know, I obviously not an actor, and so to

0:22:32.640 --> 0:22:35.680
<v Speaker 3>have to not be an actor and this much is

0:22:36.119 --> 0:22:38.200
<v Speaker 3>so hard. She was wonderful and I was like now

0:22:38.240 --> 0:22:40.280
<v Speaker 3>and I remember thinking at the time, Yeah, she was

0:22:40.400 --> 0:22:41.440
<v Speaker 3>very cool and nice.

0:22:41.840 --> 0:22:45.639
<v Speaker 2>Imagine how bad it could have been if she wasn't capable, Like,

0:22:45.720 --> 0:22:48.679
<v Speaker 2>if she wasn't a decent actor, this would have this is.

0:22:48.840 --> 0:22:50.920
<v Speaker 1>A drive by. This is You've got three lines in

0:22:51.000 --> 0:22:51.400
<v Speaker 1>what I've seen.

0:22:51.520 --> 0:22:53.280
<v Speaker 4>And hey, we brought the famous person on to say

0:22:53.320 --> 0:22:55.720
<v Speaker 4>to you know, we loved him and he was great

0:22:55.840 --> 0:22:57.399
<v Speaker 4>and but it wasn't like Jim Abbott.

0:22:57.400 --> 0:22:59.639
<v Speaker 1>She was acting or something like that. You know, she

0:23:00.080 --> 0:23:00.760
<v Speaker 1>carried this thing.

0:23:00.960 --> 0:23:04.960
<v Speaker 2>Yeah, absolutely, well. Then we also have Jesse d. Goins

0:23:05.000 --> 0:23:07.240
<v Speaker 2>as mister Cupp. You may know him from movies like

0:23:07.359 --> 0:23:10.440
<v Speaker 2>RoboCop and Patriot Games, but has appeared in almost every

0:23:10.520 --> 0:23:13.600
<v Speaker 2>TV show of the eighties, including Different Strokes, Hill Street Blues,

0:23:13.680 --> 0:23:17.920
<v Speaker 2>alf and Seinfeld. But he's best known as Kyler Johnson

0:23:18.000 --> 0:23:20.400
<v Speaker 2>on the cult TV show The Greatest American Hero.

0:23:20.960 --> 0:23:23.480
<v Speaker 1>Okay, I wasn't gonna I wasn't gonna say anything, but

0:23:23.680 --> 0:23:27.040
<v Speaker 1>since you just mentioned alf, I will I had one

0:23:27.080 --> 0:23:29.320
<v Speaker 1>of the most intense nightmares.

0:23:28.880 --> 0:23:33.840
<v Speaker 3>Of my childhood was Alf so second Clover. Yeah, alf

0:23:34.000 --> 0:23:37.440
<v Speaker 3>was eating people and I still have memories of it,

0:23:37.720 --> 0:23:41.800
<v Speaker 3>like I was terrified. So wow, I've only seen Alf

0:23:41.920 --> 0:23:43.120
<v Speaker 3>like once or twice in my life.

0:23:43.280 --> 0:23:44.960
<v Speaker 2>That's what I was going to ask, where did it

0:23:45.040 --> 0:23:47.960
<v Speaker 2>come from? Like Grover's in the books I've been reading?

0:23:48.080 --> 0:23:49.680
<v Speaker 2>Will do you have any dreams about muppets?

0:23:51.040 --> 0:23:51.080
<v Speaker 4>No?

0:23:51.800 --> 0:23:52.720
<v Speaker 1>But they dream about me?

0:23:53.520 --> 0:23:57.200
<v Speaker 2>Got it? That's that's okay in your dream exactly?

0:24:09.760 --> 0:24:10.080
<v Speaker 1>All right.

0:24:10.200 --> 0:24:13.000
<v Speaker 2>Jumping into our recap, we start in the Philadelphia Museum

0:24:13.040 --> 0:24:15.880
<v Speaker 2>of Art. Feoene is leading a class of college students

0:24:15.920 --> 0:24:19.159
<v Speaker 2>through his favorite room of the museum. The abstract pieces

0:24:19.240 --> 0:24:22.280
<v Speaker 2>lining the walls are open to interpretation, so he asks

0:24:22.320 --> 0:24:24.800
<v Speaker 2>that each student pick out a piece of artwork that

0:24:24.960 --> 0:24:28.200
<v Speaker 2>speaks to them and then speak to us about how

0:24:28.440 --> 0:24:29.280
<v Speaker 2>it speaks to you.

0:24:30.560 --> 0:24:32.639
<v Speaker 6>Is now an art teacher?

0:24:33.400 --> 0:24:33.800
<v Speaker 1>Of course?

0:24:34.000 --> 0:24:34.359
<v Speaker 3>College?

0:24:34.480 --> 0:24:40.439
<v Speaker 1>Of course? College occur to me. I was like, right,

0:24:40.480 --> 0:24:40.760
<v Speaker 1>we're just.

0:24:42.760 --> 0:24:47.880
<v Speaker 4>Make it right, that's right, And why we're all together there? Well,

0:24:47.920 --> 0:24:50.239
<v Speaker 4>I mean, you know the thing that colleges do all

0:24:50.280 --> 0:24:51.560
<v Speaker 4>the time is field trips.

0:24:52.200 --> 0:24:53.840
<v Speaker 2>Yes, exactly. They those are big.

0:24:54.160 --> 0:24:56.880
<v Speaker 6>The college field trips are really well, really well known.

0:24:56.960 --> 0:24:57.960
<v Speaker 1>It's like, what okay?

0:24:59.119 --> 0:25:01.480
<v Speaker 2>So, then Sean and Angela excitedly walk up to Cory

0:25:01.520 --> 0:25:04.080
<v Speaker 2>and t Banka. Angela reveals they have great news. Corey

0:25:04.200 --> 0:25:07.399
<v Speaker 2>chimes in, hey me too. Angela starts Sean just got

0:25:07.440 --> 0:25:11.920
<v Speaker 2>into the photography program, and Sean adds back to photography.

0:25:11.520 --> 0:25:13.680
<v Speaker 1>Is now a thing. We didn't remember this and this

0:25:13.760 --> 0:25:15.800
<v Speaker 1>is now. It was on Girl Meets World. I was

0:25:16.119 --> 0:25:17.680
<v Speaker 1>like a photographer and I traveling.

0:25:18.640 --> 0:25:20.280
<v Speaker 3>I was like, oh, this is the thing, okay, but

0:25:20.440 --> 0:25:23.399
<v Speaker 3>now looking I thought, like, Sean becomes a poet not

0:25:23.560 --> 0:25:24.960
<v Speaker 3>too far from now, what has.

0:25:24.880 --> 0:25:28.240
<v Speaker 1>Happened with a poet photographer? You know, just like you

0:25:28.320 --> 0:25:31.320
<v Speaker 1>did whatever art? We need exactly what stop?

0:25:36.520 --> 0:25:39.520
<v Speaker 2>So and Angela got an a on her essay maintaining

0:25:39.640 --> 0:25:42.800
<v Speaker 2>black identity when you have three very white friends.

0:25:43.119 --> 0:25:44.240
<v Speaker 1>One of the few jokes.

0:25:46.560 --> 0:25:51.040
<v Speaker 2>Is it the first time we directly mentioned race, Probably because.

0:25:50.800 --> 0:25:53.240
<v Speaker 3>I feel there's one joke where she says, I got

0:25:53.359 --> 0:25:56.760
<v Speaker 3>to get more black friends than doing the soap opera game.

0:25:57.080 --> 0:26:00.520
<v Speaker 3>We have to have your middle name whatever in the future, right, Yeah,

0:26:00.560 --> 0:26:02.560
<v Speaker 3>And that has happened, but that's the only one I remember.

0:26:02.720 --> 0:26:05.119
<v Speaker 4>Well, she said to Ben last episode, you are so

0:26:05.320 --> 0:26:08.040
<v Speaker 4>down my brother, Yeah, said Stella got her groove grapping

0:26:08.119 --> 0:26:08.960
<v Speaker 4>you are so down.

0:26:08.800 --> 0:26:09.080
<v Speaker 1>My brother.

0:26:09.160 --> 0:26:12.120
<v Speaker 2>So yeah, but I think this is the first the edges. Yeah,

0:26:12.160 --> 0:26:14.680
<v Speaker 2>there is the first, very direct one though. To Panga

0:26:14.760 --> 0:26:17.639
<v Speaker 2>congratulates them both and then asks Corey what his news was.

0:26:18.000 --> 0:26:22.040
<v Speaker 2>Corey shyly reveals I found a penny. Phoene asks for

0:26:22.080 --> 0:26:24.240
<v Speaker 2>a volunteer to offer their interpretation of one of the

0:26:24.240 --> 0:26:26.679
<v Speaker 2>bigger pieces in the exhibit, and Corey's hand shoots up.

0:26:26.720 --> 0:26:30.119
<v Speaker 2>Pick me, mister foennye please please. Phoene asks how can

0:26:30.200 --> 0:26:33.640
<v Speaker 2>I turn down that kind of enthusiasm, and he lets

0:26:33.680 --> 0:26:34.840
<v Speaker 2>Corey take the floor.

0:26:35.200 --> 0:26:35.840
<v Speaker 1>Cory want to.

0:26:39.680 --> 0:26:43.600
<v Speaker 3>Be in noasly just implied that, like Corey's been too quiet,

0:26:43.640 --> 0:26:45.560
<v Speaker 3>and to Panga says to him, like, why are you

0:26:45.840 --> 0:26:48.159
<v Speaker 3>ever volunteering for you know, I don't set it up

0:26:48.200 --> 0:26:49.000
<v Speaker 3>in some way.

0:26:48.960 --> 0:26:51.920
<v Speaker 2>To Panga made a big deal about Corey needing to

0:26:51.960 --> 0:26:54.399
<v Speaker 2>be able to interpret art in order for her to

0:26:54.840 --> 0:26:58.720
<v Speaker 2>love him because of the other guy. So I kind

0:26:58.800 --> 0:27:00.639
<v Speaker 2>of like the idea that Cory's like.

0:27:01.359 --> 0:27:04.080
<v Speaker 1>He's studied it, because yeah, he pays attention.

0:27:04.440 --> 0:27:07.879
<v Speaker 2>He yes, he's he's like, listen, my lady's into this.

0:27:08.600 --> 0:27:09.560
<v Speaker 2>She's made it clear.

0:27:09.880 --> 0:27:12.359
<v Speaker 1>Then save that he could have been easily just had

0:27:12.600 --> 0:27:14.960
<v Speaker 1>they weren't even thinking that. They weren't thinking that.

0:27:15.040 --> 0:27:17.359
<v Speaker 4>I'm sorry, No, I want to know where Ricky Ferris

0:27:17.600 --> 0:27:22.520
<v Speaker 4>was this entire time saving puppies. I came back from

0:27:23.720 --> 0:27:30.560
<v Speaker 4>Alexander nikitats.

0:27:31.000 --> 0:27:31.480
<v Speaker 1>Questle.

0:27:35.000 --> 0:27:36.920
<v Speaker 2>Cory stands in front of the art and he takes

0:27:36.960 --> 0:27:40.639
<v Speaker 2>a deep breath. Meanwhile, a girl with pigtail braids, overalls

0:27:40.680 --> 0:27:47.720
<v Speaker 2>and braces is unexplainably following him very closely. Cory declares

0:27:47.800 --> 0:27:50.439
<v Speaker 2>to the class, I see hands staring at the fabric

0:27:50.480 --> 0:27:52.760
<v Speaker 2>of America. You can almost see the old and bitter

0:27:52.880 --> 0:27:55.720
<v Speaker 2>artist as he predicts total anarchy and higher taxes in

0:27:55.800 --> 0:27:59.479
<v Speaker 2>the death of the American way. The pigtail girl interrupts him,

0:27:59.520 --> 0:28:02.560
<v Speaker 2>Your total wrong. Corey chuckles at her. Are you lost,

0:28:02.760 --> 0:28:05.399
<v Speaker 2>little girl? And this is where I was like. She

0:28:05.480 --> 0:28:08.600
<v Speaker 2>looks exactly the same age as Cory I were, I mean,

0:28:08.720 --> 0:28:11.480
<v Speaker 2>and they're trying so hard were the footy pajamas in

0:28:11.600 --> 0:28:13.040
<v Speaker 2>the laundry that she's not.

0:28:15.240 --> 0:28:16.720
<v Speaker 1>Kids on the tracle.

0:28:18.960 --> 0:28:22.440
<v Speaker 6>Just happened to be wrong, licking an ice cream cone.

0:28:22.480 --> 0:28:30.399
<v Speaker 4>You're wrong, mister, Okay, but they're both thirteen when you

0:28:30.480 --> 0:28:34.040
<v Speaker 4>see them standing next to Lindsey. They're all thirteen, which

0:28:34.680 --> 0:28:38.040
<v Speaker 4>how different people can be, especially at that age. I mean, man,

0:28:38.400 --> 0:28:38.920
<v Speaker 4>that's crazy.

0:28:38.960 --> 0:28:41.280
<v Speaker 1>Well, how old is Morgan supposed to be? Eleven?

0:28:41.520 --> 0:28:44.680
<v Speaker 2>Eleven? I would assume, Yeah, she looks like she's eleven.

0:28:44.720 --> 0:28:46.520
<v Speaker 1>That's yeah. I thought I was like, oh, she's an

0:28:46.560 --> 0:28:47.280
<v Speaker 1>eleven year old mom.

0:28:47.440 --> 0:28:47.600
<v Speaker 4>Yep.

0:28:48.120 --> 0:28:50.520
<v Speaker 2>She suggests that the painting is about hope for the

0:28:50.560 --> 0:28:52.960
<v Speaker 2>future and the joy of life, and the artist is

0:28:53.040 --> 0:28:57.760
<v Speaker 2>not bitter. Corey is still angry for no reason at all. Look,

0:28:58.000 --> 0:29:01.160
<v Speaker 2>little girl, you're a little girl. I'm eighteen years old,

0:29:01.240 --> 0:29:05.200
<v Speaker 2>and you're going to try and tell me something. Phoenie

0:29:05.280 --> 0:29:07.280
<v Speaker 2>is now tapping on Corey's shoulder, trying to get his

0:29:07.360 --> 0:29:08.360
<v Speaker 2>attention to where I'm.

0:29:08.280 --> 0:29:11.480
<v Speaker 3>Like, the writing is like driving me crazy, but then

0:29:12.120 --> 0:29:14.760
<v Speaker 3>is making making it. He's like, this is like where

0:29:14.760 --> 0:29:18.360
<v Speaker 3>the writing is so heavy handed and on the nose

0:29:18.440 --> 0:29:20.200
<v Speaker 3>and make you know, set up, set up, set up.

0:29:20.240 --> 0:29:22.920
<v Speaker 2>But I don't care, because if you listen, I care

0:29:22.960 --> 0:29:23.440
<v Speaker 2>a little job.

0:29:23.560 --> 0:29:25.840
<v Speaker 3>I'm like, Ben's having fun, Like this is funny to

0:29:25.920 --> 0:29:28.600
<v Speaker 3>me that he's like a little girl and like doing

0:29:28.680 --> 0:29:30.000
<v Speaker 3>all his little stuff.

0:29:29.920 --> 0:29:33.080
<v Speaker 2>Is just imagine him doing it any other way. Though,

0:29:33.160 --> 0:29:36.520
<v Speaker 2>When the lines are Look, little girl, you're a little girl.

