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Speaker 1: M m m m.

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Speaker 2: So one of my secret talents that I'm not sure

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Speaker 2: you guys know about is that if if I had

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Speaker 2: any business sense or could wear a suit and tie

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Speaker 2: every day and make phone calls, you know, do like

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Speaker 2: like business person type stuff, I would be a very

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Speaker 2: good talent agent or maybe really manager. Yes, why why

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Speaker 2: let me? Let me? Let me give you evidence. So

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Speaker 2: I used to do a like, god, this is so

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Speaker 2: long ago. I used to do a podcast, or I

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Speaker 2: used to guest star on a podcast where they had

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Speaker 2: come up with a segment where I would just do

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Speaker 2: samples or I would talk about actors performances that I

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Speaker 2: really liked or appreciated and like so you know, I

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Speaker 2: just picked out like scenes and I would talk about

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Speaker 2: them and whatever. And one of the ones that I

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Speaker 2: picked was like right, I decided. I was like, oh

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Speaker 2: my god, I had seen this obscure movie and this

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Speaker 2: like English actor. I was like, this guy's got the thing,

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Speaker 2: Like this is going to be a movie star. And

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Speaker 2: by the time I went to go record the thing,

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Speaker 2: Andrew Garfield had already been cast as Spider Man. But

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Speaker 2: like I saw boy A back in Tribeca when it

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Speaker 2: was like his first I was like this guy, yes,

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Speaker 2: And so I got a text last year. I don't

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Speaker 2: think I told you guys about this, but I got

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Speaker 2: this text from my friend who's he's actually my lawyer,

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Speaker 2: but he's also my friend. We've been friends since college.

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Speaker 2: And he texted me and he's like, what the hell

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Speaker 2: is this alert that I have on my phone? And like,

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Speaker 2: what do you mean? He's like, it says bet with

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Speaker 2: Ryder from ten years ago about Lena Dunham's boyfriend on

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Speaker 2: Girls Wow, And I'm like what he had said? It alert?

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Speaker 2: And we went back and I list to the future.

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Speaker 2: And ten years before his alert, we had had dinner

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Speaker 2: together with him and his wife and me and my wife,

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Speaker 2: and we had gotten into an argument where I said

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Speaker 2: that guy is gonna be a movie star and he

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Speaker 2: was like, no, no, and I was predicting Adam Driver and.

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Speaker 3: So he was like, oh my god.

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Speaker 2: He's like, so I guess I guess you're right, Like, yeah,

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Speaker 2: so what what do I win? We didn't write that,

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Speaker 2: but yeah, ten years because we we had clearly got

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Speaker 2: into it enough that he put an alert on his phone.

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Speaker 2: Because I don't know, do you guys ever see the

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Speaker 2: pilot for Girls? No? Yes.

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Speaker 1: Yeah.

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Speaker 4: I was like, I'm just amazed at your talent that

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Speaker 4: you're able to watch someone who is already successful and

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Speaker 4: say they're gonna also.

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Speaker 3: Do this guy who's the star of a TV show

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Speaker 3: is gonna be somebody.

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Speaker 5: It's weird.

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Speaker 2: It's like you guys like don't remember the Adam Driver

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Speaker 2: thing though.

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Speaker 5: No I do.

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Speaker 4: But watching somebody on the street and saying that person's

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Speaker 4: got it, you're saying like I saw somebody in a

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Speaker 4: movie and thought that person's a good actor.

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Speaker 2: No, that that person's going to be a megastar.

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Speaker 3: A bigger star than me.

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Speaker 2: Yes, obviously. Yeah.

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Speaker 5: So it's a very niche kind of kind of talent manager.

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Speaker 5: You want. You want to be a talent manager of

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Speaker 5: somebody who's already successful.

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Speaker 2: That's what an agent does. Yes, it's like going to

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Speaker 2: the minor leagues and being like, come you are going

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Speaker 2: to You're gonna be in the majors one day, and

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Speaker 2: being able to spot that. Like I was having arguments

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Speaker 2: obviously with with somebody in the industry where they were

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Speaker 2: like I don't see it, and like I actually remember

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Speaker 2: getting into with Michael Jacobs about girls because I was

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Speaker 2: right around the time of Girl meets World Girl the

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Speaker 2: Girls pilot. He was like, I don't see it. I

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Speaker 2: don't I don't know know. He wasn't talking about Adam Driver.

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Speaker 2: He was talking about the show in general. I was like,

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Speaker 2: this is gonna be the biggest show. And I was like,

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Speaker 2: and that guy is going to be the biggest movie

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Speaker 2: star in the world.

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Speaker 3: This is a good time for me to tell you

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Speaker 3: that I have a prediction now, Timothy Shallow may I

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Speaker 3: exactly that.

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Speaker 2: Kid is going Tom Cruise guy might make it. I

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Speaker 2: see him as a movie. Sorry, I'll keep my eye

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Speaker 2: and I'll give you guys predictions. I will do it now. Okay, Now,

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Speaker 2: I know you're open to it, if you're open, if

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Speaker 2: you're willing. But but I feel like, yeah, it's it's

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Speaker 2: you know, you got to you gotta keep your eyes

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Speaker 2: and yours open. If I was going to plays, because

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Speaker 2: I've done it before too, I was a.

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Speaker 5: Play or something like that, I could see. I could

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Speaker 5: see that, all right, see that.

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Speaker 2: Many plays that are you know, because I saw I

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Speaker 2: remember Rachel Weiss. I saw her back in nineteen ninety five,

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Speaker 2: and I went back twice. I was like, this woman

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Speaker 2: is so unbelievable, and I was in you know, she

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Speaker 2: was probably twenty one, twenty two years old. I designed

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Speaker 2: for little I always going to be one, and I

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Speaker 2: was like this is you know. I was obsessed with

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Speaker 2: her and like no one knew who she was. And

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Speaker 2: then sure enough boom, like the biggest movie star and

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Speaker 2: she married James Bond.

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Speaker 3: You've got the perfect platform to share your predictions with

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Speaker 3: all of us. Writer, don't get trying to get some credits. Yes,

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Speaker 3: start start letting us know when you see things, just.

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Speaker 4: And when bet you they'll be like an actual prize,

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Speaker 4: You'll win something. Because it sounds like you didn't win anything.

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Speaker 4: Adam Driver got an amazing career and you didn't get anything.

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Speaker 2: Yeah, well, I mean hopefully this translates to being a director, right,

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Speaker 2: because the point is to be able to cast people

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Speaker 2: who who are being under add in their lane. And

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Speaker 2: that's like and this is like consistently what Hollywood does

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Speaker 2: to actors is that they're always underestimated because actors are

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Speaker 2: only judged by their context consistently, right, and like, so

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Speaker 2: people see somebody on a TV show and they're like

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Speaker 2: that they could never be a big movie star. They

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Speaker 2: see somebody, you know, as this as the best friend

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Speaker 2: on a sydcomm and they're like, they should never are

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Speaker 2: an older brother or drama.

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Speaker 5: Yeah, do you think.

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Speaker 4: That's I think that's changed a bit now though, because

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Speaker 4: television became so powerful that all the.

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Speaker 5: Big movie stars jumped to TV.

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Speaker 2: TV has changed, but the lines people still have such

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Speaker 2: a hard time seeing an actor out of context.

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Speaker 4: You know, I don't know, you see a lot of

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Speaker 4: like you see kids nowadays, especially that are on some

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Speaker 4: sitcom or something.

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Speaker 5: Like the girl McKenna Grace was a better name.

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Speaker 4: Yes, yeah, who was like on a sitcom or we're

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Speaker 4: just watching her on Designated Survivor And even then you

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Speaker 4: were like she's but then now she's blowing up and

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Speaker 4: she's got the Ghostbusters movies and stuff like that, So

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Speaker 4: I can see there's more like, you know, if if

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Speaker 4: a television show becomes huge, like when something like Stranger

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Speaker 4: Things where it just it's on everybody's lips, than those

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Speaker 4: are the kids that are picked to then be in movies.

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Speaker 4: So it's that's that's happened now more so than it

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Speaker 4: did back in the nineties. If you were a leav star.

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Speaker 2: Even being a Disney star when we were kids meant nothing.

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Speaker 2: But now it's like that's the path to superstar. Like

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Speaker 2: if you're on a Disney Channel show and then you

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Speaker 2: have a record deal, then you were like a movie

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Speaker 2: star within ten years or whatever. Yeah, no, that didn't happen, right,

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Speaker 2: But I still think I still think that it's hard

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Speaker 2: for people to see, especially like comic drama, drama to

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Speaker 2: comedy or just range, you know, like you basically get

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Speaker 2: cast as a variation in what you've already done.

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Speaker 3: And do you see any do you see any movie

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Speaker 3: stars on this podcast with you?

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Speaker 2: It's okay? Writer?

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Speaker 5: Will you well?

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Speaker 3: Welcome back, Welcome back to the show. We really missed

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Speaker 3: you last time. Really we missed you. We're so having

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Speaker 3: your back. Please say say your.

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Speaker 2: Name right or strong not a huge movie star.

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Speaker 4: And I'm Wilfordell whose dream has just been crushed on

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Speaker 4: this podcast.

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Speaker 3: Welcome to our show. Today, we are recapping season four,

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Speaker 3: episode eleven and a Fair to Forget It originally aired

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Speaker 3: November twenty ninth, nineteen ninety six. The synopsis. When Sean

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Speaker 3: is dumped by Jennifer, Corey begins bad mouthing her. When

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Speaker 3: Jennifer finds out about what Corey is been saying, she

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Speaker 3: takes Sean back on the condition that he ends his

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Speaker 3: relationship with Corey. So it was written by and this

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Speaker 3: is a bit of an odd credit teleplay by Jeff Sherman,

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Speaker 3: story by Eileen O'Hare, So this may be something. When

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Speaker 3: we have Jeff Sherman on again, we will have to

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Speaker 3: ask him what the situation was with that. I know

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Speaker 3: he has complained before that IMDb has some weird credit

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Speaker 3: stuff this week.

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Speaker 2: We've never had a story by before.

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Speaker 3: I don't think I don't think so.

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Speaker 2: So this must have been an outside script that got

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Speaker 2: rewritten because Aileen O'Hare was not a writer on her No. Yeah,

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Speaker 2: so when an outside script came in and then Jeff

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Speaker 2: rewrote it and then yeah, that's super interesting.

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Speaker 3: Yeah. Guest starring Christanna Logan as Jennifer Bassett. She is

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Speaker 3: best known as the badass TX in two thousand and threes,

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Speaker 3: Terminator three, Rise of the Machines, and as Rain in

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Speaker 3: two thousand and five's Blood Rain, but she's also shown

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Speaker 3: up on Unhappily Ever After Slider's The L Word, burn Notice,

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Speaker 3: and much more. What did you guys think of the episode?

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Speaker 4: I loved this episode. I absolutely loved everything about this episode.

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Speaker 4: I thought the A story was awesome. I thought You

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Speaker 4: and Ben were so funny. I thought the B story

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Speaker 4: was great. I thought the feene Eric stuff was good.

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Speaker 4: To me, this was a solid sitcom, funny episode. I

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Speaker 4: went back, I rewound things a bunch of times. I

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Speaker 4: really liked this episode.

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Speaker 2: Yeah, yeah, I think it's a plus writing. Like, I

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Speaker 2: think it's probably one of our best written episodes. So

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Speaker 2: I got something happened to me or the end of

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Speaker 2: this episode. It's interesting, I really, I mean, I know

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Speaker 2: this is a classic. I feel like this, Like I

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Speaker 2: didn't realize that this B story was part of this

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Speaker 2: A story either, and but I love both of them,

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Speaker 2: and I remembered both of them, and I remember beats

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Speaker 2: and moments, and you know, there's so many funny things.

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Speaker 2: So maybe my expectations were just a little high. But

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Speaker 2: something happened near the end, which was a little bit

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Speaker 2: of a bummer for me, and in a weird way,

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Speaker 2: I wish I could go back, not change a word

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Speaker 2: of the script and do it over again, like get

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Speaker 2: a second take, or maybe there were better takes. I

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Speaker 2: don't know, So I guess it's mostly about my performance

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Speaker 2: or the performances in general. Something sort of happens near

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Speaker 2: the end that I was not stoked on, So I

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Speaker 2: think we needed another day of rehearsal, or maybe one

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Speaker 2: day less of rehearsal something.

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Speaker 5: What about you, Danielle.

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Speaker 3: I had a total change of feeling about a quarter

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Speaker 3: of the way through the episode. I will be honest.

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Speaker 3: At the beginning, I was like, Ugh, I'm bored. I'm

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Speaker 3: bored of this idea of there's a girl and Sean's

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Speaker 3: been broken up with and she's gonna man handle him

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Speaker 3: and there's gonna be this ensorcelement.

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Speaker 5: I was like, God, this that that's weird.

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Speaker 3: I'm done with that. I never want to see that

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Speaker 3: storyline again. But then the minute it was revealed that

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Speaker 3: it was going to be the love story between the

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Speaker 3: two of you, I was hooked. Then I was like,

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Speaker 3: this was all worth it. It was worth that that setup

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Speaker 3: to get to this because I loved that. But at

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Speaker 3: the very beginning, I was like, oh no, I'm not

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Speaker 3: gonna like this episode, and then pleasantly surprised. I ended

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Speaker 3: up loving the episode, But when it first started and

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Speaker 3: I saw the setup, I was like, I'm not going

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Speaker 3: to enjoy this. So I was pleasantly surprised will your

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Speaker 3: b storyline is so funny, just so funny, so funny.

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Speaker 2: Also, I want to like again, I want to go back,

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Speaker 2: because we could do I just want to see the

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Speaker 2: one man show. I think we could just do a

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Speaker 2: whole episode of Boy Meets World. That is you doing

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Speaker 2: the one man show, because we never even got out

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Speaker 2: of fifth grade or whatever. And I think it would

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Speaker 2: be so funny to hear more Eric. I mean, there's

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Speaker 2: just no there. It was like I was sitting there going, oh,

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Speaker 2: there's so many ways this could go, like yeah, and

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Speaker 2: I want them all, like I don't, I don't, And

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Speaker 2: I almost wish the rest of the episode were shorter.

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Speaker 2: And even with the feenie stuff, I was like, dude,

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Speaker 2: I love Bill, I love the moment, but gotta be

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Speaker 2: shorter so we could see more airport, yes, because she

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Speaker 2: could go so many ways. It could just keep getting funnier.

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Speaker 5: I don't know, No, I love it.

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Speaker 4: It's so funny writer that you said you had a

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Speaker 4: problem maybe at the end with your performance, because I

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Speaker 4: thought comedically this was your best episode ever.

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Speaker 5: Yeah, I thought.

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Speaker 2: I mean I think hysterical, not just those but all

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Speaker 2: the little like the kind of subtleties you.

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Speaker 3: Were playing a library. Oh, oh my.

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Speaker 2: Goshbird's a fun.

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Speaker 4: Funny, so fun, And Danielle, you were not once again

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Speaker 4: used much. Yeah, but I thought your part. I just

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Speaker 4: I really liked this episode. I don't know if I

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Speaker 4: caught me in the right mood or whatever it was,

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Speaker 4: but Sue and I were howling at this last night.

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Speaker 3: Yeah, it's a it's a fun episode. So let's jump in.

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Speaker 3: We start in the school hallway. A tall blonde girl

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Speaker 3: we've been told as Shawn's girlfriend, is surrounded by a

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Speaker 3: group of guys as Corey and Tapanga watched from a distance.

264
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Speaker 3: Corey reveals that Sewan and this girl, Jennifer, broke up

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Speaker 3: this morning and she's already on the prow to Panga

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Speaker 3: worriedly asks how Sean is doing, and Corey assures her

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Speaker 3: Seawan is Sean. You can't keep Sean down, and then

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Speaker 3: camera zoom we see that Sean is slumped against the lockers.

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Speaker 3: Corey tells him to get up. He's dismal. She dumped me.

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Speaker 3: She dumped me good, and I didn't even see it coming.

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Speaker 2: This is one of those I wish we had, like

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Speaker 2: because just the awkwardness of having to lie down but

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Speaker 2: still be visible in the camera. It's so it's like

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Speaker 2: one of those multi camera things, like uh, do we

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Speaker 2: have to go all the way on the ground, like

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Speaker 2: you just wish you could do a single camera or

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Speaker 2: bring the camera over my head, you know what I mean.

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Speaker 2: But like, yeah, it's just this, like I don't know,

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Speaker 2: or just let my face not be seen, like if

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Speaker 2: I was just talking to the sky. But because who

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Speaker 2: lays like this?

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Speaker 5: I know?

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Speaker 3: Also, why couldn't you just be on your stomach on

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Speaker 3: you know, facing like you could facing camera.

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Speaker 2: Yeah, it's super awkward and I could tell that I'm

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Speaker 2: like physically uncomfortable with it. I don't know. This is

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Speaker 2: I mean, this is I think maybe the first hint

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Speaker 2: of like some of the stuff that bothers me, which

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Speaker 2: is the like like sometimes like look, obviously there's there's cartooniness, right,

290
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Speaker 2: and I just like I want I love the Cartoonists

291
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Speaker 2: when we're living in it, which of course will you're

292
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Speaker 2: just so good at I don't feel as comfortable living

293
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Speaker 2: in the Cartoonists, And a lot of the bits in

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Speaker 2: this episode, there's some of it where I love like

295
00:14:13,679 --> 00:14:17,440
Speaker 2: Ben and I basically playing lovers like that clearly is

296
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Speaker 2: like a cartoony joke that we commit to. But then

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Speaker 2: there's other cartoonists like her making out with me, falling

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Speaker 2: down me on the ground, Corey's head and the thing

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Speaker 2: to Panga coming in and yelling you up there, Like

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Speaker 2: it all just felt very like, Okay, I don't know,

301
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Speaker 2: man like it just I was just I just I

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Speaker 2: just like do we have I don't know. It's like

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Speaker 2: I like the cartoonists if it were, but for some reason,

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Speaker 2: it just felt a little like it just fell short

305
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Speaker 2: and a lot of those beats for me, Whereas like

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Speaker 2: the other cartoonists, like the human cartoonings of like Ben

307
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Speaker 2: throwing down his towel and having baked the good like

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Speaker 2: all of that, like the human like when it's endowed

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Speaker 2: with like a reality like acting thing and we're allowed

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Speaker 2: to like make it our own. I loved it, But

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Speaker 2: when I felt like we were doing line readings or

312
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Speaker 2: being told we're to stand for a visual joke, it

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Speaker 2: sucked for me, and like it really brought up a

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Speaker 2: lot of like not good emotions.

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Speaker 3: Really, yeah, I can see that because you all the

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Speaker 3: things you mentioned were the moments that I didn't love,

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Speaker 3: Like you, I'm talking to you of there. I remember

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Speaker 3: the line reading. I remember it. I remember all of

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Speaker 3: that exactly.

320
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Speaker 2: You can hear them right.

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Speaker 3: And I also was like, so there were moments where

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Speaker 3: what I was feeling was like they're really wanting to

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Speaker 3: lean into like this is a farcical episode, but like

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Speaker 3: there's so much of it that's true human, really natural

325
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Speaker 3: funniness and all of that stuff was great, and then

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Speaker 3: there was a.

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Speaker 2: Lot of actually didn't yeah.

