WEBVTT - Invented Words, Part 1

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<v Speaker 1>Welcome to Invention, a production of I Heart Radio. Hey,

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<v Speaker 1>welcome to Invention. My name is Robert Lamb and I'm

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<v Speaker 1>Joe McCormick. And today we're going to be discussing a

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<v Speaker 1>linguistic subject, some linguistic inventions. And I thought it would

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<v Speaker 1>be a good idea to begin with some good malapropisms.

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<v Speaker 1>I love a good malapropism, and we're of course not

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<v Speaker 1>above coining one here and there ourselves on the show sometimes.

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<v Speaker 1>Uh So, what's a malapropism before we get into our

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<v Speaker 1>favorite examples. It's the usually unintentionally humorous misuse or distortion

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<v Speaker 1>of a word or phrase. So usually it's a word

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<v Speaker 1>or phrase that sounds like what you mean to say,

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<v Speaker 1>but is not what you mean to say. For example,

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<v Speaker 1>Jesus healing the leopards. That's a great one. Yeah, they're

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<v Speaker 1>often used to comedic effect, like you, like you mentioned

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<v Speaker 1>and uh sometimes you'll see the latter. This idea of

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<v Speaker 1>it being a phrase defined is a malla for like

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<v Speaker 1>a metaphor. Also it sounds delicious, right though we have

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<v Speaker 1>to stress that malafor itself is an invented word and

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<v Speaker 1>potentially uh and I'll appropism in and of itself. Oh,

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<v Speaker 1>I can see that, like somebody was trying to say malapropism,

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<v Speaker 1>but they got confused and said malaf right, or or

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<v Speaker 1>they just intentionally did it. And we'll get into some

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<v Speaker 1>of the more intentional acts of this as we go.

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<v Speaker 1>The Sopranos is a great source of very memorable malapropisms.

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<v Speaker 1>I like when there's part where Christopher Multa Santi talks

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<v Speaker 1>about creating a little dysentery in the ranks, which that

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<v Speaker 1>one reminds me of one about scientology, the the idea

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<v Speaker 1>that l Ron Hubbard had the philosophy of diuretics. But

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<v Speaker 1>there's another one in the Sopranos where the character Little

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<v Speaker 1>Carmines he's talking about seeing in the horror movie and

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<v Speaker 1>he says it juxtaposes the sacred in the propane. Or

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<v Speaker 1>there's a part where Tony describes his mom as an

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<v Speaker 1>alba core around my neck. Oh, instead of an albatross.

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<v Speaker 1>Very good. This is more of a phrase. But I

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<v Speaker 1>instantly thought of the of The Big Lebowski when he's

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<v Speaker 1>he points out the Jackie Treehorn treats objects like women. Um,

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<v Speaker 1>the code of the Corner Brothers paint with this sort

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<v Speaker 1>of brush a lot in their dialogue. I was reading

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<v Speaker 1>a little bit about this lip. Basically I was looking

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<v Speaker 1>for some more examples of of of malapropisms in the

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<v Speaker 1>Coen Brothers work, and I ran across this Senses of

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<v Speaker 1>Cinema post by Paul Coughland from several years back, and

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<v Speaker 1>he described the Cohen Brothers use of dialogue as quote

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<v Speaker 1>the dialogue of wonderful inarticulacy. That's about right. Yeah. Now,

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<v Speaker 1>you'll also another place you see a lot of malapropism

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<v Speaker 1>is that you'll see it sometimes used as part of

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<v Speaker 1>racial stereotypes. One example that comes to mind, and you

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<v Speaker 1>see this listed on various like trope websites, is the

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<v Speaker 1>Fisher Stevens role in the Short Circuits movies. I've never

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<v Speaker 1>seen Short Circuit. Well it's probably alright, there's no reason

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<v Speaker 1>to go back to these, but these were a force

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<v Speaker 1>movies about about a robot, like they become self aware

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<v Speaker 1>and it has like a laser cannon on its shoulder

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<v Speaker 1>and it's like a puppet. Does it do cute robot malapropisms? No,

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<v Speaker 1>it doesn't. But Fisher Stevens plays Um, an Indian scientist,

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<v Speaker 1>uh and and he's this this uh, you know this

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<v Speaker 1>this uh, this accent, and he's he just busts out

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<v Speaker 1>a number of these and ultimately, you know it's it's

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<v Speaker 1>kind of like this idea, the comedic racial stereotype of

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<v Speaker 1>someone who doesn't have a great grasp on the English

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<v Speaker 1>language and therefore stumbles into all of these. That's unfortunately,

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<v Speaker 1>but the use of melopropisms in fiction does go way

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<v Speaker 1>way back. Like Shakespeare used malapropisms a lot. The character

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<v Speaker 1>of Dogberry and Much Ado about Nothing famously delivers a

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<v Speaker 1>bunch of these and their grades. So Dogberry is this

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<v Speaker 1>incompetent night constable and he's supposed to be I think

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<v Speaker 1>a satire on the amateur police forces of Elizabethan times,

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<v Speaker 1>and a lot of the humor comes through and him

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<v Speaker 1>giving confused orders like um, he when he's trying to

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<v Speaker 1>get one of his deputies to apprehend all vagrants, but

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<v Speaker 1>instead he says, you are to comprehend all vagram men

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<v Speaker 1>um and he he tells them to be vigetant. I

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<v Speaker 1>beseech you uh. And then there's a great part later

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<v Speaker 1>where he claims that a bad dude will be condemned

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<v Speaker 1>into everlasting redemption. Well, there's a. There's fun to be

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<v Speaker 1>had with with with malopropisms, right, because you can sort

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<v Speaker 1>of you can have your character fumble into something saying

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<v Speaker 1>something a little more articulate than I mean to it. Times. Yes, yeah,

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<v Speaker 1>that's interesting, Like the idea of everlasting redemption is sort

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<v Speaker 1>of a cool metaphor, even though he just is screwing

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<v Speaker 1>up words. But after this character. Actually, since sometime in

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<v Speaker 1>the nineteenth century, malapropisms have also been known as dog

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<v Speaker 1>barry is ums. There was another one I came across

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<v Speaker 1>that I'd never read before. But this is from the

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<v Speaker 1>real world. So former Texas Governor and U. S. Energy

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<v Speaker 1>Secretary Rick Perry. He's famous for the for saying the

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<v Speaker 1>oops when he couldn't remember something. But also, um, that's

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<v Speaker 1>not what I was bringing up. On August there was

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<v Speaker 1>an article in the Texas Tribune by John Reynolds that

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<v Speaker 1>reported that Perry had been speaking to a crowd and

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<v Speaker 1>at this event, he told the crowd, quote, we need

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<v Speaker 1>to look at the states, which are the lavatories of

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<v Speaker 1>innovation and democracy. Uh yeah, so what what with that?

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<v Speaker 1>If we were to take that literally, like, what would

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<v Speaker 1>that even mean? Uh? I think that's the other thing.

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<v Speaker 1>The part of it too, is like, even if they're

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<v Speaker 1>not quite accidentally profound, we can't help a puzzle over

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<v Speaker 1>it because it will inject a bizarre metaphor mental image

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<v Speaker 1>into our head and then we're just forced to wrestle

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<v Speaker 1>with it. Right now, there are also just lots of

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<v Speaker 1>these people making regular everyday speech. We probably do them

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<v Speaker 1>all the time. Everybody does them. One of my favorites

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<v Speaker 1>I ran across was the idea of all the people

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<v Speaker 1>who died in the blue Bonnet plague. Uh see. I

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<v Speaker 1>saw that in the notes, and I didn't even get

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<v Speaker 1>it until said it out loud now, and that that

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<v Speaker 1>points out an interesting thing, which is that there there

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<v Speaker 1>are multiple different ways that people put together malapropisms. Like

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<v Speaker 1>I was reading a paper by the linguist Arnold Mzuki

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<v Speaker 1>on classical malapropisms, and Swiki points out that lots of

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<v Speaker 1>malapropisms are just approximations that come out of our mouths

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<v Speaker 1>due to the tip of the tongue effect. This is

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<v Speaker 1>something we've talked about on Stuff to Blow your Mind before.

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<v Speaker 1>You can go back and find our episode on that

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<v Speaker 1>if you google it, I'm sure, but the short version

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<v Speaker 1>is you are failing to call the correct word from memory,

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<v Speaker 1>and by accident you employ a similar sounding word instead.

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<v Speaker 1>You can often hear this, especially in people who may

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<v Speaker 1>have been having a bit of alcohol to drink. Like

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<v Speaker 1>Often words that get swapped start with the same letters

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<v Speaker 1>or sounds, like you know, uh, this database is a

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<v Speaker 1>vast suppository of information. I guess actually that wouldn't start

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<v Speaker 1>with the same sound, but you know, you know what

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<v Speaker 1>I mean. But other times malapropisms have more unique ideologies.

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<v Speaker 1>For example, when somebody learns a word or phrase by

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<v Speaker 1>mishearing it and then never corrects their original misimpression. I

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<v Speaker 1>know this has happened multiple times in my life. Blue

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<v Speaker 1>bonnet plague would probably be a good example here. It

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<v Speaker 1>suggests that somebody heard somebody talking about the bubonic plague

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<v Speaker 1>but misheard how they pronounced it, and then just never

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<v Speaker 1>got corrected on that. Yeah, I think we can all

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<v Speaker 1>relate to that. We all have examples of that in

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<v Speaker 1>our our own life. Totally. But while malpropisms are themselves

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<v Speaker 1>a normal part of speech, they go back into the

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<v Speaker 1>mist of history. Everybody does them, and everybody's been doing

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<v Speaker 1>them for thousands of years. Probably the name we use

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<v Speaker 1>for them has a very distinct origin in history, and

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<v Speaker 1>that origin lies with an Irish satirist playwright and politician

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<v Speaker 1>named Richard Brinsley Sheridan who lived from seventeen fifty one

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<v Speaker 1>to eighteen sixteen. Sheridan wrote a number of successful comedies,

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<v Speaker 1>but his seventeen seventy five play called The Rivals introduced

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<v Speaker 1>the world to a character named Mrs Malaprop, whom another

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<v Speaker 1>character says is infamous for delivering words quote so ingeniously

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<v Speaker 1>misapplied without being mispronounced. So, for example, Mrs Malaprop calls

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<v Speaker 1>one other character the very pineapple of politeness, and at

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<v Speaker 1>another point she refers to an allegory lying on the

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<v Speaker 1>banks of the nile, which we should point out gets

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<v Speaker 1>it wrong twice because the nile has crocodiles, not alligators.

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<v Speaker 1>Oh I didn't even get that one at first. Allegory

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<v Speaker 1>and alligators. Okay, I think that joke works better on

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<v Speaker 1>people who are less obsessed with crocodilians than you and I.

