WEBVTT - #520 - Pak Joko

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<v Speaker 1>Ganan.

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<v Speaker 2>Y'all's by Jogo. I'm out here on the Boulet keV Podcast.

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<v Speaker 1>Whatever is aace, great job zace, great job worse? Just

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<v Speaker 1>leave it, Just get to the interview. Get your interview. Hey,

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<v Speaker 1>before we start the episode, we're gonna remind everybody, man,

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<v Speaker 1>we got one of the biggest radio shows in the country,

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<v Speaker 1>syndicated in almost one hundred cities all over. Shout out

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<v Speaker 1>to iHeartRadio all right, some of the latest cities that

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<v Speaker 1>we've been able to add. Man, we want to give

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<v Speaker 1>a shout out to ninety three point nine to Beat

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<v Speaker 1>in Honolulu. That's right, Hawaii, We over there going crazy.

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<v Speaker 1>I also want to give a shout out Hot ninety

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<v Speaker 1>eight three and Tucson. Shout out to Tucson going crazy.

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<v Speaker 1>Also want to give a shout out to Wild ninety

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<v Speaker 1>four one in Tampa going crazy. We just got Richmond.

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<v Speaker 1>We also just got the good folks in Bakersfield at

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<v Speaker 1>Hot one O four to seven. So we're going crazy

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<v Speaker 1>on the radio with my partner James Andre Jefferson Junior

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<v Speaker 1>for the Bootleg keV Show. So make sure you tune

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<v Speaker 1>in and you can listen anywhere on that iHeart Radio app.

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<v Speaker 1>That's right, let's get it. Did the interview bootleg cap

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<v Speaker 1>podcast special guests in here. I've been listening to this

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<v Speaker 1>guy ship NonStop for like two weeks. Pat Joko, by Joco,

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<v Speaker 1>Pa Joko, Thank you, Nail, And then we got Jay's

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<v Speaker 1>here too, friend of the show, great producer. Yes, sir,

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<v Speaker 1>what up? keV Ozampic Kalid is here. Uh so listen

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<v Speaker 1>your fucking I love your style, bro, And this EU

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<v Speaker 1>record is so gas it's amazing. It's viral as fuck.

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<v Speaker 1>Uh where in the EU you're from? Hills right now?

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<v Speaker 1>Chino Hills, the Land of the Balls, Land of the Balls. Yep,

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<v Speaker 1>in more than one way, Yes, yeah, yep. Yeah. I

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<v Speaker 1>wonder if what they do with LeVar Ball's foot once

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<v Speaker 1>it gets cut off. Do they like probably buried it?

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<v Speaker 1>Do they bury it in Gino Hills or do they

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<v Speaker 1>like take it to a taxi derby spot and like

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<v Speaker 1>put it up in the high school. You know what

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<v Speaker 1>I'm saying. It's like a fucking like a moosehead. You

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<v Speaker 1>know it's crazy anyway, man, Yeah, welcome to the show man.

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<v Speaker 1>Thank you for having me. Yeah. So, for people who

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<v Speaker 1>don't know, you're going Viralin in Cali, right now. You

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<v Speaker 1>got this record, I E. I E as sick as fuck.

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<v Speaker 1>How long you've been making music.

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<v Speaker 2>I've been taking music seriously for since twenty twenty two. Okay,

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<v Speaker 2>but I've been making music since I was fifteen.

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<v Speaker 1>I'm twenty three now, so you've been kind of fucking

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<v Speaker 1>around with it, but it kind of started to take

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<v Speaker 1>off for you recently. Yes, exactly. What was the first song?

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<v Speaker 1>The first song I ever made? You're the one that made.

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<v Speaker 2>You take it serious? It was my first EP that

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<v Speaker 2>I dropped. It's still on my Spotify if you can

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<v Speaker 2>scroll down. It's called New Stories EP. And then that

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<v Speaker 2>was the EP that everybody fucked with. Yeah, and then

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<v Speaker 2>I just and then people started fucking me after that,

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<v Speaker 2>and then I just kept going for sure.

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<v Speaker 1>What would you say like? Because I feel like when

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<v Speaker 1>I hear you, I hear like I hear a lot

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<v Speaker 1>of Obviously there's a little Bay influence, some La influence.

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<v Speaker 1>What would you grow up listening to?

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<v Speaker 2>So actually it's not even what I grew up listening to?

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<v Speaker 1>Is the way.

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<v Speaker 2>When I first started taking rap seriously, I was roommates

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<v Speaker 2>with the dude from Oakland.

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<v Speaker 1>Oh yeah, so that's my homie shot hip Max.

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<v Speaker 2>But he was the one that because when I took

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<v Speaker 2>music seriously when I moved to college and then up

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<v Speaker 2>north in Money Money Bay. But originally I went to

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<v Speaker 2>school thinking I wasn't going to do music anymore.

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<v Speaker 1>I was just gonna go to school just get it. Yeah.

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<v Speaker 1>It's almost like when you go to school and you move,

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<v Speaker 1>it's like you're kind of just like putting it up

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<v Speaker 1>on the mantle and like, Okay, I gotta go get

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<v Speaker 1>serious about exactly.

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<v Speaker 2>But then my roommate had a mic and then he

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<v Speaker 2>was like, if you want to make music, just use

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<v Speaker 2>my mic. And then he was from Oakland, so he

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<v Speaker 2>showed me a lot of bay Arias ship and then

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<v Speaker 2>we were just making songs together for fun.

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<v Speaker 1>And then he was like the way he wrapped is

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<v Speaker 1>very like Barria.

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<v Speaker 2>So it influenced me to kind of match that energy

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<v Speaker 2>in that cadence and then I just stuck with it.

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<v Speaker 1>That's dope, man, Yeah yeah, And I was I was

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<v Speaker 1>going through your ship that you even got like something

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<v Speaker 1>like that bounce roll rock is like some old school

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<v Speaker 1>like some function. Yeah, you got like a different lot

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<v Speaker 1>of different bags you could get in. Yeah, for sure,

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<v Speaker 1>I think. So how did this record go viral. Initially

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<v Speaker 1>the I E record was it TikTok? It was yeah,

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<v Speaker 1>Instagram reels. So I posted it. I hit up the

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<v Speaker 1>homie that does videos. We make a little video for

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<v Speaker 1>it of me hanging out the window. I don't know

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<v Speaker 1>if you've seen that.

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<v Speaker 2>You've seen it, yes, yeah, just me hanging out the window.

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<v Speaker 2>And then I remember I was I was with the

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<v Speaker 2>homie and then my girl, and I was like, I

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<v Speaker 2>should just take my shirt off.

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<v Speaker 1>And then that's what I feel like made it go. Yeah,

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<v Speaker 1>I mean obviously hanging out the window with no shirt on. Yeah,

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<v Speaker 1>it's like the the you know, the cream on top

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<v Speaker 1>of the ca Yeah, exactly, So recipe for success. Yeah,

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<v Speaker 1>there you go.

