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Speaker 1: Transmitting America Show. Welcome to Thursday Show Morning studio. Go

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Speaker 1: here we go first up, she's the only person I

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Speaker 1: know that wears those Apple earbuds with a cord, and

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Speaker 1: she does every single day in the studio. Here she

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Speaker 1: is Amy. Okay, so you know you get those scam

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Speaker 1: text messages, but this one was so good. I almost

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Speaker 1: clicked it because it was about my Netflix account and

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Speaker 1: I if it says here your Netflix account will be

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Speaker 1: on hold because your payment was declined, and I thought

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Speaker 1: for a second, oh no, my payment was declined. They

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Speaker 1: even put a case number in these number, and so

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Speaker 1: it's just a warning, don't fall for this such a

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Speaker 1: case number. There's no such thing as a case number

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Speaker 1: pound A eight seven B two x not like I

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Speaker 1: don't know. It looked legit to me, and I thought

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Speaker 1: if I was a little more elderly or like just

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Speaker 1: not paying it one day. Almost still felt yeah, and

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Speaker 1: a little bit more elderly. Come on, you fall for

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Speaker 1: stuff all the time. But I didn't click it. But

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Speaker 1: don't Amazon and Netflix scam texts are out there, so

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Speaker 1: don't fall for them. It's hard because then you get

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Speaker 1: a real one with a real link, and you're like

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Speaker 1: I'm not clicking it, and they're like, I guess you

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Speaker 1: don't want your package of your insulin you need you know. Uh. Next,

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Speaker 1: he waited at a celebrity's car for the celebrity to

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Speaker 1: come out of the store, like he saw the celebrity

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Speaker 1: go ahead and just waited at the car and said, well,

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Speaker 1: I guess if you want to get in your car,

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Speaker 1: you gotta go through me here. He is lunchbox every day.

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Speaker 1: Speaking of cars. Whenever I'm driving and I see a

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Speaker 1: man and a woman in the car, and if the

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Speaker 1: woman's driving, I judge that guy, like, man, what's wrong

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Speaker 1: with you? The guy should always be driving the vehicle.

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Speaker 1: It's just weird. I don't know my wife. My wife

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Speaker 1: drives some like forty percent of the time. Yeah, I

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Speaker 1: judge you. I think it just matters what car we're taking.

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Speaker 1: It doesn't matter my car and my wife's car ninety

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Speaker 1: nine point nine percent of the time. I'm behind that

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Speaker 1: wheeling tess progress like lunchbox in the morning, you know

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Speaker 1: what I mean? Yeah, that's it. And finally from McAllen,

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Speaker 1: Texas gets his Star of Texas on his hat as

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Speaker 1: a Dallas Cowboys star Boys. It's very he's very sad

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Speaker 1: about the Dallas Cowboys. It's gonna be a rough next

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Speaker 1: two months or so. Here he is produced. All right,

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Speaker 1: well that's weird, Lunchbox said this because we just started

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Speaker 1: a new rule in my house. My wife drives her

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Speaker 1: own car. I drive my car. It's a whole new thing.

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Speaker 1: It used to be where it look, if we're driving

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Speaker 1: as a family, I'm the guy, Lunchbox, you're right, I

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Speaker 1: drive the car. But now if we're driving in my

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Speaker 1: wife's car, she's driving, we're driving in my car. I'm driving.

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Speaker 1: But that's why you have why rule, because it used

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Speaker 1: to be where she's like, oh no, no no, no, you're

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Speaker 1: you're the man. You drive up. No no no, no, no no,

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Speaker 1: you're driving your own car. But here's the thing. If

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Speaker 1: you're at the passenger, you cannot say anything about the driver.

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Speaker 1: Well that's like a secondary rule. Yes, you're not driving,

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Speaker 1: you can't. Something must have happened to make that happen.

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Speaker 1: It's that's her rule, because every time she drives almost

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Speaker 1: like careful, there's a stop signing there, Oh, there's someone

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Speaker 1: next to you. Don't turn. That's why you don't let

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Speaker 1: her drive, because you don't trust her. Drive. That's so annoying,

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Speaker 1: Eddy that you do that all right? From Mountain Pine, Arkansas.

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Speaker 1: He's got a red microphone. He's six one. He made

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Speaker 1: glasses popular, Bobby Bones. You thought nothing about that, did you?

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Speaker 1: Until right there? Like you put zero effort into I

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Speaker 1: felt that. No, he didn't. He's like looking looked at Bobby. Yes.

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Speaker 1: I was gonna go applaid shirt next. H Yeah. Yeah.

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Speaker 1: So whenever my show on USA Network started snaking the grass,

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Speaker 1: I thought I'm gonna treat myself a little bit, and

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Speaker 1: I went and kind of designed this watch on a

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Speaker 1: website and it took months to get in, but I

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Speaker 1: was super pumped because I've become watch you guy. I

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Speaker 1: said about a year, I'm gonna be watch guy. I

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Speaker 1: don't have one on now, but I said, I'm be

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Speaker 1: watched guy. In most days I wear to watch now.

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Speaker 1: And so I designed this watch. It's red. It's awesome.

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Speaker 1: I love It's my favorite color. And I got in

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Speaker 1: the mail yesterday and I've been waiting forever for it

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Speaker 1: to come in and I'm like, that's it. And it

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Speaker 1: opened the box and it's in a little like cush

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Speaker 1: any case and you pop the top up and very excited.

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Speaker 1: I'm just gonna be the cool watch my whole boom,

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Speaker 1: open up. It's a ladies watch. I design the ladies watch.

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Speaker 1: Watch I designed. I waited four months. It's a ladies watch.

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Speaker 1: I designed a ladies watch. So what do you do

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Speaker 1: where ladies watch gonna be awesome? But it's a ladies watch. Yes,

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Speaker 1: I Calina said, this is the watch. I accidentally designed

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Speaker 1: a ladies watch. It's pete, it's it's petite. She's like,

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Speaker 1: what are you gonna do? Is I'm gonna wear it?

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Speaker 1: I'll be proud of it, But yeah, I was. It

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Speaker 1: took a while for me to actually accept the fact

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Speaker 1: that I'm gonna be ladies watch guy. But that showbiz baby, right?

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Speaker 1: Oh yeah, I can get a thirteen and a half

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Speaker 1: and a tennis shoe from Women's stop it, you can stop. Yes,

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Speaker 1: you do not ever do that? I do, I do.

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Speaker 1: I have a couple times. Actually it's a really good ones.

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Speaker 1: Some ones I can't find in men. Same shoe. Just

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Speaker 1: get thirteen point five in women. That's weird, man, that's

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Speaker 1: where the women's shoe. Women watch come home, Come home,

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Speaker 1: all right, let's go. Glad you're here. Jordan Davis coming

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Speaker 1: in just a few minutes. Jordan has a song that

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Speaker 1: you may love called Mudert. It's nominated for two Cmas.

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Speaker 1: I think he's got four or five number ones at

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Speaker 1: this point, but he's gonna come in the next few minutes.

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Speaker 1: We'll catch up with him. Little clip at that form

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Speaker 1: you please, right, But at first, let's do the mail bag.

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Speaker 1: Here we go something we call ye Hello, Bobby Bones.

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Speaker 1: I'm a single mom. I got a thirteen year old

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Speaker 1: son for his entire life. I've chosen his haircut, I've

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Speaker 1: chosen his haircut style. I've chosen his haircut link and

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Speaker 1: no complaints. Now, all of a sudden, he wants to

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Speaker 1: choose his hair cut and we can't agree on it.

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Speaker 1: He wants this crazy buzz cut mohawk, and I think

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Speaker 1: it looks ridiculous. I know at some point I'm not

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Speaker 1: going to be able to control what he gets, but

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Speaker 1: right now I can't handle having a kid with a

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Speaker 1: crazy haircut. The problem is some of his friends have

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Speaker 1: this haircut, which doesn't make it any easier. So what

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Speaker 1: should I do? Should I give in? Or is thirteen

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Speaker 1: still too young to decide your own hairstyle? Signed Ariana

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Speaker 1: It's not that thirteen is too young to this side

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Speaker 1: is the hairstyle. It's that a buzz cut is distracting

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Speaker 1: in school. I know his friends have it. And if

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Speaker 1: you wanted, u, you know, just a straight buzz with

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Speaker 1: no mohawk, fine, If you wanted to grow it longer, fine.

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Speaker 1: If you're wearing a mohawk, that's a distracting haircut unless

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Speaker 1: you're in a punk band, unless you're in an industry

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Speaker 1: where that's kind of allowed. So I think you can

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Speaker 1: let him pick a haircut, but it can't be something

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Speaker 1: as crazy as a pink buzzcut mohawk. I don't care

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Speaker 1: if his friends do it or not. Eddie, your oldest

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Speaker 1: son is sports. Would you let him pick his haircut

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Speaker 1: right now? Yes? Okay? What if you wanted a buzz

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Speaker 1: cut mohawk, Dude, you're gonna think I'm crazy. But my

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Speaker 1: dad was so strict with my hair that I couldn't

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Speaker 1: get any kind of hairstyle. And I remember being a

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Speaker 1: kid and saying, when I grow up and i'm a dad,

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Speaker 1: I'm gonna let my kids have whatever haircut they want.

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Speaker 1: But if he's okay, if you said it to right now, hey,

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Speaker 1: let it rip. I want to see it, dude. I

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Speaker 1: would even be like, dude, that should be pink. That's

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Speaker 1: really cool. You would make it even more distracted if

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Speaker 1: he wants to. I mean, you sound so old by

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Speaker 1: saying you're going to distract your classmates. Well, I also

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Speaker 1: wouldn't let him wear a shirt that that eat my butt. Well,

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Speaker 1: I wouldn't let him. There are things that you can't

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Speaker 1: let a kid do. And I'm only thinking about school

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Speaker 1: when I think about the buzz cut right at home.

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Speaker 1: Who cares amy, Well, those are determined by the school rules.

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Speaker 1: So I would first see what's allowed at the school

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Speaker 1: and if they allow it, which I guess if some

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Speaker 1: of his friends have it, then it'd be okay. So

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Speaker 1: I would let him, but you could maybe meet in

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Speaker 1: the middle, because my son has wanted a mohawk at times,

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Speaker 1: and he wanted it really, really shaved tight on the sides,

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Speaker 1: and I'm like, what if we leave a little bit there.

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Speaker 1: You still have a mohawk look, but it's not as

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Speaker 1: drastic the phone, And then you could also take it

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Speaker 1: a step further, and who's paying for the haircut, because

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Speaker 1: he might need to earn some money to pay for

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Speaker 1: this type of fancy haircut. Yeah, just because a lot

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Speaker 1: of school doesn't mean anyone get you beat up. Also,

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Speaker 1: I can tell you from experience, so again, or it

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Speaker 1: can be distracting and not be against the rules. Yeah,

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Speaker 1: but the kid with the mohawks not going to be

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Speaker 1: the one getting beat up. Sorry, I've let my kid

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Speaker 1: have a mohawks. I don't know. The kid with a

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Speaker 1: mohawk better be able to fight. There we go, that's it.

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Speaker 1: They give the mohawk better. Oh, you think you're big

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Speaker 1: and bad? You were a mohawk? Are you a motorcycle boy?

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Speaker 1: All right? Come here, that's trouble. It just feels like trauma. Okay,

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Speaker 1: depends like is it a big, tall, spiky mohawk or

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Speaker 1: just normal fifteen years old? You have to talk again. Thirteen.

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Speaker 1: You can choose any of the haircuts in the barbershop,

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Speaker 1: like in the magazines. They're at the barbershop. Yeah, but no,

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Speaker 1: I would say no mohawk for now. For now, That's

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Speaker 1: what I would say. But you heard these two and

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Speaker 1: their parents, and they they know what they're doing. All right, Morgan.

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Speaker 1: If people want to email us, what do they do?

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Speaker 1: Mailbag at Bobby bones dot com. All right, there you go,

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Speaker 1: close it up. We've got your game. Now it's found

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Speaker 1: the cloth on the Bobby Bones Show. Now, first time

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Speaker 1: we talked to you since the CMA nominations, So walk

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Speaker 1: through it. You wake up the morning of the CMA announcement,

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Speaker 1: do you expect or do you hope that you're gonna

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Speaker 1: be on one of those lists? Yeah? I mean you

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Speaker 1: definitely didn't expect it. What did you feel like you

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Speaker 1: had the most shot at being involved in song Song

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Speaker 1: of the Year? Really, I've just like always believed in

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Speaker 1: that song and it did well and warranted that. But

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Speaker 1: you know, we were up for musical event for Tema's

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Speaker 1: last year, so I didn't expect to really be in

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Speaker 1: either one of them. I think it really turned for

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Speaker 1: you whenever there was an Instagram that went up in

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Speaker 1: me singing by Dirt walking behind you. That's absolutely didn't

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Speaker 1: know any of the words except by dirt. It tore

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Speaker 1: it off, flipped for you. Yeah, that was that was

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Speaker 1: That was the moment. How do you find out? Does

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Speaker 1: someone text you or do you see it on Twitter

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Speaker 1: that you're up for Song of the Year. So my

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Speaker 1: manager texts me and he's like, hey, man, are you up?

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Speaker 1: And it was like, you know, it was pretty early. Uh,

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Speaker 1: And I was like, yeah, I'm up. And he was like,

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Speaker 1: I think CMA nomination is about to be announced. Did

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Speaker 1: he know. I think he knew. I think he had

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Speaker 1: a good he had he felt no, you're not supposed

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Speaker 1: to know. Well, I don't think he knew, like exactly,

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Speaker 1: but he said about it. No, he was just like,

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Speaker 1: man like, I honestly feel good about it. I think

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Speaker 1: that we're gonna have a shout. And he's like, and

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Speaker 1: my brother lives not far from me, co wrote it

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Speaker 1: with me. So he's like, you should text your brother

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Speaker 1: and tell him to come over. And I was like, oh,

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Speaker 1: that's a lot of that's a lot of risk there.

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Speaker 1: I was like, dude, it's seven am, he's got three kids.

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Speaker 1: I think he's I think he's good. We'll just call him.

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Speaker 1: But yeah, he came over and and then like it's

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Speaker 1: like right as my manager pulling in the driveway. Uh,

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Speaker 1: my publicist text me and she was like congratulations, that's awesome. Yeah.

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Speaker 1: So I was pretty I was pretty stoked. Do you

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Speaker 1: wake your wife up? She was actually already she was

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Speaker 1: already waked. She was out. Uh, she was doing something

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Speaker 1: in garage. Yes, she working on the bar. Yeah, she

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Speaker 1: was keeping the house at order. Yeah, so your new

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Speaker 1: song is doing pretty well. Yeah. My world spins around,

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Speaker 1: World spends around. I'm doing this straight from title. Yeah,

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Speaker 1: good job. Did you guys think about I was gonna

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Speaker 1: ask you, like calling it spins around or worlds because

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Speaker 1: it's a lot. I actually thought about that, and uh yeah,

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Speaker 1: I wrote that with our buddy Ron Hurd. I kind

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Speaker 1: of said, like, guys, is this title too long? And

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Speaker 1: in very Ryan heard fashion, was just like, no, on

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Speaker 1: to the next like that very just like ride is

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Speaker 1: about as dry as it gets, you know, Rod, pretty well,

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Speaker 1: that's dude. That that pretty much summed it up. I

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Speaker 1: was like, okay, well Royn says it's good enough, So

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Speaker 1: here we go. So are people knowing this song when

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Speaker 1: you're playing shows now? Yeah, this one's definitely and I

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Speaker 1: feel like with every song we release it picks up

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Speaker 1: a little quicker, you know, people kind of gravitate to those. Yeah,

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Speaker 1: I mean, this one's already reacting like a big song.

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Speaker 1: What's the first song you play in your set list?

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Speaker 1: Things you up? I first knew it. I knew it's

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Speaker 1: a good way. You have so many hits now, it's

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Speaker 1: kind of and I feel like I've evolved from that song,

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Speaker 1: so it's in my mind, ever evolved from an awesome song.

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Speaker 1: But no, no, no, no no, I still I love that song.

