1 00:00:00,760 --> 00:00:18,440 Speaker 1: I Am all In. I Am all In with Scott 2 00:00:18,440 --> 00:00:21,840 Speaker 1: Patterson and I Heart Radio podcast. All Right, everybody, Hey, 3 00:00:21,880 --> 00:00:25,520 Speaker 1: it's Scott Patterson and this is the I Am all 4 00:00:25,560 --> 00:00:30,880 Speaker 1: In Podcast Mini So pop Culture Season two, episode fifteen, 5 00:00:30,920 --> 00:00:35,199 Speaker 1: Lost and Found. Riley pelusis take us away. We are 6 00:00:35,280 --> 00:00:37,200 Speaker 1: lost and now you can find us in pop culture. 7 00:00:37,520 --> 00:00:39,839 Speaker 1: So let's get started. First, we have Laura, Lee and 8 00:00:40,000 --> 00:00:43,640 Speaker 1: Rory are walking towards Luke's Laura Lee says, no, no, doctors, 9 00:00:43,760 --> 00:00:46,200 Speaker 1: you go into hospital, you don't come out again. Roy says, 10 00:00:46,479 --> 00:00:49,680 Speaker 1: well said Ida Morgan stern Ida as a fictional character 11 00:00:49,760 --> 00:00:52,760 Speaker 1: portrayed by Nancy Walker from The Mary Tyler Moore Show 12 00:00:52,800 --> 00:00:55,920 Speaker 1: and Rhoda She's wrote his mother and Laura Line makes 13 00:00:55,920 --> 00:00:58,880 Speaker 1: this reference because her character was notorious for using the 14 00:00:59,000 --> 00:01:02,360 Speaker 1: medical fears to elicit sympathy from her daughter, like she's 15 00:01:02,400 --> 00:01:07,400 Speaker 1: doing Throy. She was. Yes, she was also the Bounty 16 00:01:07,440 --> 00:01:18,640 Speaker 1: paper towel Quicker Quicker, Quicker pick up. I don't use bounty, 17 00:01:18,840 --> 00:01:22,880 Speaker 1: I use bounty paper towel. Everybody uses everybody. Well no, 18 00:01:23,040 --> 00:01:25,600 Speaker 1: because I did the right thing for a long time 19 00:01:25,640 --> 00:01:28,560 Speaker 1: and used the one some whole foods. But I'm going 20 00:01:28,600 --> 00:01:31,520 Speaker 1: to tell you guys something. They don't. They don't work 21 00:01:31,560 --> 00:01:39,440 Speaker 1: as well because they're like recycled paper. They their hearts 22 00:01:39,440 --> 00:01:42,360 Speaker 1: sawdust or something yeah something something. Yeah, they're not great. 23 00:01:42,560 --> 00:01:44,320 Speaker 1: So I went back to Bounty, but I tried hard 24 00:01:44,360 --> 00:01:48,000 Speaker 1: not to use a lot of peper iron paper towels 25 00:01:48,000 --> 00:01:52,360 Speaker 1: made completely from bug excrement, and that didn't absorb. So 26 00:01:52,440 --> 00:01:54,360 Speaker 1: we got rid of them. YEA can always tell you 27 00:01:54,360 --> 00:01:57,000 Speaker 1: a crazy story. One of my friends so, like, you know, 28 00:01:57,040 --> 00:01:59,360 Speaker 1: like when the pandemic started, everyone was like, I couldn't 29 00:01:59,360 --> 00:02:05,000 Speaker 1: get paper towel as my friend Amy used one roll 30 00:02:05,240 --> 00:02:09,000 Speaker 1: of paper towels for seven months, like she could never 31 00:02:09,080 --> 00:02:13,440 Speaker 1: use I was like, I believe I've gone through seventeen 32 00:02:13,760 --> 00:02:16,360 Speaker 1: roles of favorite one role. She's like, I don't use 33 00:02:16,400 --> 00:02:18,480 Speaker 1: paper towels. I used towels and then I washed. You 34 00:02:18,520 --> 00:02:21,320 Speaker 1: just use her hand. She use towels and wash them. 35 00:02:21,320 --> 00:02:24,200 Speaker 1: She's so much better for the environment than me. We're 36 00:02:24,240 --> 00:02:27,160 Speaker 1: going we're going through a roll of paper towels every 37 00:02:27,160 --> 00:02:31,239 Speaker 1: two days. Me too. It's bad. We just love them. 38 00:02:31,440 --> 00:02:35,880 Speaker 1: We love them. We've got a stack of paper towels 39 00:02:35,919 --> 00:02:38,040 Speaker 1: in our pantry. You wouldn't believe. It's like it's like 40 00:02:38,080 --> 00:02:40,120 Speaker 1: a rump us room. You could just run up and 41 00:02:40,240 --> 00:02:42,720 Speaker 1: smash into them and fall and laugh and you wouldn't 42 00:02:42,720 --> 00:02:48,680 Speaker 1: get hurt. So much room. But I'm trying to make 43 00:02:48,760 --> 00:02:52,600 Speaker 1: up the difference in other ways, So like I'm still 44 00:02:52,680 --> 00:02:55,400 Speaker 1: using the paper towels, but I'm doing other things good 45 00:02:55,400 --> 00:02:59,480 Speaker 1: for the environment, not counting my stuv. I apologize for 46 00:02:59,520 --> 00:03:02,880 Speaker 1: that all. Not counting your SUV. What is that? Yeah, 47 00:03:03,040 --> 00:03:05,720 Speaker 1: because you're an SUV? Is you know an SUV car 48 00:03:05,880 --> 00:03:09,960 Speaker 1: so bad for the environment? Sports utility vehicle? Yeah? I 49 00:03:10,000 --> 00:03:12,040 Speaker 1: thought you were referring to some kind of a measure 50 00:03:12,120 --> 00:03:16,240 Speaker 1: of carbon in the atmosphere, but you kind of are 51 00:03:16,280 --> 00:03:18,880 Speaker 1: with an SUV, so you so you don't drive, so 52 00:03:18,960 --> 00:03:21,400 Speaker 1: you won't drive an suv. You're driving a little tiny 53 00:03:21,440 --> 00:03:26,040 Speaker 1: little do driving electric? Got pedals? You do? Yeah? And 54 00:03:26,080 --> 00:03:28,560 Speaker 1: I'm using paper towels. So it's like, I'm really sorry 55 00:03:28,600 --> 00:03:30,920 Speaker 1: I'm doing I'm trying to make up in other ways 56 00:03:30,919 --> 00:03:34,440 Speaker 1: since both those things are she drives a suv to 57 00:03:34,480 --> 00:03:38,760 Speaker 1: pick up the paper towels. It's just like, come homeless, bad. 58 00:03:40,000 --> 00:03:43,840 Speaker 1: Well do you know who also spared no cost whatsoever? 59 00:03:44,920 --> 00:03:47,360 Speaker 1: Our next reference, Laura, Li and Rory are walking towards 60 00:03:47,440 --> 00:03:50,280 Speaker 1: Luke's more license. We need our rain gutters cleared. Laura 61 00:03:50,440 --> 00:03:53,080 Speaker 1: Roy says, yeah, we'll hire someone moral. I says, oh, well, 62 00:03:53,240 --> 00:03:56,840 Speaker 1: aren't we suddenly a Rockefeller? So the Rockfeller family game 63 00:03:56,880 --> 00:04:02,360 Speaker 1: they're fortunate oil in the late eighteen ninety Huh. Glora 64 00:04:02,520 --> 00:04:04,240 Speaker 1: is referring to how much money they have, how they 65 00:04:04,480 --> 00:04:06,840 Speaker 1: don't really need to spare any expens to expense to 66 00:04:06,880 --> 00:04:09,640 Speaker 1: get things done like fixer rain gutter. Their fortune today 67 00:04:09,680 --> 00:04:17,599 Speaker 1: is worth billion dollars. The government went after Standard Oil, 68 00:04:17,680 --> 00:04:22,400 Speaker 1: broke it up, and and and he formed twenty