0:29:36.760 --> 0:29:38.720
<v Speaker 2>I'm eighteen years old, and you're going to try and

0:29:38.800 --> 0:29:42.240
<v Speaker 2>tell me something. You just take your little joy for

0:29:42.480 --> 0:29:46.360
<v Speaker 2>life and pipe it sister. Like imagine him saying that,

0:29:46.920 --> 0:29:48.360
<v Speaker 2>not like yeah.

0:29:48.200 --> 0:29:51.160
<v Speaker 3>No, well that's when somebody like me, like as an

0:29:51.200 --> 0:29:53.720
<v Speaker 3>actor back then, I wouldn't have thought to do that,

0:29:54.080 --> 0:29:55.240
<v Speaker 3>Like I would have played it straight.

0:29:55.400 --> 0:29:57.320
<v Speaker 1>I would have been like, well, he was like, why

0:29:57.320 --> 0:29:59.080
<v Speaker 1>am I so angry? Why am I so angry? And

0:29:59.120 --> 0:30:00.480
<v Speaker 1>then yeah, and it would s and would not be

0:30:01.360 --> 0:30:03.520
<v Speaker 1>and you'd be like, how else did you play it exactly?

0:30:03.560 --> 0:30:05.360
<v Speaker 1>I'm like, you want me to say that?

0:30:05.800 --> 0:30:08.040
<v Speaker 3>And you know, of course Ben just had the wherewithal

0:30:08.080 --> 0:30:09.680
<v Speaker 3>as an actor to be like, we have to put

0:30:09.720 --> 0:30:12.480
<v Speaker 3>a lilt to it, like to make it a joke,

0:30:12.720 --> 0:30:16.160
<v Speaker 3>turn into a clown a little bit, which is the only.

0:30:16.000 --> 0:30:17.600
<v Speaker 1>Way to do this kind of thing, and like I

0:30:18.560 --> 0:30:19.600
<v Speaker 1>was not capable of that.

0:30:19.840 --> 0:30:20.040
<v Speaker 4>You know.

0:30:20.600 --> 0:30:22.880
<v Speaker 1>Anyway, I appreciate it so much. In best so it's

0:30:22.960 --> 0:30:24.120
<v Speaker 1>really weirdly written.

0:30:24.360 --> 0:30:26.320
<v Speaker 2>Yes it is. If he had done it in any

0:30:26.640 --> 0:30:29.880
<v Speaker 2>other way. He found, in my opinion, the only way

0:30:29.920 --> 0:30:33.160
<v Speaker 2>to make its funny, the only con Corey finally asks

0:30:33.200 --> 0:30:35.600
<v Speaker 2>Feoenie what his problem is, and Phoene just shakes his head,

0:30:35.880 --> 0:30:38.360
<v Speaker 2>no problem, keep talking now, I'm going to enjoy this.

0:30:38.800 --> 0:30:42.200
<v Speaker 2>The girl butts in again, excuse me, mister mean man,

0:30:42.840 --> 0:30:46.640
<v Speaker 2>but I know exactly what's in the painting. Corey mocks her.

0:30:46.960 --> 0:30:49.440
<v Speaker 2>Oh was I mister mean man? Was I too mean

0:30:49.640 --> 0:30:53.440
<v Speaker 2>to the little dude? Go ahead tell me you you

0:30:53.640 --> 0:30:57.200
<v Speaker 2>tell me how you know what's in the painting. The

0:30:57.280 --> 0:31:02.960
<v Speaker 2>girl simply states I painted it. The crowd and Corey

0:31:03.240 --> 0:31:12.160
<v Speaker 2>faces well, okay.

0:31:13.120 --> 0:31:19.720
<v Speaker 1>We'll shirt water. We're friends. We're friends, remember friends.

0:31:22.040 --> 0:31:25.200
<v Speaker 2>We come back from commercials. Still at the Museum of Art,

0:31:25.280 --> 0:31:29.920
<v Speaker 2>Corey is still not convinced about this little girl. You

0:31:30.280 --> 0:31:33.120
<v Speaker 2>painted it, and I got your nose. He grabs at

0:31:33.120 --> 0:31:36.080
<v Speaker 2>her face and Peeney cringes. Mister Matthews give her back

0:31:36.160 --> 0:31:38.960
<v Speaker 2>her nose. Corey insists that he's just playing with the kid,

0:31:39.880 --> 0:31:42.200
<v Speaker 2>but Phoene breaks it to him, Corey, I believe the

0:31:42.280 --> 0:31:49.200
<v Speaker 2>kid whose nose you hold is Alexandra Nikita Corey. Corey

0:31:49.280 --> 0:31:52.280
<v Speaker 2>sees that she is listed as the artist and displays

0:31:52.280 --> 0:31:54.560
<v Speaker 2>a picture where she does look younger.

0:31:54.960 --> 0:31:57.200
<v Speaker 4>In the picture looks better than yes, it did, Yet

0:31:57.360 --> 0:31:58.760
<v Speaker 4>it's not better or worse she just looked younger.

0:31:58.840 --> 0:32:02.920
<v Speaker 5>Yeah, yeah, much presence, it's one she just yeah after

0:32:03.120 --> 0:32:05.880
<v Speaker 5>she's also tall. Yeah, let's just you know, she's tall.

0:32:06.080 --> 0:32:08.360
<v Speaker 5>After a couple of double takes, things finally click. He

0:32:08.480 --> 0:32:13.160
<v Speaker 5>nervously laughs Hello. He explains he didn't actually take her nose.

0:32:13.280 --> 0:32:15.240
<v Speaker 5>Then he pretends to give it back to her. Phoene

0:32:15.320 --> 0:32:18.720
<v Speaker 5>steps in and whisks Alexandra away. He's a great admirer

0:32:18.800 --> 0:32:21.240
<v Speaker 5>of hers. I'd be very interested in hearing your thoughts

0:32:21.280 --> 0:32:24.320
<v Speaker 5>about classic versus modern technique and.

0:32:26.960 --> 0:32:28.640
<v Speaker 4>Where he hands her back her nose and she puts

0:32:28.680 --> 0:32:33.000
<v Speaker 4>it back on, and she staring at him, like takes

0:32:33.040 --> 0:32:34.640
<v Speaker 4>the beat to put the nose back on, and.

0:32:36.560 --> 0:32:39.080
<v Speaker 2>Uh, and he finishes and the impact of the Renaissance

0:32:39.120 --> 0:32:43.320
<v Speaker 2>on the modern palette. Sean notices his enthusiasm.

0:32:45.840 --> 0:32:48.360
<v Speaker 1>Exactly sophisticated things.

0:32:50.800 --> 0:32:53.360
<v Speaker 2>Non classic versus modern technique.

0:32:54.040 --> 0:33:04.160
<v Speaker 1>Stop like go dictionary. Yeah.

0:33:04.440 --> 0:33:06.680
<v Speaker 2>The Phoene admits he can't help but get carried away

0:33:06.720 --> 0:33:09.520
<v Speaker 2>when he sees a young person with such extraordinary gifts.

0:33:10.000 --> 0:33:12.840
<v Speaker 2>Then for some reason, Corey pipes up. Are you saying

0:33:12.920 --> 0:33:16.520
<v Speaker 2>we don't have extraordinary gifts? Phoene assures him, of course not,

0:33:16.720 --> 0:33:20.200
<v Speaker 2>you also have extraordinary gifts. Corey isn't satisfied, Like what.

0:33:21.000 --> 0:33:24.560
<v Speaker 2>Phoene responds, you have your health, good for you, for you,

0:33:24.880 --> 0:33:28.120
<v Speaker 2>Then he pulls Alexandra away again step aside for the genius.

0:33:28.600 --> 0:33:31.600
<v Speaker 2>Alexandra explained she's in Philadelphia because there's a showcase of

0:33:31.680 --> 0:33:34.240
<v Speaker 2>her earlier work, and Sean laughs to his friends, Wow,

0:33:34.480 --> 0:33:38.080
<v Speaker 2>she has earlier work. Corey realizes, I'm eighteen and I

0:33:38.160 --> 0:33:41.360
<v Speaker 2>have no work at all. Tapega explains everyone can't be

0:33:41.560 --> 0:33:44.280
<v Speaker 2>a great painter, but Corey is still shocked. She's like

0:33:44.480 --> 0:33:46.680
<v Speaker 2>as old as my sister and she already knows what

0:33:46.800 --> 0:33:50.080
<v Speaker 2>she's good at. I wonder what I'm good at. Alexandra

0:33:50.200 --> 0:33:52.200
<v Speaker 2>has heard his concern and made her way back to

0:33:52.320 --> 0:33:55.400
<v Speaker 2>her harshest critic. She asks, you have a sister. My

0:33:55.680 --> 0:33:58.960
<v Speaker 2>age blocking is so weird and I'm just like, what

0:33:59.440 --> 0:34:00.360
<v Speaker 2>no happening?

0:34:00.520 --> 0:34:04.120
<v Speaker 4>Yeah? Did you see the hand acting that Alexandra and

0:34:04.320 --> 0:34:06.000
<v Speaker 4>and Bill were doing in the background, Like they're both

0:34:06.120 --> 0:34:06.360
<v Speaker 4>just like.

0:34:06.880 --> 0:34:12.759
<v Speaker 1>Point and then my technique brushstroke and.

0:34:14.480 --> 0:34:16.600
<v Speaker 2>Will that's that hand acting is called hackting?

0:34:16.840 --> 0:34:16.960
<v Speaker 4>Oh?

0:34:17.080 --> 0:34:21.759
<v Speaker 1>Yes, well makes sense.

0:34:24.640 --> 0:34:27.840
<v Speaker 2>So Corey's eyes widen and then we cut to the

0:34:27.960 --> 0:34:30.279
<v Speaker 2>Matthew's kitchen. Morgan is sitting at the table doing some

0:34:30.440 --> 0:34:33.200
<v Speaker 2>coloring of her own. When Corey and Alexandra walk in,

0:34:33.480 --> 0:34:36.720
<v Speaker 2>Corey takes one look at Morgan's artwork and crumples the paper.

0:34:36.960 --> 0:34:37.760
<v Speaker 2>Don't even bother.

0:34:38.640 --> 0:34:41.839
<v Speaker 4>But it's a great joke. But now is this poor girl?

0:34:42.680 --> 0:34:44.719
<v Speaker 4>Was she at the place by herself? She was at

0:34:44.719 --> 0:34:47.640
<v Speaker 4>the museum by herself, and now if she had a

0:34:47.680 --> 0:34:50.560
<v Speaker 4>family there, They're just like, yeah, go with this stranger totally.

0:34:50.760 --> 0:34:52.759
<v Speaker 2>Oh there's another little girl in that home. You can

0:34:52.960 --> 0:34:55.799
<v Speaker 2>go hang out with her exact I mean, and then

0:34:56.320 --> 0:35:01.160
<v Speaker 2>she's there for the whole week. She changes clothes. Yes, yeah,

0:35:01.200 --> 0:35:03.360
<v Speaker 2>that's really straight. I also love the idea that she

0:35:03.680 --> 0:35:06.680
<v Speaker 2>lives at the art museum just walking around her paintings

0:35:06.719 --> 0:35:07.800
<v Speaker 2>looking for people to argue with.

0:35:10.600 --> 0:35:11.720
<v Speaker 1>That's such a good bad.

0:35:13.080 --> 0:35:14.320
<v Speaker 2>That is really weiry.

0:35:15.480 --> 0:35:17.399
<v Speaker 1>Yeah, I mean what could they have done?

0:35:17.480 --> 0:35:19.520
<v Speaker 3>Like I'm trying, I'm trying to think, like, could you

0:35:19.600 --> 0:35:23.640
<v Speaker 3>have been on an exchange program? Or like is there

0:35:23.719 --> 0:35:27.440
<v Speaker 3>some rationale that could have made for like Phoene's hosting

0:35:27.520 --> 0:35:28.680
<v Speaker 3>her his house.

0:35:29.360 --> 0:35:32.960
<v Speaker 2>Yes, it as an adult there with her to talk

0:35:33.040 --> 0:35:34.880
<v Speaker 2>to Phoenie and for you know, for her to be

0:35:35.040 --> 0:35:36.640
<v Speaker 2>like you have a friend for her to be like,

0:35:36.680 --> 0:35:38.400
<v Speaker 2>you know, the one thing that is hard about what

0:35:38.520 --> 0:35:40.880
<v Speaker 2>she does is she doesn't have a lot of friends.

0:35:41.040 --> 0:35:42.000
<v Speaker 2>She doesn't have a lot of you know.

0:35:42.200 --> 0:35:44.000
<v Speaker 4>Like or you have her coming, you don't have her

0:35:44.040 --> 0:35:46.040
<v Speaker 4>come in with Corey. Corey comes in and goes, don't

0:35:46.080 --> 0:35:47.880
<v Speaker 4>bother with this. He goes, hey, I met somebody in

0:35:47.920 --> 0:35:49.880
<v Speaker 4>that and her her parents said, you guys are going

0:35:49.920 --> 0:35:50.640
<v Speaker 4>to hang out this week.

0:35:50.680 --> 0:35:52.040
<v Speaker 1>And then she knocks on the door and you open

0:35:52.120 --> 0:35:52.920
<v Speaker 1>the door and she comes in.

0:35:53.239 --> 0:35:53.479
<v Speaker 2>Yeah.

0:35:53.520 --> 0:35:55.520
<v Speaker 1>Like her just getting in the car with Corey and

0:35:55.640 --> 0:35:59.160
<v Speaker 1>going home is like really sway or something. It's really weird.

0:36:01.040 --> 0:36:05.799
<v Speaker 2>Morgan recognizes the painter, which also what what. Morgan goes,

0:36:05.960 --> 0:36:09.600
<v Speaker 2>I know who you are. You're that painter girl I

0:36:09.680 --> 0:36:13.839
<v Speaker 2>saw on Rosi O'donald. Isn't rosso O'donnald a daytime show

0:36:13.920 --> 0:36:18.560
<v Speaker 2>during the week. Yes, she's at school, okay anyway, Corey

0:36:18.640 --> 0:36:20.920
<v Speaker 2>introduces her and then tells his sister. For some reason,

0:36:21.040 --> 0:36:23.839
<v Speaker 2>she wants to hang out with you. Alexander admits, when

0:36:23.840 --> 0:36:25.200
<v Speaker 2>I go on all these tours, I don't get a

0:36:25.200 --> 0:36:26.879
<v Speaker 2>lot of time to spend with kids my own age.

0:36:27.239 --> 0:36:29.799
<v Speaker 2>Morgan asks if she's really been painting since she was two,

0:36:30.160 --> 0:36:32.600
<v Speaker 2>and Alexandra nods her head. My parents gave me a

0:36:32.640 --> 0:36:34.279
<v Speaker 2>coloring book and craons when I was two, and I

0:36:34.320 --> 0:36:37.880
<v Speaker 2>guess I just never stopped. Corey gasps. Really when Morgan

0:36:37.960 --> 0:36:40.120
<v Speaker 2>was too, she gained almost full control of her neck.

0:36:40.400 --> 0:36:43.080
<v Speaker 2>We're all real proud of her. Go ahead, Morgan, hold

0:36:43.160 --> 0:36:43.680
<v Speaker 2>up your head.

