1
00:00:00,800 --> 00:00:07,880
Speaker 1: On the dogs. Come on, ain't you get me calm?

2
00:00:08,039 --> 00:00:09,879
Speaker 1: And ain't no tis.

3
00:00:09,760 --> 00:00:13,680
Speaker 2: Welcome, Welcome, Welcome, Welcome. It's someday out there. I want

4
00:00:13,680 --> 00:00:16,639
Speaker 2: to welcome each and every person that's tuned in. I

5
00:00:16,680 --> 00:00:22,799
Speaker 2: go by Big Loan. It's another stream. Man. People enjoyed

6
00:00:22,800 --> 00:00:25,320
Speaker 2: the first stream. I actually enjoyed it. You know what

7
00:00:25,360 --> 00:00:28,280
Speaker 2: I'm saying. Getting some of the things off chat, what's

8
00:00:28,360 --> 00:00:33,160
Speaker 2: up Patreon? You know the vibrations. It's a good time

9
00:00:33,240 --> 00:00:36,320
Speaker 2: to be a singleton. If you a hustle out there,

10
00:00:36,360 --> 00:00:39,440
Speaker 2: I'll salute you. You with your family right now. Salute

11
00:00:39,440 --> 00:00:43,360
Speaker 2: you if you're someone that every single day chase a dream,

12
00:00:43,920 --> 00:00:48,080
Speaker 2: believe in yourself, push the haters off. I salute you

13
00:00:48,760 --> 00:00:52,000
Speaker 2: the biggest, the biggest. Listen. We got a lot to

14
00:00:52,040 --> 00:00:55,000
Speaker 2: talk about today. The first thing I'm gonna get to

15
00:00:57,080 --> 00:01:01,600
Speaker 2: it's the home girl Gloss. People who do not know

16
00:01:02,880 --> 00:01:06,520
Speaker 2: Gloss and her manager has some issues in with your

17
00:01:06,560 --> 00:01:10,920
Speaker 2: fight in suit and so we're gonna listen to a

18
00:01:10,920 --> 00:01:13,880
Speaker 2: little bit of what's going on and react to a

19
00:01:13,959 --> 00:01:14,520
Speaker 2: pay attention.

20
00:01:15,480 --> 00:01:18,400
Speaker 3: So before that, since then, though, she has a new manager,

21
00:01:18,520 --> 00:01:19,920
Speaker 3: I have this man to say about her new manager.

22
00:01:20,040 --> 00:01:21,959
Speaker 4: I don't know that girl much of anything I know

23
00:01:22,040 --> 00:01:22,399
Speaker 4: of her.

24
00:01:22,480 --> 00:01:24,800
Speaker 3: She seemed cool to me. I connected that girl with

25
00:01:24,840 --> 00:01:27,120
Speaker 3: glass manager. Well, I'm having her lawyers. I connected her

26
00:01:27,120 --> 00:01:29,280
Speaker 3: with everybody she needs to talk to. If something comes

27
00:01:29,280 --> 00:01:30,920
Speaker 3: to my phone for gloss Automatical, send it to her

28
00:01:31,000 --> 00:01:34,640
Speaker 3: new manager. I was trying to handle everything professionally and adamically.

29
00:01:34,959 --> 00:01:36,840
Speaker 4: I don't do that. I'm not feeling withhold your money.

30
00:01:36,880 --> 00:01:38,160
Speaker 4: I'm not feeling none of that's weird.

31
00:01:38,200 --> 00:01:40,200
Speaker 3: That's on weird ass shit people do in the industry

32
00:01:40,200 --> 00:01:42,319
Speaker 3: all the time. It's managers out here that really steal money,

33
00:01:42,319 --> 00:01:44,400
Speaker 3: that really taking you all that. I done been to

34
00:01:44,480 --> 00:01:47,480
Speaker 3: law school, I have degrees in political science. I have

35
00:01:47,600 --> 00:01:50,240
Speaker 3: several several degrees. I cannot know what I got going on.

36
00:01:50,360 --> 00:01:52,320
Speaker 3: So I don't play those type of games where nobody

37
00:01:52,360 --> 00:01:55,240
Speaker 3: would do nothing. Okay, all right, cool, So let's just

38
00:01:55,240 --> 00:01:58,080
Speaker 3: put that out there, all right? So boom, I met

39
00:01:58,080 --> 00:01:58,480
Speaker 3: the club.

40
00:01:58,880 --> 00:02:01,280
Speaker 1: We need a small business loan fast. I got that.

41
00:02:01,960 --> 00:02:04,400
Speaker 2: I ain't gonna lie. Man, I hate that. You know

42
00:02:04,440 --> 00:02:06,800
Speaker 2: they're getting rid of ad blocker. Did I tell y'all

43
00:02:06,800 --> 00:02:08,760
Speaker 2: about that? Maybe we talk about that. We got a

44
00:02:08,800 --> 00:02:10,960
Speaker 2: lot to talk about today too, Man, for all y'all

45
00:02:10,960 --> 00:02:11,760
Speaker 2: this tune.

46
00:02:11,800 --> 00:02:14,160
Speaker 4: Then I'm in the club. I'm in R and B Wednesday.

47
00:02:14,320 --> 00:02:16,480
Speaker 4: I'm having a great time. I was cute. I had

48
00:02:16,480 --> 00:02:18,680
Speaker 4: on my cute now boots and I was killed. I

49
00:02:18,720 --> 00:02:19,840
Speaker 4: had a let bar flowing.

50
00:02:20,080 --> 00:02:20,640
Speaker 1: I was cute.

51
00:02:21,440 --> 00:02:25,680
Speaker 5: I was so cute, and I sure to like comment

52
00:02:25,960 --> 00:02:26,880
Speaker 5: and subscribe.

53
00:02:27,200 --> 00:02:30,160
Speaker 3: I'm timc We had it was three girls. We had

54
00:02:30,160 --> 00:02:32,760
Speaker 3: a whole bottle of dom Hyo to ourself. Okay, we

55
00:02:32,880 --> 00:02:35,520
Speaker 3: leave at the club. I'm talking to the owner of

56
00:02:35,520 --> 00:02:37,800
Speaker 3: the club. I'm not talking about business. We're talking about

57
00:02:37,840 --> 00:02:39,720
Speaker 3: how we want to open our own lounge and how

58
00:02:39,720 --> 00:02:41,360
Speaker 3: we want to cater to this type of crowd, that

59
00:02:41,360 --> 00:02:42,880
Speaker 3: type of crowd, and all type of shit like that.

60
00:02:43,160 --> 00:02:44,160
Speaker 4: We talk about real shit.

61
00:02:44,280 --> 00:02:47,440
Speaker 3: Okay, my back, like how my back is turned, like

62
00:02:47,520 --> 00:02:50,120
Speaker 3: right now, I'm talking to the owner who's right here.

63
00:02:50,080 --> 00:02:50,520
Speaker 4: In front of me.

64
00:02:50,760 --> 00:02:53,919
Speaker 2: So let me let me let me give some context

65
00:02:53,919 --> 00:02:55,880
Speaker 2: setting into what we're looking at for people who do

66
00:02:55,960 --> 00:03:01,520
Speaker 2: not know. Close Up formerly signed the q C and

67
00:03:01,760 --> 00:03:05,720
Speaker 2: Quality Controls record label, same record label with Migos and

68
00:03:05,800 --> 00:03:09,040
Speaker 2: a couple of different artists that I'm sure you're recognize

69
00:03:09,040 --> 00:03:11,560
Speaker 2: some of the biggest acts in the game. She was

70
00:03:11,600 --> 00:03:14,440
Speaker 2: a part of that Gloilla blow up. Right, She was

71
00:03:14,480 --> 00:03:19,880
Speaker 2: in at FNF song video. She was one of Glorella's friends.

72
00:03:19,880 --> 00:03:22,120
Speaker 2: But she had her own career, she had her own music,

73
00:03:22,240 --> 00:03:25,320
Speaker 2: She was doing her own thing. QCP took a liking

74
00:03:25,360 --> 00:03:28,720
Speaker 2: to her, and he brought on, He brought on the team.

75
00:03:28,760 --> 00:03:32,960
Speaker 2: He put a bag in a pocket and sent her

76
00:03:32,960 --> 00:03:41,200
Speaker 2: through the system for whatever reason, you know, And we're

77
00:03:41,200 --> 00:03:43,760
Speaker 2: gonna talk about this today, if I'm being honest, women

78
00:03:43,840 --> 00:03:47,200
Speaker 2: have to walk a very tight rope in this industry

79
00:03:47,240 --> 00:03:50,440
Speaker 2: because when you think about it, the fans are so

80
00:03:50,640 --> 00:03:53,000
Speaker 2: quick to try to turn you into like a baddie

81
00:03:53,080 --> 00:03:54,480
Speaker 2: or some kind of drama queen.

82
00:03:55,200 --> 00:03:55,360
Speaker 6: Right.

83
00:03:56,240 --> 00:03:58,960
Speaker 2: They don't give the same runway and respect that they

84
00:03:59,000 --> 00:04:01,880
Speaker 2: give to a male RC to a female. But also

85
00:04:02,080 --> 00:04:05,840
Speaker 2: female artists approach the game in a different way, and

86
00:04:05,880 --> 00:04:08,839
Speaker 2: so sometimes the way that they approach the game dictates

87
00:04:08,880 --> 00:04:13,240
Speaker 2: how people handle them in this game. But I do

88
00:04:13,320 --> 00:04:17,960
Speaker 2: think that a woman's position in this game, in particular

89
00:04:18,120 --> 00:04:20,200
Speaker 2: in this new era with the Internet and all these

90
00:04:20,200 --> 00:04:23,359
Speaker 2: different things to consider, it's almost like they try to

91
00:04:23,440 --> 00:04:26,240
Speaker 2: just turn her into a baddies kind of girl. Now,

92
00:04:26,279 --> 00:04:28,800
Speaker 2: when she started to be public with her relationship and

93
00:04:28,839 --> 00:04:31,360
Speaker 2: this is the type rope I talk about, is that

94
00:04:31,800 --> 00:04:36,719
Speaker 2: when you're public with your relationship, there's a value add

95
00:04:36,800 --> 00:04:41,240
Speaker 2: if you're an artist, but that same relationship can be

96
00:04:41,320 --> 00:04:43,760
Speaker 2: the reason to tell your brand down. So it's a

97
00:04:43,800 --> 00:04:47,280
Speaker 2: double headed sword that you got to handle with care.

98
00:04:48,160 --> 00:04:50,599
Speaker 2: And some of these young ladies and these young men,

99
00:04:51,000 --> 00:04:53,719
Speaker 2: you know, thrust themselves in these relationships and they see

100
00:04:53,760 --> 00:04:57,280
Speaker 2: the benefits, and then at some point when they rip

101
00:04:57,320 --> 00:04:59,719
Speaker 2: away from it, you know, they deal with the other

102
00:04:59,760 --> 00:05:02,000
Speaker 2: side out of that. You know, this young girl done

103
00:05:02,080 --> 00:05:03,800
Speaker 2: been in the public eye and not so much for

104
00:05:03,880 --> 00:05:07,039
Speaker 2: her music. But again, the formula now is get a

105
00:05:07,040 --> 00:05:08,720
Speaker 2: little bit of this drama, a little bit of his

106
00:05:08,839 --> 00:05:12,600
Speaker 2: shave room shit going, and then transferred to your music.

107
00:05:12,640 --> 00:05:16,880
Speaker 2: What I think is happening with Gloss is that she

108
00:05:17,200 --> 00:05:23,720
Speaker 2: may not be They may not be seeing that transition

109
00:05:24,120 --> 00:05:26,840
Speaker 2: with fans, right, because if you're a record label, you'll

110
00:05:26,920 --> 00:05:30,080
Speaker 2: be happy to see your artists posted on shave room,

111
00:05:30,240 --> 00:05:33,960
Speaker 2: posted on neighborhood talk, all these big blogs, fashion over deals,

112
00:05:34,000 --> 00:05:37,599
Speaker 2: all these different things. Usually that will translate and you'll

113
00:05:37,640 --> 00:05:42,200
Speaker 2: convert some of those eyeballs into actual listeners and customers.

114
00:05:41,839 --> 00:05:42,000
Speaker 4: And.

115
00:05:43,720 --> 00:05:49,000
Speaker 2: Maybe maybe the eyeballs are not converting, and they haven't

116
00:05:49,000 --> 00:05:51,599
Speaker 2: found the way to get paid with your eyeballs. And

117
00:05:51,600 --> 00:05:54,440
Speaker 2: I always tell y'all, now, you don't necessarily have to

118
00:05:54,440 --> 00:05:57,799
Speaker 2: give a creative money. You can pay with your eyeballs.

119
00:05:57,880 --> 00:06:02,280
Speaker 2: Just keep watching, share it things like that. Right, that's pain.

120
00:06:02,440 --> 00:06:07,000
Speaker 2: That's a value add for a musician or creator, for

121
00:06:07,080 --> 00:06:10,159
Speaker 2: anyone that's operating in this internet space. So I think

122
00:06:10,600 --> 00:06:13,719
Speaker 2: for somebody like her, maybe the value wasn't there. But

123
00:06:14,080 --> 00:06:17,520
Speaker 2: that's a little context as to who she is. She's

124
00:06:17,560 --> 00:06:22,239
Speaker 2: an artist that formerly was signed the QC. According to records,

125
00:06:22,279 --> 00:06:25,680
Speaker 2: they had just dropped her. I think her last song

126
00:06:25,839 --> 00:06:30,159
Speaker 2: called Seeing Real was shot. She set the contract on file.

127
00:06:30,960 --> 00:06:33,640
Speaker 2: I think that was a scenario where she was trying

128
00:06:33,640 --> 00:06:36,880
Speaker 2: to let the people know she done with pay attention man.

129
00:06:36,960 --> 00:06:40,279
Speaker 2: So that's who she is. Let's listen to what her

130
00:06:40,400 --> 00:06:43,400
Speaker 2: former manager said because they had got into a fight

131
00:06:43,520 --> 00:06:46,920
Speaker 2: last night at a club. Pay attention.

132
00:06:51,960 --> 00:06:53,840
Speaker 3: Her homegirls right here in front of me, and we're

133
00:06:53,880 --> 00:06:56,880
Speaker 3: sitting there, Okay, hater to this type of crowd, that

134
00:06:56,960 --> 00:06:58,120
Speaker 3: type of crowd and all type.

135
00:06:57,920 --> 00:07:00,960
Speaker 4: Of shit like that. We talk about real. Sit my

136
00:07:01,080 --> 00:07:02,960
Speaker 4: back like how my back is turned?

137
00:07:02,960 --> 00:07:05,520
Speaker 3: Like right now, I'm talking to the owner who's right

138
00:07:05,520 --> 00:07:07,400
Speaker 3: here in front of me and my other homegirls right

139
00:07:07,400 --> 00:07:09,560
Speaker 3: here in front of me, and we're sitting there. Okay,

140
00:07:09,600 --> 00:07:12,920
Speaker 3: we's talk where we standing standing there talking? Out of nowhere,

141
00:07:13,160 --> 00:07:15,680
Speaker 3: I get hit from behind. I didn't see it coming

142
00:07:15,920 --> 00:07:19,120
Speaker 3: or nothing. The girl came in a sportsbra and some

143
00:07:19,240 --> 00:07:22,320
Speaker 3: workout tights and tennis shoes and a bunny Okay, Yes,

144
00:07:22,400 --> 00:07:25,480
Speaker 3: I have injuries. Yes, my nose was swollen. Yes, my

145
00:07:25,600 --> 00:07:28,320
Speaker 3: knees were straight. Yes, my hip was bruised that I

146
00:07:28,360 --> 00:07:30,680
Speaker 3: had surgery on before when I went.

147
00:07:30,600 --> 00:07:34,040
Speaker 4: To Jackson Say and ran track. Yes, yes, I yes.

148
00:07:34,040 --> 00:07:36,200
Speaker 2: I Oh man, that means she finished suit.

149
00:07:36,280 --> 00:07:37,360
Speaker 1: Y'all hear that language.

150
00:07:38,920 --> 00:07:41,560
Speaker 2: Nah, that's the language you're gonna read in the paperwork. Yeah,

151
00:07:41,680 --> 00:07:44,320
Speaker 2: you know I'm my back is hurting. Yes, I have

152
00:07:44,400 --> 00:07:46,720
Speaker 2: injuries to my leg. I feel like I can't go out.

153
00:07:46,800 --> 00:07:48,560
Speaker 2: I feel like people are gonna hurt me and harm

154
00:07:48,640 --> 00:07:51,200
Speaker 2: me and jump me. Right, so she's already you already

155
00:07:51,200 --> 00:07:53,240
Speaker 2: can tell the route she's going. She's about to try

156
00:07:53,240 --> 00:07:55,760
Speaker 2: to sue this young lady. What I want to deal

157
00:07:55,800 --> 00:07:59,200
Speaker 2: with today is not only unpacking what happened between these two,

158
00:07:59,720 --> 00:08:04,160
Speaker 2: but I want to unpack the industry and some of

159
00:08:04,160 --> 00:08:08,680
Speaker 2: the business behind an artist and why Gloss she's in

160
00:08:08,720 --> 00:08:12,119
Speaker 2: this weird place right now. She's in this weird place

161
00:08:12,200 --> 00:08:16,560
Speaker 2: right now. Now, it's about what did you build? Because

162
00:08:16,640 --> 00:08:20,559
Speaker 2: p and Coach k that whole quality control machine comes

163
00:08:20,600 --> 00:08:26,320
Speaker 2: with a certain level of roller decks, It has a

164
00:08:26,360 --> 00:08:29,200
Speaker 2: phone book. Dude, them had reached so they gonna get

165
00:08:29,240 --> 00:08:32,320
Speaker 2: you certain looks and things like that. She's also on

166
00:08:32,400 --> 00:08:35,520
Speaker 2: Impact atl which is a show that Peed and them

167
00:08:35,559 --> 00:08:41,240
Speaker 2: are closely invested in over at quality control. But she's

168
00:08:41,240 --> 00:08:43,199
Speaker 2: in a weird place, so I want to talk about that.

169
00:08:43,400 --> 00:08:46,040
Speaker 2: But it's interesting if you listening, this young lady is

170
00:08:46,160 --> 00:08:50,800
Speaker 2: literally about to sue Gloss for whatever altercation took place.

171
00:08:50,880 --> 00:08:52,360
Speaker 2: Let's see what she says took place.

172
00:08:52,400 --> 00:08:58,920
Speaker 3: Though, Yes, I feel intimidated by going out and not

173
00:08:59,120 --> 00:09:01,040
Speaker 3: knowing if somebody's watching me or stalking me.

174
00:09:01,160 --> 00:09:02,760
Speaker 4: Yes I do. Yeah, that's true.

175
00:09:02,960 --> 00:09:04,839
Speaker 3: And I'm not feeling see here and live back there,

176
00:09:05,040 --> 00:09:08,199
Speaker 3: anybody would. I don't condone myself as a fighter. I

177
00:09:08,200 --> 00:09:10,360
Speaker 3: don't go right here time and be somebody as blah blah.

178
00:09:10,440 --> 00:09:12,440
Speaker 3: But if somebody said they wanted to fight me, I'll

179
00:09:12,480 --> 00:09:13,719
Speaker 3: be on my piece. And Q's and I will know

180
00:09:13,760 --> 00:09:15,760
Speaker 3: what's up and I and I have fought before, and

181
00:09:15,800 --> 00:09:18,160
Speaker 3: I do know how to defend myself and fight. However,

182
00:09:18,240 --> 00:09:22,520
Speaker 3: if somebody is behind you and somebody you from behind

183
00:09:22,760 --> 00:09:25,760
Speaker 3: like a wild animal, and then let's let's also say

184
00:09:25,800 --> 00:09:28,200
Speaker 3: this too, y'all. When I got when I got up,

185
00:09:28,320 --> 00:09:29,480
Speaker 3: my car was blocked in.

186
00:09:29,840 --> 00:09:31,600
Speaker 4: She had blocked my car in her.

187
00:09:31,800 --> 00:09:37,440
Speaker 3: And two Sun the follower two Sun two son a

188
00:09:37,520 --> 00:09:38,080
Speaker 3: whole man.

189
00:09:46,600 --> 00:09:50,560
Speaker 2: Why are you not investing in taxings? Damn man? Hey

190
00:09:51,000 --> 00:09:53,120
Speaker 2: that lab he be putting in there like that. I

191
00:09:53,120 --> 00:09:57,200
Speaker 2: ain't gonna lie. That's some funy ship on on west side.

192
00:09:57,200 --> 00:09:58,120
Speaker 2: There's some funny shit.

193
00:09:58,320 --> 00:10:02,040
Speaker 3: It was gloss Range Rover that, by the way, she

194
00:10:02,120 --> 00:10:04,960
Speaker 3: does not have car insurance on She does not have

195
00:10:05,080 --> 00:10:07,880
Speaker 3: register at all in no state, and has a fake

196
00:10:07,960 --> 00:10:09,080
Speaker 3: Illinois tag on it.

197
00:10:10,559 --> 00:10:12,079
Speaker 4: There's three different counts there.

198
00:10:12,320 --> 00:10:17,000
Speaker 3: No registration, no insurance, and then falsified the tag is falsified.

199
00:10:17,760 --> 00:10:20,120
Speaker 4: There's three different things. She blocked my.

200
00:10:20,120 --> 00:10:23,319
Speaker 3: Car in and then Tutong with his new wagoneer that

201
00:10:23,440 --> 00:10:24,760
Speaker 3: he finally was able to purchase.

202
00:10:24,800 --> 00:10:25,800
Speaker 4: I guess he got some money.

203
00:10:25,800 --> 00:10:28,720
Speaker 3: Now somewhere did the chick go through from ARI or something,

204
00:10:29,120 --> 00:10:31,960
Speaker 3: because he did. He blocked my car in But Tucson

205
00:10:32,200 --> 00:10:34,720
Speaker 3: was the same person who was calling my phone when

206
00:10:34,760 --> 00:10:36,680
Speaker 3: all her and his manager put him to the side,

207
00:10:36,800 --> 00:10:38,520
Speaker 3: asking me can I help him?

208
00:10:38,640 --> 00:10:40,800
Speaker 4: And can I be his manager? Because he's seeing what

209
00:10:40,840 --> 00:10:42,080
Speaker 4: I was doing for gloss.

210
00:10:42,360 --> 00:10:45,000
Speaker 3: Let's tell the truth. Let's tell the truth, and we're

211
00:10:45,000 --> 00:10:48,079
Speaker 3: going to tell the truth. Let's tell the truth. Hey, Monnay,

212
00:10:48,160 --> 00:10:51,240
Speaker 3: how you doing. I done reached out to money several times.

213
00:10:51,240 --> 00:10:53,199
Speaker 3: I don't reach out to money. I don't reach out

214
00:10:53,240 --> 00:10:55,160
Speaker 3: to Chris. I don't reach out to all my pr

215
00:10:55,240 --> 00:10:56,360
Speaker 3: friends and then leave them.

216
00:10:56,280 --> 00:11:00,680
Speaker 4: To help this girl. Yes, her car is I registered.

217
00:11:00,960 --> 00:11:01,600
Speaker 4: Peep about her?

218
00:11:01,800 --> 00:11:04,240
Speaker 3: Peep out there rangual or cash for her by that

219
00:11:04,440 --> 00:11:07,480
Speaker 3: one year. The car is not registered from her. He

220
00:11:07,520 --> 00:11:10,439
Speaker 3: gave her the title everything. The car is not registered.

221
00:11:10,640 --> 00:11:12,440
Speaker 3: The car does not have cars either. One of her

222
00:11:12,480 --> 00:11:15,280
Speaker 3: cars have car assurance. Y'all can call me police or

223
00:11:15,320 --> 00:11:17,200
Speaker 3: whatever the case may be. That's fine, because I'm gonna

224
00:11:17,200 --> 00:11:19,840
Speaker 3: tell you how something. This girl went to the police

225
00:11:19,840 --> 00:11:22,640
Speaker 3: station weeks ago trying to put a order on me.

226
00:11:22,679 --> 00:11:24,000
Speaker 3: But in order to get a shuttle, I have to

227
00:11:24,040 --> 00:11:26,480
Speaker 3: do something to you. I'm not contacting you. I'm not

228
00:11:26,600 --> 00:11:28,800
Speaker 3: stalking you. I'm not coming to find you.

229
00:11:28,880 --> 00:11:29,760
Speaker 4: I'm not you.

230
00:11:29,880 --> 00:11:31,760
Speaker 3: I've done nothing to you. How can you put a

231
00:11:32,080 --> 00:11:33,760
Speaker 3: on somebody who's not even worried about you?

232
00:11:34,120 --> 00:11:35,319
Speaker 4: I literally been at my house.

233
00:11:35,400 --> 00:11:38,480
Speaker 2: But for this young lady to say that Gloss has

234
00:11:38,559 --> 00:11:41,520
Speaker 2: already tried to put a restraining order on her, that

235
00:11:41,679 --> 00:11:44,719
Speaker 2: does show something like you can deny and you can

236
00:11:44,760 --> 00:11:46,920
Speaker 2: act like yo. I don't know why she doing that,

237
00:11:47,360 --> 00:11:52,080
Speaker 2: but even if it's technique, it shows something even in

238
00:11:52,160 --> 00:11:54,360
Speaker 2: the even in the eyes of the court, they're gonna

239
00:11:54,360 --> 00:11:57,439
Speaker 2: be like yo. But she started just putting a restraining

240
00:11:57,600 --> 00:12:00,480
Speaker 2: order on you, Like what's going on here? You know

241
00:12:00,480 --> 00:12:02,440
Speaker 2: what I'm saying. Now, she's a legend that it was

242
00:12:02,480 --> 00:12:06,000
Speaker 2: a man the dude used to be around. Ari blocked

243
00:12:06,000 --> 00:12:09,920
Speaker 2: to her end and allowed Glouces to catch her. And

244
00:12:10,040 --> 00:12:12,920
Speaker 2: I guess, I guess Gloss told her it's a West

245
00:12:12,920 --> 00:12:13,960
Speaker 2: site right up.

246
00:12:14,800 --> 00:12:18,480
Speaker 1: Damn dead homies whoopy knock him out? Naked dead homies

247
00:12:19,360 --> 00:12:21,840
Speaker 1: don't matter. Where are you mad at them?

248
00:12:21,920 --> 00:12:23,480
Speaker 4: Enjoying my time with my family.

249
00:12:26,240 --> 00:12:29,240
Speaker 3: I have been nothing but minding my own visits. I'm

250
00:12:29,240 --> 00:12:33,079
Speaker 3: not stunning you at all, and let me stay. I

251
00:12:33,160 --> 00:12:36,760
Speaker 3: used to her DJ call her DJ followed the other

252
00:12:36,800 --> 00:12:38,040
Speaker 3: Tazi while we was in the club.

253
00:12:38,120 --> 00:12:40,960
Speaker 4: Like seeing a follow request to her, So Taxi showed

254
00:12:41,000 --> 00:12:42,760
Speaker 4: it to me in the club. But I didn't think. Look,

255
00:12:42,760 --> 00:12:44,280
Speaker 4: I'm just like I don't want to talk about them.

256
00:12:44,320 --> 00:12:46,720
Speaker 3: So I'm literally like okay, like all right, I said,

257
00:12:46,720 --> 00:12:47,400
Speaker 3: I'm not worried about this.

258
00:12:47,480 --> 00:12:48,120
Speaker 4: It's a new year.

259
00:12:48,360 --> 00:12:52,520
Speaker 3: Because who wakes up January first, twenty twenty five not

260
00:12:52,640 --> 00:12:55,760
Speaker 3: happy to be alive? Somebody that's miserable. Right, I was

261
00:12:55,800 --> 00:12:59,199
Speaker 3: out and joining myself. Okay, So I guess what.

262
00:12:59,280 --> 00:13:01,520
Speaker 4: They people mean to tell you down? It don't tell

263
00:13:01,559 --> 00:13:01,840
Speaker 4: you down.

264
00:13:01,840 --> 00:13:03,560
Speaker 3: And they see people around you still living on you,

265
00:13:03,760 --> 00:13:06,080
Speaker 3: people's with you and all of that. Because all the

266
00:13:06,080 --> 00:13:08,760
Speaker 3: people that I've met through her I still cool with.

267
00:13:09,160 --> 00:13:12,200
Speaker 3: They're still cool with me because they've seen what I did.

268
00:13:12,240 --> 00:13:19,160
Speaker 4: They know the truth. In order to sell.

269
00:13:18,960 --> 00:13:22,240
Speaker 3: Your car, you have to first have it register. The

270
00:13:22,320 --> 00:13:25,200
Speaker 3: car has to first be registered somewhere to sell it.

271
00:13:31,440 --> 00:13:35,080
Speaker 3: The thing is like whether you're a fighter or not

272
00:13:35,120 --> 00:13:38,320
Speaker 3: a fighter. I don't believe nobody deserves to be out

273
00:13:38,400 --> 00:13:40,840
Speaker 3: minding a bus because I clearly had on booted heels,

274
00:13:40,880 --> 00:13:43,480
Speaker 3: I clearly had a food in my hand, my phone,

275
00:13:43,480 --> 00:13:46,480
Speaker 3: in my hand, my purse on my shoulder. I clear

276
00:13:47,120 --> 00:13:48,960
Speaker 3: show a lot of different hostess and stuff that I

277
00:13:49,000 --> 00:13:51,719
Speaker 3: had myself, a lot of different things.

278
00:13:52,679 --> 00:13:53,400
Speaker 4: But like I.

279
00:13:53,320 --> 00:13:55,920
Speaker 2: Said, so she's talking about her, I'm trying to see

280
00:13:55,920 --> 00:13:59,960
Speaker 2: what happened. So next I got a gloss up response

281
00:14:00,280 --> 00:14:03,120
Speaker 2: into this. So gloss is gonna give her side. You know,

282
00:14:03,800 --> 00:14:06,480
Speaker 2: she's basically saying that they saw and attect her.

283
00:14:07,080 --> 00:14:09,040
Speaker 3: She's worried about why she loed y'all about buying the

284
00:14:09,080 --> 00:14:11,000
Speaker 3: house when she got a house in the CPN.

285
00:14:12,840 --> 00:14:16,680
Speaker 4: And my house is in my name. My house is

286
00:14:16,679 --> 00:14:18,000
Speaker 4: in my name and my boyfriend's name.

287
00:14:21,520 --> 00:14:22,880
Speaker 2: Low blow shots five.

288
00:14:23,160 --> 00:14:23,920
Speaker 4: So yeah, I.

289
00:14:23,840 --> 00:14:27,520
Speaker 3: Did press charges on her. I sure did, yep, Sure did?

290
00:14:28,240 --> 00:14:33,880
Speaker 3: I sure did. I sure did. I sure did, yep.

291
00:14:34,080 --> 00:14:36,040
Speaker 3: And y'all can say I'm police all day. She went

292
00:14:36,080 --> 00:14:37,960
Speaker 3: to the police first, and that's cool. I don't care

293
00:14:38,000 --> 00:14:40,320
Speaker 3: what y'all say, because if it was anybody else, I

294
00:14:40,400 --> 00:14:43,440
Speaker 3: just listen, my no lie, not even joking right now.

295
00:14:43,760 --> 00:14:46,640
Speaker 2: My cousin just just she don't look like she been

296
00:14:46,640 --> 00:14:50,680
Speaker 2: in a fight though, Like look at her face, you know,

297
00:14:50,720 --> 00:14:54,160
Speaker 2: afford to be this brutal beatdown that people are acting

298
00:14:54,240 --> 00:14:56,480
Speaker 2: like it is online When I look at her face,

299
00:14:57,520 --> 00:14:59,360
Speaker 2: he don't look like you know, you get she got

300
00:14:59,400 --> 00:15:01,520
Speaker 2: right up on him like the homeboy said.

301
00:15:01,320 --> 00:15:04,400
Speaker 1: Oh, Paul Route you going to PI.

302
00:15:06,480 --> 00:15:08,680
Speaker 2: Don't look like they gave it a beast for real,

303
00:15:09,240 --> 00:15:11,800
Speaker 2: you know. And I don't. Again, I don't celebrate violence,

304
00:15:11,920 --> 00:15:16,720
Speaker 2: you know, with women and none of that. But let's

305
00:15:16,760 --> 00:15:31,000
Speaker 2: see what Glass said.

306
00:16:05,280 --> 00:16:07,960
Speaker 7: No more, I'm moved. But I still have their house,

307
00:16:08,080 --> 00:16:10,200
Speaker 7: is what I'm telling y'all. Were in still being paid

308
00:16:10,240 --> 00:16:11,760
Speaker 7: that I do not live there.

309
00:16:12,040 --> 00:16:20,680
Speaker 1: I just moved. That's all that matters. She knitted, she

310
00:16:20,720 --> 00:16:21,200
Speaker 1: got her hands.

311
00:16:24,800 --> 00:16:32,000
Speaker 2: Why boy, So this is glows up for people who

312
00:16:32,880 --> 00:16:35,400
Speaker 2: like that's that's who she is. You can't really see

313
00:16:35,400 --> 00:16:38,600
Speaker 2: her face again, she was in the original Glorilla if

314
00:16:38,640 --> 00:16:41,600
Speaker 2: in that video it was one of Glorilla friends. Actually,

315
00:16:41,680 --> 00:16:43,880
Speaker 2: so she you know, I think it's gonna be interesting

316
00:16:43,880 --> 00:16:46,040
Speaker 2: to see how she gets out of this. She's no

317
00:16:46,120 --> 00:16:48,760
Speaker 2: longer repeeding them, so you got a kind of feel

318
00:16:48,880 --> 00:16:49,520
Speaker 2: for herself.

319
00:16:49,760 --> 00:16:52,120
Speaker 7: Yeah, I just want to clear some lives that was

320
00:16:52,160 --> 00:16:53,040
Speaker 7: said about.

321
00:16:52,800 --> 00:16:55,920
Speaker 4: Me on these little live Hey, why hey, am I

322
00:16:55,960 --> 00:16:56,640
Speaker 4: gonna see her?

323
00:16:57,000 --> 00:16:57,240
Speaker 2: Look?

324
00:16:57,280 --> 00:16:58,920
Speaker 7: Can you please bird? If I did I have not

325
00:16:59,120 --> 00:17:02,160
Speaker 7: like you? Remember that you called me yeah, can you

326
00:17:02,160 --> 00:17:04,119
Speaker 7: please bird talk? What was saying to you? And you

327
00:17:04,280 --> 00:17:05,879
Speaker 7: was not the only one that been called about me.

328
00:17:06,080 --> 00:17:08,159
Speaker 7: The reason why I put my hands on her. I

329
00:17:08,160 --> 00:17:10,720
Speaker 7: didn't just go putting my hands on the been going

330
00:17:10,760 --> 00:17:13,560
Speaker 7: around everybody that know me saying this same day, and

331
00:17:13,600 --> 00:17:14,359
Speaker 7: I got set up.

332
00:17:14,400 --> 00:17:15,200
Speaker 4: That's what happened.

333
00:17:15,760 --> 00:17:16,000
Speaker 2: Girl.

334
00:17:16,080 --> 00:17:18,960
Speaker 8: She been lying from the beginning. I've been she been

335
00:17:19,040 --> 00:17:22,600
Speaker 8: lying since forever. She always lied. All she does manipulating

336
00:17:22,680 --> 00:17:25,760
Speaker 8: lie lah lah lah lah la, like she's a She's

337
00:17:25,840 --> 00:17:29,640
Speaker 8: literally a liar. She literally called me, She literally called

338
00:17:29,680 --> 00:17:32,440
Speaker 8: me basically, she was trying to turn me again. She's

339
00:17:32,480 --> 00:17:36,000
Speaker 8: basically on some on some lying ship, like, well, nobody's

340
00:17:36,320 --> 00:17:53,720
Speaker 8: with her, Like, I'm not.

341
00:17:53,680 --> 00:17:55,560
Speaker 4: Gonna go follow who I with.

342
00:17:55,720 --> 00:17:58,240
Speaker 8: If you don't, if you don't somebody else with, what

343
00:17:58,359 --> 00:17:59,560
Speaker 8: the we talking about?

344
00:18:00,160 --> 00:18:03,000
Speaker 4: All of y'all got unfollowed. Let's be clear, because all that.

345
00:18:03,040 --> 00:18:05,560
Speaker 2: Hub I don't really give. I don't care nothing about

346
00:18:05,560 --> 00:18:08,000
Speaker 2: this unfollowed shit. I'm trying to get to what happened.

347
00:18:08,000 --> 00:18:09,320
Speaker 7: When I was in the hospital, when I got my

348
00:18:09,320 --> 00:18:13,159
Speaker 7: god bladder removal, I posted in my close friends. It

349
00:18:13,240 --> 00:18:15,160
Speaker 7: was around the time me and the dude had well.

350
00:18:15,160 --> 00:18:17,000
Speaker 7: When I posted that video. Put him by my house.

351
00:18:17,480 --> 00:18:20,879
Speaker 7: I posted in my close friends and I said, my

352
00:18:20,960 --> 00:18:21,640
Speaker 7: feelings hurt.

353
00:18:22,200 --> 00:18:24,320
Speaker 1: I missed my best friend, which I was talking about.

354
00:18:25,440 --> 00:18:28,639
Speaker 7: She originally was leaving the hospital to go get my

355
00:18:28,760 --> 00:18:31,960
Speaker 7: kids to take him to his mama. She said, okay,

356
00:18:32,720 --> 00:18:34,760
Speaker 7: she was leaving out. She gave me a hug, We said,

357
00:18:34,800 --> 00:18:36,800
Speaker 7: we love you and everything. She get in the car,

358
00:18:37,040 --> 00:18:39,639
Speaker 7: look at her phone, go on Instagram and seeing my

359
00:18:39,680 --> 00:18:41,960
Speaker 7: close friends, said I feel like I lost my best friend,

360
00:18:42,000 --> 00:18:42,840
Speaker 7: which I was talking about.

361
00:18:42,840 --> 00:18:43,000
Speaker 1: To do.

362
00:18:43,760 --> 00:18:45,600
Speaker 7: She got on the phone with me, called cursing me

363
00:18:45,680 --> 00:18:48,160
Speaker 7: out all type of beaches and homes, doing all this shit.

364
00:18:49,080 --> 00:18:51,480
Speaker 7: I told her, don't go get my kids, don't go

365
00:18:51,560 --> 00:18:54,080
Speaker 7: to my house, and I told her, don't bring.

366
00:18:53,920 --> 00:18:56,240
Speaker 1: Your ass back to this hospital. Y'all, I got out

367
00:18:56,280 --> 00:18:57,000
Speaker 1: of surgery.

368
00:18:57,240 --> 00:18:59,800
Speaker 2: Your will live. Make sure y'all hit like and share

369
00:19:00,080 --> 00:19:03,280
Speaker 2: right now. What's up there everybody on Patreon, I see y'all.

370
00:19:04,080 --> 00:19:10,040
Speaker 2: Salute Salute to YouTube, salute to Twitter, salute to everywhere. Man,

371
00:19:10,080 --> 00:19:12,560
Speaker 2: I salute y'all. Make sure y'all here like and shut

372
00:19:12,560 --> 00:19:14,720
Speaker 2: this thing. You know, this is something new we're doing.

373
00:19:15,960 --> 00:19:18,040
Speaker 2: We're gonna build the community out this year. Let's go

374
00:19:18,720 --> 00:19:19,680
Speaker 2: why is the girl.

375
00:19:19,560 --> 00:19:23,480
Speaker 7: In the hospital room with me. I'm hell from the room,

376
00:19:23,760 --> 00:19:26,160
Speaker 7: the medicine that gave me. I just seen the police

377
00:19:26,200 --> 00:19:29,280
Speaker 7: come in there. Get her out the hospital. Later that night,

378
00:19:29,320 --> 00:19:30,520
Speaker 7: the end up coming.

379
00:19:30,760 --> 00:19:32,320
Speaker 1: While when I got our search, he ended up.

380
00:19:32,359 --> 00:19:33,120
Speaker 4: He ended up third.

381
00:19:33,480 --> 00:19:36,879
Speaker 7: So when she got put out the hospital three in

382
00:19:36,880 --> 00:19:40,560
Speaker 7: the morning, she's calling, blowing my phone up, y'all. I answered, no,

383
00:19:40,600 --> 00:19:43,040
Speaker 7: blowing his phone up because I blocked her. So I

384
00:19:43,080 --> 00:19:46,320
Speaker 7: answered his phone. She was like, Hey, at my dor

385
00:19:46,720 --> 00:19:48,840
Speaker 7: my alarm system going off. I can hear it in

386
00:19:48,840 --> 00:19:51,400
Speaker 7: the background. She's on my phone boohoo and crying talk

387
00:19:51,480 --> 00:19:53,960
Speaker 7: about Hey, Duke just put his hands on me.

388
00:19:54,200 --> 00:19:55,720
Speaker 4: He just punched a hole through the wall.

389
00:19:55,880 --> 00:19:56,880
Speaker 2: Did all this y'all?

390
00:19:56,880 --> 00:20:00,840
Speaker 7: Me being a nice person, I am I all from

391
00:20:00,880 --> 00:20:04,080
Speaker 7: my phone and I called, come along off and let

392
00:20:04,080 --> 00:20:07,640
Speaker 7: the bitch in my house. My boyfriend at the time

393
00:20:07,720 --> 00:20:09,560
Speaker 7: he was like, yeah, that shit don't sound right.