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<v Speaker 1>Uh so. So it seems that most usage of the

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<v Speaker 1>term malapropism in English actually dates back to this character

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<v Speaker 1>in a late eighteenth century Irish play. Maybe all usage

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<v Speaker 1>of it, but of course the name Mrs malaprop is

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<v Speaker 1>built out of existing words borrowed from other languages, like uh,

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<v Speaker 1>there's the there's this expression malapropos, meaning inappropriate, originally from

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<v Speaker 1>the French, where it would mean something like out of

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<v Speaker 1>place or a miss. But from the name of this

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<v Speaker 1>character we now get the label that we use specifically

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<v Speaker 1>for malapropisms, words used wrong in this way. And so

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<v Speaker 1>today we wanted to look at the phenomenon of invented

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<v Speaker 1>words like the word malapropism. There are tons of words

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<v Speaker 1>like this, you know. There there are some words that

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<v Speaker 1>enter the lexicon from works of fiction or mythology. There

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<v Speaker 1>are words that enter through deliberate coinage where somebody is

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<v Speaker 1>trying to create a term for a previously unnamed concept.

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<v Speaker 1>There are words that enter their changes in technology and

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<v Speaker 1>science and culture. And we wanted to talk about some

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<v Speaker 1>of our favorite stories of these words and explore how

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<v Speaker 1>they differ from other types of words. What what does

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<v Speaker 1>it take to invent a successful word and are there

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<v Speaker 1>any parallels to the invention of a successful piece of technology. Yeah,

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<v Speaker 1>it's it's a fascinating topic because it's, you know, the

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<v Speaker 1>world of language. It is a world that is invented,

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<v Speaker 1>like all wor words are essentially invented. Um. Well, I

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<v Speaker 1>don't know if I agree with you there, because they

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<v Speaker 1>all do come from human brains. But I would say

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<v Speaker 1>maybe some words could be thought of more like features

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<v Speaker 1>of the human body, that maybe they just emerged from

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<v Speaker 1>us at some point in history without us trying to

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<v Speaker 1>find a word for something. That's true. The more the

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<v Speaker 1>sort of primal roots of language, which will be discussing.

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<v Speaker 1>But but still it's it's it's unlike most of the

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<v Speaker 1>other topics we've done. I don't know if we've done

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<v Speaker 1>a linguistic episode of invention yet, have we? I don't

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<v Speaker 1>know that there are obviously linguistic inventions. All Right, we're

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<v Speaker 1>gonna take a quick break, but we'll be right back.

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<v Speaker 1>All right, We're back, all right. So we'd like to

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<v Speaker 1>start by asking what came before? Uh? And I guess

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<v Speaker 1>in this case we would have to ask where do

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<v Speaker 1>words usually come from when they're not being deliberately coined

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<v Speaker 1>or invented by somebody. We know that most words are

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<v Speaker 1>not deliberate inventions. Obviously, the the deep origins of language

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<v Speaker 1>that's a massive and complicated subject, limited in large part

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<v Speaker 1>to inform speculations since we don't have physical evidence to

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<v Speaker 1>to discover or to refer to. You know, spoken words

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<v Speaker 1>don't leave fossils. Uh, And it's it's too big to

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<v Speaker 1>address at length today. But by setting linguistics within the

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<v Speaker 1>timeline of history, especially with the help of written sources,

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<v Speaker 1>we can learn a lot about how languages change over

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<v Speaker 1>time and about where words come from. And one thing

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<v Speaker 1>that I think is extremely interesting is that many scholars

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<v Speaker 1>have noticed important parallels between the evolution of languages and

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<v Speaker 1>the evolution of species. In biology, there are important differences

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<v Speaker 1>as well, But just to mention one of these similarities,

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<v Speaker 1>like the living organisms on Earth, many of Earth's languages

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<v Speaker 1>show signs of having a common ancestor. We can show

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<v Speaker 1>signs of common ancestry and all living things on Earth

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<v Speaker 1>by comparing similarities in the genes and observing how those

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<v Speaker 1>genes change over time through evolution. Likewise, we can observe

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<v Speaker 1>similarities in some words and formations that many languages separated

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<v Speaker 1>over vast distances, seem to share, and observe how those

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<v Speaker 1>pronunciations and semantics change over time. And in fact, the

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<v Speaker 1>kind of strange thing is that it was obvious that

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<v Speaker 1>languages evolve over time from common ancestors. Before it was

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<v Speaker 1>obvious that plants and animals do this because you know,

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<v Speaker 1>it was obvious because linguists could track these changes through

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<v Speaker 1>written sources from history. They could see for themselves how

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<v Speaker 1>words and usages and whole languages morphed over the centuries.

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<v Speaker 1>Charles Darwin actually wrote in The Descent of Man, quote

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<v Speaker 1>the formation of different languages and of distinct species, and

0:12:51.960 --> 0:12:54.760
<v Speaker 1>the proofs that both have been developed through the gradual

0:12:54.800 --> 0:12:58.880
<v Speaker 1>process are curiously parallel. I was reading a good article

0:12:58.920 --> 0:13:02.160
<v Speaker 1>about this by John whit Field in Plos Biology from

0:13:02.160 --> 0:13:04.880
<v Speaker 1>two thousand and eight called across the Curious parallel of

0:13:04.960 --> 0:13:10.040
<v Speaker 1>language and species evolution and uh so Whitfield's writing about

0:13:10.040 --> 0:13:13.040
<v Speaker 1>this subject and uh In addition to common ancestry and

0:13:13.120 --> 0:13:16.520
<v Speaker 1>changes to words and genes over time, another parallel that

0:13:16.559 --> 0:13:20.680
<v Speaker 1>Whitfield points out is that quote, their most important components

0:13:20.880 --> 0:13:25.240
<v Speaker 1>show the least variation. In biology, this means that genes,

0:13:25.280 --> 0:13:28.960
<v Speaker 1>such as those involved in the machinery of protein synthesis,

0:13:29.000 --> 0:13:32.040
<v Speaker 1>so basically something every organism has to do all the time,

0:13:32.720 --> 0:13:35.720
<v Speaker 1>change so slowly that they can be used to discern

0:13:35.760 --> 0:13:39.440
<v Speaker 1>the relationships of groups that diverged hundreds of millions of

0:13:39.520 --> 0:13:44.319
<v Speaker 1>years ago. Likewise, the most commonly used words, such as

0:13:44.480 --> 0:13:49.400
<v Speaker 1>numbers and pronouns, changed the most slowly. Yeah, I thought

0:13:49.400 --> 0:13:51.960
<v Speaker 1>that was really interesting. I mean, other words, you can

0:13:52.000 --> 0:13:55.720
<v Speaker 1>find other words that seem to persist in fairly stable

0:13:55.800 --> 0:13:58.280
<v Speaker 1>forms over long periods of time, and they very often

0:13:58.320 --> 0:14:02.679
<v Speaker 1>are common words. You know, words like for family relationships,

0:14:02.679 --> 0:14:06.319
<v Speaker 1>words for things like mother and father, and uh for

0:14:06.679 --> 0:14:09.200
<v Speaker 1>you know, things that would be referred to very often

0:14:09.320 --> 0:14:12.959
<v Speaker 1>in everyday speech. The whereas it's the more specific terms

0:14:13.000 --> 0:14:19.160
<v Speaker 1>that may go extinct over time right or face dramatic substitutions.

0:14:19.400 --> 0:14:22.840
<v Speaker 1>Uh So, Today more than half of the world's population

0:14:23.280 --> 0:14:26.720
<v Speaker 1>speaks a language that shares as a common ancestor and

0:14:26.800 --> 0:14:31.680
<v Speaker 1>extinct language called Indo European. One fun example I was

0:14:31.720 --> 0:14:34.800
<v Speaker 1>reading about in a Nautilus article from last year by

0:14:35.120 --> 0:14:39.720
<v Speaker 1>Sevinga Norkiya Zova was about the word honey. So, of course,

0:14:39.760 --> 0:14:43.960
<v Speaker 1>the word honey is honey in English. In Sanskrit it's madhu,

0:14:44.160 --> 0:14:47.800
<v Speaker 1>in Russian it's meod. And to bring it back to English,

0:14:47.880 --> 0:14:51.240
<v Speaker 1>we have mead, an alcoholic drink made out of honey.

0:14:51.280 --> 0:14:54.400
<v Speaker 1>In Sanskrit, Russian, and even in English you've got these

0:14:54.440 --> 0:14:58.120
<v Speaker 1>links that you know, words are still basically very similar.

0:14:59.240 --> 0:15:03.040
<v Speaker 1>Another interest in fact from that article, UH, a professor

0:15:03.080 --> 0:15:06.960
<v Speaker 1>of linguistics at New York University named Gregory Guy talks

0:15:06.960 --> 0:15:09.840
<v Speaker 1>about the word locks, which in English, of course means

0:15:09.880 --> 0:15:12.160
<v Speaker 1>you know, smoked salmon, you'd have your bagel with locks.

0:15:12.640 --> 0:15:16.600
<v Speaker 1>But apparently locks is basically the same word as it

0:15:16.760 --> 0:15:20.760
<v Speaker 1>was in proto into European eight thousand years ago, where

0:15:20.760 --> 0:15:24.680
<v Speaker 1>it was probably pronounced locks and it meant salmon like

0:15:24.720 --> 0:15:27.320
<v Speaker 1>eight thousand years ago. It's interesting to the way both

0:15:27.360 --> 0:15:29.960
<v Speaker 1>of these examples are foods. There are things that are

0:15:30.880 --> 0:15:33.400
<v Speaker 1>concepts that that that are for things that we we

0:15:33.480 --> 0:15:36.000
<v Speaker 1>not only conceive of, but we actually take into our body.

0:15:36.080 --> 0:15:39.600
<v Speaker 1>We have such a complete sensory understanding of them. Yeah,

0:15:39.640 --> 0:15:42.920
<v Speaker 1>that's an interesting point to things that would have been

0:15:42.960 --> 0:15:48.160
<v Speaker 1>delicious from ancient times. But anyway, based on this biological analogy,

0:15:48.960 --> 0:15:50.920
<v Speaker 1>I want to use an analogy for the purpose of

0:15:50.960 --> 0:15:54.880
<v Speaker 1>the rest of this episode, which is basically biological evolution

0:15:55.200 --> 0:16:00.400
<v Speaker 1>versus genetic engineering. Most new words that enter all language

0:16:00.480 --> 0:16:04.160
<v Speaker 1>do so through a process more akin to biological evolution.

