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Speaker 1: Had any weird dreams lately, Danielle.

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Speaker 2: On our way to lunch yesterday, I told Will Will

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Speaker 2: ask me. You know, I've started my medication, my anti

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Speaker 2: estrogen medication, and it's called demoxifen. There's all kinds of

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Speaker 2: potentially awful side effects like joint and muscle weakness and aches,

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Speaker 2: and you know, all the menopause symptoms, so like hot flashes,

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Speaker 2: night sweats, mood swings, irritability, just weight gain, like you

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Speaker 2: name it. There's a laundry list of things. And if

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Speaker 2: you research it online, you will inevitably find that people

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Speaker 2: seem to react horribly to it and nobody likes it,

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Speaker 2: and it's awful. It's horrible. And I was like, okay,

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Speaker 2: so I'm my doctor gave me a little bit of

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Speaker 2: like a positive pep talk about it before I started.

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Speaker 2: He said, how well, No, what he said was, this

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Speaker 2: is my medical oncologist. He said, how did you react

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Speaker 2: to pregnancy emotionally? Like what were your side effects of pregnancy?

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Speaker 2: And he said were you? And he said, because I

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Speaker 2: from and I don't know. Then when I told my practitioner,

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Speaker 2: my general practitioner, he said this, She's like, I've never

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Speaker 2: heard that. I don't know where he came up with that,

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Speaker 2: but whatever, she's like, hopefully it'll be true for you.

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Speaker 2: So he just said, like, especially emotionally mood swing wise,

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Speaker 2: if pregnancy really affected you, this might do the same

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Speaker 2: thing to you. And I said, good news was I didn't.

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Speaker 2: I wasn't strongly affected during pregnancy. So I'm going to

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Speaker 2: go into this with all the optimism in the world

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Speaker 2: that I'm not going to have any of these major

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Speaker 2: side effects, and in conjunction with that, to avoid any

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Speaker 2: of the joint pain and muscle weakness stuff, I'm gonna

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Speaker 2: start working out every single day, like at least five

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Speaker 2: days a week. I'm going to do something physical. Where

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Speaker 2: I had pretty much lived a very sedentary lifestyle for

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Speaker 2: the years before this, I'm going to just start being

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Speaker 2: really physical. And so I started working out regularly. I

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Speaker 2: have now been on it for almost thirty days and

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Speaker 2: I have truly no awful side effects thus far. Doesn't

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Speaker 2: mean some can start, but I so far am feeling

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Speaker 2: really great. I am having the occasional night sweats, but

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Speaker 2: all right, I can live with that. I haven't noticed

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Speaker 2: that I've had any incredible mood swings. If anything, dare

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Speaker 2: I say, I think it made me nicer. I don't know,

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Speaker 2: but I actually think I feel better. Jensen just wrote

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Speaker 2: the chap seconded, I think I'm happier since I've started

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Speaker 2: taking demoxifen. I don't know why, but I feel actually better.

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Speaker 2: I feel like I'm on an antidepressant, even though I've

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Speaker 2: never been on one. But the one pretty awful side

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Speaker 2: effect for me is that I am having very vivid,

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Speaker 2: weird dreams.

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Speaker 1: That's fun the ship.

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Speaker 2: Their anxiety inducing, and I was telling Will one yesterday

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Speaker 2: when we drove to lunch because it's just so weird.

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Speaker 2: I had a dream that I kept going back into.

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Speaker 2: So I'll wake up from a dream because I'm all

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Speaker 2: anxious in the dream. I'll wake up from it and go, Danielle,

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Speaker 2: it's just a dream. You're not really in the situation.

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Speaker 2: You can just go go back to sleep and just

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Speaker 2: like think about something else. And then I went back

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Speaker 2: into it over and over again. And you want to

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Speaker 2: know what it was? You want to know what my

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Speaker 2: dream was? Uh, Grover the Muppet. Grover the Muppet had

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Speaker 2: a not in his for that I needed to get out,

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Speaker 2: and I couldn't do it. I couldn't do it. I

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Speaker 2: was so close my hands in there.

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Speaker 3: You couldn't have picked a better like acid trip dream

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Speaker 3: to have a Muppet.

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Speaker 1: I mean it's like.

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Speaker 2: He was like, like, I couldn't like retangler. I was

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Speaker 2: using my bee free dtangler and I'm like spraying it

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Speaker 2: in his hair and I'm like, oh gosh, it's so close.

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Speaker 2: It's so close. And then he's talking to you and

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Speaker 2: you have to get this out, and I was like,

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Speaker 2: I'm trying. I really, I'm trying.

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Speaker 1: I'm trying.

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Speaker 2: I'm gonna and then I would like wake up and

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Speaker 2: I'd be sweating to death. I was like, oh God,

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Speaker 2: poor Grover. And then I'd be like, dang, yelle, Grover

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Speaker 2: is Grover's fine, Fine, it's okay, just go back to sleep.

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Speaker 2: And then I'd fall back asleep and I'd be Grovers

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Speaker 2: for just trying to work on the NOTT. And literally

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Speaker 2: it was all night. I woke up out.

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Speaker 4: Sorry, but it's such for the side effects you could

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Speaker 4: have had, you having anxiety inducing Grover Muppet dreams is

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Speaker 4: my favorite.

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Speaker 1: I love it so much.

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Speaker 3: I mean, when we're having you know, when we're having

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Speaker 3: a creative challenge, we're all working on stuff. We can

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Speaker 3: call it a Grover's not we got to figure out

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Speaker 3: episode of Pod Meets World. It's you know, we're really

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Speaker 3: in a Grover's.

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Speaker 1: We have to make this quick and it's stressful and weird.

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Speaker 4: If cameo, if Grover is on Cameo, I'm getting you.

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Speaker 2: Well, thanks forgetting the Grover voice. I'm trying to Groover

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Speaker 2: sound like he sounds a little like Cookie Monster, but

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Speaker 2: not as deep. A little a little, a little like that,

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Speaker 2: but not quite as deep. So I will say that

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Speaker 2: that one of the reasons I dreamt about Grover is

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Speaker 2: that Jensen has a book from his childhood called Grover

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Speaker 2: Goes to School and my children I've been reading it

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Speaker 2: to my children for the last couple of nights. Keaton

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Speaker 2: loves it, and it's about Grover's anxiety. He goes to

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Speaker 2: school and he wants everyone to like him, and so

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Speaker 2: to get everyone to like him, he does all these

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Speaker 2: things that he doesn't want to do and then ends

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Speaker 2: up having a his sterical, hysterical breakdown in school.

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Speaker 1: Twists and choke. Somebody like you to get it on tang.

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Speaker 2: So anyway, there's my tomoxafine update.

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Speaker 1: Here's Grover, guys, Here's this is your old.

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Speaker 5: That's right right, there's a little Kermany too, Yeah, mixed

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Speaker 5: with cookie Monster.

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Speaker 1: This is your old pal Grover.

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Speaker 2: Okay, yeah, I thought you played it again. I thought

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Speaker 2: played again.

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Speaker 1: Will you should maybe working voice was incredible?

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Speaker 2: Gosh, well I think I think you've got something there.

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Speaker 1: Yeah.

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Speaker 4: By the way, that's essentially you just saw a voiceover audition.

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Speaker 4: If you have to match somebody, you just keep listening

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Speaker 4: to it and then you just try to keep.

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Speaker 1: Yeah, mimic.

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Speaker 2: Welcome to Pod Meets World. I'm Daniel Fishall, I'm rather strong,

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Speaker 2: and I'm Wilfredell. So today we are recapping.

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Speaker 1: Got a little grovery. I'm gonna say it was like

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Speaker 1: it was like you still you can.

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Speaker 3: Get out of it.

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Speaker 1: Sorry, I'll do my own voice. It's wilfred El Kurry.

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Speaker 1: Really I want to hear it back, and I swear

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Speaker 1: you kind of went like.

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Speaker 6: I get a little crack method voiceover app.

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Speaker 1: My gosh.

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Speaker 2: Today we are recapping season six, episode five, Better than

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Speaker 2: Your Average Corey, which originally aired October twenty third, nineteen

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Speaker 2: ninety eight. The synopsis. After Corey is introduced to an

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Speaker 2: art prodigy, he develops an inferiority complex and blames his

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Speaker 2: lack of skills on his average upbringing. Meanwhile, when Rachel

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Speaker 2: almost chokes, she says she owes Jack anything he wants

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Speaker 2: for saving her life. It was directed by David Kendall

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Speaker 2: and it was written by Laura Runnels and Patty Carr. Yes,

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Speaker 2: So before I jump into guest stars, what were your

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Speaker 2: overall thought of the episode?

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Speaker 1: Go ahead? Will I want to hear you?

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Speaker 4: You go?

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Speaker 2: Okay?

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Speaker 4: I don't know exactly what ayahuasca does, but I imagine

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Speaker 4: it would make me feel like watching this episode, Wow,

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Speaker 4: this was an acid trip of weirdness.

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Speaker 1: I didn't get it. I it was that you know

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Speaker 1: what it was? Is this? This episode?

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Speaker 4: To me? Had it has produced so many different memes

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Speaker 4: that have become famous that it seemed more like meme

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Speaker 4: beats than it did like an.

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Speaker 2: Entire Episodeery salary for sure.

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Speaker 4: Me me lying down looking like I'd been electrocuted a one.

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Speaker 4: Matt Matt trying to heimlich Maitland is another one. I mean,

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Speaker 4: there's like four or five moments in this that were

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Speaker 4: just the moment has become something I'm I'm over already,

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Speaker 4: the love triangle of.

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Speaker 2: Just running down the episode five over it.

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Speaker 4: I'm over every time he touches her, just running down

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Speaker 4: the stairs screaming.

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Speaker 1: Like, what do you do?

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Speaker 6: I don't get it.

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Speaker 2: There's nothing any of something?

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Speaker 1: What thing? I don't understand it. I thought the a story.

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Speaker 1: I got what they were going for.

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Speaker 4: I also got why we wanted Alexander Nikita to come on.

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Speaker 4: I thought she and Lindsay together look like they were

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Speaker 4: not even the same species. Like she she does. Lindsay

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Speaker 4: looks like she's, you know, eleven.

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Speaker 2: Footy pajamas and then.

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Speaker 4: Footy pajama still, and now she's got her friend. She

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Speaker 4: drives on in a motorcycle. It was like it just

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Speaker 4: it didn't Visually it looked very strange to me. It

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Speaker 4: was just a weird episode all the way around. I

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Speaker 4: don't even know if I liked it.

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Speaker 1: I really don't.

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Speaker 4: It's like when you finish an acid trip, you're not like,

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Speaker 4: was that fun?

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Speaker 1: I don't know, You're just like, thank god it's over

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Speaker 1: at this point, Yeah, that's funny. I did not think

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Speaker 1: this was that weird. Oh I thought it was. I

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Speaker 1: thought it was weird.

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Speaker 4: Just all of a sudden, the famous artist just comes

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Speaker 4: dowme and is now just living with them.

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Speaker 2: I why is she just a member of their family.

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Speaker 1: So weird.

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Speaker 6: It was just weird. This entire episode I thought was weird.

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Speaker 7: Yeah, okay, I completely agree with Will about how random

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Speaker 7: and off putting it was that the entire first multiple

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Speaker 7: scenes are all centering around this young girl.

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Speaker 2: She's thirteen at the time. Is she really she looks

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Speaker 2: like a contemporary Lindy.

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Speaker 1: Was Ben eleven? No, I don't think so. I think

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Speaker 1: by this point she was probably twelve or thirteen.

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Speaker 2: That's probably word what year Lindsay Ridgeway was born. We'll

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Speaker 2: get to that when the king path. Yeah, but that's

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Speaker 2: let's look at why you're Lindsay Ridgey was born. Will

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Speaker 2: figure it out. But Alexander Nikita is thirteen. I googled

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Speaker 2: that last night because in the scene with Ben, I

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Speaker 2: could not believe that they made so many little girl

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Speaker 2: jokes and references. And by the way, he is being

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Speaker 2: so rude.

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Speaker 1: It's it's weird.

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Speaker 2: Okay. So Lindsay was born in nineteen eighty five, so

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Speaker 2: she also was thirteen.

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Speaker 1: Okay, yeah, twelve or thirteen.

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Speaker 2: They're just a very different basically very different. But despite

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Speaker 2: their best efforts of pigtail braids and overalls, she looked

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Speaker 2: like a contemporary of Ben's, Like she looked like like

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Speaker 2: she could be another person in just a normal conversation

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Speaker 2: with Ben. But they had to make a big deal

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Speaker 2: about the fact that she was a little girl. But

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Speaker 2: she doesn't look like a little girl. She doesn't carry

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Speaker 2: herself even like a little girl. All of that if

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Speaker 2: I get past all of that, because all of that

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Speaker 2: was and I joked, when did she just become a

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Speaker 2: part of the family. I actually loved the a storyline.

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Speaker 2: I loved it really really didn't even know where really

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Speaker 2: it was going, just exactly because it was weird, but

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Speaker 2: loved where it ended. Just loved day.

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Speaker 4: I could watch Rusty act all day long. And that's

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Speaker 4: I'm fine with it. I love all that I love it.

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Speaker 1: Just it seemed to it seemed to kind of come

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Speaker 1: out of nowhere.

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Speaker 4: It was another one of those episodes of like, this

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Speaker 4: is just the Corey we need right now, and so

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Speaker 4: this is the Corey we're going to give you, and.

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Speaker 1: Yeah, like this gets back to essential Cory in the

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Speaker 1: best way. This is raging Corey. It's a sister episode

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Speaker 1: of Raging Cory.

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Speaker 3: To me, I yeah, no, I yeah, I mean obviously

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Speaker 3: the b story was snubbed at the Emmys.

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Speaker 4: That you're.

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Speaker 3: Just can't believe it truly groundbreaking, and yeah, I mean

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Speaker 3: it's awful, it's embarrassing. I'm like embarrassed me too for

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Speaker 3: our show.

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Speaker 1: Why are we doing this?

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Speaker 3: And but then I was having this weird thought of like, actually, actually,

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Speaker 3: like there's probably people out there who really did enjoy this,

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Speaker 3: They're just not Boy Meets World fans.

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Speaker 1: Does that make sense?

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Speaker 3: Like there are people who were like tuning in on

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Speaker 3: a Friday night who probably really thought that the The

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Speaker 3: Love Triangle was like funny and like this sort of

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Speaker 3: like it's not fun effortless romp, but but it's not

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Speaker 3: funny because we're looking at it thirty years later, wanting

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Speaker 3: it to be part of an important show that has

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Speaker 3: these really well developed characters. And actually most people want

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Speaker 3: from their Friday night sitcoms, like people that are good looking,

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Speaker 3: making jokes and like doing stuff like you know, I

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Speaker 3: think the same jokes for now five episodes.

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Speaker 2: But it's a riff.

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Speaker 1: It's like if you if you are stuck watching your

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Speaker 1: kids show, like if you have a teenager and or

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Speaker 1: an eleven year old and they want to watch their

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Speaker 1: kids show and.

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Speaker 2: You're yeah, media coming to the planet every single episode.

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Speaker 2: Every episode, I'm like another meteor.

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Speaker 4: Writers is literally defending the fact that it's a romp.

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Speaker 3: Well here's what I started thinking, Well, it's not even

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Speaker 3: that it's a romp, it's that it's a riff exactly.

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Speaker 1: It's a sketch.

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Speaker 2: It's like a it's like.

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Speaker 3: A and And actually there's probably a contingent of people

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Speaker 3: for whom the Jack Eric Rachel's storyline was a relief

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Speaker 3: from what otherwise was a kind of oppressive, self serious show.

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Speaker 3: But I agree with you, those people just don't remember

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Speaker 3: it because why.

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Speaker 2: Can't Why couldn't they use Jack Eric and Rachel and

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Speaker 2: still have this thread of like there being a little

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Speaker 2: bit of jealousy and we're interested in her, but give

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Speaker 2: them another storyline. The entire all of their b storylines

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Speaker 2: for five episodes straight have been the same thing.

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Speaker 4: Eric Watson, they're about to touch, he screams, wait.

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Speaker 2: But don't do this. I'm going to get her alone.

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Speaker 2: It's literally scene seventeen.

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Speaker 3: I agree with you, but I feel like I put

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Speaker 3: too much pressure on my shows. And I was just

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Speaker 3: saying that, like, there's probably a lot of people like

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Speaker 3: I don't know, because I didn't watch sitcoms, especially not

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Speaker 3: at this time. Like, I don't know what was Full

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Speaker 3: House much better? Was was your average say by the

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Speaker 3: Bell storyline?

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Speaker 1: Much more?

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Speaker 4: Like?

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Speaker 1: I don't think so. I think they were just kind

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Speaker 1: of a difficult thing.

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Speaker 3: Okay, but you know what I'm saying, Like the idea

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Speaker 3: of like having characters stuck in their ways doing the

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Speaker 3: same jokey thing was like a reason that a lot

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Speaker 3: of people.

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Speaker 1: Watch television and watched sitcoms in particular.

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Speaker 3: We just are used to we're putting this pressure of

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Speaker 3: like and Boy Meets World put it's a pressure on

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Speaker 3: you know, we have a child prodigy and a discussion

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Speaker 3: about what this means to be average.

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Speaker 1: Like we're a very intense show. So I don't know. Anyway,

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Speaker 1: did you like the b storyline?

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Speaker 3: No, it's of course, but that's not what I you know,

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Speaker 3: I also think that uh A Three's Company is like

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Speaker 3: just the worst thing that was ever produced.

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Speaker 1: Like, and there are people that love threes Company, but

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Speaker 1: I love the company is great. Yeah yeah, Like that

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Speaker 1: has no interest to me.

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Speaker 3: And so if like that's what they're riffing on, I

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Speaker 3: don't know, Like I don't know I mean, I know

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Speaker 3: that the actors on Three's Company were good and comedic,

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Speaker 3: but like, were those storylines memorable?

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Speaker 1: Do we care about the consistency of characters from episode No?

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Speaker 4: I would say, it's you got when you are now

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Speaker 4: in episode five and it is literally the same scene

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Speaker 4: in the same set of exactly the same thing happening.

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Speaker 4: Whether it's a it's fun, whether it's easy, whatever it is,

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Speaker 4: at some point you got to go.

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Speaker 6: Dude, give us something else. At least put us in

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Speaker 6: another place, right, all right?

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Speaker 4: This happens at a gas station or so, It's like,

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Speaker 4: how many times can I now run in and scream

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Speaker 4: because they're touchingout?

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Speaker 2: Can do none of you work? Do none of you

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Speaker 2: go to school? Do none of Like?

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Speaker 1: What?

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Speaker 2: Why are you just always home?

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Speaker 1: Eat hot dogs?

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Speaker 4: Uh?

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Speaker 1: Oh okay?

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Speaker 3: But the story, besides the first scene, which I was like, wow,

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Speaker 3: this is what are we doing? As soon as mister

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Speaker 3: Feenie was like.