394
00:20:09,640 --> 00:20:13,400
Speaker 1: Call Duke. I called Duke Duke my cousin. I called

395
00:20:13,480 --> 00:20:14,040
Speaker 1: him on the phone.

396
00:20:14,080 --> 00:20:15,480
Speaker 4: I said, what the did you just do?

397
00:20:15,600 --> 00:20:15,840
Speaker 1: To her?

398
00:20:16,160 --> 00:20:17,880
Speaker 7: He was like, what did you talk about? This got

399
00:20:17,880 --> 00:20:21,880
Speaker 7: to be a prank. So I'm like what, So she said,

400
00:20:21,880 --> 00:20:23,600
Speaker 7: did all this just to get back around me. I thought,

401
00:20:23,600 --> 00:20:25,600
Speaker 7: I just called her to leave me to colong. Y'all,

402
00:20:25,680 --> 00:20:28,320
Speaker 7: I'll be finding this girl multiple times.

403
00:20:29,080 --> 00:20:30,800
Speaker 4: That's what she meant, Dad.

404
00:20:30,880 --> 00:20:34,359
Speaker 2: So let me let me get to the part that

405
00:20:34,400 --> 00:20:37,040
Speaker 2: I want to kind of speak about right again, Just

406
00:20:37,080 --> 00:20:41,480
Speaker 2: for the record, some of the altercation happened. I guess

407
00:20:41,560 --> 00:20:47,440
Speaker 2: Gloss ran up and confronted this young lady. Now, what's

408
00:20:47,520 --> 00:20:50,160
Speaker 2: in the backdrop of this is a young girl who

409
00:20:50,640 --> 00:20:54,320
Speaker 2: just had a small taste of fame. This got next

410
00:20:54,359 --> 00:20:57,119
Speaker 2: to one of the biggest record execs in the in

411
00:20:57,160 --> 00:21:03,960
Speaker 2: the industry and the business, and maybe overexposed and undervalued

412
00:21:04,040 --> 00:21:07,480
Speaker 2: in her opinion. And so what we're dealing with is,

413
00:21:07,560 --> 00:21:09,360
Speaker 2: if you listen to what she said, and I don't

414
00:21:09,400 --> 00:21:11,320
Speaker 2: know if she said it right there, I kind of

415
00:21:11,359 --> 00:21:16,879
Speaker 2: already have some context. Is yo, this lady was reaching

416
00:21:16,920 --> 00:21:19,880
Speaker 2: out to everybody saying that YO, ain't nobody messing with

417
00:21:19,920 --> 00:21:22,800
Speaker 2: me no more. And so what that means for people

418
00:21:22,840 --> 00:21:25,920
Speaker 2: that's not in the industry is is that, Yo, I've

419
00:21:25,960 --> 00:21:31,960
Speaker 2: lost my deals. I'm no longer signed. This has to

420
00:21:32,000 --> 00:21:36,119
Speaker 2: be a scary place for Gloss. And this is also

421
00:21:37,080 --> 00:21:41,480
Speaker 2: on a much larger scale what I speak about with Drake,

422
00:21:43,240 --> 00:21:48,439
Speaker 2: because Drake has always been someone that has used his

423
00:21:48,600 --> 00:21:51,399
Speaker 2: connection to the labels and his connection to the higher

424
00:21:51,480 --> 00:21:56,439
Speaker 2: ups as fuel as separation from the rest of the market. Right,

425
00:21:56,520 --> 00:21:59,199
Speaker 2: I'm not like you, Me and Lucien, we can go

426
00:21:59,280 --> 00:22:02,440
Speaker 2: have dinner out. I walk right into the office. They

427
00:22:02,440 --> 00:22:03,760
Speaker 2: take me right to the corner.

428
00:22:04,040 --> 00:22:04,240
Speaker 6: Right.

429
00:22:04,880 --> 00:22:09,680
Speaker 2: That was always like bravado for him. In the same

430
00:22:09,720 --> 00:22:12,600
Speaker 2: way when you're dealing with the female rep and a

431
00:22:12,680 --> 00:22:16,680
Speaker 2: young girl like her, I imagine that seeing Glorilla blow

432
00:22:16,760 --> 00:22:19,199
Speaker 2: up like she did. You know, she was happy for that,

433
00:22:19,680 --> 00:22:22,080
Speaker 2: But when she got her own opportunity, I think that

434
00:22:22,240 --> 00:22:25,160
Speaker 2: actually was like, all right, I'm actually one of I'm

435
00:22:25,640 --> 00:22:29,480
Speaker 2: I'm in the game now. I always tell y'all at

436
00:22:29,480 --> 00:22:31,960
Speaker 2: one point, if you're building something in this coach and

437
00:22:32,040 --> 00:22:36,240
Speaker 2: in this fat sitting in this industry, you go from

438
00:22:36,359 --> 00:22:39,280
Speaker 2: viewing the super Bowl to now you in the super Bowl.

439
00:22:41,160 --> 00:22:43,919
Speaker 2: So while you're out here, you gotta perform. You no

440
00:22:44,000 --> 00:22:46,280
Speaker 2: longer watching you a part of the game. She now

441
00:22:46,320 --> 00:22:48,720
Speaker 2: becomes a part of the game. Get a little taste

442
00:22:48,760 --> 00:22:53,200
Speaker 2: of that fame again. I just think maybe the transition

443
00:22:53,480 --> 00:22:56,920
Speaker 2: was underwhelming, right, the level of attention she got on socials,

444
00:22:56,920 --> 00:22:59,720
Speaker 2: that's why I always tell y'all, like niggas be looking

445
00:22:59,760 --> 00:23:02,600
Speaker 2: for my my social shit to be going crazy, and

446
00:23:02,640 --> 00:23:05,760
Speaker 2: it did. It used to go crazy. I fell back

447
00:23:05,800 --> 00:23:09,320
Speaker 2: off of it and now it does great. Right, But

448
00:23:09,440 --> 00:23:12,560
Speaker 2: my socials are more of a marketing thing for me.

449
00:23:12,720 --> 00:23:16,240
Speaker 2: I use it to reach my core audience, and this

450
00:23:16,280 --> 00:23:18,800
Speaker 2: shar we're gonna centralize the audience. But I always tell

451
00:23:18,920 --> 00:23:23,080
Speaker 2: y'all people to be popping on social media. And I

452
00:23:23,119 --> 00:23:25,040
Speaker 2: didn't want to be one of the guys popping on

453
00:23:25,080 --> 00:23:28,160
Speaker 2: social media but couldn't getting or could not get nothing

454
00:23:28,160 --> 00:23:31,239
Speaker 2: else popping anywhere else. For example, you can go on

455
00:23:31,280 --> 00:23:35,439
Speaker 2: social media right now, there'll be clips of dudes just talking.

456
00:23:35,520 --> 00:23:38,280
Speaker 2: I guess they may have podcasts or whatever they're doing.

457
00:23:38,760 --> 00:23:42,000
Speaker 2: Them shits to have one hundred, two hundred thousand likes

458
00:23:42,000 --> 00:23:45,240
Speaker 2: on it. You go find that same episode on YouTube

459
00:23:45,320 --> 00:23:48,680
Speaker 2: or on one of the video hosting platforms, and that

460
00:23:48,760 --> 00:23:53,320
Speaker 2: should have a thousand, two thousand views. You see. So

461
00:23:54,840 --> 00:23:58,280
Speaker 2: there's something that happens. And I believe for Gloss when

462
00:23:58,320 --> 00:24:01,200
Speaker 2: she shows up to QC and Control, and that's saying,

463
00:24:01,200 --> 00:24:02,879
Speaker 2: all right, what if we dumped in Gloss for the

464
00:24:02,960 --> 00:24:05,680
Speaker 2: last two years, Well, we did this. We got a

465
00:24:05,800 --> 00:24:07,920
Speaker 2: song here. We did this with han Cho, we did

466
00:24:07,960 --> 00:24:10,320
Speaker 2: that over here. We dump some money in that this

467
00:24:10,440 --> 00:24:14,800
Speaker 2: photo shoot. It's expensive to keep a female artist looking

468
00:24:14,920 --> 00:24:18,000
Speaker 2: like she needed to look to compete with the Cardi Bs,

469
00:24:18,000 --> 00:24:20,920
Speaker 2: the Nicki Minaj's. To make the stallions the glow realers, right,

470
00:24:21,680 --> 00:24:24,159
Speaker 2: you got to keep them in a certain atmosphere to

471
00:24:24,200 --> 00:24:26,800
Speaker 2: even be in the conversation of people just gonna little dog.

472
00:24:27,520 --> 00:24:30,479
Speaker 2: Ain't gonna be no separational difference between them and the

473
00:24:30,520 --> 00:24:33,440
Speaker 2: rest of the market. And for you to separate the woman,

474
00:24:33,520 --> 00:24:37,960
Speaker 2: it's it's just a different fight. I also want to,

475
00:24:39,200 --> 00:24:41,880
Speaker 2: you know, just talk about her glowial relationship and what

476
00:24:42,000 --> 00:24:44,840
Speaker 2: her rapping and getting her own deal did that even

477
00:24:44,880 --> 00:24:49,919
Speaker 2: affect their relationship because now the fans get involved. Now

478
00:24:49,960 --> 00:24:52,399
Speaker 2: the fans in the comments saying this and that, because

479
00:24:52,400 --> 00:24:55,040
Speaker 2: I don't see them together as much, and of course

480
00:24:55,040 --> 00:24:59,600
Speaker 2: some speculating. But this is what people try to tell

481
00:24:59,640 --> 00:25:01,879
Speaker 2: you guys as when they say the industry can ruin you.

482
00:25:02,080 --> 00:25:04,680
Speaker 2: It can literally ruin things around you. It can really

483
00:25:04,760 --> 00:25:09,240
Speaker 2: temple with your value system. It can corroll your decision

484
00:25:09,320 --> 00:25:13,000
Speaker 2: making right. It can take somebody that has grew up

485
00:25:13,040 --> 00:25:16,720
Speaker 2: and lived on a certain constitution all they life, they'll

486
00:25:16,800 --> 00:25:18,920
Speaker 2: buy down because it's clout next to one of these

487
00:25:19,000 --> 00:25:22,760
Speaker 2: kind of situations. Right, So I wonder what the industry

488
00:25:22,840 --> 00:25:25,719
Speaker 2: or what the record deal done for her and Glorilla,

489
00:25:25,840 --> 00:25:31,520
Speaker 2: Because Yo, for all intensive purposes, Glorilla is competition. When

490
00:25:31,600 --> 00:25:35,840
Speaker 2: quality control to the comes today, WIT's end and they

491
00:25:35,880 --> 00:25:38,360
Speaker 2: go to look at it, when they go to look

492
00:25:38,400 --> 00:25:42,000
Speaker 2: at the business and forecasting and investing in what would

493
00:25:42,040 --> 00:25:45,680
Speaker 2: Glorilla is competition to gloss up. Now, I know y'all

494
00:25:45,720 --> 00:25:49,359
Speaker 2: got your friend thing. And so if we don't see Glorilla,

495
00:25:49,440 --> 00:25:53,240
Speaker 2: embrace your albums in regards to getting on the album. See,

496
00:25:53,240 --> 00:25:56,719
Speaker 2: this is what quality control is probably looking for. All right,

497
00:25:56,760 --> 00:26:00,200
Speaker 2: Glorilla's blowing up. I get her home, griller shot. That

498
00:26:00,359 --> 00:26:08,880
Speaker 2: relationship is gonna be. That relationship will be strengthen Right,

499
00:26:09,000 --> 00:26:12,640
Speaker 2: that relationship would be strengthen in nature and nurtured. And

500
00:26:12,680 --> 00:26:15,879
Speaker 2: we'll put those two in a situation where when gloss drops,

501
00:26:15,920 --> 00:26:21,760
Speaker 2: we may have two or three Glowilla records on them. Again,

502
00:26:21,960 --> 00:26:24,600
Speaker 2: all of these different avenues. See, when someone looks at

503
00:26:24,640 --> 00:26:27,920
Speaker 2: you and they see potential, they reeled you in close

504
00:26:28,040 --> 00:26:30,000
Speaker 2: like a fish. See, because all these niggas look like

505
00:26:30,040 --> 00:26:33,119
Speaker 2: fish in the ocean, when you will create a rapper nigga.

506
00:26:33,200 --> 00:26:35,640
Speaker 2: Them big dogs, they throwing shit out there, and they

507
00:26:35,680 --> 00:26:38,080
Speaker 2: really shit in and they might catch a fish and

508
00:26:38,119 --> 00:26:39,960
Speaker 2: bring it in and take him back off the hook.

509
00:26:40,760 --> 00:26:43,720
Speaker 2: He wasn't worth keeping, you know what I'm saying. So

510
00:26:44,040 --> 00:26:45,960
Speaker 2: when they reeled it in and get it close, and

511
00:26:46,040 --> 00:26:49,280
Speaker 2: they say, okay, what avenues can we take advantage of

512
00:26:49,480 --> 00:26:52,600
Speaker 2: if we sign gloss. She's talented, so set that to

513
00:26:52,680 --> 00:26:56,080
Speaker 2: the side. We know she's talented, she's pretty. They got

514
00:26:56,119 --> 00:26:58,639
Speaker 2: us together as far as a prettiness, right, get a

515
00:26:58,720 --> 00:27:02,000
Speaker 2: glambed up, get a looking right, get all that shit together.

516
00:27:02,520 --> 00:27:07,159
Speaker 2: But now from a business perspective, we imagine to be

517
00:27:07,280 --> 00:27:10,480
Speaker 2: able to take advantage of the glorilla co sign the

518
00:27:10,520 --> 00:27:16,600
Speaker 2: glorilla friendship. Also, we want to look at her ability

519
00:27:16,640 --> 00:27:20,240
Speaker 2: to be on shave Room and her social worth, her

520
00:27:20,280 --> 00:27:23,119
Speaker 2: social value. Right. We'll dump money into that even to

521
00:27:23,280 --> 00:27:25,920
Speaker 2: help to help her social status.

522
00:27:26,000 --> 00:27:26,200
Speaker 6: Right.

523
00:27:26,280 --> 00:27:28,520
Speaker 2: We want to make sure that when she posts that

524
00:27:28,600 --> 00:27:30,480
Speaker 2: she's one of the girly girls that you see on

525
00:27:30,560 --> 00:27:34,200
Speaker 2: shave Room and all of these different platforms that succeeded.

526
00:27:34,280 --> 00:27:36,000
Speaker 2: Now the next step to that, and that's what I

527
00:27:36,040 --> 00:27:38,680
Speaker 2: always tell y'all, when people look at you, they don't

528
00:27:38,720 --> 00:27:43,560
Speaker 2: really look into you. Two different things. Looking at you

529
00:27:43,640 --> 00:27:46,359
Speaker 2: and looking into you. It's two different things. Look into

530
00:27:46,400 --> 00:27:48,640
Speaker 2: the next step. What will be the next step? All right?

531
00:27:48,680 --> 00:27:52,800
Speaker 2: She now has the platform and shave room. How traditionally

532
00:27:53,080 --> 00:27:57,880
Speaker 2: do people convert shade room, viewers, watchers, listeners, their fan

533
00:27:57,960 --> 00:28:02,520
Speaker 2: base into customers their own? It is that a thing?

534
00:28:02,680 --> 00:28:05,600
Speaker 2: What's the highway? What's the runway? How do we do that?

535
00:28:06,080 --> 00:28:09,159
Speaker 2: If you ask me? That was the next question. And

536
00:28:09,240 --> 00:28:13,440
Speaker 2: I think it was an underwhelming transition or an underwhelming

537
00:28:13,560 --> 00:28:18,639
Speaker 2: amount of people or outcome that they see outside of

538
00:28:18,680 --> 00:28:22,639
Speaker 2: social media. Right. Also, when we look at music, you know,

539
00:28:22,800 --> 00:28:26,680
Speaker 2: what can we do to get this music going? Unfortunately

540
00:28:26,760 --> 00:28:29,320
Speaker 2: in the female world, you got to either have a

541
00:28:29,359 --> 00:28:33,439
Speaker 2: super catchy song or your co sign game gotta be

542
00:28:33,480 --> 00:28:35,800
Speaker 2: a certain way, or you just got to be a

543
00:28:35,840 --> 00:28:38,160
Speaker 2: hell of a rapper. Like it's different avenues. I'm not

544
00:28:38,200 --> 00:28:40,800
Speaker 2: sure gloss. I think Gloss is giving pushbacks. You want

545
00:28:40,800 --> 00:28:42,560
Speaker 2: to drop these kind of songs and do it this

546
00:28:42,760 --> 00:28:45,240
Speaker 2: kind of way, and they're probably saying, look, we're right

547
00:28:45,280 --> 00:28:47,240
Speaker 2: here on the cuffs. We got to make a serious

548
00:28:47,320 --> 00:28:50,800
Speaker 2: decision to either pivot into what's working, or to let

549
00:28:50,840 --> 00:28:53,680
Speaker 2: you do it on your own and pray to God

550
00:28:53,760 --> 00:28:56,680
Speaker 2: you figure it out without our involvement or our finance.

551
00:28:57,840 --> 00:29:01,440
Speaker 2: You see what I'm saying. So I think that she

552
00:29:01,680 --> 00:29:06,320
Speaker 2: has been hurt because she you know, for her to

553
00:29:06,360 --> 00:29:09,840
Speaker 2: even be and I'm speculating. In the last video, it

554
00:29:09,920 --> 00:29:12,600
Speaker 2: looked to me it appeared that she was setting on

555
00:29:12,720 --> 00:29:18,000
Speaker 2: fire a contract. I don't know if that represents freedom.

556
00:29:18,240 --> 00:29:21,920
Speaker 2: But you need every relationship that comes from QC. You

557
00:29:22,000 --> 00:29:24,960
Speaker 2: need all the publicist people to managers, the photo folks,

558
00:29:24,960 --> 00:29:28,760
Speaker 2: the video You need them people. In three years. Man,

559
00:29:28,880 --> 00:29:31,600
Speaker 2: it can get dark if you're not paying attention right

560
00:29:31,760 --> 00:29:34,440
Speaker 2: when you're not attached to one of those infrastructures. And

561
00:29:34,480 --> 00:29:37,040
Speaker 2: that's why I thank god I built something, you know,

562
00:29:37,120 --> 00:29:42,000
Speaker 2: on my own, because when you depend on other people, man,

563
00:29:42,080 --> 00:29:43,960
Speaker 2: at any moment, they can just cut the light. Yo,

564
00:29:44,000 --> 00:29:46,680
Speaker 2: I'm tired of doing that. It's over. And then anyway

565
00:29:46,720 --> 00:29:48,480
Speaker 2: you go knock on the door, Hey I came here

566
00:29:48,520 --> 00:29:50,640
Speaker 2: with I remember that time I was here with sutting

567
00:29:50,640 --> 00:29:55,480
Speaker 2: and such. They gonna say something ain't right. It ain't never.

568
00:29:55,720 --> 00:30:00,400
Speaker 2: That ain't never. How they eat you know what I'm saying.

569
00:30:00,400 --> 00:30:02,120
Speaker 2: And then they start to look into Oh I don't

570
00:30:02,160 --> 00:30:04,800
Speaker 2: see pee around you no more. Oh I don't see

571
00:30:04,840 --> 00:30:07,680
Speaker 2: pee posting up music no more? Or I don't see

572
00:30:07,760 --> 00:30:10,400
Speaker 2: coaching and posting. You know what I'm saying. It's like,

573
00:30:11,280 --> 00:30:14,240
Speaker 2: you know, there's there, there are people who move around

574
00:30:14,280 --> 00:30:16,360
Speaker 2: this industry like that, and if you ask me, they

575
00:30:16,400 --> 00:30:20,000
Speaker 2: all suckers. That's on me. That's me telling you that,

576
00:30:20,120 --> 00:30:23,680
Speaker 2: not them. That's me. All right, let's move on to

577
00:30:23,760 --> 00:30:25,720
Speaker 2: our next subject. Man, we got a lot to talk

578
00:30:25,760 --> 00:30:28,960
Speaker 2: about today. I just want you to know that. And

579
00:30:29,040 --> 00:31:32,440
Speaker 2: that's on God. Next next topic, Mike Chick. So I

580
00:31:32,480 --> 00:31:37,200
Speaker 2: want to talk about this people who don't know. But

581
00:31:37,320 --> 00:31:40,520
Speaker 2: next two times had a little boy around them named

582
00:31:40,560 --> 00:31:43,440
Speaker 2: Little King. Now, if you haven't saw my breakdown on Patreon,

583
00:31:43,560 --> 00:31:46,600
Speaker 2: you really are missing out because had I broke this

584
00:31:46,760 --> 00:31:49,600
Speaker 2: down from a certain kind of level. That's like, if

585
00:31:49,640 --> 00:31:52,320
Speaker 2: you ask me, it's one of the it's a masterclass

586
00:31:52,400 --> 00:31:54,920
Speaker 2: on these kind of situations, you know what I'm saying.

587
00:31:55,040 --> 00:31:58,280
Speaker 2: And I advise you to go to Patreon and see

588
00:31:58,320 --> 00:32:01,080
Speaker 2: that for sure. For sure. But that's the first part.

589
00:32:01,160 --> 00:32:04,680
Speaker 2: That's when King and for Ness and all of those

590
00:32:04,680 --> 00:32:08,480
Speaker 2: guys came out and there was arguments and for ness

591
00:32:08,520 --> 00:32:11,120
Speaker 2: said the FEZ called him or his probation office that

592
00:32:11,200 --> 00:32:14,720
Speaker 2: called him about what King was posting X, Y and Z.

593
00:32:14,920 --> 00:32:18,000
Speaker 2: You know I spoke to that. We'll leave that for patron.

594
00:32:18,040 --> 00:32:20,320
Speaker 2: We'll leave that for those people. I want to talk

595
00:32:20,360 --> 00:32:24,800
Speaker 2: about now, hustle cartel infiness, because evidently there's some kind

596
00:32:24,840 --> 00:32:28,520
Speaker 2: of fight that they want to happen. They got charged

597
00:32:28,520 --> 00:32:31,960
Speaker 2: in white involved in it, and they're asking for one

598
00:32:32,040 --> 00:32:34,479
Speaker 2: hundred thousand dollars fight for both of these gentlemen. If

599
00:32:34,560 --> 00:32:38,600
Speaker 2: you ask me, I'm saying, Yo, they playing a lot

600
00:32:38,600 --> 00:32:40,960
Speaker 2: of games on the internet. Man. If you out there

601
00:32:40,960 --> 00:32:46,160
Speaker 2: on the internet, man, it's a war going on. No man,

602
00:32:46,200 --> 00:32:49,400
Speaker 2: it's saved from you can be five two or eight one.

603
00:32:49,640 --> 00:32:52,440
Speaker 2: That's on God. Pay attention to this though. This is

604
00:32:52,480 --> 00:32:57,040
Speaker 2: a dude who I don't know this guy. You know

605
00:32:57,120 --> 00:33:02,800
Speaker 2: they say shoot dice and he's offering the fight for

606
00:33:02,880 --> 00:33:05,120
Speaker 2: this two times. We're gonna look at a little bit

607
00:33:05,200 --> 00:33:07,800
Speaker 2: of this live and see what he's talking about.

608
00:33:08,120 --> 00:33:10,640
Speaker 1: You nigga, what I'm saying that shit thake us for

609
00:33:12,480 --> 00:33:15,360
Speaker 1: problem money? Man, you better ain't you better gonna.

610
00:33:15,120 --> 00:33:17,480
Speaker 9: Get one of them pa Hey, niggas I had around

611
00:33:17,520 --> 00:33:18,719
Speaker 9: me was do boys.

612
00:33:18,880 --> 00:33:20,720
Speaker 1: If you don't see nothing niggas around me, no more,

613
00:33:20,760 --> 00:33:23,440
Speaker 1: guess what because I used him up? There was a

614
00:33:23,520 --> 00:33:24,000
Speaker 1: do boy.

615
00:33:24,480 --> 00:33:33,880
Speaker 9: Facts iint edy nigga I had around me. If you

616
00:33:33,880 --> 00:33:35,600
Speaker 9: don't see him around me, no more, guess.

617
00:33:35,440 --> 00:33:38,680
Speaker 1: What I used them up? They was a do boy.

618
00:33:40,160 --> 00:33:43,480
Speaker 2: Yeah, I don't know what kind of game man it is.

619
00:33:43,560 --> 00:33:45,560
Speaker 2: That ain't no good game. That ain't no shit you

620
00:33:45,600 --> 00:33:48,360
Speaker 2: pop to be saying. Because you know, if I'm around

621
00:33:48,400 --> 00:33:50,720
Speaker 2: you now, I'm gonna say, damn, is he using me up?

622
00:33:52,960 --> 00:33:55,280
Speaker 2: Like is this nigga using me up? This niggas just

623
00:33:55,280 --> 00:33:58,200
Speaker 2: said he using folks up that's around him, and niggas

624
00:33:58,280 --> 00:34:02,480
Speaker 2: is dou boy? Is he doing that to me? Because

625
00:34:02,520 --> 00:34:05,200
Speaker 2: ain't no way you moving around with no money by yourself,

626
00:34:06,360 --> 00:34:09,759
Speaker 2: especially gambling or you just ain't ran into the right

627
00:34:09,800 --> 00:34:12,040
Speaker 2: spot yet. But you ain't gambling with no two three

628
00:34:12,120 --> 00:34:15,960
Speaker 2: hundred thousand running around by yourself, and and and you

629
00:34:16,080 --> 00:34:18,239
Speaker 2: know what I'm saying, where you should be able to

630
00:34:18,239 --> 00:34:20,560
Speaker 2: sit that hip on the throne. This niggas around you

631
00:34:20,640 --> 00:34:23,640
Speaker 2: right now that may be looking at you like all

632
00:34:23,719 --> 00:34:26,719
Speaker 2: I bet I'm finna max home out soon I get

633
00:34:26,760 --> 00:34:30,120
Speaker 2: a chance, because I'm hearing you. I'm hearing what you say.

634
00:34:30,560 --> 00:34:33,480
Speaker 2: I'm hearing I'm watching you. You know what I'm saying.

635
00:34:33,560 --> 00:34:35,319
Speaker 2: I don't know what part of the game that is.

636
00:34:35,360 --> 00:34:38,239
Speaker 2: Maybe he just trolling. I don't know what trolling. You know,

637
00:34:38,280 --> 00:34:40,640
Speaker 2: I don't know how the young nigga be trolling that day.

638
00:34:41,239 --> 00:34:46,960
Speaker 2: But you don't really supposed to be saying that. All

639
00:34:47,000 --> 00:34:52,520
Speaker 2: the niggas around me was do boys like that's that's

640
00:34:52,600 --> 00:34:53,879
Speaker 2: that's the hell of a thing to say.

641
00:34:54,000 --> 00:34:57,080
Speaker 9: Well for putting me on this level. First thing, I

642
00:34:57,239 --> 00:34:59,799
Speaker 9: help uster get that bitch. You can't even help your

643
00:34:59,800 --> 00:35:00,360
Speaker 9: self else.

644
00:35:01,320 --> 00:35:03,840
Speaker 1: How do you make hustle? And okay, if you make hustle,

645
00:35:03,960 --> 00:35:05,880
Speaker 1: guess what make another one?

646
00:35:06,680 --> 00:35:06,719
Speaker 10: Do?

647
00:35:07,239 --> 00:35:14,400
Speaker 1: Make another one? Fact? Fact the fuck nigga?

648
00:35:14,920 --> 00:35:17,520
Speaker 9: Nigga's friendly funck and laying on ship o God, yeah yo,

649
00:35:17,520 --> 00:35:19,480
Speaker 9: they ain't on ship talking about some you just got

650
00:35:19,520 --> 00:35:26,360
Speaker 9: here boy, you've been here yo, Yeah for this brother.

651
00:35:26,120 --> 00:35:28,960
Speaker 1: Went live shout out, shout out no love. I fuck

652
00:35:29,040 --> 00:35:30,520
Speaker 1: with no love, I know no longer and saying not

653
00:35:30,680 --> 00:35:34,680
Speaker 1: bad shout out no love. What fuck did you talking about?

654
00:35:35,640 --> 00:35:37,560
Speaker 1: You're talking about what what nigga went live about?

655
00:35:37,560 --> 00:35:37,640
Speaker 4: Me?

656
00:35:37,760 --> 00:35:39,400
Speaker 1: Tell you're talking about the nigga. This nigga?

657
00:35:39,440 --> 00:35:49,160
Speaker 2: Hold on, Oh what is it about to show? Y'all

658
00:35:49,200 --> 00:35:50,240
Speaker 2: is for this two times?

659
00:35:50,360 --> 00:35:52,520
Speaker 9: I'm just on her having fun. Y'all talking about some

660
00:35:52,600 --> 00:35:55,279
Speaker 9: get our Facebook. No, it's cool to have fun. I'm

661
00:35:55,320 --> 00:35:58,840
Speaker 9: just her popping ship. But hold on, I know a nigga.

662
00:35:59,239 --> 00:36:02,520
Speaker 1: I know a nigga. Way, I know a nigga who who.

663
00:36:02,360 --> 00:36:03,040
Speaker 2: Do mad mom?

664
00:36:03,120 --> 00:36:06,440
Speaker 1: Who went love me? I know a nigga not doing this?

665
00:36:06,440 --> 00:36:10,680
Speaker 1: Went live about me? Huh a nigga who doing this

666
00:36:10,760 --> 00:36:12,640
Speaker 1: in the camera? Went live about Hustle Cartel.

667
00:36:14,800 --> 00:36:18,400
Speaker 9: Huh a nigga who weren't this went live about Hustle Cartel?

668
00:36:19,480 --> 00:36:20,160
Speaker 11: Do you see this?

669
00:36:21,760 --> 00:36:24,880
Speaker 1: Is this the brother that y'all talking about? Is this

670
00:36:24,960 --> 00:36:27,640
Speaker 1: the brother that y'all talking about? Went live for Huster Cartel?

671
00:36:28,719 --> 00:36:29,000
Speaker 12: Boy?

672
00:36:30,120 --> 00:36:34,000
Speaker 1: Out of here, man, I'm scared of him. Who that

673
00:36:34,080 --> 00:36:37,399
Speaker 1: boy is a whole that's a whole boy. Girl, I'm

674
00:36:37,400 --> 00:36:41,279
Speaker 1: scared of hug Now that girl got a lags cross?

675
00:36:41,960 --> 00:36:45,440
Speaker 1: What look at the picture? I ain't not red about

676
00:36:45,440 --> 00:36:49,080
Speaker 1: this picture? Who playing with me? But he went live

677
00:36:49,120 --> 00:36:50,120
Speaker 1: about Hustle Cartel?

678
00:36:50,239 --> 00:36:50,399
Speaker 4: Man?

679
00:36:50,440 --> 00:36:52,080
Speaker 1: That nigga? No ask him?

680
00:36:52,400 --> 00:36:54,640
Speaker 9: Since we're talking about yes, let me speak on that

681
00:36:54,760 --> 00:36:58,600
Speaker 9: sub of too. Since we talking about it, Yeah, since

682
00:36:58,640 --> 00:37:00,760
Speaker 9: we talking about it, talking about.

683
00:37:00,520 --> 00:37:03,719
Speaker 1: Some man hustle cartel man, that nigga wan't hear no shit.

684
00:37:03,800 --> 00:37:05,759
Speaker 1: When he was over here, Yo, he went to her,

685
00:37:06,040 --> 00:37:07,000
Speaker 1: ask her what happened.

686
00:37:06,760 --> 00:37:08,520
Speaker 9: To day when your daddy tried to say something about

687
00:37:08,560 --> 00:37:10,040
Speaker 9: them dice in that motherfucking room.

688
00:37:10,600 --> 00:37:12,800
Speaker 1: Yeah, what I do then, motherfucking.

689
00:37:12,400 --> 00:37:15,320
Speaker 9: Daddy, nigga and any nigga talk to my daddy niggas,

690
00:37:15,520 --> 00:37:17,879
Speaker 9: I would never tolerate it. Nigga, you set your week

691
00:37:17,920 --> 00:37:20,120
Speaker 9: ass on that motherfucking captain. You just say shit, Oh

692
00:37:20,160 --> 00:37:22,640
Speaker 9: Jesus Fike. And I called a whole room right now,

693
00:37:22,840 --> 00:37:26,840
Speaker 9: if I'm lying, I call I called the whole room. Liggle,

694
00:37:27,160 --> 00:37:28,920
Speaker 9: your daddy try to say something about their backs, I

695
00:37:28,920 --> 00:37:30,600
Speaker 9: tell you that puss, that nigga get the fuck out.

696
00:37:30,480 --> 00:37:32,920
Speaker 1: Of my face. Yep. He didn't want that smoke.

697
00:37:33,520 --> 00:37:35,360
Speaker 9: You thought you were gonna terrify hustle because I was

698
00:37:35,360 --> 00:37:37,160
Speaker 9: out there on the road by myself. Nah, Nigga, I

699
00:37:37,200 --> 00:37:40,080
Speaker 9: still hell shit, damn nigga. Yeah, and you didn't do

700
00:37:40,120 --> 00:37:42,560
Speaker 9: no sat there with your motherfucking.

701
00:37:41,840 --> 00:37:43,640
Speaker 2: I ain't gonna lie. He going big on for this.

702
00:37:47,239 --> 00:37:49,239
Speaker 2: I don't know how it gonna turn out. But as

703
00:37:49,280 --> 00:37:52,080
Speaker 2: of right now, Holmes is literally he going BEI.

704
00:37:53,280 --> 00:37:56,759
Speaker 1: Cross looking like a fucking pony, looking just like this.

705
00:37:57,239 --> 00:37:59,960
Speaker 9: You sat there on that couch and cross the motherfucking

706
00:38:00,440 --> 00:38:01,280
Speaker 9: just like that.

707
00:38:01,280 --> 00:38:02,080
Speaker 1: That's what you did.

708
00:38:02,760 --> 00:38:04,759
Speaker 9: Stop playing with me, boy, You ain't hear on no

709
00:38:04,840 --> 00:38:06,400
Speaker 9: gangster ship and you know that.

710
00:38:08,440 --> 00:38:10,560
Speaker 1: Yeah, he and nigga taking pictures like this got the

711
00:38:10,719 --> 00:38:12,799
Speaker 1: nerve to tell other than you weren't hearing nothing. Shit.

712
00:38:13,600 --> 00:38:14,839
Speaker 1: I got a nigga doing this.

713
00:38:15,920 --> 00:38:20,480
Speaker 2: Out of her now, get out of her here. Now,

714
00:38:20,520 --> 00:38:23,160
Speaker 2: why it looks like why it look like he doing good?

715
00:38:23,280 --> 00:38:25,440
Speaker 2: Now we got charged Don White coming up next. That

716
00:38:25,520 --> 00:38:32,520
Speaker 2: got on his ass. Now let's keep it real, pres iin.

717
00:38:32,840 --> 00:38:36,400
Speaker 9: Can I tell tell tell the go to put that

718
00:38:36,480 --> 00:38:39,879
Speaker 9: hundred thousand on real quick? Right yet, tell the hey,

719
00:38:40,080 --> 00:38:42,200
Speaker 9: tell just to put that hundred thousand dollars out real

720
00:38:42,280 --> 00:38:43,320
Speaker 9: quick on the ass.

721
00:38:44,400 --> 00:38:46,719
Speaker 1: That's to go. Let me see that phone, Let me

722
00:38:46,760 --> 00:38:51,200
Speaker 1: see that phone. Yeah, ain't fine.

723
00:38:51,239 --> 00:38:53,480
Speaker 9: Hold on, I'm on Facebook with a lempt thousand people

724
00:38:53,520 --> 00:38:56,239
Speaker 9: watching right now, let me show you I'm on this

725
00:38:56,320 --> 00:38:58,120
Speaker 9: bitch with a lempt thousand people watching.

726
00:38:58,600 --> 00:39:00,319
Speaker 2: Porter, how say this?

727
00:39:00,400 --> 00:39:03,080
Speaker 1: Why you own the phone that's on my phone. I'm

728
00:39:03,120 --> 00:39:04,839
Speaker 1: looking at the paper.

729
00:39:06,280 --> 00:39:12,000
Speaker 2: So there's some snitching allegations that's going around. Charles and

730
00:39:12,040 --> 00:39:14,759
Speaker 2: White said he told on somebody. I guess this po

731
00:39:14,960 --> 00:39:16,880
Speaker 2: this his big homema on the other side of his

732
00:39:17,000 --> 00:39:19,920
Speaker 2: phone right here. I guess trying to validate his you

733
00:39:20,000 --> 00:39:22,920
Speaker 2: know what I mean, validate his gangster or validate him

734
00:39:23,000 --> 00:39:27,520
Speaker 2: he being him being solid. You know, I don't really

735
00:39:27,560 --> 00:39:29,000
Speaker 2: know how all this workd you dig you know what

736
00:39:29,080 --> 00:39:30,240
Speaker 2: I'm saying. But pay attention.

737
00:39:32,320 --> 00:39:34,320
Speaker 1: People brought you in, questioned you.

738
00:39:34,320 --> 00:39:37,040
Speaker 2: You said, I don't know nothing about what happened because

739
00:39:37,080 --> 00:39:37,759
Speaker 2: I wasn't them.

740
00:39:38,160 --> 00:39:40,880
Speaker 13: They sound that you were for a video trying to

741
00:39:41,000 --> 00:39:42,640
Speaker 13: question you about something and then.

742
00:39:42,520 --> 00:39:44,439
Speaker 2: Ain't saying you on the phone.

743
00:39:44,440 --> 00:39:49,200
Speaker 1: Oh Jesus Christ, that's exactly what happened. Facts he got charge.

744
00:39:49,520 --> 00:39:52,560
Speaker 13: I want to draw this goofy ship show that that

745
00:39:53,040 --> 00:39:56,640
Speaker 13: man is told I wouldn't to be nowhere?

746
00:39:56,680 --> 00:39:59,680
Speaker 4: Is motherfucking that? Why on the phone?

747
00:40:00,320 --> 00:40:00,760
Speaker 10: Facts?

748
00:40:02,760 --> 00:40:05,839
Speaker 9: Nothing in this paper saying she did nothing about telling

749
00:40:05,920 --> 00:40:10,719
Speaker 9: no more body. Hey Bob, Hey, Hey Bob, I told

750
00:40:10,760 --> 00:40:12,680
Speaker 9: him you done ran up two three million fucking with

751
00:40:12,719 --> 00:40:13,480
Speaker 9: Hustle Cartel.

752
00:40:13,920 --> 00:40:16,359
Speaker 1: Hey, I know why they mad.

753
00:40:21,080 --> 00:40:22,880
Speaker 2: All right? Well then they just told me that he

754
00:40:22,960 --> 00:40:24,880
Speaker 2: gonna say what needs to be said. The fuck with

755
00:40:24,960 --> 00:40:29,719
Speaker 2: you when you told me made two million, nigga to

756
00:40:29,800 --> 00:40:33,160
Speaker 2: voucher went out the door then, because anybody made two

757
00:40:33,239 --> 00:40:36,000
Speaker 2: million with me gonna stand with me when it get dog?

758
00:40:36,760 --> 00:40:38,400
Speaker 2: What else they gonna make two million?

759
00:40:38,520 --> 00:40:38,560
Speaker 5: That?

760
00:40:45,840 --> 00:40:49,319
Speaker 9: Okay, okay, you're right around and that's just what how

761
00:40:49,360 --> 00:40:49,799
Speaker 9: much of that?

762
00:40:49,880 --> 00:40:51,799
Speaker 2: I guess what I ain't saying the little nigga told

763
00:40:51,840 --> 00:40:54,759
Speaker 2: because I don't know. But I know one thing. It

764
00:40:54,800 --> 00:40:57,439
Speaker 2: ain't gonna never be nothing out there about me. I'm

765
00:40:57,440 --> 00:41:00,680
Speaker 2: the real truth. You understand. I'm the You're true. But

766
00:41:01,080 --> 00:41:03,600
Speaker 2: I do know that if a nigga makes two mean

767
00:41:03,640 --> 00:41:05,799
Speaker 2: and with you in the street, man, he'll look over

768
00:41:05,840 --> 00:41:10,280
Speaker 2: a few things. Man, Somebody call me a lie, somebody

769
00:41:10,320 --> 00:41:11,200
Speaker 2: call me a liar.

770
00:41:11,400 --> 00:41:19,080
Speaker 1: Niggaig a honey bond. Yeah, nigga can show a honted man.

771
00:41:18,920 --> 00:41:25,960
Speaker 9: The niggas ain't never touched the honey huh uh huh.

772
00:41:27,360 --> 00:41:30,200
Speaker 2: Now, let me say this, he playing a dangerous game

773
00:41:30,280 --> 00:41:32,960
Speaker 2: if you ask me, not even with for this, because

774
00:41:33,280 --> 00:41:36,840
Speaker 2: for Neess does have the mob tized ship with him,

775
00:41:37,160 --> 00:41:43,560
Speaker 2: and he has a couple different aspects to him. I've

776
00:41:43,600 --> 00:41:47,560
Speaker 2: seen what they did the little no Love, which is

777
00:41:47,560 --> 00:41:55,480
Speaker 2: his little brother, and so excuse me. And so them

778
00:41:55,560 --> 00:41:57,920
Speaker 2: dudes will get active at any moment. If you ask

779
00:41:58,040 --> 00:41:59,880
Speaker 2: me based on what I'm saying that that don't mean

780
00:42:00,040 --> 00:42:02,280
Speaker 2: anybody gangster. That don't mean it ain't gonna be no telling.