four 69 00:04:22,480 --> 00:04:26,039 Speaker 1: different LLC's and they all became huge. So he's his 70 00:04:26,160 --> 00:04:29,920 Speaker 1: wealth increased twenty four times. I think Oprah has like 71 00:04:30,040 --> 00:04:34,520 Speaker 1: five billions. Do you think she's that wealthy? I think 72 00:04:34,520 --> 00:04:37,720 Speaker 1: she has like three or five billions, So nipping at 73 00:04:37,760 --> 00:04:43,640 Speaker 1: their heels. Wow, does she have a loan department? He 74 00:04:43,880 --> 00:04:45,560 Speaker 1: is a queen. I don't know, but I love her 75 00:04:45,680 --> 00:04:51,000 Speaker 1: so much. It's like, oh, she's she is, She's right, 76 00:04:51,080 --> 00:04:56,320 Speaker 1: she feels everybody's feelings. She really is, Yes, And I 77 00:04:56,360 --> 00:04:58,360 Speaker 1: believe that like what you see is what you get, 78 00:04:58,400 --> 00:05:00,920 Speaker 1: Like she's super authentic. Like I think, like what she's 79 00:05:00,920 --> 00:05:03,800 Speaker 1: showing us that's who she really is, and I am 80 00:05:03,839 --> 00:05:11,520 Speaker 1: so into it. Mhm. She's probably a fan the Rockefellers. 81 00:05:12,040 --> 00:05:15,039 Speaker 1: I'm not the Rockefellers. Yeah, I'm not as familiar with 82 00:05:15,080 --> 00:05:19,440 Speaker 1: as I am. Oprah m. Now, So they have a 83 00:05:19,480 --> 00:05:29,039 Speaker 1: large fortune, um and a little bit put away, you know, 84 00:05:29,920 --> 00:05:33,120 Speaker 1: the vacation with the rothschild. So they're they're kind of 85 00:05:33,160 --> 00:05:37,760 Speaker 1: well to do. Billions nine nine, nine millions. So they 86 00:05:37,760 --> 00:05:43,040 Speaker 1: have nine ninety nine millions eight times. No, a billion 87 00:05:43,160 --> 00:05:45,600 Speaker 1: is a is a is a is a hundred, it's 88 00:05:45,680 --> 00:05:51,840 Speaker 1: a thousand million nine No, so you go nine millions 89 00:05:51,880 --> 00:05:54,160 Speaker 1: and then it's a billion. So if they have eight billion, 90 00:05:54,480 --> 00:05:58,000 Speaker 1: just to give you like, they have nine millions, eight 91 00:05:58,080 --> 00:06:10,960 Speaker 1: different times nine thousand million? No, okay, billion billion right 92 00:06:10,960 --> 00:06:18,839 Speaker 1: after I don't ever hear on my fingers like, okay, 93 00:06:19,279 --> 00:06:25,320 Speaker 1: So if you have nine million in mathematical terms, were 94 00:06:25,360 --> 00:06:32,240 Speaker 1: the equivalent of the three students somewhere, I'm giving you 95 00:06:32,360 --> 00:06:37,520 Speaker 1: a visual, think of how much nine million? That's a lot, right, 96 00:06:37,640 --> 00:06:40,719 Speaker 1: hang on, just give me a second. Alright, I got it, 97 00:06:40,760 --> 00:06:45,359 Speaker 1: I got the image. Go then think think of you 98 00:06:45,520 --> 00:06:48,640 Speaker 1: had a pile of nine, but they have eight piles 99 00:06:48,760 --> 00:06:52,239 Speaker 1: of nine ninety nine million because they have eight billions 100 00:06:52,279 --> 00:06:55,120 Speaker 1: a thousand million. Why are you doing a nine You're 101 00:06:55,200 --> 00:06:59,240 Speaker 1: leaving off a million dollars eight times, so you're you're 102 00:06:59,320 --> 00:07:04,480 Speaker 1: short change these people by eight million dollars. You're taking 103 00:07:04,640 --> 00:07:06,839 Speaker 1: your skimming some off the top. You're taking your percentage, 104 00:07:06,839 --> 00:07:09,120 Speaker 1: aren't you. It's just for the visual. It's easier to 105 00:07:09,160 --> 00:07:13,440 Speaker 1: understand if you're like nine hundred and nine nine million, 106 00:07:14,280 --> 00:07:17,800 Speaker 1: it's the next number. So you don't say a thousand million, 107 00:07:17,960 --> 00:07:22,760 Speaker 1: you say a billion. But I think I'm confused because 108 00:07:22,960 --> 00:07:26,360 Speaker 1: you know, like you do nine nine d ninety nine 109 00:07:26,400 --> 00:07:29,240 Speaker 1: thousand to get to a million, Why is it nine 110 00:07:30,200 --> 00:07:33,160 Speaker 1: thousand million to get to a billion? Let's move on. 111 00:07:33,280 --> 00:07:40,920 Speaker 1: I can't do can't do this. I'm so confused. I 112 00:07:40,920 --> 00:07:45,600 Speaker 1: don't even know where I am anymore. Huh, you're on 113 00:07:45,640 --> 00:07:48,240 Speaker 1: the planet. You've landed on the planet calculus, and we're 114 00:07:48,240 --> 00:07:57,760 Speaker 1: here to teach your math. What's after the Rockefeller? Okay? Next? 115 00:07:57,800 --> 00:08:01,880 Speaker 1: We have also very comfortable family, the Hearst family. Like 116 00:08:02,320 --> 00:08:05,680 Speaker 1: that was like a Costello routine of who's on first, 117 00:08:06,280 --> 00:08:10,920 Speaker 1: on first, who's on second? No, what's on second? What's 118 00:08:10,960 --> 00:08:17,680 Speaker 1: been net worth of the hearth Oh? Oh, good lord? Um, 119 00:08:17,760 --> 00:08:21,640 Speaker 1: I don't know. The newspaper people too. Yes, and they 120 00:08:21,680 --> 00:08:26,560 Speaker 1: have a castle in like Paso San Simon or something. Yeah. 121 00:08:26,640 --> 00:08:31,280 Speaker 1: Hers Publishing, Um, yeah, her family's twenty one billion. Oh 122 00:08:31,360 --> 00:08:34,080 Speaker 1: that's the that's what they're worth. The hearse family family 123 00:08:34,600 --> 00:08:42,880 Speaker 1: picture to do this again. Rights. What makes me think 124 00:08:42,920 --> 00:08:45,880 Speaker 1: of the Hearth is the Huntsburger. I always feel like, Logan, 125 00:08:46,120 --> 00:08:48,679 Speaker 1: I know where you just pocketed twenty million because you 126 00:08:48,720 --> 00:08:52,200 Speaker 1: skimmed a million off of each billion. I always feel 127 00:08:52,200 --> 00:08:56,440 Speaker 1: like the hunts Burgers were sort of the hearth. But anyway, ah, no, 128 00:08:56,840 --> 00:08:59,680 Speaker 1: they were. They were that wealthy. They were no, no, 129 00:08:59,760 --> 00:09:02,080 Speaker 1: but they were sort of to me, that was sort 130 00:09:02,080 --> 00:09:05,680 Speaker 1: of who they were. Whatever. We'll get to that. So 131 00:09:05,880 --> 00:09:08,600 Speaker 1: going back to the reference Loyalize and Luke's apartment saying 132 00:09:08,600 --> 00:09:10,720 Speaker 1: how messy it does. Luke says, see if you can 133 00:09:10,760 --> 00:09:13,840 Speaker 1: find a brown leather ledger, Lorialy says, I've never seen 134 00:09:13,920 --> 00:09:16,199 Speaker 1: so much stuff. It looks like a white trash. Hearst 135 00:09:16,240 --> 00:09:20,120 Speaker 1: Castle in here. Hers Castle is a state of newspaper 136 00:09:20,160 --> 00:09:23,200 Speaker 1: mugul William Hearst, Like we said, built to night to nineteen, 137 00:09:24,120 --> 00:09:27,800 Speaker 1: Hers Castle has a hundred sixty five rooms. It's crazy 138 00:09:28,320 --> 00:09:31,000 Speaker 1: we should make the field trip to Hurst Castle. It 139 00:09:31,040 --> 00:09:34,400 Speaker 1: would be fun, It'll be really fun. I'm thinking about 140 00:09:34,520 --> 00:09:37,920 Speaker 1: is Lorel calling Luke snuppy, But anyway, keep going. You 141 00:09:37,920 --> 00:09:43,000 Speaker 1: know they he's the father of yellow journalism, sensationalism, like 142 00:09:43,840 --> 00:09:51,000 Speaker 1: the enquire Yeah really, he kind of created the tabloid. 