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<v Speaker 2>And then because I already feel like the shot itself

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<v Speaker 2>was already very dynamic, and then just went crazy and

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<v Speaker 2>just to have no shirt on just made it crazier.

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<v Speaker 1>So it's crazy because it's like that There's been obviously

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<v Speaker 1>artists from the ie that have been like successful, but

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<v Speaker 1>like this has got to be the anthem forever. Now.

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<v Speaker 1>It's like up in the fucking rafters. I feel like

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<v Speaker 1>I feel like it's it's up there for sure. It's

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<v Speaker 1>among among the top. What else is up there? Blessed

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<v Speaker 1>the Bottle, Blessed the Bottle. That's a fact. That's a party.

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<v Speaker 1>That's party, classic, party classic right there. That's it's so

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<v Speaker 1>funny because Blessed the Bottle is like a record that

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<v Speaker 1>like if you probably like Live Past Arizona, you've never heard.

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<v Speaker 2>Right, it's a Cali thing, for sure, it's a Cali theme,

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<v Speaker 2>but a lot of people think it's from like the

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<v Speaker 2>Bay though for sure, like La, people don't really think.

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<v Speaker 1>It's from the Ie.

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<v Speaker 2>So you grew up in Chino Hills, So actually I

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<v Speaker 2>was born in La lived in Chino Hills until I

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<v Speaker 2>was four basically, and then I grew up in Portland

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<v Speaker 2>in Portland Organ.

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<v Speaker 1>Oh where the Fetanyel's at?

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<v Speaker 2>Yes, where the tweakers? Yes, crazy out there, it's.

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<v Speaker 1>I've been to Portland a lot. I'm on the radio

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<v Speaker 1>out there. Oh, yeah, I've been to Portland. It's it's

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<v Speaker 1>fucked up. When did you leave Portland? When I was fourteen?

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<v Speaker 1>I was fourteen?

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<v Speaker 2>So yeah, So when I first when I moved back,

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<v Speaker 2>I live with my grandma now in China Hills. So

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<v Speaker 2>when I first moved my grandma, that's when I kind

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<v Speaker 2>of like started to experiment with music, right, like writing

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<v Speaker 2>songs and stuff, and then it's still on my SoundCloud.

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<v Speaker 2>If you go up on my SoundCloud, you can go

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<v Speaker 2>scroll down and see all the old stuff.

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<v Speaker 1>Yeah. A lot of artists like to deleat that ship,

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<v Speaker 1>you know.

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<v Speaker 2>Yeah, but honestly, I think it's good because people can

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<v Speaker 2>see how far.

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<v Speaker 1>Yeah, Like if you ever have a Grammy in your

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<v Speaker 1>hand one day, like you could go listen to the old.

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<v Speaker 2>Ship listening to my very first and it's like sounds terrible,

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<v Speaker 2>you know.

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<v Speaker 1>Like also kind of like bay Ish, I feel like

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<v Speaker 1>Seattle and darn Yeah, you're right, like all the Bay

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<v Speaker 1>Area artists be cracking up. There.

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<v Speaker 2>A lot of people in Portland like like Sacramento rap, right,

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<v Speaker 2>Like Sacramento rap, Bay Area rap. A lot of people

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<v Speaker 2>in Portland and like that area like that that that

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<v Speaker 2>kind of music for sure.

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<v Speaker 1>Yeah, for sure, I feel like that resonates with them

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<v Speaker 1>more than like La rap for you. Uh, when people

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<v Speaker 1>listen to your music, do they think you're Mexican? Like

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<v Speaker 1>the chingod it's like very much like a fuck immigration anthem.

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<v Speaker 1>Yeah in today's climate, yeah, but you're fucking from Indonesia, right,

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<v Speaker 1>But if you listen to the song you're talking about,

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<v Speaker 1>you want you don't want them to deport your girl? Right,

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<v Speaker 1>who's here? Yes, she's she's still here. Good legal, she's legal.

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<v Speaker 1>But but sho, it's all the illegals. You know, it's

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<v Speaker 1>all illegal. But but did you like because you made

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<v Speaker 1>it with zay Sace made the bet? We did? Yeah,

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<v Speaker 1>we made the whole song. Was that like a just

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<v Speaker 1>kind of like inspired exactly with what's happening right now

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<v Speaker 1>in the world.

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<v Speaker 2>Honestly, So the way that song came about, I originally

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<v Speaker 2>I came to Zays's studio with an idea for a beat.

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<v Speaker 1>He executed the beat, and.

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<v Speaker 2>Then I was with my two homies, uh, my Mexican homies,

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<v Speaker 2>and then I just heard one of them say ching amga.

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<v Speaker 2>They were just talking about they were just like on

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<v Speaker 2>their phones talking about something and they're just like chiing alagra.

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<v Speaker 2>And then I just heard it and I was like,

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<v Speaker 2>I feel like I got to put that in the song.

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<v Speaker 2>And then so if you go into my old music,

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<v Speaker 2>I have a song called I Love Asians. So I

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<v Speaker 2>was like, I'm gonna just make another song called I

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<v Speaker 2>Love Latina's. But then I started with Chicka Lamigra. Then

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<v Speaker 2>after I showed it to other people, people just started

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<v Speaker 2>calling it chick a lamia, so I just called it that.

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<v Speaker 1>But yeah, it's a great fucking it's an anthem, right, Yeah,

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<v Speaker 1>you guys haven't in the video, have you. It's it's shot.

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<v Speaker 1>It's shot. It's shot.

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<v Speaker 2>We're just gonna we're gonna drop it next week, next week,

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<v Speaker 2>next probably end of the next week or beginning of

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<v Speaker 2>the week after next week.

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<v Speaker 1>Have you had any labels knocking, labels like trying to

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<v Speaker 1>get at you labels?

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<v Speaker 2>No, but managers, yes, yes, yeah, Like I haven't gotten

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<v Speaker 2>a direct DM from.

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<v Speaker 1>A label yet. That's what's up. But you know, yeah,

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<v Speaker 1>it's not a bad thing. We had a rapper here

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<v Speaker 1>the other day and he was like, yo, I might

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<v Speaker 1>try to sign that kid. Oh yeah, yeah, it's crazy. Yeah.

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<v Speaker 1>I was like, oh, interesting, it's crazy. So, I mean

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<v Speaker 1>I feel like, you know, would there be I I

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<v Speaker 1>E remix being worked on with some other I E artists,

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<v Speaker 1>So I have uh an I E remix.

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<v Speaker 2>However, the timing is kind of difficult right now with

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<v Speaker 2>everything going on.

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<v Speaker 1>I just feel like you already have the remix. I

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<v Speaker 1>do have the remix oh yes, but a remix. I

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<v Speaker 1>have a remix, but I feel like, oh yeah, can

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<v Speaker 1>we get you on the mic a little bit? Oh yeah, yeah,

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<v Speaker 1>you can lower it too.

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<v Speaker 2>Okay, okay, exactly, Okay, I got you right right here.