781
00:42:02,560 --> 00:42:05,400
Speaker 2: That don't mean nothing. But what I am saying is

782
00:42:06,600 --> 00:42:10,200
Speaker 2: or a nigga like this gentleman right here who does

783
00:42:10,239 --> 00:42:13,640
Speaker 2: all that gambling. What I know about gambling houses where

784
00:42:13,680 --> 00:42:17,920
Speaker 2: I'm from them nigga, that's nigga. Them like trap houses.

785
00:42:20,640 --> 00:42:23,160
Speaker 2: And so if you're making all your money like you saying,

786
00:42:23,280 --> 00:42:25,840
Speaker 2: in the gambling circuit, you really can't talk like this.

787
00:42:26,000 --> 00:42:28,040
Speaker 2: You don't know when you in here with somebody that's

788
00:42:28,040 --> 00:42:31,840
Speaker 2: plugged with, somebody that's plugged with someone like I literally

789
00:42:31,920 --> 00:42:34,560
Speaker 2: saved a rap nigga from getting robbed in my city.

790
00:42:34,600 --> 00:42:37,239
Speaker 2: He don't know to this day, a nigga went to

791
00:42:37,280 --> 00:42:40,759
Speaker 2: a gambling house. He don't even know these people. He

792
00:42:40,960 --> 00:42:43,000
Speaker 2: just show up in my city on tour. He end

793
00:42:43,080 --> 00:42:45,360
Speaker 2: up in a gambling house. They about to really max

794
00:42:45,440 --> 00:42:49,279
Speaker 2: him out. This is on Jesus Christ. This is on

795
00:42:49,440 --> 00:42:52,480
Speaker 2: Jesus Christ. They called me my nigga, Hey man, we

796
00:42:52,520 --> 00:42:54,640
Speaker 2: got such and such in here, nigga, finna, we're finna

797
00:42:54,640 --> 00:42:57,719
Speaker 2: take him down. I'm thinking, like, what in the fuck

798
00:42:57,840 --> 00:43:00,239
Speaker 2: is this young nigga doing in a gambling house in

799
00:43:00,280 --> 00:43:03,759
Speaker 2: the middle of Cashville at two in the morning. What

800
00:43:03,840 --> 00:43:06,839
Speaker 2: kind of games is y'all playing? So I'm saying, if

801
00:43:06,840 --> 00:43:09,920
Speaker 2: he make all his money in the gambling circuit, like

802
00:43:10,000 --> 00:43:14,239
Speaker 2: they want me to believe, I don't think it's smart

803
00:43:14,280 --> 00:43:18,000
Speaker 2: to start these kind of fires with other individuals that

804
00:43:18,080 --> 00:43:20,239
Speaker 2: live in the gambling circuit, because what do we know

805
00:43:20,320 --> 00:43:23,840
Speaker 2: about mob tithes and all them individuals? They love gambling?

806
00:43:24,520 --> 00:43:26,839
Speaker 2: All right, pe take off? Where did that happen at

807
00:43:28,080 --> 00:43:31,279
Speaker 2: that they were gambling? RP to that other nigga, the

808
00:43:31,360 --> 00:43:34,160
Speaker 2: jeweler nigga, excuse me for not knowing you guys name.

809
00:43:34,239 --> 00:43:38,239
Speaker 2: I try to install positive shit into my brain. I'm notified,

810
00:43:38,280 --> 00:43:41,359
Speaker 2: and I'm aware of certain things, but I can't just

811
00:43:42,200 --> 00:43:44,360
Speaker 2: I can't just recall it because I try not to

812
00:43:44,400 --> 00:43:46,920
Speaker 2: store it in the place. What the information is that

813
00:43:46,960 --> 00:43:49,239
Speaker 2: I just recall? You know what I'm saying. The shit

814
00:43:49,360 --> 00:43:51,120
Speaker 2: that you can just pour from your brain, you ain't

815
00:43:51,120 --> 00:43:53,759
Speaker 2: gotta think about. I don't really have his name right,

816
00:43:53,800 --> 00:43:56,080
Speaker 2: and so I apologize for that. I'm sure the comments

817
00:43:56,080 --> 00:44:00,520
Speaker 2: are correct that, but that was at a gambling spot.

818
00:44:01,440 --> 00:44:04,040
Speaker 2: You know. The gambling house is like the trap house.

819
00:44:05,600 --> 00:44:10,399
Speaker 2: And so you starting files with and I if I'm

820
00:44:10,440 --> 00:44:13,120
Speaker 2: too believe the way they portray this young man's brand.

821
00:44:13,120 --> 00:44:17,400
Speaker 2: He'll pull up in the Wayne Gamble, you know the

822
00:44:17,480 --> 00:44:20,919
Speaker 2: young niggas, you know the yn send me something yesterday. Well,

823
00:44:22,520 --> 00:44:27,680
Speaker 2: I guess he was looking for EStG in his city. Man.

824
00:44:27,719 --> 00:44:29,520
Speaker 2: You know what kind of pressure going on with that

825
00:44:29,600 --> 00:44:33,200
Speaker 2: nigga right now? You know what kind of niggas them

826
00:44:33,239 --> 00:44:34,880
Speaker 2: he is? Boy, the ain't the kind of niggas you

827
00:44:34,920 --> 00:44:37,839
Speaker 2: pull up with three hundred thousand talking about shoot a hunter. Man,

828
00:44:37,920 --> 00:44:42,359
Speaker 2: let me get that three hundred. Lay it down, man,

829
00:44:42,400 --> 00:44:45,839
Speaker 2: let me get that three hundred. Let me get that

830
00:44:45,880 --> 00:44:49,480
Speaker 2: three hundred. Man, you feel me, it can get slippery.

831
00:44:49,760 --> 00:44:51,880
Speaker 2: And I'm not saying that because it don't mean you

832
00:44:51,960 --> 00:44:54,440
Speaker 2: a whole if you get robbed. And I'm sure dude

833
00:44:54,520 --> 00:44:57,480
Speaker 2: know that, But you can't be in the gambling houses

834
00:44:57,600 --> 00:44:59,160
Speaker 2: talking a certain way.

835
00:44:59,200 --> 00:44:59,319
Speaker 10: Man.

836
00:44:59,320 --> 00:45:01,719
Speaker 2: You're gonna run in to somebody that know somebody that

837
00:45:01,840 --> 00:45:05,719
Speaker 2: knows somebody and they know you know, I got a

838
00:45:05,719 --> 00:45:08,120
Speaker 2: handshot for the first nigga knock him out on camera.

839
00:45:08,200 --> 00:45:11,319
Speaker 2: That ain't even too right. Anybody got a problem with me.

840
00:45:11,440 --> 00:45:15,080
Speaker 2: It's understood all across America. I got a handshot for you,

841
00:45:15,200 --> 00:45:17,520
Speaker 2: knock him out on camera. I don't even got to

842
00:45:17,560 --> 00:45:20,920
Speaker 2: say nothing. Knock him out, and this is for entertainment

843
00:45:20,960 --> 00:45:24,320
Speaker 2: purposes only. Let's look at some more of what he's saying.

844
00:45:26,480 --> 00:45:27,680
Speaker 4: Oh yeah, you know that's what we do.

845
00:45:28,120 --> 00:45:34,240
Speaker 1: You know that's what we're doing. Facts. You know, Charleston

846
00:45:34,280 --> 00:45:36,480
Speaker 1: White got him rapped up like they hit no something.

847
00:45:36,680 --> 00:45:38,719
Speaker 1: He no shit, how you gonna make up?

848
00:45:38,920 --> 00:45:48,080
Speaker 9: He got y'all pumped up like y'all somebody, Yeah.

849
00:45:48,239 --> 00:45:54,080
Speaker 5: Respect, They better quit playing. They know, yeah, they know

850
00:45:54,120 --> 00:45:57,839
Speaker 5: what the fun going on. They better do.

851
00:45:57,800 --> 00:45:59,080
Speaker 1: Their research while they playing.

852
00:46:00,040 --> 00:46:03,680
Speaker 9: Okay, Hey, Bob ain't doing up a big ship popping

853
00:46:03,680 --> 00:46:07,000
Speaker 9: over this motherfucker. No guess I got to say tomorrow

854
00:46:07,040 --> 00:46:08,840
Speaker 9: when I go back line, I want to see the

855
00:46:08,840 --> 00:46:11,439
Speaker 9: new comers because I'm on y'all lass too. So yeah,

856
00:46:11,560 --> 00:46:14,759
Speaker 9: I'm pretty sure how y'all gonna pipe down after this line?

857
00:46:15,440 --> 00:46:22,000
Speaker 1: Pipe down? Now, niggas ain't hitting no ship. Hey, I'm fat,

858
00:46:22,080 --> 00:46:23,920
Speaker 1: I'm for it. Comes off over there on the ground.

859
00:46:24,080 --> 00:46:27,840
Speaker 9: Turn the ground up. Yeah, and they got ten thousand

860
00:46:27,920 --> 00:46:32,120
Speaker 9: people washing. Yeah, I ain't know what the fuck.

861
00:46:31,920 --> 00:46:35,600
Speaker 1: It is like. Man, you can't.

862
00:46:38,280 --> 00:46:45,040
Speaker 13: Facts, And I'm telling y'all my motherfucker, I got the paperwork.

863
00:46:46,080 --> 00:46:46,400
Speaker 10: LA call.

864
00:46:46,480 --> 00:46:49,160
Speaker 1: Appreciate them stars. Charncell White been on here watching the

865
00:46:49,200 --> 00:46:50,960
Speaker 1: whole time. He won't join it line, he won't get

866
00:46:50,960 --> 00:46:53,920
Speaker 1: into blood. Yeah, we hen screen recording. We got them,

867
00:46:54,520 --> 00:46:57,880
Speaker 1: We got them, tell them Chaunton, we got the million

868
00:46:57,920 --> 00:46:59,960
Speaker 1: by boy, I'm ready to get in the blood. And

869
00:47:00,080 --> 00:47:01,959
Speaker 1: I ain't really got too much shit to talk about.

870
00:47:02,160 --> 00:47:04,480
Speaker 9: I didn't hit on every subject, and I didn't hit

871
00:47:04,480 --> 00:47:07,520
Speaker 9: the poet had niggas too, Yeah, pu around this mother

872
00:47:07,640 --> 00:47:10,320
Speaker 9: fucking acting like y'all sawbody.

873
00:47:09,400 --> 00:47:14,520
Speaker 1: That Ya never let no man see man nigga doing

874
00:47:14,560 --> 00:47:18,640
Speaker 1: that thousand dollars a show. Blow that ship, really, flush

875
00:47:18,680 --> 00:47:24,879
Speaker 1: that ship with king. Blow that ship. Hey son, it's

876
00:47:25,600 --> 00:47:28,759
Speaker 1: come on with quick. They so mad. I pressed about you, boy,

877
00:47:28,760 --> 00:47:31,279
Speaker 1: you got them in the show. Yeah, appreciate that. You

878
00:47:31,320 --> 00:47:34,080
Speaker 1: know I will Josh for ship. Yeah, appreciate that.

879
00:47:35,640 --> 00:47:37,000
Speaker 2: He can't.

880
00:47:38,160 --> 00:47:40,600
Speaker 1: Y'all looking at greatness right now. You know what I'm saying.

881
00:47:40,600 --> 00:47:43,400
Speaker 14: How fully be proud of us boy, y'all, all the

882
00:47:43,440 --> 00:47:49,520
Speaker 14: bad Nativity Greek TV boy.

883
00:47:48,960 --> 00:47:53,319
Speaker 2: All the what running that back the greatness right now.

884
00:47:53,520 --> 00:47:55,239
Speaker 14: You know what I'm saying, how fully be pride of

885
00:47:55,320 --> 00:48:00,120
Speaker 14: us boy, y'all, all the bad Nativity Greek TV boy.

886
00:48:01,800 --> 00:48:02,560
Speaker 4: To get your motion.

887
00:48:02,760 --> 00:48:08,359
Speaker 1: But yea, you know what I'm saying. Hey, y'all looking

888
00:48:08,400 --> 00:48:10,400
Speaker 1: at greatness right now. You know what I'm saying. I

889
00:48:10,480 --> 00:48:12,480
Speaker 1: fully be proud of us boy, y'all.

890
00:48:12,719 --> 00:48:23,200
Speaker 4: All the bad activity out money at though.

891
00:48:24,440 --> 00:48:26,640
Speaker 2: See then what I be saying. Then why they'll nigga

892
00:48:26,719 --> 00:48:32,680
Speaker 2: need to be somewhere in school. This is why you

893
00:48:32,760 --> 00:48:36,279
Speaker 2: need to be somewhere in school. Man. You know what

894
00:48:36,280 --> 00:48:38,200
Speaker 2: I'm saying. This is this is my feeling, and that's

895
00:48:38,200 --> 00:48:40,560
Speaker 2: why I want to get into it with y'all because

896
00:48:40,560 --> 00:48:44,080
Speaker 2: it's so deep. But I'll be undercutting my patreon folks.

897
00:48:44,360 --> 00:48:46,880
Speaker 2: Bro I broke this down in a way like y'all know,

898
00:48:46,920 --> 00:48:49,799
Speaker 2: when I do the podcast, I'm much more laid back

899
00:48:49,840 --> 00:48:52,160
Speaker 2: and I'm just I'm drilling through points. I'm cutting through

900
00:48:52,200 --> 00:48:54,560
Speaker 2: the wheeze like I'm going out the way right now.

901
00:48:54,640 --> 00:48:57,239
Speaker 2: You know, when we live, we just firing when you

902
00:48:57,320 --> 00:49:00,799
Speaker 2: know it's just it's live. But boy, you know I'm

903
00:49:00,800 --> 00:49:06,560
Speaker 2: gonna say this, I'm not sure that the universe whatever

904
00:49:06,920 --> 00:49:13,640
Speaker 2: applaud and uplift and bless and elevate and work in

905
00:49:13,760 --> 00:49:16,719
Speaker 2: concert on your behalf when you have a child that

906
00:49:16,760 --> 00:49:25,120
Speaker 2: you're overexposing to adult environment, right, And that goes for anybody,

907
00:49:25,719 --> 00:49:27,719
Speaker 2: you know. At the time I made the video, I

908
00:49:27,800 --> 00:49:31,719
Speaker 2: was more so speaking to Foriness about for Neess, about King,

909
00:49:31,960 --> 00:49:34,799
Speaker 2: about what it's like coming from the trenches, about what

910
00:49:34,840 --> 00:49:39,480
Speaker 2: it's like burying a child, burying a child because you

911
00:49:39,480 --> 00:49:45,719
Speaker 2: don't install this bullshit software on the child. There was

912
00:49:45,760 --> 00:49:48,759
Speaker 2: a video going viral where a car was going in

913
00:49:48,800 --> 00:49:52,920
Speaker 2: circles and there was a man in the back. He

914
00:49:53,000 --> 00:49:55,840
Speaker 2: wanted to be He was in a situation where he

915
00:49:55,920 --> 00:49:58,400
Speaker 2: was trying to get to the airport so he doesn't

916
00:49:58,400 --> 00:50:06,359
Speaker 2: miss his flight. And because the car software, it just

917
00:50:06,400 --> 00:50:09,680
Speaker 2: continued to go in circles, and he's, hey, hey, why

918
00:50:09,680 --> 00:50:11,960
Speaker 2: are you doing this. I don't understand what you're doing.

919
00:50:12,160 --> 00:50:14,879
Speaker 2: I don't understand what you're doing. And so even when

920
00:50:14,920 --> 00:50:18,160
Speaker 2: Fanness says, yo, you betrayed me. Now he a kid,

921
00:50:18,840 --> 00:50:22,400
Speaker 2: and y'all, y'all done put that nineteen ninety five software

922
00:50:22,440 --> 00:50:26,279
Speaker 2: on this brand new MacBook. Nigga is twenty twenty five.

923
00:50:26,360 --> 00:50:29,120
Speaker 2: This is the info chip. These young niggas moving around

924
00:50:29,120 --> 00:50:32,320
Speaker 2: with They using AI to to whoop the college system.

925
00:50:32,400 --> 00:50:34,759
Speaker 2: And y'all got a young nigga, y'all putting it way

926
00:50:34,840 --> 00:50:38,480
Speaker 2: back to nineteen ninety five and putting him in the

927
00:50:38,480 --> 00:50:42,680
Speaker 2: club at twelve. But again, I don't want to get

928
00:50:42,719 --> 00:50:44,799
Speaker 2: to it too much because I think I did a

929
00:50:44,800 --> 00:50:47,640
Speaker 2: master class on Patreon and I may end up putting

930
00:50:47,640 --> 00:50:52,319
Speaker 2: it out at some point, you know, because it's just

931
00:50:52,480 --> 00:50:57,480
Speaker 2: so it hurt me. It hurts me, and that's why

932
00:50:57,520 --> 00:51:00,319
Speaker 2: I gotta stay next to my sons, because boy, I'll

933
00:51:00,360 --> 00:51:04,120
Speaker 2: come see you installing that software on my son. Boy,

934
00:51:04,840 --> 00:51:07,680
Speaker 2: I'll come high let you about man, Yo, bruh, that

935
00:51:07,719 --> 00:51:10,640
Speaker 2: ain't even your son. You got two or three different

936
00:51:10,719 --> 00:51:15,319
Speaker 2: niggas running around town installing software on a computer that

937
00:51:15,400 --> 00:51:18,640
Speaker 2: ain't tall us, that ain't now one of they kids.

938
00:51:22,160 --> 00:51:25,440
Speaker 2: So they don't got to bury him if some God forbid,

939
00:51:25,480 --> 00:51:27,400
Speaker 2: if something ever happened to him. And King, if you

940
00:51:27,440 --> 00:51:30,840
Speaker 2: ever see me speaking, y'all run my resume. I'm big homing,

941
00:51:30,960 --> 00:51:33,520
Speaker 2: so I don't do no talking just to you know,

942
00:51:33,640 --> 00:51:36,160
Speaker 2: try to talk or be cool with no nigga or

943
00:51:36,239 --> 00:51:39,480
Speaker 2: get no plus points for no nigga. I literally speak

944
00:51:39,480 --> 00:51:43,560
Speaker 2: from the soul, from the heart. If you ever see this,

945
00:51:43,560 --> 00:51:47,080
Speaker 2: this is just me giving you big play a game. Yeah,

946
00:51:47,120 --> 00:51:54,399
Speaker 2: they doing too much playing, pranking and promoting. Let's see,

947
00:51:54,400 --> 00:51:56,239
Speaker 2: we got a super chat came in man. Let me

948
00:51:56,400 --> 00:52:02,800
Speaker 2: let me honor the super chat real quick. There's happy

949
00:52:02,840 --> 00:52:03,760
Speaker 2: blessed Day Sunday.

950
00:52:03,800 --> 00:52:03,960
Speaker 5: Loon.

951
00:52:04,160 --> 00:52:07,000
Speaker 2: Just wanted to send some love from Kelly and to

952
00:52:07,120 --> 00:52:10,240
Speaker 2: thank you for providing word to content. I pray everything

953
00:52:10,360 --> 00:52:13,719
Speaker 2: your hands touched in this season will prosper. I want

954
00:52:13,760 --> 00:52:16,279
Speaker 2: to thank you blessed and annoying it. Thank you so

955
00:52:16,400 --> 00:52:18,360
Speaker 2: much for that. You know, I see a lot of

956
00:52:18,440 --> 00:52:22,000
Speaker 2: comments here. We'll get to him at some point. Super

957
00:52:22,120 --> 00:52:25,160
Speaker 2: Chests will get to in the in the immediate right.

958
00:52:25,880 --> 00:52:29,080
Speaker 2: But but for this kid, bro, I felt sorry for him.

959
00:52:29,120 --> 00:52:31,400
Speaker 2: You know what I'm saying. As you see that he

960
00:52:31,400 --> 00:52:34,600
Speaker 2: couldn't even speak well. You know what I'm saying. He

961
00:52:34,640 --> 00:52:36,960
Speaker 2: can't speak well, and they got him somewhere in a

962
00:52:37,200 --> 00:52:40,360
Speaker 2: in a club on Fridays and Saturdays. He needs to

963
00:52:40,360 --> 00:52:42,879
Speaker 2: be at a tutor Honda boy.

964
00:52:46,360 --> 00:52:50,400
Speaker 9: Yeah, now, brother, I tried. He won't add taroro. I

965
00:52:50,400 --> 00:52:54,160
Speaker 9: appreciate the love. Shut out Tala what it is, Hey,

966
00:52:54,239 --> 00:53:00,840
Speaker 9: Trey TARSI all my life. I'm better get out of

967
00:53:00,840 --> 00:53:10,560
Speaker 9: the home good. Okay, Yeah yeah you're got yeah yeah yeah.

968
00:53:10,960 --> 00:53:12,480
Speaker 1: He didn't want to tell you.

969
00:53:12,480 --> 00:53:14,560
Speaker 9: You know what I'm saying, I pay that five hundred

970
00:53:14,600 --> 00:53:16,200
Speaker 9: dollars a month because when your mama got.

971
00:53:16,040 --> 00:53:17,680
Speaker 1: You become a millionaire more time.

972
00:53:19,080 --> 00:53:19,360
Speaker 10: Yeah.

973
00:53:21,160 --> 00:53:23,040
Speaker 2: So I guess his family came in and said he

974
00:53:23,120 --> 00:53:25,600
Speaker 2: stole some money from him. You know, y'all let me

975
00:53:25,640 --> 00:53:27,640
Speaker 2: know how y'all feel about, you know, all this shit

976
00:53:27,719 --> 00:53:30,399
Speaker 2: in the comments, because again I'm looking at King and saying, man,

977
00:53:32,920 --> 00:53:36,120
Speaker 2: they pushing him the wrong way. You know what I mean,

978
00:53:36,160 --> 00:53:38,680
Speaker 2: they pushing him the wrong way. And see, I think,

979
00:53:41,600 --> 00:53:48,680
Speaker 2: but this kind of started something that can it's easily

980
00:53:49,040 --> 00:53:53,440
Speaker 2: to get out of control. Granted, I want to be

981
00:53:53,600 --> 00:53:56,200
Speaker 2: clear that I know little King didn't say his first

982
00:53:56,239 --> 00:53:59,279
Speaker 2: cuss word around for this, and he didn't shoot his

983
00:53:59,320 --> 00:54:03,480
Speaker 2: first dice around for this, right, he didn't shoot his

984
00:54:03,520 --> 00:54:08,920
Speaker 2: first dice around this, gentleman here, I understand that the

985
00:54:09,000 --> 00:54:14,960
Speaker 2: fabric that King was cut from, but I also understand

986
00:54:15,000 --> 00:54:18,000
Speaker 2: that it's a confusing situation to put a kid in,

987
00:54:18,080 --> 00:54:20,560
Speaker 2: to put him next to rap niggas that playing street

988
00:54:23,560 --> 00:54:27,080
Speaker 2: because in his mind, he gonna think these street niggas here, nigga,

989
00:54:27,080 --> 00:54:29,800
Speaker 2: all I want to be was a street nigga. He

990
00:54:29,960 --> 00:54:34,440
Speaker 2: niggas selling our shows. Man, these niggas rapp us. Why

991
00:54:34,440 --> 00:54:36,600
Speaker 2: I tell the kid br these niggas rappers. I don't

992
00:54:36,600 --> 00:54:38,600
Speaker 2: give a fuck what how tough they act. I don't

993
00:54:38,600 --> 00:54:40,399
Speaker 2: give a fuck how much frown and they do, these

994
00:54:40,440 --> 00:54:43,239
Speaker 2: niggas rappers. And if these niggas ain't rappers. If you

995
00:54:43,280 --> 00:54:46,520
Speaker 2: with a successful entertainer and he ain't a rap nigga

996
00:54:47,040 --> 00:54:50,120
Speaker 2: but he rapping, if he a gangster but he rapping,

997
00:54:51,040 --> 00:54:55,080
Speaker 2: he ain't neither one. He a fool. He ain't no gangster.

998
00:54:55,239 --> 00:55:01,320
Speaker 2: Unknow rapper, you would a fool. You're selling out arenas.

999
00:55:01,600 --> 00:55:04,000
Speaker 2: This little nigga don't know the difference y'all playing gangster

1000
00:55:04,080 --> 00:55:08,680
Speaker 2: all backstage and smacking people and fighting and everybody acting

1001
00:55:08,800 --> 00:55:11,520
Speaker 2: like right. I think for this is easy to be

1002
00:55:11,560 --> 00:55:13,800
Speaker 2: in a scenario to forget. Yo, you was in jail

1003
00:55:13,840 --> 00:55:19,399
Speaker 2: with nothing like literally you were doing verses for three

1004
00:55:19,520 --> 00:55:22,040
Speaker 2: hundred dollars in jail. You gotta always remember that. And

1005
00:55:22,080 --> 00:55:26,799
Speaker 2: this ain't no dish. This is just a real nigga observation.

1006
00:55:28,400 --> 00:55:30,640
Speaker 2: If you were doing verses for three hundred dollars when

1007
00:55:30,680 --> 00:55:32,960
Speaker 2: you was locked up. That's why I say, bruh, it's

1008
00:55:33,000 --> 00:55:34,960
Speaker 2: a case study. If you can watch a man the

1009
00:55:34,960 --> 00:55:37,080
Speaker 2: first day he get out and then see that same

1010
00:55:37,160 --> 00:55:40,360
Speaker 2: man two years from that date, them the two niggas

1011
00:55:40,440 --> 00:55:42,560
Speaker 2: is totally different. When a man get out of jail,

1012
00:55:42,600 --> 00:55:46,719
Speaker 2: he got a humble spirit, He thankful for the small things.

1013
00:55:47,440 --> 00:55:50,600
Speaker 2: You see what I'm saying. It's like or two years

1014
00:55:50,600 --> 00:55:52,920
Speaker 2: after he back popping, he done shook all that. He

1015
00:55:53,080 --> 00:55:56,480
Speaker 2: just went through. All that shit don't even register no more. Brouh.

1016
00:55:56,560 --> 00:55:58,719
Speaker 2: I still hang on the shit I done been through

1017
00:55:58,800 --> 00:56:00,919
Speaker 2: because I understand. I don't want to go back there.

1018
00:56:02,640 --> 00:56:04,560
Speaker 2: I don't want to go back that round. And then

1019
00:56:04,600 --> 00:56:07,560
Speaker 2: I want to be good to good people. I want

1020
00:56:07,560 --> 00:56:09,400
Speaker 2: to be good to people. I don't want to be

1021
00:56:09,440 --> 00:56:11,920
Speaker 2: an asshole, and I don't want to be, you know,

1022
00:56:12,680 --> 00:56:17,399
Speaker 2: viewed like some street nigga that's fucking over people. Right,

1023
00:56:17,480 --> 00:56:19,440
Speaker 2: So we're gonna, we're gonna, we're gonna listen to for

1024
00:56:19,560 --> 00:56:23,160
Speaker 2: next respond to this dude, and he told him exactly

1025
00:56:23,200 --> 00:56:53,720
Speaker 2: how he feels. Pay attention. We're gonna get to Alia Wilson.

1026
00:56:53,760 --> 00:57:01,359
Speaker 2: Don't you worry, Hey, I want you all to peat

1027
00:57:01,400 --> 00:57:04,440
Speaker 2: the game I'm running though, Right, So I got me

1028
00:57:04,480 --> 00:57:06,480
Speaker 2: a little song that I play.

1029
00:57:06,600 --> 00:57:06,799
Speaker 1: Right.

1030
00:57:07,239 --> 00:57:10,239
Speaker 2: It's because I don't really know what I'm doing. So

1031
00:57:10,360 --> 00:57:12,640
Speaker 2: what I'm trying to as I'm figuring out how to

1032
00:57:12,680 --> 00:57:15,160
Speaker 2: transition in and out, I hit y'a out with a

1033
00:57:15,160 --> 00:57:16,919
Speaker 2: little something. You know what I'm saying. I just letting

1034
00:57:16,960 --> 00:57:19,760
Speaker 2: y'all know the game. For people that's in the comments

1035
00:57:19,920 --> 00:57:22,480
Speaker 2: or watching and viewing, let's listen to what for this?

1036
00:57:22,680 --> 00:57:28,600
Speaker 2: Two Times said again, we played a video where Hustle

1037
00:57:28,640 --> 00:57:33,120
Speaker 2: Cartel didn't necessarily say anything about the fight in that video,

1038
00:57:33,200 --> 00:57:35,480
Speaker 2: but it kind of gave you context of the relationship

1039
00:57:35,520 --> 00:57:38,120
Speaker 2: with him and King. But there is a video about

1040
00:57:38,120 --> 00:57:40,480
Speaker 2: the fight. I don't even want to play it. I'm

1041
00:57:40,520 --> 00:57:42,560
Speaker 2: just gonna go ahead and get into what for this?

1042
00:57:42,760 --> 00:57:47,320
Speaker 2: Two Times said in response to Hustle Cartel and his

1043
00:57:47,640 --> 00:57:50,760
Speaker 2: scenario with offering a fight to him and Charleston White,

1044
00:57:51,120 --> 00:57:55,280
Speaker 2: I'm concerning disrespect that he must have felt as they

1045
00:57:55,280 --> 00:57:56,040
Speaker 2: were speaking to him.

1046
00:57:56,040 --> 00:58:00,440
Speaker 5: Peltition, fight for free, don't fight for money, filed for

1047
00:58:00,520 --> 00:58:03,800
Speaker 5: free in jail. I didn't fight for money. I filed

1048
00:58:03,840 --> 00:58:05,960
Speaker 5: for free. I fought foll for my respect.

1049
00:58:06,720 --> 00:58:06,920
Speaker 10: You know.

1050
00:58:07,040 --> 00:58:12,440
Speaker 5: I came here to show speak some knowledge what you're

1051
00:58:12,440 --> 00:58:14,480
Speaker 5: shoring money for. Because this is what y'all. This was

1052
00:58:14,560 --> 00:58:20,320
Speaker 5: a trickyard attention. That what y'all like. And while.

1053
00:58:22,000 --> 00:58:37,800
Speaker 10: H yah, take a fight, h take a fight, take

1054
00:58:37,840 --> 00:58:54,560
Speaker 10: a fight, takes take off yah h m in it.

1055
00:58:54,520 --> 00:58:55,880
Speaker 10: It is a sad place man.

1056
00:58:57,560 --> 00:59:01,720
Speaker 2: This is a liver killer. I think it's like the

1057
00:59:01,760 --> 00:59:04,640
Speaker 2: second and third time though somebody doesn't ask for this

1058
00:59:04,840 --> 00:59:07,760
Speaker 2: to fight. It's like they they quick to try to

1059
00:59:07,800 --> 00:59:08,920
Speaker 2: throw hands with him.

1060
00:59:09,560 --> 00:59:11,320
Speaker 5: Let me tell you why the Internet is a sad

1061
00:59:11,360 --> 00:59:13,600
Speaker 5: place hold on. I'm gonna tell y'all by the Internet

1062
00:59:13,680 --> 00:59:16,840
Speaker 5: a sad place hold on. Listen, though, I want you

1063
00:59:16,960 --> 00:59:19,440
Speaker 5: to before I speak the game in y'all, before I

1064
00:59:19,560 --> 00:59:23,160
Speaker 5: put y'all this a riachy meal, man, Ricky meal. What

1065
00:59:23,240 --> 00:59:25,640
Speaker 5: type of watch it did? There's one of them? Man,

1066
00:59:25,680 --> 00:59:29,320
Speaker 5: it's this boy. That's a that's a chande alert. That's

1067
00:59:29,320 --> 00:59:30,000
Speaker 5: a chandeler.

1068
00:59:30,120 --> 00:59:30,280
Speaker 15: Man.

1069
00:59:30,360 --> 00:59:33,920
Speaker 10: That what you call a chande alert? Yeah, chande alert?

1070
00:59:34,800 --> 00:59:37,400
Speaker 10: That what you called it? Man? That right there, that's

1071
00:59:37,480 --> 00:59:40,600
Speaker 10: that's what they is. Man. They called it a Richie meal.

1072
00:59:40,720 --> 00:59:43,680
Speaker 10: I called Ricky Meal. You know what I'm saying.

1073
00:59:45,000 --> 00:59:47,880
Speaker 5: I need I need all my fans and supporters, right,

1074
00:59:48,760 --> 00:59:49,640
Speaker 5: I need y'all.

1075
00:59:49,400 --> 00:59:54,640
Speaker 10: To push this narrative on the internet. Right quit.

1076
00:59:54,760 --> 00:59:59,439
Speaker 5: Let me run to the internet with these tough ship

1077
01:00:00,920 --> 01:00:04,160
Speaker 5: and then when it don't respond, the person that they

1078
01:00:04,320 --> 01:00:09,000
Speaker 5: arguing with don't respond, y'all get the call of them

1079
01:00:09,000 --> 01:00:13,120
Speaker 5: bitches and get to say that they scared because uh,

1080
01:00:16,640 --> 01:00:20,400
Speaker 5: you can't keep you can't do you can't do nothing

1081
01:00:20,440 --> 01:00:21,840
Speaker 5: to it from the internet. Bro.

1082
01:00:23,200 --> 01:00:26,520
Speaker 10: If if I don't respond on the internet, I'm.

1083
01:00:26,320 --> 01:00:29,680
Speaker 5: A bitch ass scared as But then when I see

1084
01:00:29,720 --> 01:00:32,760
Speaker 5: this and I shoot this in the face, I'm a

1085
01:00:32,760 --> 01:00:33,960
Speaker 5: stupid ass.

1086
01:00:34,640 --> 01:00:39,200
Speaker 10: You see what I'm saying this. I can't win with y'all.

1087
01:00:39,720 --> 01:00:40,120
Speaker 1: I can't.

1088
01:00:40,200 --> 01:00:43,600
Speaker 10: I can't win with y'all. I can't win. I can't win.

1089
01:00:43,760 --> 01:00:46,280
Speaker 10: Like as long.

1090
01:00:46,080 --> 01:00:48,440
Speaker 5: As I'm on the internet, as long as it's on

1091
01:00:48,480 --> 01:00:52,920
Speaker 5: the internet, and y'all getting some drummer, y'all eating drum

1092
01:00:53,040 --> 01:00:59,040
Speaker 5: up y'all and be silent and don't say nothing, y'all

1093
01:00:59,120 --> 01:01:00,000
Speaker 5: run with the narrative.

1094
01:01:00,080 --> 01:01:02,160
Speaker 2: I ain't gonna lie. I do believe him, and dudes

1095
01:01:02,200 --> 01:01:04,000
Speaker 2: should probably be able to get a fair one in.

1096
01:01:04,160 --> 01:01:08,800
Speaker 2: It's a west side for right up on Whoopy knock

1097
01:01:08,880 --> 01:01:11,920
Speaker 2: him out naked dead, only it don't matter where you

1098
01:01:11,960 --> 01:01:14,800
Speaker 2: added them. I think him and dude should be able

1099
01:01:14,840 --> 01:01:20,840
Speaker 2: to get a fair one because dude ain't shaped like

1100
01:01:20,880 --> 01:01:25,120
Speaker 2: nobody build or nothing neither, you know what I mean.

1101
01:01:25,240 --> 01:01:30,040
Speaker 2: But I do understand though, if I'm a rap nigga, can't.

1102
01:01:30,040 --> 01:01:32,080
Speaker 2: No nigga who won't cloud and keep a camera with

1103
01:01:32,200 --> 01:01:34,040
Speaker 2: him get no phararoom from me either. I'm gonna keep

1104
01:01:34,040 --> 01:01:37,400
Speaker 2: it and I'm gonna smack you when I see you

1105
01:01:38,200 --> 01:01:42,080
Speaker 2: catch it on your camera. Yeah, nah, you just catch

1106
01:01:42,160 --> 01:01:45,480
Speaker 2: it on your camera. But nobody that move around the

1107
01:01:45,520 --> 01:01:48,040
Speaker 2: city everywhere they go in the country with a camera

1108
01:01:48,200 --> 01:01:50,480
Speaker 2: next behind them like it's right here. I get it.

1109
01:01:50,480 --> 01:01:53,520
Speaker 2: It's content, I mean content. Ask any of them niggas

1110
01:01:53,560 --> 01:01:55,440
Speaker 2: they ever seen me with a couple of niggas with me,

1111
01:01:55,560 --> 01:01:58,840
Speaker 2: just film and everything. Yeah, we ain't ready for that

1112
01:01:58,960 --> 01:02:06,200
Speaker 2: level of fami. So you know that the hustle cartel

1113
01:02:06,280 --> 01:02:10,840
Speaker 2: nigga monetizing off this shit like he ain't just you

1114
01:02:10,880 --> 01:02:13,040
Speaker 2: know what I mean, pushing up the fighting on nigga

1115
01:02:13,080 --> 01:02:15,760
Speaker 2: for the free. He trying to monetize and get more

1116
01:02:15,840 --> 01:02:16,720
Speaker 2: lid off this shit.

1117
01:02:16,800 --> 01:02:16,920
Speaker 10: Bro.

1118
01:02:17,640 --> 01:02:20,480
Speaker 2: The same with Loose Cannon over there, whack one hundred.

1119
01:02:20,920 --> 01:02:22,520
Speaker 2: You might be trying to build a be in this

1120
01:02:22,640 --> 01:02:24,720
Speaker 2: and really stay in the content whord and fuck with

1121
01:02:24,760 --> 01:02:28,360
Speaker 2: the media. Loose trying to get clout and popping. He

1122
01:02:28,480 --> 01:02:31,560
Speaker 2: trying to get hit a household name. So Nigga, I

1123
01:02:31,720 --> 01:02:34,080
Speaker 2: jeopardized you trying to build that being is to keep

1124
01:02:34,080 --> 01:02:37,920
Speaker 2: my name straight. So that's how I'm looking at this.

1125
01:02:39,720 --> 01:02:43,320
Speaker 2: You understand the hustle cartel, dude, understand that it's cloud

1126
01:02:43,400 --> 01:02:46,080
Speaker 2: next to even being in this situation. That's why I

1127
01:02:46,080 --> 01:02:48,400
Speaker 2: don't know if the universe gonna honor that with the kid,

1128
01:02:48,520 --> 01:02:51,920
Speaker 2: even if you're doing right by him, The intentions intentions

1129
01:02:52,000 --> 01:02:54,720
Speaker 2: was bad. It started off in the negative. It started

1130
01:02:54,760 --> 01:02:58,160
Speaker 2: off in the wrong. You know what I'm saying. It

1131
01:02:58,280 --> 01:03:00,160
Speaker 2: started off in the wrong. Now I do see the

1132
01:03:00,160 --> 01:03:03,280
Speaker 2: little boy getting itself together twenty twenty three, looking back

1133
01:03:03,320 --> 01:03:05,280
Speaker 2: at some of these times and saying, damn, I was

1134
01:03:05,280 --> 01:03:08,160
Speaker 2: a little kid going through that. But as of right now,

1135
01:03:08,200 --> 01:03:10,480
Speaker 2: I don't know if the universe respects that enough to

1136
01:03:10,600 --> 01:03:11,040
Speaker 2: bless it.

1137
01:03:12,560 --> 01:03:15,000
Speaker 5: Y'all run with the narrative, and y'all and y'all and

1138
01:03:15,080 --> 01:03:19,360
Speaker 5: y'all believe in y'all mind and y'all and y'all. Let

1139
01:03:19,400 --> 01:03:23,160
Speaker 5: the bloggers run with the narrative that I ain't nobody responded.

1140
01:03:23,320 --> 01:03:27,360
Speaker 5: Ain't nobody saying because don't supposed to respond on the internet.

1141
01:03:28,160 --> 01:03:29,120
Speaker 5: I'm not, I'm not.

1142
01:03:29,240 --> 01:03:31,920
Speaker 10: I'm not here to beef. I'm here to make music.

1143
01:03:33,440 --> 01:03:36,600
Speaker 5: I'm not here to go back and forth when I'm not.

1144
01:03:36,760 --> 01:03:41,120
Speaker 5: I'm not using the internet no more is for that,

1145
01:03:41,320 --> 01:03:44,320
Speaker 5: like the internet is for music now when you see it,

1146
01:03:47,960 --> 01:03:52,400
Speaker 5: for playing what you see and looking at it like, oh,

1147
01:03:52,440 --> 01:03:57,640
Speaker 5: why gotta be all it? Because I'm a man and

1148
01:03:57,680 --> 01:04:00,640
Speaker 5: it's certain morals and principles that I say on like

1149
01:04:02,960 --> 01:04:06,840
Speaker 5: we ain't finna play gangster and didn't want to fight.

1150
01:04:07,280 --> 01:04:10,640
Speaker 5: We ain't doing it. We ain't doing it. You ain't

1151
01:04:10,960 --> 01:04:17,720
Speaker 5: disrespect me and didn't want to fighting. Uh well, I

1152
01:04:17,840 --> 01:04:21,680
Speaker 5: come fight for free, don't fight for money. Uh, I

1153
01:04:21,680 --> 01:04:24,200
Speaker 5: filed for free in jail. I didn't fight for money.

1154
01:04:25,080 --> 01:04:25,800
Speaker 5: I fought for free.