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Speaker 1: That's that's why to hand that one. It's what a

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Speaker 1: lot of people know me for. That was the first

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Speaker 1: time they heard me any of my music, and I

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Speaker 1: just kind of like, I think that's a cool way

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Speaker 1: to kind of start a show off, and I love

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Speaker 1: Hey man, here's the first single, and then kind of

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Speaker 1: progress from there. I don't have any your songs written

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Speaker 1: in front of him. How many hits I can remember,

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Speaker 1: obviously if he ever singles you up, if he's ever

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Speaker 1: stupid and that that's number one. Yeah, obviously by Dirt,

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Speaker 1: because that is the song. That's just the rest of them.

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Speaker 1: I don't know anymore. Of course with you by Dirt,

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Speaker 1: so I know by Dirt, And then I know Slow

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Speaker 1: Slow Dance is a big song for us, but the

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Speaker 1: title is slowed Slow Dance in a parking lot, right, Yeah,

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Speaker 1: you didn't think about cutting that one down. You have

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Speaker 1: some long songs here saying them all I do, okay,

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Speaker 1: And then there's a missing Eddie missing Yeah, what am

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Speaker 1: I missing here from the number one list of George

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Speaker 1: have any Moore? Number one? Those my only number one? No,

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Speaker 1: take it from me, Take me from that. Dah. That's

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Speaker 1: a good one too. What's at the very end of

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Speaker 1: the set? We close with by Dirt? But almost maybe

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Speaker 1: this was my Oh that's a that's a good one

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Speaker 1: to almost maybe. Yeah, take it from me though, how's

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Speaker 1: that go? Take it from me? You have a T

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Speaker 1: shirt to sleep in? My favorite, but you can keep it?

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Speaker 1: Are you just making me sing? By sounds good? You know,

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Speaker 1: I'm trying to figure out the melody of that song.

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Speaker 1: It's hard to sing other songs. Boum bump, I swear

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Speaker 1: you all this song is good. I prod I'm trying

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Speaker 1: so hard. Just take care from me, take I can

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Speaker 1: from me? Take take congratulations. Man, that's awesome. I'm super

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Speaker 1: proud for you. And it's just a matter of time

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Speaker 1: before you're able to, you know, pay the bills. Yeah,

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Speaker 1: and that the goal. One day I'm gonna be able

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Speaker 1: to keep the lights on, being able to learn how

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Speaker 1: to catch your own fish, to take on Instagram pictures

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Speaker 1: of and not somebody else's right, That's what it's all about.

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Speaker 1: That's what it's all. That's all man, It's time for

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Speaker 1: the good news. Good five year old Brantley Kimberl He

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Speaker 1: has a health condition, so he hasn't been able to

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Speaker 1: leave his house for about two years. But his favorite

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Speaker 1: time of day is when Michelle, the UPS driver drives

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Speaker 1: by and she visits Brantley. She goes to his bedroom

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Speaker 1: window and knocks on, said, say, Brandley, I'm here, and yeah.

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Speaker 1: They talk for a little bit and then she goes

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Speaker 1: on about her day. Well, he just celebrated his fifth

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Speaker 1: birthday and she shows up to deliver the good news

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Speaker 1: that he is finally good to leave his house. His

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Speaker 1: health is way better, and she decorated the truck with

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Speaker 1: flames on it. She brought him gifts and he got

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Speaker 1: to ride the car. Pretty cool. The parents will let

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Speaker 1: her deliver that news, yeah, because they had to be like, hey, listen,

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Speaker 1: we're gonna let it. Because I'm sure they wanted to

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Speaker 1: do that. I think it was just part of the

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Speaker 1: whole day, like it's your birthday, we're gonna give you

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Speaker 1: the good news, and here comes your friend. I think

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Speaker 1: it's selfless of the parents too. Oh wait, so you

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Speaker 1: think the parents told him and then she just I think,

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Speaker 1: so I don't think. I don't think Leslie had the

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Speaker 1: big news, Like she's just the UPS driver. There's a

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Speaker 1: picture for holding him too, like yeah, five, and so

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Speaker 1: he must be, you know, beginning to go out and

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Speaker 1: do some stuff. And he's got a little UPS truck

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Speaker 1: that he drives. Yes, like one of those I don't

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Speaker 1: know what the brand is. It's not Mattell, but you

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Speaker 1: get in and drive it. It's like one of those

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Speaker 1: like electric jeeps. You know, it's so cool. That's always

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Speaker 1: jealous kids that have those. While I was thinking about

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Speaker 1: this story is like, you know, my Amazon driver. He

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Speaker 1: seems pretty cool, and I kind of want to be

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Speaker 1: his friend. And I thought about like being like, hey dude,

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Speaker 1: what's up. But he's such in such a hurry every day.

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Speaker 1: I just kind of let him come and go. I

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Speaker 1: wanted to turn it over as in that job, because

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Speaker 1: you may have him for a friend and the next thing,

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Speaker 1: you know, I never see him again. Yeah, he moves.

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Speaker 1: That would be sad. I also get excited on the

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Speaker 1: UPS truck coming. I'm being honest. Yeah, the UPS Sana

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Speaker 1: is bringing me. It's pretty cool. I've had to pay

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Speaker 1: for it, though, that's a difference. Well, and you knew

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Speaker 1: it was coming. Yeah, yeah, it's something sometimes you kind

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Speaker 1: of make yourself forget. You're like, okay, let's not remember it.

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Speaker 1: So then when it comes like such, okay, you don't

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Speaker 1: do that. No, no, really, I'm lonely. Okay, lonely in

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Speaker 1: the daytime when I'm home alone. All right, that's what's up.

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Speaker 1: Thank you. That is what it's all about. That was

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Speaker 1: telling me something good. I didn't know you guys didn't

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Speaker 1: know the punishment. Oh, I figured that's what you were

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Speaker 1: talking about. Well, I was looking at my page before

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Speaker 1: we came on the air just now, and I said, oh,

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Speaker 1: that's tough. Remember loses the game here? Is it bad?

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Speaker 1: It's so bad it goes No, they don't know. I

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Speaker 1: thought you knew. For you to react that way, it

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Speaker 1: must be really bad. Well, I don't like what it is.

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Speaker 1: Let me explain the game to our listeners. Real question.

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Speaker 1: It's elder versus millennial. Eddie the oldest on our show

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Speaker 1: forty three years old versus Morgan the youngest, twenty eight

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Speaker 1: years old, and they answer questions about their generations. But

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Speaker 1: you can steal from the other person, right, and whoever

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Speaker 1: is most points wins, La la la, play your buzzer, Eddie, Yeah,

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Speaker 1: this is me okay, and Morgan, so if I hear it,

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Speaker 1: use its buzzer. You get to answer the question. If

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Speaker 1: you lose, the loser has to take a bite of

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Speaker 1: an onion like an apple. Oh no, this is terrible.

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Speaker 1: I know. Oh we're gonna have smelly breath for days.

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Speaker 1: Oh we're gonna cry too. Don't lose. I mean this

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Speaker 1: is not good for me. I've not been doing good. Yeah, sure,

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Speaker 1: all right, here we go, older versus millennial. I thought

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Speaker 1: you guys knew the punishments. Honestly, I thought you knew

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Speaker 1: and have agreed to them. Oh, of course not. I

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Speaker 1: was like, look at these guys being team players, because

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00:16:53,000 --> 00:16:55,560
Speaker 1: last time, Morgan Eddie like mayonnaise and peanut butter or

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00:16:55,600 --> 00:16:58,720
Speaker 1: something disgusting? Did you know ahead of time? That was it?

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Speaker 1: My perspective on this game change. I'm very much interested.

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Speaker 1: Now let's go. The first question is an elder question.

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Speaker 1: The movie is Et came out in the eighties. What

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Speaker 1: color is Elliott's iconic hoodie? Eddie Red? Correct? That did? Yeah,

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Speaker 1: it's a little too late. Next question a millennial question,

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Speaker 1: What color was the iconic dress that was Ward of

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Speaker 1: the Grammys in the year two thousand by Jennifer Lopez.

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Speaker 1: Morgan Green Good, You're all slow, and I want you

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Speaker 1: guys to jump in early Eddie jump in real quick. Well,

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Speaker 1: it's hard too, because you never know which way you're

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Speaker 1: gonna ask the quest. Next question, Elder question, which arcade

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Speaker 1: game first introduced a character that was premature? It doesn't

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Speaker 1: matter if you had the buzz I was literally moving

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Speaker 1: mind you hit the buzzer. You hit the buzzer and

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Speaker 1: Jeopardy you can't go sorry, oh my god, and Jeopardy.

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Speaker 1: I'm not holding the buzzer. Hold the buzzer with your hand.

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Speaker 1: So so what what did you say, Like, what did

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Speaker 1: you get that arcade game first introduced? Yeah, pac Man? Incorrect?

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Speaker 1: Morgan Still, what arka game first introduced the character that

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Speaker 1: would eventually become known as Mario in the sequels. What

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Speaker 1: arcade game first introduced Mario from Mario Brothers. I think

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Speaker 1: it was just called Superful. It was ourcake game was

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Speaker 1: super but I thought it was super Mario Bros. So

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Speaker 1: super Time, Mash Donkey Kong. He was in there. He

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Speaker 1: was the one he was jumping the barrels trying to

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Speaker 1: get up. I smash bros. That's why. Millennial question, Thank goodness.

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Speaker 1: What was the name of the popular two thousands computer

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Speaker 1: game that simulates the daily activities Eddie the sims correct, Yeah,

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Speaker 1: that's crap that you go so early. Well, you know what,

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Speaker 1: maybe you should go earlier. The question I heard enough,

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Speaker 1: m are you either you have to jump in quicker

395
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Speaker 1: or hope he jumps in and starts missing. You know,

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Speaker 1: here we go. What was the name of the nineteen

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Speaker 1: eighty eight cult classic film. It was about a magical

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Speaker 1: trickster who would appear right after you said his name

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Speaker 1: three times. Morgan correct, we have a tie game. Going

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Speaker 1: to the last question, nang Wow, I'm smelling the onion.

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Speaker 1: The first line of this song from the two thousands

402
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Speaker 1: is I'm doing this tonight. You're probably gonna start a fight.

403
00:20:11,400 --> 00:20:14,640
Speaker 1: Eddie doing this and that you probably start a fight,

404
00:20:15,040 --> 00:20:20,720
Speaker 1: uh Shania Twain and it is Morgan. The first line

405
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Speaker 1: of this song is I'm doing this tonight, You're probably

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Speaker 1: gonna start a fight. Okay, what song do you want? More?

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Speaker 1: From the two thousands? What song is that? Yeah? Okay?

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Speaker 1: What song is that? Three seconds? Smash in correct. Right,

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Speaker 1: would you play the song night I'm Gonna fight? That's

410
00:20:56,280 --> 00:20:59,040
Speaker 1: bye bye bye insane? All right? Type record one question

411
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Speaker 1: in each category. If when we go ahead and eat

412
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Speaker 1: the onion? What nineteen eighty film does Jack Nicholson, Oh

413
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Speaker 1: my goodness love it? Go ahead correct? Play the part

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Speaker 1: of an aspiring writer and recovering alcoholic Jack Torrence who

415
00:21:19,520 --> 00:21:22,959
Speaker 1: takes a job as a caretaker overlooking at the Overlook Hotel.

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Speaker 1: All that stuff she didn't hear and she still got it.

417
00:21:26,080 --> 00:21:29,439
Speaker 1: Jack in the eighties is all I needed? Wow? What

418
00:21:29,480 --> 00:21:32,760
Speaker 1: do I mean? That's crazy? All right? Eddie gotta get

419
00:21:32,760 --> 00:21:38,719
Speaker 1: this the time? Here we go. What's the name of

420
00:21:38,840 --> 00:21:44,080
Speaker 1: the step brother on the animated Disney show The step

421
00:21:44,080 --> 00:21:50,720
Speaker 1: Brother of Phineas Morrigan burb is correct? Bring the onion? Yes,

422
00:22:00,160 --> 00:22:04,840
Speaker 1: all red onions. Onions are sweeter, No, man, come on,

423
00:22:05,240 --> 00:22:09,280
Speaker 1: it's all funny games when I read it, and sweet

424
00:22:09,280 --> 00:22:13,560
Speaker 1: onions they aren't sweet. They just call that. Yeah. Yeah,

425
00:22:13,600 --> 00:22:15,680
Speaker 1: so does buy it like an appo? Yeah, you got

426
00:22:15,680 --> 00:22:16,960
Speaker 1: to get a good bite. You have to swallow it.

427
00:22:17,040 --> 00:22:18,639
Speaker 1: I mean, good bye like a regular sell. If you

428
00:22:18,720 --> 00:22:20,320
Speaker 1: take a bye and we go, that wasn't a good bye.

429
00:22:20,320 --> 00:22:21,960
Speaker 1: You have to do another one if you take the

430
00:22:22,040 --> 00:22:25,159
Speaker 1: skin off. I don't know I should take no Scuba

431
00:22:25,200 --> 00:22:27,879
Speaker 1: says no, I don't or whatever. Onions, I don't know anything.

432
00:22:28,840 --> 00:22:30,880
Speaker 1: Do I have to eat it once? I bite it? Yeah?

433
00:22:30,960 --> 00:22:32,240
Speaker 1: Or just bite it? We don't just buy it. I

434
00:22:32,320 --> 00:22:35,600
Speaker 1: just eat it. Here we go, here's Eddie. Go ahead.

435
00:22:35,600 --> 00:22:43,480
Speaker 1: It's so dumb. Oh oh oh, this is all so bad.

436
00:22:44,200 --> 00:22:48,040
Speaker 1: Tastes like a cheese bird. No if nothing. Oh man,

437
00:22:48,080 --> 00:22:54,200
Speaker 1: I'm starting to burn. Oh oh man, that burns. That's

438
00:22:54,280 --> 00:22:57,520
Speaker 1: not sweet. This is not a sweet. Onions when they

439
00:22:57,520 --> 00:23:02,000
Speaker 1: suit for the tuna, I'm a swallow. Oh I swallowed hole.

440
00:23:02,400 --> 00:23:06,680
Speaker 1: I'm not chewing that anymore. Oh gros, that is not good.

441
00:23:06,720 --> 00:23:12,159
Speaker 1: I will never do that again ever. Job on the

442
00:23:12,200 --> 00:23:17,360
Speaker 1: way as Elder versus Millennium. A voicemail from Chris and Georgia,

443
00:23:17,640 --> 00:23:22,480
Speaker 1: just wondering whatever happened to Eddie and his dream of

444
00:23:22,800 --> 00:23:26,320
Speaker 1: riding a motorcycle. You wanted a Harley. Yeah, you're talking

445
00:23:26,320 --> 00:23:29,560
Speaker 1: about it with your wife. She said go for it.

446
00:23:29,920 --> 00:23:31,439
Speaker 1: And we were supposed to do a deal with a

447
00:23:31,440 --> 00:23:34,440
Speaker 1: Harley Davidson dealership in Wisconsin and it just fell through

448
00:23:34,560 --> 00:23:37,200
Speaker 1: and they couldn't get me a bike. It's not gonna happen.

449
00:23:37,240 --> 00:23:39,119
Speaker 1: So you're not gonna pay your own money. Oh I'm not.

450
00:23:39,200 --> 00:23:41,600
Speaker 1: I mean those things are expensive, those motorcycle though. Well,

451
00:23:41,640 --> 00:23:43,960
Speaker 1: I don't want like a Ninja. I want like a Harley.

452
00:23:44,000 --> 00:23:45,800
Speaker 1: If I'm gonna do it, you want, I want, like

453
00:23:45,800 --> 00:23:48,560
Speaker 1: you know, I want to go down those those Devil's

454
00:23:48,640 --> 00:23:51,720
Speaker 1: Backbone and on Sundays, you know what I mean. That's

455
00:23:51,720 --> 00:23:53,920
Speaker 1: maybe scuba Steve can line up maybe not you getting

456
00:23:53,920 --> 00:23:56,080
Speaker 1: a Harley to have, but lining something up where you

457
00:23:56,080 --> 00:23:58,320
Speaker 1: can go and ride a ride with the boys. But

458
00:23:58,440 --> 00:24:00,000
Speaker 1: you have to like put your leg wrap your legs

459
00:24:00,000 --> 00:24:03,400
Speaker 1: around the guy. No, no, no, guy, guy, no, No No,

460
00:24:03,480 --> 00:24:06,359
Speaker 1: I'll drive the dumb and dumber style. No, I'm not

461
00:24:06,440 --> 00:24:08,399
Speaker 1: riding the bay. Sure you can even drive one. No,

462
00:24:08,440 --> 00:24:12,240
Speaker 1: he can't wipe out. I can. I can ride a

463
00:24:12,240 --> 00:24:17,399
Speaker 1: bike like yeah, hey, Scooba, can we see if that

464
00:24:17,440 --> 00:24:19,640
Speaker 1: can happen? Yeah, we could definitely do it right along

465
00:24:19,720 --> 00:24:22,360
Speaker 1: or him learning how to ride it for sure easily.