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Speaker 3: Exactly, and then the other moments I just didn't think

329
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Speaker 3: we needed it, shouldn't They could have just been more real.

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Speaker 5: Her kissing thing is really bizarre.

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Speaker 3: I'm telling you, I'm over the watch this. I'm the

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00:16:02,160 --> 00:16:05,520
Speaker 3: only person who could kiss you in this totally benign.

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Speaker 5: Bland no.

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Speaker 3: Jesus, I know wrote see what is happening here?

335
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Speaker 5: That stuff was very very strange.

336
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Speaker 3: Do you guys have any memories of working with Christianna Logan?

337
00:16:18,880 --> 00:16:19,360
Speaker 2: You know what?

338
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Speaker 1: Not?

339
00:16:20,080 --> 00:16:23,400
Speaker 2: Really she came onto Girl Meets World, and it was

340
00:16:23,520 --> 00:16:25,640
Speaker 2: great to see her, and actually she and I like

341
00:16:26,120 --> 00:16:28,400
Speaker 2: talked a lot and it was awesome to like, I

342
00:16:28,720 --> 00:16:30,760
Speaker 2: just I wasn't there that episode. I just came by

343
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Speaker 2: to visit for like a little bit. She on Girl World,

344
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Speaker 2: she played she played herself, right, Mincus is she.

345
00:16:35,760 --> 00:16:39,400
Speaker 3: Played Mincus's wife, but as this character, as this character.

346
00:16:40,840 --> 00:16:44,240
Speaker 2: Herself. By the way she plays the same character.

347
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Speaker 5: She does not.

348
00:16:47,360 --> 00:16:54,080
Speaker 2: Herself hysterical, you know. She she was so great And

349
00:16:54,120 --> 00:16:56,520
Speaker 2: but it was funny because I actually didn't really remember

350
00:16:56,600 --> 00:16:59,960
Speaker 2: working with her that much. Yeah, and look at it,

351
00:17:00,200 --> 00:17:03,280
Speaker 2: I was like, I don't, like, I don't know, there's

352
00:17:03,360 --> 00:17:06,520
Speaker 2: just a it's funny, but I just felt it felt

353
00:17:06,520 --> 00:17:09,000
Speaker 2: stilted again, like I wanted there to be natural chemistry

354
00:17:09,040 --> 00:17:11,879
Speaker 2: between me and her, not this like beat over here.

355
00:17:12,200 --> 00:17:14,639
Speaker 2: Let's have our beat over here, you know, and and

356
00:17:14,680 --> 00:17:16,359
Speaker 2: when they're when we're actually just kind of talking to

357
00:17:16,400 --> 00:17:18,720
Speaker 2: each other or she's like there are times where that is.

358
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Speaker 2: But all the kissing, all the physical stuff just felt like, oh,

359
00:17:22,280 --> 00:17:24,800
Speaker 2: we're hitting the beats and and and I can kind

360
00:17:24,840 --> 00:17:27,000
Speaker 2: of tell that I'm not happy with it, which is

361
00:17:27,920 --> 00:17:29,879
Speaker 2: like it. But but one of the reasons that I

362
00:17:30,000 --> 00:17:34,240
Speaker 2: liked it is because it also brackets the actual chemistry

363
00:17:34,240 --> 00:17:37,280
Speaker 2: that Corey and Sean have. That's funny. It's like it's

364
00:17:37,280 --> 00:17:37,919
Speaker 2: a good reason.

365
00:17:37,960 --> 00:17:38,159
Speaker 1: You know.

366
00:17:38,359 --> 00:17:43,160
Speaker 4: It's like she's so uncomfortable with her that's so natural

367
00:17:43,240 --> 00:17:43,960
Speaker 4: with him.

368
00:17:44,320 --> 00:17:48,920
Speaker 2: That it is it's like you don't, but it's true.

369
00:17:48,920 --> 00:17:51,240
Speaker 2: It's like I didn't take it that way. But yeah,

370
00:17:51,560 --> 00:17:51,920
Speaker 2: none of.

371
00:17:51,880 --> 00:17:54,200
Speaker 1: It feels stilted when you're with Corey. None of it

372
00:17:54,240 --> 00:17:56,840
Speaker 1: feels set up. When you're with Corey, it's so natural

373
00:17:56,920 --> 00:18:00,520
Speaker 1: and beautiful, but when you're with her, it feels awkward

374
00:18:00,520 --> 00:18:02,080
Speaker 1: and weird. I thought that was great.

375
00:18:03,240 --> 00:18:06,439
Speaker 3: Yeah, it's funny. I didn't really have any memories from

376
00:18:06,440 --> 00:18:10,000
Speaker 3: doing this episode with her, but I when the same

377
00:18:10,080 --> 00:18:13,159
Speaker 3: exact thing when she was on Girl Meets World. Really

378
00:18:13,280 --> 00:18:15,879
Speaker 3: enjoyed being around her, enjoyed talking with her, but didn't

379
00:18:15,880 --> 00:18:17,880
Speaker 3: really don't really remember too much. I mean, I don't

380
00:18:17,880 --> 00:18:20,679
Speaker 3: have that much to do with her this week. I

381
00:18:20,720 --> 00:18:22,920
Speaker 3: mean a couple of little scenes with her, but yeah,

382
00:18:22,960 --> 00:18:24,560
Speaker 3: not any real what's cool.

383
00:18:24,920 --> 00:18:28,040
Speaker 2: She seems to be having fun, Yeah, which is really

384
00:18:28,080 --> 00:18:30,320
Speaker 2: cool for a guest star. First of all, just you know,

385
00:18:30,320 --> 00:18:32,040
Speaker 2: whenever a guest star comes in and they seem to

386
00:18:32,040 --> 00:18:34,840
Speaker 2: be having fun, you're like you own this. Yeah, but

387
00:18:34,920 --> 00:18:36,800
Speaker 2: also like this is one of those roles that you

388
00:18:36,960 --> 00:18:39,760
Speaker 2: need somebody who's confident and can come in and do that,

389
00:18:39,800 --> 00:18:42,639
Speaker 2: otherwise this whole thing doesn't work. And she nails it.

390
00:18:42,720 --> 00:18:44,640
Speaker 2: I yeah, does she come back.

391
00:18:44,680 --> 00:18:47,720
Speaker 4: Is she one of the people that kidnaped Sean and

392
00:18:47,760 --> 00:18:48,800
Speaker 4: puts them in the cabin?

393
00:18:48,920 --> 00:18:49,520
Speaker 2: Must be right?

394
00:18:49,600 --> 00:18:50,360
Speaker 5: Is she one of them?

395
00:18:50,640 --> 00:18:53,440
Speaker 2: I would hope so, Yeah, I'm pretty sure it's her.

396
00:18:53,520 --> 00:18:56,320
Speaker 2: Larissa and lindsay so, I'm pretty sure it's the three

397
00:18:56,320 --> 00:18:57,640
Speaker 2: of them. It makes total sense.

398
00:18:57,720 --> 00:19:10,760
Speaker 6: Yeah, So Corey looks concerned.

399
00:19:10,840 --> 00:19:13,200
Speaker 3: Look what they've done to my boy. To Peka squats

400
00:19:13,200 --> 00:19:15,200
Speaker 3: down to Sean. I think you can do a lot

401
00:19:15,240 --> 00:19:18,239
Speaker 3: better than Jennifer Bassett. Sean earnestly asks, you think, so,

402
00:19:18,560 --> 00:19:20,919
Speaker 3: Corey interjects to Panga, have you looked at her? To

403
00:19:20,960 --> 00:19:23,679
Speaker 3: Pega glances over. She's pretty, she's tall. She drives a

404
00:19:23,720 --> 00:19:24,600
Speaker 3: new red convertible.

405
00:19:24,840 --> 00:19:29,240
Speaker 2: Oh with a mistake, big mistake that everybody makes when

406
00:19:29,240 --> 00:19:32,080
Speaker 2: they're young. When somebody breaks up with somebody, keep your

407
00:19:32,080 --> 00:19:35,400
Speaker 2: mouth shut. You just don't say anything. They're gonna get

408
00:19:35,400 --> 00:19:38,360
Speaker 2: back together. If not, it doesn't help the situation. They

409
00:19:38,400 --> 00:19:41,960
Speaker 2: don't want to be like you do not want to

410
00:19:42,000 --> 00:19:44,440
Speaker 2: hear about how your ex sucked. I mean you think

411
00:19:44,440 --> 00:19:49,320
Speaker 2: you do, you really don't you know? Oh? No, God, mistake.

412
00:19:49,480 --> 00:19:51,960
Speaker 2: Everybody makes this mistake at some point in their life.

413
00:19:52,000 --> 00:19:54,120
Speaker 2: They turned to somebody and they're like, ah, thank god

414
00:19:54,160 --> 00:19:58,040
Speaker 2: you got out of that relationship. But it just always backfires.

415
00:19:58,080 --> 00:19:58,919
Speaker 2: It never works.

416
00:19:59,080 --> 00:20:01,919
Speaker 4: There's a great line Seinfeld where he says, breaking up

417
00:20:01,920 --> 00:20:03,840
Speaker 4: with somebody's like knocking over a coke machine. You don't

418
00:20:03,840 --> 00:20:05,320
Speaker 4: do it in one thing. You got to rocket back

419
00:20:05,320 --> 00:20:07,200
Speaker 4: and forth first, and then then it goes over.

420
00:20:08,280 --> 00:20:11,159
Speaker 3: It's true, that's funny. It's also the same reason you

421
00:20:11,200 --> 00:20:13,000
Speaker 3: don't ever really want to tell your best friends of

422
00:20:13,040 --> 00:20:16,800
Speaker 3: the worst qualities of your significant other, because you're probably

423
00:20:16,840 --> 00:20:20,639
Speaker 3: just venting. And then your best friends are like, I

424
00:20:20,640 --> 00:20:22,720
Speaker 3: can't stand that person you're with. You're like, no, you're

425
00:20:22,760 --> 00:20:23,879
Speaker 3: not really supposed to remember that.

426
00:20:23,960 --> 00:20:24,520
Speaker 5: I just wanted to.

427
00:20:24,520 --> 00:20:26,200
Speaker 3: Don't. Don't remember that.

428
00:20:27,920 --> 00:20:30,960
Speaker 2: Your own family, to your wife or your husband.

429
00:20:31,240 --> 00:20:32,000
Speaker 5: Yeah, exactly.

430
00:20:32,240 --> 00:20:34,200
Speaker 2: You could complain about your family, But the second they

431
00:20:34,200 --> 00:20:40,879
Speaker 2: say something about you do this thing, whoa, that's my mama.

432
00:20:41,040 --> 00:20:44,840
Speaker 2: What are you doing exactly?

433
00:20:46,600 --> 00:20:49,040
Speaker 3: Corey tries consoling Sean. I don't want to say I

434
00:20:49,040 --> 00:20:50,480
Speaker 3: didn't want to say this when you were going out

435
00:20:50,520 --> 00:20:53,280
Speaker 3: with her, But she's one stuck up, conceited girl. Her

436
00:20:53,359 --> 00:20:55,320
Speaker 3: nose is way up in the air, and quite frankly,

437
00:20:55,320 --> 00:20:58,359
Speaker 3: I don't think it's a real nose. Sean's hopeful about this,

438
00:20:58,359 --> 00:21:01,880
Speaker 3: as Corey reassures him it's placid, just like her personality.

439
00:21:02,400 --> 00:21:05,000
Speaker 3: Sean hears Corey's words of encouragement and finally stands up

440
00:21:05,000 --> 00:21:07,720
Speaker 3: and walks right up to Jennifer. He confidently yells to her,

441
00:21:07,840 --> 00:21:10,800
Speaker 3: you know what I think. I think you're conceited, conceited

442
00:21:11,000 --> 00:21:14,680
Speaker 3: and stuck up and something about your nose. Jennifer panics,

443
00:21:14,680 --> 00:21:16,840
Speaker 3: touching her nose. What is he talking about? Sean stutters.

444
00:21:16,920 --> 00:21:19,880
Speaker 3: Jennifer asks, who said something about my nose? They both

445
00:21:19,880 --> 00:21:22,040
Speaker 3: turn and look at Corey, whose mouth is hanging open

446
00:21:22,080 --> 00:21:24,800
Speaker 3: in surprise. So it was your best friend, Corey who

447
00:21:24,840 --> 00:21:27,399
Speaker 3: made you say these bad, bad things. Sean scoffs, like

448
00:21:27,440 --> 00:21:30,520
Speaker 3: I'd ever tell you, and then she ensorceles him with

449
00:21:30,600 --> 00:21:33,680
Speaker 3: a kiss, and Sean immediately breaks Corey mack.

450
00:21:33,600 --> 00:21:36,360
Speaker 5: I'm kiss she's doing so she is maybe casting.

451
00:21:36,160 --> 00:21:39,640
Speaker 3: There's a hair because there's a weird, weird, big thing

452
00:21:39,720 --> 00:21:47,080
Speaker 3: she's telling you about the women dominating physically ensorcelement stick

453
00:21:47,359 --> 00:21:51,000
Speaker 3: we have done on this show. I am and this.

454
00:21:50,920 --> 00:21:53,600
Speaker 2: Is what Maitland does, right Like? Isn't this what Maitland's her.

455
00:21:53,680 --> 00:21:54,840
Speaker 3: Entire character is based on.

456
00:21:55,200 --> 00:21:57,520
Speaker 2: Is that she's like this tall, big woman who like

457
00:21:57,840 --> 00:22:00,439
Speaker 2: controls the guys right and then sources time left and right.

458
00:22:00,880 --> 00:22:03,480
Speaker 3: I don't know, I don't know that there's anything more

459
00:22:03,520 --> 00:22:07,560
Speaker 3: boring or for a character to be not. I just

460
00:22:07,920 --> 00:22:10,880
Speaker 3: it's just I don't like it. And I this episode

461
00:22:10,920 --> 00:22:13,240
Speaker 3: started with it and I was like, oh no, I'm

462
00:22:13,240 --> 00:22:15,560
Speaker 3: in for an episode I'm not gonna like. And then

463
00:22:15,640 --> 00:22:18,080
Speaker 3: it becomes a love story between Corey and Sean and

464
00:22:18,119 --> 00:22:19,920
Speaker 3: I was like, turned, I'm happy.

465
00:22:19,880 --> 00:22:21,919
Speaker 2: Yeah, I just I just wish that, like, you know,

466
00:22:22,000 --> 00:22:23,520
Speaker 2: because you know what it's said in the script, which

467
00:22:23,560 --> 00:22:28,800
Speaker 2: is then she kisses him, yes, And like, I wish

468
00:22:28,800 --> 00:22:31,679
Speaker 2: we had had the freedom to just figure out what

469
00:22:31,720 --> 00:22:34,240
Speaker 2: that is, right, two actors figure out what it is

470
00:22:34,240 --> 00:22:36,399
Speaker 2: that she could do to get and instead it feels

471
00:22:36,400 --> 00:22:39,520
Speaker 2: so stilted, it feels so staged. It feels so, here's

472
00:22:39,520 --> 00:22:41,639
Speaker 2: what you're gonna do this with your aunt, and it's

473
00:22:41,720 --> 00:22:44,840
Speaker 2: just like and you're watching her do a choreography that

474
00:22:44,880 --> 00:22:48,280
Speaker 2: feels in human and I feel like I'm pitying my

475
00:22:48,359 --> 00:22:50,240
Speaker 2: marks and doing the thing, and it just, you know,

476
00:22:50,280 --> 00:22:52,639
Speaker 2: like it would have been so great to just be

477
00:22:52,720 --> 00:22:55,119
Speaker 2: allowed some breathing room, and you just don't feel it.

478
00:22:55,160 --> 00:22:58,000
Speaker 2: You feel instead the like, oh okay, and you can

479
00:22:58,040 --> 00:23:00,040
Speaker 2: you can remove yourself and see the cartoon for what

480
00:23:00,119 --> 00:23:02,720
Speaker 2: it is and laugh. That's fine. But you know, looking

481
00:23:02,720 --> 00:23:04,960
Speaker 2: at it with a critical eye as the actor in it,

482
00:23:05,040 --> 00:23:06,600
Speaker 2: I'm like, oh, come on, this could have been so

483
00:23:06,680 --> 00:23:07,200
Speaker 2: much better.

484
00:23:07,359 --> 00:23:10,520
Speaker 3: Yeah, you wonder too, how much of it is that,

485
00:23:10,600 --> 00:23:12,840
Speaker 3: because one of the things that is bumping me is

486
00:23:12,840 --> 00:23:16,320
Speaker 3: that it's just not sexy. It is it actually isn't.

487
00:23:17,320 --> 00:23:20,200
Speaker 3: It doesn't feel like you guys have that great of chemistry.

488
00:23:21,000 --> 00:23:24,159
Speaker 3: So part of me wonders if the problem is in

489
00:23:24,280 --> 00:23:27,160
Speaker 3: allowing you guys to figure it out. If it would

490
00:23:27,240 --> 00:23:30,880
Speaker 3: have come across as too sexual, like it would have seemed.

491
00:23:30,560 --> 00:23:32,680
Speaker 2: Maybe that's actually good call.

492
00:23:32,720 --> 00:23:35,440
Speaker 3: Maybe if she had actually walked up to you, Yeah,

493
00:23:35,480 --> 00:23:39,399
Speaker 3: that it has to be this, let's sell sex in

494
00:23:39,480 --> 00:23:44,480
Speaker 3: a contry, like in a yes in order.

495
00:23:44,440 --> 00:23:47,000
Speaker 2: That's a really good call. You know, you're right, Yeah,

496
00:23:47,000 --> 00:23:50,760
Speaker 2: because if she had actually been like seductivective or like

497
00:23:50,800 --> 00:23:52,480
Speaker 2: a dominatrix.

498
00:23:51,960 --> 00:23:57,960
Speaker 3: Yes, taken that, maybe it would have been like, Okay,

499
00:23:57,960 --> 00:24:00,800
Speaker 3: what what are we watching here? Friday night eight thirty

500
00:24:00,880 --> 00:24:02,800
Speaker 3: or nine thirty, depending on what's a really good point.

501
00:24:02,880 --> 00:24:06,520
Speaker 2: Danielle you're right, Okay, you know I retract most of what.

502
00:24:06,560 --> 00:24:08,400
Speaker 3: I No, No, you don't have to attract it. I'm

503
00:24:08,440 --> 00:24:12,760
Speaker 3: just in our discerning eye stuff, giving the all of

504
00:24:12,800 --> 00:24:14,760
Speaker 3: the thought to what the reasons are it could have

505
00:24:14,760 --> 00:24:15,040
Speaker 3: been that.

506
00:24:15,119 --> 00:24:17,719
Speaker 2: So well here's my here's my main question is what

507
00:24:17,880 --> 00:24:21,320
Speaker 2: is I I get is the implication that she wants

508
00:24:21,320 --> 00:24:24,480
Speaker 2: Shawan back just because he criticizes her and then she

509
00:24:24,520 --> 00:24:26,919
Speaker 2: wants him back, or like like why does she just

510
00:24:27,000 --> 00:24:29,600
Speaker 2: immediately change her mind? And like I was kind of

511
00:24:29,600 --> 00:24:32,280
Speaker 2: waiting for that to become a thing, like like somebody

512
00:24:32,280 --> 00:24:36,640
Speaker 2: to like get to Panga or Ben Corey to say, yeah,

513
00:24:36,720 --> 00:24:38,960
Speaker 2: see you insult a woman. She comes right. I don't know,

514
00:24:38,960 --> 00:24:40,880
Speaker 2: like because it seems like the implication is that now

515
00:24:40,920 --> 00:24:43,760
Speaker 2: she's going to own me to get back at Corey,

516
00:24:43,960 --> 00:24:45,360
Speaker 2: which is kind of funny.