143 00:09:51,080 --> 00:09:57,360 Speaker 1: Yeah really they called it yellow journalism. Yeah, that's why 144 00:09:57,360 --> 00:10:00,400 Speaker 1: he made so much money. I remember hearing that term. 145 00:10:00,440 --> 00:10:07,280 Speaker 1: And so the dining room was a Spanish monastery that 146 00:10:07,360 --> 00:10:11,320 Speaker 1: Herst purchase disassembled and reassembled to make the dining room, 147 00:10:11,400 --> 00:10:17,040 Speaker 1: which is a Hearst. And then their guest list was 148 00:10:17,559 --> 00:10:22,480 Speaker 1: very very old Hollywood. So people like Charlie Chaplin, Carrie Grant, 149 00:10:22,559 --> 00:10:26,960 Speaker 1: the Marx Brothers, Greta Garbo, Buster Keaton, Mary Pickford, Jean 150 00:10:27,000 --> 00:10:30,160 Speaker 1: Harlow and Clark Gable all visited the Hearst Castle like 151 00:10:30,200 --> 00:10:32,440 Speaker 1: when it wasn't a museum, when it was like for dinner, 152 00:10:32,760 --> 00:10:37,480 Speaker 1: right when it was a real home. Yes, yeah, maybe 153 00:10:37,520 --> 00:10:40,719 Speaker 1: they maybe they know, Maybe they visit as ghosts. I 154 00:10:40,760 --> 00:10:47,839 Speaker 1: don't know. And the iconic Roman pool is decorated from 155 00:10:47,960 --> 00:10:54,160 Speaker 1: ceiling to floor with one inch square mosaic tiles. That's crazy, 156 00:10:55,760 --> 00:11:06,720 Speaker 1: that's like d square tiles a million. Next, lotal lies 157 00:11:06,760 --> 00:11:09,120 Speaker 1: talking to Rory about getting a tattoo. Rory says, fine, 158 00:11:09,120 --> 00:11:11,000 Speaker 1: what are you getting? Lotal Lie, says mel Brooks. Roy 159 00:11:11,000 --> 00:11:13,560 Speaker 1: says why, literally says, what do you mean? Why? The 160 00:11:13,600 --> 00:11:16,719 Speaker 1: two thousand year old Man Young Frankenstein Silent Movie? You 161 00:11:16,760 --> 00:11:18,880 Speaker 1: don't think mill has earned the right to have his 162 00:11:18,960 --> 00:11:22,480 Speaker 1: face on my butt? And how mention Baseball? How did 163 00:11:22,480 --> 00:11:25,920 Speaker 1: I not mention my favorite melbook Brooks movie ever? Saseball? 164 00:11:26,640 --> 00:11:33,440 Speaker 1: What you don't like Spaceball? Oh? Spaceballs? No? I don't 165 00:11:33,440 --> 00:11:37,360 Speaker 1: think I ever saw it all the way through. I 166 00:11:37,440 --> 00:11:39,960 Speaker 1: know a pox on me I got planned for you 167 00:11:40,040 --> 00:11:44,160 Speaker 1: this weekend, O boy. Yeah, I don't know. And I 168 00:11:44,200 --> 00:11:46,680 Speaker 1: think it was a young Bill Pullman in there too. 169 00:11:46,800 --> 00:11:52,360 Speaker 1: I'm a huge mel Brooks that I've seen all of 170 00:11:52,400 --> 00:11:55,199 Speaker 1: his films. Joan Rivers was in there. I hope I'm 171 00:11:55,200 --> 00:11:58,640 Speaker 1: getting the bull Bill Pullman My Anxiety two tho year 172 00:11:58,679 --> 00:12:01,559 Speaker 1: Old Man so one of the movie Silent Movies, A 173 00:12:01,600 --> 00:12:04,480 Speaker 1: slapstick comedy written directed by mel in nineteen seventy six. 174 00:12:04,480 --> 00:12:07,040 Speaker 1: The movie features the first on screen pairing of mel 175 00:12:07,120 --> 00:12:10,080 Speaker 1: Brooks and and Bancroft, who danced the Tango together. The 176 00:12:10,160 --> 00:12:13,439 Speaker 1: couple were married from nineteen sixty four until Bancroft's death 177 00:12:13,440 --> 00:12:19,599 Speaker 1: in two thousand five. Very Sweet. Next, Laura, Lee and 178 00:12:19,679 --> 00:12:21,880 Speaker 1: Luke are watching a small TV and empty Luke's dinner 179 00:12:22,080 --> 00:12:25,160 Speaker 1: or license to sitting on uncomfortable chair an empty diner 180 00:12:25,200 --> 00:12:27,840 Speaker 1: that smells like onion rings. Luke says yes. Loura Lie says, 181 00:12:28,160 --> 00:12:32,760 Speaker 1: Calgon take me away. This is a reference. Calgan is 182 00:12:32,760 --> 00:12:35,200 Speaker 1: a bath powder that made famous in the nineteen seventies 183 00:12:35,200 --> 00:12:38,840 Speaker 1: and eighties commercial The main character would be sitting and 184 00:12:38,920 --> 00:12:42,040 Speaker 1: having a stressful day and she would say take Callaghan, 185 00:12:42,120 --> 00:12:44,719 Speaker 1: take me away, and she magically end up. I mean, 186 00:12:44,760 --> 00:12:46,559 Speaker 1: I know the commercials well. I don't think I've ever 187 00:12:46,600 --> 00:12:50,240 Speaker 1: taken a Calgne bath, have you guys? I've never had 188 00:12:50,280 --> 00:12:53,400 Speaker 1: a call gone bath that I am aware of. Are 189 00:12:53,440 --> 00:12:57,000 Speaker 1: you a bath guy? I love taking bath. I think 190 00:12:57,040 --> 00:12:59,680 Speaker 1: it's it's it's almost better than a massage because you 191 00:12:59,720 --> 00:13:02,280 Speaker 1: don't have to have anybody touching you. You know what 192 00:13:02,280 --> 00:13:05,560 Speaker 1: I mean. If if it's like how hot can you 193 00:13:05,640 --> 00:13:08,600 Speaker 1: stand the water? And it's a wonderful salt, it's a 194 00:13:12,400 --> 00:13:15,600 Speaker 1: I don't yeah us you know it's for me. It's 195 00:13:15,600 --> 00:13:19,280 Speaker 1: about super hot water and just you know, really getting 196 00:13:19,320 --> 00:13:22,800 Speaker 1: the And now if I said hot tub like a 197 00:13:23,280 --> 00:13:28,679 Speaker 1: z or a bath, would you pick uh in the summertime, 198 00:13:28,920 --> 00:13:31,600 Speaker 1: Definitely the Chacuzi because we have a great Chacuzi over here. 199 00:13:32,000 --> 00:13:34,480 Speaker 1: I mean it was a really great one, and I'm 200 00:13:34,520 --> 00:13:37,600 Speaker 1: in it every night. I gotta admit that, you know, 201 00:13:39,280 --> 00:13:41,800 Speaker 1: but when the weather is not so conducive, I'm you know, 202 00:13:41,840 --> 00:13:46,600 Speaker 1: I'm in the bathtub. I love the bath. Luke. I 203 00:13:46,600 --> 