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<v Speaker 1>Okay, that's what you said, White remix. Yeah.

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<v Speaker 2>I feel like, because I just thought about it, this

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<v Speaker 2>is like it's going crazy. You know, the ie song

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<v Speaker 2>is going crazy. If this is gonna be my song,

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<v Speaker 2>then I just wanted to.

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<v Speaker 1>Be my song. Well also like it's going crazy for

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<v Speaker 1>you and for the people who know. And I feel

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<v Speaker 1>like it hasn't like eclipsed, like the fucking where it's

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<v Speaker 1>like a thing thing, and I think it's on its way.

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<v Speaker 1>So when it becomes that, then you could be like, Okay,

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<v Speaker 1>It's almost like when Soak City came out, like Silk

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<v Speaker 1>City was like, you know, if you were going to

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<v Speaker 1>fucking eighteen and up clubs, you heard it. If you're

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<v Speaker 1>on TikTok, you heard it. But when it became like

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<v Speaker 1>a fucking thing for reals, when he could drop that

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<v Speaker 1>remix remix, only I E artists could be on this though, right.

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<v Speaker 2>No, no, yeah, it could be it just like become

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<v Speaker 2>my West West coast.

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<v Speaker 1>I told somebody, I said, we need somebody in Arizona

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<v Speaker 1>to do it, asyzzy. Yeah, that's a good idea. Be cool. Yeah,

0:11:09.960 --> 0:11:11.640
<v Speaker 1>I'm trying to just go drop.

0:11:12.720 --> 0:11:15.680
<v Speaker 2>We're planning on dropping a third single soon, so I'm

0:11:15.720 --> 0:11:19.839
<v Speaker 2>just trying to drop three singles and then that's when

0:11:19.880 --> 0:11:20.480
<v Speaker 2>I would I mean.

0:11:20.440 --> 0:11:22.160
<v Speaker 1>I see you doing the shows and they're going crazy

0:11:22.200 --> 0:11:26.640
<v Speaker 1>singing sh Yeah. Is it mostly like kids? Yeah?

0:11:26.720 --> 0:11:29.400
<v Speaker 2>Like college students right, yeah, but I feel like that's

0:11:30.160 --> 0:11:31.319
<v Speaker 2>my demographic for sure.

0:11:31.520 --> 0:11:33.720
<v Speaker 1>Which college campus are you the most little in what

0:11:33.840 --> 0:11:34.079
<v Speaker 1>you say?

0:11:34.240 --> 0:11:34.360
<v Speaker 3>Uh?

0:11:35.200 --> 0:11:36.559
<v Speaker 1>Locally cap poly Pomona?

0:11:37.200 --> 0:11:40.199
<v Speaker 2>Yeah for sure, because because I do a lot of

0:11:40.200 --> 0:11:42.440
<v Speaker 2>shows on Pomona and I know a lot of.

0:11:42.440 --> 0:11:44.040
<v Speaker 1>People at that school. I still got a lot of

0:11:44.080 --> 0:11:46.920
<v Speaker 1>friends there. So have you been to Indonesia ever in

0:11:46.960 --> 0:11:49.360
<v Speaker 1>your life? Yes? Last time I went to Indonesia is

0:11:49.360 --> 0:11:50.720
<v Speaker 1>twenty eighteen. I wasn't.

0:11:51.640 --> 0:11:52.120
<v Speaker 2>I was good.

0:11:52.240 --> 0:11:54.160
<v Speaker 1>I heard it's beautiful, it is beautiful. You can't bring

0:11:54.200 --> 0:11:56.600
<v Speaker 1>no weed over there. No, Yeah, you get locked up

0:11:56.600 --> 0:11:59.000
<v Speaker 1>because the fuck? Yeah yeah, you get locked up. Yeah,

0:11:59.040 --> 0:11:59.480
<v Speaker 1>like if you.

0:12:01.040 --> 0:12:03.600
<v Speaker 2>Were you're getting put in jail if you get caught

0:12:03.600 --> 0:12:07.839
<v Speaker 2>with coke, like it's over no, like literally, like you know,

0:12:07.920 --> 0:12:09.880
<v Speaker 2>like they there's like banners.

0:12:09.920 --> 0:12:12.439
<v Speaker 1>It's like if you get caught with like cope and

0:12:12.960 --> 0:12:16.440
<v Speaker 1>it has a school, so like yeah, you fuck, you're

0:12:16.440 --> 0:12:18.319
<v Speaker 1>like you're actually they're in the Philippines. They don't funk

0:12:18.360 --> 0:12:22.080
<v Speaker 1>around right like Yeah, it's like imagine like having the

0:12:22.080 --> 0:12:24.400
<v Speaker 1>balls to be a drug dealer in those countries. That's crazy,

0:12:24.679 --> 0:12:28.600
<v Speaker 1>like because they're there, Yeah, just just playing with their

0:12:28.640 --> 0:12:31.920
<v Speaker 1>life every day. Yeah, but it's cool. It's I mean,

0:12:31.960 --> 0:12:33.640
<v Speaker 1>it's I heard, it's beautiful, it's clean.

0:12:33.440 --> 0:12:39.240
<v Speaker 2>It is clean, it depends, yeah, it's it's at their

0:12:39.280 --> 0:12:39.800
<v Speaker 2>world country.

0:12:39.840 --> 0:12:42.319
<v Speaker 1>You know, maybe malays I'm thinking of Malaysia. One of

0:12:42.360 --> 0:12:45.240
<v Speaker 1>them countries is supposed to Singapore, Singapore maybe, Yeah, that's

0:12:45.600 --> 0:12:49.959
<v Speaker 1>Singapore is where there's like no trash, like no littering Singapore. Yeah, Singapore,

0:12:50.000 --> 0:12:54.400
<v Speaker 1>Indonesia there's littering. God. Yeah, that's where Bali's at though. Yeah.

0:12:54.920 --> 0:12:56.719
<v Speaker 1>One of my homies is an mm A fighter. He's

0:12:56.760 --> 0:12:59.120
<v Speaker 1>got a he lives in Bali's ship.

0:12:59.600 --> 0:13:03.920
<v Speaker 2>Yeah, Balle's cool. It's Bali's very tourists already.

0:13:04.520 --> 0:13:06.160
<v Speaker 1>Have you been the Bomb? Yeah, I've been a couple

0:13:06.240 --> 0:13:08.120
<v Speaker 1>of times. Yeah. Oh yeah, I mean that's your country.

0:13:08.120 --> 0:13:10.920
<v Speaker 1>So you're outside. It's the homeland, right, Yeah, for sure,

0:13:11.360 --> 0:13:13.200
<v Speaker 1>you gotta do a show out there is a scene.

0:13:15.400 --> 0:13:19.240
<v Speaker 2>They're Indonesians will will come out for sure. It doesn't

0:13:19.280 --> 0:13:21.240
<v Speaker 2>matter if they're inter rap but if they have a

0:13:21.800 --> 0:13:24.480
<v Speaker 2>they like someone to pop out. Yeah, where we gotta

0:13:24.520 --> 0:13:28.160
<v Speaker 2>get you booked on Rolling Out Thailand, Rolling Loud Thailand.

