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Speaker 1: Kevin, George is here. George is here again, George Rocks.

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Speaker 2: I don't want to give you that's what you said,

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Speaker 2: that's not what you said.

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Speaker 1: I want to give it Kevin a chance to take

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Speaker 1: it again.

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Speaker 2: Okay, Well, Kevin, that's not what you said about George

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Speaker 2: before he got here.

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Speaker 1: George.

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Speaker 3: George is here.

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Speaker 2: Okay, he's here, And if you want to confront him

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Speaker 2: about anything he said, now is your opportunity.

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Speaker 1: He said he was going to slime you out.

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Speaker 4: Yeah, I mean I am willing to take feedback. Was

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Speaker 4: that Did I not do a good job last time?

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Speaker 4: You tried? Oh that's interesting.

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Speaker 1: Yeah, it was nothing to do with I don't know,

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Speaker 1: it's something else. It's nothing to do with but like

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Speaker 1: the episode last time, I don't.

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Speaker 2: Think that's what he was reacting to. But as you ask,

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Speaker 2: I definitely could feel you trying in the last time.

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Speaker 4: It's about my other work. Yeah, you feel like I'm

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Speaker 4: not staying true to myself. I'm trying too hard to

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Speaker 4: appeal to a mass audience. I've gone to main streets.

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Speaker 2: You used to be so real and Kevin, there was

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Speaker 2: an authenticity that Kevin was really responding to, right, And

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Speaker 2: he feels like it got lost somewhere in the system.

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Speaker 4: Well, Kevin is a fan from like the old like

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Speaker 4: Lower East Side days. I had this show, yes, Luna Lounge.

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Speaker 4: They did this pop up. It was in the middle

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Speaker 4: of the street, peak traffic, rush hour, and I would

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Speaker 4: just stand in the middle of the street. I would

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Speaker 4: get hit by cars. I went to the hospital multiple times.

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Speaker 4: Renegade punk rock art.

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Speaker 1: Yeah, now East Village Girls going to the hospital and

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Speaker 1: getting hit by cars.

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Speaker 4: Yes, the East Village Girls. Correct, they're sort of like

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Speaker 4: the West Village Girls, but they have black T shirts

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Speaker 4: instead of white T shirts. They're kind of like the

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Speaker 4: Warrior of the westlay zip guns. Yeah, yeah, no, they're

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Speaker 4: they're shooting.

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Speaker 3: They run around with zip guns.

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Speaker 4: Yeah. It's so sure. I understand. I understand feeling like

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Speaker 4: I've I've lost my my punk rock spirit, but I

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Speaker 4: it's ultimately it is a business, and I'm trying my

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Speaker 4: best to sort of keep up with what people are

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Speaker 4: doing and with the platforms people are watching on.

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Speaker 2: What do you do with all the money.

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Speaker 4: It's complicated. It's a lot of I'm investing in a

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Speaker 4: lot of art from emerging LGBTQ plus artists, a.

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Speaker 1: Lot of performances they are emerging from.

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Speaker 4: They are emerging from various actually art schools, various expensive arts.

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Speaker 1: I was seeing like a goop, like some kind.

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Speaker 4: No, No, they're actually it's interesting. They're emerging from well

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Speaker 4: funded They are all upper middle class, and they are

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Speaker 4: emerging from art schools that they went to and.

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Speaker 2: Had sort of that's got to be so hard.

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Speaker 4: Yeah, it's really tough for them. But luckily I'm and

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Speaker 4: you know, people especially now with the second administration, people

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Speaker 4: are not supporting things like that as much, and so

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Speaker 4: people like me.

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Speaker 1: We used to be all about it.

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Speaker 4: Well, you used to collect a lot of I have

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Speaker 4: been to your place and it's a lot of black

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Speaker 4: and white polaroids of like unmade beds, and.

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Speaker 1: Then I'm just starting to get what those were about.

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Speaker 4: Yeah, and you know, I didn't know, you didn't realize

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Speaker 4: the undertone.

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Speaker 1: How we were just kind of like having like, look

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Speaker 1: is make me a little speaky at nighttime?

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Speaker 4: What about the other ones? You know, it's like someone

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Speaker 4: pulling apart their ass cheeks and it's just their.

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Speaker 1: Hole that I had been standing too close to. Oh

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Speaker 1: I see, So I just had it set up in

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Speaker 1: a narrow hallway where like I couldn't really get a

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Speaker 1: full look at it at any given time. Yeah.

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Speaker 4: So, and the close up it's a.

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Speaker 1: Kind of looked like a science fiction like desert type landscape.

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Speaker 4: There's the one it's a tongue and there's a little

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Speaker 4: spittle that is mid drip from the tongue.

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Speaker 1: What was in my kitchens? Is? That's what.

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Speaker 3: Delicious? The sense you didn't all.

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Speaker 1: That's my guess, the experience and my guess when they

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Speaker 1: smell my creation.

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Speaker 4: Yeah, and you've sold all that.

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Speaker 1: I sold it all, but like you said, at a

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Speaker 1: massive loss. No, Yes, I'm taking a huge, huge hit

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Speaker 1: because we are not supporting this stuff the way we

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Speaker 1: used to, and we need to support it again until

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Speaker 1: I can get this ship off my books.

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Speaker 3: Yeah, and then we re evaluate.

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Speaker 1: Yes, then we can supporting find a happy, happy, happy middle,

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Speaker 1: which is what that picture was called.

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Speaker 2: We can't support the same thing all the time. Am

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Speaker 2: I crazy for saying this?

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Speaker 1: Like?

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Speaker 4: So what sort of things are you supporting now at

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Speaker 4: this very moment? Oh that's cool? Ye Are you just donating?

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Speaker 2: Yeah, not really, I just I just park outside there

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Speaker 2: and you know, uh kind of beat my horns whatever.

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Speaker 4: You know, it's support.

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Speaker 2: Remember, yeah, during COVID, like the healthcare I'm doing that

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Speaker 2: for the Raytheon employees.

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Speaker 4: Yeah, I mean, I guess they could use public look

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Speaker 4: support they have. It's interesting like if it was a

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Speaker 4: nonprofit or something, you would donate money, but Raytheon actually

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Speaker 4: has enough money with they don't have enthusiasmic.

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Speaker 2: Honey, but they get treated like shit. Then it's like

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Speaker 2: at this point they actually are sort of a victim class,

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Speaker 2: you know what I mean, where we just go like, oh,

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Speaker 2: just because you like do this like.

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Speaker 4: Bad thing. No, they're judging based on their actions and

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Speaker 4: not what's in their heart. And to me, that's very

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Speaker 4: kind of an American And and like do.

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Speaker 3: You let me ask you, do you want to do

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Speaker 3: that job?

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Speaker 4: Do I want to do Raytheon? Do you want to

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Speaker 4: do like be sort of doing Xbox but with drones

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Speaker 4: and kind of killing people?

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Speaker 1: Everyone else?

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Speaker 3: Say, somebody's going to have that job.

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Speaker 4: Yeah, yeah, Oh I see what you're saying.

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Speaker 2: It's like it's just like there's so much judgment on it,

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Speaker 2: and it's like, okay, well then you go do the

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Speaker 2: job and see if you can do it.

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Speaker 3: With kindness or whatever it is that you think is missing.

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Speaker 4: Do you think that they're overst of some kind. Do

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Speaker 4: you think that people criticizing Raytheon their issue is that

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Speaker 4: the right people are doing the job of the murder

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Speaker 4: or that.

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Speaker 1: Maybe they want someone else to do it. They want

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Speaker 1: someone else to do it, and I don't think they'll

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Speaker 1: like who's going to get in where the current ones

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Speaker 1: are out, whoever they hired instead of the next person,

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Speaker 1: And these days will probably be DJ James Kennedy or something, you.

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Speaker 2: Know, I mean, that's who they're going to be rolling

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Speaker 2: in there. And by the way, I think you should

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Speaker 2: be doing James is erratic, Yes, I mean he's you.

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Speaker 4: Know, are very even keeled, and.

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Speaker 1: I guess not famous enough. Is like the criticism of

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Speaker 1: like we want.

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Speaker 2: We want influencers, you know, to be like occupying the

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Speaker 2: halls of Raytheon And I'm just going like, well, can

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Speaker 2: somebody normal have a normal job, and then can these

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Speaker 2: celebrity influencers do something.

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Speaker 4: Else would like the influencers to do? At this point, Yeah,

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Speaker 4: take a picture with me?

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Speaker 1: Can somebody a picture? He'll pay He'll pay, Like what

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Speaker 1: is it like a like a salary and with benefits.

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Speaker 4: You're paying DJ James Kennedy.

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Speaker 1: Retainer not be taking a picture every second healthcare dental.

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Speaker 4: He's getting elective orthodontics just so you can once a

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Speaker 4: month take a photo of him.

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Speaker 2: I'd like to approve some of these procedures.

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Speaker 4: Oh, I see what you're saying. Elect the picture, That's

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Speaker 4: what I mean. I think the better.

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Speaker 1: So he's trying to take a nice picture, and DJ

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Speaker 1: James Kennedy has his fangs bear and he's.

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Speaker 2: Going if he's installed vampire fangs, and then that's being

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Speaker 2: used to bite me in the middle of our selfie.

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Speaker 4: If he is showing mer selfie, if he's showing up

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Speaker 4: not having good teeth or you know, acting or whatever,

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Speaker 4: that reflects poorly on you. I mean, ultimately, he's what

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Speaker 4: am I paying for exactly, you know what I mean.

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Speaker 2: Because we're trying to get a good picture. We're trying

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Speaker 2: to get a beamer selfie, right, So I you know

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Speaker 2: I I I obviously on a it's not like carte blanche, like, oh,

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Speaker 2: here's a blank chat and you just can go shout out.

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Speaker 4: That's a different podcast.

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Speaker 3: Shout out.

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Speaker 1: Griffin and David and George hosts talking about anca are

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Speaker 1: we met for today?

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Speaker 4: I'm not here to talk about that. I've already promoted

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Speaker 4: that I've already prone in my podcast Straight Lab. But

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Speaker 4: I host of Sam Taggart on Will Ferrell's Big Money

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Speaker 4: Players Network. I'm under the iHeartMedia umbrella. Yeah, it is

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Speaker 4: something I'm still doing, but I'm currently focused on a

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Speaker 4: different project. Okay, I want to say something you did

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Speaker 4: just mere minutes ago. I was in front of this yeah,

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Speaker 4: and you were wondering what the name of my special

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Speaker 4: was that I'm here to promote. It was in front

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Speaker 4: of you.

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Speaker 1: Yeah.

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Speaker 4: Rather than addressing me and asking what is the title again,

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Speaker 4: you took out your phone and googled George Severa's special title.

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Speaker 4: Is that correct?

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Speaker 1: I just googled George Severis, assuming that it would be

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Speaker 1: close to the top. I think that's nice chat Maybe

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Speaker 1: way in is that nice that I could tell, like,

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Speaker 1: have George think that I'm just recalling it all? But

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Speaker 1: but then you told me you were googling it because

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Speaker 1: it can be another funny little story that comes out

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Speaker 1: of this. Because I got a funny result. I accidentally

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Speaker 1: googled you and Joel Kim Booster together because I was

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Speaker 1: trying to read an article about my friend's wedding and

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Speaker 1: what I got back as an AI generator response, which.

