1
00:00:18,680 --> 00:00:22,720
Speaker 1: All right, here we go, Hi, ab Hi, Jody Sweeten.

2
00:00:23,200 --> 00:00:26,080
Speaker 2: I'm drinking out of my full house rap mug today

3
00:00:27,040 --> 00:00:27,720
Speaker 2: in honor of.

4
00:00:27,840 --> 00:00:31,760
Speaker 3: This historic episode. And you have Dolly Parton. I have

5
00:00:31,800 --> 00:00:34,239
Speaker 3: Dolly Parton in front of a rainbow, because that's just

6
00:00:35,200 --> 00:00:36,680
Speaker 3: all hailes, Saint Dolly.

7
00:00:36,880 --> 00:00:37,559
Speaker 1: That's it.

8
00:00:38,159 --> 00:00:42,800
Speaker 3: If Dolly Parton ran the country would be great. We'd

9
00:00:42,840 --> 00:00:44,479
Speaker 3: have coats of many colors.

10
00:00:44,520 --> 00:00:47,240
Speaker 1: I mean it would be really it would be.

11
00:00:47,320 --> 00:00:50,920
Speaker 3: Just no one named Jolene. But no, I really I

12
00:00:50,920 --> 00:00:52,640
Speaker 3: think that she should. But we actually share a birthday,

13
00:00:52,680 --> 00:00:55,720
Speaker 3: me and Dolly Parton, so I didn't know that January night.

14
00:00:55,840 --> 00:00:58,920
Speaker 1: It feels very appropriate. That's a what an honor.

15
00:00:59,280 --> 00:01:02,120
Speaker 3: That's oh every if you don't think that. Every year

16
00:01:02,760 --> 00:01:04,959
Speaker 3: I go on her page because of yes, I follow

17
00:01:05,000 --> 00:01:09,960
Speaker 3: her and also her her pet brand amazing anyway, I

18
00:01:10,000 --> 00:01:12,880
Speaker 3: follow her, and every year I'm like, oh, high birthday, twin.

19
00:01:13,040 --> 00:01:16,119
Speaker 3: I'm such a fangirl. Like I'm literally like, maybe she'll

20
00:01:16,160 --> 00:01:18,600
Speaker 3: notice me. I just think she's a rad human.

21
00:01:19,200 --> 00:01:19,759
Speaker 1: I love her.

22
00:01:20,240 --> 00:01:21,920
Speaker 3: Notice follow me, follow me?

23
00:01:22,000 --> 00:01:22,360
Speaker 1: Please?

24
00:01:22,959 --> 00:01:25,680
Speaker 3: Yeah, I'm like I'm legit, Like, oh my gosh, Hi,

25
00:01:27,040 --> 00:01:30,440
Speaker 3: I think she might actually be the one person that,

26
00:01:30,600 --> 00:01:35,440
Speaker 3: like I would actually be like kind of fan if I.

27
00:01:35,400 --> 00:01:38,640
Speaker 2: Met Yeah, yeah, well with her and Ryan Goslin. That's

28
00:01:38,680 --> 00:01:40,920
Speaker 2: the other one. That's the other one where I asked

29
00:01:40,959 --> 00:01:43,520
Speaker 2: for a selfie or I tried to get to him

30
00:01:43,520 --> 00:01:45,880
Speaker 2: for a picture at the Sclare Deerma benefit A million

31
00:01:45,959 --> 00:01:47,280
Speaker 2: years right for you.

32
00:01:47,360 --> 00:01:50,800
Speaker 1: So I did this for you and I because we

33
00:01:50,880 --> 00:01:53,480
Speaker 1: knew each other, like we met as kids and had

34
00:01:53,520 --> 00:01:56,120
Speaker 1: stayed in contact something right, And.

35
00:01:56,080 --> 00:01:57,640
Speaker 3: Then I had the incident where I ran in the

36
00:01:57,680 --> 00:02:00,760
Speaker 3: but Whole Foods right right and then right, and so

37
00:02:00,840 --> 00:02:02,360
Speaker 3: I was like, oh, we'll go get a picture, but

38
00:02:02,440 --> 00:02:04,120
Speaker 3: there was no way to do it low pro and

39
00:02:04,120 --> 00:02:07,120
Speaker 3: he had like a bazillion security there, and he was

40
00:02:07,160 --> 00:02:09,000
Speaker 3: sitting by Teddy, and so we went to go say

41
00:02:09,080 --> 00:02:10,239
Speaker 3: hi to Teddy and then.

42
00:02:10,360 --> 00:02:12,680
Speaker 1: It just it just got awkward. But so I made

43
00:02:12,720 --> 00:02:13,200
Speaker 1: it more.

44
00:02:13,080 --> 00:02:17,160
Speaker 3: Awkward when I peel out, I leave you guys, and

45
00:02:17,200 --> 00:02:19,600
Speaker 3: I'm like bye, and I make a left because I'm like,

46
00:02:19,600 --> 00:02:21,200
Speaker 3: oh my god, this is just I don't even know

47
00:02:21,240 --> 00:02:22,600
Speaker 3: what's happening. And I was like, I need to get

48
00:02:22,600 --> 00:02:25,040
Speaker 3: out of this uncomfortable situation. So I walked to the left,

49
00:02:25,360 --> 00:02:29,080
Speaker 3: only to realize there is no exit there and I

50
00:02:29,160 --> 00:02:33,680
Speaker 3: have to go, then walk back by like an idiot

51
00:02:34,320 --> 00:02:36,680
Speaker 3: and find the exit. I was like, god, I can't

52
00:02:36,680 --> 00:02:38,200
Speaker 3: even make a smooth exit?

53
00:02:38,280 --> 00:02:39,600
Speaker 1: Can make a smooth exit?

54
00:02:40,160 --> 00:02:41,840
Speaker 3: Isn't that always the way you always?

55
00:02:42,360 --> 00:02:44,280
Speaker 2: Yes, you always make the biggest fool out of yourself

56
00:02:44,280 --> 00:02:45,720
Speaker 2: when your star straw's true.

57
00:02:45,880 --> 00:02:47,840
Speaker 3: Yeah, I either make the biggest fool out of myself

58
00:02:47,919 --> 00:02:49,720
Speaker 3: or all hell breaks lose ten minutes before we have

59
00:02:49,720 --> 00:02:52,760
Speaker 3: to shoot the podcast. Yes, just like today, I am

60
00:02:53,000 --> 00:02:56,760
Speaker 3: so I found out I'm a terrible plumber, Like.

61
00:02:57,000 --> 00:02:59,760
Speaker 2: Literally, Jody. We logged on at ten o'clock and Jody's

62
00:02:59,760 --> 00:03:00,760
Speaker 2: like I was ready.

63
00:03:00,760 --> 00:03:02,240
Speaker 1: It was like to go pee.

64
00:03:02,360 --> 00:03:05,960
Speaker 3: I go in the house, I'm getting coffee. I hear

65
00:03:06,040 --> 00:03:08,920
Speaker 3: it outcomes the I'm like, oh my god, what. So

66
00:03:08,960 --> 00:03:11,400
Speaker 3: I run in there and toilets overflying. I'm like, okay,

67
00:03:11,560 --> 00:03:14,040
Speaker 3: So I go to turn the water off like an idiot,

68
00:03:14,080 --> 00:03:16,360
Speaker 3: I turn it the wrong way, so now it's raising

69
00:03:16,440 --> 00:03:19,840
Speaker 3: even quicker. I'm like no, So I'm like, get towels,

70
00:03:19,960 --> 00:03:23,800
Speaker 3: get towels, putting them all over the place. Then I

71
00:03:23,880 --> 00:03:26,720
Speaker 3: try I'm using the plunger and it's like this lasting one.

72
00:03:26,720 --> 00:03:27,360
Speaker 3: I don't know why the.

73
00:03:27,360 --> 00:03:30,040
Speaker 1: Hell we have this. It's terrible an ikea plungers.

74
00:03:30,480 --> 00:03:33,120
Speaker 3: Yeah, it's stupid, but you know, and anyway, so I'm

75
00:03:33,160 --> 00:03:36,000
Speaker 3: like trying to use it and then that cracks in half,

76
00:03:36,720 --> 00:03:40,560
Speaker 3: thus rendering it useless, like there's no suction.

77
00:03:40,760 --> 00:03:41,600
Speaker 1: Because it's just a bit.

78
00:03:41,960 --> 00:03:45,360
Speaker 3: Yeah, and I was like, you know what, I'm going

79
00:03:45,400 --> 00:03:48,080
Speaker 3: to go inside and podcasts and then I'm just gonna deal.

80
00:03:47,960 --> 00:03:51,440
Speaker 1: With this later. So we could.

81
00:03:51,320 --> 00:03:53,720
Speaker 3: Podcast for seven hours, say you'd like, because I don't

82
00:03:53,760 --> 00:03:54,560
Speaker 3: want to go in and do it.

83
00:03:54,600 --> 00:03:57,920
Speaker 2: Well, as long as whatever it takes, however long Miscale's

84
00:03:57,960 --> 00:04:00,960
Speaker 2: hike is going to last. That's how long he literally left.

85
00:04:01,040 --> 00:04:02,320
Speaker 2: He came home from Nashville.

86
00:04:02,360 --> 00:04:05,240
Speaker 3: He's here and left on a hike like seven minutes ago,

87
00:04:05,760 --> 00:04:08,240
Speaker 3: and and and here we are again.

88
00:04:08,320 --> 00:04:11,640
Speaker 1: So he avoids the drama. I don't know. I don't

89
00:04:11,640 --> 00:04:12,440
Speaker 1: know how he does it.

90
00:04:12,720 --> 00:04:15,600
Speaker 3: It's but he manages to just be like, yes, just

91
00:04:15,720 --> 00:04:17,839
Speaker 3: right off, he's gonna make a smooth exit. He needs

92
00:04:17,880 --> 00:04:18,320
Speaker 3: to teach you.

93
00:04:18,680 --> 00:04:21,960
Speaker 1: He really can. Yeah, yeah, I love it.

94
00:04:23,760 --> 00:04:29,200
Speaker 3: That's my morning. Yes, yay, Right, how's your morning? Anything

95
00:04:29,279 --> 00:04:30,880
Speaker 3: overflow or break down at your hearse?

96
00:04:30,920 --> 00:04:33,039
Speaker 2: Oh it's really boring, except if you can't if you

97
00:04:33,040 --> 00:04:37,159
Speaker 2: hear a rooster. I apologize to you. You don't have

98
00:04:37,200 --> 00:04:41,080
Speaker 2: a rooster now, so he's very loud and extra Wait wait,

99
00:04:41,120 --> 00:04:43,920
Speaker 2: wait wait, I mean you have a rooster. My next

100
00:04:43,920 --> 00:04:47,200
Speaker 2: door neighbors have a rooster, but it guts right against right.

101
00:04:47,200 --> 00:04:48,400
Speaker 3: Right primary bedroom.

102
00:04:48,680 --> 00:04:50,840
Speaker 2: And then they added a rooster a couple of months ago.

103
00:04:51,320 --> 00:04:54,120
Speaker 2: They had six hens one rooster. The rooster is very

104
00:04:54,240 --> 00:04:55,919
Speaker 2: unhinged and very angry.

105
00:04:56,240 --> 00:04:58,360
Speaker 1: They are. They always run around and.

106
00:04:58,320 --> 00:05:00,160
Speaker 2: Just looks at you, like like you know, out of

107
00:05:00,160 --> 00:05:04,560
Speaker 2: the corner. You cry, and he's there, just atures and

108
00:05:04,640 --> 00:05:05,560
Speaker 2: he's yeah.

109
00:05:05,560 --> 00:05:08,640
Speaker 1: Just yes, he is. That's a good description.

110
00:05:08,760 --> 00:05:13,440
Speaker 2: Ab And when I on the rare occasion when Holly

111
00:05:13,480 --> 00:05:15,480
Speaker 2: gets up in the middle of the night to go potty,

112
00:05:15,920 --> 00:05:23,760
Speaker 2: I turn on the backyard floodlight, and the rooster daytime, like, idiot,

113
00:05:23,839 --> 00:05:25,160
Speaker 2: it's something right, You're like, it's.

114
00:05:25,080 --> 00:05:31,159
Speaker 3: An led light, you idiot. Then wakes up everybody. He

115
00:05:31,200 --> 00:05:32,000
Speaker 3: has no chill.

116
00:05:32,520 --> 00:05:34,760
Speaker 2: So yeah, no, that's that's the only exciting thing here

117
00:05:34,839 --> 00:05:40,120
Speaker 2: is the is the unhinged roost That would be Yeah.

118
00:05:39,520 --> 00:05:42,200
Speaker 3: Roosters are annoying. I've I've stayed at places where there

119
00:05:42,279 --> 00:05:46,200
Speaker 3: is a rooster nearby and you just you're like, oh God,

120
00:05:46,960 --> 00:05:49,920
Speaker 3: I can't. I can't ignore this, can't I like, you

121
00:05:50,000 --> 00:05:51,720
Speaker 3: just can't. No, there is no ignoring.

122
00:05:51,920 --> 00:05:55,400
Speaker 2: Well, he's going to insert himself into whatever situation is

123
00:05:55,440 --> 00:06:01,640
Speaker 2: at hand. It's a fascinating like sociological look at how chickens,

124
00:06:02,000 --> 00:06:04,800
Speaker 2: like the hens definitely try to like push him out.

125
00:06:04,839 --> 00:06:06,800
Speaker 2: They have their morning routine of they have a little

126
00:06:06,839 --> 00:06:08,680
Speaker 2: perch and they all all six of them get up

127
00:06:08,680 --> 00:06:11,200
Speaker 2: on the perch and watch like the sunrise, and the

128
00:06:11,240 --> 00:06:14,000
Speaker 2: cock keeps trying to get in and keep perch with them.

129
00:06:14,279 --> 00:06:19,680
Speaker 3: It's just in that sorry, the chicken the.

130
00:06:19,680 --> 00:06:21,800
Speaker 2: Hans are just like, no, you are not allowed on

131
00:06:21,839 --> 00:06:24,839
Speaker 2: this perch, Like go loud?

132
00:06:25,120 --> 00:06:27,040
Speaker 1: Would they? They like to wake up slow with their

133
00:06:27,080 --> 00:06:27,920
Speaker 1: morning coff.

134
00:06:27,960 --> 00:06:31,919
Speaker 3: Does one need a rooster if you've got six hens?

135
00:06:32,000 --> 00:06:35,559
Speaker 3: Is there some do they only produce eggs if there's

136
00:06:36,400 --> 00:06:39,400
Speaker 3: an obnoxious cock running around? I mean, I don't know,

137
00:06:40,880 --> 00:06:41,440
Speaker 3: you know what I mean?

138
00:06:41,560 --> 00:06:42,600
Speaker 1: Like did they?

139
00:06:42,839 --> 00:06:45,960
Speaker 3: I think my neighbors are trying to protection from the wolves.

140
00:06:46,040 --> 00:06:47,839
Speaker 1: I don't know, why would you?

141
00:06:47,960 --> 00:06:50,200
Speaker 3: I don't know some I'm you know what someone out there?

142
00:06:50,200 --> 00:06:50,360
Speaker 1: Now?

143
00:06:50,360 --> 00:06:52,160
Speaker 3: Someone? And I better know before I moved to my

144
00:06:52,240 --> 00:06:55,960
Speaker 3: yurt in the woods. Yeah what what chickens and cocks.

145
00:06:56,000 --> 00:06:58,720
Speaker 1: I need, Yes, you need to know, I need any fox.

146
00:06:58,800 --> 00:06:59,840
Speaker 1: You need to be prepared.

147
00:07:00,480 --> 00:07:03,839
Speaker 2: Yes, we're so channeling Bob Saget right now in this episode.

148
00:07:04,200 --> 00:07:07,120
Speaker 2: I believe the chicken. I believe the hens can lay

149
00:07:07,120 --> 00:07:12,320
Speaker 2: the eggs without the rooster because they're unfertilized. Right, well, right,

150
00:07:12,400 --> 00:07:16,480
Speaker 2: but so the rooster's presence is merely for reproductive purposes.

151
00:07:16,880 --> 00:07:17,480
Speaker 1: They're trying to.

152
00:07:17,400 --> 00:07:19,320
Speaker 3: Increase and they're trying to make more chickens.

153
00:07:19,400 --> 00:07:23,000
Speaker 2: Yeah, okay, it's a fairy full house of chickens over here,

154
00:07:23,360 --> 00:07:23,960
Speaker 2: so at it.

155
00:07:24,000 --> 00:07:24,360
Speaker 1: I'm just this.

156
00:07:24,760 --> 00:07:26,920
Speaker 3: I figure I thought if you had six, like, how

157
00:07:26,920 --> 00:07:29,680
Speaker 3: many more do you need? But right maybe, well maybe

158
00:07:29,680 --> 00:07:31,640
Speaker 3: you're going to start being like, wait, there's only four

159
00:07:31,680 --> 00:07:34,760
Speaker 3: there now, and you're yeah, and you're gonna smell fried

160
00:07:34,840 --> 00:07:38,480
Speaker 3: chicken and be like, oh, it would happened cold fried chicken.

161
00:07:39,520 --> 00:07:41,080
Speaker 1: Right, it'll be the cold fried chicken.

162
00:07:41,080 --> 00:07:42,920
Speaker 3: They'll leave it on your front porch and it'll just

163
00:07:43,000 --> 00:07:44,680
Speaker 3: all come full circle. Dang.

164
00:07:44,800 --> 00:07:47,280
Speaker 2: Or they offered me some eggs, but this goes way

165
00:07:47,440 --> 00:07:49,360
Speaker 2: above and beyond neighborly duties here.

166
00:07:49,480 --> 00:07:53,080
Speaker 1: You better take those eggs. They're literally gold.

167
00:07:53,560 --> 00:07:55,600
Speaker 3: Literally you could resell them on ebit. I think that's

168
00:07:55,600 --> 00:07:56,040
Speaker 3: why they.

169
00:07:55,960 --> 00:07:59,640
Speaker 2: Wanted to add more hens and this rooster, because they

170
00:07:59,680 --> 00:08:01,000
Speaker 2: got it can support themselves.

171
00:08:01,120 --> 00:08:03,640
Speaker 3: Just so you're gonna be living next to an organic

172
00:08:03,720 --> 00:08:04,640
Speaker 3: chicken farm pretty soon.

173
00:08:04,800 --> 00:08:07,800
Speaker 1: Yeah, it's great, Great, it's great. Everybody, come on, more

174
00:08:07,800 --> 00:08:08,760
Speaker 1: cocks around.

175
00:08:08,640 --> 00:08:12,600
Speaker 3: Just say I think it's bad now, So there's like

176
00:08:12,640 --> 00:08:15,160
Speaker 3: three of them. It's loud. It is loud.

177
00:08:15,360 --> 00:08:17,200
Speaker 2: This is why I don't sleep in also because the

178
00:08:17,280 --> 00:08:18,600
Speaker 2: rooster won't allow it.

179
00:08:18,680 --> 00:08:21,200
Speaker 1: Yeah, it's true. Noisy cocks abound.

180
00:08:22,720 --> 00:08:27,640
Speaker 3: Well, speaking of noisy cocks, let's this episode, which is

181
00:08:27,680 --> 00:08:31,640
Speaker 3: about Jesse throwing another fit before his wedding, sort of

182
00:08:31,640 --> 00:08:35,959
Speaker 3: stays on on on track there, this is your best

183
00:08:36,040 --> 00:08:41,600
Speaker 3: segue yet. And really that one was that.

184
00:08:41,440 --> 00:08:43,360
Speaker 1: One was good. That one was good.

185
00:08:45,280 --> 00:08:47,880
Speaker 3: Oh oh, I broke Andrew. She's in the silent laughing.

186
00:08:51,640 --> 00:08:55,120
Speaker 1: It's already it is already unhinged off the rails.

187
00:08:55,200 --> 00:08:58,400
Speaker 3: I'm already trying. This is what happens when we record

188
00:08:58,440 --> 00:09:01,160
Speaker 3: two days in a row. By the second day, the

189
00:09:01,200 --> 00:09:04,439
Speaker 3: start of things, I'm already slap happy waity, what's gonna happen?

190
00:09:04,600 --> 00:09:12,240
Speaker 3: We're loopy and hoopy and we have an iconic episode today.

191
00:09:12,400 --> 00:09:15,360
Speaker 3: Oh I am, and did you okay?

192
00:09:15,559 --> 00:09:16,360
Speaker 1: The last episode?

193
00:09:16,400 --> 00:09:18,640
Speaker 3: I was like, just wait, you think it's bad now,

194
00:09:18,760 --> 00:09:21,040
Speaker 3: I take back everything I said twenty four hours ago

195
00:09:21,320 --> 00:09:21,880
Speaker 3: or last week.

196
00:09:21,880 --> 00:09:24,280
Speaker 2: If you're listening to this podcast, I take it back.

197
00:09:24,320 --> 00:09:27,000
Speaker 2: I was like, this is a great little sitcom wedding

198
00:09:27,120 --> 00:09:28,480
Speaker 2: a set, you know, it's a great setup.

199
00:09:28,520 --> 00:09:29,880
Speaker 1: It's I thought it was Tame.

200
00:09:30,480 --> 00:09:33,520
Speaker 3: I thought it was Dame, and I watched part two.

201
00:09:34,240 --> 00:09:36,079
Speaker 3: It's anything but Dame.

202
00:09:36,800 --> 00:09:37,800
Speaker 1: It's everything.

203
00:09:38,360 --> 00:09:40,079
Speaker 2: It's everything about the kitchen sink.

204
00:09:40,360 --> 00:09:47,120
Speaker 4: It is it's uh dukes of hazard meets And I

205
00:09:47,200 --> 00:09:50,280
Speaker 4: was like, how do we get why does everyone have

206
00:09:50,440 --> 00:09:51,040
Speaker 4: a Southern A?

207
00:09:52,520 --> 00:09:55,719
Speaker 3: What is happening? We'll get this, We'll get there there.

208
00:09:55,800 --> 00:09:58,600
Speaker 2: Yeah, no, there, There's so much to comment on.