517
00:24:45,000 --> 00:24:47,879
Speaker 3: But like maybe the idea is the reason the relationship

518
00:24:47,920 --> 00:24:49,760
Speaker 3: wasn't going to work. The reason she doesn't want to

519
00:24:49,800 --> 00:24:51,680
Speaker 3: be with you is because she didn't like your best friend.

520
00:24:52,080 --> 00:24:55,359
Speaker 3: And so now she's like, listen, I'm just the reason

521
00:24:55,400 --> 00:24:58,560
Speaker 3: we're not working is because of him, right, So I'm

522
00:24:58,600 --> 00:25:01,320
Speaker 3: willing to give us a chance, but you have to

523
00:25:01,359 --> 00:25:04,760
Speaker 3: get rid of him, and it's that kind of idea.

524
00:25:04,520 --> 00:25:05,560
Speaker 2: I wanted that to be.

525
00:25:06,160 --> 00:25:07,119
Speaker 3: I agree it.

526
00:25:07,119 --> 00:25:10,000
Speaker 2: Would because yeah, because I just kept being like, oh, oh,

527
00:25:10,040 --> 00:25:13,119
Speaker 2: we're just back in the relationship, and I don't know,

528
00:25:13,200 --> 00:25:15,080
Speaker 2: it was just a little like what why is is

529
00:25:15,119 --> 00:25:17,879
Speaker 2: she so obsessed with this and like make it? You know,

530
00:25:18,320 --> 00:25:18,679
Speaker 2: I don't know.

531
00:25:18,680 --> 00:25:20,600
Speaker 5: They just are just trying to get to you and.

532
00:25:20,520 --> 00:25:23,880
Speaker 3: Cort, and that's exactly it is. That once they got

533
00:25:23,920 --> 00:25:26,080
Speaker 3: into that, it's like, this is clearly why we're here.

534
00:25:26,160 --> 00:25:28,200
Speaker 5: That's all that it was about, is just getting there.

535
00:25:28,359 --> 00:25:29,840
Speaker 2: I wonder if we could have just started with me

536
00:25:29,880 --> 00:25:31,840
Speaker 2: in a relationship with the woman who didn't want us

537
00:25:31,840 --> 00:25:32,720
Speaker 2: to be friends anymore.

538
00:25:32,880 --> 00:25:35,639
Speaker 5: Yeah, probably that's probably where it should have started.

539
00:25:35,640 --> 00:25:37,920
Speaker 4: He didn't need any of the stuff lying in the hallway,

540
00:25:38,040 --> 00:25:40,679
Speaker 4: and I should have just been yeah, Corey, looking at

541
00:25:40,720 --> 00:25:41,480
Speaker 4: the two of you together.

542
00:25:41,760 --> 00:25:44,640
Speaker 3: So when Soorceld Sean Brakes, Corey Matthew's son of Allan

543
00:25:44,680 --> 00:25:47,119
Speaker 3: and Amy, grandson of Nana and Sam, Corey shouts, how

544
00:25:47,160 --> 00:25:50,560
Speaker 3: could you sell out my nana? Which is very funny.

545
00:25:50,400 --> 00:25:53,440
Speaker 2: Jennifer editing is weird it like holds it been too long?

546
00:25:53,520 --> 00:25:55,239
Speaker 2: I was like, yeah, you hit the joke and then

547
00:25:55,240 --> 00:25:57,200
Speaker 2: you get out and if we're already kind of lingers,

548
00:25:57,240 --> 00:25:58,440
Speaker 2: I was like, oh, oh, is that the end of

549
00:25:58,440 --> 00:26:00,600
Speaker 2: the scene is get held a laugh?

550
00:26:00,640 --> 00:26:00,840
Speaker 5: There?

551
00:26:00,920 --> 00:26:03,600
Speaker 2: I you never hold? Yeah, I never felt like the

552
00:26:03,640 --> 00:26:07,119
Speaker 2: awkward editing on our show as as like much before.

553
00:26:07,240 --> 00:26:09,320
Speaker 2: And I was like, yeah, there's a little awkward editing

554
00:26:09,400 --> 00:26:09,760
Speaker 2: going on.

555
00:26:10,040 --> 00:26:12,640
Speaker 3: Jennifer decides to flirt with Sean. Maybe there could still

556
00:26:12,640 --> 00:26:15,159
Speaker 3: be something between us. She grabs his head, spins him

557
00:26:15,160 --> 00:26:17,320
Speaker 3: in a circle, towers over him, and pushes him against

558
00:26:17,359 --> 00:26:22,680
Speaker 3: the staircase, and then they knows to nose kiss, which

559
00:26:22,680 --> 00:26:27,040
Speaker 3: I guess is sex. He I don't. I don't know.

560
00:26:27,160 --> 00:26:29,800
Speaker 3: I don't think so. I don't know what's going on. Yeah,

561
00:26:29,800 --> 00:26:34,359
Speaker 3: you're like, look like we're doing Sean Caves. I'd be

562
00:26:34,400 --> 00:26:36,000
Speaker 3: willing to give it another try, just as long as

563
00:26:36,040 --> 00:26:38,320
Speaker 3: you're not mad at Corey. Jennifer puts her arm around

564
00:26:38,359 --> 00:26:40,840
Speaker 3: him and they walk away. No, Sean, he's your best friend.

565
00:26:40,920 --> 00:26:43,159
Speaker 3: How could I ever come between you and your best friend?

566
00:26:43,480 --> 00:26:45,520
Speaker 3: And as they pass Cory and to Panga, Jennifer quickly

567
00:26:45,520 --> 00:26:47,800
Speaker 3: holds up her hand in a claw and hisses at him.

568
00:26:48,560 --> 00:26:50,480
Speaker 2: And I feel like she's about to break I feel

569
00:26:50,520 --> 00:26:52,239
Speaker 2: like she has to cut it short because if she

570
00:26:52,600 --> 00:26:55,399
Speaker 2: if she holds the moment too long, she's go yeah,

571
00:26:55,480 --> 00:26:55,919
Speaker 2: I don't know.

572
00:26:56,720 --> 00:26:58,560
Speaker 3: Cory asks to Panga if she saw that, and she

573
00:26:58,600 --> 00:27:01,160
Speaker 3: confirmed she did. Corey Panna asking her what it means,

574
00:27:01,160 --> 00:27:04,080
Speaker 3: and she tells him nothing good for you. And then

575
00:27:04,119 --> 00:27:06,439
Speaker 3: we go to our surfer acid commercial break and we

576
00:27:06,480 --> 00:27:09,199
Speaker 3: come back. We're in Chubbies. Corey sits with Sean. What

577
00:27:09,240 --> 00:27:12,760
Speaker 3: does it mean when a girl goes? Sean shrugs it off.

578
00:27:12,800 --> 00:27:15,119
Speaker 3: Come on, she was just being playful. Cory asks, playful

579
00:27:15,200 --> 00:27:17,000
Speaker 3: like a spider when it catches a fly and sucks

580
00:27:17,000 --> 00:27:20,159
Speaker 3: out its head meat. Sean defends her by explaining she

581
00:27:20,200 --> 00:27:22,560
Speaker 3: was upset after all the terrible things he said about her.

582
00:27:22,760 --> 00:27:24,719
Speaker 3: Corey corrects him. I said them to you to make

583
00:27:24,760 --> 00:27:26,960
Speaker 3: my best friend feel better about being dumped. May I

584
00:27:27,040 --> 00:27:29,560
Speaker 3: speak freely? Sean looks up and blurts out, I don't

585
00:27:29,560 --> 00:27:31,960
Speaker 3: think that's wise, but Corey continues anyway, just as we

586
00:27:31,960 --> 00:27:35,119
Speaker 3: see Jennifer walk up behind him. I think Jennifer should

587
00:27:35,119 --> 00:27:38,440
Speaker 3: I say, Zathrac the undead is a stuck up, manipulative,

588
00:27:38,520 --> 00:27:42,359
Speaker 3: cold blooded. Corey finally catches Sean's cues and stops giving

589
00:27:42,440 --> 00:27:45,960
Speaker 3: us a classic season two joke by nervously asking.

590
00:27:46,000 --> 00:27:48,640
Speaker 2: Are we keeping a tally? Yeah? Number five?

591
00:27:49,200 --> 00:27:49,600
Speaker 5: Ten times?

592
00:27:50,280 --> 00:27:53,960
Speaker 3: She's right behind me, isn't she. Jennifer says hello and

593
00:27:54,000 --> 00:27:58,200
Speaker 3: he sticks his hand hand up all hail Zathrack. Jennifer

594
00:27:58,240 --> 00:28:01,280
Speaker 3: pulls Sean away and plays with his his hair, and

595
00:28:01,359 --> 00:28:04,000
Speaker 3: this is where we get a great look at the

596
00:28:04,040 --> 00:28:05,640
Speaker 3: autographed OJ jersey.

597
00:28:05,800 --> 00:28:07,600
Speaker 5: Yes, I saw that in the background as well.

598
00:28:08,240 --> 00:28:12,120
Speaker 2: Priorities all we care about on fiveby twirls anymore, OJ jer.

599
00:28:13,520 --> 00:28:15,120
Speaker 7: It's Jenson jumping in. Can I give you a small

600
00:28:15,200 --> 00:28:19,679
Speaker 7: update on the OJ jersey? Yeah, okay, it possibly is

601
00:28:19,760 --> 00:28:22,800
Speaker 7: because on the arm we see a trojan like that's

602
00:28:22,840 --> 00:28:25,720
Speaker 7: obviously a big thing. But there were OJ years when

603
00:28:25,720 --> 00:28:29,040
Speaker 7: he was on USC that the arms also had yellow

604
00:28:29,160 --> 00:28:32,920
Speaker 7: lines kind of right at the shoulder or right around

605
00:28:32,920 --> 00:28:35,760
Speaker 7: the bicep, somewhere in between the two places. So it

606
00:28:35,800 --> 00:28:38,440
Speaker 7: is still possibly an OJ jersey, especially with the trojan.

607
00:28:38,480 --> 00:28:41,960
Speaker 7: It's just not a direct connection because it's missing the stripes.

608
00:28:42,240 --> 00:28:44,720
Speaker 3: Got it, okay, So it would for sure have been

609
00:28:44,760 --> 00:28:47,040
Speaker 3: a nod to OJ Simpson if there were stripes on

610
00:28:47,080 --> 00:28:48,400
Speaker 3: the jersey, but there is not.

611
00:28:48,760 --> 00:28:51,560
Speaker 2: But it's still there Adams High colors, right?

612
00:28:51,960 --> 00:28:52,440
Speaker 5: Were they?

613
00:28:52,560 --> 00:28:57,280
Speaker 2: Were they the Trojans? No? Yeah, do we know?

614
00:28:57,520 --> 00:29:00,360
Speaker 4: Did we ever know what their patriots that was? We

615
00:29:00,400 --> 00:29:02,640
Speaker 4: know what the mascot was when we got to college.

616
00:29:02,800 --> 00:29:03,560
Speaker 5: Was the penguin?

617
00:29:04,240 --> 00:29:04,520
Speaker 3: Right?

618
00:29:04,680 --> 00:29:05,080
Speaker 5: I don't know.

619
00:29:05,280 --> 00:29:07,000
Speaker 2: I don't know if we ever had if we ever well,

620
00:29:07,040 --> 00:29:10,520
Speaker 2: really have Patriots in my head, but I'm not sure. Likeston.

621
00:29:10,640 --> 00:29:14,560
Speaker 3: This is your job, super fanfan. Your job is superfan

622
00:29:16,160 --> 00:29:20,920
Speaker 3: wild Melissa. We nominated you as the universal voice of

623
00:29:20,960 --> 00:29:23,880
Speaker 3: the fandom. Please, Melissa, reach out to us. Let us

624
00:29:23,920 --> 00:29:26,720
Speaker 3: know what was the mascot at John Adams High. Oh,

625
00:29:26,840 --> 00:29:29,320
Speaker 3: the patriot spirit was the name of the paper.

626
00:29:29,800 --> 00:29:31,800
Speaker 2: So the Patriots is probably a good guess. Yeah, the

627
00:29:31,840 --> 00:29:35,560
Speaker 2: Patriot And but I wonder if they just picked the

628
00:29:35,560 --> 00:29:37,440
Speaker 2: colors and the most the easiest thing to buy was

629
00:29:37,440 --> 00:29:41,160
Speaker 2: an Oja jersey once you knew the colors. Yeah, I

630
00:29:41,200 --> 00:29:42,480
Speaker 2: still think it's an o j jersey.

631
00:29:42,640 --> 00:29:43,960
Speaker 5: Yeah, I think it is all right.

632
00:29:44,640 --> 00:29:47,120
Speaker 3: So Jennifer says, they've been working so hard to make

633
00:29:47,160 --> 00:29:49,200
Speaker 3: this relationship work, but there are just some people who

634
00:29:49,240 --> 00:29:51,480
Speaker 3: only want to tear them apart. She pleads, I don't

635
00:29:51,480 --> 00:29:54,000
Speaker 3: think we should allow those negative presences in our lives,

636
00:29:54,040 --> 00:29:56,640
Speaker 3: do you. Sean tries to stand his ground, saying he

637
00:29:56,680 --> 00:29:59,440
Speaker 3: doesn't see it that way. Jennifer grabs him and kisses

638
00:29:59,520 --> 00:30:03,040
Speaker 3: him him down in a booth. The camera stays on Pory, who.

639
00:30:03,000 --> 00:30:05,960
Speaker 2: Watch the same scene, right, Yeah, Yes, it's like it's

640
00:30:06,360 --> 00:30:07,880
Speaker 2: doing all the same things.

641
00:30:08,160 --> 00:30:09,960
Speaker 3: Yes, you could just started source.

642
00:30:10,240 --> 00:30:12,760
Speaker 2: Yes, we literally could have started with this scene and

643
00:30:12,800 --> 00:30:14,720
Speaker 2: found a way to insert Chepanga and we would have

644
00:30:14,760 --> 00:30:18,800
Speaker 2: had probably the same Yeah, yep, yep. I was wondering

645
00:30:18,800 --> 00:30:20,960
Speaker 2: what was wrong. I was like, why, Oh, And now

646
00:30:20,960 --> 00:30:23,520
Speaker 2: that you're spelling it out, like we literally just watched

647
00:30:23,520 --> 00:30:24,000
Speaker 2: all these.

648
00:30:23,840 --> 00:30:26,120
Speaker 5: Themes happen, it's essentially the same scene twice.

649
00:30:26,480 --> 00:30:28,000
Speaker 2: Yeah, yeah, yeah.

650
00:30:28,040 --> 00:30:31,080
Speaker 3: We hear Sean exclaim, Wow, suddenly everything is so clear.

651
00:30:31,440 --> 00:30:33,680
Speaker 3: Jennifer asks if he sees her point, and Sean tells

652
00:30:33,720 --> 00:30:37,080
Speaker 3: her yes, you're a really good debater. Jennifer and Sean

653
00:30:37,120 --> 00:30:38,960
Speaker 3: sit up, and she says, I think you should tell

654
00:30:39,000 --> 00:30:41,560
Speaker 3: Corey you can't see him anymore. Sean argues, but we've

655
00:30:41,600 --> 00:30:43,400
Speaker 3: been best friends our whole lives. How am I supposed

656
00:30:43,400 --> 00:30:45,920
Speaker 3: to say Corey you're out of my life? Jennifer answers

657
00:30:45,960 --> 00:30:48,680
Speaker 3: by pulling him back in for yet another makeout session.

658
00:30:48,760 --> 00:30:51,120
Speaker 3: Laying in the booth, and Sewn manages to ask Corey

659
00:30:51,120 --> 00:30:53,800
Speaker 3: if he can come over. Corey excitedly jumps up. Maybe

660
00:30:53,800 --> 00:30:56,960
Speaker 3: this is good news. He immediately gets uncomfortable by what

661
00:30:57,000 --> 00:30:59,560
Speaker 3: he sees in the booth. And this is where I

662
00:30:59,640 --> 00:31:01,920
Speaker 3: was like, I don't mean to be a downer, but

663
00:31:02,160 --> 00:31:04,720
Speaker 3: I'm bored, just yeah, bored here.

664
00:31:04,800 --> 00:31:06,680
Speaker 2: Yeah, And I think I think, I think it's not

665
00:31:06,920 --> 00:31:10,560
Speaker 2: It's not just that it's like the the sort of

666
00:31:10,600 --> 00:31:14,240
Speaker 2: now predictable stereotype of or archetypal moment of the and

667
00:31:14,240 --> 00:31:16,280
Speaker 2: sort of it's also that it's a repeat, a repeat.

668
00:31:16,280 --> 00:31:19,160
Speaker 2: Story wise, we have not made any progress yet. So

669
00:31:19,520 --> 00:31:21,280
Speaker 2: not only do we have a beat that kind of

670
00:31:21,280 --> 00:31:23,160
Speaker 2: makes you roll your eyes, we get it twice for

671
00:31:23,200 --> 00:31:24,720
Speaker 2: no reason when it doesn't actually help.

672
00:31:24,840 --> 00:31:26,680
Speaker 3: So, yeah, that's interesting, absolutely right.

673
00:31:26,760 --> 00:31:32,360
Speaker 4: Yeah, it kind of starts now rightly episode into the episode, Yes,

674
00:31:32,400 --> 00:31:32,920
Speaker 4: exactly so.

675
00:31:32,960 --> 00:31:36,400
Speaker 3: Then later at Chubbies and employee is clubbing, an employee

676
00:31:36,400 --> 00:31:38,560
Speaker 3: is closing down Chubbies is to Panga, leans against a

677
00:31:38,560 --> 00:31:40,920
Speaker 3: booth and stares down at Corey, now slumped on the floor,

678
00:31:41,000 --> 00:31:43,440
Speaker 3: a call back to Shawn's cold open. She tells him

679
00:31:43,480 --> 00:31:45,720
Speaker 3: to get up and Corey sadly explains he dumped me.

680
00:31:45,800 --> 00:31:48,640
Speaker 3: He dumped me good, and thank god that was a

681
00:31:48,680 --> 00:31:51,080
Speaker 3: short scene because I'm wearing a jacket in it, and

682
00:31:51,120 --> 00:31:55,720
Speaker 3: so no good would have come from it. In the kitchen, yeah,

683
00:31:55,880 --> 00:31:59,720
Speaker 3: which is why, Which is why, Daniel, it's not a

684
00:31:59,720 --> 00:32:00,720
Speaker 3: great episode for me.

685
00:32:01,040 --> 00:32:03,400
Speaker 2: You're not going to be a movie star. This is

686
00:32:03,440 --> 00:32:06,120
Speaker 2: why it was hard for me to answer that question. Listen, writer,

687
00:32:06,520 --> 00:32:08,840
Speaker 2: because movie stars can handle jackets.