466
00:24:22,440 --> 00:24:24,240
Speaker 1: I'd love for him to take a trip down Devil's Crubs.

467
00:24:26,359 --> 00:24:31,400
Speaker 1: I think that's what it's called. Okay, Okay, we'll try

468
00:24:31,400 --> 00:24:33,040
Speaker 1: to work that out for you. But we're still working

469
00:24:33,040 --> 00:24:35,560
Speaker 1: on skydiving right, Yes, that's still on the works too. Yeah,

470
00:24:35,560 --> 00:24:37,040
Speaker 1: there's a client that wants to do it, but they're

471
00:24:37,040 --> 00:24:39,520
Speaker 1: just working on timing for you and Abby who've got skydives?

472
00:24:39,520 --> 00:24:42,640
Speaker 1: What I'm talking about? I hears Tash in Tennessee. Um,

473
00:24:42,680 --> 00:24:45,720
Speaker 1: I actually had a question for Ray. I remember hearing

474
00:24:45,760 --> 00:24:48,480
Speaker 1: that you might have hit big at a casino somewhere

475
00:24:48,480 --> 00:24:51,119
Speaker 1: in Vegas, and we've actually got a trip out there

476
00:24:51,240 --> 00:24:53,440
Speaker 1: in a few weeks. I was actually wondering if you

477
00:24:53,480 --> 00:24:56,840
Speaker 1: could like maybe dropped the name of the casino or

478
00:24:56,920 --> 00:24:59,040
Speaker 1: hotel that you were at. That might be a big

479
00:24:59,119 --> 00:25:01,800
Speaker 1: help to me. What casino did you win all your money?

480
00:25:01,840 --> 00:25:04,960
Speaker 1: Or or Bay Hope? Your wife Cosmo and the machines.

481
00:25:04,960 --> 00:25:07,600
Speaker 1: It was Buffalo and it you'll know it's Buffalo because

482
00:25:07,600 --> 00:25:11,840
Speaker 1: when you deposit money, it goes Buffalo every time. Are

483
00:25:11,880 --> 00:25:14,359
Speaker 1: you guaranteeing a victory? Is it your lock of the week? Uh?

484
00:25:14,480 --> 00:25:16,240
Speaker 1: There's three of those machines there and she blew all

485
00:25:16,240 --> 00:25:17,919
Speaker 1: three of them up. So yeah, your wife want how

486
00:25:17,960 --> 00:25:22,280
Speaker 1: much money over? Five point two? K oh, my god?

487
00:25:22,359 --> 00:25:24,600
Speaker 1: And how much was she playing with? Why was she

488
00:25:24,680 --> 00:25:29,639
Speaker 1: doing ten dollars spins? Whoa spins that's crazy amount. Well,

489
00:25:29,640 --> 00:25:30,960
Speaker 1: I means she had one hundred left and it was

490
00:25:30,960 --> 00:25:33,360
Speaker 1: her final, last ditch effort, so that's why you got

491
00:25:33,359 --> 00:25:35,320
Speaker 1: ten spins. So it's only really three spins, probably because

492
00:25:35,320 --> 00:25:38,240
Speaker 1: it goes three. No, No, it's just it's ten dollars

493
00:25:38,280 --> 00:25:40,720
Speaker 1: a spin, boom, and then you do another ten, do

494
00:25:40,720 --> 00:25:42,960
Speaker 1: another ten. It's not like it takes thirty hundred he's

495
00:25:43,000 --> 00:25:45,560
Speaker 1: playing that. Yeah, that's that's a lot of money. And

496
00:25:45,600 --> 00:25:47,560
Speaker 1: then I have another dude, I know that did High

497
00:25:47,560 --> 00:25:51,159
Speaker 1: Limits at Cosmo one hundred K. So Cosmo right now

498
00:25:51,240 --> 00:25:53,480
Speaker 1: is hot. I ain't playing High Limits because that's high

499
00:25:53,520 --> 00:25:55,520
Speaker 1: locid does that mean h limit? I mean it's probably

500
00:25:55,520 --> 00:25:58,000
Speaker 1: like one hundred dollars a spin. It's like minimal. They're minimal.

501
00:25:58,080 --> 00:26:00,600
Speaker 1: You can't play for less than a hun bucks hand

502
00:26:00,720 --> 00:26:04,320
Speaker 1: something like that. Yeah, it's where people don't like famous.

503
00:26:04,359 --> 00:26:05,800
Speaker 1: People don't want to mess with the riff raff, so

504
00:26:05,840 --> 00:26:09,119
Speaker 1: they go in there. Yeah, well more private and upscale.

505
00:26:09,240 --> 00:26:11,360
Speaker 1: That is that is crazy? All right? Thanks? Right, Yeah,

506
00:26:11,359 --> 00:26:12,960
Speaker 1: I just look for the diamond staircase right next to

507
00:26:12,960 --> 00:26:16,760
Speaker 1: sports book. Diamond staircase. Put in the promo code. Ray,

508
00:26:16,840 --> 00:26:18,119
Speaker 1: I don't even know where you put it, but put

509
00:26:18,160 --> 00:26:21,160
Speaker 1: it in. He'll get something. Guy's always up to something. Tomorrow,

510
00:26:21,200 --> 00:26:24,240
Speaker 1: ten AM Central tickets to my comedically inspirational show in

511
00:26:24,320 --> 00:26:26,600
Speaker 1: Nashville are on sale. Speaking of Vegas, they sold out

512
00:26:26,640 --> 00:26:29,000
Speaker 1: at the wind so excited about that. But the last

513
00:26:29,040 --> 00:26:32,119
Speaker 1: show in Nashville. Tickets go on tomorrow for October twenty second,

514
00:26:32,119 --> 00:26:34,240
Speaker 1: which is a Saturday. Get him Bobby Bones dot com

515
00:26:34,240 --> 00:26:43,800
Speaker 1: ten Central. It's time for the good news. A boy

516
00:26:43,800 --> 00:26:48,360
Speaker 1: in Oklahoma saved his mom's life again. Gavin Kenney's mother, Laurie,

517
00:26:48,440 --> 00:26:50,560
Speaker 1: has epilepsy, and the ten year old gotten used to

518
00:26:50,600 --> 00:26:53,320
Speaker 1: helping her sometimes because his life's to daily struggle with

519
00:26:53,320 --> 00:26:55,560
Speaker 1: that condition. So he's in fifth grades in the backyard

520
00:26:55,920 --> 00:26:59,560
Speaker 1: and he says he heard yelling but also water, and

521
00:26:59,640 --> 00:27:03,080
Speaker 1: so he looked and he saw her seizing and she

522
00:27:03,160 --> 00:27:06,200
Speaker 1: was in the pool. So he jumps in and grabs

523
00:27:06,240 --> 00:27:08,760
Speaker 1: her as she's kind of sinking, and then pulls her

524
00:27:08,760 --> 00:27:10,720
Speaker 1: back to the pool ladder, and they have it all

525
00:27:10,720 --> 00:27:13,840
Speaker 1: on security camera because everything's now on security camera, and

526
00:27:14,280 --> 00:27:16,920
Speaker 1: so he she was now because she's okay, able to

527
00:27:16,960 --> 00:27:19,040
Speaker 1: see him come and rescue her. Wow, that's a pretty

528
00:27:19,040 --> 00:27:21,800
Speaker 1: crazy thing to watch. That's a truly amazing thing to see.

529
00:27:21,840 --> 00:27:23,840
Speaker 1: And she doesn't normally get to see him in action

530
00:27:23,880 --> 00:27:25,520
Speaker 1: because she's in the middle of a seizure and you

531
00:27:25,520 --> 00:27:27,840
Speaker 1: don't really see her. You know what's happening when you're

532
00:27:27,840 --> 00:27:31,359
Speaker 1: in a seizure. And so now in that town, they've

533
00:27:31,400 --> 00:27:33,800
Speaker 1: given him a Hero of the day saving a life

534
00:27:33,840 --> 00:27:35,600
Speaker 1: black by the police officers, and they were all out

535
00:27:35,680 --> 00:27:37,879
Speaker 1: doing the thing, and then they arrested him for some

536
00:27:37,880 --> 00:27:42,080
Speaker 1: morants that he had that he didn't Oh no, it's

537
00:27:42,080 --> 00:27:46,280
Speaker 1: like a bone head brought up there. You didn't have

538
00:27:46,280 --> 00:27:48,840
Speaker 1: a way to have any warranties. Ten. That's an awesome story.

539
00:27:48,880 --> 00:27:51,200
Speaker 1: Gavin Keney, if you're listening to this great job in

540
00:27:51,440 --> 00:27:54,040
Speaker 1: you deserve to be recognized even on this show. So

541
00:27:54,160 --> 00:27:56,960
Speaker 1: that is what it's all about. That was tell me

542
00:27:57,040 --> 00:28:08,040
Speaker 1: something good. It's time for the investigative. Morning Corny, Morning Corny.

543
00:28:08,440 --> 00:28:11,000
Speaker 1: What do you call an angry carrot? What do you

544
00:28:11,000 --> 00:28:13,320
Speaker 1: call an angry carrot? We have ninety seconds to figure

545
00:28:13,320 --> 00:28:18,159
Speaker 1: it out. Go mad orange, orange, angry kingry So orange

546
00:28:18,520 --> 00:28:25,240
Speaker 1: is carrots are also ground vegetables. Carrots written by rabbits,

547
00:28:26,760 --> 00:28:31,359
Speaker 1: carotene carrots for your eyes. That's what they say. Vitamin D.

548
00:28:31,920 --> 00:28:35,159
Speaker 1: What's the joke again? What do you call an angry carrot?

549
00:28:36,760 --> 00:28:47,200
Speaker 1: Angry angry cat? Mad? Mad, mad vegetable? Angry vegetable orange orange?

550
00:28:47,200 --> 00:28:58,760
Speaker 1: You angry farm below ground, dirt bugs, bunny, angry carrot,

551
00:28:59,040 --> 00:29:05,960
Speaker 1: mad hatter, mad, I'm mad mad? Mad shade night? Is

552
00:29:05,960 --> 00:29:08,760
Speaker 1: that a nice shade? What do you call an angry carrot?

553
00:29:09,040 --> 00:29:14,880
Speaker 1: She's taunting us right now? Really is mad? Angry carrot?

554
00:29:14,920 --> 00:29:20,360
Speaker 1: What are you calling angry carroty? Angry? Angry? It's an

555
00:29:20,440 --> 00:29:25,160
Speaker 1: angry cart arrous, so angry and a very carrot kur

556
00:29:26,720 --> 00:29:36,080
Speaker 1: So this is not good. Angry carrot? Arm to the table.

557
00:29:36,640 --> 00:29:47,600
Speaker 1: I'm a veggie, veggie made at down. We get down, terrible,

558
00:29:47,600 --> 00:29:49,560
Speaker 1: were getting down. I don't know what's happening. That might

559
00:29:49,560 --> 00:29:51,959
Speaker 1: have been the hardest one of all time. Okay, angry,

560
00:29:52,560 --> 00:29:59,320
Speaker 1: we're close hand morning corny. What do you call an

561
00:29:59,360 --> 00:30:03,640
Speaker 1: angry carrot? It? We don't know. I'm angry now? What

562
00:30:03,840 --> 00:30:10,440
Speaker 1: a steamed veggie? Steam? I'm steamed? Whatever do you live

563
00:30:10,440 --> 00:30:14,920
Speaker 1: in the thirties? I don't know. I'm steamed, but you

564
00:30:14,960 --> 00:30:16,920
Speaker 1: don't do you know where we didn't miss that? That

565
00:30:17,000 --> 00:30:21,000
Speaker 1: was just being mad. I've never been steaming man who

566
00:30:21,080 --> 00:30:25,960
Speaker 1: said that No One, Humphrey Bogue Art, all right, you

567
00:30:26,000 --> 00:30:29,040
Speaker 1: know what, we should not take our anger out on her.

568
00:30:29,120 --> 00:30:32,000
Speaker 1: Don't hate there's three hundred and sixty five days in

569
00:30:32,040 --> 00:30:34,880
Speaker 1: a year. We're on their fifty two weeks out of

570
00:30:34,880 --> 00:30:42,000
Speaker 1: the year jokes five days a number. I do not

571
00:30:43,000 --> 00:30:46,040
Speaker 1: five days a week for fifty two weeks a year,

572
00:30:46,200 --> 00:30:53,240
Speaker 1: basically minus some vacation. Fine, forty seven five days. Some

573
00:30:53,360 --> 00:30:56,160
Speaker 1: jokes are just going to be more difficult or not

574
00:30:56,160 --> 00:30:58,840
Speaker 1: as money that joke. I'm steaming man. Oh yeah, he's

575
00:30:58,840 --> 00:31:01,160
Speaker 1: still he's steaming right now. It's like a Looney tune,

576
00:31:01,160 --> 00:31:09,440
Speaker 1: where's coming out of your ears on the Bobby Bones Show. Now, well,

577
00:31:10,120 --> 00:31:12,200
Speaker 1: there's a lot of things to say right now. Number

578
00:31:12,240 --> 00:31:16,400
Speaker 1: one is your voice is what seventy percent? Yeah? If

579
00:31:16,440 --> 00:31:18,120
Speaker 1: if it's that yeah, And he brought a guitar and

580
00:31:18,160 --> 00:31:20,680
Speaker 1: he wasn't gonna fight through it. He was going full

581
00:31:20,760 --> 00:31:23,360
Speaker 1: like torn Aco, I's still gonna play the game. But

582
00:31:23,400 --> 00:31:25,719
Speaker 1: I was like, don't don't hurt yourself any worse. So

583
00:31:25,760 --> 00:31:28,000
Speaker 1: I'm glad. First, congrats on the number one song. Thank you,

584
00:31:28,080 --> 00:31:31,040
Speaker 1: thank you all for that. No need to push a voice.

585
00:31:31,600 --> 00:31:34,680
Speaker 1: We can play studio versions of what you've done. And thirdly,

586
00:31:34,880 --> 00:31:36,720
Speaker 1: if you want to come back in and perform any

587
00:31:36,720 --> 00:31:39,000
Speaker 1: other time, let us know you as soon as it's

588
00:31:39,040 --> 00:31:41,440
Speaker 1: back in, Like, don't stress out about it. But I

589
00:31:41,440 --> 00:31:45,160
Speaker 1: would bet that your voice, even torn up, is better

590
00:31:45,160 --> 00:31:49,840
Speaker 1: than what sixty percent of country music. Thank you guys. Yeah, no,

591
00:31:50,480 --> 00:31:52,520
Speaker 1: let's talk for Oh you were the last time you're

592
00:31:52,520 --> 00:31:54,920
Speaker 1: supposed to come in you got sick. No, my brother

593
00:31:55,080 --> 00:31:57,120
Speaker 1: was sick then, and so that was during COVID. It

594
00:31:57,160 --> 00:32:00,480
Speaker 1: wasn't COVID. It was just just a normal flu. But yeah,

595
00:32:00,520 --> 00:32:02,800
Speaker 1: we that we were being very precautious then, so and

596
00:32:02,840 --> 00:32:06,560
Speaker 1: we appreciate that of course. Thinking So, Mitchell Tinpenny, you

597
00:32:06,640 --> 00:32:10,200
Speaker 1: got another number one. I don't know what I remember

598
00:32:10,240 --> 00:32:11,280
Speaker 1: the first time I heard this, I was like, that's

599
00:32:11,320 --> 00:32:13,280
Speaker 1: the most cutting song I've ever heard. Oh man, in

600
00:32:13,320 --> 00:32:16,520
Speaker 1: a loving way, in a lovely way towards you, because

601
00:32:16,560 --> 00:32:18,560
Speaker 1: it's like, stop telling lies about me. I won't tell

602
00:32:18,560 --> 00:32:22,080
Speaker 1: the truth about you. I'm like, dude, I want to yell, Jerry, Jerry,

603
00:32:23,080 --> 00:32:24,719
Speaker 1: let me play a hook at the song that just

604
00:32:24,800 --> 00:32:28,800
Speaker 1: went number one from Mitchell Tinpenny. If you quite last

605
00:32:28,960 --> 00:32:35,040
Speaker 1: about me, I won't tell the truth of you. When

606
00:32:35,800 --> 00:32:39,280
Speaker 1: whomever said that line did the right go. Oh yeah,

607
00:32:39,320 --> 00:32:42,120
Speaker 1: I mean that's literally how it was. Matt Alderman, one

608
00:32:42,120 --> 00:32:44,560
Speaker 1: of the co writers, Thomas Sartre and Matt Alderman, I

609
00:32:44,560 --> 00:32:47,640
Speaker 1: wrote with and Matt said something like, man, quit lying

610
00:32:47,680 --> 00:32:50,040
Speaker 1: about me and there's and I promise I won't tell

611
00:32:50,520 --> 00:32:52,280
Speaker 1: all the truth about you or something like that, and

612
00:32:52,320 --> 00:32:54,920
Speaker 1: I was like, I know exactly how to write this song,

613
00:32:55,040 --> 00:32:56,720
Speaker 1: like I've I've been there and I'm not gonna lie.