209
00:09:58,880 --> 00:10:02,080
Speaker 3: There's this is and given the mood that we're in today,

210
00:10:02,120 --> 00:10:03,679
Speaker 3: it's gonna be a good episode. You're gonna want to

211
00:10:03,720 --> 00:10:06,559
Speaker 3: listen to this. I'm just saying, buckle up, everybody, he

212
00:10:07,280 --> 00:10:07,880
Speaker 3: buckle up.

213
00:10:08,000 --> 00:10:10,240
Speaker 1: Get your parachutes on.

214
00:10:11,480 --> 00:10:14,040
Speaker 3: Buckle your parents, chute for the trees. Yeah, buckle your

215
00:10:14,040 --> 00:10:16,320
Speaker 3: parachutes and let's go flying out of this plane.

216
00:10:16,920 --> 00:10:21,360
Speaker 1: Welcome back to Howard Tanneritos. I'm Andrea Barber and I'm

217
00:10:21,480 --> 00:10:22,199
Speaker 1: Jody Sweeten.

218
00:10:22,480 --> 00:10:26,800
Speaker 2: Today we are discussing the iconic season four episode nineteen,

219
00:10:27,400 --> 00:10:29,359
Speaker 2: The Wedding, Part two.

220
00:10:29,920 --> 00:10:31,800
Speaker 1: They're getting married.

221
00:10:32,760 --> 00:10:38,559
Speaker 2: Yeah, it originally aired February fifteenth, nineteen ninety one, So

222
00:10:38,600 --> 00:10:41,840
Speaker 2: this means Valentine's Day was on a Thursday in nineteen

223
00:10:41,920 --> 00:10:45,360
Speaker 2: ninety one. Oh yeah, we're getting technical. They got married

224
00:10:45,400 --> 00:10:48,600
Speaker 2: on a Thursday. And it goes a little something like this,

225
00:10:49,080 --> 00:10:53,040
Speaker 2: Jesse's attempt at skydiving makes him late for his own wedding.

226
00:10:54,400 --> 00:10:57,240
Speaker 2: That sounds way too tame, Like that description is not

227
00:10:57,320 --> 00:10:58,640
Speaker 2: an accurate portrayal.

228
00:10:58,400 --> 00:11:01,480
Speaker 3: Leaves out a lot of pieces. It leaps out a

229
00:11:01,559 --> 00:11:02,360
Speaker 3: lot of a lot.

230
00:11:03,160 --> 00:11:06,200
Speaker 2: It was directed by Joelswick, It was written by Jeff Franklin.

231
00:11:06,760 --> 00:11:09,800
Speaker 2: And we have got just a guest cast list that

232
00:11:09,880 --> 00:11:14,640
Speaker 2: is stacked. This week, John Apria returns as Nick Cassopolis.

233
00:11:15,080 --> 00:11:18,559
Speaker 2: Von Wilder returns as Irene Ksopolis and sadly, this is

234
00:11:18,600 --> 00:11:19,480
Speaker 2: the last.

235
00:11:19,160 --> 00:11:22,920
Speaker 1: Appearance on Full House for both of them. Yeah, so

236
00:11:23,000 --> 00:11:25,960
Speaker 1: said they were so underutilized this season, Like, I know,

237
00:11:26,080 --> 00:11:27,920
Speaker 1: I really missed them. When I saw them on the screen,

238
00:11:27,920 --> 00:11:30,839
Speaker 1: I was like, oh, there you guys are Yeah, they were.

239
00:11:30,840 --> 00:11:32,400
Speaker 1: They were very cute very cute.

240
00:11:32,840 --> 00:11:37,840
Speaker 2: Don Hood returns as the intimidating Kenneth Donaldson right with

241
00:11:37,920 --> 00:11:43,000
Speaker 2: his spurs. Lois Nettleton returns as Nedra Donaldson.

242
00:11:43,960 --> 00:11:46,240
Speaker 3: Mike, who's the socialite that moved to the farm.

243
00:11:46,320 --> 00:11:47,200
Speaker 1: I guess, I don't know.

244
00:11:48,200 --> 00:11:50,720
Speaker 2: She does look good in that signature color, that little

245
00:11:50,760 --> 00:11:53,040
Speaker 2: that tiffany blue, the sea foam, oh.

246
00:11:53,000 --> 00:11:56,840
Speaker 1: Yeah whatever, that colors the peach, the peach. When I

247
00:11:56,840 --> 00:11:58,040
Speaker 1: thought she was wearing a green dress.

248
00:11:58,120 --> 00:11:59,840
Speaker 2: But anyway, I don't know. I know she was all

249
00:12:00,040 --> 00:12:04,120
Speaker 2: lends together, all the nineties colors. Michael Noon's returns as

250
00:12:04,200 --> 00:12:12,000
Speaker 2: Howiew Howie with the mullet, and Glenn Moore that's what

251
00:12:12,040 --> 00:12:13,120
Speaker 2: he should be credited as.

252
00:12:14,280 --> 00:12:14,760
Speaker 3: With the mullet.

253
00:12:14,800 --> 00:12:18,360
Speaker 2: Yeah, we've got there's lots of starring mullets in full House.

254
00:12:18,440 --> 00:12:21,280
Speaker 3: Got just the mullets, background actor, right headed.

255
00:12:21,120 --> 00:12:24,040
Speaker 2: Mullet, got the ripper with the rat tail, Got Howie

256
00:12:24,120 --> 00:12:28,080
Speaker 2: with the mullet. No shortage of mullets. We have Glenn

257
00:12:28,200 --> 00:12:31,960
Speaker 2: Moore shower as farmer Bob. This guy's list of credits

258
00:12:32,040 --> 00:12:36,200
Speaker 2: is longer than a CVS receipt. Like he's done everything.

259
00:12:36,360 --> 00:12:40,000
Speaker 2: You might recognize him. From twenty four he played agent Pierce.

260
00:12:40,800 --> 00:12:44,280
Speaker 2: He played Marshall Winthrop in The Resident on Fox. He

261
00:12:44,520 --> 00:12:48,360
Speaker 2: was on Ozark, he was on Friday Night Lights, West Wing,

262
00:12:48,640 --> 00:12:51,560
Speaker 2: he was just on everything. But most importantly, he was

263
00:12:51,600 --> 00:12:56,800
Speaker 2: in twenty nineteen's The Challenger Disaster. Another touchstone from our generation.

264
00:12:58,000 --> 00:13:02,400
Speaker 2: Remember we had John Hood in the the Jessica McClure story.

265
00:13:02,240 --> 00:13:05,520
Speaker 3: That's right, and then now we have the Challenge Challenger disaster.

266
00:13:05,600 --> 00:13:07,840
Speaker 2: I know, they're just hitting on all of our highlights,

267
00:13:07,880 --> 00:13:09,680
Speaker 2: well not highlight, low lights. I guess I was gonna

268
00:13:09,679 --> 00:13:09,960
Speaker 2: say light.

269
00:13:10,000 --> 00:13:12,240
Speaker 3: I don't know, but that might not be highlights, but.

270
00:13:12,520 --> 00:13:13,040
Speaker 1: Not a highlight.

271
00:13:13,120 --> 00:13:16,480
Speaker 3: But just you know where you were ctural moments, right right?

272
00:13:16,600 --> 00:13:19,120
Speaker 2: Yeah, I remember, well you were probably a little young,

273
00:13:19,160 --> 00:13:22,360
Speaker 2: but I was in fifth grade when The Challenger exploded.

274
00:13:22,440 --> 00:13:25,160
Speaker 3: Yeah, I mean I went to a school named McAuliffe

275
00:13:25,160 --> 00:13:27,920
Speaker 3: Middle School that was named after Chris Christ mccallay.

276
00:13:28,080 --> 00:13:29,720
Speaker 1: Wow, my gosh, I didn't know that.

277
00:13:30,240 --> 00:13:35,040
Speaker 3: Amazing, Yes, so yeah, but I I was pretty young,

278
00:13:35,080 --> 00:13:38,600
Speaker 3: but I mean I remember it. Uh you know, it

279
00:13:38,679 --> 00:13:41,600
Speaker 3: was one of those really horrible things.

280
00:13:41,679 --> 00:13:44,200
Speaker 1: Yeah. Well, they rolled in a TV all, a full

281
00:13:44,240 --> 00:13:48,320
Speaker 1: house Joseph trauma.

282
00:13:48,600 --> 00:13:48,840
Speaker 2: Right.

283
00:13:49,200 --> 00:13:51,600
Speaker 3: My teacher cried, How little did we know that was

284
00:13:51,640 --> 00:13:54,000
Speaker 3: just a pale preview.

285
00:13:53,600 --> 00:13:56,280
Speaker 1: Of what's to come during our lifetime.

286
00:13:56,840 --> 00:14:00,480
Speaker 2: Right, Yes, first time i'd seen a teacher, right, not

287
00:14:00,520 --> 00:14:04,360
Speaker 2: the last time. We have Debbie Gregory, she returns as

288
00:14:04,440 --> 00:14:09,600
Speaker 2: Connie again. Lenny Hicks as the driver. We've seen him

289
00:14:09,600 --> 00:14:11,760
Speaker 2: in mcgiver Doogie, Howser, La Law.

290
00:14:11,640 --> 00:14:13,720
Speaker 1: And give me a break? Okay.

291
00:14:14,040 --> 00:14:16,920
Speaker 2: Then we have Robert Arthur as the Minister. He did

292
00:14:16,920 --> 00:14:19,440
Speaker 2: a lot of TV work in the forties, fifties and sixties,

293
00:14:19,920 --> 00:14:24,560
Speaker 2: lots of Navy shows or movies. Goomer Pyle, USMC, the

294
00:14:24,600 --> 00:14:27,400
Speaker 2: Lone Ranger, Navy log Hellcats of the Navy.

295
00:14:27,280 --> 00:14:30,480
Speaker 3: Just lots of military roles, got it, Goomer Pile, That's

296
00:14:30,520 --> 00:14:32,040
Speaker 3: who I was thinking of for Farmer Bobs.

297
00:14:32,680 --> 00:14:35,200
Speaker 1: Boomer Pile Pile, that's a great comparison.

298
00:14:36,400 --> 00:14:36,760
Speaker 3: We have the.

299
00:14:36,800 --> 00:14:41,560
Speaker 1: Voices of La as the Hallelujah chorus, best part of

300
00:14:41,600 --> 00:14:42,760
Speaker 1: the hall fans great.

301
00:14:43,800 --> 00:14:48,200
Speaker 2: No full house wedding is complete without a full chorus

302
00:14:48,320 --> 00:14:48,920
Speaker 2: singing along.

303
00:14:49,040 --> 00:14:49,240
Speaker 1: Right.

304
00:14:50,000 --> 00:14:53,240
Speaker 2: Then we have Kin Schriner as the uncredited sheriff. I

305
00:14:53,280 --> 00:14:55,200
Speaker 2: don't know why this guy wasn't credited, because.

306
00:14:54,960 --> 00:14:57,960
Speaker 3: He's fancy had David, Oh yeah, he's got He's.

307
00:14:57,800 --> 00:15:00,520
Speaker 2: In multiple scenes he was on the location shoot with

308
00:15:00,560 --> 00:15:03,880
Speaker 2: the Tomato truck. It was He's great. He's a soapy guy,

309
00:15:04,200 --> 00:15:07,280
Speaker 2: soap guy. He's best known as Scott Baldwin on General Hospital.

310
00:15:07,440 --> 00:15:08,120
Speaker 3: Yes, he was.

311
00:15:08,600 --> 00:15:10,880
Speaker 2: He was on during the time that John was playing

312
00:15:10,920 --> 00:15:12,400
Speaker 2: Blackie on General Hospital.

313
00:15:12,480 --> 00:15:14,240
Speaker 1: They had scenes together. They're good friends.

314
00:15:15,360 --> 00:15:18,400
Speaker 2: He was also on Port Charles as the World Turns

315
00:15:18,560 --> 00:15:22,400
Speaker 2: Bold and the Beautiful. But his most important role get

316
00:15:22,440 --> 00:15:23,360
Speaker 2: ready are you ready for this?

317
00:15:23,520 --> 00:15:23,840
Speaker 1: Jody?

318
00:15:24,040 --> 00:15:25,920
Speaker 3: Other than this, Yes, other than this.

319
00:15:26,560 --> 00:15:35,280
Speaker 2: He played the colonel in Skateboard Kid two. What Yes,

320
00:15:35,520 --> 00:15:37,680
Speaker 2: the Skateboard Kid Too, the movie I.

321
00:15:37,720 --> 00:15:39,000
Speaker 3: Was in with Andrew Kenyon.

322
00:15:39,760 --> 00:15:42,640
Speaker 1: My jaws hanging open. I'm like, we're gona have to

323
00:15:42,680 --> 00:15:44,280
Speaker 1: Skateboard Kid too? Is?

324
00:15:44,760 --> 00:15:48,640
Speaker 3: I mean, it's heavy, iconic, It's I mean, at least

325
00:15:48,680 --> 00:15:50,960
Speaker 3: amongst the two of us, it's iconic between the two.

326
00:15:50,960 --> 00:15:52,320
Speaker 3: And you haven't even seen it yet.

327
00:15:52,760 --> 00:15:55,640
Speaker 1: Watch it. I was gonna say, I don't need to

328
00:15:55,640 --> 00:15:55,920
Speaker 1: see it.

329
00:15:56,000 --> 00:15:56,840
Speaker 3: I need to see it.

330
00:15:56,920 --> 00:15:57,400
Speaker 1: You see it.

331
00:15:57,480 --> 00:15:59,680
Speaker 3: I need to see it, But I don't need to

332
00:15:59,720 --> 00:16:03,560
Speaker 3: see it in order to understand just how special it

333
00:16:03,600 --> 00:16:04,640
Speaker 3: truly is. So special.

334
00:16:04,760 --> 00:16:07,240
Speaker 1: We will, we will be reviewing that one of these days.

335
00:16:07,520 --> 00:16:08,000
Speaker 3: Yes we will.

336
00:16:08,040 --> 00:16:10,280
Speaker 1: It'll be a miniso and I can't wait.

337
00:16:10,440 --> 00:16:12,680
Speaker 2: So yeah, we just I can't wait because I don't

338
00:16:12,680 --> 00:16:15,320
Speaker 2: remember Kiin Shreiner. I probably didn't have any scenes with him,

339
00:16:15,560 --> 00:16:17,720
Speaker 2: but uh yeah, what a heavy hitter. And then we

340
00:16:17,760 --> 00:16:21,080
Speaker 2: have two more uncredited people, Craig Keen as wedding guest

341
00:16:21,120 --> 00:16:22,440
Speaker 2: and Pauline Olsen as.

342
00:16:22,440 --> 00:16:26,760
Speaker 1: Jesse's ex whatever. I don't they're uncredited, so we're not

343
00:16:26,760 --> 00:16:28,760
Speaker 1: giving them credit. Do we have a reference to her?

344
00:16:28,960 --> 00:16:32,840
Speaker 2: No, I wonder if their parts got cut or I

345
00:16:32,880 --> 00:16:33,160
Speaker 2: don't know.

346
00:16:33,280 --> 00:16:33,680
Speaker 3: I don't know.

347
00:16:33,760 --> 00:16:38,440
Speaker 2: Anyways, that's that's the guest cast list. We love it

348
00:16:38,520 --> 00:16:40,760
Speaker 2: all right. We start with the teaser, which is really

349
00:16:40,800 --> 00:16:44,480
Speaker 2: just a recap of the last episode, and Michelle, of course,

350
00:16:44,560 --> 00:16:49,920
Speaker 2: is speaking right into the camera. I love that this

351
00:16:49,960 --> 00:16:52,160
Speaker 2: whole show is just from Michelle's POV. You know, like

352
00:16:52,240 --> 00:16:52,840
Speaker 2: she's will.

353
00:16:52,680 --> 00:16:57,600
Speaker 3: Be driving like like kids that were younger than like

354
00:16:58,280 --> 00:17:02,200
Speaker 3: you and Candace and me would call it the Michelle Show.

355
00:17:02,320 --> 00:17:05,320
Speaker 1: Yeah, and now I see what. Yeah, she was she's

356
00:17:05,400 --> 00:17:07,040
Speaker 1: basically shoe running at this point.

357
00:17:07,160 --> 00:17:10,120
Speaker 3: And yeah, for sure, supprise she wasn't driving the bus

358
00:17:10,119 --> 00:17:11,200
Speaker 3: to get them back to the wedding.

359
00:17:12,280 --> 00:17:14,840
Speaker 1: Give her more to do. You know, we're flying the plane.

360
00:17:17,040 --> 00:17:21,120
Speaker 2: Multi talented Michelle, so she reminds the audience at last

361
00:17:21,160 --> 00:17:23,359
Speaker 2: week everything went bananas.

362
00:17:23,600 --> 00:17:28,439
Speaker 3: We get a flashback not as bananas. Little did we know.

363
00:17:29,840 --> 00:17:32,760
Speaker 2: We see you doing your dramatic reading of Jesse's letter.

364
00:17:32,960 --> 00:17:35,320
Speaker 2: Jesse jumps out of the plane, Becky has a meltdown,

365
00:17:35,480 --> 00:17:38,159
Speaker 2: and Jesse is stuck in a tree. We flip back

366
00:17:38,160 --> 00:17:41,480
Speaker 2: to Michelle, who tells us what will happen next? Even

367
00:17:41,560 --> 00:17:42,200
Speaker 2: I don't know.

368
00:17:42,640 --> 00:17:45,719
Speaker 3: It was a weird It threw me, the weird breaking

369
00:17:45,760 --> 00:17:47,240
Speaker 3: of the fourth wall. I mean, I know we did

370
00:17:47,240 --> 00:17:48,160
Speaker 3: that in Fuller.

371
00:17:47,960 --> 00:17:50,399
Speaker 1: So whatever, but it's happened.

372
00:17:50,480 --> 00:17:52,080
Speaker 3: It was the first time that I think we ever

373
00:17:52,119 --> 00:17:54,720
Speaker 3: really did it, you know what I mean that.

374
00:17:54,760 --> 00:17:57,400
Speaker 2: Like, yeah, I seem to recall we did this one

375
00:17:57,440 --> 00:18:00,680
Speaker 2: other time with a two parter with or Michelle breaks

376
00:18:00,680 --> 00:18:02,280
Speaker 2: the fourth wall and narrates.

377
00:18:03,400 --> 00:18:04,399
Speaker 3: But it's jarring.

378
00:18:04,520 --> 00:18:07,119
Speaker 1: It's jarring and breaking the fourth wall. It's jarring that

379
00:18:07,119 --> 00:18:09,240
Speaker 1: there's a four year old telling us like a recap

380
00:18:09,280 --> 00:18:10,040
Speaker 1: of what happened.

381
00:18:10,680 --> 00:18:12,600
Speaker 3: I mean, I'm glad for the recap, though I'm one

382
00:18:12,600 --> 00:18:15,119
Speaker 3: of those people that just does not remember what happened.

383
00:18:15,119 --> 00:18:16,720
Speaker 3: I can watch it in the same hour and I'll

384
00:18:16,720 --> 00:18:18,600
Speaker 3: be like, I need the recap from what I watched

385
00:18:18,600 --> 00:18:19,679
Speaker 3: half an hour ago.

386
00:18:19,760 --> 00:18:22,080
Speaker 2: This is this is part of my theory about child

387
00:18:22,160 --> 00:18:24,480
Speaker 2: actors and how we have short term memories because of

388
00:18:24,520 --> 00:18:27,880
Speaker 2: all those years of memorizing scripts and memorizing new dialogue

389
00:18:27,880 --> 00:18:30,400
Speaker 2: on the spot and then forgetting it the next day.

390
00:18:30,440 --> 00:18:42,160
Speaker 2: So this is a common trait amongst us our kind. Hey,

391
00:18:42,640 --> 00:18:45,119
Speaker 2: ab hey, Jody, question for you, Yeah, what's up?

392
00:18:45,160 --> 00:18:46,919
Speaker 3: Do you do?

393
00:18:46,960 --> 00:18:48,560
Speaker 1: You happen to have any plans on June fifth?

394
00:18:48,640 --> 00:18:49,920
Speaker 3: June fifth? Why?

395
00:18:50,000 --> 00:18:53,359
Speaker 1: No, I don't have plans, but I have this urge

396
00:18:53,400 --> 00:18:53,800
Speaker 1: to see you.

397
00:18:54,080 --> 00:18:56,560
Speaker 3: I have a great urge to see you, and and

398
00:18:56,640 --> 00:18:59,240
Speaker 3: a really great urge to see a lot of our fan.

399
00:18:59,160 --> 00:19:02,080
Speaker 1: Of ritos in person. What do you suggest?

400
00:19:02,400 --> 00:19:04,960
Speaker 3: I feel like, I don't know it. I might need

401
00:19:05,000 --> 00:19:08,440
Speaker 3: a you know, a date to uh perhaps a wedding.

402
00:19:08,440 --> 00:19:09,000
Speaker 1: Of some sort.

403
00:19:09,160 --> 00:19:12,399
Speaker 2: I'm still riding that high from the Jesse and Becky wedding.

404
00:19:13,119 --> 00:19:15,000
Speaker 3: Should we make it into an event?

405
00:19:15,200 --> 00:19:18,040
Speaker 1: I think we should. I mean, who doesn't like a

406
00:19:18,080 --> 00:19:18,920
Speaker 1: good vow renewal?

407
00:19:19,040 --> 00:19:19,520
Speaker 3: You know what I mean?

408
00:19:19,840 --> 00:19:22,440
Speaker 1: Vows they're very in right now, These vowel renewals, they

409
00:19:22,440 --> 00:19:25,679
Speaker 1: really are recommit, recommit, you know, well, you know what,

410
00:19:25,960 --> 00:19:29,520
Speaker 1: we should have John and Lorie join us too, because

411
00:19:29,520 --> 00:19:30,320
Speaker 1: it's their wedding.

412
00:19:31,600 --> 00:19:33,600
Speaker 3: We should should be you know what, I think you

413
00:19:33,680 --> 00:19:36,120
Speaker 3: and I. I think you and I need to hop off.

414
00:19:36,200 --> 00:19:38,760
Speaker 3: We need to have some serious conversations about this. But

415
00:19:39,000 --> 00:19:42,080
Speaker 3: fan of Rito's, you've heard it here. First, we are

416
00:19:42,080 --> 00:19:45,480
Speaker 3: going to be having on June fifth, an in person

417
00:19:45,840 --> 00:19:48,440
Speaker 3: live event of a vow renewal.