688
00:32:08,440 --> 00:32:10,760
Speaker 4: You know what I but Rider can't because he keeps

689
00:32:10,760 --> 00:32:12,200
Speaker 4: losing them.

690
00:32:12,640 --> 00:32:16,720
Speaker 5: True very strange jackets to all of us.

691
00:32:17,000 --> 00:32:19,200
Speaker 3: And then we're in the Matthew's kitchen. Amy and Allan

692
00:32:19,280 --> 00:32:21,040
Speaker 3: walk in from a night out and Eric, who was

693
00:32:21,080 --> 00:32:23,920
Speaker 3: having some midnight pie and milk.

694
00:32:24,120 --> 00:32:28,440
Speaker 2: Can we talk about milk? Liked, pour yourself a glass

695
00:32:28,440 --> 00:32:30,680
Speaker 2: of milk, so much milk.

696
00:32:30,760 --> 00:32:34,040
Speaker 3: It was like sixteen ounces of milk. And I'm like, watch.

697
00:32:33,840 --> 00:32:34,640
Speaker 5: Milk too much?

698
00:32:35,000 --> 00:32:37,320
Speaker 4: Myself poured myself a glass of milk that size last night,

699
00:32:37,640 --> 00:32:41,560
Speaker 4: really almost every night, wow, really.

700
00:32:41,720 --> 00:32:44,800
Speaker 2: Like are you seven years old? Like it's milk, milk

701
00:32:44,880 --> 00:32:47,080
Speaker 2: is good for you and you're old boy.

702
00:32:47,720 --> 00:32:49,680
Speaker 5: Milk milk a year.

703
00:32:51,080 --> 00:32:52,080
Speaker 3: Plan and you.

704
00:32:52,120 --> 00:32:56,320
Speaker 2: Got your teddy your stuff, Teddy your teddy bear in

705
00:32:56,360 --> 00:32:58,880
Speaker 2: the closet. Did you were you watching cartoons? Do you

706
00:32:58,960 --> 00:33:01,840
Speaker 2: drink your you're watching cartoons?

707
00:33:02,040 --> 00:33:05,800
Speaker 5: I was watching an animated feature film.

708
00:33:05,960 --> 00:33:10,000
Speaker 3: Okay, twirly straw, swirly straw in your mouth.

709
00:33:10,360 --> 00:33:10,800
Speaker 5: I drank.

710
00:33:10,840 --> 00:33:14,680
Speaker 4: My idea that milk is for children is completely wrong.

711
00:33:15,200 --> 00:33:18,240
Speaker 4: Milk is for everybody. You always need the calcium in

712
00:33:18,280 --> 00:33:23,600
Speaker 4: the vitamin D. You guys, it's all fun and games,

713
00:33:23,600 --> 00:33:24,960
Speaker 4: so you get osteoporosis.

714
00:33:36,200 --> 00:33:38,720
Speaker 3: Eric, who's eating midnight pie, scolds them, it's about time

715
00:33:38,760 --> 00:33:40,960
Speaker 3: you kids got home. It's almost eleven o'clock. I was

716
00:33:41,000 --> 00:33:43,120
Speaker 3: worried sick. I had Peenie looking for you. I called

717
00:33:43,120 --> 00:33:45,440
Speaker 3: the police. Amy asks, really, and Eric admits no, I

718
00:33:45,480 --> 00:33:48,719
Speaker 3: didn't even know you left. Nice time. Amy says they

719
00:33:48,720 --> 00:33:51,680
Speaker 3: went to a one woman show at the theater. Eric asks, juggling,

720
00:33:52,000 --> 00:33:54,240
Speaker 3: Alan corrects him. No, she sat on a stool and

721
00:33:54,240 --> 00:33:56,920
Speaker 3: told the remarkable story of her himself.

722
00:33:56,960 --> 00:34:01,600
Speaker 2: A glass milk. Really, two grown men, we're all just

723
00:34:01,640 --> 00:34:05,040
Speaker 2: gonna sit around drinking milk. Amy has this decency to

724
00:34:05,040 --> 00:34:06,480
Speaker 2: have a cup of tea or something.

725
00:34:06,200 --> 00:34:07,600
Speaker 5: And new milk last night too.

726
00:34:07,720 --> 00:34:10,440
Speaker 3: There are a few meals that I think call for

727
00:34:10,520 --> 00:34:11,440
Speaker 3: a glass of milk.

728
00:34:11,520 --> 00:34:15,000
Speaker 2: I will dessert pie, I guess witch like.

729
00:34:15,440 --> 00:34:21,200
Speaker 3: Yeah, also spaghetti with red sauce. It's like a sue.

730
00:34:21,200 --> 00:34:23,680
Speaker 2: The encounterpoint to the spaghetti.

731
00:34:23,200 --> 00:34:26,200
Speaker 4: The idea that you're trying to justify milk. I don't

732
00:34:26,280 --> 00:34:31,839
Speaker 4: understand what's happening people. Yes, it's super podcast sponsored by milk.

733
00:34:32,840 --> 00:34:34,240
Speaker 2: I was the one who did the milk commercial.

734
00:34:34,440 --> 00:34:35,160
Speaker 3: That's right, he did.

735
00:34:35,239 --> 00:34:36,160
Speaker 5: He did it, tastes.

736
00:34:38,640 --> 00:34:41,600
Speaker 3: Eric jokes, you couldn't afford a real show, huh. Alan

737
00:34:41,680 --> 00:34:44,400
Speaker 3: hands the tickets to Eric and shows him the price.

738
00:34:45,040 --> 00:34:47,239
Speaker 3: Thirty bucks. He spent thirty bucks to listen to some

739
00:34:47,320 --> 00:34:49,440
Speaker 3: lady on a stool. Alan tells him it was a

740
00:34:49,480 --> 00:34:52,320
Speaker 3: three hundred seat theater and it was completely sold out.

741
00:34:52,760 --> 00:34:54,759
Speaker 3: Eric's in shock, trying to figure out the math. That's

742
00:34:54,800 --> 00:34:58,120
Speaker 3: like three hundred times thirty. Amy says the show had

743
00:34:58,160 --> 00:35:00,880
Speaker 3: even been sold out for months. Eric unders this idea,

744
00:35:00,960 --> 00:35:03,319
Speaker 3: and then we get a dissolve, which is like a

745
00:35:03,360 --> 00:35:06,759
Speaker 3: distant cousin to the optical flip, and we see Eric

746
00:35:06,960 --> 00:35:09,560
Speaker 3: slowly pressing one key at a time on his laptop

747
00:35:09,560 --> 00:35:11,520
Speaker 3: with crumpled papers all around his laptop.

748
00:35:11,680 --> 00:35:16,680
Speaker 2: Slash eighties word process. I mean, I guess did still

749
00:35:16,680 --> 00:35:18,040
Speaker 2: look like that.

750
00:35:18,040 --> 00:35:19,279
Speaker 5: That was probably cutting edge.

751
00:35:19,320 --> 00:35:23,040
Speaker 2: Oh yeah, the printer on the table too, Like you

752
00:35:23,080 --> 00:35:25,680
Speaker 2: got to immediately be able to print out. It's like

753
00:35:25,840 --> 00:35:29,920
Speaker 2: show the writer at work, and there's always the crumpled

754
00:35:30,000 --> 00:35:34,120
Speaker 2: up papers, like why do you need to print it

755
00:35:34,160 --> 00:35:38,120
Speaker 2: out to read it? Like it's oh great, I love it.

756
00:35:38,120 --> 00:35:41,560
Speaker 2: It's it's it's so clearly a because Michael Jacobs was

757
00:35:41,560 --> 00:35:43,880
Speaker 2: a play right, and I like, do you guys remember

758
00:35:44,239 --> 00:35:47,600
Speaker 2: Jef McCracken's story about Michael writing his first play. No,

759
00:35:48,080 --> 00:35:51,400
Speaker 2: they were roommates and and Michael because Michael started as

760
00:35:51,400 --> 00:35:54,239
Speaker 2: an actor, they were both cheaters or whatever it was, yeah,

761
00:35:54,320 --> 00:35:58,000
Speaker 2: cheaters and which became his movie. But Michael like came

762
00:35:58,000 --> 00:36:00,680
Speaker 2: home from an audition was like, that's it. I'm so

763
00:36:01,000 --> 00:36:03,280
Speaker 2: because he had had such a bad audition or gotten

764
00:36:03,280 --> 00:36:05,160
Speaker 2: really close to a part I forget. We'll have to

765
00:36:05,160 --> 00:36:07,080
Speaker 2: ask Jeff what it was. A it was there was

766
00:36:07,120 --> 00:36:09,480
Speaker 2: like a famous part that Michael got close on whatever.

767
00:36:09,520 --> 00:36:11,000
Speaker 2: He was so pissed and he was like that's it

768
00:36:11,320 --> 00:36:13,680
Speaker 2: and grabbed his typewriter and went into the other room

769
00:36:13,719 --> 00:36:16,480
Speaker 2: and over like the course of the weekend, like didn't

770
00:36:16,480 --> 00:36:19,359
Speaker 2: emerge until he had written his play and apparently like

771
00:36:19,520 --> 00:36:21,879
Speaker 2: it was this scene like it was I mean away

772
00:36:21,920 --> 00:36:23,759
Speaker 2: and Jeff was like reading the pages as they were

773
00:36:23,760 --> 00:36:27,080
Speaker 2: coming out and going like this is funny. Michael, Yeah,

774
00:36:27,120 --> 00:36:28,879
Speaker 2: so there you go, funny. So this is a little

775
00:36:28,920 --> 00:36:29,760
Speaker 2: window into.

776
00:36:29,640 --> 00:36:32,520
Speaker 5: Playwriting, guessing he was typing faster than Eric was.

777
00:36:32,680 --> 00:36:35,680
Speaker 2: Yeah, and had a typewriter and had an actual typewriter.

778
00:36:36,719 --> 00:36:39,480
Speaker 3: Corey walks up and curiously reads over his shoulder. Eric

779
00:36:39,520 --> 00:36:42,720
Speaker 3: matthews and look at me, look at me, one woman show.

780
00:36:43,200 --> 00:36:45,480
Speaker 3: Eric quickly corrects himself, Oh yeah, for me, this would

781
00:36:45,480 --> 00:36:48,400
Speaker 3: be man. Corey grabs the script and notices Eric is

782
00:36:48,400 --> 00:36:50,719
Speaker 3: writing a play about himself. Eric asks if he can

783
00:36:50,760 --> 00:36:53,200
Speaker 3: bounce the opening off of him, and Corey quickly responds,

784
00:36:53,520 --> 00:36:56,120
Speaker 3: let me bounce this off of you, throwing the script

785
00:36:56,120 --> 00:36:57,080
Speaker 3: at him, which.

786
00:36:56,960 --> 00:36:59,880
Speaker 4: Is clearly I think a boy meets World scripts ooh

787
00:37:00,080 --> 00:37:02,319
Speaker 4: are using Yes, yeah, but that joke is just a

788
00:37:02,400 --> 00:37:05,160
Speaker 4: terrible joke, terrible head off.

789
00:37:05,680 --> 00:37:09,280
Speaker 2: I was like, can we a few times? I'm like, wow,

790
00:37:09,400 --> 00:37:11,759
Speaker 2: come on, guys, let's punch it up here, like you're

791
00:37:11,800 --> 00:37:12,920
Speaker 2: sticking with this one. Yeah.

792
00:37:14,200 --> 00:37:15,200
Speaker 5: Jerk store, jerk.

793
00:37:15,040 --> 00:37:19,040
Speaker 3: Store, yeah exactly. Eric argues that people will care about

794
00:37:19,040 --> 00:37:21,560
Speaker 3: this play because he is a human life. He dramatically

795
00:37:21,600 --> 00:37:24,000
Speaker 3: looks off into the distance, romanticizing his life, and then

796
00:37:24,040 --> 00:37:26,759
Speaker 3: states camera, I know.

797
00:37:28,480 --> 00:37:30,799
Speaker 2: Yes, a little a little dolly move, which is hard

798
00:37:30,840 --> 00:37:32,800
Speaker 2: to do one of those camera the way those cameras

799
00:37:32,800 --> 00:37:37,680
Speaker 2: foods pretty us to Jeff McCracken.

800
00:37:37,640 --> 00:37:39,640
Speaker 3: I know, I love that he found little ways to

801
00:37:40,040 --> 00:37:43,720
Speaker 3: be creative. There. I don't understand the wake up damn

802
00:37:43,760 --> 00:37:46,360
Speaker 3: you joke? Does do either of you?

803
00:37:46,440 --> 00:37:50,880
Speaker 2: Corey has already fallen asleep, like he's committed?

804
00:37:51,400 --> 00:37:53,080
Speaker 3: Is he Is he pretending to be asleep? There?

805
00:37:53,160 --> 00:37:53,359
Speaker 1: Yeah?

806
00:37:53,560 --> 00:37:53,800
Speaker 5: He was.

807
00:37:56,040 --> 00:37:58,200
Speaker 3: We got it, Okay, I didn't notice that. I was like,

808
00:37:58,239 --> 00:38:00,439
Speaker 3: I don't understand the joke. Okay, well now I feel

809
00:38:00,440 --> 00:38:03,000
Speaker 3: like an idiot. But anyway, he didn't get it, Okay.

810
00:38:03,200 --> 00:38:04,719
Speaker 5: You should, I mean a little bit.

811
00:38:04,960 --> 00:38:06,880
Speaker 3: Thanks, I love you.

812
00:38:06,920 --> 00:38:09,640
Speaker 2: But it was a pretty good joke, really yeah, I

813
00:38:09,640 --> 00:38:11,680
Speaker 2: mean because the camera move sold.

814
00:38:11,400 --> 00:38:12,200
Speaker 3: It, right.

815
00:38:12,560 --> 00:38:15,360
Speaker 2: I like single camera stuff. I like where there's visual jokes,

816
00:38:15,360 --> 00:38:17,240
Speaker 2: and this is like one of the few times we've.

817
00:38:17,120 --> 00:38:20,960
Speaker 4: Done like a you're also just coming off of let

818
00:38:20,960 --> 00:38:22,719
Speaker 4: me throw this at you, so any jokes.

819
00:38:23,840 --> 00:38:27,040
Speaker 3: I also just couldn't take my eyes off of Eric.

820
00:38:27,360 --> 00:38:30,239
Speaker 3: I did not look at Corey so I know, but

821
00:38:30,280 --> 00:38:33,080
Speaker 3: so I didn't know. Yeah, anyway, wake up Damnuel okay.

822
00:38:32,880 --> 00:38:35,880
Speaker 5: And handsome with his hair in this episod, you like,

823
00:38:36,160 --> 00:38:37,279
Speaker 5: take your eyes off me?

824
00:38:38,640 --> 00:38:39,200
Speaker 3: Everybody.

825
00:38:39,640 --> 00:38:41,440
Speaker 5: Everybody heard that? Right?

826
00:38:42,239 --> 00:38:44,520
Speaker 3: The phone rings and Eric answers, telling the person on

827
00:38:44,560 --> 00:38:47,680
Speaker 3: the other line, Nope, no Dory here. Corey runs over.

828
00:38:47,760 --> 00:38:49,760
Speaker 3: It's for him. He takes the phone from his confused

829
00:38:49,800 --> 00:38:53,200
Speaker 3: brother Sean. Sean scolds him, You're supposed to call me Jawn.

830
00:38:54,160 --> 00:38:59,440
Speaker 3: Cory asks, why is Jennifer there? Sean corrects him again, Jennifer, Jennifer.

831
00:39:00,360 --> 00:39:05,160
Speaker 2: It's so ridiculous and outlandish and crazy, and I loved everything.

832
00:39:04,760 --> 00:39:07,560
Speaker 3: And also so exactly what I think Sean would do.

833
00:39:07,719 --> 00:39:10,279
Speaker 3: It's exactly It's exactly the way Sean would handle it.

834
00:39:10,320 --> 00:39:11,279
Speaker 3: I love it so much.

835
00:39:11,680 --> 00:39:15,719
Speaker 2: These everybody phone call scenes are just the best.

836
00:39:16,000 --> 00:39:19,560
Speaker 3: This is our first ever split screen on Boy Mean's World.

837
00:39:19,840 --> 00:39:20,319
Speaker 5: Is the first.

838
00:39:21,520 --> 00:39:24,480
Speaker 2: Yes, we give one, I swear did we do one?

839
00:39:24,480 --> 00:39:28,200
Speaker 2: When like Eric su yes huh, I'm a seven year

840
00:39:28,200 --> 00:39:35,400
Speaker 2: old yes huh, yes, huh.

841
00:39:33,080 --> 00:39:34,680
Speaker 3: Go ahead, writer? When was the other one?

842
00:39:35,080 --> 00:39:37,440
Speaker 2: I thought it? I thought Eric was stuck somewhere on

843
00:39:37,440 --> 00:39:39,799
Speaker 2: a payphone. I don't know. For some I have it

844
00:39:39,800 --> 00:39:41,360
Speaker 2: in my head that we are because I feel like

845
00:39:41,400 --> 00:39:43,800
Speaker 2: we pointed out, oh, this is our first split screen

846
00:39:43,920 --> 00:39:47,320
Speaker 2: at another episode I was.

847
00:39:46,560 --> 00:39:48,520
Speaker 3: On the road trip at the cle place.

848
00:39:48,680 --> 00:39:50,560
Speaker 2: Yeah, it was like either that. No, I think it

849
00:39:50,600 --> 00:39:52,680
Speaker 2: was earlier. I think it was like first or second season,

850
00:39:52,680 --> 00:39:56,880
Speaker 2: when I'm thinking that the Susan is Stelle Chentsen episode

851
00:39:56,880 --> 00:39:59,040
Speaker 2: it's a wonderful night, or the car breaks down and

852
00:39:59,160 --> 00:40:00,799
Speaker 2: Eric stuck on the you know, I don't know. For

853
00:40:00,840 --> 00:40:02,040
Speaker 2: some reason, I have it in my head that we

854
00:40:02,040 --> 00:40:03,560
Speaker 2: did a space screen. I remember being like, is this

855
00:40:03,640 --> 00:40:06,080
Speaker 2: our first Sean Chat calls in?

856
00:40:06,200 --> 00:40:06,600
Speaker 5: Is that all?

857
00:40:07,360 --> 00:40:08,040
Speaker 2: That's a split screen?

858
00:40:08,280 --> 00:40:10,560
Speaker 3: All right? Well, then I rescinned what I said.

859
00:40:10,680 --> 00:40:12,120
Speaker 5: I take it care. You've gotten a bunch of stuff

860
00:40:12,120 --> 00:40:13,120
Speaker 5: wrong this episode.

861
00:40:13,800 --> 00:40:16,520
Speaker 3: Go ahead, we'll take over. Do you host this show?

862
00:40:18,960 --> 00:40:21,600
Speaker 5: I would love to. So here we go. Uh scene,

863
00:40:21,640 --> 00:40:23,479
Speaker 5: I don't know where we are. I don't haven't written

864
00:40:23,480 --> 00:40:24,040
Speaker 5: in front of me at all.

