1 00:00:01,720 --> 00:00:04,720 Speaker 1: Hey, Discos, need a little more Disgraceland in your life, 2 00:00:05,080 --> 00:00:08,000 Speaker 1: just to touch to get you through. Yeah, me too. 3 00:00:08,680 --> 00:00:11,920 Speaker 1: This is the podcast that comes after the podcast. Welcome 4 00:00:11,960 --> 00:00:30,120 Speaker 1: to Disgraceland. The after Party. Welcome to the Disgraceland bonus episode, 5 00:00:30,320 --> 00:00:33,240 Speaker 1: a little thing we like to call the after party. 6 00:00:33,280 --> 00:00:35,720 Speaker 1: This is the show after the show, the party after 7 00:00:35,760 --> 00:00:38,000 Speaker 1: the party, the bridge to get you from one full 8 00:00:38,040 --> 00:00:41,120 Speaker 1: episode of Disgraceland to the other, the backyard to dig 9 00:00:41,200 --> 00:00:45,600 Speaker 1: into the dirt. On this episode, we're talking, among other things, 10 00:00:45,680 --> 00:00:51,160 Speaker 1: about season thirteen of Disgraceland, Wu Tang Clan, Tammy Wynette, 11 00:00:51,440 --> 00:00:55,720 Speaker 1: Power Trip, and of course your voicemails, texts, dms and more, 12 00:00:56,120 --> 00:00:59,800 Speaker 1: and as always, a whole lot of rosy. All right, Discos, 13 00:01:00,360 --> 00:01:14,560 Speaker 1: let's get into it. Well, all right, have you heard 14 00:01:14,600 --> 00:01:17,919 Speaker 1: it the trailer for season thirteen of Disgraceland, the first 15 00:01:18,000 --> 00:01:21,080 Speaker 1: serialized season in the show's history. I'm guessing that you 16 00:01:21,080 --> 00:01:23,440 Speaker 1: already have, But if you have not, let me be 17 00:01:23,520 --> 00:01:25,760 Speaker 1: the first to tell you that this brand new season 18 00:01:25,840 --> 00:01:30,000 Speaker 1: features ten episodes on one group, and that group is 19 00:01:30,640 --> 00:01:34,600 Speaker 1: Wu Tang Clan. That's right. Full episodes on the Rizza, 20 00:01:35,040 --> 00:01:38,440 Speaker 1: the Jizza, Method Man, Ghost Face, Killer, Inspected Deck, You, 21 00:01:38,560 --> 00:01:42,880 Speaker 1: God Reykwan, Masta Killa, Cappadonna, and of course Old Dirty 22 00:01:42,959 --> 00:01:46,280 Speaker 1: Bastard one episode each. You know these guys, they're one 23 00:01:46,280 --> 00:01:48,040 Speaker 1: of the biggest hip hop groups of all time. They 24 00:01:48,080 --> 00:01:50,280 Speaker 1: launched some of the biggest solo careers of all time. 25 00:01:50,600 --> 00:01:52,880 Speaker 1: The story of how they bonded together to transcend the 26 00:01:52,920 --> 00:01:55,640 Speaker 1: cycle of non success, as the Rizza called it, of 27 00:01:55,720 --> 00:01:58,880 Speaker 1: the New York City streets. How they transcended these things 28 00:01:58,960 --> 00:02:01,200 Speaker 1: in order to become one of the most successful hip 29 00:02:01,240 --> 00:02:05,840 Speaker 1: hop brands of all time is, as we like to say, insane, 30 00:02:06,320 --> 00:02:08,920 Speaker 1: and as you can imagine, there is a lot of 31 00:02:09,000 --> 00:02:13,200 Speaker 1: true crime going on throughout this story, especially the really 32 00:02:13,360 --> 00:02:16,720 Speaker 1: explosive angle that I was most interested in the fact 33 00:02:16,760 --> 00:02:20,000 Speaker 1: that the Wu Tang clan were being hunted for years, 34 00:02:20,360 --> 00:02:23,320 Speaker 1: but not just the NYPD, not just the ATF, but 35 00:02:23,400 --> 00:02:29,320 Speaker 1: the FBI, who labeled them a quote major criminal organization unquote, 36 00:02:29,440 --> 00:02:33,400 Speaker 1: the same label given to mafia crime families. That's why 37 00:02:33,480 --> 00:02:36,360 Speaker 1: when I'm watching TV and any of these FBI jack 38 00:02:36,360 --> 00:02:39,920 Speaker 1: holes who are retired now go on cable news or whatever, 39 00:02:40,000 --> 00:02:43,000 Speaker 1: they're just whatever they're saying, I just take it all 40 00:02:43,000 --> 00:02:46,040 Speaker 1: with a grain of salt. Any of the CIA, same thing. 41 00:02:46,400 --> 00:02:48,800 Speaker 1: And not that they're CIA guys out there talking on 42 00:02:48,840 --> 00:02:50,880 Speaker 1: the news, but when you see them in front of Congress, 43 00:02:51,240 --> 00:02:54,880 Speaker 1: these guys are They're professional fucking liars. And the more 44 00:02:54,919 --> 00:02:58,120 Speaker 1: I research the interaction with them in music history, the 45 00:02:58,120 --> 00:03:01,200 Speaker 1: more I am convinced of this. And you're gonna hear 46 00:03:01,320 --> 00:03:03,880 Speaker 1: all this playout in the Wu Tang Clan season that 47 00:03:03,880 --> 00:03:06,040 Speaker 1: we have planned for you. Guys. The season is just 48 00:03:06,200 --> 00:03:09,760 Speaker 1: nuts nuts. Trust me. You can start hearing new episodes 49 00:03:09,800 --> 00:03:13,000 Speaker 1: next week on Tuesday, September fifth. The way we're gonna 50 00:03:13,040 --> 00:03:15,320 Speaker 1: do this, at least for a while is released two 51 00:03:15,360 --> 00:03:18,000 Speaker 1: Wu Tang episodes per week, so one on Tuesday and 52 00:03:18,040 --> 00:03:21,680 Speaker 1: then one on Thursdays. Like I said, this is a 53 00:03:21,720 --> 00:03:26,800 Speaker 1: serialized season. They're not anthology episodes. It's one narrative that 54 00:03:26,840 --> 00:03:29,600 Speaker 1: stretches out over over the story of ten artists, over 55 00:03:29,680 --> 00:03:32,760 Speaker 1: ten episodes. So we wanted to give you these two 56 00:03:33,000 --> 00:03:35,680 Speaker 1: at a time during the week, two episodes per