418
00:19:49,000 --> 00:19:50,399
Speaker 1: What's gonna happen there, we don't know.

419
00:19:50,480 --> 00:19:52,440
Speaker 3: We don't know. We're gonna go figure that out right now,

420
00:19:52,480 --> 00:19:55,479
Speaker 3: but trust me, you do not want to miss this.

421
00:19:55,960 --> 00:19:58,439
Speaker 3: iHeartRadio Theater in Burbank June fifth.

422
00:19:59,000 --> 00:20:00,760
Speaker 1: We will see you there. Make sure are you know

423
00:20:00,920 --> 00:20:01,679
Speaker 1: RSVP and all that.

424
00:20:01,680 --> 00:20:02,120
Speaker 3: I love it.

425
00:20:02,320 --> 00:20:05,240
Speaker 2: Okay, So we're back to Jesse, who's still stuck in

426
00:20:05,320 --> 00:20:09,119
Speaker 2: this tree hanging from his parachute. After his pleas for

427
00:20:09,200 --> 00:20:13,880
Speaker 2: help go unanswered, a tomato truck drives by underneath him.

428
00:20:14,119 --> 00:20:17,120
Speaker 3: A tomato truck from nineteen forty seven, by the way,

429
00:20:17,280 --> 00:20:20,800
Speaker 3: like I've never seen a tomato truck, like an industrial

430
00:20:20,840 --> 00:20:23,880
Speaker 3: tomato truck that looks like that. No, this hole, well hole.

431
00:20:24,400 --> 00:20:27,200
Speaker 3: He was very lucky and he really came through unscathed

432
00:20:27,280 --> 00:20:28,680
Speaker 3: for running into a tree.

433
00:20:29,280 --> 00:20:31,760
Speaker 2: Yeah right, Like he was not that lucky, and he

434
00:20:31,840 --> 00:20:33,440
Speaker 2: had a few smudges of dirt on him.

435
00:20:33,440 --> 00:20:33,879
Speaker 3: But that's it.

436
00:20:33,960 --> 00:20:36,240
Speaker 1: No broken bones, no, no anything.

437
00:20:36,320 --> 00:20:39,359
Speaker 2: Yeah. So Jesse calls out to the driver asks him

438
00:20:39,400 --> 00:20:42,080
Speaker 2: to stop. The man does as he's told, and Jesse

439
00:20:42,160 --> 00:20:44,679
Speaker 2: yells down to him, I'm up in the tree. The

440
00:20:44,720 --> 00:20:47,280
Speaker 2: man looks up at Jesse with surprise. What you're doing

441
00:20:47,359 --> 00:20:49,640
Speaker 2: up there, fella, Jes Because.

442
00:20:49,480 --> 00:20:54,200
Speaker 3: Now we're in the South. I feel like I don't.

443
00:20:54,280 --> 00:20:56,520
Speaker 3: I was like, how far out of San Francisco did

444
00:20:56,560 --> 00:20:57,359
Speaker 3: they drive to go?

445
00:20:57,520 --> 00:20:58,679
Speaker 1: Sky? Yeah?

446
00:20:58,359 --> 00:20:59,560
Speaker 3: How far did they fly?

447
00:20:59,760 --> 00:21:00,480
Speaker 1: I mean are we in?

448
00:21:00,720 --> 00:21:01,040
Speaker 3: Uh?

449
00:21:01,640 --> 00:21:01,880
Speaker 1: Yeah?

450
00:21:01,920 --> 00:21:04,800
Speaker 3: Well, and I now we're in. We're in mister Donaldson's neck.

451
00:21:04,880 --> 00:21:08,400
Speaker 1: The water farmer Bob has way more Midwestern in him

452
00:21:08,440 --> 00:21:11,640
Speaker 1: than any of the Donaldson farmer. Farmer Bob has got

453
00:21:11,680 --> 00:21:15,840
Speaker 1: almost a Southern act. Like I said, gohmer piled. Okay,

454
00:21:15,920 --> 00:21:17,480
Speaker 1: this whole scene is like a fever dream.

455
00:21:17,520 --> 00:21:19,760
Speaker 3: I'm just like, what's happening here? Oh?

456
00:21:19,800 --> 00:21:21,880
Speaker 1: We need is a giant Michelle that come in.

457
00:21:23,359 --> 00:21:25,440
Speaker 2: It felt a little bit like a dream sequence or

458
00:21:25,480 --> 00:21:29,320
Speaker 2: a nightmare. So Jesse sarcastically remarks, Oh, just.

459
00:21:29,520 --> 00:21:31,600
Speaker 3: Enjoying the view. What do you think I'm doing.

460
00:21:31,800 --> 00:21:33,199
Speaker 1: Can you help me down please?

461
00:21:34,240 --> 00:21:37,160
Speaker 2: Farmer Bob kindly responds, yeah, sure, I'll go get old

462
00:21:37,200 --> 00:21:40,720
Speaker 2: Man Hudson's cherry picker, and Jesse tells him to hurry

463
00:21:40,760 --> 00:21:42,439
Speaker 2: up because he was supposed to be at his wedding

464
00:21:42,520 --> 00:21:46,160
Speaker 2: ten minutes ago. The tomato guy admits, I imagine we'll

465
00:21:46,200 --> 00:21:48,960
Speaker 2: have you down in two three hours tops, and he

466
00:21:49,040 --> 00:21:51,919
Speaker 2: jokingly tells Jesse not to go anywhere. But Jesse's had

467
00:21:52,000 --> 00:21:54,720
Speaker 2: enough of this hanging around, so without so much as

468
00:21:54,720 --> 00:21:57,679
Speaker 2: a courtesy warning, he unbuckles himself from the parachute and

469
00:21:57,760 --> 00:21:59,919
Speaker 2: falls straight down, yelling Mersey.

470
00:22:02,240 --> 00:22:04,480
Speaker 1: He conveniently lands right in the middle of the truck bed,

471
00:22:04,520 --> 00:22:05,800
Speaker 1: which is filled with tomatoes.

472
00:22:06,520 --> 00:22:06,760
Speaker 3: Right.

473
00:22:07,080 --> 00:22:09,320
Speaker 2: The man is shocked, what are you doing? Those are

474
00:22:09,359 --> 00:22:13,880
Speaker 2: my prize tomatoes you just squashed. Jesse spits out remnants

475
00:22:13,880 --> 00:22:16,960
Speaker 2: of smushed tomatoes and tells the man, well, they're not

476
00:22:17,000 --> 00:22:20,680
Speaker 2: tomatoes anymore, they're ketchup. I just cut out the middleman.

477
00:22:21,680 --> 00:22:24,240
Speaker 3: And wasted a lot of money on those tomatoes.

478
00:22:24,240 --> 00:22:28,560
Speaker 2: Oh right, so the driver he gives Jesse a stern warning,

479
00:22:28,640 --> 00:22:30,040
Speaker 2: you better watch your mouth, boy.

480
00:22:30,400 --> 00:22:32,080
Speaker 1: This here's tomato country.

481
00:22:35,600 --> 00:22:41,160
Speaker 3: Tomato country is notoriously right outside of San Francisco, right, Okay.

482
00:22:41,200 --> 00:22:42,760
Speaker 2: I had to look this up because first of all,

483
00:22:42,760 --> 00:22:45,080
Speaker 2: I was like, why didn't they do Wine country with

484
00:22:45,240 --> 00:22:48,160
Speaker 2: grapes instead of tomatoes, because you know, Napa, it's.

485
00:22:48,000 --> 00:22:51,160
Speaker 1: Right up there. San Francisco would have fit a little better.

486
00:22:51,240 --> 00:22:53,560
Speaker 1: But no, I did do a little research.

487
00:22:53,720 --> 00:22:57,840
Speaker 2: So sixty percent of California's tomatoes come from Yolo County,

488
00:22:58,000 --> 00:23:01,880
Speaker 2: which is Sacramento adjacent city in Davis, but.

489
00:23:01,760 --> 00:23:05,520
Speaker 3: It's central California. Is the is the fruit basket of

490
00:23:05,560 --> 00:23:07,640
Speaker 3: the It is, yes world really.

491
00:23:07,400 --> 00:23:10,359
Speaker 2: But it's still ninety miles from San Francisco. This this

492
00:23:10,520 --> 00:23:14,480
Speaker 2: so Jesse has kept his his guests waiting hours and

493
00:23:14,560 --> 00:23:16,240
Speaker 2: hours and hours like this is too.

494
00:23:16,359 --> 00:23:17,879
Speaker 1: He's in a tree. He wasn't expecting.

495
00:23:17,880 --> 00:23:19,960
Speaker 3: He drove ninety miles out, but he wasn't expecting to

496
00:23:19,960 --> 00:23:21,760
Speaker 3: hang out in the tree. You know.

497
00:23:22,920 --> 00:23:24,679
Speaker 1: I mean you can't well, you can't go skydiving in

498
00:23:24,720 --> 00:23:25,800
Speaker 1: the middle of what are you.

499
00:23:25,760 --> 00:23:26,320
Speaker 3: Gonna land on?

500
00:23:26,359 --> 00:23:27,000
Speaker 1: Quake towns?

501
00:23:27,200 --> 00:23:30,560
Speaker 3: Would be very painful, right, you can't be on the

502
00:23:30,600 --> 00:23:34,399
Speaker 3: bridge or anything. You gotta be away in the fog.

503
00:23:34,560 --> 00:23:37,399
Speaker 1: Yeah, this was this was not well planned out.

504
00:23:37,400 --> 00:23:39,000
Speaker 3: I gotta go to Tomato Country. Andrew.

505
00:23:39,119 --> 00:23:49,040
Speaker 2: Everyone knows that Yolo County tomato country, bro Yolo indeed, yes,

506
00:23:49,240 --> 00:23:54,520
Speaker 2: oh so, Jesse tries to bargain with Farmer Bob. Look,

507
00:23:54,600 --> 00:23:57,000
Speaker 2: I got nothing but the highest regard for tomatoes and

508
00:23:57,040 --> 00:23:59,040
Speaker 2: the men and women that do grow them. But I

509
00:23:59,080 --> 00:24:02,240
Speaker 2: need a ride to San France, Cisco right now. Farmer

510
00:24:02,240 --> 00:24:04,320
Speaker 2: Bob makes his stance a little clearer. I don't give

511
00:24:04,440 --> 00:24:07,679
Speaker 2: rides to tomato squashers, and Jesse pleads, this is my

512
00:24:07,800 --> 00:24:10,320
Speaker 2: life we're talking about, not some dumb vegetable.

513
00:24:11,640 --> 00:24:13,080
Speaker 1: Farmer Bob angrily reminds him.

514
00:24:13,160 --> 00:24:14,879
Speaker 3: Try to get a ride from this man in his

515
00:24:14,960 --> 00:24:15,960
Speaker 3: dumb vegetable truck.

516
00:24:16,040 --> 00:24:17,560
Speaker 1: Jesse, you should beat a little nice.

517
00:24:17,960 --> 00:24:19,440
Speaker 3: Jesse is stretch.

518
00:24:19,160 --> 00:24:20,080
Speaker 1: Just ruined his crop.

519
00:24:20,760 --> 00:24:23,800
Speaker 3: He could charge you thousands of dollars and leave you here.

520
00:24:25,040 --> 00:24:28,879
Speaker 2: Boy. So yeah, Farmer Bob corrects him immediately. It's a fruit,

521
00:24:29,880 --> 00:24:31,920
Speaker 2: while Jesse slowly makes his way towards the front of

522
00:24:31,920 --> 00:24:34,000
Speaker 2: the vehicle. Yeah, it feels like it feels like a

523
00:24:34,080 --> 00:24:36,440
Speaker 2: vegetable because it's very healthy.

524
00:24:36,160 --> 00:24:39,119
Speaker 1: And it's not a savory because it's not sweet, right.

525
00:24:39,040 --> 00:24:41,680
Speaker 2: Like you know an apple or a pear. Right, No,

526
00:24:41,760 --> 00:24:45,760
Speaker 2: it's got a seed that makes it a fruit. So finally,

527
00:24:45,960 --> 00:24:48,280
Speaker 2: Jesse tells Farmer Bob he's gonna borrow his truck, but

528
00:24:48,320 --> 00:24:50,920
Speaker 2: he'll get it right back to him. Farmer Bob yells

529
00:24:50,920 --> 00:24:52,800
Speaker 2: at him and tries his best to open the car door,

530
00:24:53,080 --> 00:24:57,080
Speaker 2: but Jesse has locked him out. Jesse's now stealing a car,

531
00:24:57,119 --> 00:24:59,280
Speaker 2: like this is just it's wow.

532
00:24:59,280 --> 00:25:01,280
Speaker 1: Happening, ruining tomatoes.

533
00:25:01,400 --> 00:25:04,000
Speaker 3: He's stealing a car, he's jumping out a plane.

534
00:25:04,040 --> 00:25:06,160
Speaker 1: I feel bad for Farmer Bob. You know, he didn't

535
00:25:06,160 --> 00:25:07,760
Speaker 1: ask for this. He was just right.

536
00:25:08,400 --> 00:25:11,560
Speaker 3: He was driving along here in Tomato country doing the thing.

537
00:25:11,920 --> 00:25:12,159
Speaker 3: You know.

538
00:25:12,400 --> 00:25:13,159
Speaker 1: Yeah, I love that.

539
00:25:13,200 --> 00:25:15,639
Speaker 2: The twang just comes out, you know, when you're talking

540
00:25:15,640 --> 00:25:16,480
Speaker 2: about tomatoes.

541
00:25:16,520 --> 00:25:17,400
Speaker 1: Yeah, Farmer bub.

542
00:25:18,920 --> 00:25:22,560
Speaker 2: So, before Jesse can drive away, the man conveniently spots

543
00:25:22,600 --> 00:25:25,000
Speaker 2: the sheriff's car driving right towards him.

544
00:25:25,560 --> 00:25:26,840
Speaker 3: The hell of a lot of people out on this

545
00:25:27,000 --> 00:25:30,760
Speaker 3: road in the middle of nowhere. He Jesse's lucky for that.

546
00:25:30,840 --> 00:25:34,000
Speaker 1: It's a dirt road and the sheriff just happens to

547
00:25:34,080 --> 00:25:38,520
Speaker 1: be driving by at this very moment. Right, and not

548
00:25:38,560 --> 00:25:41,640
Speaker 1: only that, it's cousin Harold, Like I feel like we're

549
00:25:41,680 --> 00:25:42,359
Speaker 1: in Nebraska.

550
00:25:42,440 --> 00:25:45,000
Speaker 3: Like they're like, oh, it's cousin Harold the Sheriff. We're

551
00:25:45,080 --> 00:25:49,040
Speaker 3: in We're in an episode of Dukes of Hazard, is

552
00:25:49,119 --> 00:25:50,119
Speaker 3: what it is like.

553
00:25:50,240 --> 00:25:52,440
Speaker 1: I'm expecting boss Hog to show up.

554
00:25:52,400 --> 00:25:55,280
Speaker 3: At any moment, and you know what I mean, and

555
00:25:55,320 --> 00:25:58,200
Speaker 3: like for Jesse to just take off and like jump

556
00:25:58,240 --> 00:26:02,320
Speaker 3: something in this truck. But it's I don't know how

557
00:26:02,359 --> 00:26:04,920
Speaker 3: we got here. I don't know how we got here,

558
00:26:06,440 --> 00:26:09,680
Speaker 3: but it is, Yeah, Cousin Harold, Well, because anyone outside

559
00:26:09,680 --> 00:26:10,880
Speaker 3: of San Francisco.

560
00:26:10,480 --> 00:26:12,360
Speaker 1: Apparently is their Hicks.

561
00:26:12,400 --> 00:26:15,720
Speaker 3: They're related, unless you're Becky's parents, in which in which

562
00:26:15,760 --> 00:26:19,480
Speaker 3: case you're expecting Hicks. But you get social social, you

563
00:26:19,560 --> 00:26:20,880
Speaker 3: never know what you're gonna.

564
00:26:20,640 --> 00:26:27,400
Speaker 1: Get Jedgie socialights or farmer Bob's yep, there's middle. Yeah.

565
00:26:27,480 --> 00:26:30,200
Speaker 2: So Cousin Harold aka the Sheriff walks up to the

566
00:26:30,240 --> 00:26:32,280
Speaker 2: truck with his megaphone and shouts, get out of the

567
00:26:32,280 --> 00:26:35,199
Speaker 2: truck with your hands up now. Jesse slowly gets out

568
00:26:35,240 --> 00:26:37,280
Speaker 2: of the vehicle and tries to make light of the situation,

569
00:26:37,640 --> 00:26:40,520
Speaker 2: laughing at this misunderstanding and telling the men that they're

570
00:26:40,560 --> 00:26:42,919
Speaker 2: making a big mistake. He explains that he was just

571
00:26:43,000 --> 00:26:45,359
Speaker 2: late for his wedding and points to his tuxedo to

572
00:26:45,400 --> 00:26:47,880
Speaker 2: prove it. The sheriff holds up a pair of handcuffs

573
00:26:47,880 --> 00:26:50,240
Speaker 2: and says, here's a bracelet to go along with it.

574
00:26:51,520 --> 00:26:54,119
Speaker 2: He handcuffs Jesse, who's still trying to convince them that

575
00:26:54,160 --> 00:26:57,840
Speaker 2: this is a huge mistake. The sheriff shows, yes.

576
00:26:57,680 --> 00:26:59,560
Speaker 1: You made a huge mistake, Jesse.

577
00:27:00,040 --> 00:27:02,640
Speaker 3: It's a very very big mistake.

578
00:27:03,080 --> 00:27:03,760
Speaker 1: This is a.

579
00:27:03,800 --> 00:27:07,640
Speaker 2: Huge it's just building a mistake upon mistake upon mistake.

580
00:27:10,320 --> 00:27:13,560
Speaker 2: So yeah, the sheriff shows Jesse no remorse. The tomato

581
00:27:13,600 --> 00:27:16,000
Speaker 2: truck driver yells through the megaphone, do you know where

582
00:27:16,080 --> 00:27:21,240
Speaker 2: you landed? And Jesse sighe Tomato country.

583
00:27:20,280 --> 00:27:22,080
Speaker 1: Yes, notoriously brutal out there.

584
00:27:22,480 --> 00:27:26,040
Speaker 3: Oh yolo yo low yo.

585
00:27:26,040 --> 00:27:32,280
Speaker 1: Lo yolo of Tomato life. For me, that was the

586
00:27:32,320 --> 00:27:33,200
Speaker 1: weirdest mix.

587
00:27:33,240 --> 00:27:37,840
Speaker 3: So I just welcome to my brain when I well,

588
00:27:38,080 --> 00:27:41,440
Speaker 3: like it was the Pirates of the Caribbean song Yo

589
00:27:41,600 --> 00:27:42,400
Speaker 3: Ho Yo.

590
00:27:42,359 --> 00:27:45,199
Speaker 2: Ho, A Pirate's like, sorry, I had to love that out.

591
00:27:45,280 --> 00:27:48,159
Speaker 2: I love the way your brain works, so this is alignment.

592
00:27:48,280 --> 00:27:50,120
Speaker 2: I love the way your mind works. But I think

593
00:27:50,119 --> 00:27:52,840
Speaker 2: I said it to TJ. Anyways, we're now in the

594
00:27:52,880 --> 00:27:56,240
Speaker 2: wedding chapel. The guests are getting very antsy and behind

595
00:27:56,280 --> 00:27:59,359
Speaker 2: the scenes things aren't much better. Becky is crying to

596
00:27:59,400 --> 00:28:02,679
Speaker 2: her family member stephan dj are documenting the events for

597
00:28:02,760 --> 00:28:06,720
Speaker 2: their wedding video. Steph walks past a distraught Becky as

598
00:28:06,720 --> 00:28:09,240
Speaker 2: she tells the camera the making of a wedding. The

599
00:28:09,280 --> 00:28:12,720
Speaker 2: saga continues. The groom is now twenty five minutes late.

600
00:28:13,600 --> 00:28:15,480
Speaker 2: She walks up to Joey and tells the viewers here's

601
00:28:15,520 --> 00:28:17,719
Speaker 2: the man who let him jump out of a plane

602
00:28:17,840 --> 00:28:20,760
Speaker 2: on his wedding day, Joey Gladstone. Joey, how do you

603
00:28:20,760 --> 00:28:24,119
Speaker 2: feel right now? Joey responds with just as much drama

604
00:28:24,160 --> 00:28:29,159
Speaker 2: as Stephanie, admitting sad, hurt, angry, bitter, scared, used, and

605
00:28:29,240 --> 00:28:32,760
Speaker 2: I'm pretty hungry. I forgot to eat breakfast. Steph nods

606
00:28:32,800 --> 00:28:35,840
Speaker 2: with understanding and then walks away. She tells the camera,

607
00:28:35,960 --> 00:28:41,040
Speaker 2: poor Joey, breakfast is the most important meal of the day.

608
00:28:41,080 --> 00:28:43,320
Speaker 1: It is, yes, indeed, psa.

609
00:28:43,600 --> 00:28:45,960
Speaker 2: She continues her walk over to Becky and her family,

610
00:28:46,480 --> 00:28:49,240
Speaker 2: then tells the camera here is Becky with her loving family,

611
00:28:49,800 --> 00:28:51,680
Speaker 2: and then she turns to face the bride and asks

612
00:28:51,800 --> 00:28:55,640
Speaker 2: any word for any words for Uncle Jesse. Becky sniffles

613
00:28:55,680 --> 00:28:59,120
Speaker 2: before calmly telling the camera, Darling, I just hope you're

614
00:28:59,160 --> 00:29:02,080
Speaker 2: all right, but if you are all right, I'll kill you.

615
00:29:03,640 --> 00:29:05,880
Speaker 2: Great delivery by Laurie. That was a great Oh she

616
00:29:06,000 --> 00:29:06,560
Speaker 2: was crazy.

617
00:29:06,640 --> 00:29:06,800
Speaker 1: Yes.