865
00:40:26,120 --> 00:40:28,960
Speaker 3: So he says, no, she's at them all. And then

866
00:40:29,160 --> 00:40:31,680
Speaker 3: it was literally this moment where I went, Okay, I

867
00:40:32,360 --> 00:40:34,200
Speaker 3: know none of the feelings I had about the beginning

868
00:40:34,200 --> 00:40:36,600
Speaker 3: of this episode. I'm no longer bored. I'm fully hook

869
00:40:36,640 --> 00:40:38,920
Speaker 3: line and sinker, I'm in I love it. This is

870
00:40:38,920 --> 00:40:42,439
Speaker 3: why this episode exists, to see Sean and Corey being

871
00:40:42,480 --> 00:40:46,040
Speaker 3: starcross lovers. It's so funny and I love it now.

872
00:40:46,440 --> 00:40:48,640
Speaker 3: So Cory asks, how could he just let some girl

873
00:40:48,640 --> 00:40:50,640
Speaker 3: tell him me can't see his best friend. It's wrong,

874
00:40:50,800 --> 00:40:53,160
Speaker 3: just wrong. There's silence on the other line, and Corey

875
00:40:53,200 --> 00:40:56,080
Speaker 3: asks if Sean's still there. Sean responds, I was just

876
00:40:56,160 --> 00:40:58,680
Speaker 3: listening to the sound of your voice and thinking about

877
00:40:58,719 --> 00:41:00,680
Speaker 3: the old days the audience.

878
00:41:00,719 --> 00:41:05,480
Speaker 4: Writer, your reads on these things are so spot on good.

879
00:41:05,600 --> 00:41:09,360
Speaker 5: I mean, it's just you're like riding that line so perfectly.

880
00:41:09,560 --> 00:41:12,719
Speaker 2: It's just you just commit to it as as a

881
00:41:12,760 --> 00:41:16,480
Speaker 2: lover and you play the reality of it. I know,

882
00:41:16,600 --> 00:41:20,520
Speaker 2: but that's you know, that's always comedy when taken seriously,

883
00:41:20,600 --> 00:41:23,839
Speaker 2: is the best characters take the series. And that's where, Yeah,

884
00:41:23,880 --> 00:41:25,919
Speaker 2: it was so fun. I remember just being like, this

885
00:41:26,000 --> 00:41:26,960
Speaker 2: is so fun.

886
00:41:27,239 --> 00:41:30,400
Speaker 3: Well, if there's ever a subject teenage writer or strong

887
00:41:30,560 --> 00:41:32,600
Speaker 3: didn't need a whole lot of direction about. It was

888
00:41:32,640 --> 00:41:37,239
Speaker 3: about teenage love and being torn from my mother. I

889
00:41:37,320 --> 00:41:39,480
Speaker 3: have to be on this stupid TV show while my

890
00:41:39,560 --> 00:41:42,600
Speaker 3: lover is up north and I'm thirteen.

891
00:41:42,360 --> 00:41:44,960
Speaker 5: Years seventh grade dance yet.

892
00:41:45,000 --> 00:41:48,680
Speaker 3: But do you writer remember working with Jeff at all

893
00:41:48,880 --> 00:41:51,440
Speaker 3: on being directed about the subtext or anything.

894
00:41:53,200 --> 00:41:55,879
Speaker 2: No, I just remember Ben and I loving this. See.

895
00:41:56,160 --> 00:41:59,000
Speaker 2: I remember loving doing this scene and I was I

896
00:41:59,040 --> 00:42:01,719
Speaker 2: feel like I was able to see Ben somehow we

897
00:42:01,800 --> 00:42:04,560
Speaker 2: coordinated when we like did our moves and I'm not

898
00:42:04,600 --> 00:42:06,640
Speaker 2: sure if they brought a monitor or if where they

899
00:42:06,680 --> 00:42:09,120
Speaker 2: positioned me, I could see him so we could do that.

900
00:42:09,400 --> 00:42:09,600
Speaker 3: Yeah.

901
00:42:09,640 --> 00:42:11,960
Speaker 2: But I just remember discovering, like I mean, I think

902
00:42:12,040 --> 00:42:15,000
Speaker 2: we already knew how funny it was, but I remember

903
00:42:15,160 --> 00:42:17,640
Speaker 2: living the comedy and just having so much fun. Like

904
00:42:17,640 --> 00:42:20,200
Speaker 2: I just remember, you know, this is this is. I

905
00:42:20,239 --> 00:42:23,160
Speaker 2: feel like these last four episodes have been me and

906
00:42:23,200 --> 00:42:27,359
Speaker 2: Ben having so much fun and like it's just we've

907
00:42:27,400 --> 00:42:30,880
Speaker 2: clicked into this gear as actors. As co actors that

908
00:42:30,960 --> 00:42:33,319
Speaker 2: I remember, you know, we had a mind meld. We

909
00:42:33,320 --> 00:42:36,160
Speaker 2: had a mind meld as actors, and we were always

910
00:42:36,480 --> 00:42:38,680
Speaker 2: having fun and we always had each other's backs, and

911
00:42:38,719 --> 00:42:41,920
Speaker 2: there was just this complete sense of confidence and comfort

912
00:42:41,960 --> 00:42:42,439
Speaker 2: with each other.

913
00:42:42,680 --> 00:42:44,960
Speaker 5: I remember this killing at the run throughs.

914
00:42:45,000 --> 00:42:46,600
Speaker 3: Oh yeah, I'm sure every.

915
00:42:46,440 --> 00:42:49,080
Speaker 5: Time, crushing at the run throughs. It was so good.

916
00:42:49,239 --> 00:42:52,919
Speaker 3: Yeah, So the audience is hootin and hollering, and they

917
00:42:53,080 --> 00:42:56,960
Speaker 3: love Qoran or Shory. What would it be? What would

918
00:42:57,000 --> 00:43:02,760
Speaker 3: your what would your relationship name be? Sy is probably

919
00:43:02,760 --> 00:43:07,480
Speaker 3: what it is, okay, so that would probably be It'd

920
00:43:07,480 --> 00:43:08,360
Speaker 3: probably be Cooran.

921
00:43:09,400 --> 00:43:11,640
Speaker 4: It'd be Surey on the page until the first rewrite,

922
00:43:11,640 --> 00:43:13,560
Speaker 4: and then it'd be Koran.

923
00:43:14,160 --> 00:43:20,359
Speaker 3: I don't know that. They walk. Corey shakes his head.

924
00:43:20,440 --> 00:43:22,960
Speaker 3: I gotta see you. Sean says, no, that would be impossible.

925
00:43:23,160 --> 00:43:26,040
Speaker 3: Corey asks, because of her, He threatens to show up

926
00:43:26,040 --> 00:43:27,839
Speaker 3: at Sean's if he refuses to come to his house.

927
00:43:27,880 --> 00:43:29,919
Speaker 3: Sean gives in, I'll see you, but just this once.

928
00:43:30,280 --> 00:43:32,520
Speaker 3: Corey obliges. That's all I'm asking for. Sean says, the

929
00:43:32,560 --> 00:43:36,560
Speaker 3: library tomorrow morning, eight o'clock. Corey size the library it is.

930
00:43:36,719 --> 00:43:39,880
Speaker 3: Then I'll step aside forever. And the audience is loving

931
00:43:40,040 --> 00:43:43,520
Speaker 3: every second as Coy and Sean. But then they can

932
00:43:43,560 --> 00:43:45,239
Speaker 3: pull it back up to their ear in case the

933
00:43:45,239 --> 00:43:48,160
Speaker 3: other one says something else, and the audience is still

934
00:43:48,239 --> 00:43:51,400
Speaker 3: just like reacting to every single second of it. Corey

935
00:43:51,440 --> 00:43:53,719
Speaker 3: finally hangs up the phone, turning to a stunned Eric,

936
00:43:53,760 --> 00:43:56,680
Speaker 3: who has heard the entire phone call. He flatly states,

937
00:43:56,920 --> 00:43:58,719
Speaker 3: I want my own room.

938
00:43:58,880 --> 00:44:01,399
Speaker 2: Gay pan my face, kay, panic, But it's pretty pretty,

939
00:44:01,560 --> 00:44:03,640
Speaker 2: it's pretty. I mean, it's just the I just yeah,

940
00:44:03,800 --> 00:44:06,400
Speaker 2: you need the joke and you need the button, and

941
00:44:06,520 --> 00:44:10,959
Speaker 2: Will's seriousness is hysterical and like, yeah, oh, pretty funny.

942
00:44:10,920 --> 00:44:12,799
Speaker 2: I don't know what if there's a better joke, if

943
00:44:13,040 --> 00:44:15,280
Speaker 2: you know, but it's yeah, it's funny.

944
00:44:15,400 --> 00:44:18,160
Speaker 3: It is funny. So then we're in the school library.

945
00:44:18,160 --> 00:44:21,080
Speaker 3: Sean sits quietly when Jennifer walks into the library. She's

946
00:44:21,080 --> 00:44:23,319
Speaker 3: been looking all over, and Sean is very surprised to

947
00:44:23,320 --> 00:44:25,520
Speaker 3: see her. He tells her he's been studying, and she

948
00:44:25,600 --> 00:44:27,640
Speaker 3: admires that he's putting his time to better use now

949
00:44:27,640 --> 00:44:30,480
Speaker 3: that he's not constantly with Corey. She notices Sean has

950
00:44:30,480 --> 00:44:32,399
Speaker 3: a cinnamon bun with a blue bow and a sea

951
00:44:32,520 --> 00:44:35,360
Speaker 3: on it, and she questions what it's for. He awkwardly

952
00:44:35,400 --> 00:44:38,759
Speaker 3: explains it stands for see I knew you'd be here,

953
00:44:38,880 --> 00:44:41,080
Speaker 3: and he hands it to her. Just then to Panga

954
00:44:41,120 --> 00:44:43,600
Speaker 3: walks up and Sean asks if she knows his girlfriend.

955
00:44:43,920 --> 00:44:46,160
Speaker 3: To Panga and Jennifer cut him off, immediately, giving each

956
00:44:46,160 --> 00:44:48,480
Speaker 3: other a quick high and a very phony girl to girl.

957
00:44:48,560 --> 00:44:50,280
Speaker 2: Hey, oh, it's really funny.

958
00:44:50,280 --> 00:44:51,120
Speaker 3: That's really funny.

959
00:44:51,440 --> 00:44:54,320
Speaker 2: It's really funny. It's you get the entire history of

960
00:44:54,360 --> 00:44:56,480
Speaker 2: these characters and everything you need to know about them

961
00:44:56,520 --> 00:45:01,160
Speaker 2: without really funny. Really it's funny too, and like only

962
00:45:01,160 --> 00:45:04,440
Speaker 2: in the performance. Yeah, yeh, do you remember how that happened, Danielle?

963
00:45:04,480 --> 00:45:05,839
Speaker 2: Like it was it written that way?

964
00:45:06,120 --> 00:45:08,920
Speaker 3: Or I do think it was written that way? Yes,

965
00:45:09,040 --> 00:45:10,799
Speaker 3: I think it was written that way, And I think

966
00:45:11,800 --> 00:45:12,240
Speaker 3: I would.

967
00:45:12,080 --> 00:45:14,120
Speaker 2: Like to see the script. I wonder what it says

968
00:45:14,160 --> 00:45:16,800
Speaker 2: in the script, like, like, how do you describe.

969
00:45:16,400 --> 00:45:19,239
Speaker 3: That, because it's they give each other a short high

970
00:45:19,320 --> 00:45:21,759
Speaker 3: or a curt high. I would imagine it's something.

971
00:45:21,520 --> 00:45:24,719
Speaker 5: Like that phony Hi, something phony, Hi, I.

972
00:45:24,680 --> 00:45:27,680
Speaker 3: Mean, because it is, and I do. The only thing

973
00:45:27,680 --> 00:45:30,440
Speaker 3: I kind of remember is that she and I really

974
00:45:30,560 --> 00:45:33,839
Speaker 3: enjoyed figuring out exactly what that was going to be

975
00:45:34,000 --> 00:45:36,280
Speaker 3: and it and us just both knowing at the exact

976
00:45:36,280 --> 00:45:39,200
Speaker 3: same time exactly what that is. You go, Hi, they're

977
00:45:39,200 --> 00:45:45,000
Speaker 3: a fake smile Hi? Anyway, So I yeah, I love

978
00:45:45,040 --> 00:45:47,400
Speaker 3: that moment. To Panga, tell Sean, she just came from

979
00:45:47,480 --> 00:45:51,960
Speaker 3: the classics section emphasizing classics, old favorites. There's something there

980
00:45:51,960 --> 00:45:53,960
Speaker 3: you might be interested in. He gets the hint. He

981
00:45:54,000 --> 00:45:56,000
Speaker 3: tells Jennifer he's going to go check out that book.

982
00:45:56,320 --> 00:46:01,600
Speaker 3: Corey whisper, yell Sean's name just to the from Jennifer,

983
00:46:02,200 --> 00:46:06,240
Speaker 3: still right in her eye line. Sewan answers back, Corey,

984
00:46:06,360 --> 00:46:09,279
Speaker 3: is that you? Corey sarcastically says, no, it's the audiobook

985
00:46:09,320 --> 00:46:11,520
Speaker 3: section you more on. Sean moves a few books out

986
00:46:11,520 --> 00:46:12,919
Speaker 3: of the way, and the boys are face to face.

987
00:46:13,160 --> 00:46:15,680
Speaker 3: Sean explains he couldn't come alone because you know who

988
00:46:15,760 --> 00:46:19,480
Speaker 3: wouldn't let him. Although he did intend to.

989
00:46:19,440 --> 00:46:22,200
Speaker 5: Come alone, he was supposed to be there alone. He was.

990
00:46:22,280 --> 00:46:26,160
Speaker 3: He was actually there alone at first until she showed up.

991
00:46:26,320 --> 00:46:26,960
Speaker 2: She did let me.

992
00:46:27,320 --> 00:46:30,759
Speaker 3: Yeah, yeah, he's worried, she suspects. Corey assures him, I

993
00:46:30,800 --> 00:46:33,759
Speaker 3: understand she's important to you. Sean nods. They both knew

994
00:46:33,760 --> 00:46:36,080
Speaker 3: this would happen eventually. Once they got girlfriends, they would

995
00:46:36,080 --> 00:46:39,000
Speaker 3: have less time for each other. Cory asks that cinebond

996
00:46:39,080 --> 00:46:41,520
Speaker 3: was for me though, right. Sean giggles shyly.

997
00:46:41,640 --> 00:46:44,399
Speaker 5: Cory, the way you say his.

998
00:46:44,480 --> 00:46:48,279
Speaker 3: Name, it's so cute, and I love it. It's just

999
00:46:48,560 --> 00:46:54,400
Speaker 3: the cutest. So Cory pleads, we got to meet. Sean

1000
00:46:54,480 --> 00:46:58,000
Speaker 3: questions where, and Corey answers Paris. Sean argues that's the

1001
00:46:58,040 --> 00:46:58,960
Speaker 3: first place she'd look.

1002
00:46:59,080 --> 00:46:59,600
Speaker 5: First place.

1003
00:47:01,160 --> 00:47:03,239
Speaker 3: Sean says they need to go someplace a woman would

1004
00:47:03,239 --> 00:47:06,480
Speaker 3: never expect, and Corey suggests the Three Stooges.

1005
00:47:07,560 --> 00:47:10,920
Speaker 2: I mean, this is just great dial really so funny.

1006
00:47:10,960 --> 00:47:11,759
Speaker 5: It was so good.

1007
00:47:13,600 --> 00:47:15,080
Speaker 3: They try to come up with a plan, and then

1008
00:47:15,160 --> 00:47:17,200
Speaker 3: Jennifer walks up to check on Sean. Since he's been

1009
00:47:17,200 --> 00:47:20,120
Speaker 3: gone an awfully long time, she asks if he is here.

1010
00:47:20,320 --> 00:47:23,000
Speaker 3: Sean laughs, I have no idea of any he of

1011
00:47:23,040 --> 00:47:23,880
Speaker 3: whom you speak.

1012
00:47:23,960 --> 00:47:24,240
Speaker 2: Run.

1013
00:47:25,320 --> 00:47:28,640
Speaker 5: It's just so great. Run right to the joke in

1014
00:47:28,640 --> 00:47:31,840
Speaker 5: the perfect way. That's what I'm telling you. You You

1015
00:47:31,840 --> 00:47:32,600
Speaker 5: were hitting beats.

1016
00:47:32,640 --> 00:47:34,520
Speaker 4: You were hitting comedy beats in this one that I

1017
00:47:34,680 --> 00:47:36,760
Speaker 4: don't recall you hitting in previous episodes.

1018
00:47:36,920 --> 00:47:40,360
Speaker 3: You're right, well, this feels like like an absolute elevation

1019
00:47:40,719 --> 00:47:41,600
Speaker 3: of his skills.

1020
00:47:41,800 --> 00:47:45,080
Speaker 5: Yes, just straight up comedy. It was great, really good.

1021
00:47:45,480 --> 00:47:47,800
Speaker 3: Jennifer searches for Corey through the bookshelf, as he dodges

1022
00:47:47,840 --> 00:47:50,680
Speaker 3: her just in time. Frantically, Sean concludes, I told you

1023
00:47:50,719 --> 00:47:52,800
Speaker 3: he wasn't there. She believes him and asks Sean to

1024
00:47:52,840 --> 00:47:55,319
Speaker 3: walk her to French class. She grabs his shoulder oh,

1025
00:47:55,440 --> 00:47:58,200
Speaker 3: you're so tense. I'll sit behind you and rub your shoulders.

1026
00:47:58,400 --> 00:47:59,880
Speaker 3: She grabs his hand and leads him out of the

1027
00:47:59,880 --> 00:48:02,640
Speaker 3: line library as he looks longingly back at Corey. Corey

1028
00:48:02,640 --> 00:48:06,400
Speaker 3: watches them leave and sighs, I used to sit behind him.

1029
00:48:06,800 --> 00:48:09,480
Speaker 3: And then we're in the Matthew's backyard. Eric walks out

1030
00:48:09,520 --> 00:48:11,160
Speaker 3: with a large script in his hand, and we get

1031
00:48:11,160 --> 00:48:13,120
Speaker 3: to see the second Phoenie call ever.

1032
00:48:13,520 --> 00:48:15,279
Speaker 2: Phoenie call t kind.

1033
00:48:16,880 --> 00:48:21,160
Speaker 6: Yeah, yeah, you're you're inching your way, you guys said

1034
00:48:21,160 --> 00:48:22,680
Speaker 6: the last one was the Phoenie Call.

1035
00:48:22,760 --> 00:48:24,960
Speaker 2: I feel like we're taking this in stages. I feel,

1036
00:48:25,160 --> 00:48:29,040
Speaker 2: you know, I wouldn't I was the official call has

1037
00:48:29,080 --> 00:48:32,600
Speaker 2: not happened yet, but the setup and now we're building

1038
00:48:32,640 --> 00:48:33,319
Speaker 2: on it, like.

1039
00:48:34,280 --> 00:48:37,520
Speaker 3: The basis of the Sphenie Call has been laid, and

1040
00:48:37,560 --> 00:48:40,759
Speaker 3: we are getting to what we all know and love

1041
00:48:40,840 --> 00:48:44,160
Speaker 3: is with it, yes exactly. Phoenee, crouched in his garden,

1042
00:48:44,200 --> 00:48:47,280
Speaker 3: is startled by Eric's scream. Eric says he needs a favor.