1155
01:04:26,000 --> 01:04:26,400
Speaker 10: I fought.

1156
01:04:26,440 --> 01:04:29,520
Speaker 5: I fought for my respect. You know what I'm saying. Uh,

1157
01:04:29,600 --> 01:04:31,919
Speaker 5: we fight for free. You know what I'm saying.

1158
01:04:31,920 --> 01:04:32,200
Speaker 10: We don't.

1159
01:04:32,240 --> 01:04:34,000
Speaker 5: We don't fight for no money. We ain't trying to

1160
01:04:34,000 --> 01:04:37,840
Speaker 5: prove no point. You meet me right here, you bring

1161
01:04:37,880 --> 01:04:40,600
Speaker 5: however many you want to, however you want to do it.

1162
01:04:42,920 --> 01:04:44,920
Speaker 2: Have you heard about the people who are you know?

1163
01:04:44,960 --> 01:04:46,960
Speaker 2: I want to also get an elephant in the room,

1164
01:04:47,040 --> 01:04:49,960
Speaker 2: some peanuts when this is old, because I want to

1165
01:04:50,000 --> 01:04:53,880
Speaker 2: talk about him and money bag. Yo? Is that something there?

1166
01:04:54,480 --> 01:04:57,760
Speaker 5: But let's look had no cameras and ship out because

1167
01:04:57,800 --> 01:05:00,680
Speaker 5: we ain't. We ain't looking for no clout. I'm here

1168
01:05:00,720 --> 01:05:02,720
Speaker 5: to proven point. I'm here to show. I'm here to

1169
01:05:02,720 --> 01:05:03,480
Speaker 5: stand on being this.

1170
01:05:06,560 --> 01:05:10,640
Speaker 10: And we squabble. It ain't all the internet shit. You

1171
01:05:10,680 --> 01:05:13,960
Speaker 10: can mess me with it on feed for real. I'm

1172
01:05:14,040 --> 01:05:17,400
Speaker 10: federal for real. These folk were really watching me, the

1173
01:05:17,520 --> 01:05:18,960
Speaker 10: feeds really all over me.

1174
01:05:19,240 --> 01:05:25,280
Speaker 5: I got a lawyer. Keep me at the mix, you

1175
01:05:25,320 --> 01:05:27,640
Speaker 5: know what I'm saying. Keep me out the mix, man,

1176
01:05:27,880 --> 01:05:30,440
Speaker 5: I'm trying to stay free. I got a daughter, I

1177
01:05:30,480 --> 01:05:31,040
Speaker 5: got keys.

1178
01:05:31,120 --> 01:05:32,480
Speaker 10: I ain't you know what I'm saying.

1179
01:05:32,640 --> 01:05:35,400
Speaker 2: But see, you brought it to the internet though, when

1180
01:05:35,400 --> 01:05:38,200
Speaker 2: you came to the internet talking about the fbil your

1181
01:05:38,360 --> 01:05:41,320
Speaker 2: po or something called you about King, So you brought

1182
01:05:41,320 --> 01:05:43,440
Speaker 2: that part to the internet. So you gotta honor that

1183
01:05:43,920 --> 01:05:45,880
Speaker 2: you brought it to the internet. You know, what I mean.

1184
01:05:45,920 --> 01:05:47,400
Speaker 2: You don't got to honor the fight, but you got

1185
01:05:47,520 --> 01:05:49,840
Speaker 2: to honor the fact it's on the internet. You brought

1186
01:05:49,880 --> 01:05:53,440
Speaker 2: it to the internet. But let's talk about this because

1187
01:05:53,640 --> 01:05:56,560
Speaker 2: I talked about it on Patroon a little and I

1188
01:05:56,600 --> 01:06:01,160
Speaker 2: didn't really get into this. But when King left around

1189
01:06:01,480 --> 01:06:05,280
Speaker 2: from h for this two times, he spoke about money Bag, y'o.

1190
01:06:07,600 --> 01:06:11,680
Speaker 2: And the money Bag yr situation with for this two

1191
01:06:11,720 --> 01:06:14,120
Speaker 2: times has always been shaky. I don't know if people,

1192
01:06:14,960 --> 01:06:17,680
Speaker 2: if you guys remember that, you know, it might be

1193
01:06:17,720 --> 01:06:19,520
Speaker 2: a good thing. For matter of fact, let's look at that.

1194
01:06:19,560 --> 01:06:22,120
Speaker 2: We ain't doing nothing else. So let's look at I

1195
01:06:22,160 --> 01:06:26,080
Speaker 2: want youry to see this live man from from for

1196
01:06:26,160 --> 01:07:19,600
Speaker 2: next two times at money Bag one second, all right here,

1197
01:07:19,640 --> 01:07:24,600
Speaker 2: it go right here. So I always wanted people to

1198
01:07:25,560 --> 01:07:29,080
Speaker 2: always remember what happened with money Bag and for this

1199
01:07:29,600 --> 01:07:32,760
Speaker 2: they kind of came up together. But that's always been

1200
01:07:32,800 --> 01:07:36,040
Speaker 2: a common thing. You know, I'm from I'm from Tennessee.

1201
01:07:36,200 --> 01:07:40,720
Speaker 2: So there's always like little rumblings that YO for this,

1202
01:07:40,960 --> 01:07:43,080
Speaker 2: don't really fuck with money Bag. And when he was

1203
01:07:43,120 --> 01:07:45,560
Speaker 2: around me, he said this, or he said that, I

1204
01:07:45,600 --> 01:07:48,480
Speaker 2: don't know. I don't but I'm telling you I've heard this,

1205
01:07:49,000 --> 01:07:53,240
Speaker 2: and my name is platinum from Spain to Maine. You understand.

1206
01:07:53,240 --> 01:07:55,480
Speaker 2: So I done heard this come out of people mouths

1207
01:07:55,560 --> 01:07:59,320
Speaker 2: like yo, man, you know for this and and bag

1208
01:07:59,360 --> 01:08:02,800
Speaker 2: ain't really cool yo, but they act cool. And for

1209
01:08:03,000 --> 01:08:05,240
Speaker 2: this really got an undertone where you really don't fuck

1210
01:08:05,280 --> 01:08:10,880
Speaker 2: with him now looking back at it, because this will

1211
01:08:10,920 --> 01:08:13,200
Speaker 2: make you want to look back at it. Looking back

1212
01:08:13,240 --> 01:08:16,160
Speaker 2: at it, there's a lot you'll be able to see

1213
01:08:16,280 --> 01:08:20,639
Speaker 2: that will surprise you when you hear for this two times,

1214
01:08:20,680 --> 01:08:24,400
Speaker 2: say something like I'm federal for real? What did money

1215
01:08:24,400 --> 01:08:28,719
Speaker 2: bag yo start this whole brand out of federal? Federal? Federal?

1216
01:08:33,120 --> 01:08:39,760
Speaker 2: Remember these things right? And while these are not overt,

1217
01:08:39,880 --> 01:08:42,400
Speaker 2: this is me and you know what I'm trying to say,

1218
01:08:43,200 --> 01:08:45,280
Speaker 2: And I fuck with bag bagged them. Been on this

1219
01:08:45,400 --> 01:08:48,400
Speaker 2: up there podcast. We did the rap snack thing, y'all

1220
01:08:48,400 --> 01:08:51,640
Speaker 2: go to Rap Snack channel and check that out. And

1221
01:08:51,720 --> 01:08:53,760
Speaker 2: I fuck with for nex. We donet talked a couple

1222
01:08:53,800 --> 01:08:56,680
Speaker 2: of times. You know what I'm saying. You know it

1223
01:08:56,720 --> 01:08:58,360
Speaker 2: is what it is. But I'm a dude to just

1224
01:08:58,400 --> 01:09:00,519
Speaker 2: get a truth when I'm having to come sas with

1225
01:09:00,560 --> 01:09:02,760
Speaker 2: the people. But look at this video right here with

1226
01:09:02,840 --> 01:09:05,080
Speaker 2: for next two times when he back when he was

1227
01:09:05,200 --> 01:09:09,479
Speaker 2: dissing money Bag. Yo, This was when money Bag was

1228
01:09:09,520 --> 01:09:11,920
Speaker 2: on fire. See for nexting them, thought they wasn't gonna

1229
01:09:11,960 --> 01:09:14,280
Speaker 2: be able to get out. Niggas start panicking. It's the

1230
01:09:14,320 --> 01:09:16,360
Speaker 2: same thing. That's why I say you better respect what

1231
01:09:16,439 --> 01:09:19,719
Speaker 2: you see when you looking at me, nigga. Niggas start

1232
01:09:19,760 --> 01:09:23,920
Speaker 2: panicking when you get on and guess what. The streets

1233
01:09:23,920 --> 01:09:26,960
Speaker 2: start coming out with the with the with the they

1234
01:09:27,000 --> 01:09:29,760
Speaker 2: start coming out with the mess. They start coming out man.

1235
01:09:29,800 --> 01:09:31,880
Speaker 2: You know, Loan were really man, that nigga. Loan was

1236
01:09:31,920 --> 01:09:34,599
Speaker 2: this man. That nigga really man. That was my money man.

1237
01:09:34,600 --> 01:09:37,439
Speaker 2: That nigga really was right. They coming out with that, Bro.

1238
01:09:38,479 --> 01:09:40,599
Speaker 2: You see what I'm saying. When you from the ghetto,

1239
01:09:41,760 --> 01:09:45,280
Speaker 2: everybody clawing to get out. It's a crab in embarrel mentality.

1240
01:09:45,280 --> 01:09:47,439
Speaker 2: But crabs don't belong in the barrel. Pay attention.

1241
01:09:50,920 --> 01:09:51,200
Speaker 4: She said.

1242
01:09:56,160 --> 01:09:58,680
Speaker 1: I wish I could make a long story short. You

1243
01:09:58,720 --> 01:09:59,320
Speaker 1: know what I'm saying.

1244
01:09:59,600 --> 01:10:01,760
Speaker 5: I wish I can't really make a long story short,

1245
01:10:01,800 --> 01:10:03,200
Speaker 5: but I can't. You know what I'm saying, Like, I

1246
01:10:03,240 --> 01:10:05,479
Speaker 5: gotta break it all the way down to y'all. NT

1247
01:10:05,560 --> 01:10:07,479
Speaker 5: y'all know what going on. You know what I'm saying,

1248
01:10:08,720 --> 01:10:10,479
Speaker 5: and I'm gonna get it to y'all. Always from the

1249
01:10:10,560 --> 01:10:14,400
Speaker 5: root man bang Ben, a hating mad nigga said we

1250
01:10:14,400 --> 01:10:16,559
Speaker 5: were a young nigga bro, like you know what I'm saying,

1251
01:10:16,600 --> 01:10:20,799
Speaker 5: Like it was me him black youngster or white p polo.

1252
01:10:21,040 --> 01:10:21,600
Speaker 4: Uh.

1253
01:10:21,800 --> 01:10:23,800
Speaker 1: We were about six seven deep in a group. Man,

1254
01:10:23,880 --> 01:10:24,559
Speaker 1: you know what I'm saying.

1255
01:10:24,920 --> 01:10:26,960
Speaker 5: And you know he always been a schnick bitch a

1256
01:10:27,080 --> 01:10:29,240
Speaker 5: nigga like when we were like when we're like when

1257
01:10:29,240 --> 01:10:31,080
Speaker 5: we were finna go to the club and smash on

1258
01:10:31,160 --> 01:10:33,920
Speaker 5: some niggas or whoop some niggas something to play our music,

1259
01:10:33,920 --> 01:10:35,080
Speaker 5: whoop the djails and shit.

1260
01:10:35,080 --> 01:10:37,479
Speaker 1: He always the South ad nigga wanna leave. You know

1261
01:10:37,520 --> 01:10:37,880
Speaker 1: what I'm saying.

1262
01:10:37,920 --> 01:10:40,160
Speaker 5: I ain't gonta nona do with it, bro, all that

1263
01:10:40,280 --> 01:10:42,559
Speaker 5: old bitch and shit. You know what I'm saying. So

1264
01:10:42,760 --> 01:10:44,840
Speaker 5: I already knew what I was dealing with. Is just

1265
01:10:44,920 --> 01:10:47,479
Speaker 5: that by me growing up, I don't realize that, you

1266
01:10:47,479 --> 01:10:49,759
Speaker 5: know what I'm saying. Everybody ain't meant to shoot no pistols.

1267
01:10:49,800 --> 01:10:53,040
Speaker 5: Everybody ain't everybody ain't no fighter, Everybody ain't gonna you

1268
01:10:53,040 --> 01:10:54,800
Speaker 5: know what I'm saying, This shit they like ain't meant

1269
01:10:54,840 --> 01:10:57,280
Speaker 5: for everybody. Some people just gotta talent, and you know

1270
01:10:57,320 --> 01:10:59,000
Speaker 5: what I'm saying, they know how to entertain.

1271
01:10:58,880 --> 01:11:01,040
Speaker 1: Real good you know what I'm saying. And you know

1272
01:11:01,439 --> 01:11:03,280
Speaker 1: it's about some money, you know what I'm saying.

1273
01:11:03,840 --> 01:11:08,080
Speaker 2: But what you gotta remember, this was when they was

1274
01:11:08,120 --> 01:11:13,720
Speaker 2: trying to undermine money bag, Yo gangster. You know what

1275
01:11:13,760 --> 01:11:17,439
Speaker 2: I'm saying. They were trying to undermine money bag, yo gangster.

1276
01:11:17,479 --> 01:11:20,120
Speaker 2: And now I don't know if nothing still ain't money bag.

1277
01:11:20,200 --> 01:11:23,000
Speaker 2: You ain't never been through nothing, you know. I've seen

1278
01:11:23,040 --> 01:11:24,600
Speaker 2: a couple of times where they got a couple of

1279
01:11:24,680 --> 01:11:27,120
Speaker 2: videos when he first got in a certain little thing.

1280
01:11:27,160 --> 01:11:29,519
Speaker 2: But he ain't never had a chain, took a nigga,

1281
01:11:29,520 --> 01:11:32,000
Speaker 2: ain't never fired on him, mushed him or nothing like that.

1282
01:11:32,200 --> 01:11:34,200
Speaker 2: But this is when they were coming out saying, your

1283
01:11:34,280 --> 01:11:37,040
Speaker 2: bag ain't really cut like they're talking all their federal shit,

1284
01:11:37,120 --> 01:11:39,479
Speaker 2: nigga peeling all to the street. See some of these

1285
01:11:39,479 --> 01:11:41,920
Speaker 2: street nigga, Then what I don't like about streets. This

1286
01:11:41,960 --> 01:11:43,640
Speaker 2: is what I don't like about the street niggas. And

1287
01:11:43,680 --> 01:11:45,639
Speaker 2: I come from them. I'm not a street nigga. Don't

1288
01:11:45,640 --> 01:11:48,600
Speaker 2: call me a street nigga. You insulting my intelligence, You

1289
01:11:48,720 --> 01:11:51,840
Speaker 2: insulting everything that I've gained along the way, where I've

1290
01:11:51,920 --> 01:11:57,120
Speaker 2: being the shit that I've conquered and overcame, right, So

1291
01:11:57,240 --> 01:11:59,519
Speaker 2: you got to recalibrate when you're talking to me, just

1292
01:11:59,520 --> 01:12:02,000
Speaker 2: because I like this. This is a sneak attack. This

1293
01:12:02,120 --> 01:12:04,000
Speaker 2: so you can handle me like a street nigga, and

1294
01:12:04,040 --> 01:12:09,080
Speaker 2: I can whoop you with these degrees. Yeah, now, yeah,

1295
01:12:09,120 --> 01:12:11,400
Speaker 2: the slow and the slang. Man, I'm telling you dealing

1296
01:12:11,439 --> 01:12:14,520
Speaker 2: with a scientist. Y'all. Just think it, bro It's not coincidence.

1297
01:12:14,560 --> 01:12:17,160
Speaker 2: I had fifty million streams last year and I don't

1298
01:12:17,200 --> 01:12:20,320
Speaker 2: have a co host. This ain't coincidence, my brother, this

1299
01:12:20,479 --> 01:12:24,880
Speaker 2: is real life. This is real life. Broh been able

1300
01:12:24,880 --> 01:12:28,439
Speaker 2: to do something anyway. Back then, they was trying to

1301
01:12:30,600 --> 01:12:34,520
Speaker 2: shit on money Bag Yo for not being an outstanding

1302
01:12:34,600 --> 01:12:39,240
Speaker 2: member and street niggas got this thing that they do

1303
01:12:39,360 --> 01:12:41,559
Speaker 2: where it's like, now you think he tough nigga, I'm

1304
01:12:41,560 --> 01:12:44,800
Speaker 2: really the tough one. Listen. We not fancy him because

1305
01:12:44,840 --> 01:12:49,000
Speaker 2: he tough. We fancy him because he's music. But the

1306
01:12:49,000 --> 01:12:51,879
Speaker 2: street niggas behind him will try to take his throne

1307
01:12:52,280 --> 01:12:56,200
Speaker 2: because they think, y'all, he'll because he is a tough nigga.

1308
01:12:56,400 --> 01:12:59,000
Speaker 2: You think only they like me. The only reason they

1309
01:12:59,080 --> 01:13:01,160
Speaker 2: like me is because I'm to off, because I'm from

1310
01:13:01,240 --> 01:13:03,639
Speaker 2: the street. Now, my nigga, I make good songs. When

1311
01:13:03,680 --> 01:13:06,680
Speaker 2: they cut the mic on, I say good shit ow

1312
01:13:06,800 --> 01:13:10,360
Speaker 2: the mic. I'm able to give double Nentandra's metaphors tied

1313
01:13:10,479 --> 01:13:14,320
Speaker 2: in right. I'm able to give something to the game

1314
01:13:14,479 --> 01:13:18,080
Speaker 2: deposit and not always withdraw. But street niggas to say,

1315
01:13:18,280 --> 01:13:20,120
Speaker 2: you ain't as tough as me. I gave you a

1316
01:13:20,160 --> 01:13:23,160
Speaker 2: shirt when you were fourteen. I'm the big homie. He

1317
01:13:23,200 --> 01:13:27,000
Speaker 2: ain't really like that. And money Bag Yo winning. Remember this.

1318
01:13:27,080 --> 01:13:29,720
Speaker 2: If you're from Tennessee, you remember this money Bag Yo

1319
01:13:29,880 --> 01:13:35,400
Speaker 2: was from a different hood that supposedly had issues with

1320
01:13:35,640 --> 01:13:39,040
Speaker 2: YO got It back then. That's why you have the

1321
01:13:39,600 --> 01:13:43,519
Speaker 2: Finest two Times, the Blue, Dirty Shit, the bo Little Kenny,

1322
01:13:43,600 --> 01:13:47,479
Speaker 2: all them niggas. There was a whole nother situation that

1323
01:13:47,840 --> 01:13:50,920
Speaker 2: didn't care for YO got It. That bag was a

1324
01:13:50,960 --> 01:13:53,600
Speaker 2: part of. But he he went right and when it

1325
01:13:53,720 --> 01:13:55,880
Speaker 2: signed with Got It and so one of his first

1326
01:13:55,920 --> 01:13:58,479
Speaker 2: songs he kind of tried to talk about that. You know,

1327
01:13:58,560 --> 01:14:01,080
Speaker 2: they saying they asked and they asked, they asking they asked,

1328
01:14:01,120 --> 01:14:02,600
Speaker 2: and they asked, what you know what I'm saying? He

1329
01:14:02,640 --> 01:14:05,320
Speaker 2: went and talked about yo. Man, They said, I shouldn't

1330
01:14:05,320 --> 01:14:07,799
Speaker 2: have signed with got It, but I gotta feed my family,

1331
01:14:07,800 --> 01:14:10,879
Speaker 2: I gotta go this way or whatever. But they started

1332
01:14:10,880 --> 01:14:12,679
Speaker 2: to pick at him and say, Yo, that nigga ain't

1333
01:14:12,720 --> 01:14:15,639
Speaker 2: real a street nigga, y'all, like bag, he ain't really

1334
01:14:15,680 --> 01:14:17,759
Speaker 2: cut like that. Listen to him.

1335
01:14:18,439 --> 01:14:21,000
Speaker 1: Get to the point where a niggas started playing with you.

1336
01:14:21,120 --> 01:14:23,679
Speaker 5: Like you a boy, Like when the niggas started feeling

1337
01:14:23,720 --> 01:14:26,559
Speaker 5: like they superior, more superior than you are because they

1338
01:14:26,600 --> 01:14:29,160
Speaker 5: got money. And when it gets to the point where

1339
01:14:29,200 --> 01:14:32,000
Speaker 5: a niggas started like like you taking up for the

1340
01:14:32,160 --> 01:14:35,600
Speaker 5: up bro, like we into it because we're into.

1341
01:14:35,360 --> 01:14:38,280
Speaker 1: It because I made the status about dat. I went

1342
01:14:38,360 --> 01:14:39,120
Speaker 1: in on Dault.

1343
01:14:39,680 --> 01:14:41,439
Speaker 5: You know what I'm saying for you and for what

1344
01:14:41,479 --> 01:14:43,479
Speaker 5: I believe in and what I stand for, and with

1345
01:14:43,840 --> 01:14:46,639
Speaker 5: you had me hands tagging you know what I'm saying.

1346
01:14:47,880 --> 01:14:49,240
Speaker 1: And them niggas don't want no smoke.

1347
01:14:49,280 --> 01:14:51,200
Speaker 5: We know already called him asking what they They ain't

1348
01:14:51,240 --> 01:14:53,120
Speaker 5: dropping their location, so we ain't.

1349
01:14:53,240 --> 01:14:53,519
Speaker 1: We ain't.

1350
01:14:53,600 --> 01:14:56,640
Speaker 5: We really ain't worried about no smoke. But anyway, you

1351
01:14:56,640 --> 01:15:01,400
Speaker 5: know what I'm saying. You know what I'm saying about

1352
01:15:01,479 --> 01:15:04,479
Speaker 5: him being a bitch ad nikka, you know what I'm saying.

1353
01:15:05,160 --> 01:15:09,040
Speaker 5: So anyway, you know what I'm saying about the dollshit.

1354
01:15:10,120 --> 01:15:11,920
Speaker 2: I just want you all to keep in mind that

1355
01:15:12,000 --> 01:15:17,599
Speaker 2: if I were bagged when Faness came home, he couldn't

1356
01:15:17,600 --> 01:15:24,760
Speaker 2: have signed with me. You can't sign with me after

1357
01:15:24,760 --> 01:15:26,519
Speaker 2: you after you go there route, because see what for

1358
01:15:26,600 --> 01:15:27,280
Speaker 2: Nis is doing?

1359
01:15:27,400 --> 01:15:28,000
Speaker 1: Is he playing?

1360
01:15:28,160 --> 01:15:29,680
Speaker 2: See he don't went in there and read some of

1361
01:15:29,680 --> 01:15:31,760
Speaker 2: them little books and trying to execute some of that

1362
01:15:31,880 --> 01:15:37,160
Speaker 2: game that he done read like you know, if let

1363
01:15:37,160 --> 01:15:39,479
Speaker 2: me say this, let me reframe that if I would

1364
01:15:39,600 --> 01:15:41,720
Speaker 2: have allowed for Nis to sign to me and I

1365
01:15:41,840 --> 01:15:44,120
Speaker 2: was money bag, yo, it would have been a year,

1366
01:15:44,240 --> 01:15:46,400
Speaker 2: two years, three years down the road, he would have

1367
01:15:46,479 --> 01:15:49,519
Speaker 2: just been signing now. I wouldn't have let him get out.

1368
01:15:49,640 --> 01:15:55,479
Speaker 2: Get that that jail house emotion off on me. You

1369
01:15:55,520 --> 01:15:57,439
Speaker 2: see what I'm saying. Like you've been in a jail

1370
01:15:57,520 --> 01:15:59,479
Speaker 2: house seeing me blow up, So I know you in

1371
01:15:59,560 --> 01:16:02,160
Speaker 2: that thing. I gotta get next to bro man, Man,

1372
01:16:02,160 --> 01:16:04,280
Speaker 2: I might have fucked up. Then they probably in jail

1373
01:16:04,360 --> 01:16:07,280
Speaker 2: telling you, man, you fucked up going against the bag nigga. Man,

1374
01:16:07,360 --> 01:16:09,960
Speaker 2: you went against Bag. You fucked up, you fucked your career.

1375
01:16:10,120 --> 01:16:11,920
Speaker 2: You know they probably in there letting you know that,

1376
01:16:12,160 --> 01:16:14,280
Speaker 2: and then you in there doing verses for the lower

1377
01:16:14,320 --> 01:16:16,280
Speaker 2: ain't really catting none of you. You know, you're doing

1378
01:16:16,320 --> 01:16:18,679
Speaker 2: your hustling whatever you're doing in there, but you wasn't

1379
01:16:19,120 --> 01:16:21,800
Speaker 2: you know what I'm saying. You wasn't high power. So

1380
01:16:21,880 --> 01:16:27,280
Speaker 2: you in there seeing brul like, damn, you get out.

1381
01:16:28,200 --> 01:16:30,439
Speaker 2: You can't shake the j Prince thing cause you done

1382
01:16:30,439 --> 01:16:34,559
Speaker 2: took they money you was in jail, didn't have none.

1383
01:16:35,479 --> 01:16:38,720
Speaker 2: And I think Honeycombe Braisey says that he introduced you.

1384
01:16:38,760 --> 01:16:40,800
Speaker 2: I don't know if that's true, but I do know

1385
01:16:40,920 --> 01:16:43,200
Speaker 2: Jay Prince then start putting money on your books, start

1386
01:16:43,280 --> 01:16:46,760
Speaker 2: fucking with you, Junior and them. So they ain't the

1387
01:16:46,880 --> 01:16:49,040
Speaker 2: kind of niggas that when you get out of jail,

1388
01:16:49,080 --> 01:16:51,000
Speaker 2: you get the gone bout your business and you just

1389
01:16:51,080 --> 01:16:54,599
Speaker 2: they just take a loss. You knew that even if

1390
01:16:54,640 --> 01:16:56,800
Speaker 2: I gotta get with Bag, I still gotta stay with Prince.

1391
01:16:56,880 --> 01:16:58,760
Speaker 2: So they went and done a two or three or

1392
01:16:58,800 --> 01:17:02,000
Speaker 2: four people in this month. The fucker like a Drake

1393
01:17:02,120 --> 01:17:05,400
Speaker 2: deal on a nigga that I ain't had no real

1394
01:17:06,640 --> 01:17:10,120
Speaker 2: mainstream success. You see what I'm saying, But they can

1395
01:17:10,160 --> 01:17:12,120
Speaker 2: see the promise. He made a lot of money when

1396
01:17:12,120 --> 01:17:14,479
Speaker 2: he came with that shit. When he first came out

1397
01:17:14,520 --> 01:17:17,160
Speaker 2: for this made it an extreme amount of money for

1398
01:17:17,200 --> 01:17:24,040
Speaker 2: that label. But if I was money bag, I wouldn't

1399
01:17:24,040 --> 01:17:27,439
Speaker 2: have gave him my coat side fresh out of jail.

1400
01:17:27,720 --> 01:17:31,120
Speaker 2: It's like the nigga when they soon they get out,

1401
01:17:31,120 --> 01:17:33,080
Speaker 2: they go looking for the girl they was with before,

1402
01:17:33,920 --> 01:17:36,840
Speaker 2: like they remember, they remember all them good time, Like Bro,

1403
01:17:36,920 --> 01:17:39,599
Speaker 2: she done move on? She still remember you were strung

1404
01:17:39,680 --> 01:17:41,680
Speaker 2: out on drugs, you were beating up for you went

1405
01:17:41,760 --> 01:17:44,160
Speaker 2: in like you think she forget that because you went

1406
01:17:44,280 --> 01:17:46,799
Speaker 2: and done a couple of years. If I were bagged,

1407
01:17:47,080 --> 01:17:49,320
Speaker 2: I would have tried to figure out if there's motive

1408
01:17:49,360 --> 01:17:52,120
Speaker 2: attached to this, because right after he signed them and

1409
01:17:52,160 --> 01:17:54,599
Speaker 2: the deal go through and they stay away from each other,

1410
01:17:55,040 --> 01:17:56,840
Speaker 2: or they make a few records and then they stay

1411
01:17:56,880 --> 01:17:58,599
Speaker 2: away from each other for a while, he go right

1412
01:17:58,640 --> 01:18:02,160
Speaker 2: back to the don federal for realer. And you could

1413
01:18:02,160 --> 01:18:06,280
Speaker 2: tell how he talking in these lives that I don't

1414
01:18:06,320 --> 01:18:08,360
Speaker 2: know if he got a You know, certain niggas, when

1415
01:18:08,360 --> 01:18:14,240
Speaker 2: they say something to you, they watch how they said right.

1416
01:18:14,760 --> 01:18:17,360
Speaker 2: If we're in the same vicinity and I'm a big player,

1417
01:18:17,439 --> 01:18:19,519
Speaker 2: you a small Friday, need to sing you out with

1418
01:18:19,600 --> 01:18:23,439
Speaker 2: the kids meal, You a small Friday, need to sing

1419
01:18:23,520 --> 01:18:26,280
Speaker 2: you out with the kids meal. I'm getting rapped money

1420
01:18:26,320 --> 01:18:28,680
Speaker 2: two three hundred k of night and shit, he was

1421
01:18:28,720 --> 01:18:31,400
Speaker 2: on five and you gonna just come out and talk

1422
01:18:31,479 --> 01:18:33,439
Speaker 2: to me like that, like them boys wonna come see

1423
01:18:33,479 --> 01:18:38,000
Speaker 2: you by the dog. So sometimes when you look at

1424
01:18:38,080 --> 01:18:39,920
Speaker 2: niggas and how they talk, you be like, either he

1425
01:18:39,960 --> 01:18:43,160
Speaker 2: don't know who he talking to or he know exactly

1426
01:18:43,200 --> 01:18:50,000
Speaker 2: who he talking to. Let that seek in pay attention.

1427
01:18:50,680 --> 01:18:52,320
Speaker 1: Nigga, the nigga get mad.

1428
01:18:52,760 --> 01:18:53,080
Speaker 16: Damn.

1429
01:18:53,200 --> 01:18:54,600
Speaker 1: Bro, we don't rock like that.

1430
01:18:54,800 --> 01:18:55,120
Speaker 4: We don't.

1431
01:18:55,520 --> 01:18:56,280
Speaker 1: We don't do that.

1432
01:18:56,479 --> 01:18:56,599
Speaker 5: Bro.

1433
01:18:56,800 --> 01:18:58,679
Speaker 1: Like we ain't with it, Bro, Like I'll.

1434
01:18:58,560 --> 01:19:00,920
Speaker 5: Fuck with that mind that mon ain't came and died

1435
01:19:01,000 --> 01:19:04,280
Speaker 5: a free feature for me after Blue Bro. I ain't

1436
01:19:04,360 --> 01:19:06,960
Speaker 5: it's nothing, Bro. I ain't doing none of it. Bro,

1437
01:19:07,120 --> 01:19:09,519
Speaker 5: I ain't. I ain't on there, brother, I ain't rocking

1438
01:19:09,680 --> 01:19:12,120
Speaker 5: like that. Me and Mike can't put you here or no.

1439
01:19:12,240 --> 01:19:15,559
Speaker 5: Bro when on some big cry baby bad bitch as

1440
01:19:15,560 --> 01:19:18,800
Speaker 5: big neighbor lass. Shit, you know what I'm saying, So

1441
01:19:18,800 --> 01:19:22,680
Speaker 5: so so so bam, so bam, so bam.

1442
01:19:23,520 --> 01:19:25,120
Speaker 1: I tried to leave this shit alone. You know what

1443
01:19:25,120 --> 01:19:25,439
Speaker 1: I'm saying.

1444
01:19:25,439 --> 01:19:28,280
Speaker 5: I left the shit alone or whatever. But then I

1445
01:19:28,320 --> 01:19:30,080
Speaker 5: had to realize, I don't know, nigga, run me. You

1446
01:19:30,120 --> 01:19:31,240
Speaker 5: know what I'm saying, Do what I want to do,

1447
01:19:31,320 --> 01:19:33,280
Speaker 5: Say what I want to say. Cause whatever I say

1448
01:19:33,360 --> 01:19:35,840
Speaker 5: on social media, whatever I the status out, I can

1449
01:19:35,880 --> 01:19:36,599
Speaker 5: do it in person.

1450
01:19:36,880 --> 01:19:39,160
Speaker 1: I'm not haring these streets right now. Like you know

1451
01:19:39,240 --> 01:19:43,360
Speaker 1: that nigga ain't make it right. I sneak, don't want

1452
01:19:43,360 --> 01:19:44,280
Speaker 1: to make no right right here.

1453
01:19:44,400 --> 01:19:45,240
Speaker 10: Police be out of here.

1454
01:19:45,360 --> 01:19:46,200
Speaker 1: Non't make it right though.

1455
01:19:51,240 --> 01:19:53,200
Speaker 5: I get scared when I see the fire department with

1456
01:19:53,240 --> 01:19:54,840
Speaker 5: the lights on top of the regular truck.

1457
01:19:54,880 --> 01:19:59,080
Speaker 1: I be spooked in But yeah, so they ain't.

1458
01:19:58,880 --> 01:19:59,800
Speaker 2: Making left right here.

1459
01:20:01,479 --> 01:20:02,519
Speaker 1: So you know what I'm saying.

1460
01:20:02,600 --> 01:20:04,680
Speaker 2: You know one thing, you know them niggas won't take

1461
01:20:04,720 --> 01:20:05,639
Speaker 2: the police to work.

1462
01:20:11,960 --> 01:20:14,880
Speaker 1: Uh, you got mad? You know what I'm saying about

1463
01:20:14,880 --> 01:20:17,080
Speaker 1: the dollshit. You know what I'm saying. So you know,

1464
01:20:17,120 --> 01:20:19,599
Speaker 1: I try to nig along like I'm my homeman, old nigga.

1465
01:20:19,640 --> 01:20:20,800
Speaker 1: You know what I'm saying. You know, I feel like

1466
01:20:20,840 --> 01:20:22,599
Speaker 1: a nigga did respect me. Then I'm gonna go ahead

1467
01:20:22,600 --> 01:20:23,080
Speaker 1: of niggas.

1468
01:20:23,400 --> 01:20:27,280
Speaker 5: So the second time I went in, dog, we end

1469
01:20:27,360 --> 01:20:30,120
Speaker 5: up bumping head like stop talking, We stopped fucking out.

1470
01:20:30,200 --> 01:20:30,880
Speaker 1: You know what I'm saying.

1471
01:20:31,280 --> 01:20:33,280
Speaker 2: You know, but you know what I think is interesting.

1472
01:20:33,840 --> 01:20:36,479
Speaker 2: You're listening to for next two times? Tell you right now,

1473
01:20:36,520 --> 01:20:40,280
Speaker 2: he'll take two black niggas and nail him to the cross, Maximouse,

1474
01:20:40,320 --> 01:20:42,360
Speaker 2: send him to see God by playing with this shit.

1475
01:20:42,400 --> 01:20:45,160
Speaker 2: They doing too much, playing pranking and promote. He just

1476
01:20:45,240 --> 01:20:48,840
Speaker 2: out of fire department and Nigga almost Nigga won't take

1477
01:20:48,880 --> 01:20:55,360
Speaker 2: them police nowhere. But Nigga, what look what we'll do

1478
01:20:55,479 --> 01:20:58,840
Speaker 2: to each other. Nigga put a badge on the uniform. Nigga,

1479
01:20:58,920 --> 01:21:02,760
Speaker 2: buy down. And this ain't just for this, this all

1480
01:21:02,840 --> 01:21:05,160
Speaker 2: of them, Nigga, this is just the street niggas period.

1481
01:21:05,200 --> 01:21:08,360
Speaker 2: Come out with your hands up, Nigga, tell him come

1482
01:21:08,400 --> 01:21:11,040
Speaker 2: out and talk. Black man could show up to the house, bro,

1483
01:21:11,080 --> 01:21:13,519
Speaker 2: I don't want no problems. Just come out and talk, bitch.

1484
01:21:13,560 --> 01:21:15,519
Speaker 2: Ad Nigga better get up on my mommy. Ain't you

1485
01:21:15,560 --> 01:21:18,640
Speaker 2: all on my niggas? Start faying? Shot White boys out there,

1486
01:21:18,720 --> 01:21:20,599
Speaker 2: f gonna take you away from your family. Come out

1487
01:21:20,640 --> 01:21:26,800
Speaker 2: with your hands up. It's pouring down, rain, pawing, Get

1488
01:21:26,800 --> 01:21:29,040
Speaker 2: on your knees in the rain. Nigga in the rain,

1489
01:21:29,160 --> 01:21:32,120
Speaker 2: like it's for the motherfucking police. But the black man

1490
01:21:32,200 --> 01:21:34,639
Speaker 2: nigga not nail him right to the cross in front

1491
01:21:34,680 --> 01:21:38,840
Speaker 2: of his family. Pay attention there. It's a disease around here.

1492
01:21:39,400 --> 01:21:42,160
Speaker 5: Whole time though, the whole time I was fucking with

1493
01:21:42,200 --> 01:21:45,280
Speaker 5: him when the studio and shit, y'all see any v alls,

1494
01:21:45,360 --> 01:21:50,599
Speaker 5: these videos and shit, deeve my songs, my dee my verses,

1495
01:21:50,680 --> 01:21:54,000
Speaker 5: deed my words. Edytime your whack ass standing in the booth,

1496
01:21:54,200 --> 01:21:55,280
Speaker 5: can't come over with now you.

1497
01:21:55,280 --> 01:22:00,680
Speaker 1: Tapping a wonder Hey, get too bro to go with this.

1498
01:22:01,600 --> 01:22:03,599
Speaker 1: I can't I done it, you know what I'm saying

1499
01:22:03,760 --> 01:22:04,080
Speaker 1: on the.

1500
01:22:04,280 --> 01:22:06,680
Speaker 2: Let's talk about that, because I do believe that. I

1501
01:22:06,720 --> 01:22:12,280
Speaker 2: believe for this help help the Bag when he first

1502
01:22:12,280 --> 01:22:14,040
Speaker 2: got in the game. And I think Bag got a

1503
01:22:14,040 --> 01:22:15,960
Speaker 2: lot of his sauce from the street niggas and from

1504
01:22:16,040 --> 01:22:18,439
Speaker 2: for neess a couple of different places, and his own

1505
01:22:18,600 --> 01:22:21,719
Speaker 2: swag and sauce right because bag Bag got his own

1506
01:22:21,760 --> 01:22:22,439
Speaker 2: type flavor.

1507
01:22:22,520 --> 01:22:22,720
Speaker 15: Two.

1508
01:22:23,320 --> 01:22:27,559
Speaker 2: For what I think Bag is falling victim too, is

1509
01:22:27,640 --> 01:22:35,000
Speaker 2: listening to these niggas. I can't lie th When Faness

1510
01:22:35,000 --> 01:22:37,639
Speaker 2: got out of jail, he came home and did that style.

1511
01:22:37,720 --> 01:22:40,360
Speaker 2: Bag was doing better than Bag. I can't even cap.

1512
01:22:41,560 --> 01:22:44,679
Speaker 2: But if I was Bag, I'm still doing that style.

1513
01:22:44,960 --> 01:22:47,759
Speaker 2: I'm the bigger artist and I'm still doing that style.

1514
01:22:48,280 --> 01:22:50,400
Speaker 2: We came up with it together, the nigga. That what

1515
01:22:50,439 --> 01:22:53,240
Speaker 2: I'm really running with. If I'm Bag, you're gonna say

1516
01:22:53,280 --> 01:22:55,839
Speaker 2: I stole your style. Now, we came up with it together.

1517
01:22:55,960 --> 01:22:58,320
Speaker 2: I was the rap nigga. I was in the booth.

1518
01:22:58,400 --> 01:23:01,040
Speaker 2: You just said, I'm the nigga tapped on the window.

1519
01:23:01,080 --> 01:23:04,519
Speaker 2: I'm the nigga rapping. I'm in here getting it together.

1520
01:23:04,600 --> 01:23:07,600
Speaker 2: I'm just needing a little help, little push, a little innovation.

1521
01:23:09,120 --> 01:23:11,639
Speaker 2: I would have still been doing that style because they

1522
01:23:11,760 --> 01:23:15,439
Speaker 2: ran Bag off their style. And if you asked me

1523
01:23:15,840 --> 01:23:18,559
Speaker 2: him and for this kind of split Bag fan base,

1524
01:23:20,520 --> 01:23:24,280
Speaker 2: you see what I'm saying. If you notice, Bag's whole

1525
01:23:25,240 --> 01:23:29,840
Speaker 2: style has changed, and also he no longer does what

1526
01:23:29,960 --> 01:23:32,200
Speaker 2: he was known for doing, because I believe again the

1527
01:23:32,240 --> 01:23:35,080
Speaker 2: Internet got to him when they said, yo, soon a

1528
01:23:35,160 --> 01:23:37,920
Speaker 2: new slang, come out, Bag make a song, because if

1529
01:23:37,960 --> 01:23:41,240
Speaker 2: you remember, that was his little that was his niche

1530
01:23:41,800 --> 01:23:43,840
Speaker 2: I got time today, came out there. He was on

1531
01:23:43,880 --> 01:23:45,960
Speaker 2: a song. I look at my wrists. I got time today.