0:13:28.240 --> 0:13:30.320
<v Speaker 1>My homies run that ship. That's crazy.

0:13:30.360 --> 0:13:31.960
<v Speaker 2>I didn't even know there was a rolling Loud out there,

0:13:32.000 --> 0:13:34.760
<v Speaker 2>and I'm gonna ask you, I was loud talking amazing.

0:13:35.000 --> 0:13:37.680
<v Speaker 1>Well, but they have a bunch of like theyn't have

0:13:37.800 --> 0:13:41.160
<v Speaker 1>like don't have like their American like headliners, you know, right,

0:13:41.200 --> 0:13:43.920
<v Speaker 1>like like rappers from here. Yeah. Yeah, like last this

0:13:44.080 --> 0:13:46.960
<v Speaker 1>last year was like Playboy Cardi with Khalifa a Kon.

0:13:48.120 --> 0:13:50.320
<v Speaker 1>But it's like obviously the lineup's not as crazy as

0:13:50.320 --> 0:13:52.240
<v Speaker 1>it would be in the States. Yeah, but then there's

0:13:52.280 --> 0:13:54.640
<v Speaker 1>like all these like Thai artists that you would never

0:13:54.840 --> 0:13:57.800
<v Speaker 1>never even know are fucking like cracking and like like

0:13:57.920 --> 0:14:00.840
<v Speaker 1>fucking thirty thousand people singing all these songs and they're like,

0:14:01.040 --> 0:14:03.640
<v Speaker 1>who the fuck are these people? You know? Yeah, that's crazy,

0:14:03.679 --> 0:14:05.480
<v Speaker 1>but they're doing their thing. Like there's a dope scene

0:14:05.520 --> 0:14:08.720
<v Speaker 1>out there, Stupid Young's cracking out. He was on on

0:14:08.760 --> 0:14:13.040
<v Speaker 1>the Thailand lineup. Yeah, him and Shorty Shorty, they had

0:14:13.480 --> 0:14:15.520
<v Speaker 1>a wave going out there. But just Stupid Young is

0:14:15.559 --> 0:14:18.720
<v Speaker 1>like a thing in Thailand for sure, which and he's

0:14:18.720 --> 0:14:24.480
<v Speaker 1>from Cambodia. I think he's uh yeah, that's what's up.

0:14:24.560 --> 0:14:28.040
<v Speaker 1>Dude's who's been like the coolest person you've seen kind

0:14:28.040 --> 0:14:30.440
<v Speaker 1>of just like fuck with the music. I saw Big

0:14:30.480 --> 0:14:32.600
<v Speaker 1>Boy shouting you out, like, yeah, probably it had to

0:14:32.600 --> 0:14:34.560
<v Speaker 1>be a big Boy. Yeah, that ship was dope. That

0:14:34.720 --> 0:14:35.280
<v Speaker 1>was crazy.

0:14:36.320 --> 0:14:39.080
<v Speaker 2>I remember when I when I saw that video, I

0:14:39.120 --> 0:14:41.600
<v Speaker 2>was I was, I was just in my car and

0:14:41.640 --> 0:14:43.720
<v Speaker 2>I was just like yelling.

0:14:43.600 --> 0:14:45.320
<v Speaker 1>Like this is crazy, this is crazy.

0:14:45.440 --> 0:14:48.600
<v Speaker 2>Yeah, I think it would have thought Big Boys, that's crazy.

0:14:48.680 --> 0:14:50.360
<v Speaker 1>Do you have like a DJ pack for this song

0:14:50.480 --> 0:14:53.040
<v Speaker 1>where you're like servicing it for like like a clean

0:14:53.120 --> 0:14:55.400
<v Speaker 1>version and shit, we got a DJ peg just gonna

0:14:55.400 --> 0:14:57.920
<v Speaker 1>make sure. Man. Yeah, Zace, you're kind of working with

0:14:57.960 --> 0:15:00.400
<v Speaker 1>everybody who's on the come up in l A right now.

0:15:01.880 --> 0:15:04.720
<v Speaker 1>Who's everybody you've worked with besides this young man and

0:15:04.880 --> 0:15:06.560
<v Speaker 1>uh Alexis via.

0:15:06.960 --> 0:15:13.640
<v Speaker 3>Alexis via huh oh man, I'm working with the drummer boy. Yeah, uh,

0:15:14.480 --> 0:15:18.720
<v Speaker 3>I'm working with Big Swift. I'm working with Self Provoked.

0:15:19.240 --> 0:15:22.080
<v Speaker 1>Self Provoked is an eight legend. Yes he is. I

0:15:22.120 --> 0:15:25.800
<v Speaker 1>just shouted him out yesterday. I couldn't think of his name.

0:15:25.800 --> 0:15:29.160
<v Speaker 1>I was like self because he was coming up when

0:15:29.160 --> 0:15:31.800
<v Speaker 1>it was like Devour, Drummer Boy and all them guys.

0:15:32.360 --> 0:15:36.560
<v Speaker 3>Yeah, so we we're back in the studio working, uh

0:15:36.640 --> 0:15:38.840
<v Speaker 3>man a little bit of everybody?

0:15:38.880 --> 0:15:45.040
<v Speaker 1>Bro is it hard? Like like these days being a

0:15:45.080 --> 0:15:47.440
<v Speaker 1>producer with so many beats, Just like a lot of

0:15:47.520 --> 0:15:50.280
<v Speaker 1>artists they just go to YouTube like we obviously you know,

0:15:50.320 --> 0:15:52.400
<v Speaker 1>I have a studio here. So many rappers that we

0:15:52.440 --> 0:15:54.920
<v Speaker 1>have the book sessions, They're like, yo, just pull up

0:15:54.920 --> 0:15:56.960
<v Speaker 1>this beat on YouTube and download it that I found.

0:15:57.120 --> 0:15:58.560
<v Speaker 1>It's like, how the fun does that work?

0:15:59.000 --> 0:15:59.080
<v Speaker 3>Like?

0:16:00.640 --> 0:16:02.280
<v Speaker 1>But a lot of these guys that's how they find

0:16:02.320 --> 0:16:05.160
<v Speaker 1>their beats, and they're like recording and releasing songs that

0:16:05.200 --> 0:16:06.280
<v Speaker 1>they don't even have a lease.

0:16:06.160 --> 0:16:08.239
<v Speaker 3>On right with the tags all through the beats.

0:16:09.000 --> 0:16:11.040
<v Speaker 1>No, it's crazy, but you've kind of figured out a

0:16:11.040 --> 0:16:12.680
<v Speaker 1>way to kind of like make sure you're you know,

0:16:12.760 --> 0:16:14.440
<v Speaker 1>you have a thing. You have a buzz. When I

0:16:14.440 --> 0:16:17.400
<v Speaker 1>talk to people, you come up a lot. So that's good.