00:13:48,400 Speaker 1: wonder if Luke would have been a bath guy. And 204 00:13:48,400 --> 00:13:51,280 Speaker 1: I'm sort of feeling like you maybe would have been. Nah, 205 00:13:51,320 --> 00:13:53,880 Speaker 1: he's not a bath guy because he's too uptight. You know. 206 00:13:54,000 --> 00:13:57,480 Speaker 1: It's like the bath relaxes you. The bath is so 207 00:13:57,760 --> 00:14:01,120 Speaker 1: taking a hot bath is so healthy. It's it's just 208 00:14:01,280 --> 00:14:03,560 Speaker 1: so great. It's great for your muscles, it's great for 209 00:14:03,559 --> 00:14:05,959 Speaker 1: your mind. It's it's really I know, I don't have 210 00:14:06,000 --> 00:14:09,120 Speaker 1: a bathtub in this house. You actually get rest. I 211 00:14:09,160 --> 00:14:11,880 Speaker 1: mean you're on your back. I mean unless you're face 212 00:14:12,000 --> 00:14:13,920 Speaker 1: down in the tub, which is weird. I don't think 213 00:14:13,960 --> 00:14:19,800 Speaker 1: people do that. You would want to take take me away. 214 00:14:21,320 --> 00:14:24,800 Speaker 1: It's not like we're dolphins. We're not. So The slogan 215 00:14:24,960 --> 00:14:27,200 Speaker 1: was also actually used in a Maria Carrey song shake 216 00:14:27,240 --> 00:14:34,960 Speaker 1: it Off? Not know m lorda Lie is waiting with 217 00:14:35,080 --> 00:14:36,920 Speaker 1: Roy for the alarm clock to go off, and Lord 218 00:14:36,960 --> 00:14:40,040 Speaker 1: Liss wait Royce's what are we waiting for? Laura lissis 219 00:14:40,120 --> 00:14:46,600 Speaker 1: patients grasshopper. This is a famous quote from TV show 220 00:14:46,640 --> 00:14:51,640 Speaker 1: Kung Fu starring David Carradine. Show what a show, classic show. 221 00:14:51,800 --> 00:14:54,520 Speaker 1: I used to wait for that show all weak? Am 222 00:14:54,520 --> 00:14:57,440 Speaker 1: I going to mess this up? Is David Karody not alive? 223 00:14:57,480 --> 00:15:00,480 Speaker 1: But Keith Carrote is alive? No, think it's the other 224 00:15:00,520 --> 00:15:07,160 Speaker 1: way around. You know what Rory Rory was called me 225 00:15:07,280 --> 00:15:13,720 Speaker 1: Rory Riley Rory. He died. David Carradine died in two 226 00:15:13,720 --> 00:15:18,640 Speaker 1: thousand nine. Oh no, what about Keith Carrating. See that's 227 00:15:18,760 --> 00:15:26,640 Speaker 1: very sad, very sad. Wow Keith. I think Keith caring 228 00:15:26,840 --> 00:15:30,800 Speaker 1: is alive. Yes, Keith is alive. Boy that that show 229 00:15:30,960 --> 00:15:36,160 Speaker 1: was so great? Could not no, no no, no, It's like 230 00:15:36,240 --> 00:15:38,920 Speaker 1: take a shell in priest, take a shell in monk 231 00:15:39,040 --> 00:15:42,600 Speaker 1: trained in kung Fu and send him into the Old West. 232 00:15:42,720 --> 00:15:45,360 Speaker 1: I mean, man, what that was called confrontation? All those 233 00:15:45,360 --> 00:15:49,520 Speaker 1: great fights and all those lessons learned about I was 234 00:15:49,600 --> 00:15:52,200 Speaker 1: just so bummed there wasn't another Brady Bunch episto. I 235 00:15:52,240 --> 00:15:57,280 Speaker 1: was like, well, we have a chance to try again 236 00:15:57,360 --> 00:15:59,880 Speaker 1: because the c W has rebooted the series Kung Fu 237 00:16:00,600 --> 00:16:03,160 Speaker 1: and Kung Fu Season two will premiere on the c 238 00:16:03,400 --> 00:16:06,600 Speaker 1: W in March nine. Dragon can't touch that show. It's 239 00:16:06,640 --> 00:16:11,720 Speaker 1: too classic. I don't think I'm gonna watch eat their version. 240 00:16:15,360 --> 00:16:17,720 Speaker 1: Who's playing the lead role in the c W one. 241 00:16:18,280 --> 00:16:19,840 Speaker 1: I think it's a twitch. It's a girl, right, I 242 00:16:19,840 --> 00:16:30,520 Speaker 1: think it's a girl. Maybe you know how they do? Um? 243 00:16:30,600 --> 00:16:32,880 Speaker 1: Laura Lean Jess Are having a lunch just says You'll 244 00:16:32,920 --> 00:16:36,120 Speaker 1: Gibbons wasn't a health eater like Luke Loyally says, Wow, 245 00:16:36,240 --> 00:16:38,880 Speaker 1: it's been ages since I've heard a good Yu'll Gibbons reference. 246 00:16:39,400 --> 00:16:42,880 Speaker 1: You'll Gibbins was an outdoorsman and early health food advocate, 247 00:16:42,920 --> 00:16:46,320 Speaker 1: promoting eating wild foods during the nineteen sixties. He was 248 00:16:46,320 --> 00:16:50,000 Speaker 1: in several serial commercials for grape nuts in the nineteen 249 00:16:50,040 --> 00:16:53,320 Speaker 1: seventies and asked, yours ever eat a pine tree? Many 250 00:16:53,360 --> 00:16:57,840 Speaker 1: parts are edible recommended in grape nuts over the pine trees. Yeah. 251 00:16:59,040 --> 00:17:03,200 Speaker 1: That was my generations introduction into health food was your 252 00:17:03,280 --> 00:17:06,400 Speaker 1: Gibbons and grape nuts. Commercials, and everybody you know did 253 00:17:06,400 --> 00:17:09,720 Speaker 1: their research about who youule Gibbons was, and you know 254 00:17:09,760 --> 00:17:12,440 Speaker 1: that it would have been much better if he wasn't 255 00:17:12,560 --> 00:17:15,639 Speaker 1: so damn extreme with the eating the tree bark stuff, 256 00:17:15,640 --> 00:17:17,600 Speaker 1: because it was just like, what kind of a wacko 257 00:17:17,800 --> 00:17:20,479 Speaker 1: was going to sit there and eat a tree? And 258 00:17:20,520 --> 00:17:22,720 Speaker 1: that's how we all took it like we did. He 259 00:17:22,840 --> 00:17:26,240 Speaker 1: was dismissed. It's like, Okay, he's doing grape nuts commercials, 260 00:17:26,240 --> 00:17:31,040 Speaker 1: but this guy's gnawing on tree park. What's up? Healthy eating? 261 00:17:31,760 --> 00:17:33,600 Speaker 1: I don't really think I like grape nuts. I don't 262 00:17:33,640 --> 00:17:35,480 Speaker 1: know if I've ever had him. We made Riley get him. 263 00:17:35,600 --> 00:17:38,280 Speaker 1: Riley try the Great Nuts. I used to like him. 264 00:17:39,560 --> 00:17:42,920 Speaker 1: I feel like they were very crunchy and small. They're there, 265 00:17:44,760 --> 00:17:50,200 Speaker 1: who are like eating gravel? Yes we are. They still 266 00:17:50,280 --> 00:17:55,399 Speaker 1: like very available at like Safeway. They were for sure hidden. 267 00:17:58,160 --> 00:18:02,160 Speaker 1: There's likely to go up and down that right there 268 00:18:02,160 --> 00:18:06,920 Speaker 1: with cheerio, no, you know, and that's what I wanted. 