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Speaker 2: By the way, he refuses to turn off. He said,

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Speaker 2: he doesn't want anyone to drink water. Ever again, I said,

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Speaker 2: you know, you can deactivate that automated AI response part

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Speaker 2: and he said no.

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Speaker 3: I turned it up.

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Speaker 1: And then figuring out so stupid because AI is figuring

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Speaker 1: out like a their version of water that is like

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Speaker 1: going to be just as good as the original one.

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Speaker 4: You think AI is figuring out a new version of water.

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Speaker 3: Yeah, they well they literally so.

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Speaker 2: The capabilities that AI has to go through every single

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Speaker 2: scenario of what might be like water, oh you like,

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Speaker 2: and just and just run through it so quickly, and

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Speaker 2: now they have to use water to do it. Yeah,

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Speaker 2: But the fact that they can do that and you

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Speaker 2: don't think that the computer will figure out a better

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Speaker 2: thing than water.

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Speaker 1: Here's a good actually example of how this could work,

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Speaker 1: because what I googled accidentally was George feristrol can booster

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Speaker 1: and I got back George Veris as the host of

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Speaker 1: Stradio Lab with Brendan Lee Mulligan. And so what the

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Speaker 1: AI had done is scanned the internet and found this

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Speaker 1: kind of reddish man that said this must be this

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Speaker 1: must be Brennan Lee Mulligan, and so what we might

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Speaker 1: get is a liquid that is too water, as Brendan

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Speaker 1: Lee Mulligan is to Sam Tigert.

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Speaker 4: But see nice, But it's so funny you say that,

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Speaker 4: because to me that points to the issue with AI.

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Speaker 4: I host a podcast with Sam Taggart. I've been doing

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Speaker 4: it for six years.

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Speaker 1: What if what you don't even want to talk about it?

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Speaker 4: What if suddenly I walk into the studio Brandon Lee

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Speaker 4: Mulligan is my co host. In AI's brain, they're saying,

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Speaker 4: this is the same, maybe even better, this is like

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Speaker 4: this is, you know, essentially the same thing George is

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Speaker 4: doing for six years. For me, it would be a

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Speaker 4: complete night. But I no offense to him, obviously, but

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Speaker 4: I have I have a chemistry that.

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Speaker 1: I work that's not gonna play well with him.

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Speaker 4: I can't know. I would love to do as a

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Speaker 4: separate project with him, you know, anytime my door is open.

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Speaker 4: Actually pretty busy at the moment. But but if I

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Speaker 4: walked into the Straighter Lab studios and what I've what

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Speaker 4: we've spent the last six years building, suddenly we have

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Speaker 4: to rebuild in one day because a I made a mistake.

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Speaker 2: George I'd like to impart of truism.

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Speaker 4: Oh okay, Jenny Hols are alert. There is.

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Speaker 2: Holds this l Yeah, yeah, there is but a single

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Speaker 2: quality that will keep you an everlasting ignorance.

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Speaker 1: Uh huh.

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Speaker 3: And it is contempt prior to investigation.

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Speaker 2: Oh my, Now you have refused to even try replacing

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Speaker 2: Sam with Brendley Mulligan. And you just assume that it

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Speaker 2: would be that it would be worse, or that the

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Speaker 2: chemistry would be there. You don't even know.

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Speaker 1: You're very generous to indulge this.

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Speaker 3: Do thirty to forty episodes with Brennan.

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Speaker 1: I have to pull the veil back. He has to

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Speaker 1: do this for Sam. Like Sam is listening if he

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Speaker 1: shows up in that studio, Brendan Lee Mulligan is there,

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Speaker 1: He's acting like he's not going to say a damn thing.

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Speaker 1: He's going to like just move forward with the show.

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Speaker 4: You think I'm so professional that I'm not going to

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Speaker 4: address it.

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Speaker 1: I think you're accepting what like but could potentially be

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Speaker 1: a huge gift from this. Yeah, Breman's fucking doing incredible numbers.

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Speaker 2: He's pushing numbers around town. Yes, it's pretty serious what

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Speaker 2: he's working.

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Speaker 4: So where does that leave Sam. Let's say I'm completely like,

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Speaker 4: I don't care about Sam anymore. For whatever reason, I

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Speaker 4: think it's a good business decision to replace it.

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Speaker 1: Your business if you just show up in the studio

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Speaker 1: and Brandon is there and you never hear from Sam again,

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Speaker 1: that is not your business.

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Speaker 2: But I don't hang on ask Ai who is a

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Speaker 2: better George that Sam would work? But then we got

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Speaker 2: to want to use stradio, want to use lab and

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Speaker 2: we got the two shows now right?

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Speaker 4: How much water will be enough to waste in order

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Speaker 4: to in order to do a a bit about I

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Speaker 4: think this is.

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Speaker 3: The last one. Okay, I think this is what we

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Speaker 3: have to do.

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Speaker 1: I don't know.

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Speaker 4: We can replace our producer, we can replace our network.

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Speaker 2: Nobody gives it. Kevin tell him how nobody cares about

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Speaker 2: the fucking producer. It's true, Kevin's leaving. We don't even care.

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Speaker 2: No one cares.

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Speaker 3: Oh my god, it's going away.

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Speaker 4: It's so mean. Look at him, all right, who's going

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Speaker 4: to replace me?

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Speaker 1: The opposite of you? And okay, who is in the

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Speaker 1: random dynamic? Where like we have to say that we

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Speaker 1: don't care about Kevin leaving to like protect ourselves.

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Speaker 4: I say, it's all.

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Speaker 2: Vulnerable around him. You know what I mean? There will

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Speaker 2: be no end to it.

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Speaker 1: Right, the automatic AI generated Google response, Oh, George, I'm

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Speaker 1: so sorry, No, we did. I was afraid of this,

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Speaker 1: I asked Chad GBT, I don't use that much. Who

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Speaker 1: who is a better George Saveris?

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Speaker 4: Oh?

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Speaker 1: No, it's the worst possible.

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Speaker 4: That that was not My answer was not worse. I

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Speaker 4: said it before you said the word worst. What What

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Speaker 4: was your I said as a joke, Benito Skinner, because

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Speaker 4: I was thinking of a more famous gay comedian than me.

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Speaker 4: You want to establish that's not that wasn't meant to

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Speaker 4: be a okay?

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Speaker 1: Uh, I'm not sure who you mean by George Varis.

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Speaker 1: That name doesn't clearly match a well known public No,

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Speaker 1: could you clarify one of those for me? Is the

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Speaker 1: spelling correct? And I really have bad news for you,

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Speaker 1: which is that it is? Oh? Are you comparing two

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Speaker 1: people both named George and here's a really tough one.

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Speaker 1: Do you mean someone like George Clooney George kiv Ais

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Speaker 1: with the K Do you mean George Kis? Is that

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Speaker 1: a real person or another similar name? Once I know

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Speaker 1: who you're referring to, I can give you a clear answer.

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Speaker 2: Whether George Kivs is a real person doesn't really matter.

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Speaker 2: We found out that you aren't.

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Speaker 4: But here's the I'm glass half full, sam is a

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Speaker 4: public figure.

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Speaker 1: It's not half full. Sorry after that certain.

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Speaker 4: No, oh no, the glasses empty and it will never

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Speaker 4: be full again until piece, until I find the new

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Speaker 4: AI water of course, which I'm sure is coming from

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Speaker 4: what I understand based on the Raith.

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Speaker 1: Brandon what we might call it, Brandon aid.

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Speaker 4: Oh, so Brendan is sort of like Brendan cohoots with

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Speaker 4: all AI.

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Speaker 1: They're replaced for me.

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Speaker 4: So Sam is is enough of a public figure that

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Speaker 4: he is legible to the state, so much so that

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Speaker 4: they can replace him with someone quote unquote better. I,

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Speaker 4: on the other hand, am so I'm such a huge

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Speaker 4: fucking flop and you're I mean, I'm a ture original.

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Speaker 4: I will never be replaced. They can't even find someone

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Speaker 4: to replace me. So I'm safe for now.

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Speaker 1: And maybe the algorithm is being prevented from absorbing things

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Speaker 1: like your special into it's into its framework, into the

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Speaker 1: l l M because Lenny Bruce style. Were it to

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Speaker 1: infect the language model, it might take the whole structure

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Speaker 1: down with.

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Speaker 2: It, right, do you find that Brennan is explaining stuff

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Speaker 2: to you on your social media feeds at all lately?

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Speaker 1: That's so interesting.

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Speaker 2: I see him sort of holding court in some of

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Speaker 2: these interviews. People are interviewing this guy, and I guess

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Speaker 2: it's just because we had him on the show, and

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Speaker 2: so now like my phone, my computer is like, oh,

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Speaker 2: you got to hear someone with this guy.

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Speaker 1: I saw him talking to Beck and Kyle. I didn't

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Speaker 1: even see that. This was like a sit down.

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Speaker 2: This looked like a like Charlie Rose style interview that

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Speaker 2: I see.

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Speaker 4: They brought back Charlie Rose just for this. I think

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Speaker 4: one last job, Ye said we need we need the

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Speaker 4: guy replacing Sam Taggart on Strato Lab. We need to

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Speaker 4: know what makes him tick.

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Speaker 1: Yeah. I saw a clip that was like it was

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Speaker 1: becking Kyle and Brennan was like, the government's buying on

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Speaker 1: us and Beck was like that's crazy. What's government? And

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Speaker 1: that Bretta was like explaining that to him.

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Speaker 3: Yeah, like what he was telling him what the g

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Speaker 3: where it is?

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Speaker 4: Yes, that's right? And what was his explanation.

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Speaker 2: I can't retain any of what he says after, but

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00:18:12,119 --> 00:18:14,719
Speaker 2: he's like sounding like really smart. But then I'm just like,

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Speaker 2: this is going way past me.

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Speaker 1: Yeah, and you were here for the globes.

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Speaker 4: That's right. I was here for the globes. I was

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Speaker 4: nominated my special sense of Urgency was going to.

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Speaker 2: Say I never did get that title. Yeah, yeah, yeah,

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Speaker 2: but I'm willing to ask you right in front of you.

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Speaker 4: Thank you. It's called the sense of Urgency? That good title.

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Speaker 4: What do we think? So why? Okay?

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Speaker 1: That was hard a bit? Am I hearing it? Are

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Speaker 1: we pulling it from.

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Speaker 4: The brains from? And I said, I want to name

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00:18:48,280 --> 00:18:50,520
Speaker 4: it a sense of Urgency. I texted to trusted friends

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00:18:50,560 --> 00:18:53,360
Speaker 4: from college and both of them were like, any other

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Speaker 4: what's number two?

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Speaker 3: Yeah, what's the other option?

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00:18:56,920 --> 00:19:00,840
Speaker 1: And you're texting your college trends? Because they are not threats.