1532
01:23:46,600 --> 01:23:49,280
Speaker 2: You know what I'm saying, Like a little summer come

1533
01:23:49,320 --> 01:23:52,520
Speaker 2: out on social media and be relevant and he'll capitalize.

1534
01:23:52,720 --> 01:23:54,680
Speaker 2: But also a lot of the young niggas on the

1535
01:23:55,000 --> 01:23:57,519
Speaker 2: underground circuit start beating them to it, and I think

1536
01:23:57,560 --> 01:24:00,560
Speaker 2: it ran them off. For you gotta be prepared for competition,

1537
01:24:00,720 --> 01:24:03,599
Speaker 2: for haters, for pressing everything when you standing in position,

1538
01:24:05,800 --> 01:24:08,680
Speaker 2: like even when I talk about Baby, I say, yo,

1539
01:24:09,280 --> 01:24:12,000
Speaker 2: you gotta train your business partners to be able to

1540
01:24:12,040 --> 01:24:15,559
Speaker 2: push past the hate because they're gonna be a little

1541
01:24:15,600 --> 01:24:17,519
Speaker 2: hate when you got a few enemies out there that

1542
01:24:17,720 --> 01:24:21,200
Speaker 2: they got platforms or people that been placing narratives into

1543
01:24:21,240 --> 01:24:23,840
Speaker 2: the minds of the consumer. But if you can push

1544
01:24:23,920 --> 01:24:26,479
Speaker 2: past that, you'll still see the effects of it if

1545
01:24:26,520 --> 01:24:31,040
Speaker 2: it's good. The key part of it is if it's good.

1546
01:24:33,520 --> 01:24:35,800
Speaker 2: But I believe for this to help money Bag come

1547
01:24:35,880 --> 01:24:41,040
Speaker 2: up with that style, and I cannot lie even though

1548
01:24:41,080 --> 01:24:44,680
Speaker 2: Bag is somebody I like, but this is somebody I like.

1549
01:24:45,160 --> 01:24:47,439
Speaker 2: But Neess came out of jail and did that style

1550
01:24:47,600 --> 01:24:51,080
Speaker 2: better than money Bag, yo, And I think they made

1551
01:24:51,080 --> 01:24:54,200
Speaker 2: money Bag retreat off the style. If it was me,

1552
01:24:54,320 --> 01:24:55,200
Speaker 2: I wouldn't have done that.

1553
01:24:55,640 --> 01:24:57,519
Speaker 1: This is my nigga. And then he gave me an

1554
01:24:57,520 --> 01:24:59,080
Speaker 1: opportunity fresh out of jail.

1555
01:24:59,160 --> 01:25:01,360
Speaker 5: You know what I'm saying. You know, I came home.

1556
01:25:01,479 --> 01:25:04,720
Speaker 5: I was out like a month or two, and he

1557
01:25:04,800 --> 01:25:06,920
Speaker 5: can't fuck with me. You know what I'm saying.

1558
01:25:06,920 --> 01:25:09,160
Speaker 1: He can't. He can't start fucking with me. But it

1559
01:25:09,280 --> 01:25:09,840
Speaker 1: was all out of.

1560
01:25:09,960 --> 01:25:11,519
Speaker 5: It was all out of because he knew off and

1561
01:25:11,560 --> 01:25:14,280
Speaker 5: to take off going straight in. I already had two

1562
01:25:14,360 --> 01:25:17,479
Speaker 5: hundred and fifty thousand. If you g try had one

1563
01:25:17,520 --> 01:25:20,519
Speaker 5: hundred thousands of you. I was juicy before I eaten

1564
01:25:20,640 --> 01:25:24,080
Speaker 5: with BG. I was juicy before I was even rocking

1565
01:25:24,160 --> 01:25:25,400
Speaker 5: with niggas like you.

1566
01:25:25,360 --> 01:25:28,439
Speaker 1: Know what I'm saying. And the killing part of batt it,

1567
01:25:28,560 --> 01:25:29,200
Speaker 1: I warned them.

1568
01:25:29,120 --> 01:25:30,479
Speaker 5: For it ain't make it right right with it? You

1569
01:25:30,600 --> 01:25:34,320
Speaker 5: can knee. I wanted to forth with BG just to

1570
01:25:34,360 --> 01:25:36,560
Speaker 5: make it look good for the city. You know what

1571
01:25:36,600 --> 01:25:38,280
Speaker 5: I'm saying, Make it look good like that, cause I

1572
01:25:38,360 --> 01:25:39,479
Speaker 5: know how lord I am.

1573
01:25:40,000 --> 01:25:40,679
Speaker 1: You see what I'm saying.

1574
01:25:40,760 --> 01:25:42,760
Speaker 5: I want donna even bring it to y'all that the

1575
01:25:42,880 --> 01:25:45,880
Speaker 5: mind sneezed on them folk. You know what I'm saying,

1576
01:25:45,920 --> 01:25:47,640
Speaker 5: I wasn't gonna even bring that shit, y'all because it

1577
01:25:47,680 --> 01:25:48,800
Speaker 5: ain't my being the year me.

1578
01:25:49,200 --> 01:25:50,160
Speaker 1: But at the same.

1579
01:25:49,960 --> 01:25:52,240
Speaker 5: Time, you know what I'm saying it did, wasn't the

1580
01:25:52,400 --> 01:25:55,080
Speaker 5: nigga nigga play nigga nigga did it online, so they

1581
01:25:55,200 --> 01:25:58,040
Speaker 5: wasn't gonna go down there online and with y'all, y'all

1582
01:25:58,040 --> 01:25:59,919
Speaker 5: want to know how has started online?

1583
01:26:00,120 --> 01:26:01,880
Speaker 1: To the ed motherfucker say, you know what I'm saying,

1584
01:26:01,920 --> 01:26:02,559
Speaker 1: got something.

1585
01:26:02,439 --> 01:26:05,280
Speaker 5: Saying, got they got they head, got they they two

1586
01:26:05,320 --> 01:26:05,960
Speaker 5: sister put in?

1587
01:26:05,960 --> 01:26:08,439
Speaker 1: It has started on land?

1588
01:26:08,680 --> 01:26:10,000
Speaker 2: Was halt?

1589
01:26:10,040 --> 01:26:13,360
Speaker 1: Started on land? Was the nigga? The nigga? The nigga

1590
01:26:13,680 --> 01:26:14,639
Speaker 1: tell he tell.

1591
01:26:14,560 --> 01:26:17,479
Speaker 5: He going off his feelings, He saying, my I feel

1592
01:26:17,520 --> 01:26:19,760
Speaker 5: like bru making posts about me and unfollowing me.

1593
01:26:20,040 --> 01:26:21,880
Speaker 1: Now, y'all know the man ain't got nothing but twenty

1594
01:26:21,920 --> 01:26:23,320
Speaker 1: seven twenty eight follows.

1595
01:26:23,760 --> 01:26:26,880
Speaker 5: So if you unfollowed, you got two hundred folly seven

1596
01:26:26,920 --> 01:26:28,160
Speaker 5: thousand folks follow.

1597
01:26:27,960 --> 01:26:30,800
Speaker 2: You see this, This is why I believe bag were

1598
01:26:30,840 --> 01:26:36,600
Speaker 2: making kind of irresponsible moves. I understand this's your platform.

1599
01:26:36,680 --> 01:26:39,360
Speaker 2: You follow who you won't, you unfollow who you want,

1600
01:26:39,560 --> 01:26:44,439
Speaker 2: but it brought an unnecessary energy most likely Bag already

1601
01:26:44,520 --> 01:26:47,600
Speaker 2: knew something was probably there that unfollowed just triggered it.

1602
01:26:49,200 --> 01:26:51,519
Speaker 2: I was talking to also on Patreon the other day.

1603
01:26:51,560 --> 01:26:54,559
Speaker 2: I was talking about how important follows and unfollows all

1604
01:26:54,600 --> 01:26:58,760
Speaker 2: the people and you know, sharing and liking and how

1605
01:26:58,800 --> 01:27:01,439
Speaker 2: important it is for them mental health. And some people

1606
01:27:01,520 --> 01:27:04,120
Speaker 2: hold those things hostage. And I believe those people the

1607
01:27:04,160 --> 01:27:07,680
Speaker 2: two beast suckers, the people that see your stuff they

1608
01:27:07,840 --> 01:27:10,479
Speaker 2: call theirself your friend, and they scroll past it without

1609
01:27:10,560 --> 01:27:13,320
Speaker 2: liking it or don't engage with it, you know. And

1610
01:27:13,760 --> 01:27:17,120
Speaker 2: maybe not everything, but I know that there's some influencers,

1611
01:27:17,200 --> 01:27:20,800
Speaker 2: famous people that they hold these kind of things hostage,

1612
01:27:20,840 --> 01:27:25,200
Speaker 2: like the like to share, the follow in some of

1613
01:27:25,200 --> 01:27:29,800
Speaker 2: these little bitty social media they're like digital landlords, you

1614
01:27:29,880 --> 01:27:32,240
Speaker 2: know what I'm saying. But I want to let y'all

1615
01:27:32,280 --> 01:27:36,679
Speaker 2: know that none of that validates anyone, right it's monopoly money.

1616
01:27:36,760 --> 01:27:39,840
Speaker 2: No one wins that game, so don't fall victim to that.

1617
01:27:40,200 --> 01:27:43,360
Speaker 2: But in this instance, money Bag Yo maybe is abusing

1618
01:27:43,400 --> 01:27:45,240
Speaker 2: his power. He's one of the hottest things in the

1619
01:27:45,280 --> 01:27:48,400
Speaker 2: world right then, and so everyone in Memphis is looking

1620
01:27:48,439 --> 01:27:51,000
Speaker 2: at it like YO were gonna springboard off. Bruh Brunnan

1621
01:27:51,080 --> 01:27:54,320
Speaker 2: got in. We know Bruh, we know Bruh like and

1622
01:27:54,920 --> 01:27:56,920
Speaker 2: he done went to the other side and got in,

1623
01:27:58,120 --> 01:28:01,000
Speaker 2: and so we believe him reach over here and grab

1624
01:28:01,040 --> 01:28:03,920
Speaker 2: a few us. But Ness feel like he one of

1625
01:28:03,920 --> 01:28:06,800
Speaker 2: the ones that he should have grabbed. But here's where

1626
01:28:06,840 --> 01:28:10,960
Speaker 2: it gets interesting. If you ask me about ten minutes ago,

1627
01:28:11,000 --> 01:28:14,240
Speaker 2: I said, money bag, Yo shouldn't have Embracedfness in the

1628
01:28:14,280 --> 01:28:16,120
Speaker 2: way that he did as soon as he got out,

1629
01:28:16,160 --> 01:28:20,400
Speaker 2: because you allow time to give it, give itself some

1630
01:28:20,520 --> 01:28:25,519
Speaker 2: leadway that thought, that emotional residue get off of him

1631
01:28:25,520 --> 01:28:29,960
Speaker 2: from the jail house and seeking validation and seeking position

1632
01:28:30,080 --> 01:28:32,400
Speaker 2: in the rap game. Let all let get off of him.

1633
01:28:32,920 --> 01:28:36,120
Speaker 2: If you notice who fell back and didn't embrace him,

1634
01:28:36,120 --> 01:28:38,840
Speaker 2: and he's been public about wanting that embrace from him,

1635
01:28:39,200 --> 01:28:42,599
Speaker 2: Yo got it because Yo got is high level thinker.

1636
01:28:43,600 --> 01:28:45,680
Speaker 2: I'm sure they spoke behind the scenes. I'm sure they

1637
01:28:45,720 --> 01:28:48,880
Speaker 2: embraced behind the scenes, but there's been no public discourse

1638
01:28:48,960 --> 01:28:52,320
Speaker 2: or embracement from Yo gott it because he understands these

1639
01:28:52,400 --> 01:28:56,760
Speaker 2: kind of things happened in the past. Now can he rectify?

1640
01:28:56,840 --> 01:29:00,280
Speaker 2: Can he recalibrate? Maybe, but we give it time. Run

1641
01:29:00,360 --> 01:29:02,240
Speaker 2: right over to it as soon as he gets out.

1642
01:29:02,479 --> 01:29:03,760
Speaker 2: It's just wasn't smart to do.

1643
01:29:03,880 --> 01:29:08,320
Speaker 5: You an't following me? Everybody see that. Okay, boom it

1644
01:29:08,479 --> 01:29:11,479
Speaker 5: cracked it off Cause I'm a man. You ain't even

1645
01:29:11,520 --> 01:29:13,200
Speaker 5: gonna dis own me. You see what I'm saying.

1646
01:29:13,240 --> 01:29:18,200
Speaker 1: I do right back, and I got this blaming with me.

1647
01:29:18,320 --> 01:29:21,360
Speaker 2: Believe it. But yeah, you ain't.

1648
01:29:21,200 --> 01:29:24,080
Speaker 1: Gonna disown me. And I'm ripping when I'm by myself.

1649
01:29:24,120 --> 01:29:25,800
Speaker 1: You know what I'm saying. I'm by myself. I'm out sure.

1650
01:29:26,000 --> 01:29:26,519
Speaker 2: You know what I'm saying.

1651
01:29:26,520 --> 01:29:28,080
Speaker 1: I ain't running from nother nigga.

1652
01:29:28,120 --> 01:29:30,120
Speaker 5: I don't need no nigga with me. Yeah, man, I

1653
01:29:30,120 --> 01:29:32,599
Speaker 5: ain't running from no nigga. Ain't have no noming by myself.

1654
01:29:32,880 --> 01:29:35,280
Speaker 5: You know what I'm saying. Fuck you telling out nigga.

1655
01:29:35,560 --> 01:29:36,840
Speaker 5: I been street, I been hood.

1656
01:29:36,960 --> 01:29:37,200
Speaker 2: Nigga.

1657
01:29:37,200 --> 01:29:42,880
Speaker 5: Ain't streets me, nigga. Fuck you telling out niggas? Yeah,

1658
01:29:42,960 --> 01:29:48,840
Speaker 5: oh you know what I'm saying? So so so damn

1659
01:29:48,880 --> 01:29:49,600
Speaker 5: what part all this?

1660
01:29:52,000 --> 01:29:52,400
Speaker 10: What's up?

1661
01:29:52,439 --> 01:29:53,960
Speaker 1: Clip? H?

1662
01:29:54,000 --> 01:29:54,160
Speaker 10: Good?

1663
01:29:54,200 --> 01:29:56,800
Speaker 1: What's up? Clip y'all good? I'm gonna live.

1664
01:29:56,880 --> 01:30:03,160
Speaker 5: We got to two point ak watching them hard on.

1665
01:30:03,880 --> 01:30:06,400
Speaker 1: Y'all know what's going on? What's up? Who got the cook?

1666
01:30:07,400 --> 01:30:10,719
Speaker 1: What's up? Player for Good. Got three days you hard

1667
01:30:10,760 --> 01:30:12,960
Speaker 1: on these dands? Right man? What's up?

1668
01:30:13,160 --> 01:30:14,360
Speaker 4: We're trying to do some cook.

1669
01:30:16,680 --> 01:30:19,280
Speaker 1: What's up? Player? Fuck you talking about take over?

1670
01:30:19,320 --> 01:30:21,080
Speaker 2: Your trap comes out?

1671
01:30:21,439 --> 01:30:30,160
Speaker 1: Take Hello? You know what I'm saying.

1672
01:30:31,400 --> 01:30:35,880
Speaker 5: I don't really always asad homies.

1673
01:30:37,280 --> 01:30:37,519
Speaker 10: With me.

1674
01:30:38,000 --> 01:30:39,640
Speaker 1: You know what I'm saying. You don't matter where you

1675
01:30:39,720 --> 01:30:40,240
Speaker 1: adding them.

1676
01:30:40,680 --> 01:30:45,800
Speaker 5: But yeah, you know what I'm saying. So uh so, Uh,

1677
01:30:46,800 --> 01:30:49,160
Speaker 5: it didn't came into this. You know what I'm saying.

1678
01:30:50,320 --> 01:30:52,120
Speaker 5: It didn't came down to this right here. You know

1679
01:30:52,120 --> 01:30:54,200
Speaker 5: what I'm saying. It came down to you know what

1680
01:30:54,240 --> 01:30:56,000
Speaker 5: I'm saying, to the point of no return. You know

1681
01:30:56,000 --> 01:30:58,960
Speaker 5: what I'm saying. Uh, I had already been writing ship

1682
01:30:59,040 --> 01:31:01,240
Speaker 5: for him. You know what I'm saying. Fucking with the nigga.

1683
01:31:01,400 --> 01:31:04,680
Speaker 5: You know what I'm saying, or letting the nigga get

1684
01:31:04,760 --> 01:31:07,120
Speaker 5: my songs and shit, I don't give no nigga my music. Bro.

1685
01:31:07,520 --> 01:31:09,120
Speaker 5: If I fuck with you and give you my music,

1686
01:31:09,160 --> 01:31:11,280
Speaker 5: I love you. You see what I'm saying. He had

1687
01:31:11,280 --> 01:31:13,280
Speaker 5: the nerve to tell me that. You see what I'm saying.

1688
01:31:13,360 --> 01:31:15,240
Speaker 5: That's what he fucked up here. You see what I'm saying.

1689
01:31:15,520 --> 01:31:17,639
Speaker 5: When when you type of nigga like me, I stand

1690
01:31:17,680 --> 01:31:19,760
Speaker 5: on lawns it, you know what I'm saying, and he

1691
01:31:19,880 --> 01:31:22,720
Speaker 5: telling me shit like he telling me sit Like welln bro,

1692
01:31:22,840 --> 01:31:25,800
Speaker 5: you just don't know how easy you you're making it

1693
01:31:25,840 --> 01:31:27,360
Speaker 5: for me, bro like this, so.

1694
01:31:27,439 --> 01:31:29,760
Speaker 1: This this, like this, this this bro, like, I love

1695
01:31:29,840 --> 01:31:30,519
Speaker 1: you for this ship.

1696
01:31:30,600 --> 01:31:30,720
Speaker 5: Bro.

1697
01:31:31,080 --> 01:31:33,120
Speaker 1: So I took that to the hard, you know what

1698
01:31:33,120 --> 01:31:33,519
Speaker 1: I'm saying.

1699
01:31:33,520 --> 01:31:35,439
Speaker 10: I took that to the hard because I'm a real nigga.

1700
01:31:35,479 --> 01:31:37,599
Speaker 5: I already don't do that shit like I already don't

1701
01:31:37,600 --> 01:31:38,519
Speaker 5: fuck with nigga like that.

1702
01:31:38,960 --> 01:31:39,559
Speaker 1: You know what I'm saying.

1703
01:31:39,680 --> 01:31:43,920
Speaker 2: The KKK already And let me be honest with y'all

1704
01:31:44,000 --> 01:31:46,920
Speaker 2: understand that. That's why I don't play, you know with

1705
01:31:47,000 --> 01:31:50,000
Speaker 2: some of my comrades or just my homeboys in the street.

1706
01:31:50,120 --> 01:31:52,080
Speaker 2: Like you gotta be careful when you in these kind

1707
01:31:52,120 --> 01:31:56,240
Speaker 2: of positions, cause niggas do take this ship for like yo, bro,

1708
01:31:56,600 --> 01:32:00,160
Speaker 2: they go tell their family and the nything like run

1709
01:32:00,200 --> 01:32:02,400
Speaker 2: him said, they gonna yeah, man, you know now I'm

1710
01:32:02,439 --> 01:32:05,040
Speaker 2: rocking with brother them. It's on and cand be bona

1711
01:32:05,080 --> 01:32:07,880
Speaker 2: fire street nigga. But everybody's searching for a way out,

1712
01:32:08,240 --> 01:32:10,400
Speaker 2: and so yeah, niggas take it personal when you go

1713
01:32:10,560 --> 01:32:14,200
Speaker 2: sideways on him. I can understand that, but I'm mout

1714
01:32:14,200 --> 01:32:17,280
Speaker 2: show on the other side as an older gentleman now

1715
01:32:17,960 --> 01:32:24,160
Speaker 2: and as I head into forty, it feels like that.

1716
01:32:24,760 --> 01:32:28,760
Speaker 2: But this is too emotionally involved. But how do you

1717
01:32:28,880 --> 01:32:33,240
Speaker 2: not be emotionally involved when I've given you literally songs

1718
01:32:33,439 --> 01:32:36,320
Speaker 2: and they're blowing up, and now you unfollow me. Now

1719
01:32:36,360 --> 01:32:40,479
Speaker 2: you distancing yourself, and I already feel like you ain't

1720
01:32:40,560 --> 01:32:42,720
Speaker 2: really one of us. I think you like a You

1721
01:32:42,800 --> 01:32:45,519
Speaker 2: know what I'm saying, because that's how he talking. It's

1722
01:32:45,600 --> 01:32:51,200
Speaker 2: like it's a weird situation. But keep in mind, this

1723
01:32:51,400 --> 01:32:54,479
Speaker 2: is the same nigga that came home and saying to

1724
01:32:54,560 --> 01:33:00,760
Speaker 2: that boy.

1725
01:33:00,640 --> 01:33:04,080
Speaker 5: That gang, the clan ship, that's what started it all.

1726
01:33:04,920 --> 01:33:07,120
Speaker 5: This morning, I went't on the like were supposed to

1727
01:33:07,120 --> 01:33:09,360
Speaker 5: be sitting damn squashing this ship, like this shit supposed

1728
01:33:09,360 --> 01:33:11,320
Speaker 5: to be a dead is shit? I just stopped start

1729
01:33:11,360 --> 01:33:13,479
Speaker 5: making posters. You know what I'm saying. The only reason

1730
01:33:13,520 --> 01:33:15,920
Speaker 5: why I started because he unfollowed me. And then I

1731
01:33:15,960 --> 01:33:21,479
Speaker 5: see two three status. Huh, what you gonna say if

1732
01:33:21,479 --> 01:33:23,559
Speaker 5: you get on my last you gotta say fuck money

1733
01:33:23,600 --> 01:33:24,040
Speaker 5: bad yo.

1734
01:33:25,000 --> 01:33:26,519
Speaker 1: If you ain't gonna get all he just say fuck

1735
01:33:26,560 --> 01:33:28,560
Speaker 1: money bad yo. Don't even get on my last.

1736
01:33:29,000 --> 01:33:32,760
Speaker 9: Yeah, fuck money bad yo.

1737
01:33:35,040 --> 01:33:38,519
Speaker 1: Fuck you know. But anyway, so so you know what

1738
01:33:38,520 --> 01:33:38,880
Speaker 1: I'm saying.

1739
01:33:38,880 --> 01:33:41,160
Speaker 5: When a nigga unfollowed me, that's what a real problem

1740
01:33:41,200 --> 01:33:41,800
Speaker 5: came in there.

1741
01:33:41,800 --> 01:33:43,040
Speaker 1: You know what I'm saying. Because I felt like I

1742
01:33:43,080 --> 01:33:44,920
Speaker 1: was getting little bored. I felt like I was getting

1743
01:33:44,920 --> 01:33:46,400
Speaker 1: this own. You know what I'm saying.

1744
01:33:46,520 --> 01:33:48,720
Speaker 5: I go harder for for for for Brick Gang than

1745
01:33:48,760 --> 01:33:51,160
Speaker 5: any nigga then then then then him. You know what

1746
01:33:51,200 --> 01:33:53,120
Speaker 5: I'm saying, I go harder for Brick Gang than then

1747
01:33:53,160 --> 01:33:56,000
Speaker 5: then then you do Bro, then Tabo do all them niggas.

1748
01:33:56,000 --> 01:33:57,599
Speaker 1: Brother, You know what I'm saying. But I turned up

1749
01:33:57,640 --> 01:33:59,400
Speaker 1: for you, brother. You know what I'm saying. That how

1750
01:33:59,400 --> 01:34:00,320
Speaker 1: you repaid me? Brother?

1751
01:34:00,320 --> 01:34:01,760
Speaker 10: You cut me off a fucking with dag.

1752
01:34:02,280 --> 01:34:02,840
Speaker 1: You know what I'm saying.

1753
01:34:02,800 --> 01:34:05,320
Speaker 5: We start rapping because because I because I because I

1754
01:34:05,320 --> 01:34:06,240
Speaker 5: got hard on daught.

1755
01:34:06,479 --> 01:34:06,679
Speaker 10: Damn.

1756
01:34:06,720 --> 01:34:08,439
Speaker 5: You don't want no smoke with no nigga the bad

1757
01:34:08,520 --> 01:34:10,599
Speaker 5: You a bitch like that, You know what I'm saying.

1758
01:34:10,640 --> 01:34:12,759
Speaker 1: You a whole like that home out here in Nigga Street.

1759
01:34:13,160 --> 01:34:13,760
Speaker 10: You know what I'm saying.

1760
01:34:13,840 --> 01:34:15,840
Speaker 5: Let niggas hold you and you know what I'm saying,

1761
01:34:15,960 --> 01:34:17,719
Speaker 5: treat you any type of way. You know what I'm saying,

1762
01:34:18,000 --> 01:34:20,639
Speaker 5: I ain't with that bullshit home. I stand for something

1763
01:34:20,640 --> 01:34:22,960
Speaker 5: different than you staying for him, you know what I'm saying.

1764
01:34:23,000 --> 01:34:24,840
Speaker 5: And then why we can't rock. But at the end

1765
01:34:24,880 --> 01:34:27,080
Speaker 5: of the day, you know what I'm saying, he a

1766
01:34:27,160 --> 01:34:28,000
Speaker 5: whole hole out here.

1767
01:34:28,040 --> 01:34:31,880
Speaker 1: You know what I'm saying. I tried to saying, you

1768
01:34:31,880 --> 01:34:33,760
Speaker 1: ain't got no you Finela go you Finla go to

1769
01:34:33,840 --> 01:34:34,240
Speaker 1: noll myth.

1770
01:34:35,320 --> 01:34:39,519
Speaker 2: So for people that's just scrolling by tapping in, we're

1771
01:34:39,560 --> 01:34:41,840
Speaker 2: looking into the history of for this two times in

1772
01:34:41,920 --> 01:34:45,240
Speaker 2: money Bag Yo again after the allegation of King saying

1773
01:34:45,280 --> 01:34:48,240
Speaker 2: that when he went over with money Bag and that

1774
01:34:48,400 --> 01:34:51,080
Speaker 2: was an issue, And that's always been this common thread

1775
01:34:51,240 --> 01:34:55,200
Speaker 2: when people speak about for This, that he has a

1776
01:34:55,200 --> 01:34:58,320
Speaker 2: adverse reaction whenever money Bag Yo is brought up or

1777
01:34:58,360 --> 01:35:01,000
Speaker 2: he doesn't want people involved with Bag that's over there

1778
01:35:01,040 --> 01:35:03,799
Speaker 2: with him. I think what's interesting is he was signed

1779
01:35:03,800 --> 01:35:06,719
Speaker 2: with Bag not even six months ago, and so people

1780
01:35:06,840 --> 01:35:10,000
Speaker 2: is always wondering what's going on there, and so there's

1781
01:35:10,000 --> 01:35:13,880
Speaker 2: a history involved with that relationship. I pushed back on

1782
01:35:13,960 --> 01:35:16,519
Speaker 2: money Bag Yo embracing for this two times in the

1783
01:35:16,560 --> 01:35:19,280
Speaker 2: way that he did when he first came out of jail,

1784
01:35:19,320 --> 01:35:23,320
Speaker 2: because it's just an unpredictable situation. I don't think for

1785
01:35:23,400 --> 01:35:26,720
Speaker 2: Ness would have even needed bag because bag didn't even

1786
01:35:26,800 --> 01:35:28,679
Speaker 2: get on a bunch of songs with him and really

1787
01:35:28,720 --> 01:35:32,160
Speaker 2: push him. They did one record, two records, but for

1788
01:35:32,240 --> 01:35:35,240
Speaker 2: Ness has the kind of style that gets on certain

1789
01:35:35,280 --> 01:35:38,720
Speaker 2: beats and it penetrates the club. That's just how it is.

1790
01:35:39,720 --> 01:35:43,880
Speaker 2: I'm interested in knowing how money bag Yo really feels

1791
01:35:43,920 --> 01:35:46,200
Speaker 2: about for this and how for Ness feels about money

1792
01:35:46,200 --> 01:35:49,320
Speaker 2: bag Yo. In the event I interview for this, we

1793
01:35:49,439 --> 01:35:52,439
Speaker 2: get into this. This isn't something we run from. We

1794
01:35:52,520 --> 01:35:57,160
Speaker 2: speak directly about the money bag Yo situation, the history,

1795
01:35:57,240 --> 01:36:00,519
Speaker 2: the present and the past, and also getting out of jail.

1796
01:36:00,680 --> 01:36:04,559
Speaker 2: Was that emotional residue? Was that you feeling like you

1797
01:36:04,680 --> 01:36:07,439
Speaker 2: missed out and you wanted to double back and try

1798
01:36:07,479 --> 01:36:10,840
Speaker 2: to write what was that or what's that genuine? Did

1799
01:36:10,840 --> 01:36:14,680
Speaker 2: you actually want a barry to hatch you? Did you

1800
01:36:14,760 --> 01:36:17,000
Speaker 2: actually want to move on from it? And if so,

1801
01:36:17,439 --> 01:36:20,400
Speaker 2: why did we constantly hear federal, federal coming out of

1802
01:36:20,400 --> 01:36:22,639
Speaker 2: your mouth when his whole brand was that he don't

1803
01:36:22,680 --> 01:36:25,639
Speaker 2: even say it no more, because I believe you guys

1804
01:36:25,680 --> 01:36:28,880
Speaker 2: have kind of nudged him and pushed him into different

1805
01:36:28,880 --> 01:36:32,160
Speaker 2: ways and bags out there trying to figure out what

1806
01:36:32,200 --> 01:36:34,439
Speaker 2: the next move is. You know what I'm saying, This

1807
01:36:34,560 --> 01:36:36,120
Speaker 2: industry will confuse you, bro.

1808
01:36:36,920 --> 01:36:38,840
Speaker 1: You know what I'm saying, how to fuck, how to fuck?

1809
01:36:39,240 --> 01:36:41,880
Speaker 1: How to fuck? He don't even got no motherfucking pola.

1810
01:36:42,960 --> 01:36:45,960
Speaker 5: He ain't even got no fucking Grand Prix or fucking charger.

1811
01:36:46,280 --> 01:36:47,360
Speaker 1: He don't have nothing.

1812
01:36:47,640 --> 01:36:49,880
Speaker 5: I have literally seen this man wear the same three

1813
01:36:49,920 --> 01:36:53,600
Speaker 5: pound jeans to the same show, I mean to to

1814
01:36:53,720 --> 01:36:55,040
Speaker 5: three different shows.

1815
01:36:55,439 --> 01:36:57,439
Speaker 1: You see what I'm saying. So, how the fuck is

1816
01:36:57,439 --> 01:36:59,559
Speaker 1: you any kind of real any kind of lawyer?

1817
01:36:59,560 --> 01:36:59,680
Speaker 4: Bro?

1818
01:37:00,160 --> 01:37:02,920
Speaker 1: Using on me? In Bro, you can keep straight and

1819
01:37:03,080 --> 01:37:05,400
Speaker 1: take on my nigga bro. Whytch yo, ki, folks.

1820
01:37:05,400 --> 01:37:07,240
Speaker 5: I can't say how you doing it, But what I

1821
01:37:07,280 --> 01:37:09,320
Speaker 5: do know is whych you write some of his shit too?

1822
01:37:09,960 --> 01:37:12,560
Speaker 1: And whytch, you bradly got a car. You know what

1823
01:37:12,600 --> 01:37:16,080
Speaker 1: I'm saying. They barely making them boys over there stretching. Man,

1824
01:37:16,120 --> 01:37:17,160
Speaker 1: that shit they look good.

1825
01:37:17,240 --> 01:37:17,439
Speaker 10: Man.

1826
01:37:18,000 --> 01:37:18,599
Speaker 1: You know what I'm saying.

1827
01:37:18,680 --> 01:37:23,600
Speaker 2: What y'all gotta understand. And again I'm on the same waveling.

1828
01:37:23,720 --> 01:37:25,719
Speaker 2: You don't following me. I don't call them about no nigga.

1829
01:37:25,720 --> 01:37:28,000
Speaker 2: I'm following me. I don't killing them about no nigga,

1830
01:37:28,040 --> 01:37:30,080
Speaker 2: not fucking with me or nothing. I'm gonna make sure

1831
01:37:30,120 --> 01:37:32,160
Speaker 2: that you know, we put a cake in the oven.

1832
01:37:32,200 --> 01:37:34,280
Speaker 2: I'm gonna bake a cake for this family over here,

1833
01:37:34,560 --> 01:37:37,160
Speaker 2: for this community over here. We gonna have something. We're

1834
01:37:37,160 --> 01:37:38,800
Speaker 2: gonna be all right, you know what I'm saying. We're

1835
01:37:38,800 --> 01:37:43,040
Speaker 2: gonna be entertained, educated, upright and independent over here.

1836
01:37:43,760 --> 01:37:43,960
Speaker 6: Right.

1837
01:37:45,000 --> 01:37:48,439
Speaker 2: But you know so I don't I'm not emotionally attached

1838
01:37:48,479 --> 01:37:54,360
Speaker 2: to people following it unfollowing me. But coming from Memphis,

1839
01:37:54,400 --> 01:37:57,360
Speaker 2: man them niggas was poor man. The boys didn't have nothing.

1840
01:37:57,400 --> 01:38:00,080
Speaker 2: They were running from war. It was a war zone.

1841
01:38:00,160 --> 01:38:04,000
Speaker 2: And they felt like they contributed and all they had

1842
01:38:04,160 --> 01:38:04,800
Speaker 2: was their word.

1843
01:38:05,560 --> 01:38:05,760
Speaker 1: Right.

1844
01:38:06,000 --> 01:38:08,400
Speaker 2: They felt like, Yo, we gave bag a piece of

1845
01:38:08,400 --> 01:38:11,920
Speaker 2: that style that's making him millions of dollars, not even

1846
01:38:12,120 --> 01:38:15,400
Speaker 2: just that style, literally the lyrics coming out of his mouth.

1847
01:38:15,479 --> 01:38:19,080
Speaker 2: They felt like they've lended him a lot of the

1848
01:38:19,600 --> 01:38:21,960
Speaker 2: things from the lessons that they went through. And so

1849
01:38:22,080 --> 01:38:24,840
Speaker 2: I can understand how they can feel like they are

1850
01:38:25,000 --> 01:38:27,880
Speaker 2: entitled to something. I wouldn't do it. I'm not in

1851
01:38:27,920 --> 01:38:33,000
Speaker 2: that situation. I can't respect it. But you know what

1852
01:38:33,000 --> 01:38:35,280
Speaker 2: I'm saying. When I know what it's like to be

1853
01:38:35,360 --> 01:38:37,639
Speaker 2: in the ghetto and everybody rapping in one or two

1854
01:38:37,680 --> 01:38:42,600
Speaker 2: niggas break out, That's why you know. I'm also not

1855
01:38:42,680 --> 01:38:44,439
Speaker 2: a fan of a bunch of men saying that he

1856
01:38:44,479 --> 01:38:48,519
Speaker 2: ain't give me no geens like nah, Man, Loan didn't

1857
01:38:48,520 --> 01:38:52,040
Speaker 2: get me no search when he went in. Yo, what

1858
01:38:52,160 --> 01:38:52,880
Speaker 2: are you talking about?

1859
01:38:52,880 --> 01:38:52,960
Speaker 3: Bro?

1860
01:38:54,760 --> 01:38:57,200
Speaker 2: What are you talking about? Loan didn't buy you no jeans?

1861
01:38:57,320 --> 01:39:00,120
Speaker 2: What you saying, my niea? Then why don't have nobody

1862
01:39:00,160 --> 01:39:03,160
Speaker 2: with me? Man? Because I'm gonna get I'm gonna get

1863
01:39:03,160 --> 01:39:07,479
Speaker 2: offended by some of the some of the request A

1864
01:39:07,560 --> 01:39:11,000
Speaker 2: lot of unreasonable expectations attached to people when they get

1865
01:39:11,160 --> 01:39:13,519
Speaker 2: a side or next to someone that may be in

1866
01:39:13,560 --> 01:39:16,000
Speaker 2: a good position, or running into certain people and in

1867
01:39:16,120 --> 01:39:18,559
Speaker 2: certain rooms. You know what I mean. Niggas get a

1868
01:39:18,560 --> 01:39:21,760
Speaker 2: certain kind of bravado about them. It's like, Yo, why

1869
01:39:21,760 --> 01:39:24,240
Speaker 2: am I keep giving you and giving you? Why you're

1870
01:39:24,280 --> 01:39:27,080
Speaker 2: expecting me to buy you jeans and shirts and shit?

1871
01:39:27,680 --> 01:39:30,000
Speaker 2: You ain't got nothing to wear? Player, Stay at home,

1872
01:39:30,160 --> 01:39:34,280
Speaker 2: my nigga. I don't need nobody around me that bad.

1873
01:39:34,400 --> 01:39:37,719
Speaker 2: If you don't got no clean shirt, gone, stay gone,

1874
01:39:37,800 --> 01:39:41,400
Speaker 2: sit this one out, man, Yeah, now gone, sit this

1875
01:39:41,439 --> 01:39:45,960
Speaker 2: one out. Brother, y'all nigga be so thirsty to come somewhere.

1876
01:39:46,080 --> 01:39:48,839
Speaker 2: Just sit this one out. You ain't got no clean underwear,

1877
01:39:49,600 --> 01:39:51,840
Speaker 2: nigga showing up with a rich nigga. You ain't got

1878
01:39:51,840 --> 01:39:55,880
Speaker 2: no clean underwear, man, I don't got no being in

1879
01:39:55,960 --> 01:39:59,679
Speaker 2: buying niggas draws and pants and shirts and small things

1880
01:39:59,680 --> 01:40:02,920
Speaker 2: that that magnitude, homie, stay at home if you ain't

1881
01:40:02,960 --> 01:40:07,280
Speaker 2: got that. But on the flip side of that, I

1882
01:40:07,360 --> 01:40:10,880
Speaker 2: know in the ghetto, the expectation is that, so I don't.

1883
01:40:11,120 --> 01:40:13,600
Speaker 2: If I do, got somebody with me, I'm gonna go

1884
01:40:13,720 --> 01:40:15,800
Speaker 2: on and lay them out. I'm gonna make sure they good,

1885
01:40:15,920 --> 01:40:19,160
Speaker 2: just because I know that's what they need. That's probably

1886
01:40:19,240 --> 01:40:22,080
Speaker 2: is what they need, you know what I'm saying. I'm

1887
01:40:22,080 --> 01:40:24,759
Speaker 2: gonna do it just on general principle. I know God

1888
01:40:24,840 --> 01:40:28,000
Speaker 2: is watching some things I do. Just because God is watching,

1889
01:40:29,200 --> 01:40:31,320
Speaker 2: I know he want me to spread this thing got

1890
01:40:31,320 --> 01:40:33,880
Speaker 2: a little bit long, don't you hobble? And don't you

1891
01:40:34,000 --> 01:40:38,559
Speaker 2: fucking yeah, nigga, spread that shit out so so I

1892
01:40:38,600 --> 01:40:41,080
Speaker 2: try to. I try to. Sometimes I do things that

1893
01:40:41,160 --> 01:40:46,600
Speaker 2: I know is unnecessary. You dig out the goodness of

1894
01:40:46,720 --> 01:40:50,200
Speaker 2: my heart. But you know, niggas don't got no being

1895
01:40:50,360 --> 01:40:52,720
Speaker 2: asking no nigga to buying pants and jenus.

1896
01:40:52,800 --> 01:40:54,759
Speaker 5: I'm good, me and my nigga, I'm good. I'm standing

1897
01:40:54,840 --> 01:40:57,160
Speaker 5: on top of shit. You know what I'm saying. I'm

1898
01:40:57,200 --> 01:40:59,160
Speaker 5: staying on top of shit like me and my nigga.

1899
01:40:59,160 --> 01:41:01,840
Speaker 5: Dore rock gotja at the print last night. Yeah, nigga

1900
01:41:01,880 --> 01:41:04,559
Speaker 5: gonnaigin't gonna move like. I ain't gonna fuck with me period.

1901
01:41:04,960 --> 01:41:06,120
Speaker 5: You know what I'm saying. Be cause they know how

1902
01:41:06,160 --> 01:41:09,040
Speaker 5: I'm rocking, and they know I'm a big playoff. It's

1903
01:41:09,040 --> 01:41:11,400
Speaker 5: for real. It's not a guy. You go my father,

1904
01:41:11,600 --> 01:41:12,519
Speaker 5: let the dog go out him.

1905
01:41:13,920 --> 01:41:17,559
Speaker 17: Ain't know what else. I don't worry about it. You

1906
01:41:17,560 --> 01:41:23,960
Speaker 17: know what I'm saying. But uh, but uh, you know

1907
01:41:24,000 --> 01:41:24,519
Speaker 17: what I'm saying.

1908
01:41:25,080 --> 01:41:27,120
Speaker 5: I try to. I try to keep shit, Corsey. This

1909
01:41:27,160 --> 01:41:30,080
Speaker 5: shit been going on for like a whole month, and

1910
01:41:30,200 --> 01:41:30,640
Speaker 5: then you know.

1911
01:41:30,640 --> 01:41:31,160
Speaker 1: What I'm saying.