269 00:18:07,040 --> 00:18:11,240 Speaker 1: But we got grape nuts. Okay, here we go. Okay, 270 00:18:12,040 --> 00:18:16,320 Speaker 1: milk on that or just dry and milk and my 271 00:18:16,359 --> 00:18:20,360 Speaker 1: health eating have almond milk. She's getting some almond milk 272 00:18:20,440 --> 00:18:24,360 Speaker 1: on there, Okay, yeah, we're you know, I think they're 273 00:18:24,359 --> 00:18:26,040 Speaker 1: going to not taste great. I don't think. I don't 274 00:18:26,080 --> 00:18:28,000 Speaker 1: think they're going to have that fruit loop. I think 275 00:18:28,000 --> 00:18:31,560 Speaker 1: the almond milk is going to give it a little sweetness, right, 276 00:18:33,280 --> 00:18:43,800 Speaker 1: might be if we get blast off the face gives 277 00:18:43,840 --> 00:18:47,280 Speaker 1: it away. Yeah, I don't think she loves it. Mikey 278 00:18:47,359 --> 00:18:51,719 Speaker 1: likes it. I don't think so. I thought it wouldn't 279 00:18:51,720 --> 00:18:58,280 Speaker 1: be Sugary's not sugary. It's like tree bark. It doesn't 280 00:18:58,280 --> 00:19:05,160 Speaker 1: taste like grapes, doesn't take it like nuts dirt. Yeah, 281 00:19:06,680 --> 00:19:12,920 Speaker 1: so honest, an honest name for this product would be 282 00:19:12,920 --> 00:19:15,240 Speaker 1: because it doesn't taste like grapes were nuts. So what 283 00:19:15,280 --> 00:19:18,080 Speaker 1: does it taste? What does it taste like? Yeah? Good questions, 284 00:19:18,200 --> 00:19:26,600 Speaker 1: Good questions, Scott, I feel like I've like finished chewing. Now, 285 00:19:26,680 --> 00:19:31,879 Speaker 1: excuse me, talk amoungst yourselves. We don't really have anything 286 00:19:31,920 --> 00:19:37,320 Speaker 1: to say because we don't even know what's new. It up, girl, Okay, 287 00:19:37,320 --> 00:19:42,920 Speaker 1: I'm so sorry for anyone hates chewing and people like that. Now, 288 00:19:44,560 --> 00:19:49,520 Speaker 1: this next pop culture reference is inaccurate. I want to 289 00:19:49,640 --> 00:19:53,440 Speaker 1: prepare the audience. This is not accurate, So go ahead 290 00:19:53,480 --> 00:19:56,320 Speaker 1: and say I will no, no, it's not accurate. So 291 00:19:56,440 --> 00:19:59,879 Speaker 1: go ahead, right, it's possible, but it's not what he 292 00:20:00,119 --> 00:20:03,000 Speaker 1: known for and it's getting me a little lathered up. 293 00:20:03,119 --> 00:20:08,160 Speaker 1: Go ahead, what is it? Go ahead? So Lord Rory 294 00:20:08,200 --> 00:20:10,679 Speaker 1: tells lor Lie she was looking for Jean's bracelet. Lor License, 295 00:20:10,960 --> 00:20:13,600 Speaker 1: Oh not good. What did you say? Roy says that 296 00:20:13,680 --> 00:20:15,400 Speaker 1: I had a rash and I take it off until 297 00:20:15,400 --> 00:20:18,639 Speaker 1: it healed. Lord says, nice save, Gretzky. Okay, here's my 298 00:20:18,840 --> 00:20:23,399 Speaker 1: here's my beef. Gretzky wasn't a goalie. What was he 299 00:20:23,480 --> 00:20:29,080 Speaker 1: a defensive player? He didn't save the puck in the net. 300 00:20:29,160 --> 00:20:33,640 Speaker 1: That's what nice save means. He wasn't a goalie. But 301 00:20:33,680 --> 00:20:36,600 Speaker 1: if you can't say nice save, it's like they just 302 00:20:36,800 --> 00:20:45,080 Speaker 1: did great defense. I rest my case. Well, okay, well, 303 00:20:45,160 --> 00:20:48,359 Speaker 1: everybody knows that Wayne Gretzky was not a goalie and 304 00:20:48,440 --> 00:20:52,640 Speaker 1: the most prolific scorer in the history of the NHL. 305 00:20:53,240 --> 00:20:56,040 Speaker 1: That is not a nice save, Gretzky. It's a nice 306 00:20:56,080 --> 00:21:01,480 Speaker 1: goal Gretzky, nice shot gret Sky. It's not a nice save. Yeah. Interesting, 307 00:21:01,840 --> 00:21:06,040 Speaker 1: So somebody in the writer's room doesn't know they're hockey. Well, 308 00:21:06,080 --> 00:21:09,439 Speaker 1: he did have two thousand seven career points, thank you 309 00:21:09,520 --> 00:21:12,120 Speaker 1: very much. So maybe he like saved. Those aren't saved. 310 00:21:12,480 --> 00:21:17,160 Speaker 1: Those are scores goals. Okay, if a baseball player caught 311 00:21:17,240 --> 00:21:20,919 Speaker 1: like a fly ball, is that a nice save? No? 312 00:21:21,520 --> 00:21:26,240 Speaker 1: Nice catch? Nice save? No save is what a goalie 313 00:21:26,240 --> 00:21:30,200 Speaker 1: does deflecting a puck, because it's like holes, here's a 314 00:21:30,280 --> 00:21:34,000 Speaker 1: here's a shot stick save, piron, nice skate save. That's 315 00:21:33,880 --> 00:21:37,760 Speaker 1: it's it's at I'm sorry. I've got to take them 316 00:21:37,760 --> 00:21:39,840 Speaker 1: to task for this. We're gonna give it to you. 317 00:21:39,840 --> 00:21:42,640 Speaker 1: You're the of the three of us. You're the professional athletes, 318 00:21:42,680 --> 00:21:46,080 Speaker 1: so we are going to No. I think this makes 319 00:21:46,080 --> 00:21:48,280 Speaker 1: sense to anybody. I mean, you know, he was not 320 00:21:48,400 --> 00:21:51,320 Speaker 1: a goalie, so what are they nice? He wasn't known 321 00:21:51,480 --> 00:21:54,439 Speaker 1: for saving goals. He was you know, I would say it. 322 00:21:54,440 --> 00:21:57,679 Speaker 1: It's like, okay, so pretend I'm like getting something out 323 00:21:57,720 --> 00:22:01,480 Speaker 1: of the refrigerator and the jam fell and I caught it. 324 00:22:02,119 --> 00:22:05,199 Speaker 1: Somebody might be like, good save girl. Yeah, but they 325 00:22:05,200 --> 00:22:09,120 Speaker 1: wouldn't call you, refer to you as Gretzky probably not 326 00:22:09,640 --> 00:22:14,520 Speaker 1: probably not. No, No, they they did for you as Goldberg. 327 00:22:15,400 --> 00:22:20,960 Speaker 1: Why Goldberg Ducks from what from the Mighty Ducks? It 328 00:22:21,119 --> 00:22:24,560 Speaker 1: was that was the Goalie and the Mighty Duck. There 329 00:22:24,600 --> 00:22:28,439 Speaker 1: you go, all right, a Lauren Graham show that is 330 00:22:28,440 --> 00:22:34,719 Speaker 1: now a Disney Plus correct correct, Wayne, This is may 331 00:22:34,800 --> 00:22:38,119 Speaker 1: also being inconsistency. Wayne has his famous inspirational quote, you 332 00:22:38,160 --> 00:22:44,560 Speaker 1: miss one of the shots, you don't take beautiful, wonderful quote. 