0:36:46.280 --> 0:36:48.359
<v Speaker 6>This is again where the ayahuasca was kicking in, where

0:36:48.360 --> 0:36:48.600
<v Speaker 6>I was.

0:36:48.600 --> 0:36:52.520
<v Speaker 2>Like, okay, what I know? These these first two scenes.

0:36:52.400 --> 0:36:58.319
<v Speaker 3>Are what's funny about this scene. It's weird that it's

0:36:58.600 --> 0:37:00.759
<v Speaker 3>it's funny, like the joke is it? Like what Ben

0:37:00.880 --> 0:37:03.120
<v Speaker 3>is saying, it's funny. But it would be sense that

0:37:03.239 --> 0:37:08.040
<v Speaker 3>Corey would be cynical about how she's so talentless when

0:37:08.120 --> 0:37:10.520
<v Speaker 3>he's already supposed to be spinning it out about his

0:37:10.600 --> 0:37:11.200
<v Speaker 3>own lack.

0:37:11.080 --> 0:37:14.560
<v Speaker 2>Of reading all about him. If he's like two, when

0:37:14.640 --> 0:37:16.480
<v Speaker 2>I was two, I had just gained control.

0:37:16.239 --> 0:37:19.400
<v Speaker 1>Of my neck exactly. Instead, he's like insulting Morgan.

0:37:19.719 --> 0:37:21.719
<v Speaker 4>Yeah, that's what I'm saying, you know what. But for

0:37:21.800 --> 0:37:25.560
<v Speaker 4>this episode, it's funny. Ben's great. This episode feels.

0:37:25.400 --> 0:37:27.560
<v Speaker 6>Like a dream that Danielle would have on her medication.

0:37:28.000 --> 0:37:30.400
<v Speaker 4>Yeah, that's what this episode feels like to me, it's

0:37:30.560 --> 0:37:34.200
<v Speaker 4>just feels weird. It's just honest, we met Let's bring

0:37:34.280 --> 0:37:37.280
<v Speaker 4>her into the family, like it seems. Phoenie's now leading

0:37:37.320 --> 0:37:40.120
<v Speaker 4>a class school field trip where he is a teacher

0:37:40.320 --> 0:37:42.520
<v Speaker 4>of art. All of a sudden, it just felt like

0:37:42.600 --> 0:37:43.640
<v Speaker 4>a big fever dream to me.

0:37:43.760 --> 0:37:47.640
<v Speaker 1>I know, Well, it's always when. It's always when the episode.

0:37:47.280 --> 0:37:50.160
<v Speaker 3>Is led by ideas first and the story has to

0:37:50.320 --> 0:37:51.920
<v Speaker 3>fit all these different ideas.

0:37:51.960 --> 0:37:54.440
<v Speaker 1>And like it's clear that you know, Michael.

0:37:54.160 --> 0:37:57.480
<v Speaker 3>Jacobs loves art, like, yeah, loves visual art. This is

0:37:57.560 --> 0:38:00.560
<v Speaker 3>one of his passions in life. He actually wrote, uh,

0:38:01.120 --> 0:38:03.200
<v Speaker 3>after Boy Meets World, he wrote a play called Impressionism

0:38:03.239 --> 0:38:06.760
<v Speaker 3>that was on Broadway. Yeah, so if anybody is interested

0:38:06.840 --> 0:38:09.520
<v Speaker 3>in if Boy Meet's World fans who like Michael's writing,

0:38:10.000 --> 0:38:11.480
<v Speaker 3>there's a play called Impressionism.

0:38:11.560 --> 0:38:12.360
<v Speaker 1>I never saw it.

0:38:12.480 --> 0:38:15.680
<v Speaker 3>I read it, but you know, like this is a

0:38:15.760 --> 0:38:17.840
<v Speaker 3>thing for him, and he obviously liked her, and he

0:38:17.960 --> 0:38:21.239
<v Speaker 3>was like, let's get her in here. You know, I'm

0:38:21.560 --> 0:38:23.880
<v Speaker 3>what I imagine added is that you're the poor writing

0:38:23.920 --> 0:38:26.879
<v Speaker 3>staff has to like figure out all these parts while

0:38:26.960 --> 0:38:30.560
<v Speaker 3>Michael's rewriting three episodes behind, you know or whatever. And

0:38:30.680 --> 0:38:32.120
<v Speaker 3>by the time they get to this week, They're like,

0:38:32.160 --> 0:38:34.399
<v Speaker 3>do we really need there? It's like, make it work,

0:38:34.600 --> 0:38:36.800
<v Speaker 3>figure it out, and it's like, yeah, so it's just

0:38:36.880 --> 0:38:38.719
<v Speaker 3>cramming in a lot of ideas.

0:38:39.040 --> 0:38:42.040
<v Speaker 1>Writing story wise, I don't know, but I did like

0:38:42.080 --> 0:38:44.560
<v Speaker 1>where it ends up. I love it, And again Lind.

0:38:46.600 --> 0:38:49.120
<v Speaker 3>The idea of like bringing her singing in which obviously

0:38:49.640 --> 0:38:52.120
<v Speaker 3>as a person could saying as an actor could sing,

0:38:52.560 --> 0:38:53.239
<v Speaker 3>and using that.

0:38:53.320 --> 0:38:55.320
<v Speaker 1>And the talent it kind of worked for me.

0:38:55.400 --> 0:38:55.800
<v Speaker 2>It works.

0:38:56.520 --> 0:38:59.120
<v Speaker 1>It's again, it didn't. I didn't dislike it.

0:38:59.239 --> 0:39:03.280
<v Speaker 2>It's just like Morgan has her own rival in school

0:39:03.400 --> 0:39:06.320
<v Speaker 2>who's better at her than something. She doesn't need Corey

0:39:06.440 --> 0:39:08.279
<v Speaker 2>to be the one putting her down about her, you

0:39:08.320 --> 0:39:08.759
<v Speaker 2>know what I mean.

0:39:08.840 --> 0:39:10.160
<v Speaker 1>Like, by the way, we'll get to that.

0:39:10.239 --> 0:39:11.880
<v Speaker 4>But the girl that's the rival of the school is

0:39:11.880 --> 0:39:13.080
<v Speaker 4>another thirty five year old woman.

0:39:14.000 --> 0:39:16.600
<v Speaker 2>I mean, Also, why why did it? Why did it

0:39:16.680 --> 0:39:17.680
<v Speaker 2>have to be fire batons?

0:39:18.960 --> 0:39:19.000
<v Speaker 4>What?

0:39:19.719 --> 0:39:23.760
<v Speaker 2>Okay? Also, Alan, I'm just glad double jump Okay.

0:39:23.560 --> 0:39:25.319
<v Speaker 4>Yeah, I'm just glad you thought that's what I mean

0:39:25.360 --> 0:39:27.880
<v Speaker 4>by ayahuasca. It just seemed like it's it's a strange.

0:39:28.840 --> 0:39:31.560
<v Speaker 2>I know, a lot of weird, lot of weird pieces

0:39:31.600 --> 0:39:35.120
<v Speaker 2>of this. Yes, Okay, Morgan tells her new friend, when

0:39:35.160 --> 0:39:37.000
<v Speaker 2>I was one and a half, I learned to ignore him.

0:39:37.360 --> 0:39:41.040
<v Speaker 2>She performs a ninety staple by placing an l near

0:39:41.120 --> 0:39:42.480
<v Speaker 2>her forehead and saying.

0:39:42.719 --> 0:39:46.600
<v Speaker 1>Liz is, there's a few things I hate more than that, Like,

0:39:47.400 --> 0:39:48.640
<v Speaker 1>I hate that more than anything.

0:39:49.719 --> 0:39:50.080
<v Speaker 2>Won't do it?

0:39:54.520 --> 0:40:06.440
<v Speaker 1>Killing John, God, you guys lose it. Whatever.

0:40:09.000 --> 0:40:13.399
<v Speaker 2>She then asks Alexandra she likes video games. Corey scoffs, Yeah,

0:40:13.480 --> 0:40:17.160
<v Speaker 2>she likes video games. Morgan, she's a cultural icon. She's

0:40:17.239 --> 0:40:22.600
<v Speaker 2>got lots of Alexander cuts him off. Banjo Kazooi, Morgan shouts,

0:40:22.640 --> 0:40:24.160
<v Speaker 2>got it, Alexander.

0:40:24.320 --> 0:40:25.239
<v Speaker 3>I had to go back.

0:40:25.320 --> 0:40:27.480
<v Speaker 1>I was like, what did she say? Because it's a

0:40:27.520 --> 0:40:29.920
<v Speaker 1>real game. Banjoke zoo is a real game.

0:40:30.760 --> 0:40:34.439
<v Speaker 4>It's based on Crash Bandicoot, which was a real Oh yeah,

0:40:34.520 --> 0:40:37.440
<v Speaker 4>Banjo kazoo sounds like something our writers would make up.

0:40:37.880 --> 0:40:42.560
<v Speaker 4>Totally No, Banjo Kazooi and Jo Kazooi was a video game.

0:40:42.640 --> 0:40:45.360
<v Speaker 4>It is a British platform gaming series where players control

0:40:45.440 --> 0:40:48.319
<v Speaker 4>Banjo the Bear and Kazuoi the Bird as ay thwart

0:40:48.400 --> 0:40:50.359
<v Speaker 4>the scheme of the Witch Room.

0:40:50.480 --> 0:40:52.640
<v Speaker 1>Tild so.

0:40:56.680 --> 0:41:00.120
<v Speaker 2>Totally real, Morgan reveals twice. Then the girls take off

0:41:00.200 --> 0:41:03.120
<v Speaker 2>upstairs to play. Corey sits at the table, shocked. The

0:41:03.200 --> 0:41:05.360
<v Speaker 2>silence is interrupted by Sean and trying to ask what

0:41:05.480 --> 0:41:09.440
<v Speaker 2>he's doing. Corey answers, do you think I'm talented? Sean pauses,

0:41:09.480 --> 0:41:12.080
<v Speaker 2>then let's out a sigh. Oh god, what now?

0:41:12.680 --> 0:41:14.200
<v Speaker 4>Now? Now?

0:41:14.480 --> 0:41:16.319
<v Speaker 1>Yeah, that's what I love about.

0:41:16.440 --> 0:41:21.239
<v Speaker 3>Like, that's when the story kicks in and we're now

0:41:21.400 --> 0:41:23.279
<v Speaker 3>just gonna have to deal with Corey spinning out.

0:41:23.280 --> 0:41:25.600
<v Speaker 2>I love before we get there. Here's our first scene

0:41:25.640 --> 0:41:28.839
<v Speaker 2>of the b storyline. So before you can enjoy the show,

0:41:29.200 --> 0:41:33.040
<v Speaker 2>we've got to get through this the Heimlich. Yeah, Jack

0:41:33.080 --> 0:41:35.480
<v Speaker 2>and Eric are sitting on the couch when Rachel walks over.

0:41:36.520 --> 0:41:40.600
<v Speaker 2>She's eating a hot dog. She asks, can you I'm

0:41:40.719 --> 0:41:43.719
<v Speaker 2>just so on the nose. It's just, guys, it's so

0:41:44.640 --> 0:41:48.600
<v Speaker 2>on the nose. She asks, can you believe how tough

0:41:48.719 --> 0:41:52.759
<v Speaker 2>Peterson's econ classes? The guys just gawk at her, not

0:41:52.960 --> 0:41:56.200
<v Speaker 2>engaging in any conversation whatsoever. Rachel makes a joke about

0:41:56.200 --> 0:41:58.200
<v Speaker 2>the class and Eric lets out an over the top

0:41:58.320 --> 0:42:00.680
<v Speaker 2>laugh and response. She may her way back to the

0:42:00.760 --> 0:42:04.160
<v Speaker 2>kitchen for condiments, and Eric rocks back and forth in pain.

0:42:04.760 --> 0:42:07.200
<v Speaker 2>Jack tells him to just go pee already. Eric sneers,

0:42:07.239 --> 0:42:08.520
<v Speaker 2>oh you would love that, wouldn't you.

0:42:09.080 --> 0:42:11.879
<v Speaker 3>Rachel over here, I thought I'd missed something. I was right, Yeah,

0:42:11.920 --> 0:42:14.680
<v Speaker 3>are we supposed to know that? I was like, wait,

0:42:14.760 --> 0:42:15.960
<v Speaker 3>are what's going on?

0:42:16.400 --> 0:42:16.600
<v Speaker 4>Yeah?

0:42:17.080 --> 0:42:19.920
<v Speaker 1>Yeah, it was. It's a weird beginning. It ends up

0:42:19.960 --> 0:42:20.840
<v Speaker 1>being like I.

0:42:20.840 --> 0:42:23.120
<v Speaker 2>Mean, at least it makes sense that it's like, oh, no,

0:42:23.280 --> 0:42:26.600
<v Speaker 2>for five episodes, I haven't pete because the idea is

0:42:26.760 --> 0:42:29.520
<v Speaker 2>I've never left them alone for any length of time.

0:42:29.800 --> 0:42:33.759
<v Speaker 2>So Rachel overhears them and is confused. Jack explains he's

0:42:33.760 --> 0:42:35.560
<v Speaker 2>afraid to leave us alone for a couple of minutes.

0:42:35.719 --> 0:42:37.879
<v Speaker 2>Eric is an embarrassed Oh yeah, like you've never ever

0:42:37.960 --> 0:42:40.600
<v Speaker 2>left me alone with her for any minutes. Eric wiggles

0:42:40.600 --> 0:42:43.080
<v Speaker 2>around in discomfort but assures them I'm okay, I'm good.

0:42:43.520 --> 0:42:45.759
<v Speaker 2>Jack decides that they should make a toast to Eric

0:42:45.880 --> 0:42:49.080
<v Speaker 2>being okay. They cheers some cups of water together, and

0:42:49.160 --> 0:42:52.719
<v Speaker 2>then Jack forces the water down Eric's throat with water

0:42:52.960 --> 0:42:54.920
<v Speaker 2>still in his mouth. I love that you can do

0:42:55.040 --> 0:42:56.719
<v Speaker 2>this even with water in your mouth. I love this

0:42:56.840 --> 0:42:58.839
<v Speaker 2>is your chipmunk. This is your very famous chipmunk face.

0:42:59.000 --> 0:43:01.240
<v Speaker 4>So this is this is one of the first characters

0:43:01.280 --> 0:43:03.719
<v Speaker 4>I ever did. Yeah, there was a kid who was

0:43:03.960 --> 0:43:04.960
<v Speaker 4>the loveliest.

0:43:04.560 --> 0:43:05.799
<v Speaker 1>Guy in the world. I won't say his name.

0:43:05.840 --> 0:43:07.719
<v Speaker 4>When I was growing up with him who had very

0:43:07.800 --> 0:43:09.680
<v Speaker 4>big cheeks, and he would always want to skateboard, so

0:43:09.840 --> 0:43:12.640
<v Speaker 4>be escape, hang out.

0:43:12.480 --> 0:43:13.399
<v Speaker 1>Little dude.

0:43:13.440 --> 0:43:15.279
<v Speaker 2>Man, that was going on, and so it was like

0:43:15.400 --> 0:43:20.440
<v Speaker 2>the first of it, the start.

0:43:20.280 --> 0:43:26.399
<v Speaker 1>Of your comedy. He was a freaking bullying he was abby.