618
00:29:07,080 --> 00:29:10,040
Speaker 2: Meanwhile, Danny's on the phone while Michelle and Howie sit

619
00:29:10,120 --> 00:29:13,360
Speaker 2: on either side of him. Michelle asks her dad, where's

620
00:29:13,440 --> 00:29:15,920
Speaker 2: Uncle Jesse, and Danny tells the other person on the

621
00:29:15,960 --> 00:29:18,680
Speaker 2: line to hold on as he tells Michelle he's trying

622
00:29:18,680 --> 00:29:21,360
Speaker 2: to find out, and then how he asks, when are.

623
00:29:21,320 --> 00:29:22,760
Speaker 1: You gonna find out?

624
00:29:23,000 --> 00:29:23,280
Speaker 3: Oh?

625
00:29:23,400 --> 00:29:26,120
Speaker 2: Danny's patience is wearing thin as he tells the boy,

626
00:29:26,480 --> 00:29:27,440
Speaker 2: when I find out?

627
00:29:27,600 --> 00:29:33,000
Speaker 1: Howie? Yeah, Howie, God, how he shows up? Just all

628
00:29:33,280 --> 00:29:33,880
Speaker 1: all he cares.

629
00:29:33,760 --> 00:29:37,920
Speaker 2: About how he's just this kid is a Howie the menace?

630
00:29:38,040 --> 00:29:38,200
Speaker 3: Right.

631
00:29:39,560 --> 00:29:42,000
Speaker 2: Not a second goes by before Michelle asks have you

632
00:29:42,080 --> 00:29:42,880
Speaker 2: found out yet?

633
00:29:43,200 --> 00:29:44,680
Speaker 1: And Danny's just done with.

634
00:29:44,600 --> 00:29:49,120
Speaker 2: Both of them, Welcome to toddlerhood? Like this is what

635
00:29:49,160 --> 00:29:51,280
Speaker 2: they do, just poke pop But it's.

636
00:29:51,240 --> 00:29:53,120
Speaker 3: So true your kid, Yeah, you're like, have you found

637
00:29:53,120 --> 00:29:53,480
Speaker 3: out yet?

638
00:29:53,480 --> 00:29:55,920
Speaker 1: Are we there yet? We're on the freeway. What do

639
00:29:55,960 --> 00:29:58,000
Speaker 1: you think it's been ten seconds?

640
00:29:58,080 --> 00:29:59,160
Speaker 3: No, we're not there yet.

641
00:30:00,360 --> 00:30:03,160
Speaker 2: Danny sternly tells both of them. If you don't stop this,

642
00:30:03,240 --> 00:30:05,840
Speaker 2: I'm gonna turn this wedding around and drive right home.

643
00:30:06,480 --> 00:30:10,640
Speaker 2: Michelle admits, Daddy, you need a nap. Danny finishes his

644
00:30:10,680 --> 00:30:13,440
Speaker 2: phone conversation saying, please call me if you hear anything,

645
00:30:13,760 --> 00:30:15,960
Speaker 2: and yes, sir, I'll make sure to squeeze in that nap.

646
00:30:17,040 --> 00:30:19,480
Speaker 2: Michelle excitedly asks her dad, is it time for the

647
00:30:19,480 --> 00:30:20,320
Speaker 2: wedding cake.

648
00:30:22,200 --> 00:30:25,120
Speaker 3: To go to the back to the sugar you know,

649
00:30:25,400 --> 00:30:29,160
Speaker 3: sugar eating, sugar binging. She's having feelings. She's like, I

650
00:30:29,240 --> 00:30:33,360
Speaker 3: got it, I can't. This is uncomfortable. She's looking. Yeah,

651
00:30:33,400 --> 00:30:34,760
Speaker 3: she's stressed and she's looking to shugar.

652
00:30:35,000 --> 00:30:37,240
Speaker 2: She's feeding off of the stress of the family, and

653
00:30:37,600 --> 00:30:38,560
Speaker 2: she's just like, where's cake?

654
00:30:38,640 --> 00:30:41,000
Speaker 3: Yeah, he really is. Well, she's their therapist. She knows

655
00:30:41,080 --> 00:30:43,160
Speaker 3: she's gonna have to hear about all this. Yes, you know,

656
00:30:44,000 --> 00:30:45,640
Speaker 3: I'm better load up on some wedding like a whole

657
00:30:45,640 --> 00:30:47,400
Speaker 3: tear of wedding cake before I have to do this.

658
00:30:47,600 --> 00:30:49,000
Speaker 3: She knows how to prepare.

659
00:30:50,640 --> 00:30:53,000
Speaker 2: Danny explains to her that they can't have cake until

660
00:30:53,000 --> 00:30:55,200
Speaker 2: they have a party, and they can't have a party

661
00:30:55,400 --> 00:30:56,120
Speaker 2: until they.

662
00:30:55,920 --> 00:30:58,200
Speaker 1: Have a wedding. He stands up and leaves.

663
00:30:58,760 --> 00:31:01,160
Speaker 2: Howie and Michelle are left face seen one another, and

664
00:31:01,200 --> 00:31:04,720
Speaker 2: she pops the question, Howie, will you marry me? He

665
00:31:04,800 --> 00:31:08,480
Speaker 2: asks why, and she declares so we can eat wedding cake.

666
00:31:09,280 --> 00:31:12,480
Speaker 2: How He asks if it's chocolate cake, and Michelle reminds him,

667
00:31:12,520 --> 00:31:17,720
Speaker 2: who cares? It's this big and it gots frosting. What

668
00:31:17,760 --> 00:31:21,360
Speaker 2: more do you need? You know, not flavor or additional right.

669
00:31:21,880 --> 00:31:22,760
Speaker 3: Then the phone rings.

670
00:31:23,040 --> 00:31:25,080
Speaker 2: Danny quickly runs over to pick it up, while the

671
00:31:25,120 --> 00:31:27,800
Speaker 2: rest of the wedding party rushes over to listen. Danny

672
00:31:27,840 --> 00:31:31,040
Speaker 2: reveals that it's Jesse. Becky grabs the phone from him

673
00:31:31,040 --> 00:31:34,160
Speaker 2: and asks her fiance, are you okay. She relates to

674
00:31:34,200 --> 00:31:36,520
Speaker 2: everyone that he's okay, and they all let out a

675
00:31:36,560 --> 00:31:40,000
Speaker 2: big sigh of relief. Then Becky's eyes go wide and

676
00:31:40,040 --> 00:31:43,400
Speaker 2: she tells Jessie to stay right where he is. She

677
00:31:43,480 --> 00:31:45,920
Speaker 2: hangs up the phone and commands Danny and Joey to

678
00:31:46,080 --> 00:31:48,760
Speaker 2: not allow any of the guests to leave. Then she

679
00:31:48,800 --> 00:31:50,680
Speaker 2: turns to her dad and commands, I need your car

680
00:31:50,760 --> 00:31:52,120
Speaker 2: keys and your wallet now.

681
00:31:52,880 --> 00:31:57,520
Speaker 1: So behold everyone hostage. Basically, yeah, lock the church doors.

682
00:31:57,280 --> 00:31:58,160
Speaker 3: No one's getting out.

683
00:31:58,240 --> 00:32:02,760
Speaker 2: Yeah, lock the doors. Everybody's stay input. So Kenneth tries

684
00:32:02,760 --> 00:32:05,760
Speaker 2: to protest this, but Nedra swoops in and just shoots

685
00:32:05,840 --> 00:32:10,120
Speaker 2: him down. She said, now, so Kenneth listens, hands over

686
00:32:10,240 --> 00:32:14,920
Speaker 2: his wallet and his keys. Then Connie Debbie Gregory asks

687
00:32:14,920 --> 00:32:18,080
Speaker 2: her sister where she's going. Becky is showing more determination

688
00:32:18,160 --> 00:32:21,000
Speaker 2: than ever as she says, Tomato Country to bail my

689
00:32:21,200 --> 00:32:22,440
Speaker 2: groom out of jail.

690
00:32:24,400 --> 00:32:25,440
Speaker 1: She runs out of the room with.

691
00:32:25,400 --> 00:32:28,160
Speaker 3: Haydes you put do you put that in the GPS?

692
00:32:28,600 --> 00:32:29,520
Speaker 3: Tomato Country?

693
00:32:29,560 --> 00:32:30,400
Speaker 1: Does it take you something?

694
00:32:30,400 --> 00:32:32,360
Speaker 3: Does it take you to a specific place?

695
00:32:32,600 --> 00:32:35,200
Speaker 1: Yeah, it takes you straight to the heart of real,

696
00:32:35,240 --> 00:32:40,000
Speaker 1: straight to Yolo. Uh. Michelle is worried.

697
00:32:40,200 --> 00:32:43,080
Speaker 2: She says she better hurry, she's gonna miss the wedding.

698
00:32:44,240 --> 00:32:46,240
Speaker 2: She really just cares about the cake though. She wants

699
00:32:46,240 --> 00:32:47,120
Speaker 2: the wedding so she can have.

700
00:32:47,440 --> 00:32:49,640
Speaker 1: Like yeah, this is I need the cake.

701
00:32:49,800 --> 00:32:50,000
Speaker 3: Yep.

702
00:32:51,000 --> 00:32:53,800
Speaker 2: So next, Danny and Joey burst through the double doors.

703
00:32:53,840 --> 00:32:56,760
Speaker 2: As Kimmy makes her way over to them, she decides

704
00:32:56,880 --> 00:33:00,120
Speaker 2: to lend some advice. This crowd is getting restless. You

705
00:33:00,160 --> 00:33:03,680
Speaker 2: guys better lock the exits. And I loved my dress

706
00:33:03,760 --> 00:33:06,040
Speaker 2: and my hair, my little black dress with the pigs

707
00:33:06,160 --> 00:33:06,640
Speaker 2: so cute.

708
00:33:06,640 --> 00:33:08,560
Speaker 1: Oh, I kept that dress. I loved it so much.

709
00:33:08,720 --> 00:33:11,000
Speaker 1: It was really cute. The rare moment when I liked

710
00:33:11,080 --> 00:33:12,360
Speaker 1: my war right.

711
00:33:12,440 --> 00:33:14,880
Speaker 3: Yeah, well once out of eight years, you know.

712
00:33:15,720 --> 00:33:17,800
Speaker 1: At least they gave me one. You know, I'll take it.

713
00:33:19,160 --> 00:33:20,760
Speaker 2: Danny and Joey try to come up with a game

714
00:33:20,800 --> 00:33:23,920
Speaker 2: plan to keep these people at bay. They can't tell

715
00:33:23,960 --> 00:33:26,760
Speaker 2: him the truth, but they also can't lie in church,

716
00:33:27,440 --> 00:33:29,640
Speaker 2: so Joey suggests that they take everyone out to the

717
00:33:29,640 --> 00:33:32,440
Speaker 2: parking lot and lie to them there, but Danny won't

718
00:33:32,480 --> 00:33:33,120
Speaker 2: go along with it.

719
00:33:34,000 --> 00:33:36,880
Speaker 1: Then they run into Nick and Irene. Oh.

720
00:33:37,040 --> 00:33:39,520
Speaker 2: Nick asks the guys, what's going on? And I read

721
00:33:39,520 --> 00:33:43,040
Speaker 2: in questions where's my baby? Danny stutters while trying to

722
00:33:43,040 --> 00:33:45,240
Speaker 2: tell her the truth. Then he realizes that.

723
00:33:45,280 --> 00:33:49,880
Speaker 1: Everyone in attendance is also listening in He grimaces and

724
00:33:50,000 --> 00:33:52,719
Speaker 1: asks would anyone like to accompany me out to the

725
00:33:52,760 --> 00:33:55,640
Speaker 1: parking lot? Every single one of them stands up to leave,

726
00:33:55,840 --> 00:33:58,520
Speaker 1: no question. Yeah, I'd like to get out of here.

727
00:33:59,000 --> 00:33:59,760
Speaker 3: Let's leave.

728
00:34:01,520 --> 00:34:04,000
Speaker 2: Just then Kimmy bursts through the doors and shouts, I

729
00:34:04,080 --> 00:34:05,160
Speaker 2: know why Jesse's late.

730
00:34:05,520 --> 00:34:08,279
Speaker 1: He's in the slammer way to go.

731
00:34:08,360 --> 00:34:12,680
Speaker 3: Kimmy always yeah, you know, just telling it like it is.

732
00:34:13,320 --> 00:34:16,919
Speaker 2: Yep. Danny is extremely unpleased that this information has come

733
00:34:16,960 --> 00:34:19,080
Speaker 2: to light and tells everyone that they can just sit

734
00:34:19,120 --> 00:34:23,040
Speaker 2: back down, and they do so shockingly.

735
00:34:23,160 --> 00:34:24,640
Speaker 1: I know right there, if I was at a wedding

736
00:34:24,640 --> 00:34:25,759
Speaker 1: and someone came and was like.

737
00:34:25,840 --> 00:34:27,919
Speaker 3: Hey, the groom's in jail, I'd be like, all right, cool,

738
00:34:27,960 --> 00:34:29,480
Speaker 3: well let's pick this up later then.

739
00:34:31,040 --> 00:34:35,120
Speaker 1: Yep, right, no, no, no, they have the biggest comprocessing

740
00:34:35,640 --> 00:34:37,360
Speaker 1: you know what I mean, those hours.

741
00:34:37,600 --> 00:34:41,000
Speaker 3: Nobody's got time for this, right, But what we do

742
00:34:41,160 --> 00:34:43,759
Speaker 3: have time for is what happens next.

743
00:34:44,920 --> 00:34:45,440
Speaker 1: I'm here for this.

744
00:34:45,600 --> 00:34:47,439
Speaker 3: We're in the Tomato Country jail.

745
00:34:48,160 --> 00:34:51,919
Speaker 2: Oh, Becky parks her dance car in front of the jail,

746
00:34:52,520 --> 00:34:55,520
Speaker 2: and as she's running into the building, we clearly see

747
00:34:55,560 --> 00:34:58,800
Speaker 2: that she is parked in a no parking zone. A

748
00:34:58,840 --> 00:35:03,120
Speaker 2: little foreshadowing there. Right inside, Jesse is begging one of

749
00:35:03,160 --> 00:35:06,200
Speaker 2: the officers who is casually just eating a raw tomato

750
00:35:06,480 --> 00:35:09,040
Speaker 2: like an apple and pouring salt on it, Like, is.

751
00:35:09,080 --> 00:35:11,839
Speaker 1: That a thing that's actually delicious? Is that del I've

752
00:35:11,920 --> 00:35:14,719
Speaker 1: never eaten a tomato? Salt on a tomato? Oh?

753
00:35:14,880 --> 00:35:16,640
Speaker 3: Like a really? Well, I mean I've never eaten it

754
00:35:16,719 --> 00:35:19,640
Speaker 3: like an apple. You can like just slice tomato and

755
00:35:19,880 --> 00:35:21,000
Speaker 3: put some salt on fruits.

756
00:35:21,120 --> 00:35:24,000
Speaker 1: Delicious? Ye yah?

757
00:35:24,480 --> 00:35:27,120
Speaker 2: He reminds the guy that he's getting married right now,

758
00:35:27,719 --> 00:35:30,360
Speaker 2: and when the sheriff plays him no mind, Jesse asks,

759
00:35:30,520 --> 00:35:33,400
Speaker 2: why don't you believe me? And the sheriff plainly states

760
00:35:33,520 --> 00:35:36,600
Speaker 2: because nobody jumps out of a plane on their wedding day.

761
00:35:38,040 --> 00:35:38,640
Speaker 1: He's not got that.

762
00:35:39,800 --> 00:35:44,320
Speaker 2: Yeah, cousin Harold knows the truth. On cue, Becky stomps in,

763
00:35:44,400 --> 00:35:48,359
Speaker 2: wearing her wedding dress and angrily says Jesse. Jesse gives

764
00:35:48,400 --> 00:35:50,719
Speaker 2: a smug smile to the sheriff and says, told you.

765
00:35:52,000 --> 00:35:54,600
Speaker 2: Becky walks up to Jesse with fire in her eyes.

766
00:35:55,120 --> 00:35:59,239
Speaker 2: Jesse warmly says, hi, honey, and she gives him a condescending.

767
00:35:59,000 --> 00:35:59,640
Speaker 3: Hi, darling.

768
00:36:00,480 --> 00:36:03,000
Speaker 1: Jesse nervously asks you look mad? Are you mad?

769
00:36:03,760 --> 00:36:05,600
Speaker 3: She grins as she says, uh huh.

770
00:36:06,600 --> 00:36:09,279
Speaker 2: Jesse tells her she's so cute when she's mad, and

771
00:36:09,440 --> 00:36:11,839
Speaker 2: right now she's about the cutest he's ever seen.

772
00:36:12,880 --> 00:36:15,520
Speaker 3: Oh that never never tell a woman she's cute when

773
00:36:15,520 --> 00:36:19,120
Speaker 3: she's mad. Oh, it just encourages it. Right. Well, yeah,

774
00:36:19,160 --> 00:36:22,920
Speaker 3: you might wind up with a broken nose. Oh yes, uh,

775
00:36:23,440 --> 00:36:25,879
Speaker 3: I'm trying to turn this down. Oh am I too?

776
00:36:25,960 --> 00:36:26,919
Speaker 1: Am I shouting too loud?

777
00:36:26,960 --> 00:36:28,880
Speaker 3: No? No, no, no, no, no, I'm loud in my

778
00:36:28,960 --> 00:36:29,399
Speaker 3: own head.

779
00:36:29,640 --> 00:36:31,239
Speaker 1: Well, that could just be it might not be a

780
00:36:31,280 --> 00:36:32,120
Speaker 1: microphone problem.

781
00:36:32,160 --> 00:36:34,239
Speaker 3: That might be how it is. It might just be me.

782
00:36:35,760 --> 00:36:37,719
Speaker 1: So Becky shouts, are you insane?

783
00:36:38,200 --> 00:36:40,040
Speaker 3: How could you do this on our wedding day?

784
00:36:41,400 --> 00:36:43,800
Speaker 2: Jesse smiles and tells her, well, that's a funny story

785
00:36:43,960 --> 00:36:46,760
Speaker 2: and she's probably gonna laugh about it. She is showing

786
00:36:47,160 --> 00:36:50,200
Speaker 2: no signs of happiness or laughing, so he quickly takes

787
00:36:50,200 --> 00:36:52,640
Speaker 2: it back and begins to explain the talk that he

788
00:36:52,800 --> 00:36:55,160
Speaker 2: had with her dad that prompted him to go on

789
00:36:55,280 --> 00:36:56,840
Speaker 2: this one last adventure.

790
00:36:57,880 --> 00:37:00,560
Speaker 3: How many one last adventures has Jesse Bennet, this is.

791
00:37:00,520 --> 00:37:03,040
Speaker 1: At least a third since we've been here for it.

792
00:37:03,120 --> 00:37:04,080
Speaker 1: I feel like it's we go.

793
00:37:04,239 --> 00:37:07,719
Speaker 3: He goes on on a one last adventure every season.

794
00:37:07,600 --> 00:37:09,560
Speaker 1: Once a season. Yeah, that's about his average.

795
00:37:09,640 --> 00:37:11,120
Speaker 3: So it was time he was due.

796
00:37:11,520 --> 00:37:15,120
Speaker 1: Unfortunately it was Strea. You know, it comes and goes.

797
00:37:15,200 --> 00:37:20,120
Speaker 1: It's sort of his So Becky questions, what do you

798
00:37:20,239 --> 00:37:24,080
Speaker 1: mean one last adventure? The adventure is just beginning for

799
00:37:24,239 --> 00:37:27,200
Speaker 1: both of us, sharing our lives and having a family.

800
00:37:27,640 --> 00:37:29,480
Speaker 1: And hey, if you want to jump out of a plane,

801
00:37:29,880 --> 00:37:32,200
Speaker 1: just let me know. I'll strap on a shoot and

802
00:37:32,400 --> 00:37:35,640
Speaker 1: be right there next to you. This is the key

803
00:37:35,719 --> 00:37:39,839
Speaker 1: messaging right here, people like marriage is not the end

804
00:37:40,080 --> 00:37:41,560
Speaker 1: of something, not necessarily.

805
00:37:41,680 --> 00:37:43,680
Speaker 3: No, it's the beginning. It's the beginning of.

806
00:37:43,880 --> 00:37:49,399
Speaker 2: A very hopefully fruitful life together. It's fruitful like tomatoes, exactly. See,

807
00:37:49,680 --> 00:37:51,399
Speaker 2: it all comes back to tomatoes.

808
00:37:51,600 --> 00:37:51,920
Speaker 1: Yolo.

809
00:37:53,480 --> 00:37:56,400
Speaker 2: So Jesse grins at the sentiment. Becky wraps it up

810
00:37:56,440 --> 00:37:59,680
Speaker 2: with the point is, whatever the adventure, let's just do

811
00:37:59,719 --> 00:38:02,440
Speaker 2: it together. He is smiling from ear to ear as

812
00:38:02,520 --> 00:38:05,799
Speaker 2: he tells her she is the best. Then they kiss

813
00:38:05,960 --> 00:38:09,000
Speaker 2: between the jail cell bars. I actually thought this this

814
00:38:09,400 --> 00:38:12,560
Speaker 2: bit right here was sweeter than the actual wedding ceremony,

815
00:38:12,719 --> 00:38:14,960
Speaker 2: Like it just felt well, yeah, for sure, very genuine.

816
00:38:15,080 --> 00:38:15,279
Speaker 2: It was.

817
00:38:15,960 --> 00:38:17,800
Speaker 3: They should have just gotten married here and called it

818
00:38:17,880 --> 00:38:20,759
Speaker 3: a dad. I was thinking that this is should have

819
00:38:20,760 --> 00:38:21,840
Speaker 3: just married him and we could have.

820
00:38:22,080 --> 00:38:24,720
Speaker 2: I'm sure he's I'm sure he's ordained in some manner,

821
00:38:25,080 --> 00:38:26,280
Speaker 2: of course, he's sort of legal.

822
00:38:26,400 --> 00:38:29,359
Speaker 3: Yeah, yes, so uh.

823
00:38:30,239 --> 00:38:32,759
Speaker 2: The sheriff is watching this whole thing, this entire time,

824
00:38:33,160 --> 00:38:36,600
Speaker 2: and he announces, oh, that was beautiful. I'm dropping all

825
00:38:36,680 --> 00:38:39,960
Speaker 2: the charges, which I don't know. Farmer Bob might have

826
00:38:40,040 --> 00:38:41,960
Speaker 2: a different opinion about that, But right.