614
00:32:56,720 --> 00:32:59,440
Speaker 1: I mean I've probably you know, done it too. Were

615
00:32:59,480 --> 00:33:01,640
Speaker 1: you all a different story? You want a better story

616
00:33:02,160 --> 00:33:05,239
Speaker 1: on breakup sometimes, you know when you're growing up, and um,

617
00:33:05,400 --> 00:33:06,840
Speaker 1: I don't know. It just hit me kind of hard

618
00:33:06,840 --> 00:33:08,240
Speaker 1: that day when I heard it, and when you know,

619
00:33:08,280 --> 00:33:10,239
Speaker 1: we massage it to the way the melody is now.

620
00:33:10,320 --> 00:33:14,680
Speaker 1: But that's like back of the bus. Oh, it's like

621
00:33:14,720 --> 00:33:16,920
Speaker 1: a freestyle when you hit hit the good rhymes. Yeah,

622
00:33:16,960 --> 00:33:19,440
Speaker 1: that's good man. The album is called This is the Heavy.

623
00:33:19,760 --> 00:33:23,360
Speaker 1: What does that mean? Man? I love rock and roll

624
00:33:23,440 --> 00:33:25,120
Speaker 1: music too. I kind of come from that. I used

625
00:33:25,120 --> 00:33:27,680
Speaker 1: to be a drummer in a band and a screamer.

626
00:33:28,080 --> 00:33:30,640
Speaker 1: So the Heavy the lyrically, it's a little heavier, but

627
00:33:30,800 --> 00:33:32,960
Speaker 1: you know, everything else the production is a little bit heavier.

628
00:33:33,240 --> 00:33:36,680
Speaker 1: Country is the lyrics through and through on this. You know,

629
00:33:36,760 --> 00:33:39,520
Speaker 1: Country's storytelling to me. So we stayed that lane. But

630
00:33:39,840 --> 00:33:41,720
Speaker 1: turn the guitars up a little bit, gained them up

631
00:33:41,760 --> 00:33:43,320
Speaker 1: a little bit, you know, put the drums a little

632
00:33:43,320 --> 00:33:45,680
Speaker 1: bit more forward in the mix. It's just heavier. It's

633
00:33:45,720 --> 00:33:48,360
Speaker 1: just a little heavier. And you know, I think the lyrics,

634
00:33:48,400 --> 00:33:51,000
Speaker 1: because I'm a little older and life has happened a

635
00:33:51,040 --> 00:33:53,120
Speaker 1: little bit more, they're they're a little heavier. So I

636
00:33:53,200 --> 00:33:55,040
Speaker 1: just thought the title sounded cool, and then it kind

637
00:33:55,040 --> 00:33:56,920
Speaker 1: of mixed and it all kind of blended in together

638
00:33:56,960 --> 00:33:58,400
Speaker 1: with you know where I was trying to go with

639
00:33:58,400 --> 00:34:00,280
Speaker 1: this next record. But it's also the first song too.

640
00:34:00,400 --> 00:34:01,880
Speaker 1: This is the heavy right all right. Yeah, it's an

641
00:34:01,880 --> 00:34:04,880
Speaker 1: intro track. It's an intro track into the song too,

642
00:34:05,000 --> 00:34:07,960
Speaker 1: so um, I missed records with intro tracks, and it

643
00:34:08,120 --> 00:34:09,799
Speaker 1: just kind of sets the tone for the record. And

644
00:34:09,840 --> 00:34:13,120
Speaker 1: it's a lot of fun. Yeah, it's like the ladies

645
00:34:13,120 --> 00:34:15,120
Speaker 1: and gentlemen. The music you're about to listen to is

646
00:34:15,120 --> 00:34:17,360
Speaker 1: gonna take you to an a whole new place, a

647
00:34:17,520 --> 00:34:21,960
Speaker 1: place that only few people have ever discovered your bones.

648
00:34:22,080 --> 00:34:24,080
Speaker 1: You're gonna eight Yeah, I feel like we missed out.

649
00:34:24,320 --> 00:34:30,480
Speaker 1: Your muscles are gonna be so you tonight Mitchell. Mitchell's

650
00:34:30,480 --> 00:34:33,200
Speaker 1: record comes out, This is the Heavy and you know

651
00:34:33,200 --> 00:34:36,360
Speaker 1: it's twenty songs. Yeah, and be honest, a lot of songs.

652
00:34:36,840 --> 00:34:39,640
Speaker 1: I know it's they all good or just some of them.

653
00:34:39,680 --> 00:34:41,640
Speaker 1: I'm a little biased on him, but you can you

654
00:34:41,680 --> 00:34:44,120
Speaker 1: can be honest with me. I uh, you know, it's

655
00:34:44,120 --> 00:34:47,200
Speaker 1: been four years since the last record, and we started

656
00:34:47,200 --> 00:34:48,799
Speaker 1: with eleven. I was like, it's got to have this

657
00:34:48,880 --> 00:34:50,920
Speaker 1: other song. I can't not put this song on. And

658
00:34:51,040 --> 00:34:52,520
Speaker 1: I was like, man, can you call him and ask

659
00:34:52,600 --> 00:34:54,600
Speaker 1: we can do fourteen? And then I was like, I'm

660
00:34:54,640 --> 00:34:56,480
Speaker 1: what about sixteen? And then it got to nineteen and

661
00:34:56,520 --> 00:34:58,840
Speaker 1: I was like, uh, we gotta make it twenty. He

662
00:34:58,880 --> 00:35:01,080
Speaker 1: got twenty. The OCD gotta go. Yeah, you gotta go twenty.

663
00:35:01,160 --> 00:35:03,439
Speaker 1: It's gonna be two vinyls, you know, and we could

664
00:35:03,440 --> 00:35:05,279
Speaker 1: have gone to way more. It's just a lot of

665
00:35:05,360 --> 00:35:08,600
Speaker 1: music was written in the last three years for me personally,

666
00:35:08,640 --> 00:35:11,120
Speaker 1: and it's hard to pick, and especially in this time.

667
00:35:11,360 --> 00:35:13,880
Speaker 1: I think people like a lot of music so and

668
00:35:14,320 --> 00:35:16,479
Speaker 1: it'll go quicker than you think to those twenty songs

669
00:35:16,520 --> 00:35:21,239
Speaker 1: will be yeah, one of them the one so yeah,

670
00:35:21,239 --> 00:35:23,360
Speaker 1: now I know all there's one eleven seconds. He doesn't know,

671
00:35:23,440 --> 00:35:25,839
Speaker 1: but that the label cut them all down. He was like, yeah,

672
00:35:25,840 --> 00:35:29,799
Speaker 1: I do twenty. Yes, you were in school to be

673
00:35:29,880 --> 00:35:32,880
Speaker 1: a songwriter. You went and you studied songwriting. I always

674
00:35:32,880 --> 00:35:35,360
Speaker 1: think the art's a weird thing to study. Yeah, it wasn't,

675
00:35:35,400 --> 00:35:39,600
Speaker 1: really it was. It wasn't really songwritings. Like studying songwriting.

676
00:35:39,640 --> 00:35:41,000
Speaker 1: It was just putting you in a class with other

677
00:35:41,040 --> 00:35:43,520
Speaker 1: songwriters and meeting them. They didn't teach you how to

678
00:35:43,520 --> 00:35:45,360
Speaker 1: write songs. They just told you to write songs and

679
00:35:45,400 --> 00:35:47,480
Speaker 1: then we would share them. Would you ever hear one

680
00:35:47,520 --> 00:35:49,920
Speaker 1: that was terrible? I mean I don't. I don't think

681
00:35:49,960 --> 00:35:53,920
Speaker 1: anybody's songs terrible. If you come out and say it,

682
00:35:53,960 --> 00:35:55,279
Speaker 1: I don't. I mean, who am I to say a

683
00:35:55,320 --> 00:35:58,160
Speaker 1: song is terrible? But uh, there's definitely people that you

684
00:35:58,200 --> 00:36:02,040
Speaker 1: know probably needed to do different thing it. Did you

685
00:36:02,040 --> 00:36:04,120
Speaker 1: tell them that? I definitely did not, because I'm probably

686
00:36:04,160 --> 00:36:06,879
Speaker 1: at that time definitely sounding like I needed to as well.

687
00:36:06,920 --> 00:36:09,960
Speaker 1: When you graduated in your working construction, what what did

688
00:36:10,000 --> 00:36:14,319
Speaker 1: you do daily? Because I works, but every job is

689
00:36:14,320 --> 00:36:16,640
Speaker 1: so different. What did you do? I think mostly you know,

690
00:36:16,920 --> 00:36:20,520
Speaker 1: up in the rafters doing insulation in drywall, and then

691
00:36:20,560 --> 00:36:24,520
Speaker 1: and you're wearing a mask. Yeah, we were wearing masks

692
00:36:24,560 --> 00:36:27,520
Speaker 1: and just to itchy, you know, all that fiberglass in

693
00:36:27,560 --> 00:36:29,919
Speaker 1: your arms every day. I was, I was over it, man,

694
00:36:30,080 --> 00:36:32,799
Speaker 1: it was yeah, so you're doing that. What were you

695
00:36:32,840 --> 00:36:35,239
Speaker 1: doing when you got there? When you finally were like, Okay,

696
00:36:35,239 --> 00:36:37,120
Speaker 1: I can actually make money as a songwriter and I

697
00:36:37,160 --> 00:36:38,799
Speaker 1: don't have to do this anymore. What was the job

698
00:36:38,800 --> 00:36:42,480
Speaker 1: you quit? Um? I was. I was still valeting cars

699
00:36:42,480 --> 00:36:45,279
Speaker 1: when I got my publishing deal to supplement because your

700
00:36:45,280 --> 00:36:47,879
Speaker 1: first publishing deal is not the draws not very good.

701
00:36:48,239 --> 00:36:51,960
Speaker 1: I mean, it's enough to make you quit a job

702
00:36:52,040 --> 00:36:54,239
Speaker 1: to you know, kind of work full time there. But

703
00:36:54,239 --> 00:36:57,040
Speaker 1: I still needed extra extra cash to live, so I

704
00:36:57,160 --> 00:36:59,480
Speaker 1: was valeting cars. So I think I quit that for sure.

705
00:36:59,600 --> 00:37:02,480
Speaker 1: You ever take the change of the middle. No, I

706
00:37:02,520 --> 00:37:05,839
Speaker 1: never did. Okay, yeah, yeah he's billing cars. I wonder

707
00:37:06,280 --> 00:37:08,480
Speaker 1: what they're doing. Honestly, I was so scared. I was.

708
00:37:08,560 --> 00:37:10,759
Speaker 1: I never wanted someone to accuse me of stealing, so

709
00:37:10,760 --> 00:37:13,000
Speaker 1: I wouldn't make sure that i'd be left money for them.

710
00:37:13,280 --> 00:37:15,720
Speaker 1: Extra money there was an extra five every time Mitchell

711
00:37:15,760 --> 00:37:17,719
Speaker 1: parked your car. I did not have an extra five

712
00:37:17,800 --> 00:37:20,520
Speaker 1: back then. I promise I wish anybody cool ever drop

713
00:37:20,560 --> 00:37:24,680
Speaker 1: off their car. Yeah, you know. I parked Tim mccraws

714
00:37:25,400 --> 00:37:27,960
Speaker 1: um one of his uh shoot when it was a

715
00:37:27,960 --> 00:37:30,640
Speaker 1: bit lea back then, like I do it. We drove

716
00:37:30,680 --> 00:37:32,400
Speaker 1: a I don't care about Tim mccrawl. I'm just like

717
00:37:32,480 --> 00:37:34,520
Speaker 1: you drove a bit. Yeah, well I put no, I

718
00:37:34,600 --> 00:37:36,680
Speaker 1: left it right up front Stony River. I ala moved

719
00:37:36,680 --> 00:37:39,680
Speaker 1: it like two more feet. And then Martina McBride came

720
00:37:39,719 --> 00:37:42,880
Speaker 1: out one time and she was with her producer and

721
00:37:42,920 --> 00:37:44,640
Speaker 1: they both had separate cars, and she was handing me

722
00:37:44,640 --> 00:37:46,399
Speaker 1: one hundred dollar billing. I could see it in her hand.

723
00:37:46,400 --> 00:37:48,799
Speaker 1: I was like, that's gonna make my week. And her

724
00:37:48,840 --> 00:37:50,480
Speaker 1: producer goes, no, no, no no, I'll take care of him

725
00:37:50,480 --> 00:37:52,359
Speaker 1: when he gets hars. I was like, no, say oh man,

726
00:37:52,400 --> 00:37:54,600
Speaker 1: maybe i'll get double. I get both cars. There was

727
00:37:54,600 --> 00:37:56,319
Speaker 1: a five dollar villa and I was like, oh man,

728
00:37:57,000 --> 00:38:05,120
Speaker 1: I just Martina was coming hard. Did you get nervous

729
00:38:05,200 --> 00:38:08,359
Speaker 1: driving the big fancy cars. Yeah. I wasn't very good

730
00:38:08,360 --> 00:38:10,680
Speaker 1: at driving a stick. Um. I didn't learn on a stick.

731
00:38:10,920 --> 00:38:13,439
Speaker 1: And there was a I moved to Ferrari one time

732
00:38:14,040 --> 00:38:16,440
Speaker 1: in front of a steakhouse and I, you know, I

733
00:38:16,560 --> 00:38:19,080
Speaker 1: stalled it out and the guy was so nice. He

734
00:38:19,160 --> 00:38:22,040
Speaker 1: just he leans in, he goes racing clutch and he

735
00:38:22,239 --> 00:38:25,360
Speaker 1: smiled at me, and I was like, oh cool, anybody

736
00:38:25,360 --> 00:38:28,200
Speaker 1: else want to help me? Park? I always wonder if

737
00:38:28,239 --> 00:38:30,080
Speaker 1: some of these cars are really weird on the inside

738
00:38:30,080 --> 00:38:33,319
Speaker 1: and like the yeah, the park drive reverse, all that's

739
00:38:33,320 --> 00:38:34,759
Speaker 1: in different places and stuff. You ever get to want

740
00:38:34,760 --> 00:38:36,279
Speaker 1: to just get confused? Yeah, there was. There was a

741
00:38:36,320 --> 00:38:38,400
Speaker 1: couple of cars. It was right when the push button

742
00:38:38,480 --> 00:38:40,919
Speaker 1: was starting to be a thing, and uh, the nice

743
00:38:40,960 --> 00:38:44,160
Speaker 1: were like Mercedes and BMW's and stuff, and I never

744
00:38:44,239 --> 00:38:46,200
Speaker 1: had that. So there was a couple of cars where

745
00:38:46,239 --> 00:38:47,520
Speaker 1: it took me a minute to figure out how to

746
00:38:47,520 --> 00:38:49,480
Speaker 1: start it once it's that big of an idiot I am.

747
00:38:50,000 --> 00:38:53,480
Speaker 1: I have a car that you don't put when the

748
00:38:53,560 --> 00:38:55,640
Speaker 1: keys in it, that's like the keys starting the car.

749
00:38:55,960 --> 00:38:58,239
Speaker 1: And I left it running, but I kept Kim in

750
00:38:58,280 --> 00:39:01,239
Speaker 1: my pocket, went and had dinner and they couldn't move it.