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Speaker 1: Let's talk about classical ouch and renaissance, like what stop?

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Speaker 3: Like I'm gonna like I'm throwing up in my mouth

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Speaker 3: of how cheesy and bad and poorly written and everything

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Speaker 3: about this.

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Speaker 1: Then the kidnapped the Matthews fans well, but.

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Speaker 3: Once, once you just accept that ridiculousness, right, Yes, I

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Speaker 3: freaking I think Ben Savage's best performance of boy MutS World.

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Speaker 3: Maybe I think this might be my favorite. He was

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Speaker 3: having so much fun. He is hysterical.

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Speaker 1: Ben is very funny.

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Speaker 3: Jokes on top of jokes, so they're writing this anxious,

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Speaker 3: stretched out Corey, which is still my favorite Corey. I

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Speaker 3: love that they like wheel spinning. He's making it everybody's problem.

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Speaker 3: I love that Corey. And then Ben was adding so

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Speaker 3: many like he was like some curveballs on every joke

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Speaker 3: and like like there was one moment where he has

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Speaker 3: a line to me and.

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Speaker 1: He raised his eyebrow.

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Speaker 3: Yeah, and I was like crying, oh yeah, when I

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Speaker 3: was sitting there going he did that for me, you know,

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Speaker 3: and I just it was that classic, like, oh my god,

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Speaker 3: Ben is so funny and there I think they wrote

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Speaker 3: to Corey well in this episode, and then I think

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Speaker 3: Ben delivered one of the best performances.

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Speaker 4: Of Maybe that's my problem with the episode. Then maybe

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Speaker 4: the Bet story so tainted. It's like somebody delivered this

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Speaker 4: beautiful soiux flet and took it on top of it.

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Speaker 1: Yes, right exactly.

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Speaker 3: I mean when he gets up to sing at the end,

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Speaker 3: and Rusty's amazing, Yeah, absolutely, oh yeah, and then they're scene.

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Speaker 1: I mean it's just like, oh this is this is

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Speaker 1: all class. And then the salary beat.

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Speaker 3: I mean, all of that it was like some of

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Speaker 3: the most memorable, most very meme.

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Speaker 4: So this episode is very meme. And again I didn't

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Speaker 4: the a storyline was good. Again, I can watch Rusty

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Speaker 4: act all the time. So I said, I didn't hate

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Speaker 4: this episode.

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Speaker 1: It was just weird.

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Speaker 4: And maybe it's weird because of the little you know,

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Speaker 4: Lindsay looked so strange next to Alexander. She did she

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Speaker 4: really looked like she was Ben's age, even though she wasn't.

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Speaker 1: And then it just the.

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Speaker 4: Whole Bet storyline. It's like I couldn't I couldn't get

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Speaker 4: over it. It was just we got to do something else

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Speaker 4: with these characters.

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Speaker 2: I know, if this continues to be the storyline, I

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Speaker 2: don't know what I'm going to do.

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Speaker 1: I don't really know. It's bad. It's bad. Okay, So

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Speaker 1: Ben is hysterical and I.

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Speaker 2: Love this whole Hat storyline. I really, once you get

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Speaker 2: past the awkward first scene and all the set up

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Speaker 2: reply that.

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Speaker 1: I can agree with that and Ben's doing like he's

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Speaker 1: and all this stuff he's doing with I was like,

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Speaker 1: tell me what girl, it's it's and that's just I

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Speaker 1: just love getting away from the cord to pengast. It's great.

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Speaker 4: So you know what it is, it's it's I might

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Speaker 4: have done it first, but now all of us seemed

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Speaker 4: to be acting the way we were acting with each

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Speaker 4: other behind the scenes.

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Speaker 1: Now on camera, and I think that's what I mean,

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Speaker 1: that's Ben.

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Speaker 4: I was watching Ben last night like those were conversations

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Speaker 4: with Ben, so there was That's what I think a

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Speaker 4: lot of it is is us trying to make each

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Speaker 4: other laugh the way we would when we're around craft service.

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Speaker 1: And all that other kind of stuff. That's what it was.

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Speaker 1: So yeah, No, Ben was great, You're right. Sorry, amazing.

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Speaker 2: Alexandra Nikita, who is playing herself, dubbed the Petite Picasso

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Speaker 2: at just twelve years old. Alexander was born in Vassluis, Romania,

400
00:20:06,440 --> 00:20:09,240
Speaker 2: and her father escaped Communist rule when she was just

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Speaker 2: three months old. Her and her mother had to wait

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00:20:11,600 --> 00:20:14,200
Speaker 2: two years to join him in California, where she quickly

403
00:20:14,320 --> 00:20:17,960
Speaker 2: learned pen and ink, then was working with watercolors by five.

404
00:20:18,400 --> 00:20:21,520
Speaker 2: By her seventh birthday, she had mastered oil and acrylics,

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Speaker 2: and her first solo show was at the Whittier Public Library.

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00:20:25,280 --> 00:20:28,320
Speaker 2: At just eight years old, she traveled around the world

407
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Speaker 2: displaying her pieces and became the youngest artist ever to

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Speaker 2: sign with international art publishers, and by the time she

409
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Speaker 2: was on Boy Meets World at thirteen, she had delivered

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Speaker 2: sixteen solo shows and at least one point five million

411
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Speaker 2: in sales, and in two thousand and one, a school

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Speaker 2: in her hometown of Veslui, Romania, was named in her honor.

413
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Speaker 2: Collectors include Oprah Winfrey, whose show she appeared on, Calvin Klein,

414
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Speaker 2: Little Richard, Alec Baldwin, and Whoopee Goldberg.

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Speaker 1: Michael Jacobs, Oh, of course, that's right.

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Speaker 3: Yeah, I went to his house in Aspen, and I

417
00:21:03,280 --> 00:21:05,639
Speaker 3: remember she had her paint one of her paintings on

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Speaker 3: the wall. So I'm sure that's where this came about,

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Speaker 3: because we're so into our art and collection collecting art

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Speaker 3: that yeah. And I think it's funny because he probably

421
00:21:15,320 --> 00:21:17,560
Speaker 3: wanted to do this episode based on, you know, the

422
00:21:17,680 --> 00:21:20,119
Speaker 3: idea that this kid was a kid, but then by

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Speaker 3: the time we actually got her.

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Speaker 1: For the episode, she just was older.

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Speaker 3: You know, she just older, even she's so self possessed

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00:21:26,040 --> 00:21:29,760
Speaker 3: and like yes, as like a very mature presence that Yeah.

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Speaker 1: You guys still have your scripts. Yeah, it's the only

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00:21:32,680 --> 00:21:34,800
Speaker 1: script I guess I kept from. I think I still

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Speaker 1: have money. She signed a script, and she drew on.

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Speaker 4: She drew on all our She each gave us each

431
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Speaker 4: a script that she signed, and she drew like a

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Speaker 4: little like a painting.

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Speaker 1: Maybe you don't have one of them. Maybe it was

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Speaker 1: just for writer, but you know, he might have a

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00:21:45,960 --> 00:21:47,440
Speaker 1: Jonathan Taylor Thomas signed script.

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Speaker 2: I don't know, but maybe I don't know. I have

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Speaker 2: Jonathan Taylor Thomas taboo.

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Speaker 1: Me too.

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Speaker 2: The good news is she will be appearing on our

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Speaker 2: podcast this season, so up upcoming podcast guests.

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Speaker 1: That's awesome.

442
00:22:05,680 --> 00:22:08,240
Speaker 2: So she would eventually graduate from UCLA and she is

443
00:22:08,320 --> 00:22:11,320
Speaker 2: still painting today at thirty nine. She has two children

444
00:22:11,400 --> 00:22:16,159
Speaker 2: of her own and exhibits her work regularly. So I

445
00:22:16,480 --> 00:22:18,480
Speaker 2: do you guys have any memory of her being on

446
00:22:18,600 --> 00:22:20,320
Speaker 2: set this week? Do you remember this episode?

447
00:22:20,560 --> 00:22:20,720
Speaker 4: I do?

448
00:22:21,080 --> 00:22:21,240
Speaker 1: I do.

449
00:22:21,400 --> 00:22:23,760
Speaker 3: I absolutely just remember liking her a lot, like she

450
00:22:23,920 --> 00:22:27,000
Speaker 3: was really cook and cool and also looking back and

451
00:22:27,119 --> 00:22:29,879
Speaker 3: like this is they gave her a lot and she's like,

452
00:22:30,320 --> 00:22:32,520
Speaker 3: you know, I obviously not an actor, and so to

453
00:22:32,640 --> 00:22:35,680
Speaker 3: have to not be an actor and this much is

454
00:22:36,119 --> 00:22:38,200
Speaker 3: so hard. She was wonderful and I was like now

455
00:22:38,240 --> 00:22:40,280
Speaker 3: and I remember thinking at the time, Yeah, she was

456
00:22:40,400 --> 00:22:41,440
Speaker 3: very cool and nice.

457
00:22:41,840 --> 00:22:45,639
Speaker 2: Imagine how bad it could have been if she wasn't capable, Like,

458
00:22:45,720 --> 00:22:48,679
Speaker 2: if she wasn't a decent actor, this would have this is.

459
00:22:48,840 --> 00:22:50,920
Speaker 1: A drive by. This is You've got three lines in

460
00:22:51,000 --> 00:22:51,400
Speaker 1: what I've seen.

461
00:22:51,520 --> 00:22:53,280
Speaker 4: And hey, we brought the famous person on to say

462
00:22:53,320 --> 00:22:55,720
Speaker 4: to you know, we loved him and he was great

463
00:22:55,840 --> 00:22:57,399
Speaker 4: and but it wasn't like Jim Abbott.

464
00:22:57,400 --> 00:22:59,639
Speaker 1: She was acting or something like that. You know, she

465
00:23:00,080 --> 00:23:00,760
Speaker 1: carried this thing.

466
00:23:00,960 --> 00:23:04,960
Speaker 2: Yeah, absolutely, well. Then we also have Jesse d. Goins

467
00:23:05,000 --> 00:23:07,240
Speaker 2: as mister Cupp. You may know him from movies like

468
00:23:07,359 --> 00:23:10,440
Speaker 2: RoboCop and Patriot Games, but has appeared in almost every

469
00:23:10,520 --> 00:23:13,600
Speaker 2: TV show of the eighties, including Different Strokes, Hill Street Blues,

470
00:23:13,680 --> 00:23:17,920
Speaker 2: alf and Seinfeld. But he's best known as Kyler Johnson

471
00:23:18,000 --> 00:23:20,400
Speaker 2: on the cult TV show The Greatest American Hero.

472
00:23:20,960 --> 00:23:23,480
Speaker 1: Okay, I wasn't gonna I wasn't gonna say anything, but

473
00:23:23,680 --> 00:23:27,040
Speaker 1: since you just mentioned alf, I will I had one

474
00:23:27,080 --> 00:23:29,320
Speaker 1: of the most intense nightmares.

475
00:23:28,880 --> 00:23:33,840
Speaker 3: Of my childhood was Alf so second Clover. Yeah, alf

476
00:23:34,000 --> 00:23:37,440
Speaker 3: was eating people and I still have memories of it,

477
00:23:37,720 --> 00:23:41,800
Speaker 3: like I was terrified. So wow, I've only seen Alf

478
00:23:41,920 --> 00:23:43,120
Speaker 3: like once or twice in my life.

479
00:23:43,280 --> 00:23:44,960
Speaker 2: That's what I was going to ask, where did it

480
00:23:45,040 --> 00:23:47,960
Speaker 2: come from? Like Grover's in the books I've been reading?

481
00:23:48,080 --> 00:23:49,680
Speaker 2: Will do you have any dreams about muppets?

482
00:23:51,040 --> 00:23:51,080
Speaker 4: No?

483
00:23:51,800 --> 00:23:52,720
Speaker 1: But they dream about me?

484
00:23:53,520 --> 00:23:57,200
Speaker 2: Got it? That's that's okay in your dream exactly?

485
00:24:09,760 --> 00:24:10,080
Speaker 1: All right.

486
00:24:10,200 --> 00:24:13,000
Speaker 2: Jumping into our recap, we start in the Philadelphia Museum

487
00:24:13,040 --> 00:24:15,880
Speaker 2: of Art. Feoene is leading a class of college students

488
00:24:15,920 --> 00:24:19,159
Speaker 2: through his favorite room of the museum. The abstract pieces

489
00:24:19,240 --> 00:24:22,280
Speaker 2: lining the walls are open to interpretation, so he asks

490
00:24:22,320 --> 00:24:24,800
Speaker 2: that each student pick out a piece of artwork that

491
00:24:24,960 --> 00:24:28,200
Speaker 2: speaks to them and then speak to us about how

492
00:24:28,440 --> 00:24:29,280
Speaker 2: it speaks to you.

493
00:24:30,560 --> 00:24:32,639
Speaker 6: Is now an art teacher?

494
00:24:33,400 --> 00:24:33,800
Speaker 1: Of course?

495
00:24:34,000 --> 00:24:34,359
Speaker 3: College?

496
00:24:34,480 --> 00:24:40,439
Speaker 1: Of course? College occur to me. I was like, right,

497
00:24:40,480 --> 00:24:40,760
Speaker 1: we're just.

498
00:24:42,760 --> 00:24:47,880
Speaker 4: Make it right, that's right, And why we're all together there? Well,

499
00:24:47,920 --> 00:24:50,239
Speaker 4: I mean, you know the thing that colleges do all

500
00:24:50,280 --> 00:24:51,560
Speaker 4: the time is field trips.

501
00:24:52,200 --> 00:24:53,840
Speaker 2: Yes, exactly. They those are big.

502
00:24:54,160 --> 00:24:56,880
Speaker 6: The college field trips are really well, really well known.

503
00:24:56,960 --> 00:24:57,960
Speaker 1: It's like, what okay?

504
00:24:59,119 --> 00:25:01,480
Speaker 2: So, then Sean and Angela excitedly walk up to Cory

505
00:25:01,520 --> 00:25:04,080
Speaker 2: and t Banka. Angela reveals they have great news. Corey

506
00:25:04,200 --> 00:25:07,399
Speaker 2: chimes in, hey me too. Angela starts Sean just got

507
00:25:07,440 --> 00:25:11,920
Speaker 2: into the photography program, and Sean adds back to photography.

508
00:25:11,520 --> 00:25:13,680
Speaker 1: Is now a thing. We didn't remember this and this

509
00:25:13,760 --> 00:25:15,800
Speaker 1: is now. It was on Girl Meets World. I was

510
00:25:16,119 --> 00:25:17,680
Speaker 1: like a photographer and I traveling.

511
00:25:18,640 --> 00:25:20,280
Speaker 3: I was like, oh, this is the thing, okay, but

512
00:25:20,440 --> 00:25:23,399
Speaker 3: now looking I thought, like, Sean becomes a poet not

513
00:25:23,560 --> 00:25:24,960
Speaker 3: too far from now, what has.

514
00:25:24,880 --> 00:25:28,240
Speaker 1: Happened with a poet photographer? You know, just like you

515
00:25:28,320 --> 00:25:31,320
Speaker 1: did whatever art? We need exactly what stop?

516
00:25:36,520 --> 00:25:39,520
Speaker 2: So and Angela got an a on her essay maintaining

517
00:25:39,640 --> 00:25:42,800
Speaker 2: black identity when you have three very white friends.

518
00:25:43,119 --> 00:25:44,240
Speaker 1: One of the few jokes.

519
00:25:46,560 --> 00:25:51,040
Speaker 2: Is it the first time we directly mentioned race, Probably because.

520
00:25:50,800 --> 00:25:53,240
Speaker 3: I feel there's one joke where she says, I got

521
00:25:53,359 --> 00:25:56,760
Speaker 3: to get more black friends than doing the soap opera game.

522
00:25:57,080 --> 00:26:00,520
Speaker 3: We have to have your middle name whatever in the future, right, Yeah,

523
00:26:00,560 --> 00:26:02,560
Speaker 3: And that has happened, but that's the only one I remember.

524
00:26:02,720 --> 00:26:05,119
Speaker 4: Well, she said to Ben last episode, you are so

525
00:26:05,320 --> 00:26:08,040
Speaker 4: down my brother, Yeah, said Stella got her groove grapping

526
00:26:08,119 --> 00:26:08,960
Speaker 4: you are so down.

527
00:26:08,800 --> 00:26:09,080
Speaker 1: My brother.

528
00:26:09,160 --> 00:26:12,120
Speaker 2: So yeah, but I think this is the first the edges. Yeah,

529
00:26:12,160 --> 00:26:14,680
Speaker 2: there is the first, very direct one though. To Panga

530
00:26:14,760 --> 00:26:17,639
Speaker 2: congratulates them both and then asks Corey what his news was.

531
00:26:18,000 --> 00:26:22,040
Speaker 2: Corey shyly reveals I found a penny. Phoene asks for

532
00:26:22,080 --> 00:26:24,240
Speaker 2: a volunteer to offer their interpretation of one of the

533
00:26:24,240 --> 00:26:26,679
Speaker 2: bigger pieces in the exhibit, and Corey's hand shoots up.

534
00:26:26,720 --> 00:26:30,119
Speaker 2: Pick me, mister foennye please please. Phoene asks how can

535
00:26:30,200 --> 00:26:33,640
Speaker 2: I turn down that kind of enthusiasm, and he lets

536
00:26:33,680 --> 00:26:34,840
Speaker 2: Corey take the floor.

537
00:26:35,200 --> 00:26:35,840
Speaker 1: Cory want to.

538
00:26:39,680 --> 00:26:43,600
Speaker 3: Be in noasly just implied that, like Corey's been too quiet,

539
00:26:43,640 --> 00:26:45,560
Speaker 3: and to Panga says to him, like, why are you

540
00:26:45,840 --> 00:26:48,159
Speaker 3: ever volunteering for you know, I don't set it up

541
00:26:48,200 --> 00:26:49,000
Speaker 3: in some way.

542
00:26:48,960 --> 00:26:51,920
Speaker 2: To Panga made a big deal about Corey needing to

543
00:26:51,960 --> 00:26:54,399
Speaker 2: be able to interpret art in order for her to

544
00:26:54,840 --> 00:26:58,720
Speaker 2: love him because of the other guy. So I kind

545
00:26:58,800 --> 00:27:00,639
Speaker 2: of like the idea that Cory's like.

546
00:27:01,359 --> 00:27:04,080
Speaker 1: He's studied it, because yeah, he pays attention.

547
00:27:04,440 --> 00:27:07,879
Speaker 2: He yes, he's he's like, listen, my lady's into this.

548
00:27:08,600 --> 00:27:09,560
Speaker 2: She's made it clear.

549
00:27:09,880 --> 00:27:12,359
Speaker 1: Then save that he could have been easily just had

550
00:27:12,600 --> 00:27:14,960
Speaker 1: they weren't even thinking that. They weren't thinking that.