0:16:04.280 --> 0:16:10.160
<v Speaker 1>They somehow arise naturally among speakers rather than as you know,

0:16:10.320 --> 0:16:14.680
<v Speaker 1>genetically engineered. You know, we we created a giant scorpion

0:16:14.720 --> 0:16:17.040
<v Speaker 1>as a government weapon or something, you know, the great

0:16:17.080 --> 0:16:21.160
<v Speaker 1>b movie plot. Um than these genetic engineering projects, and

0:16:21.160 --> 0:16:24.160
<v Speaker 1>and those would be more akin to what we're ultimately

0:16:24.240 --> 0:16:26.600
<v Speaker 1>going to focus on the attempts to create a new

0:16:26.640 --> 0:16:30.520
<v Speaker 1>word on purpose. But let's focus on the biological evolution

0:16:30.680 --> 0:16:35.160
<v Speaker 1>version first. So when language is evolved naturally, what happens

0:16:35.200 --> 0:16:37.840
<v Speaker 1>at the word to word level? Where do new words

0:16:37.920 --> 0:16:41.880
<v Speaker 1>come from if nobody is trying to coin them on purpose? Well,

0:16:41.880 --> 0:16:44.280
<v Speaker 1>of course, on our show we've we've discussed plenty of

0:16:44.280 --> 0:16:46.800
<v Speaker 1>times if you're looking to invent something new, you can

0:16:46.800 --> 0:16:50.800
<v Speaker 1>always just steal something which has already been invented. And yeah,

0:16:50.880 --> 0:16:54.440
<v Speaker 1>most inventions are just stealing ideas from other people. Uh,

0:16:54.440 --> 0:16:58.280
<v Speaker 1>and or maybe making a very slight modification. So a

0:16:58.400 --> 0:17:03.600
<v Speaker 1>very common source of new word is borrowing from existing languages. Yeah,

0:17:03.800 --> 0:17:06.560
<v Speaker 1>and these are also known as loan words. Uh. And

0:17:06.880 --> 0:17:09.159
<v Speaker 1>one one fun example of this, or at least I

0:17:09.200 --> 0:17:11.640
<v Speaker 1>find it fun. I don't know your your mileage may vary,

0:17:11.680 --> 0:17:16.359
<v Speaker 1>but um, earworm is one at all? Here? Well well,

0:17:16.359 --> 0:17:20.760
<v Speaker 1>well I'm just kidding. That's that's great. Wrong, earworms are

0:17:20.760 --> 0:17:24.480
<v Speaker 1>an example of this. Now it's technically a calic that's

0:17:24.520 --> 0:17:26.879
<v Speaker 1>suspelled c A l q u E, which is a

0:17:26.920 --> 0:17:30.479
<v Speaker 1>specialized version of this in which the original word in

0:17:30.480 --> 0:17:33.280
<v Speaker 1>another language is is. It's not just a matter of

0:17:33.320 --> 0:17:36.119
<v Speaker 1>taking the say that the German word for something and

0:17:36.240 --> 0:17:40.760
<v Speaker 1>using it. It's directly translating it literal, literally word for word.

0:17:41.520 --> 0:17:44.879
<v Speaker 1>Other examples of this would be brainwashing or Adam's apple.

0:17:45.359 --> 0:17:48.640
<v Speaker 1>But with earworm it stems from the German or verm,

0:17:49.119 --> 0:17:54.639
<v Speaker 1>which may have originated with German operetta composer Paul Linkey,

0:17:54.680 --> 0:17:58.439
<v Speaker 1>but didn't enter the popular lexicon um until like the

0:17:58.480 --> 0:18:02.040
<v Speaker 1>early two thousands. Prior to all of this, or verms

0:18:02.600 --> 0:18:06.800
<v Speaker 1>were insects of the order uh dermap tira. Ear wigs

0:18:07.640 --> 0:18:10.679
<v Speaker 1>probably named because well, there's one theory is that they

0:18:10.720 --> 0:18:13.240
<v Speaker 1>have the their hind wings are kind of ear like.

0:18:13.440 --> 0:18:14.840
<v Speaker 1>If you fold them out, they kind of look like

0:18:14.880 --> 0:18:18.080
<v Speaker 1>a human ear. But the more likely explanation is that

0:18:18.119 --> 0:18:21.080
<v Speaker 1>you have this old wives tale about them crawling into

0:18:21.160 --> 0:18:24.560
<v Speaker 1>human ears and laying eggs inside your brain, which of

0:18:24.600 --> 0:18:27.200
<v Speaker 1>course becomes part of the idea of like, what is

0:18:27.240 --> 0:18:29.440
<v Speaker 1>a song you hear and you can't get it out?

0:18:29.440 --> 0:18:31.480
<v Speaker 1>Of your head. It is kind of like a small

0:18:31.520 --> 0:18:34.040
<v Speaker 1>insect that has crawled in through your ear into your brain.

0:18:34.200 --> 0:18:38.080
<v Speaker 1>It's like those things in con Yeah exactly, but really,

0:18:38.119 --> 0:18:40.600
<v Speaker 1>your wigs don't do this, right, No, No, there's no

0:18:41.080 --> 0:18:45.040
<v Speaker 1>I think they will, uh from based on the research

0:18:45.080 --> 0:18:47.320
<v Speaker 1>I was looking at, I think they will occasionally you

0:18:47.320 --> 0:18:49.560
<v Speaker 1>can get one in your ear. I would refer back

0:18:49.600 --> 0:18:51.960
<v Speaker 1>to our stuff to Blow your mind episode which I

0:18:52.000 --> 0:18:56.639
<v Speaker 1>think will be rerunning soon, about insects crawling inside of

0:18:56.640 --> 0:19:00.480
<v Speaker 1>body cavities. It happens, it can happen, but not not

0:19:00.680 --> 0:19:03.520
<v Speaker 1>to the degree that wives tales would have you believe.

0:19:03.600 --> 0:19:05.879
<v Speaker 1>And not eggs in the brain. No, no eggs in

0:19:05.920 --> 0:19:08.120
<v Speaker 1>the brain. We need another phrase, by the way, that's

0:19:08.119 --> 0:19:11.240
<v Speaker 1>a that's an unfortunate phrase because who knows our wives

0:19:11.280 --> 0:19:15.080
<v Speaker 1>really saying this? Yeah, it is. It is sexist terminology.

0:19:15.440 --> 0:19:19.520
<v Speaker 1>Let's just say old folk beliefs and hearsay old starship

0:19:19.560 --> 0:19:24.359
<v Speaker 1>captain's tales. Um So. English itself is actually composed of

0:19:24.400 --> 0:19:27.119
<v Speaker 1>a huge number of words borrowed from other languages. And

0:19:27.160 --> 0:19:31.840
<v Speaker 1>it's not just interesting terms like earworm right. Tons of

0:19:31.880 --> 0:19:37.080
<v Speaker 1>everyday terminology is descended from words that were borrowed into English.

0:19:37.200 --> 0:19:41.560
<v Speaker 1>Hundreds of years ago. English originally was a West Germanic language,

0:19:41.600 --> 0:19:43.600
<v Speaker 1>and and these roots or where we get a lot

0:19:43.600 --> 0:19:47.440
<v Speaker 1>of the origins of common basic short words that still

0:19:47.480 --> 0:19:50.719
<v Speaker 1>exist in English today. But tons of other words in

0:19:50.760 --> 0:19:53.720
<v Speaker 1>English come from other languages. So here's one that I

0:19:53.800 --> 0:19:56.280
<v Speaker 1>was just thinking about. What do you call the album

0:19:56.400 --> 0:19:59.119
<v Speaker 1>Black Sabbath by the band Black Sabbath, on which the

0:19:59.160 --> 0:20:01.920
<v Speaker 1>song black Sabba it appears. It sounds like a trick question.

0:20:01.920 --> 0:20:08.080
<v Speaker 1>I think the answer is Black Sabbath. It's the eponymous album, right, yeah, eponymous,

0:20:08.119 --> 0:20:11.359
<v Speaker 1>But of course eponymous, that's a that's a word taken

0:20:11.400 --> 0:20:14.600
<v Speaker 1>directly from words in Greek. So that's like a Greek

0:20:14.680 --> 0:20:18.520
<v Speaker 1>loan word. In English, it means to give one's name

0:20:18.640 --> 0:20:21.680
<v Speaker 1>to um. And in a way, it's funny to try

0:20:21.720 --> 0:20:25.080
<v Speaker 1>to list words in English borrowed from other languages, because

0:20:25.119 --> 0:20:27.000
<v Speaker 1>it would make more sense, really to try to list

0:20:27.000 --> 0:20:31.560
<v Speaker 1>the words not borrowed from other languages, descending directly from

0:20:31.600 --> 0:20:35.880
<v Speaker 1>Germanic roots, because the vast majority of English words at

0:20:35.880 --> 0:20:39.600
<v Speaker 1>this point are borrowed. By some estimates, borrowed words make

0:20:39.680 --> 0:20:43.200
<v Speaker 1>up about eighty percent or more of the language, and

0:20:43.280 --> 0:20:45.400
<v Speaker 1>some of these words have been borrowed for a very

0:20:45.440 --> 0:20:48.480
<v Speaker 1>long time. Many came from languages like French and Latin

0:20:48.680 --> 0:20:51.760
<v Speaker 1>hundreds of years ago. The big point of linguistic cross

0:20:51.760 --> 0:20:54.280
<v Speaker 1>pollination here is the Norman conquest of England in the

0:20:54.320 --> 0:20:59.480
<v Speaker 1>eleventh century, where Norman French suddenly became the language of

0:20:59.560 --> 0:21:03.159
<v Speaker 1>government into the ruling class in England. And so this

0:21:03.240 --> 0:21:05.919
<v Speaker 1>legacy still exists in English today, where you have tons

0:21:05.960 --> 0:21:10.080
<v Speaker 1>of words having multiple synonyms for the same concept. Uh.

0:21:10.119 --> 0:21:12.600
<v Speaker 1>And you have a kind of like every day version

0:21:12.640 --> 0:21:15.600
<v Speaker 1>of the word that comes from Old English, and then

0:21:15.600 --> 0:21:18.960
<v Speaker 1>a more formal or official sounding version of the word

0:21:19.000 --> 0:21:22.360
<v Speaker 1>that comes from the French. So like a holdover from

0:21:22.359 --> 0:21:26.199
<v Speaker 1>a time when both languages had to exist together at

0:21:26.200 --> 0:21:29.199
<v Speaker 1>the same time and the same heads and off the

0:21:29.240 --> 0:21:32.200
<v Speaker 1>same lips. Yeah, and then the French derivative ones were

0:21:32.280 --> 0:21:34.800
<v Speaker 1>generally the ones in power, the ones with money, and

0:21:34.840 --> 0:21:38.679
<v Speaker 1>the ones with administrative authority. So uh, you get like

0:21:38.800 --> 0:21:42.360
<v Speaker 1>buy and purchase by from the old English, purchase from

0:21:42.359 --> 0:21:46.240
<v Speaker 1>the old French, where you've got dead versus deceased, dead

0:21:46.320 --> 0:21:49.560
<v Speaker 1>from the Old English, deceased from the old French. Where

0:21:49.600 --> 0:21:53.000
<v Speaker 1>you've got wild from the Old English versus savage from

0:21:53.000 --> 0:21:55.639
<v Speaker 1>the old French. But that's a wonderful point about the

0:21:55.680 --> 0:21:59.520
<v Speaker 1>idea that that or more of the language is just

0:21:59.680 --> 0:22:02.119
<v Speaker 1>word that come from other languages. It it kind of

0:22:02.119 --> 0:22:05.840
<v Speaker 1>creates this stone soup sort of scenario for English itself,

0:22:05.880 --> 0:22:08.800
<v Speaker 1>like what what is there that is not something that

0:22:08.920 --> 0:22:12.480
<v Speaker 1>was brought in to bulk up the recipe. Yeah, that's

0:22:12.480 --> 0:22:14.840
<v Speaker 1>a great metaphor. But then ultimately, I mean it gets

0:22:14.880 --> 0:22:19.240
<v Speaker 1>complicated because both Old English and Old French or Indo

0:22:19.280 --> 0:22:23.400
<v Speaker 1>European languages meaning that so while you know, modern English

0:22:23.600 --> 0:22:26.959
<v Speaker 1>has all these words that come from the French lineage

0:22:27.119 --> 0:22:30.920
<v Speaker 1>of language development, ultimately both languages are thought to come

0:22:30.960 --> 0:22:34.560
<v Speaker 1>from this hypothetical language a long time ago into European.