751
00:39:01,320 --> 00:39:02,600
Speaker 1: And they didn't know where I went because we went

752
00:39:02,600 --> 00:39:03,839
Speaker 1: to a restaurant that wasn't the one. I just wanted

753
00:39:03,840 --> 00:39:07,399
Speaker 1: to use that vallet so they couldn't find me. Oh wow, yeah,

754
00:39:07,440 --> 00:39:10,239
Speaker 1: and the car sitting there and it just stayed there

755
00:39:10,360 --> 00:39:12,759
Speaker 1: the whole time running. Oh it's stay stayed running. Well,

756
00:39:12,800 --> 00:39:15,719
Speaker 1: I just got my first with the keys like that,

757
00:39:15,800 --> 00:39:18,160
Speaker 1: and I've always been confused. If I've run off with

758
00:39:18,200 --> 00:39:19,920
Speaker 1: the key, what's gonna have It'll stay there and they'll

759
00:39:19,920 --> 00:39:21,399
Speaker 1: look for you, and they'll be confused and they will

760
00:39:21,400 --> 00:39:23,040
Speaker 1: come back and they'll be mad at you. That'll basically

761
00:39:23,080 --> 00:39:24,480
Speaker 1: be how that go. And I can help you out there.

762
00:39:24,680 --> 00:39:26,319
Speaker 1: Someone left did that to me once, you know, we

763
00:39:26,360 --> 00:39:28,520
Speaker 1: had the little box with the keys, and someone decided

764
00:39:28,520 --> 00:39:30,440
Speaker 1: to leave their car there and go to another restaurant.

765
00:39:30,640 --> 00:39:32,799
Speaker 1: And at the end of the night, I'm like, I

766
00:39:32,960 --> 00:39:34,600
Speaker 1: have still have this key up. There's no one in

767
00:39:34,600 --> 00:39:37,560
Speaker 1: the restaurant that this key belongs to, and I gotta go.

768
00:39:38,000 --> 00:39:41,320
Speaker 1: And so I thought, you know, I lost somebody's everything,

769
00:39:41,360 --> 00:39:43,440
Speaker 1: you know, And it was I had to call my boss.

770
00:39:43,440 --> 00:39:44,799
Speaker 1: He had to come down, and he was so mad

771
00:39:44,800 --> 00:39:46,560
Speaker 1: at me. And all of a sudden, they walk across

772
00:39:46,560 --> 00:39:48,120
Speaker 1: the street and they get in their car and take off,

773
00:39:48,120 --> 00:39:51,279
Speaker 1: and I was like, well, there it was. I guess

774
00:39:50,920 --> 00:39:53,239
Speaker 1: seen Mitchell to him is a big star, but he's

775
00:39:53,239 --> 00:39:56,040
Speaker 1: still he still like us, you know, he still remembers

776
00:39:56,080 --> 00:39:57,640
Speaker 1: what it was like to be the common man. And

777
00:39:57,760 --> 00:39:59,200
Speaker 1: what did they like the transition for me in the

778
00:39:59,200 --> 00:40:02,000
Speaker 1: common man to a big star. I'm still extremely common man.

779
00:40:02,080 --> 00:40:04,480
Speaker 1: Look at this guy. It's crazy. You have two number

780
00:40:04,480 --> 00:40:07,040
Speaker 1: ones this year. So obviously Truth about You, which is

781
00:40:07,080 --> 00:40:09,040
Speaker 1: just like number one, and then at the end of

782
00:40:09,080 --> 00:40:11,040
Speaker 1: the bar, yeah, which also wasn't a mom with you

783
00:40:11,080 --> 00:40:13,799
Speaker 1: and Chris Young. It's crazy, man, thank you. It's it's

784
00:40:13,840 --> 00:40:16,400
Speaker 1: been a minute since drunk me. So I'm just I

785
00:40:16,440 --> 00:40:18,719
Speaker 1: truly am honored and IM just grateful to be back

786
00:40:18,800 --> 00:40:20,759
Speaker 1: in country radio. Man. I don't want to wear your

787
00:40:20,840 --> 00:40:23,879
Speaker 1: voice out too much, but I do want to bring

788
00:40:23,960 --> 00:40:28,320
Speaker 1: up one thing. And in the video for Good and Gone,

789
00:40:28,360 --> 00:40:31,239
Speaker 1: yeah you were breaking stuff. Yeah, one of those what

790
00:40:31,280 --> 00:40:33,560
Speaker 1: do you call them, like the chaos room? Yeah, the

791
00:40:33,600 --> 00:40:36,640
Speaker 1: rooms you going with a hammer and just yeah, well

792
00:40:36,680 --> 00:40:38,399
Speaker 1: they brought that up, like what if you did this?

793
00:40:38,520 --> 00:40:39,960
Speaker 1: And I was like, I've never done that, and I've

794
00:40:39,960 --> 00:40:42,200
Speaker 1: heard about those. Let's let's try. It was a lot

795
00:40:42,200 --> 00:40:44,040
Speaker 1: of fun. I can see why people need to go

796
00:40:44,080 --> 00:40:45,920
Speaker 1: do that. So you liked it? It was fun. I

797
00:40:45,920 --> 00:40:48,240
Speaker 1: mean you you can definitely get hurt and there by accident,

798
00:40:48,320 --> 00:40:50,680
Speaker 1: like you get carried away. Like like you so you

799
00:40:50,760 --> 00:40:52,319
Speaker 1: walk through a room and you how hard are you going?

800
00:40:52,400 --> 00:40:54,279
Speaker 1: What are you harboring in there? I mean you got

801
00:40:54,360 --> 00:40:57,319
Speaker 1: a sledgehammer in an old TV. Everyone's gonna go the same.

802
00:40:57,840 --> 00:41:00,320
Speaker 1: You're gonna go hard. But yeah, you walk through a

803
00:41:00,400 --> 00:41:01,840
Speaker 1: room and you pick out the things you want to

804
00:41:02,120 --> 00:41:03,640
Speaker 1: they have a price on them, and you like, I'm

805
00:41:03,640 --> 00:41:06,600
Speaker 1: gonna break that. I'm gonna break that. Hey, as you go, well,

806
00:41:06,640 --> 00:41:08,480
Speaker 1: the label paid for this one. I wouldn't spend them.

807
00:41:08,600 --> 00:41:11,480
Speaker 1: That's what you paid. Yeah, you pays. You go so

808
00:41:11,560 --> 00:41:13,520
Speaker 1: like like he might break a couple of stuff and

809
00:41:13,880 --> 00:41:16,480
Speaker 1: it takes five minutes. You're like, dang, that's not long enough.

810
00:41:16,520 --> 00:41:19,319
Speaker 1: So they know it's a good business. I mean, we like,

811
00:41:19,480 --> 00:41:22,000
Speaker 1: we need to start a wrecking room somewhere. It's pretty easy.

812
00:41:22,120 --> 00:41:24,680
Speaker 1: You know what Amy has been it has she know,

813
00:41:24,719 --> 00:41:26,319
Speaker 1: she's like I want to break something. She's kind of turned.

814
00:41:26,480 --> 00:41:28,120
Speaker 1: She's like jumping his phone, poll fully closed. You know

815
00:41:28,160 --> 00:41:31,320
Speaker 1: she's been going through say yeah, yeah, yeah, we know.

816
00:41:31,400 --> 00:41:32,839
Speaker 1: We got her a TV to do that here though

817
00:41:32,880 --> 00:41:34,400
Speaker 1: we brought her an old TV and she went to

818
00:41:34,400 --> 00:41:36,840
Speaker 1: down on it. Oh no way. Yeah. We in the

819
00:41:36,880 --> 00:41:40,200
Speaker 1: back alley and I had I guess a sledgehammer and

820
00:41:40,239 --> 00:41:43,560
Speaker 1: I got to just beat up the TV. I was

821
00:41:43,560 --> 00:41:45,640
Speaker 1: it an old box one or like a flash like

822
00:41:45,680 --> 00:41:47,799
Speaker 1: a flat screen. Yeah. We literally took him to his office,

823
00:41:47,800 --> 00:41:52,279
Speaker 1: but were just like, yeah, that's amazing. Here's what I

824
00:41:52,280 --> 00:41:55,520
Speaker 1: want to m good Mitchell. First, congratulations on the number

825
00:41:55,520 --> 00:41:59,400
Speaker 1: one song tonight. This is the heaviest out and you

826
00:41:59,400 --> 00:42:01,120
Speaker 1: can go and do whatever it's pre say, and we

827
00:42:01,120 --> 00:42:03,600
Speaker 1: can presave Mitchell's next ten album. I don't know how

828
00:42:03,600 --> 00:42:06,480
Speaker 1: to all that's it, but it's there tonight Mitchell's record is.

829
00:42:06,640 --> 00:42:08,680
Speaker 1: And when your voice is back, if it's next week

830
00:42:08,719 --> 00:42:10,040
Speaker 1: and you're want to come up and play next week,

831
00:42:10,080 --> 00:42:11,920
Speaker 1: you're welcome to. If it's two weeks, we can do

832
00:42:11,960 --> 00:42:16,440
Speaker 1: it again. You can perform. We've tried twice and I

833
00:42:16,480 --> 00:42:18,680
Speaker 1: told whomever I was, like, hey, if his voice isn't,

834
00:42:18,719 --> 00:42:20,600
Speaker 1: gonna worry about it, we'll do it next week. Mitchell

835
00:42:20,640 --> 00:42:22,359
Speaker 1: shows up and he's like playing, He's with the guitar

836
00:42:22,360 --> 00:42:25,040
Speaker 1: back there and he's like, I'm bro, there, no, there's

837
00:42:25,040 --> 00:42:27,920
Speaker 1: no need, there's no need. So we appreciate the effort

838
00:42:28,520 --> 00:42:29,960
Speaker 1: of being here, and we know you were gonna play,

839
00:42:30,000 --> 00:42:32,120
Speaker 1: but no need. Let us know when you're good. Thank you,

840
00:42:32,400 --> 00:42:36,000
Speaker 1: let's do it again. And congratulations on everything. All right.

841
00:42:36,040 --> 00:42:38,920
Speaker 1: That means the world. Thank you. There is Mitchell ten.

842
00:42:39,320 --> 00:42:42,680
Speaker 1: Everybody all right, you guys follow him? M the number ten, penny,

843
00:42:42,920 --> 00:42:47,520
Speaker 1: M ten the number penny. The end mentioned on the

844
00:42:47,560 --> 00:42:48,879
Speaker 1: air that I thought it would be a funny segment

845
00:42:48,920 --> 00:42:51,000
Speaker 1: of Lunchbox went into a mattress store because we had

846
00:42:51,320 --> 00:42:53,760
Speaker 1: you know, we went through the whole process of like, okay,

847
00:42:53,800 --> 00:42:55,920
Speaker 1: which sleep number do we once? That's that's our kind

848
00:42:55,920 --> 00:42:57,160
Speaker 1: of bed, and so I had to go in like

849
00:42:58,120 --> 00:43:00,399
Speaker 1: go they went just like laid on him, like oh god,

850
00:43:00,440 --> 00:43:02,560
Speaker 1: like this one. And so I was liked, be funny

851
00:43:02,560 --> 00:43:04,640
Speaker 1: if Lunchbox just went to a store and just went

852
00:43:04,680 --> 00:43:07,319
Speaker 1: to sleep, like testing it out. And I guess offered money.

853
00:43:07,320 --> 00:43:09,440
Speaker 1: I'm gonna believe you. I said one hundred bucks, yes,

854
00:43:09,480 --> 00:43:11,480
Speaker 1: And you told me I had to sleep for fifteen minutes.

855
00:43:11,520 --> 00:43:14,399
Speaker 1: I said, that's awesome. I didn't know I said that long. Yeah,

856
00:43:14,480 --> 00:43:16,680
Speaker 1: And you said, so you have to have someone witness it,

857
00:43:16,719 --> 00:43:18,200
Speaker 1: And I was like, well, if I take my wife

858
00:43:18,239 --> 00:43:20,040
Speaker 1: he's not. Of course, my wife Will just said I

859
00:43:20,080 --> 00:43:22,120
Speaker 1: did it. So I hit up Abby. I was like, hey,

860
00:43:22,160 --> 00:43:23,680
Speaker 1: I need you to meet me at a mattress store.

861
00:43:23,960 --> 00:43:25,960
Speaker 1: So with Google mattress stores, I have, you know, don't

862
00:43:26,000 --> 00:43:28,279
Speaker 1: know what they're gonna look like. We show up. It

863
00:43:28,440 --> 00:43:31,200
Speaker 1: is a tiny mattress store. Abby. What it looked like

864
00:43:31,280 --> 00:43:33,880
Speaker 1: in there? Oh? Yeah, it was really small and like

865
00:43:34,000 --> 00:43:38,399
Speaker 1: one employee and you went in first, but without lunchbox. Yeah,

866
00:43:38,440 --> 00:43:40,600
Speaker 1: so they didn't know you were together, right, So I'm

867
00:43:40,640 --> 00:43:43,040
Speaker 1: just looking at beds casually. Well, it seems like for

868
00:43:43,080 --> 00:43:44,759
Speaker 1: a long time yet to look at beds. Yes, I

869
00:43:44,800 --> 00:43:46,040
Speaker 1: was waiting for him to get in there. I was

870
00:43:46,080 --> 00:43:48,480
Speaker 1: like trying to like Google mattresses and act like I

871
00:43:48,560 --> 00:43:50,960
Speaker 1: was interested. How long were you in this store before

872
00:43:50,960 --> 00:43:53,960
Speaker 1: he actually walked in? Oh, man, probably five to ten minutes.

873
00:43:54,200 --> 00:43:57,319
Speaker 1: That would be an eternity. Yeah, so you walk in

874
00:43:57,400 --> 00:44:00,000
Speaker 1: or you wearing pajamas or anything? Nope, just wearing shorts,

875
00:44:00,200 --> 00:44:03,200
Speaker 1: T shirt, shoes. And I walk right up to the ladies.

876
00:44:03,200 --> 00:44:05,000
Speaker 1: She's sitting behind a desk and I was like, yeah, man,

877
00:44:05,040 --> 00:44:07,799
Speaker 1: where are your soft mattresses? And she's like trying to

878
00:44:07,800 --> 00:44:09,759
Speaker 1: tell me something I don't know, and she points at

879
00:44:09,760 --> 00:44:12,919
Speaker 1: one right by her desk, right next to her desk,

880
00:44:13,360 --> 00:44:15,080
Speaker 1: and I see it. Nervous at all? Or do you

881
00:44:15,120 --> 00:44:18,239
Speaker 1: feel I didn't care one bit. I was like, I'm tired.

882
00:44:18,239 --> 00:44:19,960
Speaker 1: I'm gonna fall asleep. It's gonna be great. Did you

883
00:44:20,040 --> 00:44:21,440
Speaker 1: feel like you could do it? No problem? Did you

884
00:44:21,440 --> 00:44:23,960
Speaker 1: need a blanket? I have so many questions. I was like, man,

885
00:44:24,040 --> 00:44:26,520
Speaker 1: I'm tired. It was three something that afternoon. I had

886
00:44:26,560 --> 00:44:29,719
Speaker 1: to have a nap. Yet did you not nap on purpose? Ding? Ding? Ding?

887
00:44:29,800 --> 00:44:32,319
Speaker 1: So I'd be tired. And so I get next to

888
00:44:32,320 --> 00:44:33,799
Speaker 1: the bed and I said, I need to take my

889
00:44:33,800 --> 00:44:37,360
Speaker 1: shoes off? And did you take your shoes off? No?

890
00:44:37,520 --> 00:44:39,960
Speaker 1: Need to take your shoes off? Man? Why they don't

891
00:44:39,960 --> 00:44:41,919
Speaker 1: pad on the bottom? No, no they don't. They said,

892
00:44:41,960 --> 00:44:44,600
Speaker 1: no problem, don't need to take them off. Wow. Okay,

893
00:44:44,640 --> 00:44:46,840
Speaker 1: here's the first clip. This is you asking for a

894
00:44:46,840 --> 00:44:51,960
Speaker 1: certain type of mattress and then he apparently falls asleep

895
00:44:52,560 --> 00:44:55,160
Speaker 1: in this clip. Abby, But where are you when he's

896
00:44:55,200 --> 00:44:56,680
Speaker 1: talking to the person? And is it awkward for you?