551
00:27:15,040 --> 00:27:17,359
Speaker 4: I'm sorry, No, I want to know where Ricky Ferris

552
00:27:17,600 --> 00:27:22,520
Speaker 4: was this entire time saving puppies. I came back from

553
00:27:23,720 --> 00:27:30,560
Speaker 4: Alexander nikitats.

554
00:27:31,000 --> 00:27:31,480
Speaker 1: Questle.

555
00:27:35,000 --> 00:27:36,920
Speaker 2: Cory stands in front of the art and he takes

556
00:27:36,960 --> 00:27:40,639
Speaker 2: a deep breath. Meanwhile, a girl with pigtail braids, overalls

557
00:27:40,680 --> 00:27:47,720
Speaker 2: and braces is unexplainably following him very closely. Cory declares

558
00:27:47,800 --> 00:27:50,439
Speaker 2: to the class, I see hands staring at the fabric

559
00:27:50,480 --> 00:27:52,760
Speaker 2: of America. You can almost see the old and bitter

560
00:27:52,880 --> 00:27:55,720
Speaker 2: artist as he predicts total anarchy and higher taxes in

561
00:27:55,800 --> 00:27:59,479
Speaker 2: the death of the American way. The pigtail girl interrupts him,

562
00:27:59,520 --> 00:28:02,560
Speaker 2: Your total wrong. Corey chuckles at her. Are you lost,

563
00:28:02,760 --> 00:28:05,399
Speaker 2: little girl? And this is where I was like. She

564
00:28:05,480 --> 00:28:08,600
Speaker 2: looks exactly the same age as Cory I were, I mean,

565
00:28:08,720 --> 00:28:11,480
Speaker 2: and they're trying so hard were the footy pajamas in

566
00:28:11,600 --> 00:28:13,040
Speaker 2: the laundry that she's not.

567
00:28:15,240 --> 00:28:16,720
Speaker 1: Kids on the tracle.

568
00:28:18,960 --> 00:28:22,440
Speaker 6: Just happened to be wrong, licking an ice cream cone.

569
00:28:22,480 --> 00:28:30,399
Speaker 4: You're wrong, mister, Okay, but they're both thirteen when you

570
00:28:30,480 --> 00:28:34,040
Speaker 4: see them standing next to Lindsey. They're all thirteen, which

571
00:28:34,680 --> 00:28:38,040
Speaker 4: how different people can be, especially at that age. I mean, man,

572
00:28:38,400 --> 00:28:38,920
Speaker 4: that's crazy.

573
00:28:38,960 --> 00:28:41,280
Speaker 1: Well, how old is Morgan supposed to be? Eleven?

574
00:28:41,520 --> 00:28:44,680
Speaker 2: Eleven? I would assume, Yeah, she looks like she's eleven.

575
00:28:44,720 --> 00:28:46,520
Speaker 1: That's yeah. I thought I was like, oh, she's an

576
00:28:46,560 --> 00:28:47,280
Speaker 1: eleven year old mom.

577
00:28:47,440 --> 00:28:47,600
Speaker 4: Yep.

578
00:28:48,120 --> 00:28:50,520
Speaker 2: She suggests that the painting is about hope for the

579
00:28:50,560 --> 00:28:52,960
Speaker 2: future and the joy of life, and the artist is

580
00:28:53,040 --> 00:28:57,760
Speaker 2: not bitter. Corey is still angry for no reason at all. Look,

581
00:28:58,000 --> 00:29:01,160
Speaker 2: little girl, you're a little girl. I'm eighteen years old,

582
00:29:01,240 --> 00:29:05,200
Speaker 2: and you're going to try and tell me something. Phoenie

583
00:29:05,280 --> 00:29:07,280
Speaker 2: is now tapping on Corey's shoulder, trying to get his

584
00:29:07,360 --> 00:29:08,360
Speaker 2: attention to where I'm.

585
00:29:08,280 --> 00:29:11,480
Speaker 3: Like, the writing is like driving me crazy, but then

586
00:29:12,120 --> 00:29:14,760
Speaker 3: is making making it. He's like, this is like where

587
00:29:14,760 --> 00:29:18,360
Speaker 3: the writing is so heavy handed and on the nose

588
00:29:18,440 --> 00:29:20,200
Speaker 3: and make you know, set up, set up, set up.

589
00:29:20,240 --> 00:29:22,920
Speaker 2: But I don't care, because if you listen, I care

590
00:29:22,960 --> 00:29:23,440
Speaker 2: a little job.

591
00:29:23,560 --> 00:29:25,840
Speaker 3: I'm like, Ben's having fun, Like this is funny to

592
00:29:25,920 --> 00:29:28,600
Speaker 3: me that he's like a little girl and like doing

593
00:29:28,680 --> 00:29:30,000
Speaker 3: all his little stuff.

594
00:29:29,920 --> 00:29:33,080
Speaker 2: Is just imagine him doing it any other way. Though,

595
00:29:33,160 --> 00:29:36,520
Speaker 2: When the lines are Look, little girl, you're a little girl.

596
00:29:36,760 --> 00:29:38,720
Speaker 2: I'm eighteen years old, and you're going to try and

597
00:29:38,800 --> 00:29:42,240
Speaker 2: tell me something. You just take your little joy for

598
00:29:42,480 --> 00:29:46,360
Speaker 2: life and pipe it sister. Like imagine him saying that,

599
00:29:46,920 --> 00:29:48,360
Speaker 2: not like yeah.

600
00:29:48,200 --> 00:29:51,160
Speaker 3: No, well that's when somebody like me, like as an

601
00:29:51,200 --> 00:29:53,720
Speaker 3: actor back then, I wouldn't have thought to do that,

602
00:29:54,080 --> 00:29:55,240
Speaker 3: Like I would have played it straight.

603
00:29:55,400 --> 00:29:57,320
Speaker 1: I would have been like, well, he was like, why

604
00:29:57,320 --> 00:29:59,080
Speaker 1: am I so angry? Why am I so angry? And

605
00:29:59,120 --> 00:30:00,480
Speaker 1: then yeah, and it would s and would not be

606
00:30:01,360 --> 00:30:03,520
Speaker 1: and you'd be like, how else did you play it exactly?

607
00:30:03,560 --> 00:30:05,360
Speaker 1: I'm like, you want me to say that?

608
00:30:05,800 --> 00:30:08,040
Speaker 3: And you know, of course Ben just had the wherewithal

609
00:30:08,080 --> 00:30:09,680
Speaker 3: as an actor to be like, we have to put

610
00:30:09,720 --> 00:30:12,480
Speaker 3: a lilt to it, like to make it a joke,

611
00:30:12,720 --> 00:30:16,160
Speaker 3: turn into a clown a little bit, which is the only.

612
00:30:16,000 --> 00:30:17,600
Speaker 1: Way to do this kind of thing, and like I

613
00:30:18,560 --> 00:30:19,600
Speaker 1: was not capable of that.

614
00:30:19,840 --> 00:30:20,040
Speaker 4: You know.

615
00:30:20,600 --> 00:30:22,880
Speaker 1: Anyway, I appreciate it so much. In best so it's

616
00:30:22,960 --> 00:30:24,120
Speaker 1: really weirdly written.

617
00:30:24,360 --> 00:30:26,320
Speaker 2: Yes it is. If he had done it in any

618
00:30:26,640 --> 00:30:29,880
Speaker 2: other way. He found, in my opinion, the only way

619
00:30:29,920 --> 00:30:33,160
Speaker 2: to make its funny, the only con Corey finally asks

620
00:30:33,200 --> 00:30:35,600
Speaker 2: Feoenie what his problem is, and Phoene just shakes his head,

621
00:30:35,880 --> 00:30:38,360
Speaker 2: no problem, keep talking now, I'm going to enjoy this.

622
00:30:38,800 --> 00:30:42,200
Speaker 2: The girl butts in again, excuse me, mister mean man,

623
00:30:42,840 --> 00:30:46,640
Speaker 2: but I know exactly what's in the painting. Corey mocks her.

624
00:30:46,960 --> 00:30:49,440
Speaker 2: Oh was I mister mean man? Was I too mean

625
00:30:49,640 --> 00:30:53,440
Speaker 2: to the little dude? Go ahead tell me you you

626
00:30:53,640 --> 00:30:57,200
Speaker 2: tell me how you know what's in the painting. The

627
00:30:57,280 --> 00:31:02,960
Speaker 2: girl simply states I painted it. The crowd and Corey

628
00:31:03,240 --> 00:31:12,160
Speaker 2: faces well, okay.

629
00:31:13,120 --> 00:31:19,720
Speaker 1: We'll shirt water. We're friends. We're friends, remember friends.

630
00:31:22,040 --> 00:31:25,200
Speaker 2: We come back from commercials. Still at the Museum of Art,

631
00:31:25,280 --> 00:31:29,920
Speaker 2: Corey is still not convinced about this little girl. You

632
00:31:30,280 --> 00:31:33,120
Speaker 2: painted it, and I got your nose. He grabs at

633
00:31:33,120 --> 00:31:36,080
Speaker 2: her face and Peeney cringes. Mister Matthews give her back

634
00:31:36,160 --> 00:31:38,960
Speaker 2: her nose. Corey insists that he's just playing with the kid,

635
00:31:39,880 --> 00:31:42,200
Speaker 2: but Phoene breaks it to him, Corey, I believe the

636
00:31:42,280 --> 00:31:49,200
Speaker 2: kid whose nose you hold is Alexandra Nikita Corey. Corey

637
00:31:49,280 --> 00:31:52,280
Speaker 2: sees that she is listed as the artist and displays

638
00:31:52,280 --> 00:31:54,560
Speaker 2: a picture where she does look younger.

639
00:31:54,960 --> 00:31:57,200
Speaker 4: In the picture looks better than yes, it did, Yet

640
00:31:57,360 --> 00:31:58,760
Speaker 4: it's not better or worse she just looked younger.

641
00:31:58,840 --> 00:32:02,920
Speaker 5: Yeah, yeah, much presence, it's one she just yeah after

642
00:32:03,120 --> 00:32:05,880
Speaker 5: she's also tall. Yeah, let's just you know, she's tall.

643
00:32:06,080 --> 00:32:08,360
Speaker 5: After a couple of double takes, things finally click. He

644
00:32:08,480 --> 00:32:13,160
Speaker 5: nervously laughs Hello. He explains he didn't actually take her nose.

645
00:32:13,280 --> 00:32:15,240
Speaker 5: Then he pretends to give it back to her. Phoene

646
00:32:15,320 --> 00:32:18,720
Speaker 5: steps in and whisks Alexandra away. He's a great admirer

647
00:32:18,800 --> 00:32:21,240
Speaker 5: of hers. I'd be very interested in hearing your thoughts

648
00:32:21,280 --> 00:32:24,320
Speaker 5: about classic versus modern technique and.

649
00:32:26,960 --> 00:32:28,640
Speaker 4: Where he hands her back her nose and she puts

650
00:32:28,680 --> 00:32:33,000
Speaker 4: it back on, and she staring at him, like takes

651
00:32:33,040 --> 00:32:34,640
Speaker 4: the beat to put the nose back on, and.

652
00:32:36,560 --> 00:32:39,080
Speaker 2: Uh, and he finishes and the impact of the Renaissance

653
00:32:39,120 --> 00:32:43,320
Speaker 2: on the modern palette. Sean notices his enthusiasm.

654
00:32:45,840 --> 00:32:48,360
Speaker 1: Exactly sophisticated things.

655
00:32:50,800 --> 00:32:53,360
Speaker 2: Non classic versus modern technique.

656
00:32:54,040 --> 00:33:04,160
Speaker 1: Stop like go dictionary. Yeah.

657
00:33:04,440 --> 00:33:06,680
Speaker 2: The Phoene admits he can't help but get carried away

658
00:33:06,720 --> 00:33:09,520
Speaker 2: when he sees a young person with such extraordinary gifts.

659
00:33:10,000 --> 00:33:12,840
Speaker 2: Then for some reason, Corey pipes up. Are you saying

660
00:33:12,920 --> 00:33:16,520
Speaker 2: we don't have extraordinary gifts? Phoene assures him, of course not,

661
00:33:16,720 --> 00:33:20,200
Speaker 2: you also have extraordinary gifts. Corey isn't satisfied, Like what.

662
00:33:21,000 --> 00:33:24,560
Speaker 2: Phoene responds, you have your health, good for you, for you,

663
00:33:24,880 --> 00:33:28,120
Speaker 2: Then he pulls Alexandra away again step aside for the genius.

664
00:33:28,600 --> 00:33:31,600
Speaker 2: Alexandra explained she's in Philadelphia because there's a showcase of

665
00:33:31,680 --> 00:33:34,240
Speaker 2: her earlier work, and Sean laughs to his friends, Wow,

666
00:33:34,480 --> 00:33:38,080
Speaker 2: she has earlier work. Corey realizes, I'm eighteen and I

667
00:33:38,160 --> 00:33:41,360
Speaker 2: have no work at all. Tapega explains everyone can't be

668
00:33:41,560 --> 00:33:44,280
Speaker 2: a great painter, but Corey is still shocked. She's like

669
00:33:44,480 --> 00:33:46,680
Speaker 2: as old as my sister and she already knows what

670
00:33:46,800 --> 00:33:50,080
Speaker 2: she's good at. I wonder what I'm good at. Alexandra

671
00:33:50,200 --> 00:33:52,200
Speaker 2: has heard his concern and made her way back to

672
00:33:52,320 --> 00:33:55,400
Speaker 2: her harshest critic. She asks, you have a sister. My

673
00:33:55,680 --> 00:33:58,960
Speaker 2: age blocking is so weird and I'm just like, what

674
00:33:59,440 --> 00:34:00,360
Speaker 2: no happening?

675
00:34:00,520 --> 00:34:04,120
Speaker 4: Yeah? Did you see the hand acting that Alexandra and

676
00:34:04,320 --> 00:34:06,000
Speaker 4: and Bill were doing in the background, Like they're both

677
00:34:06,120 --> 00:34:06,360
Speaker 4: just like.

678
00:34:06,880 --> 00:34:12,759
Speaker 1: Point and then my technique brushstroke and.

679
00:34:14,480 --> 00:34:16,600
Speaker 2: Will that's that hand acting is called hackting?

680
00:34:16,840 --> 00:34:16,960
Speaker 4: Oh?

681
00:34:17,080 --> 00:34:21,759
Speaker 1: Yes, well makes sense.

682
00:34:24,640 --> 00:34:27,840
Speaker 2: So Corey's eyes widen and then we cut to the

683
00:34:27,960 --> 00:34:30,279
Speaker 2: Matthew's kitchen. Morgan is sitting at the table doing some

684
00:34:30,440 --> 00:34:33,200
Speaker 2: coloring of her own. When Corey and Alexandra walk in,

685
00:34:33,480 --> 00:34:36,720
Speaker 2: Corey takes one look at Morgan's artwork and crumples the paper.

686
00:34:36,960 --> 00:34:37,760
Speaker 2: Don't even bother.

687
00:34:38,640 --> 00:34:41,839
Speaker 4: But it's a great joke. But now is this poor girl?

688
00:34:42,680 --> 00:34:44,719
Speaker 4: Was she at the place by herself? She was at

689
00:34:44,719 --> 00:34:47,640
Speaker 4: the museum by herself, and now if she had a

690
00:34:47,680 --> 00:34:50,560
Speaker 4: family there, They're just like, yeah, go with this stranger totally.

691
00:34:50,760 --> 00:34:52,759
Speaker 2: Oh there's another little girl in that home. You can

692
00:34:52,960 --> 00:34:55,799
Speaker 2: go hang out with her exact I mean, and then

693
00:34:56,320 --> 00:35:01,160
Speaker 2: she's there for the whole week. She changes clothes. Yes, yeah,

694
00:35:01,200 --> 00:35:03,360
Speaker 2: that's really straight. I also love the idea that she

695
00:35:03,680 --> 00:35:06,680
Speaker 2: lives at the art museum just walking around her paintings

696
00:35:06,719 --> 00:35:07,800
Speaker 2: looking for people to argue with.

697
00:35:10,600 --> 00:35:11,720
Speaker 1: That's such a good bad.

698
00:35:13,080 --> 00:35:14,320
Speaker 2: That is really weiry.

699
00:35:15,480 --> 00:35:17,399
Speaker 1: Yeah, I mean what could they have done?

700
00:35:17,480 --> 00:35:19,520
Speaker 3: Like I'm trying, I'm trying to think, like, could you

701
00:35:19,600 --> 00:35:23,640
Speaker 3: have been on an exchange program? Or like is there

702
00:35:23,719 --> 00:35:27,440
Speaker 3: some rationale that could have made for like Phoene's hosting

703
00:35:27,520 --> 00:35:28,680
Speaker 3: her his house.

704
00:35:29,360 --> 00:35:32,960
Speaker 2: Yes, it as an adult there with her to talk

705
00:35:33,040 --> 00:35:34,880
Speaker 2: to Phoenie and for you know, for her to be

706
00:35:35,040 --> 00:35:36,640
Speaker 2: like you have a friend for her to be like,

707
00:35:36,680 --> 00:35:38,400
Speaker 2: you know, the one thing that is hard about what

708
00:35:38,520 --> 00:35:40,880
Speaker 2: she does is she doesn't have a lot of friends.

709
00:35:41,040 --> 00:35:42,000
Speaker 2: She doesn't have a lot of you know.

710
00:35:42,200 --> 00:35:44,000
Speaker 4: Like or you have her coming, you don't have her

711
00:35:44,040 --> 00:35:46,040
Speaker 4: come in with Corey. Corey comes in and goes, don't

712
00:35:46,080 --> 00:35:47,880
Speaker 4: bother with this. He goes, hey, I met somebody in

713
00:35:47,920 --> 00:35:49,880
Speaker 4: that and her her parents said, you guys are going

714
00:35:49,920 --> 00:35:50,640
Speaker 4: to hang out this week.

715
00:35:50,680 --> 00:35:52,040
Speaker 1: And then she knocks on the door and you open

716
00:35:52,120 --> 00:35:52,920
Speaker 1: the door and she comes in.

717
00:35:53,239 --> 00:35:53,479
Speaker 2: Yeah.

718
00:35:53,520 --> 00:35:55,520
Speaker 1: Like her just getting in the car with Corey and

719
00:35:55,640 --> 00:35:59,160
Speaker 1: going home is like really sway or something. It's really weird.

720
00:36:01,040 --> 00:36:05,799
Speaker 2: Morgan recognizes the painter, which also what what. Morgan goes,

721
00:36:05,960 --> 00:36:09,600
Speaker 2: I know who you are. You're that painter girl I

722
00:36:09,680 --> 00:36:13,839
Speaker 2: saw on Rosi O'donald. Isn't rosso O'donnald a daytime show

723
00:36:13,920 --> 00:36:18,560
Speaker 2: during the week. Yes, she's at school, okay anyway, Corey

724
00:36:18,640 --> 00:36:20,920
Speaker 2: introduces her and then tells his sister. For some reason,

725
00:36:21,040 --> 00:36:23,839
Speaker 2: she wants to hang out with you. Alexander admits, when

726
00:36:23,840 --> 00:36:25,200
Speaker 2: I go on all these tours, I don't get a

727
00:36:25,200 --> 00:36:26,879
Speaker 2: lot of time to spend with kids my own age.