week, 57 00:03:35,720 --> 00:03:38,920 Speaker 1: one on Tuesdays and again one on Thursdays. Gonna be 58 00:03:38,920 --> 00:03:40,760 Speaker 1: coming at you fast and furious, just like the Fist 59 00:03:40,800 --> 00:03:42,440 Speaker 1: of Furia, one of those Kung fu films that the 60 00:03:42,480 --> 00:03:46,680 Speaker 1: Wu Tang clan dudes love so much. So that's what's 61 00:03:46,720 --> 00:03:50,400 Speaker 1: gonna happen. Two Wu Tang episodes per week, with the 62 00:03:50,400 --> 00:03:54,360 Speaker 1: two Wu Tang episodes again serialized as in a story 63 00:03:54,360 --> 00:03:57,760 Speaker 1: that continues with cliffhangers, etc. These after party episodes that 64 00:03:57,760 --> 00:04:00,480 Speaker 1: we've been doing, We're gonna pause on these after party 65 00:04:00,520 --> 00:04:04,040 Speaker 1: bonus episodes until we run through these ten Wu Tang apps. 66 00:04:04,400 --> 00:04:06,800 Speaker 1: But but but but but have no fear. I am 67 00:04:06,840 --> 00:04:11,680 Speaker 1: going to continue to respond to you guys, answer your voicemails, 68 00:04:11,720 --> 00:04:14,880 Speaker 1: answer your texts, answer your dms in the pre party 69 00:04:14,920 --> 00:04:18,160 Speaker 1: mini episodes that we release on Monday. Okay, so a 70 00:04:18,240 --> 00:04:22,280 Speaker 1: lot of interactions still happening. You're getting more content, more 71 00:04:22,400 --> 00:04:27,200 Speaker 1: edge of your seat storytelling, more dramatic, immersive history here 72 00:04:27,240 --> 00:04:30,120 Speaker 1: in the Disgrace Land Feed, and of course we get 73 00:04:30,120 --> 00:04:33,200 Speaker 1: the rap party movie in cinema conversation going over in 74 00:04:33,240 --> 00:04:36,599 Speaker 1: the bad Lands Feed. All right, all that aside. Okay, 75 00:04:36,640 --> 00:04:39,600 Speaker 1: having my head immersed in the land of the Wu 76 00:04:39,839 --> 00:04:43,599 Speaker 1: for the last few weeks has had me thinking, is 77 00:04:43,680 --> 00:04:47,360 Speaker 1: Wu Tang Clan the greatest supergroup of all time? Yeah? 78 00:04:47,440 --> 00:04:49,960 Speaker 1: I know that technically the guys in the group weren't 79 00:04:50,080 --> 00:04:54,479 Speaker 1: stars at first, but the way that the Riza pulled 80 00:04:54,480 --> 00:04:56,960 Speaker 1: them all together. He definitely had that supergroup thing in 81 00:04:57,000 --> 00:05:00,520 Speaker 1: mind from the beginning, and it's definitely the the vibe 82 00:05:00,520 --> 00:05:02,960 Speaker 1: that they rock nowadays. And I just want to know 83 00:05:03,200 --> 00:05:05,520 Speaker 1: are they the best? And if not, who is the 84 00:05:05,560 --> 00:05:08,640 Speaker 1: greatest supergroup of all times? It the Traveling Wilburys, Is 85 00:05:08,680 --> 00:05:13,239 Speaker 1: it Cream? Audio, Slave Them, Crooked Vultures, Bell BIV, Devo? 86 00:05:13,360 --> 00:05:16,480 Speaker 1: Who do you got? Let me know? Six one seven 87 00:05:16,960 --> 00:05:21,160 Speaker 1: nine oh six six six three eight voicemail and text 88 00:05:21,279 --> 00:05:25,200 Speaker 1: at Disgrace slam pod on the social media's but I 89 00:05:25,240 --> 00:05:27,839 Speaker 1: love hearing your voice, just like I love hearing the 90 00:05:27,920 --> 00:05:31,480 Speaker 1: voice right here from James in the nine to one nine. 91 00:05:32,200 --> 00:05:34,960 Speaker 2: Hey Jake, this is James from North Carolina the nine 92 00:05:35,000 --> 00:05:38,000 Speaker 2: to one nine draftkin on the last episode, Who killed 93 00:05:38,040 --> 00:05:39,240 Speaker 2: Biggie Dude? 94 00:05:39,279 --> 00:05:40,719 Speaker 1: Everybody knows it. It's Ted Cruise? 95 00:05:41,839 --> 00:05:44,839 Speaker 2: Maybe it was John Denver, I can't remember, but it 96 00:05:44,920 --> 00:05:46,640 Speaker 2: was definitely Ted Peace. 97 00:05:47,440 --> 00:05:50,400 Speaker 1: Ted Cruz apparently has killed a lot of dudes. James H. 98 00:05:50,560 --> 00:05:55,159 Speaker 1: Biggie Smalls, John F. Kennedy, Actually not true. You know, 99 00:05:56,320 --> 00:05:59,080 Speaker 1: I like the voicemail, Thank you very much. It's funny. 100 00:05:59,720 --> 00:05:59,840 Speaker 2: Ted. 101 00:06:00,640 --> 00:06:03,599 Speaker 1: I got to tell you the uh that thing that 102 00:06:03,680 --> 00:06:06,320 Speaker 1: came out years ago, two thousand, I don't know when 103 00:06:06,320 --> 00:06:10,080 Speaker 1: it was seventeen eighteen that Ted Cruz had killed John F. Kennedy. 104 00:06:11,520 --> 00:06:15,520 Speaker 1: I thought it was really funny, but I didn't like 105 00:06:15,680 --> 00:06:17,360 Speaker 1: I had a bone to pick with it. I didn't 106 00:06:17,400 --> 00:06:19,920 Speaker 1: like how, you know, Ted Cruz, this isn't old enough 107 00:06:19,960 --> 00:06:21,800 Speaker 1: to have done that. And I thought it could have 108 00:06:21,839 --> 00:06:25,560 Speaker 1: been such a better sort of internet gag had they 109 00:06:25,600 --> 00:06:27,680 Speaker 1: done it with somebody who is age appropriate, who could 110 00:06:27,720 --> 00:06:33,560 Speaker 1: have withstood, you know, thirty seconds of internet research. And honestly, 111 00:06:33,640 --> 00:06:36,640 Speaker 1: that is what inspired me to do the Jim Morrison 112 00:06:36,680 --> 00:06:39,440 Speaker 1: as a Zodiac Killer episode. Is that Ted Cruz bit 113 00:06:39,520 --> 00:06:43,080 Speaker 1: that you're talking about regarding him having killed John F. Kennedy, 114 00:06:43,120 --> 00:06:46,200 Speaker 1: which of course he did not. Everyone knows that LBJ 115 00:06:46,400 --> 00:06:49,120 Speaker 1: killed jfk Just kidding. I don't actually think that, but 116 00:06:49,160 --> 00:06:50,960 Speaker 1: a lot of people do. But I'm not here for it. 117 00:06:51,360 --> 00:06:54,120 Speaker 1: I don't want to go down that conspiracy rabbit hole 118 00:06:54,200 --> 00:06:57,359 Speaker 1: right now. So let's check in with Grant in the 119 00:06:57,400 --> 00:06:59,599 Speaker 1: seven five seven YO. 120 00:07:00,120 --> 00:07:03,520 Speaker 2: What's going on you, beautiful folk? I love your podcast. 