1043
00:48:47,320 --> 00:48:49,640
Speaker 3: He wants Phoene to read the play he wrote. Phoene's

1044
00:48:49,719 --> 00:48:52,520
Speaker 3: wide eyed at the statement. It's four hundred pages of

1045
00:48:52,520 --> 00:48:55,759
Speaker 3: a one man show. Phoene responds, no, no, no, don't care.

1046
00:48:57,239 --> 00:48:59,680
Speaker 3: Eric says, he even mentions Phoenie, then starts to read

1047
00:48:59,680 --> 00:49:01,560
Speaker 3: his play to show him it starts off with this

1048
00:49:01,600 --> 00:49:03,640
Speaker 3: cross country road trip, and he has Phoene take over

1049
00:49:03,680 --> 00:49:06,360
Speaker 3: with the next line, the hot wind howled like a

1050
00:49:06,480 --> 00:49:09,120
Speaker 3: kind of howling, hot windy thing.

1051
00:49:10,840 --> 00:49:13,600
Speaker 5: It seemed like Bill was having fun. Yeah, episode too.

1052
00:49:14,040 --> 00:49:15,880
Speaker 5: I mean you can kind of see when he's starting

1053
00:49:15,880 --> 00:49:16,760
Speaker 5: to enjoy himself.

1054
00:49:17,000 --> 00:49:19,279
Speaker 4: Yeah, and he seems to be at that point now

1055
00:49:19,320 --> 00:49:21,279
Speaker 4: where he's actually having a good time.

1056
00:49:21,560 --> 00:49:25,319
Speaker 5: Yeah, he seems to be having I'm noticing that. Yeah.

1057
00:49:25,640 --> 00:49:27,319
Speaker 3: Eric has rented out a little theater and he has

1058
00:49:27,400 --> 00:49:30,040
Speaker 3: complimentary ticket for Phoene. Eric adds, if you have any

1059
00:49:30,040 --> 00:49:31,640
Speaker 3: friends that are play types, can you do me a

1060
00:49:31,640 --> 00:49:34,240
Speaker 3: favor and sell fifty or one hundred of these? Phoene

1061
00:49:34,360 --> 00:49:37,120
Speaker 3: looks at the ticket, thirty dollars each. Eric lets him

1062
00:49:37,120 --> 00:49:39,319
Speaker 3: in on a secret. Well, the matinee is twenty two

1063
00:49:39,320 --> 00:49:41,000
Speaker 3: to fifty, but I kind of pull back on my

1064
00:49:41,080 --> 00:49:45,359
Speaker 3: performance a little bit. Feeney wishes him luck, only able

1065
00:49:45,400 --> 00:49:48,880
Speaker 3: to mutter the words wow. And then we're in the

1066
00:49:48,880 --> 00:49:52,040
Speaker 3: Matthew's kitchen. Corey's making an extravagant meal when Alan walks down,

1067
00:49:52,080 --> 00:49:55,160
Speaker 3: asking if he's expecting company. Amy tells him it's adorable.

1068
00:49:55,200 --> 00:49:58,239
Speaker 3: He's been at this all afternoon. Corey's panicked dinner was

1069
00:49:58,239 --> 00:50:00,040
Speaker 3: supposed to be ready at six thirty sharp, but and

1070
00:50:00,120 --> 00:50:02,960
Speaker 3: o two and still nowhere to be seen. Tapanga shows

1071
00:50:03,040 --> 00:50:04,640
Speaker 3: up at the back door with a pie in her hands.

1072
00:50:04,800 --> 00:50:07,400
Speaker 3: Amy tells her, you have no idea how much Corey

1073
00:50:07,440 --> 00:50:09,719
Speaker 3: loves you. Alan pulls Amy to the living room so

1074
00:50:09,760 --> 00:50:12,959
Speaker 3: they can get out of the lovebird's way. Tapanga apologizes

1075
00:50:12,960 --> 00:50:15,560
Speaker 3: for being late. The pie took forever. Corey admits they

1076
00:50:15,600 --> 00:50:18,800
Speaker 3: both wasted their time. Sean still hasn't shown up. Topanga

1077
00:50:18,840 --> 00:50:21,600
Speaker 3: assures he'll be there, and Corey sassily tells her in

1078
00:50:21,640 --> 00:50:24,040
Speaker 3: the meantime, I'll just stick my beef brochettes back in

1079
00:50:24,040 --> 00:50:27,719
Speaker 3: the oven until they're ruined. Throws the thing down, God

1080
00:50:28,160 --> 00:50:33,160
Speaker 3: tosses his apron. It's so well done. Topanga has to leave,

1081
00:50:33,200 --> 00:50:35,480
Speaker 3: but she reminds Corey to lighten up. Just then, the

1082
00:50:35,520 --> 00:50:38,000
Speaker 3: phone rings and Corey hesitates. He tells Tapanga he wants

1083
00:50:38,000 --> 00:50:40,440
Speaker 3: Sean to worry for a change. When the phone continues

1084
00:50:40,480 --> 00:50:42,800
Speaker 3: to ring, he says, who am I kidding, before running

1085
00:50:42,800 --> 00:50:44,560
Speaker 3: over to answer it, and then we're back in the

1086
00:50:44,560 --> 00:50:46,560
Speaker 3: split screen with Sean on the other line, now holding

1087
00:50:46,560 --> 00:50:49,000
Speaker 3: a tennis racket, wearing a polo with a sweater vest

1088
00:50:49,040 --> 00:50:49,800
Speaker 3: and on top.

1089
00:50:50,320 --> 00:50:56,319
Speaker 2: Favor I am becoming a yuppie. It's never referenced, but

1090
00:50:56,440 --> 00:50:59,239
Speaker 2: that I am dressed like this and I care, and

1091
00:50:59,239 --> 00:51:01,400
Speaker 2: that I'm caring a trophy in the next t is

1092
00:51:01,480 --> 00:51:04,239
Speaker 2: my favorite funniest things. It's like because we never have

1093
00:51:04,360 --> 00:51:08,439
Speaker 2: to mention it. Oh my god, oh my god, it's like, yes,

1094
00:51:08,640 --> 00:51:11,120
Speaker 2: I love that. I just wanted her. I just want

1095
00:51:11,160 --> 00:51:12,920
Speaker 2: more of that, Like I wish there had been a

1096
00:51:12,920 --> 00:51:14,839
Speaker 2: little bit more of like even in the library scene,

1097
00:51:14,840 --> 00:51:16,840
Speaker 2: if I had already started to be like dressed differently

1098
00:51:17,400 --> 00:51:19,279
Speaker 2: and like I just if I could go back, I

1099
00:51:19,280 --> 00:51:21,000
Speaker 2: would have fought for a little bit more of the

1100
00:51:21,160 --> 00:51:26,359
Speaker 2: because it is so funny. Yeah, he's just becoming more

1101
00:51:26,400 --> 00:51:29,520
Speaker 2: and more of this, like you know, Brad with her, Like,

1102
00:51:29,640 --> 00:51:31,600
Speaker 2: I just love it. I love it.

1103
00:51:31,520 --> 00:51:33,320
Speaker 5: It is my favorite thing of the entire episode.

1104
00:51:34,120 --> 00:51:36,239
Speaker 2: I want a trophy, like I wanted to tennis. Really

1105
00:51:36,280 --> 00:51:36,680
Speaker 2: get to do it.

1106
00:51:37,200 --> 00:51:39,239
Speaker 5: You want trophy play tennis, And it's never brought up.

1107
00:51:39,680 --> 00:51:40,839
Speaker 2: God, oh my god.

1108
00:51:40,840 --> 00:51:43,680
Speaker 3: It made me so funny.

1109
00:51:43,480 --> 00:51:45,480
Speaker 2: And I didn't remember that at all, but no me neither.

1110
00:51:45,520 --> 00:51:46,879
Speaker 2: So the second I popped in, I was like, why

1111
00:51:46,920 --> 00:51:49,840
Speaker 2: am I wad that's funny, and like it's a subtle

1112
00:51:49,960 --> 00:51:52,359
Speaker 2: joke because she's just talking. They just talk about her

1113
00:51:52,400 --> 00:51:54,879
Speaker 2: being stuck up in that first scene. Otherwise they never

1114
00:51:54,960 --> 00:51:57,719
Speaker 2: really reference her character of being rich or whatever. But

1115
00:51:57,800 --> 00:52:00,000
Speaker 2: I just love it. Yeah, Sehn's moving up in the world.

1116
00:52:00,200 --> 00:52:03,279
Speaker 3: Man too much sweaters. He tells Corey he can't make

1117
00:52:03,320 --> 00:52:06,279
Speaker 3: it tonight. Corey says he's not hurt, but he clearly is.

1118
00:52:06,719 --> 00:52:09,279
Speaker 3: Sean explains that Jennifer invited him to her country club

1119
00:52:09,320 --> 00:52:11,239
Speaker 3: and Corey asks, and he couldn't say he was just

1120
00:52:11,320 --> 00:52:14,240
Speaker 3: having dinner with his best friend. Sean reveals that Jennifer

1121
00:52:14,280 --> 00:52:18,120
Speaker 3: found his box of Cinnabon receipts, alluding to many receipts

1122
00:52:18,160 --> 00:52:20,120
Speaker 3: and many Cinnabons, which is just.

1123
00:52:20,480 --> 00:52:22,800
Speaker 2: So fu so ridiculous perfect.

1124
00:52:23,000 --> 00:52:25,439
Speaker 5: I told you to destroy them.

1125
00:52:27,320 --> 00:52:30,040
Speaker 3: Corey scolds him, I told you to burn those. Sean

1126
00:52:30,080 --> 00:52:32,160
Speaker 3: says he couldn't, and now Jennifer won't let him out

1127
00:52:32,160 --> 00:52:35,040
Speaker 3: of her sight. Jennifer then yells over their cord is open.

1128
00:52:35,840 --> 00:52:38,439
Speaker 3: Sean apologizes to Corey and Corey continues to play it cool.

1129
00:52:38,760 --> 00:52:40,759
Speaker 3: They both start to hang up, only again to pull

1130
00:52:40,800 --> 00:52:42,319
Speaker 3: it back up to the air quickly to see if

1131
00:52:42,320 --> 00:52:46,320
Speaker 3: the other says anything before ultimately hanging up. The audience

1132
00:52:46,800 --> 00:52:50,319
Speaker 3: is again just I mean, they get such a kick

1133
00:52:50,360 --> 00:52:52,520
Speaker 3: out of this bit. They are more invested in this

1134
00:52:52,680 --> 00:52:56,280
Speaker 3: than anything Corey and Topanga have ever done all the ways.

1135
00:52:57,760 --> 00:53:01,520
Speaker 3: Corey turns back to Topanga. Doesn't he like tennis? Tapega

1136
00:53:01,600 --> 00:53:03,839
Speaker 3: points out that he's a wreck. Corey thinks Sean doesn't

1137
00:53:03,840 --> 00:53:06,680
Speaker 3: need him anymore now that he has Jennifer. Tapanga reminds

1138
00:53:06,719 --> 00:53:08,799
Speaker 3: him of when they first started going out. She never

1139
00:53:08,880 --> 00:53:11,080
Speaker 3: kept him from seeing Sean because she knows there's something

1140
00:53:11,080 --> 00:53:14,400
Speaker 3: about a best friend that no one can replace. Corey shocked,

1141
00:53:14,600 --> 00:53:17,479
Speaker 3: you understood that. Tapega asks why she spent the entire

1142
00:53:17,560 --> 00:53:19,399
Speaker 3: day baking a pie she was never going to eat.

1143
00:53:19,640 --> 00:53:22,600
Speaker 3: Corey mentions that's because she's a sweet girl. Tapega says,

1144
00:53:22,640 --> 00:53:25,480
Speaker 3: Sean deserves a sweet girl too, a girl who understands

1145
00:53:25,480 --> 00:53:27,080
Speaker 3: that a best friend is part of who you are.

1146
00:53:27,239 --> 00:53:29,279
Speaker 3: And if she doesn't accept your best friend, then she's

1147
00:53:29,320 --> 00:53:32,240
Speaker 3: really not accepting you. You know, the way you hated

1148
00:53:32,280 --> 00:53:34,520
Speaker 3: my best friend Triny, who disappeared off the show after

1149
00:53:34,520 --> 00:53:36,839
Speaker 3: we got back together. Oh wait, I added that last

1150
00:53:36,840 --> 00:53:38,960
Speaker 3: part by myself. That was just me. No, no, that

1151
00:53:39,040 --> 00:53:39,720
Speaker 3: wasn't part of the show.

1152
00:53:40,040 --> 00:53:41,239
Speaker 2: Is allowed to have her own life and her own

1153
00:53:41,280 --> 00:53:41,799
Speaker 2: friends and to.

1154
00:53:41,719 --> 00:53:44,680
Speaker 3: Do her own you know really you think so, yeah, yeah.

1155
00:53:44,640 --> 00:53:47,640
Speaker 2: She's her own social life, she has her own identity

1156
00:53:47,719 --> 00:53:50,880
Speaker 2: or yeah, it's very clear that I used to have it.

1157
00:53:51,080 --> 00:53:53,360
Speaker 2: But this love the friendship triangle.

1158
00:53:52,960 --> 00:53:54,720
Speaker 5: Thing, it's right, it's.

1159
00:53:56,200 --> 00:53:58,240
Speaker 2: Also can have you know, well.

1160
00:53:58,120 --> 00:54:00,440
Speaker 4: You're still dressed like like you're in the seven and

1161
00:54:00,560 --> 00:54:04,719
Speaker 4: now a much too short skirt, the belts and the seventies,

1162
00:54:04,800 --> 00:54:06,919
Speaker 4: the seventies outfit, yes, notice that as well.

1163
00:54:07,640 --> 00:54:09,600
Speaker 3: Tapeinka tells him he needs to clean up the kitchen

1164
00:54:09,600 --> 00:54:11,719
Speaker 3: and go to go to dinner at Chubby's in about

1165
00:54:11,719 --> 00:54:14,319
Speaker 3: an hour. Corey asks why, but she just emphasizes in

1166
00:54:14,360 --> 00:54:17,520
Speaker 3: about an hour before walking away. And then we're outside

1167
00:54:17,560 --> 00:54:19,840
Speaker 3: the theater. We see a poster for Eric's show that

1168
00:54:19,880 --> 00:54:22,480
Speaker 3: reads look at me, look at me, accompanied with a

1169
00:54:22,560 --> 00:54:25,480
Speaker 3: dramatic black and white headshots of him and intriguing offer

1170
00:54:25,800 --> 00:54:29,839
Speaker 3: opening night special free shoe rental with every ticket.

1171
00:54:30,000 --> 00:54:32,400
Speaker 2: And that will did you get to keep this post framed.

1172
00:54:32,520 --> 00:54:35,120
Speaker 5: It's framed like twenty feet from here. Yep, I have a.

1173
00:54:37,120 --> 00:54:38,600
Speaker 3: We are going to have to ask you to take

1174
00:54:38,600 --> 00:54:41,120
Speaker 3: a picture next to that poster. I will send it

1175
00:54:41,160 --> 00:54:41,480
Speaker 3: to us.

1176
00:54:41,560 --> 00:54:42,080
Speaker 5: Still have it.

1177
00:54:43,000 --> 00:54:45,960
Speaker 3: Inside the theater, the spotlight turns on, revealing Eric, dressed

1178
00:54:45,960 --> 00:54:47,879
Speaker 3: in all black like a mime, his head tucked into

1179
00:54:47,880 --> 00:54:50,080
Speaker 3: his turtleneck, sitting on a stool as he plays the

1180
00:54:50,160 --> 00:54:52,840
Speaker 3: sound of a baby crying. He re enacts his birth

1181
00:54:52,840 --> 00:54:55,320
Speaker 3: by pulling his head out of his turtleneck and exclaiming,

1182
00:54:55,680 --> 00:54:57,960
Speaker 3: June twenty fourth, nineteen seventy eight.

1183
00:54:58,320 --> 00:54:59,040
Speaker 2: I am born.

1184
00:55:00,160 --> 00:55:04,160
Speaker 3: Eric shares a birthday June twenty fourth with my son Adler,

1185
00:55:04,640 --> 00:55:05,880
Speaker 3: twenty four brothers.

1186
00:55:06,200 --> 00:55:08,880
Speaker 2: That's right, But I feel like there's been some some

1187
00:55:08,880 --> 00:55:13,440
Speaker 2: some conflict with Eric's birthday. Yeah, because when he turned

1188
00:55:13,440 --> 00:55:16,200
Speaker 2: sixteen to get his license, it was like snowstorm or

1189
00:55:16,239 --> 00:55:19,560
Speaker 2: something like. There's like rash, it doesn't it's whatever you

1190
00:55:19,600 --> 00:55:20,480
Speaker 2: want and whenever you knew it.

1191
00:55:20,560 --> 00:55:22,440
Speaker 3: But yeah, well I'm nineteen seventy eight.

1192
00:55:22,520 --> 00:55:25,319
Speaker 2: I'm trying to think how old you would have been. Well, yeah,

1193
00:55:25,320 --> 00:55:27,280
Speaker 2: I guess that makes sense. You would have been twenty

1194
00:55:27,560 --> 00:55:28,239
Speaker 2: or new years ago.

1195
00:55:28,360 --> 00:55:30,080
Speaker 5: Eric supposed to be two years younger than me in

1196
00:55:30,080 --> 00:55:31,920
Speaker 5: this apparently, so if you were.

1197
00:55:31,880 --> 00:55:33,839
Speaker 3: Born in seventy eight and this was in ninety six,

1198
00:55:33,920 --> 00:55:35,240
Speaker 3: you're supposed to be eighteen.

1199
00:55:36,640 --> 00:55:39,920
Speaker 2: Yeah, which makes sense. Yeah, you're just out of high school.

1200
00:55:40,080 --> 00:55:41,280
Speaker 2: You're the year after high school.

1201
00:55:41,360 --> 00:55:46,239
Speaker 3: Keep going, well, keep going fifteen and then eighteen eight.

1202
00:55:46,360 --> 00:55:48,479
Speaker 3: Right there you go. Okay, he's going to math.

1203
00:55:48,880 --> 00:55:49,839
Speaker 2: Get a glass of milk.

1204
00:55:49,840 --> 00:55:54,480
Speaker 3: You Apricorn Sagittarius number last, keep milk if you keep

1205
00:55:54,520 --> 00:56:01,239
Speaker 3: adding nineteen seventy eight onto itself. See foene Amy and

1206
00:56:01,280 --> 00:56:03,799
Speaker 3: Allen watching on in Disbelieve. Eric lists the events that

1207
00:56:03,840 --> 00:56:05,759
Speaker 3: happened on his day of birth, calling John Paul the

1208
00:56:05,800 --> 00:56:08,120
Speaker 3: second John Ball. I I oh, I.

1209
00:56:10,880 --> 00:56:13,239
Speaker 2: Love that. He just like looked in and in encyclopedia

1210
00:56:13,280 --> 00:56:15,720
Speaker 2: for what was happening in that year. It was like clearly,

1211
00:56:15,800 --> 00:56:18,000
Speaker 2: like like you would say nowadays, he just googled what

1212
00:56:18,080 --> 00:56:19,960
Speaker 2: happened in the year. It just starts listing things.

1213
00:56:20,120 --> 00:56:22,000
Speaker 5: Fucking wagonles it back in the day.