728
00:36:27,239 --> 00:36:29,799
Speaker 2: Morgan asks if she's really been painting since she was two,

729
00:36:30,160 --> 00:36:32,600
Speaker 2: and Alexandra nods her head. My parents gave me a

730
00:36:32,640 --> 00:36:34,279
Speaker 2: coloring book and craons when I was two, and I

731
00:36:34,320 --> 00:36:37,880
Speaker 2: guess I just never stopped. Corey gasps. Really when Morgan

732
00:36:37,960 --> 00:36:40,120
Speaker 2: was too, she gained almost full control of her neck.

733
00:36:40,400 --> 00:36:43,080
Speaker 2: We're all real proud of her. Go ahead, Morgan, hold

734
00:36:43,160 --> 00:36:43,680
Speaker 2: up your head.

735
00:36:46,280 --> 00:36:48,359
Speaker 6: This is again where the ayahuasca was kicking in, where

736
00:36:48,360 --> 00:36:48,600
Speaker 6: I was.

737
00:36:48,600 --> 00:36:52,520
Speaker 2: Like, okay, what I know? These these first two scenes.

738
00:36:52,400 --> 00:36:58,319
Speaker 3: Are what's funny about this scene. It's weird that it's

739
00:36:58,600 --> 00:37:00,759
Speaker 3: it's funny, like the joke is it? Like what Ben

740
00:37:00,880 --> 00:37:03,120
Speaker 3: is saying, it's funny. But it would be sense that

741
00:37:03,239 --> 00:37:08,040
Speaker 3: Corey would be cynical about how she's so talentless when

742
00:37:08,120 --> 00:37:10,520
Speaker 3: he's already supposed to be spinning it out about his

743
00:37:10,600 --> 00:37:11,200
Speaker 3: own lack.

744
00:37:11,080 --> 00:37:14,560
Speaker 2: Of reading all about him. If he's like two, when

745
00:37:14,640 --> 00:37:16,480
Speaker 2: I was two, I had just gained control.

746
00:37:16,239 --> 00:37:19,400
Speaker 1: Of my neck exactly. Instead, he's like insulting Morgan.

747
00:37:19,719 --> 00:37:21,719
Speaker 4: Yeah, that's what I'm saying, you know what. But for

748
00:37:21,800 --> 00:37:25,560
Speaker 4: this episode, it's funny. Ben's great. This episode feels.

749
00:37:25,400 --> 00:37:27,560
Speaker 6: Like a dream that Danielle would have on her medication.

750
00:37:28,000 --> 00:37:30,400
Speaker 4: Yeah, that's what this episode feels like to me, it's

751
00:37:30,560 --> 00:37:34,200
Speaker 4: just feels weird. It's just honest, we met Let's bring

752
00:37:34,280 --> 00:37:37,280
Speaker 4: her into the family, like it seems. Phoenie's now leading

753
00:37:37,320 --> 00:37:40,120
Speaker 4: a class school field trip where he is a teacher

754
00:37:40,320 --> 00:37:42,520
Speaker 4: of art. All of a sudden, it just felt like

755
00:37:42,600 --> 00:37:43,640
Speaker 4: a big fever dream to me.

756
00:37:43,760 --> 00:37:47,640
Speaker 1: I know, Well, it's always when. It's always when the episode.

757
00:37:47,280 --> 00:37:50,160
Speaker 3: Is led by ideas first and the story has to

758
00:37:50,320 --> 00:37:51,920
Speaker 3: fit all these different ideas.

759
00:37:51,960 --> 00:37:54,440
Speaker 1: And like it's clear that you know, Michael.

760
00:37:54,160 --> 00:37:57,480
Speaker 3: Jacobs loves art, like, yeah, loves visual art. This is

761
00:37:57,560 --> 00:38:00,560
Speaker 3: one of his passions in life. He actually wrote, uh,

762
00:38:01,120 --> 00:38:03,200
Speaker 3: after Boy Meets World, he wrote a play called Impressionism

763
00:38:03,239 --> 00:38:06,760
Speaker 3: that was on Broadway. Yeah, so if anybody is interested

764
00:38:06,840 --> 00:38:09,520
Speaker 3: in if Boy Meet's World fans who like Michael's writing,

765
00:38:10,000 --> 00:38:11,480
Speaker 3: there's a play called Impressionism.

766
00:38:11,560 --> 00:38:12,360
Speaker 1: I never saw it.

767
00:38:12,480 --> 00:38:15,680
Speaker 3: I read it, but you know, like this is a

768
00:38:15,760 --> 00:38:17,840
Speaker 3: thing for him, and he obviously liked her, and he

769
00:38:17,960 --> 00:38:21,239
Speaker 3: was like, let's get her in here. You know, I'm

770
00:38:21,560 --> 00:38:23,880
Speaker 3: what I imagine added is that you're the poor writing

771
00:38:23,920 --> 00:38:26,879
Speaker 3: staff has to like figure out all these parts while

772
00:38:26,960 --> 00:38:30,560
Speaker 3: Michael's rewriting three episodes behind, you know or whatever. And

773
00:38:30,680 --> 00:38:32,120
Speaker 3: by the time they get to this week, They're like,

774
00:38:32,160 --> 00:38:34,399
Speaker 3: do we really need there? It's like, make it work,

775
00:38:34,600 --> 00:38:36,800
Speaker 3: figure it out, and it's like, yeah, so it's just

776
00:38:36,880 --> 00:38:38,719
Speaker 3: cramming in a lot of ideas.

777
00:38:39,040 --> 00:38:42,040
Speaker 1: Writing story wise, I don't know, but I did like

778
00:38:42,080 --> 00:38:44,560
Speaker 1: where it ends up. I love it, And again Lind.

779
00:38:46,600 --> 00:38:49,120
Speaker 3: The idea of like bringing her singing in which obviously

780
00:38:49,640 --> 00:38:52,120
Speaker 3: as a person could saying as an actor could sing,

781
00:38:52,560 --> 00:38:53,239
Speaker 3: and using that.

782
00:38:53,320 --> 00:38:55,320
Speaker 1: And the talent it kind of worked for me.

783
00:38:55,400 --> 00:38:55,800
Speaker 2: It works.

784
00:38:56,520 --> 00:38:59,120
Speaker 1: It's again, it didn't. I didn't dislike it.

785
00:38:59,239 --> 00:39:03,280
Speaker 2: It's just like Morgan has her own rival in school

786
00:39:03,400 --> 00:39:06,320
Speaker 2: who's better at her than something. She doesn't need Corey

787
00:39:06,440 --> 00:39:08,279
Speaker 2: to be the one putting her down about her, you

788
00:39:08,320 --> 00:39:08,759
Speaker 2: know what I mean.

789
00:39:08,840 --> 00:39:10,160
Speaker 1: Like, by the way, we'll get to that.

790
00:39:10,239 --> 00:39:11,880
Speaker 4: But the girl that's the rival of the school is

791
00:39:11,880 --> 00:39:13,080
Speaker 4: another thirty five year old woman.

792
00:39:14,000 --> 00:39:16,600
Speaker 2: I mean, Also, why why did it? Why did it

793
00:39:16,680 --> 00:39:17,680
Speaker 2: have to be fire batons?

794
00:39:18,960 --> 00:39:19,000
Speaker 4: What?

795
00:39:19,719 --> 00:39:23,760
Speaker 2: Okay? Also, Alan, I'm just glad double jump Okay.

796
00:39:23,560 --> 00:39:25,319
Speaker 4: Yeah, I'm just glad you thought that's what I mean

797
00:39:25,360 --> 00:39:27,880
Speaker 4: by ayahuasca. It just seemed like it's it's a strange.

798
00:39:28,840 --> 00:39:31,560
Speaker 2: I know, a lot of weird, lot of weird pieces

799
00:39:31,600 --> 00:39:35,120
Speaker 2: of this. Yes, Okay, Morgan tells her new friend, when

800
00:39:35,160 --> 00:39:37,000
Speaker 2: I was one and a half, I learned to ignore him.

801
00:39:37,360 --> 00:39:41,040
Speaker 2: She performs a ninety staple by placing an l near

802
00:39:41,120 --> 00:39:42,480
Speaker 2: her forehead and saying.

803
00:39:42,719 --> 00:39:46,600
Speaker 1: Liz is, there's a few things I hate more than that, Like,

804
00:39:47,400 --> 00:39:48,640
Speaker 1: I hate that more than anything.

805
00:39:49,719 --> 00:39:50,080
Speaker 2: Won't do it?

806
00:39:54,520 --> 00:40:06,440
Speaker 1: Killing John, God, you guys lose it. Whatever.

807
00:40:09,000 --> 00:40:13,399
Speaker 2: She then asks Alexandra she likes video games. Corey scoffs, Yeah,

808
00:40:13,480 --> 00:40:17,160
Speaker 2: she likes video games. Morgan, she's a cultural icon. She's

809
00:40:17,239 --> 00:40:22,600
Speaker 2: got lots of Alexander cuts him off. Banjo Kazooi, Morgan shouts,

810
00:40:22,640 --> 00:40:24,160
Speaker 2: got it, Alexander.

811
00:40:24,320 --> 00:40:25,239
Speaker 3: I had to go back.

812
00:40:25,320 --> 00:40:27,480
Speaker 1: I was like, what did she say? Because it's a

813
00:40:27,520 --> 00:40:29,920
Speaker 1: real game. Banjoke zoo is a real game.

814
00:40:30,760 --> 00:40:34,439
Speaker 4: It's based on Crash Bandicoot, which was a real Oh yeah,

815
00:40:34,520 --> 00:40:37,440
Speaker 4: Banjo kazoo sounds like something our writers would make up.

816
00:40:37,880 --> 00:40:42,560
Speaker 4: Totally No, Banjo Kazooi and Jo Kazooi was a video game.

817
00:40:42,640 --> 00:40:45,360
Speaker 4: It is a British platform gaming series where players control

818
00:40:45,440 --> 00:40:48,319
Speaker 4: Banjo the Bear and Kazuoi the Bird as ay thwart

819
00:40:48,400 --> 00:40:50,359
Speaker 4: the scheme of the Witch Room.

820
00:40:50,480 --> 00:40:52,640
Speaker 1: Tild so.

821
00:40:56,680 --> 00:41:00,120
Speaker 2: Totally real, Morgan reveals twice. Then the girls take off

822
00:41:00,200 --> 00:41:03,120
Speaker 2: upstairs to play. Corey sits at the table, shocked. The

823
00:41:03,200 --> 00:41:05,360
Speaker 2: silence is interrupted by Sean and trying to ask what

824
00:41:05,480 --> 00:41:09,440
Speaker 2: he's doing. Corey answers, do you think I'm talented? Sean pauses,

825
00:41:09,480 --> 00:41:12,080
Speaker 2: then let's out a sigh. Oh god, what now?

826
00:41:12,680 --> 00:41:14,200
Speaker 4: Now? Now?

827
00:41:14,480 --> 00:41:16,319
Speaker 1: Yeah, that's what I love about.

828
00:41:16,440 --> 00:41:21,239
Speaker 3: Like, that's when the story kicks in and we're now

829
00:41:21,400 --> 00:41:23,279
Speaker 3: just gonna have to deal with Corey spinning out.

830
00:41:23,280 --> 00:41:25,600
Speaker 2: I love before we get there. Here's our first scene

831
00:41:25,640 --> 00:41:28,839
Speaker 2: of the b storyline. So before you can enjoy the show,

832
00:41:29,200 --> 00:41:33,040
Speaker 2: we've got to get through this the Heimlich. Yeah, Jack

833
00:41:33,080 --> 00:41:35,480
Speaker 2: and Eric are sitting on the couch when Rachel walks over.

834
00:41:36,520 --> 00:41:40,600
Speaker 2: She's eating a hot dog. She asks, can you I'm

835
00:41:40,719 --> 00:41:43,719
Speaker 2: just so on the nose. It's just, guys, it's so

836
00:41:44,640 --> 00:41:48,600
Speaker 2: on the nose. She asks, can you believe how tough

837
00:41:48,719 --> 00:41:52,759
Speaker 2: Peterson's econ classes? The guys just gawk at her, not

838
00:41:52,960 --> 00:41:56,200
Speaker 2: engaging in any conversation whatsoever. Rachel makes a joke about

839
00:41:56,200 --> 00:41:58,200
Speaker 2: the class and Eric lets out an over the top

840
00:41:58,320 --> 00:42:00,680
Speaker 2: laugh and response. She may her way back to the

841
00:42:00,760 --> 00:42:04,160
Speaker 2: kitchen for condiments, and Eric rocks back and forth in pain.

842
00:42:04,760 --> 00:42:07,200
Speaker 2: Jack tells him to just go pee already. Eric sneers,

843
00:42:07,239 --> 00:42:08,520
Speaker 2: oh you would love that, wouldn't you.

844
00:42:09,080 --> 00:42:11,879
Speaker 3: Rachel over here, I thought I'd missed something. I was right, Yeah,

845
00:42:11,920 --> 00:42:14,680
Speaker 3: are we supposed to know that? I was like, wait,

846
00:42:14,760 --> 00:42:15,960
Speaker 3: are what's going on?

847
00:42:16,400 --> 00:42:16,600
Speaker 4: Yeah?

848
00:42:17,080 --> 00:42:19,920
Speaker 1: Yeah, it was. It's a weird beginning. It ends up

849
00:42:19,960 --> 00:42:20,840
Speaker 1: being like I.

850
00:42:20,840 --> 00:42:23,120
Speaker 2: Mean, at least it makes sense that it's like, oh, no,

851
00:42:23,280 --> 00:42:26,600
Speaker 2: for five episodes, I haven't pete because the idea is

852
00:42:26,760 --> 00:42:29,520
Speaker 2: I've never left them alone for any length of time.

853
00:42:29,800 --> 00:42:33,759
Speaker 2: So Rachel overhears them and is confused. Jack explains he's

854
00:42:33,760 --> 00:42:35,560
Speaker 2: afraid to leave us alone for a couple of minutes.

855
00:42:35,719 --> 00:42:37,879
Speaker 2: Eric is an embarrassed Oh yeah, like you've never ever

856
00:42:37,960 --> 00:42:40,600
Speaker 2: left me alone with her for any minutes. Eric wiggles

857
00:42:40,600 --> 00:42:43,080
Speaker 2: around in discomfort but assures them I'm okay, I'm good.

858
00:42:43,520 --> 00:42:45,759
Speaker 2: Jack decides that they should make a toast to Eric

859
00:42:45,880 --> 00:42:49,080
Speaker 2: being okay. They cheers some cups of water together, and

860
00:42:49,160 --> 00:42:52,719
Speaker 2: then Jack forces the water down Eric's throat with water

861
00:42:52,960 --> 00:42:54,920
Speaker 2: still in his mouth. I love that you can do

862
00:42:55,040 --> 00:42:56,719
Speaker 2: this even with water in your mouth. I love this

863
00:42:56,840 --> 00:42:58,839
Speaker 2: is your chipmunk. This is your very famous chipmunk face.

864
00:42:59,000 --> 00:43:01,240
Speaker 4: So this is this is one of the first characters

865
00:43:01,280 --> 00:43:03,719
Speaker 4: I ever did. Yeah, there was a kid who was

866
00:43:03,960 --> 00:43:04,960
Speaker 4: the loveliest.

867
00:43:04,560 --> 00:43:05,799
Speaker 1: Guy in the world. I won't say his name.

868
00:43:05,840 --> 00:43:07,719
Speaker 4: When I was growing up with him who had very

869
00:43:07,800 --> 00:43:09,680
Speaker 4: big cheeks, and he would always want to skateboard, so

870
00:43:09,840 --> 00:43:12,640
Speaker 4: be escape, hang out.

871
00:43:12,480 --> 00:43:13,399
Speaker 1: Little dude.

872
00:43:13,440 --> 00:43:15,279
Speaker 2: Man, that was going on, and so it was like

873
00:43:15,400 --> 00:43:20,440
Speaker 2: the first of it, the start.

874
00:43:20,280 --> 00:43:26,399
Speaker 1: Of your comedy. He was a freaking bullying he was abby.

875
00:43:26,480 --> 00:43:29,759
Speaker 4: Kid, was the chubby kid. He just had big, big

876
00:43:29,920 --> 00:43:32,680
Speaker 4: cheeks and uh. So that he would always and then

877
00:43:32,760 --> 00:43:36,640
Speaker 4: the sound just became part of the thing. So I

878
00:43:36,680 --> 00:43:38,800
Speaker 4: would we would be in a you know, a sleepover situation,

879
00:43:38,880 --> 00:43:42,000
Speaker 4: and you just hear and and that was the sound

880
00:43:42,840 --> 00:43:43,680
Speaker 4: is the sound.

881
00:43:43,440 --> 00:43:46,520
Speaker 2: Of me filling your cheek. I love that you can

882
00:43:46,560 --> 00:43:48,799
Speaker 2: do it even with water in your mouth and still talk.

883
00:43:48,920 --> 00:43:52,879
Speaker 2: I don't. Yeah, okay, uh with water still in his mouth.

884
00:43:52,920 --> 00:43:54,680
Speaker 2: He we thought it was cartman. We thought it was

885
00:43:54,680 --> 00:43:56,440
Speaker 2: a little bit of a cartman. He tells Jack, that

886
00:43:56,600 --> 00:43:58,279
Speaker 2: is the meanest thing you've ever done to me. He

887
00:43:58,360 --> 00:44:01,200
Speaker 2: then runs through the stair bans her like that was

888
00:44:01,239 --> 00:44:02,960
Speaker 2: that was that just something you did?

889
00:44:03,080 --> 00:44:03,279
Speaker 1: Yeah?

890
00:44:04,680 --> 00:44:05,359
Speaker 2: Just that one take.

891
00:44:05,560 --> 00:44:05,719
Speaker 4: Yeah.

892
00:44:06,080 --> 00:44:08,080
Speaker 2: He dives through the stair banister to make it to

893
00:44:08,120 --> 00:44:10,839
Speaker 2: the bathroom just in time. Rachel laughs and throws her

894
00:44:10,920 --> 00:44:12,880
Speaker 2: arm around Jack. He's so funny, like he has to

895
00:44:12,920 --> 00:44:16,160
Speaker 2: worry about us being alone together, right, Jack grins Yeah.

896
00:44:16,520 --> 00:44:18,320
Speaker 2: Then he casually adds, I want you to marry me.

897
00:44:18,680 --> 00:44:21,480
Speaker 2: Rachel laughs, what so, Jack double's down marry me now?

898
00:44:21,520 --> 00:44:23,600
Speaker 2: Before he comes out of the bathroom, Rachel takes a

899
00:44:23,640 --> 00:44:24,439
Speaker 2: bite of the start.