0:43:26.480 --> 0:43:29.759
<v Speaker 4>Kid, was the chubby kid. He just had big, big

0:43:29.920 --> 0:43:32.680
<v Speaker 4>cheeks and uh. So that he would always and then

0:43:32.760 --> 0:43:36.640
<v Speaker 4>the sound just became part of the thing. So I

0:43:36.680 --> 0:43:38.800
<v Speaker 4>would we would be in a you know, a sleepover situation,

0:43:38.880 --> 0:43:42.000
<v Speaker 4>and you just hear and and that was the sound

0:43:42.840 --> 0:43:43.680
<v Speaker 4>is the sound.

0:43:43.440 --> 0:43:46.520
<v Speaker 2>Of me filling your cheek. I love that you can

0:43:46.560 --> 0:43:48.799
<v Speaker 2>do it even with water in your mouth and still talk.

0:43:48.920 --> 0:43:52.879
<v Speaker 2>I don't. Yeah, okay, uh with water still in his mouth.

0:43:52.920 --> 0:43:54.680
<v Speaker 2>He we thought it was cartman. We thought it was

0:43:54.680 --> 0:43:56.440
<v Speaker 2>a little bit of a cartman. He tells Jack, that

0:43:56.600 --> 0:43:58.279
<v Speaker 2>is the meanest thing you've ever done to me. He

0:43:58.360 --> 0:44:01.200
<v Speaker 2>then runs through the stair bans her like that was

0:44:01.239 --> 0:44:02.960
<v Speaker 2>that was that just something you did?

0:44:03.080 --> 0:44:03.279
<v Speaker 1>Yeah?

0:44:04.680 --> 0:44:05.359
<v Speaker 2>Just that one take.

0:44:05.560 --> 0:44:05.719
<v Speaker 4>Yeah.

0:44:06.080 --> 0:44:08.080
<v Speaker 2>He dives through the stair banister to make it to

0:44:08.120 --> 0:44:10.839
<v Speaker 2>the bathroom just in time. Rachel laughs and throws her

0:44:10.920 --> 0:44:12.880
<v Speaker 2>arm around Jack. He's so funny, like he has to

0:44:12.920 --> 0:44:16.160
<v Speaker 2>worry about us being alone together, right, Jack grins Yeah.

0:44:16.520 --> 0:44:18.320
<v Speaker 2>Then he casually adds, I want you to marry me.

0:44:18.680 --> 0:44:21.480
<v Speaker 2>Rachel laughs, what so, Jack double's down marry me now?

0:44:21.520 --> 0:44:23.600
<v Speaker 2>Before he comes out of the bathroom, Rachel takes a

0:44:23.640 --> 0:44:24.439
<v Speaker 2>bite of the start.

0:44:24.480 --> 0:44:27.279
<v Speaker 4>I didn't the last episode, they just realize that they're

0:44:27.320 --> 0:44:29.200
<v Speaker 4>going to treat her with respect and no one's going

0:44:29.280 --> 0:44:29.640
<v Speaker 4>to ask her.

0:44:29.680 --> 0:44:32.239
<v Speaker 2>I mean, she's a roommate and that just has She

0:44:32.960 --> 0:44:35.239
<v Speaker 2>just said we are going to be like girlfriends.

0:44:35.560 --> 0:44:37.759
<v Speaker 1>Right, No, that was too No, that was two. That

0:44:37.840 --> 0:44:39.320
<v Speaker 1>was the first episode she said we're going to be

0:44:39.400 --> 0:44:42.400
<v Speaker 1>like girlfriends. But then it last episode was yeah, we

0:44:42.440 --> 0:44:45.560
<v Speaker 1>don't need to try well like Eric has the whole Yeah,

0:44:45.600 --> 0:44:47.640
<v Speaker 1>this room putting in the laundry room and we don't

0:44:47.640 --> 0:44:48.040
<v Speaker 1>need to do that.

0:44:48.120 --> 0:44:50.000
<v Speaker 4>I mean it was it's like we just did this

0:44:50.040 --> 0:44:51.920
<v Speaker 4>where we're going to treat her with respect and oh

0:44:52.000 --> 0:44:54.040
<v Speaker 4>I got to be myself, and then it's just like

0:44:54.080 --> 0:44:55.880
<v Speaker 4>we forgot all about that and we're just doing exactly

0:44:55.960 --> 0:44:56.600
<v Speaker 4>the same thing again.

0:44:57.000 --> 0:44:59.040
<v Speaker 2>Rachel takes a bite of her hot dog. Well, I

0:44:59.280 --> 0:45:02.120
<v Speaker 2>hope you want, because I want six boys and six girl.

0:45:02.640 --> 0:45:06.000
<v Speaker 2>Then she pauses and urgently grabs her throat. Jack doesn't

0:45:06.040 --> 0:45:08.080
<v Speaker 2>notice her panic. I know this is very sudden, but

0:45:08.120 --> 0:45:09.560
<v Speaker 2>I need you to hurry up and answer me. Before

0:45:09.600 --> 0:45:11.879
<v Speaker 2>he comes out of the bathroom. Rachel tries to speak,

0:45:11.920 --> 0:45:14.280
<v Speaker 2>but can't. She points to her throat and Jack grins,

0:45:14.480 --> 0:45:18.000
<v Speaker 2>that's right, cuteye pie, I'm talking to you. She's struggling

0:45:18.040 --> 0:45:19.799
<v Speaker 2>to breathe, so she quickly grabs a piece of paper

0:45:19.840 --> 0:45:22.480
<v Speaker 2>and feverishly writes something down. Jack tries to read it

0:45:22.560 --> 0:45:27.239
<v Speaker 2>out loud. I'm chucking to death. Then it finally registers.

0:45:27.280 --> 0:45:27.680
<v Speaker 1>Oh god.

0:45:28.040 --> 0:45:30.919
<v Speaker 2>He quickly starts the Heimlich maneuver, throwing Rachel back and forth.

0:45:31.080 --> 0:45:33.960
<v Speaker 2>She's screaming with the movements. Then Eric walks out of

0:45:33.960 --> 0:45:37.960
<v Speaker 2>the bathroom, announcing that monsoon season is officially over. Then

0:45:38.080 --> 0:45:40.799
<v Speaker 2>he sees Jack embracing Rachel and shrieks at the top

0:45:40.840 --> 0:45:43.000
<v Speaker 2>of his lungs. He bolts to the couple, and just

0:45:43.120 --> 0:45:45.520
<v Speaker 2>as he arrives, Rachel spits the bit of hot dog

0:45:45.680 --> 0:45:48.960
<v Speaker 2>right in his face. He recoils in disgust and then

0:45:49.160 --> 0:45:51.919
<v Speaker 2>lashes out in anger at Jack. You said you weren't

0:45:51.920 --> 0:45:55.920
<v Speaker 2>gonna do anything and will You're like covered in water too.

0:45:56.360 --> 0:45:57.040
<v Speaker 1>I noticed that too.

0:45:57.040 --> 0:45:59.080
<v Speaker 4>It had to be from when I was chugging, like

0:45:59.640 --> 0:46:02.480
<v Speaker 4>we must when I went back and watched it, you know,

0:46:02.760 --> 0:46:03.960
<v Speaker 4>and I don't know where it came from.

0:46:04.600 --> 0:46:06.800
<v Speaker 2>So like it's almost like when she's spit out the

0:46:06.880 --> 0:46:10.919
<v Speaker 2>hot dog, she had water in her mouth.

0:46:11.040 --> 0:46:12.800
<v Speaker 6>You're covered, it's like covered.

0:46:12.960 --> 0:46:15.480
<v Speaker 2>Yeah, just must be a community thing.

0:46:16.560 --> 0:46:18.520
<v Speaker 6>Maybe in one take, I got the water spilled on

0:46:18.640 --> 0:46:19.040
<v Speaker 6>me and then we.

0:46:19.160 --> 0:46:20.000
<v Speaker 1>Yeah, yeah.

0:46:20.160 --> 0:46:24.960
<v Speaker 2>The second half of this ye okay, Jack argues she

0:46:25.200 --> 0:46:28.480
<v Speaker 2>was chucking to death. Rachel is so thankful you saved

0:46:28.560 --> 0:46:32.320
<v Speaker 2>my life. Eric shoutz, no he didn't. Jack humbly responds,

0:46:32.440 --> 0:46:34.319
<v Speaker 2>forget about it. Okay, you would have done the same

0:46:34.400 --> 0:46:37.400
<v Speaker 2>for me. But Rachel insists if I can do anything

0:46:37.480 --> 0:46:40.399
<v Speaker 2>to repay you, I will because I owe you big time.

0:46:41.080 --> 0:46:44.200
<v Speaker 2>Eric screams, I am ever going to be again.

0:46:47.360 --> 0:46:50.000
<v Speaker 1>It's just it's just not a good scene. It's just

0:46:50.840 --> 0:46:52.719
<v Speaker 1>this is hopefully this isn't the start.

0:46:53.120 --> 0:46:55.880
<v Speaker 2>For you guys, and I just want more for you guys.

0:46:55.960 --> 0:46:58.600
<v Speaker 2>There's so much more. There's so much more, and like

0:46:58.680 --> 0:47:00.440
<v Speaker 2>you said, at least get him out of the apartment.

0:47:00.600 --> 0:47:04.120
<v Speaker 3>Come on, I'm looking forward to the set we've got.

0:47:04.320 --> 0:47:07.800
<v Speaker 3>I see him set We've got like there overdoing the

0:47:07.800 --> 0:47:09.800
<v Speaker 3>swing sets. We also had to bring the boy's bedroom

0:47:09.880 --> 0:47:10.520
<v Speaker 3>back for this week.

0:47:10.719 --> 0:47:14.840
<v Speaker 2>I know, speaking here, we are Corey's new room. This

0:47:15.000 --> 0:47:16.799
<v Speaker 2>is the first time we've seen it the season since

0:47:16.840 --> 0:47:20.960
<v Speaker 2>the boys moved out. It's rather confusing why.

0:47:21.480 --> 0:47:25.200
<v Speaker 1>I figured it out because everything Eric is gone, So

0:47:25.560 --> 0:47:26.480
<v Speaker 1>why are we back in the.

0:47:26.560 --> 0:47:29.800
<v Speaker 3>Room just to have him look at through the But like,

0:47:29.920 --> 0:47:32.080
<v Speaker 3>Corey still has a room at his parents' house even

0:47:32.080 --> 0:47:33.239
<v Speaker 3>though he's living in a dorm.

0:47:33.400 --> 0:47:34.920
<v Speaker 2>What I'm saying wouldn't have been the nursery.

0:47:35.680 --> 0:47:41.120
<v Speaker 1>Doesn't some parents keeping their kids it should.

0:47:40.840 --> 0:47:43.640
<v Speaker 2>Be a nursery. Oh, I know, we know, we've heard

0:47:43.640 --> 0:47:47.239
<v Speaker 2>of that. We've heard of those people. But yeah, I

0:47:47.320 --> 0:47:51.040
<v Speaker 2>don't know. Also, like, yeah, we could have done this

0:47:51.120 --> 0:47:52.759
<v Speaker 2>in the boy's dorm room. He could have had his

0:47:52.880 --> 0:47:54.720
<v Speaker 2>little trophies in a box in the boys dorm.

0:47:54.640 --> 0:47:57.440
<v Speaker 1>Room and the cellary up there and everything else. I mean,

0:47:57.440 --> 0:47:59.000
<v Speaker 1>you could have done all the same stuff.

0:47:59.360 --> 0:48:04.520
<v Speaker 2>Celearies. So Corey pathetically shows Sean his eighth place trophy

0:48:04.600 --> 0:48:07.920
<v Speaker 2>for enthusiasm from Fat Camp. Sean doesn't get it when

0:48:08.000 --> 0:48:10.440
<v Speaker 2>were you fat? Cory says, well, my parents applied to

0:48:10.480 --> 0:48:13.479
<v Speaker 2>the good camps too late. Man, those guys could eat pie.

0:48:14.120 --> 0:48:21.600
<v Speaker 6>Oh my god, he's hysterical. He destroys the trophy.

0:48:21.680 --> 0:48:25.760
<v Speaker 2>Yeah. Sean wonders about another trophy. Corey reveals my baseball

0:48:25.800 --> 0:48:28.160
<v Speaker 2>team came in last. Sean can't believe they gave out

0:48:28.160 --> 0:48:30.360
<v Speaker 2>a trophy for that. Corey says they wanted everybody to

0:48:30.400 --> 0:48:33.200
<v Speaker 2>feel a sense of pride and achievement. Sean examines it

0:48:33.239 --> 0:48:37.200
<v Speaker 2>and wonders, where's his head. Corey calmly explains, I smashed

0:48:37.239 --> 0:48:38.120
<v Speaker 2>it off with a hammer.

0:48:39.360 --> 0:48:41.800
<v Speaker 1>Eyebro goes up, suffering.

0:48:43.560 --> 0:48:46.759
<v Speaker 2>Love it. Sean admits, I know I should be trying

0:48:46.800 --> 0:48:48.880
<v Speaker 2>to make you feel better, but what kind of loser

0:48:49.040 --> 0:48:51.880
<v Speaker 2>saves all these things? Corey says, because this is me,

0:48:52.320 --> 0:48:55.799
<v Speaker 2>mister average. My room is a shrine to my mediocre life.

0:48:56.280 --> 0:48:59.080
<v Speaker 2>Sean shakes his head. You don't have a mediocre life.

0:48:59.480 --> 0:49:02.000
<v Speaker 2>Corey stands with his back against the wall, revealing a

0:49:02.040 --> 0:49:05.839
<v Speaker 2>poster of a single bunch of celery. He says, there's

0:49:05.920 --> 0:49:09.040
<v Speaker 2>nothing about me that separates me from anybody else.

0:49:10.840 --> 0:49:11.560
<v Speaker 1>Genius life.

0:49:12.120 --> 0:49:15.600
<v Speaker 3>It's so good to have a visual that you don't

0:49:15.600 --> 0:49:18.000
<v Speaker 3>even have to hit the joke. Yes, it's just a

0:49:18.120 --> 0:49:22.120
<v Speaker 3>visual saying a line, and the way it's framed, it's

0:49:22.800 --> 0:49:24.960
<v Speaker 3>I just don't want to know exactly how this happens.

0:49:24.960 --> 0:49:28.279
<v Speaker 2>It's also a giant it's such a big poster.

0:49:28.080 --> 0:49:33.200
<v Speaker 4>Of Celery and it's perfect a wonderful like you too

0:49:34.440 --> 0:49:36.759
<v Speaker 4>next to But it's absurd, it's oh god, it's great.

0:49:37.200 --> 0:49:40.360
<v Speaker 2>It's so funny, just so funny, and is an absolutely

0:49:40.520 --> 0:49:43.879
<v Speaker 2>iconic boy meets world moment. He complains, nobody ever helped

0:49:43.920 --> 0:49:46.280
<v Speaker 2>me find out what I was talented at. Sean quickly

0:49:46.320 --> 0:49:48.640
<v Speaker 2>reaches for a ukulele, reminding Corey he used to be

0:49:48.719 --> 0:49:51.720
<v Speaker 2>good at it. Corey takes the instrument and begins to strum,

0:49:51.840 --> 0:49:57.920
<v Speaker 2>singing off key, my dog has please. Sean fake's enthusiasm. Wow.