121 00:07:03,760 --> 00:07:07,760 Speaker 2: This is Grant once again because I got cut off 122 00:07:07,880 --> 00:07:10,960 Speaker 2: on my second message and I wasn't able to thank 123 00:07:11,000 --> 00:07:14,920 Speaker 2: you for making these amazing podcasts and expanding the way 124 00:07:15,240 --> 00:07:19,400 Speaker 2: that I view music. Your podcasts have helped me, like deeply, 125 00:07:20,320 --> 00:07:24,040 Speaker 2: and you know, in a lot of ways they get 126 00:07:24,080 --> 00:07:27,480 Speaker 2: me through hard times, but beyond that, they helped me 127 00:07:27,760 --> 00:07:32,360 Speaker 2: understand new music and stuff that I didn't like before, 128 00:07:32,400 --> 00:07:35,680 Speaker 2: which is fucking fantastic, and you helped tons of people 129 00:07:35,680 --> 00:07:39,720 Speaker 2: with that every day. I promise you that you're I mean, 130 00:07:39,840 --> 00:07:44,040 Speaker 2: I already liked Nirvana obviously when when you when I 131 00:07:44,080 --> 00:07:47,920 Speaker 2: heard your episode on it, but you're your two parter 132 00:07:48,120 --> 00:07:52,000 Speaker 2: on Courtney Love and Kurt Cope Baine like literally changed 133 00:07:52,040 --> 00:07:55,080 Speaker 2: the way I viewed music as a whole and just 134 00:07:55,280 --> 00:08:01,320 Speaker 2: viewed celebrity musicians as a whole. Yeah, that was an 135 00:08:01,360 --> 00:08:04,680 Speaker 2: amazing That's easily my favorite by you. I tell stories 136 00:08:05,240 --> 00:08:08,280 Speaker 2: that I've heard from your podcast to all my friends 137 00:08:08,840 --> 00:08:13,880 Speaker 2: kind to continue these legends of these amazing artists. So 138 00:08:13,920 --> 00:08:18,720 Speaker 2: thank you for preserving their legendary status in some ways. 139 00:08:20,080 --> 00:08:24,520 Speaker 2: But I appreciate that you're able to preserve that without 140 00:08:26,360 --> 00:08:29,840 Speaker 2: just dismissing the fucked up shit that they did. You 141 00:08:29,880 --> 00:08:33,560 Speaker 2: acknowledge that, and you're able to appreciate the music and 142 00:08:33,679 --> 00:08:39,719 Speaker 2: the legendary aspect of these artists without just blindly supporting 143 00:08:39,840 --> 00:08:42,720 Speaker 2: some fucked up shit they did. I think that's the way, 144 00:08:42,720 --> 00:08:46,000 Speaker 2: and more people should view music like they made some 145 00:08:46,120 --> 00:08:48,880 Speaker 2: great music. Want to know who didn't make some great music? 146 00:08:49,000 --> 00:08:52,840 Speaker 2: Fucking media, you know? Like, But yeah, keep it up, man, 147 00:08:53,000 --> 00:08:53,600 Speaker 2: awesome work. 148 00:08:53,640 --> 00:08:56,400 Speaker 1: I love you, Grant, I love you back, and I 149 00:08:56,440 --> 00:09:00,160 Speaker 1: love hearing this man. For me, loving music is all 150 00:09:00,200 --> 00:09:03,679 Speaker 1: about context and stuff I don't like now, I hold 151 00:09:03,760 --> 00:09:06,920 Speaker 1: space for potentially liking in the future because context is 152 00:09:06,920 --> 00:09:09,000 Speaker 1: always changing. How I hear things where I'm at, whant 153 00:09:09,000 --> 00:09:11,040 Speaker 1: to hear things where the group is, where the artist is, 154 00:09:11,480 --> 00:09:15,560 Speaker 1: et cetera. But generally speaking, keep spreading the love, Grant, 155 00:09:15,600 --> 00:09:17,960 Speaker 1: and I'll try to spread it right back. All right. 156 00:09:18,440 --> 00:09:21,360 Speaker 1: So let's hear another one. Another voicemail here from the 157 00:09:21,440 --> 00:09:24,840 Speaker 1: two eight one hit us up to answer the question 158 00:09:24,920 --> 00:09:29,079 Speaker 1: of great songs about famous people. So two eight one, 159 00:09:29,120 --> 00:09:29,760 Speaker 1: what do you got. 160 00:09:30,559 --> 00:09:33,280 Speaker 2: Hey, Jake guess Today? From the Great Today Texas Roberty 161 00:09:33,360 --> 00:09:33,959 Speaker 2: worked this morning. 162 00:09:34,400 --> 00:09:34,840 Speaker 1: You asked the. 163 00:09:34,840 --> 00:09:38,440 Speaker 2: Oday about bands that sang songs about famous people. The 164 00:09:38,600 --> 00:09:41,720 Speaker 2: maggots Let's get Tammy White and it was one of 165 00:09:41,760 --> 00:09:44,240 Speaker 2: my favorites from the kid. It still is. I'm sure 166 00:09:44,240 --> 00:09:46,679 Speaker 2: you know the story, but basically written about when Tammy 167 00:09:46,840 --> 00:09:49,320 Speaker 2: most likely got beaten up by her managers slash husband. 168 00:09:49,600 --> 00:09:51,760 Speaker 2: Whish Man's this whole story. But I actually got kidnapped 169 00:09:51,760 --> 00:09:54,520 Speaker 2: and got feed up and came out of the newspapers 170 00:09:54,520 --> 00:09:56,199 Speaker 2: all kind of stuff, and the maggots. 