0:16:17.400 --> 0:16:17.640
<v Speaker 1>To hear.

0:16:17.880 --> 0:16:19.160
<v Speaker 3>I mean, yeah, I like to just get in a

0:16:19.200 --> 0:16:23.240
<v Speaker 3>studio artists. Yeah, that's really hard from scratch, work from scratch,

0:16:23.760 --> 0:16:26.280
<v Speaker 3>and it eliminates like me sending out beats and maybe

0:16:26.280 --> 0:16:28.920
<v Speaker 3>accidentally sending out the same beat twice, Like it's just

0:16:29.000 --> 0:16:31.600
<v Speaker 3>easier that way. And then also to catch the vibe

0:16:31.640 --> 0:16:33.560
<v Speaker 3>and you know what I mean, go in the direction

0:16:34.120 --> 0:16:36.840
<v Speaker 3>just I don't know, I like cooking like that real producer,

0:16:36.960 --> 0:16:37.200
<v Speaker 3>who do.

0:16:37.200 --> 0:16:39.680
<v Speaker 1>You want to work with? That is kind of maybe

0:16:39.720 --> 0:16:42.000
<v Speaker 1>obviously in the realm of possibilities out here in LA,

0:16:43.360 --> 0:16:46.160
<v Speaker 1>it would be dope to work with. I think, like,

0:16:46.200 --> 0:16:48.960
<v Speaker 1>oh gz, I haven't worked with O. G. Hard?

0:16:49.040 --> 0:16:53.040
<v Speaker 3>Yeah, Kaylin for real, he's hard.

0:16:54.680 --> 0:16:54.880
<v Speaker 1>Yeah.

0:16:54.920 --> 0:16:57.200
<v Speaker 3>Man, I've just been working my way there. I'm sure

0:16:57.240 --> 0:16:58.520
<v Speaker 3>it happened sooner for sure.

0:16:59.000 --> 0:17:01.160
<v Speaker 1>Yeah. No, that's dope man. So for you, you got

0:17:01.200 --> 0:17:03.280
<v Speaker 1>another single you're working on. You said that you got

0:17:03.280 --> 0:17:06.000
<v Speaker 1>three singles, so you just dropped the second of the three. Uh, yes,

0:17:06.160 --> 0:17:07.840
<v Speaker 1>so there's a third one coming here, we got third

0:17:07.840 --> 0:17:17.800
<v Speaker 1>one coming. Uh. What's it called stink? Stink? It's called stink. Yeah,

0:17:18.440 --> 0:17:21.360
<v Speaker 1>So just some some different do you really like when

0:17:21.400 --> 0:17:23.320
<v Speaker 1>a girl gets you head and the mochos come out

0:17:23.640 --> 0:17:26.760
<v Speaker 1>because that's called nah. Yeah, it's like it's like that's

0:17:26.800 --> 0:17:28.920
<v Speaker 1>love right there. No, it's love, but it's also just

0:17:29.080 --> 0:17:32.840
<v Speaker 1>kind of gross, right, Like if you see the boogers,

0:17:32.880 --> 0:17:35.480
<v Speaker 1>like like the slobbers good, the tears are good, but

0:17:35.560 --> 0:17:40.880
<v Speaker 1>if you see boogers, it's almost like a boner killer, right, boogers.

0:17:41.000 --> 0:17:44.040
<v Speaker 1>That's real though, it's real, But it's like you got

0:17:44.040 --> 0:17:44.439
<v Speaker 1>a cold.

0:17:46.640 --> 0:17:49.320
<v Speaker 2>Hey, you know what I was just I was just

0:17:49.359 --> 0:17:51.240
<v Speaker 2>speaking of emotion when.

0:17:51.119 --> 0:17:55.120
<v Speaker 1>I wrote that. You know, you got some wild ass

0:17:55.160 --> 0:17:56.119
<v Speaker 1>lions dog that you.

0:17:56.920 --> 0:17:58.600
<v Speaker 2>I try to keep it wild though, you know, it's

0:17:59.000 --> 0:18:03.200
<v Speaker 2>it's exciting to keep it wild. It's like it's it's

0:18:03.200 --> 0:18:06.600
<v Speaker 2>all about just I like writing some crazy ship, going

0:18:06.600 --> 0:18:09.520
<v Speaker 2>in the studio, recording in and just laughing after. You know, like, no,

0:18:09.640 --> 0:18:11.480
<v Speaker 2>it's you got a lot of character to your fun,

0:18:11.520 --> 0:18:13.160
<v Speaker 2>you know, No, it's it's character.

0:18:13.440 --> 0:18:16.560
<v Speaker 1>Character it comes to the music. Yeah. Yeah, you're a

0:18:16.560 --> 0:18:19.240
<v Speaker 1>lot more calm than I expected. I expected. Like I

0:18:19.560 --> 0:18:21.280
<v Speaker 1>was about a wild ass fool about to come in here,

0:18:21.320 --> 0:18:23.200
<v Speaker 1>you know what I'm saying, right, I figure he's gonna

0:18:23.200 --> 0:18:25.119
<v Speaker 1>come with a two liters amountain do dog? You know

0:18:25.160 --> 0:18:31.440
<v Speaker 1>what I'm saying some firecrackers. Who knows. Yeah, I'm pretty called.

0:18:32.080 --> 0:18:33.320
<v Speaker 1>Who do you want to work with? Man? Is there

0:18:33.320 --> 0:18:35.240
<v Speaker 1>anybody out there that you want to like fucking tap

0:18:35.280 --> 0:18:36.879
<v Speaker 1>in with? It's kind of on your on your list.

0:18:38.119 --> 0:18:40.159
<v Speaker 1>I feel like you and Pilo would be hard, not

0:18:40.200 --> 0:18:42.160
<v Speaker 1>because you're both Asian, but also because you're both Asian

0:18:42.200 --> 0:18:44.240
<v Speaker 1>for sure? For sure, Pilo.

0:18:46.520 --> 0:18:53.320
<v Speaker 2>For sure, Pilo. I. I want to work with Leo,

0:18:53.800 --> 0:18:55.679
<v Speaker 2>but what I really want to do with them?

0:18:55.920 --> 0:18:58.840
<v Speaker 1>Pause? Fine, It's fine. You hadn't got to the pause

0:18:58.880 --> 0:18:59.360
<v Speaker 1>part yet.

0:19:00.200 --> 0:19:02.960
<v Speaker 2>I want to do a show like me x Nee

0:19:03.160 --> 0:19:05.480
<v Speaker 2>Leo X, just like an Asian artist show.

0:19:05.520 --> 0:19:07.840
<v Speaker 1>You know, Yeah, I think that'd be dope. Now, that'd

0:19:07.880 --> 0:19:10.479
<v Speaker 1>be hard, That'd be dope. Is there like for you?

