1 00:00:03,440 --> 00:00:05,640 Speaker 1: What would you talk about on your on your podcast? 2 00:00:05,880 --> 00:00:16,320 Speaker 1: Firm Elvis Presents Show. All right, I got something for 3 00:00:16,400 --> 00:00:19,840 Speaker 1: us to talk about on our podcast. I hate that intro. 4 00:00:19,920 --> 00:00:23,639 Speaker 1: What would you talk about your podcast? I'll talk about 5 00:00:23,640 --> 00:00:27,280 Speaker 1: your podcast, the Brooklyn Boys? What about us? Oh did 6 00:00:27,320 --> 00:00:30,800 Speaker 1: you enjoy the last episode? Yeah? I mean you know 7 00:00:31,120 --> 00:00:32,880 Speaker 1: very much. So you know I I don't hear all 8 00:00:32,920 --> 00:00:35,600 Speaker 1: of them, but everyone I'll turn them on like every 9 00:00:35,600 --> 00:00:37,479 Speaker 1: other week, you know, on average. I love it. I 10 00:00:37,520 --> 00:00:39,760 Speaker 1: love the energy. I love the fact that you guys 11 00:00:39,880 --> 00:00:41,640 Speaker 1: go on there and you are yourselves and you have 12 00:00:41,760 --> 00:00:43,600 Speaker 1: time to say this stuff. You know that I won't 13 00:00:43,680 --> 00:00:45,839 Speaker 1: let you say on the Show's correct, I'd rather you 14 00:00:45,880 --> 00:00:48,599 Speaker 1: save it for your podcast. It's all for you, it's 15 00:00:48,640 --> 00:00:51,200 Speaker 1: for your veteran. Elvis said that for three years before 16 00:00:51,240 --> 00:00:53,240 Speaker 1: we haven't had a podcast, said, you get your own show, 17 00:00:53,520 --> 00:00:55,720 Speaker 1: and now you do. Okay with that? You have your 18 00:00:55,720 --> 00:00:58,959 Speaker 1: own show, and you know you're talking about Gandhi and 19 00:00:59,160 --> 00:01:01,080 Speaker 1: how you used her name to get her a seat 20 00:01:01,120 --> 00:01:06,120 Speaker 1: at a table. That but but I started fact checking 21 00:01:07,160 --> 00:01:11,480 Speaker 1: Scary for instance, Now Gandhi, are you Gandhi's great granddaughter 22 00:01:11,560 --> 00:01:15,279 Speaker 1: or great great grand Okay, Scary insisted you were great, 23 00:01:16,280 --> 00:01:19,319 Speaker 1: right though, he was your great great And there was 24 00:01:19,319 --> 00:01:21,399 Speaker 1: another thing you said on the podcast which was not 25 00:01:21,480 --> 00:01:24,800 Speaker 1: correct me. Yeah, what did I say? I can't remember. 26 00:01:24,920 --> 00:01:27,360 Speaker 1: I love that you're fact checking. I was. I was 27 00:01:27,480 --> 00:01:30,200 Speaker 1: on the treadmill listening to the Brooklyn Boys podcast and 28 00:01:30,240 --> 00:01:32,039 Speaker 1: by the way it made, it made the run go 29 00:01:32,120 --> 00:01:35,240 Speaker 1: by really fast. I enjoyed it. You trying to run 30 00:01:35,240 --> 00:01:40,880 Speaker 1: away from the podcast. Imagine you like behind me and 31 00:01:40,880 --> 00:01:42,319 Speaker 1: I just want to get the hell out of there. 32 00:01:42,959 --> 00:01:45,360 Speaker 1: I love the podcast. I thought it was It's great. 