0:22:35.200 --> 0:22:38.480
<v Speaker 1>So they split off, they formed different lineages, they formed

0:22:38.600 --> 0:22:41.520
<v Speaker 1>different words that descended from each other, and then at

0:22:41.520 --> 0:22:44.640
<v Speaker 1>some point in history they crossed and then entered each other.

0:22:45.040 --> 0:22:46.760
<v Speaker 1>It's kind of like a scenario where if you have

0:22:46.880 --> 0:22:49.679
<v Speaker 1>like two films that come out and it both essentially

0:22:49.720 --> 0:22:52.520
<v Speaker 1>retellings of the Odyssey or the retaellings of Baiwol or

0:22:52.600 --> 0:22:54.879
<v Speaker 1>what have you, like, that's the that's in the genes

0:22:54.920 --> 0:22:56.800
<v Speaker 1>of the thing. And then but then one sort of

0:22:56.800 --> 0:23:02.440
<v Speaker 1>steals from the other, uh like that. So another common

0:23:02.920 --> 0:23:06.080
<v Speaker 1>source of words ending up in the language is words

0:23:06.119 --> 0:23:08.919
<v Speaker 1>derived from proper nouns. Something that was once the proper

0:23:09.040 --> 0:23:11.920
<v Speaker 1>name of a person or a place gets drafted into

0:23:11.920 --> 0:23:16.080
<v Speaker 1>a common word or phrase. An example here would be platonic.

0:23:16.240 --> 0:23:19.920
<v Speaker 1>Think of a platonic relationship. Now, once this was understood

0:23:19.920 --> 0:23:23.359
<v Speaker 1>to refer directly to ideas discussed by Plato, you're talking

0:23:23.400 --> 0:23:27.840
<v Speaker 1>about the philosopher Plato. Now platonic does not really necessarily

0:23:27.880 --> 0:23:31.040
<v Speaker 1>call Plato to mind. It's just an adjective, right, It

0:23:31.080 --> 0:23:34.560
<v Speaker 1>just means, like, you know, a non sexual relationship, but platonic. One.

0:23:34.840 --> 0:23:38.360
<v Speaker 1>Another example would be bohemian. Bohemia is a place. It's

0:23:38.359 --> 0:23:41.320
<v Speaker 1>in the modern Czech Republic. But now the word Bohemian

0:23:41.400 --> 0:23:44.560
<v Speaker 1>doesn't suggest to people anything about that place. So of

0:23:44.640 --> 0:23:48.359
<v Speaker 1>course we still have examples of of words that they

0:23:48.359 --> 0:23:52.640
<v Speaker 1>still have a direct tie to their source, like say Macavellian.

0:23:53.920 --> 0:23:56.000
<v Speaker 1>When someone uses maca I don't know. I tend not

0:23:56.119 --> 0:23:59.639
<v Speaker 1>define examples of people misusing it or using it in

0:23:59.640 --> 0:24:02.399
<v Speaker 1>a general sense at least yet, but you could well

0:24:02.480 --> 0:24:05.919
<v Speaker 1>imagine a future or you know, or a usage of

0:24:06.040 --> 0:24:09.840
<v Speaker 1>Macavelli and that really is completely cut off from the

0:24:09.880 --> 0:24:16.200
<v Speaker 1>original concepts. There's a good malapropism of machiavellianos where where

0:24:16.240 --> 0:24:20.360
<v Speaker 1>somebody's like, that's what Prince Macchiavelli said, but I think

0:24:21.080 --> 0:24:25.120
<v Speaker 1>he wasn't a prince. He was the prince by Machiavelli

0:24:25.920 --> 0:24:31.080
<v Speaker 1>actually just thought of another good proper name to common usage, denim.

0:24:31.119 --> 0:24:34.880
<v Speaker 1>Denim originally is like from day nime. It's like from

0:24:34.880 --> 0:24:37.560
<v Speaker 1>a place. Oh I didn't know that. Yeah, okay, well,

0:24:37.600 --> 0:24:39.680
<v Speaker 1>oh well, as long as we're talking about about products,

0:24:39.720 --> 0:24:42.480
<v Speaker 1>I mean there's of course, Champagne is another example, right,

0:24:42.480 --> 0:24:44.879
<v Speaker 1>it's a great one where it's officially it's supposed to

0:24:44.920 --> 0:24:47.639
<v Speaker 1>be tied to the Champagne region, but it is often

0:24:47.680 --> 0:24:50.240
<v Speaker 1>just used generically. Now it's just a common now it

0:24:50.240 --> 0:24:53.920
<v Speaker 1>means bubbly wine. Yeah um yeah. But so another thing

0:24:54.119 --> 0:24:57.120
<v Speaker 1>that a great source of new words in this sort

0:24:57.160 --> 0:25:02.600
<v Speaker 1>of natural evolution version is back formation. I love this.

0:25:02.680 --> 0:25:06.360
<v Speaker 1>Back Formation is when a new word is born when

0:25:06.359 --> 0:25:10.639
<v Speaker 1>a prefix or suffix is removed from an existing word

0:25:11.119 --> 0:25:14.119
<v Speaker 1>in order to create a new one. Often because people

0:25:14.200 --> 0:25:18.680
<v Speaker 1>just assume that these new words already exist because of

0:25:18.800 --> 0:25:22.440
<v Speaker 1>linguistic cues. So people create a new word thinking it's

0:25:22.480 --> 0:25:26.359
<v Speaker 1>already a word, not realizing that it's not one. So

0:25:26.480 --> 0:25:30.080
<v Speaker 1>here's one that I really like, the verb lace, as

0:25:30.119 --> 0:25:33.439
<v Speaker 1>in to use a laser. Okay, so this is thinking like,

0:25:33.480 --> 0:25:35.600
<v Speaker 1>all right, you have the terminator. What's the terminator? Do

0:25:35.720 --> 0:25:39.000
<v Speaker 1>he terminates? What's the laser? Do lasers the heck out

0:25:39.000 --> 0:25:41.359
<v Speaker 1>of stuff? Exactly? You've got a fire poker? What do

0:25:41.400 --> 0:25:44.000
<v Speaker 1>you do with a poker? You poke? So you've got

0:25:44.000 --> 0:25:46.159
<v Speaker 1>a laser. The surgeon has a laser. What do they

0:25:46.160 --> 0:25:48.920
<v Speaker 1>do with it? They lace the patient's eye. And this

0:25:49.000 --> 0:25:51.000
<v Speaker 1>is a word. Now people use the verb lace all

0:25:51.040 --> 0:25:54.119
<v Speaker 1>the time. It's a but it is a back formation.

0:25:54.200 --> 0:25:57.840
<v Speaker 1>The word laser is not like the word poker. Laser

0:25:57.960 --> 0:26:02.280
<v Speaker 1>is actually an acronym standing for light amplification by stimulated

0:26:02.280 --> 0:26:06.320
<v Speaker 1>emission of radiation. But because of its similarity to these

0:26:06.320 --> 0:26:09.000
<v Speaker 1>other nouns with a similar spelling that end with e

0:26:09.200 --> 0:26:12.080
<v Speaker 1>er like poker, it got back formed into a verb.

0:26:12.880 --> 0:26:16.040
<v Speaker 1>And of course this example also shows another new way

0:26:16.080 --> 0:26:20.680
<v Speaker 1>that words are formed acronyms. Right, laser was originally an acronym.

0:26:20.800 --> 0:26:23.320
<v Speaker 1>Now it's not, you know it, Laser is just a word.

0:26:23.400 --> 0:26:26.520
<v Speaker 1>People don't capitalize that. They don't put periods between the letters.

0:26:26.920 --> 0:26:29.280
<v Speaker 1>It's just a laser. I was reading about another fun

0:26:29.359 --> 0:26:32.200
<v Speaker 1>back formation. This is the kind of back formation known

0:26:32.240 --> 0:26:35.000
<v Speaker 1>as a false singular. And the example here is the

0:26:35.040 --> 0:26:39.879
<v Speaker 1>English word P, as in p soup. So originally the

0:26:39.920 --> 0:26:43.920
<v Speaker 1>Middle English word was piece p E a s e

0:26:44.560 --> 0:26:46.520
<v Speaker 1>and this would be the noun that worked as a

0:26:46.560 --> 0:26:49.919
<v Speaker 1>singular or a collective, like the word corn, or like

0:26:49.960 --> 0:26:53.000
<v Speaker 1>the word wheat. So you could have a bowl of peace,

0:26:53.240 --> 0:26:56.439
<v Speaker 1>or you could have a single piece kernel. Well, because

0:26:56.560 --> 0:27:00.480
<v Speaker 1>plural words in modern English end in s sound, people

0:27:00.560 --> 0:27:05.680
<v Speaker 1>began to assume sometimes the seventeenth century that peace must

0:27:05.760 --> 0:27:09.680
<v Speaker 1>be the plural word for the singular P, and then

0:27:09.720 --> 0:27:13.600
<v Speaker 1>the word P was thus created. This type of origin again,

0:27:13.640 --> 0:27:16.400
<v Speaker 1>this is the false singular. A similar thing would happen

0:27:16.440 --> 0:27:20.320
<v Speaker 1>if people started assuming that the singular of moose must

0:27:20.359 --> 0:27:26.639
<v Speaker 1>be moo, as opposed to nieces or of course moose

0:27:27.400 --> 0:27:31.240
<v Speaker 1>another one that I really like. How about truncation also

0:27:31.280 --> 0:27:34.200
<v Speaker 1>known as shortening or clipping. This is when new words

0:27:34.200 --> 0:27:37.280
<v Speaker 1>are created by cutting chunks out of existing words. So

0:27:37.440 --> 0:27:44.320
<v Speaker 1>mayonnaise becomes mayo, examination becomes exam, refrigerator becomes fridge, robot

0:27:44.400 --> 0:27:50.119
<v Speaker 1>becomes bot, application becomes app advertisement, becomes ad. Yeah, we

0:27:50.160 --> 0:27:53.879
<v Speaker 1>also see stuff like bicycle and bike, rhinoceros and rhino

0:27:54.119 --> 0:27:58.760
<v Speaker 1>or brother becomes bro or bra. One of my favorites.