0:19:10.520 --> 0:19:13.240
<v Speaker 1>Do you like? Because I feel like your music is

0:19:13.240 --> 0:19:15.320
<v Speaker 1>is like like I said, if you listen to it,

0:19:15.320 --> 0:19:18.280
<v Speaker 1>you don't necessarily know you're Asian? For you, do you

0:19:18.320 --> 0:19:20.760
<v Speaker 1>feel like the you know, like you gotta like carry

0:19:20.760 --> 0:19:22.840
<v Speaker 1>that flag because it's not a lot of Asian artists,

0:19:22.880 --> 0:19:25.240
<v Speaker 1>but it's it's starting to change, like tweets going crazy.

0:19:26.400 --> 0:19:29.800
<v Speaker 1>Obviously Pelo has been going fucking stupid, but there's a

0:19:29.880 --> 0:19:32.840
<v Speaker 1>lot more dope art like stupid young's got plaques, you

0:19:32.840 --> 0:19:35.080
<v Speaker 1>know what I mean? Like, I think it's important to

0:19:35.119 --> 0:19:36.520
<v Speaker 1>tell people for sure.

0:19:36.760 --> 0:19:40.560
<v Speaker 2>Yeah, so I think I think just being able to

0:19:40.560 --> 0:19:42.760
<v Speaker 2>embrace it in your music, you know, and just like

0:19:42.840 --> 0:19:45.040
<v Speaker 2>being into being able to embrace.

0:19:44.680 --> 0:19:47.480
<v Speaker 1>Like how you grew up and kind of just relating

0:19:47.520 --> 0:19:51.000
<v Speaker 1>that in your music. I love it. Uh when a

0:19:51.040 --> 0:19:53.199
<v Speaker 1>girl speaks time on these to you, do you do

0:19:53.280 --> 0:19:55.680
<v Speaker 1>you understand? Do you have to pull out the duelingo?

0:19:55.800 --> 0:20:00.240
<v Speaker 2>So, so, I don't know if you know that I

0:20:00.280 --> 0:20:04.359
<v Speaker 2>said checks my checks straight Taiwanese. Oh I think you

0:20:04.400 --> 0:20:07.320
<v Speaker 2>said chicks, right. I think that it is checks. I

0:20:07.320 --> 0:20:09.440
<v Speaker 2>need to upload the lyrics to Spotify.

0:20:09.240 --> 0:20:11.159
<v Speaker 1>So it's checked. It's checks.

0:20:11.320 --> 0:20:14.360
<v Speaker 2>It's because the place I work at is a Taiwanese restaurant.

0:20:14.760 --> 0:20:18.400
<v Speaker 1>Oh you're working at a Taiwanese restaurant. Yeah? Nice? So

0:20:18.440 --> 0:20:20.640
<v Speaker 1>you know, So is it like do people come in

0:20:20.720 --> 0:20:24.199
<v Speaker 1>and they're like, oh shit? Sometimes? Yeah, what do you

0:20:24.240 --> 0:20:26.679
<v Speaker 1>do there, waiter? I'm a cashier out in front of

0:20:26.680 --> 0:20:28.840
<v Speaker 1>the house, front of the house. Easy, Hey to go

0:20:28.960 --> 0:20:31.560
<v Speaker 1>order here? Yeah exactly. Yeah. Once you get into the

0:20:31.560 --> 0:20:34.760
<v Speaker 1>inside of the restaurant, it's fucking it's too much. Yeah,

0:20:34.800 --> 0:20:37.080
<v Speaker 1>it's not my job. You can enjoy podcast in front

0:20:37.080 --> 0:20:39.320
<v Speaker 1>of the house. Yeah, yeah, I'm always like listening to

0:20:39.400 --> 0:20:41.200
<v Speaker 1>music writing. I worked at a Chinese restaurant when I

0:20:41.280 --> 0:20:43.640
<v Speaker 1>was a kid. Yeah, I was a fucking bus boy.

0:20:44.119 --> 0:20:47.720
<v Speaker 1>That shit sucked. Nah. Yet these motherfuckers would be in

0:20:47.760 --> 0:20:52.720
<v Speaker 1>the back smoking cigarettes while cooking. I'm talking about ashes

0:20:52.760 --> 0:20:55.600
<v Speaker 1>falling in the food and they would just keep cooking.

0:20:56.040 --> 0:20:58.159
<v Speaker 1>And I remember being back there washing the dishes, like

0:20:58.800 --> 0:21:00.840
<v Speaker 1>just these old ass Chinese dudes. I'm talking about like

0:21:00.840 --> 0:21:04.760
<v Speaker 1>seventy year old dudes smoking cigarettes in the kitchen. I'm fourteen,

0:21:04.880 --> 0:21:07.440
<v Speaker 1>and I'm just watching like cigarette ashes following the food,

0:21:08.359 --> 0:21:12.399
<v Speaker 1>and I was like, damn, I just had lunch here.

0:21:12.720 --> 0:21:15.800
<v Speaker 1>I hate the food here the fuck that's the flavor

0:21:16.240 --> 0:21:18.600
<v Speaker 1>it did? It was good. Hey, and the place was

0:21:18.760 --> 0:21:23.359
<v Speaker 1>you know, good reviews, still open stuff. But I wouldn't snitch.

0:21:23.520 --> 0:21:24.920
<v Speaker 1>I'm not going to say the name. It's a place

0:21:24.920 --> 0:21:27.760
<v Speaker 1>in Mesa, Arizona, but I'm not gonna say the name. Hans.

0:21:27.840 --> 0:21:31.480
<v Speaker 1>You know it's a good place though. That's good. So

0:21:31.840 --> 0:21:34.239
<v Speaker 1>you're Taiwanese food, is it? Like? How different is that

0:21:34.240 --> 0:21:37.479
<v Speaker 1>than fucking Chinese food? Is similar? It's similar. Yeah, so

0:21:38.800 --> 0:21:41.159
<v Speaker 1>it's really an Asian fusion place. So we have like everything.

0:21:41.160 --> 0:21:44.679
<v Speaker 1>We got a bachi run in, but we also have

0:21:44.760 --> 0:21:47.639
<v Speaker 1>like a Taiwanese stuff. You gotta do a show outside

0:21:47.680 --> 0:21:50.880
<v Speaker 1>of the restaurant. Yeah, right the day you quit. Yeah,

0:21:51.160 --> 0:21:53.200
<v Speaker 1>tell people pull up, just pull up, do a show

0:21:53.240 --> 0:21:56.600
<v Speaker 1>on top of the car. They probably wouldn't appreciate. It

0:21:56.600 --> 0:22:00.359
<v Speaker 1>makesure you get your final check. Yeah, I'll be like, uh,

0:22:00.640 --> 0:22:02.520
<v Speaker 1>pull up to the show. But you have to support

0:22:02.520 --> 0:22:04.879
<v Speaker 1>the business. You got to support the business. Everybody you

0:22:04.920 --> 0:22:08.640
<v Speaker 1>go in spend order something, order something. That's the rule.