171 00:09:56,240 --> 00:09:57,640 Speaker 1: I'll take make a funny song about it. 172 00:09:58,040 --> 00:09:59,719 Speaker 2: Anyways, I would go to a man keep it up. 173 00:10:00,600 --> 00:10:02,760 Speaker 1: I never heard of the maggots, and I've never heard 174 00:10:02,800 --> 00:10:05,400 Speaker 1: of this Tammy Wynette story, but I'm here for it. 175 00:10:05,440 --> 00:10:09,400 Speaker 1: Sounds awesome, sounds like its own episode of Disgraceland. Amazing stuff. 176 00:10:09,440 --> 00:10:12,040 Speaker 1: I gotta run out to the grocery store later. Uh 177 00:10:12,400 --> 00:10:14,520 Speaker 1: got this new car, I got a great fucking stereo 178 00:10:14,559 --> 00:10:16,920 Speaker 1: system in it. I'm gonna cue up the maggots. I'm 179 00:10:16,960 --> 00:10:19,960 Speaker 1: gonna listen loud to this Tammy wy Net song. And 180 00:10:20,160 --> 00:10:22,760 Speaker 1: uh yeah, I've already I've already got Zeth Lundy here 181 00:10:22,800 --> 00:10:26,640 Speaker 1: at double Elvis HQ on this Tammy Wyett story. See 182 00:10:26,679 --> 00:10:28,880 Speaker 1: if we can dig something out. Haven't done a lot 183 00:10:28,880 --> 00:10:33,400 Speaker 1: of kidnapping stuff here in Disgraceland. So really really appreciative 184 00:10:33,840 --> 00:10:37,079 Speaker 1: of the nod toward this story and looking forward to 185 00:10:37,120 --> 00:10:39,040 Speaker 1: see what we can do with it. Uh six one 186 00:10:39,120 --> 00:10:41,880 Speaker 1: seven nine six six six three eight. With your voicemails 187 00:10:41,880 --> 00:10:44,839 Speaker 1: and your text guys, you can answer our stupid question 188 00:10:44,880 --> 00:10:47,240 Speaker 1: of the week, which is is Wu Tang Clan the 189 00:10:47,280 --> 00:10:49,800 Speaker 1: greatest supergroup of all time? Or you can hit me 190 00:10:49,880 --> 00:10:52,040 Speaker 1: up with an answer to any of our previous questions. 191 00:10:52,120 --> 00:10:54,640 Speaker 1: Is Ted Cruz a serial killer? Did Ted Cruz kill 192 00:10:54,679 --> 00:10:57,120 Speaker 1: John F. Kennedy? Of course not. Maybe he killed John F. 193 00:10:57,200 --> 00:11:00,160 Speaker 1: Kennedy Junior. No, he did not do that. Or just 194 00:11:00,200 --> 00:11:03,040 Speaker 1: introduce yourself. Let's be real. I love the introductions. I 195 00:11:03,080 --> 00:11:05,680 Speaker 1: love hearing about you guys. Voicemail works, but so to 196 00:11:06,200 --> 00:11:09,240 Speaker 1: do texts, just like this one from the seven seven 197 00:11:09,280 --> 00:11:12,600 Speaker 1: to five All Right Songs about musicians from the seven 198 00:11:12,679 --> 00:11:17,160 Speaker 1: seven to five Number five alanis by Morgan Wade. New song, 199 00:11:17,200 --> 00:11:19,360 Speaker 1: but it's a good one because it's Morgan Wade. I 200 00:11:19,400 --> 00:11:22,160 Speaker 1: don't know who Morgan Wade is, and I'm guessing it's 201 00:11:22,160 --> 00:11:26,079 Speaker 1: about Elana's Morissette. Number four with David Bowie by Veruka Salt. 202 00:11:26,080 --> 00:11:27,720 Speaker 1: I never heard that. I need to hear that. Number 203 00:11:27,840 --> 00:11:31,720 Speaker 1: three Vinyl Records by Todd Snyder. Actually probably my fave 204 00:11:31,920 --> 00:11:35,360 Speaker 1: on the list, but it's more about a great record collection, Okay. 205 00:11:35,600 --> 00:11:39,560 Speaker 1: Number two Johnny Yce is Dead by Dave Alvin. Number 206 00:11:39,600 --> 00:11:43,480 Speaker 1: one Alcohol and Pills by Freddy Eaglesmith about multiple musicians. 207 00:11:43,880 --> 00:11:46,400 Speaker 1: Todd Snyder version is great, but I'm giving credit. Enjoy 208 00:11:46,440 --> 00:11:48,360 Speaker 1: Brent seven to seven five. You know, I don't know 209 00:11:48,400 --> 00:11:52,000 Speaker 1: any of these fucking songs, but uh yeah, I gotta 210 00:11:52,040 --> 00:11:54,160 Speaker 1: check him out. We gotta check him out. Right back, Brent, 211 00:11:54,200 --> 00:11:56,720 Speaker 1: I'll tell you my story about Dave Alvin playing my guitar. 212 00:11:56,960 --> 00:11:59,720 Speaker 1: It was a highlight, all right. We did a Velvet 213 00:11:59,760 --> 00:12:04,200 Speaker 1: under Ground episode couple weeks back. Get this text from 214 00:12:04,200 --> 00:12:07,360 Speaker 1: the three four seven on velvets says VU have the 215 00:12:07,400 --> 00:12:11,800 Speaker 1: distinction of the greatest difference between their popularity and influence. 216 00:12:12,160 --> 00:12:18,160 Speaker 1: So says Adam from the two to one two. Yeah, 217 00:12:18,440 --> 00:12:22,199 Speaker 1: I think that is a very accurate depiction of the 218 00:12:22,280 --> 00:12:25,959 Speaker 1: Velvet Underground, all right, from the nine seven eight right 219 00:12:26,040 --> 00:12:29,160 Speaker 1: saying shout out to you. I listen when painting my ducks. 220 00:12:29,559 --> 00:12:33,240 Speaker 1: And then there is a link to WCVB dot com 221 00:12:33,360 --> 00:12:37,560 Speaker 1: an article on woodlawn ducks made in Massachusetts. Pepprell. This 222 00:12:37,640 --> 00:12:41,000 Speaker 1: is from Ducks for Cancer. Well, thank you. Keep painting 223 00:12:41,000 --> 00:12:44,360 Speaker 1: those ducks, especially if you're painting them for cancer. From 224 00:12:44,440 --> 00:12:46,679 Speaker 1: the eight three to one, I honestly feel like she 225 00:12:47,240 --> 00:12:50,720 Speaker 1: is behind PAC's death pack. Was supposedly trying to leave 226 00:12:50,920 --> 00:12:54,760 Speaker 1: death row. I'm just gonna leave that there, all right. 