1912
01:41:31,360 --> 01:41:32,840
Speaker 5: You know what I'm saying, Just to keep it real,

1913
01:41:33,479 --> 01:41:35,080
Speaker 5: just to keep it real, just to keep it all

1914
01:41:35,080 --> 01:41:36,960
Speaker 5: the way one thousand. You know, what I'm saying. It

1915
01:41:37,040 --> 01:41:38,960
Speaker 5: really been going on since day one. You know what

1916
01:41:39,000 --> 01:41:42,000
Speaker 5: I'm saying. I knew that bad was.

1917
01:41:41,920 --> 01:41:42,600
Speaker 1: Gonna hate on me.

1918
01:41:43,040 --> 01:41:45,600
Speaker 5: I just gave him the benefit of the doubt. You

1919
01:41:45,600 --> 01:41:47,280
Speaker 5: see what I'm saying. I gave him the benefit of

1920
01:41:47,280 --> 01:41:50,040
Speaker 5: the doubt. Like, Damn, I hope this man don't do this.

1921
01:41:50,439 --> 01:41:52,360
Speaker 5: Nown I hope he don't act like this, Damn, because

1922
01:41:52,360 --> 01:41:54,640
Speaker 5: I know how talented I am, and I know how

1923
01:41:54,680 --> 01:41:55,920
Speaker 5: many areas I can catch it.

1924
01:41:56,080 --> 01:41:58,400
Speaker 1: Like it's only I had a chance on the opportunity.

1925
01:41:58,680 --> 01:42:01,280
Speaker 5: He gave me a chance and petuna and I took it,

1926
01:42:01,400 --> 01:42:02,559
Speaker 5: and I did my part.

1927
01:42:03,280 --> 01:42:05,479
Speaker 1: I did my part. I put on for BG. I

1928
01:42:05,520 --> 01:42:07,000
Speaker 1: put the man name in my ship.

1929
01:42:07,280 --> 01:42:10,040
Speaker 5: I put on for this man everywhere I go, every

1930
01:42:10,160 --> 01:42:13,280
Speaker 5: like like just like, just like, let's put this together. Listen,

1931
01:42:13,320 --> 01:42:14,599
Speaker 5: all right, I'm gonna keep it all the way one

1932
01:42:14,640 --> 01:42:18,479
Speaker 5: thousand on child. Before I was bread Guy, I was

1933
01:42:18,520 --> 01:42:20,960
Speaker 5: in the East, I was in East Memphis. I was

1934
01:42:21,000 --> 01:42:23,920
Speaker 5: around Young Mab. I was around like Polo P. Like

1935
01:42:23,920 --> 01:42:26,479
Speaker 5: this is my nigga. This this like Polo P. Like

1936
01:42:26,520 --> 01:42:28,160
Speaker 5: y'all y'all know him as like white.

1937
01:42:27,920 --> 01:42:28,680
Speaker 1: Pe Hood Rich.

1938
01:42:29,000 --> 01:42:31,000
Speaker 5: This is the same man who was sending me thirties

1939
01:42:31,000 --> 01:42:33,439
Speaker 5: and forties and fifties in jail this shit. And when

1940
01:42:33,479 --> 01:42:35,719
Speaker 5: I was fucked up? When when when when my bitch

1941
01:42:35,760 --> 01:42:38,000
Speaker 5: cut come through for me? Then with white people fucking

1942
01:42:38,000 --> 01:42:38,240
Speaker 5: with me?

1943
01:42:38,479 --> 01:42:40,840
Speaker 1: You know what I'm saying. And I got out and

1944
01:42:40,840 --> 01:42:41,439
Speaker 1: and and and.

1945
01:42:41,520 --> 01:42:42,680
Speaker 2: I didn't know how.

1946
01:42:43,560 --> 01:42:45,519
Speaker 1: I didn't know what Bag had done to them. I

1947
01:42:45,520 --> 01:42:47,840
Speaker 1: didn't know that he had crossed everybody else. I didn't

1948
01:42:47,840 --> 01:42:49,280
Speaker 1: know that, Like, I didn't know.

1949
01:42:49,400 --> 01:42:52,400
Speaker 5: So I'm just going off for damn like Ymstertden got

1950
01:42:52,439 --> 01:42:57,040
Speaker 5: on like okay bam, Bag and got on okay bam.

1951
01:42:57,080 --> 01:42:58,640
Speaker 5: So I knew I was gonna end up fucking with

1952
01:42:58,760 --> 01:43:00,639
Speaker 5: somebody because we got history.

1953
01:43:00,840 --> 01:43:04,320
Speaker 1: You see what I'm saying. But in the same sentence.

1954
01:43:03,960 --> 01:43:12,000
Speaker 2: Though, Hey, you know something I find funny. They put

1955
01:43:12,040 --> 01:43:14,920
Speaker 2: all that pressure on money Bag Yo for signing with Yo,

1956
01:43:15,040 --> 01:43:17,599
Speaker 2: got it and coming from the other side. But guess

1957
01:43:17,600 --> 01:43:19,560
Speaker 2: who else they said grew up with them that I

1958
01:43:19,600 --> 01:43:28,519
Speaker 2: ain't hear people about that boy black youngster. You ever

1959
01:43:28,560 --> 01:43:32,679
Speaker 2: heard anybody say black youngster? Then put me on see

1960
01:43:32,720 --> 01:43:35,280
Speaker 2: because again that's what I be telling you about. Respect.

1961
01:43:36,040 --> 01:43:39,519
Speaker 2: Respect is a thing where a nigga watch what he say,

1962
01:43:39,720 --> 01:43:44,080
Speaker 2: Watch how he said if he know, real pressure come

1963
01:43:44,160 --> 01:43:48,200
Speaker 2: with that, they watch what they say. If they don't know,

1964
01:43:48,320 --> 01:43:53,240
Speaker 2: then they still say it. But they soon to find out, right,

1965
01:43:53,320 --> 01:44:00,120
Speaker 2: They soon to be notified. But ain't it interesting that

1966
01:44:00,240 --> 01:44:04,400
Speaker 2: everybody grew up with black youngster and money bag. But

1967
01:44:04,520 --> 01:44:08,160
Speaker 2: yet all of the drama about who ain't putting nobody

1968
01:44:08,240 --> 01:44:10,719
Speaker 2: on and who ain't signed nobody and who ain't helped

1969
01:44:10,760 --> 01:44:14,599
Speaker 2: nobody was toward money bag yo, and nobody never said

1970
01:44:14,640 --> 01:44:23,520
Speaker 2: nothing of black Yard. I don't be liking that selective

1971
01:44:23,560 --> 01:44:24,680
Speaker 2: politic And that's me.

1972
01:44:26,360 --> 01:44:28,680
Speaker 1: You know, I didn't. I didn't. I had to. I

1973
01:44:28,720 --> 01:44:29,040
Speaker 1: had to.

1974
01:44:29,560 --> 01:44:33,600
Speaker 5: I literally, I literally, I literally went against like like,

1975
01:44:33,720 --> 01:44:37,080
Speaker 5: I literally went against the city. And I apologize for it.

1976
01:44:37,160 --> 01:44:39,880
Speaker 1: You know what I'm saying. It happened too fast. You

1977
01:44:39,880 --> 01:44:40,439
Speaker 1: know what I'm saying.

1978
01:44:40,520 --> 01:44:42,760
Speaker 5: He wants to fuck with women. I went with the move,

1979
01:44:43,120 --> 01:44:44,760
Speaker 5: you know what I'm saying. But I did not know

1980
01:44:45,000 --> 01:44:47,599
Speaker 5: like that he had crossed all the men and crossed

1981
01:44:47,600 --> 01:44:49,679
Speaker 5: his whole niggas out. And I knew he was CMG,

1982
01:44:50,240 --> 01:44:52,439
Speaker 5: but sometimes I didn't know that he had crossed all

1983
01:44:52,439 --> 01:44:54,879
Speaker 5: his niggas out. I didn't know that he had religion

1984
01:44:55,040 --> 01:44:59,439
Speaker 5: this on his niggas. And I literally like, I'm heaving

1985
01:44:59,479 --> 01:45:02,040
Speaker 5: friction with these niggas in the streets. And I never

1986
01:45:02,120 --> 01:45:04,240
Speaker 5: had no friction with these folks in their life. In

1987
01:45:04,320 --> 01:45:07,439
Speaker 5: my life, I grew up on King Road, my anti

1988
01:45:07,560 --> 01:45:10,599
Speaker 5: mission one need to my cousin Ruben Schevido, I actually

1989
01:45:10,680 --> 01:45:13,320
Speaker 5: I grew up. I don't care like I spent years

1990
01:45:13,320 --> 01:45:15,160
Speaker 5: and like, you know what I'm saying, coming down there

1991
01:45:15,160 --> 01:45:17,200
Speaker 5: in the summer time and on the weekends and shit,

1992
01:45:17,520 --> 01:45:19,360
Speaker 5: you know, I kind of you know what I'm saying.

1993
01:45:19,400 --> 01:45:23,320
Speaker 5: So you know I stopped fucking with all them when

1994
01:45:23,360 --> 01:45:27,800
Speaker 5: I became BG. You know what I'm saying, because they

1995
01:45:27,920 --> 01:45:30,200
Speaker 5: looking at me like, damn, how you fucking with this nigga?

1996
01:45:30,200 --> 01:45:33,479
Speaker 5: And he didn't did, but I didn't know. I didn't know.

1997
01:45:34,280 --> 01:45:36,240
Speaker 5: You know what I'm saying, I'm into it. But my

1998
01:45:36,360 --> 01:45:41,160
Speaker 5: moral to telling y'all there is this when when I

1999
01:45:41,200 --> 01:45:44,439
Speaker 5: took on when I when I came BG, I took

2000
01:45:44,520 --> 01:45:49,839
Speaker 5: on everything they came with BG, my nigga, the beef whatever, whatever,

2001
01:45:50,080 --> 01:45:53,320
Speaker 5: the beef, everything they kind with it. I was ready

2002
01:45:53,360 --> 01:45:58,080
Speaker 5: for it. I'm in too with niggas. I'm in too

2003
01:45:58,160 --> 01:46:00,439
Speaker 5: with niggas. I'm in too with niggas because b G

2004
01:46:01,080 --> 01:46:04,719
Speaker 5: and I got I get this on. I'm in tool

2005
01:46:04,720 --> 01:46:06,599
Speaker 5: with a nigga with BG. But when I go hard

2006
01:46:06,640 --> 01:46:08,400
Speaker 5: on a nigga, a nigga don't want to bag me.

2007
01:46:10,520 --> 01:46:11,240
Speaker 1: Fuck at it.

2008
01:46:13,320 --> 01:46:15,800
Speaker 2: And see you got you also got to do this.

2009
01:46:16,880 --> 01:46:19,400
Speaker 2: It's a he young at this time. You know what

2010
01:46:19,439 --> 01:46:22,880
Speaker 2: I'm saying. He talking from a young mindset too, you

2011
01:46:22,960 --> 01:46:24,760
Speaker 2: know what I mean, younger this foy he went to

2012
01:46:24,840 --> 01:46:27,880
Speaker 2: the UH, to the pin to the FAZ. So he

2013
01:46:28,000 --> 01:46:29,960
Speaker 2: a little younger at this time, and I think that

2014
01:46:30,680 --> 01:46:34,599
Speaker 2: the mindset is probably different at this point. Let's let's

2015
01:46:34,600 --> 01:46:35,599
Speaker 2: find another topic.

2016
01:47:08,160 --> 01:47:19,639
Speaker 18: Oh yeah, let's go.

2017
01:47:22,960 --> 01:47:25,559
Speaker 2: How many of y'all seen this video with Elliott Wilson

2018
01:47:29,439 --> 01:47:33,000
Speaker 2: with the Homeboys, Rory and Mal. I ain't spoke to

2019
01:47:33,080 --> 01:47:37,439
Speaker 2: him in a minute. I sent uh, I sent my

2020
01:47:37,520 --> 01:47:40,600
Speaker 2: all a Happy New Year's I need to check and

2021
01:47:40,600 --> 01:47:43,960
Speaker 2: see if he texts me back. I ain't talk to

2022
01:47:44,000 --> 01:47:48,720
Speaker 2: them gentlemen in a few minutes, but shout out to them.

2023
01:47:48,800 --> 01:47:51,840
Speaker 2: They continue to do what they're doing again. You know,

2024
01:47:51,920 --> 01:47:54,600
Speaker 2: in this industry, especially me, I come here on my

2025
01:47:54,720 --> 01:47:57,880
Speaker 2: own bank roll, and as we were just talking about

2026
01:47:57,920 --> 01:48:01,200
Speaker 2: for next two times, you know those kind of little

2027
01:48:01,240 --> 01:48:04,400
Speaker 2: things right, Like, Yo, I don't even know. I just

2028
01:48:04,520 --> 01:48:06,599
Speaker 2: text him. I don't even know if he text me back.

2029
01:48:07,840 --> 01:48:12,040
Speaker 2: But if he text me back, great, If he didn't,

2030
01:48:12,320 --> 01:48:14,639
Speaker 2: I don't give a fuck about no nigga texting me back.

2031
01:48:14,720 --> 01:48:18,640
Speaker 2: Let's keep it a hundred. You gotta know how to

2032
01:48:18,640 --> 01:48:24,000
Speaker 2: build your own home in this industry. Young blood. Speaking

2033
01:48:24,040 --> 01:48:29,720
Speaker 2: of building your own home, we got Elliott Wilson. What

2034
01:48:29,760 --> 01:48:32,280
Speaker 2: do y'all think about this arc that Elliott Wilson is on.

2035
01:48:32,680 --> 01:48:35,200
Speaker 2: I think that Joe Budden is tricking him out his legacy.

2036
01:48:35,360 --> 01:48:37,920
Speaker 2: I think that Joe and a couple of people like

2037
01:48:38,040 --> 01:48:42,479
Speaker 2: Joe are the leading force behind him embracing some kind

2038
01:48:42,479 --> 01:48:46,160
Speaker 2: of villain road that I think is literally counterproductive to

2039
01:48:46,200 --> 01:48:50,280
Speaker 2: everything he's built over the last twenty I think he's literally,

2040
01:48:51,320 --> 01:48:54,559
Speaker 2: in my opinion, right, he's legendary. He's done what he's

2041
01:48:54,880 --> 01:48:57,760
Speaker 2: what he's been able to do. I actually got my

2042
01:48:57,840 --> 01:49:01,120
Speaker 2: next episode with Benzino. What Benzino was crazy? O Elliot

2043
01:49:01,120 --> 01:49:07,360
Speaker 2: will like literally like literally talked all about certain kind

2044
01:49:07,360 --> 01:49:11,599
Speaker 2: of shit from the past, and you know, but I

2045
01:49:11,640 --> 01:49:15,280
Speaker 2: think that he cemented in the game. He interviews Jay,

2046
01:49:15,400 --> 01:49:18,519
Speaker 2: interviewed Drake, interview Baby and Gun at the same time

2047
01:49:18,640 --> 01:49:22,800
Speaker 2: thug nikki fucking anybody like. He's one of the more seasoned,

2048
01:49:22,800 --> 01:49:33,640
Speaker 2: one of the more prestige journalists in hip hop. I

2049
01:49:33,680 --> 01:49:36,280
Speaker 2: don't know why that villain era is something that people

2050
01:49:36,360 --> 01:49:40,679
Speaker 2: is telling him to embrace. Its counterproductive if you ask me. Literally,

2051
01:49:40,720 --> 01:49:45,160
Speaker 2: they're making him a low cow and he's embracing it.

2052
01:49:45,560 --> 01:49:47,479
Speaker 2: And then when you listen to him talk, it's one

2053
01:49:47,560 --> 01:49:51,879
Speaker 2: hundred percent he's drunk. Have you ever been around drunks?

2054
01:49:52,120 --> 01:49:56,120
Speaker 2: You know how people that's drunk talk, Well, he's drunk

2055
01:49:56,120 --> 01:50:01,920
Speaker 2: in these clips. This is liquid curage. This is someone

2056
01:50:01,960 --> 01:50:05,400
Speaker 2: that's thought about his ideas. And I'm gonna get up

2057
01:50:05,439 --> 01:50:08,760
Speaker 2: in and articulate why Cameron is not a good right.

2058
01:50:08,840 --> 01:50:11,160
Speaker 2: This is a dude drunk just in his feelings, getting

2059
01:50:11,200 --> 01:50:16,800
Speaker 2: his feelings off. Now, he might be emotionally driven to

2060
01:50:16,960 --> 01:50:21,920
Speaker 2: not like where he sits in the marketplace, but there's

2061
01:50:21,960 --> 01:50:24,760
Speaker 2: a reaction and a way to react for everything. Let's

2062
01:50:24,800 --> 01:50:25,519
Speaker 2: look at this video.

2063
01:50:27,800 --> 01:50:30,479
Speaker 15: You do have to understand how in twenty twenty three,

2064
01:50:30,560 --> 01:50:36,880
Speaker 15: twenty four, things have changed. Media has changed. Technology has

2065
01:50:36,920 --> 01:50:40,439
Speaker 15: made it to where people enjoy things differently. Now people

2066
01:50:40,479 --> 01:50:42,519
Speaker 15: want to sit and watch somebody's stream and just be

2067
01:50:42,560 --> 01:50:45,400
Speaker 15: in the house and do whatever. And if a celebrity

2068
01:50:45,400 --> 01:50:46,920
Speaker 15: pulls up to kick it with them on they stream,

2069
01:50:47,040 --> 01:50:49,320
Speaker 15: people watch it. They like, Yes, he doesn't have to

2070
01:50:49,360 --> 01:50:53,719
Speaker 15: be the prototypical Hey, let's sit down, let's talk. Let's Yeah,

2071
01:50:53,880 --> 01:50:56,920
Speaker 15: people people like to. I think, you know, for celebrities

2072
01:50:57,040 --> 01:50:59,719
Speaker 15: and things like that, I think they they rather feel

2073
01:51:00,800 --> 01:51:03,479
Speaker 15: more comfortable in at ease instead of sitting somewhere and

2074
01:51:03,479 --> 01:51:08,640
Speaker 15: feeling like they're being grilled. Yeah, and you spoke out

2075
01:51:08,680 --> 01:51:10,840
Speaker 15: about you know, your feelings on that, and.

2076
01:51:10,760 --> 01:51:11,479
Speaker 2: It bothers me.

2077
01:51:12,400 --> 01:51:13,120
Speaker 15: Why does it bother you?

2078
01:51:13,800 --> 01:51:15,640
Speaker 19: Because it's like, there needs to be a balance. I

2079
01:51:15,680 --> 01:51:18,800
Speaker 19: think when you put an album out, for example, any artist, right,

2080
01:51:19,320 --> 01:51:19,839
Speaker 19: you put.

2081
01:51:19,640 --> 01:51:21,320
Speaker 2: An album out, I.

2082
01:51:21,240 --> 01:51:23,400
Speaker 19: Don't think the album is like your own reflection of it.

2083
01:51:23,400 --> 01:51:25,200
Speaker 19: I think you need to talk about your art, what

2084
01:51:25,240 --> 01:51:30,640
Speaker 19: you did to somebody you trust, some respect likes. It

2085
01:51:30,640 --> 01:51:33,360
Speaker 19: gets lost Without that, it's just like one album like, oh,

2086
01:51:33,479 --> 01:51:36,479
Speaker 19: put the album out. Freddy gives, like y'all showing, Freddy

2087
01:51:36,479 --> 01:51:40,040
Speaker 19: gives album right all day, Freddie gives, fred gives he

2088
01:51:40,080 --> 01:51:41,120
Speaker 19: don't want talk to nobody.

2089
01:51:41,160 --> 01:51:42,639
Speaker 2: It's like, yo, what the fuck?

2090
01:51:43,200 --> 01:51:45,519
Speaker 11: But I think Freddy's comes from just now.

2091
01:51:45,640 --> 01:51:45,840
Speaker 1: Let me.

2092
01:51:45,920 --> 01:51:51,120
Speaker 2: Let me say this. I do understand what Elliott Wilson

2093
01:51:51,120 --> 01:51:54,360
Speaker 2: speaks about when he gets to talking about the relationship

2094
01:51:54,400 --> 01:51:59,880
Speaker 2: between media and entertainment rappers in particular in these conversations

2095
01:52:00,000 --> 01:52:04,559
Speaker 2: where they tend to undervalue the relationship between us and y'all,

2096
01:52:04,800 --> 01:52:07,679
Speaker 2: which are the people that watch us, and how we

2097
01:52:07,880 --> 01:52:13,479
Speaker 2: tend to have a deep rooted relationship with our audience

2098
01:52:13,840 --> 01:52:16,960
Speaker 2: and we're able to put them in front of our

2099
01:52:17,000 --> 01:52:19,280
Speaker 2: audience and allow our audience to see them in a

2100
01:52:19,320 --> 01:52:22,799
Speaker 2: different light or at allow them to you know, build

2101
01:52:22,840 --> 01:52:26,840
Speaker 2: out on certain points, talking points or other things like that.

2102
01:52:27,040 --> 01:52:31,160
Speaker 2: And I think this started with Drake. With Eliot, right,

2103
01:52:31,240 --> 01:52:34,080
Speaker 2: he kind of felt like, Yo, Drake owe someone an interview.

2104
01:52:35,160 --> 01:52:37,160
Speaker 2: I think he wasn't the right person to say it

2105
01:52:37,200 --> 01:52:39,160
Speaker 2: because he was on the short list of people that

2106
01:52:39,240 --> 01:52:43,240
Speaker 2: would get it when it was available. Now, however, Drake

2107
01:52:43,320 --> 01:52:46,679
Speaker 2: got to getting around to do it. Eliot was always

2108
01:52:46,720 --> 01:52:48,600
Speaker 2: on the list to be one of the people to

2109
01:52:48,640 --> 01:52:52,000
Speaker 2: be able to get that interview. But because Drake went

2110
01:52:52,080 --> 01:52:55,360
Speaker 2: and done the Bobby outof thing and a couple of

2111
01:52:55,400 --> 01:53:00,680
Speaker 2: different platforms alone the years, Elliot will and you know,

2112
01:53:00,800 --> 01:53:02,920
Speaker 2: kind of verbalize how he felt. Now, let me be

2113
01:53:03,040 --> 01:53:05,880
Speaker 2: clear too, I think Drake does oh hip hop and

2114
01:53:05,960 --> 01:53:11,280
Speaker 2: interview conversations. There's people that are risking their brands to

2115
01:53:11,360 --> 01:53:14,479
Speaker 2: stand next to him. Also, in that episode where I

2116
01:53:14,520 --> 01:53:17,640
Speaker 2: spoke about King and Finesse, I spoke about academics and

2117
01:53:17,760 --> 01:53:21,320
Speaker 2: Drake and Drake going on stream with Aiden Ross on

2118
01:53:21,400 --> 01:53:24,200
Speaker 2: Christmas and does he owe academics that interview? These are

2119
01:53:24,240 --> 01:53:27,760
Speaker 2: conversations that I think the culture wants to hear about, right.

2120
01:53:27,800 --> 01:53:30,720
Speaker 2: They want people to build these things out and you know,

2121
01:53:30,880 --> 01:53:33,600
Speaker 2: not be disrespectful, but just deal with the information and

2122
01:53:33,640 --> 01:53:35,680
Speaker 2: try to figure out like does he old and man?

2123
01:53:37,200 --> 01:53:39,559
Speaker 2: Because I mean, you know, if you go in ex

2124
01:53:39,640 --> 01:53:45,520
Speaker 2: comments on any platform, there are people that are disrespecting

2125
01:53:45,600 --> 01:53:49,519
Speaker 2: him because of his affiliation with Drake or his his

2126
01:53:49,760 --> 01:53:53,800
Speaker 2: ability to, no matter what happens, find a way to

2127
01:53:53,840 --> 01:53:56,599
Speaker 2: make Drake come out on the winning side, or at

2128
01:53:56,640 --> 01:53:59,880
Speaker 2: least try to even if he you know, cannot stream

2129
01:54:00,080 --> 01:54:03,519
Speaker 2: and the ideas in a way that's effective for people

2130
01:54:03,560 --> 01:54:06,640
Speaker 2: that have an IQ above a certain level. Right, But

2131
01:54:07,040 --> 01:54:09,479
Speaker 2: I think he's put his brand in a position to

2132
01:54:09,520 --> 01:54:14,320
Speaker 2: be compromised, not necessarily compromised, but tempered with. Well. Some

2133
01:54:14,360 --> 01:54:16,680
Speaker 2: of the casual fans look at his brand and like, yo,

2134
01:54:16,800 --> 01:54:21,000
Speaker 2: aw man, whatever Drake do, he gonna oh whatever Drake

2135
01:54:21,080 --> 01:54:24,120
Speaker 2: has he gone, And so you would think Drake repays

2136
01:54:24,240 --> 01:54:27,800
Speaker 2: him in a way. But at the same time, Drake

2137
01:54:27,840 --> 01:54:30,840
Speaker 2: did put him on a song. So again Drake is

2138
01:54:30,880 --> 01:54:34,200
Speaker 2: not completely shunning it, but he's not giving him what

2139
01:54:34,240 --> 01:54:36,720
Speaker 2: he wants. I also spoke to in that episode, while

2140
01:54:36,840 --> 01:54:40,520
Speaker 2: not bowing down the academics, is the thing to do

2141
01:54:40,600 --> 01:54:44,720
Speaker 2: those artists that boy down the academics. This shit is

2142
01:54:44,800 --> 01:54:48,520
Speaker 2: like the Gremlins. There'll be more niggas pop up because

2143
01:54:48,560 --> 01:54:51,520
Speaker 2: they know that you're weak in that area. And if

2144
01:54:51,520 --> 01:54:55,160
Speaker 2: I get loud enough, you'll come running. And so I

2145
01:54:55,200 --> 01:54:57,800
Speaker 2: think you gotta strategize your way in business. You gotta

2146
01:54:57,800 --> 01:55:03,040
Speaker 2: strategize your way, and you gotta build towers next to towers, right,

2147
01:55:04,560 --> 01:55:08,640
Speaker 2: And that's just how it is. But I think Elliot Wilson,

2148
01:55:10,840 --> 01:55:13,200
Speaker 2: you know, going at Drake, in my opinion, is an issue.

2149
01:55:13,360 --> 01:55:16,560
Speaker 2: I would be interested in someone asking Joe Budden, like,

2150
01:55:16,600 --> 01:55:18,920
Speaker 2: why do you think that this is a great idea

2151
01:55:19,480 --> 01:55:22,000
Speaker 2: or even my I mean a roery. You know, I

2152
01:55:22,080 --> 01:55:26,680
Speaker 2: can call these gentlemen, but I won't do that, But

2153
01:55:26,800 --> 01:55:29,680
Speaker 2: I would want someone to ask these gentlemen like, why

2154
01:55:29,680 --> 01:55:33,000
Speaker 2: do they think Elliott Wilson leaning into a villain arc

2155
01:55:33,040 --> 01:55:37,240
Speaker 2: and running around on platforms drunk at sixty it's some

2156
01:55:37,400 --> 01:55:44,280
Speaker 2: sort of rebrand for him, right, Elliott Wilson needs to

2157
01:55:44,320 --> 01:55:48,320
Speaker 2: sit with the young protege. And this is just my opinion.

2158
01:55:48,360 --> 01:55:51,120
Speaker 2: I'm not the end all be all, but I don't

2159
01:55:51,120 --> 01:55:55,880
Speaker 2: think leaning into this villain arc is effective by any means. Right,

2160
01:55:56,160 --> 01:55:58,959
Speaker 2: calling out Drake, calling out this, that shit ain't.

2161
01:55:58,760 --> 01:56:02,560
Speaker 12: Working for being in the industry for ten years and

2162
01:56:02,880 --> 01:56:03,600
Speaker 12: a lot of shit going on.

2163
01:56:03,600 --> 01:56:06,919
Speaker 19: Absolutely with that, but there's an imbalance in the game.

2164
01:56:07,240 --> 01:56:08,120
Speaker 11: Where I think it's odd.

2165
01:56:08,160 --> 01:56:10,640
Speaker 12: And I've defended you all year when it was you

2166
01:56:10,720 --> 01:56:12,200
Speaker 12: versus the streamers.

2167
01:56:11,640 --> 01:56:12,920
Speaker 11: Just because you're my man's but I.

2168
01:56:12,840 --> 01:56:15,400
Speaker 12: Am here to say that my issue is that you

2169
01:56:15,520 --> 01:56:17,760
Speaker 12: haven't leaned all the way into it. Because I agree

2170
01:56:17,800 --> 01:56:20,440
Speaker 12: with you, there's still it's okay to have our favorite

2171
01:56:20,480 --> 01:56:21,960
Speaker 12: artists go and have fun on a stream and do

2172
01:56:22,000 --> 01:56:24,320
Speaker 12: a sleepover with Kai. I think it's incredible, but there

2173
01:56:24,320 --> 01:56:26,400
Speaker 12: needs to be somewhat of a balance, especially in a

2174
01:56:26,440 --> 01:56:29,600
Speaker 12: time where if we don't get an interview, we don't

2175
01:56:29,640 --> 01:56:33,560
Speaker 12: know anything about your life, and rappers are more celebrities

2176
01:56:33,600 --> 01:56:34,600
Speaker 12: than they are musicians.

2177
01:56:34,600 --> 01:56:36,120
Speaker 11: Now, if I don't get a.

2178
01:56:36,120 --> 01:56:38,600
Speaker 12: Hove in Drake nas, if I'm get of interviews, I

2179
01:56:38,640 --> 01:56:40,400
Speaker 12: can go to the album and find out where they're

2180
01:56:40,400 --> 01:56:40,920
Speaker 12: at in their life.

2181
01:56:41,240 --> 01:56:42,000
Speaker 11: That's how you get.

2182
01:56:41,840 --> 01:56:43,280
Speaker 2: A good fucking porm.

2183
01:56:43,760 --> 01:56:46,160
Speaker 12: Now they're more celebrity than they are a musician, so

2184
01:56:46,640 --> 01:56:48,520
Speaker 12: who you are as a person is way more important.

2185
01:56:48,840 --> 01:56:51,040
Speaker 11: I think the sit down interview is what people watch.

2186
01:56:51,040 --> 01:56:53,600
Speaker 11: The y'all not talking about shit in your music. I

2187
01:56:53,600 --> 01:56:54,880
Speaker 11: can't get any type of connection.

2188
01:56:54,920 --> 01:56:56,400
Speaker 15: Why so cool with all media now?

2189
01:56:56,400 --> 01:56:58,120
Speaker 19: But then by these talks of media, it's like it's

2190
01:56:58,120 --> 01:56:58,960
Speaker 19: an imbalance, Like.

2191
01:56:58,920 --> 01:57:01,960
Speaker 12: I mean, media is only interview media because I feel

2192
01:57:01,960 --> 01:57:04,600
Speaker 12: like the fans shifted, and I think we saw that

2193
01:57:04,680 --> 01:57:05,960
Speaker 12: the most, and I don't want to get in a

2194
01:57:05,960 --> 01:57:07,320
Speaker 12: full blown Kendrick Drake thing.

2195
01:57:07,480 --> 01:57:10,280
Speaker 11: When we saw that, we saw that in May, the

2196
01:57:10,360 --> 01:57:11,000
Speaker 11: complete shift.

2197
01:57:11,000 --> 01:57:12,320
Speaker 12: It was right in front of our faces that these

2198
01:57:12,360 --> 01:57:15,040
Speaker 12: people are fans of content, they're not fans of music,

2199
01:57:15,840 --> 01:57:19,800
Speaker 12: and a lot of those fans are fans of media people.

2200
01:57:20,280 --> 01:57:22,120
Speaker 12: Even though we talk about music, we do talk about

2201
01:57:22,120 --> 01:57:22,800
Speaker 12: a bunch of other shit.

2202
01:57:22,840 --> 01:57:25,360
Speaker 2: It's very much a life right, Like we were just saying,

2203
01:57:25,400 --> 01:57:29,760
Speaker 2: I believe them to undervalue our relationship with our audience. Right,

2204
01:57:29,960 --> 01:57:32,040
Speaker 2: people will sit here and go back and forth with

2205
01:57:32,160 --> 01:57:36,320
Speaker 2: us like, hey, lo loon, that ain't usually how you be, yo, bro, listen,

2206
01:57:36,360 --> 01:57:38,280
Speaker 2: this is what I was thinking. Oh shit, I ain't

2207
01:57:38,280 --> 01:57:42,000
Speaker 2: think about it right. There's a relationship versus you going

2208
01:57:42,080 --> 01:57:47,000
Speaker 2: on somewhere that the people it's like, no, okay, bet

2209
01:57:47,160 --> 01:57:50,000
Speaker 2: they don't drop another interview for eight months. You got

2210
01:57:50,000 --> 01:57:51,160
Speaker 2: to pay attention.

2211
01:57:51,280 --> 01:57:54,680
Speaker 12: Our content based game with podcasting and streaming. Like as

2212
01:57:54,720 --> 01:57:57,760
Speaker 12: much as I do want to hear from Kai about music,

2213
01:57:57,960 --> 01:58:02,040
Speaker 12: that's like a miniscule part of Kai's Ki's brand, not his.

2214
01:58:02,040 --> 01:58:03,640
Speaker 11: Opinion on what a Cardi song is.

2215
01:58:04,240 --> 01:58:08,600
Speaker 12: So these fans are interested in media, messy media, shit,

2216
01:58:08,720 --> 01:58:12,080
Speaker 12: in media, talking to other media, less than the artists

2217
01:58:12,120 --> 01:58:16,160
Speaker 12: because the artists aren't as interesting maybe as we once

2218
01:58:16,160 --> 01:58:16,600
Speaker 12: thought they were.

2219
01:58:16,640 --> 01:58:18,840
Speaker 19: Well, we have to have the views that balance the commentary.

2220
01:58:19,200 --> 01:58:21,960
Speaker 19: We have commentary all day, but it's like, Yo, where's

2221
01:58:22,000 --> 01:58:23,680
Speaker 19: the conversation with these people that.

2222
01:58:23,640 --> 01:58:24,400
Speaker 1: Are making the art.

2223
01:58:25,040 --> 01:58:26,880
Speaker 2: But do you think where's that balance? Like there's no

2224
01:58:26,960 --> 01:58:27,800
Speaker 2: balance anymore.

2225
01:58:27,880 --> 01:58:29,400
Speaker 12: Do you think there's a lot of artists that have

2226
01:58:29,920 --> 01:58:32,640
Speaker 12: good teams behind them that are telling them, don't go

2227
01:58:32,680 --> 01:58:35,160
Speaker 12: do that because people have a different of you when

2228
01:58:35,240 --> 01:58:37,240
Speaker 12: you have to do a long form I saw with

2229
01:58:36,800 --> 01:58:39,800
Speaker 12: the presidency ship where everyone was saying, Yo, Trump did

2230
01:58:39,800 --> 01:58:42,320
Speaker 12: a great thing by going with Rogan or got to

2231
01:58:42,320 --> 01:58:44,560
Speaker 12: know him for three hours, not talk about politics, to

2232
01:58:44,600 --> 01:58:48,520
Speaker 12: carry three hour conversation, and Kamliss team said they didn't

2233
01:58:48,520 --> 01:58:50,040
Speaker 12: want to do that because it was exposing too much

2234
01:58:50,040 --> 01:58:52,120
Speaker 12: of who she really was. She can't control a three

2235
01:58:52,160 --> 01:58:54,839
Speaker 12: hour interview. I think people are getting the same advice

2236
01:58:55,400 --> 01:58:58,960
Speaker 12: to their artists, whether it be label or maybe we

2237
01:58:59,040 --> 01:59:01,240
Speaker 12: know how you are when you're not on a microphone,

2238
01:59:01,440 --> 01:59:05,040
Speaker 12: everyone's gonna dilike you. So if you have to do

2239
01:59:05,200 --> 01:59:07,760
Speaker 12: a two hour interview with someone that's really a journalist,

2240
01:59:08,120 --> 01:59:10,120
Speaker 12: if I'm managing an artist I know is not built

2241
01:59:10,120 --> 01:59:11,760
Speaker 12: for that, I'm definitely gonna tell that.

2242
01:59:12,960 --> 01:59:14,800
Speaker 19: Why are you prepared to tell the truth right Like

2243
01:59:15,280 --> 01:59:19,200
Speaker 19: is Drake prepared to have a real conversation about everything

2244
01:59:19,320 --> 01:59:22,400
Speaker 19: went on? Like Kendrick Cole? Are they prepared right now

2245
01:59:22,400 --> 01:59:23,280
Speaker 19: to have a real conversation?

2246
01:59:23,600 --> 01:59:24,000
Speaker 1: Maybe not?

2247
01:59:24,840 --> 01:59:28,600
Speaker 11: Okay, probably, but why would they owe that this soon?

2248
01:59:28,680 --> 01:59:30,880
Speaker 2: Even though I would know it. I'm saying that they're

2249
01:59:30,920 --> 01:59:31,640
Speaker 2: not ready for it?

2250
01:59:31,680 --> 01:59:33,840
Speaker 15: I don't think right now, But why do you say

2251
01:59:33,840 --> 01:59:34,760
Speaker 15: they're not ready for it?

2252
01:59:35,480 --> 01:59:38,280
Speaker 19: Because it requires so much honesty of like really looking

2253
01:59:38,320 --> 01:59:42,680
Speaker 19: at the whole landscape of what happened, the introspection of it.

2254
01:59:42,680 --> 01:59:45,920
Speaker 2: It's like, Yo, he's slurring his words so bad, Like

2255
01:59:46,520 --> 01:59:49,360
Speaker 2: and I got respect for Elliot Wilson, right, so I

2256
01:59:49,360 --> 01:59:53,560
Speaker 2: don't want to disrespect him, but he is fucking slurring

2257
01:59:53,600 --> 02:00:00,600
Speaker 2: his words so fucking bad, bro, Like he's he's clearly

2258
02:00:00,960 --> 02:00:04,840
Speaker 2: when I did, he's clearly aneebriated say they're not ready for.

2259
02:00:04,760 --> 02:00:08,120
Speaker 19: It because it requires so much honesty of life, really

2260
02:00:08,120 --> 02:00:12,440
Speaker 19: looking at the whole landscape of what happened, the introspection

2261
02:00:12,560 --> 02:00:12,760
Speaker 19: of it.

2262
02:00:12,760 --> 02:00:14,280
Speaker 2: It's like, yo, we're not there yet.

2263
02:00:14,400 --> 02:00:16,600
Speaker 12: But with people like Cole and Drake, I think we're

2264
02:00:16,600 --> 02:00:19,000
Speaker 12: going to get that in the music on the next album,

2265
02:00:19,080 --> 02:00:21,360
Speaker 12: both of them. So yeah, of course I want them

2266
02:00:21,520 --> 02:00:24,320
Speaker 12: to sit down and have to really answer to certain question.

2267
02:00:24,640 --> 02:00:27,280
Speaker 12: I would love for Kendrick to sit with someone and

2268
02:00:27,280 --> 02:00:28,840
Speaker 12: someone straight up as do you really think Drake is

2269
02:00:28,840 --> 02:00:29,280
Speaker 12: better vout?

2270
02:00:29,480 --> 02:00:29,560
Speaker 10: Like?

2271
02:00:29,600 --> 02:00:33,000
Speaker 12: I want those questions of course, But with them I

2272
02:00:33,000 --> 02:00:35,000
Speaker 12: don't care as much because they will put that in

2273
02:00:35,040 --> 02:00:35,480
Speaker 12: the music.

2274
02:00:35,960 --> 02:00:36,720
Speaker 11: These younger artists.

2275
02:00:36,720 --> 02:00:36,960
Speaker 2: They don't.

2276
02:00:36,960 --> 02:00:40,040
Speaker 11: They're not saying shit either, So where is the connection

2277
02:00:40,080 --> 02:00:40,800
Speaker 11: out of your arts?

2278
02:00:40,840 --> 02:00:41,720
Speaker 15: Don't even know how to talk?

2279
02:00:42,320 --> 02:00:44,520
Speaker 2: Yeah, I was saying they're doing.

2280
02:00:44,800 --> 02:00:46,600
Speaker 15: Because they don't want it to Half of these young

2281
02:00:46,680 --> 02:00:48,160
Speaker 15: artists speak to talk.

2282
02:00:48,200 --> 02:00:48,880
Speaker 11: But y'all say that.

2283
02:00:48,920 --> 02:00:51,120
Speaker 12: But there's also this other group of artists that are

2284
02:00:51,200 --> 02:00:56,040
Speaker 12: now content creators their media. Like we we always do

2285
02:00:56,440 --> 02:00:59,160
Speaker 12: the City Girl number seven as a joke, but she's young,

2286
02:00:59,200 --> 02:01:02,280
Speaker 12: Miami is good what she does for the purpose of it.

2287
02:01:02,960 --> 02:01:04,480
Speaker 11: There is still a side.

2288
02:01:04,240 --> 02:01:06,240
Speaker 12: And those people that could do great interviewers are now

2289
02:01:06,240 --> 02:01:07,080
Speaker 12: becoming the media.

2290
02:01:07,200 --> 02:01:12,480
Speaker 19: Yes, everybody's media. Some of Walker's media. Camera is running

2291
02:01:12,600 --> 02:01:13,640
Speaker 19: like he's Stephen A. Smith.

2292
02:01:14,440 --> 02:01:15,240
Speaker 2: That's what we're doing.