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00:19:01,320 --> 00:19:04,119
Speaker 4: No, no, no, they are threats. They both work at

382
00:19:04,160 --> 00:19:07,160
Speaker 4: Raythiot and so they could actually kill me any time, right, Yeah,

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00:19:07,160 --> 00:19:09,760
Speaker 4: they are the normal, oh, the normal faceless people. Those

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00:19:09,760 --> 00:19:14,600
Speaker 4: are my friends, and they work at and and they

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00:19:14,640 --> 00:19:16,679
Speaker 4: have in the past. You know, sometimes if we're in

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00:19:16,680 --> 00:19:19,080
Speaker 4: a fight or if I'm being kind of annoying in

387
00:19:19,080 --> 00:19:22,040
Speaker 4: the group to wake there's target on my forehead, I say,

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00:19:22,280 --> 00:19:26,639
Speaker 4: there's stuff again, doing some extra curric extra judicial killing

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Speaker 4: one of her big main hobbies aside from macroma. And

390
00:19:30,840 --> 00:19:34,320
Speaker 4: so basically there's two things with a sense of urgency.

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Speaker 4: There's a final I actually don't say the phrase in

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Speaker 4: the special Believe it or not, but there is a

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Speaker 4: final bit where I'm like, the sort of vibe of

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00:19:40,880 --> 00:19:42,600
Speaker 4: it is like we're running out of time, we're running

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Speaker 4: out of times. But then the other thing is growing up.

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00:19:46,320 --> 00:19:48,119
Speaker 4: This sort of like was like an inside joke with

397
00:19:48,160 --> 00:19:50,520
Speaker 4: myself naming it. Growing up, my mom would always tell

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Speaker 4: us that we have to have a sense of urgency

399
00:19:52,160 --> 00:19:54,040
Speaker 4: about everything, so sort of a tribute to my mom.

400
00:19:54,320 --> 00:19:57,359
Speaker 4: She had this very like immigrant mentality, like you got

401
00:19:57,359 --> 00:19:59,040
Speaker 4: to always be like one step ahead of them, like

402
00:19:59,080 --> 00:20:01,879
Speaker 4: blahlah blah. And it was like, you don't have a

403
00:20:01,920 --> 00:20:04,159
Speaker 4: set like if we're relate to something, if we're not

404
00:20:04,200 --> 00:20:06,080
Speaker 4: ready in time, you don't have a sense of urgency.

405
00:20:06,080 --> 00:20:07,600
Speaker 4: That's going to come back and bite you in the ass.

406
00:20:07,600 --> 00:20:09,240
Speaker 4: You don't have a sense of urgency. And so that

407
00:20:09,440 --> 00:20:10,600
Speaker 4: was sort of.

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00:20:13,400 --> 00:20:14,520
Speaker 1: And does she know you?

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00:20:14,560 --> 00:20:16,640
Speaker 4: Did you share this? Yes, this is for you. I did,

410
00:20:16,720 --> 00:20:19,760
Speaker 4: and she thought it was funny. Wow, you know she

411
00:20:19,760 --> 00:20:20,439
Speaker 4: can laugh about it.

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Speaker 2: Oh, I certainly don't want to disrespect your mom, Please don't.

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00:20:23,560 --> 00:20:25,320
Speaker 4: But something tells me you were about.

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Speaker 2: To no, no, no no. I think she correctly instilled

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00:20:28,040 --> 00:20:30,320
Speaker 2: a sense of urgency. I mean definitely, every time I'm

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Speaker 2: starting to talk, you just like gotta get in there.

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00:20:32,680 --> 00:20:33,800
Speaker 1: Yes, you know.

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00:20:34,080 --> 00:20:37,919
Speaker 2: So it's like that's like really held true and serving you.

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Speaker 1: Well. I know we're not supposed to talk about Stradio

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Speaker 1: Lab on this episode today, but we did see a

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Speaker 1: clip a while ago where you were talking about like

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00:20:49,080 --> 00:20:54,800
Speaker 1: needing potentially a rival podcast. Oh sure, yeah, like like

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00:20:54,920 --> 00:20:57,240
Speaker 1: rival hosts to just be like in a in a

424
00:20:57,280 --> 00:21:01,679
Speaker 1: feud with. And I don't know if your energy today

425
00:21:01,760 --> 00:21:04,399
Speaker 1: is like designed to provoke that.

426
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Speaker 4: But I do want to say one thing, which is

427
00:21:06,400 --> 00:21:08,200
Speaker 4: it's interesting this hasn't come up. And I'm sorry to

428
00:21:08,200 --> 00:21:10,480
Speaker 4: interrupt you. I know that's frowned upon on this podcast,

429
00:21:10,920 --> 00:21:14,399
Speaker 4: but I was thinking when we were talking about the

430
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Speaker 4: AI versions of Sam and me that the elephant in

431
00:21:17,160 --> 00:21:20,200
Speaker 4: the room, quite frankly, is that we are both brunette

432
00:21:20,200 --> 00:21:23,320
Speaker 4: with beard, and you and Sam are both reddish with

433
00:21:23,480 --> 00:21:26,639
Speaker 4: mustach And it's sort of like you guys are like

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00:21:26,720 --> 00:21:29,520
Speaker 4: the Chad versions of us in a sense. Right, So

435
00:21:29,840 --> 00:21:31,800
Speaker 4: I think it would be a very obvious you know,

436
00:21:31,880 --> 00:21:34,719
Speaker 4: people often will comparison which one often will compare us

437
00:21:34,720 --> 00:21:35,840
Speaker 4: to other gay podcas.

438
00:21:36,160 --> 00:21:38,800
Speaker 1: I'm totally open to that conversation, and I'm not gonna

439
00:21:38,880 --> 00:21:43,200
Speaker 1: like take that just conversation, which is who's the chat?

440
00:21:43,280 --> 00:21:50,480
Speaker 4: I'm saying, you guys are both these versions version. If

441
00:21:50,520 --> 00:21:52,280
Speaker 4: you guys can put me on speakerphone, I would love

442
00:21:52,280 --> 00:21:53,600
Speaker 4: to hear that conversation.

443
00:21:53,240 --> 00:21:54,960
Speaker 3: After Oh yeah, well you'll be here.

444
00:21:55,240 --> 00:21:57,240
Speaker 4: Oh cool, Okay, I.

445
00:21:57,640 --> 00:21:59,560
Speaker 2: Just can't do it while the show is being recorded.

446
00:22:00,280 --> 00:22:01,800
Speaker 4: Well, yes, of course, you say, have all your more

447
00:22:01,800 --> 00:22:03,520
Speaker 4: interesting material for when the cameras are.

448
00:22:03,400 --> 00:22:06,000
Speaker 2: Always being really funny right before the show, and I'll

449
00:22:06,040 --> 00:22:07,639
Speaker 2: be really funny again, right, Okay.

450
00:22:07,400 --> 00:22:09,000
Speaker 4: Well, I'm sorry keep interrupting you, but I want to

451
00:22:09,000 --> 00:22:10,520
Speaker 4: give you the floor if there's anything you've been meaning

452
00:22:10,560 --> 00:22:12,840
Speaker 4: to say, got it?

453
00:22:12,880 --> 00:22:17,040
Speaker 2: Oh yeah, this is you know I asked for it.

454
00:22:18,280 --> 00:22:19,960
Speaker 3: No, this is what I was afraid of.

455
00:22:22,200 --> 00:22:24,240
Speaker 2: A lot of pressure to be given the floor like this.

456
00:22:24,359 --> 00:22:25,280
Speaker 3: Don't you think.

457
00:22:32,520 --> 00:22:36,720
Speaker 1: Anything you want to go back?

458
00:22:36,760 --> 00:22:38,679
Speaker 4: Can you let him speak?

459
00:22:38,920 --> 00:22:42,120
Speaker 1: I'm really trying to help. Like, if there's anything you're

460
00:22:42,119 --> 00:22:44,560
Speaker 1: trying to say before that you want to reach back

461
00:22:44,600 --> 00:22:45,120
Speaker 1: for now.

462
00:22:45,240 --> 00:22:54,280
Speaker 2: So George was saying, like, so you would ask this

463
00:22:54,440 --> 00:22:55,200
Speaker 2: is really interesting.

464
00:22:55,280 --> 00:22:56,000
Speaker 1: You would ask.

465
00:22:55,880 --> 00:22:59,159
Speaker 2: George about, you know, whether or not we would be

466
00:22:59,200 --> 00:23:02,919
Speaker 2: discussing Stradio Labut episode. It was a while ago, and

467
00:23:02,960 --> 00:23:04,840
Speaker 2: he said he's not here to talk about that.

468
00:23:05,080 --> 00:23:06,719
Speaker 4: Yeah, and then we talked about it.

469
00:23:06,760 --> 00:23:10,639
Speaker 2: And I'm curious if Sam was here, If Sam was

470
00:23:10,680 --> 00:23:14,639
Speaker 2: here by himself, would he be so quick to shut

471
00:23:14,680 --> 00:23:20,560
Speaker 2: that down? Is he a better advocate for the show

472
00:23:21,760 --> 00:23:22,520
Speaker 2: then you are?

473
00:23:23,760 --> 00:23:24,640
Speaker 3: I think probably yes.

474
00:23:26,160 --> 00:23:28,679
Speaker 4: One of us got up this morning, booked himself on

475
00:23:28,720 --> 00:23:30,520
Speaker 4: a podcast, came and.

476
00:23:30,440 --> 00:23:32,040
Speaker 2: Well, when he wants to do the show, he's like,

477
00:23:32,119 --> 00:23:33,359
Speaker 2: George and I should do it together.

478
00:23:33,680 --> 00:23:35,360
Speaker 3: And then you want to do the show, you're off

479
00:23:35,400 --> 00:23:38,639
Speaker 3: and like, can I kind of leave Sam home?

480
00:23:39,280 --> 00:23:44,320
Speaker 2: Yeah? How does that work? And anyone that I have,

481
00:23:44,560 --> 00:23:49,920
Speaker 2: you know, we we we host a podcast together as well, right, yeah.

482
00:23:49,000 --> 00:23:50,800
Speaker 1: But we don't you know, obviously, we don't like that.

483
00:23:50,880 --> 00:23:52,560
Speaker 1: We have our own lives. Like if one of us

484
00:23:52,640 --> 00:23:56,399
Speaker 1: does something by himself, it's like, we don't. We don't

485
00:23:56,640 --> 00:23:57,120
Speaker 1: like that.

486
00:23:57,240 --> 00:23:58,920
Speaker 2: If we came on you're we're in no danger of

487
00:23:59,000 --> 00:24:00,600
Speaker 2: being invited. But if we can on your.

488
00:24:00,480 --> 00:24:02,040
Speaker 3: Show, would you invite.

489
00:24:02,760 --> 00:24:05,440
Speaker 2: Would you prefer to have one of us or both

490
00:24:05,480 --> 00:24:06,200
Speaker 2: of us?

491
00:24:07,440 --> 00:24:11,800
Speaker 4: I would say that it depends because if it's if

492
00:24:11,840 --> 00:24:14,560
Speaker 4: we're talking like a remote recording. I really don't like

493
00:24:14,600 --> 00:24:16,840
Speaker 4: four people on a zoom. It stresses me out. It's

494
00:24:16,880 --> 00:24:20,239
Speaker 4: unclear who's turn we'll fly in. If you fly in,

495
00:24:21,000 --> 00:24:23,680
Speaker 4: I you have my word that we will have both

496
00:24:23,720 --> 00:24:27,399
Speaker 4: of you in the Iheartred Studio and we will be

497
00:24:27,480 --> 00:24:31,560
Speaker 4: around that, we will be around that boardroom table and

498
00:24:31,600 --> 00:24:34,679
Speaker 4: we will come up with some clear goals for Q

499
00:24:34,800 --> 00:24:35,520
Speaker 4: one together.