227 00:12:54,800 --> 00:12:57,040 Speaker 1: From the five to four to row more random thoughts, okay. 228 00:12:57,080 --> 00:13:00,240 Speaker 1: So Belinda Carlisle, singer The Go Goes, obviously was also 229 00:13:00,280 --> 00:13:02,600 Speaker 1: the drummer for the Germs in like nineteen seventy seven. 230 00:13:02,760 --> 00:13:04,840 Speaker 1: She never recorded anything with them. It was her and 231 00:13:04,840 --> 00:13:07,400 Speaker 1: Pat Smer, who obviously later was in the Foo Fighters. 232 00:13:07,400 --> 00:13:11,240 Speaker 1: Just some La punk scene tidbit, Steve Frosty, my friend Deuces. Listen, Deuces. 233 00:13:11,280 --> 00:13:13,320 Speaker 1: Did you know that Belinda Carlisle and the Gogs lived 234 00:13:13,320 --> 00:13:16,000 Speaker 1: in a house that they called Disgraceland. I'm sure you did. 235 00:13:16,000 --> 00:13:18,760 Speaker 1: We have a Gogs episode coming up. Don't hate me 236 00:13:18,920 --> 00:13:21,400 Speaker 1: for the Disgraceland name, all right. From the five to 237 00:13:21,480 --> 00:13:24,679 Speaker 1: six one. I just heard that you are coming to Bumblefest. 238 00:13:25,120 --> 00:13:27,400 Speaker 1: Can I please connect you with the dude who runs it? 239 00:13:28,000 --> 00:13:28,240 Speaker 2: Sure? 240 00:13:28,280 --> 00:13:33,280 Speaker 1: Man, Yeah, I'll be at Bumblefest this week in West Palm, Florida. 241 00:13:33,520 --> 00:13:36,000 Speaker 1: If anyone's around and you see me, come say hi, 242 00:13:36,160 --> 00:13:39,320 Speaker 1: all right, gonna be chilling watching some good music. All right. 243 00:13:39,520 --> 00:13:40,960 Speaker 1: You guys know how to text, You know how to 244 00:13:40,960 --> 00:13:42,599 Speaker 1: get in touch with me. Six one seven nine O 245 00:13:42,720 --> 00:13:45,680 Speaker 1: six six six three eight. Can leave me a voicemail 246 00:13:45,800 --> 00:13:48,720 Speaker 1: or a text. Voicemail or a text. But I like 247 00:13:48,760 --> 00:13:51,120 Speaker 1: the voicemails. I like the text too, but I like 248 00:13:51,160 --> 00:13:58,120 Speaker 1: hearing your voice. Can also DM me at Disgrace, lampod, Twitter, Instagram, whatever, X, Facebook, 249 00:13:58,200 --> 00:14:00,800 Speaker 1: all the places. I'm there. I'm gonna take a quick 250 00:14:00,800 --> 00:14:23,960 Speaker 1: break back with your dms in just a second. All right, 251 00:14:24,080 --> 00:14:27,720 Speaker 1: we are back. Let's get into some dms. All right. 252 00:14:27,960 --> 00:14:33,680 Speaker 1: This one comes from get used to Adriana on Instagram Rights. 253 00:14:33,680 --> 00:14:35,640 Speaker 1: This is Adriana, Hi, Jake. I've been listening to your 254 00:14:35,680 --> 00:14:37,920 Speaker 1: podcast for quite a while, Hirst, and they were only 255 00:14:37,960 --> 00:14:40,920 Speaker 1: on your website, then on Amazon Music, and now in 256 00:14:40,960 --> 00:14:43,360 Speaker 1: the feed of Spotify that I finally caught up with. 257 00:14:43,560 --> 00:14:45,720 Speaker 1: That took me forever, to be honest, but I have 258 00:14:45,880 --> 00:14:47,680 Speaker 1: learned so much from them. I'm a huge fan of 259 00:14:47,720 --> 00:14:49,800 Speaker 1: everything you do. I listened for the first time your 260 00:14:49,920 --> 00:14:52,600 Speaker 1: voice with a podcast you had with Payne Lindsay related 261 00:14:52,640 --> 00:14:55,360 Speaker 1: to The Grateful Dead. Anyways, Adriana's talking about a show 262 00:14:55,360 --> 00:14:56,760 Speaker 1: I did with Pain called Dead and Gone. She goes 263 00:14:56,800 --> 00:14:58,280 Speaker 1: on to say, anyway, I didn't want to write to 264 00:14:58,320 --> 00:15:00,680 Speaker 1: you until I finished all of the p you have 265 00:15:00,760 --> 00:15:04,880 Speaker 1: put out now about me, since you mentioned in previous 266 00:15:04,880 --> 00:15:06,840 Speaker 1: episodes you wanted to know about your listeners. I am 267 00:15:06,880 --> 00:15:09,720 Speaker 1: a Mexican and live in Mexico City, a single mom 268 00:15:09,760 --> 00:15:11,880 Speaker 1: of a nineteen year old woman. I work at a 269 00:15:11,920 --> 00:15:14,960 Speaker 1: publishing house. My passions are books, music, and movies in 270 00:15:15,000 --> 00:15:19,360 Speaker 1: that specific order. I suggest whoever asks me your podcasts, 271 00:15:19,360 --> 00:15:21,200 Speaker 1: and I love Pains as well. My daughter and I 272 00:15:21,280 --> 00:15:24,520 Speaker 1: have certain paranormal gifts and whoa, Okay, here we go, 273 00:15:25,080 --> 00:15:28,320 Speaker 1: and have had some paranormal activity in her place with 274 00:15:28,400 --> 00:15:32,680 Speaker 1: the episodes of Kurt Cobain, Amy Winehouse, Mac Miller, and 275 00:15:32,680 --> 00:15:36,360 Speaker 1: The Grateful Dead. Just FYI, Cobaine isn't in a happy 276 00:15:36,400 --> 00:15:39,400 Speaker 1: afterlife place, neither is Amy, but mac Miller and Jerry 277 00:15:39,400 --> 00:15:46,880 Speaker 1: Garcia are great. Great great text, Adrianna, Thank you, thanks 278 00:15:46,880 --> 00:15:51,120 Speaker 1: for the love. Appreciate it. Cody writes in Jake, just 279 00:15:51,200 --> 00:15:53,440 Speaker 1: listen to the episode where you mentioned listening to new 280 00:15:53,480 --> 00:15:56,720 Speaker 1: hardcore bands and I got a few recommendations. Check out 281 00:15:56,800 --> 00:16:01,480 Speaker 1: drain Mind for Scowl, Military Guy and pain of truth. 