0:27:59.080 --> 0:28:00.960
<v Speaker 1>That also the one that I think it's I find

0:28:01.119 --> 0:28:05.040
<v Speaker 1>just so humorous is um when pizza becomes za. I

0:28:05.040 --> 0:28:07.399
<v Speaker 1>don't know if actual humans use this or if it's

0:28:07.440 --> 0:28:11.000
<v Speaker 1>just like Ninja turtles, but uh, I like to bust

0:28:11.040 --> 0:28:13.879
<v Speaker 1>it out for groans now and again, never pay for

0:28:13.960 --> 0:28:18.760
<v Speaker 1>la pizza man. Uh. Here's another one blending existing words,

0:28:18.960 --> 0:28:22.200
<v Speaker 1>pretty straightforward. You take incomplete parts of words and smash

0:28:22.280 --> 0:28:26.520
<v Speaker 1>them together. Breakfast and lunch becomes brunch, Spoon and fork

0:28:26.680 --> 0:28:30.720
<v Speaker 1>becomes spork. Podcast itself, we're on a podcast that is

0:28:30.720 --> 0:28:35.440
<v Speaker 1>a portmanteau of iPod and broadcast, and some would classify

0:28:35.600 --> 0:28:39.880
<v Speaker 1>this particular podcast as infotainment, which is of course a

0:28:39.920 --> 0:28:45.400
<v Speaker 1>combination of information and entertainment. So you got a lot

0:28:45.400 --> 0:28:48.680
<v Speaker 1>of fun a portmanteau from hell. Yeah, you see a

0:28:48.720 --> 0:28:50.520
<v Speaker 1>lot of this in You know, a place where you

0:28:50.520 --> 0:28:53.080
<v Speaker 1>see a lot of language generation is the business world,

0:28:54.120 --> 0:28:56.080
<v Speaker 1>where you know you have a new product or a

0:28:56.080 --> 0:28:58.320
<v Speaker 1>new approach. It needs a new title and needs a

0:28:58.320 --> 0:29:00.840
<v Speaker 1>new a new word for this. On sept And A

0:29:00.880 --> 0:29:02.720
<v Speaker 1>great way to create it is to just crash two

0:29:02.720 --> 0:29:08.520
<v Speaker 1>things together and see how they fit. Are you not infota? Okay?

0:29:08.560 --> 0:29:12.000
<v Speaker 1>One more natural source of new words on amotopia. This

0:29:12.040 --> 0:29:13.840
<v Speaker 1>is what we call it when a word is formed

0:29:13.920 --> 0:29:17.360
<v Speaker 1>by sounding like the thing it's referring to. So plink

0:29:17.760 --> 0:29:22.400
<v Speaker 1>honk hiss, the word imitates the sound of the concept.

0:29:22.880 --> 0:29:24.880
<v Speaker 1>I was trying to think do we form new on

0:29:25.000 --> 0:29:27.120
<v Speaker 1>a mootopias this It seems like all the ones I

0:29:27.160 --> 0:29:29.600
<v Speaker 1>can think of have been around for a while. Maybe

0:29:29.680 --> 0:29:32.600
<v Speaker 1>we form them less often than some other types of words,

0:29:32.600 --> 0:29:35.000
<v Speaker 1>but I'm sure we must form new ones every now

0:29:35.040 --> 0:29:36.720
<v Speaker 1>and then. I was trying to think of a good

0:29:36.760 --> 0:29:39.480
<v Speaker 1>modern example, and the one I thought of was I'll

0:29:39.520 --> 0:29:43.680
<v Speaker 1>ping you about that later. So originally an automotopia from

0:29:43.680 --> 0:29:46.120
<v Speaker 1>the nineteenth century, this would, you know, refer to the

0:29:46.120 --> 0:29:49.240
<v Speaker 1>sound of a bullet hitting metal or something ping, But

0:29:49.320 --> 0:29:53.040
<v Speaker 1>because of conceptual or auditory similarities, it came to refer

0:29:53.120 --> 0:29:56.560
<v Speaker 1>to things in the communications sphere, such as like a

0:29:56.600 --> 0:30:02.280
<v Speaker 1>sonar communications between submarines or between network computer user. Yeah. Um,

0:30:02.360 --> 0:30:05.400
<v Speaker 1>and I would be surprised if the modern resurgence of

0:30:05.560 --> 0:30:08.880
<v Speaker 1>ping in the business world or in the workplace didn't

0:30:08.920 --> 0:30:12.960
<v Speaker 1>have something to do with the ping like notification sounds

0:30:13.000 --> 0:30:16.720
<v Speaker 1>and email and chat apps. Uh. Yeah, I was trying

0:30:16.760 --> 0:30:19.000
<v Speaker 1>to think of some more like some recent ones, and

0:30:19.040 --> 0:30:22.280
<v Speaker 1>I was looking around at some examples of sort of

0:30:22.320 --> 0:30:26.960
<v Speaker 1>modern lingo, and perhaps yeat is an example. I'm not

0:30:27.040 --> 0:30:30.920
<v Speaker 1>sure what does that? What does that imitate? The sound of? Well? Okay,

0:30:30.920 --> 0:30:33.920
<v Speaker 1>well let me define it for anyone so as the

0:30:34.320 --> 0:30:37.000
<v Speaker 1>kids will use this term these days. According to uh,

0:30:37.200 --> 0:30:39.720
<v Speaker 1>to my sources on the internet, it seems to be

0:30:39.760 --> 0:30:43.120
<v Speaker 1>either a strong version of yes or to quote, throw

0:30:43.360 --> 0:30:47.680
<v Speaker 1>something forcefully in a specified direction, as in I yeeded

0:30:47.720 --> 0:30:51.480
<v Speaker 1>a cup of noodles across the room. Yeah, but like heat,

0:30:51.640 --> 0:30:53.400
<v Speaker 1>like I can sort of, I'm not sure. I'm not

0:30:54.320 --> 0:30:57.520
<v Speaker 1>positive that there's any um in anything to it, Like

0:30:57.560 --> 0:31:00.520
<v Speaker 1>to throw something doesn't necessarily create the sound of yeat.

0:31:00.840 --> 0:31:03.600
<v Speaker 1>But then when you start like trying to figure out

0:31:03.640 --> 0:31:06.640
<v Speaker 1>how the sounds work in your head, you know, I

0:31:06.640 --> 0:31:09.800
<v Speaker 1>can sort of half formulate a case for yeat being

0:31:09.800 --> 0:31:12.640
<v Speaker 1>an actual sound. God, we sound so cool right now.

0:31:13.680 --> 0:31:15.600
<v Speaker 1>I'll have to keep thinking about that one. Think about

0:31:15.600 --> 0:31:18.480
<v Speaker 1>it the next time you throw something across the ring. Okay, alright,

0:31:18.680 --> 0:31:20.880
<v Speaker 1>on that note, We're going to take one more break,

0:31:20.920 --> 0:31:23.120
<v Speaker 1>but when we come back we will dive into some

0:31:23.240 --> 0:31:34.280
<v Speaker 1>examples of intentionally invented words. All right, we're back. Okay.

0:31:34.320 --> 0:31:36.840
<v Speaker 1>Now we've been looking at ways that words arise in

0:31:36.960 --> 0:31:41.120
<v Speaker 1>language without being intentionally invented. When they arise through the process,

0:31:41.240 --> 0:31:43.960
<v Speaker 1>that's more akin to biological evolution. But what about when

0:31:43.960 --> 0:31:46.760
<v Speaker 1>we want to frankenstein some words just like make them

0:31:46.760 --> 0:31:49.680
<v Speaker 1>in the lab um. So sort of going back to

0:31:49.720 --> 0:31:52.520
<v Speaker 1>the business scenario, you've got a new product that you

0:31:52.560 --> 0:31:54.680
<v Speaker 1>need to get out there, or you're rebranding another one

0:31:54.680 --> 0:31:57.640
<v Speaker 1>and you gotta call it something. Well, I know somebody

0:31:57.680 --> 0:31:59.840
<v Speaker 1>who would have been great at branding, and that's the

0:32:00.000 --> 0:32:04.360
<v Speaker 1>English writer Horace Walpole, who lived from seventeen seventeen to

0:32:04.440 --> 0:32:09.480
<v Speaker 1>seventeen uh And the term that he coined that everybody knows.

0:32:09.520 --> 0:32:11.880
<v Speaker 1>He actually coined quite a few, but most of them

0:32:11.920 --> 0:32:16.320
<v Speaker 1>are forgotten. The one that everybody knows is serendipity. And

0:32:16.400 --> 0:32:19.360
<v Speaker 1>this comes from a letter that Walpole was writing to

0:32:19.680 --> 0:32:24.080
<v Speaker 1>a friend named Horace Man, different from the American education reformer.

0:32:24.120 --> 0:32:27.720
<v Speaker 1>I'm pretty sure I think this Horseman was a British diplomat.

0:32:28.240 --> 0:32:33.000
<v Speaker 1>But the letter was dated January seventeen fifty four. And

0:32:33.160 --> 0:32:37.200
<v Speaker 1>despite the magical delight of serendipity as a concept, I

0:32:37.240 --> 0:32:39.239
<v Speaker 1>have to say the occasion by which he ends up

0:32:39.280 --> 0:32:44.320
<v Speaker 1>describing it is incredibly dull. Basically, Walpole says that he

0:32:44.440 --> 0:32:48.959
<v Speaker 1>accidentally discovered a historical link between two families while he

0:32:49.000 --> 0:32:52.000
<v Speaker 1>was studying their coats of arms in a reference book.

0:32:52.880 --> 0:32:56.920
<v Speaker 1>Earth shaking right. But he's writing about this process, and

0:32:56.960 --> 0:33:00.600
<v Speaker 1>he says, quote, this discovery indeed is almost of that

0:33:00.680 --> 0:33:04.640
<v Speaker 1>kind which I call serendipity, a very expressive word, which,

0:33:04.720 --> 0:33:06.800
<v Speaker 1>as I have nothing better to tell you, I shall

0:33:06.880 --> 0:33:10.040
<v Speaker 1>endeavor to explain to you. You will understand it better

0:33:10.080 --> 0:33:13.120
<v Speaker 1>by the derivation than the definition. I once read a

0:33:13.200 --> 0:33:17.240
<v Speaker 1>silly fairy tale called the Three Princes of serendip As

0:33:17.280 --> 0:33:21.320
<v Speaker 1>their highnesses traveled, they were always making discoveries by accidents

0:33:21.360 --> 0:33:24.840
<v Speaker 1>and sagacity of things which they were not in quest of.

0:33:25.240 --> 0:33:28.520
<v Speaker 1>For instance, one of them discovered that a mule blind

0:33:28.600 --> 0:33:32.000
<v Speaker 1>of the right eye had traveled the same road lately,

0:33:32.280 --> 0:33:35.360
<v Speaker 1>because the grass was eaten only on the left side,

0:33:35.440 --> 0:33:38.000
<v Speaker 1>where it was worse than on the right. Now do

0:33:38.080 --> 0:33:42.520
<v Speaker 1>you understand serendipity. One of the most remarkable instances of

0:33:42.520 --> 0:33:46.800
<v Speaker 1>this accidental sagacity, for you must observe that no discovery

0:33:46.840 --> 0:33:49.480
<v Speaker 1>of a thing you were looking for comes under this description.