500
00:24:35,760 --> 00:24:38,200
Speaker 2: Well, I like that, and can I make a promise

501
00:24:38,280 --> 00:24:42,400
Speaker 2: right now if it is just me? Yeah, you're free

502
00:24:42,440 --> 00:24:46,000
Speaker 2: to talk about our shared podcast during the show.

503
00:24:46,520 --> 00:24:50,679
Speaker 4: Well, don't you think that going? Don't you think that

504
00:24:50,760 --> 00:24:55,920
Speaker 4: going and doing things separately kind of brings more flavor

505
00:24:55,920 --> 00:24:59,080
Speaker 4: into the joint project because you're each bringing your own experiences. Otherwise,

506
00:24:59,080 --> 00:24:59,960
Speaker 4: you depend on who.

507
00:25:00,680 --> 00:25:02,639
Speaker 2: Yes, it depends who's doing it and not if like

508
00:25:02,760 --> 00:25:05,800
Speaker 2: when the shared stuff gets brought up, it's kind of

509
00:25:05,840 --> 00:25:09,640
Speaker 2: shut down or sort of frowned upon, right, like, that's.

510
00:25:09,440 --> 00:25:10,240
Speaker 3: Not what I'm here to do.

511
00:25:10,320 --> 00:25:12,879
Speaker 4: Well, it's interesting because I'm actually I'm not here to

512
00:25:12,920 --> 00:25:13,560
Speaker 4: talk about that.

513
00:25:13,920 --> 00:25:16,800
Speaker 2: Yeah, it's like Billy Bob Thornton when they wanted.

514
00:25:16,600 --> 00:25:18,600
Speaker 4: To talk about Well, he's a big inspiration for both

515
00:25:18,640 --> 00:25:24,920
Speaker 4: me and Sam and we both really love land Man. Yeah,

516
00:25:25,160 --> 00:25:26,960
Speaker 4: that's our favorite television series.

517
00:25:27,000 --> 00:25:31,240
Speaker 2: Would you ask Tom Petty about, uh, what it was

518
00:25:31,280 --> 00:25:32,479
Speaker 2: like to be in Slick Blade?

519
00:25:32,600 --> 00:25:35,440
Speaker 4: He's coming on after after this. It's Nicole Byron. Then

520
00:25:35,440 --> 00:25:37,840
Speaker 4: Tom Petty is our our afternoon recordings.

521
00:25:38,800 --> 00:25:41,439
Speaker 1: I do you have a theory about who is the

522
00:25:41,520 --> 00:25:42,000
Speaker 1: land Man?

523
00:25:43,160 --> 00:25:44,320
Speaker 4: About who is the Landman?

524
00:25:44,600 --> 00:25:45,159
Speaker 3: Have you figure that?

525
00:25:45,440 --> 00:25:47,680
Speaker 4: Is that the central mystery of the series.

526
00:25:47,440 --> 00:25:48,680
Speaker 3: They're trying to find out?

527
00:25:48,920 --> 00:25:49,040
Speaker 1: Oh?

528
00:25:49,160 --> 00:25:49,480
Speaker 4: Got it?

529
00:25:49,840 --> 00:25:50,199
Speaker 3: Yeah?

530
00:25:50,240 --> 00:25:53,720
Speaker 4: And who are the main suspects? Would you say, uh,

531
00:25:56,200 --> 00:26:01,080
Speaker 4: John Hamm? John Hamm is in Landman Ham. It's interesting

532
00:26:01,240 --> 00:26:02,879
Speaker 4: sort of like in the same way that in the

533
00:26:02,880 --> 00:26:06,600
Speaker 4: same way that there's an entire world that over at

534
00:26:06,680 --> 00:26:10,040
Speaker 4: Dropout Dot TV of of comedians, Like it's like a

535
00:26:10,119 --> 00:26:13,600
Speaker 4: whole universe that I somehow was introduced to a couple

536
00:26:13,600 --> 00:26:17,280
Speaker 4: of months ago. The Landman extended universe is kind of

537
00:26:17,320 --> 00:26:18,919
Speaker 4: like that where suddenly you're telling me all these like

538
00:26:18,960 --> 00:26:20,920
Speaker 4: Academy Award winning actors have been on.

539
00:26:20,840 --> 00:26:23,600
Speaker 1: This show for like five seasons, and John ham is

540
00:26:23,640 --> 00:26:26,760
Speaker 1: not an Academy Award winning Well he should have been

541
00:26:27,040 --> 00:26:27,960
Speaker 1: for the town.

542
00:26:28,119 --> 00:26:29,040
Speaker 3: For the town.

543
00:26:29,320 --> 00:26:33,040
Speaker 2: Confess Fletch around, Confess Fletch.

544
00:26:34,440 --> 00:26:36,440
Speaker 4: Yeah, confess Comma Fletch.

545
00:26:38,440 --> 00:26:41,560
Speaker 1: That was a tough one. That was a tough Fletch.

546
00:26:41,680 --> 00:26:44,399
Speaker 4: Not my favorite twice generation.

547
00:26:44,680 --> 00:26:48,880
Speaker 1: I was not watching the earlier Fletches and thinking like, oh,

548
00:26:48,880 --> 00:26:51,480
Speaker 1: I want to see Fletch get flayed.

549
00:26:55,800 --> 00:26:56,720
Speaker 3: They were trying to torture.

550
00:26:58,840 --> 00:27:01,160
Speaker 4: Maybe this is a cultural spot on my bureau, dark

551
00:27:01,200 --> 00:27:09,520
Speaker 4: Fletchy kind of thing. Yes, I didn't know Fletch was,

552
00:27:09,920 --> 00:27:11,520
Speaker 4: And to be honest, I don't think I'm alone in this,

553
00:27:11,600 --> 00:27:14,040
Speaker 4: considering the box office numbers of this film. I didn't

554
00:27:14,040 --> 00:27:16,480
Speaker 4: know Fletch was such a cultural touchstone for people. And

555
00:27:16,640 --> 00:27:19,800
Speaker 4: when it was like Okay, confess Fletcher's back everyone.

556
00:27:20,359 --> 00:27:22,280
Speaker 1: It was originated by Chevra Chase.

557
00:27:23,680 --> 00:27:25,720
Speaker 3: Did you watch the documentary about Heavy No?

558
00:27:25,800 --> 00:27:28,800
Speaker 4: I saw the one clip, me too? Is the documentary

559
00:27:28,840 --> 00:27:31,080
Speaker 4: out or did they just produce that one clip? Okay?

560
00:27:31,560 --> 00:27:39,080
Speaker 4: Did anything else happened? So look at our Look we

561
00:27:39,119 --> 00:27:39,720
Speaker 4: have the ring in.

562
00:27:41,600 --> 00:27:43,680
Speaker 3: Same kind of hand set up over here.

563
00:27:43,720 --> 00:27:46,880
Speaker 4: Well we're you're the Chavers and I can tell your

564
00:27:46,960 --> 00:27:48,440
Speaker 4: ring is thicker than mine.

565
00:27:48,400 --> 00:27:48,879
Speaker 3: A little bit.

566
00:27:49,000 --> 00:27:50,600
Speaker 1: Yeah, we're not saying.

567
00:27:50,400 --> 00:27:53,040
Speaker 4: No, it's also thicker than mine. Do you think it's

568
00:27:53,040 --> 00:27:54,879
Speaker 4: like too feminine that I have a thin ring? To

569
00:27:54,960 --> 00:27:56,560
Speaker 4: be honest, and this is.

570
00:27:58,800 --> 00:28:00,600
Speaker 1: And I don't want to like set up this dynamic

571
00:28:00,600 --> 00:28:03,880
Speaker 1: where like if we're like the enemy podcast of you guys.

572
00:28:03,880 --> 00:28:06,440
Speaker 4: It can't just be it can't just be like one

573
00:28:06,440 --> 00:28:06,800
Speaker 4: to one.

574
00:28:07,480 --> 00:28:09,800
Speaker 2: It can't be like that.

575
00:28:09,920 --> 00:28:13,399
Speaker 1: It's like a gay podcasting all about how a straight

576
00:28:13,480 --> 00:28:15,920
Speaker 1: podcast where enemies.

577
00:28:15,840 --> 00:28:18,800
Speaker 2: Like you can't just be your enemy just because you

578
00:28:18,840 --> 00:28:19,440
Speaker 2: guys are gay.

579
00:28:19,520 --> 00:28:20,920
Speaker 1: We have to figure out like not.

580
00:28:21,440 --> 00:28:24,880
Speaker 4: But what if you're the enemy because we're prejudiced against you,

581
00:28:25,080 --> 00:28:26,800
Speaker 4: Like then you can sort.

582
00:28:26,560 --> 00:28:29,840
Speaker 1: Of that's just gonna have to be right up front.

583
00:28:30,280 --> 00:28:30,840
Speaker 3: Uh huh.

584
00:28:31,320 --> 00:28:34,040
Speaker 2: Yeah, somehow got a foreground that in a major way.

585
00:28:34,560 --> 00:28:37,480
Speaker 1: Somehow that's gonna have to get picked up so bad.

586
00:28:37,720 --> 00:28:39,960
Speaker 2: Anyone picking it up in the middle of the feud

587
00:28:40,200 --> 00:28:43,200
Speaker 2: has to really understand that no matter where they start.

588
00:28:43,320 --> 00:28:47,480
Speaker 1: Somehow every clip, oh, captions, captions would help.

589
00:28:48,040 --> 00:28:50,240
Speaker 2: I think it's Yeah, it seems like a heavy lift

590
00:28:50,240 --> 00:28:52,520
Speaker 2: for you guys. I feel like it would be nice

591
00:28:52,560 --> 00:28:54,560
Speaker 2: if there was something else that we could find to

592
00:28:54,600 --> 00:28:55,680
Speaker 2: differentiate us.

593
00:28:55,840 --> 00:28:58,880
Speaker 1: It says in a big, big yellow text on the bottom,

594
00:28:58,960 --> 00:29:01,200
Speaker 1: the gay guys hate the other guys for not being gay.

595
00:29:01,560 --> 00:29:03,600
Speaker 4: I don't think we hate you for not being gay.

596
00:29:04,600 --> 00:29:08,240
Speaker 3: Well you have to, Well, it's.

597
00:29:09,880 --> 00:29:12,360
Speaker 4: This is such a black and white Why else would

598
00:29:12,360 --> 00:29:14,560
Speaker 4: you hate us?

599
00:29:15,520 --> 00:29:17,320
Speaker 3: Is there anything else negative about me?

600
00:29:17,480 --> 00:29:20,240
Speaker 1: It just has to it has to undo kind of

601
00:29:20,280 --> 00:29:23,240
Speaker 1: the expected you know, we have to zag.

