WEBVTT - Yay (S6 E10 "He's Slippin' 'Em Bread.. Dig?)

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<v Speaker 1>I am all in.

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<v Speaker 2>I am all in with Scott Patterson an iHeartRadio podcast.

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<v Speaker 1>Hey everybody, Scott Patterson, I am all in. Poecast?

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<v Speaker 3>Did you say pocast?

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<v Speaker 1>I said pocast. I'm so tired right now. Is that

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<v Speaker 1>a Freudian Thanksgiving? Freudian slip? A podcast? A pumpkin? Poecast?

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<v Speaker 1>One eleven Productions. I heart Radio, iHeartMedia, iHeart podcast, iHeart

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<v Speaker 1>pies LLLC Did you?

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<v Speaker 4>Did you?

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<v Speaker 3>I'm sorry to interrupt you, but did you even celebrate Thanksgiving?

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<v Speaker 3>Because you're in Canada?

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<v Speaker 1>I think they celebrated it while I was at work

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<v Speaker 1>and I didn't notice. I think they do a different

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<v Speaker 1>day up here.

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<v Speaker 3>But so yeah, did you literally work on Thanksgiving up here?

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<v Speaker 1>Yeah? Yeah, Sean Oh, I think so.

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<v Speaker 3>It just didn't exist. Did you call home at least

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<v Speaker 3>and say I call.

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<v Speaker 1>Home like five times a day and then twice at night?

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<v Speaker 1>What do you mean? Did I call home? That's all

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<v Speaker 1>you all I do? Season six, Episode ten, He's slipping

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<v Speaker 1>the bread, you dig.

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<v Speaker 3>I didn't get the title.

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<v Speaker 5>I didn't either.

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<v Speaker 1>I like it's the tambourine guy vibe.

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<v Speaker 3>Yeah, I didn't get it.

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<v Speaker 4>Slipping the bread like giving them money, like referring to.

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<v Speaker 1>Christ bread Dig. He's slipping a bread you dig?

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<v Speaker 3>Joel the tambourine guy.

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<v Speaker 1>Yeah, Joel guy. Let's synopsize before we get into all

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<v Speaker 1>of our many varied narratives here. Whose synopsisization is Queen's

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<v Speaker 1>is all? I am joined by my interrapid crew Susanne French,

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<v Speaker 1>Tara sud Amy Sugarman who if she's late, she's on time.

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<v Speaker 1>If she's on time, she's way early my motel.

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<v Speaker 3>Scott, you are looking like a botty babe in this episode.

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<v Speaker 3>Sorry to be creepy. Okay, so I won't even out

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<v Speaker 3>the person. But we we have a new producer that's

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<v Speaker 3>not on this show but working with us. And I

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<v Speaker 3>was with her and her mom the other day and

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<v Speaker 3>she's like, I don't believe you work with Scott Patterson.

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<v Speaker 3>You only if you work with Scott Patterson. He is

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<v Speaker 3>a hunk. And I go, I know, it's so awkward.

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<v Speaker 3>I have to like tell him.

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<v Speaker 1>All right, we can. We can synopsize now, thanks, all right,

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<v Speaker 1>this is let's everybody just keep their flannel on. Please

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<v Speaker 1>just take it easy.

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<v Speaker 4>This is season six, episode ten, He's slipping and Red

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<v Speaker 4>You Dig. This aired on November twenty second two two

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<v Speaker 4>thousand and five, And just a note for those that

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<v Speaker 4>are following the timing is this was the last episode

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<v Speaker 4>before the holiday break and the next episode did not

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<v Speaker 4>air until January tenth.

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<v Speaker 6>Oh good call out, Susan. So everyone excited that Rory

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<v Speaker 6>is back. Lorelai tells Rory that Christopher called, but the

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<v Speaker 6>news he drops gives Laurela I mixed feelings. Hep Alien

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<v Speaker 6>is set to play a big gig, but Zach's ambitions

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<v Speaker 6>for the band ruin everything, and Luke confides in Liz

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<v Speaker 6>about his new daughter, April.

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<v Speaker 4>But has yet to tell Laura. I.

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<v Speaker 1>Hmm, half, so we discussed this queen thing. You know,

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<v Speaker 1>I'm not trying to you know, listen, Suzanne's doing really well,

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<v Speaker 1>but she is the new kid on the block. Terra's

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<v Speaker 1>been around. Shouldn't Tara be the queen?

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<v Speaker 5>There was one common sort.

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<v Speaker 1>Suzanne could be queen consort.

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<v Speaker 3>Yeah, what's it when you're waiting to be queen.

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<v Speaker 4>Waiting?

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<v Speaker 5>Actually it's more like prince. Wouldn't it be princess? Like

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<v Speaker 5>princess Kate. You'd be a princess Kate.

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<v Speaker 3>I will say I need to hit up Danielle. Even

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<v Speaker 3>though she's on maternity because I did see in the

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<v Speaker 3>comments an epic idea, because they're like, we need to

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<v Speaker 3>know what Danielle is experiencing because she's the one who's

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<v Speaker 3>never seen it. So I do think when she comes back,

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<v Speaker 3>we're going to have to do like some sort of

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<v Speaker 3>special mini series with her to catch her up.

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<v Speaker 5>I feel like I cheated because I was texting her

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<v Speaker 5>and asking about the baby the other day and she's

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<v Speaker 5>following along week by week.

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<v Speaker 1>We'll call them daniellisodes.

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<v Speaker 5>Yeah, but she's following like she's on the same track

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<v Speaker 5>we are.

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<v Speaker 3>That's great. Better she better be taken notes because everyone's

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<v Speaker 3>going to want to know what she I thought for

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<v Speaker 3>the first.

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<v Speaker 5>I'm not going to say what she told me, so

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<v Speaker 5>I let her.

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<v Speaker 1>Oh, you know, I think I think Suzanne and Tara

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<v Speaker 1>can share the throne for sure.

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<v Speaker 3>I know I'm not on it, neither of you.

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<v Speaker 1>No no, no, You and I are king. You and

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<v Speaker 1>I are not. We are are we dukes duchess where

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<v Speaker 1>we're peasants? Damn it, damn I was hoping for higher

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<v Speaker 1>rank you guys.

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<v Speaker 3>Can I just throw out there that half of this

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<v Speaker 3>episode is a ten to me and half is like, yeah,

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<v Speaker 3>I totally. I hope we agree on the parts that

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<v Speaker 3>were the two I.

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<v Speaker 1>Hope we do. I hope we don't, because then we

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<v Speaker 1>can have friction, which creates heat, get a fire.

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<v Speaker 3>I already love this episode. Today we are a ten

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<v Speaker 3>out of ten. You know what was funny so to

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<v Speaker 3>start the show on our show, but that the show

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<v Speaker 3>Gil Those pink boots were pretty iconic, like they immediately

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<v Speaker 3>I was like, oh my god, I remember those boots.

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<v Speaker 3>Just putting the pink boots on. First of all, her

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<v Speaker 3>new bedroom looks.

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<v Speaker 1>It's good, really good.

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<v Speaker 3>You did a good job. I did.

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<v Speaker 1>I slept in that bed wait for real. Well during

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<v Speaker 1>the like a Map or like Netflix episodes, Yeah.

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<v Speaker 3>I did notice that the bathroom tile is the same

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<v Speaker 3>as the kitchen tile. Did anybody notice that like they did?

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<v Speaker 3>Prop department might have had leftover tile because it's very

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<v Speaker 3>unique yellow and green tile in the bathroom same as

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<v Speaker 3>the kitchen.

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<v Speaker 1>Humm, interesting double construction notes.

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<v Speaker 3>Yeah, I'm sure they just had some tile and a

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<v Speaker 3>drawer somewhere in.

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<v Speaker 1>The should do like a it's like a tool time

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<v Speaker 1>with Amy.

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<v Speaker 3>I'm assuming the sinks didn't work.

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<v Speaker 1>They didn't work. It didn't work.

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<v Speaker 3>Also Laura, Well, Lauren does a lot of fake hair

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<v Speaker 3>sort of you know, when she's acting, she does a lot.

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<v Speaker 1>Of like hair acting. There's hair acting. Can she hair

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<v Speaker 1>act and face act at the same time, you totally could, yeah,

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<v Speaker 1>And could you combine it could be like fair acting

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<v Speaker 1>or face acting.

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<v Speaker 3>Somebody did I acting the other day too.

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<v Speaker 1>They were eyeballs, Yeah, I acting right there you go.

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<v Speaker 3>So I'm not sure why she hasn't met paul Anka.

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<v Speaker 3>That felt weird to me, but okay, fine.

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<v Speaker 1>And that opening did that opening.

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<v Speaker 4>Drag you did?

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<v Speaker 3>It was really long.

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<v Speaker 1>It was off right. It's sort of like their timing

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<v Speaker 1>was off the it just was a little off. It

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<v Speaker 1>was good to see them together. Ye and uh yeah,

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<v Speaker 1>just like I actually.

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<v Speaker 3>Said to myself, Oh, sorry, targe ahead.

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<v Speaker 5>I was gonna say that. You mean the whole sugar

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<v Speaker 5>on the toes part.

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<v Speaker 1>Yeah, I didn't, you know. The virgo in me did

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<v Speaker 1>not like the spillage.

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<v Speaker 5>Oh my god. I was like, why.

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<v Speaker 4>Was she holding it like three feet in the air,

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<v Speaker 4>Like why would you bend over.

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<v Speaker 1>Poured half the ball on our toes Like.

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<v Speaker 3>The same thing where I was like, oh, this is

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<v Speaker 3>really messy, and that's messy because.

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<v Speaker 5>So sticky, and then walking through the the dog might

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<v Speaker 5>like you, but the mice you're gonna get are going

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<v Speaker 5>to be a problem.

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<v Speaker 1>Right, It's like the answer now, like you know, calling

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<v Speaker 1>up the reserve troops.

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<v Speaker 5>Also, I don't think you're suposed to give dogs sugar, So.

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<v Speaker 1>Yeah, what's processed sugar for the dog? You know, paul

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<v Speaker 1>Anka turns into r I p doggie. Yeah.

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<v Speaker 3>I did like her sneakers, but the whole thing on

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<v Speaker 3>the one shoe, all of it really did not. It

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<v Speaker 3>was a little bit like, I'm uncomfortable.

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<v Speaker 4>They kind of fit though, because they're just getting back

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<v Speaker 4>together after a long separation and so things are still

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<v Speaker 4>kind of awkward and they just feel kind of weird,

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<v Speaker 4>so it kind of fit a little bit.

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<v Speaker 1>I thought I thought she was playing playing a gag

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<v Speaker 1>on Rory, but they actually went through of it.

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<v Speaker 4>It's like she was because at the end she's like, Oh,

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<v Speaker 4>all you have to do is.

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<v Speaker 1>The dog was actually licking her child.

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<v Speaker 5>I'm like, but she was like, yeah, you know, she

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<v Speaker 5>said like the sugar is not needed, like he loves

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<v Speaker 5>you know or whatever. She says.

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<v Speaker 3>Yeah, is that yellow kitchen table new or is that

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<v Speaker 3>the same table the whole time. I actually it wasn't

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<v Speaker 3>yellow original I noticed.

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<v Speaker 5>I was like, that's not really. It does look like

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<v Speaker 5>a comfortable kitchen table.

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<v Speaker 3>Yeah, just got an eclectic mix of sort of weird

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<v Speaker 3>retro antiques mixed with clutter, mixed with like kind of

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<v Speaker 3>nice I don't know. Yeah, very Yeah, but that was long.

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<v Speaker 3>I thought, have I already seen the opening credits? Like

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<v Speaker 3>it's hiding?

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<v Speaker 4>It was really long.

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<v Speaker 1>That opening scene was very long.

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<v Speaker 3>Bop it. Although I love the I love the off

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<v Speaker 3>camera sound effects that you know, like especially Scott when

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<v Speaker 3>you're off camera, and then we heard the bop it

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<v Speaker 3>and the hat box actually was kind of cool. That

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<v Speaker 3>was sort of a cool, touching moment. That was a

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<v Speaker 3>bit throughout the episodes.

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<v Speaker 4>I did.

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<v Speaker 1>Yeah, I like that Lenny Kravitz call out because I

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<v Speaker 1>thought the same thing, like, exactly, how is this guy

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<v Speaker 1>able to afford all these things? You know? But he

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<v Speaker 1>But the thing is is he like tours all the time,

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<v Speaker 1>k and he sold a pajillion records when you could

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<v Speaker 1>sell records.

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<v Speaker 3>Totally, and he's crazy crazy big venues, big venues. Yeah, sorry,

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<v Speaker 3>but he's been around for a while.

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<v Speaker 5>Yeah.

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<v Speaker 3>Also I don't think he you know, his mom was

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<v Speaker 3>on the Jeffersons, So it's not like he grew up

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<v Speaker 3>like struggling.

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<v Speaker 1>Well, I mean, you know he's a Hollywood kid. Doesn't

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<v Speaker 1>mean he's rich, rich rich, but no, but he wasn't

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<v Speaker 1>like but the guy. Yeah, I mean he's he's a

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<v Speaker 1>monster musician and he sells out all the venues, the

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<v Speaker 1>big one.

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<v Speaker 3>We just saw Lenny Kravitz, I was, I said, really,

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<v Speaker 3>we just saw him.

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<v Speaker 1>You saw him.