33 00:01:45,480 --> 00:01:48,160 Speaker 1: It's awesome, It's perfect the way it is. Well. There 34 00:01:48,200 --> 00:01:49,960 Speaker 1: was an interesting thing that came up on the podcast 35 00:01:50,120 --> 00:01:53,760 Speaker 1: about him helping Gandhi. I asked him, would he have 36 00:01:53,800 --> 00:01:56,600 Speaker 1: been more upset if he couldn't get the table because 37 00:01:56,600 --> 00:01:58,680 Speaker 1: he would have felt bad for Gandhi or because it 38 00:01:58,680 --> 00:02:00,680 Speaker 1: would have hurt his image as being able to get 39 00:02:00,680 --> 00:02:03,000 Speaker 1: a table the Maestro, and he said he'd be more 40 00:02:03,040 --> 00:02:04,880 Speaker 1: upset if he couldn't get the table because it would 41 00:02:04,880 --> 00:02:08,120 Speaker 1: make him look bad. Yeah, I understand. It was kind 42 00:02:08,160 --> 00:02:10,079 Speaker 1: of like, oh my god, this is embarrassing. I better 43 00:02:10,080 --> 00:02:11,919 Speaker 1: give it the gusto and make sure that this table 44 00:02:11,960 --> 00:02:14,960 Speaker 1: gets booked. It so I went all in, thank you, 45 00:02:15,080 --> 00:02:16,919 Speaker 1: So I'm trying to say else there was something else 46 00:02:16,919 --> 00:02:18,800 Speaker 1: I was fact checking you, and there was another factor 47 00:02:18,840 --> 00:02:21,240 Speaker 1: you got totally wrong. But by the way, I just 48 00:02:21,320 --> 00:02:23,960 Speaker 1: learned now that he was your great great granddad and 49 00:02:24,040 --> 00:02:27,480 Speaker 1: not your great grandfather. So that's my bad. That's okay. Honestly, 50 00:02:27,919 --> 00:02:29,919 Speaker 1: when people ask me, I just said he's my great grandfather, 51 00:02:30,000 --> 00:02:33,120 Speaker 1: because it's it's yeah, before after a great it's like, 52 00:02:33,480 --> 00:02:35,600 Speaker 1: there's the other thing. Okay, you talked about sports, you 53 00:02:35,680 --> 00:02:40,639 Speaker 1: talked about I don't know, Okay, I just want to 54 00:02:40,720 --> 00:02:43,280 Speaker 1: let you know that I'm listening and taking notes, and 55 00:02:44,240 --> 00:02:46,799 Speaker 1: I think you'd be proud of us. I'm very proud 56 00:02:46,800 --> 00:02:48,440 Speaker 1: of you. I think it's I think it's a great podcast, 57 00:02:48,480 --> 00:02:50,959 Speaker 1: and it's growing. I've seen the numbers. It's growing every week. 58 00:02:51,000 --> 00:02:53,560 Speaker 1: It's doing really well. How bench ham doing is there 59 00:02:53,560 --> 00:02:59,679 Speaker 1: at You're on Fetching it happens to Garrett? How How 60 00:03:00,000 --> 00:03:02,919 Speaker 1: are how's your your podcast going? It's great. I have 61 00:03:03,000 --> 00:03:06,400 Speaker 1: Celebrity Yeah with Rob Shooter, and then I created something 62 00:03:06,440 --> 00:03:09,720 Speaker 1: new called the Audio Laboratory because just like the Brooklyn Boys, 63 00:03:09,760 --> 00:03:11,720 Speaker 1: where they have all this stuff they want to say 64 00:03:11,760 --> 00:03:14,480 Speaker 1: on the show, they have no time. I have all 65 00:03:14,480 --> 00:03:16,760 Speaker 1: this audio that I don't get to use, so I 66 00:03:16,800 --> 00:03:18,840 Speaker 1: put it all together and that's how I got the 67 00:03:18,880 --> 00:03:21,400 Speaker 1: audio laboratory. I want to hear that because I love 68 00:03:21,440 --> 00:03:23,240 Speaker 1: your audio stuff. I had no idea how long you've 69 00:03:23,240 --> 00:03:26,600 Speaker 1: been doing this? About a