602
00:29:23,800 --> 00:29:27,160
Speaker 4: Well, okay, so let's britstorm. We can't. You're saying the

603
00:29:27,200 --> 00:29:28,320
Speaker 4: difference between us.

604
00:29:29,400 --> 00:29:32,680
Speaker 1: I'm not saying that. They're saying that, you understand we

605
00:29:32,800 --> 00:29:38,520
Speaker 1: exist in society and framework you're saying.

606
00:29:38,800 --> 00:29:42,600
Speaker 4: You're saying, I don't even know who have angry Bisexuals

607
00:29:42,600 --> 00:29:43,680
Speaker 4: with blue hair.

608
00:29:46,200 --> 00:29:48,920
Speaker 1: Can't be your rival podcast. If we're talking about this,

609
00:29:49,160 --> 00:29:51,600
Speaker 1: you can talk about bisexuals in a way that people

610
00:29:51,600 --> 00:29:53,840
Speaker 1: are like, Okay, I'm kind of mad about that, but

611
00:29:53,880 --> 00:29:57,720
Speaker 1: it's okay. We cannot do that. We can't. I can't

612
00:29:57,720 --> 00:29:59,880
Speaker 1: be out here talking about lesbians and I.

613
00:30:00,160 --> 00:30:02,280
Speaker 2: Yeah, when I'm bringing that stuff up, all of a sudden,

614
00:30:02,480 --> 00:30:04,320
Speaker 2: it's like a huge problem for everyone.

615
00:30:04,440 --> 00:30:05,720
Speaker 4: Yeah, but then they have stuff.

616
00:30:05,760 --> 00:30:07,280
Speaker 1: I got to know you.

617
00:30:07,560 --> 00:30:10,600
Speaker 3: I've heard so much lesbian material.

618
00:30:10,880 --> 00:30:13,000
Speaker 4: No off mic, it's pretty much just the list of

619
00:30:13,040 --> 00:30:17,280
Speaker 4: identities and your probably right before the podcast. Yeah, and

620
00:30:17,320 --> 00:30:19,000
Speaker 4: I agree about that group of people that you were

621
00:30:19,040 --> 00:30:22,280
Speaker 4: talking about. They are so up their own ass, I know,

622
00:30:23,080 --> 00:30:25,840
Speaker 4: especially lately with everything happening politically.

623
00:30:25,600 --> 00:30:27,280
Speaker 3: Right and it's like it's like.

624
00:30:28,880 --> 00:30:36,160
Speaker 4: We're focusing on Venezuela, you know, Yeah, but it's always something. Yeah,

625
00:30:36,440 --> 00:30:39,760
Speaker 4: I would sort of argue that what you're saying is

626
00:30:39,840 --> 00:30:43,440
Speaker 4: flawed because you're saying you can't say something about lesbians

627
00:30:43,440 --> 00:30:45,440
Speaker 4: because people are going to be mad at you. But

628
00:30:45,480 --> 00:30:48,480
Speaker 4: then in the broader scheme of things, you're gonna like

629
00:30:49,120 --> 00:30:51,520
Speaker 4: win a golden globe, Like you just have to be

630
00:30:51,600 --> 00:30:56,080
Speaker 4: comfortable with getting the institutional praise in a sort of

631
00:30:56,160 --> 00:30:58,520
Speaker 4: Ricky Gervais type way, and you just have to be

632
00:30:58,520 --> 00:31:01,200
Speaker 4: comfortable with bisexual was being angry with you.

633
00:31:01,840 --> 00:31:04,320
Speaker 1: But only a way to win a golden globe now

634
00:31:04,440 --> 00:31:06,680
Speaker 1: is having bisexuals get mad at.

635
00:31:06,600 --> 00:31:07,600
Speaker 4: You quite literally?

636
00:31:07,680 --> 00:31:14,000
Speaker 1: Yes, Oh my god, I mean it worked for Amy.

637
00:31:14,040 --> 00:31:17,120
Speaker 4: Do you want the moral Amy who polar Oh my god,

638
00:31:17,200 --> 00:31:19,360
Speaker 4: she despises bisexuals and like it.

639
00:31:19,560 --> 00:31:23,320
Speaker 1: She's mopping up for it so well, she loved them.

640
00:31:23,320 --> 00:31:24,480
Speaker 3: Would they be happy with that?

641
00:31:24,760 --> 00:31:29,440
Speaker 4: I mean yeah, if well, they're both happy and sad.

642
00:31:29,640 --> 00:31:33,200
Speaker 1: That's why they're kind of what it's all about. That's

643
00:31:33,240 --> 00:31:36,160
Speaker 1: what I think anyway, Maybe maybe I'm bisexual.

644
00:31:39,000 --> 00:31:44,280
Speaker 4: I knew someone in college who identified as try by, bisexual, biracial,

645
00:31:44,280 --> 00:31:46,000
Speaker 4: and bipolar. What do you have to say about that?

646
00:31:47,240 --> 00:31:52,840
Speaker 1: So here's what I would what it's seeing a bicycle

647
00:31:53,320 --> 00:31:54,680
Speaker 1: or a tricycle.

648
00:31:55,640 --> 00:31:58,440
Speaker 4: That wouldn't really match with the rest of the identifiers.

649
00:31:58,760 --> 00:32:02,360
Speaker 3: Well, it's try by think try and try by it.

650
00:32:02,440 --> 00:32:04,240
Speaker 4: Yeah, yeah, okay.

651
00:32:05,120 --> 00:32:08,440
Speaker 1: I My wish instead is that we could be mad

652
00:32:08,480 --> 00:32:11,280
Speaker 1: at each other over like we all found a treasure

653
00:32:11,360 --> 00:32:14,320
Speaker 1: together and we agreed.

654
00:32:14,200 --> 00:32:16,440
Speaker 4: Yeah, this would really kill on dropout.

655
00:32:16,160 --> 00:32:19,880
Speaker 1: To bury it and like split it evenly after a

656
00:32:19,880 --> 00:32:24,040
Speaker 1: certain amount of I know, okay, they basically this is

657
00:32:24,320 --> 00:32:26,800
Speaker 1: and by the way, trust me, I know this is

658
00:32:26,840 --> 00:32:30,440
Speaker 1: basically what happened to them. They accidentally like found a

659
00:32:30,520 --> 00:32:33,400
Speaker 1: billion dollars, yes, and now they are to decide how

660
00:32:33,440 --> 00:32:36,240
Speaker 1: to split it. People keep sneaking in.

661
00:32:37,360 --> 00:32:41,440
Speaker 4: I would before the New York Times investigation of where

662
00:32:41,480 --> 00:32:44,000
Speaker 4: that money came from, because it is I haven't seen

663
00:32:44,040 --> 00:32:47,000
Speaker 4: anything like this since Queen of Versailles.

664
00:32:47,720 --> 00:32:51,000
Speaker 1: Yeah, it is like a mister Best style challenge, and

665
00:32:51,040 --> 00:32:53,959
Speaker 1: we might larn that he's responsible.

666
00:32:53,320 --> 00:32:56,960
Speaker 4: For this to me, mister Beast and drop again, I know, mister.

667
00:32:57,360 --> 00:32:59,040
Speaker 2: Funding drop out without their knowledge.

668
00:32:59,280 --> 00:33:01,720
Speaker 1: Yeah, and they and the challenges they have to be

669
00:33:01,960 --> 00:33:04,120
Speaker 1: like they would have to sit in a room together

670
00:33:04,160 --> 00:33:06,200
Speaker 1: and be like really nice to each other, and as

671
00:33:06,240 --> 00:33:08,400
Speaker 1: soon as like anyone is too mean, all the money

672
00:33:08,480 --> 00:33:10,160
Speaker 1: disappeared completely. Yeah.

673
00:33:13,360 --> 00:33:14,760
Speaker 4: Has mister Beess been on the pod?

674
00:33:15,760 --> 00:33:18,480
Speaker 3: So it's, uh, we're not sure.

675
00:33:19,840 --> 00:33:23,640
Speaker 2: We've had some Yes, we've had some people on here

676
00:33:23,720 --> 00:33:28,800
Speaker 2: that we suspect may have been mister Beasts, and time

677
00:33:28,840 --> 00:33:29,880
Speaker 2: will tell, you know.

678
00:33:30,080 --> 00:33:32,560
Speaker 3: I assume that the prestige.

679
00:33:32,240 --> 00:33:34,640
Speaker 2: Will take place at some point where he kind of

680
00:33:34,680 --> 00:33:36,760
Speaker 2: reveals himself to have been mister Beast.

681
00:33:36,600 --> 00:33:37,240
Speaker 3: The whole time.

682
00:33:37,840 --> 00:33:41,200
Speaker 1: Baron Davis was in here a few months ago, you

683
00:33:41,280 --> 00:33:41,800
Speaker 1: thought he was.

684
00:33:42,440 --> 00:33:45,040
Speaker 2: I was getting mister Beast's vibes off of am I

685
00:33:45,080 --> 00:33:46,040
Speaker 2: the only one.

686
00:33:46,120 --> 00:33:48,000
Speaker 1: And we did the whole like, I don't know, I'm

687
00:33:48,040 --> 00:33:50,040
Speaker 1: not going to like cross over to the other chair

688
00:33:50,120 --> 00:33:52,480
Speaker 1: and like unmask somebody on this show. That's not what

689
00:33:52,560 --> 00:33:53,239
Speaker 1: this show is.

690
00:33:53,400 --> 00:33:56,880
Speaker 4: No, no, no, no. This show is about hating bisexuals

691
00:33:57,600 --> 00:33:59,960
Speaker 4: and being afraid that gay guys are going to cancel you.

692
00:34:01,880 --> 00:34:02,200
Speaker 1: God.

693
00:34:02,680 --> 00:34:04,320
Speaker 2: It's definitely about being scared.

694
00:34:04,640 --> 00:34:07,120
Speaker 3: Yeah, the show's always been about.

695
00:34:06,880 --> 00:34:08,920
Speaker 2: Being scared first and foremost.

696
00:34:09,320 --> 00:34:12,239
Speaker 4: Okay, well, to go along with the shape shifting thing,

697
00:34:12,840 --> 00:34:15,719
Speaker 4: if our connection is that you and Sam have a

698
00:34:15,719 --> 00:34:21,719
Speaker 4: physical bond bond, physical bond, yes, and that and that

699
00:34:21,760 --> 00:34:23,920
Speaker 4: the two of us have a physical bond. If the

700
00:34:23,920 --> 00:34:26,840
Speaker 4: connection is that we have a physical similarities, then it

701
00:34:26,880 --> 00:34:29,439
Speaker 4: could be something like a shape shifting Like what if

702
00:34:29,600 --> 00:34:35,280
Speaker 4: sometimes I sneak sister sister style Ta Ta Mary Mary style,

703
00:34:35,320 --> 00:34:38,440
Speaker 4: I sneak in and pretend to be Sean and record

704
00:34:38,440 --> 00:34:40,560
Speaker 4: and you realize mid recording that's not my co host.