0:49:59.000 --> 0:50:04.200
<v Speaker 2>Corey strums and sing again, my dog has Please. This time,

0:50:04.280 --> 0:50:24.719
<v Speaker 2>Sean exclaims, yes, yes, it's so funny. Then we're back

0:50:24.760 --> 0:50:27.040
<v Speaker 2>in the Matthew's kitchen. Morgan and Alexander are at the

0:50:27.080 --> 0:50:29.440
<v Speaker 2>dinner table playing a game boy while Amy and Allan

0:50:29.520 --> 0:50:32.279
<v Speaker 2>unload grocery bags. Amy tells Morgan this is the moment

0:50:32.400 --> 0:50:34.399
<v Speaker 2>I was like, Oh, she's just she just lives here.

0:50:34.440 --> 0:50:37.240
<v Speaker 1>Now, she's just family, okay.

0:50:37.800 --> 0:50:44.000
<v Speaker 2>Amy tells Morgan that they ran into Missus Eichelberger Missus

0:50:44.160 --> 0:50:48.960
<v Speaker 2>Eichelberger at the store, and Alan remembers her daughter's the

0:50:49.000 --> 0:50:51.200
<v Speaker 2>reason you didn't enter the talent show at the youth center,

0:50:51.280 --> 0:50:55.399
<v Speaker 2>isn't she? Morgan shrugs. Elouise Eichelberger wins that talent show

0:50:55.560 --> 0:50:56.160
<v Speaker 2>every year.

0:50:56.960 --> 0:50:59.880
<v Speaker 1>The names, man, I love it. Everybody. Every name is

0:51:00.080 --> 0:51:02.200
<v Speaker 1>like an opportunity to describe character.

0:51:02.520 --> 0:51:06.560
<v Speaker 2>Yep, why should anyone else bother to try? Amy encourages her.

0:51:06.680 --> 0:51:08.360
<v Speaker 2>You were such a good singer, it would be a

0:51:08.400 --> 0:51:10.839
<v Speaker 2>shame for you to not even try. Alan tries to help.

0:51:10.880 --> 0:51:12.880
<v Speaker 2>I'm sure Alexandra would want you to try. Do you

0:51:12.920 --> 0:51:15.720
<v Speaker 2>think she'd stop painting because there are other girl girls

0:51:15.760 --> 0:51:20.000
<v Speaker 2>that could paint better than she could. Alexander tries to agree, Oh, sure,

0:51:20.239 --> 0:51:22.800
<v Speaker 2>there are many girls who can paint better. Then, and

0:51:22.880 --> 0:51:25.480
<v Speaker 2>then she stops herself and turns back to Alan. I'm

0:51:25.520 --> 0:51:26.399
<v Speaker 2>not supposed to lie.

0:51:26.480 --> 0:51:27.000
<v Speaker 1>What do I do?

0:51:27.960 --> 0:51:30.200
<v Speaker 2>Alan waves them off, telling them to go play in

0:51:30.239 --> 0:51:32.320
<v Speaker 2>the living room. So funny, great, and she does it.

0:51:32.360 --> 0:51:34.759
<v Speaker 6>So she does it great, she does because she plays

0:51:34.800 --> 0:51:35.680
<v Speaker 6>it earnestly.

0:51:35.880 --> 0:51:37.480
<v Speaker 1>Yeah, it's like God played for a joke. It's like

0:51:37.480 --> 0:51:39.800
<v Speaker 1>I really don't know what really, Yeah, well I do.

0:51:40.640 --> 0:51:43.080
<v Speaker 2>But Morgan lingers behind. She asks her mom if she

0:51:43.320 --> 0:51:45.640
<v Speaker 2>has to sing. Amy shakes her head. Nobody's going to

0:51:45.680 --> 0:51:47.080
<v Speaker 2>force you to do anything you don't want to do.

0:51:47.520 --> 0:51:49.680
<v Speaker 2>Alan agrees. If you don't want to sing, you don't

0:51:49.719 --> 0:51:52.279
<v Speaker 2>have to sing. Corey and Sean have walked downstairs and

0:51:52.400 --> 0:51:55.120
<v Speaker 2>caught their heart to heart. Morgan leaves and Corey pipes in,

0:51:55.239 --> 0:51:57.520
<v Speaker 2>that's right. Tell her she doesn't have to continue with

0:51:57.560 --> 0:52:00.720
<v Speaker 2>her ukulele lessons either. He points to Sean, who strums

0:52:00.760 --> 0:52:04.320
<v Speaker 2>a nice little tune on the Ukulelean response. Alan's lost,

0:52:04.400 --> 0:52:08.000
<v Speaker 2>so Corey explains way to groom another eighth place honorable mention,

0:52:08.280 --> 0:52:13.239
<v Speaker 2>nothing special, also ran dad. Alan size, Okay, what now?

0:52:14.080 --> 0:52:16.400
<v Speaker 2>Corey rattles on what now? I could have been one

0:52:16.400 --> 0:52:19.480
<v Speaker 2>of the greatest ukulele players in the world. Sean chimes in,

0:52:19.760 --> 0:52:23.160
<v Speaker 2>are you getting that this isn't about the ukulele? Amy nods.

0:52:24.120 --> 0:52:25.000
<v Speaker 1>This scene is great.

0:52:25.080 --> 0:52:25.879
<v Speaker 2>It's so good.

0:52:26.360 --> 0:52:30.759
<v Speaker 4>I love this scene because this really surprised me, Like

0:52:30.840 --> 0:52:32.640
<v Speaker 4>I thought they were going to take it pure comedy,

0:52:32.760 --> 0:52:36.120
<v Speaker 4>the whole way of just I have nothing I can't

0:52:36.120 --> 0:52:37.480
<v Speaker 4>believe you did this to me, and then he's going

0:52:37.520 --> 0:52:39.080
<v Speaker 4>to spiral out in the dorm room, and then all

0:52:39.080 --> 0:52:41.480
<v Speaker 4>of a sudden it got real and it was like,

0:52:41.760 --> 0:52:44.880
<v Speaker 4>oh oh, I mean every time everybody blow to Alan

0:52:45.040 --> 0:52:48.520
<v Speaker 4>was just like ugh, yeah, I wasn't expecting this this again,

0:52:48.800 --> 0:52:50.680
<v Speaker 4>fever dream. It just came on out of nowhere and

0:52:50.800 --> 0:52:54.319
<v Speaker 4>just kept changing direction and it was strange, but good.

0:52:55.160 --> 0:52:57.080
<v Speaker 2>Corey tells his parents that he could have been great

0:52:57.120 --> 0:52:59.520
<v Speaker 2>at something, but they stopped him. Alan says they didn't

0:52:59.520 --> 0:53:02.720
<v Speaker 2>stop stop him, he just lost interest. So Corey asks,

0:53:02.840 --> 0:53:04.279
<v Speaker 2>how come you didn't give me a paint set?

0:53:04.320 --> 0:53:06.280
<v Speaker 1>What I was? To whom? Hookem?

0:53:07.000 --> 0:53:07.560
<v Speaker 2>Does he say it?

0:53:07.840 --> 0:53:08.279
<v Speaker 4>No, I do.

0:53:08.719 --> 0:53:10.520
<v Speaker 1>When I heard you say how come it? I wanted

0:53:10.560 --> 0:53:13.960
<v Speaker 1>them to Jackson hole, I'm ukulely boy.

0:53:16.200 --> 0:53:19.520
<v Speaker 2>Amy reminds him, you were more excited about your toilet training.

0:53:19.719 --> 0:53:22.799
<v Speaker 2>Corey big boy, Now you would say, Sean, let's out

0:53:22.800 --> 0:53:25.840
<v Speaker 2>a big laugh. Oh Corey big boy, Now, huh. I

0:53:25.960 --> 0:53:28.680
<v Speaker 2>love this. I love that that Sean remembers it. That's

0:53:28.680 --> 0:53:30.680
<v Speaker 2>what it feels like to me, Like Sean was there, like,

0:53:30.880 --> 0:53:33.040
<v Speaker 2>well remember when he did that. That was a cute.

0:53:33.360 --> 0:53:34.920
<v Speaker 2>Corey big Boy now you're.

0:53:34.800 --> 0:53:40.239
<v Speaker 1>Putting putting put in business? Did it tap it? Now?

0:53:41.440 --> 0:53:43.840
<v Speaker 2>Corey presses his parents again. Why didn't you push me

0:53:43.920 --> 0:53:46.040
<v Speaker 2>to be anything great? You didn't help me find what

0:53:46.120 --> 0:53:47.560
<v Speaker 2>I was good at. I don't want to be one

0:53:47.560 --> 0:53:49.759
<v Speaker 2>of those people who has no first place trophies and

0:53:49.840 --> 0:53:52.399
<v Speaker 2>no special talents. Why didn't you want me to be better?

0:53:52.920 --> 0:53:56.520
<v Speaker 2>Alan questions better than what Corey shouts back, better than

0:53:56.560 --> 0:53:59.959
<v Speaker 2>what I am? Alan is disappointed. What are you saying,

0:54:00.560 --> 0:54:04.080
<v Speaker 2>Corey emotions to everything around him. I'm saying better than this.

0:54:05.040 --> 0:54:10.680
<v Speaker 2>Alan needs clarification. You mean better than me, Corey notds Yeah,

0:54:11.239 --> 0:54:14.520
<v Speaker 2>better than you. Amy tries to jump in, but Corey continues,

0:54:14.560 --> 0:54:16.440
<v Speaker 2>I'm never gonna be great at anything because I was

0:54:16.600 --> 0:54:19.239
<v Speaker 2>raised to be average. And he looks at his dad.

0:54:19.840 --> 0:54:24.080
<v Speaker 2>I'm average because you're average. Alan hangs his head in shame,

0:54:24.160 --> 0:54:27.279
<v Speaker 2>and Corey realizes he may have taken it too far.

0:54:27.640 --> 0:54:33.160
<v Speaker 2>That was harsh, intense commercial break when this boy meets

0:54:34.280 --> 0:54:35.640
<v Speaker 2>that's what the song sounds like when it's.

0:54:35.560 --> 0:54:42.239
<v Speaker 1>Intense the Elliott Smith version.

0:54:42.560 --> 0:54:45.399
<v Speaker 2>Yes, all right, So we go to an intense commercial break,

0:54:45.440 --> 0:54:46.840
<v Speaker 2>and then we come back when we're in the Penbrook

0:54:46.920 --> 0:54:49.319
<v Speaker 2>dorms Sean is sitting outside and gives a light knock

0:54:49.360 --> 0:54:52.200
<v Speaker 2>on the door. Core you gotta come out. Sometime After

0:54:52.280 --> 0:54:55.319
<v Speaker 2>no response, Sean reaches into his pocket and jiggles his keys. Hey,

0:54:55.719 --> 0:54:58.799
<v Speaker 2>look who it is. It's the ice cream man. He says,

0:54:58.840 --> 0:55:02.920
<v Speaker 2>he has Corey's favorite fl Inside, we see Corey sitting

0:55:02.960 --> 0:55:05.360
<v Speaker 2>on his bed, unamused vanilla.

0:55:06.000 --> 0:55:12.360
<v Speaker 1>Oh yeah, right is good. It's you can't find the

0:55:12.400 --> 0:55:15.319
<v Speaker 1>ice cream? Come on, it's good. Oh so good.

0:55:16.160 --> 0:55:18.880
<v Speaker 2>Outside, Topanga and Angela walk up to see Sean on

0:55:18.960 --> 0:55:21.480
<v Speaker 2>the floor. He explains that Corey's locked himself inside and

0:55:21.520 --> 0:55:24.520
<v Speaker 2>won't come out for anyone. Apparently he's searching the caverns

0:55:24.560 --> 0:55:28.640
<v Speaker 2>of his soul. Tapang is terrified. Oh no, not the caverns.

0:55:29.680 --> 0:55:32.839
<v Speaker 2>Corey opened this door on cue. Corey flings it open

0:55:32.880 --> 0:55:35.239
<v Speaker 2>and the girl's file inside. Corey takes a look around

0:55:35.280 --> 0:55:38.280
<v Speaker 2>the hall. There's no ice cream Man's.

0:55:39.880 --> 0:55:40.320
<v Speaker 1>I love it.

0:55:40.960 --> 0:55:42.759
<v Speaker 4>I Also, one thing I did like about this was

0:55:43.080 --> 0:55:46.320
<v Speaker 4>it wasn't Topanga that talked him down from anything.

0:55:46.520 --> 0:55:46.680
<v Speaker 1>Yeah.

0:55:46.719 --> 0:55:49.759
<v Speaker 2>Episode, I know Topanga by the ways living her best

0:55:49.840 --> 0:55:53.279
<v Speaker 2>life with Angela. Yeah, and Sean is left to deal

0:55:53.320 --> 0:55:54.640
<v Speaker 2>with him, which is great.

0:55:54.760 --> 0:55:55.239
<v Speaker 4>I liked that.

0:55:55.440 --> 0:55:55.759
<v Speaker 1>I liked.

0:55:55.760 --> 0:55:57.800
<v Speaker 4>It was like going back to an old school storyline

0:55:57.800 --> 0:55:59.719
<v Speaker 4>where it's not Corey and it was Corey and Sean,

0:55:59.800 --> 0:56:00.680
<v Speaker 4>which I like that.

0:56:00.880 --> 0:56:03.319
<v Speaker 2>Yeah, now they're all in the dorm room when Corey

0:56:03.320 --> 0:56:05.600
<v Speaker 2>announces I did a terrible thing. I did the worst

0:56:05.640 --> 0:56:07.680
<v Speaker 2>thing I could possibly do. I told my father he

0:56:07.800 --> 0:56:10.439
<v Speaker 2>was average. Sean says, I told my dad that once.

0:56:10.480 --> 0:56:11.120
<v Speaker 1>He was thrilled.

0:56:11.680 --> 0:56:13.120
<v Speaker 2>Y s this is the thing.

0:56:13.200 --> 0:56:15.120
<v Speaker 3>It's like the same story in a lot of ways.

0:56:15.160 --> 0:56:17.680
<v Speaker 3>It's Corey spinning out after an event with his dad.

0:56:17.719 --> 0:56:18.600
<v Speaker 1>It's good. I love it.

0:56:18.760 --> 0:56:19.120
<v Speaker 2>I love this.

0:56:19.480 --> 0:56:20.200
<v Speaker 1>I love this Corey.

0:56:20.640 --> 0:56:23.279
<v Speaker 2>Corey says his dad wasn't thrilled. He was crushed. I

0:56:23.400 --> 0:56:26.319
<v Speaker 2>crushed my father to Pega suggests we all say things

0:56:26.360 --> 0:56:30.680
<v Speaker 2>we don't mean. He'll understand, just apologize. But Corey's realized something.

0:56:31.040 --> 0:56:32.960
<v Speaker 2>I meant what I said. I feel like I'm just

0:56:33.000 --> 0:56:35.399
<v Speaker 2>a regular guy, Like my father's just a regular guy.