282 00:16:01,800 --> 00:16:04,000 Speaker 1: If you have a chance. As a hardcore kid from 283 00:16:04,040 --> 00:16:07,120 Speaker 1: Portland parentheses not a kid, I am proud to recommend 284 00:16:07,120 --> 00:16:09,200 Speaker 1: some jams for you. Keep up the good work. Well, 285 00:16:09,240 --> 00:16:12,880 Speaker 1: thanks man, I really appreciate this, Cody. I was just 286 00:16:12,920 --> 00:16:14,720 Speaker 1: thinking this you're gonna hear later. I was thinking I 287 00:16:14,760 --> 00:16:17,280 Speaker 1: needed some new heavy music, so this is awesome. Thanks, 288 00:16:18,360 --> 00:16:20,600 Speaker 1: David Flynn writes and hello, sir. I have been a 289 00:16:20,640 --> 00:16:24,080 Speaker 1: graphic designer for forty three years, in counting ad agencies 290 00:16:24,120 --> 00:16:26,840 Speaker 1: for fourteen, my own studio for twenty nine. I teach 291 00:16:26,880 --> 00:16:29,440 Speaker 1: graphic design and creative thinking at the University of Akron 292 00:16:29,480 --> 00:16:32,080 Speaker 1: here in Akron, Ohio. It's my fourteenth year. Big fun. 293 00:16:32,160 --> 00:16:34,200 Speaker 1: Loved these young minds and I'm having a great time. 294 00:16:34,920 --> 00:16:38,120 Speaker 1: Thanks for everything. My best to you and your family. 295 00:16:38,160 --> 00:16:41,240 Speaker 1: All right, David, thanks for introducing yourselfs dude, appreciate that 296 00:16:42,080 --> 00:16:45,360 Speaker 1: teaching the youth, the youth of today. This one comes 297 00:16:45,360 --> 00:16:48,640 Speaker 1: from Aaron in the two seven Rites. First, I haven't 298 00:16:48,680 --> 00:16:52,360 Speaker 1: introduced myself yet. I work remotely as a BSA for 299 00:16:52,440 --> 00:16:55,320 Speaker 1: a global marketing company. I make all the data work 300 00:16:55,360 --> 00:16:58,360 Speaker 1: behind all the loyalty programs and brands that people interact 301 00:16:58,400 --> 00:17:01,160 Speaker 1: with all the time boring, but it well. I listen 302 00:17:01,200 --> 00:17:02,960 Speaker 1: to your podcast while I do some of my more 303 00:17:03,000 --> 00:17:07,080 Speaker 1: mindless work, or while I'm doing my nails for my 304 00:17:07,160 --> 00:17:09,840 Speaker 1: bad tattoo. I was a basic bitch in the two thousands, 305 00:17:09,880 --> 00:17:11,680 Speaker 1: and I got a pissy symbol on my hip when 306 00:17:11,680 --> 00:17:13,960 Speaker 1: I was eighteen. Not my best choice. But here we are. 307 00:17:14,240 --> 00:17:16,520 Speaker 1: Love your podcast. I'm a podcast junkie and I always 308 00:17:16,560 --> 00:17:18,600 Speaker 1: look forward to yours because they're short and sweet and 309 00:17:18,640 --> 00:17:20,360 Speaker 1: get to the point and do it so well. Keep 310 00:17:20,440 --> 00:17:22,560 Speaker 1: up the good work to you and your team. Rock 311 00:17:22,600 --> 00:17:24,720 Speaker 1: A Rolla. Thanks Aaron, nice to meet you. Sorry about 312 00:17:24,760 --> 00:17:27,120 Speaker 1: the bad too. It happens, though, I think we all 313 00:17:27,119 --> 00:17:31,560 Speaker 1: got them. Everyone's got one, right, Probably not everyone? All right? 314 00:17:31,600 --> 00:17:36,159 Speaker 1: What else we got? Dean Arnold at Hagis Flinger right, 315 00:17:36,240 --> 00:17:39,520 Speaker 1: sin at Disgrace, lamdpod Ira and Charlie Louvin hated each other. 316 00:17:39,560 --> 00:17:44,800 Speaker 1: Hashtag country beef. That would be a great Disgraceland episode. Dean, great, great, great, 317 00:17:44,800 --> 00:17:49,919 Speaker 1: Thank you, nice work. Caleb Clark writ sin you mentioned 318 00:17:49,920 --> 00:17:53,199 Speaker 1: the Smashing Pumpkins had no crime element, but they had 319 00:17:53,200 --> 00:17:57,080 Speaker 1: a keyboard player that overdosed some speculated Jimmy Chamberlain, the 320 00:17:57,160 --> 00:17:59,679 Speaker 1: drummer was with the keyboard player when he overdosed. It 321 00:17:59,680 --> 00:18:03,280 Speaker 1: may pulled the needle pluncher. Ooh nasty, kind of swept 322 00:18:03,359 --> 00:18:06,679 Speaker 1: under the rug. Well, Caleb, you might be onto something. 323 00:18:06,880 --> 00:18:10,000 Speaker 1: I'm gonna look into that. Adam Steffi writes in Great show, 324 00:18:10,040 --> 00:18:12,119 Speaker 1: you should do an episode on Neil Young. Maybe I 325 00:18:12,119 --> 00:18:16,359 Speaker 1: don't know. Maybe, uh check out Neil Young in the 326 00:18:16,520 --> 00:18:18,879 Speaker 1: Rick James episode if you need a quick Neil Young fix. 327 00:18:19,240 --> 00:18:23,320 Speaker 1: And Austin Weber writes in on Facebook, Yo, do you 328 00:18:23,359 --> 00:18:27,119 Speaker 1: guys need an editor for your podcast to turn into reels? Possibly? Austin, 329 00:18:27,359 --> 00:18:31,000 Speaker 1: Possibly get back to me, all right, DM me guys 330 00:18:31,160 --> 00:18:36,480 Speaker 1: at Disgraceline Pod, Facebook, Twitter, Slash, x TikTok, Instagram. That's 331 00:18:36,480 --> 00:18:37,720 Speaker 1: how you get a hold of me. You can always 332 00:18:37,760 --> 00:18:39,480 Speaker 1: call me as well. Six one seven nine oh six 333 00:18:39,560 --> 00:18:41,359 Speaker 1: six six three eight. I'm gonna take a quick break. 334 00:18:41,359 --> 00:18:59,320 Speaker 1: I'll be back with some recommendations after this. The recommendations part. 335 00:18:59,560 --> 00:19:02,320 Speaker 1: This is the recommendations part, the part where we recommend 336 00:19:02,359 --> 00:19:04,960 Speaker 1: the things that need recommending, The recommendations part. I am 337 00:19:05,000 --> 00:19:08,040 Speaker 1: in a heavy music phase right now, guys, Uh, trying 338 00:19:08,080 --> 00:19:10,720 Speaker 1: to get into some more modern hardcore and heavy music. 