705
00:34:40,760 --> 00:34:42,359
Speaker 4: And then this actually brings it back to what we

706
00:34:42,360 --> 00:34:45,240
Speaker 4: were talking about initially with Sam being replaced. So basically,

707
00:34:45,600 --> 00:34:48,400
Speaker 4: at any given time, there are shifting alliances among the

708
00:34:48,480 --> 00:34:52,279
Speaker 4: four of us, and someone is always trying to sabotage

709
00:34:52,320 --> 00:34:55,799
Speaker 4: the other person's recordings via switching places.

710
00:34:55,880 --> 00:34:58,440
Speaker 3: And yeah, and.

711
00:34:58,440 --> 00:35:00,960
Speaker 2: That actually show with Sam might don't know it correct,

712
00:35:00,960 --> 00:35:02,960
Speaker 2: but I'm going why is no one hosting this thing?

713
00:35:03,920 --> 00:35:08,239
Speaker 1: And then I can show up on Stradio Lab and

714
00:35:08,400 --> 00:35:11,799
Speaker 1: really get my ship off exactly in a way that

715
00:35:11,880 --> 00:35:14,120
Speaker 1: he here. People be like, why is he doing that?

716
00:35:14,320 --> 00:35:16,440
Speaker 3: Yeah, but he's got so much stuff.

717
00:35:16,520 --> 00:35:19,640
Speaker 4: Yeah, I want to say on the record in terms

718
00:35:19,640 --> 00:35:22,520
Speaker 4: of us having you on, like, there's nothing I would

719
00:35:22,520 --> 00:35:27,400
Speaker 4: want more. But I feel like you guys are like nothing. No.

720
00:35:27,520 --> 00:35:30,719
Speaker 4: I feel like you guys are like untouched. Like I

721
00:35:30,760 --> 00:35:33,560
Speaker 4: have this idea that I have this idea that I

722
00:35:33,560 --> 00:35:36,720
Speaker 4: would ask you to do it, and you'd be like, Okay,

723
00:35:36,760 --> 00:35:39,279
Speaker 4: we have to because he's because he's been on our show.

724
00:35:39,400 --> 00:35:42,120
Speaker 1: Oh I'm so happy to hear that. Oh my god,

725
00:35:42,200 --> 00:35:43,600
Speaker 1: I love that. That's I think.

726
00:35:45,000 --> 00:35:51,600
Speaker 2: I feel like that's very exclusive. It's really hard to

727
00:35:51,640 --> 00:35:55,680
Speaker 2: get us. We both did Box Angelis, Oh my god.

728
00:35:55,760 --> 00:35:58,120
Speaker 1: And now I can think about every other podcast and

729
00:35:58,160 --> 00:36:00,120
Speaker 1: think that that's why they haven't asked me.

730
00:36:00,800 --> 00:36:01,200
Speaker 3: Mm hmm.

731
00:36:01,480 --> 00:36:03,680
Speaker 1: But I I'm scargo. Yeh know.

732
00:36:03,880 --> 00:36:04,359
Speaker 3: It's right.

733
00:36:04,520 --> 00:36:08,600
Speaker 2: Nobody wants to asked me out I'm too hot. They're intimidated.

734
00:36:09,480 --> 00:36:12,840
Speaker 3: That's so good. I did do what you're describing recently.

735
00:36:12,920 --> 00:36:17,319
Speaker 2: It wasn't intentionally, but we had Molly Lambert on and

736
00:36:17,360 --> 00:36:18,960
Speaker 2: I sort of was like, why didn't you ask me

737
00:36:19,000 --> 00:36:20,759
Speaker 2: to do a voice on your podcast? And then her

738
00:36:20,760 --> 00:36:22,719
Speaker 2: producer did email me and say, hey, come to a

739
00:36:22,800 --> 00:36:25,359
Speaker 2: voice and I was like, yeah, totally, And then I

740
00:36:25,400 --> 00:36:27,439
Speaker 2: had to go out of town during the dates they asked,

741
00:36:27,440 --> 00:36:28,760
Speaker 2: and then I never talked to them again.

742
00:36:29,280 --> 00:36:31,160
Speaker 4: You know, it's interesting Sam was asked to do that

743
00:36:31,239 --> 00:36:32,080
Speaker 4: and I wasn't.

744
00:36:32,600 --> 00:36:34,400
Speaker 3: Well, hey and I hadn't.

745
00:36:34,560 --> 00:36:42,960
Speaker 4: Wow real and actually your Sam was asked and yeah,

746
00:36:43,040 --> 00:36:44,160
Speaker 4: both Sam's were asked.

747
00:36:44,040 --> 00:36:46,640
Speaker 3: Yes, yeah, and they and they didn't want to.

748
00:36:46,800 --> 00:36:50,200
Speaker 4: They didn't want George. Yeah, now that's interesting. Would you

749
00:36:50,280 --> 00:36:52,440
Speaker 4: say that being a Sam is more of like an

750
00:36:52,520 --> 00:36:55,560
Speaker 4: on camera vibe, whereas being a George is a more

751
00:36:55,560 --> 00:36:57,640
Speaker 4: off camera I mean, you know you mentioned the Golden globes.

752
00:36:57,640 --> 00:36:59,560
Speaker 4: I was there purely as a writer, not as a performer.

753
00:37:00,000 --> 00:37:02,799
Speaker 4: Would you say that we have more faces for a

754
00:37:02,840 --> 00:37:04,240
Speaker 4: writer's room people.

755
00:37:04,760 --> 00:37:07,800
Speaker 2: Yeah, well I don't even know if it's an on camera,

756
00:37:07,880 --> 00:37:10,600
Speaker 2: but there's a more approachable right.

757
00:37:11,360 --> 00:37:13,280
Speaker 3: People are more comfortable asking.

758
00:37:13,000 --> 00:37:16,960
Speaker 2: Sam you know Sam, Yes, oh yeah, they'll reach out

759
00:37:16,960 --> 00:37:17,600
Speaker 2: to Sam.

760
00:37:18,680 --> 00:37:20,280
Speaker 4: Like are more intimidated.

761
00:37:20,880 --> 00:37:24,319
Speaker 3: George really nice, And I think that's true. Yes, I

762
00:37:24,400 --> 00:37:24,879
Speaker 3: do too.

763
00:37:25,360 --> 00:37:30,719
Speaker 4: I Actually I know people think I'm kind of like bitchy,

764
00:37:30,880 --> 00:37:32,200
Speaker 4: so then I overcompensate.

765
00:37:32,200 --> 00:37:37,360
Speaker 2: It is like George, I said that so many times.

766
00:37:37,400 --> 00:37:40,440
Speaker 2: I know, before you came on, after you came on.

767
00:37:40,560 --> 00:37:45,359
Speaker 2: This morning, here comes here comes bitchy George, and.

768
00:37:45,320 --> 00:37:46,360
Speaker 1: I guess the question.

769
00:37:46,800 --> 00:37:48,879
Speaker 4: Yeah, I know. But then in fact that.

770
00:37:49,440 --> 00:37:53,120
Speaker 1: Some of the Sam's have is like if you're secretly nice,

771
00:37:53,360 --> 00:37:56,160
Speaker 1: like if it's a big secret, are you nice?

772
00:37:56,600 --> 00:37:57,239
Speaker 3: You reveal it?

773
00:37:57,440 --> 00:38:01,360
Speaker 4: Like what I think it says?

774
00:38:01,520 --> 00:38:01,960
Speaker 1: Secret?

775
00:38:04,760 --> 00:38:07,120
Speaker 4: No? No, I think just a feeling in your heart. Yeah,

776
00:38:07,160 --> 00:38:10,560
Speaker 4: we're discerning. You know. It's like we're gonna there's five people,

777
00:38:10,640 --> 00:38:12,200
Speaker 4: we're gonna choose which one we want to talk to.

778
00:38:12,239 --> 00:38:14,760
Speaker 4: But then to that you have, you will be so

779
00:38:14,880 --> 00:38:17,040
Speaker 4: nice to them. Yeah, okay, be really nice to them,

780
00:38:17,040 --> 00:38:18,920
Speaker 4: and we're gonna be like, thank God, I'm talking to

781
00:38:19,000 --> 00:38:21,280
Speaker 4: you who I love, and not these four fucking losers.

782
00:38:21,400 --> 00:38:23,880
Speaker 3: Yeah, it implies some reason.

783
00:38:24,040 --> 00:38:26,280
Speaker 4: Jesus Christ, he's fucking lame asshole.

784
00:38:27,520 --> 00:38:28,040
Speaker 3: They suck.

785
00:38:28,160 --> 00:38:33,360
Speaker 2: Meanwhile, they have terrible stupid Yeah, everything they make sucks

786
00:38:33,360 --> 00:38:37,600
Speaker 2: and I'm just barely restraining myself from telling them that.

787
00:38:38,520 --> 00:38:43,480
Speaker 3: And they think I'm a jerk. Sorry, no, exactly, there

788
00:38:43,560 --> 00:38:44,080
Speaker 3: might go on.

789
00:38:44,120 --> 00:38:46,080
Speaker 4: What were you saying, I Meanwhile, you're talking all five

790
00:38:46,120 --> 00:38:47,919
Speaker 4: of them, You're talking all five of them. You're saying,

791
00:38:47,920 --> 00:38:50,840
Speaker 4: oh hi, oh hi, but you have nothing that you have,

792
00:38:51,000 --> 00:38:53,759
Speaker 4: you have nothing to sort of no depth, to the

793
00:38:54,040 --> 00:38:55,960
Speaker 4: to the kindness. You know, you're just going around. You're

794
00:38:56,000 --> 00:38:58,920
Speaker 4: going around. You're saying, oh, congratulations are your new project?

795
00:38:59,320 --> 00:39:00,839
Speaker 4: Oh so nice to see you.

796
00:39:00,960 --> 00:39:03,720
Speaker 1: Yeah, and they feel nice and yeah, they're saying.

797
00:39:06,680 --> 00:39:08,200
Speaker 3: Great, Oh he's so supportive.

798
00:39:08,400 --> 00:39:09,360
Speaker 1: Yeah.

799
00:39:09,960 --> 00:39:13,240
Speaker 2: Meanwhile, I'm actually secretly nice because I don't even engage

800
00:39:13,239 --> 00:39:13,600
Speaker 2: with them.

801
00:39:13,560 --> 00:39:20,120
Speaker 4: At all, exactly because I hate him. Yeah, exactly. I'm saying,

802
00:39:20,239 --> 00:39:21,840
Speaker 4: why would I be fake to you? That is so

803
00:39:21,960 --> 00:39:24,360
Speaker 4: disrespectful for me to pretend that I respect you, to

804
00:39:24,440 --> 00:39:28,719
Speaker 4: pretend I have any sort of uh, that you mean

805
00:39:28,760 --> 00:39:29,880
Speaker 4: anything to me as a person.

806
00:39:31,520 --> 00:39:32,160
Speaker 3: How kind?

807
00:39:33,239 --> 00:39:36,920
Speaker 1: There must be a kind of a swarthy Brennan out

808
00:39:36,920 --> 00:39:39,040
Speaker 1: there as well, you know what I mean.

809
00:39:39,800 --> 00:39:44,680
Speaker 2: I haven't been able to log into the site to

810
00:39:44,680 --> 00:39:45,440
Speaker 2: see if he's in.