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<v Speaker 3>I know, I feel bad because you couldn't go because

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<v Speaker 3>you were working. But he was at the iHeartRadio Music Festival.

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<v Speaker 1>Yeah, yeah, I saw that.

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<v Speaker 3>That's and one of our one of our producers. He

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<v Speaker 3>walked by her and there's randomly someone was shooting like

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<v Speaker 3>a photo or a video on her face. It was

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<v Speaker 3>Eileen and someone else and the face is like I

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<v Speaker 3>love him so much. I love him so much.

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<v Speaker 5>I like, I like just got a peek of like

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<v Speaker 5>half of a song just because I was like, I

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<v Speaker 5>need to see him live for like two minutes.

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<v Speaker 3>Also, way to go Loreli that you are still rocking

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<v Speaker 3>the way too. Skinny scarf, the purple just so so

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<v Speaker 3>skinny scarf. That's providing no warmth whatsoe.

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<v Speaker 4>It's supposed to be fall in Connecticut, and she's wearing

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<v Speaker 4>like this one inch whitecar.

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<v Speaker 3>And then they had matching blazers. Also fashion was coming

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<v Speaker 3>and coming in hot on this episode. So okay. So

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<v Speaker 3>then we're walking through town, Kirk's doing tai chie, which

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<v Speaker 3>here's the thing, don't knock tight chie because I do

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<v Speaker 3>tai chi and it's awesome.

0:12:29.160 --> 0:12:31.480
<v Speaker 1>They went after tai chi on this show, and I

0:12:31.520 --> 0:12:32.559
<v Speaker 1>got a little riled up.

0:12:32.960 --> 0:12:34.080
<v Speaker 3>Yeah, because anybody.

0:12:34.440 --> 0:12:37.719
<v Speaker 1>It was one moment the Kirk wasn't funny. Yeah, it

0:12:37.760 --> 0:12:41.800
<v Speaker 1>was funny is but he was doing it well, yes

0:12:44.400 --> 0:12:46.679
<v Speaker 1>it was. It was jarring, and.

0:12:46.679 --> 0:12:49.840
<v Speaker 3>His outfit was good. He had a bright blue sweatsuit.

0:12:49.880 --> 0:12:52.319
<v Speaker 3>But yeah, tai chi rocks. Like if you have anxiety,

0:12:52.400 --> 0:12:55.320
<v Speaker 3>tight chee is great for like it's like meditation basically.

0:12:55.559 --> 0:12:55.959
<v Speaker 1>Mhmm.

0:12:56.840 --> 0:12:59.719
<v Speaker 4>Did you notice when they're walking past the gazebo that

0:12:59.760 --> 0:13:03.600
<v Speaker 4>they still had that little tiny gazebo from the No Stop,

0:13:05.320 --> 0:13:06.400
<v Speaker 4>good Eye.

0:13:06.440 --> 0:13:09.640
<v Speaker 3>No way. That is such a good Like.

0:13:09.679 --> 0:13:11.200
<v Speaker 4>There was like a guy sitting in there.

0:13:12.000 --> 0:13:14.800
<v Speaker 3>Remember what episode was that when Kurt it was it

0:13:14.840 --> 0:13:18.000
<v Speaker 3>was the Sores and Boyles Alley episode, and Kirk was

0:13:18.040 --> 0:13:19.200
<v Speaker 3>sitting in there and Laurel.

0:13:19.240 --> 0:13:22.120
<v Speaker 4>I was upset that they took the the the inn

0:13:22.200 --> 0:13:24.600
<v Speaker 4>off the map. It was like it was a couple episodes.

0:13:24.640 --> 0:13:26.440
<v Speaker 3>Oh my god, it's and with someone in it.

0:13:27.559 --> 0:13:28.840
<v Speaker 4>Yeah, there was some dude sitting.

0:13:39.840 --> 0:13:41.680
<v Speaker 3>Oh my god. Okay, So then we get to my

0:13:41.760 --> 0:13:44.560
<v Speaker 3>one of my favorite, honestly one of my favorite moments

0:13:44.600 --> 0:13:47.720
<v Speaker 3>of the episode. Hey, Rory you're back.

0:13:48.679 --> 0:13:50.840
<v Speaker 4>Yay, so.

0:13:52.440 --> 0:13:56.880
<v Speaker 1>Bone to pick flag? Here flag on the play? What's

0:13:56.880 --> 0:13:59.320
<v Speaker 1>what's the Rory hug to Luke? It was like a

0:13:59.400 --> 0:14:01.400
<v Speaker 1>half I missed that.

0:14:01.880 --> 0:14:04.160
<v Speaker 4>It was like, here's my shoulder, here's.

0:14:03.920 --> 0:14:06.520
<v Speaker 1>The shoulder, and it was like a block. It was

0:14:06.559 --> 0:14:12.520
<v Speaker 1>like obstructing the hug. It was. She hugged Christopher full on.

0:14:12.880 --> 0:14:13.880
<v Speaker 1>She hugged Suki.

0:14:15.600 --> 0:14:17.679
<v Speaker 3>I don't know. I didn't have to rewatch.

0:14:17.760 --> 0:14:19.680
<v Speaker 4>It was weird. It was really awkward.

0:14:19.760 --> 0:14:22.960
<v Speaker 1>I noticed that I may be calling an attorney in violence.

0:14:22.960 --> 0:14:23.280
<v Speaker 5>WHOA.

0:14:23.480 --> 0:14:24.520
<v Speaker 3>I just was so into the.

0:14:26.920 --> 0:14:28.960
<v Speaker 1>Yeah you didn't notice that, did you know?

0:14:29.120 --> 0:14:30.200
<v Speaker 3>I'm going to have to rewatch.

0:14:30.240 --> 0:14:32.080
<v Speaker 1>I noticed the tiles, You notice the damn color on

0:14:32.120 --> 0:14:32.720
<v Speaker 1>the table, but.

0:14:34.760 --> 0:14:37.640
<v Speaker 3>I've noticed it before. But the mismatched chairs in the diner,

0:14:38.120 --> 0:14:39.520
<v Speaker 3>that's like a thing at Loot.

0:14:40.800 --> 0:14:44.280
<v Speaker 1>I'm trying to talk about something that happened in the show.

0:14:46.400 --> 0:14:50.440
<v Speaker 3>Listen, do you think the hug was intentional or just

0:14:50.480 --> 0:14:54.440
<v Speaker 3>like Alexis was like, I just didn't complete the hug because.

0:14:54.240 --> 0:14:57.920
<v Speaker 1>I went back in my diary and said, did I

0:14:57.960 --> 0:14:59.160
<v Speaker 1>wear deodorant that day?

0:15:01.120 --> 0:15:03.800
<v Speaker 5>Yeah, it couldn't have been that take or was it?

0:15:03.880 --> 0:15:05.480
<v Speaker 5>Like I don't know, do you think.

0:15:05.440 --> 0:15:07.080
<v Speaker 1>It was Maybe she was just trying to get through

0:15:07.120 --> 0:15:12.200
<v Speaker 1>the chair real fast. But given Luke the see that.

0:15:12.200 --> 0:15:14.520
<v Speaker 3>Was that was my take just not I haven't seen it,

0:15:14.560 --> 0:15:17.120
<v Speaker 3>but my take is like that Alexis was like nervous

0:15:17.160 --> 0:15:20.560
<v Speaker 3>about like movements she had to make and dialogue.

0:15:20.160 --> 0:15:24.360
<v Speaker 5>So it was like, hey, she's given awkward hugs before,

0:15:24.560 --> 0:15:29.680
<v Speaker 5>Like she kind of has that awkward movement, so.

0:15:28.240 --> 0:15:29.760
<v Speaker 4>She's an awkward hugger for sure.

0:15:30.800 --> 0:15:34.000
<v Speaker 5>Yeah.

0:15:34.080 --> 0:15:37.240
<v Speaker 3>My only my only flag on the play is I

0:15:37.280 --> 0:15:42.360
<v Speaker 3>did find the receipt bit annoying. Look, you're talking about.

0:15:42.120 --> 0:15:47.160
<v Speaker 5>The Mexican restaurant, like turn it over going and she's like,

0:15:47.160 --> 0:15:49.000
<v Speaker 5>turn it do turn it out, turn it.

0:15:49.240 --> 0:15:52.680
<v Speaker 3>I was like that was a wan wall for me,

0:15:52.760 --> 0:15:56.200
<v Speaker 3>But whatever, I'm not here to judge. Oh wait, you

0:15:56.280 --> 0:16:06.400
<v Speaker 3>are so okay? What about Scott? This is real we're

0:16:06.440 --> 0:16:12.040
<v Speaker 3>seeing the beginnings of Luke hiding stuff. Nothing's new, nothing's new.

0:16:12.040 --> 0:16:13.280
<v Speaker 3>Why do you ask that nothing's new?

0:16:14.440 --> 0:16:21.160
<v Speaker 1>Oh well, I don't know. You know, we're getting into

0:16:21.200 --> 0:16:26.280
<v Speaker 1>an odd, unpopular narrative here for Luke.

0:16:26.560 --> 0:16:29.600
<v Speaker 5>Which, by the way, I was reading comments on our

0:16:29.640 --> 0:16:31.560
<v Speaker 5>Instagram and I know we said like, oh, like everyone

0:16:31.640 --> 0:16:35.040
<v Speaker 5>hates April, but a lot of people what they said,

0:16:35.040 --> 0:16:38.520
<v Speaker 5>which I found interesting, was they don't hate the character,

0:16:38.880 --> 0:16:42.640
<v Speaker 5>they hate the like what happened with the storyline and

0:16:42.680 --> 0:16:45.520
<v Speaker 5>the way that Luke handles it. So I thought that

0:16:45.560 --> 0:16:48.840
<v Speaker 5>was an interesting take, like moving forward on why fans

0:16:48.840 --> 0:16:52.920
<v Speaker 5>are not are not fond of her storyline.

0:16:54.040 --> 0:16:57.200
<v Speaker 3>So here's my tough question, Scott, knowing Luke as you

0:16:57.240 --> 0:17:02.400
<v Speaker 3>do and knowing yourself as you do, say this situation

0:17:02.600 --> 0:17:08.800
<v Speaker 3>happened to you or Luke, right, I understand taking a

0:17:08.840 --> 0:17:11.640
<v Speaker 3>moment and sort of sorting it out before you tell

0:17:11.680 --> 0:17:15.880
<v Speaker 3>the world. Do you think Luke should have told Lorlai immediately?

0:17:17.080 --> 0:17:22.359
<v Speaker 1>Yes? I mean relationships are based on trust. If you

0:17:22.400 --> 0:17:27.560
<v Speaker 1>don't do that, then the trust either diminishes or goes away.

0:17:28.880 --> 0:17:31.960
<v Speaker 1>And we saw what happened. Now, these are situations when

0:17:32.200 --> 0:17:35.400
<v Speaker 1>actors read scripts and they either step forward and say, hey,

0:17:35.640 --> 0:17:38.360
<v Speaker 1>I've got an issue with this and can we discuss this.

0:17:38.359 --> 0:17:41.520
<v Speaker 1>This just wasn't possible on the show. On other shows,

0:17:41.560 --> 0:17:47.080
<v Speaker 1>it's possible most shows, I gather, it's not possible. On

0:17:47.240 --> 0:17:50.919
<v Speaker 1>some shows, it is possible. And I think this is

0:17:51.080 --> 0:17:57.840
<v Speaker 1>one such instance where, you know, I it just wasn't

0:17:57.840 --> 0:18:02.440
<v Speaker 1>that kind of show where anybody consulted the actor. They

0:18:02.440 --> 0:18:05.840
<v Speaker 1>were just too busy, and it was you know, we

0:18:05.880 --> 0:18:08.920
<v Speaker 1>see how precise this writing is, and you know, they

0:18:09.080 --> 0:18:10.960
<v Speaker 1>justify it in a million different ways that you can't

0:18:11.000 --> 0:18:13.800
<v Speaker 1>think of, you know, that kind of thing. But you know,

0:18:13.880 --> 0:18:17.119
<v Speaker 1>maybe this was an occasion where it was appropriate for

0:18:17.160 --> 0:18:19.360
<v Speaker 1>somebody to step up and say, hey, let's rethink this,

0:18:20.240 --> 0:18:22.240
<v Speaker 1>you know, because it's it's I don't I don't know

0:18:22.280 --> 0:18:26.520
<v Speaker 1>if it's out and out long term character destruction, but

0:18:26.600 --> 0:18:28.800
<v Speaker 1>I think that's what the but that's what the fans

0:18:29.000 --> 0:18:34.040
<v Speaker 1>are reacting to, is because this character is so beloved

0:18:34.800 --> 0:18:41.800
<v Speaker 1>and laurel ized, so beloved, and their relationship is so beloved,

0:18:43.640 --> 0:18:45.960
<v Speaker 1>and this is just going to wreck it and that

0:18:46.200 --> 0:18:50.160
<v Speaker 1>and it's just sort of the way they made him

0:18:50.320 --> 0:18:53.679
<v Speaker 1>hide it. It was just there was no real exper

0:18:54.160 --> 0:18:57.080
<v Speaker 1>I mean, I'll watch the episodes. I don't know. I

0:18:57.080 --> 0:19:00.199
<v Speaker 1>don't remember, but maybe there's a very good reason that

0:19:00.240 --> 0:19:02.320
<v Speaker 1>I will find and point out and so well, and.