month? Oh okay, I remember 70 00:03:26,919 --> 00:03:30,080 Speaker 1: the fact checking the Brooklyn Boys podcast. The other fact 71 00:03:30,120 --> 00:03:31,959 Speaker 1: I think you I think you got wrong was how 72 00:03:32,200 --> 00:03:37,280 Speaker 1: ZA got whatever, how they get their reviews. You said 73 00:03:37,280 --> 00:03:39,680 Speaker 1: that people are hired and paid to do it, when 74 00:03:39,760 --> 00:03:41,680 Speaker 1: I when I took part of that, I never got 75 00:03:41,680 --> 00:03:44,920 Speaker 1: paid for doing that in reviews. They recruit everyday people 76 00:03:44,960 --> 00:03:46,920 Speaker 1: to do it. I don't think that they get a 77 00:03:46,920 --> 00:03:48,480 Speaker 1: form of payment that. I thought you said that on 78 00:03:48,520 --> 00:03:50,160 Speaker 1: your podcast. I don't know. I would check that out. 79 00:03:50,240 --> 00:03:51,720 Speaker 1: He did, and I and I said, I don't think 80 00:03:51,720 --> 00:03:53,880 Speaker 1: that's correct. We did say it's the gat right. By 81 00:03:53,920 --> 00:03:56,320 Speaker 1: the way, we're talking about Garrett's podcast, we should talk 82 00:03:56,320 --> 00:03:59,839 Speaker 1: about Froggies podcast, the Playing Through podcast. It's about golf. 83 00:04:00,080 --> 00:04:04,160 Speaker 1: Last week he interviewed Bruce Kepka, number two golfer in 84 00:04:04,160 --> 00:04:06,520 Speaker 1: the world. That's right, and he uh, he had a 85 00:04:06,600 --> 00:04:09,160 Speaker 1: quote that went viral all the Golf Digest, Golf World 86 00:04:09,200 --> 00:04:13,040 Speaker 1: all the golf sites got picked up, and his listenership 87 00:04:13,080 --> 00:04:18,720 Speaker 1: for this past episode went up three D. And all right, 88 00:04:18,800 --> 00:04:20,760 Speaker 1: you gotta come up with an idea, we said, we heard. 89 00:04:20,800 --> 00:04:23,440 Speaker 1: We sat with one of the podcast gurus of our company, 90 00:04:23,560 --> 00:04:26,640 Speaker 1: Maddie Maddie and they and he said that the more 91 00:04:26,720 --> 00:04:30,359 Speaker 1: specific and more honed in on a specific topic you 92 00:04:30,400 --> 00:04:32,960 Speaker 1: can be, you can make an entire podcast out of 93 00:04:33,360 --> 00:04:36,920 Speaker 1: that deep and narrow find that niche audience, niche or 94 00:04:37,000 --> 00:04:40,359 Speaker 1: niche whatever like. For instance, Prodi's Walkers and Talkers podcast 95 00:04:40,760 --> 00:04:43,520 Speaker 1: specifically aimed at that show exactly, and I have no 96 00:04:43,600 --> 00:04:46,160 Speaker 1: interest in it because I have no freaking clue, right, 97 00:04:46,200 --> 00:04:47,800 Speaker 1: but what do you have in your life that you 98 00:04:47,839 --> 00:04:50,160 Speaker 1: want to expose that you have a lot of exactly, 99 00:04:50,200 --> 00:04:51,560 Speaker 1: But you knew how to hit a nerve with your 100 00:04:51,560 --> 00:04:53,400 Speaker 1: Walkers and Talkers because you know there are a lot 101 00:04:53,400 --> 00:04:56,480 Speaker 1: of people who love walking dead. Ye. This trusses me 102 00:04:56,520 --> 00:04:59,640 Speaker 1: out because they were talking about this podcaster Maddie too, 103 00:05:00,080 --> 00:05:01,560 Speaker 1: and he was saying, you know, if