1214
00:56:22,160 --> 00:56:26,160
Speaker 3: Yes, so funny. A new dance craze sweeps the nation.

1215
00:56:26,360 --> 00:56:29,319
Speaker 3: He plays disco music, and a disco ball appears above him.

1216
00:56:29,440 --> 00:56:32,200
Speaker 3: He stands in a dramatic Saturday Night fever pose. This

1217
00:56:32,320 --> 00:56:34,319
Speaker 3: forces a couple to quickly get up and leave. They

1218
00:56:34,320 --> 00:56:36,359
Speaker 3: have made a decision about his play. In the first

1219
00:56:36,400 --> 00:56:42,640
Speaker 3: fifteen seconds, Eric continues, nineteen eighty four, poopoo wana bus.

1220
00:56:43,719 --> 00:56:46,799
Speaker 5: So I think that's the only take that I did.

1221
00:56:47,280 --> 00:56:50,200
Speaker 5: Huh that I wasn't laughing. Oh, really would not get

1222
00:56:50,239 --> 00:56:51,240
Speaker 5: through nineteen eighty.

1223
00:56:51,120 --> 00:56:53,400
Speaker 2: It was so funny because you were so committed. I

1224
00:56:53,880 --> 00:56:55,560
Speaker 2: didn't see you about to break it all.

1225
00:56:55,600 --> 00:56:57,439
Speaker 4: I remember Michael even saying to me a one time

1226
00:56:57,440 --> 00:56:59,239
Speaker 4: after one run through. He's like, you gotta hold it

1227
00:56:59,239 --> 00:57:01,759
Speaker 4: together for that line, Like I'm trying, but that line

1228
00:57:01,800 --> 00:57:02,600
Speaker 4: is so funny.

1229
00:57:02,840 --> 00:57:04,960
Speaker 3: Also the fact that you're six.

1230
00:57:07,920 --> 00:57:11,239
Speaker 2: That's true. I didn't six years old. He poops on

1231
00:57:11,280 --> 00:57:16,000
Speaker 2: a bus. Yeah, six, and I'm pooping on a bus.

1232
00:57:16,120 --> 00:57:17,360
Speaker 2: I didn't even put that together.

1233
00:57:18,720 --> 00:57:20,200
Speaker 5: I couldn't hold it together for that line. It was

1234
00:57:20,240 --> 00:57:20,640
Speaker 5: so funny.

1235
00:57:20,640 --> 00:57:21,640
Speaker 3: Oh man, I'm so glad.

1236
00:57:22,080 --> 00:57:24,920
Speaker 5: And Rusty's laughing the whole time, like I'm during run through.

1237
00:57:24,960 --> 00:57:27,080
Speaker 5: It's just, you know, the audience isn't there. It's just

1238
00:57:27,200 --> 00:57:30,320
Speaker 5: Rusty and Betsy and Bill didn't do this.

1239
00:57:30,240 --> 00:57:35,000
Speaker 3: In front of the audience, I know. So then we're

1240
00:57:35,000 --> 00:57:36,960
Speaker 3: in the back room of Chubby's Tapanga's leaning on the

1241
00:57:37,000 --> 00:57:39,080
Speaker 3: pool table as Sean walks through the brand new hot

1242
00:57:39,080 --> 00:57:42,720
Speaker 3: pink curtains. He's never seen those before, still wearing his

1243
00:57:42,760 --> 00:57:45,600
Speaker 3: country club outfit. Now he has a tennis trophy.

1244
00:57:46,400 --> 00:57:50,520
Speaker 2: I'm so happy that they never mentioned it is the

1245
00:57:50,560 --> 00:57:52,920
Speaker 2: best that it's just you've just got a trophy.

1246
00:57:53,040 --> 00:57:55,720
Speaker 5: You obviously one some tennis tournament.

1247
00:57:55,920 --> 00:57:58,440
Speaker 3: I mean pretty good you won, and you don't usually

1248
00:57:58,440 --> 00:58:03,160
Speaker 3: play so grace. Sean asks why Topanga wanted to see him,

1249
00:58:03,200 --> 00:58:05,600
Speaker 3: and she tells him that someone else wants to see you.

1250
00:58:05,760 --> 00:58:08,600
Speaker 3: Corey nervously appears staring at Sean as he walks up

1251
00:58:08,840 --> 00:58:10,720
Speaker 3: to Pega says she knows they haven't seen each other

1252
00:58:10,720 --> 00:58:13,440
Speaker 3: in a while, so she'll just wait outside. Sean compliments

1253
00:58:13,440 --> 00:58:16,640
Speaker 3: Corey on his girlfriend, admiring the thoughtful act. They decide

1254
00:58:16,680 --> 00:58:19,760
Speaker 3: to shoot some stick, and Corey reminisces.

1255
00:58:19,720 --> 00:58:21,800
Speaker 2: By the way, shoot some stea.

1256
00:58:21,960 --> 00:58:23,360
Speaker 3: You what when he drinks his milk?

1257
00:58:27,160 --> 00:58:30,440
Speaker 5: You want some stick? Yeah, always, that's what we said. Yeah,

1258
00:58:30,560 --> 00:58:31,080
Speaker 5: maybe it's an.

1259
00:58:31,600 --> 00:58:35,720
Speaker 3: Maybe it's an East custing. Corey reminisces about the days

1260
00:58:35,720 --> 00:58:37,200
Speaker 3: they used to be able to do this without the

1261
00:58:37,240 --> 00:58:39,560
Speaker 3: specter of the wicked Witch. Of the West hanging over them.

1262
00:58:39,760 --> 00:58:42,520
Speaker 3: Sean looks disappointed, and Corey corrects himself, not that Jennifer

1263
00:58:42,600 --> 00:58:45,560
Speaker 3: is a wicked witch. Corey tries to connect, if you're

1264
00:58:45,560 --> 00:58:47,200
Speaker 3: going out with this girl, there's got to be something

1265
00:58:47,240 --> 00:58:48,920
Speaker 3: really nice about her, and I just want you to

1266
00:58:48,960 --> 00:58:51,560
Speaker 3: be happy. Sean thanks him big giggles. It's hard to

1267
00:58:51,560 --> 00:58:54,360
Speaker 3: take you seriously with chalk on your nose. Corey tries

1268
00:58:54,400 --> 00:58:56,120
Speaker 3: to wipe it off, but Sean goes ahead and does

1269
00:58:56,120 --> 00:58:59,320
Speaker 3: it for him, and just then midwipe, Jennifer walks in

1270
00:58:59,360 --> 00:59:02,120
Speaker 3: and gasps. Corey shrieks back in the.

1271
00:59:02,640 --> 00:59:07,520
Speaker 2: Crate a physical thing to bring us together as if

1272
00:59:07,520 --> 00:59:11,160
Speaker 2: we're like caught kissing. I mean it's really clever like that.

1273
00:59:11,160 --> 00:59:13,280
Speaker 2: That takes the next level because you know, just having

1274
00:59:13,440 --> 00:59:16,520
Speaker 2: you know she's coming in right, but but like putting

1275
00:59:16,560 --> 00:59:19,760
Speaker 2: us in a compromise position exactly. It's like, how do

1276
00:59:19,840 --> 00:59:22,560
Speaker 2: you do that with two straight guys without like literally having,

1277
00:59:22,600 --> 00:59:25,560
Speaker 2: you know, go into a territory we can't go without

1278
00:59:26,040 --> 00:59:28,000
Speaker 2: ruining the joke. So it's like, oh, you have to

1279
00:59:28,000 --> 00:59:30,800
Speaker 2: have the straight guys touching each other. I'm sure they

1280
00:59:30,800 --> 00:59:32,360
Speaker 2: went through it. They were like, could he be helping

1281
00:59:32,400 --> 00:59:34,240
Speaker 2: him do a pool thing where they're like running over

1282
00:59:34,240 --> 00:59:35,560
Speaker 2: it's too far.

1283
00:59:37,440 --> 00:59:38,080
Speaker 3: On his shirt.

1284
00:59:38,360 --> 00:59:42,000
Speaker 2: Yeah, you gotta make it intimate and something would be

1285
00:59:42,000 --> 00:59:44,600
Speaker 2: too sexual, but the shock is perfect and it's.

1286
00:59:44,480 --> 00:59:46,040
Speaker 5: Like great, it's great.

1287
00:59:47,080 --> 00:59:50,360
Speaker 3: So Corey shrieks in his classic benuet. Jennifer yells, how

1288
00:59:50,400 --> 00:59:52,720
Speaker 3: could you do this to me? And Sean quickly explains,

1289
00:59:53,040 --> 00:59:55,080
Speaker 3: this isn't Corey, this is cake.

1290
00:59:56,120 --> 01:00:02,680
Speaker 2: Legendary line and legendary PA's face her who knew that,

1291
01:00:03,160 --> 01:00:07,600
Speaker 2: like if something is deceptively cake would become like a

1292
01:00:07,720 --> 01:00:09,240
Speaker 2: regular part of cake?

1293
01:00:09,760 --> 01:00:10,320
Speaker 3: Is it cake?

1294
01:00:12,080 --> 01:00:12,280
Speaker 4: TV?

1295
01:00:12,440 --> 01:00:15,040
Speaker 2: Shows about is it cake? And this is like something

1296
01:00:15,080 --> 01:00:18,560
Speaker 2: my cake loves? Because we could be cake right now?

1297
01:00:18,720 --> 01:00:19,120
Speaker 3: I couldn't.

1298
01:00:19,560 --> 01:00:21,680
Speaker 2: How weird is that? Like of all the jokes to

1299
01:00:21,720 --> 01:00:25,080
Speaker 2: have made, this is this is cake. It's like actually

1300
01:00:25,160 --> 01:00:28,120
Speaker 2: kind of a thing now, so weird funny, but yeah,

1301
01:00:28,160 --> 01:00:29,040
Speaker 2: Ben's cake face?

1302
01:00:29,360 --> 01:00:30,560
Speaker 5: Can you have milk with cake?

1303
01:00:30,880 --> 01:00:31,080
Speaker 2: Is that?

1304
01:00:31,120 --> 01:00:31,440
Speaker 5: Okay?

1305
01:00:32,640 --> 01:00:34,880
Speaker 2: I never drink milk at all, but you do? You man,

1306
01:00:34,920 --> 01:00:37,840
Speaker 2: that's why your pants are brittle? Bro, How do you

1307
01:00:37,920 --> 01:00:39,040
Speaker 2: know my bones are brittle?

1308
01:00:39,320 --> 01:00:41,919
Speaker 5: Because that's why.

1309
01:00:43,440 --> 01:00:45,480
Speaker 3: Sean asks how she knew he was at Chubbies, and

1310
01:00:45,520 --> 01:00:47,960
Speaker 3: she says she received an anonymous tip on her cell phone,

1311
01:00:48,320 --> 01:00:51,640
Speaker 3: and that's the first cell phone reference on Boy Meets World.

1312
01:00:51,880 --> 01:00:55,240
Speaker 2: Oh, we haven't actually seen anybody with a phone.

1313
01:00:55,400 --> 01:00:59,440
Speaker 5: No, it's ninety six, ninety six. Yeah, did you have

1314
01:00:59,520 --> 01:01:00,000
Speaker 5: cell phones?

1315
01:01:00,360 --> 01:01:02,080
Speaker 3: I had a pager and I think I had my

1316
01:01:02,120 --> 01:01:02,800
Speaker 3: Nokia phone.

1317
01:01:02,840 --> 01:01:05,520
Speaker 2: Yeah, I had a big phone in my car.

1318
01:01:05,440 --> 01:01:08,040
Speaker 3: But I yeah, well yeah, we had the big big

1319
01:01:08,080 --> 01:01:10,360
Speaker 3: costa dollar or whatever.

1320
01:01:10,440 --> 01:01:13,120
Speaker 2: Yeah, but Will had pagers, and we had pagers.

1321
01:01:13,120 --> 01:01:15,640
Speaker 3: And I'm pretty sure by ninety six because I well,

1322
01:01:15,720 --> 01:01:17,760
Speaker 3: I know I had a phone that I could use

1323
01:01:17,880 --> 01:01:20,040
Speaker 3: by the time I started driving, which would have been

1324
01:01:20,120 --> 01:01:20,720
Speaker 3: ninety seven.

1325
01:01:21,200 --> 01:01:23,400
Speaker 2: So I remember by the end of Boy, we were

1326
01:01:23,400 --> 01:01:24,960
Speaker 2: doing that what's the Snake game in the.

1327
01:01:25,360 --> 01:01:28,560
Speaker 3: Yeah, absolutely, you guess black I love Snake. I would

1328
01:01:28,560 --> 01:01:31,080
Speaker 3: still play Snake. And I missed my BlackBerry. Blackberries are

1329
01:01:31,080 --> 01:01:31,760
Speaker 3: the greatest.

1330
01:01:31,480 --> 01:01:35,600
Speaker 2: Ones black, very high. Yeah, that's what I heard that.

1331
01:01:35,960 --> 01:01:39,880
Speaker 3: Then I also had the BlackBerry with the keyboard and

1332
01:01:39,920 --> 01:01:40,919
Speaker 3: the little roller ball.

1333
01:01:42,280 --> 01:01:44,200
Speaker 4: I had the little black flip phone whatever that was

1334
01:01:44,280 --> 01:01:46,120
Speaker 4: with the antenna.

1335
01:01:45,760 --> 01:01:46,800
Speaker 5: That already had.

1336
01:01:47,520 --> 01:01:49,959
Speaker 3: I remember those two the razors, that's.

1337
01:01:49,840 --> 01:01:50,240
Speaker 2: What it was.

1338
01:01:50,320 --> 01:01:52,800
Speaker 5: Yea Lodorolla, that's what it was.

1339
01:02:04,520 --> 01:02:06,880
Speaker 3: Corey doesn't understand the only person that knew where they

1340
01:02:06,920 --> 01:02:09,600
Speaker 3: were was to Penga and is.

1341
01:02:09,600 --> 01:02:11,040
Speaker 5: That the first one?

1342
01:02:11,480 --> 01:02:12,000
Speaker 2: That's okay.

1343
01:02:12,040 --> 01:02:13,840
Speaker 5: So there's a lot of firsts in this sort something.

1344
01:02:13,760 --> 01:02:16,040
Speaker 3: A lot of first This is kind of an iconic episode.

1345
01:02:16,160 --> 01:02:19,320
Speaker 2: Yes, yeah, I think this locked in a lot of things. Yeah,

1346
01:02:19,360 --> 01:02:23,120
Speaker 2: I think, you know, I think that this whole love

1347
01:02:23,200 --> 01:02:27,560
Speaker 2: triangle joke of like Corey and Sean like, yeah, I

1348
01:02:27,560 --> 01:02:30,440
Speaker 2: mean it's all basically because of this episode, because of

1349
01:02:30,480 --> 01:02:33,080
Speaker 2: the success of this episode and the success of us.

1350
01:02:33,200 --> 01:02:35,160
Speaker 2: It's like finding the comedy together.

1351
01:02:35,280 --> 01:02:39,480
Speaker 3: It just yeah, que Topanga walks in, talking like a

1352
01:02:39,520 --> 01:02:42,000
Speaker 3: Scooby Doo villain. It was I who made the call.

1353
01:02:42,200 --> 01:02:44,680
Speaker 3: It's time she knew. She reveals to Jennifer that the

1354
01:02:44,680 --> 01:02:47,560
Speaker 3: boys have kept their relationship alive despite her evil attempt

1355
01:02:47,600 --> 01:02:50,280
Speaker 3: to keep them apart. To Penga snips, true friendship is

1356
01:02:50,320 --> 01:02:53,800
Speaker 3: stronger than the allure of a cheap kiss. Jennifer doesn't react,

1357
01:02:53,840 --> 01:02:56,360
Speaker 3: so Tapega looks up at her and shouts, Hey, I'm

1358
01:02:56,400 --> 01:02:59,600
Speaker 3: talking to you up there. What do you guys remember

1359
01:02:59,680 --> 01:03:03,320
Speaker 3: about out this line reading and this scene and all

1360
01:03:03,640 --> 01:03:03,959
Speaker 3: you can.

1361
01:03:03,880 --> 01:03:08,000
Speaker 2: Hear my line reading too? Yeah, that's stupid cold, Like

1362
01:03:08,040 --> 01:03:10,520
Speaker 2: what am I doing? I know it's not that. What

1363
01:03:10,600 --> 01:03:14,760
Speaker 2: was that was a line reading that Michael gave me, Like, clearly,

1364
01:03:14,920 --> 01:03:17,480
Speaker 2: I was just being told because I think it's maybe

1365
01:03:17,520 --> 01:03:20,000
Speaker 2: like an impression of somebody from an old timey movie.

1366
01:03:20,080 --> 01:03:22,120
Speaker 2: I don't know, but you can tell that I am

1367
01:03:22,160 --> 01:03:24,680
Speaker 2: not comfortable with it. It's not funny and I'm just

1368
01:03:24,800 --> 01:03:25,960
Speaker 2: doing an imitation.

1369
01:03:26,360 --> 01:03:29,160
Speaker 3: I actually wondered because you know, you know Dede di Stefano,

1370
01:03:29,320 --> 01:03:31,600
Speaker 3: who was a wonderful guest on the nod Meats World,

1371
01:03:31,760 --> 01:03:35,520
Speaker 3: she says bathroom and conned and conned, and so I

1372
01:03:35,600 --> 01:03:37,400
Speaker 3: was wondering if it was like a thing.

1373
01:03:37,560 --> 01:03:38,400
Speaker 5: Yeah, it was my now.

1374
01:03:38,440 --> 01:03:40,800
Speaker 2: The second I saw it, I was like, this makes

1375
01:03:40,840 --> 01:03:43,560
Speaker 2: me angry and uncomfortable and I feel like this is

1376
01:03:43,600 --> 01:03:46,000
Speaker 2: not what I want to be doing. Brings up the feelings,

1377
01:03:47,040 --> 01:03:48,600
Speaker 2: the feeling of like, oh, I have to do it

1378
01:03:48,600 --> 01:03:50,440
Speaker 2: this way and I don't want to and this is

1379
01:03:50,480 --> 01:03:52,160
Speaker 2: not funny to me, but I got to do it

1380
01:03:52,200 --> 01:03:55,680
Speaker 2: and get the obligatory laugh. Yeah. I hated this. Hated

1381
01:03:55,720 --> 01:03:57,240
Speaker 2: this scene, this part of the scene.

1382
01:03:57,320 --> 01:03:59,640
Speaker 4: I don't remember the scene at all, but I thought

1383
01:03:59,760 --> 01:04:02,640
Speaker 4: You're line reading was funny, Danielle Hey, because it was

1384
01:04:02,960 --> 01:04:07,680
Speaker 4: the way it was kind of stilted yeah, mixed to

1385
01:04:07,800 --> 01:04:10,360
Speaker 4: me with the kind of thirties talking.

1386
01:04:10,880 --> 01:04:13,760
Speaker 2: It was I who didn't right there, This is that

1387
01:04:14,120 --> 01:04:15,880
Speaker 2: I wouldn't want to change a word of this scene.