0:19:02.359 --> 0:19:04.800
<v Speaker 3>You sort of acknowledge it. You acknowledge it in this

0:19:04.880 --> 0:19:06.560
<v Speaker 3>episode with Liz, and I know we'll get to it.

0:19:07.320 --> 0:19:11.199
<v Speaker 3>Things are so good and you love her right like

0:19:11.520 --> 0:19:14.080
<v Speaker 3>we know that we've seen that so much. You don't

0:19:14.080 --> 0:19:17.560
<v Speaker 3>want to mess it up. It's so important to you

0:19:17.600 --> 0:19:20.560
<v Speaker 3>that I think you think, because you indicate to Liz

0:19:20.560 --> 0:19:22.760
<v Speaker 3>like this could mess it up, and Liz says, it's

0:19:22.760 --> 0:19:25.360
<v Speaker 3>not going to mess it up. But I get why

0:19:25.400 --> 0:19:26.560
<v Speaker 3>you're worried about that.

0:19:27.200 --> 0:19:31.280
<v Speaker 1>Absolute you know, Luke's a guy who doesn't have the

0:19:31.359 --> 0:19:38.760
<v Speaker 1>best social skills or interpersonal skills within a relationship, obviously,

0:19:39.000 --> 0:19:41.400
<v Speaker 1>you know it's I think it really just comes. He's

0:19:41.400 --> 0:19:44.679
<v Speaker 1>not a bad guy. It's just that he got in

0:19:44.720 --> 0:19:50.720
<v Speaker 1>a situation that was overwhelming. I mean, how would anybody

0:19:50.760 --> 0:19:54.600
<v Speaker 1>else react to your you know, your daughter shows up

0:19:54.600 --> 0:19:56.520
<v Speaker 1>twelve years later and you didn't know had a daughter.

0:19:57.200 --> 0:20:02.040
<v Speaker 1>I mean, that's a tough call. He wants you to

0:20:02.080 --> 0:20:04.679
<v Speaker 1>be perfect and do the right thing, and I'll talk openly,

0:20:04.720 --> 0:20:06.080
<v Speaker 1>and they don't want to consider the fact that you

0:20:06.080 --> 0:20:08.960
<v Speaker 1>don't want to wreck a perfect situation that you've been

0:20:10.160 --> 0:20:13.800
<v Speaker 1>sort of nurturing for so many years. And now here's

0:20:13.840 --> 0:20:16.200
<v Speaker 1>you know, right at the point where we're going to

0:20:16.240 --> 0:20:19.600
<v Speaker 1>set a wedding date. Right, oh boy, here this here

0:20:19.680 --> 0:20:21.240
<v Speaker 1>comes this turkey you know.

0:20:21.480 --> 0:20:23.359
<v Speaker 3>Well, and right now you're going off the words of

0:20:23.400 --> 0:20:27.040
<v Speaker 3>a twelve year old, right, like you haven't connected with Anna,

0:20:28.080 --> 0:20:29.960
<v Speaker 3>and this twelve year old comes out of nowhere and

0:20:30.000 --> 0:20:33.359
<v Speaker 3>tells you this thing, which I appreciate that you're believing her,

0:20:33.760 --> 0:20:36.639
<v Speaker 3>but like it does feel a little too soon just

0:20:36.720 --> 0:20:39.560
<v Speaker 3>yet for you to talk to Laura about it. It

0:20:39.680 --> 0:20:43.480
<v Speaker 3>maybe maybe not, Like I think you do need to

0:20:43.520 --> 0:20:48.720
<v Speaker 3>talk to Amma first, get everything sort of straight, and

0:20:48.800 --> 0:20:55.080
<v Speaker 3>then you go to Laura. Now he doesn't do that, but.

0:20:53.400 --> 0:20:59.560
<v Speaker 1>But that's but that doesn't happen because that story isn't

0:20:59.560 --> 0:21:04.080
<v Speaker 1>going to get developed to that degree, right, because it

0:21:04.119 --> 0:21:09.399
<v Speaker 1>takes away screen time, screen time from what they consider

0:21:09.480 --> 0:21:10.720
<v Speaker 1>to be their top narratives.

0:21:10.960 --> 0:21:15.199
<v Speaker 3>Right yeah, And I think too, like some look, we

0:21:15.280 --> 0:21:17.480
<v Speaker 3>always talk about the show like it's real life, which

0:21:17.520 --> 0:21:21.320
<v Speaker 3>I like, But I think sometimes writers in writers' rooms

0:21:21.960 --> 0:21:24.879
<v Speaker 3>thought this might be a spicy way to get something

0:21:25.000 --> 0:21:28.120
<v Speaker 3>juicy going. I don't know that. They always know, Oh

0:21:28.119 --> 0:21:29.639
<v Speaker 3>my god, the fans are going to hate this. I

0:21:29.680 --> 0:21:32.760
<v Speaker 3>think they thought we can't just have it be happy, happy,

0:21:32.800 --> 0:21:36.720
<v Speaker 3>happy unicorns, rainbows we've got We're making a show that's

0:21:36.840 --> 0:21:38.600
<v Speaker 3>going another year, right.

0:21:38.560 --> 0:21:41.520
<v Speaker 1>Of all the of all the options. Well, I think

0:21:41.560 --> 0:21:44.320
<v Speaker 1>at that point, well maybe you're right. Maybe at that

0:21:44.520 --> 0:21:47.320
<v Speaker 1>point and they knew Amy and Dan weren't getting a

0:21:47.440 --> 0:21:50.400
<v Speaker 1>two year deal instead of got the offer. I don't

0:21:50.400 --> 0:21:53.119
<v Speaker 1>know what stage that was in the writer's room and

0:21:53.119 --> 0:21:57.240
<v Speaker 1>how much knowledge they had, and you know, whatever conspiracy

0:21:57.280 --> 0:22:00.639
<v Speaker 1>theories are you're going to throw around, but you know,

0:22:01.680 --> 0:22:05.080
<v Speaker 1>at season six, we were losing a little steam ratings wise,

0:22:05.080 --> 0:22:08.480
<v Speaker 1>but not enough, and the advertisers really wanted us back

0:22:09.080 --> 0:22:12.320
<v Speaker 1>for long term. They wanted a long term dudes, and

0:22:12.359 --> 0:22:13.120
<v Speaker 1>they were putting a lot.

0:22:13.080 --> 0:22:14.359
<v Speaker 3>Of pressure, but they would have liked to see it

0:22:14.440 --> 0:22:15.040
<v Speaker 3>go ten.

0:22:15.680 --> 0:22:18.600
<v Speaker 1>Twenty, yeah, fifteen, you know what I mean. It's like

0:22:18.640 --> 0:22:22.119
<v Speaker 1>the advertisers were crazy for this show because it was

0:22:22.240 --> 0:22:26.600
<v Speaker 1>just such a safe bet for them. Totally totally and

0:22:25.960 --> 0:22:29.760
<v Speaker 1>uh yeah, So the right in the writer's room, you

0:22:29.760 --> 0:22:31.879
<v Speaker 1>know they're probably thinking season ten, you know, it's going

0:22:31.960 --> 0:22:33.320
<v Speaker 1>to go, go, go, go, go forever.

0:22:33.640 --> 0:22:36.400
<v Speaker 3>I mean, I don't know. I think as a it's

0:22:36.440 --> 0:22:39.360
<v Speaker 3>a it's an oldie but a goodie. Oh throw a

0:22:39.480 --> 0:22:42.359
<v Speaker 3>random kid in there, like we've seen it before, you

0:22:42.400 --> 0:22:44.280
<v Speaker 3>know what I mean. It's not like we've seen it

0:22:44.320 --> 0:22:47.679
<v Speaker 3>on so many shows. Literally, it was the it was

0:22:47.720 --> 0:22:51.480
<v Speaker 3>the move of the eighties, different strokes backs of life.

0:22:51.480 --> 0:22:53.600
<v Speaker 3>They was like, throw a kid in there, and like

0:22:53.720 --> 0:22:57.120
<v Speaker 3>see how that goes family ties, Like all of those

0:22:57.119 --> 0:23:00.800
<v Speaker 3>shows did that Bosby show, all of them growing gains exactly.

0:23:01.160 --> 0:23:04.159
<v Speaker 1>But maybe it's a tried and true strategy that studios

0:23:04.200 --> 0:23:08.439
<v Speaker 1>are aware of that work that temporarily really po the

0:23:08.520 --> 0:23:15.280
<v Speaker 1>fans off, right, and but it's it's it brings them

0:23:15.400 --> 0:23:20.040
<v Speaker 1>roaring back when you know the narrative changes for the positive.

0:23:20.160 --> 0:23:23.960
<v Speaker 1>You know, it's like it's like pulling the So I

0:23:24.240 --> 0:23:29.159
<v Speaker 1>think that's I think that's just maybe basic storytelling, you know,

0:23:29.320 --> 0:23:34.160
<v Speaker 1>in serial television series television, you know, because.

0:23:34.040 --> 0:23:37.520
<v Speaker 3>They have irritated by it. Yet I'm not personally. I

0:23:37.520 --> 0:23:39.679
<v Speaker 3>don't know about you guys, but I'm not irritated by it.

0:23:40.240 --> 0:23:40.800
<v Speaker 1>Not at all.

0:23:40.960 --> 0:23:44.200
<v Speaker 4>No, I'm always kind of on the edge because I'm

0:23:44.240 --> 0:23:46.720
<v Speaker 4>always waiting, like, okay, is this going to be the

0:23:46.760 --> 0:23:48.560
<v Speaker 4>scene where he tells her. Is this going to be

0:23:48.800 --> 0:23:51.239
<v Speaker 4>like every time they meet up? I'm like, okay, this

0:23:51.280 --> 0:23:53.720
<v Speaker 4>is going to be where he says something and so

0:23:53.800 --> 0:23:55.560
<v Speaker 4>I don't want to get too far ahead because we

0:23:55.560 --> 0:23:57.640
<v Speaker 4>haven't seen those episodes yet, but this is like where

0:23:57.640 --> 0:23:59.040
<v Speaker 4>my anxiety starts to go.

0:23:59.160 --> 0:24:02.760
<v Speaker 3>Wow, were you happy I was that he told Liz.

0:24:02.880 --> 0:24:05.119
<v Speaker 3>I was really happy. I did not want him to

0:24:05.200 --> 0:24:08.000
<v Speaker 3>sort of stop and you knew he wanted to, and

0:24:08.040 --> 0:24:10.480
<v Speaker 3>I was like, don't not tell her.

0:24:11.280 --> 0:24:13.520
<v Speaker 4>I was glad that he told her, but I wanted

0:24:13.600 --> 0:24:17.040
<v Speaker 4>her to push him to tell Laura I and not

0:24:17.119 --> 0:24:19.240
<v Speaker 4>be like, oh, it's okay, you know if they don't

0:24:19.240 --> 0:24:21.520
<v Speaker 4>want anything, lolarea, I doesn't need to know. Like I

0:24:21.600 --> 0:24:23.800
<v Speaker 4>wanted Liz to be like, you need to tell Laura

0:24:23.960 --> 0:24:24.359
<v Speaker 4>about this.

0:24:24.960 --> 0:24:27.680
<v Speaker 3>She sort of did. I know we're going out of order,

0:24:27.720 --> 0:24:29.840
<v Speaker 3>but I thought she did to the ability like that

0:24:29.920 --> 0:24:30.760
<v Speaker 3>Liz has.

0:24:32.840 --> 0:24:33.119
<v Speaker 4>True.

0:24:33.359 --> 0:24:36.640
<v Speaker 1>Yeah, I thought that scene was very touching me too,

0:24:36.880 --> 0:24:39.560
<v Speaker 1>And I like that she knew very touching.

0:24:39.600 --> 0:24:41.679
<v Speaker 3>I thought so too, And I like that she knew

0:24:42.440 --> 0:24:46.160
<v Speaker 3>it was Anna that she calls out like she First

0:24:46.200 --> 0:24:50.360
<v Speaker 3>of all, she wasn't upset. She wasn't she didn't. She

0:24:50.440 --> 0:24:53.200
<v Speaker 3>just came from a great place of love and that

0:24:53.280 --> 0:24:57.159
<v Speaker 3>she says, like you're a serial monogamous like and then

0:24:57.240 --> 0:25:00.680
<v Speaker 3>she also was so like, Laurala's gonna understand because Luke

0:25:00.840 --> 0:25:03.640
<v Speaker 3>didn't know. I think we really have to remind ourselves.

0:25:03.720 --> 0:25:09.040
<v Speaker 3>Like he didn't know, and so he's imagine any of

0:25:09.080 --> 0:25:11.840
<v Speaker 3>you finding out you have a kid, you would be

0:25:11.960 --> 0:25:13.200
<v Speaker 3>so overwhelmed.

0:25:13.440 --> 0:25:16.200
<v Speaker 5>Yeah.

0:25:14.600 --> 0:25:18.720
<v Speaker 4>Like, Luke's like a train on a track, Like he's

0:25:18.760 --> 0:25:22.120
<v Speaker 4>not gonna just randomly steer in a different direction. He's

0:25:22.160 --> 0:25:24.280
<v Speaker 4>going the way that he's going. And I think this

0:25:24.400 --> 0:25:28.760
<v Speaker 4>completely just threw him off his axis and he's struggling

0:25:28.800 --> 0:25:31.000
<v Speaker 4>to make it make sense. And I think that was

0:25:31.080 --> 0:25:33.560
<v Speaker 4>part of the whole scene with Liz was he's like,

0:25:33.640 --> 0:25:36.840
<v Speaker 4>I have to reach out to somebody to kind of

0:25:36.880 --> 0:25:40.639
<v Speaker 4>get some grounding here and figure out like what is

0:25:40.680 --> 0:25:42.480
<v Speaker 4>normal here and what is not normal here?