there's just something 104 00:05:01,600 --> 00:05:03,400 Speaker 1: that you're passionate about and you think you know more 105 00:05:03,440 --> 00:05:06,400 Speaker 1: about this information, more about this topic than anybody else, 106 00:05:06,400 --> 00:05:08,160 Speaker 1: that's what you should do. And it made me think, 107 00:05:08,279 --> 00:05:10,760 Speaker 1: I think I have anything that I think I know 108 00:05:10,839 --> 00:05:13,760 Speaker 1: more about than everybody else. Nothing, But I bet you do. 109 00:05:14,920 --> 00:05:17,880 Speaker 1: That's the thing. It's something you blanche. It's something that's 110 00:05:17,920 --> 00:05:21,200 Speaker 1: so obvious you overlook it. Like mine would be crunchy Lasagna. See, 111 00:05:21,200 --> 00:05:23,640 Speaker 1: that would be a good one. That would be about 112 00:05:23,680 --> 00:05:28,279 Speaker 1: crunchy lasagna every week. By the way, no matter what 113 00:05:28,320 --> 00:05:30,640 Speaker 1: you talk about, crunchy lasagna is a great name for 114 00:05:30,640 --> 00:05:33,080 Speaker 1: a podcast. I was thinking about that. Who like, now 115 00:05:33,120 --> 00:05:34,919 Speaker 1: someone just took it. I want to do a shipping 116 00:05:34,960 --> 00:05:37,960 Speaker 1: back a shoe podcast, but I can't. What would you 117 00:05:38,000 --> 00:05:40,640 Speaker 1: talk about? That's a starter, But what would you What 118 00:05:40,760 --> 00:05:42,480 Speaker 1: would I talk about? You should call it walkers and 119 00:05:42,560 --> 00:05:52,039 Speaker 1: talkers finally, an interesting walks and podcast. I just don't 120 00:05:52,080 --> 00:05:53,720 Speaker 1: know what I would talk about, Like what you like 121 00:05:54,000 --> 00:05:56,160 Speaker 1: the hits and misses of the week, new shoes that 122 00:05:56,279 --> 00:05:59,599 Speaker 1: came out. Yeah, I could have shoes. Shoes or signers 123 00:05:59,680 --> 00:06:01,880 Speaker 1: on shoes are so visual, it really are so I 124 00:06:01,920 --> 00:06:03,000 Speaker 1: don't know if you can do it, you have to 125 00:06:03,080 --> 00:06:06,480 Speaker 1: be very descriptive. By the way, speaking of podcast, this 126 00:06:06,640 --> 00:06:10,039 Speaker 1: is a boring, boring podcast. Let's all talk about sex 127 00:06:10,560 --> 00:06:16,680 Speaker 1: baby alright's turn out there went sex this weekend. This weekend, 128 00:06:16,760 --> 00:06:25,720 Speaker 1: I had yeah, at the end of last week. That 129 00:06:25,800 --> 00:06:30,080 Speaker 1: doesn't count, right, Friday Friday is the weekend. Yeah, I can't. 130 00:06:30,160 --> 00:06:33,000 Speaker 1: I would never talk about my sex life with you. Okay, no, 131 00:06:33,240 --> 00:06:35,240 Speaker 1: just you, but anyone? Can we talk about the Grammys? 132 00:06:37,040 --> 00:06:40,000 Speaker 1: Have I have a concerned about the summies? What didn't have? 133 00:06:41,000 --> 00:06:45,840 Speaker 1: You didn't have sex? Talented? Love her by the way, 134 00:06:45,960 --> 00:06:48,320 Speaker 1: but she one Album of the Year. Yes, now here's 135 00:06:48,360 --> 00:06:51,600 Speaker 1: my problem. The cmt s, the CMAS. Country artists have 136 00:06:51,640 --> 00:06:55,360 Speaker 1: their own award shows. Give us this. He let pop 137 00:06:55,440 --> 00:06:58,240 Speaker 1: music win the Grammy for Best Album. You have your 138 00:06:58,279 --> 00:07:00,560 Speaker 1: own thing going to see mt put the Ammy's is 139 00:07:00,680 --> 00:07:04,440 Speaker 1: his full spectrum it it's every genre. Was full on shocked. 