339 00:19:10,800 --> 00:19:13,440 Speaker 1: But it's hard Spotify recommends like a mad ball tune 340 00:19:13,520 --> 00:19:15,760 Speaker 1: or Sick of it All or killing Time, and I'm 341 00:19:15,840 --> 00:19:19,320 Speaker 1: just sucked right back into old Headland. And there's a reason. 342 00:19:19,359 --> 00:19:21,639 Speaker 1: It's because that music is awesome. But but but up, up, 343 00:19:21,720 --> 00:19:23,760 Speaker 1: Up up. But I have been listening to in Sendier, 344 00:19:24,000 --> 00:19:27,240 Speaker 1: a newish kind of Newish Newish yeah newish band or 345 00:19:27,240 --> 00:19:30,359 Speaker 1: at least current hardcore band from Long Island. Listening to 346 00:19:30,400 --> 00:19:33,240 Speaker 1: Power Trip, who are of course broken up but modern. 347 00:19:33,760 --> 00:19:36,240 Speaker 1: Uh found myself listening to Born to Expire, the full 348 00:19:36,280 --> 00:19:40,000 Speaker 1: length album by Leeway that wasn't on Spotify forever it 349 00:19:40,080 --> 00:19:42,800 Speaker 1: is now. I was listening over the weekend. It's a scorcher, 350 00:19:42,880 --> 00:19:45,720 Speaker 1: not a bad song on it. Great crossover New York 351 00:19:45,760 --> 00:19:48,840 Speaker 1: hardcore and thrash metal. Uh completely holds up after all 352 00:19:48,880 --> 00:19:51,320 Speaker 1: these years for those of you who are interested in 353 00:19:51,359 --> 00:19:54,600 Speaker 1: that sort of thing. I don't know what's up. I 354 00:19:54,600 --> 00:19:56,119 Speaker 1: think it's because I mentioned this earlier. I got a 355 00:19:56,160 --> 00:19:58,760 Speaker 1: new car in the stereo. I just I'm loving it, 356 00:20:00,160 --> 00:20:02,480 Speaker 1: kind of loving it, not totally loving it. But it's 357 00:20:02,480 --> 00:20:05,880 Speaker 1: an excuse to listen to loud, heavy music. And that's 358 00:20:06,040 --> 00:20:10,399 Speaker 1: that's what I'm doing. Also, not heavy music, but heavy 359 00:20:10,400 --> 00:20:13,840 Speaker 1: in a different way is Lou Reed's Take No Prisoners 360 00:20:14,119 --> 00:20:18,119 Speaker 1: live album from nineteen seventy eight. I had one of 361 00:20:18,160 --> 00:20:20,200 Speaker 1: these moments at the gym the other day. I'm in 362 00:20:20,240 --> 00:20:24,359 Speaker 1: a new gym and I was working out and I 363 00:20:24,400 --> 00:20:27,440 Speaker 1: was listening to this record and this hasn't happened to 364 00:20:27,480 --> 00:20:32,040 Speaker 1: me in so long. It's a live album, it's recorded 365 00:20:32,520 --> 00:20:36,280 Speaker 1: at I believe the bottom line is the club in 366 00:20:36,359 --> 00:20:40,040 Speaker 1: New York. I might be fucking that up. I hope not. 367 00:20:40,440 --> 00:20:45,520 Speaker 1: And nineteen seventy eight, late seventies at least lou bad, bad, 368 00:20:45,640 --> 00:20:49,399 Speaker 1: bad point in Lou Reed's career. And I was talking 369 00:20:49,400 --> 00:20:51,480 Speaker 1: to a friend about this record and he summed it 370 00:20:51,600 --> 00:20:53,880 Speaker 1: up perfectly. He said that this is sort of Lou 371 00:20:53,960 --> 00:20:57,840 Speaker 1: Reed doing Lenny Bruce with just a scorch and band, 372 00:20:58,440 --> 00:21:02,359 Speaker 1: and it's Lou unhinged and you can really hear the crowd. 373 00:21:02,400 --> 00:21:05,320 Speaker 1: It's a tiny, tiny club. If it is the bottom line, 374 00:21:05,480 --> 00:21:08,199 Speaker 1: I think I've been there before so I know it. 375 00:21:08,320 --> 00:21:10,800 Speaker 1: And if that's the club I'm thinking of, it's really small. 376 00:21:10,880 --> 00:21:12,879 Speaker 1: You can because of that, you can really hear the 377 00:21:12,920 --> 00:21:15,000 Speaker 1: audience and what they're saying to Lou and what Lou 378 00:21:15,119 --> 00:21:18,639 Speaker 1: sang back in the songs in between the songs and 379 00:21:18,680 --> 00:21:24,159 Speaker 1: the banter, and it really transported me. It really not 380 00:21:24,200 --> 00:21:27,840 Speaker 1: to sound cheesy but in trite, but it took me away. 381 00:21:28,000 --> 00:21:30,000 Speaker 1: It took me like and I was active, I was 382 00:21:30,040 --> 00:21:31,879 Speaker 1: doing stuff, I was working out, but I was just 383 00:21:31,920 --> 00:21:35,480 Speaker 1: like in my fucking head in another place in the 384 00:21:35,600 --> 00:21:38,840 Speaker 1: nineteen seventies, and I opened my eyes and I was 385 00:21:39,800 --> 00:21:45,159 Speaker 1: in the total opposite of that in twenty twenty three. 386 00:21:45,600 --> 00:21:47,679 Speaker 1: But just a great record. If you're into lou if 387 00:21:47,720 --> 00:21:49,960 Speaker 1: you're into the Velvets and that sort of thing, check 388 00:21:49,960 --> 00:21:52,639 Speaker 1: out Take No Prisoners if you want to be transported 389 00:21:52,680 --> 00:21:56,080 Speaker 1: back to the seventies. Highly recommend this album. Also listening 390 00:21:56,119 --> 00:21:58,199 Speaker 1: to Death Valley Girls. Gonna go see them this weekend 391 00:21:58,400 --> 00:22:02,760 Speaker 1: at Bumblefest in West Palm. My buddy Adam Wiener's band, 392 00:22:02,800 --> 00:22:05,080 Speaker 1: Lokuk Connie's got a new single and it's great. It's 393 00:22:05,119 --> 00:22:07,600 Speaker 1: called King of the Jews and it's part of Loka 394 00:22:07,640 --> 00:22:11,720 Speaker 1: Connie's Art Dealers EP. Loka Connie's playing at Sinclair and 395 00:22:11,760 --> 00:22:14,080 Speaker 1: Cambridge in a couple of days, Gonna sell out. So 396 00:22:14,359 --> 