0:33:50.000 --> 0:33:53.320
<v Speaker 1>Was of my Lord Shaftsbury, who, happening to dine at

0:33:53.360 --> 0:33:57.040
<v Speaker 1>Lord Chancellor Clarendon's, found out the marriage of the Duke

0:33:57.080 --> 0:34:00.000
<v Speaker 1>of York and Mrs Hyde by the respect with which

0:34:00.040 --> 0:34:03.840
<v Speaker 1>her mother treated her at table god riveting right dinner.

0:34:04.120 --> 0:34:08.600
<v Speaker 1>How he treated her. Oh man, it's it's hard to

0:34:08.600 --> 0:34:12.640
<v Speaker 1>believe the term really took off at all reading this,

0:34:12.920 --> 0:34:15.080
<v Speaker 1>but it's a great term, right, because it really does

0:34:15.200 --> 0:34:17.920
<v Speaker 1>describe something, the idea of a happy accident, that the

0:34:18.040 --> 0:34:22.400
<v Speaker 1>occurrence or development of events by a thing that was,

0:34:22.480 --> 0:34:24.600
<v Speaker 1>you know, in a way that's beneficial, but that was

0:34:24.640 --> 0:34:27.560
<v Speaker 1>not intended by the agent. Yeah, like when you run

0:34:27.560 --> 0:34:30.799
<v Speaker 1>into an old friend at a subway on a subway ride,

0:34:30.880 --> 0:34:33.960
<v Speaker 1>you think this is exactly like a one eyed donkey

0:34:34.080 --> 0:34:38.640
<v Speaker 1>eating grass on one side of the road. I think something,

0:34:38.840 --> 0:34:41.080
<v Speaker 1>at least in the way I use the word. It's

0:34:41.160 --> 0:34:45.200
<v Speaker 1>especially serendipitous if it's um a situation in which you know,

0:34:45.320 --> 0:34:47.799
<v Speaker 1>in the course of trying to do one thing, especially

0:34:47.840 --> 0:34:52.200
<v Speaker 1>if that thing is foolish or misguided, you actually accomplish

0:34:52.320 --> 0:34:56.480
<v Speaker 1>something different and good. Yes, it's like the foolishness of

0:34:56.520 --> 0:35:01.440
<v Speaker 1>the original errand that makes something especially serendipitous. But according

0:35:01.480 --> 0:35:03.799
<v Speaker 1>to a post that excerpted from this letter in the

0:35:03.800 --> 0:35:07.960
<v Speaker 1>Paris Review, the adjective form of the word serendipitous was

0:35:08.040 --> 0:35:12.320
<v Speaker 1>not recorded until nineteen forty three. So that's a pretty

0:35:12.320 --> 0:35:16.480
<v Speaker 1>big spend of time. And I wonder do intentionally invented

0:35:16.480 --> 0:35:19.279
<v Speaker 1>words take longer on average to find all of their

0:35:19.320 --> 0:35:21.960
<v Speaker 1>derived parts of speech. I don't know. I mean, it

0:35:22.719 --> 0:35:24.319
<v Speaker 1>seems like they have to have a certain amount of

0:35:24.320 --> 0:35:27.520
<v Speaker 1>sticking power to just like language is a living thing,

0:35:27.640 --> 0:35:31.239
<v Speaker 1>you know. Um, so if you create a word and

0:35:31.280 --> 0:35:34.480
<v Speaker 1>it doesn't take off, you know, if someone's out there

0:35:34.520 --> 0:35:36.960
<v Speaker 1>not making it happen, like pushing it into the into

0:35:36.960 --> 0:35:41.000
<v Speaker 1>the lexicon, Yeah, how does it ever gain a foothold? Well?

0:35:41.000 --> 0:35:43.600
<v Speaker 1>I think about the fact that when a word feels organic,

0:35:43.719 --> 0:35:47.200
<v Speaker 1>you're more likely to assume that it's derived different parts

0:35:47.239 --> 0:35:50.560
<v Speaker 1>of speech already exist, right, that you're not making them

0:35:50.640 --> 0:35:53.560
<v Speaker 1>up when you say them, Whereas when a word is

0:35:53.800 --> 0:35:57.920
<v Speaker 1>something that you're aware of, as like an intentional recent coinage,

0:35:58.360 --> 0:36:01.640
<v Speaker 1>you might be more likely to think, oh, serendipitous that's

0:36:01.680 --> 0:36:04.080
<v Speaker 1>not a word. This is also probably the struggling point

0:36:04.120 --> 0:36:06.440
<v Speaker 1>for ZA. Right. That's why why I think that I

0:36:06.440 --> 0:36:08.040
<v Speaker 1>could be wrong that I don't think a lot of

0:36:08.040 --> 0:36:11.600
<v Speaker 1>people are using ZA as an abbreviation for pizza just

0:36:11.640 --> 0:36:15.360
<v Speaker 1>because it's it's It sounds fake, it doesn't seem helpful. Okay.

0:36:15.680 --> 0:36:19.640
<v Speaker 1>So Walpole also provides early written evidence for some other terms,

0:36:19.640 --> 0:36:22.759
<v Speaker 1>though not necessarily always of his intentional coinage. When I

0:36:22.800 --> 0:36:25.719
<v Speaker 1>was reading about that I thought was great is from

0:36:25.719 --> 0:36:28.839
<v Speaker 1>an article in The New Republic by David Crystal that's

0:36:28.880 --> 0:36:32.319
<v Speaker 1>all about terms for drunkenness in English. A lot of

0:36:32.320 --> 0:36:36.200
<v Speaker 1>these are forgotten, and this term comes from Walpole. The

0:36:36.320 --> 0:36:41.439
<v Speaker 1>term is muckibus, meaning drunkenly sentimental, which is a good

0:36:41.440 --> 0:36:43.040
<v Speaker 1>thing to have a word for, right, like you know,

0:36:43.120 --> 0:36:46.480
<v Speaker 1>I love you man, No, I love you man. Muckibus

0:36:46.800 --> 0:36:49.120
<v Speaker 1>uh sounds a little bit like sucky bus too, so

0:36:49.200 --> 0:36:52.200
<v Speaker 1>it has this kind of like demonic of quality to

0:36:52.280 --> 0:36:54.960
<v Speaker 1>it as well of the of the will being overpowered.

0:36:55.080 --> 0:36:58.480
<v Speaker 1>Would you believe that this word comes from a dinner party.

0:37:00.239 --> 0:37:02.879
<v Speaker 1>So it's an anecdote that Walpole shares in a letter

0:37:02.960 --> 0:37:07.600
<v Speaker 1>to George Montague on April seventeen, fifty six, Walpole says,

0:37:07.800 --> 0:37:10.400
<v Speaker 1>so he's at a dinner party, he's having supper. He

0:37:10.560 --> 0:37:14.680
<v Speaker 1>overhears somebody named Lady Coventry saying that if she drank anymore,

0:37:14.840 --> 0:37:18.920
<v Speaker 1>she would become mucky buss. And then somebody named lady

0:37:19.040 --> 0:37:22.920
<v Speaker 1>Mary Coke asks what that means, and Coventry says that

0:37:22.960 --> 0:37:27.920
<v Speaker 1>it was Irish for sentimental. Crystal writes quote. The mock

0:37:28.120 --> 0:37:33.240
<v Speaker 1>Latin ending is known from other facetious eighteenth century slang formations,

0:37:33.280 --> 0:37:38.160
<v Speaker 1>such as stinky buss, but there is no obvious connection

0:37:38.239 --> 0:37:42.360
<v Speaker 1>with muck. Lady Coventry came from Ireland. The likelihood is

0:37:42.360 --> 0:37:47.319
<v Speaker 1>that Walpole misheard a genuine Irish word, perhaps, and here

0:37:47.360 --> 0:37:49.520
<v Speaker 1>I'm gonna do my best with an Irish word here

0:37:50.000 --> 0:37:53.759
<v Speaker 1>queen yuck, which is spelled m A O I t

0:37:54.239 --> 0:37:58.040
<v Speaker 1>h n e a c h Ireland to get it together.

0:37:58.160 --> 0:38:03.319
<v Speaker 1>Come on, that's okay. I think it's ween yuck uh,

0:38:03.400 --> 0:38:06.600
<v Speaker 1>and it means sentimental. Yeah, I should say. Crystal's article

0:38:06.680 --> 0:38:09.560
<v Speaker 1>also mentions a bunch of other terms for drunkenness, including

0:38:09.560 --> 0:38:12.560
<v Speaker 1>my new favorite uh not a loan word, not a

0:38:12.560 --> 0:38:16.800
<v Speaker 1>new coinage, a classic Anglo Saxon word which is sim

0:38:16.960 --> 0:38:20.919
<v Speaker 1>bell goal, meaning wanton with drink feasting. This one also

0:38:21.040 --> 0:38:24.319
<v Speaker 1>sounds demonic in nature, which is I went to the

0:38:24.320 --> 0:38:28.040
<v Speaker 1>Black Sabbath and I became Simon bell goal. Thinking about

0:38:28.080 --> 0:38:31.480
<v Speaker 1>serendipity though, actually got me on the subject of another

0:38:31.600 --> 0:38:34.360
<v Speaker 1>invented word that I really like. That comes from the

0:38:34.400 --> 0:38:39.640
<v Speaker 1>American philosopher Daniel Dinnett, and it's his concept of a deepity.

0:38:39.719 --> 0:38:41.520
<v Speaker 1>I think we've talked about this on Stuff to Blow

0:38:41.560 --> 0:38:44.799
<v Speaker 1>your Mind before, but I read about this idea in

0:38:44.880 --> 0:38:48.440
<v Speaker 1>Dinnett's book called Intuition, Pumps and Other Tools for Thinking,

0:38:48.960 --> 0:38:54.080
<v Speaker 1>remember discussing that. So a deepity is a special kind

0:38:54.160 --> 0:38:58.120
<v Speaker 1>of equivocation. And of course equivocation is a word or

0:38:58.120 --> 0:39:00.600
<v Speaker 1>phrase that's used in two different way as to a

0:39:00.680 --> 0:39:04.439
<v Speaker 1>misleading effect. So you might say, like, um, why would

0:39:04.480 --> 0:39:07.439
<v Speaker 1>you read all the arguments for and against Dennett's theory

0:39:07.440 --> 0:39:12.000
<v Speaker 1>of consciousness? Isn't there enough arguing in the world? You know, uh,

0:39:12.360 --> 0:39:14.440
<v Speaker 1>people people say stuff like this all the time, you

0:39:14.480 --> 0:39:17.640
<v Speaker 1>know it hinges on two different meanings of the word argument.