827
00:38:42,000 --> 00:38:43,680
Speaker 3: Farmer Robb, I'd be like this man tried to steal

828
00:38:43,719 --> 00:38:46,640
Speaker 3: my truck and row my tomatoes. Yes, you don't forget

829
00:38:47,160 --> 00:38:49,360
Speaker 3: he's giving him. He's all right, he's given me, you know,

830
00:38:49,520 --> 00:38:51,439
Speaker 3: the wedding. He's trying to give them the benefits, right.

831
00:38:52,440 --> 00:38:54,920
Speaker 2: So Jesse can't believe it, but the sheriff is grabbing

832
00:38:55,000 --> 00:38:57,560
Speaker 2: his keys to let him out. He tells the couple

833
00:38:57,680 --> 00:39:02,040
Speaker 2: it's Valentine's Day, just call me quid. Becky grabs Jesse's

834
00:39:02,040 --> 00:39:04,080
Speaker 2: hand and pulls him out of the station, telling him

835
00:39:04,120 --> 00:39:07,440
Speaker 2: that everyone is still waiting, but the sheriff stops them

836
00:39:07,480 --> 00:39:09,640
Speaker 2: because he has a little wedding present he'd like to

837
00:39:09,719 --> 00:39:12,360
Speaker 2: send them off with. He shows off a basket of

838
00:39:12,440 --> 00:39:15,400
Speaker 2: tomatoes to the couple, but Becky admits, oh, thanks, but

839
00:39:15,520 --> 00:39:18,520
Speaker 2: I don't really like to. Jesse quickly puts his hand

840
00:39:18,520 --> 00:39:20,280
Speaker 2: over her mouth and finishes her sentence.

841
00:39:20,600 --> 00:39:24,520
Speaker 1: She loves tomatoes, They're her favorite fruit. Becky looks at him,

842
00:39:24,560 --> 00:39:27,600
Speaker 1: puzzled and admits, I thought they were a vegetable. She

843
00:39:27,680 --> 00:39:30,240
Speaker 1: grabs a basket and Jesse thanks the cop for everything,

844
00:39:30,640 --> 00:39:36,040
Speaker 1: and they run outside. But outside Becky's car is being towed.

845
00:39:37,760 --> 00:39:37,880
Speaker 3: Just so.

846
00:39:37,880 --> 00:39:39,440
Speaker 1: Don't you think we're winding down.

847
00:39:39,560 --> 00:39:40,200
Speaker 3: Sweet you, We're not.

848
00:39:40,520 --> 00:39:41,920
Speaker 1: We're no, no, no, no, no, no, no, no no,

849
00:39:42,640 --> 00:39:47,840
Speaker 1: just getting started at Yes. Becky and Jesse try to

850
00:39:47,960 --> 00:39:49,759
Speaker 1: run and catch up to the tow truck, but they're

851
00:39:49,840 --> 00:39:50,359
Speaker 1: too late.

852
00:39:50,880 --> 00:39:53,160
Speaker 2: They're yelling at the driver to stop, but he does

853
00:39:53,280 --> 00:39:56,840
Speaker 2: not stop. Becky loses it and screams, you can't do

854
00:39:57,040 --> 00:39:59,680
Speaker 2: this to me. She picks a tomato from the basket

855
00:39:59,719 --> 00:40:02,240
Speaker 2: and rows it at the truck, screaming, I'm a bride.

856
00:40:03,000 --> 00:40:05,880
Speaker 2: Jesse throws a tomato too and yells, I'm a groom.

857
00:40:07,040 --> 00:40:10,000
Speaker 2: The truck isn't stopping for anybody, and Becky knows that

858
00:40:10,120 --> 00:40:11,240
Speaker 2: she can't catch him.

859
00:40:11,120 --> 00:40:15,160
Speaker 1: While wearing heels. Props to Laurie for doing this whole

860
00:40:15,239 --> 00:40:17,560
Speaker 1: dang episode in her dress and her heel.

861
00:40:17,640 --> 00:40:20,399
Speaker 3: She's running right. Well, I think that's why they took

862
00:40:20,440 --> 00:40:22,200
Speaker 3: out some of the layers underneath, because she had to

863
00:40:22,239 --> 00:40:23,880
Speaker 3: do all this running and jumping and getting on the

864
00:40:24,040 --> 00:40:24,480
Speaker 3: things and it.

865
00:40:24,680 --> 00:40:26,920
Speaker 2: Yeah, yeah, like that is not easy to do. And

866
00:40:27,080 --> 00:40:29,480
Speaker 2: she's just she's just a champ for doing all of that.

867
00:40:30,840 --> 00:40:33,320
Speaker 3: So just remember the remember our the wedding, the triple

868
00:40:33,360 --> 00:40:34,480
Speaker 3: wedding on full way.

869
00:40:34,560 --> 00:40:37,160
Speaker 2: Yeah, yay, you really had to sew me into my dress? Yeah,

870
00:40:37,480 --> 00:40:40,160
Speaker 2: it was I couldn't sit there, right, And that was

871
00:40:40,280 --> 00:40:43,640
Speaker 2: like a leading That was the longest day, Like our

872
00:40:43,680 --> 00:40:45,800
Speaker 2: call times for four thirty am. I don't think we

873
00:40:45,880 --> 00:40:48,840
Speaker 2: wrapped until almost midnight and yeah.

874
00:40:49,120 --> 00:40:50,319
Speaker 1: No, it's true, it was almost midnight.

875
00:40:50,400 --> 00:40:53,080
Speaker 3: Yeah it was. That was a never ending day. And

876
00:40:53,160 --> 00:40:56,520
Speaker 3: I think our parents really regretted voluntary to be extras

877
00:40:56,600 --> 00:40:58,399
Speaker 3: for sure, And they're like, what did we get into?

878
00:40:58,800 --> 00:41:04,839
Speaker 2: Yes, So just then Jesse notices a bus driving towards them.

879
00:41:05,120 --> 00:41:07,440
Speaker 2: They decide, oh, here in Tomato country, why not a

880
00:41:07,480 --> 00:41:11,480
Speaker 2: school bus? No, less, they decide it would be smart

881
00:41:11,640 --> 00:41:14,040
Speaker 2: to run into the road to get the bus's attention.

882
00:41:14,840 --> 00:41:16,920
Speaker 1: Yes, yes, that's what you do.

883
00:41:17,760 --> 00:41:19,040
Speaker 3: The bus stops and.

884
00:41:19,120 --> 00:41:21,600
Speaker 2: Becky and Jesse plead with the driver, telling him that

885
00:41:21,680 --> 00:41:24,640
Speaker 2: they need a ride to San Francisco, and the man says, well,

886
00:41:24,680 --> 00:41:27,759
Speaker 2: we really aren't going that way. But that prompts Becky

887
00:41:27,840 --> 00:41:31,400
Speaker 2: to break out into full hysterics, briefly summarizing the horrible

888
00:41:31,680 --> 00:41:33,799
Speaker 2: wedding day that she has had to endure so far,

889
00:41:34,640 --> 00:41:36,799
Speaker 2: and then the man suddenly recognizes her.

890
00:41:37,360 --> 00:41:38,359
Speaker 1: He says, aren't you one?

891
00:41:38,440 --> 00:41:42,120
Speaker 2: Wake up San Francisco, and Becky's demeanor automatically shifts. She

892
00:41:42,200 --> 00:41:45,440
Speaker 2: smiles at him and goes immediately into host mode. Yes, Hi,

893
00:41:45,600 --> 00:41:48,680
Speaker 2: I'm Rebecca Donaldson and this is my fiance Jesse Cassopolis.

894
00:41:50,080 --> 00:41:52,759
Speaker 2: The man tells her to hop in, and they gladly do.

895
00:41:53,600 --> 00:41:55,439
Speaker 2: Once they're in the bus, they're greeted by a whole

896
00:41:55,480 --> 00:41:59,560
Speaker 2: group of chorus singers in their robes and everything.

897
00:42:00,200 --> 00:42:00,439
Speaker 3: Great.

898
00:42:00,680 --> 00:42:03,600
Speaker 1: Yeah, it's just yeah, because you don't change into.

899
00:42:03,440 --> 00:42:05,560
Speaker 3: The robes like when you get there, you wear them constantly.

900
00:42:06,840 --> 00:42:10,759
Speaker 2: Yeah, it's just the visual just the visuals in its episode.

901
00:42:12,000 --> 00:42:16,120
Speaker 1: I also like, yeah, where were they coming from?

902
00:42:16,239 --> 00:42:16,920
Speaker 3: We're going? Or what?

903
00:42:17,160 --> 00:42:17,200
Speaker 1: What?

904
00:42:17,360 --> 00:42:20,200
Speaker 3: You know? What I mean, like, well, were they going

905
00:42:20,200 --> 00:42:22,839
Speaker 3: to perform it? Like a week You're so far away

906
00:42:22,880 --> 00:42:26,040
Speaker 3: from San Francisco and yet also really in the hub

907
00:42:26,120 --> 00:42:26,520
Speaker 3: of a town.

908
00:42:27,040 --> 00:42:29,960
Speaker 2: Yiss, Yeah, they're in the middle of nowhere. But there's

909
00:42:30,040 --> 00:42:32,960
Speaker 2: a lot going on, you know. Yeah, Just I don't

910
00:42:32,960 --> 00:42:34,600
Speaker 2: know where these people were going or why they're so

911
00:42:34,719 --> 00:42:35,920
Speaker 2: willing to just I know.

912
00:42:35,920 --> 00:42:37,839
Speaker 1: Where they're going now, I'll tell you that much.

913
00:42:40,160 --> 00:42:42,880
Speaker 2: So Becky begins to tell the driver the exact directions

914
00:42:42,920 --> 00:42:45,200
Speaker 2: to the chapel. But then she suggests, why don't I

915
00:42:45,360 --> 00:42:48,680
Speaker 2: just drive, and he happily responds, Hey, it's your wedding day.

916
00:42:49,800 --> 00:42:52,839
Speaker 3: Hey, you don't need a particular license to drive a bus.

917
00:42:55,760 --> 00:42:58,160
Speaker 3: You know, trust you. I don't know worry about the

918
00:42:58,239 --> 00:43:00,400
Speaker 3: dress getting caught in the pedals or but you know, no,

919
00:43:00,520 --> 00:43:02,520
Speaker 3: you'll be all right. It's amazing.

920
00:43:03,680 --> 00:43:06,319
Speaker 2: Jesse's a little more hesitant, though, and he asks, you're

921
00:43:06,360 --> 00:43:09,640
Speaker 2: gonna drive the bus? She reminds him you had your adventure,

922
00:43:10,000 --> 00:43:13,520
Speaker 2: now I'm gonna have mine. Becky slams her foot down

923
00:43:13,560 --> 00:43:16,239
Speaker 2: on the gas and drives the yellow Hallelujah chorus bus

924
00:43:16,680 --> 00:43:24,600
Speaker 2: out of Tomato Country. Goodbye Tomato Country, right, good riddance

925
00:43:24,719 --> 00:43:25,520
Speaker 2: Tomato Country.

926
00:43:25,719 --> 00:43:29,120
Speaker 3: We ran in the city. Yeah, thank god, Yolo.

927
00:43:29,440 --> 00:43:32,879
Speaker 1: You know I couldn't do that again only once.

928
00:43:33,280 --> 00:43:37,600
Speaker 2: Back at the wedding chapel, to prevent the guests from leaving, Danny, Joey, Nick,

929
00:43:37,640 --> 00:43:41,920
Speaker 2: and Irene have decided to perform Ella Fitzgerald's Let's call the.

930
00:43:42,160 --> 00:43:46,920
Speaker 1: Old Whole Thing, Let's call the off, Let's let's call

931
00:43:46,960 --> 00:43:48,600
Speaker 1: the old off, just thing off.

932
00:43:49,920 --> 00:43:53,239
Speaker 2: The irony though of this song like this, Let's call

933
00:43:53,280 --> 00:43:55,480
Speaker 2: the Whole Thing, The whole thing off and the tomato

934
00:43:55,640 --> 00:43:58,680
Speaker 2: tomato like this was genius, Like this was our writers

935
00:43:58,719 --> 00:44:01,239
Speaker 2: did a great job tying everything else.

936
00:44:01,680 --> 00:44:02,200
Speaker 1: It was great.

937
00:44:03,080 --> 00:44:05,799
Speaker 2: No one in the crowd seems too enthused by this song.

938
00:44:06,400 --> 00:44:07,760
Speaker 1: That doesn't stop them from trying.

939
00:44:08,520 --> 00:44:11,480
Speaker 2: They encourage the crowd to join in with them, and

940
00:44:11,600 --> 00:44:15,520
Speaker 2: it works. Everybody's singing along. There's so many everywhere you look.

941
00:44:15,560 --> 00:44:17,719
Speaker 2: Moments in this scene, we're getting my Gosha.

942
00:44:18,960 --> 00:44:19,600
Speaker 3: Running tally.

943
00:44:19,840 --> 00:44:21,480
Speaker 1: Oh my gosh, that's brilliant.

944
00:44:22,640 --> 00:44:24,920
Speaker 2: So outside, Becky and Jesse pull up to the venue

945
00:44:25,120 --> 00:44:28,799
Speaker 2: in the bus. They're singing, it's just a party bus.

946
00:44:30,040 --> 00:44:31,880
Speaker 2: They thank the choir for their help, and then they

947
00:44:31,960 --> 00:44:36,160
Speaker 2: all rush into the church together. Inside, Michelle runs into

948
00:44:36,200 --> 00:44:39,200
Speaker 2: the hall and shouts stop the music, Stop the music.

949
00:44:39,960 --> 00:44:43,319
Speaker 2: Once the crowd goes silent, she excitedly tells everyone Uncle

950
00:44:43,400 --> 00:44:46,920
Speaker 2: Jesse is here. Steph is standing directly in front of

951
00:44:46,960 --> 00:44:49,640
Speaker 2: her little sister and pointing the camera at her. She

952
00:44:49,800 --> 00:44:53,000
Speaker 2: asks Michelle if she's sure, and Michelle reminds her, I

953
00:44:53,120 --> 00:44:53,920
Speaker 2: know what he looks like.

954
00:44:54,200 --> 00:44:55,000
Speaker 1: He's my uncle.

955
00:44:56,200 --> 00:44:59,240
Speaker 2: Then DJ runs in and announces Uncle Jesse and Rebecca

956
00:44:59,320 --> 00:45:02,520
Speaker 2: are back. We're gonna have the wedding and everyone cheers

957
00:45:02,560 --> 00:45:05,799
Speaker 2: at this great news. Who Michelle sighs as she tells

958
00:45:05,840 --> 00:45:08,839
Speaker 2: the camera, I just said that maybe when I'm five,

959
00:45:09,160 --> 00:45:10,160
Speaker 2: people will listen.

960
00:45:11,360 --> 00:45:13,560
Speaker 1: She obviously hasn't gotten her cake yet.

961
00:45:13,719 --> 00:45:16,200
Speaker 2: No, she's like making this all about herself. Like she's

962
00:45:16,320 --> 00:45:18,800
Speaker 2: just like a little a little mini Jesse here, you know,

963
00:45:19,120 --> 00:45:20,160
Speaker 2: just like, where's my cake?

964
00:45:20,200 --> 00:45:23,319
Speaker 3: Nobody's you know, yeah, yeah, no one's listening to me. Right,

965
00:45:23,440 --> 00:45:25,520
Speaker 3: She's gonna go off and jump out of a plane now.

966
00:45:27,080 --> 00:45:29,759
Speaker 2: So then Jesse runs in and does quick greetings with

967
00:45:29,840 --> 00:45:33,000
Speaker 2: the guests and his parents. He goes over to hug

968
00:45:33,080 --> 00:45:35,719
Speaker 2: his father in law, but quickly realizes that that is

969
00:45:35,760 --> 00:45:36,440
Speaker 2: a bad idea.

970
00:45:37,360 --> 00:45:39,640
Speaker 3: He tells this wait till he finds out that this

971
00:45:39,880 --> 00:45:41,120
Speaker 3: car is in Tomato country.

972
00:45:41,200 --> 00:45:44,279
Speaker 1: Still, yes, oh gosh right, he doesn't even know that yet.

973
00:45:44,320 --> 00:45:46,319
Speaker 1: You didn't have a car. I don't even care about

974
00:45:46,360 --> 00:45:46,640
Speaker 1: that yet.

975
00:45:47,680 --> 00:45:50,200
Speaker 2: Uh So Jesse tells the string quartet to hit it,

976
00:45:50,600 --> 00:45:54,719
Speaker 2: and the ceremony begins. First, Michelle walks out and does

977
00:45:54,760 --> 00:45:58,080
Speaker 2: a very nice job of throwing the flower petals, that is,

978
00:45:58,160 --> 00:45:59,840
Speaker 2: until she gets to the end of the aisle and

979
00:46:00,120 --> 00:46:04,040
Speaker 2: realizes there's no more pedals left. She yells stop the wedding,

980
00:46:04,800 --> 00:46:08,680
Speaker 2: and Danny runs over to her embarrassed. He asks what's wrong,

981
00:46:08,800 --> 00:46:11,920
Speaker 2: and Michelle explains that she ran out of flowers. She

982
00:46:12,080 --> 00:46:13,840
Speaker 2: falls to her hands and knees and picks up the

983
00:46:13,920 --> 00:46:16,080
Speaker 2: scattered flower pedals, saying, I'm.

984
00:46:16,040 --> 00:46:20,440
Speaker 3: Sorry that sounds you know, reading that sounds really dramatic.

985
00:46:21,320 --> 00:46:25,040
Speaker 3: It's not, but like, stop stop the wedding. He asks

986
00:46:25,080 --> 00:46:27,760
Speaker 3: what's wrong and she falls to her hands and knees.

987
00:46:28,080 --> 00:46:29,319
Speaker 3: It's like the reading of the letter.

988
00:46:29,640 --> 00:46:33,640
Speaker 2: Yes, it's overly dramatic, picks up the scattered flower settles,

989
00:46:34,160 --> 00:46:35,480
Speaker 2: sang I'm sorry.

990
00:46:35,920 --> 00:46:37,400
Speaker 1: Yeah, I was very dramatic for Michelle.

991
00:46:37,440 --> 00:46:38,120
Speaker 3: But this is this.

992
00:46:38,280 --> 00:46:39,960
Speaker 1: I feel like this is common when you have a

993
00:46:40,000 --> 00:46:41,520
Speaker 1: three year old as your flower girl.

994
00:46:41,680 --> 00:46:42,880
Speaker 3: Like they you're lucky.

995
00:46:43,000 --> 00:46:43,719
Speaker 1: They make it down.

996
00:46:44,360 --> 00:46:46,360
Speaker 3: That is the best part of the whole ceremony is

997
00:46:46,400 --> 00:46:49,000
Speaker 3: when the little toddlers come out, because you're like, here

998
00:46:49,160 --> 00:46:49,760
Speaker 3: goes nothing.

999
00:46:50,200 --> 00:46:53,279
Speaker 2: Yeah, here's your chance in the spotlight, and they're usually

1000
00:46:53,400 --> 00:46:55,600
Speaker 2: like deer in heads, like horrified.

1001
00:46:55,840 --> 00:46:56,000
Speaker 3: Right.

1002
00:46:58,120 --> 00:47:00,400
Speaker 2: So Danny tells her, while standing in the middle of

1003
00:47:00,440 --> 00:47:03,000
Speaker 2: the aisle, that it's not her fault she ran out

1004
00:47:03,040 --> 00:47:06,719
Speaker 2: of flowers. In fact, the problem is the church is

1005
00:47:06,880 --> 00:47:11,120
Speaker 2: much too long he asks the wedding guests, wasn't she great?

1006
00:47:11,160 --> 00:47:11,600
Speaker 3: Everybody?

1007
00:47:12,000 --> 00:47:14,040
Speaker 1: And they all give her a lengthy round of applause.

1008
00:47:14,560 --> 00:47:17,600
Speaker 1: She admits I did the best I could, and everyone

1009
00:47:17,680 --> 00:47:18,479
Speaker 1: claps for her.

1010
00:47:18,640 --> 00:47:20,640
Speaker 3: Again, and Danny walks into the road.

1011
00:47:20,800 --> 00:47:24,840
Speaker 1: My god, the show, the way they inflate this child's ego.

1012
00:47:26,520 --> 00:47:30,359
Speaker 1: This kid's a lot to deal with. Yeah, it's gonna

1013
00:47:30,360 --> 00:47:30,719
Speaker 1: be a lot to.

1014
00:47:30,719 --> 00:47:32,399
Speaker 3: Tell me that if I wrote that wedding, I'd be like, first,

1015
00:47:32,440 --> 00:47:34,040
Speaker 3: she got me singing tomato tomatow.

1016
00:47:34,520 --> 00:47:36,560
Speaker 1: Now I got a clap for this kid because she can't.

1017
00:47:36,880 --> 00:47:39,200
Speaker 3: Can we get to the point, you know, I'm hungry,

1018
00:47:39,280 --> 00:47:40,040
Speaker 3: I mean, cake.

1019
00:47:40,080 --> 00:47:45,520
Speaker 2: These guests, their guests are so tolerant, so tolerant. Yeah,

1020
00:47:46,160 --> 00:47:49,800
Speaker 2: so finally here comes the bride begins to play. Becky

1021
00:47:49,880 --> 00:47:52,680
Speaker 2: walks down the aisle. She stops at the end to

1022
00:47:52,840 --> 00:47:55,920
Speaker 2: join her dad, and the minister asks who gives this

1023
00:47:56,040 --> 00:47:59,880
Speaker 2: woman to this man. Kenneth proudly states her mother and

1024
00:48:00,080 --> 00:48:03,240
Speaker 2: I do, And then Jesse walks up to retrieve his fiance,

1025
00:48:03,920 --> 00:48:06,160
Speaker 2: but Kenneth won't let go of his daughter, that is

1026
00:48:06,280 --> 00:48:09,759
Speaker 2: until she tells him to. Then Jesse and Becky make

1027
00:48:09,800 --> 00:48:12,040
Speaker 2: their way up to the altar, in front of the minister.