897
00:44:56,800 --> 00:44:59,400
Speaker 1: Are you trying to stay? It's so small. When he

898
00:44:59,480 --> 00:45:02,280
Speaker 1: walked in, I was laying on a bed. Jesus, sleep,

899
00:45:03,400 --> 00:45:05,960
Speaker 1: No I was just act like testing them out, and

900
00:45:06,000 --> 00:45:08,239
Speaker 1: so I just basically wandered around the store. I mean

901
00:45:08,280 --> 00:45:10,080
Speaker 1: it was literally in a strip center, and it was

902
00:45:10,160 --> 00:45:13,080
Speaker 1: just like the size of like a sandwich shop, like

903
00:45:13,120 --> 00:45:15,160
Speaker 1: you know, like a subway or a quiz or any

904
00:45:15,160 --> 00:45:17,120
Speaker 1: of those. It was that small. So again this first

905
00:45:17,120 --> 00:45:18,480
Speaker 1: clip as you're talking about it, but then does it

906
00:45:18,480 --> 00:45:22,160
Speaker 1: cut to you like laying laying down away? Yeah? Yeah,

907
00:45:22,160 --> 00:45:23,399
Speaker 1: you go hear me sleep? All right? Here we again?

908
00:45:23,480 --> 00:45:27,040
Speaker 1: Which ones are your soft ones a coil? I don't

909
00:45:27,080 --> 00:45:29,319
Speaker 1: know the difference. I'm just so I like soft, so

910
00:45:29,360 --> 00:45:32,439
Speaker 1: I want to go try a soft one. Okay, well,

911
00:45:32,600 --> 00:45:35,560
Speaker 1: but this one I have fun of us considered this one.

912
00:45:35,719 --> 00:45:37,440
Speaker 1: Should I take my shoes off? No, you don't have to,

913
00:45:37,600 --> 00:45:49,880
Speaker 1: Okay with my eyes here, practice sleeping. You're practicing there.

914
00:45:50,280 --> 00:45:52,080
Speaker 1: I'm going to sleep, you are going to sleep. It

915
00:45:52,200 --> 00:46:05,160
Speaker 1: was it so we're hearing him go to sleep? Is

916
00:46:05,160 --> 00:46:09,600
Speaker 1: there something else here? Were listening? We had to play

917
00:46:09,600 --> 00:46:11,560
Speaker 1: all this clip though, I have fifteen minutes of it.

918
00:46:11,920 --> 00:46:13,839
Speaker 1: No you don't. Yeah, I do. Well, we're not playing

919
00:46:13,880 --> 00:46:15,600
Speaker 1: fifteen minutes of it, but you really literally do just

920
00:46:15,640 --> 00:46:17,600
Speaker 1: to prove it. Yeah, I lay there. I love my

921
00:46:17,600 --> 00:46:21,040
Speaker 1: phone running for fifteen minutes. So aby, you watched him,

922
00:46:21,080 --> 00:46:22,520
Speaker 1: and again you had to stay there for fifteen more

923
00:46:22,560 --> 00:46:26,160
Speaker 1: minutes minutes. Huh was the lady awkward at all? No,

924
00:46:26,360 --> 00:46:28,560
Speaker 1: she was kind of at her desk. But I did

925
00:46:28,600 --> 00:46:31,200
Speaker 1: see at one point she got her phone out and

926
00:46:31,480 --> 00:46:34,439
Speaker 1: was trying to take pictures of him, like to show,

927
00:46:34,560 --> 00:46:37,920
Speaker 1: because I'm sure she's never seen that. Did First of all,

928
00:46:37,960 --> 00:46:40,000
Speaker 1: did you really fall asleep? He really did? Like I

929
00:46:40,040 --> 00:46:42,120
Speaker 1: feel like I was hearing snoring. I didn't want to

930
00:46:42,120 --> 00:46:44,080
Speaker 1: get too close to him because I just had decle

931
00:46:44,120 --> 00:46:45,960
Speaker 1: like I didn't know him, so I just stayed over.

932
00:46:46,000 --> 00:46:47,600
Speaker 1: But I feel like I kind of did hear snoring.

933
00:46:47,960 --> 00:46:50,960
Speaker 1: Here is lunchbox waking up after fifteen minutes of sleep.

934
00:47:01,760 --> 00:47:04,839
Speaker 1: Thank you. I'm rejuvenating, ready to go back to work. There,

935
00:47:05,719 --> 00:47:07,160
Speaker 1: I just get next time, we got to turn the

936
00:47:07,239 --> 00:47:09,360
Speaker 1: music down a little bit. I mean, I need that,

937
00:47:09,400 --> 00:47:11,439
Speaker 1: and then a blanket. I need a blanket next time,

938
00:47:11,520 --> 00:47:15,080
Speaker 1: you know, yea literally don't give us that for that reason.

939
00:47:15,160 --> 00:47:18,240
Speaker 1: Oh man, Well, thank you. I was good. Now you're welcome. Problem.

940
00:47:18,400 --> 00:47:21,879
Speaker 1: I have a great day. Oh my gosh. She wasn't

941
00:47:21,880 --> 00:47:25,160
Speaker 1: even like, do you want the bet? No, she was

942
00:47:25,239 --> 00:47:27,400
Speaker 1: so like, what is he doing? Because I set the

943
00:47:27,400 --> 00:47:30,040
Speaker 1: alarm in my pocket so you could it would vibrate

944
00:47:30,080 --> 00:47:31,919
Speaker 1: and it would go off, and that's how I knew

945
00:47:31,920 --> 00:47:34,240
Speaker 1: to wake up. Would you have? I have slept all day?

946
00:47:36,760 --> 00:47:40,560
Speaker 1: So then I walked out of the store's dark out.

947
00:47:40,800 --> 00:47:42,400
Speaker 1: I walked out of the store and I went to

948
00:47:42,440 --> 00:47:44,680
Speaker 1: the car. And then Abby called me later and she

949
00:47:44,680 --> 00:47:48,120
Speaker 1: said she talked to the lady afterwards about what happened,

950
00:47:48,560 --> 00:47:52,400
Speaker 1: and Uh, Abby, what'd she say? That was the funniest

951
00:47:52,400 --> 00:47:54,200
Speaker 1: thing ever. She was like, I have never seen that

952
00:47:54,239 --> 00:47:56,840
Speaker 1: in ten years that I've been working in a mattress store.

953
00:47:57,040 --> 00:48:01,359
Speaker 1: That he came in during his break take a nap. Well,

954
00:48:01,400 --> 00:48:03,560
Speaker 1: then he also was like all right, that'll do it.

955
00:48:03,719 --> 00:48:05,840
Speaker 1: And they nothing about buying the bed, like it was

956
00:48:05,880 --> 00:48:10,239
Speaker 1: so normal, like all right, I appreciate that. That's you

957
00:48:10,280 --> 00:48:12,520
Speaker 1: know what you gotta infend on one hundred bucks right now?

958
00:48:12,520 --> 00:48:16,279
Speaker 1: A nice job. Wow. What was so funny is her

959
00:48:16,320 --> 00:48:18,040
Speaker 1: desk was right there and they were kind of facing

960
00:48:18,040 --> 00:48:20,920
Speaker 1: each other. Oh yeah, it was so awkward. I fall

961
00:48:20,960 --> 00:48:23,560
Speaker 1: asleep so quickly and so easily, so quick, it's awesome.

962
00:48:23,719 --> 00:48:26,359
Speaker 1: An airplane. He'll go, all right, I'm gonna sit down

963
00:48:26,560 --> 00:48:29,600
Speaker 1: and he starts just starts coming out. Yeah, drool does

964
00:48:29,640 --> 00:48:32,279
Speaker 1: come out. It happens. Any drool on the bed. I

965
00:48:32,400 --> 00:48:34,600
Speaker 1: know I was because here on the plane is it's

966
00:48:34,600 --> 00:48:36,160
Speaker 1: I'm straight up, and now when I'm on my back,

967
00:48:36,200 --> 00:48:38,080
Speaker 1: I don't drool. If I'm on my side or stomach

968
00:48:38,400 --> 00:48:40,880
Speaker 1: or sitting up, drool comes out. I gotta say this

969
00:48:40,960 --> 00:48:44,919
Speaker 1: is excellent. Word the money. It's worth the money. Wow,

970
00:48:45,040 --> 00:48:48,759
Speaker 1: Lunchbuck killing it with fifteen minutes of sleep. Next up

971
00:48:48,840 --> 00:48:51,560
Speaker 1: is fine, even harder challenges places from to sleep and

972
00:48:51,640 --> 00:48:54,239
Speaker 1: see if he can do it. I'm gonna go broke.

973
00:48:54,320 --> 00:48:56,040
Speaker 1: Dang it, I'm gonna enjoy this segment so much. I'm

974
00:48:56,040 --> 00:49:00,480
Speaker 1: gonna go broke. This past summer they say is the

975
00:49:00,560 --> 00:49:03,600
Speaker 1: third hottest ever since they've been taking records, and I'm

976
00:49:03,600 --> 00:49:06,120
Speaker 1: just like, there were hotter ones, but they're hottest ever

977
00:49:06,360 --> 00:49:08,399
Speaker 1: in some places by far the hottest, like that set

978
00:49:08,400 --> 00:49:12,840
Speaker 1: new records on just overall temperature is brutal. Is it

979
00:49:12,880 --> 00:49:16,879
Speaker 1: gonna get hot again? Though? Fifteenth think we're done? Are

980
00:49:16,880 --> 00:49:20,120
Speaker 1: we famous? Last words? Like? I think we're done? But

981
00:49:20,160 --> 00:49:21,839
Speaker 1: then the days have been pretty good where we are

982
00:49:22,400 --> 00:49:26,239
Speaker 1: like not just brutal, but yeah, they're like, hey, it's

983
00:49:26,239 --> 00:49:28,680
Speaker 1: been two point five degrees above average, which doesn't seem

984
00:49:28,680 --> 00:49:29,919
Speaker 1: like a lot, but overall it is a big deal.

985
00:49:30,200 --> 00:49:33,040
Speaker 1: But that's from acuweather dot com. It's just been so

986
00:49:33,080 --> 00:49:35,680
Speaker 1: hot that for the first time ever, I was like

987
00:49:35,680 --> 00:49:37,480
Speaker 1: I don't want to go outside in my life, or

988
00:49:37,480 --> 00:49:38,759
Speaker 1: its like, I just don't want to go outside. It

989
00:49:38,880 --> 00:49:40,720
Speaker 1: was that hot. And now it's like, man, it feels

990
00:49:40,719 --> 00:49:42,040
Speaker 1: good outside, but I still don't want to go outside

991
00:49:42,040 --> 00:49:43,919
Speaker 1: because my wifi's I got out there, but I still

992
00:49:43,960 --> 00:49:45,560
Speaker 1: I'm like, well, if I did go outside, it wouldn't

993
00:49:45,560 --> 00:49:47,760
Speaker 1: be so bad. Let's get over and do the news.

994
00:49:47,760 --> 00:49:53,279
Speaker 1: Here we go, bobbies. According to a new study that

995
00:49:53,440 --> 00:49:56,800
Speaker 1: talks about states where they give away the most speeding tickets,

996
00:49:57,680 --> 00:50:01,800
Speaker 1: what state do you think is number one? Guys? New York? Oh, Louisiana.

997
00:50:02,440 --> 00:50:04,600
Speaker 1: Why are you guys basing these states? Your answers on

998
00:50:04,640 --> 00:50:06,680
Speaker 1: these states? How do you say? New York? They d

999
00:50:06,880 --> 00:50:08,359
Speaker 1: like crap in the city, man, But I don't think

1000
00:50:08,400 --> 00:50:11,080
Speaker 1: it crap. Can you go fast? Yeah? I mean well,

1001
00:50:11,120 --> 00:50:13,719
Speaker 1: I guess you can't really go too fast. Why Louisiana,

1002
00:50:14,040 --> 00:50:15,799
Speaker 1: I don't know. I feel like there's just stretch of

1003
00:50:15,840 --> 00:50:19,319
Speaker 1: highways and a lot of state patrol officers. Wyoming is

1004
00:50:19,320 --> 00:50:23,880
Speaker 1: the answer. So wide open. Yeah, most people assume, well,

1005
00:50:23,920 --> 00:50:26,879
Speaker 1: there in a lot of cops, but nope, just as many.

1006
00:50:26,920 --> 00:50:29,879
Speaker 1: They're basically in Wyoming. Every tenth car on the road

1007
00:50:29,880 --> 00:50:33,759
Speaker 1: gets a ticket. Wow, that's crazy. Hey, so when you're

1008
00:50:33,800 --> 00:50:37,719
Speaker 1: there to slow down, they're looking for you. There there's

1009
00:50:37,719 --> 00:50:39,919
Speaker 1: just wide open roads. And I do understand. If there's

1010
00:50:39,920 --> 00:50:42,440
Speaker 1: nobody around and it's wide open, why not a little faster.

1011
00:50:43,160 --> 00:50:47,240
Speaker 1: Motor one dot com has that story. Bakery's receipt ruins

1012
00:50:47,280 --> 00:50:52,840
Speaker 1: the surprise of a gender reveal cake. Oh hilarious. So

1013
00:50:54,239 --> 00:50:56,719
Speaker 1: the dad of the couple went to pick up the

1014
00:50:56,760 --> 00:50:59,160
Speaker 1: gender reveal cake and they gave him the receipt and

1015
00:50:59,239 --> 00:51:01,479
Speaker 1: said the gender and the color were inside the cake.

1016
00:51:02,080 --> 00:51:03,520
Speaker 1: All right, here we are. Her dad said they had

1017
00:51:03,520 --> 00:51:06,600
Speaker 1: the clip up here we are and he goes they

1018
00:51:06,920 --> 00:51:10,200
Speaker 1: they put the color on the on the receipt. Did

1019
00:51:10,200 --> 00:51:12,440
Speaker 1: you see that. I didn't see the video. Yes, on

1020
00:51:12,480 --> 00:51:15,000
Speaker 1: the receipt it says the color of the inside of

1021
00:51:15,000 --> 00:51:18,839
Speaker 1: the cake. He's like, well, this ruins everything anybody had.

1022
00:51:18,840 --> 00:51:21,440
Speaker 1: Abody ever been to a gender reveal party. I've been

1023
00:51:22,520 --> 00:51:24,960
Speaker 1: and it was they did the balloons out of the

1024
00:51:25,000 --> 00:51:28,000
Speaker 1: box and it was pink balloons, and the dad grabbed

1025
00:51:28,000 --> 00:51:30,120
Speaker 1: a six pack of beer and went to his room

1026
00:51:30,120 --> 00:51:31,799
Speaker 1: and locked the door and played videogames. Rest of night,

1027
00:51:32,400 --> 00:51:35,759
Speaker 1: it was all you mean, the dad of the he

1028
00:51:35,800 --> 00:51:37,520
Speaker 1: wanted a boy, and he went and closed the door,

1029
00:51:37,600 --> 00:51:39,560
Speaker 1: and I was like, this is why you never had one.

1030
00:51:39,600 --> 00:51:41,680
Speaker 1: He was so mad and it was just awkward. The

1031
00:51:41,719 --> 00:51:44,520
Speaker 1: rest of night, everybody's around, It's like, yeah, all right,

1032
00:51:44,840 --> 00:51:47,239
Speaker 1: that's awkward. You gotta fake it, bro, just fake it

1033
00:51:47,239 --> 00:51:50,240
Speaker 1: for Is it better that he dealt with it before

1034
00:51:50,320 --> 00:51:52,400
Speaker 1: the child was born and not like as the child's

1035
00:51:52,400 --> 00:51:54,920
Speaker 1: being born. I'm still dealing with it, still dealing with it.

1036
00:51:54,960 --> 00:51:57,000
Speaker 1: But any of my friends that have had girls, any

1037
00:51:57,000 --> 00:52:00,680
Speaker 1: of my male friends that have had girls and didn't

1038
00:52:00,719 --> 00:52:03,359
Speaker 1: want a girl, they all say the same thing. It's

1039
00:52:03,360 --> 00:52:06,919
Speaker 1: awesome exactly. I had no idea that I could could

1040
00:52:06,920 --> 00:52:09,120
Speaker 1: even feel this way about a girl. It's who totally

1041
00:52:09,120 --> 00:52:10,480
Speaker 1: different than what I thought I was gonna feel. But

1042
00:52:11,000 --> 00:52:14,279
Speaker 1: so there's hope, there is hope. There's hope. You're right

1043
00:52:14,320 --> 00:52:16,560
Speaker 1: they all say that Eddie has four boys. I wouldn't know.