0:39:17.680 --> 0:39:20.480
<v Speaker 1>In one sense, an argument is just explaining why you

0:39:20.480 --> 0:39:23.440
<v Speaker 1>think something's true. In another sense, it means like angry

0:39:23.560 --> 0:39:27.640
<v Speaker 1>or acrimonious. So so that's an equivocation. Generally, a deepity

0:39:27.719 --> 0:39:31.719
<v Speaker 1>is a specific kind of equivocation that you'll probably recognize

0:39:31.760 --> 0:39:34.840
<v Speaker 1>immediately from your life. It's a statement that can either

0:39:34.960 --> 0:39:40.759
<v Speaker 1>be interpreted as true and utterly trivial or profound and

0:39:40.960 --> 0:39:46.239
<v Speaker 1>obviously false. Okay, but it but it takes advantage of

0:39:46.280 --> 0:39:49.200
<v Speaker 1>like the good haves of both of these versions. So

0:39:49.239 --> 0:39:52.359
<v Speaker 1>an example would be if somebody says love is just

0:39:52.480 --> 0:39:57.600
<v Speaker 1>a word. So either you're talking about the word love,

0:39:57.880 --> 0:40:00.520
<v Speaker 1>in which case this statement is true, but it is

0:40:00.560 --> 0:40:04.080
<v Speaker 1>a banal truism and doesn't okay, so what, Yes, the

0:40:04.120 --> 0:40:06.960
<v Speaker 1>word love is a word, or you're saying that the

0:40:07.080 --> 0:40:10.480
<v Speaker 1>feeling of love is itself nothing more than a word,

0:40:11.040 --> 0:40:14.520
<v Speaker 1>in which case the statement is stupid and nobody would

0:40:14.560 --> 0:40:19.040
<v Speaker 1>bother paying any attention to you. There was I want

0:40:19.040 --> 0:40:21.920
<v Speaker 1>to say on burto echo wrote something about or I

0:40:21.920 --> 0:40:24.640
<v Speaker 1>can't remember if you wrote it or quoted it about

0:40:24.800 --> 0:40:28.280
<v Speaker 1>some uh some some treatment on the on the rose

0:40:28.920 --> 0:40:31.000
<v Speaker 1>uh saying like the first person to make this statement

0:40:31.120 --> 0:40:33.319
<v Speaker 1>was quite possibly a genius and the second person to

0:40:33.360 --> 0:40:36.520
<v Speaker 1>make it was an idiot. Um oh was he talking

0:40:36.520 --> 0:40:39.400
<v Speaker 1>about nominalism though? With William Vacham in the name of

0:40:39.400 --> 0:40:41.839
<v Speaker 1>the likely so, but yeah, it was. It was from

0:40:41.920 --> 0:40:43.799
<v Speaker 1>I want to say it was from the introduction or

0:40:43.880 --> 0:40:46.960
<v Speaker 1>the the afterword to the name of the rose, but

0:40:47.000 --> 0:40:48.960
<v Speaker 1>it's since been whilst I've read that. Well, I mean,

0:40:49.000 --> 0:40:51.760
<v Speaker 1>I guess. Another thing that's true is like with any statement,

0:40:51.840 --> 0:40:55.000
<v Speaker 1>even an obviously stupid one, with enough effort, you can

0:40:55.040 --> 0:40:57.640
<v Speaker 1>find something that that might be true about it a

0:40:57.719 --> 0:41:02.360
<v Speaker 1>way of interpreting it, or if the the actor reciting

0:41:02.360 --> 0:41:05.680
<v Speaker 1>the line is skilled enough, it can seem a lot

0:41:05.719 --> 0:41:08.800
<v Speaker 1>more profound than it is, and you can be like, oh, man, yeah,

0:41:09.200 --> 0:41:12.400
<v Speaker 1>love is just a word. I just heard Benedict Cumberbatch

0:41:12.480 --> 0:41:17.000
<v Speaker 1>say it, and I'm feeling it hardcore. Right, It's totally different.

0:41:17.120 --> 0:41:19.799
<v Speaker 1>Brian Cox could say it and I'd be like, oh,

0:41:19.840 --> 0:41:22.520
<v Speaker 1>he's right. But if it's the actor who plays Badger

0:41:22.600 --> 0:41:27.080
<v Speaker 1>on Breaking Bad, different story, entirely right. In fact, love

0:41:27.160 --> 0:41:28.799
<v Speaker 1>is just a word is a great example because you

0:41:28.800 --> 0:41:32.359
<v Speaker 1>can make tons of deepities with the X is just

0:41:32.480 --> 0:41:35.640
<v Speaker 1>a y formulation. Lots of them are like this one

0:41:35.640 --> 0:41:38.239
<v Speaker 1>example that we thankfully hear a lot less of than

0:41:38.239 --> 0:41:40.600
<v Speaker 1>we used to. Like ten years ago, this was everywhere

0:41:40.600 --> 0:41:44.319
<v Speaker 1>you looked. Evolution is just a theory. Remember this one.

0:41:44.880 --> 0:41:48.120
<v Speaker 1>So it hinges on two different understandings of the word theory.

0:41:48.280 --> 0:41:52.080
<v Speaker 1>One interpretation of the sentence is true but trivial. Another

0:41:52.160 --> 0:41:55.440
<v Speaker 1>interpretation of the sentence, where theory means something like unfounded

0:41:55.480 --> 0:41:58.759
<v Speaker 1>speculation would up end all of modern biology if it

0:41:58.800 --> 0:42:02.279
<v Speaker 1>were true, but his pat ly false. Yeah, it does.

0:42:02.600 --> 0:42:06.480
<v Speaker 1>That statement does tend to hinge on misunderstanding of what

0:42:06.600 --> 0:42:09.120
<v Speaker 1>theories are and what role they play in our understanding

0:42:09.120 --> 0:42:12.439
<v Speaker 1>of the world. Other things are not quite as obvious

0:42:12.480 --> 0:42:15.680
<v Speaker 1>as a deepity, but feel vaguely deepity ish one that

0:42:15.760 --> 0:42:18.520
<v Speaker 1>I was, one that I came across. His beauty is

0:42:18.560 --> 0:42:21.600
<v Speaker 1>only skin deep like. In one sense, this could be

0:42:21.680 --> 0:42:24.840
<v Speaker 1>saying physical beauty is only physical, which is true but

0:42:24.960 --> 0:42:28.399
<v Speaker 1>not very profound. Or it could be saying beauty has

0:42:28.480 --> 0:42:32.040
<v Speaker 1>nothing to do with transcendent qualities like morality or character,

0:42:32.160 --> 0:42:34.920
<v Speaker 1>in which case is that true, like don't we often

0:42:34.960 --> 0:42:39.040
<v Speaker 1>find things beautiful because they're morally good or thoughtful or meaningful? Yeah.

0:42:39.120 --> 0:42:41.719
<v Speaker 1>Depending on how you interpret it, it it it could mean

0:42:41.800 --> 0:42:45.480
<v Speaker 1>one of two, just dramatically different ideas, and the sense

0:42:45.480 --> 0:42:49.040
<v Speaker 1>in which it is obviously true doesn't really mean anything

0:42:49.560 --> 0:42:52.160
<v Speaker 1>I noticed in the real world. Deepity is often shoot

0:42:52.239 --> 0:42:54.560
<v Speaker 1>by you real fast. They tend to be the kind

0:42:54.560 --> 0:42:57.080
<v Speaker 1>of thing that somebody doesn't just say and leave hanging,

0:42:57.120 --> 0:43:00.040
<v Speaker 1>but they say and then move on from You know,

0:43:00.120 --> 0:43:03.200
<v Speaker 1>they're talking very quickly, like they can sound good for

0:43:03.280 --> 0:43:06.040
<v Speaker 1>half a second if you don't stop to think about them.

0:43:06.080 --> 0:43:09.680
<v Speaker 1>But I was also thinking about deepity is interesting because

0:43:09.719 --> 0:43:12.920
<v Speaker 1>there's something about the way the words sounds that was

0:43:12.960 --> 0:43:17.360
<v Speaker 1>clearly part of the selection process for attaching this word

0:43:17.400 --> 0:43:20.680
<v Speaker 1>to this concept like uh. Originally, Dinntt says that the

0:43:20.719 --> 0:43:23.279
<v Speaker 1>word was coined by a daughter of a friend of his.

0:43:24.400 --> 0:43:27.520
<v Speaker 1>Her name is Miriam Wisenbaum, and originally she had been

0:43:27.520 --> 0:43:30.839
<v Speaker 1>at the dinner table sort of like lightly mocking her

0:43:30.880 --> 0:43:34.359
<v Speaker 1>father for some kind of kind of overly ponderous thing.

0:43:34.360 --> 0:43:38.080
<v Speaker 1>He said uh. And then Dinnett heard this word from

0:43:38.080 --> 0:43:40.960
<v Speaker 1>her and then reimagined it because of the sound of

0:43:41.000 --> 0:43:42.920
<v Speaker 1>the word fits so well with the concept that he

0:43:42.960 --> 0:43:46.359
<v Speaker 1>wanted a word for uh. And it brings to mind

0:43:46.400 --> 0:43:49.560
<v Speaker 1>the concept of idiophones, which we explored on an episode

0:43:49.600 --> 0:43:52.520
<v Speaker 1>of Stuff to Blow Your Mind. Basically, the idea that uh,

0:43:52.760 --> 0:43:57.080
<v Speaker 1>certain um syllables and words sounds in our in our

0:43:57.120 --> 0:44:02.120
<v Speaker 1>minds are naturally widely associated with with concepts such as

0:44:02.120 --> 0:44:06.520
<v Speaker 1>physical textures, like there are words that naturally sound slimy

0:44:06.600 --> 0:44:09.920
<v Speaker 1>to us or have certain kind of moral connotations to

0:44:10.040 --> 0:44:14.839
<v Speaker 1>us that are just like sounds totally apart from semantic meaning, right, Yeah.

0:44:15.200 --> 0:44:17.160
<v Speaker 1>You often see this in the like the names of

0:44:17.200 --> 0:44:21.920
<v Speaker 1>fictitious characters. Um. Part of this is is we've been

0:44:21.960 --> 0:44:25.440
<v Speaker 1>on a Harry Potter kick at the house and so

0:44:25.560 --> 0:44:28.080
<v Speaker 1>like a lot of the names that J. K. Rowling uses,

0:44:28.480 --> 0:44:30.520
<v Speaker 1>you know that, I feel feel like they line up

0:44:30.520 --> 0:44:34.280
<v Speaker 1>with this rather well. You know, like uh um, several

0:44:34.440 --> 0:44:39.120
<v Speaker 1>snape you know, that's just it drips it. It feels

0:44:39.160 --> 0:44:42.040
<v Speaker 1>and sounds like the the the individual it is. It

0:44:42.160 --> 0:44:46.000
<v Speaker 1>hisses like a Slytherin, Yeah, Slytherin itself exactly. Yeah. But

0:44:46.120 --> 0:44:48.719
<v Speaker 1>I mean there is something going on here. I think like,

0:44:48.719 --> 0:44:51.680
<v Speaker 1>if you're not building a neologism entirely out of root

0:44:51.719 --> 0:44:54.520
<v Speaker 1>words that have semantic meanings, I mean, it's a different

0:44:54.520 --> 0:44:58.239
<v Speaker 1>thing to go with, like malapropism, where that's built out

0:44:58.239 --> 0:45:01.040
<v Speaker 1>of root words from another language age that have some

0:45:01.160 --> 0:45:04.320
<v Speaker 1>kind of meaning already. You wouldn't be able to tell