140 00:07:04,640 --> 00:07:06,880 Speaker 1: She sat there with her mouth open. But it does. 141 00:07:07,080 --> 00:07:09,360 Speaker 1: But her album doesn't cross genres. It's just one genre. 142 00:07:09,680 --> 00:07:11,800 Speaker 1: I like an album that crosses multiple genres. To me, 143 00:07:11,880 --> 00:07:14,320 Speaker 1: that's a great album. I think a lot of people 144 00:07:14,680 --> 00:07:19,200 Speaker 1: like her album. Also, like Scott, he's got a point 145 00:07:19,240 --> 00:07:22,240 Speaker 1: because we don't have the top forty awards, and then 146 00:07:22,280 --> 00:07:26,920 Speaker 1: we should. That's what I'm saying. Like post Malone crossed 147 00:07:27,160 --> 00:07:30,640 Speaker 1: multiple genres of music. That's a great album. If the 148 00:07:30,720 --> 00:07:32,360 Speaker 1: point is to attract a lot of people and get 149 00:07:32,400 --> 00:07:34,160 Speaker 1: a lot of people listen to the album. I feel 150 00:07:34,240 --> 00:07:38,280 Speaker 1: like post Malone might have one best album. Nothing against 151 00:07:38,320 --> 00:07:40,480 Speaker 1: the country artists. I don't know. I agree with I 152 00:07:40,600 --> 00:07:44,480 Speaker 1: see we need in addition to not that the Grammys 153 00:07:44,520 --> 00:07:47,520 Speaker 1: cannot be just a pop right, but let's let her 154 00:07:47,560 --> 00:07:49,640 Speaker 1: win Best Country Album, but that should be also a 155 00:07:49,680 --> 00:07:52,000 Speaker 1: best pop album. I don't think you can compare all 156 00:07:52,040 --> 00:07:55,440 Speaker 1: those genres. But like at the Oscars, you don't put 157 00:07:55,480 --> 00:07:58,760 Speaker 1: best Drama against best Comedy. It's best picture, but it's 158 00:07:58,800 --> 00:08:00,680 Speaker 1: never a comed What are you saying? What are you saying? 159 00:08:01,120 --> 00:08:03,120 Speaker 1: I think there's the best pop album there is that 160 00:08:03,200 --> 00:08:05,200 Speaker 1: because Ariana grande A one it it was like best 161 00:08:05,240 --> 00:08:11,080 Speaker 1: pop vocal, Best Beny one for Ariana one for Sweetener 162 00:08:11,440 --> 00:08:14,200 Speaker 1: that was best pop album. She's right, Gandhi's right. Here's 163 00:08:14,200 --> 00:08:16,360 Speaker 1: my favorite name of Gandhi. About Gandhi, she has her 164 00:08:16,400 --> 00:08:18,640 Speaker 1: laptop in front of her, and if ever you say 165 00:08:18,680 --> 00:08:20,880 Speaker 1: one thing that she may have a question about, you 166 00:08:20,960 --> 00:08:25,040 Speaker 1: can hear her. You can hear her fingernails on her keys. 167 00:08:25,080 --> 00:08:27,200 Speaker 1: Like looking at the best pop vocals. Well, I just 168 00:08:27,280 --> 00:08:28,800 Speaker 1: want to make sure that I'm putting out the correct 169 00:08:28,840 --> 00:08:33,839 Speaker 1: information on the Working Boys podcast Best Rap Album and 170 00:08:33,960 --> 00:08:38,520 Speaker 1: Cardi b one then the album now