1044
00:52:16,640 --> 00:52:19,400
Speaker 1: Yeah it is, but they do say that. That story

1045
00:52:19,480 --> 00:52:21,640
Speaker 1: is from the New York Post. More and more people

1046
00:52:21,680 --> 00:52:25,359
Speaker 1: are electing not to drink nowadays. Big alcohol companies are

1047
00:52:25,360 --> 00:52:27,840
Speaker 1: worried about the growing numbers of non drinkers, which is

1048
00:52:27,880 --> 00:52:30,520
Speaker 1: hurting their cells. It seems young adults these days are

1049
00:52:30,560 --> 00:52:34,520
Speaker 1: drinking less alcohol, and they're turning to other things somewhat,

1050
00:52:35,239 --> 00:52:38,200
Speaker 1: and some of them are just abstaining period. Do you

1051
00:52:39,080 --> 00:52:41,720
Speaker 1: do you drink lunchbox as much as as you can't?

1052
00:52:41,960 --> 00:52:45,360
Speaker 1: I can't. It's impossible, would you? I mean, if I

1053
00:52:45,360 --> 00:52:48,480
Speaker 1: didn't have kids? Heck yeah. Do you still enjoy it? Yeah,

1054
00:52:48,520 --> 00:52:50,880
Speaker 1: it's still fun. How do you ever get drunk anymore?

1055
00:52:51,440 --> 00:52:54,160
Speaker 1: It's been a while. I mean because it's hard because

1056
00:52:54,239 --> 00:52:55,759
Speaker 1: usually I'd go to bed at three or four in

1057
00:52:55,800 --> 00:52:57,399
Speaker 1: the morning, and the kids get up at like six

1058
00:52:57,440 --> 00:52:59,279
Speaker 1: in the morning. So if I did that, I'd still

1059
00:52:59,280 --> 00:53:02,200
Speaker 1: be drunk when they go out up Winston. Has that

1060
00:53:02,280 --> 00:53:05,560
Speaker 1: ever happened? Oh yeah, it's sure you've been drunk. And

1061
00:53:05,560 --> 00:53:08,319
Speaker 1: they'd be like dad, Yeah, it's like, oh boy, here

1062
00:53:08,320 --> 00:53:09,480
Speaker 1: we go. Like I thought you guys were going to

1063
00:53:09,520 --> 00:53:11,640
Speaker 1: sleep in because I keep him up to eleven or something. Oh,

1064
00:53:11,640 --> 00:53:14,000
Speaker 1: they'll sleep in the partying with you or what, No,

1065
00:53:14,120 --> 00:53:17,239
Speaker 1: you just keep him ouver doing stuff. So when's the

1066
00:53:17,320 --> 00:53:20,360
Speaker 1: last time you think you were drunk? Uh? Well, I

1067
00:53:20,360 --> 00:53:22,880
Speaker 1: mean probably I heart country. I mean go out and

1068
00:53:22,960 --> 00:53:24,880
Speaker 1: the kids aren't there and so I'm by myself so

1069
00:53:24,880 --> 00:53:29,120
Speaker 1: I can Yeah, surprise, last time I've been drunk drunk.

1070
00:53:29,440 --> 00:53:31,879
Speaker 1: It's been a long time. I mean like no, no,

1071
00:53:31,920 --> 00:53:35,279
Speaker 1: just drunk, not drunk drunk, just drunk, not like I

1072
00:53:35,320 --> 00:53:39,640
Speaker 1: got it. Vegas, Vegas Sore Losers Convention in Vegas, January

1073
00:53:39,800 --> 00:53:42,839
Speaker 1: Ray two weeks Yeah, Vegas. Honestly two weeks ago, two

1074
00:53:42,880 --> 00:53:46,439
Speaker 1: weeks ago. Ray still goes hard, really hard. It'll change

1075
00:53:46,480 --> 00:53:50,680
Speaker 1: when you ask kids. Do you bounce back slower? No,

1076
00:53:50,800 --> 00:53:52,480
Speaker 1: I mean we did ivs and stuff like that. We're

1077
00:53:52,560 --> 00:53:55,359
Speaker 1: very smart about it. Now I'm constantly doing pediolites as well,

1078
00:53:55,440 --> 00:53:58,840
Speaker 1: so so you are smarter exactly. But he does like brunch.

1079
00:53:59,400 --> 00:54:01,880
Speaker 1: Did you keep you day drink? Yeah? Ra starts drinking

1080
00:54:01,880 --> 00:54:06,880
Speaker 1: like ten am yea. A passenger asks a fellow traveler

1081
00:54:06,880 --> 00:54:10,480
Speaker 1: to hey, can you please ease up on the farts

1082
00:54:10,480 --> 00:54:12,880
Speaker 1: on a flight? Travel? Now? Art? Yeah? How did they know?

1083
00:54:12,920 --> 00:54:16,440
Speaker 1: As him? You kind of? I don't know. I always

1084
00:54:16,480 --> 00:54:18,960
Speaker 1: think that when you're doing it, you think no one

1085
00:54:19,000 --> 00:54:22,080
Speaker 1: knows it's you, but people know it's probably. During a

1086
00:54:22,080 --> 00:54:24,719
Speaker 1: flight from New York to California, which that's the long

1087
00:54:24,920 --> 00:54:27,719
Speaker 1: that's like a little less than six hours, a passenger

1088
00:54:27,760 --> 00:54:30,960
Speaker 1: noticed the air circulating around the cabin just generally kept

1089
00:54:31,040 --> 00:54:35,000
Speaker 1: smelling bad. He even put on two COVID masks to

1090
00:54:35,000 --> 00:54:39,359
Speaker 1: cover his nose, and that didn't work. So finally he

1091
00:54:39,760 --> 00:54:43,200
Speaker 1: figured it out who it was by watching their body,

1092
00:54:43,600 --> 00:54:45,719
Speaker 1: knowing where it was coming from. And he went up

1093
00:54:45,760 --> 00:54:47,440
Speaker 1: and he was like, hey, can you please ease up

1094
00:54:47,440 --> 00:54:48,560
Speaker 1: on the farts and if you need to go stand

1095
00:54:48,600 --> 00:54:52,520
Speaker 1: in the bathroom please, So that's embarrassing for everybody. Yeah,

1096
00:54:52,520 --> 00:54:55,399
Speaker 1: that's rude. I gotta call him out. Is it rude?

1097
00:54:55,400 --> 00:54:59,080
Speaker 1: If they don't stop? I mean, you can't control it,

1098
00:54:59,160 --> 00:55:02,719
Speaker 1: Like mostly you can't. Mostly it's a bodily function, but

1099
00:55:02,800 --> 00:55:05,280
Speaker 1: mostly you can. Unless you're sick, you can't control it. Mostly,

1100
00:55:05,560 --> 00:55:07,520
Speaker 1: man hold it in. It's bad for you when I

1101
00:55:07,520 --> 00:55:09,320
Speaker 1: go to the bathroom, if it's gonna just be terrible.

1102
00:55:09,520 --> 00:55:11,239
Speaker 1: You can go to the bathroom one hundred times of

1103
00:55:11,280 --> 00:55:15,080
Speaker 1: flight a hundred times. Yeah, have you ever had that? Yeah?

1104
00:55:15,120 --> 00:55:19,200
Speaker 1: There are times, no, don't get the special. One time

1105
00:55:19,200 --> 00:55:20,919
Speaker 1: we went out for your birthday, man, we all got

1106
00:55:20,920 --> 00:55:23,440
Speaker 1: the special Oh we got the trout forget it and

1107
00:55:23,480 --> 00:55:25,799
Speaker 1: we went out, Oh it was your birthday, like, oh

1108
00:55:25,840 --> 00:55:28,279
Speaker 1: the specials the trout tonight and we're like, m I

1109
00:55:28,360 --> 00:55:31,520
Speaker 1: got the trout, Eddie got we got the trout and

1110
00:55:31,520 --> 00:55:33,520
Speaker 1: we went out the words and I mean, you want

1111
00:55:33,560 --> 00:55:36,760
Speaker 1: to talk about just boom boom. I think one person

1112
00:55:36,840 --> 00:55:39,240
Speaker 1: started with the farting, and then we all started farting.

1113
00:55:39,239 --> 00:55:41,600
Speaker 1: We're like, it must be the trout, the trout that

1114
00:55:41,719 --> 00:55:46,000
Speaker 1: scene in Bridesmaids or Stamp by Me with all vomiting

1115
00:55:46,040 --> 00:55:51,719
Speaker 1: on each other, the hie And finally we should all

1116
00:55:51,760 --> 00:55:54,920
Speaker 1: do a friend's cleanse. Oh what a friends clean What

1117
00:55:55,000 --> 00:55:56,719
Speaker 1: does that? It's where you take a look at your

1118
00:55:56,760 --> 00:55:58,800
Speaker 1: friendships and go, you know, somebody's kind of suck. I

1119
00:55:58,840 --> 00:56:01,160
Speaker 1: need to get rid of that. Oh damn, and eliminate

1120
00:56:01,320 --> 00:56:05,240
Speaker 1: toxic people or situations. Sorry. Lunch Doctor Bruce Wiley recommends

1121
00:56:05,239 --> 00:56:07,719
Speaker 1: asking yourself ten questions about your friends, and if the

1122
00:56:07,760 --> 00:56:10,120
Speaker 1: answer to at least one is yes, you probably want

1123
00:56:10,120 --> 00:56:11,359
Speaker 1: to cleanse them from the group. You want to hear

1124
00:56:11,360 --> 00:56:13,279
Speaker 1: some of the questions. Yes, number one, have they been

1125
00:56:13,320 --> 00:56:17,839
Speaker 1: there for me during tougher moments of my life? Number two?

1126
00:56:18,160 --> 00:56:20,719
Speaker 1: Were they judgmental when I revealed I was going through

1127
00:56:20,760 --> 00:56:27,320
Speaker 1: tough times? Yes? Number three? Did they make an adequate

1128
00:56:27,320 --> 00:56:33,440
Speaker 1: effort to stay in touch? Are you all cleansing someone

1129
00:56:33,480 --> 00:56:38,200
Speaker 1: in your life right now? I give you one more?

1130
00:56:38,960 --> 00:56:40,839
Speaker 1: Did I wonder about what they were saying or doing

1131
00:56:40,840 --> 00:56:44,560
Speaker 1: behind my back? No? I don't care about that. Did

1132
00:56:44,640 --> 00:56:47,239
Speaker 1: they date my significant other while I was still with

1133
00:56:47,360 --> 00:56:52,839
Speaker 1: this significant other? No, she wouldn't be interested in him. Oh,

1134
00:56:52,880 --> 00:56:56,239
Speaker 1: you guys are still thinking about lunchbox lunchbo that's from

1135
00:56:56,239 --> 00:57:02,000
Speaker 1: women's health. All right, there you go story. Don't forget

1136
00:57:02,040 --> 00:57:05,719
Speaker 1: Tomorrow ten am tickets to my comedically inspirational show in Nashville.

1137
00:57:05,719 --> 00:57:08,160
Speaker 1: The show is October twenty second. It's a Saturday night.

1138
00:57:08,440 --> 00:57:10,040
Speaker 1: Get your busts of town or if you're in town,

1139
00:57:10,160 --> 00:57:13,439
Speaker 1: but tickets at Bobbybones dot com Tomorrow, ten am Central Time.

1140
00:57:14,840 --> 00:57:17,240
Speaker 1: As a kid every weekend, I would listen to the

1141
00:57:17,400 --> 00:57:19,480
Speaker 1: Crook and Chase Countdown? Did you guys listen to Crook

1142
00:57:19,520 --> 00:57:24,520
Speaker 1: and Chase at all? Absolutely knew their voice. Charlie, I

1143
00:57:24,600 --> 00:57:28,280
Speaker 1: get Loriann Kruk Charlie Chase. He had this deep voice.

1144
00:57:28,360 --> 00:57:30,360
Speaker 1: Here's a clip because I used to watch him on TNN.

1145
00:57:30,440 --> 00:57:32,160
Speaker 1: I used to listen to the radio show. Here's a

1146
00:57:32,200 --> 00:57:35,120
Speaker 1: clip here. Well, folks, welcome back to Crook and Chase.

1147
00:57:35,160 --> 00:57:37,520
Speaker 1: I'm Lorian Crook and Charlie Chase, right, and our guest

1148
00:57:37,520 --> 00:57:40,840
Speaker 1: today is Trish. So this is like the sounds of

1149
00:57:40,840 --> 00:57:43,000
Speaker 1: my childhood. And so they came over to my house

1150
00:57:43,000 --> 00:57:44,520
Speaker 1: and we did a Bobby cast and I was just like,

1151
00:57:44,640 --> 00:57:46,840
Speaker 1: this is cool. It was almost cooler than anybody that's

1152
00:57:46,880 --> 00:57:48,520
Speaker 1: ever come over because I just spent so much time

1153
00:57:48,520 --> 00:57:50,200
Speaker 1: listening to them as a kid. And so I was

1154
00:57:50,200 --> 00:57:52,360
Speaker 1: like telling me stories about because they've been on forty years,

1155
00:57:53,080 --> 00:57:56,000
Speaker 1: so tell me stories like did you know Johnny Cash?

1156
00:57:56,120 --> 00:57:59,200
Speaker 1: And so this is Lorian and Krook talking about seeing

1157
00:57:59,240 --> 00:58:01,640
Speaker 1: Johnny Cash at a supermarket late one night. I went

1158
00:58:01,720 --> 00:58:05,440
Speaker 1: shopping for hairspray with Johnny Cash. Once. What's the story

1159
00:58:05,480 --> 00:58:08,360
Speaker 1: that led to you going with him to get hair spray?

1160
00:58:08,520 --> 00:58:11,360
Speaker 1: It was late at night, it was Kroger twenty four hour.

1161
00:58:11,880 --> 00:58:14,919
Speaker 1: I needed hairspray for whatever we were doing the next day.

1162
00:58:15,040 --> 00:58:17,120
Speaker 1: And I ran in there and there was the man

1163
00:58:17,120 --> 00:58:20,160
Speaker 1: in black standing in front of the what's it called

1164
00:58:20,160 --> 00:58:22,439
Speaker 1: the UK was something that he and Marty Stewart bought

1165
00:58:23,280 --> 00:58:26,960
Speaker 1: Aqua Finish or something Quinette there it is. Yeah, So

1166
00:58:27,120 --> 00:58:29,680
Speaker 1: Johnny Cash and I are standing there just kind of

1167
00:58:29,760 --> 00:58:32,080
Speaker 1: laughing and talking about which hair spray we're going to get,

1168
00:58:32,240 --> 00:58:34,040
Speaker 1: and they tell a story about Johnny Cash being asked

1169
00:58:34,040 --> 00:58:36,200
Speaker 1: about his underwear? Is it also black? Like man in Black?

1170
00:58:37,360 --> 00:58:39,360
Speaker 1: I just stay have a lot of cool Johnny Cash stories.

1171
00:58:39,520 --> 00:58:42,080
Speaker 1: And I also didn't know he bought Aquinette. Yeah, I

1172
00:58:42,080 --> 00:58:44,560
Speaker 1: mean he didn't have good hair always. So then they

1173
00:58:44,560 --> 00:58:46,320
Speaker 1: were talking about Shania Twain, who when they were doing

1174
00:58:46,320 --> 00:58:48,560
Speaker 1: the TV show, she would play on their TV show

1175
00:58:48,560 --> 00:58:50,560
Speaker 1: before she was famous. She was like one of the

1176
00:58:50,600 --> 00:58:55,320
Speaker 1: singers on the show. And she basically disappeared. She met

1177
00:58:55,400 --> 00:58:57,959
Speaker 1: Mutt Lane, who kind of made her a starlet. Together,

1178
00:58:57,960 --> 00:59:01,000
Speaker 1: they did abuse their producer, and he was so private

1179
00:59:01,040 --> 00:59:02,960
Speaker 1: that she brought a wedding picture back. But here's the story.

1180
00:59:03,480 --> 00:59:06,480
Speaker 1: She disappeared from Music City Tonight for several weeks, and

1181
00:59:06,520 --> 00:59:09,200
Speaker 1: when she came back, she was married and she brought

1182
00:59:09,200 --> 00:59:12,560
Speaker 1: a picture of her wedding, but it was cut in half.