1028
00:48:12,520 --> 00:48:15,399
Speaker 2: He jokingly remarks that they have waited a long time

1029
00:48:15,600 --> 00:48:20,000
Speaker 2: for this, and then he asks, like, that's the understatement

1030
00:48:20,080 --> 00:48:25,480
Speaker 2: of the century. He asks the respective parties for their rings.

1031
00:48:25,960 --> 00:48:28,759
Speaker 2: He tells Jesse and Becky their lines as they each

1032
00:48:28,920 --> 00:48:32,360
Speaker 2: place a ring on the other's hand. After they do this,

1033
00:48:32,600 --> 00:48:35,279
Speaker 2: the minister announces that Jesse would like to pledge his

1034
00:48:35,440 --> 00:48:37,520
Speaker 2: love for Rebecca with music.

1035
00:48:38,520 --> 00:48:43,800
Speaker 3: Oh boy, here we go, guys, Jesse's happening.

1036
00:48:44,120 --> 00:48:46,120
Speaker 2: Jesse, who has never want to miss an opportunity to

1037
00:48:46,200 --> 00:48:49,600
Speaker 2: regale us with his musical talents, takes a seat at

1038
00:48:49,600 --> 00:48:52,000
Speaker 2: the piano and begins his rendition of.

1039
00:48:52,320 --> 00:48:57,000
Speaker 1: Forever, Forever, Forever Forever.

1040
00:48:58,760 --> 00:49:02,560
Speaker 2: While he's performing, Hallelujah, chorus files in behind him and

1041
00:49:02,719 --> 00:49:03,920
Speaker 2: starts to sing along.

1042
00:49:04,960 --> 00:49:08,319
Speaker 3: Man, the way these people pull off events without any

1043
00:49:08,360 --> 00:49:11,440
Speaker 3: damn rehearsal. I wish I could do it like that,

1044
00:49:11,640 --> 00:49:13,640
Speaker 3: you know. Do you think they all sat in the

1045
00:49:13,640 --> 00:49:14,880
Speaker 3: bus and they were like, wait, what do.

1046
00:49:14,840 --> 00:49:16,840
Speaker 1: You think guys? Should we we should sing? Yeah, we

1047
00:49:16,840 --> 00:49:19,560
Speaker 1: should go and crash this wedding And they do it. Yeah,

1048
00:49:19,600 --> 00:49:21,560
Speaker 1: at the perfect time. They just they walk in the door,

1049
00:49:21,600 --> 00:49:23,040
Speaker 1: They're like, wait, did you hear music?

1050
00:49:23,120 --> 00:49:25,640
Speaker 3: And they go, it's yeah, it's like they knew the song.

1051
00:49:26,719 --> 00:49:31,759
Speaker 2: Yeah, they know the lyrics to the lyrics, like, yeah,

1052
00:49:31,920 --> 00:49:35,239
Speaker 2: they these people are prepared for anything, you know, right,

1053
00:49:35,360 --> 00:49:35,800
Speaker 2: I love it.

1054
00:49:35,920 --> 00:49:38,359
Speaker 3: I mean maybe he did. Maybe maybe he was like, Okay, well,

1055
00:49:38,640 --> 00:49:40,800
Speaker 3: now now not only have I made you guys go

1056
00:49:40,840 --> 00:49:43,520
Speaker 3: out of your way right by hours, but I'm also

1057
00:49:44,000 --> 00:49:45,400
Speaker 3: gonna force you to be in my wedding. Yes.

1058
00:49:45,760 --> 00:49:47,680
Speaker 2: Well, they had at least a ninety minute drive from

1059
00:49:47,719 --> 00:49:50,040
Speaker 2: Tomato Country. There's plenty of time to learn a few

1060
00:49:50,160 --> 00:49:51,120
Speaker 2: verses of this song.

1061
00:49:52,800 --> 00:49:54,239
Speaker 3: Oh this peak full house.

1062
00:49:55,640 --> 00:49:58,160
Speaker 1: Then baby pictures of John and Lourie flash on the

1063
00:49:58,280 --> 00:50:00,720
Speaker 1: screen while the song so cute.

1064
00:50:00,719 --> 00:50:05,040
Speaker 2: I love this, like I just yeah, I forgot that

1065
00:50:05,120 --> 00:50:07,560
Speaker 2: they had done this, Like this was such a good

1066
00:50:07,560 --> 00:50:09,400
Speaker 2: addition to this episode.

1067
00:50:09,760 --> 00:50:12,719
Speaker 3: And Laurie looks the same, or hasn't. She hasn't changed.

1068
00:50:12,760 --> 00:50:14,680
Speaker 3: She looks the same since she was a toddler.

1069
00:50:14,840 --> 00:50:16,200
Speaker 1: She has not changed.

1070
00:50:16,440 --> 00:50:20,400
Speaker 2: Oh, so cute John and his feathered hair senior photo.

1071
00:50:20,920 --> 00:50:22,719
Speaker 2: It's great, Blackie Parish, he's there.

1072
00:50:22,840 --> 00:50:23,880
Speaker 1: Yeah, it's so funny.

1073
00:50:25,640 --> 00:50:27,920
Speaker 2: And after that we see different scenes of Jesse and

1074
00:50:28,000 --> 00:50:30,960
Speaker 2: Becky throughout the season. Now, this is a montage that

1075
00:50:31,040 --> 00:50:31,720
Speaker 2: I am here.

1076
00:50:31,680 --> 00:50:36,440
Speaker 1: For the Jesse and Becky mont montage. Fantastic.

1077
00:50:36,600 --> 00:50:39,200
Speaker 3: Well, if it wasn't a montage, we'd just be sitting

1078
00:50:39,239 --> 00:50:42,240
Speaker 3: there staring at him, and that would right forever.

1079
00:50:42,719 --> 00:50:46,440
Speaker 1: Like the guests are, the guests have already been there forever. Right,

1080
00:50:46,520 --> 00:50:50,360
Speaker 1: the guests are like, I've been here forever forever.

1081
00:50:51,680 --> 00:50:55,279
Speaker 3: Yes, it's a very this is the scene, happy with

1082
00:50:55,520 --> 00:50:59,080
Speaker 3: some food, Like.

1083
00:50:59,200 --> 00:51:01,640
Speaker 1: Even normal tend to seem like they just go.

1084
00:51:01,719 --> 00:51:02,440
Speaker 3: On and on.

1085
00:51:03,600 --> 00:51:04,680
Speaker 1: There was like three senses.

1086
00:51:04,760 --> 00:51:06,160
Speaker 3: They were like, here's the rings, I do, I do,

1087
00:51:06,239 --> 00:51:08,160
Speaker 3: I do great, I'm going to give you a fifteen

1088
00:51:08,160 --> 00:51:10,880
Speaker 3: minute song that's longer than the whole ceremony, and we're done.

1089
00:51:10,920 --> 00:51:13,560
Speaker 2: Like we've we've been waiting for what twenty two minutes

1090
00:51:13,640 --> 00:51:16,840
Speaker 2: last episode? At least what eighteen minutes this episode.

1091
00:51:16,640 --> 00:51:18,600
Speaker 1: Like we've waited a long time in these vows just

1092
00:51:18,640 --> 00:51:22,359
Speaker 1: went like that easy just they could have easy.

1093
00:51:22,440 --> 00:51:24,480
Speaker 3: They could have easily done this at the jail, you know,

1094
00:51:26,200 --> 00:51:27,360
Speaker 3: but then you wouldn't have the halliday.

1095
00:51:27,400 --> 00:51:29,960
Speaker 1: Of course, ya you know that that's worth waiting for it.

1096
00:51:30,080 --> 00:51:32,160
Speaker 1: Let me tell me waiting that is worth it.

1097
00:51:33,280 --> 00:51:37,720
Speaker 2: So after the montage, them making out in every possible

1098
00:51:37,800 --> 00:51:40,640
Speaker 2: room of the house. Yes, yes, I get it, you

1099
00:51:40,719 --> 00:51:42,959
Speaker 2: know I I this is what sold me on the couple.

1100
00:51:43,000 --> 00:51:45,320
Speaker 2: I'm like, okay, now I can see it. Jesse and

1101
00:51:45,400 --> 00:51:49,680
Speaker 2: Becky their end game. They got great chemistry. We're just

1102
00:51:49,719 --> 00:51:53,440
Speaker 2: gonna ignore everything that happened with Jesse before this. Back

1103
00:51:53,480 --> 00:51:55,920
Speaker 2: at the chapel, Becky is sitting next to Jesse on

1104
00:51:55,960 --> 00:51:58,960
Speaker 2: the piano bench. They sing a line together as a duet.

1105
00:51:59,520 --> 00:52:04,719
Speaker 2: It's very emotional. Laurie has that one tear that justly falls.

1106
00:52:04,480 --> 00:52:07,040
Speaker 1: Down, shake down right from the middle of her eyes. Yeah.

1107
00:52:08,080 --> 00:52:11,279
Speaker 2: Jesse finishes off the song with the Hallelujah chorus backing him,

1108
00:52:11,440 --> 00:52:13,719
Speaker 2: and the crowd irrupts into applause.

1109
00:52:14,760 --> 00:52:16,960
Speaker 1: They're like, thank God, that's over right.

1110
00:52:17,560 --> 00:52:19,600
Speaker 2: The couple takes their place back at the altar, and

1111
00:52:19,680 --> 00:52:22,880
Speaker 2: the minister happily says, may your life be filled with

1112
00:52:23,000 --> 00:52:24,200
Speaker 2: harmony forever.

1113
00:52:25,040 --> 00:52:25,200
Speaker 3: Oh.

1114
00:52:26,440 --> 00:52:28,960
Speaker 2: And then the minister who appears to keep forgetting his lines.

1115
00:52:29,840 --> 00:52:34,600
Speaker 2: He can't remember Rebecca's name, like right, but he asks

1116
00:52:34,640 --> 00:52:37,160
Speaker 2: Becky and Jesse if they take one another, and they

1117
00:52:37,200 --> 00:52:40,439
Speaker 2: each say I do. He pronounces them husband and wife,

1118
00:52:40,960 --> 00:52:43,919
Speaker 2: and in classic Jesse and Becky fashion, they immediately start

1119
00:52:44,000 --> 00:52:44,520
Speaker 2: making out.

1120
00:52:45,800 --> 00:52:49,560
Speaker 1: And that's it. That's the whole wedding. That's the whole wedding.

1121
00:52:50,239 --> 00:52:53,640
Speaker 2: Just keep on kissing that bride, mister and missus Chitzopolis.

1122
00:52:53,800 --> 00:52:56,960
Speaker 1: Yeah, it went fast, it went really. I mean, what

1123
00:52:57,040 --> 00:52:58,719
Speaker 1: else are you gonna do. It's a wedding, that's true,

1124
00:52:58,719 --> 00:53:01,040
Speaker 1: it's a wedding. Nobody want to kissing. Didn't watch an

1125
00:53:01,040 --> 00:53:03,000
Speaker 1: actual wedding. Even the guests at a wedding don't want

1126
00:53:03,000 --> 00:53:04,840
Speaker 1: to sit and watch the actual wedding. It takes too long. No,

1127
00:53:04,920 --> 00:53:07,880
Speaker 1: it's the wedding is boring compared to the rest of

1128
00:53:07,880 --> 00:53:10,360
Speaker 1: the wedding. Is the stuff you gotta get out of the.

1129
00:53:10,360 --> 00:53:12,200
Speaker 3: Way till you get to the fun part right exactly.

1130
00:53:12,400 --> 00:53:15,359
Speaker 3: And Michelle knows this. Michelle's like, there is cake. Wait,

1131
00:53:15,960 --> 00:53:18,640
Speaker 3: Michelle has her priority. She's like, let's get to the

1132
00:53:18,719 --> 00:53:23,480
Speaker 3: sugar right now. Do you think that the Hallelujah chorus stayed?

1133
00:53:24,280 --> 00:53:27,080
Speaker 3: Oh wait, are they in that? Never mind, they can

1134
00:53:27,120 --> 00:53:27,360
Speaker 3: get to that.

1135
00:53:27,520 --> 00:53:28,959
Speaker 1: I was gonna say, do they stay for the party?

1136
00:53:29,000 --> 00:53:30,400
Speaker 3: I feel like they stay for the party.

1137
00:53:30,640 --> 00:53:32,560
Speaker 1: Of course they do. Of course they do. It's a

1138
00:53:32,600 --> 00:53:34,000
Speaker 1: full house, you know, of course they do.

1139
00:53:35,400 --> 00:53:40,680
Speaker 2: Why wouldn't they, Well, everybody's I'm surprised farmer Bob isn't there?

1140
00:53:40,800 --> 00:53:43,239
Speaker 2: You know that would be you might be might be

1141
00:53:43,280 --> 00:53:53,560
Speaker 2: in the backyard. So we are in the living room.

1142
00:53:53,640 --> 00:53:57,200
Speaker 2: It is packed full of people. Danny is swerving in

1143
00:53:57,239 --> 00:53:59,879
Speaker 2: and out of the crowd, saying, groom was late, lost

1144
00:54:00,080 --> 00:54:00,359
Speaker 2: the hall?

1145
00:54:00,560 --> 00:54:01,200
Speaker 1: Have a coaster?

1146
00:54:03,040 --> 00:54:05,719
Speaker 3: Did we run out of room for new sets? Like?

1147
00:54:06,480 --> 00:54:08,759
Speaker 1: Why is this at the house? Why are we in

1148
00:54:08,880 --> 00:54:11,920
Speaker 1: that house? The Tanners do everything at the house.

1149
00:54:12,440 --> 00:54:16,400
Speaker 3: Andrea, we got married at the house because are we

1150
00:54:16,640 --> 00:54:20,319
Speaker 3: lost our hall? I totally forgot that this happened, by

1151
00:54:20,360 --> 00:54:23,040
Speaker 3: the way, and I was like, the same thing happened.

1152
00:54:23,480 --> 00:54:27,520
Speaker 1: I can't to a wedding to save Yes, but.

1153
00:54:28,000 --> 00:54:32,520
Speaker 3: Thank god they are incredible party pointers, because man, did

1154
00:54:32,560 --> 00:54:34,719
Speaker 3: they just pull stup the house decorating.

1155
00:54:35,480 --> 00:54:38,439
Speaker 2: If there's one Tanners excel at, it's throwing last minute

1156
00:54:38,480 --> 00:54:39,840
Speaker 2: parties with no preparation.

1157
00:54:40,120 --> 00:54:41,880
Speaker 1: Yesoever, oh there's food.

1158
00:54:42,600 --> 00:54:45,719
Speaker 2: You know the number of times I've been watching this

1159
00:54:46,080 --> 00:54:49,400
Speaker 2: this show through this podcast and I've said, oh, we

1160
00:54:49,560 --> 00:54:53,399
Speaker 2: copied that storyline and fuller idea this whole time.

1161
00:54:53,840 --> 00:54:58,600
Speaker 3: Right, it's epic. Well, I think there's basically like seven

1162
00:54:59,400 --> 00:55:04,160
Speaker 3: sitcom set ups. Yeah, and you just go from there, Mom,

1163
00:55:04,400 --> 00:55:07,719
Speaker 3: you just keep repeating those same like seven situations in

1164
00:55:07,920 --> 00:55:11,279
Speaker 3: every show across the board with slight variations, and that's

1165
00:55:11,320 --> 00:55:12,440
Speaker 3: your sick on. There you go.

1166
00:55:12,760 --> 00:55:16,000
Speaker 2: It's formulaic, it's predictable. That's whatever happened in productability.

1167
00:55:16,080 --> 00:55:17,799
Speaker 3: This is what people like about it. Yep.

1168
00:55:19,000 --> 00:55:21,920
Speaker 1: So in the kitchen, Michelle has her eye on a

1169
00:55:22,000 --> 00:55:23,640
Speaker 1: sugary dessert has per.

1170
00:55:23,719 --> 00:55:26,440
Speaker 3: Usual right, She's like, I've been waiting.

1171
00:55:27,239 --> 00:55:29,920
Speaker 2: She reaches for the wedding cake, but DJ catches her

1172
00:55:29,960 --> 00:55:32,799
Speaker 2: in the act and scolds her. Michelle throws her hands

1173
00:55:32,880 --> 00:55:36,080
Speaker 2: up and says, oh just looking. DJ doesn't buy it,

1174
00:55:36,400 --> 00:55:38,800
Speaker 2: so she suggests that Michelle try some of the patae

1175
00:55:39,239 --> 00:55:42,680
Speaker 2: instead o toddler's favorite snack.

1176
00:55:43,280 --> 00:55:45,360
Speaker 3: Did they just have pete lighting around the house, you

1177
00:55:45,400 --> 00:55:45,759
Speaker 3: know what I mean?

1178
00:55:45,840 --> 00:55:49,040
Speaker 1: Like who it's yeah, that was like, where's that Pete?

1179
00:55:49,760 --> 00:55:53,160
Speaker 3: But it don't feel I mean, I don't know, it's

1180
00:55:53,200 --> 00:55:56,080
Speaker 3: not something that you really like. You're like, hey, let's

1181
00:55:56,120 --> 00:55:57,320
Speaker 3: serve that as an appetite.

1182
00:55:57,360 --> 00:55:59,240
Speaker 2: Well, and anything would have been better for a toddler

1183
00:55:59,280 --> 00:56:03,160
Speaker 2: than pete, like vegetable crud, de te, some fruit, some

1184
00:56:03,800 --> 00:56:07,960
Speaker 2: like anything, a cracker, but no, she gets pete. H

1185
00:56:08,080 --> 00:56:10,239
Speaker 2: DJ scoops some pete onto a cracker and hands it

1186
00:56:10,280 --> 00:56:13,360
Speaker 2: to Michelle. Michelle takes one bite and her face goes frozen.

1187
00:56:14,320 --> 00:56:17,600
Speaker 2: Dj says how is it, and Michelle responds, excuse me,

1188
00:56:17,880 --> 00:56:18,759
Speaker 2: I have to go spit.

1189
00:56:20,360 --> 00:56:21,759
Speaker 1: I relate, Yeah, I relate to this.

1190
00:56:22,920 --> 00:56:25,240
Speaker 2: Back in the living room, Danny and Joey are standing

1191
00:56:25,320 --> 00:56:28,399
Speaker 2: on the banister to give their speeches as the best men.

1192
00:56:29,160 --> 00:56:32,160
Speaker 2: Joey starts it off talking about how happy Becky and

1193
00:56:32,320 --> 00:56:34,640
Speaker 2: Jesse are, and then he starts to tear up.

1194
00:56:35,239 --> 00:56:38,160
Speaker 3: Well. He says, in a shaky voice, Danny, take it,

1195
00:56:38,360 --> 00:56:39,040
Speaker 3: I'm too happy.

1196
00:56:39,719 --> 00:56:42,720
Speaker 2: Danny gladly takes over and begins to divert the conversation

1197
00:56:42,880 --> 00:56:45,120
Speaker 2: towards the importance of coasters.

1198
00:56:46,480 --> 00:56:48,600
Speaker 3: Never changed, Danny never changed, right.

1199
00:56:49,880 --> 00:56:53,480
Speaker 2: Jesse cuts him off, shouting, hey, while we're young, and

1200
00:56:53,600 --> 00:56:56,200
Speaker 2: the crowd resoundingly agrees. Yeah.

1201
00:56:56,320 --> 00:56:58,640
Speaker 3: They've already been waiting in the church for four hour hours.

1202
00:56:59,480 --> 00:57:02,200
Speaker 3: Can't wait for Danny to make a speech, right, these

1203
00:57:02,280 --> 00:57:05,319
Speaker 3: people speeches are going to take longer than the actual wedding.

1204
00:57:06,960 --> 00:57:09,719
Speaker 1: Like, give these you know who these pete are, these guests,

1205
00:57:09,800 --> 00:57:10,920
Speaker 1: they're blood sugar is low.

1206
00:57:11,040 --> 00:57:13,480
Speaker 3: They have a name all day like they are hungry.

1207
00:57:15,280 --> 00:57:17,400
Speaker 2: Danny says, there's a lot of love in this room,

1208
00:57:17,680 --> 00:57:19,880
Speaker 2: and then he raises his glass to Jesse and Rebecca,

1209
00:57:20,080 --> 00:57:23,000
Speaker 2: and the rest of the guests follow suit. After the

1210
00:57:23,080 --> 00:57:27,520
Speaker 2: toast is done, dj yells from her place on the stairs, Attention, everyone, attention.

1211
00:57:28,320 --> 00:57:30,480
Speaker 2: She announces that it's time for the bride and grooms

1212
00:57:30,520 --> 00:57:34,600
Speaker 2: first dance and calls them her uncle Jesse and new

1213
00:57:34,880 --> 00:57:35,600
Speaker 2: Aunt Becky.

1214
00:57:36,920 --> 00:57:38,720
Speaker 3: The name has finally around the name.

1215
00:57:39,920 --> 00:57:44,160
Speaker 2: She is now Aunt Becky from hereforth. Then Steph jumps

1216
00:57:44,200 --> 00:57:46,480
Speaker 2: in to separate the crowd so Becky and Jesse have

1217
00:57:46,640 --> 00:57:49,600
Speaker 2: enough room to dance. She holds back the nearest crowd

1218
00:57:49,680 --> 00:57:52,080
Speaker 2: with her arms and tells her aunt and uncle, hurry up.

1219
00:57:52,240 --> 00:57:53,920
Speaker 2: I don't know how long I can hold these people.

1220
00:57:54,840 --> 00:57:55,640
Speaker 2: Jesse is hold enough.

1221
00:57:55,680 --> 00:57:58,560
Speaker 1: True, very true. You were putting some muscle into that.

1222
00:57:59,160 --> 00:58:02,439
Speaker 3: Yeah. They were angry, they were angry. We were ready. Yeah.

1223
00:58:03,360 --> 00:58:05,520
Speaker 2: Jesse is holding a microphone and begins to tell the

1224
00:58:05,600 --> 00:58:09,800
Speaker 2: crowd for our wedding song, Naturally, I wanted my favorite song,

1225
00:58:10,120 --> 00:58:15,440
Speaker 2: jailhouse Rock. Becky takes the mic and explains, but I

1226
00:58:15,640 --> 00:58:17,400
Speaker 2: wanted a romantic ballad.

1227
00:58:18,200 --> 00:58:19,480
Speaker 1: Jesse continues, so.