0:56:35.680 --> 0:56:38.840
<v Speaker 2>How do I apologize for that? Angela consoles him, you

0:56:39.160 --> 0:56:42.120
<v Speaker 2>are not just a regular guy. You're very good at

0:56:42.160 --> 0:56:44.840
<v Speaker 2>a lot of things. Corey wants to know, like what

0:56:45.560 --> 0:56:48.080
<v Speaker 2>Angela gives up. Don't press me on this. I'm just

0:56:48.120 --> 0:56:51.600
<v Speaker 2>trying to make you feel better. It's so funny. Corey

0:56:51.680 --> 0:56:53.719
<v Speaker 2>points out that everyone else knows what they're good at,

0:56:53.800 --> 0:56:57.760
<v Speaker 2>but he doesn't. He's just standard issue in a plane wrapper.

0:56:58.280 --> 0:57:03.320
<v Speaker 2>And I'm curious, what do we know that Angela is

0:57:03.480 --> 0:57:05.360
<v Speaker 2>good at writing? I guess she got an A on

0:57:05.400 --> 0:57:07.440
<v Speaker 2>her paper earlier in the in the in the episode,

0:57:08.680 --> 0:57:11.200
<v Speaker 2>what what do we think to Panga is good at?

0:57:12.360 --> 0:57:13.800
<v Speaker 1>What was good at school?

0:57:14.480 --> 0:57:18.880
<v Speaker 2>She's just a good student. Virgin okay, a virgin virgin,

0:57:18.960 --> 0:57:21.480
<v Speaker 2>A virgin at school okay, because we haven't.

0:57:21.280 --> 0:57:22.200
<v Speaker 1>Got your virgin.

0:57:22.640 --> 0:57:24.160
<v Speaker 4>She's kind of she's supposed to be the catch all

0:57:24.200 --> 0:57:25.720
<v Speaker 4>because remember, it's like you go to the law firm,

0:57:25.720 --> 0:57:28.440
<v Speaker 4>It's like, now it's going to be a law of

0:57:28.600 --> 0:57:31.480
<v Speaker 4>everything you do, everything you attempt, you're good at. I

0:57:31.480 --> 0:57:33.560
<v Speaker 4>would think, is where to Panga is?

0:57:33.600 --> 0:57:35.720
<v Speaker 1>Because your news reporting? Was she good as a news report?

0:57:35.800 --> 0:57:35.840
<v Speaker 4>No?

0:57:35.920 --> 0:57:37.440
<v Speaker 1>She was sweating like a gat was.

0:57:37.520 --> 0:57:41.560
<v Speaker 2>Listening like a pig. Yeah, I got so nervous. Yeah,

0:57:41.600 --> 0:57:44.000
<v Speaker 2>I just I'm wondering because like, they haven't really spent

0:57:44.040 --> 0:57:45.840
<v Speaker 2>a whole lot of time telling us what the women

0:57:45.880 --> 0:57:46.400
<v Speaker 2>are good at.

0:57:47.680 --> 0:57:47.720
<v Speaker 4>No.

0:57:59.360 --> 0:58:01.160
<v Speaker 2>So Corey point out that everyone else knows what they're

0:58:01.160 --> 0:58:03.240
<v Speaker 2>good at, but he doesn't. He's just standard issue in

0:58:03.320 --> 0:58:06.080
<v Speaker 2>a plane wrapper. Sean says, so are dirty magazines and

0:58:06.120 --> 0:58:09.560
<v Speaker 2>everybody loves them. Angela elbows him and Sean admits, okay,

0:58:09.760 --> 0:58:12.760
<v Speaker 2>not you. Tapega urges her fiance to go home and

0:58:12.800 --> 0:58:15.240
<v Speaker 2>speak to his dad. An average father may be angry

0:58:15.320 --> 0:58:18.440
<v Speaker 2>with Corey, but his father isn't average. She assures him

0:58:18.480 --> 0:58:21.160
<v Speaker 2>they'll be behind him the whole way. Corey opens the

0:58:21.200 --> 0:58:23.840
<v Speaker 2>door to leave and Alan is standing right there. There's

0:58:23.880 --> 0:58:28.040
<v Speaker 2>an audible gasp and Tapega asks how you doing. Alan

0:58:28.080 --> 0:58:30.200
<v Speaker 2>grabs Corey's arm and tells him to get in the car.

0:58:31.120 --> 0:58:34.240
<v Speaker 2>And then we're back at the apartment. Eric's pacing behind Jack,

0:58:34.280 --> 0:58:36.560
<v Speaker 2>who's doing homework. Eric won't leave him alone. What are

0:58:36.560 --> 0:58:37.720
<v Speaker 2>you gonna ask her for? What are gonna ask her for?

0:58:37.760 --> 0:58:40.800
<v Speaker 2>What are you gonna ask her for? Final story?

0:58:40.920 --> 0:58:45.320
<v Speaker 1>We're so excited to find out I can't she choose

0:58:45.480 --> 0:58:49.720
<v Speaker 1>a man? She keeps one of that they have sex?

0:58:54.120 --> 0:58:54.880
<v Speaker 1>Is that what Eric's thinking?

0:58:54.960 --> 0:58:56.720
<v Speaker 4>Like, Oh, he's going to ask if that's because when

0:58:56.800 --> 0:58:59.160
<v Speaker 4>she said I would do anything for you, He's assuming

0:58:59.200 --> 0:59:00.640
<v Speaker 4>he's going to ask for a sex act.

0:59:00.880 --> 0:59:02.600
<v Speaker 1>Is that yes, they're going to do the sex.

0:59:02.720 --> 0:59:04.400
<v Speaker 2>Yeah, they're going to do the sex. Yes, they're gonna.

0:59:04.440 --> 0:59:06.160
<v Speaker 2>What he's gonna say is do the sex with me.

0:59:06.480 --> 0:59:09.760
<v Speaker 1>So I saved your life and now you're going to

0:59:09.800 --> 0:59:12.320
<v Speaker 1>have sex with me. That's that. She'll do anything, So

0:59:12.480 --> 0:59:13.760
<v Speaker 1>that's the that's the whole.

0:59:14.880 --> 0:59:17.720
<v Speaker 2>She'll do anything, the hot lady.

0:59:18.040 --> 0:59:22.040
<v Speaker 1>She'll do anything, so enticing and fun. I was hoping

0:59:22.080 --> 0:59:23.280
<v Speaker 1>I missed something.

0:59:22.960 --> 0:59:25.600
<v Speaker 2>But I don't think I miss anything. Okay, he didn't.

0:59:26.200 --> 0:59:27.160
<v Speaker 2>What are you gonna ask her for? What are you

0:59:27.160 --> 0:59:29.240
<v Speaker 2>gonna ask for? Finally Jack answers, you want the truth,

0:59:29.320 --> 0:59:32.560
<v Speaker 2>and Eric screams, I can't handle the truth.

0:59:34.040 --> 0:59:38.080
<v Speaker 4>Everybody was doing that. It's a joke or something. So

0:59:38.280 --> 0:59:41.040
<v Speaker 4>I can't handle the truth. You can't handle the truth everywhere.

0:59:41.440 --> 0:59:44.560
<v Speaker 2>Then Jack calls Rachel into the kitchen. Eric can't believe this. Wait,

0:59:44.640 --> 0:59:46.600
<v Speaker 2>it's pay up time right now in front of me.

0:59:47.320 --> 0:59:50.040
<v Speaker 2>Rachel hops down the stairs, looking chipper and exposing another

0:59:50.080 --> 0:59:53.040
<v Speaker 2>boom mic. She asks Jack if he's decided what he

0:59:53.120 --> 0:59:55.920
<v Speaker 2>wants for saving her life, and he reveals, yes, I have.

0:59:56.520 --> 0:59:59.080
<v Speaker 2>I appreciate your gratitude, so I've decided what I would

0:59:59.200 --> 1:00:03.000
<v Speaker 2>like is a peanut butter and jelly sandwich. Eric pushes

1:00:03.080 --> 1:00:06.560
<v Speaker 2>Jack out of the way. No, he grabs onto Rachel's legs.

1:00:06.880 --> 1:00:11.320
<v Speaker 2>Don't give yourself to him just because he saved your life.

1:00:11.760 --> 1:00:15.240
<v Speaker 2>Life is to live. Then he stops himself and slowly

1:00:15.280 --> 1:00:17.840
<v Speaker 2>gets off the floor. Did you say peanut butter and

1:00:17.920 --> 1:00:20.760
<v Speaker 2>jelly sandwich? Rachel is shocked too, that's all you want?

1:00:21.280 --> 1:00:23.880
<v Speaker 2>Jack gives her a polite nod. Eric pulls him in close.

1:00:24.040 --> 1:00:25.840
<v Speaker 2>She'll give you anything you ask for, and you ask

1:00:25.920 --> 1:00:28.360
<v Speaker 2>for a peep and jay. Jack just doesn't want Rachel

1:00:28.360 --> 1:00:31.000
<v Speaker 2>to feel like she owes him something. Eric doesn't get it.

1:00:31.120 --> 1:00:33.680
<v Speaker 2>Then why did you save her life? Jack says he

1:00:33.680 --> 1:00:35.880
<v Speaker 2>would have done the same thing. Eric asks, Oh what,

1:00:36.200 --> 1:00:37.720
<v Speaker 2>just because I like her and I respect her and

1:00:37.760 --> 1:00:40.760
<v Speaker 2>I wouldn't want to take advantage of her. Jack says, yeah,

1:00:41.080 --> 1:00:44.640
<v Speaker 2>that Eric gets it. He turns to Rachel and meagerly asks,

1:00:44.960 --> 1:00:46.880
<v Speaker 2>could I have a peanut butter and jelly sandwich too?

1:00:47.360 --> 1:00:52.200
<v Speaker 2>Rachel smiles but shakes her head. No, she started making one.

1:00:52.800 --> 1:00:53.680
<v Speaker 2>Why can't she make two?

1:00:55.200 --> 1:00:57.160
<v Speaker 1>I love peanut butter and jelly. I just need his

1:00:57.320 --> 1:00:58.840
<v Speaker 1>episode to end so that I can make one.

1:00:59.160 --> 1:01:01.480
<v Speaker 2>Okay, wonderful, that's almost.

1:01:03.680 --> 1:01:04.040
<v Speaker 1>Mm hmm.

1:01:04.600 --> 1:01:09.480
<v Speaker 2>If you put some Doritos in it, regular rules, discust

1:01:11.480 --> 1:01:16.520
<v Speaker 2>one about ruffles, Yeah, ruffles inside, Yeah, incredible writer. It's

1:01:16.560 --> 1:01:20.880
<v Speaker 2>so good guys. Mm hmmm. I'm sorry you don't have

1:01:21.000 --> 1:01:21.400
<v Speaker 2>good taste.

1:01:21.440 --> 1:01:23.760
<v Speaker 4>It's you won't You just won't be coming to our restaurant,

1:01:23.800 --> 1:01:29.080
<v Speaker 4>the PB and J with Potato Chip restaurant, just GARB restaurant.

1:01:30.440 --> 1:01:34.120
<v Speaker 2>A diner on bread and.

1:01:35.800 --> 1:01:39.080
<v Speaker 1>Everything that you could buy in the aisles whatever.

1:01:39.240 --> 1:01:43.240
<v Speaker 2>How's your flake skin car exactly? How's that working out

1:01:43.280 --> 1:01:43.440
<v Speaker 2>for you?

1:01:44.280 --> 1:01:46.040
<v Speaker 1>From Costco and Bulk And.

1:01:48.800 --> 1:01:49.640
<v Speaker 2>How's that working out for you?

1:01:51.160 --> 1:01:53.840
<v Speaker 4>We're going to start with a chain restaurant, That's what

1:01:53.880 --> 1:01:55.200
<v Speaker 4>We're not even starting with one place.

1:01:55.240 --> 1:01:57.520
<v Speaker 1>We're starting with starting with locations.

1:01:57.200 --> 1:01:59.120
<v Speaker 2>All the same time, a pop up on the same day.

1:02:00.680 --> 1:02:03.560
<v Speaker 2>Love it. And then we have returned to the streets

1:02:03.560 --> 1:02:07.160
<v Speaker 2>of Philadelphia. Alan Corey walk along a street of small businesses.

1:02:07.360 --> 1:02:10.360
<v Speaker 2>Corey is nervous. I realize you're angry, and I want

1:02:10.400 --> 1:02:12.240
<v Speaker 2>you to know I said a terrible thing, and I

1:02:12.360 --> 1:02:15.720
<v Speaker 2>have no idea where to even begin to apologize. Alan

1:02:15.800 --> 1:02:18.680
<v Speaker 2>simply states, I'm sorry, you meant it. He stops in

1:02:18.720 --> 1:02:20.640
<v Speaker 2>front of a boarded up stores. Do you know what

1:02:20.760 --> 1:02:21.080
<v Speaker 2>this is?

1:02:21.680 --> 1:02:21.919
<v Speaker 1>Corey?

1:02:22.000 --> 1:02:25.280
<v Speaker 2>Guesses the abandoned warehouse where no one will hear my screams.

1:02:26.720 --> 1:02:29.640
<v Speaker 2>Alan says his first job was sweeping up here at

1:02:29.680 --> 1:02:33.480
<v Speaker 2>Drew's Hardware. He took over after his father retired. In fact,

1:02:33.760 --> 1:02:36.240
<v Speaker 2>his father spent forty years with a broom in his hand.

1:02:36.560 --> 1:02:39.200
<v Speaker 2>Alan earnestly says, I wish he could see all I

1:02:39.280 --> 1:02:42.240
<v Speaker 2>have now. He turns his attention to Corey. Why are

1:02:42.360 --> 1:02:46.080
<v Speaker 2>you so ashamed of being average? Corey stutters, so Alan

1:02:46.160 --> 1:02:48.200
<v Speaker 2>demands him to look at the store, look at it,

1:02:48.480 --> 1:02:51.040
<v Speaker 2>touch it, get some dirt on your hands, try and

1:02:51.120 --> 1:02:54.800
<v Speaker 2>see what average looked like from here. To me, average

1:02:54.920 --> 1:02:57.560
<v Speaker 2>was a dream. That's why my father worked his butt off.

1:02:57.800 --> 1:03:01.760
<v Speaker 2>So maybe his son could have something more. Alan says

1:03:01.800 --> 1:03:03.680
<v Speaker 2>he respected his father because he did the best that

1:03:03.760 --> 1:03:05.920
<v Speaker 2>he could. He was proud of him, and he knows

1:03:06.000 --> 1:03:09.520
<v Speaker 2>he'd be proud of him too. Corey's speechless as Alan continues,

1:03:10.200 --> 1:03:13.240
<v Speaker 2>maybe if my son thinks average is nothing, then I've

1:03:13.320 --> 1:03:17.160
<v Speaker 2>done my job. I'm sorry that you're not a lot.

1:03:17.480 --> 1:03:21.800
<v Speaker 3>I know because it's an interesting like it's very nuanced,

1:03:21.880 --> 1:03:23.960
<v Speaker 3>but it's a good point. Like if my son is

1:03:24.200 --> 1:03:27.880
<v Speaker 3>able to be dismissive of average, of average, then that

1:03:28.000 --> 1:03:31.800
<v Speaker 3>means I've actually done something really and that that's kind

1:03:31.840 --> 1:03:33.640
<v Speaker 3>of more to the point to me because I'm this

1:03:33.720 --> 1:03:35.200
<v Speaker 3>whole time, I was like, why doesn't.

1:03:34.920 --> 1:03:37.280
<v Speaker 1>Corey have a job? Like Eric had to have a job,

1:03:37.800 --> 1:03:40.040
<v Speaker 1>and Corey has not ever had to have a job.