811
00:39:45,400 --> 00:39:50,920
Speaker 1: There, into your GPT, no, into like your social network

812
00:39:50,960 --> 00:39:52,600
Speaker 1: for like Sean and George types.

813
00:39:53,120 --> 00:39:56,440
Speaker 4: Yeah, yeah, do you guys have Is.

814
00:39:56,360 --> 00:39:58,960
Speaker 1: There like a feed or is it just like uh,

815
00:39:59,800 --> 00:40:00,560
Speaker 1: is it a slack?

816
00:40:04,040 --> 00:40:08,320
Speaker 2: It's just a it's it's just a grid of tiles.

817
00:40:08,560 --> 00:40:09,960
Speaker 4: Yes, wow, it's like Grinder.

818
00:40:11,560 --> 00:40:13,920
Speaker 1: That's what Grinder is a grid of ties, the.

819
00:40:13,840 --> 00:40:17,160
Speaker 4: Grid of tiles, and it is location based and you

820
00:40:17,200 --> 00:40:17,960
Speaker 4: know wherever.

821
00:40:17,680 --> 00:40:19,560
Speaker 1: You line them up exactly right.

822
00:40:20,320 --> 00:40:22,719
Speaker 4: Well, it's it's just by by how far away they

823
00:40:22,760 --> 00:40:25,400
Speaker 4: are from you. So it's automatically populated. And so wherever

824
00:40:25,400 --> 00:40:27,920
Speaker 4: I am, let's say I'm you know, in some you know,

825
00:40:28,000 --> 00:40:29,840
Speaker 4: all of us are very kind of like sophisticated. All

826
00:40:29,880 --> 00:40:32,720
Speaker 4: our friends are mostly like play rights and sculptors. Yeah

827
00:40:32,760 --> 00:40:36,400
Speaker 4: we are. Let's say I'm at a gallery opening a theater,

828
00:40:36,480 --> 00:40:40,080
Speaker 4: at the opera, places that Shawn and Georges would frequent.

829
00:40:40,440 --> 00:40:44,560
Speaker 4: We open the grinder for Shawn and George's and it says, oh,

830
00:40:44,640 --> 00:40:46,360
Speaker 4: you know, so and so is here. It's just a

831
00:40:46,400 --> 00:40:53,040
Speaker 4: grid of kind of very approachably handsome bearded men and

832
00:40:53,480 --> 00:40:55,239
Speaker 4: we say, oh great, now I can go up to

833
00:40:55,320 --> 00:40:57,600
Speaker 4: this person. I know it's safe because he is one

834
00:40:57,640 --> 00:40:59,800
Speaker 4: of my own, and we can have a conversation about,

835
00:40:59,800 --> 00:41:01,680
Speaker 4: you know, the latest article in the Paris Review.

836
00:41:01,800 --> 00:41:04,600
Speaker 2: But also sometimes you might have to go to like

837
00:41:05,120 --> 00:41:07,840
Speaker 2: you might have an obligation to attend like a carnival

838
00:41:08,120 --> 00:41:14,640
Speaker 2: or like something, you know, something where it's like it's

839
00:41:14,719 --> 00:41:18,560
Speaker 2: not your milieu. And so there's also a feature on

840
00:41:18,560 --> 00:41:21,640
Speaker 2: the app where you compare yourself with the closest sam exactly,

841
00:41:22,120 --> 00:41:24,800
Speaker 2: and then they can sort of provide, you know, social

842
00:41:25,040 --> 00:41:31,760
Speaker 2: entree into this like low class kind of disgusting like slop.

843
00:41:31,880 --> 00:41:34,040
Speaker 4: Yeah, they can kind of like explain to you.

844
00:41:33,800 --> 00:41:37,960
Speaker 1: Know what I mean. It's just different from my experience.

845
00:41:38,480 --> 00:41:41,360
Speaker 1: Me and Sam and like the rest of us, Like

846
00:41:41,840 --> 00:41:44,839
Speaker 1: this is true. We see each other at the gym.

847
00:41:45,200 --> 00:41:47,160
Speaker 1: We're just like and you know, I actually did we

848
00:41:47,200 --> 00:41:51,120
Speaker 1: have a gym for us and the people I see

849
00:41:51,120 --> 00:41:57,359
Speaker 1: there are Sam and Lamar Woods who is also who

850
00:41:57,440 --> 00:42:00,920
Speaker 1: is one of them? Yes he is Carl He squirrels.

851
00:42:01,600 --> 00:42:05,279
Speaker 4: Well, I do you know? I did, actually know. I did,

852
00:42:05,440 --> 00:42:07,960
Speaker 4: in all earnestness, I knew that you and Sam went

853
00:42:08,000 --> 00:42:09,600
Speaker 4: to the same gym, and I actually also know that

854
00:42:09,640 --> 00:42:12,040
Speaker 4: Sam went to the gym's holiday party. Were you in attendance?

855
00:42:12,320 --> 00:42:14,640
Speaker 1: I was not at the holiday party. I did see it.

856
00:42:14,840 --> 00:42:21,759
Speaker 3: I realized because there were no Georgias at the holiday.

857
00:42:22,080 --> 00:42:24,319
Speaker 1: A very serious illness. That's the only thing that could

858
00:42:24,400 --> 00:42:24,960
Speaker 1: keep me. Well.

859
00:42:25,000 --> 00:42:27,600
Speaker 4: You the Sam community is very in person based, and

860
00:42:27,640 --> 00:42:29,800
Speaker 4: I will say, you know that is somewhere we fall short.

861
00:42:29,840 --> 00:42:32,400
Speaker 4: You know, we are always on the app, We're always

862
00:42:32,440 --> 00:42:35,960
Speaker 4: on the grid looking for the nearest people. Whereas you

863
00:42:36,000 --> 00:42:38,680
Speaker 4: guys are able to kind of unplug, you break your fear.

864
00:42:38,840 --> 00:42:39,160
Speaker 1: Engage.

865
00:42:40,280 --> 00:42:41,239
Speaker 4: Yeah, you're engaging with the.

866
00:42:41,239 --> 00:42:43,359
Speaker 1: World and it's set is it true? It's set up

867
00:42:43,360 --> 00:42:45,720
Speaker 1: where like you have group chats in there, but every

868
00:42:45,800 --> 00:42:48,400
Speaker 1: single group chat in the app is missing one person.

869
00:42:49,080 --> 00:42:52,080
Speaker 1: So you search it by an individual's name and then

870
00:42:52,320 --> 00:42:54,440
Speaker 1: that sends you to the group chat that does not

871
00:42:54,560 --> 00:42:55,920
Speaker 1: have that one person.

872
00:42:55,640 --> 00:42:58,399
Speaker 4: So you can talk about that person. But I think

873
00:42:58,400 --> 00:42:59,000
Speaker 4: that's healthy.

874
00:43:00,040 --> 00:43:02,040
Speaker 1: We just like phone calls. We just call each other.

875
00:43:01,920 --> 00:43:12,520
Speaker 5: Group m m, well, you know different Strokesllywood, Hollywood Ham.

876
00:43:13,600 --> 00:43:16,320
Speaker 1: What was it like doing the Golden Globes with Mary Pepperoni?

877
00:43:16,760 --> 00:43:19,319
Speaker 4: Mary Pepperoni one of my oldest comedy friends. We know

878
00:43:19,360 --> 00:43:22,480
Speaker 4: each other for almost ten years comedy friend.

879
00:43:22,840 --> 00:43:23,960
Speaker 1: M hmm. I got that.

880
00:43:24,840 --> 00:43:28,640
Speaker 2: Everybody felt that something Shi not a friend.

881
00:43:28,840 --> 00:43:29,000
Speaker 1: You know?

882
00:43:29,160 --> 00:43:31,160
Speaker 4: Is Mary Beth a Georgia or Sam? Would you say

883
00:43:31,560 --> 00:43:33,840
Speaker 4: you know you guys know her to Benny?

884
00:43:35,000 --> 00:43:36,680
Speaker 3: Oh, yes, Mary Beth and Benny.

885
00:43:36,600 --> 00:43:40,320
Speaker 4: Which Sam. I sort of think Marybeth is the George

886
00:43:40,360 --> 00:43:41,520
Speaker 4: and benneg.

887
00:43:41,200 --> 00:43:46,400
Speaker 1: Yeah, yeahs. Marybeth is on the grid. Marybeth is on

888
00:43:46,480 --> 00:43:49,160
Speaker 1: the grinder, the George Shawn Grinder grid. She's going to

889
00:43:49,200 --> 00:43:51,319
Speaker 1: every single group chat. She's saying he's ugly, he's fat.

890
00:43:53,200 --> 00:43:57,440
Speaker 1: I do like I don't know if mary Beth will

891
00:43:57,480 --> 00:44:01,880
Speaker 1: like hearing this, no, please, but I I think she

892
00:44:01,960 --> 00:44:05,839
Speaker 1: belogs over on our team. Really, I think so interesting,

893
00:44:06,080 --> 00:44:09,600
Speaker 1: say more she did the mayor stuff.

894
00:44:09,920 --> 00:44:14,399
Speaker 4: Oh, she is more like earnest political advocacy. Heart's really

895
00:44:14,400 --> 00:44:20,080
Speaker 4: in the right place. But I actually secretly no, to

896
00:44:20,160 --> 00:44:23,000
Speaker 4: be clear, I voted for Andrew Cuomo, and I would

897
00:44:23,040 --> 00:44:27,520
Speaker 4: do it again as that sean illegally because he doesn't

898
00:44:27,520 --> 00:44:28,600
Speaker 4: actually live in New York City.

899
00:44:28,960 --> 00:44:31,520
Speaker 2: Yeah, but I gotta get out there anytime there's a

900
00:44:31,560 --> 00:44:32,239
Speaker 2: vote going down.

901
00:44:32,320 --> 00:44:33,799
Speaker 3: I have to feel like I'm a part of it.

902
00:44:33,880 --> 00:44:36,400
Speaker 4: Well, a big part of the app is sharing tips

903
00:44:36,400 --> 00:44:38,840
Speaker 4: on how to do voter fraud in various purple states

904
00:44:38,840 --> 00:44:42,920
Speaker 4: so we can turn the red. So yeah, I guess

905
00:44:42,960 --> 00:44:44,840
Speaker 4: in that sense, Marybeth is more of a sam.

906
00:44:45,080 --> 00:44:47,279
Speaker 2: Yeah, she's a little Yeah, she's not as committed to

907
00:44:47,320 --> 00:44:48,160
Speaker 2: the cause as we are.

908
00:44:48,600 --> 00:44:50,600
Speaker 1: Who did you talk to who you're gonna be friends

909
00:44:50,640 --> 00:44:52,120
Speaker 1: with after you think so?

910
00:44:53,160 --> 00:44:55,800
Speaker 4: Well, Franklin doesn't know what he is referring to. Is

911
00:44:55,840 --> 00:44:58,680
Speaker 4: that I Marybeth and I worked on the red carpet

912
00:44:58,719 --> 00:44:59,880
Speaker 4: of the Golden Globe.

913
00:45:00,040 --> 00:45:01,320
Speaker 1: Anyone who doesn't know.