900
00:44:24,480 --> 00:44:27,279
Speaker 4: I didn't the last episode, they just realize that they're

901
00:44:27,320 --> 00:44:29,200
Speaker 4: going to treat her with respect and no one's going

902
00:44:29,280 --> 00:44:29,640
Speaker 4: to ask her.

903
00:44:29,680 --> 00:44:32,239
Speaker 2: I mean, she's a roommate and that just has She

904
00:44:32,960 --> 00:44:35,239
Speaker 2: just said we are going to be like girlfriends.

905
00:44:35,560 --> 00:44:37,759
Speaker 1: Right, No, that was too No, that was two. That

906
00:44:37,840 --> 00:44:39,320
Speaker 1: was the first episode she said we're going to be

907
00:44:39,400 --> 00:44:42,400
Speaker 1: like girlfriends. But then it last episode was yeah, we

908
00:44:42,440 --> 00:44:45,560
Speaker 1: don't need to try well like Eric has the whole Yeah,

909
00:44:45,600 --> 00:44:47,640
Speaker 1: this room putting in the laundry room and we don't

910
00:44:47,640 --> 00:44:48,040
Speaker 1: need to do that.

911
00:44:48,120 --> 00:44:50,000
Speaker 4: I mean it was it's like we just did this

912
00:44:50,040 --> 00:44:51,920
Speaker 4: where we're going to treat her with respect and oh

913
00:44:52,000 --> 00:44:54,040
Speaker 4: I got to be myself, and then it's just like

914
00:44:54,080 --> 00:44:55,880
Speaker 4: we forgot all about that and we're just doing exactly

915
00:44:55,960 --> 00:44:56,600
Speaker 4: the same thing again.

916
00:44:57,000 --> 00:44:59,040
Speaker 2: Rachel takes a bite of her hot dog. Well, I

917
00:44:59,280 --> 00:45:02,120
Speaker 2: hope you want, because I want six boys and six girl.

918
00:45:02,640 --> 00:45:06,000
Speaker 2: Then she pauses and urgently grabs her throat. Jack doesn't

919
00:45:06,040 --> 00:45:08,080
Speaker 2: notice her panic. I know this is very sudden, but

920
00:45:08,120 --> 00:45:09,560
Speaker 2: I need you to hurry up and answer me. Before

921
00:45:09,600 --> 00:45:11,879
Speaker 2: he comes out of the bathroom. Rachel tries to speak,

922
00:45:11,920 --> 00:45:14,280
Speaker 2: but can't. She points to her throat and Jack grins,

923
00:45:14,480 --> 00:45:18,000
Speaker 2: that's right, cuteye pie, I'm talking to you. She's struggling

924
00:45:18,040 --> 00:45:19,799
Speaker 2: to breathe, so she quickly grabs a piece of paper

925
00:45:19,840 --> 00:45:22,480
Speaker 2: and feverishly writes something down. Jack tries to read it

926
00:45:22,560 --> 00:45:27,239
Speaker 2: out loud. I'm chucking to death. Then it finally registers.

927
00:45:27,280 --> 00:45:27,680
Speaker 1: Oh god.

928
00:45:28,040 --> 00:45:30,919
Speaker 2: He quickly starts the Heimlich maneuver, throwing Rachel back and forth.

929
00:45:31,080 --> 00:45:33,960
Speaker 2: She's screaming with the movements. Then Eric walks out of

930
00:45:33,960 --> 00:45:37,960
Speaker 2: the bathroom, announcing that monsoon season is officially over. Then

931
00:45:38,080 --> 00:45:40,799
Speaker 2: he sees Jack embracing Rachel and shrieks at the top

932
00:45:40,840 --> 00:45:43,000
Speaker 2: of his lungs. He bolts to the couple, and just

933
00:45:43,120 --> 00:45:45,520
Speaker 2: as he arrives, Rachel spits the bit of hot dog

934
00:45:45,680 --> 00:45:48,960
Speaker 2: right in his face. He recoils in disgust and then

935
00:45:49,160 --> 00:45:51,919
Speaker 2: lashes out in anger at Jack. You said you weren't

936
00:45:51,920 --> 00:45:55,920
Speaker 2: gonna do anything and will You're like covered in water too.

937
00:45:56,360 --> 00:45:57,040
Speaker 1: I noticed that too.

938
00:45:57,040 --> 00:45:59,080
Speaker 4: It had to be from when I was chugging, like

939
00:45:59,640 --> 00:46:02,480
Speaker 4: we must when I went back and watched it, you know,

940
00:46:02,760 --> 00:46:03,960
Speaker 4: and I don't know where it came from.

941
00:46:04,600 --> 00:46:06,800
Speaker 2: So like it's almost like when she's spit out the

942
00:46:06,880 --> 00:46:10,919
Speaker 2: hot dog, she had water in her mouth.

943
00:46:11,040 --> 00:46:12,800
Speaker 6: You're covered, it's like covered.

944
00:46:12,960 --> 00:46:15,480
Speaker 2: Yeah, just must be a community thing.

945
00:46:16,560 --> 00:46:18,520
Speaker 6: Maybe in one take, I got the water spilled on

946
00:46:18,640 --> 00:46:19,040
Speaker 6: me and then we.

947
00:46:19,160 --> 00:46:20,000
Speaker 1: Yeah, yeah.

948
00:46:20,160 --> 00:46:24,960
Speaker 2: The second half of this ye okay, Jack argues she

949
00:46:25,200 --> 00:46:28,480
Speaker 2: was chucking to death. Rachel is so thankful you saved

950
00:46:28,560 --> 00:46:32,320
Speaker 2: my life. Eric shoutz, no he didn't. Jack humbly responds,

951
00:46:32,440 --> 00:46:34,319
Speaker 2: forget about it. Okay, you would have done the same

952
00:46:34,400 --> 00:46:37,400
Speaker 2: for me. But Rachel insists if I can do anything

953
00:46:37,480 --> 00:46:40,399
Speaker 2: to repay you, I will because I owe you big time.

954
00:46:41,080 --> 00:46:44,200
Speaker 2: Eric screams, I am ever going to be again.

955
00:46:47,360 --> 00:46:50,000
Speaker 1: It's just it's just not a good scene. It's just

956
00:46:50,840 --> 00:46:52,719
Speaker 1: this is hopefully this isn't the start.

957
00:46:53,120 --> 00:46:55,880
Speaker 2: For you guys, and I just want more for you guys.

958
00:46:55,960 --> 00:46:58,600
Speaker 2: There's so much more. There's so much more, and like

959
00:46:58,680 --> 00:47:00,440
Speaker 2: you said, at least get him out of the apartment.

960
00:47:00,600 --> 00:47:04,120
Speaker 3: Come on, I'm looking forward to the set we've got.

961
00:47:04,320 --> 00:47:07,800
Speaker 3: I see him set We've got like there overdoing the

962
00:47:07,800 --> 00:47:09,800
Speaker 3: swing sets. We also had to bring the boy's bedroom

963
00:47:09,880 --> 00:47:10,520
Speaker 3: back for this week.

964
00:47:10,719 --> 00:47:14,840
Speaker 2: I know, speaking here, we are Corey's new room. This

965
00:47:15,000 --> 00:47:16,799
Speaker 2: is the first time we've seen it the season since

966
00:47:16,840 --> 00:47:20,960
Speaker 2: the boys moved out. It's rather confusing why.

967
00:47:21,480 --> 00:47:25,200
Speaker 1: I figured it out because everything Eric is gone, So

968
00:47:25,560 --> 00:47:26,480
Speaker 1: why are we back in the.

969
00:47:26,560 --> 00:47:29,800
Speaker 3: Room just to have him look at through the But like,

970
00:47:29,920 --> 00:47:32,080
Speaker 3: Corey still has a room at his parents' house even

971
00:47:32,080 --> 00:47:33,239
Speaker 3: though he's living in a dorm.

972
00:47:33,400 --> 00:47:34,920
Speaker 2: What I'm saying wouldn't have been the nursery.

973
00:47:35,680 --> 00:47:41,120
Speaker 1: Doesn't some parents keeping their kids it should.

974
00:47:40,840 --> 00:47:43,640
Speaker 2: Be a nursery. Oh, I know, we know, we've heard

975
00:47:43,640 --> 00:47:47,239
Speaker 2: of that. We've heard of those people. But yeah, I

976
00:47:47,320 --> 00:47:51,040
Speaker 2: don't know. Also, like, yeah, we could have done this

977
00:47:51,120 --> 00:47:52,759
Speaker 2: in the boy's dorm room. He could have had his

978
00:47:52,880 --> 00:47:54,720
Speaker 2: little trophies in a box in the boys dorm.

979
00:47:54,640 --> 00:47:57,440
Speaker 1: Room and the cellary up there and everything else. I mean,

980
00:47:57,440 --> 00:47:59,000
Speaker 1: you could have done all the same stuff.

981
00:47:59,360 --> 00:48:04,520
Speaker 2: Celearies. So Corey pathetically shows Sean his eighth place trophy

982
00:48:04,600 --> 00:48:07,920
Speaker 2: for enthusiasm from Fat Camp. Sean doesn't get it when

983
00:48:08,000 --> 00:48:10,440
Speaker 2: were you fat? Cory says, well, my parents applied to

984
00:48:10,480 --> 00:48:13,479
Speaker 2: the good camps too late. Man, those guys could eat pie.

985
00:48:14,120 --> 00:48:21,600
Speaker 6: Oh my god, he's hysterical. He destroys the trophy.

986
00:48:21,680 --> 00:48:25,760
Speaker 2: Yeah. Sean wonders about another trophy. Corey reveals my baseball

987
00:48:25,800 --> 00:48:28,160
Speaker 2: team came in last. Sean can't believe they gave out

988
00:48:28,160 --> 00:48:30,360
Speaker 2: a trophy for that. Corey says they wanted everybody to

989
00:48:30,400 --> 00:48:33,200
Speaker 2: feel a sense of pride and achievement. Sean examines it

990
00:48:33,239 --> 00:48:37,200
Speaker 2: and wonders, where's his head. Corey calmly explains, I smashed

991
00:48:37,239 --> 00:48:38,120
Speaker 2: it off with a hammer.

992
00:48:39,360 --> 00:48:41,800
Speaker 1: Eyebro goes up, suffering.

993
00:48:43,560 --> 00:48:46,759
Speaker 2: Love it. Sean admits, I know I should be trying

994
00:48:46,800 --> 00:48:48,880
Speaker 2: to make you feel better, but what kind of loser

995
00:48:49,040 --> 00:48:51,880
Speaker 2: saves all these things? Corey says, because this is me,

996
00:48:52,320 --> 00:48:55,799
Speaker 2: mister average. My room is a shrine to my mediocre life.

997
00:48:56,280 --> 00:48:59,080
Speaker 2: Sean shakes his head. You don't have a mediocre life.

998
00:48:59,480 --> 00:49:02,000
Speaker 2: Corey stands with his back against the wall, revealing a

999
00:49:02,040 --> 00:49:05,839
Speaker 2: poster of a single bunch of celery. He says, there's

1000
00:49:05,920 --> 00:49:09,040
Speaker 2: nothing about me that separates me from anybody else.

1001
00:49:10,840 --> 00:49:11,560
Speaker 1: Genius life.

1002
00:49:12,120 --> 00:49:15,600
Speaker 3: It's so good to have a visual that you don't

1003
00:49:15,600 --> 00:49:18,000
Speaker 3: even have to hit the joke. Yes, it's just a

1004
00:49:18,120 --> 00:49:22,120
Speaker 3: visual saying a line, and the way it's framed, it's

1005
00:49:22,800 --> 00:49:24,960
Speaker 3: I just don't want to know exactly how this happens.

1006
00:49:24,960 --> 00:49:28,279
Speaker 2: It's also a giant it's such a big poster.

1007
00:49:28,080 --> 00:49:33,200
Speaker 4: Of Celery and it's perfect a wonderful like you too

1008
00:49:34,440 --> 00:49:36,759
Speaker 4: next to But it's absurd, it's oh god, it's great.

1009
00:49:37,200 --> 00:49:40,360
Speaker 2: It's so funny, just so funny, and is an absolutely

1010
00:49:40,520 --> 00:49:43,879
Speaker 2: iconic boy meets world moment. He complains, nobody ever helped

1011
00:49:43,920 --> 00:49:46,280
Speaker 2: me find out what I was talented at. Sean quickly

1012
00:49:46,320 --> 00:49:48,640
Speaker 2: reaches for a ukulele, reminding Corey he used to be

1013
00:49:48,719 --> 00:49:51,720
Speaker 2: good at it. Corey takes the instrument and begins to strum,

1014
00:49:51,840 --> 00:49:57,920
Speaker 2: singing off key, my dog has please. Sean fake's enthusiasm. Wow.

1015
00:49:59,000 --> 00:50:04,200
Speaker 2: Corey strums and sing again, my dog has Please. This time,

1016
00:50:04,280 --> 00:50:24,719
Speaker 2: Sean exclaims, yes, yes, it's so funny. Then we're back

1017
00:50:24,760 --> 00:50:27,040
Speaker 2: in the Matthew's kitchen. Morgan and Alexander are at the

1018
00:50:27,080 --> 00:50:29,440
Speaker 2: dinner table playing a game boy while Amy and Allan

1019
00:50:29,520 --> 00:50:32,279
Speaker 2: unload grocery bags. Amy tells Morgan this is the moment

1020
00:50:32,400 --> 00:50:34,399
Speaker 2: I was like, Oh, she's just she just lives here.

1021
00:50:34,440 --> 00:50:37,240
Speaker 1: Now, she's just family, okay.

1022
00:50:37,800 --> 00:50:44,000
Speaker 2: Amy tells Morgan that they ran into Missus Eichelberger Missus

1023
00:50:44,160 --> 00:50:48,960
Speaker 2: Eichelberger at the store, and Alan remembers her daughter's the

1024
00:50:49,000 --> 00:50:51,200
Speaker 2: reason you didn't enter the talent show at the youth center,

1025
00:50:51,280 --> 00:50:55,399
Speaker 2: isn't she? Morgan shrugs. Elouise Eichelberger wins that talent show

1026
00:50:55,560 --> 00:50:56,160
Speaker 2: every year.

1027
00:50:56,960 --> 00:50:59,880
Speaker 1: The names, man, I love it. Everybody. Every name is

1028
00:51:00,080 --> 00:51:02,200
Speaker 1: like an opportunity to describe character.

1029
00:51:02,520 --> 00:51:06,560
Speaker 2: Yep, why should anyone else bother to try? Amy encourages her.

1030
00:51:06,680 --> 00:51:08,360
Speaker 2: You were such a good singer, it would be a

1031
00:51:08,400 --> 00:51:10,839
Speaker 2: shame for you to not even try. Alan tries to help.

1032
00:51:10,880 --> 00:51:12,880
Speaker 2: I'm sure Alexandra would want you to try. Do you

1033
00:51:12,920 --> 00:51:15,720
Speaker 2: think she'd stop painting because there are other girl girls

1034
00:51:15,760 --> 00:51:20,000
Speaker 2: that could paint better than she could. Alexander tries to agree, Oh, sure,

1035
00:51:20,239 --> 00:51:22,800
Speaker 2: there are many girls who can paint better. Then, and

1036
00:51:22,880 --> 00:51:25,480
Speaker 2: then she stops herself and turns back to Alan. I'm

1037
00:51:25,520 --> 00:51:26,399
Speaker 2: not supposed to lie.

1038
00:51:26,480 --> 00:51:27,000
Speaker 1: What do I do?

1039
00:51:27,960 --> 00:51:30,200
Speaker 2: Alan waves them off, telling them to go play in

1040
00:51:30,239 --> 00:51:32,320
Speaker 2: the living room. So funny, great, and she does it.

1041
00:51:32,360 --> 00:51:34,759
Speaker 6: So she does it great, she does because she plays

1042
00:51:34,800 --> 00:51:35,680
Speaker 6: it earnestly.

1043
00:51:35,880 --> 00:51:37,480
Speaker 1: Yeah, it's like God played for a joke. It's like

1044
00:51:37,480 --> 00:51:39,800
Speaker 1: I really don't know what really, Yeah, well I do.

1045
00:51:40,640 --> 00:51:43,080
Speaker 2: But Morgan lingers behind. She asks her mom if she

1046
00:51:43,320 --> 00:51:45,640
Speaker 2: has to sing. Amy shakes her head. Nobody's going to

1047
00:51:45,680 --> 00:51:47,080
Speaker 2: force you to do anything you don't want to do.

1048
00:51:47,520 --> 00:51:49,680
Speaker 2: Alan agrees. If you don't want to sing, you don't

1049
00:51:49,719 --> 00:51:52,279
Speaker 2: have to sing. Corey and Sean have walked downstairs and

1050
00:51:52,400 --> 00:51:55,120
Speaker 2: caught their heart to heart. Morgan leaves and Corey pipes in,

1051
00:51:55,239 --> 00:51:57,520
Speaker 2: that's right. Tell her she doesn't have to continue with

1052
00:51:57,560 --> 00:52:00,720
Speaker 2: her ukulele lessons either. He points to Sean, who strums

1053
00:52:00,760 --> 00:52:04,320
Speaker 2: a nice little tune on the Ukulelean response. Alan's lost,

1054
00:52:04,400 --> 00:52:08,000
Speaker 2: so Corey explains way to groom another eighth place honorable mention,

1055
00:52:08,280 --> 00:52:13,239
Speaker 2: nothing special, also ran dad. Alan size, Okay, what now?

1056
00:52:14,080 --> 00:52:16,400
Speaker 2: Corey rattles on what now? I could have been one

1057
00:52:16,400 --> 00:52:19,480
Speaker 2: of the greatest ukulele players in the world. Sean chimes in,

1058
00:52:19,760 --> 00:52:23,160
Speaker 2: are you getting that this isn't about the ukulele? Amy nods.

1059
00:52:24,120 --> 00:52:25,000
Speaker 1: This scene is great.

1060
00:52:25,080 --> 00:52:25,879
Speaker 2: It's so good.

1061
00:52:26,360 --> 00:52:30,759
Speaker 4: I love this scene because this really surprised me, Like

1062
00:52:30,840 --> 00:52:32,640
Speaker 4: I thought they were going to take it pure comedy,

1063
00:52:32,760 --> 00:52:36,120
Speaker 4: the whole way of just I have nothing I can't

1064
00:52:36,120 --> 00:52:37,480
Speaker 4: believe you did this to me, and then he's going

1065
00:52:37,520 --> 00:52:39,080
Speaker 4: to spiral out in the dorm room, and then all

1066
00:52:39,080 --> 00:52:41,480
Speaker 4: of a sudden it got real and it was like,

1067
00:52:41,760 --> 00:52:44,880
Speaker 4: oh oh, I mean every time everybody blow to Alan

1068
00:52:45,040 --> 00:52:48,520
Speaker 4: was just like ugh, yeah, I wasn't expecting this this again,

1069
00:52:48,800 --> 00:52:50,680
Speaker 4: fever dream. It just came on out of nowhere and

1070
00:52:50,800 --> 00:52:54,319
Speaker 4: just kept changing direction and it was strange, but good.