1388
01:04:15,920 --> 01:04:17,800
Speaker 2: I would just want to go back and have another take,

1389
01:04:18,000 --> 01:04:20,960
Speaker 2: another rehearsal and do it, or like I said, actually

1390
01:04:20,960 --> 01:04:23,960
Speaker 2: go back a day so it was less rehearsed, because

1391
01:04:24,000 --> 01:04:27,280
Speaker 2: as it is, it feels like we are lining delivery systems,

1392
01:04:28,080 --> 01:04:30,720
Speaker 2: delivering jokes, which and they are funny jokes. Yeah, but

1393
01:04:30,800 --> 01:04:33,280
Speaker 2: I wanted I wanted this to have the organic human

1394
01:04:33,360 --> 01:04:36,880
Speaker 2: quality the phone calls did that the library scene had.

1395
01:04:36,960 --> 01:04:40,560
Speaker 2: If you know, like this just felt like child actors

1396
01:04:40,600 --> 01:04:41,080
Speaker 2: doing their.

1397
01:04:41,000 --> 01:04:44,440
Speaker 3: Bits, right, I can see that. So she gives them

1398
01:04:44,440 --> 01:04:47,920
Speaker 3: an ultimatum, telling it's Corey or it's Then she grabs

1399
01:04:47,920 --> 01:04:49,960
Speaker 3: his hair and pulls him in for one of her

1400
01:04:50,080 --> 01:04:54,480
Speaker 3: mind altering kisses, and then says me post kiss. Sean

1401
01:04:54,520 --> 01:04:57,720
Speaker 3: then turns to Corey, Okay, what do you got? Corey shrugs,

1402
01:04:57,880 --> 01:05:01,040
Speaker 3: you can't top that. Sean snaps himself back reality. He

1403
01:05:01,080 --> 01:05:04,360
Speaker 3: tells Jennifer, Corey's my friend, and so is Topanga. If

1404
01:05:04,400 --> 01:05:06,640
Speaker 3: you can't be friends with my friends, then I'm not

1405
01:05:06,680 --> 01:05:08,720
Speaker 3: so sure. I want to be friends with you, but

1406
01:05:08,800 --> 01:05:15,280
Speaker 3: we can still kiss. She rolls her eyes. Consider yourself dumped, Sean.

1407
01:05:15,720 --> 01:05:17,720
Speaker 3: He doesn't react, so she asks, didn't you hear me?

1408
01:05:17,840 --> 01:05:20,200
Speaker 3: I said you're dumped. He wags his finger at her.

1409
01:05:20,320 --> 01:05:22,560
Speaker 3: It doesn't bother him this time, as he stands next

1410
01:05:22,600 --> 01:05:25,520
Speaker 3: to Corey and Topanga, because he's getting more than he's losing.

1411
01:05:25,880 --> 01:05:29,360
Speaker 3: Jennifer sarcastically responds, I hope you're all very happy together.

1412
01:05:29,520 --> 01:05:32,080
Speaker 3: See she saw, she saw what we had.

1413
01:05:32,400 --> 01:05:34,760
Speaker 4: That's what Sue said too, Sue said, I she's watching.

1414
01:05:34,800 --> 01:05:37,160
Speaker 4: She said, I think this might be one of the

1415
01:05:37,200 --> 01:05:38,560
Speaker 4: original thruples.

1416
01:05:39,040 --> 01:05:41,720
Speaker 3: And certainly, if the first teen thruple, you.

1417
01:05:41,680 --> 01:05:43,439
Speaker 2: And I would have to actually talk to each other.

1418
01:05:43,760 --> 01:05:46,400
Speaker 3: She leaves, attempting to give Corey a hiss when she passes,

1419
01:05:46,440 --> 01:05:48,960
Speaker 3: but he gives her one right back. Corey embraces Sean

1420
01:05:49,000 --> 01:05:52,480
Speaker 3: and Topanga. Things are finally back to normal. No more lies,

1421
01:05:52,600 --> 01:05:54,880
Speaker 3: no more sneaking around. They'll be able to do whatever

1422
01:05:54,920 --> 01:05:58,200
Speaker 3: they want whenever they want. Corey awkwardly asks, so what

1423
01:05:58,240 --> 01:06:00,280
Speaker 3: do you want to do? Sean responds, I know, what

1424
01:06:00,280 --> 01:06:02,960
Speaker 3: do you want to do? Corey pauses, see at school,

1425
01:06:03,160 --> 01:06:05,200
Speaker 3: Sean of Greese, Yeah, see you at school, and they

1426
01:06:05,200 --> 01:06:08,960
Speaker 3: both walk away, leaving Tapanga completely confused. Why did they

1427
01:06:09,120 --> 01:06:11,200
Speaker 3: make such a big deal about being together if they

1428
01:06:11,200 --> 01:06:12,440
Speaker 3: weren't going to be together.

1429
01:06:12,600 --> 01:06:15,200
Speaker 5: That's the joy of being I know, I.

1430
01:06:15,400 --> 01:06:18,440
Speaker 3: That it is the joy of true friendships.

1431
01:06:19,080 --> 01:06:21,280
Speaker 5: Great, I know you really will see it.

1432
01:06:22,480 --> 01:06:24,680
Speaker 3: So then we're in the tag. We're back in the theater.

1433
01:06:25,000 --> 01:06:28,240
Speaker 3: Eric's one man show continues. He's finally gotten to being

1434
01:06:28,320 --> 01:06:31,480
Speaker 3: eighteen years old. He mentions the crossroads he faces, and

1435
01:06:31,520 --> 01:06:34,880
Speaker 3: then he says transition. We see Amy dead asleep in

1436
01:06:34,920 --> 01:06:37,520
Speaker 3: the audience. Alan is hitting himself in the head. Eric

1437
01:06:37,600 --> 01:06:39,640
Speaker 3: rewinds back to his days as a five year old

1438
01:06:39,640 --> 01:06:41,800
Speaker 3: in kindergarten when he didn't know which cubby was his.

1439
01:06:42,120 --> 01:06:43,880
Speaker 5: He backwards.

1440
01:06:45,840 --> 01:06:49,080
Speaker 2: Back to five and it's like, uh oh, Alan's like,

1441
01:06:49,120 --> 01:06:50,120
Speaker 2: oh god, he's five again.

1442
01:06:50,200 --> 01:06:53,520
Speaker 3: We've got four hundred pages here.

1443
01:06:53,680 --> 01:06:56,440
Speaker 2: Here's what is so awesome about the writing here is

1444
01:06:56,480 --> 01:06:58,840
Speaker 2: like it would have been so easy to make Eric

1445
01:06:59,240 --> 01:07:01,880
Speaker 2: just a bad play right, but instead they make Eric

1446
01:07:01,960 --> 01:07:05,040
Speaker 2: a sophisticated bad playwright, do you know what I mean?

1447
01:07:05,240 --> 01:07:09,840
Speaker 2: Like he's jumping through time and trying to be artistic.

1448
01:07:10,040 --> 01:07:12,400
Speaker 2: Like it's not like you know, it's like it's that's

1449
01:07:12,440 --> 01:07:15,160
Speaker 2: what I love about. It's like because you could see

1450
01:07:15,200 --> 01:07:18,400
Speaker 2: somebody hitting play on a jukebox and like having background

1451
01:07:18,440 --> 01:07:20,960
Speaker 2: noise of babies crying, Like there's a there's a version

1452
01:07:21,040 --> 01:07:24,360
Speaker 2: of like taking himself so seriously, and I just love it.

1453
01:07:24,400 --> 01:07:26,520
Speaker 2: I love that he's not like because even in the

1454
01:07:26,600 --> 01:07:29,000
Speaker 2: joke with with the script with Feenie, it was just

1455
01:07:29,040 --> 01:07:32,560
Speaker 2: bad writing. But here it's like good bad or it's

1456
01:07:32,800 --> 01:07:35,800
Speaker 2: something it's like layered bad writing. And that is just

1457
01:07:35,920 --> 01:07:38,520
Speaker 2: the genius of like our writing staff like to be

1458
01:07:38,560 --> 01:07:41,280
Speaker 2: able to take it to that level of like, don't

1459
01:07:41,360 --> 01:07:43,280
Speaker 2: just have it be the joke that he's it's a

1460
01:07:43,280 --> 01:07:45,880
Speaker 2: horrible It's like it yeah, yeah, it's so good.

1461
01:07:45,960 --> 01:07:49,200
Speaker 3: He's actually really self reflective. He's able to go at

1462
01:07:49,240 --> 01:07:51,720
Speaker 3: this point when I did not know which cubby was mine,

1463
01:07:52,080 --> 01:07:56,919
Speaker 3: I also find myself like he's truly looked at. That's

1464
01:07:57,000 --> 01:08:01,440
Speaker 3: just super like, yeah, it's so great. He connects the

1465
01:08:01,480 --> 01:08:04,960
Speaker 3: two crossroads and ends with nap time. Feenie appears on

1466
01:08:05,040 --> 01:08:06,880
Speaker 3: stage and asks Eric how he's doing.

1467
01:08:07,080 --> 01:08:08,520
Speaker 7: Eric, how do how you.

1468
01:08:08,520 --> 01:08:10,440
Speaker 3: So funny on the Spotlight?

1469
01:08:10,920 --> 01:08:11,480
Speaker 5: How you doing?

1470
01:08:11,880 --> 01:08:13,640
Speaker 3: Eric admits he doesn't know why he did this in

1471
01:08:13,680 --> 01:08:15,840
Speaker 3: the first place, his life is meaningless. No one wants

1472
01:08:15,920 --> 01:08:17,880
Speaker 3: to hear him talk about it. Even his own parents

1473
01:08:17,880 --> 01:08:20,640
Speaker 3: are asleep. Phoene gives some wisdom, in the play of

1474
01:08:20,680 --> 01:08:23,160
Speaker 3: your life, all your great scenes lie ahead of you.

1475
01:08:23,640 --> 01:08:25,880
Speaker 3: Eric asks, so in thirty to forty years, I could

1476
01:08:25,880 --> 01:08:28,080
Speaker 3: write a play you'd want to come and see. Phoene says, No,

1477
01:08:28,240 --> 01:08:31,280
Speaker 3: tonight pretty much killed any interest he had in the theater.

1478
01:08:33,320 --> 01:08:34,280
Speaker 2: Oh he's so great.

1479
01:08:34,760 --> 01:08:37,240
Speaker 5: I missed these scenes so much. These I beg.

1480
01:08:39,680 --> 01:08:41,720
Speaker 3: Eric asks Phoene where his life will go from here,

1481
01:08:41,760 --> 01:08:44,679
Speaker 3: and Phoene explains, now you have passion, you have drive,

1482
01:08:45,040 --> 01:08:47,599
Speaker 3: certainly you have guts. I frankly can't wait to see

1483
01:08:47,640 --> 01:08:49,760
Speaker 3: what happens to you. Eric asks, with a glimmer in

1484
01:08:49,800 --> 01:08:51,400
Speaker 3: his eye, you're not going to tell me to give

1485
01:08:51,479 --> 01:08:52,760
Speaker 3: up my life as an actor and go get a

1486
01:08:52,760 --> 01:08:55,160
Speaker 3: college education. Phoene says he's told him to get a

1487
01:08:55,160 --> 01:08:57,559
Speaker 3: college education ten thousand times. He doesn't need to tell

1488
01:08:57,600 --> 01:09:00,679
Speaker 3: him again. Eric asks about his acting, and Phoenie doesn't hesitate.

1489
01:09:00,920 --> 01:09:01,920
Speaker 3: Get a college education.

1490
01:09:02,240 --> 01:09:07,120
Speaker 2: College and I mean this is like, you know, this

1491
01:09:06,880 --> 01:09:10,320
Speaker 2: is this is amazing. Boy meets world like because you

1492
01:09:10,320 --> 01:09:12,479
Speaker 2: have the joke of a one man show over the

1493
01:09:12,520 --> 01:09:16,960
Speaker 2: top ridiculous comedy stuff. Yeah, and you still pull the

1494
01:09:17,000 --> 01:09:20,600
Speaker 2: heart strings, kill the life lessons, make it believable and

1495
01:09:21,439 --> 01:09:25,240
Speaker 2: create an amazing relationship between two characters, and like it's

1496
01:09:25,280 --> 01:09:27,240
Speaker 2: just solid family writing.

1497
01:09:27,280 --> 01:09:29,120
Speaker 5: It's also in the writing.

1498
01:09:29,560 --> 01:09:31,840
Speaker 4: They easily and any other show I think would have

1499
01:09:31,880 --> 01:09:33,880
Speaker 4: done could have done a scene just like this, but

1500
01:09:33,920 --> 01:09:37,519
Speaker 4: it would have been backstage or off to have Phenie

1501
01:09:37,800 --> 01:09:41,360
Speaker 4: on stage in the middle of the show in the

1502
01:09:41,360 --> 01:09:44,479
Speaker 4: spotlight to where then you cut back to Amy and

1503
01:09:44,600 --> 01:09:47,879
Speaker 4: Allen watching the two of them together on the stage,

1504
01:09:47,960 --> 01:09:48,479
Speaker 4: and that.

1505
01:09:48,400 --> 01:09:52,479
Speaker 2: Becomes a show that becomes actually a successful one man

1506
01:09:52,560 --> 01:09:56,080
Speaker 2: show in a way, I know it's them talking about

1507
01:09:56,120 --> 01:09:58,880
Speaker 2: you as the two of you are great together. Yes,

1508
01:09:59,000 --> 01:10:03,400
Speaker 2: like basically are writers and our show saying we know

1509
01:10:03,479 --> 01:10:06,280
Speaker 2: that these two are great together as actors, as characters,

1510
01:10:06,320 --> 01:10:08,879
Speaker 2: Like we all love this, and it's like it encodes

1511
01:10:08,920 --> 01:10:11,240
Speaker 2: for the audience a comfort level with the whole thing.

1512
01:10:11,280 --> 01:10:13,160
Speaker 5: You're just like so good, it's a whole nother like

1513
01:10:13,280 --> 01:10:14,280
Speaker 5: so beautiful.

1514
01:10:14,040 --> 01:10:15,120
Speaker 2: It's beautredible.

1515
01:10:15,400 --> 01:10:18,639
Speaker 3: I know it's beautiful. Alan kind of awake tells Amy,

1516
01:10:18,960 --> 01:10:22,120
Speaker 3: this part's pretty good. She smiles. Yeah, those two are

1517
01:10:22,160 --> 01:10:24,920
Speaker 3: pretty great. Together, and then we see Feoenie and Eric,

1518
01:10:24,960 --> 01:10:27,840
Speaker 3: who has again tucked his head inside his turtleneck. His

1519
01:10:27,920 --> 01:10:30,760
Speaker 3: partner in crime, mister Foene, sits next to him in embarrassment.

1520
01:10:31,320 --> 01:10:32,880
Speaker 3: And that's our show.

1521
01:10:33,080 --> 01:10:36,679
Speaker 2: And that was another fifteen minutes, and one another fifteen minutes,

1522
01:10:37,240 --> 01:10:40,000
Speaker 2: Like I just wish we had another tag, like room

1523
01:10:40,040 --> 01:10:42,160
Speaker 2: for another tag. If we had cut that first scene,

1524
01:10:42,439 --> 01:10:44,120
Speaker 2: we would have had room for another tag and it

1525
01:10:44,160 --> 01:10:46,720
Speaker 2: could have just been split second one liners of you

1526
01:10:46,880 --> 01:10:48,519
Speaker 2: like throughout the night of the show. Do you know

1527
01:10:48,560 --> 01:10:50,400
Speaker 2: what I mean? Like if we just let the camera

1528
01:10:50,520 --> 01:10:52,439
Speaker 2: roll and they threw out jokes and let you do

1529
01:10:52,520 --> 01:10:54,559
Speaker 2: whatever you could, they could have had a whole like

1530
01:10:54,720 --> 01:10:58,280
Speaker 2: mash up of Eric one woman show beats. That would

1531
01:10:58,280 --> 01:10:59,280
Speaker 2: have been so funny.

1532
01:10:59,400 --> 01:11:00,200
Speaker 5: That was Michael though.

1533
01:11:00,200 --> 01:11:03,360
Speaker 4: Michael was like, the put the thing back up, and

1534
01:11:03,400 --> 01:11:05,400
Speaker 4: then I said, and he's like, now look at them,

1535
01:11:05,600 --> 01:11:06,760
Speaker 4: and so I was like, that's when I turn and

1536
01:11:06,800 --> 01:11:07,639
Speaker 4: look at them in the thing.

1537
01:11:07,640 --> 01:11:08,960
Speaker 5: And it was very fun less.

1538
01:11:08,960 --> 01:11:10,960
Speaker 2: You imagine if we had done just another like half

1539
01:11:11,040 --> 01:11:14,120
Speaker 2: hour of that, it would have been so exactly I want.

1540
01:11:13,960 --> 01:11:14,439
Speaker 1: To go back.

1541
01:11:15,080 --> 01:11:17,160
Speaker 3: Well, thank you all for joining us for this episode

1542
01:11:17,160 --> 01:11:19,040
Speaker 3: of Pod Meets World. As always. You can follow us

1543
01:11:19,040 --> 01:11:21,280
Speaker 3: on Instagram Pod Meets World Show. You can send us

1544
01:11:21,280 --> 01:11:24,000
Speaker 3: your emails pod Meets Worldshow at gmail dot com. And

1545
01:11:24,640 --> 01:11:25,080
Speaker 3: we have.

1546
01:11:25,040 --> 01:11:28,280
Speaker 5: Merch Danielle and I will Never be movie stars March.

1547
01:11:29,280 --> 01:11:32,720
Speaker 3: God Meets Worldshow dot com. Please join us for our

1548
01:11:32,760 --> 01:11:37,240
Speaker 3: next episode, which is season four, episode twelve, Easy Street Now.

1549
01:11:37,479 --> 01:11:41,160
Speaker 3: This is episode four eleven on Disney Plus. They aired

1550
01:11:41,200 --> 01:11:43,320
Speaker 3: him out of order. We're going in DVD order, so

1551
01:11:43,400 --> 01:11:45,599
Speaker 3: you will watch four eleven if you're watching on Disney Plus.

1552
01:11:45,600 --> 01:11:50,040
Speaker 3: It originally aired December thirteenth, nineteen ninety six. Writer send

1553
01:11:50,160 --> 01:11:50,559
Speaker 3: us out.

1554
01:11:51,040 --> 01:11:55,120
Speaker 2: We love you all, even just you TV actors pod dismissed.

1555
01:11:57,160 --> 01:11:59,679
Speaker 2: Pod Meets World is an iHeart podcast producer and hosted

1556
01:11:59,680 --> 01:12:03,200
Speaker 2: by Dan Niell Official Wilfridell and Ryder Strong executive producers

1557
01:12:03,280 --> 01:12:06,200
Speaker 2: Jensen Karp and Amy Sugarman Executive in charge of production,

1558
01:12:06,280 --> 01:12:10,240
Speaker 2: Danielle Romo, producer and editor, Taras Subasch, producer, Maddi Moore

1559
01:12:10,439 --> 01:12:13,400
Speaker 2: engineer and boy Mets World Superman Easton Out. Our theme

1560
01:12:13,520 --> 01:12:16,439
Speaker 2: song is by Kyle Morton of Typhoon. Follow us on

1561
01:12:16,479 --> 01:12:19,799
Speaker 2: Instagram at Podmets World Show or email us at Podmeats

1562
01:12:19,800 --> 01:12:25,040
Speaker 2: World Show at gmail dot com.