0:22:08.800 --> 0:22:09.920
<v Speaker 1>Exactly how long you.

0:22:09.840 --> 0:22:13.000
<v Speaker 2>Worked there, I've been working there on and off. That

0:22:13.119 --> 0:22:15.919
<v Speaker 2>was my seasonal job when I was in college. So

0:22:16.040 --> 0:22:17.920
<v Speaker 2>I went to school up north, but every time I

0:22:17.960 --> 0:22:21.320
<v Speaker 2>went back home, Yeah, for summer break, winter break, I

0:22:21.440 --> 0:22:21.680
<v Speaker 2>just be.

0:22:21.680 --> 0:22:23.040
<v Speaker 1>Working with Would you go to school for work? Do

0:22:23.080 --> 0:22:26.800
<v Speaker 1>you have communications? Yeah? I feel like communications is one

0:22:26.840 --> 0:22:30.840
<v Speaker 1>of those like generic majors. Yeah, like business when people

0:22:30.880 --> 0:22:33.320
<v Speaker 1>say I got a big business mak, what does that mean?

0:22:33.640 --> 0:22:37.640
<v Speaker 2>Communications you just learn about You learn about the next

0:22:37.640 --> 0:22:40.960
<v Speaker 2>step of a conversation, for sure, like and you learn

0:22:41.000 --> 0:22:44.720
<v Speaker 2>how to talk to all different kinds of people, understand

0:22:44.760 --> 0:22:49.480
<v Speaker 2>like the dynamics and how you can change a conversation

0:22:49.720 --> 0:22:52.400
<v Speaker 2>based on tell you how you come.

0:22:52.480 --> 0:22:54.040
<v Speaker 1>I feel like if you hang out with a pimp

0:22:54.119 --> 0:22:57.119
<v Speaker 1>for a couple of weeks, you get all that. Yeah,

0:22:57.560 --> 0:22:59.480
<v Speaker 1>not for sure, you don't need to go to school

0:22:59.480 --> 0:23:01.480
<v Speaker 1>for it, for sure. For community, I mean you should

0:23:01.520 --> 0:23:03.080
<v Speaker 1>go to school. I always say, unless you have some

0:23:03.119 --> 0:23:05.359
<v Speaker 1>shit figured out, yeah, and you kind of know what

0:23:05.400 --> 0:23:06.960
<v Speaker 1>you want to do that doesn't involve school, just go

0:23:07.000 --> 0:23:10.840
<v Speaker 1>to school to get the experience, right, I agree. And

0:23:10.880 --> 0:23:13.760
<v Speaker 1>then if like whatever you want to chase comes to you,

0:23:13.880 --> 0:23:15.400
<v Speaker 1>or you figure out, hey, what I want to do

0:23:15.400 --> 0:23:17.280
<v Speaker 1>doesn't have nothing to do with this year, but at

0:23:17.320 --> 0:23:19.360
<v Speaker 1>least go get the experience, get the life experience.

0:23:19.800 --> 0:23:21.680
<v Speaker 2>If you go to school, it gives you a lot

0:23:21.720 --> 0:23:24.439
<v Speaker 2>of time a lot of the times. If you have

0:23:24.480 --> 0:23:26.480
<v Speaker 2>a major like communications, you have a lot of free

0:23:26.520 --> 0:23:30.760
<v Speaker 2>time in college, and usually you're loan, so it's it's good.

0:23:30.920 --> 0:23:32.919
<v Speaker 1>That's when I really figured out in college that I

0:23:32.960 --> 0:23:35.400
<v Speaker 1>wanted to do music. You know, did you be chilling

0:23:35.440 --> 0:23:37.080
<v Speaker 1>in the room Homei's got the mic.

0:23:36.960 --> 0:23:38.760
<v Speaker 2>Yeah exactly, and none. But I mean, like I was

0:23:39.080 --> 0:23:41.679
<v Speaker 2>living like student life, music life. But at the end

0:23:41.720 --> 0:23:43.440
<v Speaker 2>of the day, I knew I wanted to do music.

0:23:43.480 --> 0:23:46.840
<v Speaker 2>So I was like, I also just get this communication major.

0:23:46.640 --> 0:23:50.840
<v Speaker 1>For my music too. Might help in the future. But

0:23:51.200 --> 0:23:54.800
<v Speaker 1>you make beats it all. Nah, he'll beats one day,

0:23:55.440 --> 0:23:56.280
<v Speaker 1>he'll teach you, mate.

0:23:56.359 --> 0:23:59.879
<v Speaker 2>Yeah yeah, Jace, what are you making shit on foot loops?

0:24:00.119 --> 0:24:03.600
<v Speaker 1>No? Able To Ableton gang? The Ableton gang. Isn't that

0:24:03.600 --> 0:24:07.760
<v Speaker 1>what TK uses? Yes, such a ship. I always heard Ableton.

0:24:07.760 --> 0:24:10.640
<v Speaker 1>It's just so difficult compared to all the other ship.

0:24:11.119 --> 0:24:13.159
<v Speaker 3>It looks difficult, but once you learn it, it's like

0:24:13.200 --> 0:24:14.639
<v Speaker 3>the quickest.

0:24:14.440 --> 0:24:17.040
<v Speaker 1>Well because you can set at bpm right, like of

0:24:17.119 --> 0:24:20.000
<v Speaker 1>a beat in able To. Because DJs use it. I've

0:24:20.000 --> 0:24:21.880
<v Speaker 1>seen DJs like make transitions.

0:24:21.960 --> 0:24:24.680
<v Speaker 3>It's good for life because you can record your set

0:24:25.440 --> 0:24:27.800
<v Speaker 3>right and you could like all the parameters.

0:24:27.840 --> 0:24:29.879
<v Speaker 1>But I've seen dudes like like have a beat or

0:24:29.880 --> 0:24:32.240
<v Speaker 1>something in their session and then they'll set a bpm

0:24:32.280 --> 0:24:33.920
<v Speaker 1>and it'll speed it up or slow it down or.

0:24:33.960 --> 0:24:37.080
<v Speaker 3>Yeah, because they got the warp the warp the warp function.

0:24:37.280 --> 0:24:44.840
<v Speaker 1>Yeah, what c IRUs hates Ableton? This was a hater

0:24:46.240 --> 0:24:51.800
<v Speaker 1>lang shots. Are you on fruity loops? I feel like

0:24:51.800 --> 0:24:54.320
<v Speaker 1>fruity loops is like the opposite end of the spectrum,

0:24:54.840 --> 0:24:57.320
<v Speaker 1>Like anybody can learn that ship, you know, but it

0:24:57.320 --> 0:24:58.960
<v Speaker 1>doesn't matter as long as the beats are dope. Who

0:24:59.000 --> 0:25:01.399
<v Speaker 1>gives a fuck. People used to make beats on the

0:25:01.440 --> 0:25:05.919
<v Speaker 1>PlayStation true back in the day, the funk Master Flex

0:25:06.440 --> 0:25:09.119
<v Speaker 1>video game. They had a whole it was like Fruity

0:25:09.119 --> 0:25:13.919
<v Speaker 1>Loops MTV generator. Yeah, that shit was a vibe all right, man.