1:03:40.160 --> 1:03:41.160
<v Speaker 1>We've never seen him.

1:03:41.080 --> 1:03:43.880
<v Speaker 2>Work, right, well that only when he was in the

1:03:43.880 --> 1:03:46.760
<v Speaker 2>restaurant and you took over for the mob and.

1:03:46.920 --> 1:03:49.240
<v Speaker 3>To Panga work in the restaurant, and Angela had job,

1:03:49.280 --> 1:03:55.040
<v Speaker 3>but like Corey is like what gonna go to Collin's.

1:03:55.080 --> 1:03:57.680
<v Speaker 3>There's been a lot of emphasis on Eric working and

1:03:57.960 --> 1:04:00.280
<v Speaker 3>none on Corey. And part of me was like, well,

1:04:00.280 --> 1:04:05.640
<v Speaker 3>maybe that's because Corey, you know, does have something going

1:04:05.760 --> 1:04:08.400
<v Speaker 3>for him, Like that's better than I don't know, like

1:04:08.480 --> 1:04:12.880
<v Speaker 3>it it was this is yeah, this this scene brought

1:04:12.920 --> 1:04:14.560
<v Speaker 3>up more questions than answers for me.

1:04:15.240 --> 1:04:17.280
<v Speaker 2>Yeah, why where do they work?

1:04:17.360 --> 1:04:17.480
<v Speaker 4>Now?

1:04:17.560 --> 1:04:20.080
<v Speaker 1>Do they own the store? Yeah?

1:04:20.120 --> 1:04:21.880
<v Speaker 2>Yeah, we don't. They don't really acknowledge.

1:04:21.920 --> 1:04:23.720
<v Speaker 1>That an interesting.

1:04:23.440 --> 1:04:26.600
<v Speaker 3>Relationship with class because it was like Shawn's supposed to

1:04:26.640 --> 1:04:29.280
<v Speaker 3>be the like blue collar dad worked his whole life

1:04:29.360 --> 1:04:30.080
<v Speaker 3>to survive, you.

1:04:30.120 --> 1:04:33.360
<v Speaker 2>Know, like Sean says it, you do not have a

1:04:33.480 --> 1:04:37.760
<v Speaker 2>mediocre life. He Sean says it when he talked went

1:04:37.800 --> 1:04:39.600
<v Speaker 2>in that previous scene where he's talking to Cory when

1:04:39.640 --> 1:04:41.640
<v Speaker 2>Corey says, like, my mediocre life, and he goes, WHOA,

1:04:42.320 --> 1:04:44.080
<v Speaker 2>you do not have a mediocre life. And so you

1:04:44.160 --> 1:04:47.600
<v Speaker 2>get the sense that like Sean would kill for Corey's life,

1:04:48.240 --> 1:04:51.240
<v Speaker 2>not necessarily, not like he wants to actually be in

1:04:51.320 --> 1:04:54.760
<v Speaker 2>his place, but to have had the security and comfort

1:04:55.000 --> 1:04:57.760
<v Speaker 2>that Corey's had and has taken for granted Shawn's and ever.

1:04:57.960 --> 1:05:01.960
<v Speaker 1>STI average, you know, income coming in. I mean, yeah,

1:05:01.960 --> 1:05:04.960
<v Speaker 1>Seana roof over his head. But again we've said this

1:05:05.040 --> 1:05:06.840
<v Speaker 1>a billion times. How good is Rusty?

1:05:07.240 --> 1:05:10.120
<v Speaker 4>Oh my man, I mean he hit ninety two beats

1:05:10.160 --> 1:05:12.720
<v Speaker 4>in this in this monologue, and he's just so good.

1:05:13.520 --> 1:05:15.280
<v Speaker 3>This is a weird thing that I was thinking about, like,

1:05:15.440 --> 1:05:18.240
<v Speaker 3>and I don't have a conclusion or any real good

1:05:18.280 --> 1:05:20.640
<v Speaker 3>thoughts about it, but it's it's it's so like on

1:05:20.720 --> 1:05:24.280
<v Speaker 3>one end, you're talking about cultural production like art, right,

1:05:24.360 --> 1:05:27.040
<v Speaker 3>like the production of art and singing, and on the

1:05:27.120 --> 1:05:29.680
<v Speaker 3>other hand, you're talking about work ethic and like taking

1:05:29.760 --> 1:05:32.280
<v Speaker 3>the job just and I don't know that this episode

1:05:33.040 --> 1:05:35.760
<v Speaker 3>makes sense of those two impulses being the same, Like

1:05:36.320 --> 1:05:39.400
<v Speaker 3>is it like is Alexandra a great artist because she

1:05:39.640 --> 1:05:41.840
<v Speaker 3>worked hard? Or is she a great artist because she's

1:05:41.920 --> 1:05:45.360
<v Speaker 3>naturally talented and genius? Like I don't feel like the

1:05:45.400 --> 1:05:49.000
<v Speaker 3>episode really like that's a tough question to answer, Like

1:05:49.040 --> 1:05:50.720
<v Speaker 3>I don't you know, I don't know, And I feel

1:05:50.760 --> 1:05:52.840
<v Speaker 3>like it's not ends up not being about that, like

1:05:53.360 --> 1:05:57.439
<v Speaker 3>because like there's no recognition that like lind Lindsay can sing,

1:05:57.760 --> 1:06:02.520
<v Speaker 3>like Morgan's ability to sing is separate from her willingness

1:06:02.560 --> 1:06:04.640
<v Speaker 3>to do it, like the actual work ethic, Like I

1:06:04.640 --> 1:06:04.880
<v Speaker 3>don't know.

1:06:05.000 --> 1:06:07.080
<v Speaker 1>I just feel like there's That's why I think it's

1:06:07.080 --> 1:06:07.920
<v Speaker 1>almost the scene hit me.

1:06:08.000 --> 1:06:11.520
<v Speaker 3>I was like, wait, it's not about Corey not working hard,

1:06:11.640 --> 1:06:14.040
<v Speaker 3>it's about Corey being good at something.

1:06:13.880 --> 1:06:15.240
<v Speaker 1>Like I don't know this, That's the thing.

1:06:15.280 --> 1:06:17.480
<v Speaker 4>I think there's there's they're also trying to say that

1:06:17.560 --> 1:06:20.600
<v Speaker 4>it's like not everyone is born with a gift, but

1:06:20.760 --> 1:06:23.240
<v Speaker 4>you can still find happiness in your life even if

1:06:23.240 --> 1:06:27.080
<v Speaker 4>you're not born quote unquote special. Yeah, so it's like

1:06:27.280 --> 1:06:29.439
<v Speaker 4>you know, Rusty Fat, you still have to work hard

1:06:29.640 --> 1:06:30.240
<v Speaker 4>or still.

1:06:30.000 --> 1:06:33.560
<v Speaker 2>Have to Sure, I have no doubt that Alexander Nikita

1:06:33.680 --> 1:06:35.960
<v Speaker 2>worked hard to be a painter. But like when you're

1:06:36.000 --> 1:06:39.960
<v Speaker 2>giving a two year old paint and they're obviously she

1:06:40.240 --> 1:06:43.480
<v Speaker 2>was better than other two year olds. She was she

1:06:43.720 --> 1:06:47.920
<v Speaker 2>has a gift that most do not. And then in

1:06:48.080 --> 1:06:51.120
<v Speaker 2>conjunction with working hard at it and continuing to do it,

1:06:51.880 --> 1:06:55.160
<v Speaker 2>she became a prodigy. She became a phenomenon. And so

1:06:55.880 --> 1:06:58.320
<v Speaker 2>in this case, Corey is saying, well, no one ever

1:06:58.400 --> 1:06:59.960
<v Speaker 2>pushed me to find if I had a gift. You

1:07:00.240 --> 1:07:02.720
<v Speaker 2>let me fall out of everything. What if I if

1:07:02.760 --> 1:07:05.840
<v Speaker 2>you pushed me hard enough to insist on pursuing things

1:07:05.920 --> 1:07:08.480
<v Speaker 2>like the ukulele? What if I would have then been

1:07:08.960 --> 1:07:12.160
<v Speaker 2>the best ever at it? And instead look at me,

1:07:12.520 --> 1:07:17.000
<v Speaker 2>I'm just average? And Alan is thinking, and you know,

1:07:17.120 --> 1:07:19.160
<v Speaker 2>and then it ties into Alan's point, which is like, wow,

1:07:19.600 --> 1:07:22.600
<v Speaker 2>when I was a kid, average would have been the

1:07:22.920 --> 1:07:25.680
<v Speaker 2>average was my biggest dream and.

1:07:27.240 --> 1:07:30.320
<v Speaker 4>Almost once again showing that in a way, Alan was

1:07:30.440 --> 1:07:33.600
<v Speaker 4>like Sean more than he was like Corey. Yeah, so

1:07:34.040 --> 1:07:36.240
<v Speaker 4>it was like he turned his life around and look

1:07:36.320 --> 1:07:38.440
<v Speaker 4>what he was able to do for his kids. And

1:07:38.600 --> 1:07:40.200
<v Speaker 4>now my son doesn't appreciate that.

1:07:40.480 --> 1:07:42.000
<v Speaker 2>Yeah, now my kids saying it's garbage.

1:07:42.160 --> 1:07:46.480
<v Speaker 1>Yeah, it's very nuanced. There's a lot of different levels.

1:07:47.440 --> 1:07:50.680
<v Speaker 2>Maybe if my son thinks average is nothing. Then I've

1:07:50.760 --> 1:07:54.000
<v Speaker 2>done my job. I'm sorry that you're not proud. He

1:07:54.120 --> 1:07:57.240
<v Speaker 2>gestures to the store of him and he points to

1:07:57.360 --> 1:08:02.280
<v Speaker 2>himself and me, and then he likes on Corey and yourself.

1:08:03.440 --> 1:08:06.040
<v Speaker 2>Sad music plays as Alan walks away, leaving his son

1:08:06.200 --> 1:08:10.520
<v Speaker 2>alone in a very sketchy neighborhood of bankrupt businesses.

1:08:10.120 --> 1:08:12.680
<v Speaker 1>And litter at night at night.

1:08:12.920 --> 1:08:16.160
<v Speaker 4>Just get your hopefully you'll come home get Yeah, exactly.

1:08:16.439 --> 1:08:19.519
<v Speaker 4>Let's see how your average skills do against knife attacks.

1:08:21.640 --> 1:08:22.360
<v Speaker 2>Maybe it's your skill.

1:08:22.560 --> 1:08:25.640
<v Speaker 1>Maybe maybe gonna be an Maybe that's what it is.

1:08:25.760 --> 1:08:27.400
<v Speaker 6>You're a secret assassin. Let's find out.

1:08:28.800 --> 1:08:33.519
<v Speaker 2>The sixth annual quaker Ridge Youth Center Talent Show. Everyone

1:08:33.680 --> 1:08:36.280
<v Speaker 2>knows that one Corey, Allen and Amy are in the

1:08:36.320 --> 1:08:37.160
<v Speaker 2>front row, while it's.

1:08:37.120 --> 1:08:39.840
<v Speaker 1>Talented younger that they showed too. I was like, where

1:08:39.920 --> 1:08:41.840
<v Speaker 1>are we It looks like the Performing Arts Center.

1:08:42.160 --> 1:08:45.639
<v Speaker 2>Yeah, yeah, it's a yeah, the Youth Center Talent Show.

1:08:46.160 --> 1:08:46.360
<v Speaker 1>Yeah.

1:08:47.040 --> 1:08:49.640
<v Speaker 2>A talented young girl who we can now assume is

1:08:49.720 --> 1:08:55.080
<v Speaker 2>Eloise Eichelberger twirls flaming batons gracefully in the air.

1:08:55.360 --> 1:08:57.599
<v Speaker 3>This is a big choice because when you have flame

1:08:57.720 --> 1:08:59.680
<v Speaker 3>overflame on a set, you have to have a fire,

1:08:59.760 --> 1:09:00.479
<v Speaker 3>marsh that's what.

1:09:00.520 --> 1:09:01.200
<v Speaker 1>It's a big deal.

1:09:01.400 --> 1:09:04.720
<v Speaker 2>It's a big deal. Why did we Why was it that?

1:09:04.920 --> 1:09:07.920
<v Speaker 2>But I guess they had to do something big because

1:09:07.960 --> 1:09:11.400
<v Speaker 2>the whole joke is that she's just gonna sing. A

1:09:11.479 --> 1:09:15.400
<v Speaker 2>woman next to Amy, presumably missus Eichelberger, nudges her with arrogance.

1:09:15.439 --> 1:09:17.240
<v Speaker 2>The two women give each other fake smiles, and then

1:09:17.280 --> 1:09:20.840
<v Speaker 2>Amy leans over to her husband. Big deal. She twirls batons,

1:09:21.040 --> 1:09:23.479
<v Speaker 2>but Alan's in awe, wow, look at all that fire

1:09:23.640 --> 1:09:26.800
<v Speaker 2>in the air. Corey nudges his dad, but Alan shows

1:09:26.840 --> 1:09:30.000
<v Speaker 2>him away. He's loving this. Morgan and Alexandra watch Eloise

1:09:30.080 --> 1:09:33.839
<v Speaker 2>from the wings. Alexander admits she's good, and Morgan agrees

1:09:34.120 --> 1:09:37.880
<v Speaker 2>she's the best fire juggler in the county. She's gonna win.

1:09:38.280 --> 1:09:41.839
<v Speaker 2>I'm not gonna sing. Alexandra is shocked, but Morgan insists

1:09:41.960 --> 1:09:44.080
<v Speaker 2>I don't want to. Aren't there times when you don't

1:09:44.120 --> 1:09:47.360
<v Speaker 2>want to paint? The Prodigy admits when people first started

1:09:47.400 --> 1:09:48.960
<v Speaker 2>to make a big deal out of it, I didn't

1:09:48.960 --> 1:09:50.880
<v Speaker 2>want to be different from all my friends. But I

1:09:51.000 --> 1:09:53.040
<v Speaker 2>love to paint, and that's why I do it. Don't

1:09:53.080 --> 1:09:56.880
<v Speaker 2>you love to sing? Morgan shrugs. Yeah, I do so.

1:09:57.000 --> 1:09:59.960
<v Speaker 2>Alexandra declares, then that's your gift, and if you're lucky

1:10:00.160 --> 1:10:02.360
<v Speaker 2>enough that God gave you one, I think you should

1:10:02.400 --> 1:10:05.840
<v Speaker 2>share it. The fire juggler finally ends her performance and

1:10:05.880 --> 1:10:09.439
<v Speaker 2>the crowd applauds. A host takes the stage and thanks Eloise.

1:10:09.720 --> 1:10:11.840
<v Speaker 2>That's gonna be a tough act to follow. We've had

1:10:11.920 --> 1:10:14.479
<v Speaker 2>quite a night. They had fire batons, that little boy

1:10:14.520 --> 1:10:17.320
<v Speaker 2>that juggled ducks, and a special thank you to the

1:10:17.439 --> 1:10:22.360
<v Speaker 2>double jointed plunket twins. Alan stands up and gives a

1:10:22.520 --> 1:10:29.360
<v Speaker 2>rowdy applause for the being over questions school girls, That's

1:10:29.360 --> 1:10:31.080
<v Speaker 2>what I was gonna say, do we this is just

1:10:31.200 --> 1:10:35.120
<v Speaker 2>a talent show. We don't know because my first thought

1:10:35.240 --> 1:10:38.400
<v Speaker 2>was this is a high school talent show. But actually

1:10:39.280 --> 1:10:43.639
<v Speaker 2>it is the sixth annual quaker Ridge Youths. No, it's

1:10:43.720 --> 1:10:47.040
<v Speaker 2>Youth Center gross. It's just as gross as I thought.