333 00:22:44,600 --> 00:22:48,600 Speaker 1: I like that quote. Yes, give it a try. That's 334 00:22:48,600 --> 00:22:51,080 Speaker 1: what we do every week. But this Top Culture episode, 335 00:22:52,840 --> 00:22:56,520 Speaker 1: you know, that's making impassivity very very active, isn't it 336 00:22:56,680 --> 00:23:02,560 Speaker 1: philosophically speaking? Yea, yeah, that is true. Yeah, it really 337 00:23:02,640 --> 00:23:06,639 Speaker 1: doesn't make sense. Yeah, but what's happening with this section 338 00:23:06,640 --> 00:23:08,760 Speaker 1: of pop culture? You know, we're just going to have 339 00:23:08,800 --> 00:23:10,560 Speaker 1: to make some phone calls. We're gonna have to send 340 00:23:10,600 --> 00:23:14,760 Speaker 1: some letters. We want we want to get some clarification 341 00:23:14,800 --> 00:23:17,760 Speaker 1: on this. God after the whole Maths thing, I don't 342 00:23:17,760 --> 00:23:22,200 Speaker 1: really know anymore. Laura la is talking to Jess. Jes says, 343 00:23:22,359 --> 00:23:25,120 Speaker 1: I didn't get anything. LAURAA says, what did you break 344 00:23:25,119 --> 00:23:27,040 Speaker 1: into our house? You've got all dressed in black and 345 00:23:27,080 --> 00:23:30,520 Speaker 1: pulled a mission impossible? Mission impossible as a film starring 346 00:23:30,560 --> 00:23:34,560 Speaker 1: Tom Cruise. That debut and the whole series is eight films, 347 00:23:35,040 --> 00:23:39,119 Speaker 1: well only a TV show. Yeah, that was a very famous, 348 00:23:39,200 --> 00:23:44,000 Speaker 1: very famous Peter Graves. Yes. Yes, and then it became 349 00:23:44,960 --> 00:23:47,560 Speaker 1: the movies we know involved with Tom That was such 350 00:23:47,560 --> 00:23:51,080 Speaker 1: a great I'm that building. He like that crazy stunt 351 00:23:51,119 --> 00:23:54,399 Speaker 1: in Dubai and he like, you have to watch it. 352 00:23:54,440 --> 00:23:57,760 Speaker 1: He like jumps out of a window and swings around. 353 00:23:58,359 --> 00:24:02,520 Speaker 1: He's really doing this stuff as these are not stunt doubles. 354 00:24:02,560 --> 00:24:06,280 Speaker 1: This guy is like risking his life. There's one where 355 00:24:06,280 --> 00:24:10,320 Speaker 1: he got hurt and he slams into a building and 356 00:24:10,440 --> 00:24:12,720 Speaker 1: broke his arm, but finished the shot because he's like, 357 00:24:12,720 --> 00:24:14,239 Speaker 1: we're not gonna be able to do this again, so 358 00:24:14,320 --> 00:24:20,040 Speaker 1: he runs with a broken arm. That that guy. That 359 00:24:20,080 --> 00:24:25,040 Speaker 1: guy is committed to his craft. And I'm sure the 360 00:24:25,080 --> 00:24:28,480 Speaker 1: filmmakers loved it because it allowed them to save money 361 00:24:28,600 --> 00:24:33,000 Speaker 1: on stunt people and also it allowed them to get 362 00:24:33,000 --> 00:24:36,879 Speaker 1: the film delivered quickly. I don't know that they a 363 00:24:37,000 --> 00:24:40,200 Speaker 1: studio loved it. No, I don't think the insurance people 364 00:24:40,320 --> 00:24:42,719 Speaker 1: enjoy it. I don't know. I don't think the studio 365 00:24:42,800 --> 00:24:46,240 Speaker 1: wanted to pay those premiums. Yeah, and I'm sure the 366 00:24:46,280 --> 00:24:51,240 Speaker 1: insurance people all the way climbing the side of a mountain, 367 00:24:51,520 --> 00:24:54,480 Speaker 1: one of them starts like that, those are pretty good movies. 368 00:24:54,520 --> 00:24:58,600 Speaker 1: I still like Top Gun better, but those are pretty 369 00:24:58,600 --> 00:25:01,320 Speaker 1: good movies. There's a guy who changed himself to the 370 00:25:01,400 --> 00:25:08,960 Speaker 1: side of a one cargo that was crazy. That mackerel. Yeah, 371 00:25:09,320 --> 00:25:13,439 Speaker 1: I mean yeah, I think he earned his paycheck a 372 00:25:13,440 --> 00:25:24,560 Speaker 1: little bit. Roy tells Jess that she's lost's bracelet. Roy says, 373 00:25:24,680 --> 00:25:26,879 Speaker 1: what do you mean? Jess says, I mean, I know 374 00:25:26,920 --> 00:25:30,080 Speaker 1: it's gotten. I've pinned by by Birdie kind of implication 375 00:25:30,160 --> 00:25:32,560 Speaker 1: to it. But it was just a bracelet. So it's 376 00:25:32,640 --> 00:25:36,440 Speaker 1: old reference by By Birdie's musical film from three about 377 00:25:36,440 --> 00:25:39,280 Speaker 1: a rock and roll singer, Conrad Birdie who was about 378 00:25:39,280 --> 00:25:41,680 Speaker 1: to be inducted into the Army. Um so. The movie 379 00:25:41,680 --> 00:25:44,480 Speaker 1: has some heavy hitters like Dick Van Dyke and Margaret 380 00:25:44,560 --> 00:25:48,719 Speaker 1: Janet Lee and Maureen Stapleton. The reference though, why am 381 00:25:48,720 --> 00:25:51,640 Speaker 1: I not getting the reference? Like Dean was giving her 382 00:25:51,760 --> 00:25:54,640 Speaker 1: like a like a pin like to go way off 383 00:25:54,680 --> 00:25:58,040 Speaker 1: to war to remember that was like the significance of 384 00:25:58,160 --> 00:26:02,560 Speaker 1: the I don't know this film. I know the expression 385 00:26:02,640 --> 00:26:05,080 Speaker 1: by Bye Bertie, I know it. I know the title 386 00:26:05,160 --> 00:26:09,000 Speaker 1: right now, but I don't know the storyline was inspired 387 00:26:09,000 --> 00:26:11,960 Speaker 1: by Elvis Presley being drafted and it just picks teenage 388 00:26:12,000 --> 00:26:14,560 Speaker 1: life in the nineteen fifties, which is including a dating 389 00:26:14,600 --> 00:26:17,080 Speaker 1: ritual of getting pinned, which is kind of like giving 390 00:26:17,080 --> 00:26:19,800 Speaker 1: the brieslet. Okay, So this makes me realize that we 391 00:26:19,880 --> 00:26:22,919 Speaker 1: had a pinnings at my sorority and you would like 392 00:26:23,520 --> 00:26:25,200 Speaker 1: be in the dining room and all of a sudden, 393 00:26:25,200 --> 00:26:26,880 Speaker 1: the lights would go out, and like, there's a couple 394 00:26:26,880 --> 00:26:28,280 Speaker 1: of people in on it, but a lot of people 395 00:26:28,280 --> 00:26:29,800 Speaker 1: weren't in on it, and they'd be like, you'd make 396 00:26:29,800 --> 00:26:32,400 Speaker 1: a circle and then I think like a pandel gets 397 00:26:32,400 --> 00:26:34,800 Speaker 1: all passed around a bunch of times, and it goes 398 00:26:34,840 --> 00:26:37,280 Speaker 1: one way and then goes another way, and then the 399 00:26:37,320 --> 00:26:39,840 Speaker 1: boys come in and then you find out who's getting 400 00:26:39,880 --> 00:26:45,240 Speaker 1: tent mhm. Yeah. When I was growing up in grade school, 401 00:26:45,280 --> 00:26:47,600 Speaker 1: we would give girls rings, but there would be an 402 00:26:47,600 --> 00:26:50,639 Speaker 1: exchange of rings if you kind of ring like a 403 00:26:50,760 --> 00:26:55,119 Speaker 1: lollipop rings. Yeah, No, a little couple of notches up 404 00:26:55,160 --> 00:26:58,480 Speaker 1: from you know, cracking, you get it, the treasure chest 405 00:26:58,560 --> 00:27:01,119 Speaker 1: at the dentist. You go by, you go by, you 406 00:27:01,160 --> 00:27:03,880 Speaker 1: know ring. Yeah, it was like a serious thing. How 407 00:27:04,040 --> 00:27:08,399 Speaker 1: old were you? Oh god, we were doing that seventh grade. 