00:22:17,000 Speaker 1: Boston folks, you want to see the last greatest rock 397 00:22:17,040 --> 00:22:18,600 Speaker 1: and roll band live, you can get your tickets for 398 00:22:18,600 --> 00:22:21,960 Speaker 1: Low Cut Connie. Now, you got a lot of my 399 00:22:21,960 --> 00:22:24,359 Speaker 1: friends who listened to this know this. Loka Kannie is 400 00:22:24,400 --> 00:22:26,479 Speaker 1: one of my favorite bands. I was a fan before 401 00:22:27,160 --> 00:22:31,000 Speaker 1: I knew them. I loved their music. I would go 402 00:22:31,040 --> 00:22:33,720 Speaker 1: see them play, saw their first shows. I don't think 403 00:22:33,720 --> 00:22:35,520 Speaker 1: I saw their first show in Boston, but I definitely 404 00:22:35,520 --> 00:22:37,400 Speaker 1: saw their second show. I think I took my sister 405 00:22:37,400 --> 00:22:41,320 Speaker 1: to it, my little sister, Steph. But just you know, 406 00:22:41,440 --> 00:22:45,120 Speaker 1: just one of the benefits of making Disgraceland is it 407 00:22:45,119 --> 00:22:49,119 Speaker 1: connected me with these guys and Adam the lead singer 408 00:22:49,160 --> 00:22:52,280 Speaker 1: and piano player, and I've collaborated numerous times, including our 409 00:22:52,320 --> 00:22:56,880 Speaker 1: performance at Newport Folk Festival last year. And I'm just yeah, 410 00:22:56,960 --> 00:22:59,040 Speaker 1: it's just a very cool experience I've been able to 411 00:22:59,080 --> 00:23:02,000 Speaker 1: have over the last five years. And Adam and I, 412 00:23:02,000 --> 00:23:03,679 Speaker 1: I say, all this is a way to tease that 413 00:23:03,760 --> 00:23:05,639 Speaker 1: Adam and I are cooking something up for you guys 414 00:23:05,680 --> 00:23:09,000 Speaker 1: currently that we're gonna have. I'll have more for you 415 00:23:09,040 --> 00:23:13,040 Speaker 1: in the next couple of days. But but but if 416 00:23:13,720 --> 00:23:16,560 Speaker 1: if you're in Boston, you're in the Boston area, cop 417 00:23:16,600 --> 00:23:19,040 Speaker 1: those Lowka Connie tickets for next week's show at Sinclair 418 00:23:19,160 --> 00:23:22,720 Speaker 1: amazing band, amazing venue. All right, what are you guys 419 00:23:22,720 --> 00:23:25,959 Speaker 1: listening to? What music related content are you watching? Six 420 00:23:26,119 --> 00:23:29,320 Speaker 1: one seven nine oh six six six three eight. To 421 00:23:29,440 --> 00:23:31,280 Speaker 1: let me know, I'm gonna take a quick break. I'm 422 00:23:31,280 --> 00:23:32,960 Speaker 1: gonna drink some tea and I'll be back after this. 423 00:23:45,880 --> 00:23:49,600 Speaker 1: All right, let's recap, shall we. Number one, the trailer 424 00:23:49,680 --> 00:23:53,080 Speaker 1: for season thirteen, a full season on Wu Tang Clan 425 00:23:53,480 --> 00:23:55,399 Speaker 1: is the latest episode of disgrace Land, and that is 426 00:23:55,400 --> 00:23:57,800 Speaker 1: in your feeds right now. Number two over in the 427 00:23:57,840 --> 00:24:00,679 Speaker 1: bad Lands feed, we got a brand new episode on Murray. 428 00:24:00,880 --> 00:24:04,200 Speaker 1: Okay Bill Murray. Number three. Next week in the Disgraceline feed, 429 00:24:04,200 --> 00:24:07,040 Speaker 1: we're dropping two new episodes on Wu Tang, first the 430 00:24:07,119 --> 00:24:09,560 Speaker 1: Rizza that's coming on Tuesday, and then an episode on 431 00:24:09,680 --> 00:24:12,679 Speaker 1: Ray Kwon on Thursday, which also means again that for 432 00:24:12,680 --> 00:24:14,120 Speaker 1: the next few weeks we're not gonna have these after 433 00:24:14,160 --> 00:24:16,280 Speaker 1: party episodes, but we will be hitting your voicemails and 434 00:24:16,280 --> 00:24:19,040 Speaker 1: text in the pre party mini episodes on Monday, so 435 00:24:19,119 --> 00:24:21,879 Speaker 1: keep them coming. Number four, My number is six one 436 00:24:22,000 --> 00:24:24,919 Speaker 1: seven nine oh six, six six three eight. Call me 437 00:24:25,080 --> 00:24:28,399 Speaker 1: call me anytime, any place or time on the line. 438 00:24:28,400 --> 00:24:30,879 Speaker 1: I fucked that blondie thing up. I'm mifted. I'm not 439 00:24:30,880 --> 00:24:33,159 Speaker 1: gonna fix it all right. My moment of bliss in 440 00:24:33,240 --> 00:24:37,080 Speaker 1: honor Wu tang me reading you the phone book from 441 00:24:37,200 --> 00:24:42,520 Speaker 1: Staten Island in nineteen thirty nine. Way back, ray Kon 442 00:24:42,720 --> 00:24:46,880 Speaker 1: was just well, he wasn't nothing. Look what he's going into. Okay, 443 00:24:46,920 --> 00:24:51,600 Speaker 1: here we go. Dottie A one eighty Bayvee you Ave 444 00:24:52,320 --> 00:24:58,200 Speaker 1: eight dash two two one zero, Dottie steven fifty Townsend 445 00:24:58,280 --> 00:25:03,879 Speaker 1: av seven dash fours zero nine six double C six 446 00:25:04,040 --> 00:25:08,720 Speaker 1: dash one seven four to two do nine Basil three 447 00:25:08,880 --> 00:25:13,160 Speaker 1: thirty two Garfield Avenue seven Dash seven zero eighty eight 448 00:25:14,040 --> 00:25:18,840 Speaker 1: Darty Anna two to one nine zero, Richmond Road six 449 00:25:18,920 --> 00:25:25,199 Speaker 1: stash zero nine nine seven Douglas Williams fourteen Acasia ads 450 00:25:25,840 --> 00:25:31,120 Speaker 1: six Stash zero nine seventeen two Doubles R Doubleazzle two 451 00:25:31,280 --> 00:25:40,720 Speaker 1: fifty seven Open pound three two five down Acer sixty 452 00:25:40,800 --> 00:25:49,280 Speaker 1: six Eliza two. Quit talking and start mixing.