best album, right, 171 00:08:39,000 --> 00:08:40,599 Speaker 1: and they decided it was a country thing because some 172 00:08:40,640 --> 00:08:42,360 Speaker 1: people could argue that the hip hop should be kicked 173 00:08:42,400 --> 00:08:44,520 Speaker 1: out too, because the b ET awards exist and they 174 00:08:44,600 --> 00:08:47,360 Speaker 1: have their own kind, right, So Ariana one Best Pop 175 00:08:47,480 --> 00:08:49,880 Speaker 1: Vocal Album even though she wasn't there. You know who 176 00:08:49,920 --> 00:08:52,720 Speaker 1: else had a great weekend was Halsey and she wasn't 177 00:08:52,760 --> 00:08:54,720 Speaker 1: even at the Grammars, right, she was a Saturday night 178 00:08:55,840 --> 00:08:57,640 Speaker 1: We are much better than the material they made her do. 179 00:08:58,280 --> 00:09:00,920 Speaker 1: What's the difference between a Grammy than am an American 180 00:09:01,000 --> 00:09:03,480 Speaker 1: Music Award? Ones? One company ones the other. That's the 181 00:09:03,559 --> 00:09:06,079 Speaker 1: only thing. One was created by Dick Clark, the other 182 00:09:06,240 --> 00:09:12,240 Speaker 1: was created by the Grammy. So which one is more prestigious? Arguably? 183 00:09:12,280 --> 00:09:15,720 Speaker 1: But first, the most prestigious is the I Heart Radio Music. 184 00:09:16,840 --> 00:09:18,559 Speaker 1: But don't the Grammys and the a m A's have 185 00:09:18,679 --> 00:09:21,200 Speaker 1: this thing still where if one performs that one, they 186 00:09:21,240 --> 00:09:23,400 Speaker 1: can't perform at the other. They used to remember, I 187 00:09:23,480 --> 00:09:25,839 Speaker 1: think those are the production companies. They get hard on, 188 00:09:26,240 --> 00:09:28,959 Speaker 1: hard on for people who aren't you know, yeah yeah, 189 00:09:29,480 --> 00:09:31,920 Speaker 1: are doing There's exclusively the big enough artist wants to 190 00:09:31,960 --> 00:09:33,439 Speaker 1: do both, they'll do both. Hey, by the way, the 191 00:09:33,480 --> 00:09:35,600 Speaker 1: I heart Radio Music Awards. We just love all serv 192 00:09:36,440 --> 00:09:39,679 Speaker 1: We don't care where you perform. Show up. I'm super 193 00:09:39,679 --> 00:09:42,360 Speaker 1: excited to go this year. Can't You've never been, never been. 194 00:09:42,920 --> 00:09:45,240 Speaker 1: It's fun. I can't wait. You guys are a fun team. 195 00:09:45,320 --> 00:09:49,920 Speaker 1: It's easier and easier than the music festival. We don't 196 00:09:49,920 --> 00:09:54,760 Speaker 1: work as much. And the categories you do, we don't categories. 197 00:09:55,160 --> 00:09:58,880 Speaker 1: The categories are more most instagrammable animal right, you know, 198 00:09:58,960 --> 00:10:03,559 Speaker 1: like the dog that won the Palm Dog. Do you 199 00:10:03,640 --> 00:10:05,199 Speaker 1: know what I want to do tomorrow? I want to 200 00:10:05,679 --> 00:10:09,280 Speaker 1: try to explain on this podcast the difference between music 201 00:10:09,400 --> 00:10:11,880 Speaker 1: back then and music now. I sent this article too scary, 202 00:10:11,920 --> 00:10:14,480 Speaker 1: didn't I send it to you? Dandie. I'm just scary. 