1228
00:58:19,640 --> 00:58:22,560
Speaker 2: As the first of many, many, many, many many compromises.

1229
00:58:22,720 --> 00:58:25,400
Speaker 2: As husband and wife, we came up with a little thing.

1230
00:58:25,680 --> 00:58:28,720
Speaker 2: It goes something like this, We hope you all enjoy it.

1231
00:58:29,960 --> 00:58:32,360
Speaker 2: A soft medley begins to play and Jesse sings the

1232
00:58:32,440 --> 00:58:35,400
Speaker 2: words to Jailhouse Rock along to it.

1233
00:58:36,880 --> 00:58:37,880
Speaker 3: This is the compromise.

1234
00:58:38,320 --> 00:58:40,480
Speaker 2: She doesn't want jailah House Rock, so he just sings

1235
00:58:40,560 --> 00:58:42,960
Speaker 2: Jailhouse Rocks like softly slower.

1236
00:58:44,120 --> 00:58:47,280
Speaker 1: This isn't a compromise. It's a compromise with Jesse.

1237
00:58:47,640 --> 00:58:52,000
Speaker 3: Okay, it's a Jesse compromise, which means he kind of

1238
00:58:52,280 --> 00:58:54,760
Speaker 3: just gets what he wants and like, and Becky just

1239
00:58:54,800 --> 00:58:55,080
Speaker 3: goes home.

1240
00:58:55,200 --> 00:58:57,360
Speaker 1: Becky, she can't fight it anymore.

1241
00:58:57,440 --> 00:58:59,480
Speaker 3: She's just like she's just going to like, at least

1242
00:58:59,520 --> 00:59:01,720
Speaker 3: we don't have not forever again, you know.

1243
00:59:02,360 --> 00:59:04,400
Speaker 2: So she's just glad they're not in Graceland, you know,

1244
00:59:04,720 --> 00:59:07,200
Speaker 2: like you just never know what you're gonna get with Jesse.

1245
00:59:07,960 --> 00:59:08,400
Speaker 1: It's true.

1246
00:59:08,840 --> 00:59:11,720
Speaker 2: So he's singing the mic, he's dancing with Becky, and

1247
00:59:11,800 --> 00:59:14,600
Speaker 2: then she shouts into the mic that's sweet, but.

1248
00:59:14,840 --> 00:59:17,200
Speaker 3: Let's rock and then the real melody.

1249
00:59:17,280 --> 00:59:17,760
Speaker 1: She was into it.

1250
00:59:18,080 --> 00:59:21,439
Speaker 2: She was just she was riding the high, her bridal high.

1251
00:59:21,680 --> 00:59:25,280
Speaker 2: You know. She happy that they finally did it. They

1252
00:59:25,360 --> 00:59:26,000
Speaker 2: finally got.

1253
00:59:25,960 --> 00:59:29,040
Speaker 3: Right, not thinking at all about Dad's car that's in

1254
00:59:29,120 --> 00:59:32,800
Speaker 3: the pound, not worried in the least about day to day.

1255
00:59:33,000 --> 00:59:36,280
Speaker 3: You know how much fees it's racking up. Nothing, that's

1256
00:59:36,280 --> 00:59:37,160
Speaker 3: tomorrow's problem.

1257
00:59:37,200 --> 00:59:38,560
Speaker 1: You know, she's not gonna worry about that.

1258
00:59:38,760 --> 00:59:42,840
Speaker 2: She's in her wedded bliss. Yes, so they danced to

1259
00:59:42,920 --> 00:59:46,919
Speaker 2: the real medley of jailhouse Rock. Jesse sings the rest

1260
00:59:46,960 --> 00:59:49,920
Speaker 2: of the party dances. Michelle and Howie are dancing with

1261
00:59:50,040 --> 00:59:52,720
Speaker 2: each other. Joey and Danny are shaking their butts to

1262
00:59:52,800 --> 00:59:53,560
Speaker 2: the music.

1263
00:59:53,640 --> 00:59:56,400
Speaker 1: Which Bob and Dave used to do that all the time.

1264
00:59:57,720 --> 00:59:59,320
Speaker 2: I know that there is a star like they would

1265
00:59:59,400 --> 01:00:01,760
Speaker 2: just do that, Like Michelle, it was when from Mo

1266
01:00:01,960 --> 01:00:05,720
Speaker 2: when and then they just adopted it as their own

1267
01:00:05,960 --> 01:00:09,880
Speaker 2: little funky butt dance and yes, it's just yeah, and

1268
01:00:10,000 --> 01:00:11,960
Speaker 2: then it was there and now it's a core memory

1269
01:00:12,040 --> 01:00:15,960
Speaker 2: for us shaking their boot their booties. Uh. The song

1270
01:00:16,040 --> 01:00:18,400
Speaker 2: continues to play. We see other moments from the night

1271
01:00:18,520 --> 01:00:21,000
Speaker 2: play out. Jesse and Becky take a bite of their

1272
01:00:21,040 --> 01:00:24,720
Speaker 2: wedding cake and rub frosting on each other's faces. Michelle

1273
01:00:24,760 --> 01:00:27,640
Speaker 2: and Howie feed wedding cake to each other too. That is,

1274
01:00:27,680 --> 01:00:33,440
Speaker 2: Michelle's us gave up any of her cake, right mine mine.

1275
01:00:33,880 --> 01:00:36,840
Speaker 2: Becky does her bouquet toss and DJ catches it. She

1276
01:00:36,920 --> 01:00:39,600
Speaker 2: and Kimmy are super excited about this, but Danny almost

1277
01:00:39,680 --> 01:00:40,520
Speaker 2: faints at the sight.

1278
01:00:41,400 --> 01:00:42,440
Speaker 3: Here comes the paper boys.

1279
01:00:43,880 --> 01:00:48,160
Speaker 2: Regular paper boy Jesse does the garter toss and Joey

1280
01:00:48,200 --> 01:00:51,000
Speaker 2: lifts Michelle into the air to catch it. She waves

1281
01:00:51,040 --> 01:00:53,640
Speaker 2: it around proudly before giving Joey a little high five.

1282
01:00:55,200 --> 01:00:57,440
Speaker 1: Why did she have to catch?

1283
01:00:57,520 --> 01:00:58,800
Speaker 3: You know what I mean? I don't know, I don't know.

1284
01:00:58,800 --> 01:01:00,960
Speaker 3: I guess, Well, because I guess. If I guess, it

1285
01:01:01,040 --> 01:01:02,280
Speaker 3: makes it a little more innocent.

1286
01:01:02,920 --> 01:01:04,200
Speaker 1: Yeah, let's go with that.

1287
01:01:04,400 --> 01:01:05,080
Speaker 3: Let's just go with that.

1288
01:01:05,280 --> 01:01:05,440
Speaker 1: Yeah.

1289
01:01:06,120 --> 01:01:08,840
Speaker 3: Well, also, if Michelle didn't catch something, she had to

1290
01:01:08,880 --> 01:01:10,880
Speaker 3: catch it was either the bouquet or the garter. You know,

1291
01:01:11,120 --> 01:01:14,240
Speaker 3: she's got to catch something because if she doesn't, watch out,

1292
01:01:14,560 --> 01:01:16,280
Speaker 3: watch out, everyone's gonna pay. Yes.

1293
01:01:16,400 --> 01:01:20,040
Speaker 2: Yeah, so then the bride and groom have their send

1294
01:01:20,120 --> 01:01:25,240
Speaker 2: off on Jesse's decked out motorcycle. You guys are somewhere

1295
01:01:25,320 --> 01:01:28,320
Speaker 2: outside in a neighborhood that does not look like San Francisco.

1296
01:01:28,880 --> 01:01:32,960
Speaker 3: No God, no, no city, somewhere random, No, you know

1297
01:01:33,040 --> 01:01:34,200
Speaker 3: what we were on the back lot?

1298
01:01:34,360 --> 01:01:36,680
Speaker 1: Was this warner to the warner by this point, I

1299
01:01:36,760 --> 01:01:39,080
Speaker 1: think so, No, we were on Sony backlot. We were

1300
01:01:39,120 --> 01:01:42,160
Speaker 1: on Sony backlot. Okay, I was gonna say, this doesn't look.

1301
01:01:43,880 --> 01:01:44,760
Speaker 3: It just yeah.

1302
01:01:44,800 --> 01:01:47,280
Speaker 1: They were like, well, whatever, it's houses, it's night time,

1303
01:01:47,720 --> 01:01:48,480
Speaker 1: it'll pay time.

1304
01:01:48,760 --> 01:01:49,680
Speaker 3: It doesn't matter yet.

1305
01:01:52,400 --> 01:01:55,000
Speaker 1: Becky is wearing her Hillary Clinton white pants suit. The

1306
01:01:55,080 --> 01:01:56,920
Speaker 1: back of the motorcycle has a sign.

1307
01:01:56,800 --> 01:01:59,440
Speaker 3: That all I could think about was the grease stains,

1308
01:01:59,720 --> 01:02:02,920
Speaker 3: and I was like, oh, girl, the white suit on

1309
01:02:03,040 --> 01:02:03,919
Speaker 3: a motorcycle.

1310
01:02:04,480 --> 01:02:06,560
Speaker 1: I know it had to be a motorcycle.

1311
01:02:06,800 --> 01:02:09,479
Speaker 3: You know, it's I kind to be a motorcycle less.

1312
01:02:09,600 --> 01:02:12,760
Speaker 1: And it's also apparently in the days before helmet loss.

1313
01:02:12,680 --> 01:02:14,640
Speaker 2: Oh, they weren't wearing helmets. Well you don't, you know,

1314
01:02:14,840 --> 01:02:16,360
Speaker 2: Becky with the good hair, Jesse.

1315
01:02:16,360 --> 01:02:19,000
Speaker 3: With his Well no, I think usually they'll make they

1316
01:02:19,080 --> 01:02:21,840
Speaker 3: make you, like if it's if there's a law that

1317
01:02:21,920 --> 01:02:24,320
Speaker 3: you have to follow specifically, then like seat belt laws

1318
01:02:24,320 --> 01:02:25,520
Speaker 3: and stuff like that, like they'll make.

1319
01:02:25,400 --> 01:02:26,880
Speaker 1: You TV has to follow sometimes.

1320
01:02:26,920 --> 01:02:30,480
Speaker 3: Yeah, yeah, but I think I think, well some shows anyway,

1321
01:02:30,680 --> 01:02:33,919
Speaker 3: but yeah, I think this was a pre helmet helmet.

1322
01:02:34,160 --> 01:02:37,080
Speaker 3: It must be see and Becky out just living on

1323
01:02:37,160 --> 01:02:39,000
Speaker 3: the edge, you know, living on the edge in a

1324
01:02:39,080 --> 01:02:42,600
Speaker 3: white suit on a motorcycle, no helmets. It's doctor Dah

1325
01:02:42,640 --> 01:02:44,880
Speaker 3: heading off to Tomato Country for a honeymoon.

1326
01:02:44,960 --> 01:02:48,080
Speaker 2: Oh man, Yeah, doctor Dare and missus Dare, they are

1327
01:02:48,200 --> 01:02:52,360
Speaker 2: both just living on the edge. So the back of

1328
01:02:52,400 --> 01:02:56,000
Speaker 2: the motorcycle has a sign that says finally married, and

1329
01:02:56,120 --> 01:02:56,920
Speaker 2: there's decorations.

1330
01:02:57,000 --> 01:02:59,600
Speaker 1: Finally they got they've gotten married so quickly.

1331
01:03:01,840 --> 01:03:03,920
Speaker 2: Well, if you think about it, they like they almost

1332
01:03:04,000 --> 01:03:07,200
Speaker 2: got married in Tahoe in season two. There have been

1333
01:03:07,240 --> 01:03:10,760
Speaker 2: a few misdirects and then this this lengthy, that's true,

1334
01:03:11,160 --> 01:03:14,680
Speaker 2: forty four minute extravaganza in Tomato Country.

1335
01:03:14,840 --> 01:03:16,840
Speaker 3: They took a lot to get to this point.

1336
01:03:17,400 --> 01:03:20,280
Speaker 1: You know what, you're right, you're right. The newly weds

1337
01:03:20,360 --> 01:03:22,600
Speaker 1: right off into the night while the family waves goodbye,

1338
01:03:23,040 --> 01:03:25,840
Speaker 1: and that's our wedding everybody.

1339
01:03:27,280 --> 01:03:32,800
Speaker 3: Forever. Oh my god. Oh they packed a lot into

1340
01:03:32,840 --> 01:03:38,640
Speaker 3: these twenty two minutes. How so much into these two episodes.

1341
01:03:40,160 --> 01:03:43,480
Speaker 3: It's yeah, yeah, Larry, like I said, insane, I was,

1342
01:03:43,880 --> 01:03:46,200
Speaker 3: this is it's peak full house though, it really is.

1343
01:03:46,720 --> 01:03:49,400
Speaker 1: It has everything you wanted and everything you didn't want.

1344
01:03:49,520 --> 01:03:53,240
Speaker 1: It is everything you wanted everything you didn't know you wanted. Yeah,

1345
01:03:54,040 --> 01:03:55,000
Speaker 1: it's so packed.

1346
01:03:55,360 --> 01:03:57,400
Speaker 3: Compared to the last episode where I said, oh, this

1347
01:03:57,560 --> 01:03:59,440
Speaker 3: is normal. You know the groom has a.

1348
01:03:59,520 --> 01:04:03,160
Speaker 1: Jitter, you're just saying wait, I was like, I've watched

1349
01:04:03,240 --> 01:04:08,240
Speaker 1: both of them. Old that fought you're gonna because we

1350
01:04:08,320 --> 01:04:10,880
Speaker 1: were stuck into in the wedding, the wedding, the wedding

1351
01:04:10,960 --> 01:04:13,080
Speaker 1: set the whole time. We weren't part of all these

1352
01:04:13,160 --> 01:04:14,960
Speaker 1: tomato location shoots.

1353
01:04:15,800 --> 01:04:16,040
Speaker 3: Yeah.

1354
01:04:16,120 --> 01:04:20,040
Speaker 2: So I didn't realize it was quite this supersized because

1355
01:04:20,120 --> 01:04:21,919
Speaker 2: I was bored with the guests all the other.

1356
01:04:21,840 --> 01:04:25,600
Speaker 1: Weddings, right, this is now, this was this was a

1357
01:04:25,680 --> 01:04:29,080
Speaker 1: big full house moment. Oh, it was huge. It was huge.

1358
01:04:30,800 --> 01:04:30,960
Speaker 3: Yeah.

1359
01:04:31,160 --> 01:04:32,000
Speaker 1: See Becky's wedding.

1360
01:04:32,080 --> 01:04:34,680
Speaker 2: Yeah, I finally did it. They tied the knot. I'm

1361
01:04:34,720 --> 01:04:36,680
Speaker 2: glad they waited two seasons. I'm glad they didn't get

1362
01:04:36,680 --> 01:04:37,640
Speaker 2: married in season two.

1363
01:04:38,400 --> 01:04:40,160
Speaker 3: Oh yeah, it was that would have it would have

1364
01:04:40,200 --> 01:04:42,440
Speaker 3: fallen apart, would have fallen apart, it would It was

1365
01:04:42,480 --> 01:04:44,080
Speaker 3: too fast. It was too fast. They needed to wait

1366
01:04:44,120 --> 01:04:44,680
Speaker 3: two seasons.

1367
01:04:45,200 --> 01:04:48,800
Speaker 1: Yes, and they finally did it. Amazing. I love it well.

1368
01:04:48,920 --> 01:04:53,040
Speaker 3: I thoroughly enjoyed the ridiculousness of these two episodes. It

1369
01:04:53,080 --> 01:04:55,400
Speaker 3: was very fun. It was fun to walk back to

1370
01:04:55,480 --> 01:04:59,080
Speaker 3: the early nineties wedding uh era.

1371
01:04:59,240 --> 01:05:04,600
Speaker 1: Oh yes, you and your tissue box cover right, dooily dress.

1372
01:05:05,400 --> 01:05:07,280
Speaker 1: We have to talk about everywhere he looks before we.

1373
01:05:07,600 --> 01:05:09,800
Speaker 3: I was gonna say that everywhere he looks talking about

1374
01:05:09,880 --> 01:05:10,600
Speaker 3: packed rooms.

1375
01:05:11,800 --> 01:05:15,880
Speaker 1: They were packed with everyone, really yes.

1376
01:05:17,320 --> 01:05:21,280
Speaker 3: And also I randomly I paused the show when I

1377
01:05:21,400 --> 01:05:23,920
Speaker 3: was watching it, and it was they It was stopped

1378
01:05:24,040 --> 01:05:27,600
Speaker 3: on a frame of you in the front row with

1379
01:05:27,680 --> 01:05:33,000
Speaker 3: your mom, and you're both making the exact same face.

1380
01:05:34,880 --> 01:05:37,560
Speaker 3: You're both are like looking and the tilt of your

1381
01:05:37,640 --> 01:05:40,360
Speaker 3: head is the same, and like your mouth everything like

1382
01:05:40,520 --> 01:05:42,200
Speaker 3: and you're not even sitting next to each other.

1383
01:05:42,200 --> 01:05:43,840
Speaker 1: You're like three people away, but like.

1384
01:05:44,000 --> 01:05:47,600
Speaker 3: Book ended, and it just is the same exact facial expression.

1385
01:05:47,640 --> 01:05:49,040
Speaker 1: Hysterical. That's so great.

1386
01:05:49,560 --> 01:05:49,840
Speaker 3: I did.

1387
01:05:50,040 --> 01:05:52,240
Speaker 2: I freeze framed it and I took a screenshot and

1388
01:05:52,320 --> 01:05:55,480
Speaker 2: sent it to my brothers. Yeah, but I didn't, I

1389
01:05:55,520 --> 01:05:56,840
Speaker 2: didn't notice the expression.

1390
01:05:57,080 --> 01:05:58,040
Speaker 1: That's hysterical.

1391
01:05:58,680 --> 01:06:00,960
Speaker 2: Yeah, because your brother was in its, right, not Darren,

1392
01:06:00,960 --> 01:06:02,919
Speaker 2: who we interviewed, but my other brother justin.

1393
01:06:03,200 --> 01:06:05,400
Speaker 1: He was in it with whatever his girlfriend of the

1394
01:06:05,440 --> 01:06:08,120
Speaker 1: week she was. She was there right, next to him.

1395
01:06:08,680 --> 01:06:09,320
Speaker 3: My mom was there.

1396
01:06:09,360 --> 01:06:11,440
Speaker 2: I don't know why by Deep why Deep barbes my

1397
01:06:11,520 --> 01:06:12,800
Speaker 2: dad don't know why he wasn't there.

1398
01:06:13,160 --> 01:06:16,040
Speaker 1: But that's what Deeps usually like to, uh be in.

1399
01:06:16,200 --> 01:06:17,680
Speaker 3: He loves to he loves.

1400
01:06:17,520 --> 01:06:19,760
Speaker 2: These types of opportunities. I don't know when he missed

1401
01:06:19,800 --> 01:06:20,080
Speaker 2: this one.

1402
01:06:21,360 --> 01:06:22,960
Speaker 1: Who else? Who else? Do you see?

1403
01:06:23,720 --> 01:06:24,520
Speaker 3: Bridget Cameron?

1404
01:06:25,160 --> 01:06:29,520
Speaker 1: Yeah, Bridget Ryan? And uh was it Desiree?

1405
01:06:29,640 --> 01:06:32,160
Speaker 2: Yes, Desiree to Gregory one of our She was like

1406
01:06:32,200 --> 01:06:33,360
Speaker 2: a production person.

1407
01:06:33,920 --> 01:06:38,000
Speaker 1: She was she was, didn't she? She was our phone

1408
01:06:38,040 --> 01:06:40,280
Speaker 1: page on set, wasn't she for a while? That's right,

1409
01:06:40,560 --> 01:06:40,920
Speaker 1: that's right.

1410
01:06:41,040 --> 01:06:43,960
Speaker 3: The phone page is back in the day when not

1411
01:06:44,120 --> 01:06:45,640
Speaker 3: like a page in a book, but like a page

1412
01:06:45,840 --> 01:06:49,520
Speaker 3: like a person. You had a set lines and someone

1413
01:06:49,640 --> 01:06:51,520
Speaker 3: had to answer it. So and it was, you know,

1414
01:06:52,080 --> 01:06:55,080
Speaker 3: the days before cells and cordless phones. So there was

1415
01:06:55,120 --> 01:06:57,880
Speaker 3: a little phone stand on the set and the call

1416
01:06:57,920 --> 01:06:59,640
Speaker 3: would come through and somebody would have to answer it,

1417
01:06:59,720 --> 01:07:01,600
Speaker 3: and then usually be her, And then you know, they'd

1418
01:07:01,680 --> 01:07:03,240
Speaker 3: go find whoever they needed to talk.

1419
01:07:03,120 --> 01:07:05,880
Speaker 1: To, and yeah, yeah, she'd connect you to a dressing

1420
01:07:05,920 --> 01:07:09,320
Speaker 1: room or whatever. It was an important position. Yes, it

1421
01:07:09,520 --> 01:07:12,080
Speaker 1: was very pissant. Nobody had phones of their own. Yeah.

1422
01:07:12,480 --> 01:07:14,640
Speaker 3: And Desiree was a big Disney fan too, so I

1423
01:07:14,720 --> 01:07:14,960
Speaker 3: know that.

1424
01:07:16,560 --> 01:07:20,280
Speaker 2: Disneyland with her all the time, big big Disney file,

1425
01:07:20,720 --> 01:07:21,520
Speaker 2: that's what you call them.

1426
01:07:22,720 --> 01:07:26,120
Speaker 3: Laurie's mom was right there, Yes, Laura Lee was there.

1427
01:07:26,280 --> 01:07:30,280
Speaker 1: She's she was theresion on her face the best.

1428
01:07:30,880 --> 01:07:34,000
Speaker 3: She'd spiked the camera like three times, like she's standing

1429
01:07:34,280 --> 01:07:36,600
Speaker 3: behind Laurie when they're doing I don't know what they

1430
01:07:36,640 --> 01:07:38,720
Speaker 3: were doing out something out in the backyard, the cake

1431
01:07:38,800 --> 01:07:41,600
Speaker 3: maybe or whatever, and you just Laurie's mom was with

1432
01:07:41,680 --> 01:07:44,200
Speaker 3: the short blonde hair and whatever, right behind Laurie and

1433
01:07:44,280 --> 01:07:46,360
Speaker 3: she's just like looks at the camera and then like

1434
01:07:46,400 --> 01:07:47,120
Speaker 3: looks away and then.