408 00:27:09,440 --> 00:27:14,280 Speaker 1: And that meant you were like go and steady yes, yeah, rings, 409 00:27:14,320 --> 00:27:18,720 Speaker 1: you actually wear rings? Yeah, Oh my god. Our last reference. 410 00:27:18,840 --> 00:27:21,320 Speaker 1: Rory has told Jean Dean that she took her bracelet 411 00:27:21,320 --> 00:27:23,800 Speaker 1: off due to the rational risk and says, you go 412 00:27:23,880 --> 00:27:25,760 Speaker 1: look for at M section. We'll go see Lord of 413 00:27:25,760 --> 00:27:27,760 Speaker 1: the Rings and on the way home we'll run to Autumn, 414 00:27:27,800 --> 00:27:29,720 Speaker 1: New York and market for the rest of the afternoon. 415 00:27:31,320 --> 00:27:34,280 Speaker 1: A lot of mentions in there, first as Lord of 416 00:27:34,280 --> 00:27:36,760 Speaker 1: the Rings franchise, which has three films and it's made 417 00:27:36,800 --> 00:27:45,720 Speaker 1: over two point one billion dollars nine millions. Who pile 418 00:27:45,960 --> 00:27:48,119 Speaker 1: two piles? Oh no, that's a pile. All right, it's 419 00:27:48,160 --> 00:27:53,880 Speaker 1: a big pilot. You don't want so Jake Gillan Hall 420 00:27:54,080 --> 00:27:58,560 Speaker 1: auditioned to play Frodo. No, yes, can you imagine Jake, 421 00:27:58,600 --> 00:28:05,040 Speaker 1: Jill Elijah would m hmm what Yes, I could see it. 422 00:28:05,119 --> 00:28:07,640 Speaker 1: I could see it. I feel like they would ruin Jake, 423 00:28:07,680 --> 00:28:14,200 Speaker 1: Jill and Hall for me. Mm hmmm, see it. That's interesting. 424 00:28:15,200 --> 00:28:17,240 Speaker 1: By the way, we do need to talk about Autumn 425 00:28:17,240 --> 00:28:20,080 Speaker 1: in New York because it is absolutely the worst film 426 00:28:20,119 --> 00:28:26,680 Speaker 1: ever made. There's nothing worse than that film. That thing 427 00:28:26,800 --> 00:28:31,639 Speaker 1: is saming pile. I don't even know what it is. 428 00:28:32,000 --> 00:28:39,040 Speaker 1: It's Richard Gear and Oneona Writer U Romance. It's the 429 00:28:39,120 --> 00:28:45,040 Speaker 1: most ridiculous film you will ever see. You it's so 430 00:28:45,160 --> 00:28:48,680 Speaker 1: it's laugh you laugh. It's so bad. You laugh at 431 00:28:48,720 --> 00:28:52,200 Speaker 1: every scene. You can't believe how bad it is. That 432 00:28:52,280 --> 00:28:54,960 Speaker 1: Brad Pitt movie that I did not stop it. Don't 433 00:28:54,960 --> 00:28:57,040 Speaker 1: you don't don't you talk to me about Brad that way? 434 00:28:57,120 --> 00:29:00,720 Speaker 1: Don't you reverential terms? Re stop it stopped? I love 435 00:29:01,800 --> 00:29:03,440 Speaker 1: I love them too. But that was not a good movie. 436 00:29:03,480 --> 00:29:07,360 Speaker 1: I couldn't get toyments into that thing. Bad. Okay, it 437 00:29:07,400 --> 00:29:11,680 Speaker 1: wasn't a bad film. It was a good film. They 438 00:29:11,720 --> 00:29:15,400 Speaker 1: have been a little derivative. Okay, So I had a 439 00:29:15,520 --> 00:29:18,480 Speaker 1: very strong theme that one looked bad. But would I 440 00:29:18,560 --> 00:29:23,520 Speaker 1: enjoy like hate watching Autumn New York. I'm doing you 441 00:29:23,600 --> 00:29:26,520 Speaker 1: a favor. You're gonna thank me because you're gonna get 442 00:29:27,000 --> 00:29:28,880 Speaker 1: You're going to get a ton of laughs out of it. 443 00:29:28,880 --> 00:29:33,000 Speaker 1: It's totally making me want to watch. There's some good 444 00:29:33,000 --> 00:29:39,240 Speaker 1: writers out there that right movies like this really well. Okay, 445 00:29:39,480 --> 00:29:43,320 Speaker 1: this thing was such a stinker because these characters were 446 00:29:43,400 --> 00:29:48,880 Speaker 1: so gross. It was so it was so absurd. The 447 00:29:49,080 --> 00:29:52,160 Speaker 1: entire film was absurd, Like worst movie you've ever seen, 448 00:29:52,840 --> 00:29:56,880 Speaker 1: absolutely I'm gonna have to watch it because there's nothing 449 00:29:56,920 --> 00:30:00,000 Speaker 1: even close. It's the I was shocked when I first 450 00:30:00,000 --> 00:30:02,320 Speaker 1: saw it, and I saw it by accident. I'm like, 451 00:30:02,520 --> 00:30:05,960 Speaker 1: is this for real? And I kept I kept trying 452 00:30:05,960 --> 00:30:07,640 Speaker 1: to think, is are they are they trying to be 453 00:30:07,720 --> 00:30:10,959 Speaker 1: serious here or is this? Like I'm also excited. I'm 454 00:30:10,960 --> 00:30:12,719 Speaker 1: almost excited to watch it. I'm gonna have to make 455 00:30:12,720 --> 00:30:15,720 Speaker 1: special snacks. Remember when everyone said tat was so bad 456 00:30:15,800 --> 00:30:17,800 Speaker 1: and then I just had to watch it? Which one? 457 00:30:17,880 --> 00:30:21,240 Speaker 1: Which one? That Taylor Swift Cats? It was like James Cordon, 458 00:30:21,400 --> 00:30:24,480 Speaker 1: Jason Derulo, Taylor Swift and just like everyone's like, this 459 00:30:24,600 --> 00:30:27,040 Speaker 1: is the worst movie ever. James Cordon was in a 460 00:30:27,120 --> 00:30:32,280 Speaker 1: film Taylor Swift Cats Cats the musical. They made it 461 00:30:32,280 --> 00:30:35,240 Speaker 1: into a film with Taylor Swift and James Cordon is 462 00:30:35,320 --> 00:30:39,360 Speaker 1: James Cordon Singulo and like, oh, James Gordon can sing 463 00:30:41,320 --> 00:30:44,520 Speaker 1: into the woods. Yeah, I had no idea. I had 464 00:30:44,520 --> 00:30:47,280 Speaker 1: no idea. But it's worth watching because they said it 465 00:30:47,320 --> 00:30:49,280 Speaker 1: was so bad that I'm like, I have to watch this, 466 00:30:50,160 --> 00:30:53,960 Speaker 1: and it is. It's like so so bad that you're 467 00:30:54,000 --> 00:30:57,560 Speaker 1: kind of like, is this happening? Like they're all dressed 468 00:30:57,640 --> 00:31:01,600 Speaker 1: up in weird. Tats costs. Well, I didn't walked out 469 00:31:01,600 --> 00:31:04,680 Speaker 1: of the play, Cats, you didn't enjoy the play. I 470 00:31:04,720 --> 00:31:07,280 Speaker 1: walked out of the play. Well, that's iconic, that's weird. 