0:25:13.960 --> 0:25:16.280
<v Speaker 1>So look the new songs out and you have another

0:25:16.280 --> 0:25:19.800
<v Speaker 1>song on the way called stink. Is this about private parts?

0:25:19.840 --> 0:25:22.840
<v Speaker 1>About weed? It is about private parts.

0:25:23.359 --> 0:25:25.240
<v Speaker 2>It's it's kind of like a we're trying to make

0:25:25.280 --> 0:25:26.479
<v Speaker 2>like a little club banger, you know.

0:25:26.840 --> 0:25:30.480
<v Speaker 1>Is it an ode to women's do sting? Not necessarily,

0:25:31.240 --> 0:25:33.080
<v Speaker 1>but is it you know, like when you're in the club,

0:25:33.119 --> 0:25:36.640
<v Speaker 1>it starts thinking for sure. Yeah yeah, if you if

0:25:36.640 --> 0:25:40.520
<v Speaker 1>you walk down to that dance floor, sometimes it's stinks.

0:25:40.520 --> 0:25:44.600
<v Speaker 2>Stinks, and then you'll ya talk about that stink.

0:25:46.200 --> 0:25:49.720
<v Speaker 1>It's a beautiful stench, but it's a stench. That's why

0:25:49.720 --> 0:25:51.320
<v Speaker 1>it's like, if you're gonna pick up a girl at

0:25:51.320 --> 0:25:53.359
<v Speaker 1>the club, you gotta make a shower first. She been

0:25:53.440 --> 0:25:57.919
<v Speaker 1>fucking for she been drinking, dancing, sweating all night. Pipe

0:25:58.160 --> 0:26:01.679
<v Speaker 1>took a ship at the club. Yeah, it's funky what

0:26:01.760 --> 0:26:05.840
<v Speaker 1>clubs you go to a lot of college parties. The

0:26:05.880 --> 0:26:08.000
<v Speaker 1>college party. I really don't. I really, I'm not a

0:26:08.040 --> 0:26:10.560
<v Speaker 1>clubbing person. I don't like are you wait, how would

0:26:10.560 --> 0:26:13.560
<v Speaker 1>you say you were twenty three? You're old enough to

0:26:13.560 --> 0:26:16.040
<v Speaker 1>get into a club. Yeah yeah, yeah, yeah.

0:26:15.480 --> 0:26:17.360
<v Speaker 2>But I'm not a clubbing person. I don't like going

0:26:17.400 --> 0:26:19.240
<v Speaker 2>to clubs spending hell of money for no reason.

0:26:19.320 --> 0:26:21.960
<v Speaker 1>No, you got to go get booked. There you go. See,

0:26:22.880 --> 0:26:24.479
<v Speaker 1>that's which is gonna start happening.

0:26:24.880 --> 0:26:26.960
<v Speaker 2>Oh yeah, this weekend, I got I got to Oh

0:26:27.000 --> 0:26:30.439
<v Speaker 2>really go to two clubs this weekend. Yeah, the Basement

0:26:30.520 --> 0:26:33.280
<v Speaker 2>and Pomona Fire and Arena OC Dope.

0:26:33.359 --> 0:26:35.520
<v Speaker 1>Yeah. So yeah, you're gonna start getting all them bags.

0:26:36.000 --> 0:26:39.520
<v Speaker 1>Oh yeah, Ontario's got a spy, you know, the whole

0:26:39.760 --> 0:26:43.399
<v Speaker 1>you know. And then it's just gonna keep spreading. So yeah,

0:26:43.440 --> 0:26:46.359
<v Speaker 1>and then are you like how often are you like like?

0:26:46.560 --> 0:26:49.520
<v Speaker 1>Because I see you post like posting and promoting the

0:26:49.640 --> 0:26:51.440
<v Speaker 1>fuck out of your music, which a lot of artists

0:26:51.480 --> 0:26:54.040
<v Speaker 1>don't do, right, which is crazy because why why wouldn't

0:26:54.040 --> 0:26:56.000
<v Speaker 1>you want to promote your own ship? Yeah? How often

0:26:56.000 --> 0:26:57.720
<v Speaker 1>do you post? Like to make sure people kind of

0:26:57.760 --> 0:27:01.400
<v Speaker 1>like you throw a shot into the algorithm. Uh for this.

0:27:01.680 --> 0:27:05.720
<v Speaker 2>For the past month, I've been posting three times a day.

0:27:06.040 --> 0:27:09.520
<v Speaker 2>That's important, but that's just because there's a lot of engagement.

0:27:09.600 --> 0:27:12.119
<v Speaker 2>So I was actually getting good numbers. But now I'm

0:27:12.119 --> 0:27:13.240
<v Speaker 2>posting like twice a day.

0:27:13.600 --> 0:27:15.760
<v Speaker 1>But that's what you gotta do. And you got two

0:27:15.800 --> 0:27:17.399
<v Speaker 1>hot records.

0:27:16.720 --> 0:27:18.600
<v Speaker 2>Exactly, so I can just bounce back, you know, so

0:27:18.640 --> 0:27:19.720
<v Speaker 2>it's always something new.

0:27:19.960 --> 0:27:22.359
<v Speaker 1>Yeah, yeah, for sure, man, there it is. Brother. I

0:27:22.400 --> 0:27:25.840
<v Speaker 1>appreciate you pulling up what's your Instagram? For people who don't.

0:27:26.119 --> 0:27:29.600
<v Speaker 2>Instagram at p A K J Zero Okyo by Joko

0:27:30.600 --> 0:27:32.879
<v Speaker 2>and by Jo going all platforms.

0:27:32.480 --> 0:27:35.840
<v Speaker 1>Going crazy, shout out the i E best song out

0:27:35.920 --> 0:27:38.720
<v Speaker 1>right now, shut up, keV my guy, Thank you man.

0:27:39.440 --> 0:27:40.280
<v Speaker 1>What's your Instagram?

0:27:40.600 --> 0:27:43.440
<v Speaker 3>Zay sondo z A y C E h U N

0:27:43.560 --> 0:27:43.800
<v Speaker 3>d O.

0:27:44.200 --> 0:27:46.640
<v Speaker 1>If you're a rapper, buy some fucking beats from this guy.

0:27:46.920 --> 0:27:50.320
<v Speaker 3>Tap in studio time, studio time, all that custard beats.

0:27:50.320 --> 0:27:51.600
<v Speaker 1>Where's your studio at.

0:27:51.720 --> 0:27:57.880
<v Speaker 3>Think Lindoras far Yeah, drum boys, people come. Yeah, we're

0:27:57.920 --> 0:27:58.800
<v Speaker 3>all teams.

0:27:58.520 --> 0:28:02.560
<v Speaker 1>So okay. Yeah, the Zeace appreciate you.