0:25:42.560 --> 0:25:45.719
<v Speaker 3>So yeah, good point, Like he's trying to figure out

0:25:45.800 --> 0:25:49.800
<v Speaker 3>am I feeling what a normal person would be feeling?

0:25:50.840 --> 0:25:53.040
<v Speaker 5>But I did like Amy you called out that her

0:25:53.080 --> 0:25:57.320
<v Speaker 5>reaction was so calm, like she didn't if she freaked out,

0:25:57.440 --> 0:25:59.400
<v Speaker 5>Luke would have freaked out, And I think it came

0:26:00.160 --> 0:26:02.880
<v Speaker 5>kept him a little level headed.

0:26:03.720 --> 0:26:08.920
<v Speaker 1>Yeah, yeah, that's one of my favorite scenes. I agree

0:26:09.440 --> 0:26:12.359
<v Speaker 1>with Kathleen. That scene really touched me.

0:26:13.280 --> 0:26:15.560
<v Speaker 3>I thought so too, that these are definitely the ten

0:26:15.640 --> 0:26:19.960
<v Speaker 3>parts of the episode. We haven't gotten to my two okay,

0:26:20.000 --> 0:26:21.840
<v Speaker 3>so just to go back so we don't miss anything,

0:26:21.960 --> 0:26:24.760
<v Speaker 3>I think we should acknowledge the jinxing and the unjinxing.

0:26:25.119 --> 0:26:25.720
<v Speaker 1>Oh that was good.

0:26:25.880 --> 0:26:29.840
<v Speaker 3>I like that cute. It's very child like. It reminded

0:26:29.840 --> 0:26:32.560
<v Speaker 3>me of like in Big when he's like, should me

0:26:32.600 --> 0:26:33.160
<v Speaker 3>shimmy cook?

0:26:34.840 --> 0:26:39.000
<v Speaker 1>And it was Laura at her childish best. Yeah.

0:26:39.080 --> 0:26:41.159
<v Speaker 3>Yeah, And it was cute that Lane and Rory have

0:26:41.560 --> 0:26:43.600
<v Speaker 3>something like that, and it was sort of it was fun,

0:26:44.200 --> 0:26:46.840
<v Speaker 3>So I was all good there, and then I thought

0:26:46.880 --> 0:26:49.560
<v Speaker 3>it was good to call out. So I think Rory says,

0:26:49.560 --> 0:26:53.320
<v Speaker 3>as long as you're prying, and she talks about the break,

0:26:53.400 --> 0:26:57.960
<v Speaker 3>they're just on a break hiatus Logan and Rory. So

0:26:58.040 --> 0:27:01.639
<v Speaker 3>those are all important because we get to on later. Okay.

0:27:01.640 --> 0:27:04.959
<v Speaker 3>So we go to the kitchen at the inn and

0:27:05.040 --> 0:27:07.600
<v Speaker 3>I did notice. I'm like, why are those paper tels

0:27:08.080 --> 0:27:10.440
<v Speaker 3>so prominent? Did anybody notice that?

0:27:10.560 --> 0:27:10.760
<v Speaker 5>I did?

0:27:12.680 --> 0:27:14.479
<v Speaker 3>And then I realized it was all part of that

0:27:14.560 --> 0:27:17.960
<v Speaker 3>prat fall, right, So like I don't know. I can't

0:27:17.960 --> 0:27:20.760
<v Speaker 3>remember what instigated the prat fall, but all of a sudden,

0:27:21.000 --> 0:27:23.440
<v Speaker 3>the paper towels are flying and the dudes going back.

0:27:24.640 --> 0:27:27.959
<v Speaker 3>So I was like, ah, now I get it. Yeah,

0:27:28.000 --> 0:27:31.040
<v Speaker 3>so they were all happy to see Rory, even Michelle Rory.

0:27:31.440 --> 0:27:33.360
<v Speaker 4>Yeah, and then he catches himself.

0:27:34.200 --> 0:27:37.240
<v Speaker 3>He was hyperventilating, was over the top. But otherwise I

0:27:37.280 --> 0:27:38.520
<v Speaker 3>was okay with them.

0:27:38.840 --> 0:27:42.840
<v Speaker 1>You know, now that's she. That's her, her dynamic best,

0:27:42.880 --> 0:27:47.040
<v Speaker 1>her comedic best. She's She's amazing. She really truly is.

0:27:47.880 --> 0:27:48.879
<v Speaker 1>It was very, very funny.

0:27:48.920 --> 0:27:51.000
<v Speaker 3>How about the fact that we're like write and sync.

0:27:51.160 --> 0:27:53.440
<v Speaker 3>I mean, because I did watch this a few days ago,

0:27:53.840 --> 0:27:57.320
<v Speaker 3>so it's like it's Thanksgiving and it's Thanksgiving.

0:27:58.240 --> 0:28:00.879
<v Speaker 4>Yeah. I like when that when when it lines up

0:28:00.960 --> 0:28:01.240
<v Speaker 4>like that.

0:28:01.920 --> 0:28:04.280
<v Speaker 3>Tara put in our text, She's all, hey, guys, like

0:28:04.760 --> 0:28:07.240
<v Speaker 3>this episode is so perfect. It's Thanksgiving.

0:28:07.760 --> 0:28:10.120
<v Speaker 5>I was on the treadmill of watching it and I

0:28:10.160 --> 0:28:12.359
<v Speaker 5>was like, wait a minute, this is perfect week.

0:28:22.720 --> 0:28:24.720
<v Speaker 3>Okay, so now we get to what is my two?

0:28:25.200 --> 0:28:28.760
<v Speaker 3>I don't know if you agree, Scott. All the hep

0:28:28.840 --> 0:28:30.400
<v Speaker 3>Alien stuff for me was.

0:28:30.440 --> 0:28:37.960
<v Speaker 1>Not end Sorry I disagree. Funniest Okay, I know some

0:28:38.000 --> 0:28:42.080
<v Speaker 1>of it was annoying, but there was a lot of

0:28:42.120 --> 0:28:47.520
<v Speaker 1>it I really liked, really for me, for me. Okay,

0:28:47.560 --> 0:28:50.760
<v Speaker 1>so first of all, the line, the Sebastian Bach line

0:28:51.080 --> 0:28:54.240
<v Speaker 1>almost made me fall off the couch. That was so gil.

0:28:54.800 --> 0:29:00.720
<v Speaker 3>I love Sebastian Bach. Like all the scenes would have

0:29:00.760 --> 0:29:04.680
<v Speaker 3>been zero's for me with I'm like, he at least

0:29:04.760 --> 0:29:11.400
<v Speaker 3>makes this funny and seem real. It was. It was

0:29:11.520 --> 0:29:13.480
<v Speaker 3>Zach being so unhinged and I.

0:29:13.480 --> 0:29:16.280
<v Speaker 1>Get it, but at least, but at least they gave

0:29:16.480 --> 0:29:22.200
<v Speaker 1>the band a good story, right, Yeah, and they gave

0:29:21.040 --> 0:29:24.560
<v Speaker 1>him a lot, and there was momentum and it was like,

0:29:24.640 --> 0:29:26.080
<v Speaker 1>oh God, I wonder if they're going to get the

0:29:26.120 --> 0:29:28.160
<v Speaker 1>record deal and oh cool, you know, let's see how

0:29:28.200 --> 0:29:33.120
<v Speaker 1>the performance goes. And yeah, Zach flipped out and that

0:29:33.360 --> 0:29:37.040
<v Speaker 1>was weird. I think it was more cringey and weird

0:29:37.080 --> 0:29:39.880
<v Speaker 1>than funny. Yeah fight because.

0:29:41.400 --> 0:29:43.280
<v Speaker 3>Except for Joel, you know, the.

0:29:45.000 --> 0:29:51.480
<v Speaker 1>The but it's like Zach is just so blatantly sabotaging

0:29:51.600 --> 0:29:55.440
<v Speaker 1>that evening with Gwen Stefani headset.

0:29:55.120 --> 0:30:03.560
<v Speaker 5>And then they'll.

0:29:59.560 --> 0:30:02.240
<v Speaker 1>Bring a new guy into the band on the night

0:30:02.280 --> 0:30:05.360
<v Speaker 1>of your biggest gig ever. It's just like a new

0:30:05.480 --> 0:30:07.160
<v Speaker 1>energy there all of a sudden there he is. No,

0:30:07.400 --> 0:30:08.520
<v Speaker 1>that doesn't happen.

0:30:09.040 --> 0:30:12.240
<v Speaker 3>Ever, can anybody figure out why?

0:30:12.680 --> 0:30:17.640
<v Speaker 1>It's strange? Credulity? It was believable, right.

0:30:17.480 --> 0:30:20.400
<v Speaker 3>So why is he writing all the songs about the girls' names.

0:30:21.480 --> 0:30:25.440
<v Speaker 3>Lane's obviously upset about it. Then Brian writes the great

0:30:25.480 --> 0:30:27.880
<v Speaker 3>song about Lane. It's all sort of just like.

0:30:28.280 --> 0:30:30.040
<v Speaker 1>That wasn't a great song. It was a couple of

0:30:30.160 --> 0:30:31.760
<v Speaker 1>dobe chords.

0:30:31.880 --> 0:30:34.400
<v Speaker 5>It's really funny. The timing of this was so weird.

0:30:34.440 --> 0:30:37.800
<v Speaker 5>I was scrolling on TikTok and there's this group Amy

0:30:37.840 --> 0:30:40.040
<v Speaker 5>you may know, Jack and Jack, and they were like

0:30:40.400 --> 0:30:42.440
<v Speaker 5>one of them's in a relationship and one of them's not,

0:30:43.000 --> 0:30:45.720
<v Speaker 5>and the other one said that like he takes inspiration

0:30:45.920 --> 0:30:49.479
<v Speaker 5>from the other one's relationship, and oh wow, girlfriend, And

0:30:49.520 --> 0:30:52.280
<v Speaker 5>the timing of this episode, I was like, I guess

0:30:52.280 --> 0:30:54.640
<v Speaker 5>in modern day it's not that weird, Like.

0:30:54.800 --> 0:30:57.040
<v Speaker 3>Yeah, it's people do it. I'm sure all the time. Yeah,

0:30:57.080 --> 0:30:58.120
<v Speaker 3>I think songs.

0:30:58.200 --> 0:31:01.520
<v Speaker 1>Well, let's talk about the in pro breutness of Zach

0:31:01.640 --> 0:31:06.280
<v Speaker 1>writing love songs or sex songs about other women that

0:31:06.360 --> 0:31:11.720
<v Speaker 1>he's dated when he's dating Lane. To artists do that,

0:31:12.880 --> 0:31:16.480
<v Speaker 1>I'm sure, I probably, I don't know. I mean, he

0:31:16.600 --> 0:31:18.120
<v Speaker 1>does it, but it's like.

0:31:18.520 --> 0:31:20.920
<v Speaker 3>Taylor Swift is definitely dating somebody and.

0:31:21.640 --> 0:31:24.040
<v Speaker 5>Charles Kelsey but releasing songwriting.

0:31:23.920 --> 0:31:27.480
<v Speaker 3>About John Mayer. Yeah right, Harry Styles right. Yeah.

0:31:27.640 --> 0:31:29.640
<v Speaker 5>That's why I didn't think too much of it. I

0:31:29.720 --> 0:31:31.960
<v Speaker 5>just was like this, I agree with you, Amy, Like

0:31:31.960 --> 0:31:34.560
<v Speaker 5>for me, I didn't care for the storyline. It took

0:31:34.560 --> 0:31:37.600
<v Speaker 5>the episode down a notch. But I think that's why.

0:31:37.600 --> 0:31:39.400
<v Speaker 5>It was these little things where I'm like, well, the

0:31:39.520 --> 0:31:42.000
<v Speaker 5>music industry is, like, I guess it is what it is,

0:31:42.040 --> 0:31:43.640
<v Speaker 5>you know, you know, yeah.

0:31:43.440 --> 0:31:45.000
<v Speaker 3>And like it's all. It just was like a lot

0:31:45.000 --> 0:31:48.920
<v Speaker 3>of sort of like really and then Lane like, okay,

0:31:48.960 --> 0:31:50.720
<v Speaker 3>so we'll just talk through the whole thing. So first

0:31:50.720 --> 0:31:52.240
<v Speaker 3>of all, they go to the record store and Carol

0:31:52.280 --> 0:31:54.160
<v Speaker 3>King's there again, and and that's where.

0:31:54.040 --> 0:31:58.440
<v Speaker 1>We hear she's Carol King was Nail's.

0:31:57.800 --> 0:32:02.640
<v Speaker 3>Great, and Zach's just getting more and more unhinged. There

0:32:02.640 --> 0:32:06.120
<v Speaker 3>were parts of the gig, you know, the showcase that

0:32:06.200 --> 0:32:09.520
<v Speaker 3>I thought was sort of amusing, but I was irritated.