2293
02:01:15,400 --> 02:01:17,200
Speaker 15: Like I'm saying, like he Stephen, and why he's not

2294
02:01:17,280 --> 02:01:21,120
Speaker 15: running around like Cameron He's That's what people be mad

2295
02:01:21,160 --> 02:01:22,520
Speaker 15: at you about when you say ship like.

2296
02:01:22,480 --> 02:01:24,640
Speaker 11: That, which I think he should lean out be the

2297
02:01:24,720 --> 02:01:26,440
Speaker 11: old villain I was hate.

2298
02:01:26,240 --> 02:01:27,400
Speaker 15: You know what I'm saying. That's why I think people

2299
02:01:27,480 --> 02:01:30,000
Speaker 15: be mad at you. Cam is running around like like

2300
02:01:30,080 --> 02:01:31,080
Speaker 15: he Stephen Smith.

2301
02:01:31,200 --> 02:01:33,880
Speaker 2: Why is this for a journalist? Because he has an opinion?

2302
02:01:34,360 --> 02:01:37,200
Speaker 12: But m and Mason proved to have a good opinion

2303
02:01:37,240 --> 02:01:42,160
Speaker 12: that having a job really because the bag is Elliott.

2304
02:01:42,200 --> 02:01:45,040
Speaker 15: You don't think that we all come from the culture

2305
02:01:45,080 --> 02:01:47,600
Speaker 15: of we all sit around in our neighborhoods on the

2306
02:01:47,640 --> 02:01:50,560
Speaker 15: in front of our buildings journalists. I'm just saying, we

2307
02:01:50,600 --> 02:01:53,000
Speaker 15: all sit around and our groups with our friends talk

2308
02:01:53,080 --> 02:01:54,520
Speaker 15: about music.

2309
02:01:54,800 --> 02:01:55,360
Speaker 2: That's all.

2310
02:01:55,440 --> 02:01:57,240
Speaker 15: That's all these guys are doing right now.

2311
02:01:57,400 --> 02:01:59,400
Speaker 11: But that's not fair, is Shannon Sharper journalists?

2312
02:02:01,240 --> 02:02:04,240
Speaker 2: No, But that's that's the that's the easier experience from it.

2313
02:02:04,480 --> 02:02:07,600
Speaker 19: That's when the athlete becomes the media. That's the easier

2314
02:02:08,000 --> 02:02:09,680
Speaker 19: Charles Barker, that's easier transition.

2315
02:02:10,160 --> 02:02:11,960
Speaker 15: So why is it easier for the athlete but not

2316
02:02:12,000 --> 02:02:12,440
Speaker 15: the artist?

2317
02:02:13,600 --> 02:02:15,400
Speaker 2: It's not easier. But I don't like it because, like

2318
02:02:15,800 --> 02:02:16,960
Speaker 2: you imagine.

2319
02:02:16,480 --> 02:02:18,680
Speaker 19: Like this is the ship I do well and not

2320
02:02:18,800 --> 02:02:21,240
Speaker 19: everybody want to do it, and you.

2321
02:02:21,680 --> 02:02:24,480
Speaker 15: Don't like it because you feel like they're not coming

2322
02:02:24,520 --> 02:02:28,680
Speaker 15: to the journalist to with that, which affects your boss.

2323
02:02:29,200 --> 02:02:30,480
Speaker 2: Do is me with that?

2324
02:02:30,680 --> 02:02:33,440
Speaker 19: So then you want to be that off celebrity of whatever,

2325
02:02:33,800 --> 02:02:35,120
Speaker 19: so I can talk about that.

2326
02:02:35,160 --> 02:02:37,240
Speaker 2: I don't like that ship and not be a hater.

2327
02:02:37,640 --> 02:02:40,560
Speaker 2: It's reality. Yeah, but you're going to have to form

2328
02:02:40,600 --> 02:02:43,040
Speaker 2: your opinions much better. You can't just be up there

2329
02:02:43,080 --> 02:02:45,480
Speaker 2: slurring your words, because it's going to be easy to

2330
02:02:45,520 --> 02:02:48,480
Speaker 2: paint you as a hater. You see what I'm saying.

2331
02:02:48,520 --> 02:02:50,960
Speaker 2: You just up there? What are you saying? What's the problem?

2332
02:02:51,240 --> 02:02:55,080
Speaker 1: You should? I just got it?

2333
02:02:55,960 --> 02:02:56,160
Speaker 4: Yeah?

2334
02:02:57,400 --> 02:02:59,880
Speaker 2: Is that you got hold on?

2335
02:03:00,160 --> 02:03:00,320
Speaker 1: Whoa?

2336
02:03:00,360 --> 02:03:00,560
Speaker 5: Whoa?

2337
02:03:00,600 --> 02:03:00,800
Speaker 1: Whoa?

2338
02:03:00,960 --> 02:03:05,360
Speaker 2: Brother? What's the problem with Cam and Mace during a

2339
02:03:05,520 --> 02:03:10,080
Speaker 2: show that is extremely valuable in the market. Let me

2340
02:03:10,120 --> 02:03:17,520
Speaker 2: know you guys, yes, yes you, yes, yes you? What

2341
02:03:17,520 --> 02:03:18,520
Speaker 2: do we? What do we.

2342
02:03:19,960 --> 02:03:20,000
Speaker 10: This?

2343
02:03:20,160 --> 02:03:27,160
Speaker 2: Ali Wilson? Like, Bro, let's keep against it, Bro, you

2344
02:03:27,160 --> 02:03:30,520
Speaker 2: got to turn it up, bro, like the fuck At

2345
02:03:30,560 --> 02:03:34,480
Speaker 2: least have an opinion, at least articulate the idea, like

2346
02:03:34,560 --> 02:03:36,160
Speaker 2: what what do you? What's the problem?

2347
02:03:36,280 --> 02:03:36,400
Speaker 1: Like?

2348
02:03:36,440 --> 02:03:38,000
Speaker 2: What's the issue?

2349
02:03:38,280 --> 02:03:38,360
Speaker 10: Like?

2350
02:03:38,440 --> 02:03:40,440
Speaker 2: Don't make me put it together for you? So are

2351
02:03:40,480 --> 02:03:43,160
Speaker 2: you saying this or that? Like? Bro, when you're gonna

2352
02:03:43,200 --> 02:03:48,720
Speaker 2: say something like that against your peer, it needs to

2353
02:03:48,720 --> 02:03:52,560
Speaker 2: be well thought out. And I know that because when

2354
02:03:52,600 --> 02:03:55,720
Speaker 2: I went on Brilliant Idiots, we were freestyling our way through,

2355
02:03:57,520 --> 02:04:03,040
Speaker 2: you know, my talking points or my idea that streaming

2356
02:04:03,120 --> 02:04:06,920
Speaker 2: didn't have a lot of value or replay value, and

2357
02:04:06,960 --> 02:04:09,320
Speaker 2: so that was my I was trying to figure that out.

2358
02:04:09,360 --> 02:04:11,120
Speaker 2: And that was in real time. And I say, yo,

2359
02:04:11,160 --> 02:04:14,520
Speaker 2: long anytime you come out on them big platforms, you

2360
02:04:14,600 --> 02:04:18,480
Speaker 2: gotta make sure that you squish it down, like use

2361
02:04:18,560 --> 02:04:20,720
Speaker 2: that technique that got you as far as you are. Like,

2362
02:04:20,800 --> 02:04:24,240
Speaker 2: squish that bitch down, give them a few tie that in,

2363
02:04:24,880 --> 02:04:27,160
Speaker 2: let them know what's ah and put it out there

2364
02:04:27,360 --> 02:04:30,160
Speaker 2: and where it makes sense, and give them perspective. So

2365
02:04:30,280 --> 02:04:32,880
Speaker 2: if nothing else, even if they disagree, they see where

2366
02:04:32,880 --> 02:04:35,240
Speaker 2: you're coming from. Right when you get out there and

2367
02:04:35,320 --> 02:04:38,280
Speaker 2: you say, man, well, Cameroon ain't no journalists. He that

2368
02:04:38,360 --> 02:04:40,600
Speaker 2: shit he doing is trash, And they say, yo, what's wrong?

2369
02:04:40,640 --> 02:04:50,920
Speaker 2: Why Cameron can't do with it? Yes, yes, yes, yeah,

2370
02:04:51,000 --> 02:04:53,320
Speaker 2: you're a legend, my nigga, you're a legend. But loved

2371
02:04:53,920 --> 02:04:58,360
Speaker 2: you're doing too much playing, planking and promoting. I don't

2372
02:04:58,440 --> 02:04:58,760
Speaker 2: like it.

2373
02:04:58,920 --> 02:05:00,480
Speaker 15: You don't like it because you don't think they're good

2374
02:05:00,520 --> 02:05:00,880
Speaker 15: at it.

2375
02:05:01,560 --> 02:05:03,680
Speaker 2: I know I'm better at it, Okay, it's me, it's

2376
02:05:03,720 --> 02:05:04,680
Speaker 2: my life, okay.

2377
02:05:04,520 --> 02:05:07,000
Speaker 7: But Elliott will look you better at it, because in

2378
02:05:07,080 --> 02:05:08,960
Speaker 7: this day and age, it's just not about getting the

2379
02:05:09,000 --> 02:05:09,880
Speaker 7: information right.

2380
02:05:09,960 --> 02:05:12,480
Speaker 2: It's about who's more entertaining. So who are you to

2381
02:05:12,560 --> 02:05:14,360
Speaker 2: say I'm better at this than them.

2382
02:05:14,400 --> 02:05:16,240
Speaker 19: When I'll prove it to you, I'm better than you,

2383
02:05:16,440 --> 02:05:18,160
Speaker 19: Like I'm the best amble inform?

2384
02:05:18,280 --> 02:05:21,320
Speaker 2: Are you better at telling a story? Are you better accurately?

2385
02:05:21,560 --> 02:05:23,200
Speaker 2: Not better? Like cringe worthy?

2386
02:05:23,240 --> 02:05:29,720
Speaker 19: I want say, ship, it's not good? What's the camera?

2387
02:05:30,000 --> 02:05:31,960
Speaker 19: He was like your camera? I really asked the question,

2388
02:05:32,520 --> 02:05:33,280
Speaker 19: what are you talking about?

2389
02:05:33,440 --> 02:05:33,600
Speaker 5: No?

2390
02:05:33,760 --> 02:05:36,280
Speaker 12: But what what interview to cam take away from something?

2391
02:05:36,360 --> 02:05:38,480
Speaker 12: Of Let's let's say where the hip hop? Even if

2392
02:05:38,560 --> 02:05:40,120
Speaker 12: law and I are on journalists, we're still in hip

2393
02:05:40,160 --> 02:05:42,920
Speaker 12: hop media. You are a hip hop journalist? What interview

2394
02:05:42,960 --> 02:05:44,320
Speaker 12: to cam take away from us?

2395
02:05:45,560 --> 02:05:48,960
Speaker 4: We need a small business man fast and.

2396
02:05:48,960 --> 02:05:53,200
Speaker 2: Let's keep it real. Alien Wilson is an immaculate interview

2397
02:05:54,680 --> 02:05:59,400
Speaker 2: so he definitely can interview. And I think he does

2398
02:05:59,440 --> 02:06:02,200
Speaker 2: great with the bigger artists. But you know, I don't

2399
02:06:02,200 --> 02:06:04,680
Speaker 2: know how valuable he is to these younger artists or

2400
02:06:04,680 --> 02:06:09,360
Speaker 2: to this, to the culture, to like the other attributes

2401
02:06:09,400 --> 02:06:13,520
Speaker 2: the other like sliders, Like I know your information is

2402
02:06:13,560 --> 02:06:15,920
Speaker 2: all way up, your legacy is all way up, but

2403
02:06:16,280 --> 02:06:19,120
Speaker 2: all right, let's go down some more, Like what about

2404
02:06:19,160 --> 02:06:21,480
Speaker 2: these other sliders, man? Cause you might be a forty

2405
02:06:21,520 --> 02:06:26,720
Speaker 2: four overall in the twenty twenty five season. Yeah, now

2406
02:06:26,840 --> 02:06:29,640
Speaker 2: you might be a forty four overall, you know what

2407
02:06:29,640 --> 02:06:32,560
Speaker 2: I mean? And so you know, all you really got

2408
02:06:32,600 --> 02:06:35,960
Speaker 2: is information and legacy. All right? What other sliders? Are

2409
02:06:36,000 --> 02:06:38,680
Speaker 2: you funny? Do they think you cool? Do they believe you?

2410
02:06:38,800 --> 02:06:39,880
Speaker 2: Do they know about you?

2411
02:06:40,400 --> 02:06:40,600
Speaker 6: Right?

2412
02:06:40,680 --> 02:06:43,160
Speaker 2: It's like there's a lot of different things that come

2413
02:06:43,760 --> 02:06:49,240
Speaker 2: into it. But I think what I do applaud Elliot

2414
02:06:49,240 --> 02:06:52,280
Speaker 2: Wilson for doing is trying to make sure that they

2415
02:06:52,400 --> 02:06:56,640
Speaker 2: understand he's not just a journalist interviewer. He has an opinion.

2416
02:06:57,240 --> 02:07:00,600
Speaker 2: So the position himself in that way I appreciate. But

2417
02:07:01,280 --> 02:07:04,080
Speaker 2: to lean into the villain thing, to me is counterproductive.

2418
02:07:04,240 --> 02:07:07,240
Speaker 2: I don't get it.

2419
02:07:07,360 --> 02:07:11,280
Speaker 19: The different things that I may not have, and again

2420
02:07:11,960 --> 02:07:14,120
Speaker 19: I do underperformed.

2421
02:07:14,240 --> 02:07:16,320
Speaker 12: See, I think I have to put every time to

2422
02:07:16,320 --> 02:07:20,160
Speaker 12: push them out there because you have had twenty five

2423
02:07:20,240 --> 02:07:27,240
Speaker 12: years of relationships with the publicist, interview the three majors

2424
02:07:27,480 --> 02:07:29,880
Speaker 12: where Cam, Yes, Cam is celebrity and has you know,

2425
02:07:29,920 --> 02:07:32,160
Speaker 12: relationships for him being in the game for thirty years,

2426
02:07:32,360 --> 02:07:35,240
Speaker 12: but you have direct relationships with the majors that the

2427
02:07:35,280 --> 02:07:38,040
Speaker 12: rest of the podcasting world never had, so you still

2428
02:07:38,080 --> 02:07:39,440
Speaker 12: do have that.

2429
02:07:39,560 --> 02:07:41,240
Speaker 11: I think we have to go back.

2430
02:07:41,080 --> 02:07:42,800
Speaker 12: To the period at the end of the sentence of

2431
02:07:42,840 --> 02:07:47,120
Speaker 12: what the fans want, and with Cam or Young Young Miami,

2432
02:07:47,160 --> 02:07:48,520
Speaker 12: maybe they just want to be entertained.

2433
02:07:48,520 --> 02:07:50,640
Speaker 11: With Kai, they just want to be entertained. They don't

2434
02:07:50,640 --> 02:07:52,280
Speaker 11: want to be they don't want to be informed.

2435
02:07:52,640 --> 02:07:56,120
Speaker 2: The access one thing, and I think Rory added this

2436
02:07:56,200 --> 02:08:02,680
Speaker 2: to Joe's podcast. One thing about Rory is that he's

2437
02:08:02,720 --> 02:08:04,680
Speaker 2: going to have an idea and he's going to be

2438
02:08:04,720 --> 02:08:08,200
Speaker 2: able to put it together and get in streamline it.

2439
02:08:08,800 --> 02:08:12,360
Speaker 2: I think that's so important for podcasting, right like fresh

2440
02:08:12,360 --> 02:08:14,800
Speaker 2: out bouncing like your idea of my idea, and he's

2441
02:08:15,160 --> 02:08:18,800
Speaker 2: able to streamline his shit like responding to you. He's one.

2442
02:08:18,840 --> 02:08:26,320
Speaker 2: He's I believe Rory to be an important important factor

2443
02:08:26,520 --> 02:08:29,040
Speaker 2: in Joe's part when he was there, and also in

2444
02:08:29,120 --> 02:08:32,840
Speaker 2: this Rory and Maul shit. Of course, Ma also adds

2445
02:08:32,880 --> 02:08:35,520
Speaker 2: an element tour, but I think Rory, you know, I've

2446
02:08:35,520 --> 02:08:37,400
Speaker 2: had both of them on my show, so if you

2447
02:08:37,440 --> 02:08:40,440
Speaker 2: haven't seen it, go go watch it. I spoke to

2448
02:08:40,480 --> 02:08:43,320
Speaker 2: both of those brothers when they wouldn't really speaking a

2449
02:08:43,360 --> 02:08:46,440
Speaker 2: lot about this stuff, but we got to the bottom

2450
02:08:46,560 --> 02:08:49,280
Speaker 2: up and we had some good conversations and me and

2451
02:08:49,320 --> 02:08:52,520
Speaker 2: me and Rory especially had this debate and we were

2452
02:08:52,520 --> 02:08:56,360
Speaker 2: going back and forth about Roguan, about Kyle, about acting,

2453
02:08:56,400 --> 02:08:59,040
Speaker 2: about all these different things. And what I learned was

2454
02:08:59,560 --> 02:09:03,160
Speaker 2: is that is knowledgeable in this field. Like I think

2455
02:09:03,240 --> 02:09:06,800
Speaker 2: people underestimate you know what he knows. You know what

2456
02:09:06,840 --> 02:09:10,160
Speaker 2: I'm saying. Now, he's not. He's not somebody that knows

2457
02:09:10,240 --> 02:09:15,000
Speaker 2: more than you know, right, He's He's in a good position.

2458
02:09:15,240 --> 02:09:17,320
Speaker 2: Like I don't want to put too much dip on

2459
02:09:17,400 --> 02:09:21,880
Speaker 2: his chip. Shout out to my board, Rory. Now, but

2460
02:09:22,200 --> 02:09:23,560
Speaker 2: you know what I mean, we're gonna.

2461
02:09:24,680 --> 02:09:31,680
Speaker 5: When oh Pa.

2462
02:09:29,280 --> 02:09:31,440
Speaker 19: Goes to them above me. That's the probably I half.

2463
02:09:33,360 --> 02:09:35,560
Speaker 19: That's what it comes down to. You see what I'm

2464
02:09:35,600 --> 02:09:40,600
Speaker 19: saying because it seems sexy, like Yo, kamsas sports reporter.

2465
02:09:40,760 --> 02:09:43,960
Speaker 12: Now, hey, okay, let's not act like that's not always

2466
02:09:44,000 --> 02:09:46,440
Speaker 12: been hip hop or entertainment at the time. We've seen

2467
02:09:46,520 --> 02:09:48,920
Speaker 12: things that were hot and then failed immediately. But at

2468
02:09:48,920 --> 02:09:50,440
Speaker 12: that time, that was the hot ship that people went

2469
02:09:50,520 --> 02:09:52,440
Speaker 12: to and they like, any John.

2470
02:09:52,320 --> 02:09:54,000
Speaker 2: You don't have to fail. It's all good they could

2471
02:09:54,040 --> 02:09:54,640
Speaker 2: do with their thing.

2472
02:09:54,680 --> 02:09:57,200
Speaker 19: I'm just saying, like, Yo, I'm a competing I want

2473
02:09:57,240 --> 02:09:59,000
Speaker 19: a shot. I mean, I'm still here.

2474
02:10:00,040 --> 02:10:03,000
Speaker 11: Want to compete, but that I mean that goes back.

2475
02:10:03,040 --> 02:10:04,640
Speaker 15: But now you sound like the old nigga in the

2476
02:10:04,680 --> 02:10:07,440
Speaker 15: park that don't get picked up no more. And I

2477
02:10:07,440 --> 02:10:09,920
Speaker 15: don't want to be that, right, Yeah, but I'm not

2478
02:10:10,560 --> 02:10:12,600
Speaker 15: and I'm not saying that you are that because it's

2479
02:10:12,640 --> 02:10:15,560
Speaker 15: all I know your work. I'm from New York City,

2480
02:10:15,680 --> 02:10:16,919
Speaker 15: I know Elliott.

2481
02:10:17,040 --> 02:10:20,520
Speaker 2: So what do y'all think about Elliott Wilson's position? Like again,

2482
02:10:20,680 --> 02:10:25,160
Speaker 2: him being someone that's older in the game, you know,

2483
02:10:25,320 --> 02:10:27,800
Speaker 2: what do we think about? What do we think about

2484
02:10:27,840 --> 02:10:30,720
Speaker 2: what he's what do we think about what he's doing?

2485
02:10:37,240 --> 02:11:15,160
Speaker 2: That's what I want to know, y'all tell me. You know,

2486
02:11:20,840 --> 02:11:25,200
Speaker 2: I want to talk about this up No Jumper in

2487
02:11:25,360 --> 02:11:32,280
Speaker 2: Jay main situation, whether people know or not. After this interview,

2488
02:11:32,400 --> 02:11:34,800
Speaker 2: Jay Maine had came out and said he's never going

2489
02:11:34,840 --> 02:11:38,040
Speaker 2: on No Jumper again because they be trying something to coach.

2490
02:11:39,080 --> 02:11:41,480
Speaker 2: You know, I guess he got these words he used

2491
02:11:41,480 --> 02:11:44,120
Speaker 2: at You know, I don't really I don't think I

2492
02:11:44,280 --> 02:11:46,640
Speaker 2: understand him. You know, the y ns come up with

2493
02:11:46,720 --> 02:11:50,360
Speaker 2: their own words and stick them in so many different places,

2494
02:11:50,680 --> 02:11:53,440
Speaker 2: and you don't know what the word means. You know

2495
02:11:53,520 --> 02:11:56,120
Speaker 2: what I'm saying and it's like, yo, what, I don't

2496
02:11:56,160 --> 02:11:59,920
Speaker 2: know what's going on here, right, I got a thinking brain,

2497
02:12:00,200 --> 02:12:02,560
Speaker 2: so I'm not following the loan with what you mean?

2498
02:12:02,680 --> 02:12:05,160
Speaker 2: What like you just used that word in two different

2499
02:12:05,200 --> 02:12:08,400
Speaker 2: ways in the same sentence, so I don't understand it.

2500
02:12:08,480 --> 02:12:11,320
Speaker 2: But he came out and said, Adam twenty two is

2501
02:12:11,360 --> 02:12:14,400
Speaker 2: doing something which is detrimental to the coach and he's

2502
02:12:14,400 --> 02:12:16,920
Speaker 2: no longer going on his platform. I want to take

2503
02:12:16,920 --> 02:12:21,080
Speaker 2: a look at that last interview it has. It just

2504
02:12:21,200 --> 02:12:25,880
Speaker 2: came out and unfortunately for Adam, it does not have

2505
02:12:25,960 --> 02:12:28,720
Speaker 2: a lot of views. And this is what I mean

2506
02:12:28,720 --> 02:12:30,880
Speaker 2: about the universe. I've seen a couple of things where

2507
02:12:30,920 --> 02:12:34,320
Speaker 2: Adam is bringing light and shedding light to Charlemagne in

2508
02:12:34,360 --> 02:12:40,040
Speaker 2: an interview, but Charlemagne isn't shedding light to what's going

2509
02:12:40,080 --> 02:12:43,160
Speaker 2: on over at No Jump or on Adam twenty two

2510
02:12:43,280 --> 02:12:45,720
Speaker 2: six scenario. I know that he felt like when he

2511
02:12:45,800 --> 02:12:48,560
Speaker 2: dropped the interview with Jay Maine, it'll at least have

2512
02:12:48,600 --> 02:12:51,360
Speaker 2: one hundred thousand views in the first day. One hundred

2513
02:12:51,360 --> 02:12:54,080
Speaker 2: and fifty thousand on the lower end. That's Jay Maine,

2514
02:12:54,240 --> 02:12:59,600
Speaker 2: that's supposed to be one of the guys that you

2515
02:12:59,640 --> 02:13:01,480
Speaker 2: know more was the needle in the coach, and now

2516
02:13:01,720 --> 02:13:04,680
Speaker 2: I believe Adam to start now and creating an issue

2517
02:13:04,680 --> 02:13:07,880
Speaker 2: with Jay Maine because Jay Maine stepped on the product, right,

2518
02:13:07,960 --> 02:13:10,440
Speaker 2: So it's like Jay Main charged him for the interview.

2519
02:13:10,480 --> 02:13:13,200
Speaker 2: But he started to come out saying I ain't coming

2520
02:13:13,240 --> 02:13:15,960
Speaker 2: over there no more, and all interview he kind of

2521
02:13:16,040 --> 02:13:18,840
Speaker 2: was shooting at Adam in there. Pay attention. Let's look

2522
02:13:18,880 --> 02:13:19,120
Speaker 2: at it.

2523
02:13:26,960 --> 02:13:30,840
Speaker 13: So this the number one female comedian out of Chicago

2524
02:13:30,960 --> 02:13:32,760
Speaker 13: right now and I just bought it in a note jumper.

2525
02:13:32,800 --> 02:13:34,560
Speaker 2: So y'all should be thanking.

2526
02:13:34,240 --> 02:13:39,280
Speaker 13: Me because she's been overwhooping, over whoop.

2527
02:13:40,920 --> 02:13:43,000
Speaker 6: What do you mean by that? Just going hard?

2528
02:13:43,120 --> 02:13:44,720
Speaker 2: Let's break this shit down at them.

2529
02:13:44,760 --> 02:13:46,800
Speaker 6: But the nine.

2530
02:13:48,360 --> 02:13:52,120
Speaker 13: Put it like this, when it comes to resumes and

2531
02:13:52,160 --> 02:13:56,840
Speaker 13: when it comes to actual talent, when we speaking talent Atam,

2532
02:13:57,400 --> 02:13:58,680
Speaker 13: we speak kb n.

2533
02:14:00,160 --> 02:14:01,600
Speaker 6: Be knee is talent?

2534
02:14:02,400 --> 02:14:04,160
Speaker 2: Why the is we all the way in l A

2535
02:14:04,400 --> 02:14:05,680
Speaker 2: You think f Y B. J.

2536
02:14:05,920 --> 02:14:06,720
Speaker 6: Main that.

2537
02:14:09,600 --> 02:14:10,920
Speaker 2: We ain't got no paperwork?

2538
02:14:10,960 --> 02:14:14,040
Speaker 13: I just want to see a blossom?

2539
02:14:14,080 --> 02:14:15,240
Speaker 16: Why are you not investing?

2540
02:14:16,200 --> 02:14:18,120
Speaker 2: Do I want to show y'all? When he started to

2541
02:14:18,240 --> 02:14:23,080
Speaker 2: kind of speak about you know, he don't really mess

2542
02:14:23,080 --> 02:14:24,120
Speaker 2: with Adam no more.

2543
02:14:24,880 --> 02:14:29,120
Speaker 6: We got the open line of communication with the waves

2544
02:14:29,880 --> 02:14:32,360
Speaker 6: away home team, the wave of emoji, all that.

2545
02:14:32,920 --> 02:14:35,240
Speaker 13: Hold on, wait, wait what you're trying to say about

2546
02:14:35,400 --> 02:14:36,560
Speaker 13: Chicago wave posting?

2547
02:14:37,080 --> 02:14:38,360
Speaker 6: If you far well, I'm.

2548
02:14:38,200 --> 02:14:41,720
Speaker 16: Just saying they post a lot of off on the boat.

2549
02:14:41,760 --> 02:14:42,960
Speaker 16: He ain't doing.

2550
02:14:45,000 --> 02:14:47,120
Speaker 2: They not like us. They not like us.

2551
02:14:48,240 --> 02:14:50,720
Speaker 13: The world be thinking it's for Drake every time that

2552
02:14:50,800 --> 02:14:52,800
Speaker 13: shit don't be for Drake sometime, that should.

2553
02:14:52,600 --> 02:14:56,000
Speaker 2: Be for autumn. Something not like us. Let me break

2554
02:14:56,000 --> 02:14:57,160
Speaker 2: this ship down. That's why I'm here.

2555
02:14:57,200 --> 02:14:58,240
Speaker 6: I'm about to go rainwater.

2556
02:14:58,240 --> 02:15:00,360
Speaker 2: I'm a scream. Why are you over talking your guess?

2557
02:15:00,400 --> 02:15:02,320
Speaker 16: I hate what podcasts to do that because you're putting

2558
02:15:02,360 --> 02:15:05,680
Speaker 16: out cap narratives, were putting out the real wolves. Me

2559
02:15:05,760 --> 02:15:08,880
Speaker 16: and you is like Jake Paul versus Mike Tyson. Spoiler

2560
02:15:09,320 --> 02:15:10,520
Speaker 16: Mike Tyson, you might win.

2561
02:15:10,560 --> 02:15:14,680
Speaker 13: I know you put your ass out.

2562
02:15:14,960 --> 02:15:15,760
Speaker 6: That's a good point.

2563
02:15:15,800 --> 02:15:17,960
Speaker 2: That's the only thing. Let's just break this ship down.

2564
02:15:18,320 --> 02:15:19,000
Speaker 2: It hit different.

2565
02:15:19,600 --> 02:15:23,320
Speaker 13: We've seen your wolves. Let's start there. You going back

2566
02:15:23,320 --> 02:15:24,720
Speaker 13: and forth with Rugo on this month?

2567
02:15:25,040 --> 02:15:28,560
Speaker 2: Why is you? What? What's your problem? Adam? Let's break

2568
02:15:28,600 --> 02:15:29,360
Speaker 2: these woops down?

2569
02:15:29,680 --> 02:15:32,080
Speaker 13: Because Ruger told me, jay Man, you can't even go

2570
02:15:32,160 --> 02:15:34,400
Speaker 13: back to Dirk told me you in a way?

2571
02:15:34,680 --> 02:15:36,920
Speaker 2: Why am I here? Do I gotta break these wooves down?

2572
02:15:38,280 --> 02:15:42,080
Speaker 16: Break it down, Adam, you in a way? What does

2573
02:15:42,120 --> 02:15:44,320
Speaker 16: that mean for everybody who doesn't speak this language?

2574
02:15:44,320 --> 02:15:46,960
Speaker 2: What what you think that? Man? When when when Dirk

2575
02:15:47,040 --> 02:15:49,400
Speaker 2: said you got niggas like out him in the way,

2576
02:15:49,600 --> 02:15:51,720
Speaker 2: what you How did you take it and what did

2577
02:15:51,720 --> 02:15:52,080
Speaker 2: you think it?

2578
02:15:52,160 --> 02:15:52,280
Speaker 4: Man?

2579
02:15:52,440 --> 02:15:55,520
Speaker 16: Well, that was a conversation about pushing peace, right, let's

2580
02:15:55,520 --> 02:15:56,360
Speaker 16: break that down.

2581
02:15:56,600 --> 02:15:58,360
Speaker 6: Some might say that.

2582
02:15:58,360 --> 02:16:03,320
Speaker 16: The person who's hiring people to go murder his enemies

2583
02:16:03,560 --> 02:16:06,320
Speaker 16: is more in the way of pushing peace than a

2584
02:16:06,320 --> 02:16:10,760
Speaker 16: white podcaster who asks dicey questions. I actually don't feel

2585
02:16:10,760 --> 02:16:12,040
Speaker 16: like that's too much of a stretch at all.

2586
02:16:12,200 --> 02:16:13,040
Speaker 2: But put it like this.

2587
02:16:14,200 --> 02:16:17,800
Speaker 13: If you the type of person that's put it like this,

2588
02:16:19,240 --> 02:16:21,560
Speaker 13: you told this person to go do X, Y and

2589
02:16:21,600 --> 02:16:23,720
Speaker 13: B and then they did it. I did not ever

2590
02:16:23,720 --> 02:16:26,160
Speaker 13: tell them to do that. We're not talking about dirt.

2591
02:16:26,280 --> 02:16:29,720
Speaker 13: We're just talking about a scenario. Adam might be on

2592
02:16:29,800 --> 02:16:33,800
Speaker 13: his podcast like you are influencing people.

2593
02:16:34,040 --> 02:16:35,000
Speaker 2: You catch my drift.

2594
02:16:35,200 --> 02:16:37,360
Speaker 13: Now, they might want to go do some or they

2595
02:16:37,480 --> 02:16:40,720
Speaker 13: might do some based off the way how.

2596
02:16:40,600 --> 02:16:43,680
Speaker 2: Adam whooping on his podcast because you create these narratives.

2597
02:16:43,640 --> 02:16:46,560
Speaker 16: I've never told anybody it's a slide get retribution, et cetera.

2598
02:16:46,600 --> 02:16:54,160
Speaker 16: And I actually think that that entire when.

2599
02:16:54,320 --> 02:16:58,240
Speaker 14: Because you be and then you capitalize no generalizations.

2600
02:16:58,240 --> 02:16:59,440
Speaker 6: Give me a specific example.

2601
02:16:59,560 --> 02:17:02,240
Speaker 2: Again, this is what I just spoke about with Elliott Wilson.

2602
02:17:02,280 --> 02:17:05,200
Speaker 2: When you get on these platforms, you have to be

2603
02:17:05,280 --> 02:17:08,080
Speaker 2: able to articulate, I, okay, go what tell me?

2604
02:17:08,200 --> 02:17:08,400
Speaker 1: What?

2605
02:17:08,400 --> 02:17:08,600
Speaker 10: What?

2606
02:17:08,600 --> 02:17:10,720
Speaker 2: What am I saying? What did I do? You got

2607
02:17:10,720 --> 02:17:13,400
Speaker 2: to be able to say, well, for one, this, and

2608
02:17:13,480 --> 02:17:17,360
Speaker 2: for two that, and for three, here's another, and also

2609
02:17:17,440 --> 02:17:19,760
Speaker 2: here's how it ties in, and here's some off like

2610
02:17:19,800 --> 02:17:22,040
Speaker 2: you didn't have to throw this out. Flush this ship

2611
02:17:22,120 --> 02:17:27,000
Speaker 2: out before you bring it outside, Flush it out before

2612
02:17:27,000 --> 02:17:28,119
Speaker 2: you bring it outside.

2613
02:17:28,200 --> 02:17:33,160
Speaker 7: Now what you mean by specific all the time?

2614
02:17:34,360 --> 02:17:36,440
Speaker 16: When did I throw guys on the fire that got

2615
02:17:36,440 --> 02:17:36,920
Speaker 16: somebody hurt?

2616
02:17:37,120 --> 02:17:38,520
Speaker 1: Always dragging the beefs?

2617
02:17:38,760 --> 02:17:40,840
Speaker 16: Well, if it's always, it should be easy for you

2618
02:17:40,879 --> 02:17:41,760
Speaker 16: to think of an example.

2619
02:17:42,640 --> 02:17:45,280
Speaker 1: What rug was? Kicks? Ask what about dragging a bee?

2620
02:17:45,959 --> 02:17:46,160
Speaker 2: Yeah?

2621
02:17:46,200 --> 02:17:47,160
Speaker 6: That was a fake narrative.

2622
02:17:47,920 --> 02:17:50,160
Speaker 16: How that was a freak narrative because he was making

2623
02:17:50,160 --> 02:17:52,400
Speaker 16: it seem as if I had like gone out of

2624
02:17:52,400 --> 02:17:56,800
Speaker 16: my way to insult Whusky without Whusky first insulting me.

2625
02:17:57,720 --> 02:18:00,160
Speaker 13: In reality, it was a different time. But put it

2626
02:18:00,280 --> 02:18:05,160
Speaker 13: like this, Woosky. Everybody nobody seeing what Woosky did. Everybody

2627
02:18:05,160 --> 02:18:08,560
Speaker 13: see what Adam did with you being the podcast or

2628
02:18:08,600 --> 02:18:11,160
Speaker 13: why do you feel like it's why do you even

2629
02:18:11,200 --> 02:18:12,960
Speaker 13: feel like it was okay to go back and forth

2630
02:18:13,240 --> 02:18:15,680
Speaker 13: even if because we don't have no facts that Woosky

2631
02:18:15,720 --> 02:18:17,439
Speaker 13: did nothing first, because.

2632
02:18:17,440 --> 02:18:24,080
Speaker 2: He don't do right now, right now, listen, girl, let's

2633
02:18:24,120 --> 02:18:24,600
Speaker 2: start down.

2634
02:18:24,760 --> 02:18:25,680
Speaker 6: Okay, what do I know?

2635
02:18:26,480 --> 02:18:28,800
Speaker 13: You put it like this? You said it was Woosky

2636
02:18:28,840 --> 02:18:30,920
Speaker 13: on my baby, so you just put this on the man.

2637
02:18:30,959 --> 02:18:31,119
Speaker 1: Bro.

2638
02:18:31,440 --> 02:18:34,360
Speaker 13: You can't you ever tell you that that was him?

2639
02:18:34,440 --> 02:18:36,440
Speaker 13: If I get a d Woosky ever tell that was him.

2640
02:18:36,440 --> 02:18:37,160
Speaker 13: He don't even do.

2641
02:18:38,040 --> 02:18:41,200
Speaker 16: Get a DM from on the other end.

2642
02:18:41,240 --> 02:18:44,600
Speaker 2: Woosky don't do internet ship, bro, he doesn't. Let's not

2643
02:18:44,680 --> 02:18:48,000
Speaker 2: lose context of the conversation either, right because they didn't

2644
02:18:48,000 --> 02:18:51,840
Speaker 2: get in the weeds they were They are supposed to

2645
02:18:51,879 --> 02:18:55,119
Speaker 2: be speaking about the fact that Little Dirt told Jay

2646
02:18:55,200 --> 02:18:57,640
Speaker 2: Maine that Adam and No Jumper is in the way,

2647
02:18:58,200 --> 02:19:00,360
Speaker 2: and Adam is trying to figure out what they mean

2648
02:19:00,400 --> 02:19:03,840
Speaker 2: when they're saying that he's in the way now. If

2649
02:19:03,879 --> 02:19:06,400
Speaker 2: he asked me that, I'll be able to articulate it.

2650
02:19:06,560 --> 02:19:09,520
Speaker 2: I'll be able to have a conversation with Adam about

2651
02:19:09,560 --> 02:19:14,080
Speaker 2: what I think Dirk meant. But now because the scenario

2652
02:19:14,280 --> 02:19:17,080
Speaker 2: Dirk is in, everything is in question. A lot of

2653
02:19:17,080 --> 02:19:19,920
Speaker 2: people are questioning the motives of some of the conversations

2654
02:19:19,920 --> 02:19:22,959
Speaker 2: he had prior to him going to jail, and also

2655
02:19:23,080 --> 02:19:31,680
Speaker 2: free Dirt, free the real right and also are repeat

2656
02:19:31,680 --> 02:19:33,959
Speaker 2: to anybody that has been affected. I want to be

2657
02:19:34,040 --> 02:19:36,400
Speaker 2: clear about that too, you know, But I don't like

2658
02:19:36,440 --> 02:19:39,320
Speaker 2: to see a man going to spend the rest of

2659
02:19:39,360 --> 02:19:41,520
Speaker 2: his life in jail and have a fall from grace

2660
02:19:42,000 --> 02:19:45,200
Speaker 2: that Dirk seems to be experiencing at this time. But

2661
02:19:46,360 --> 02:19:51,199
Speaker 2: they're supposed to be speaking about Jay Main saying, Yo, Dirt,

2662
02:19:51,280 --> 02:19:52,960
Speaker 2: don't want me up here. And I also want to

2663
02:19:53,040 --> 02:19:55,680
Speaker 2: keep in context that this Jay Main guy and Little

2664
02:19:55,720 --> 02:19:59,320
Speaker 2: Dirk has always that from two different hoods that have

2665
02:19:59,440 --> 02:20:02,400
Speaker 2: had freaks ship up until the last couple of months.

2666
02:20:02,640 --> 02:20:05,080
Speaker 2: I'm not even sure if you know, Jay Main's and

2667
02:20:05,160 --> 02:20:08,320
Speaker 2: Little Dirk's relationship kills any real friction in the street.

2668
02:20:08,680 --> 02:20:12,039
Speaker 2: But Dirk and Jay Maine have had conversation prior to

2669
02:20:12,120 --> 02:20:16,279
Speaker 2: him getting incoctrated. So I hope they circle back around

2670
02:20:16,879 --> 02:20:21,000
Speaker 2: to talk about what Dirk meant and why Adam is

2671
02:20:21,040 --> 02:20:23,120
Speaker 2: in the way, because there's a lot of conversation to

2672
02:20:23,160 --> 02:20:23,800
Speaker 2: be had there.

2673
02:20:24,440 --> 02:20:26,959
Speaker 16: Dms from his Instagram. I don't even really consider that

2674
02:20:27,000 --> 02:20:29,520
Speaker 16: internet stuff. That's pretty much everybody on earth. US is

2675
02:20:29,520 --> 02:20:30,480
Speaker 16: the platform.

2676
02:20:32,600 --> 02:20:32,960
Speaker 2: My kids.

2677
02:20:33,000 --> 02:20:34,080
Speaker 6: So I said something.

2678
02:20:33,840 --> 02:20:36,920
Speaker 1: That was quoted the first in the interview. I thought

2679
02:20:36,959 --> 02:20:38,480
Speaker 1: you said somebody wasn't given.

2680
02:20:39,480 --> 02:20:40,440
Speaker 6: Sean Cotton said that.

2681
02:20:40,600 --> 02:20:43,040
Speaker 2: That's how we got to go the common misconception.

2682
02:20:43,120 --> 02:20:44,119
Speaker 6: Sean Cotton said.