1183
00:59:12,720 --> 00:59:15,720
Speaker 1: Prophetic maybe, but Mutt wasn't in it. I was like, well,

1184
00:59:15,720 --> 00:59:17,960
Speaker 1: wait a minute, where's your husband? Because I didn't know

1185
00:59:18,000 --> 00:59:20,240
Speaker 1: who Mutt Lying was at the time, and she goes, oh, well,

1186
00:59:20,240 --> 00:59:22,720
Speaker 1: he's really private and I can't show his picture around.

1187
00:59:22,920 --> 00:59:24,720
Speaker 1: But she wanted us to see her in her wedding

1188
00:59:24,800 --> 00:59:27,760
Speaker 1: dress on the wedding day. But it was I don't

1189
00:59:27,800 --> 00:59:29,600
Speaker 1: think she was with our show more than a few

1190
00:59:29,600 --> 00:59:32,280
Speaker 1: months after that because she and much just I get

1191
00:59:32,280 --> 00:59:34,240
Speaker 1: every one of my pictures, told her to insert it

1192
00:59:34,640 --> 00:59:36,840
Speaker 1: right there, and she cut you out of it. Yeah, yeah,

1193
00:59:37,480 --> 00:59:39,640
Speaker 1: Charlie out. Yeah, but she handed a picture it was

1194
00:59:39,680 --> 00:59:41,000
Speaker 1: torn and half going look at me in my wedding

1195
00:59:41,040 --> 00:59:42,600
Speaker 1: dress because he didn't want to be seen. I didn't

1196
00:59:42,600 --> 00:59:45,840
Speaker 1: realize that crazy. And then I was asking about Taylor

1197
00:59:45,880 --> 00:59:49,440
Speaker 1: Swift because they were here whenever the early early early

1198
00:59:49,480 --> 00:59:52,200
Speaker 1: Taylor days happened. We got a phone call from our

1199
00:59:52,320 --> 00:59:54,520
Speaker 1: friend and I don't think it was Scott Borchetta himself,

1200
00:59:54,520 --> 00:59:57,760
Speaker 1: that some assistant is just a few doors down from us,

1201
00:59:57,840 --> 01:00:00,479
Speaker 1: and of course everything on Music Grow, everything's your doors

1202
01:00:00,480 --> 01:00:03,480
Speaker 1: are locked for obvious reasons. And they said, in a

1203
01:00:03,520 --> 01:00:06,840
Speaker 1: few minutes, your doorbell at your studio was going to ring,

1204
01:00:07,240 --> 01:00:09,280
Speaker 1: just open the door. So we went down there and

1205
01:00:09,320 --> 01:00:12,320
Speaker 1: opened the door and it was this beautiful, blonde, young

1206
01:00:12,400 --> 01:00:14,760
Speaker 1: lady with a guitar fourteen at the time, I think

1207
01:00:14,800 --> 01:00:18,680
Speaker 1: she was fourteen, and she wandered up. We let her in. Yeah,

1208
01:00:18,720 --> 01:00:21,800
Speaker 1: she wandered up in the studio based on that phone call. Okay,

1209
01:00:21,960 --> 01:00:25,560
Speaker 1: and just as sweet as she can be, and we

1210
01:00:25,960 --> 01:00:27,840
Speaker 1: said home. We talked about her being in high school

1211
01:00:27,880 --> 01:00:30,600
Speaker 1: at this point writing some songs. She said, I've just

1212
01:00:30,640 --> 01:00:32,920
Speaker 1: written a couple of songs I'd love to play for you.

1213
01:00:33,000 --> 01:00:35,320
Speaker 1: Wish sure. So she reached it down and brings up

1214
01:00:35,320 --> 01:00:38,080
Speaker 1: her guitar and fires up what became I guess her

1215
01:00:38,120 --> 01:00:42,080
Speaker 1: first two number ones, tim and tear drops on my guitars,

1216
01:00:42,120 --> 01:00:44,120
Speaker 1: and I was in tears. I was sitting there crying.

1217
01:00:44,200 --> 01:00:46,320
Speaker 1: This girl, fourteen year old girl I had just met,

1218
01:00:46,360 --> 01:00:49,240
Speaker 1: because what she was singing about reminded me of being

1219
01:00:49,240 --> 01:00:52,480
Speaker 1: in junior high and having a first love or whatever.

1220
01:00:52,600 --> 01:00:54,400
Speaker 1: She had me in tears the first time we met.

1221
01:00:54,680 --> 01:00:56,600
Speaker 1: So I did an hour with him on the Bobycast.

1222
01:00:56,640 --> 01:00:59,520
Speaker 1: It's up now. It's just NonStop that. That's awesome. They

1223
01:00:59,520 --> 01:01:02,160
Speaker 1: have so many stories. They've just been here. They're the ogs,

1224
01:01:02,200 --> 01:01:04,560
Speaker 1: but they're also still They just got nominated for a CMA.

1225
01:01:04,800 --> 01:01:07,439
Speaker 1: They've been together forty years and I was like, people,

1226
01:01:07,440 --> 01:01:10,520
Speaker 1: ever think you guys were married. They were like, yeah,

1227
01:01:10,560 --> 01:01:12,800
Speaker 1: I believe that. Yeah, they were married. I thought, my

1228
01:01:12,880 --> 01:01:14,560
Speaker 1: name is cooking, my name is Chase, and we were married.

1229
01:01:15,000 --> 01:01:17,360
Speaker 1: So check out the latest Bobby cast. It's up now

1230
01:01:17,400 --> 01:01:20,080
Speaker 1: if you love country music. It's a really good one.

1231
01:01:20,120 --> 01:01:21,920
Speaker 1: Because I just kind of geek out at them. And

1232
01:01:21,960 --> 01:01:23,680
Speaker 1: then all the stories they can tell, and it's just

1233
01:01:23,720 --> 01:01:26,880
Speaker 1: one after the other. There's one about Hank Junior. Oh,

1234
01:01:26,920 --> 01:01:29,080
Speaker 1: they didn't ask that to be cut later today. I

1235
01:01:29,160 --> 01:01:32,120
Speaker 1: bet it was crazy. It was one where they were like,

1236
01:01:32,160 --> 01:01:33,720
Speaker 1: should we tell it? And they decided to tell it.

1237
01:01:33,720 --> 01:01:36,320
Speaker 1: And usually when that happens, Michael get a call going,

1238
01:01:37,200 --> 01:01:38,760
Speaker 1: you know, we shouldn't have told the story about Hank

1239
01:01:38,840 --> 01:01:41,200
Speaker 1: Junior and the toilet the tongue on the toilet seat,

1240
01:01:41,240 --> 01:01:44,840
Speaker 1: and then that's the story. Well, no, there's a lot

1241
01:01:44,840 --> 01:01:46,480
Speaker 1: more to that. Well I'm gonna let you have to

1242
01:01:46,480 --> 01:01:48,000
Speaker 1: go listen to it to hear it, and we'll cut

1243
01:01:48,040 --> 01:01:50,400
Speaker 1: it because we don't embarrass anybody. But I was like,

1244
01:01:50,440 --> 01:01:53,480
Speaker 1: I bet we get a call going, don't put about

1245
01:01:53,520 --> 01:01:55,720
Speaker 1: a girl on a bed and a it's a whole thing.

1246
01:01:56,040 --> 01:01:59,320
Speaker 1: They wanted to and so, but it's there. It's in

1247
01:01:59,400 --> 01:02:02,520
Speaker 1: there to cut it. Yeah, it's all. It's nothing bad.

1248
01:02:02,600 --> 01:02:04,480
Speaker 1: It's just what are you expecting Junior to be doing

1249
01:02:04,920 --> 01:02:08,800
Speaker 1: twenty thirty years ago being hanged? Junior? Search it up.

1250
01:02:08,800 --> 01:02:11,480
Speaker 1: It's the Bobby cast, that's Crook and Chase. It is fantastic.

1251
01:02:11,520 --> 01:02:16,360
Speaker 1: I hope you like down Sorry to day. This story

1252
01:02:16,400 --> 01:02:21,560
Speaker 1: comes to us from Washington. A man was fishing for cash. Literally,

1253
01:02:21,840 --> 01:02:23,880
Speaker 1: he was going to the night deposit box and he

1254
01:02:23,920 --> 01:02:26,960
Speaker 1: was using rodent glue sticks, sticking him in there and

1255
01:02:27,040 --> 01:02:30,600
Speaker 1: trying to get cash out. The only problem is he

1256
01:02:30,600 --> 01:02:31,840
Speaker 1: did it for months and he only got a few

1257
01:02:31,880 --> 01:02:34,200
Speaker 1: hundred dollars because not a lot of people put cash,

1258
01:02:34,280 --> 01:02:36,360
Speaker 1: and police started setting up surveillance and that's how they

1259
01:02:36,360 --> 01:02:39,280
Speaker 1: busted him. You know, it's a lot of effort to

1260
01:02:39,360 --> 01:02:41,440
Speaker 1: not get much. I think he just kept waiting for

1261
01:02:41,480 --> 01:02:44,120
Speaker 1: his big breakthrough, right, I think he just kept going.

1262
01:02:44,120 --> 01:02:46,160
Speaker 1: One day, I'm want to get thousands and thousands of dollars.

1263
01:02:46,360 --> 01:02:48,560
Speaker 1: It also reminds me we used to have when I

1264
01:02:48,560 --> 01:02:51,480
Speaker 1: worked at a Marino. We have one of those claw machines. Man.

1265
01:02:51,520 --> 01:02:53,000
Speaker 1: I tried to I put my hand up there. I

1266
01:02:53,080 --> 01:02:55,840
Speaker 1: try to every strategically to get my interesting. It was

1267
01:02:55,880 --> 01:02:59,080
Speaker 1: like a twenty cent little stuffed animal. I spent many

1268
01:02:59,120 --> 01:03:01,360
Speaker 1: many hours trying to do it, and I never quite

1269
01:03:01,440 --> 01:03:03,800
Speaker 1: got it. Then after I finished that job a couple

1270
01:03:03,840 --> 01:03:05,200
Speaker 1: years later, I was like, wow, wasted a lot of

1271
01:03:05,240 --> 01:03:08,440
Speaker 1: time doing that. Same with this guy. All right, I'm lunchboxed.

1272
01:03:08,440 --> 01:03:11,800
Speaker 1: That's your bone head story of the day. Morgan ran

1273
01:03:11,840 --> 01:03:14,920
Speaker 1: into Melissa Joan Hart. Now, if you don't know her what,

1274
01:03:14,960 --> 01:03:17,120
Speaker 1: she's sabrine to the teenage Witch. Yeah, and she had

1275
01:03:17,240 --> 01:03:19,840
Speaker 1: Melissa and Joey on team. I don't know that one.

1276
01:03:20,000 --> 01:03:24,000
Speaker 1: Clarissa explains at all for probably us because when we

1277
01:03:24,000 --> 01:03:26,280
Speaker 1: were kids, that was her show on Nickelodeon. You know

1278
01:03:26,320 --> 01:03:28,040
Speaker 1: that at all? No, I don't. That's that was kind

1279
01:03:28,040 --> 01:03:31,800
Speaker 1: of her her entrance, and like, um it was. It

1280
01:03:31,840 --> 01:03:36,440
Speaker 1: was cute, it's girly, So I didn't admit I watched it. Yeah,

1281
01:03:37,840 --> 01:03:42,160
Speaker 1: you ran into her ware. Yeah and the Titan sweet

1282
01:03:42,960 --> 01:03:45,320
Speaker 1: oh boy, I gotta feeling stories. You're gonna slowly trickle

1283
01:03:45,320 --> 01:03:48,479
Speaker 1: out just to drive. Yeah, she was just hanging out. Yeah,

1284
01:03:48,520 --> 01:03:50,280
Speaker 1: she was in there with her kids, So I didn't bother.

1285
01:03:50,400 --> 01:03:54,120
Speaker 1: I really wanted a picture, but I went with your rule.

1286
01:03:54,200 --> 01:03:55,960
Speaker 1: And because she was with her kids and with her family,

1287
01:03:55,960 --> 01:03:57,480
Speaker 1: I didn't go after and ask for a picture. I

1288
01:03:57,520 --> 01:04:02,400
Speaker 1: just left her alone. That's good. If somebody's with their kids,

1289
01:04:02,520 --> 01:04:04,960
Speaker 1: you leave them alone. Unless and there is kind of

1290
01:04:04,960 --> 01:04:07,360
Speaker 1: a caveat here you see them taking picture to other

1291
01:04:07,360 --> 01:04:10,440
Speaker 1: people and they look happy to do it. Well, she

1292
01:04:10,480 --> 01:04:12,760
Speaker 1: did take a picture with three six Mafia. Wait they

1293
01:04:12,760 --> 01:04:16,080
Speaker 1: weren't there too. Oh my gosh, how did you not

1294
01:04:16,160 --> 01:04:19,160
Speaker 1: get in this? I don't understand this, Like it's obviously

1295
01:04:19,200 --> 01:04:22,160
Speaker 1: an error on whoever runs the Titans account. Like every

1296
01:04:22,160 --> 01:04:24,800
Speaker 1: celebrity in Nashville was in this suite. You never even

1297
01:04:24,800 --> 01:04:27,240
Speaker 1: got an invite, isn't even gonna invite. They didn't message

1298
01:04:27,240 --> 01:04:29,400
Speaker 1: me anything, And then I was looking I wanted prove

1299
01:04:29,480 --> 01:04:32,200
Speaker 1: so I looked at him two dms. They even sent

1300
01:04:32,240 --> 01:04:34,560
Speaker 1: her a welcome package like sweatshirt and T shirts, and

1301
01:04:34,600 --> 01:04:38,000
Speaker 1: I'm like, hello, she's like probably the least famous one

1302
01:04:38,000 --> 01:04:42,520
Speaker 1: of them on the show. And they went in my head.

1303
01:04:41,960 --> 01:04:44,680
Speaker 1: I didn't reply to the Titans like, you know, you

1304
01:04:44,920 --> 01:04:47,880
Speaker 1: DM the least popular one on our whole show. You

1305
01:04:47,960 --> 01:04:50,040
Speaker 1: just thought it right, yeah, and now you're saying it here,

1306
01:04:50,080 --> 01:04:51,800
Speaker 1: but you wouldn't say it too. Then, Well, I mean

1307
01:04:51,840 --> 01:04:53,280
Speaker 1: I can send them a message and be like, hey,

1308
01:04:53,360 --> 01:04:55,520
Speaker 1: how oh, that's what I'm gonna do. I'll DM the

1309
01:04:55,520 --> 01:04:57,760
Speaker 1: Titans and be like, hey, you guys invited Morgan into

1310
01:04:57,840 --> 01:05:01,240
Speaker 1: your celebrity suite, and I guess I got overlooked somehow.

1311
01:05:01,280 --> 01:05:05,680
Speaker 1: There may be in a clerical error, but clerical man,

1312
01:05:05,800 --> 01:05:09,040
Speaker 1: what a weird thing for them rappers, TV stars, That's

1313
01:05:09,080 --> 01:05:11,760
Speaker 1: what I'm saying, Like, what is going on? Well, I'm

1314
01:05:11,800 --> 01:05:14,080
Speaker 1: sorry you didn't get invited. That's tough. Maybe you go

1315
01:05:14,080 --> 01:05:16,880
Speaker 1: sitting this sweet this week. They're in Buffalo, I know,

1316
01:05:18,520 --> 01:05:20,520
Speaker 1: they invite them. They're like, hey, come on Sunday and

1317
01:05:20,560 --> 01:05:24,800
Speaker 1: the games on Monday. Though, Like, come on Sunday. That's fun.

1318
01:05:24,880 --> 01:05:27,320
Speaker 1: That's nice to seem like she's nice. Yeah. So we

1319
01:05:27,320 --> 01:05:29,640
Speaker 1: were at the little dessert bar in there and her

1320
01:05:29,680 --> 01:05:32,160
Speaker 1: son was making a Sunday and she walked up and

1321
01:05:32,480 --> 01:05:34,200
Speaker 1: made a joke. She was like, is he causing a

1322
01:05:34,200 --> 01:05:36,360
Speaker 1: whole ruckass over here? She was just like she was

1323
01:05:36,400 --> 01:05:39,600
Speaker 1: on TV. That's hilarious. What a great joke. Hey, we're done.

1324
01:05:39,920 --> 01:05:42,600
Speaker 1: Everybody