1:10:47.160 --> 1:10:49.240
<v Speaker 1>Okay, yeah, no, it is all right.

1:10:51.360 --> 1:10:54.360
<v Speaker 2>I would have loved someone to make it a different choice. There, Okay.

1:10:54.840 --> 1:10:56.680
<v Speaker 2>Alan stands up gives a rowdy applause for that act.

1:10:56.720 --> 1:10:59.600
<v Speaker 2>The host continues, and now our final entry will be

1:11:00.120 --> 1:11:04.880
<v Speaker 2>Morgan Matthews, who will sing a song, Alexandra gives her

1:11:04.920 --> 1:11:07.160
<v Speaker 2>friend a big hug, and Amy shoots to her feet.

1:11:07.560 --> 1:11:12.120
<v Speaker 2>Yay Morgan, Mommy loves You. On stage, Morgan presses play

1:11:12.240 --> 1:11:14.280
<v Speaker 2>on her CD player and then takes the microphone to

1:11:14.320 --> 1:11:17.719
<v Speaker 2>sing wind Beneath My Wings by Bette Midler and the audience.

1:11:17.760 --> 1:11:19.560
<v Speaker 2>Corey turns to his ad I can't live like this.

1:11:19.760 --> 1:11:23.040
<v Speaker 2>I'm sorry, Alan whispers, don't worry about it. He's so rude,

1:11:23.840 --> 1:11:26.840
<v Speaker 2>so rude, his sister's thing and he just can't I know,

1:11:26.960 --> 1:11:28.519
<v Speaker 2>but it is funny way to jumps up saying.

1:11:28.600 --> 1:11:31.120
<v Speaker 1>Too, man, it's so cool to hear it. I was like, wow, talent,

1:11:31.320 --> 1:11:33.000
<v Speaker 1>you know. And you remember her singing on the set.

1:11:33.040 --> 1:11:35.960
<v Speaker 1>I mean, she was really so nice to hear. Oh

1:11:36.040 --> 1:11:37.400
<v Speaker 1>my god, and they gave her.

1:11:37.400 --> 1:11:37.880
<v Speaker 4>Something to do.

1:11:38.240 --> 1:11:43.639
<v Speaker 1>And then halfway through her thing on it was funny

1:11:45.000 --> 1:11:47.400
<v Speaker 1>this whispering like interrupting her. I kept I was like,

1:11:47.479 --> 1:11:49.840
<v Speaker 1>where's that going? Once he got up and signed was great.

1:11:50.320 --> 1:11:52.479
<v Speaker 1>Totally forgot he was singing. I totally forgot. This happened

1:11:52.520 --> 1:11:52.800
<v Speaker 1>me too.

1:11:53.080 --> 1:11:55.439
<v Speaker 2>Yeah, when he just kept interrupting, I was like, oh god.

1:11:55.520 --> 1:11:59.040
<v Speaker 2>But then it ends up being very funny, So Alan whispers,

1:11:59.040 --> 1:12:00.840
<v Speaker 2>don't worry about it before we turning his full attention

1:12:00.920 --> 1:12:03.600
<v Speaker 2>to Morgan's performance. She gets to the chorus of the

1:12:03.640 --> 1:12:06.759
<v Speaker 2>song and Corey can't contain himself. He sings along, directing

1:12:06.840 --> 1:12:07.720
<v Speaker 2>his words to his dad.

1:12:08.000 --> 1:12:09.240
<v Speaker 3>I would have loved I would have loved if he

1:12:09.320 --> 1:12:12.040
<v Speaker 3>doesn't say anything, and it's just a shot of Corey

1:12:12.160 --> 1:12:14.720
<v Speaker 3>and his dad, and you watch Corey listening to the

1:12:14.800 --> 1:12:18.439
<v Speaker 3>song and realizing this is me singing to my dad

1:12:18.640 --> 1:12:20.800
<v Speaker 3>and I'm being inspired, and then you just watch him

1:12:20.960 --> 1:12:21.439
<v Speaker 3>jump up.

1:12:21.439 --> 1:12:24.280
<v Speaker 1>Jump up, because there's no moment where you see Corey

1:12:24.479 --> 1:12:25.160
<v Speaker 1>realize that the.

1:12:25.160 --> 1:12:28.479
<v Speaker 3>Sting correction right if we need him make the decision,

1:12:28.880 --> 1:12:31.799
<v Speaker 3>been a million times funnier, and it wouldn't He wouldn't

1:12:31.800 --> 1:12:32.320
<v Speaker 3>have to say anything.

1:12:32.320 --> 1:12:34.960
<v Speaker 1>You can just see a closeup of him going, this song.

1:12:34.960 --> 1:12:37.040
<v Speaker 2>Is me, this is what I need is how I

1:12:37.080 --> 1:12:38.600
<v Speaker 2>can do it. He could also have jumped up on

1:12:38.680 --> 1:12:40.320
<v Speaker 2>stage and pushed her out of the way, take it

1:12:40.360 --> 1:12:41.920
<v Speaker 2>over the microphone and just done this.

1:12:42.160 --> 1:12:43.880
<v Speaker 1>You know, you know that's what Wilfred Dell would have

1:12:45.439 --> 1:12:46.400
<v Speaker 1>I I command the stage.

1:12:46.400 --> 1:12:51.320
<v Speaker 2>What can I say? Morgan, Alan and Amy are flustered,

1:12:51.360 --> 1:12:53.519
<v Speaker 2>but she continues to sing on the stage. Corey jumps

1:12:53.560 --> 1:12:56.040
<v Speaker 2>to his feet, now pumping his fists, singing to his dad,

1:12:56.120 --> 1:12:58.800
<v Speaker 2>disturbing the audience and stealing the thunder from his sister.

1:12:59.320 --> 1:13:02.360
<v Speaker 2>Alan and Amy slumped in their seats, mortified, but Corey

1:13:02.439 --> 1:13:04.799
<v Speaker 2>doesn't stop, turning the song into a duet with Morgan.

1:13:05.040 --> 1:13:07.479
<v Speaker 2>Corey even acts out some of the lyrics. The talent

1:13:07.560 --> 1:13:09.840
<v Speaker 2>show is now over and the crowd is gone. Morgan

1:13:09.920 --> 1:13:12.360
<v Speaker 2>hops down to meet her mom and Alexandra, the painter

1:13:12.520 --> 1:13:15.160
<v Speaker 2>hugs Morgan and tells her she did an amazing job.

1:13:15.560 --> 1:13:18.600
<v Speaker 2>Corey asks, how is I? Alexandra whispers to Amy and

1:13:18.640 --> 1:13:20.880
<v Speaker 2>repeats from earlier, I'm not supposed to lie.

1:13:21.000 --> 1:13:21.479
<v Speaker 1>What do I do?

1:13:22.439 --> 1:13:26.320
<v Speaker 2>Amy whispers, let's just go, and the girls leave. Alan

1:13:26.400 --> 1:13:28.880
<v Speaker 2>starts to go with them, but Corey stops him. I

1:13:29.000 --> 1:13:31.040
<v Speaker 2>think I said all that stuff earlier because I was

1:13:31.080 --> 1:13:34.640
<v Speaker 2>afraid about my life. When you meet somebody great like Alexandra,

1:13:34.800 --> 1:13:37.559
<v Speaker 2>you begin to wonder if you're worth anything, and if

1:13:37.600 --> 1:13:40.040
<v Speaker 2>I'm not, it was easier to blame you. I know

1:13:40.120 --> 1:13:41.840
<v Speaker 2>it's up to me to make my life something i'm

1:13:41.880 --> 1:13:45.320
<v Speaker 2>proud of. Alan shrugs, that's what life's about. You spend

1:13:45.360 --> 1:13:47.559
<v Speaker 2>your time searching for something to give your life meaning.

1:13:48.040 --> 1:13:51.080
<v Speaker 2>Some people find it in their talent. Corey wonders, what

1:13:51.200 --> 1:13:54.800
<v Speaker 2>if I'm not talented? Alan answers other people find it

1:13:54.920 --> 1:13:57.840
<v Speaker 2>in other ways. He pulls his son in close. You

1:13:57.880 --> 1:14:00.960
<v Speaker 2>know when I guy this, Yeah, Yeah, this is the

1:14:01.040 --> 1:14:03.519
<v Speaker 2>sort of This is the blurring of the two where

1:14:03.600 --> 1:14:07.360
<v Speaker 2>it's whatever gives you meaning. For some people it's a

1:14:07.400 --> 1:14:13.000
<v Speaker 2>gift or a talent. Correct and nurture it. Yeah, He

1:14:13.120 --> 1:14:15.040
<v Speaker 2>pulls his son in close. You know, when I knew

1:14:15.080 --> 1:14:19.000
<v Speaker 2>my life was worth something. Alexandra appears again, and she

1:14:19.200 --> 1:14:25.519
<v Speaker 2>finishes always Yeah, she's the cousin.

1:14:25.680 --> 1:14:26.400
<v Speaker 1>She lives there now.

1:14:27.160 --> 1:14:30.759
<v Speaker 2>She finishes alan sentence, when I held you in my arms.

1:14:31.280 --> 1:14:33.200
<v Speaker 2>Alan asks how she knew he was going to say that,

1:14:33.360 --> 1:14:36.600
<v Speaker 2>and Alexander smiles, That's what my daddy always says to me.

1:14:37.080 --> 1:14:38.599
<v Speaker 2>And then she pulls out a lollipop.

1:14:38.720 --> 1:14:42.680
<v Speaker 1>She really say daddy, She really no, she says dad right,

1:14:42.840 --> 1:14:43.759
<v Speaker 1>and she says daddy.

1:14:43.840 --> 1:14:52.479
<v Speaker 6>I think she says daddy yeah, and Big wheels off

1:14:52.560 --> 1:14:52.920
<v Speaker 6>the set.

1:14:53.080 --> 1:14:54.600
<v Speaker 1>That's what Papa says to me.

1:14:56.200 --> 1:14:57.840
<v Speaker 2>Right before he puts my diaper on.

1:15:01.400 --> 1:15:04.320
<v Speaker 1>She goes on tour and Morgan this is has one

1:15:04.360 --> 1:15:05.320
<v Speaker 1>more scene in the show.

1:15:05.560 --> 1:15:08.400
<v Speaker 2>Yeah, and then we're back at the apartment for the tag.

1:15:08.640 --> 1:15:10.840
<v Speaker 2>Eric is on the floor with his hair standing straight up.

1:15:15.800 --> 1:15:17.920
<v Speaker 2>So Eric's on the floor with his hair standing straight up,

1:15:18.000 --> 1:15:20.320
<v Speaker 2>mouth wide open, eyes closed. He's holding a toaster, and

1:15:20.360 --> 1:15:23.400
<v Speaker 2>the barstools around him have toppled over. Rachel walks out

1:15:23.400 --> 1:15:25.439
<v Speaker 2>of her room to find him and panics at first,

1:15:25.560 --> 1:15:28.599
<v Speaker 2>then realizes what he's trying to do here. She plays along,

1:15:28.720 --> 1:15:31.880
<v Speaker 2>Oh Eric, my poor Eric, are you okay? Wake up?

1:15:32.640 --> 1:15:36.120
<v Speaker 2>Then Jack walks into the apartment, unmoved by his friends shenanigans.

1:15:36.360 --> 1:15:39.240
<v Speaker 2>He asks what's going on and Rachel deadpants. Eric's dead.

1:15:39.840 --> 1:15:43.719
<v Speaker 2>Jack shrugs cool. Then Eric jolts's body and Rachel gasps,

1:15:44.040 --> 1:15:46.800
<v Speaker 2>I think he's alive. She asks Jack what she can do,

1:15:46.920 --> 1:15:50.560
<v Speaker 2>and then perks up, Oh, I know mouth to mouth resuscitation.

1:15:51.200 --> 1:15:52.920
<v Speaker 2>Eric can't help but smile at the sound of that,

1:15:53.040 --> 1:15:57.000
<v Speaker 2>but tries to maintain his deadness. Rachel sighs, oh, shoot,

1:15:57.080 --> 1:15:59.840
<v Speaker 2>you know what I don't know, mouth to mouth resuscitation.

1:16:00.479 --> 1:16:04.280
<v Speaker 2>Do you know CPR? Jack? Jack catches our signal, so

1:16:04.400 --> 1:16:08.960
<v Speaker 2>he responds, yes, I do, so just move aside, sweetheart.

1:16:09.320 --> 1:16:11.759
<v Speaker 2>He gets close enough to Eric to illicit gay panic,

1:16:11.880 --> 1:16:15.000
<v Speaker 2>forcing Eric to come to life and jump away. He

1:16:15.160 --> 1:16:17.479
<v Speaker 2>looks at both of them and shakes his head. Oh

1:16:17.680 --> 1:16:21.040
<v Speaker 2>that's right, make fun of the dead, and he walks off.

1:16:22.640 --> 1:16:25.120
<v Speaker 3>I mean, I do like it when Rachel's smarter, you know,

1:16:25.360 --> 1:16:29.439
<v Speaker 3>like whenever she's messing with them, Yeah, just better, like yeah,

1:16:29.920 --> 1:16:33.640
<v Speaker 3>her being clueless in the first two scenes of the storyline.

1:16:33.640 --> 1:16:36.760
<v Speaker 1>It's like really, yeah, yeah, Well that's fine. I'm glad

1:16:36.800 --> 1:16:38.320
<v Speaker 1>you like it because you're probably gonna see it again

1:16:38.360 --> 1:16:38.720
<v Speaker 1>next week.

1:16:41.800 --> 1:16:43.640
<v Speaker 2>Thank you all for joining us for this episode of

1:16:43.680 --> 1:16:45.400
<v Speaker 2>Pod Meets World. As always, you can follow us on

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<v Speaker 2>Instagram pod Meets World Show. You can send us your

1:16:47.920 --> 1:16:50.800
<v Speaker 2>emails pod meets World Show at gmail dot com. And

1:16:51.400 --> 1:16:52.120
<v Speaker 2>we've got merch.

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<v Speaker 1>Did you ever know that youer?

1:16:55.080 --> 1:17:02.920
<v Speaker 2>I merchro merchru true merch as supposed to hear you say,

1:17:02.920 --> 1:17:03.599
<v Speaker 2>merch man.

1:17:05.880 --> 1:17:05.920
<v Speaker 4>Me.

1:17:07.000 --> 1:17:07.760
<v Speaker 1>That's a good one too.

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<v Speaker 2>Podmeets wor Old show dot com will send us out.

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<v Speaker 1>We love you all, pod dismissed.

1:17:15.840 --> 1:17:19.400
<v Speaker 4>Podmeets World is nheart podcast producer and hosted by Danielle Fischel,

1:17:19.479 --> 1:17:23.679
<v Speaker 4>Wilfredell and Ryder Strong. Executive producers Jensen Carp and Amy Sugarman,

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