2683
02:20:43,959 --> 02:20:45,119
Speaker 2: That, but.

2684
02:20:46,879 --> 02:20:49,080
Speaker 11: It wasn't somebody who He was like, you don't.

2685
02:20:48,840 --> 02:20:49,640
Speaker 2: Give me that.

2686
02:20:49,640 --> 02:20:52,320
Speaker 16: That was Sean Cotton saying that he didn't feel like

2687
02:20:52,440 --> 02:20:54,760
Speaker 16: Cairo was a killer, Which do your homework. Why is

2688
02:20:54,840 --> 02:20:58,320
Speaker 16: Cairo locked up right now? No comment, but Seawan Cotton

2689
02:20:58,400 --> 02:20:59,640
Speaker 16: might not be the best judge character.

2690
02:21:00,440 --> 02:21:03,879
Speaker 2: These are the conversations I'm saying have no value, Like

2691
02:21:03,959 --> 02:21:07,280
Speaker 2: why is Adam who has five million subscribers, who has

2692
02:21:08,760 --> 02:21:14,800
Speaker 2: a network of people, a network of talent, of network,

2693
02:21:14,840 --> 02:21:19,200
Speaker 2: a company he's running his massive platform, and they reduced

2694
02:21:19,240 --> 02:21:21,560
Speaker 2: it to now guess who got killer vibes? And I

2695
02:21:21,560 --> 02:21:24,520
Speaker 2: ain't gonna lie, he's locked up like bro y'all supposed

2696
02:21:24,520 --> 02:21:27,280
Speaker 2: to be creating content on the whole different level. At

2697
02:21:27,280 --> 02:21:31,760
Speaker 2: this point, I get it. I've been to the compound.

2698
02:21:31,840 --> 02:21:34,760
Speaker 2: I commend the compound. Dude got a beautiful building. I've

2699
02:21:34,800 --> 02:21:37,200
Speaker 2: been in there, right. I know what he's doing, But

2700
02:21:37,320 --> 02:21:40,279
Speaker 2: I think he hasn't innovated. Man, this looks the same

2701
02:21:41,560 --> 02:21:44,000
Speaker 2: with a It has a little bit of tweak on

2702
02:21:44,080 --> 02:21:46,280
Speaker 2: it from when he first started. Go look at the

2703
02:21:46,360 --> 02:21:50,160
Speaker 2: videos when he first started, and granted some of that's

2704
02:21:50,200 --> 02:21:53,800
Speaker 2: on purpose, he went back to this look. But at

2705
02:21:53,800 --> 02:21:56,840
Speaker 2: the same time, I think he has an opportunity with

2706
02:21:56,959 --> 02:22:01,120
Speaker 2: his five million subscribers or whatever it is, to level

2707
02:22:01,240 --> 02:22:04,280
Speaker 2: up his content and be producing real shows with real

2708
02:22:04,400 --> 02:22:07,600
Speaker 2: sets and real backgrounds and real this and real dad

2709
02:22:07,640 --> 02:22:14,400
Speaker 2: and hiring real talent to actually run the show. You know.

2710
02:22:14,520 --> 02:22:17,360
Speaker 2: Now he's stuck with with brig baby wagging one hundred

2711
02:22:17,440 --> 02:22:21,280
Speaker 2: lush one and put it like this. It was you

2712
02:22:21,480 --> 02:22:23,520
Speaker 2: who gassed that situation. Put it like this.

2713
02:22:23,600 --> 02:22:27,879
Speaker 16: Why I didn't DM Wosky? He DM me, that's what like.

2714
02:22:27,920 --> 02:22:31,160
Speaker 16: I keep saying, you have no proof that that was Woosky.

2715
02:22:31,160 --> 02:22:34,080
Speaker 6: Bro, Why do I need if I'm getting DM?

2716
02:22:34,200 --> 02:22:37,160
Speaker 16: If his account has been compromised by hackers, family members,

2717
02:22:37,160 --> 02:22:37,600
Speaker 16: et cetera.

2718
02:22:37,879 --> 02:22:39,480
Speaker 6: That's fine, but I don't really put that on me.

2719
02:22:40,520 --> 02:22:42,760
Speaker 2: But you're saying it's Woosky, So you like you putting that.

2720
02:22:42,760 --> 02:22:46,480
Speaker 16: On okay, Woosky's Instagram account. Woosky's Instagram account. How many

2721
02:22:46,480 --> 02:22:48,880
Speaker 16: times have you got a DM from an Instagram account

2722
02:22:48,920 --> 02:22:51,040
Speaker 16: and then doubted that it was from the person who

2723
02:22:51,080 --> 02:22:53,120
Speaker 16: reported to own that Instagram account?

2724
02:22:53,480 --> 02:22:55,240
Speaker 2: Bro, Whoski, don't be on the ground like that.

2725
02:22:55,320 --> 02:22:57,600
Speaker 16: Bro Okay, well he should take control of house. Instagram

2726
02:22:57,640 --> 02:22:58,600
Speaker 16: accounts being used.

2727
02:23:00,600 --> 02:23:03,240
Speaker 7: Is a lot based on the Chicago culture, even though

2728
02:23:03,240 --> 02:23:04,720
Speaker 7: it's detrimental to Chicago.

2729
02:23:04,879 --> 02:23:07,680
Speaker 16: So what's the detrimental part that people are actually dying

2730
02:23:07,959 --> 02:23:08,600
Speaker 16: kids like?

2731
02:23:09,080 --> 02:23:10,360
Speaker 6: Well, I'm one hundred percent against that.

2732
02:23:10,959 --> 02:23:14,320
Speaker 4: So but you're glorified on your platform.

2733
02:23:14,000 --> 02:23:16,080
Speaker 6: When all the time, when.

2734
02:23:16,600 --> 02:23:20,000
Speaker 7: I wouldn't exactly say glorified, I'll just say that you

2735
02:23:20,160 --> 02:23:20,800
Speaker 7: keep a light.

2736
02:23:20,680 --> 02:23:23,119
Speaker 4: Shine on it so that you can constantly.

2737
02:23:22,800 --> 02:23:23,720
Speaker 10: Have something to talk about.

2738
02:23:24,160 --> 02:23:28,120
Speaker 16: We report on hip hop news, so Chicago being arguably

2739
02:23:28,200 --> 02:23:31,720
Speaker 16: like the most lit city in America for sure, we

2740
02:23:31,720 --> 02:23:33,400
Speaker 16: got to talk about what's going on in Chicago. And

2741
02:23:33,400 --> 02:23:35,680
Speaker 16: there's so many different players and they beef with each

2742
02:23:35,720 --> 02:23:38,680
Speaker 16: other quite a bit compared to even a place.

2743
02:23:38,440 --> 02:23:40,440
Speaker 1: Like la just like a video game.

2744
02:23:40,520 --> 02:23:43,039
Speaker 16: This is like the home of gang banging and we

2745
02:23:43,160 --> 02:23:45,040
Speaker 16: have like so much less to talk.

2746
02:23:45,840 --> 02:23:51,200
Speaker 2: Let's put this in the context, right. Pay attention to

2747
02:23:51,240 --> 02:23:54,879
Speaker 2: the vibes. Pay attention to the vibes of the room.

2748
02:23:56,760 --> 02:24:01,160
Speaker 2: This is not even an interview at this point. And again,

2749
02:24:01,200 --> 02:24:03,560
Speaker 2: I want to rewind you because if you know anything

2750
02:24:03,640 --> 02:24:10,280
Speaker 2: about Jay Maine and his appearances on No Jumper, like here,

2751
02:24:10,400 --> 02:24:13,119
Speaker 2: what doctor's outfit and shit, and come and talk about

2752
02:24:13,360 --> 02:24:18,480
Speaker 2: everything other than our business. So the fact that he's

2753
02:24:18,560 --> 02:24:22,800
Speaker 2: came there with no character and he's just really gonna

2754
02:24:22,879 --> 02:24:25,440
Speaker 2: like try to sun you in here at him right like.

2755
02:24:26,280 --> 02:24:28,160
Speaker 2: And I'm sure they paid him for this interview. They

2756
02:24:28,200 --> 02:24:30,879
Speaker 2: may didn't pay him the price that he wanted or

2757
02:24:30,920 --> 02:24:33,600
Speaker 2: what he's going rate is at this point, but they

2758
02:24:33,600 --> 02:24:36,360
Speaker 2: have a relationship, so they gave him something to be

2759
02:24:36,440 --> 02:24:44,320
Speaker 2: on camera, but he didn't bring I don't know, I

2760
02:24:44,320 --> 02:24:46,440
Speaker 2: don't know what to call it. I think I'm gonna

2761
02:24:46,440 --> 02:24:49,920
Speaker 2: have to flush this out a little bit based on

2762
02:24:50,200 --> 02:24:53,080
Speaker 2: like just watching how Jay Maine used to interact with

2763
02:24:53,120 --> 02:24:55,440
Speaker 2: the camera on these interviews. It used to be like,

2764
02:24:56,240 --> 02:24:58,400
Speaker 2: I mean, dude, to show up in a cop uniform

2765
02:24:58,560 --> 02:25:01,240
Speaker 2: or doctor uniform. This is so that And it was

2766
02:25:01,360 --> 02:25:06,280
Speaker 2: just a totally different interaction. Now is this It's like, Yo,

2767
02:25:06,400 --> 02:25:08,840
Speaker 2: you've been talking about wool Skiale. You've been I'm doing

2768
02:25:08,879 --> 02:25:10,959
Speaker 2: this for Chicago. He got a lot on his back,

2769
02:25:11,040 --> 02:25:14,400
Speaker 2: That's what it is. He got all them niggas on

2770
02:25:14,440 --> 02:25:16,400
Speaker 2: his back saying yo, when you you up at going

2771
02:25:16,400 --> 02:25:19,080
Speaker 2: to see Adam Man, we ain't really And instead of

2772
02:25:19,120 --> 02:25:24,040
Speaker 2: them just creating content, the content turns into them checking

2773
02:25:24,160 --> 02:25:27,560
Speaker 2: him for Chicago. That's what it's starting to feel like.

2774
02:25:27,640 --> 02:25:29,640
Speaker 2: And again I haven't saw this, so I don't know,

2775
02:25:29,680 --> 02:25:30,240
Speaker 2: but that's what it.

2776
02:25:30,280 --> 02:25:33,040
Speaker 16: Find of comes to street stuff because La Game member

2777
02:25:33,080 --> 02:25:35,439
Speaker 16: seems like they're a lot more committed to keeping it offline.

2778
02:25:35,560 --> 02:25:37,760
Speaker 8: Also, basically that's what the stuff that's going on in Chicago,

2779
02:25:38,040 --> 02:25:39,680
Speaker 8: like the kids everybody done.

2780
02:25:39,720 --> 02:25:40,680
Speaker 4: It's just something about.

2781
02:25:40,800 --> 02:25:42,560
Speaker 6: It's not something to talk about. It's that it's news.

2782
02:25:42,560 --> 02:25:44,080
Speaker 6: We report on hip hop news.

2783
02:25:44,760 --> 02:25:46,960
Speaker 1: Why don't you report on newsing your culture?

2784
02:25:47,080 --> 02:25:48,920
Speaker 11: Like out of Murdoch and all those different type of

2785
02:25:49,280 --> 02:25:49,920
Speaker 11: out of Murdock.

2786
02:25:51,240 --> 02:25:51,879
Speaker 16: You don't know that.

2787
02:25:53,720 --> 02:25:56,000
Speaker 1: That's what the white man that lost his job and everything.

2788
02:25:56,040 --> 02:25:58,440
Speaker 4: BLANKU killed his wife and his son?

2789
02:25:58,560 --> 02:26:00,160
Speaker 6: How was it my culture? If I never heard heard

2790
02:26:00,160 --> 02:26:01,000
Speaker 6: of us?

2791
02:26:01,760 --> 02:26:04,080
Speaker 16: So do you think do you think Jump is a

2792
02:26:04,120 --> 02:26:07,880
Speaker 16: platform about just white people? It's a platform about hip hop,

2793
02:26:07,920 --> 02:26:09,600
Speaker 16: So of course we have to report on hip hop.

2794
02:26:09,640 --> 02:26:12,879
Speaker 1: But I'm saying, like, yo, and you just named the.

2795
02:26:12,800 --> 02:26:16,600
Speaker 6: Person I don't even know, I've never even heard of. Well,

2796
02:26:16,600 --> 02:26:19,680
Speaker 6: it's the same first first name as man. Apparently.

2797
02:26:20,120 --> 02:26:26,039
Speaker 9: First of all, you choose like you you were factuated

2798
02:26:26,080 --> 02:26:27,640
Speaker 9: with the Chicago drill hip.

2799
02:26:27,640 --> 02:26:28,840
Speaker 6: Oh, I don't think I'm infatuated.

2800
02:26:28,840 --> 02:26:31,240
Speaker 16: I don't even actually run the now Jumper Instagram, so

2801
02:26:31,320 --> 02:26:32,960
Speaker 16: a lot of the subjects gets posted on there.

2802
02:26:32,959 --> 02:26:34,360
Speaker 6: It's not even up to me, it's up to the

2803
02:26:34,400 --> 02:26:34,879
Speaker 6: news team.

2804
02:26:35,240 --> 02:26:38,320
Speaker 2: Look, that's how he gets out of that one, even

2805
02:26:38,360 --> 02:26:40,160
Speaker 2: if it's not true. You see, this is what I

2806
02:26:40,200 --> 02:26:42,839
Speaker 2: mean why you got to be prepared having these conversations,

2807
02:26:42,879 --> 02:26:45,360
Speaker 2: because what if he say that to you, what's your

2808
02:26:45,400 --> 02:26:48,640
Speaker 2: response to that? Well, if it was me, in the

2809
02:26:48,680 --> 02:26:51,560
Speaker 2: heat of the moment, without any preparation, I still would

2810
02:26:51,560 --> 02:26:54,040
Speaker 2: have knew to say, Well, you own the company, sir,

2811
02:26:56,480 --> 02:27:01,520
Speaker 2: which still makes you responsible, really right, It makes you responsible, right,

2812
02:27:01,600 --> 02:27:04,440
Speaker 2: So you not having knowledge of what's being posted. That's

2813
02:27:04,520 --> 02:27:07,000
Speaker 2: negligent on your side, will set that to the side.

2814
02:27:07,040 --> 02:27:12,600
Speaker 2: But Yanna, he is still responsible. Cook Loan, cook loan.

2815
02:27:14,280 --> 02:27:16,640
Speaker 2: He posted cooked him with that, but they let him

2816
02:27:16,640 --> 02:27:19,640
Speaker 2: get off because he did he he smushed him.

2817
02:27:19,680 --> 02:27:20,880
Speaker 4: So you just be sitting back.

2818
02:27:22,400 --> 02:27:27,480
Speaker 16: I'm just trying to own the platform, remo to exploit

2819
02:27:27,520 --> 02:27:28,280
Speaker 16: the culture.

2820
02:27:28,320 --> 02:27:28,960
Speaker 2: Let's start that.

2821
02:27:29,760 --> 02:27:31,920
Speaker 16: Exploit would be a word that I wouldn't agree with,

2822
02:27:31,959 --> 02:27:33,760
Speaker 16: but definitely he's part of the news teams.

2823
02:27:33,840 --> 02:27:35,520
Speaker 2: So let's break this down, all right.

2824
02:27:35,600 --> 02:27:38,080
Speaker 13: Let's let me ask you this then, because when Dirt,

2825
02:27:38,920 --> 02:27:41,879
Speaker 13: when Dirt called you me and you had a conversation

2826
02:27:42,000 --> 02:27:44,680
Speaker 13: and the first thing you told me was, hey, I

2827
02:27:44,680 --> 02:27:46,560
Speaker 13: should have mentioned something with the Dirt shit. But it's

2828
02:27:46,600 --> 02:27:49,680
Speaker 13: bigger than No Jumper right now. But you said, would

2829
02:27:49,680 --> 02:27:51,440
Speaker 13: Dirk even be whooping with me right now if I

2830
02:27:51,480 --> 02:27:53,959
Speaker 13: wasn't on No Jumper and ship? So like, how can

2831
02:27:54,000 --> 02:27:55,680
Speaker 13: you you know what I'm saying? Like, in a way,

2832
02:27:56,080 --> 02:27:58,560
Speaker 13: I feel like you being on No Jumper has helped

2833
02:27:58,600 --> 02:28:00,920
Speaker 13: benefit in your career and it took you to the

2834
02:28:00,959 --> 02:28:03,080
Speaker 13: next level where you even shine a light on kV.

2835
02:28:03,360 --> 02:28:07,080
Speaker 2: We did your biggest So it's like what is it?

2836
02:28:07,200 --> 02:28:09,039
Speaker 13: When you called me, you told me like, hey, I

2837
02:28:09,040 --> 02:28:10,920
Speaker 13: should have spoke up. But right now it's bigger than

2838
02:28:11,000 --> 02:28:14,080
Speaker 13: It's bigger than that. Right now, what I got going

2839
02:28:14,160 --> 02:28:17,840
Speaker 13: on is bigger than whatever.

2840
02:28:17,560 --> 02:28:20,240
Speaker 2: Goofy asked questions that y'all be asking me on. No jump,

2841
02:28:20,760 --> 02:28:21,119
Speaker 2: but you.

2842
02:28:21,120 --> 02:28:24,440
Speaker 13: Come here, But what I got going on is bigger than.

2843
02:28:24,320 --> 02:28:26,600
Speaker 2: That because I come there for the audience. You know

2844
02:28:26,640 --> 02:28:27,120
Speaker 2: what I'm saying.

2845
02:28:27,240 --> 02:28:29,360
Speaker 16: How are the questions we ask you a different than

2846
02:28:29,400 --> 02:28:32,360
Speaker 16: the questions the platforms that you do interviews with asking

2847
02:28:32,400 --> 02:28:34,119
Speaker 16: you like all block on, I be.

2848
02:28:34,080 --> 02:28:36,000
Speaker 2: Treating the ass too. You ain't did your homework.

2849
02:28:36,080 --> 02:28:37,600
Speaker 16: No, I watched that corporate cart I want to see

2850
02:28:37,640 --> 02:28:39,120
Speaker 16: you gett a little big headed. I was wondering what

2851
02:28:39,200 --> 02:28:40,560
Speaker 16: version of you were to get to that.

2852
02:28:40,879 --> 02:28:42,640
Speaker 2: It ain't no, it ain't no big here.

2853
02:28:42,720 --> 02:28:43,240
Speaker 6: You're changing.

2854
02:28:43,360 --> 02:28:45,280
Speaker 2: It ain't no big here.

2855
02:28:45,360 --> 02:28:46,840
Speaker 6: We get a different j mane every time you come

2856
02:28:46,879 --> 02:28:47,119
Speaker 6: in here.

2857
02:28:47,160 --> 02:28:47,640
Speaker 2: Put it like this.

2858
02:28:47,720 --> 02:28:49,600
Speaker 13: Y'all been getting different characters, right and my right and

2859
02:28:49,680 --> 02:28:53,520
Speaker 13: my right uniform right out? Do I gotta go that

2860
02:28:54,800 --> 02:28:58,360
Speaker 13: we should put putting? Is Jay Maine doing real?

2861
02:28:58,400 --> 02:28:59,720
Speaker 2: Whoops? And put it like this?

2862
02:29:00,879 --> 02:29:05,240
Speaker 13: People do change, bro, Let's start the change come with growth.

2863
02:29:05,760 --> 02:29:08,240
Speaker 13: Put it like this, I'm realizing the more and more

2864
02:29:08,280 --> 02:29:10,959
Speaker 13: I come to this platform, y'all be playing with motherfucker.

2865
02:29:11,080 --> 02:29:11,720
Speaker 6: You know what I'm saying?

2866
02:29:11,800 --> 02:29:15,120
Speaker 16: Why how the goofy asked questions that y'all be asked

2867
02:29:15,160 --> 02:29:16,920
Speaker 16: like what and how are those questions different from every

2868
02:29:16,920 --> 02:29:17,200
Speaker 16: other place?

2869
02:29:17,240 --> 02:29:17,440
Speaker 6: From me?

2870
02:29:17,680 --> 02:29:19,400
Speaker 2: I just heard you ask Trail.

2871
02:29:21,640 --> 02:29:22,080
Speaker 10: In DC.

2872
02:29:22,480 --> 02:29:25,040
Speaker 2: So that's gassing to be too with fat.

2873
02:29:25,080 --> 02:29:28,640
Speaker 16: Trail of DC also hated on you pushing peace and

2874
02:29:28,720 --> 02:29:31,440
Speaker 16: in fact, we are the place where you thought up

2875
02:29:31,480 --> 02:29:34,279
Speaker 16: your cereal and we've had your cereal on the set over.

2876
02:29:34,160 --> 02:29:36,400
Speaker 2: And over and over for years. All right, So this

2877
02:29:36,480 --> 02:29:39,080
Speaker 2: tells me Adam have been thinking about what they're gonna

2878
02:29:39,120 --> 02:29:41,760
Speaker 2: say to him in the event he says something like this,

2879
02:29:42,400 --> 02:29:46,480
Speaker 2: because there's no way you just have that in the

2880
02:29:46,560 --> 02:29:49,320
Speaker 2: roller Dex information in your brain, like, yo, we had

2881
02:29:49,360 --> 02:29:51,600
Speaker 2: your cereal for two years. We actually did this, We

2882
02:29:51,640 --> 02:29:54,640
Speaker 2: did that. Also this that like they've been behind the

2883
02:29:54,640 --> 02:30:00,000
Speaker 2: scenes saying Jay Maine changing on us. They can feel

2884
02:30:00,080 --> 02:30:02,879
Speaker 2: o to change because they're saying that dirt got next

2885
02:30:02,920 --> 02:30:03,240
Speaker 2: to him.

2886
02:30:03,800 --> 02:30:06,879
Speaker 16: We've never said anything that said like oh j Mane

2887
02:30:06,879 --> 02:30:09,280
Speaker 16: needs to go kill people. We've always congratulated you on

2888
02:30:09,320 --> 02:30:11,640
Speaker 16: the pushing piece thing, especially now that it seems more.

2889
02:30:11,959 --> 02:30:16,280
Speaker 2: You know which I did. Which I did is kind of.

2890
02:30:18,000 --> 02:30:20,760
Speaker 13: Had me on this platform and try to bash what

2891
02:30:20,800 --> 02:30:23,480
Speaker 13: I do and kind of tear down what I do.

2892
02:30:23,560 --> 02:30:23,760
Speaker 2: Yeah.

2893
02:30:24,080 --> 02:30:26,200
Speaker 13: Yeah, the first time I was on No Jumper, y'all

2894
02:30:26,280 --> 02:30:28,000
Speaker 13: had me up him for being homeless. I did a

2895
02:30:28,000 --> 02:30:29,480
Speaker 13: hell of other ship in my career. Why would the

2896
02:30:29,520 --> 02:30:31,680
Speaker 13: first time I make a major platform for me?

2897
02:30:32,120 --> 02:30:33,959
Speaker 16: Why were you making all those YouTube videos about being

2898
02:30:33,959 --> 02:30:37,000
Speaker 16: homeless at that time? Because it's interesting. Yeah, it's interesting

2899
02:30:37,080 --> 02:30:40,560
Speaker 16: to the people. But you catch my drift Drill Rappers popular.

2900
02:30:40,640 --> 02:30:42,680
Speaker 16: It's funny. He's doing all these interviews and he's homeless.

2901
02:30:42,720 --> 02:30:44,920
Speaker 16: That's interesting, So we put it in the title that's

2902
02:30:44,920 --> 02:30:46,720
Speaker 16: the most interesting thing I did. But that was a

2903
02:30:46,800 --> 02:30:49,280
Speaker 16: small percentage of what was that? And that was your

2904
02:30:49,280 --> 02:30:51,640
Speaker 16: biggest interview? Was that on any platform?

2905
02:30:51,720 --> 02:30:53,080
Speaker 2: But you catch my drift?

2906
02:30:53,480 --> 02:30:54,000
Speaker 6: Did that?

2907
02:30:54,000 --> 02:30:55,400
Speaker 2: That? What I just said, it makes sense.

2908
02:30:55,640 --> 02:30:59,560
Speaker 16: If we're interviewing with somebody making making video saying that

2909
02:30:59,560 --> 02:31:02,480
Speaker 16: that home to you, Obviously we're going to talk about that.

2910
02:31:03,320 --> 02:31:05,760
Speaker 16: You knew it was interesting because that's why you're titling

2911
02:31:05,800 --> 02:31:07,080
Speaker 16: all your videos.

2912
02:31:06,680 --> 02:31:07,400
Speaker 2: About it being here.

2913
02:31:07,480 --> 02:31:08,080
Speaker 6: That makes sense.

2914
02:31:08,879 --> 02:31:12,560
Speaker 13: But you me and you had this conversation off I said,

2915
02:31:12,800 --> 02:31:15,440
Speaker 13: you knew that was a woof to take you. Yeah,

2916
02:31:15,760 --> 02:31:18,520
Speaker 13: it worked to break this ship down. I think lib

2917
02:31:18,520 --> 02:31:19,760
Speaker 13: Bro needs to break this ship down.

2918
02:31:20,720 --> 02:31:28,560
Speaker 2: And he got them boys saying his uh speaking like him. Man,

2919
02:31:28,600 --> 02:31:31,520
Speaker 2: I'm never going to adopt your terminology. I don't know

2920
02:31:31,560 --> 02:31:33,960
Speaker 2: what that word is you throwing in there every two

2921
02:31:34,040 --> 02:31:36,879
Speaker 2: three seconds. I respect it, get your do your thing,

2922
02:31:36,920 --> 02:31:40,200
Speaker 2: but I ain't saying it back to you, my brother. No, No,

2923
02:31:40,200 --> 02:31:40,920
Speaker 2: I ain't wanted.

2924
02:31:40,920 --> 02:31:43,400
Speaker 6: Now along with the krypt Maac bear. But yeah, generally speaking,

2925
02:31:43,480 --> 02:31:44,200
Speaker 6: it hit different.

2926
02:31:44,879 --> 02:31:46,600
Speaker 2: Let's start that now, do how you looking at these

2927
02:31:46,600 --> 02:31:50,920
Speaker 2: wolves we got we got down? Don't ask what else? Question?

2928
02:31:51,000 --> 02:31:53,240
Speaker 2: Don't say no stupid, that's answers on for so what

2929
02:31:53,320 --> 02:31:54,000
Speaker 2: y'all got to say?

2930
02:31:55,760 --> 02:31:58,520
Speaker 16: That's how you're gonna enter this spot? Yeah, just like

2931
02:31:58,600 --> 02:32:01,080
Speaker 16: that stupid a questions like what.

2932
02:32:01,120 --> 02:32:01,960
Speaker 2: Nobody has told me?

2933
02:32:02,040 --> 02:32:02,680
Speaker 1: One question?

2934
02:32:02,760 --> 02:32:04,080
Speaker 6: That is a stupid question.

2935
02:32:04,840 --> 02:32:07,320
Speaker 16: Nobody's actually told me anything that we've done that has

2936
02:32:07,360 --> 02:32:09,160
Speaker 16: negatively impacted Chicago.

2937
02:32:08,840 --> 02:32:09,400
Speaker 6: As a city.

2938
02:32:09,840 --> 02:32:11,640
Speaker 13: I do a lot type shit because you know your

2939
02:32:11,680 --> 02:32:13,280
Speaker 13: platform twice shit you feel me, so.

2940
02:32:13,280 --> 02:32:15,920
Speaker 2: You know, But like all you focus on is Chicago

2941
02:32:16,000 --> 02:32:16,280
Speaker 2: right now?

2942
02:32:16,320 --> 02:32:18,760
Speaker 6: So what do we do that negatively impact Chicago?

2943
02:32:19,120 --> 02:32:20,480
Speaker 1: Everything that you'd be talking about?

2944
02:32:20,800 --> 02:32:21,600
Speaker 6: Like what if they.

2945
02:32:21,600 --> 02:32:23,360
Speaker 2: Put the money on the line, Dann Adam.

2946
02:32:23,959 --> 02:32:26,080
Speaker 13: Let's let's put it like I just wanting one example,

2947
02:32:26,120 --> 02:32:28,920
Speaker 13: I came up here to get ninety thousand.

2948
02:32:29,400 --> 02:32:31,119
Speaker 6: Followers or dollars.

2949
02:32:30,760 --> 02:32:32,039
Speaker 2: Dollars from your ass.

2950
02:32:31,920 --> 02:32:33,880
Speaker 6: Adam, I don't have that much. That's way too much.

2951
02:32:34,160 --> 02:32:34,920
Speaker 2: Ninety thousand.

2952
02:32:36,160 --> 02:32:38,760
Speaker 6: I don't think anyone's ever made ninety thousand off one interview.

2953
02:32:38,879 --> 02:32:41,320
Speaker 13: But put it like this, not off one. I didn't

2954
02:32:41,320 --> 02:32:43,680
Speaker 13: come for ninety thousand for an interview. I came from

2955
02:32:43,760 --> 02:32:45,720
Speaker 13: ninety thousand so I could pass it back to the trenches.

2956
02:32:45,720 --> 02:32:46,760
Speaker 1: Atom.

2957
02:32:47,360 --> 02:32:48,360
Speaker 6: That's a lot.

2958
02:32:48,680 --> 02:32:52,119
Speaker 2: We should do things, But put it like this.

2959
02:32:52,160 --> 02:32:56,240
Speaker 13: Put it like this. Why is ninety too much for Adam?

2960
02:32:56,760 --> 02:32:58,760
Speaker 13: Somebody helped me understand what they're saying.

2961
02:32:59,400 --> 02:33:04,800
Speaker 2: They won't not twenty thousand from Adam, Like for what

2962
02:33:05,400 --> 02:33:08,680
Speaker 2: to give to the kids in what Chicago? Do these

2963
02:33:08,760 --> 02:33:11,800
Speaker 2: dudes like? What? Man, that's that's slippery. I'm hold on.

2964
02:33:11,879 --> 02:33:15,800
Speaker 16: Let me you know how much interviews earn and it's

2965
02:33:15,840 --> 02:33:16,960
Speaker 16: just not ninety thousand.

2966
02:33:17,240 --> 02:33:20,160
Speaker 13: We're not talking to interviews because like I explained to

2967
02:33:20,200 --> 02:33:22,720
Speaker 13: y'all before, when y'all had Mama Duck up here, y'all

2968
02:33:22,760 --> 02:33:26,880
Speaker 13: not paying Mama Duck for how many numbers the interview

2969
02:33:26,920 --> 02:33:27,480
Speaker 13: is gonna put up?

2970
02:33:27,520 --> 02:33:28,920
Speaker 2: You paying for who that woman is?

2971
02:33:29,160 --> 02:33:30,560
Speaker 6: Oh no, it has to make sense.

2972
02:33:31,160 --> 02:33:32,000
Speaker 2: Does that make sense?

2973
02:33:32,080 --> 02:33:34,240
Speaker 6: That has to correlate with how many views the episode?

2974
02:33:34,520 --> 02:33:36,480
Speaker 2: Who it is? It makes sense, who it is? It

2975
02:33:36,520 --> 02:33:36,880
Speaker 2: makes sense.

2976
02:33:36,959 --> 02:33:38,600
Speaker 6: But really about how much of a draw they are?

2977
02:33:39,360 --> 02:33:41,240
Speaker 13: Put it like this, You had this person up here,

2978
02:33:41,240 --> 02:33:44,879
Speaker 13: it makes a snowball effect, and it's this domino effect.

2979
02:33:45,040 --> 02:33:47,360
Speaker 13: So you having duck Mama up here, that leads the

2980
02:33:47,440 --> 02:33:49,240
Speaker 13: room for you to bring this person in, this person in,

2981
02:33:49,240 --> 02:33:49,720
Speaker 13: that person.

2982
02:33:49,800 --> 02:33:51,880
Speaker 2: You only can get certain shit out of Duck Mama.

2983
02:33:52,080 --> 02:33:55,000
Speaker 6: We really look at interviews on an individual basis.

2984
02:33:55,240 --> 02:34:00,560
Speaker 2: Oh yeah, okay, right, okay. Because of what he's made

2985
02:34:00,680 --> 02:34:04,199
Speaker 2: from the Chicago stories, I would imagine that those guys

2986
02:34:04,640 --> 02:34:06,840
Speaker 2: have been paid for those interviews or did he do

2987
02:34:06,920 --> 02:34:10,720
Speaker 2: them for free? Probably some of them for nothing, some

2988
02:34:10,760 --> 02:34:12,879
Speaker 2: of them that did the snow The snowball effect what

2989
02:34:13,000 --> 02:34:15,440
Speaker 2: Jay Maine is talking about is a real thing, especially

2990
02:34:15,480 --> 02:34:21,640
Speaker 2: with some of the smaller guys. I do think Adam them,

2991
02:34:21,760 --> 02:34:23,920
Speaker 2: you know, they thrive off of that kind of thing,

2992
02:34:24,320 --> 02:34:29,920
Speaker 2: you know what I'm saying. But I'm almost to a

2993
02:34:29,959 --> 02:34:34,879
Speaker 2: point where I say, Adam's internal issues like his own

2994
02:34:35,080 --> 02:34:38,760
Speaker 2: screen issues with his cast and some of his employees.

2995
02:34:41,680 --> 02:34:43,520
Speaker 2: I think a lot of people watch for that. But

2996
02:34:43,560 --> 02:34:46,360
Speaker 2: a lot of Chicago interviews still do well like they

2997
02:34:46,400 --> 02:34:48,600
Speaker 2: do well for Adam. He has a fan base one

2998
02:34:48,640 --> 02:34:53,200
Speaker 2: hundred percent that's tapped in from Chicago for Chicago, and

2999
02:34:53,240 --> 02:34:57,200
Speaker 2: they've built it off of interviewing so many different Chicago people.

3000
02:34:58,840 --> 02:35:01,920
Speaker 2: Jamine asking him for ninety thousand on camera Rainio game

3001
02:35:01,959 --> 02:35:03,920
Speaker 2: money like what they are.

3002
02:35:04,000 --> 02:35:06,320
Speaker 6: Likely to cause to happen in the future.

3003
02:35:07,480 --> 02:35:09,440
Speaker 2: So ninety thousand, that's.

3004
02:35:09,320 --> 02:35:10,440
Speaker 6: Too much, That's way too much.

3005
02:35:11,560 --> 02:35:13,680
Speaker 2: What can we say away, Adam, Let's get.

3006
02:35:13,600 --> 02:35:15,480
Speaker 6: To the point something dramatically lower than that.

3007
02:35:15,520 --> 02:35:18,840
Speaker 2: And for what what are you even talking about? Dramatically?

3008
02:35:18,879 --> 02:35:19,920
Speaker 2: Look like that's what I'm saying.

3009
02:35:19,959 --> 02:35:22,480
Speaker 16: Do you think Mamma Doug, Mama Dug interviews with ninety

3010
02:35:22,480 --> 02:35:24,879
Speaker 16: thousand dollars? Put it like this, nobody would ever pay

3011
02:35:24,879 --> 02:35:27,280
Speaker 16: her that much. Put it like she knows the Put

3012
02:35:27,280 --> 02:35:29,840
Speaker 16: it like this, ninety thousand. No, don't ever say never

3013
02:35:30,959 --> 02:35:33,879
Speaker 16: a show that's a never. You don't think Mama Duck

3014
02:35:33,879 --> 02:35:37,039
Speaker 16: can get paid ninety k foot and she's done so

3015
02:35:37,200 --> 02:35:40,800
Speaker 16: many other interviews that of course nobody would pay her

3016
02:35:40,800 --> 02:35:42,880
Speaker 16: that much, And even if she had never done an interview,

3017
02:35:42,920 --> 02:35:44,959
Speaker 16: then of course also nobody would pay that much because

3018
02:35:44,959 --> 02:35:47,000
Speaker 16: it's just not worth it. You're never gonna make ninety

3019
02:35:47,000 --> 02:35:50,240
Speaker 16: thousand dollars off a single interview. Interview, Mamma Dug almost anyone.

3020
02:35:51,040 --> 02:35:53,119
Speaker 13: Me and Mamma Doug. We done did a few woops.

3021
02:35:53,200 --> 02:35:55,040
Speaker 13: It's just show we definitely don't do it something no

3022
02:35:55,840 --> 02:36:01,880
Speaker 13: private whoops. Na, these public woops didn't come out. Yeah, yeah,

3023
02:36:02,160 --> 02:36:04,480
Speaker 13: came out for real. You had her on the woops. Yeah,

3024
02:36:04,480 --> 02:36:05,119
Speaker 13: I had Mama Duck.

3025
02:36:05,760 --> 02:36:07,800
Speaker 6: You paid her ninety thousand.

3026
02:36:08,480 --> 02:36:12,119
Speaker 13: Put it like this, I paid Mama Duck a nice

3027
02:36:12,400 --> 02:36:15,560
Speaker 13: a night, some nice do your home.

3028
02:36:15,560 --> 02:36:17,040
Speaker 2: We're gonna be paying Mama Duck some night.

3029
02:36:17,440 --> 02:36:21,400
Speaker 16: One year ago. Mama Duck and Jamaine on the hour

3030
02:36:21,480 --> 02:36:24,120
Speaker 16: long interview. You don't have a mic, so anybody off mike.

3031
02:36:24,320 --> 02:36:31,720
Speaker 16: We really needed to not talk. Uh forty three thousand people. Oh,

3032
02:36:31,959 --> 02:36:34,400
Speaker 16: put it like this. I just received ten thousand dollars

3033
02:36:34,400 --> 02:36:39,320
Speaker 16: from Shynka. Now gonna stop answer questions with everything could,

3034
02:36:40,440 --> 02:36:41,000
Speaker 16: but I feel.

3035
02:36:40,840 --> 02:36:42,760
Speaker 1: Like what you're doing. You got to back what you

3036
02:36:42,840 --> 02:36:43,440
Speaker 1: be talking about?

3037
02:36:43,520 --> 02:36:44,480
Speaker 6: What am I not backing up?

3038
02:36:45,080 --> 02:36:47,280
Speaker 1: Like type ship like everything bro like.

3039
02:36:47,360 --> 02:36:52,560
Speaker 16: You guys gotta stop answering questions with everything like always.

3040
02:36:53,560 --> 02:36:57,040
Speaker 13: One example basically thinking that it's so much ship Adam,

3041
02:36:57,040 --> 02:36:59,200
Speaker 13: motherfucker don't even know where to start with you correct

3042
02:36:59,200 --> 02:37:00,000
Speaker 13: but you're thinking.

3043
02:36:59,840 --> 02:37:04,280
Speaker 6: It so much you've been think a one good example, what.

3044
02:37:05,840 --> 02:37:08,840
Speaker 2: Were right here with Adam? Like damn, like it hit different.

3045
02:37:09,040 --> 02:37:10,800
Speaker 2: So it's some shit you've seen that you ain't like

3046
02:37:10,840 --> 02:37:12,840
Speaker 2: a recent You know, we're just trying to.

3047
02:37:12,840 --> 02:37:14,879
Speaker 6: Figure out what the problem is. We feel like we

3048
02:37:14,959 --> 02:37:15,920
Speaker 6: do good, good work over.

3049
02:37:16,160 --> 02:37:16,360
Speaker 10: You know.

3050
02:37:16,440 --> 02:37:21,279
Speaker 2: My thing is Sean Cotton gave him tim k. Sean

3051
02:37:21,360 --> 02:37:26,160
Speaker 2: Cotton is a black man. Sean Cotton is a black man.

3052
02:37:26,280 --> 02:37:29,720
Speaker 2: He might got a different kind of feeling towards a

3053
02:37:29,720 --> 02:37:33,400
Speaker 2: different kind of vibration. Adam May. I'm telling y'all man, soon,

3054
02:37:33,600 --> 02:37:36,000
Speaker 2: Adam gonna shut the He gonna cut the lights off

3055
02:37:36,240 --> 02:37:40,680
Speaker 2: in no jumper. He gonna revamp the whole thing, the

3056
02:37:40,840 --> 02:37:43,080
Speaker 2: big building. He gonna get out of there. He made.

3057
02:37:43,080 --> 02:37:46,000
Speaker 2: He gonna skeleton, skin and bones if he ain't gonna

3058
02:37:46,000 --> 02:37:48,480
Speaker 2: be able to find the talent he need. I see

3059
02:37:48,560 --> 02:37:53,480
Speaker 2: him downsizing bro. Also see Vlad checking out. I see

3060
02:37:53,480 --> 02:37:57,400
Speaker 2: both of these gentlemen changing their business in a way

3061
02:37:57,440 --> 02:38:06,080
Speaker 2: where their brand is unrecognized, doable from what it is today.

3062
02:38:06,120 --> 02:38:11,320
Speaker 2: But I don't I wouldn't compare Adam to Sean Sean

3063
02:38:11,400 --> 02:38:14,480
Speaker 2: and Sey Cheese again is a black man. There's a difference,

3064
02:38:14,560 --> 02:38:16,640
Speaker 2: and if you don't understand that difference, you may not

3065
02:38:16,800 --> 02:38:21,080
Speaker 2: never understand. But there's a clear difference between Sean Cotton

3066
02:38:21,200 --> 02:38:25,120
Speaker 2: and Adam twenty two, and your eyes should be able

3067
02:38:25,200 --> 02:38:28,359
Speaker 2: to give you all of the indications