0:32:09.560 --> 0:32:14.560
<v Speaker 3>I was like, get playing, dude, he start playing, You're

0:32:14.760 --> 0:32:17.960
<v Speaker 3>such a fool right now, and I almost wanted to say,

0:32:18.480 --> 0:32:21.080
<v Speaker 3>d word, you're being such a jerk.

0:32:21.320 --> 0:32:24.480
<v Speaker 1>But it was odd. It was an odd choice to

0:32:24.600 --> 0:32:29.680
<v Speaker 1>make to complete, you know, turn Zach into that big

0:32:29.720 --> 0:32:34.440
<v Speaker 1>of a flaming you know what. It was crazy. It

0:32:34.520 --> 0:32:39.800
<v Speaker 1>was just crazy and crazy. Now he's jealous of Brain

0:32:40.000 --> 0:32:41.880
<v Speaker 1>because he's working on a Lane song.

0:32:42.000 --> 0:32:44.000
<v Speaker 3>It's happening there.

0:32:44.360 --> 0:32:47.440
<v Speaker 4>Yeah. I thought it was a little bit of a

0:32:47.480 --> 0:32:49.520
<v Speaker 4>stretch as well, Like you said, Scott, a kind of

0:32:49.560 --> 0:32:53.640
<v Speaker 4>strained credulity because this one night he knew how important

0:32:53.680 --> 0:32:57.000
<v Speaker 4>this was, like a label was there, this was their shot,

0:32:57.600 --> 0:33:03.840
<v Speaker 4>and he got all unhinged about Brian and I just

0:33:03.960 --> 0:33:07.880
<v Speaker 4>thought he wouldn't have done that. Really, this is what

0:33:07.920 --> 0:33:09.400
<v Speaker 4>they had been working for the whole time.

0:33:09.680 --> 0:33:12.360
<v Speaker 1>There's an old saying, if you can't stand the heat,

0:33:12.400 --> 0:33:15.320
<v Speaker 1>get out of the kitchen. And the heat was turned

0:33:15.400 --> 0:33:18.600
<v Speaker 1>up and Zach got out of the kitchen because he

0:33:18.600 --> 0:33:22.280
<v Speaker 1>couldn't handle it. You know, he just melted down. Like

0:33:22.880 --> 0:33:25.600
<v Speaker 1>I've never it was hard to believe that anybody would

0:33:25.680 --> 0:33:29.920
<v Speaker 1>melt down that bad. Thats a situation unless they were

0:33:29.960 --> 0:33:31.720
<v Speaker 1>like hooked on substances or something.

0:33:31.760 --> 0:33:34.200
<v Speaker 3>Yeah, Like, he's not going to screw up this opportunity,

0:33:34.600 --> 0:33:37.880
<v Speaker 3>no at all. And bringing first of all, the Gwen

0:33:37.960 --> 0:33:38.840
<v Speaker 3>Stefani had.

0:33:39.280 --> 0:33:41.080
<v Speaker 1>I mean it was hard enough to believe, you know,

0:33:41.160 --> 0:33:44.520
<v Speaker 1>in that Tom Hanks starring movie that Tom You Do

0:33:45.000 --> 0:33:47.080
<v Speaker 1>that Thing You Do, which is a great movie by

0:33:47.120 --> 0:33:50.160
<v Speaker 1>the way, great movie, great songs, all that stuff, but

0:33:50.200 --> 0:33:57.480
<v Speaker 1>that Jonathan's sketch character, is it Jonathan sheck? Sorry, that

0:33:57.680 --> 0:34:00.880
<v Speaker 1>was even It was difficult to accept that ay that

0:34:01.000 --> 0:34:04.680
<v Speaker 1>had that kind of national recognition was going to blow

0:34:04.760 --> 0:34:07.560
<v Speaker 1>up the band. But there you go, there's like, you know,

0:34:07.600 --> 0:34:11.040
<v Speaker 1>there's egos and then there's egos and right right right

0:34:11.360 --> 0:34:14.640
<v Speaker 1>and talk about you know, a first class d bag

0:34:14.800 --> 0:34:20.279
<v Speaker 1>to live Tyler, right, I mean, geez, So maybe that

0:34:20.440 --> 0:34:23.839
<v Speaker 1>was the inspiration. I don't know, yeah, right.

0:34:24.040 --> 0:34:27.760
<v Speaker 3>The brawl though, where they're all brawling, was not funny

0:34:27.800 --> 0:34:31.640
<v Speaker 3>for me, Like I kind of was like, oh until

0:34:31.680 --> 0:34:34.680
<v Speaker 3>I did giggle at Joel when the curtain's closing and

0:34:34.719 --> 0:34:37.680
<v Speaker 3>it's like there's a Joel. So that was something that

0:34:37.760 --> 0:34:38.480
<v Speaker 3>brought me back.

0:34:38.520 --> 0:34:42.200
<v Speaker 5>And Rory with her camcorder, just like standing in the row,

0:34:42.680 --> 0:34:44.560
<v Speaker 5>I was so distracted by the brawl.

0:34:44.600 --> 0:34:45.840
<v Speaker 3>I didn't even see that.

0:34:46.200 --> 0:34:49.759
<v Speaker 4>Oh the very beginning of the fight, like that when

0:34:49.800 --> 0:34:52.879
<v Speaker 4>they were showing Rory and behind her the sound guy

0:34:52.920 --> 0:34:55.040
<v Speaker 4>he like leans back and he like puts his feet

0:34:55.120 --> 0:34:57.239
<v Speaker 4>up on the desk or something. Need like, the look

0:34:57.239 --> 0:34:59.040
<v Speaker 4>on his face was hilarious. It's like, oh, yeah, they

0:34:59.120 --> 0:35:00.319
<v Speaker 4>are another.

0:35:02.880 --> 0:35:06.040
<v Speaker 3>So I don't know. I feel like, okay, we've talked

0:35:06.040 --> 0:35:08.040
<v Speaker 3>about that enough. And then like I although it did,

0:35:08.200 --> 0:35:10.320
<v Speaker 3>I was. I did have a sort of a pang

0:35:10.360 --> 0:35:14.759
<v Speaker 3>of pain for Lame crying and being like what happened?

0:35:15.000 --> 0:35:17.040
<v Speaker 3>Like what are you doing? You ruined her?

0:35:17.280 --> 0:35:20.000
<v Speaker 5>I did for her in that moment, like in the alleyway.

0:35:20.880 --> 0:35:23.759
<v Speaker 4>Yeah, I thought Kiko did a really good job in

0:35:23.800 --> 0:35:27.640
<v Speaker 4>that scene because she disbelief, like what did you just do?

0:35:28.480 --> 0:35:29.960
<v Speaker 4>I thought she was I thought she did it.

0:35:30.040 --> 0:35:32.400
<v Speaker 1>Really it was the only scene that was believable.

0:35:33.000 --> 0:35:34.480
<v Speaker 5>Yeah, yeah, yeah, I agreed.

0:35:35.480 --> 0:35:37.120
<v Speaker 3>All right, so we're kind of going out of order,

0:35:37.120 --> 0:35:39.080
<v Speaker 3>but that's okay. I think we should talk about Christopher

0:35:39.400 --> 0:35:43.560
<v Speaker 3>and just all the Christopher stuff because I was glad

0:35:43.600 --> 0:35:44.600
<v Speaker 3>to get the payoff of the.

0:35:45.040 --> 0:35:47.840
<v Speaker 1>Were you were you in as much pain as I was?

0:35:49.600 --> 0:35:51.440
<v Speaker 3>No, Sae, because I still like Christopher.

0:35:52.000 --> 0:35:55.000
<v Speaker 1>We're not going to agree on this. I needed a

0:35:55.040 --> 0:35:56.560
<v Speaker 1>barf bag to watch those scenes.

0:35:56.719 --> 0:35:57.480
<v Speaker 4>I really did.

0:35:58.480 --> 0:36:00.880
<v Speaker 1>I mean, if if there was anything more obnoxious than

0:36:00.960 --> 0:36:06.440
<v Speaker 1>Christopher unsuccessful, it's Christopher with money, you know, and bubbling

0:36:06.480 --> 0:36:07.080
<v Speaker 1>with wealth.

0:36:07.400 --> 0:36:10.440
<v Speaker 4>I think you're saying, I'm loaded. Should be a drinking

0:36:10.480 --> 0:36:12.840
<v Speaker 4>game because he would all be on the floor.

0:36:12.920 --> 0:36:15.640
<v Speaker 3>And how much money do we think he has? Well,

0:36:15.680 --> 0:36:16.560
<v Speaker 3>that's what's all taking.

0:36:17.160 --> 0:36:19.920
<v Speaker 5>It confused me because he comes from money, right, so

0:36:19.960 --> 0:36:20.759
<v Speaker 5>it's not but I.

0:36:20.680 --> 0:36:23.200
<v Speaker 3>Think they he's got like Gilmoury parents that don't give

0:36:23.239 --> 0:36:23.719
<v Speaker 3>it to him.

0:36:24.080 --> 0:36:27.439
<v Speaker 5>Yeah, But like up until he was what seventeen, he

0:36:27.520 --> 0:36:30.640
<v Speaker 5>did grow up in a very wealthy family. So the

0:36:30.680 --> 0:36:33.920
<v Speaker 5>way he was acting was if again.

0:36:34.080 --> 0:36:36.800
<v Speaker 1>He never he'd never get his hands on it, right.

0:36:36.800 --> 0:36:39.080
<v Speaker 1>I think that's not the type of guy that's going

0:36:39.120 --> 0:36:41.440
<v Speaker 1>to give his loser son any money.

0:36:41.680 --> 0:36:44.480
<v Speaker 3>And he had total control. He has total control over it.

0:36:44.520 --> 0:36:47.399
<v Speaker 3>Now my gut is he got what do we think

0:36:47.480 --> 0:36:48.040
<v Speaker 3>ten million?

0:36:49.400 --> 0:36:50.239
<v Speaker 1>Oh more than that?

0:36:50.600 --> 0:36:51.040
<v Speaker 3>Do you think?

0:36:51.680 --> 0:36:54.200
<v Speaker 1>Oh? Yeah, yeah, I think he got fifty million.

0:36:53.920 --> 0:36:57.960
<v Speaker 3>Dollar, not one hundred million million because he said he

0:36:58.000 --> 0:37:00.239
<v Speaker 3>never has to worry about money again. But I know

0:37:00.400 --> 0:37:02.239
<v Speaker 3>he's not like a billionaire. I'm going he.

0:37:02.239 --> 0:37:05.120
<v Speaker 1>Ye, I'm going money fifty to seventy five.

0:37:05.560 --> 0:37:08.360
<v Speaker 5>He said he put everything away for his daughter already

0:37:08.400 --> 0:37:10.719
<v Speaker 5>that has like way more money to spend on Laura

0:37:10.800 --> 0:37:11.359
<v Speaker 5>l Rory.

0:37:13.200 --> 0:37:15.640
<v Speaker 3>All right, I'm going twenty million.

0:37:15.719 --> 0:37:19.200
<v Speaker 1>Yeah, he got a few money, did because.

0:37:18.960 --> 0:37:21.319
<v Speaker 3>You figure the grandpa had one hundred million and the

0:37:21.480 --> 0:37:24.640
<v Speaker 3>parents don't need any of it. What did we decide

0:37:24.640 --> 0:37:28.280
<v Speaker 3>the Gilmour's were worth one hundred million, no, fifty million,

0:37:28.760 --> 0:37:30.719
<v Speaker 3>But the Huntsburgers are worth like a quarter of a

0:37:30.760 --> 0:37:31.480
<v Speaker 3>billion or something?

0:37:31.880 --> 0:37:36.400
<v Speaker 1>Yeah? Probably, Yeah, a lot of dough, A lot of dough,

0:37:36.760 --> 0:37:38.360
<v Speaker 1>not of doray mean.

0:37:38.480 --> 0:37:42.719
<v Speaker 5>Actually I actually just looked it up. There's I mean,

0:37:42.760 --> 0:37:45.360
<v Speaker 5>I don't know how accurate this is, but apparently the

0:37:45.400 --> 0:37:48.200
<v Speaker 5>Gilmours are worth upwards of fifty million.

0:37:48.680 --> 0:37:53.280
<v Speaker 3>Okay, And what about the Huntsburgers. I think the Huntsburgers

0:37:53.320 --> 0:37:55.640
<v Speaker 3>are like quarter of a billion. They're definitely more than

0:37:55.680 --> 0:37:56.560
<v Speaker 3>the Gilmoars.

0:37:56.800 --> 0:37:58.799
<v Speaker 1>Well they're yeah, I think they're I think they're half

0:37:59.560 --> 0:38:00.319
<v Speaker 1>a million.

0:38:00.440 --> 0:38:04.279
<v Speaker 3>Two hundred How Google? How much money did Christopher get

0:38:04.280 --> 0:38:07.760
<v Speaker 3>from his grandpa? I don't know, see what it does?

0:38:09.440 --> 0:38:14.120
<v Speaker 1>Everybody? Wait, well, if he was that happy, then it

0:38:14.160 --> 0:38:14.560
<v Speaker 1>was a lot.

0:38:14.680 --> 0:38:17.120
<v Speaker 5>Right, It's a lot around fifty million.

0:38:17.239 --> 0:38:19.360
<v Speaker 3>Fifty millions. So Scott, you nailed.

0:38:19.120 --> 0:38:20.920
<v Speaker 1>It, kind of kind of nailing.