1435
01:07:47,000 --> 01:07:50,440
Speaker 1: It's like looking at the camera. I guess it was cute.

1436
01:07:50,520 --> 01:07:52,720
Speaker 2: It was calm expression as all of us like at

1437
01:07:52,760 --> 01:07:55,080
Speaker 2: the reception, She's just like, what is happening?

1438
01:07:55,960 --> 01:07:57,800
Speaker 3: So my daughter does for a living? Right?

1439
01:07:57,920 --> 01:07:58,120
Speaker 2: Yeah?

1440
01:07:58,120 --> 01:07:58,480
Speaker 1: Exactly?

1441
01:07:58,600 --> 01:08:02,520
Speaker 3: This is so? This is it. She didn't have that

1442
01:08:02,680 --> 01:08:08,960
Speaker 3: look of like is this what you do? It was amazing.

1443
01:08:09,760 --> 01:08:13,320
Speaker 3: You saw John's mom in one of the front Loretta

1444
01:08:13,440 --> 01:08:16,679
Speaker 3: was right there in the front, Loretta with the red hair. Yeah.

1445
01:08:16,840 --> 01:08:19,639
Speaker 1: Who else we said, Bridget Cameron? Did we say her already? Bridget.

1446
01:08:20,240 --> 01:08:22,599
Speaker 1: There was Melissa in there. I didn't see Melissa in there.

1447
01:08:22,640 --> 01:08:25,000
Speaker 1: Do see Melissa. I saw Desiree, saw Bridges.

1448
01:08:24,720 --> 01:08:27,040
Speaker 2: Saw our family friend Mike west Moreland was in there,

1449
01:08:27,200 --> 01:08:29,840
Speaker 2: just like random people from the barber life.

1450
01:08:29,960 --> 01:08:30,920
Speaker 3: It was so funny.

1451
01:08:31,439 --> 01:08:33,880
Speaker 2: There was a redheaded woman with long, curly hair. I

1452
01:08:33,920 --> 01:08:37,120
Speaker 2: don't know if she's the name Mary married that was Mary?

1453
01:08:37,360 --> 01:08:40,200
Speaker 3: Was Mary's role something with the kids? Was she she

1454
01:08:40,320 --> 01:08:43,320
Speaker 3: did something with the standing? Was it Nan? She think

1455
01:08:43,400 --> 01:08:46,000
Speaker 3: she was my stand in? She was your stand in? Okay, yeah,

1456
01:08:46,040 --> 01:08:48,160
Speaker 3: I was like she's yeah, like long kind of curly hair,

1457
01:08:48,240 --> 01:08:51,480
Speaker 3: but she was like her hair, Desiree Bridget.

1458
01:08:51,200 --> 01:08:53,679
Speaker 1: Like the Cameron's us, like we would go to Disneyland together.

1459
01:08:53,760 --> 01:08:57,240
Speaker 1: And yeah she was the kids. Ye Mary Raker, Oh

1460
01:08:57,680 --> 01:09:02,280
Speaker 1: look at you with the name recall. Yeah that's again.

1461
01:09:03,400 --> 01:09:07,320
Speaker 3: Why in the randomness of that, I can remember that,

1462
01:09:07,560 --> 01:09:09,000
Speaker 3: but not a regular word.

1463
01:09:09,400 --> 01:09:12,760
Speaker 1: Yeah, Mary Raker, Oh yeah, no I remember her.

1464
01:09:13,000 --> 01:09:16,840
Speaker 2: She was there in the pews. Yeah, well I think

1465
01:09:16,920 --> 01:09:19,200
Speaker 2: that's all I wrote down. Yeah, that's all it was

1466
01:09:19,280 --> 01:09:22,000
Speaker 2: all I saw. That's all that's all I saw too. Yeah.

1467
01:09:22,040 --> 01:09:24,840
Speaker 3: I didn't see a I didn't see a sweeten in there.

1468
01:09:24,920 --> 01:09:26,240
Speaker 3: Where was Janice this week.

1469
01:09:26,360 --> 01:09:30,479
Speaker 2: Jane, She's like, I'm on stood here every day. I

1470
01:09:30,760 --> 01:09:33,800
Speaker 2: know how miserpolt's going to be. Yeah, Jana, how long

1471
01:09:33,840 --> 01:09:34,559
Speaker 2: this is going to take?

1472
01:09:34,720 --> 01:09:35,280
Speaker 1: I'm fine.

1473
01:09:35,439 --> 01:09:37,680
Speaker 2: Well, I told you I sent that screenshot of us

1474
01:09:37,760 --> 01:09:40,599
Speaker 2: looking bored in the pews. I sent that to my brothers,

1475
01:09:40,640 --> 01:09:42,439
Speaker 2: and my brother Justin replied and he's like, oh, there

1476
01:09:42,520 --> 01:09:43,240
Speaker 2: was no acting there.

1477
01:09:43,600 --> 01:09:44,679
Speaker 1: I was really that bored.

1478
01:09:45,120 --> 01:09:47,280
Speaker 3: I was. Yeah, it was just they were like, yeah,

1479
01:09:47,280 --> 01:09:49,600
Speaker 3: you're there for like ten hours, just like it was

1480
01:09:49,720 --> 01:09:51,400
Speaker 3: like when our kids did extra work and they were like,

1481
01:09:51,640 --> 01:09:52,760
Speaker 3: I am so bored.

1482
01:09:52,800 --> 01:09:55,439
Speaker 2: You're like, yeah, yeah, that's background where you have to

1483
01:09:55,560 --> 01:09:59,000
Speaker 2: have a lot of patients. Yeah, it's a thankless task

1484
01:09:59,200 --> 01:09:59,599
Speaker 2: for sure.

1485
01:09:59,800 --> 01:10:00,560
Speaker 1: But it did make it.

1486
01:10:00,720 --> 01:10:03,120
Speaker 3: It did make it more fun, even like the triple

1487
01:10:03,160 --> 01:10:05,800
Speaker 3: wedding for Fuller, but this two, it did make it

1488
01:10:05,920 --> 01:10:08,200
Speaker 3: more of like a wedding wedding almost because there was

1489
01:10:08,280 --> 01:10:10,360
Speaker 3: you know, it was all family, friends and people you knew,

1490
01:10:10,600 --> 01:10:11,439
Speaker 3: all people we knew.

1491
01:10:11,560 --> 01:10:13,840
Speaker 1: Yeah, it makes it more of a family affair.

1492
01:10:14,000 --> 01:10:14,360
Speaker 3: I love that.

1493
01:10:14,439 --> 01:10:15,840
Speaker 1: I love that we did that on Fuller too.

1494
01:10:16,760 --> 01:10:17,400
Speaker 3: Yeah, me too.

1495
01:10:17,840 --> 01:10:21,200
Speaker 1: Got to stop having weddings in the backyard receptions in

1496
01:10:21,240 --> 01:10:23,880
Speaker 1: the living they're going, so well, we should start running

1497
01:10:23,920 --> 01:10:25,600
Speaker 1: it out, you know.

1498
01:10:26,120 --> 01:10:30,320
Speaker 3: I mean we've got the space obviously, and and some

1499
01:10:30,520 --> 01:10:32,880
Speaker 3: sort of storage unit that they keep all this stuff

1500
01:10:32,920 --> 01:10:33,799
Speaker 3: in the store.

1501
01:10:34,120 --> 01:10:36,360
Speaker 1: They must have a secret storage compartment. I don't know.

1502
01:10:36,600 --> 01:10:38,720
Speaker 2: Yeah, you saw they just sold the house, right, they

1503
01:10:38,880 --> 01:10:42,439
Speaker 2: just sold the house again, Okay, for like six million

1504
01:10:42,520 --> 01:10:43,320
Speaker 2: or something crazy like that.

1505
01:10:43,400 --> 01:10:45,599
Speaker 1: I'm like, are these people that bought the house? Are

1506
01:10:45,640 --> 01:10:47,479
Speaker 1: they going to be receptive to the full house fans

1507
01:10:47,520 --> 01:10:48,080
Speaker 1: that drive by?

1508
01:10:48,600 --> 01:10:48,640
Speaker 3: No?

1509
01:10:48,920 --> 01:10:50,760
Speaker 1: No, I don't think anyone ever is. I don't think

1510
01:10:50,840 --> 01:10:51,640
Speaker 1: anyone ever is.

1511
01:10:51,960 --> 01:10:57,439
Speaker 3: And honestly, every time I've driven by it like and

1512
01:10:57,640 --> 01:10:59,920
Speaker 3: stopped for you know, a few seconds or whatever, like

1513
01:11:00,200 --> 01:11:01,320
Speaker 3: Brooke lives up there, he and.

1514
01:11:01,320 --> 01:11:02,920
Speaker 1: I'll stop and be like, oh, yeah, the house.

1515
01:11:03,320 --> 01:11:06,320
Speaker 3: They've repainted it, they've done everything. They quit like the

1516
01:11:06,600 --> 01:11:09,560
Speaker 3: the buses coming by. But still people know where the

1517
01:11:09,640 --> 01:11:12,760
Speaker 3: address is and they go. And every time I'm there,

1518
01:11:12,840 --> 01:11:15,479
Speaker 3: there's at least five or six people in the small

1519
01:11:15,520 --> 01:11:17,880
Speaker 3: amount of time, yeah, that come up to the house

1520
01:11:17,920 --> 01:11:18,479
Speaker 3: to take pictures.

1521
01:11:18,920 --> 01:11:22,880
Speaker 1: So I would imagine that would get pretty old. Yeah,

1522
01:11:22,920 --> 01:11:25,040
Speaker 1: I can imagine that. But when you buy a historical

1523
01:11:25,080 --> 01:11:25,439
Speaker 1: home like.

1524
01:11:25,479 --> 01:11:27,439
Speaker 3: That, you have to know the thing too. You're like,

1525
01:11:27,520 --> 01:11:29,439
Speaker 3: that's that's what comes along.

1526
01:11:29,920 --> 01:11:32,160
Speaker 1: But you know, I'm not saying they got a painting.

1527
01:11:32,840 --> 01:11:37,120
Speaker 3: Gave them a golden retriever with the purchase of the house. Yes,

1528
01:11:37,280 --> 01:11:38,639
Speaker 3: you know what I mean. It's like a little incentive,

1529
01:11:38,640 --> 01:11:39,240
Speaker 3: a little bonus.

1530
01:11:39,320 --> 01:11:41,160
Speaker 1: Yeah, like a little welcome home gift.

1531
01:11:41,439 --> 01:11:45,360
Speaker 3: Here's your golden retriever. Yeah, here's your golden retriever. Here's yeah,

1532
01:11:45,479 --> 01:11:48,160
Speaker 3: here's you know, your thing. We understand it's a lot,

1533
01:11:48,280 --> 01:11:50,080
Speaker 3: but hopefully the dog makes it better.

1534
01:11:50,240 --> 01:11:52,920
Speaker 2: Yes, I'm telling you, they could rent out that house

1535
01:11:52,960 --> 01:11:55,800
Speaker 2: as a wedding venue and people would have it.

1536
01:11:55,800 --> 01:11:57,880
Speaker 3: And you could have a seven people in there in

1537
01:11:57,960 --> 01:12:00,719
Speaker 3: the actual size of that house, because it's so tiny.

1538
01:12:00,840 --> 01:12:01,799
Speaker 3: It's so tiny.

1539
01:12:01,960 --> 01:12:04,120
Speaker 1: Yeah, I was shocked and we went through there when

1540
01:12:04,200 --> 01:12:04,760
Speaker 1: Jeff owned it.

1541
01:12:05,439 --> 01:12:07,040
Speaker 3: Yeah, it was tiny.

1542
01:12:07,240 --> 01:12:08,000
Speaker 1: It's very tiny.

1543
01:12:08,120 --> 01:12:10,600
Speaker 3: It's the size of a Victorian house, which would be

1544
01:12:10,760 --> 01:12:14,559
Speaker 3: not very large. Yes, no, no, the the Tanner House

1545
01:12:14,680 --> 01:12:17,400
Speaker 3: was not to scale for sure, but hey.

1546
01:12:18,160 --> 01:12:21,599
Speaker 1: Or physically possible. But that's okay. No, that's what makes

1547
01:12:21,640 --> 01:12:27,839
Speaker 1: full House special and magical. That and tomatoes. Yes, Yolo Yolo,

1548
01:12:28,240 --> 01:12:30,880
Speaker 1: Oh my god, we need Yolo merch with a big

1549
01:12:30,960 --> 01:12:36,240
Speaker 1: tomato on a shirt the tomato. Yes, yay, there we go.

1550
01:12:36,439 --> 01:12:38,519
Speaker 1: Yeah yeah, merch idea perfect merch alert.

1551
01:12:38,560 --> 01:12:40,560
Speaker 3: Although I think Yolo's a little played out, well not

1552
01:12:40,640 --> 01:12:43,400
Speaker 3: a little. It's very if it's tomatoes, but it has

1553
01:12:43,439 --> 01:12:44,680
Speaker 3: to do with the tomatoes.

1554
01:12:44,240 --> 01:12:46,200
Speaker 1: And that's the the oh's are the tomatoes?

1555
01:12:46,280 --> 01:12:50,200
Speaker 3: Yolo? But I like it anyways, Fan Buratos, Please let

1556
01:12:50,320 --> 01:12:53,479
Speaker 3: us know, Please let us Yeah, they're like, please tell

1557
01:12:53,520 --> 01:12:56,400
Speaker 3: us what you what?

1558
01:12:56,920 --> 01:12:59,040
Speaker 1: I believe we made it to the I can't believe

1559
01:12:59,080 --> 01:13:00,000
Speaker 1: we made it to the end of the wedding.

1560
01:13:00,120 --> 01:13:01,920
Speaker 2: I feel like this is a turning point, Like I

1561
01:13:02,000 --> 01:13:06,160
Speaker 2: feel like this is a significant marker in Full House lore.

1562
01:13:07,000 --> 01:13:09,160
Speaker 3: It is changes the trajectory of the show.

1563
01:13:09,439 --> 01:13:13,599
Speaker 1: We now have Becky as part of the family permanently. Yeah,

1564
01:13:13,680 --> 01:13:14,280
Speaker 1: so she's in it.

1565
01:13:15,200 --> 01:13:18,240
Speaker 3: And I think coming up now is going to be

1566
01:13:18,320 --> 01:13:22,080
Speaker 3: the moving out episodes. Oh yes, yes, where my pink

1567
01:13:22,120 --> 01:13:25,559
Speaker 3: Bunny is given away. Oh my bitter moment. It's okay, gosh,

1568
01:13:25,600 --> 01:13:28,000
Speaker 3: I can't wait for this. Yes, yeah, yeah, we're gonna

1569
01:13:28,000 --> 01:13:29,280
Speaker 3: we're gonna come to the pink bunny moment.

1570
01:13:30,000 --> 01:13:33,360
Speaker 1: Yes yeah, Well we've lived yours with the you know,

1571
01:13:33,520 --> 01:13:37,720
Speaker 1: the Mermaid, but Onesie, so now comes mine. Dang it.

1572
01:13:37,760 --> 01:13:39,960
Speaker 1: I wish I had one of our shirts, our property

1573
01:13:40,000 --> 01:13:42,160
Speaker 1: of Stephanie Tanner bunny shirts.

1574
01:13:42,960 --> 01:13:45,160
Speaker 3: I have to have one, Okay, Oh no, I don't

1575
01:13:45,200 --> 01:13:46,720
Speaker 3: have one of ours, but I do have one with

1576
01:13:46,760 --> 01:13:48,680
Speaker 3: a pink bunny on it, and I actually had out.

1577
01:13:49,200 --> 01:13:52,799
Speaker 3: I have a pink bunny that someone gave me nineties.

1578
01:13:53,200 --> 01:13:56,240
Speaker 3: Right there, You can't. I have a pink bunny that

1579
01:13:56,320 --> 01:13:58,479
Speaker 3: somebody framed and gave me at nineties. Con So I

1580
01:13:58,560 --> 01:13:59,599
Speaker 3: do have my own pink bunny.

1581
01:14:00,080 --> 01:14:03,760
Speaker 2: It is better justice for Stephanie Tanner exactly.

1582
01:14:04,920 --> 01:14:07,639
Speaker 3: Well, thank you guys so much for listening.

1583
01:14:08,040 --> 01:14:11,120
Speaker 1: Uh. I hope that we were as unhinged as this

1584
01:14:11,280 --> 01:14:15,360
Speaker 1: episode was. I think we were. It was so much

1585
01:14:15,400 --> 01:14:18,680
Speaker 1: fun tame compared to this episode. Man, I'm gonna go

1586
01:14:18,800 --> 01:14:21,040
Speaker 1: jump into a tomato truck after this? What is it

1587
01:14:21,160 --> 01:14:21,479
Speaker 1: the show?

1588
01:14:21,640 --> 01:14:21,920
Speaker 3: What is what?

1589
01:14:22,040 --> 01:14:23,000
Speaker 1: Jeff and his tomatoes?

1590
01:14:23,080 --> 01:14:25,639
Speaker 2: You were in a vat of tomatoes in Fuller House.

1591
01:14:26,160 --> 01:14:29,560
Speaker 2: Jesse falls into a tomato a bed of tomatoes, Like,

1592
01:14:29,680 --> 01:14:31,519
Speaker 2: what are a truck of the truck?

1593
01:14:32,520 --> 01:14:35,080
Speaker 3: It's only two incidents of tomatoes. They are a relatively

1594
01:14:35,160 --> 01:14:39,400
Speaker 3: popular fruit, I think, But the tomatoes, well one they

1595
01:14:39,439 --> 01:14:41,439
Speaker 3: were a tomato country I mean, you can't have them

1596
01:14:41,479 --> 01:14:43,080
Speaker 3: fallen anything else. The tomato.

1597
01:14:43,120 --> 01:14:45,200
Speaker 1: The other tomatoes was because we were in the Bata

1598
01:14:45,240 --> 01:14:46,040
Speaker 1: tomato juice.

1599
01:14:45,880 --> 01:14:48,280
Speaker 3: Because we got skunk the sum that's what it takes

1600
01:14:48,360 --> 01:14:49,360
Speaker 3: to remove.

1601
01:14:49,920 --> 01:14:52,479
Speaker 2: Yeah, okay, so it's not a tomato fetish that Jeff has.

1602
01:14:52,560 --> 01:14:56,120
Speaker 2: It's just it's just I don't know, but tomatoes.

1603
01:14:56,200 --> 01:14:58,920
Speaker 3: It's just too you know, just two mentions of tomatoes

1604
01:14:59,320 --> 01:15:01,479
Speaker 3: over the years, I think doesn't seem to be.

1605
01:15:01,560 --> 01:15:02,760
Speaker 1: It's not like the cold fried chicken.

1606
01:15:03,160 --> 01:15:05,760
Speaker 2: Yeah, you know, you make a good point. The cold

1607
01:15:05,800 --> 01:15:08,479
Speaker 2: fried chicken has way more cameos than the tomatoes.

1608
01:15:10,640 --> 01:15:13,519
Speaker 3: Well, thank you guys for listening. We love our fan ritos.

1609
01:15:13,600 --> 01:15:16,320
Speaker 3: This has been so much fun. And if you want

1610
01:15:16,320 --> 01:15:18,160
Speaker 3: to find us on Instagram, you can check us out

1611
01:15:18,240 --> 01:15:20,559
Speaker 3: at how Rude podcast, or you can send us an

1612
01:15:20,560 --> 01:15:24,200
Speaker 3: email about your yolo merch ideas. I don't know, whatever

1613
01:15:24,280 --> 01:15:27,200
Speaker 3: you guys want, just send us an email. You know,

1614
01:15:27,280 --> 01:15:29,880
Speaker 3: if you know where Tomato Country is, if you live

1615
01:15:29,920 --> 01:15:34,200
Speaker 3: in Tomato Country, let us know chime in. But yeah,

1616
01:15:34,240 --> 01:15:35,960
Speaker 3: you can find us on Instagram, you can find us.

1617
01:15:36,560 --> 01:15:39,000
Speaker 3: You can email us at how Rude Tanner Ritos at

1618
01:15:39,080 --> 01:15:43,320
Speaker 3: gmail dot com. Uh and UH what else am I forgetting? Like,

1619
01:15:43,400 --> 01:15:45,760
Speaker 3: subscribe to the podcast wherever you're listening to it. Check

1620
01:15:45,800 --> 01:15:47,800
Speaker 3: out our merch check out our merch store.

1621
01:15:47,960 --> 01:15:52,360
Speaker 1: It is how rudemerch dot com. Uh and I think

1622
01:15:52,400 --> 01:15:53,040
Speaker 1: that's it. That's it.

1623
01:15:53,360 --> 01:15:55,800
Speaker 2: Leave us a review, give us five stars. Please leave

1624
01:15:55,880 --> 01:15:56,400
Speaker 2: us a review.

1625
01:15:56,880 --> 01:16:00,760
Speaker 3: Yeah, review, like subscribe, you know, even if you don't

1626
01:16:00,840 --> 01:16:02,720
Speaker 3: like us, just like us. We're just like us on there.

1627
01:16:02,840 --> 01:16:06,400
Speaker 3: Just pretend it's just pretend to pretend it's just a

1628
01:16:06,439 --> 01:16:09,920
Speaker 3: little something. Yeah, but we'll see you next time, you guys.

1629
01:16:10,080 --> 01:16:14,200
Speaker 3: And remember the world is small, but the house is

1630
01:16:14,240 --> 01:16:21,800
Speaker 3: full of tomatoes, just tomatoes. Everywhere there was tomatoes, tomatoes, tomatoes, tomato.

1631
01:16:22,080 --> 01:16:23,719
Speaker 3: There's no other way to end this episode.

1632
01:16:25,280 --> 01:16:27,400
Speaker 1: Oh let's call this off. That's what I say. I'm

1633
01:16:27,479 --> 01:16:27,719
Speaker 1: done

1634
01:16:29,439 --> 01:16:29,919
Speaker 3: Forever.