914
00:45:01,280 --> 00:45:04,640
Speaker 4: So I I will say, actually, I have a story

915
00:45:04,680 --> 00:45:06,680
Speaker 4: for you, and I am I unfortunately do have to

916
00:45:06,719 --> 00:45:09,720
Speaker 4: anonymize the people that are involved. At the after party

917
00:45:09,719 --> 00:45:11,680
Speaker 4: figured it out. I was making small talk with get

918
00:45:11,719 --> 00:45:18,160
Speaker 4: this an A list actress? A list? Okay, oscar nominee beautiful.

919
00:45:18,120 --> 00:45:22,080
Speaker 1: Beautiful, beautiful, that narrative dead.

920
00:45:22,160 --> 00:45:29,879
Speaker 4: No, I was okay, oka right, making small talk. I'll

921
00:45:29,880 --> 00:45:32,080
Speaker 4: get this an A list actor. A male actor walks

922
00:45:32,080 --> 00:45:35,360
Speaker 4: into the room. Let's say his name is Rob. It wasn't.

923
00:45:35,760 --> 00:45:37,839
Speaker 4: So she turns to me and she goes, Oh, there's Rob.

924
00:45:38,040 --> 00:45:42,840
Speaker 1: He's gay. Wow. Have they appeared together?

925
00:45:44,239 --> 00:45:44,560
Speaker 3: Uh?

926
00:45:44,800 --> 00:45:46,400
Speaker 4: Not that I can think of off the top of

927
00:45:46,400 --> 00:45:48,360
Speaker 4: my head. Certainly not in like a famous movie or

928
00:45:48,440 --> 00:45:53,680
Speaker 4: TV show. So here's my question. I genuinely have no

929
00:45:53,719 --> 00:45:56,120
Speaker 4: idea to this day if she was joking my three.

930
00:45:55,880 --> 00:45:58,160
Speaker 1: Options this day. I mean, it was like two days ago.

931
00:45:58,400 --> 00:46:00,759
Speaker 4: Yeah, but it's all I've been thinking about. It's been

932
00:46:00,800 --> 00:46:03,480
Speaker 4: a huge topic of conversation and in the app.

933
00:46:03,960 --> 00:46:06,360
Speaker 3: Okay, yeah, we were trying to get to the bottom

934
00:46:06,400 --> 00:46:06,879
Speaker 3: of this one.

935
00:46:07,160 --> 00:46:09,800
Speaker 4: Do you think she was serious?

936
00:46:11,640 --> 00:46:14,160
Speaker 2: But we're not not yet.

937
00:46:14,320 --> 00:46:17,400
Speaker 4: Okay, do you think she was serious? She was joking?

938
00:46:17,719 --> 00:46:20,000
Speaker 4: Or she was sexually rejected by him, so she's being

939
00:46:20,320 --> 00:46:21,240
Speaker 4: it's like a self defense.

940
00:46:21,280 --> 00:46:25,359
Speaker 1: It's always that, isn't it is for anything else.

941
00:46:25,680 --> 00:46:28,759
Speaker 2: Anytime a woman calls her being gay, it's because she

942
00:46:29,680 --> 00:46:33,080
Speaker 2: wanted to jump his bones and he actually had a

943
00:46:33,360 --> 00:46:34,440
Speaker 2: standard Ye.

944
00:46:35,719 --> 00:46:37,760
Speaker 4: Yeah, he's like, I'm not gonna used.

945
00:46:37,640 --> 00:46:38,480
Speaker 3: To be a good thing.

946
00:46:39,760 --> 00:46:41,840
Speaker 1: Wait, so you didn't follow up at all? What are

947
00:46:41,880 --> 00:46:42,439
Speaker 1: you going to say?

948
00:46:42,560 --> 00:46:46,000
Speaker 4: I don't know. I was like already kind of disoriented

949
00:46:46,040 --> 00:46:48,120
Speaker 4: by talking to this like famous person. I'm not going

950
00:46:48,200 --> 00:46:50,400
Speaker 4: to be like, okay, spill the t cis like, is

951
00:46:50,440 --> 00:46:51,239
Speaker 4: he actually wait?

952
00:46:51,280 --> 00:46:54,960
Speaker 1: Is she coming up and being like George from something?

953
00:46:55,000 --> 00:46:55,479
Speaker 1: You know? No?

954
00:46:55,480 --> 00:46:58,160
Speaker 4: No, no, no, no no. I would say I was

955
00:46:58,560 --> 00:47:01,680
Speaker 4: invisible in a way that fell like like almost like

956
00:47:01,719 --> 00:47:04,520
Speaker 4: a liberating ego death in these environments like I am

957
00:47:04,760 --> 00:47:07,400
Speaker 4: there was something about it that I actually wasn't offended

958
00:47:07,400 --> 00:47:09,680
Speaker 4: by at all, Like it was really amazing to kind

959
00:47:09,680 --> 00:47:12,160
Speaker 4: of feel like I'm one with the air around me,

960
00:47:12,960 --> 00:47:13,399
Speaker 4: sort of.

961
00:47:13,360 --> 00:47:15,080
Speaker 3: Adopt a like middle distance.

962
00:47:15,360 --> 00:47:16,560
Speaker 4: Yes, completely upstare.

963
00:47:16,760 --> 00:47:19,839
Speaker 1: She couldn't really be like standing by herself at that time,

964
00:47:21,680 --> 00:47:22,400
Speaker 1: being alone.

965
00:47:22,640 --> 00:47:24,880
Speaker 4: Yeah, it was almost like she kind of got she's like, oh,

966
00:47:24,960 --> 00:47:26,920
Speaker 4: gay guy, I kind of know, like what to do

967
00:47:26,960 --> 00:47:28,799
Speaker 4: with that. It was a it was almost like she

968
00:47:29,040 --> 00:47:32,520
Speaker 4: like smelled something, like she smelled something. I was like

969
00:47:32,560 --> 00:47:36,600
Speaker 4: tomato leaf mm hmm. But it was gay guy, got it?

970
00:47:37,760 --> 00:47:38,200
Speaker 1: She said.

971
00:47:38,719 --> 00:47:40,680
Speaker 4: So in terms of people that no one was rude

972
00:47:40,680 --> 00:47:42,320
Speaker 4: to me? Was that your original question?

973
00:47:43,160 --> 00:47:46,960
Speaker 1: You don't think? So, okay, that's so interesting that you

974
00:47:47,000 --> 00:47:48,800
Speaker 1: thought it was. My question was who you're gonna be

975
00:47:48,840 --> 00:47:49,879
Speaker 1: friends with? After? Oh?

976
00:47:50,400 --> 00:47:52,440
Speaker 4: Yeah, Unfortunately I didn't connect with. You know, who I

977
00:47:52,480 --> 00:47:58,640
Speaker 4: actually connected with most is the inspirational podcast from Mel Robbins.

978
00:47:58,719 --> 00:47:59,520
Speaker 4: You know who that is?

979
00:47:59,800 --> 00:48:04,279
Speaker 1: Just when no one's coming, let them theory. So I

980
00:48:04,280 --> 00:48:10,080
Speaker 1: don't know no one's coming, which was art motto on

981
00:48:10,120 --> 00:48:10,879
Speaker 1: the show for a while.

982
00:48:11,040 --> 00:48:14,799
Speaker 3: Absolutely yeah relationships.

983
00:48:14,960 --> 00:48:19,280
Speaker 4: Yeah yeah, So I don't know. I still don't understand

984
00:48:19,320 --> 00:48:23,600
Speaker 4: what let them theory is. But but we had to, yeah.

985
00:48:24,000 --> 00:48:25,200
Speaker 3: Well let them theory is.

986
00:48:25,360 --> 00:48:30,200
Speaker 2: So when I was, oh, maybe thirteen, I got a

987
00:48:30,239 --> 00:48:33,319
Speaker 2: book called Don't Sweat the Small Stuff for Teens, Oh

988
00:48:33,360 --> 00:48:35,319
Speaker 2: for teens, and it's all small so they thought that

989
00:48:35,400 --> 00:48:38,239
Speaker 2: you couldn't handle Don't Sweat the Small Stuff. O G.

990
00:48:38,719 --> 00:48:40,480
Speaker 2: I think that would have been a little advanced for

991
00:48:40,560 --> 00:48:44,320
Speaker 2: me and in the book.

992
00:48:45,680 --> 00:48:49,640
Speaker 1: It talked about if you have chicken soup for an adult,

993
00:48:49,719 --> 00:48:51,000
Speaker 1: so neiss to say I was.

994
00:48:51,080 --> 00:48:52,400
Speaker 4: My mind went, there is when.

995
00:48:52,200 --> 00:48:57,080
Speaker 1: You have only a teenage soul, like it could actually

996
00:48:57,640 --> 00:49:00,440
Speaker 1: it could actually really hurt you if you do that.

997
00:49:01,200 --> 00:49:06,120
Speaker 2: The trying to fit that kind of chicken soup inside

998
00:49:06,160 --> 00:49:12,200
Speaker 2: a teenage soul could actually permanently deform your soul. And

999
00:49:12,280 --> 00:49:14,440
Speaker 2: so I was trying to just outsit the small stuff

1000
00:49:14,440 --> 00:49:17,360
Speaker 2: for teens. And there was a there was a little

1001
00:49:18,120 --> 00:49:21,720
Speaker 2: tidbit in there where it said like, let's say you're driving.

1002
00:49:21,760 --> 00:49:23,560
Speaker 2: I think it was preparing me maybe to you know,

1003
00:49:23,640 --> 00:49:27,600
Speaker 2: start thinking about getting a driver's license. Said, you're driving

1004
00:49:27,840 --> 00:49:30,560
Speaker 2: and there's somebody going really fast and they're tailgating you,

1005
00:49:32,160 --> 00:49:34,239
Speaker 2: and you want to get mad and try to block

1006
00:49:34,280 --> 00:49:36,960
Speaker 2: them or something. They said, all you do somebody's driving

1007
00:49:37,040 --> 00:49:40,440
Speaker 2: like that, You move over to the side, over to

1008
00:49:40,480 --> 00:49:43,760
Speaker 2: the shoulder, and you say, friend, go have your accident

1009
00:49:43,960 --> 00:49:44,720
Speaker 2: somewhere else.

1010
00:49:45,880 --> 00:49:48,920
Speaker 3: It's not gonna be with me. The way you're driving.

1011
00:49:51,600 --> 00:49:54,799
Speaker 2: You're gonna be hurting for certain right and you can

1012
00:49:54,840 --> 00:49:55,959
Speaker 2: go do that with someone else.

1013
00:49:56,160 --> 00:49:57,520
Speaker 3: I'm not going to engage with it.

1014
00:49:58,239 --> 00:49:58,399
Speaker 1: Now.

1015
00:49:58,440 --> 00:50:00,520
Speaker 3: I've never heard the left them theory.

1016
00:50:00,600 --> 00:50:03,360
Speaker 2: It sounds sounds like that's probably what it is, and

1017
00:50:03,440 --> 00:50:08,160
Speaker 2: she may just be sort of expanding one of the

1018
00:50:08,200 --> 00:50:11,440
Speaker 2: pages from don'ts with the small stuff for routines, which

1019
00:50:11,480 --> 00:50:18,800
Speaker 2: is somebody's acting like that, let them, let them bye,