0:38:21.960 --> 0:38:24.480
<v Speaker 3>I still was amused by the Okay, so with the

0:38:24.520 --> 0:38:27.560
<v Speaker 3>Christopher lorelaies scene like I always like them together, and

0:38:27.600 --> 0:38:29.520
<v Speaker 3>I still thought he was sort of funny with the life.

0:38:29.640 --> 0:38:34.040
<v Speaker 1>I don't. I don't. No, it's not just Luke saying this,

0:38:34.360 --> 0:38:37.360
<v Speaker 1>it's me the critic saying and I don't like them.

0:38:37.160 --> 0:38:41.840
<v Speaker 3>Together by people don't, I do not.

0:38:42.040 --> 0:38:43.759
<v Speaker 1>It's cringe for me. It is.

0:38:43.840 --> 0:38:46.640
<v Speaker 3>It's just like I prefer you, but I'm not. I

0:38:46.680 --> 0:38:49.600
<v Speaker 3>have something about it. I still like their chemistry. But

0:38:49.680 --> 0:38:51.760
<v Speaker 3>I mean he's like, who did you want to castle?

0:38:52.160 --> 0:38:56.120
<v Speaker 3>You know, like all that jazz and then him noticing

0:38:56.160 --> 0:39:02.160
<v Speaker 3>the ring. So that's in the second with him. Yeah,

0:39:02.200 --> 0:39:04.239
<v Speaker 3>but it was like, okay, all right, he wants her

0:39:04.320 --> 0:39:07.760
<v Speaker 3>to be happy. Oh, Scott, you're just hate what's coming?

0:39:09.040 --> 0:39:11.760
<v Speaker 1>I know what That line, I just want you happy

0:39:11.840 --> 0:39:15.960
<v Speaker 1>is just talk. It's all talk, true Aulterio motives. I

0:39:16.040 --> 0:39:18.640
<v Speaker 1>know it, I feel it. I don't know what. I

0:39:18.640 --> 0:39:21.279
<v Speaker 1>don't know what episodes, it's just yeah, he's just really

0:39:21.360 --> 0:39:22.480
<v Speaker 1>Oh you're about to just.

0:39:22.640 --> 0:39:25.600
<v Speaker 5>Not Yeah, I'm not going to bore everyone this with this,

0:39:25.840 --> 0:39:27.719
<v Speaker 5>but I'll just put in our group chat. But there's

0:39:27.760 --> 0:39:30.879
<v Speaker 5>a whole article on everyone in the shows like their

0:39:31.000 --> 0:39:32.520
<v Speaker 5>characters rank by wealth.

0:39:33.040 --> 0:39:35.799
<v Speaker 3>Oh please us give us that I want to know,

0:39:35.960 --> 0:39:36.919
<v Speaker 3>give it, give it quit?

0:39:37.120 --> 0:39:40.480
<v Speaker 5>So, Laura, I assuming that the dragonfly made somewhere around

0:39:40.520 --> 0:39:44.719
<v Speaker 5>fifty thousand dollars as a manager at the independence end,

0:39:45.280 --> 0:39:49.960
<v Speaker 5>and the salary would have increased from there, Suki between

0:39:50.000 --> 0:39:53.320
<v Speaker 5>forty five to eighty a year as a chef. Okay,

0:39:53.480 --> 0:39:57.720
<v Speaker 5>Kirk with his fifteen it says, with his fifteen thousand jobs,

0:39:58.040 --> 0:40:00.760
<v Speaker 5>is probably worth about two hundred and fifty thousand dollars.

0:40:01.040 --> 0:40:02.560
<v Speaker 3>Yeah, because remember he had all the money for the

0:40:02.640 --> 0:40:05.400
<v Speaker 3>down payment on the twig for Luke.

0:40:06.480 --> 0:40:13.240
<v Speaker 5>Yeah, it's he he with his savings, he's has about

0:40:13.239 --> 0:40:14.839
<v Speaker 5>five hundred thousand dollars.

0:40:15.120 --> 0:40:16.000
<v Speaker 3>I think he has more.

0:40:16.520 --> 0:40:19.200
<v Speaker 1>Yeah, keep them.

0:40:19.280 --> 0:40:22.720
<v Speaker 5>And then with with Christopher, it says, assumed fifty million

0:40:22.800 --> 0:40:25.960
<v Speaker 5>with that inheritance. Wow, the Gilmore.

0:40:25.600 --> 0:40:26.280
<v Speaker 1>Is a logan.

0:40:27.080 --> 0:40:27.239
<v Speaker 4>Yeah.

0:40:27.239 --> 0:40:28.680
<v Speaker 3>What about the Huntburg Oh I'm getting there.

0:40:28.760 --> 0:40:34.759
<v Speaker 5>So okay, so uh go faster the Sorry it's a

0:40:34.800 --> 0:40:35.400
<v Speaker 5>long article.

0:40:35.400 --> 0:40:38.240
<v Speaker 1>I'm excusing we're not going to read the whole article.

0:40:38.440 --> 0:40:42.960
<v Speaker 5>Hunsburgers are I mean about two hundred million dollars a year,

0:40:43.440 --> 0:40:44.399
<v Speaker 5>that's what they're bringing in.

0:40:46.360 --> 0:40:49.600
<v Speaker 1>The Huntsburgers bringing two hundred million a year, and they're

0:40:49.640 --> 0:40:51.040
<v Speaker 1>worth a heck of a lot more than.

0:40:51.080 --> 0:40:54.319
<v Speaker 3>There were like a billion. Yeah, so they're billionaires.

0:40:54.480 --> 0:40:59.920
<v Speaker 1>Oh sure, yeah, yes, yeah, well.

0:41:00.760 --> 0:41:01.640
<v Speaker 4>You're on fire.

0:41:02.280 --> 0:41:04.040
<v Speaker 3>Okay, so you're on fire.

0:41:05.280 --> 0:41:08.120
<v Speaker 5>Best It's like it's a long article of skiing.

0:41:09.120 --> 0:41:12.440
<v Speaker 3>Was getting a little dull, all right, okay, okay, back

0:41:12.520 --> 0:41:16.239
<v Speaker 3>to first of all, total random Buddy Hackett shout out,

0:41:16.320 --> 0:41:18.960
<v Speaker 3>like no one cared what Hacket done.

0:41:19.160 --> 0:41:21.640
<v Speaker 1>But it was sad because he was such a beloved

0:41:21.640 --> 0:41:24.280
<v Speaker 1>guy and he'll always be alive.

0:41:24.960 --> 0:41:27.600
<v Speaker 3>And then there that was a funny scene where Rory

0:41:27.680 --> 0:41:31.160
<v Speaker 3>really talks about why she doesn't want to take the grandparents'

0:41:31.239 --> 0:41:35.320
<v Speaker 3>money and lauralize like am I in a Freaky Friday?

0:41:35.520 --> 0:41:40.680
<v Speaker 3>Like that was a funny scene. Good, good, just banter there.

0:41:41.680 --> 0:41:43.200
<v Speaker 3>Forty thousand dollars sex?

0:41:44.960 --> 0:41:46.960
<v Speaker 1>What's just what does that mean? What doesn't even.

0:41:46.840 --> 0:41:49.760
<v Speaker 3>Remember they built the whole house and then they found

0:41:49.760 --> 0:41:51.040
<v Speaker 3>out it was her sex house.

0:41:51.120 --> 0:41:56.400
<v Speaker 1>Yeah, so like thousand dollars sex house born? Forty thousand

0:41:56.440 --> 0:42:04.319
<v Speaker 1>dollars are you talking about?

0:42:06.400 --> 0:42:09.240
<v Speaker 3>So we kind of talked about the Liz and Luke scene.

0:42:09.560 --> 0:42:13.759
<v Speaker 3>So now we're really at Thanksgiving and we you know,

0:42:13.880 --> 0:42:17.279
<v Speaker 3>she comes clean. Now interestingly, she comes clean to Luke

0:42:17.320 --> 0:42:19.840
<v Speaker 3>about Christopher after the fact.

0:42:20.320 --> 0:42:21.680
<v Speaker 5>That's so that was my flag.

0:42:22.719 --> 0:42:26.600
<v Speaker 3>So I stand by that Luke hit. There should be

0:42:26.600 --> 0:42:29.719
<v Speaker 3>no issue with him getting everything sort of figured out

0:42:29.760 --> 0:42:33.640
<v Speaker 3>and situated and then telling her because that's what she does.

0:42:34.880 --> 0:42:36.880
<v Speaker 5>Yeah, I don't blame it. I'm like she should have

0:42:37.000 --> 0:42:40.120
<v Speaker 5>told her. She should have told Luke like, hey, I

0:42:40.160 --> 0:42:42.960
<v Speaker 5>am going to meet up with Christopher. This is what happened.

0:42:42.960 --> 0:42:44.520
<v Speaker 5>I want to let you know before it happens. Not

0:42:45.200 --> 0:42:47.600
<v Speaker 5>I got all settled. We met twice, you know, like

0:42:47.760 --> 0:42:51.280
<v Speaker 5>not even once. Twice She met with Christopher by herself

0:42:51.320 --> 0:42:53.719
<v Speaker 5>and then with Rory. It had to be over the

0:42:53.760 --> 0:42:55.720
<v Speaker 5>course of what like a couple of days.

0:42:55.760 --> 0:42:59.719
<v Speaker 1>Maybe think she should have consulted with Luke before she

0:43:00.080 --> 0:43:01.040
<v Speaker 1>even met with him.

0:43:01.280 --> 0:43:04.239
<v Speaker 5>Yeah, I think if anything, just be like, hey, he

0:43:04.320 --> 0:43:06.480
<v Speaker 5>wants to talk. I don't know what's going on, but

0:43:06.560 --> 0:43:09.560
<v Speaker 5>I want you to know. Maybe not even I don't

0:43:09.600 --> 0:43:13.120
<v Speaker 5>think Luke needs to go, but at least to know

0:43:13.160 --> 0:43:15.560
<v Speaker 5>that they're meeting up and then be like it wasn't

0:43:15.600 --> 0:43:18.480
<v Speaker 5>about me, it was about Rory and him taking care

0:43:18.520 --> 0:43:21.359
<v Speaker 5>of Rory and that way he knows the process of

0:43:21.400 --> 0:43:23.799
<v Speaker 5>it happening, Like to just dump it all on him

0:43:23.800 --> 0:43:26.040
<v Speaker 5>and like Luke couldn't be mad because of.

0:43:26.080 --> 0:43:29.560
<v Speaker 1>Well, you know what, that's a big discussion and her

0:43:29.840 --> 0:43:35.200
<v Speaker 1>just standing there at an inopportune moment during a Thanksgiving celebration,

0:43:35.360 --> 0:43:37.880
<v Speaker 1>pulling him off to the side and explaining what happened

0:43:37.880 --> 0:43:40.120
<v Speaker 1>and then that's it and that's not even going to

0:43:40.160 --> 0:43:42.960
<v Speaker 1>be a discussion. Yeah, and putting Luke in that situation,

0:43:43.120 --> 0:43:44.440
<v Speaker 1>I think is disrespectful.

0:43:44.920 --> 0:43:45.560
<v Speaker 5>No, I agree.

0:43:45.719 --> 0:43:48.400
<v Speaker 1>I think, Oh, that's a big deal. Somebody drops in

0:43:48.480 --> 0:43:51.080
<v Speaker 1>all that money all of a sudden that's so connected

0:43:51.120 --> 0:43:56.239
<v Speaker 1>to her emotionally, and you know by actual DNA that

0:43:56.239 --> 0:44:00.840
<v Speaker 1>that's a big conversation between a committed up that's living

0:44:00.880 --> 0:44:04.880
<v Speaker 1>together and engaged, because that kind of money can destroy

0:44:05.120 --> 0:44:07.840
<v Speaker 1>your relationship or any kind of intervention doesn't even have

0:44:07.920 --> 0:44:09.520
<v Speaker 1>to be a lot of money if it What if

0:44:09.520 --> 0:44:11.840
<v Speaker 1>it's like the ex husband comes back, you know, the

0:44:11.880 --> 0:44:15.600
<v Speaker 1>flaky es loser ex husband comes back and he wants

0:44:15.640 --> 0:44:20.280
<v Speaker 1>to you know, you know, contribute to this or contribute

0:44:20.320 --> 0:44:22.680
<v Speaker 1>to that, and not even in a big way. Right,

0:44:22.800 --> 0:44:25.720
<v Speaker 1>it's still like, why is this guy in our lives?

0:44:26.000 --> 0:44:28.719
<v Speaker 1>What is going on all of a sudden? Now you

0:44:28.760 --> 0:44:31.480
<v Speaker 1>know he's using money to wedge his way in somehow

0:44:31.640 --> 0:44:36.000
<v Speaker 1>can't you see? I mean, where are those scenes? Right? So, well,

0:44:36.080 --> 0:44:38.200
<v Speaker 1>do you think I actually do have a big problem

0:44:38.239 --> 0:44:39.399
<v Speaker 1>with it? I think I think, I think?

0:44:39.560 --> 0:44:42.359
<v Speaker 3>So what if you think about your response? I think

0:44:42.400 --> 0:44:45.280
<v Speaker 3>that's absolutely great. He's her dad, glad he's doing it

0:44:45.320 --> 0:44:46.520
<v Speaker 3>because he's guilty of.