203 00:10:14,800 --> 00:10:17,760 Speaker 1: It's about the sound of music back in the seventies 204 00:10:17,800 --> 00:10:22,000 Speaker 1: and eighties, especially the seventies versus now. And it's it's 205 00:10:22,040 --> 00:10:25,440 Speaker 1: a scientific approach to how music is different. It's recorded different, 206 00:10:26,000 --> 00:10:30,080 Speaker 1: it's it's process different, and uh, it's it's it's changed. 207 00:10:30,400 --> 00:10:33,880 Speaker 1: There were sound engineers that would would concentrate on the 208 00:10:33,960 --> 00:10:36,600 Speaker 1: highs and the lows of of a track and an 209 00:10:36,679 --> 00:10:41,000 Speaker 1: album and now it's so loud and noisy that we're 210 00:10:41,040 --> 00:10:45,440 Speaker 1: all competing for the most compression, which means too much highs. 211 00:10:45,640 --> 00:10:48,760 Speaker 1: So they took like a bar graph and they track 212 00:10:48,800 --> 00:10:51,800 Speaker 1: all the dots on it and like today's music, like 213 00:10:52,200 --> 00:10:54,079 Speaker 1: four of the five. So maybe I should explain this, 214 00:10:54,200 --> 00:10:57,920 Speaker 1: Like I said, we need to get we need to 215 00:10:57,960 --> 00:11:01,199 Speaker 1: get audio this, you know what saying that we're not 216 00:11:01,200 --> 00:11:05,600 Speaker 1: going to talk about this. You have to have audio 217 00:11:06,480 --> 00:11:09,160 Speaker 1: back up to examples because they're anyway they're saying the 218 00:11:09,240 --> 00:11:13,280 Speaker 1: way music is recorded now is fatiguing as opposed to 219 00:11:13,440 --> 00:11:15,360 Speaker 1: the way it was recorded back when we played vinyl 220 00:11:15,520 --> 00:11:17,320 Speaker 1: and it was a whole different world. But it's better 221 00:11:17,400 --> 00:11:20,840 Speaker 1: explain music. This is the article about the Golden Age 222 00:11:20,840 --> 00:11:23,800 Speaker 1: of pop. So it came out. Study just came out 223 00:11:23,840 --> 00:11:27,160 Speaker 1: say they have the official Golden age of pop the years. 224 00:11:27,240 --> 00:11:31,680 Speaker 1: Do you want to try to guess seventies, closed sixties 225 00:11:31,960 --> 00:11:34,679 Speaker 1: through the nineties. Anything after that is not the golden 226 00:11:34,720 --> 00:11:39,240 Speaker 1: ag pop? What about Macina that's in the nineties, let's 227 00:11:39,280 --> 00:11:44,040 Speaker 1: catch I'm serious. This is probably the most boring podcast 228 00:11:44,080 --> 00:11:46,959 Speaker 1: we've ever had. Isn't Monday podcast. It's kind of like 229 00:11:47,840 --> 00:11:50,480 Speaker 1: podcast tired. My podcast doesn't exist. But when it does, 230 00:11:50,800 --> 00:11:54,200 Speaker 1: you'll see you will rue the day, Brodie, I will. 231 00:11:54,559 --> 00:11:58,200 Speaker 1: I will definitely ruine the day. Fact check that thing 232 00:11:58,320 --> 00:12:02,000 Speaker 1: up and down Rue the day scary is rue the 233 00:12:02,080 --> 00:12:04,280 Speaker 1: day correct. You know what, I'm not going to argue 234 00:12:04,320 --> 00:12:07,040 Speaker 1: with him. I'm not because I'm gonna be proven wrong. 235 00:12:07,520 --> 00:12:13,480 Speaker 1: I could tell you were so, Charlie Brown, Well all right, 236 00:12:14,200 --> 00:12:19,440 Speaker 1: it's over. Thank god. The fifteen Minute Morning Show