1071
00:52:55,160 --> 00:52:57,080
Speaker 2: Corey tells his parents that he could have been great

1072
00:52:57,120 --> 00:52:59,520
Speaker 2: at something, but they stopped him. Alan says they didn't

1073
00:52:59,520 --> 00:53:02,720
Speaker 2: stop stop him, he just lost interest. So Corey asks,

1074
00:53:02,840 --> 00:53:04,279
Speaker 2: how come you didn't give me a paint set?

1075
00:53:04,320 --> 00:53:06,280
Speaker 1: What I was? To whom? Hookem?

1076
00:53:07,000 --> 00:53:07,560
Speaker 2: Does he say it?

1077
00:53:07,840 --> 00:53:08,279
Speaker 4: No, I do.

1078
00:53:08,719 --> 00:53:10,520
Speaker 1: When I heard you say how come it? I wanted

1079
00:53:10,560 --> 00:53:13,960
Speaker 1: them to Jackson hole, I'm ukulely boy.

1080
00:53:16,200 --> 00:53:19,520
Speaker 2: Amy reminds him, you were more excited about your toilet training.

1081
00:53:19,719 --> 00:53:22,799
Speaker 2: Corey big boy, Now you would say, Sean, let's out

1082
00:53:22,800 --> 00:53:25,840
Speaker 2: a big laugh. Oh Corey big boy, Now, huh. I

1083
00:53:25,960 --> 00:53:28,680
Speaker 2: love this. I love that that Sean remembers it. That's

1084
00:53:28,680 --> 00:53:30,680
Speaker 2: what it feels like to me, Like Sean was there, like,

1085
00:53:30,880 --> 00:53:33,040
Speaker 2: well remember when he did that. That was a cute.

1086
00:53:33,360 --> 00:53:34,920
Speaker 2: Corey big Boy now you're.

1087
00:53:34,800 --> 00:53:40,239
Speaker 1: Putting putting put in business? Did it tap it? Now?

1088
00:53:41,440 --> 00:53:43,840
Speaker 2: Corey presses his parents again. Why didn't you push me

1089
00:53:43,920 --> 00:53:46,040
Speaker 2: to be anything great? You didn't help me find what

1090
00:53:46,120 --> 00:53:47,560
Speaker 2: I was good at. I don't want to be one

1091
00:53:47,560 --> 00:53:49,759
Speaker 2: of those people who has no first place trophies and

1092
00:53:49,840 --> 00:53:52,399
Speaker 2: no special talents. Why didn't you want me to be better?

1093
00:53:52,920 --> 00:53:56,520
Speaker 2: Alan questions better than what Corey shouts back, better than

1094
00:53:56,560 --> 00:53:59,959
Speaker 2: what I am? Alan is disappointed. What are you saying,

1095
00:54:00,560 --> 00:54:04,080
Speaker 2: Corey emotions to everything around him. I'm saying better than this.

1096
00:54:05,040 --> 00:54:10,680
Speaker 2: Alan needs clarification. You mean better than me, Corey notds Yeah,

1097
00:54:11,239 --> 00:54:14,520
Speaker 2: better than you. Amy tries to jump in, but Corey continues,

1098
00:54:14,560 --> 00:54:16,440
Speaker 2: I'm never gonna be great at anything because I was

1099
00:54:16,600 --> 00:54:19,239
Speaker 2: raised to be average. And he looks at his dad.

1100
00:54:19,840 --> 00:54:24,080
Speaker 2: I'm average because you're average. Alan hangs his head in shame,

1101
00:54:24,160 --> 00:54:27,279
Speaker 2: and Corey realizes he may have taken it too far.

1102
00:54:27,640 --> 00:54:33,160
Speaker 2: That was harsh, intense commercial break when this boy meets

1103
00:54:34,280 --> 00:54:35,640
Speaker 2: that's what the song sounds like when it's.

1104
00:54:35,560 --> 00:54:42,239
Speaker 1: Intense the Elliott Smith version.

1105
00:54:42,560 --> 00:54:45,399
Speaker 2: Yes, all right, So we go to an intense commercial break,

1106
00:54:45,440 --> 00:54:46,840
Speaker 2: and then we come back when we're in the Penbrook

1107
00:54:46,920 --> 00:54:49,319
Speaker 2: dorms Sean is sitting outside and gives a light knock

1108
00:54:49,360 --> 00:54:52,200
Speaker 2: on the door. Core you gotta come out. Sometime After

1109
00:54:52,280 --> 00:54:55,319
Speaker 2: no response, Sean reaches into his pocket and jiggles his keys. Hey,

1110
00:54:55,719 --> 00:54:58,799
Speaker 2: look who it is. It's the ice cream man. He says,

1111
00:54:58,840 --> 00:55:02,920
Speaker 2: he has Corey's favorite fl Inside, we see Corey sitting

1112
00:55:02,960 --> 00:55:05,360
Speaker 2: on his bed, unamused vanilla.

1113
00:55:06,000 --> 00:55:12,360
Speaker 1: Oh yeah, right is good. It's you can't find the

1114
00:55:12,400 --> 00:55:15,319
Speaker 1: ice cream? Come on, it's good. Oh so good.

1115
00:55:16,160 --> 00:55:18,880
Speaker 2: Outside, Topanga and Angela walk up to see Sean on

1116
00:55:18,960 --> 00:55:21,480
Speaker 2: the floor. He explains that Corey's locked himself inside and

1117
00:55:21,520 --> 00:55:24,520
Speaker 2: won't come out for anyone. Apparently he's searching the caverns

1118
00:55:24,560 --> 00:55:28,640
Speaker 2: of his soul. Tapang is terrified. Oh no, not the caverns.

1119
00:55:29,680 --> 00:55:32,839
Speaker 2: Corey opened this door on cue. Corey flings it open

1120
00:55:32,880 --> 00:55:35,239
Speaker 2: and the girl's file inside. Corey takes a look around

1121
00:55:35,280 --> 00:55:38,280
Speaker 2: the hall. There's no ice cream Man's.

1122
00:55:39,880 --> 00:55:40,320
Speaker 1: I love it.

1123
00:55:40,960 --> 00:55:42,759
Speaker 4: I Also, one thing I did like about this was

1124
00:55:43,080 --> 00:55:46,320
Speaker 4: it wasn't Topanga that talked him down from anything.

1125
00:55:46,520 --> 00:55:46,680
Speaker 1: Yeah.

1126
00:55:46,719 --> 00:55:49,759
Speaker 2: Episode, I know Topanga by the ways living her best

1127
00:55:49,840 --> 00:55:53,279
Speaker 2: life with Angela. Yeah, and Sean is left to deal

1128
00:55:53,320 --> 00:55:54,640
Speaker 2: with him, which is great.

1129
00:55:54,760 --> 00:55:55,239
Speaker 4: I liked that.

1130
00:55:55,440 --> 00:55:55,759
Speaker 1: I liked.

1131
00:55:55,760 --> 00:55:57,800
Speaker 4: It was like going back to an old school storyline

1132
00:55:57,800 --> 00:55:59,719
Speaker 4: where it's not Corey and it was Corey and Sean,

1133
00:55:59,800 --> 00:56:00,680
Speaker 4: which I like that.

1134
00:56:00,880 --> 00:56:03,319
Speaker 2: Yeah, now they're all in the dorm room when Corey

1135
00:56:03,320 --> 00:56:05,600
Speaker 2: announces I did a terrible thing. I did the worst

1136
00:56:05,640 --> 00:56:07,680
Speaker 2: thing I could possibly do. I told my father he

1137
00:56:07,800 --> 00:56:10,439
Speaker 2: was average. Sean says, I told my dad that once.

1138
00:56:10,480 --> 00:56:11,120
Speaker 1: He was thrilled.

1139
00:56:11,680 --> 00:56:13,120
Speaker 2: Y s this is the thing.

1140
00:56:13,200 --> 00:56:15,120
Speaker 3: It's like the same story in a lot of ways.

1141
00:56:15,160 --> 00:56:17,680
Speaker 3: It's Corey spinning out after an event with his dad.

1142
00:56:17,719 --> 00:56:18,600
Speaker 1: It's good. I love it.

1143
00:56:18,760 --> 00:56:19,120
Speaker 2: I love this.

1144
00:56:19,480 --> 00:56:20,200
Speaker 1: I love this Corey.

1145
00:56:20,640 --> 00:56:23,279
Speaker 2: Corey says his dad wasn't thrilled. He was crushed. I

1146
00:56:23,400 --> 00:56:26,319
Speaker 2: crushed my father to Pega suggests we all say things

1147
00:56:26,360 --> 00:56:30,680
Speaker 2: we don't mean. He'll understand, just apologize. But Corey's realized something.

1148
00:56:31,040 --> 00:56:32,960
Speaker 2: I meant what I said. I feel like I'm just

1149
00:56:33,000 --> 00:56:35,399
Speaker 2: a regular guy, Like my father's just a regular guy.

1150
00:56:35,680 --> 00:56:38,840
Speaker 2: How do I apologize for that? Angela consoles him, you

1151
00:56:39,160 --> 00:56:42,120
Speaker 2: are not just a regular guy. You're very good at

1152
00:56:42,160 --> 00:56:44,840
Speaker 2: a lot of things. Corey wants to know, like what

1153
00:56:45,560 --> 00:56:48,080
Speaker 2: Angela gives up. Don't press me on this. I'm just

1154
00:56:48,120 --> 00:56:51,600
Speaker 2: trying to make you feel better. It's so funny. Corey

1155
00:56:51,680 --> 00:56:53,719
Speaker 2: points out that everyone else knows what they're good at,

1156
00:56:53,800 --> 00:56:57,760
Speaker 2: but he doesn't. He's just standard issue in a plane wrapper.

1157
00:56:58,280 --> 00:57:03,320
Speaker 2: And I'm curious, what do we know that Angela is

1158
00:57:03,480 --> 00:57:05,360
Speaker 2: good at writing? I guess she got an A on

1159
00:57:05,400 --> 00:57:07,440
Speaker 2: her paper earlier in the in the in the episode,

1160
00:57:08,680 --> 00:57:11,200
Speaker 2: what what do we think to Panga is good at?

1161
00:57:12,360 --> 00:57:13,800
Speaker 1: What was good at school?

1162
00:57:14,480 --> 00:57:18,880
Speaker 2: She's just a good student. Virgin okay, a virgin virgin,

1163
00:57:18,960 --> 00:57:21,480
Speaker 2: A virgin at school okay, because we haven't.

1164
00:57:21,280 --> 00:57:22,200
Speaker 1: Got your virgin.

1165
00:57:22,640 --> 00:57:24,160
Speaker 4: She's kind of she's supposed to be the catch all

1166
00:57:24,200 --> 00:57:25,720
Speaker 4: because remember, it's like you go to the law firm,

1167
00:57:25,720 --> 00:57:28,440
Speaker 4: It's like, now it's going to be a law of

1168
00:57:28,600 --> 00:57:31,480
Speaker 4: everything you do, everything you attempt, you're good at. I

1169
00:57:31,480 --> 00:57:33,560
Speaker 4: would think, is where to Panga is?

1170
00:57:33,600 --> 00:57:35,720
Speaker 1: Because your news reporting? Was she good as a news report?

1171
00:57:35,800 --> 00:57:35,840
Speaker 4: No?

1172
00:57:35,920 --> 00:57:37,440
Speaker 1: She was sweating like a gat was.

1173
00:57:37,520 --> 00:57:41,560
Speaker 2: Listening like a pig. Yeah, I got so nervous. Yeah,

1174
00:57:41,600 --> 00:57:44,000
Speaker 2: I just I'm wondering because like, they haven't really spent

1175
00:57:44,040 --> 00:57:45,840
Speaker 2: a whole lot of time telling us what the women

1176
00:57:45,880 --> 00:57:46,400
Speaker 2: are good at.

1177
00:57:47,680 --> 00:57:47,720
Speaker 4: No.

1178
00:57:59,360 --> 00:58:01,160
Speaker 2: So Corey point out that everyone else knows what they're

1179
00:58:01,160 --> 00:58:03,240
Speaker 2: good at, but he doesn't. He's just standard issue in

1180
00:58:03,320 --> 00:58:06,080
Speaker 2: a plane wrapper. Sean says, so are dirty magazines and

1181
00:58:06,120 --> 00:58:09,560
Speaker 2: everybody loves them. Angela elbows him and Sean admits, okay,

1182
00:58:09,760 --> 00:58:12,760
Speaker 2: not you. Tapega urges her fiance to go home and

1183
00:58:12,800 --> 00:58:15,240
Speaker 2: speak to his dad. An average father may be angry

1184
00:58:15,320 --> 00:58:18,440
Speaker 2: with Corey, but his father isn't average. She assures him

1185
00:58:18,480 --> 00:58:21,160
Speaker 2: they'll be behind him the whole way. Corey opens the

1186
00:58:21,200 --> 00:58:23,840
Speaker 2: door to leave and Alan is standing right there. There's

1187
00:58:23,880 --> 00:58:28,040
Speaker 2: an audible gasp and Tapega asks how you doing. Alan

1188
00:58:28,080 --> 00:58:30,200
Speaker 2: grabs Corey's arm and tells him to get in the car.

1189
00:58:31,120 --> 00:58:34,240
Speaker 2: And then we're back at the apartment. Eric's pacing behind Jack,

1190
00:58:34,280 --> 00:58:36,560
Speaker 2: who's doing homework. Eric won't leave him alone. What are

1191
00:58:36,560 --> 00:58:37,720
Speaker 2: you gonna ask her for? What are gonna ask her for?

1192
00:58:37,760 --> 00:58:40,800
Speaker 2: What are you gonna ask her for? Final story?

1193
00:58:40,920 --> 00:58:45,320
Speaker 1: We're so excited to find out I can't she choose

1194
00:58:45,480 --> 00:58:49,720
Speaker 1: a man? She keeps one of that they have sex?

1195
00:58:54,120 --> 00:58:54,880
Speaker 1: Is that what Eric's thinking?

1196
00:58:54,960 --> 00:58:56,720
Speaker 4: Like, Oh, he's going to ask if that's because when

1197
00:58:56,800 --> 00:58:59,160
Speaker 4: she said I would do anything for you, He's assuming

1198
00:58:59,200 --> 00:59:00,640
Speaker 4: he's going to ask for a sex act.

1199
00:59:00,880 --> 00:59:02,600
Speaker 1: Is that yes, they're going to do the sex.

1200
00:59:02,720 --> 00:59:04,400
Speaker 2: Yeah, they're going to do the sex. Yes, they're gonna.

1201
00:59:04,440 --> 00:59:06,160
Speaker 2: What he's gonna say is do the sex with me.

1202
00:59:06,480 --> 00:59:09,760
Speaker 1: So I saved your life and now you're going to

1203
00:59:09,800 --> 00:59:12,320
Speaker 1: have sex with me. That's that. She'll do anything, So

1204
00:59:12,480 --> 00:59:13,760
Speaker 1: that's the that's the whole.

1205
00:59:14,880 --> 00:59:17,720
Speaker 2: She'll do anything, the hot lady.

1206
00:59:18,040 --> 00:59:22,040
Speaker 1: She'll do anything, so enticing and fun. I was hoping

1207
00:59:22,080 --> 00:59:23,280
Speaker 1: I missed something.

1208
00:59:22,960 --> 00:59:25,600
Speaker 2: But I don't think I miss anything. Okay, he didn't.

1209
00:59:26,200 --> 00:59:27,160
Speaker 2: What are you gonna ask her for? What are you

1210
00:59:27,160 --> 00:59:29,240
Speaker 2: gonna ask for? Finally Jack answers, you want the truth,

1211
00:59:29,320 --> 00:59:32,560
Speaker 2: and Eric screams, I can't handle the truth.

1212
00:59:34,040 --> 00:59:38,080
Speaker 4: Everybody was doing that. It's a joke or something. So

1213
00:59:38,280 --> 00:59:41,040
Speaker 4: I can't handle the truth. You can't handle the truth everywhere.

1214
00:59:41,440 --> 00:59:44,560
Speaker 2: Then Jack calls Rachel into the kitchen. Eric can't believe this. Wait,

1215
00:59:44,640 --> 00:59:46,600
Speaker 2: it's pay up time right now in front of me.

1216
00:59:47,320 --> 00:59:50,040
Speaker 2: Rachel hops down the stairs, looking chipper and exposing another

1217
00:59:50,080 --> 00:59:53,040
Speaker 2: boom mic. She asks Jack if he's decided what he

1218
00:59:53,120 --> 00:59:55,920
Speaker 2: wants for saving her life, and he reveals, yes, I have.

1219
00:59:56,520 --> 00:59:59,080
Speaker 2: I appreciate your gratitude, so I've decided what I would

1220
00:59:59,200 --> 01:00:03,000
Speaker 2: like is a peanut butter and jelly sandwich. Eric pushes

1221
01:00:03,080 --> 01:00:06,560
Speaker 2: Jack out of the way. No, he grabs onto Rachel's legs.

1222
01:00:06,880 --> 01:00:11,320
Speaker 2: Don't give yourself to him just because he saved your life.

1223
01:00:11,760 --> 01:00:15,240
Speaker 2: Life is to live. Then he stops himself and slowly

1224
01:00:15,280 --> 01:00:17,840
Speaker 2: gets off the floor. Did you say peanut butter and

1225
01:00:17,920 --> 01:00:20,760
Speaker 2: jelly sandwich? Rachel is shocked too, that's all you want?

1226
01:00:21,280 --> 01:00:23,880
Speaker 2: Jack gives her a polite nod. Eric pulls him in close.

1227
01:00:24,040 --> 01:00:25,840
Speaker 2: She'll give you anything you ask for, and you ask

1228
01:00:25,920 --> 01:00:28,360
Speaker 2: for a peep and jay. Jack just doesn't want Rachel

1229
01:00:28,360 --> 01:00:31,000
Speaker 2: to feel like she owes him something. Eric doesn't get it.

1230
01:00:31,120 --> 01:00:33,680
Speaker 2: Then why did you save her life? Jack says he

1231
01:00:33,680 --> 01:00:35,880
Speaker 2: would have done the same thing. Eric asks, Oh what,

1232
01:00:36,200 --> 01:00:37,720
Speaker 2: just because I like her and I respect her and

1233
01:00:37,760 --> 01:00:40,760
Speaker 2: I wouldn't want to take advantage of her. Jack says, yeah,

1234
01:00:41,080 --> 01:00:44,640
Speaker 2: that Eric gets it. He turns to Rachel and meagerly asks,

1235
01:00:44,960 --> 01:00:46,880
Speaker 2: could I have a peanut butter and jelly sandwich too?

1236
01:00:47,360 --> 01:00:52,200
Speaker 2: Rachel smiles but shakes her head. No, she started making one.

1237
01:00:52,800 --> 01:00:53,680
Speaker 2: Why can't she make two?