0:44:46.440 --> 0:44:49.200
<v Speaker 1>Doing it himself. And I think the fans are smarter

0:44:49.360 --> 0:44:51.520
<v Speaker 1>than this, and they're like, why are these two characters

0:44:51.560 --> 0:44:55.080
<v Speaker 1>being destroyed before our eyes? Why are they behaving this way?

0:44:55.080 --> 0:44:57.399
<v Speaker 1>They're supposed to love each other and respect each other

0:44:57.440 --> 0:44:59.840
<v Speaker 1>and trust each other, and now that is all go

0:45:00.040 --> 0:45:02.920
<v Speaker 1>going to go away because in the real world, nobody

0:45:02.960 --> 0:45:05.839
<v Speaker 1>acts this way, right, nobody's going and if they do,

0:45:06.280 --> 0:45:09.200
<v Speaker 1>there are dire consequences. This is the kind of stuff

0:45:09.200 --> 0:45:11.359
<v Speaker 1>that ends relationships. And the fans know this.

0:45:11.920 --> 0:45:16.040
<v Speaker 5>So do you think that Christopher should have gone straight

0:45:16.080 --> 0:45:18.360
<v Speaker 5>to Rory instead of going to Lauraise? She's an adult.

0:45:19.200 --> 0:45:23.320
<v Speaker 3>That feels weird to me, though, I think Christopher.

0:45:23.040 --> 0:45:25.920
<v Speaker 1>Lurl I would have been justified to be pissed off, right,

0:45:26.239 --> 0:45:27.840
<v Speaker 1>Why are you going to Rory with all this money?

0:45:27.840 --> 0:45:29.640
<v Speaker 1>You come to me first, pal? Yeah, yeah, yeah, I

0:45:29.719 --> 0:45:32.120
<v Speaker 1>agree with so that I can discuss it with Luke.

0:45:32.560 --> 0:45:35.400
<v Speaker 1>But you know Luke is Luke has given half a

0:45:35.480 --> 0:45:39.560
<v Speaker 1>hug and no conversation. It's not being considered.

0:45:41.160 --> 0:45:44.200
<v Speaker 3>I think that it's Christopher. Look, it's a little weird

0:45:44.200 --> 0:45:47.719
<v Speaker 3>that Christopher's off offering Loreli money, do you know what

0:45:47.760 --> 0:45:50.279
<v Speaker 3>I mean? Maybe a little bit. It's not weird that

0:45:50.360 --> 0:45:54.520
<v Speaker 3>he's offering his daughter money like that technically sort of

0:45:54.560 --> 0:45:57.880
<v Speaker 3>is her money, right, so like he should pay for school,

0:45:58.040 --> 0:46:01.719
<v Speaker 3>he should buy her a car, he should by her

0:46:01.800 --> 0:46:04.480
<v Speaker 3>her first house or her first apartment whatever.

0:46:04.640 --> 0:46:09.719
<v Speaker 4>When he first approaches it with Laura, I he's the

0:46:09.760 --> 0:46:12.200
<v Speaker 4>way he said it, and I think I wrote it down.

0:46:12.360 --> 0:46:17.479
<v Speaker 4>He said, oh yeah, okay, So he says he talks

0:46:17.480 --> 0:46:19.520
<v Speaker 4>about everything he did for Gigi, and then he says,

0:46:19.560 --> 0:46:21.759
<v Speaker 4>and now I want to take care of you, and

0:46:21.800 --> 0:46:23.520
<v Speaker 4>then he adds you and Rory.

0:46:24.000 --> 0:46:27.200
<v Speaker 3>That was weird, like he he didn't.

0:46:26.920 --> 0:46:29.000
<v Speaker 4>Come out saying I want to take care of Rory.

0:46:29.080 --> 0:46:32.000
<v Speaker 4>He said I want to take care of you, meaning Laurai,

0:46:32.080 --> 0:46:34.239
<v Speaker 4>and then Rory was kind of like an afterthought, which

0:46:35.160 --> 0:46:36.440
<v Speaker 4>is typically Christopher.

0:46:36.719 --> 0:46:36.879
<v Speaker 3>Right.

0:46:40.000 --> 0:46:42.359
<v Speaker 4>Oh, I was gonna say, I think the thing with

0:46:42.360 --> 0:46:45.920
<v Speaker 4>with Laura I telling Luke. I think plot wise, she

0:46:46.000 --> 0:46:50.520
<v Speaker 4>couldn't tell him right away because it wasn't going to work.

0:46:50.600 --> 0:46:53.840
<v Speaker 4>If she told him before he knew about April, he

0:46:53.960 --> 0:46:56.960
<v Speaker 4>had the reaction that he had because he was thinking

0:46:57.000 --> 0:46:59.840
<v Speaker 4>about April and how he should be a dad to.

0:47:00.400 --> 0:47:02.440
<v Speaker 3>So if she had told him too soon, he.

0:47:02.400 --> 0:47:04.239
<v Speaker 4>Would have like freaked out and blown up like he

0:47:04.280 --> 0:47:06.759
<v Speaker 4>did the first time Christopher's name came up.

0:47:07.600 --> 0:47:10.759
<v Speaker 1>So I think there was any insane, healthy individual. Wo wash,

0:47:10.840 --> 0:47:13.680
<v Speaker 1>somebody's trying to drop in all this money and invade

0:47:13.680 --> 0:47:14.759
<v Speaker 1>your relationship, you.

0:47:14.719 --> 0:47:17.160
<v Speaker 4>Know, Yeah, So I think there was a timing issue there.

0:47:17.239 --> 0:47:20.360
<v Speaker 1>Listen, the classy move, okay, would have been, if you

0:47:20.400 --> 0:47:22.400
<v Speaker 1>want to take care of your daughter, you want to

0:47:22.440 --> 0:47:28.040
<v Speaker 1>take care of your uh beloved Laureli, you do it anonymously.

0:47:28.360 --> 0:47:30.399
<v Speaker 1>You do it, you do it in some clever way

0:47:30.920 --> 0:47:32.879
<v Speaker 1>where all of a sudden, and you don't sit there

0:47:32.880 --> 0:47:35.680
<v Speaker 1>and take all this gloating credit for it right in

0:47:35.719 --> 0:47:37.799
<v Speaker 1>their faces and aren't I a great guy? And now

0:47:37.840 --> 0:47:39.840
<v Speaker 1>I'm going to screw up your lives? And I know

0:47:39.880 --> 0:47:42.080
<v Speaker 1>I'm going to screw up your lives. Because if he

0:47:42.120 --> 0:47:48.480
<v Speaker 1>doesn't understand how much of a nuclear bombness is on

0:47:48.600 --> 0:47:51.600
<v Speaker 1>Luke and Laureli's relationship or on either of their lives.

0:47:51.600 --> 0:47:54.200
<v Speaker 1>Then he's an idiot and he's got no feelings and

0:47:54.239 --> 0:47:58.400
<v Speaker 1>he's got no empathy. Right, I stand you. It's a

0:47:58.480 --> 0:48:03.400
<v Speaker 1>really manipulative move. It's super manipulative. And I agree with

0:48:03.440 --> 0:48:06.080
<v Speaker 1>you on what a creep, what a low life like

0:48:06.200 --> 0:48:10.960
<v Speaker 1>coming swooping in to their lives. And I'm rich Hey,

0:48:11.040 --> 0:48:13.920
<v Speaker 1>I want to take care of everybody. Really, you a whole,

0:48:14.400 --> 0:48:15.640
<v Speaker 1>she's got a really.

0:48:15.760 --> 0:48:19.480
<v Speaker 3>Agree he should take care of his daughter finding.

0:48:19.400 --> 0:48:25.400
<v Speaker 1>Anonymously, anonymously, anonymously. No, no, I don't care. He hasn't

0:48:25.440 --> 0:48:29.600
<v Speaker 1>been her dad, and he should do it anonymously. She

0:48:29.600 --> 0:48:32.319
<v Speaker 1>should just call Yale pay the damn bills. I don't

0:48:32.360 --> 0:48:36.319
<v Speaker 1>want anybody knowing that I did this. You can contact

0:48:37.000 --> 0:48:40.040
<v Speaker 1>Emily and Richard so that they don't have to do

0:48:40.120 --> 0:48:43.200
<v Speaker 1>it anymore, But I don't want anybody know knowing that

0:48:43.280 --> 0:48:45.960
<v Speaker 1>I did this. And then he sends a message or

0:48:46.000 --> 0:48:50.240
<v Speaker 1>an anonymous message to Emily and uh Richard and says

0:48:50.400 --> 0:48:53.279
<v Speaker 1>that you know you're you're under no more obligation to

0:48:53.280 --> 0:48:56.840
<v Speaker 1>pay for that tuition. It's taken care of. Signed it on.

0:48:58.680 --> 0:49:03.080
<v Speaker 3>A gesture. But look, I do think it's weird to

0:49:03.120 --> 0:49:08.560
<v Speaker 3>call up your former like baby or your baby mama,

0:49:08.920 --> 0:49:12.920
<v Speaker 3>your former girlfriend who's engaged and offer money.

0:49:13.000 --> 0:49:15.000
<v Speaker 5>Yeah it's weird. Yeah, it's just.

0:49:14.960 --> 0:49:17.480
<v Speaker 3>Kind of inappropriate, right, I get it. I get where

0:49:17.480 --> 0:49:19.880
<v Speaker 3>he's I do think he has the best of intentions.

0:49:20.280 --> 0:49:22.359
<v Speaker 3>Or maybe he could have offered to pay her back

0:49:22.440 --> 0:49:25.800
<v Speaker 3>for some of all the money she spent to raise Rory.

0:49:25.880 --> 0:49:27.880
<v Speaker 3>What There may be a move there, But for me,

0:49:28.120 --> 0:49:30.560
<v Speaker 3>it's totally fine that he's calling Rory and saying, I

0:49:30.640 --> 0:49:32.840
<v Speaker 3>now have money, and I want to pay for school,

0:49:33.160 --> 0:49:35.600
<v Speaker 3>your car, I want here. There's money in a bank

0:49:35.600 --> 0:49:39.160
<v Speaker 3>account for your future, your retirement, your down payment on

0:49:39.200 --> 0:49:42.080
<v Speaker 3>your first house, whatever it may be. As a father,

0:49:42.320 --> 0:49:45.359
<v Speaker 3>I do think that is sort of him. That is

0:49:46.640 --> 0:49:49.000
<v Speaker 3>an obligation, if that's the right word, And if he's

0:49:49.040 --> 0:49:52.160
<v Speaker 3>doing something for Gigi, he should do the exact same

0:49:52.239 --> 0:49:55.480
<v Speaker 3>thing for Rory. In my opinis, Okay, they're both his kids.

0:49:55.200 --> 0:50:00.000
<v Speaker 1>But doesn't he have an obligation to to not met.

0:50:01.560 --> 0:50:05.040
<v Speaker 3>Current money's meddling. I think he's doing something for Gigi,

0:50:05.239 --> 0:50:08.440
<v Speaker 3>he should say I've put aside five million dollars for Gigi.

0:50:08.880 --> 0:50:11.520
<v Speaker 3>You have the same you are my kid. There should

0:50:11.560 --> 0:50:14.200
<v Speaker 3>be nothing that Gigi gets that Rory does not get.

0:50:14.120 --> 0:50:17.880
<v Speaker 5>And Also, he didn't support them while Rory was growing up,

0:50:17.920 --> 0:50:19.640
<v Speaker 5>so this is kind of making up for it, like

0:50:19.719 --> 0:50:21.680
<v Speaker 5>let him pay for Yale.

0:50:22.000 --> 0:50:24.640
<v Speaker 4>And he also doesn't know that she's in a relationship,

0:50:25.480 --> 0:50:29.919
<v Speaker 4>but he doesn't know necessarily that she's back with Luke.

0:50:30.840 --> 0:50:32.480
<v Speaker 3>Right, But I still think it's weird that he's like

0:50:32.600 --> 0:50:35.680
<v Speaker 3>offering Loreli the money. It's just all about Rory.

0:50:35.800 --> 0:50:40.280
<v Speaker 1>That is our kid, Yes, trying to buy his way

0:50:40.320 --> 0:50:41.520
<v Speaker 1>back into her heart.

0:50:42.440 --> 0:50:45.239
<v Speaker 3>You're right, You're probably right, is probably right.

0:50:45.280 --> 0:50:48.799
<v Speaker 1>You're probably detached from reality that guy is.

0:50:48.880 --> 0:50:52.440
<v Speaker 3>You're probably right on that. Yeah, So okay, two more

0:50:52.480 --> 0:50:59.480
<v Speaker 3>scenes we have to talk about Harris and Rory. That's

0:50:59.520 --> 0:51:01.640
<v Speaker 3>a funny, sort of just a little amusing scene that

0:51:01.920 --> 0:51:05.120
<v Speaker 3>teas up something coming, so it's kind of important. But

0:51:05.239 --> 0:51:10.080
<v Speaker 3>I liked that Honor Huntsberger called I know, although it

0:51:10.239 --> 0:51:13.439
<v Speaker 3>was gut wrenching to Rory to realize that Logan said

0:51:13.440 --> 0:51:19.280
<v Speaker 3>they broke up. When Honor refers to Logan as young Seacrest.

0:51:18.840 --> 0:51:21.279
<v Speaker 5>I thought of you, Amy, I thought I.