471 00:31:07,680 --> 00:31:12,200 Speaker 1: I wonder what you would think of the film the 472 00:31:12,240 --> 00:31:15,080 Speaker 1: film to after after you see Autumn of New York, 473 00:31:15,160 --> 00:31:20,800 Speaker 1: you will have a whole different perspective on both and 474 00:31:21,160 --> 00:31:27,640 Speaker 1: win owner writer, I love them both, right, They're both great? Right? Yeah? 475 00:31:27,880 --> 00:31:33,360 Speaker 1: Not in this film. Well, some people criticized that they 476 00:31:33,360 --> 00:31:37,320 Speaker 1: had a twenty three year age gap. It was so 477 00:31:37,400 --> 00:31:40,480 Speaker 1: much more than that. In the Gilmore reference, are they 478 00:31:40,480 --> 00:31:45,920 Speaker 1: referencing that it's terrible? Yes, they say, well, we'll rent 479 00:31:45,960 --> 00:31:48,080 Speaker 1: Autumn of New York and mock it for the rest 480 00:31:48,160 --> 00:31:51,640 Speaker 1: of the afternoon. It was just it didn't work on 481 00:31:51,760 --> 00:31:54,000 Speaker 1: any level. It was just the work you could. You 482 00:31:54,080 --> 00:31:57,080 Speaker 1: can't believe. It's like watching a train wreck, a slow 483 00:31:57,080 --> 00:31:59,600 Speaker 1: motion train wreckord. It just keeps getting worse and worse 484 00:31:59,600 --> 00:32:03,160 Speaker 1: and worse. Can't believe how preposterous this movie is. I 485 00:32:03,160 --> 00:32:05,080 Speaker 1: will even pay money if I have to rent this 486 00:32:05,160 --> 00:32:08,480 Speaker 1: on Amazon Prime right now. You have to see this film. 487 00:32:08,560 --> 00:32:13,800 Speaker 1: You will watch it this weekend. You will bust a gut. 488 00:32:14,680 --> 00:32:17,560 Speaker 1: I can't wait, I actually can't wait tell you what. 489 00:32:17,640 --> 00:32:22,160 Speaker 1: Hollywood does some incredible things, but man, every once in 490 00:32:22,200 --> 00:32:24,480 Speaker 1: a while, like very rarely do they get it wrong 491 00:32:24,600 --> 00:32:28,880 Speaker 1: like this. I mean, wow, it's amazing it was even released, 492 00:32:29,600 --> 00:32:31,480 Speaker 1: but I think they were. The studio was like, man, 493 00:32:31,560 --> 00:32:33,120 Speaker 1: this thing is such a turkey. We got to try 494 00:32:33,160 --> 00:32:35,480 Speaker 1: to make some money off it. You know what movie 495 00:32:35,520 --> 00:32:39,560 Speaker 1: I did not love? And I feel bad saying it 496 00:32:39,640 --> 00:32:46,479 Speaker 1: because I literally worship Roland Emeric Moonfall, Moonfall, Yeah, tanked, right, 497 00:32:46,520 --> 00:32:51,920 Speaker 1: it didn't make any money. It's not good. Yeah, it's 498 00:32:52,040 --> 00:32:55,560 Speaker 1: not good. These are hit or missing, and I love 499 00:32:55,840 --> 00:33:01,520 Speaker 1: I literally watch Independence day after Tomorrow. I've seen him 500 00:33:01,520 --> 00:33:07,640 Speaker 1: a hundred tons Moonfall. Okay, all right, listen, we want 501 00:33:07,680 --> 00:33:12,800 Speaker 1: to inform our audience and many different disciplines. Right, So 502 00:33:12,920 --> 00:33:20,120 Speaker 1: it's like, I want to know if anyone also thought Moonfall. Yeah, yeah, 503 00:33:20,280 --> 00:33:23,880 Speaker 1: she's great? Right. I love Patrick Wilson, Yeah he's great. 504 00:33:24,200 --> 00:33:29,440 Speaker 1: He's great. So August in New York, August to New 505 00:33:29,520 --> 00:33:35,000 Speaker 1: York might as well be Autumn of New York. Autumn 506 00:33:35,120 --> 00:33:39,280 Speaker 1: in New York. And here's okay, I'm just gonna tell 507 00:33:39,280 --> 00:33:42,200 Speaker 1: you something. The creepiest aspect of you know what made 508 00:33:42,240 --> 00:33:44,800 Speaker 1: this film so creepy, and it does have a creepy 509 00:33:44,880 --> 00:33:49,720 Speaker 1: factor to it. It makes it so creepy because Richard 510 00:33:49,800 --> 00:33:57,160 Speaker 1: Gears character used to date well known writer's mother and 511 00:33:57,280 --> 00:34:01,400 Speaker 1: now he dates one a writer. It's so creepy you 512 00:34:01,520 --> 00:34:05,440 Speaker 1: can't even believe it. You can. No, it's a romance. 513 00:34:05,520 --> 00:34:09,200 Speaker 1: It's a romantic film that's supposed to be a straight romance. 514 00:34:09,600 --> 00:34:12,399 Speaker 1: It's not a romantic comedy. But I think they try 515 00:34:12,440 --> 00:34:14,360 Speaker 1: to be funny and cute in it. It's it's just 516 00:34:15,040 --> 00:34:17,239 Speaker 1: you have got to see this. I am booked up 517 00:34:17,280 --> 00:34:22,800 Speaker 1: Friday night. Let me tell you I'm doing that. Maybe 518 00:34:23,080 --> 00:34:26,440 Speaker 1: maybe tell you what if If I can get it, 519 00:34:26,520 --> 00:34:28,480 Speaker 1: I'll watch it too, and then we'll talk about it. 520 00:34:28,600 --> 00:34:34,560 Speaker 1: Maybe maybe we'll do a Henry thing. Oh man that eventually, 521 00:34:34,800 --> 00:34:36,360 Speaker 1: I mean, does it get a little boring being so 522 00:34:36,480 --> 00:34:38,600 Speaker 1: worshiping of all these films we do. It's such a 523 00:34:38,640 --> 00:34:41,680 Speaker 1: great film. That's the one that's really stinks. Yeah. I 524 00:34:41,719 --> 00:34:44,480 Speaker 1: think sometimes we've either never seen them or we hate them, 525 00:34:44,640 --> 00:34:48,160 Speaker 1: so it's all good. Yeah. Yeah, we're gonna be revealing 526 00:34:48,280 --> 00:34:57,239 Speaker 1: some films this film. Is there more? That's it? With 527 00:34:57,440 --> 00:35:00,200 Speaker 1: the rest of the day off. Oh no, editing and 528 00:35:01,480 --> 00:35:06,120 Speaker 1: be writing. Censoring. We got a lot of censoring finding 529 00:35:06,280 --> 00:35:12,080 Speaker 1: Autumn of New York on Netflix. Bye guys, all right, guys, 530 00:35:12,280 --> 00:35:18,200 Speaker 1: thank you for for downloading. Best fans on the planet. 531 00:35:18,840 --> 00:35:23,680 Speaker 1: Thank you so much. I hope you enjoyed. Riley much appreciated. 532 00:35:23,840 --> 00:35:29,640 Speaker 1: Excellent job. And Amy Take five, take take about five minutes, 533 00:35:29,680 --> 00:35:32,880 Speaker 1: jump in your pool, play play set of tennis. Relax, Okay, 534 00:35:33,160 --> 00:35:40,800 Speaker 1: take a bath. Nice saved Gretzky, take me away. All right, everybody, 535 00:35:41,000 --> 00:36:13,360 Speaker 1: be good, be safe, Hey everybody, and don't forget Follow 536 00:36:13,480 --> 00:36:17,279 Speaker 1: us on Instagram at I Am all In podcast and 537 00:36:17,480 --> 00:36:22,319 Speaker 1: Emailie at Gilmore at I heart radio dot com. Oh 538 00:36:22,360 --> 00:36:24,200 Speaker 1: you Gilmore fans. If you're looking for the best cup 539 00:36:24,239 --> 00:36:26,920 Speaker 1: of coffee in the world, go to my website for 540 00:36:27,040 --> 00:36:29,800 Speaker 1: my company scott EP dot com, s C O T 541 00:36:29,960 --> 00:36:33,040 Speaker 1: T y P dot com, scott ep dot com Grade 542 00:36:33,120 --> 00:36:42,440 Speaker 1: one Specialty Coffee. Yeah.