1238
01:00:55,200 --> 01:00:57,160
Speaker 1: I love peanut butter and jelly. I just need his

1239
01:00:57,320 --> 01:00:58,840
Speaker 1: episode to end so that I can make one.

1240
01:00:59,160 --> 01:01:01,480
Speaker 2: Okay, wonderful, that's almost.

1241
01:01:03,680 --> 01:01:04,040
Speaker 1: Mm hmm.

1242
01:01:04,600 --> 01:01:09,480
Speaker 2: If you put some Doritos in it, regular rules, discust

1243
01:01:11,480 --> 01:01:16,520
Speaker 2: one about ruffles, Yeah, ruffles inside, Yeah, incredible writer. It's

1244
01:01:16,560 --> 01:01:20,880
Speaker 2: so good guys. Mm hmmm. I'm sorry you don't have

1245
01:01:21,000 --> 01:01:21,400
Speaker 2: good taste.

1246
01:01:21,440 --> 01:01:23,760
Speaker 4: It's you won't You just won't be coming to our restaurant,

1247
01:01:23,800 --> 01:01:29,080
Speaker 4: the PB and J with Potato Chip restaurant, just GARB restaurant.

1248
01:01:30,440 --> 01:01:34,120
Speaker 2: A diner on bread and.

1249
01:01:35,800 --> 01:01:39,080
Speaker 1: Everything that you could buy in the aisles whatever.

1250
01:01:39,240 --> 01:01:43,240
Speaker 2: How's your flake skin car exactly? How's that working out

1251
01:01:43,280 --> 01:01:43,440
Speaker 2: for you?

1252
01:01:44,280 --> 01:01:46,040
Speaker 1: From Costco and Bulk And.

1253
01:01:48,800 --> 01:01:49,640
Speaker 2: How's that working out for you?

1254
01:01:51,160 --> 01:01:53,840
Speaker 4: We're going to start with a chain restaurant, That's what

1255
01:01:53,880 --> 01:01:55,200
Speaker 4: We're not even starting with one place.

1256
01:01:55,240 --> 01:01:57,520
Speaker 1: We're starting with starting with locations.

1257
01:01:57,200 --> 01:01:59,120
Speaker 2: All the same time, a pop up on the same day.

1258
01:02:00,680 --> 01:02:03,560
Speaker 2: Love it. And then we have returned to the streets

1259
01:02:03,560 --> 01:02:07,160
Speaker 2: of Philadelphia. Alan Corey walk along a street of small businesses.

1260
01:02:07,360 --> 01:02:10,360
Speaker 2: Corey is nervous. I realize you're angry, and I want

1261
01:02:10,400 --> 01:02:12,240
Speaker 2: you to know I said a terrible thing, and I

1262
01:02:12,360 --> 01:02:15,720
Speaker 2: have no idea where to even begin to apologize. Alan

1263
01:02:15,800 --> 01:02:18,680
Speaker 2: simply states, I'm sorry, you meant it. He stops in

1264
01:02:18,720 --> 01:02:20,640
Speaker 2: front of a boarded up stores. Do you know what

1265
01:02:20,760 --> 01:02:21,080
Speaker 2: this is?

1266
01:02:21,680 --> 01:02:21,919
Speaker 1: Corey?

1267
01:02:22,000 --> 01:02:25,280
Speaker 2: Guesses the abandoned warehouse where no one will hear my screams.

1268
01:02:26,720 --> 01:02:29,640
Speaker 2: Alan says his first job was sweeping up here at

1269
01:02:29,680 --> 01:02:33,480
Speaker 2: Drew's Hardware. He took over after his father retired. In fact,

1270
01:02:33,760 --> 01:02:36,240
Speaker 2: his father spent forty years with a broom in his hand.

1271
01:02:36,560 --> 01:02:39,200
Speaker 2: Alan earnestly says, I wish he could see all I

1272
01:02:39,280 --> 01:02:42,240
Speaker 2: have now. He turns his attention to Corey. Why are

1273
01:02:42,360 --> 01:02:46,080
Speaker 2: you so ashamed of being average? Corey stutters, so Alan

1274
01:02:46,160 --> 01:02:48,200
Speaker 2: demands him to look at the store, look at it,

1275
01:02:48,480 --> 01:02:51,040
Speaker 2: touch it, get some dirt on your hands, try and

1276
01:02:51,120 --> 01:02:54,800
Speaker 2: see what average looked like from here. To me, average

1277
01:02:54,920 --> 01:02:57,560
Speaker 2: was a dream. That's why my father worked his butt off.

1278
01:02:57,800 --> 01:03:01,760
Speaker 2: So maybe his son could have something more. Alan says

1279
01:03:01,800 --> 01:03:03,680
Speaker 2: he respected his father because he did the best that

1280
01:03:03,760 --> 01:03:05,920
Speaker 2: he could. He was proud of him, and he knows

1281
01:03:06,000 --> 01:03:09,520
Speaker 2: he'd be proud of him too. Corey's speechless as Alan continues,

1282
01:03:10,200 --> 01:03:13,240
Speaker 2: maybe if my son thinks average is nothing, then I've

1283
01:03:13,320 --> 01:03:17,160
Speaker 2: done my job. I'm sorry that you're not a lot.

1284
01:03:17,480 --> 01:03:21,800
Speaker 3: I know because it's an interesting like it's very nuanced,

1285
01:03:21,880 --> 01:03:23,960
Speaker 3: but it's a good point. Like if my son is

1286
01:03:24,200 --> 01:03:27,880
Speaker 3: able to be dismissive of average, of average, then that

1287
01:03:28,000 --> 01:03:31,800
Speaker 3: means I've actually done something really and that that's kind

1288
01:03:31,840 --> 01:03:33,640
Speaker 3: of more to the point to me because I'm this

1289
01:03:33,720 --> 01:03:35,200
Speaker 3: whole time, I was like, why doesn't.

1290
01:03:34,920 --> 01:03:37,280
Speaker 1: Corey have a job? Like Eric had to have a job,

1291
01:03:37,800 --> 01:03:40,040
Speaker 1: and Corey has not ever had to have a job.

1292
01:03:40,160 --> 01:03:41,160
Speaker 1: We've never seen him.

1293
01:03:41,080 --> 01:03:43,880
Speaker 2: Work, right, well that only when he was in the

1294
01:03:43,880 --> 01:03:46,760
Speaker 2: restaurant and you took over for the mob and.

1295
01:03:46,920 --> 01:03:49,240
Speaker 3: To Panga work in the restaurant, and Angela had job,

1296
01:03:49,280 --> 01:03:55,040
Speaker 3: but like Corey is like what gonna go to Collin's.

1297
01:03:55,080 --> 01:03:57,680
Speaker 3: There's been a lot of emphasis on Eric working and

1298
01:03:57,960 --> 01:04:00,280
Speaker 3: none on Corey. And part of me was like, well,

1299
01:04:00,280 --> 01:04:05,640
Speaker 3: maybe that's because Corey, you know, does have something going

1300
01:04:05,760 --> 01:04:08,400
Speaker 3: for him, Like that's better than I don't know, like

1301
01:04:08,480 --> 01:04:12,880
Speaker 3: it it was this is yeah, this this scene brought

1302
01:04:12,920 --> 01:04:14,560
Speaker 3: up more questions than answers for me.

1303
01:04:15,240 --> 01:04:17,280
Speaker 2: Yeah, why where do they work?

1304
01:04:17,360 --> 01:04:17,480
Speaker 4: Now?

1305
01:04:17,560 --> 01:04:20,080
Speaker 1: Do they own the store? Yeah?

1306
01:04:20,120 --> 01:04:21,880
Speaker 2: Yeah, we don't. They don't really acknowledge.

1307
01:04:21,920 --> 01:04:23,720
Speaker 1: That an interesting.

1308
01:04:23,440 --> 01:04:26,600
Speaker 3: Relationship with class because it was like Shawn's supposed to

1309
01:04:26,640 --> 01:04:29,280
Speaker 3: be the like blue collar dad worked his whole life

1310
01:04:29,360 --> 01:04:30,080
Speaker 3: to survive, you.

1311
01:04:30,120 --> 01:04:33,360
Speaker 2: Know, like Sean says it, you do not have a

1312
01:04:33,480 --> 01:04:37,760
Speaker 2: mediocre life. He Sean says it when he talked went

1313
01:04:37,800 --> 01:04:39,600
Speaker 2: in that previous scene where he's talking to Cory when

1314
01:04:39,640 --> 01:04:41,640
Speaker 2: Corey says, like, my mediocre life, and he goes, WHOA,

1315
01:04:42,320 --> 01:04:44,080
Speaker 2: you do not have a mediocre life. And so you

1316
01:04:44,160 --> 01:04:47,600
Speaker 2: get the sense that like Sean would kill for Corey's life,

1317
01:04:48,240 --> 01:04:51,240
Speaker 2: not necessarily, not like he wants to actually be in

1318
01:04:51,320 --> 01:04:54,760
Speaker 2: his place, but to have had the security and comfort

1319
01:04:55,000 --> 01:04:57,760
Speaker 2: that Corey's had and has taken for granted Shawn's and ever.

1320
01:04:57,960 --> 01:05:01,960
Speaker 1: STI average, you know, income coming in. I mean, yeah,

1321
01:05:01,960 --> 01:05:04,960
Speaker 1: Seana roof over his head. But again we've said this

1322
01:05:05,040 --> 01:05:06,840
Speaker 1: a billion times. How good is Rusty?

1323
01:05:07,240 --> 01:05:10,120
Speaker 4: Oh my man, I mean he hit ninety two beats

1324
01:05:10,160 --> 01:05:12,720
Speaker 4: in this in this monologue, and he's just so good.

1325
01:05:13,520 --> 01:05:15,280
Speaker 3: This is a weird thing that I was thinking about, like,

1326
01:05:15,440 --> 01:05:18,240
Speaker 3: and I don't have a conclusion or any real good

1327
01:05:18,280 --> 01:05:20,640
Speaker 3: thoughts about it, but it's it's it's so like on

1328
01:05:20,720 --> 01:05:24,280
Speaker 3: one end, you're talking about cultural production like art, right,

1329
01:05:24,360 --> 01:05:27,040
Speaker 3: like the production of art and singing, and on the

1330
01:05:27,120 --> 01:05:29,680
Speaker 3: other hand, you're talking about work ethic and like taking

1331
01:05:29,760 --> 01:05:32,280
Speaker 3: the job just and I don't know that this episode

1332
01:05:33,040 --> 01:05:35,760
Speaker 3: makes sense of those two impulses being the same, Like

1333
01:05:36,320 --> 01:05:39,400
Speaker 3: is it like is Alexandra a great artist because she

1334
01:05:39,640 --> 01:05:41,840
Speaker 3: worked hard? Or is she a great artist because she's

1335
01:05:41,920 --> 01:05:45,360
Speaker 3: naturally talented and genius? Like I don't feel like the

1336
01:05:45,400 --> 01:05:49,000
Speaker 3: episode really like that's a tough question to answer, Like

1337
01:05:49,040 --> 01:05:50,720
Speaker 3: I don't you know, I don't know, And I feel

1338
01:05:50,760 --> 01:05:52,840
Speaker 3: like it's not ends up not being about that, like

1339
01:05:53,360 --> 01:05:57,439
Speaker 3: because like there's no recognition that like lind Lindsay can sing,

1340
01:05:57,760 --> 01:06:02,520
Speaker 3: like Morgan's ability to sing is separate from her willingness

1341
01:06:02,560 --> 01:06:04,640
Speaker 3: to do it, like the actual work ethic, Like I

1342
01:06:04,640 --> 01:06:04,880
Speaker 3: don't know.

1343
01:06:05,000 --> 01:06:07,080
Speaker 1: I just feel like there's That's why I think it's

1344
01:06:07,080 --> 01:06:07,920
Speaker 1: almost the scene hit me.

1345
01:06:08,000 --> 01:06:11,520
Speaker 3: I was like, wait, it's not about Corey not working hard,

1346
01:06:11,640 --> 01:06:14,040
Speaker 3: it's about Corey being good at something.

1347
01:06:13,880 --> 01:06:15,240
Speaker 1: Like I don't know this, That's the thing.

1348
01:06:15,280 --> 01:06:17,480
Speaker 4: I think there's there's they're also trying to say that

1349
01:06:17,560 --> 01:06:20,600
Speaker 4: it's like not everyone is born with a gift, but

1350
01:06:20,760 --> 01:06:23,240
Speaker 4: you can still find happiness in your life even if

1351
01:06:23,240 --> 01:06:27,080
Speaker 4: you're not born quote unquote special. Yeah, so it's like

1352
01:06:27,280 --> 01:06:29,439
Speaker 4: you know, Rusty Fat, you still have to work hard

1353
01:06:29,640 --> 01:06:30,240
Speaker 4: or still.

1354
01:06:30,000 --> 01:06:33,560
Speaker 2: Have to Sure, I have no doubt that Alexander Nikita

1355
01:06:33,680 --> 01:06:35,960
Speaker 2: worked hard to be a painter. But like when you're

1356
01:06:36,000 --> 01:06:39,960
Speaker 2: giving a two year old paint and they're obviously she

1357
01:06:40,240 --> 01:06:43,480
Speaker 2: was better than other two year olds. She was she

1358
01:06:43,720 --> 01:06:47,920
Speaker 2: has a gift that most do not. And then in

1359
01:06:48,080 --> 01:06:51,120
Speaker 2: conjunction with working hard at it and continuing to do it,

1360
01:06:51,880 --> 01:06:55,160
Speaker 2: she became a prodigy. She became a phenomenon. And so

1361
01:06:55,880 --> 01:06:58,320
Speaker 2: in this case, Corey is saying, well, no one ever

1362
01:06:58,400 --> 01:06:59,960
Speaker 2: pushed me to find if I had a gift. You

1363
01:07:00,240 --> 01:07:02,720
Speaker 2: let me fall out of everything. What if I if

1364
01:07:02,760 --> 01:07:05,840
Speaker 2: you pushed me hard enough to insist on pursuing things

1365
01:07:05,920 --> 01:07:08,480
Speaker 2: like the ukulele? What if I would have then been

1366
01:07:08,960 --> 01:07:12,160
Speaker 2: the best ever at it? And instead look at me,

1367
01:07:12,520 --> 01:07:17,000
Speaker 2: I'm just average? And Alan is thinking, and you know,

1368
01:07:17,120 --> 01:07:19,160
Speaker 2: and then it ties into Alan's point, which is like, wow,

1369
01:07:19,600 --> 01:07:22,600
Speaker 2: when I was a kid, average would have been the

1370
01:07:22,920 --> 01:07:25,680
Speaker 2: average was my biggest dream and.

1371
01:07:27,240 --> 01:07:30,320
Speaker 4: Almost once again showing that in a way, Alan was

1372
01:07:30,440 --> 01:07:33,600
Speaker 4: like Sean more than he was like Corey. Yeah, so

1373
01:07:34,040 --> 01:07:36,240
Speaker 4: it was like he turned his life around and look

1374
01:07:36,320 --> 01:07:38,440
Speaker 4: what he was able to do for his kids. And

1375
01:07:38,600 --> 01:07:40,200
Speaker 4: now my son doesn't appreciate that.

1376
01:07:40,480 --> 01:07:42,000
Speaker 2: Yeah, now my kids saying it's garbage.

1377
01:07:42,160 --> 01:07:46,480
Speaker 1: Yeah, it's very nuanced. There's a lot of different levels.

1378
01:07:47,440 --> 01:07:50,680
Speaker 2: Maybe if my son thinks average is nothing. Then I've

1379
01:07:50,760 --> 01:07:54,000
Speaker 2: done my job. I'm sorry that you're not proud. He

1380
01:07:54,120 --> 01:07:57,240
Speaker 2: gestures to the store of him and he points to

1381
01:07:57,360 --> 01:08:02,280
Speaker 2: himself and me, and then he likes on Corey and yourself.

1382
01:08:03,440 --> 01:08:06,040
Speaker 2: Sad music plays as Alan walks away, leaving his son

1383
01:08:06,200 --> 01:08:10,520
Speaker 2: alone in a very sketchy neighborhood of bankrupt businesses.

1384
01:08:10,120 --> 01:08:12,680
Speaker 1: And litter at night at night.

1385
01:08:12,920 --> 01:08:16,160
Speaker 4: Just get your hopefully you'll come home get Yeah, exactly.

1386
01:08:16,439 --> 01:08:19,519
Speaker 4: Let's see how your average skills do against knife attacks.

1387
01:08:21,640 --> 01:08:22,360
Speaker 2: Maybe it's your skill.

1388
01:08:22,560 --> 01:08:25,640
Speaker 1: Maybe maybe gonna be an Maybe that's what it is.

1389
01:08:25,760 --> 01:08:27,400
Speaker 6: You're a secret assassin. Let's find out.

1390
01:08:28,800 --> 01:08:33,519
Speaker 2: The sixth annual quaker Ridge Youth Center Talent Show. Everyone

1391
01:08:33,680 --> 01:08:36,280
Speaker 2: knows that one Corey, Allen and Amy are in the

1392
01:08:36,320 --> 01:08:37,160
Speaker 2: front row, while it's.

1393
01:08:37,120 --> 01:08:39,840
Speaker 1: Talented younger that they showed too. I was like, where

1394
01:08:39,920 --> 01:08:41,840
Speaker 1: are we It looks like the Performing Arts Center.

1395
01:08:42,160 --> 01:08:45,639
Speaker 2: Yeah, yeah, it's a yeah, the Youth Center Talent Show.

1396
01:08:46,160 --> 01:08:46,360
Speaker 1: Yeah.

1397
01:08:47,040 --> 01:08:49,640
Speaker 2: A talented young girl who we can now assume is

1398
01:08:49,720 --> 01:08:55,080
Speaker 2: Eloise Eichelberger twirls flaming batons gracefully in the air.

1399
01:08:55,360 --> 01:08:57,599
Speaker 3: This is a big choice because when you have flame

1400
01:08:57,720 --> 01:08:59,680
Speaker 3: overflame on a set, you have to have a fire,

1401
01:08:59,760 --> 01:09:00,479
Speaker 3: marsh that's what.

1402
01:09:00,520 --> 01:09:01,200
Speaker 1: It's a big deal.

1403
01:09:01,400 --> 01:09:04,720
Speaker 2: It's a big deal. Why did we Why was it that?

1404
01:09:04,920 --> 01:09:07,920
Speaker 2: But I guess they had to do something big because

1405
01:09:07,960 --> 01:09:11,400
Speaker 2: the whole joke is that she's just gonna sing. A

1406
01:09:11,479 --> 01:09:15,400
Speaker 2: woman next to Amy, presumably missus Eichelberger, nudges her with arrogance.