0:51:21.680 --> 0:51:23.080
<v Speaker 4>Texted you, And I'm like, I don't know if she's

0:51:23.080 --> 0:51:25.880
<v Speaker 4>watched again, I'm going I must have forgotten about it

0:51:25.920 --> 0:51:28.640
<v Speaker 4>from when it happened because we must have like called

0:51:28.680 --> 0:51:29.040
<v Speaker 4>it out.

0:51:29.120 --> 0:51:31.200
<v Speaker 5>When is this like peak American idol?

0:51:31.880 --> 0:51:34.840
<v Speaker 3>Yes, because this is two thousand and four, right six

0:51:34.960 --> 0:51:37.600
<v Speaker 3>and this is two thousand and six, So yeah, I

0:51:37.600 --> 0:51:39.239
<v Speaker 3>had a launch like in two thousand and one.

0:51:39.719 --> 0:51:41.640
<v Speaker 5>Yeah, it was like the hair like I kind of.

0:51:41.640 --> 0:51:42.880
<v Speaker 5>I was like, oh yeah, and.

0:51:43.239 --> 0:51:46.319
<v Speaker 3>Matt Zukrie is a little bit seacresty. I was like

0:51:46.960 --> 0:51:50.640
<v Speaker 3>that was rad. And then uh, you know, we see

0:51:50.719 --> 0:51:53.920
<v Speaker 3>Luke go into the like what's this? What are the

0:51:54.000 --> 0:51:56.279
<v Speaker 3>things called where you put food? Why is the name

0:51:56.320 --> 0:51:56.919
<v Speaker 3>out of my head?

0:51:57.239 --> 0:51:57.839
<v Speaker 1>What?

0:51:57.840 --> 0:51:59.200
<v Speaker 5>What you know?

0:51:59.239 --> 0:52:03.000
<v Speaker 3>The room where pantry in the kitchen?

0:52:05.719 --> 0:52:08.080
<v Speaker 1>That's the kitchen back there.

0:52:08.280 --> 0:52:12.600
<v Speaker 3>He tried calling He tried calling Anna, which, by the way,

0:52:12.840 --> 0:52:15.719
<v Speaker 3>how about the shout out to for one one for

0:52:15.840 --> 0:52:18.960
<v Speaker 3>us one to be connected? And we all used to

0:52:18.960 --> 0:52:21.640
<v Speaker 3>do it, and I think it was expensive and we

0:52:21.640 --> 0:52:23.640
<v Speaker 3>were all dumb dumbed because I think we got charge

0:52:23.640 --> 0:52:26.200
<v Speaker 3>of quarter every time we freaking did that. And suddenly

0:52:26.280 --> 0:52:30.400
<v Speaker 3>on your phone bill you're like twenty to for one one.

0:52:30.719 --> 0:52:34.280
<v Speaker 3>Remember you'd call four one one and go Domino's Pizza?

0:52:34.360 --> 0:52:35.040
<v Speaker 3>Can you connect me?

0:52:35.920 --> 0:52:38.640
<v Speaker 5>Like, because he couldn't use the internet to look up

0:52:38.640 --> 0:52:41.640
<v Speaker 5>the phone number, I was going to make a point

0:52:41.680 --> 0:52:45.759
<v Speaker 5>about Luke without his uniform on before I was bombarded

0:52:45.840 --> 0:52:52.480
<v Speaker 5>with inappropriate comments, he does seem like.

0:52:54.520 --> 0:52:57.960
<v Speaker 1>And given the situation, but he does seem like a

0:52:58.120 --> 0:53:01.759
<v Speaker 1>very I mean that hat and the flannel and the

0:53:01.800 --> 0:53:07.239
<v Speaker 1>diner and his attitude all seemed to work together, and

0:53:07.320 --> 0:53:10.839
<v Speaker 1>it all kinds of work. It all kind of works, right,

0:53:11.520 --> 0:53:14.680
<v Speaker 1>you accept it. But without the hat, without the flannel,

0:53:14.920 --> 0:53:17.680
<v Speaker 1>and he's sitting there and he still looks like Luke,

0:53:18.600 --> 0:53:22.520
<v Speaker 1>but he's got that stank look on his face, right,

0:53:23.960 --> 0:53:24.680
<v Speaker 1>he's yeah.

0:53:24.600 --> 0:53:26.320
<v Speaker 3>Like so do you kind of think of the flannel

0:53:26.360 --> 0:53:28.680
<v Speaker 3>and the hat as like his coat of armor or

0:53:28.680 --> 0:53:29.520
<v Speaker 3>his cape or whatever.

0:53:29.640 --> 0:53:32.080
<v Speaker 1>He takes it off and he disappears like he's just

0:53:32.120 --> 0:53:36.560
<v Speaker 1>a yeah, he's just like geez man. I mean, he

0:53:36.560 --> 0:53:38.960
<v Speaker 1>couldn't even smile once when he was sitting at that thing.

0:53:39.200 --> 0:53:41.280
<v Speaker 3>I think he's so stressed about April.

0:53:42.440 --> 0:53:45.600
<v Speaker 1>No, obviously, but still, I mean covered a little anyway.

0:53:45.640 --> 0:53:47.400
<v Speaker 1>I don't know, I got I'm throwing a flag on

0:53:47.480 --> 0:53:48.960
<v Speaker 1>myself maybe for.

0:53:52.440 --> 0:53:53.919
<v Speaker 4>Okay, you know what I mean?

0:53:54.320 --> 0:53:58.319
<v Speaker 3>What yeah, I mean it's complicated, Like I don't know

0:53:58.360 --> 0:53:59.160
<v Speaker 3>how I would be.

0:53:59.640 --> 0:54:02.560
<v Speaker 1>It's like when fans come to a comic con every

0:54:02.600 --> 0:54:04.319
<v Speaker 1>once in a while and I'm not wearing a hat

0:54:04.360 --> 0:54:08.319
<v Speaker 1>or anything because I don't wear the hat. Usually they

0:54:08.360 --> 0:54:10.759
<v Speaker 1>get disappointed, and I think I was a little disappointed

0:54:11.719 --> 0:54:13.040
<v Speaker 1>Thanksgiving tale scene that he.

0:54:13.040 --> 0:54:19.719
<v Speaker 3>Was bro, there's your flannel. So what is our favorite lines?

0:54:20.840 --> 0:54:21.760
<v Speaker 1>Oh? That's easy.

0:54:22.920 --> 0:54:25.399
<v Speaker 4>Oh yeah, you like oh, there's no.

0:54:25.640 --> 0:54:28.480
<v Speaker 1>The gill line. Yeah, anyway, Susanne, what's your favorite line?

0:54:28.840 --> 0:54:33.319
<v Speaker 4>My favorite line, surprisingly is from Christopher, given how much

0:54:33.320 --> 0:54:36.920
<v Speaker 4>I don't like Christopher, but I laughed when he said

0:54:37.760 --> 0:54:39.760
<v Speaker 4>when he was telling Laura they were at the restaurant

0:54:39.840 --> 0:54:41.560
<v Speaker 4>talking about all the things that he could do with

0:54:41.600 --> 0:54:44.080
<v Speaker 4>his money, and he says, you can crush people with money.

0:54:44.200 --> 0:54:46.840
<v Speaker 4>You want some people crushing money?

0:54:48.000 --> 0:54:52.160
<v Speaker 3>That was cute, bobs that stickers. I was like, what,

0:54:53.719 --> 0:54:55.839
<v Speaker 3>I still like young young seacrests.

0:54:58.360 --> 0:55:02.319
<v Speaker 5>I love the scene with Pair and she's like, I'm

0:55:02.360 --> 0:55:04.640
<v Speaker 5>coming and Paris Is like what's that sound like? Just

0:55:04.680 --> 0:55:08.360
<v Speaker 5>like so just like cold, and I just love Paris

0:55:08.400 --> 0:55:09.799
<v Speaker 5>so much so and she's like.

0:55:09.840 --> 0:55:11.759
<v Speaker 3>Call back to such a callback.

0:55:12.000 --> 0:55:13.879
<v Speaker 5>Yeah, and she's like, well, of course you're coming back,

0:55:13.880 --> 0:55:15.400
<v Speaker 5>and what else would you do? Like, I don't know,

0:55:15.440 --> 0:55:16.360
<v Speaker 5>I just love Paris.

0:55:16.600 --> 0:55:19.080
<v Speaker 3>Oh my god. That was good. Paris. That's how I

0:55:19.120 --> 0:55:20.000
<v Speaker 3>want Paris.

0:55:19.680 --> 0:55:20.400
<v Speaker 4>To be always.

0:55:20.640 --> 0:55:22.560
<v Speaker 5>Yeah, and it wasn't funny.

0:55:22.600 --> 0:55:24.080
<v Speaker 3>Came back to like her bad drum roll?

0:55:24.400 --> 0:55:27.200
<v Speaker 1>Yeah, Amy, what's your favorite line?

0:55:27.560 --> 0:55:29.960
<v Speaker 3>Gosh, I stink I'm still with young Seacrest.

0:55:30.880 --> 0:55:31.319
<v Speaker 1>I like that.

0:55:32.120 --> 0:55:33.080
<v Speaker 5>Yeah, Like.

0:55:34.520 --> 0:55:36.319
<v Speaker 3>You know, I have to say, though, my favorite was

0:55:36.400 --> 0:55:39.759
<v Speaker 3>Liz and Luke. I think that scene. Oh and then

0:55:39.840 --> 0:55:42.160
<v Speaker 3>you know, if I had to pick a banter, it's

0:55:42.239 --> 0:55:45.400
<v Speaker 3>when Rory and Lorelei are discussing how she wants to

0:55:45.440 --> 0:55:47.840
<v Speaker 3>be out from her grandmother's thumb and the Freaky Friday,

0:55:47.880 --> 0:55:51.239
<v Speaker 3>and that every line was really entertaining to me in

0:55:51.320 --> 0:55:52.960
<v Speaker 3>that sort of ping pongy.

0:55:53.400 --> 0:55:55.680
<v Speaker 1>All right, say what are you giving it? What's your

0:55:55.719 --> 0:55:56.440
<v Speaker 1>measuring stick?

0:55:57.440 --> 0:56:00.640
<v Speaker 4>I thought this was a good episode. I'm going to

0:56:00.719 --> 0:56:03.960
<v Speaker 4>give this nine sugar toes.

0:56:04.760 --> 0:56:13.000
<v Speaker 5>Oh got one? Uh, it wasn't my favorite, so I'm

0:56:13.000 --> 0:56:15.280
<v Speaker 5>gonna give it eight.

0:56:18.719 --> 0:56:19.160
<v Speaker 1>Oh my god?

0:56:19.239 --> 0:56:22.000
<v Speaker 5>What else was in this episode of like blanking eight

0:56:22.040 --> 0:56:23.480
<v Speaker 5>turkeys for Thanksgiving?

0:56:24.880 --> 0:56:25.360
<v Speaker 1>Amy?

0:56:25.760 --> 0:56:33.359
<v Speaker 3>Nine? Yakov's total shout out to ya? What's his name?

0:56:38.840 --> 0:56:45.160
<v Speaker 1>I'm gonna give it. I don't know. Is it in

0:56:45.200 --> 0:56:45.800
<v Speaker 1>the Nines?

0:56:46.760 --> 0:56:47.320
<v Speaker 3>Yeah?

0:56:47.360 --> 0:56:50.600
<v Speaker 1>It was. It was very It was actually very enjoyable. Yeah,

0:56:52.360 --> 0:56:54.880
<v Speaker 1>I gotta tell you anything that gives me that many laughs,

0:56:55.320 --> 0:56:58.120
<v Speaker 1>I mean like good belly laughs. You know you gotta

0:56:58.160 --> 0:57:02.120
<v Speaker 1>go nine seat. I want to go nine to nine

0:57:02.440 --> 0:57:08.720
<v Speaker 1>five nine three uh, and I'm gonna go uh nine

0:57:09.280 --> 0:57:16.960
<v Speaker 1>point three suky backhand fists to the poor assistant.

0:57:16.760 --> 0:57:19.800
<v Speaker 3>And paper towels flying good one.

0:57:20.000 --> 0:57:22.760
<v Speaker 1>That's it, everybody. Thank you, ladies, Shusan French, Taras suit

0:57:22.800 --> 0:57:26.920
<v Speaker 1>Amy Sugarman, my Intrepid crew anyway, best fans on the planet.

0:57:26.960 --> 0:57:29.840
<v Speaker 1>Thanks for download to keep sending those cards and letters

0:57:29.840 --> 0:57:34.080
<v Speaker 1>and smoke signals and cloud waves, all kinds of things

0:57:34.080 --> 0:57:35.720
<v Speaker 1>that you can digitally send.

0:57:35.800 --> 0:57:38.600
<v Speaker 4>Now, homing pigeons.

0:57:38.680 --> 0:57:40.720
<v Speaker 1>We love you, we need you. We can't live without

0:57:40.720 --> 0:57:44.240
<v Speaker 1>your homing pigeons. Whatever you want and remember we and

0:57:44.400 --> 0:58:15.960
<v Speaker 1>I am all In. Stay safe everyone, Hey, everybody, and

0:58:15.960 --> 0:58:19.600
<v Speaker 1>don't forget Follow us on Instagram at I Am all

0:58:19.640 --> 0:58:33.720
<v Speaker 1>In podcast and email us at Gilmore at iHeartRadio dot com.