1407
01:09:15,439 --> 01:09:17,240
Speaker 2: The two women give each other fake smiles, and then

1408
01:09:17,280 --> 01:09:20,840
Speaker 2: Amy leans over to her husband. Big deal. She twirls batons,

1409
01:09:21,040 --> 01:09:23,479
Speaker 2: but Alan's in awe, wow, look at all that fire

1410
01:09:23,640 --> 01:09:26,800
Speaker 2: in the air. Corey nudges his dad, but Alan shows

1411
01:09:26,840 --> 01:09:30,000
Speaker 2: him away. He's loving this. Morgan and Alexandra watch Eloise

1412
01:09:30,080 --> 01:09:33,839
Speaker 2: from the wings. Alexander admits she's good, and Morgan agrees

1413
01:09:34,120 --> 01:09:37,880
Speaker 2: she's the best fire juggler in the county. She's gonna win.

1414
01:09:38,280 --> 01:09:41,839
Speaker 2: I'm not gonna sing. Alexandra is shocked, but Morgan insists

1415
01:09:41,960 --> 01:09:44,080
Speaker 2: I don't want to. Aren't there times when you don't

1416
01:09:44,120 --> 01:09:47,360
Speaker 2: want to paint? The Prodigy admits when people first started

1417
01:09:47,400 --> 01:09:48,960
Speaker 2: to make a big deal out of it, I didn't

1418
01:09:48,960 --> 01:09:50,880
Speaker 2: want to be different from all my friends. But I

1419
01:09:51,000 --> 01:09:53,040
Speaker 2: love to paint, and that's why I do it. Don't

1420
01:09:53,080 --> 01:09:56,880
Speaker 2: you love to sing? Morgan shrugs. Yeah, I do so.

1421
01:09:57,000 --> 01:09:59,960
Speaker 2: Alexandra declares, then that's your gift, and if you're lucky

1422
01:10:00,160 --> 01:10:02,360
Speaker 2: enough that God gave you one, I think you should

1423
01:10:02,400 --> 01:10:05,840
Speaker 2: share it. The fire juggler finally ends her performance and

1424
01:10:05,880 --> 01:10:09,439
Speaker 2: the crowd applauds. A host takes the stage and thanks Eloise.

1425
01:10:09,720 --> 01:10:11,840
Speaker 2: That's gonna be a tough act to follow. We've had

1426
01:10:11,920 --> 01:10:14,479
Speaker 2: quite a night. They had fire batons, that little boy

1427
01:10:14,520 --> 01:10:17,320
Speaker 2: that juggled ducks, and a special thank you to the

1428
01:10:17,439 --> 01:10:22,360
Speaker 2: double jointed plunket twins. Alan stands up and gives a

1429
01:10:22,520 --> 01:10:29,360
Speaker 2: rowdy applause for the being over questions school girls, That's

1430
01:10:29,360 --> 01:10:31,080
Speaker 2: what I was gonna say, do we this is just

1431
01:10:31,200 --> 01:10:35,120
Speaker 2: a talent show. We don't know because my first thought

1432
01:10:35,240 --> 01:10:38,400
Speaker 2: was this is a high school talent show. But actually

1433
01:10:39,280 --> 01:10:43,639
Speaker 2: it is the sixth annual quaker Ridge Youths. No, it's

1434
01:10:43,720 --> 01:10:47,040
Speaker 2: Youth Center gross. It's just as gross as I thought.

1435
01:10:47,160 --> 01:10:49,240
Speaker 1: Okay, yeah, no, it is all right.

1436
01:10:51,360 --> 01:10:54,360
Speaker 2: I would have loved someone to make it a different choice. There, Okay.

1437
01:10:54,840 --> 01:10:56,680
Speaker 2: Alan stands up gives a rowdy applause for that act.

1438
01:10:56,720 --> 01:10:59,600
Speaker 2: The host continues, and now our final entry will be

1439
01:11:00,120 --> 01:11:04,880
Speaker 2: Morgan Matthews, who will sing a song, Alexandra gives her

1440
01:11:04,920 --> 01:11:07,160
Speaker 2: friend a big hug, and Amy shoots to her feet.

1441
01:11:07,560 --> 01:11:12,120
Speaker 2: Yay Morgan, Mommy loves You. On stage, Morgan presses play

1442
01:11:12,240 --> 01:11:14,280
Speaker 2: on her CD player and then takes the microphone to

1443
01:11:14,320 --> 01:11:17,719
Speaker 2: sing wind Beneath My Wings by Bette Midler and the audience.

1444
01:11:17,760 --> 01:11:19,560
Speaker 2: Corey turns to his ad I can't live like this.

1445
01:11:19,760 --> 01:11:23,040
Speaker 2: I'm sorry, Alan whispers, don't worry about it. He's so rude,

1446
01:11:23,840 --> 01:11:26,840
Speaker 2: so rude, his sister's thing and he just can't I know,

1447
01:11:26,960 --> 01:11:28,519
Speaker 2: but it is funny way to jumps up saying.

1448
01:11:28,600 --> 01:11:31,120
Speaker 1: Too, man, it's so cool to hear it. I was like, wow, talent,

1449
01:11:31,320 --> 01:11:33,000
Speaker 1: you know. And you remember her singing on the set.

1450
01:11:33,040 --> 01:11:35,960
Speaker 1: I mean, she was really so nice to hear. Oh

1451
01:11:36,040 --> 01:11:37,400
Speaker 1: my god, and they gave her.

1452
01:11:37,400 --> 01:11:37,880
Speaker 4: Something to do.

1453
01:11:38,240 --> 01:11:43,639
Speaker 1: And then halfway through her thing on it was funny

1454
01:11:45,000 --> 01:11:47,400
Speaker 1: this whispering like interrupting her. I kept I was like,

1455
01:11:47,479 --> 01:11:49,840
Speaker 1: where's that going? Once he got up and signed was great.

1456
01:11:50,320 --> 01:11:52,479
Speaker 1: Totally forgot he was singing. I totally forgot. This happened

1457
01:11:52,520 --> 01:11:52,800
Speaker 1: me too.

1458
01:11:53,080 --> 01:11:55,439
Speaker 2: Yeah, when he just kept interrupting, I was like, oh god.

1459
01:11:55,520 --> 01:11:59,040
Speaker 2: But then it ends up being very funny, So Alan whispers,

1460
01:11:59,040 --> 01:12:00,840
Speaker 2: don't worry about it before we turning his full attention

1461
01:12:00,920 --> 01:12:03,600
Speaker 2: to Morgan's performance. She gets to the chorus of the

1462
01:12:03,640 --> 01:12:06,759
Speaker 2: song and Corey can't contain himself. He sings along, directing

1463
01:12:06,840 --> 01:12:07,720
Speaker 2: his words to his dad.

1464
01:12:08,000 --> 01:12:09,240
Speaker 3: I would have loved I would have loved if he

1465
01:12:09,320 --> 01:12:12,040
Speaker 3: doesn't say anything, and it's just a shot of Corey

1466
01:12:12,160 --> 01:12:14,720
Speaker 3: and his dad, and you watch Corey listening to the

1467
01:12:14,800 --> 01:12:18,439
Speaker 3: song and realizing this is me singing to my dad

1468
01:12:18,640 --> 01:12:20,800
Speaker 3: and I'm being inspired, and then you just watch him

1469
01:12:20,960 --> 01:12:21,439
Speaker 3: jump up.

1470
01:12:21,439 --> 01:12:24,280
Speaker 1: Jump up, because there's no moment where you see Corey

1471
01:12:24,479 --> 01:12:25,160
Speaker 1: realize that the.

1472
01:12:25,160 --> 01:12:28,479
Speaker 3: Sting correction right if we need him make the decision,

1473
01:12:28,880 --> 01:12:31,799
Speaker 3: been a million times funnier, and it wouldn't He wouldn't

1474
01:12:31,800 --> 01:12:32,320
Speaker 3: have to say anything.

1475
01:12:32,320 --> 01:12:34,960
Speaker 1: You can just see a closeup of him going, this song.

1476
01:12:34,960 --> 01:12:37,040
Speaker 2: Is me, this is what I need is how I

1477
01:12:37,080 --> 01:12:38,600
Speaker 2: can do it. He could also have jumped up on

1478
01:12:38,680 --> 01:12:40,320
Speaker 2: stage and pushed her out of the way, take it

1479
01:12:40,360 --> 01:12:41,920
Speaker 2: over the microphone and just done this.

1480
01:12:42,160 --> 01:12:43,880
Speaker 1: You know, you know that's what Wilfred Dell would have

1481
01:12:45,439 --> 01:12:46,400
Speaker 1: I I command the stage.

1482
01:12:46,400 --> 01:12:51,320
Speaker 2: What can I say? Morgan, Alan and Amy are flustered,

1483
01:12:51,360 --> 01:12:53,519
Speaker 2: but she continues to sing on the stage. Corey jumps

1484
01:12:53,560 --> 01:12:56,040
Speaker 2: to his feet, now pumping his fists, singing to his dad,

1485
01:12:56,120 --> 01:12:58,800
Speaker 2: disturbing the audience and stealing the thunder from his sister.

1486
01:12:59,320 --> 01:13:02,360
Speaker 2: Alan and Amy slumped in their seats, mortified, but Corey

1487
01:13:02,439 --> 01:13:04,799
Speaker 2: doesn't stop, turning the song into a duet with Morgan.

1488
01:13:05,040 --> 01:13:07,479
Speaker 2: Corey even acts out some of the lyrics. The talent

1489
01:13:07,560 --> 01:13:09,840
Speaker 2: show is now over and the crowd is gone. Morgan

1490
01:13:09,920 --> 01:13:12,360
Speaker 2: hops down to meet her mom and Alexandra, the painter

1491
01:13:12,520 --> 01:13:15,160
Speaker 2: hugs Morgan and tells her she did an amazing job.

1492
01:13:15,560 --> 01:13:18,600
Speaker 2: Corey asks, how is I? Alexandra whispers to Amy and

1493
01:13:18,640 --> 01:13:20,880
Speaker 2: repeats from earlier, I'm not supposed to lie.

1494
01:13:21,000 --> 01:13:21,479
Speaker 1: What do I do?

1495
01:13:22,439 --> 01:13:26,320
Speaker 2: Amy whispers, let's just go, and the girls leave. Alan

1496
01:13:26,400 --> 01:13:28,880
Speaker 2: starts to go with them, but Corey stops him. I

1497
01:13:29,000 --> 01:13:31,040
Speaker 2: think I said all that stuff earlier because I was

1498
01:13:31,080 --> 01:13:34,640
Speaker 2: afraid about my life. When you meet somebody great like Alexandra,

1499
01:13:34,800 --> 01:13:37,559
Speaker 2: you begin to wonder if you're worth anything, and if

1500
01:13:37,600 --> 01:13:40,040
Speaker 2: I'm not, it was easier to blame you. I know

1501
01:13:40,120 --> 01:13:41,840
Speaker 2: it's up to me to make my life something i'm

1502
01:13:41,880 --> 01:13:45,320
Speaker 2: proud of. Alan shrugs, that's what life's about. You spend

1503
01:13:45,360 --> 01:13:47,559
Speaker 2: your time searching for something to give your life meaning.

1504
01:13:48,040 --> 01:13:51,080
Speaker 2: Some people find it in their talent. Corey wonders, what

1505
01:13:51,200 --> 01:13:54,800
Speaker 2: if I'm not talented? Alan answers other people find it

1506
01:13:54,920 --> 01:13:57,840
Speaker 2: in other ways. He pulls his son in close. You

1507
01:13:57,880 --> 01:14:00,960
Speaker 2: know when I guy this, Yeah, Yeah, this is the

1508
01:14:01,040 --> 01:14:03,519
Speaker 2: sort of This is the blurring of the two where

1509
01:14:03,600 --> 01:14:07,360
Speaker 2: it's whatever gives you meaning. For some people it's a

1510
01:14:07,400 --> 01:14:13,000
Speaker 2: gift or a talent. Correct and nurture it. Yeah, He

1511
01:14:13,120 --> 01:14:15,040
Speaker 2: pulls his son in close. You know, when I knew

1512
01:14:15,080 --> 01:14:19,000
Speaker 2: my life was worth something. Alexandra appears again, and she

1513
01:14:19,200 --> 01:14:25,519
Speaker 2: finishes always Yeah, she's the cousin.

1514
01:14:25,680 --> 01:14:26,400
Speaker 1: She lives there now.

1515
01:14:27,160 --> 01:14:30,759
Speaker 2: She finishes alan sentence, when I held you in my arms.

1516
01:14:31,280 --> 01:14:33,200
Speaker 2: Alan asks how she knew he was going to say that,

1517
01:14:33,360 --> 01:14:36,600
Speaker 2: and Alexander smiles, That's what my daddy always says to me.

1518
01:14:37,080 --> 01:14:38,599
Speaker 2: And then she pulls out a lollipop.

1519
01:14:38,720 --> 01:14:42,680
Speaker 1: She really say daddy, She really no, she says dad right,

1520
01:14:42,840 --> 01:14:43,759
Speaker 1: and she says daddy.

1521
01:14:43,840 --> 01:14:52,479
Speaker 6: I think she says daddy yeah, and Big wheels off

1522
01:14:52,560 --> 01:14:52,920
Speaker 6: the set.

1523
01:14:53,080 --> 01:14:54,600
Speaker 1: That's what Papa says to me.

1524
01:14:56,200 --> 01:14:57,840
Speaker 2: Right before he puts my diaper on.

1525
01:15:01,400 --> 01:15:04,320
Speaker 1: She goes on tour and Morgan this is has one

1526
01:15:04,360 --> 01:15:05,320
Speaker 1: more scene in the show.

1527
01:15:05,560 --> 01:15:08,400
Speaker 2: Yeah, and then we're back at the apartment for the tag.

1528
01:15:08,640 --> 01:15:10,840
Speaker 2: Eric is on the floor with his hair standing straight up.

1529
01:15:15,800 --> 01:15:17,920
Speaker 2: So Eric's on the floor with his hair standing straight up,

1530
01:15:18,000 --> 01:15:20,320
Speaker 2: mouth wide open, eyes closed. He's holding a toaster, and

1531
01:15:20,360 --> 01:15:23,400
Speaker 2: the barstools around him have toppled over. Rachel walks out

1532
01:15:23,400 --> 01:15:25,439
Speaker 2: of her room to find him and panics at first,

1533
01:15:25,560 --> 01:15:28,599
Speaker 2: then realizes what he's trying to do here. She plays along,

1534
01:15:28,720 --> 01:15:31,880
Speaker 2: Oh Eric, my poor Eric, are you okay? Wake up?

1535
01:15:32,640 --> 01:15:36,120
Speaker 2: Then Jack walks into the apartment, unmoved by his friends shenanigans.

1536
01:15:36,360 --> 01:15:39,240
Speaker 2: He asks what's going on and Rachel deadpants. Eric's dead.

1537
01:15:39,840 --> 01:15:43,719
Speaker 2: Jack shrugs cool. Then Eric jolts's body and Rachel gasps,

1538
01:15:44,040 --> 01:15:46,800
Speaker 2: I think he's alive. She asks Jack what she can do,

1539
01:15:46,920 --> 01:15:50,560
Speaker 2: and then perks up, Oh, I know mouth to mouth resuscitation.

1540
01:15:51,200 --> 01:15:52,920
Speaker 2: Eric can't help but smile at the sound of that,

1541
01:15:53,040 --> 01:15:57,000
Speaker 2: but tries to maintain his deadness. Rachel sighs, oh, shoot,

1542
01:15:57,080 --> 01:15:59,840
Speaker 2: you know what I don't know, mouth to mouth resuscitation.

1543
01:16:00,479 --> 01:16:04,280
Speaker 2: Do you know CPR? Jack? Jack catches our signal, so

1544
01:16:04,400 --> 01:16:08,960
Speaker 2: he responds, yes, I do, so just move aside, sweetheart.

1545
01:16:09,320 --> 01:16:11,759
Speaker 2: He gets close enough to Eric to illicit gay panic,

1546
01:16:11,880 --> 01:16:15,000
Speaker 2: forcing Eric to come to life and jump away. He

1547
01:16:15,160 --> 01:16:17,479
Speaker 2: looks at both of them and shakes his head. Oh

1548
01:16:17,680 --> 01:16:21,040
Speaker 2: that's right, make fun of the dead, and he walks off.

1549
01:16:22,640 --> 01:16:25,120
Speaker 3: I mean, I do like it when Rachel's smarter, you know,

1550
01:16:25,360 --> 01:16:29,439
Speaker 3: like whenever she's messing with them, Yeah, just better, like yeah,

1551
01:16:29,920 --> 01:16:33,640
Speaker 3: her being clueless in the first two scenes of the storyline.

1552
01:16:33,640 --> 01:16:36,760
Speaker 1: It's like really, yeah, yeah, Well that's fine. I'm glad

1553
01:16:36,800 --> 01:16:38,320
Speaker 1: you like it because you're probably gonna see it again

1554
01:16:38,360 --> 01:16:38,720
Speaker 1: next week.

1555
01:16:41,800 --> 01:16:43,640
Speaker 2: Thank you all for joining us for this episode of

1556
01:16:43,680 --> 01:16:45,400
Speaker 2: Pod Meets World. As always, you can follow us on

1557
01:16:45,479 --> 01:16:47,880
Speaker 2: Instagram pod Meets World Show. You can send us your

1558
01:16:47,920 --> 01:16:50,800
Speaker 2: emails pod meets World Show at gmail dot com. And

1559
01:16:51,400 --> 01:16:52,120
Speaker 2: we've got merch.

1560
01:16:53,040 --> 01:16:54,840
Speaker 1: Did you ever know that youer?

1561
01:16:55,080 --> 01:17:02,920
Speaker 2: I merchro merchru true merch as supposed to hear you say,

1562
01:17:02,920 --> 01:17:03,599
Speaker 2: merch man.

1563
01:17:05,880 --> 01:17:05,920
Speaker 4: Me.

1564
01:17:07,000 --> 01:17:07,760
Speaker 1: That's a good one too.

1565
01:17:09,840 --> 01:17:12,559
Speaker 2: Podmeets wor Old show dot com will send us out.

1566
01:17:12,880 --> 01:17:14,599
Speaker 1: We love you all, pod dismissed.

1567
01:17:15,840 --> 01:17:19,400
Speaker 4: Podmeets World is nheart podcast producer and hosted by Danielle Fischel,

1568
01:17:19,479 --> 01:17:23,679
Speaker 4: Wilfredell and Ryder Strong. Executive producers Jensen Carp and Amy Sugarman,

1569
01:17:24,000 --> 01:17:27,479
Speaker 4: Executive in charge of Production, Danielle Romo, producer and editor,

1570
01:17:27,560 --> 01:17:31,360
Speaker 4: Tara Sudbaksh producer, Maddy Moore, engineer and Boy Meets World

1571
01:17:31,400 --> 01:17:33,960
Speaker 4: super fan Easton Allen. Our theme song is by Kyle

1572
01:17:34,040 --> 01:17:36,280
Speaker 4: Morton of Typhoon and you can follow us on Instagram

1573
01:17:36,360 --> 01:17:39,080
Speaker 4: at Podmeets World Show or email us at Podmeets World

1574
01:17:39,120 --> 01:17:40,439
Speaker 4: Show at gmail dot com