0:45:04.480 --> 0:45:08.239
<v Speaker 1>what deepity means just by looking at the word right right,

0:45:08.320 --> 0:45:11.359
<v Speaker 1>It doesn't doesn't have a semantic suggestion unless you've heard

0:45:11.360 --> 0:45:13.960
<v Speaker 1>it explain to you or heard it used. So to

0:45:14.040 --> 0:45:18.239
<v Speaker 1>what extent is possible Idiophonic residue guide the choice of

0:45:18.360 --> 0:45:21.719
<v Speaker 1>words being linked to concepts like that. I mean, I'm

0:45:21.760 --> 0:45:24.600
<v Speaker 1>thinking about it in my head itty deep bitty, the

0:45:24.760 --> 0:45:29.040
<v Speaker 1>itty part of it somehow sounds like the concept to me,

0:45:29.280 --> 0:45:32.640
<v Speaker 1>what brings to mind itty biddy, It brings it mind smallness,

0:45:32.680 --> 0:45:36.640
<v Speaker 1>So it's like a small small depth. But it like

0:45:37.040 --> 0:45:39.400
<v Speaker 1>that's kind of a stretch. It's not there's nothing you

0:45:39.440 --> 0:45:43.880
<v Speaker 1>can't really get there by analyzing actual grammar, right because

0:45:43.920 --> 0:45:46.840
<v Speaker 1>itty bitty is itty bitty even in Webster's I don't know,

0:45:46.960 --> 0:45:51.279
<v Speaker 1>it's it's very much slang. Uh, it's bits. I'm not

0:45:51.320 --> 0:45:53.960
<v Speaker 1>even sure where that comes from, itty bitty, I don't

0:45:54.000 --> 0:46:00.480
<v Speaker 1>know deepitty, just in terms of in examples of have

0:46:00.560 --> 0:46:04.280
<v Speaker 1>invented terminology. Uh, this is what I was thinking about recently.

0:46:04.480 --> 0:46:07.920
<v Speaker 1>Psychonaut because when you when you hear it, I mean

0:46:07.960 --> 0:46:09.680
<v Speaker 1>it's composed out of the out of the Greek. So

0:46:09.800 --> 0:46:12.000
<v Speaker 1>you it's easy to assume that this has been with

0:46:12.120 --> 0:46:15.920
<v Speaker 1>us a very long time, but it is more like malapropism,

0:46:15.920 --> 0:46:18.080
<v Speaker 1>and that it's built out of roots that do have

0:46:18.239 --> 0:46:21.600
<v Speaker 1>meanings that you could identify. Yes, yeah, because I clearly

0:46:21.880 --> 0:46:25.200
<v Speaker 1>it's drawing from the popular use of say astronaut, which

0:46:25.239 --> 0:46:28.879
<v Speaker 1>means star sailor or cosmonaut, universe sailor. And of course

0:46:28.920 --> 0:46:31.120
<v Speaker 1>you have the the argonauts of Greek myth, who were

0:46:31.120 --> 0:46:36.680
<v Speaker 1>simply sailors in the vessel argo um. But psychonaut. When

0:46:36.680 --> 0:46:38.480
<v Speaker 1>I was looking into it, I was thinking, Okay, this

0:46:38.560 --> 0:46:40.839
<v Speaker 1>term must have been around here in the sixties. Uh,

0:46:40.840 --> 0:46:44.480
<v Speaker 1>And it apparently wasn't. The term is widely used now,

0:46:44.520 --> 0:46:48.440
<v Speaker 1>but it didn't seem to emerge until German author Ernst

0:46:48.520 --> 0:46:51.960
<v Speaker 1>Hunger used it in nineteen in the nineteen seventy, and

0:46:52.000 --> 0:46:56.480
<v Speaker 1>it was subsequently picked up by various occultists and ethnobotanists,

0:46:56.560 --> 0:46:58.440
<v Speaker 1>and now it's become, you know, just sort of a

0:46:58.480 --> 0:47:01.960
<v Speaker 1>standard and really quite useful term for describing various twenty

0:47:02.239 --> 0:47:04.880
<v Speaker 1>or twenty first century individuals like say John C. Louis

0:47:05.000 --> 0:47:08.120
<v Speaker 1>or Terrence Mackinna, people who were explorers in the realm

0:47:08.160 --> 0:47:10.680
<v Speaker 1>of the mind. Yeah, yeah, but also yeah, but also

0:47:10.760 --> 0:47:13.680
<v Speaker 1>drawing in that sort of astronaut and motif of one

0:47:13.719 --> 0:47:16.120
<v Speaker 1>of one who goes out by going in and then

0:47:16.200 --> 0:47:19.080
<v Speaker 1>Joe I know you want to discuss, uh, the thagomizer.

0:47:19.239 --> 0:47:21.480
<v Speaker 1>Oh right, this comes from This is one of our favorites.

0:47:21.920 --> 0:47:23.799
<v Speaker 1>It's come up on stuff to blow your mind a lot.

0:47:24.360 --> 0:47:27.680
<v Speaker 1>So the thagomizer is something that was coined as a

0:47:27.800 --> 0:47:31.200
<v Speaker 1>joke in a Gary Larson cartoon. It refers to the

0:47:31.360 --> 0:47:35.360
<v Speaker 1>arrangement of spikes on the tail of a stegasaurus. Uh

0:47:35.360 --> 0:47:38.160
<v Speaker 1>and it's uh So there's a Gary Larson Far Side

0:47:38.200 --> 0:47:42.040
<v Speaker 1>cartoon where a caveman is apparently teaching a class and

0:47:42.160 --> 0:47:45.279
<v Speaker 1>is pointing to a picture like a slide projector I

0:47:45.320 --> 0:47:48.399
<v Speaker 1>G a slide of one of these things and says,

0:47:48.480 --> 0:47:51.359
<v Speaker 1>now this end is called the thagomizer, after the late

0:47:51.440 --> 0:47:55.520
<v Speaker 1>thag Simmons, which is wonderful. Yeah. So, so this was

0:47:55.719 --> 0:48:00.000
<v Speaker 1>eventually picked up by actual paleontologists who found this hilarious

0:48:00.400 --> 0:48:02.399
<v Speaker 1>because prior to this so you didn't have a name

0:48:02.440 --> 0:48:04.360
<v Speaker 1>for the spiked tail is just the spike tail of

0:48:04.360 --> 0:48:08.160
<v Speaker 1>a Stegasaurus or some other type of stegasaur. And when

0:48:08.200 --> 0:48:11.319
<v Speaker 1>you when you try to start breaking down how thagomizer

0:48:11.360 --> 0:48:14.760
<v Speaker 1>would even work as a word, it's crazy because okay,

0:48:14.760 --> 0:48:17.160
<v Speaker 1>we have fag. Fag is the name of the caveman,

0:48:17.400 --> 0:48:20.839
<v Speaker 1>victim of the dinosaur, your proper down there, right. And

0:48:21.000 --> 0:48:24.239
<v Speaker 1>but then we come to almiser O M I z r.

0:48:24.320 --> 0:48:27.080
<v Speaker 1>And this is just nonsense because yes, you do have

0:48:27.200 --> 0:48:31.240
<v Speaker 1>some English words that end with almiser, but their words

0:48:31.320 --> 0:48:37.680
<v Speaker 1>like randomizer, economizer, customizer, atomizer, and these all are root

0:48:37.719 --> 0:48:41.799
<v Speaker 1>words that themselves end in um, like atom and then

0:48:41.840 --> 0:48:44.960
<v Speaker 1>we get atomizer. So where does the arm come from

0:48:44.960 --> 0:48:49.080
<v Speaker 1>in thagom eiser? The eyser part of makes more sense

0:48:49.320 --> 0:48:51.560
<v Speaker 1>because I guess it's kind of like with tenderizer that

0:48:51.600 --> 0:48:54.239
<v Speaker 1>brings us to eyes. So if you allow us to

0:48:54.280 --> 0:48:59.600
<v Speaker 1>further u etomologize here, uh, it is just an old suffix,

0:49:00.080 --> 0:49:04.040
<v Speaker 1>like a long established suffix that that turns that allows

0:49:04.080 --> 0:49:06.760
<v Speaker 1>us to make a noun or adjective into a verb,

0:49:07.239 --> 0:49:10.120
<v Speaker 1>and then this can in turn be made into a noun.

0:49:10.840 --> 0:49:15.719
<v Speaker 1>So I just etymologized. I am the etymologizer, which is

0:49:15.719 --> 0:49:18.759
<v Speaker 1>not a real word but could be could extrapolate into it,

0:49:18.800 --> 0:49:22.800
<v Speaker 1>and you could follow the trails back to real words. Fagomizer,

0:49:22.960 --> 0:49:26.319
<v Speaker 1>if we are stretching, would at best mean a thing

0:49:26.480 --> 0:49:30.440
<v Speaker 1>that turns one into thag simmon, which makes no sense.

0:49:31.040 --> 0:49:33.920
<v Speaker 1>And yet at the same time, the joke still works.

0:49:33.960 --> 0:49:36.200
<v Speaker 1>Like me, clearly it worked. It was picked up, it

0:49:36.239 --> 0:49:39.280
<v Speaker 1>becomes an unofficial name for this part of the dinosaur.

0:49:39.360 --> 0:49:42.440
<v Speaker 1>I think official now is it official? Yeah, I mean

0:49:42.480 --> 0:49:45.920
<v Speaker 1>I think it's used in scientific publications. Well that sounds

0:49:45.920 --> 0:49:48.920
<v Speaker 1>good enough to me. So clearly it works when we

0:49:49.000 --> 0:49:52.600
<v Speaker 1>hear it, even though it doesn't when you dissect it linguistically.

0:49:52.680 --> 0:49:56.040
<v Speaker 1>It's just nonsense. But but we buy into it. I

0:49:56.040 --> 0:49:59.200
<v Speaker 1>guess you know, fag was perhaps atomized or tenderized by

0:49:59.200 --> 0:50:02.680
<v Speaker 1>the spiked tail, and you know that is weirdly a

0:50:02.800 --> 0:50:05.960
<v Speaker 1>relayed in the term thagomizer, even though it's just kind

0:50:06.000 --> 0:50:09.839
<v Speaker 1>of a distorted echo of actual language. Unfortunately, I think

0:50:09.840 --> 0:50:12.080
<v Speaker 1>we're gonna have to call it here for today. We're

0:50:12.160 --> 0:50:14.799
<v Speaker 1>running out of studio time, even though yeah, but yeah,

0:50:14.840 --> 0:50:17.719
<v Speaker 1>we um we will be back with part two of

0:50:17.760 --> 0:50:21.799
<v Speaker 1>our series Uninvented Words. Here. I'm having a lot of fun. Yeah, yeah,

0:50:21.880 --> 0:50:23.239
<v Speaker 1>this is this is a this is a fun one,

0:50:23.239 --> 0:50:25.120
<v Speaker 1>and I like where this journey is going because eventually

0:50:25.200 --> 0:50:27.719
<v Speaker 1>we can even get into the realm of invented language.

0:50:28.040 --> 0:50:29.640
<v Speaker 1>In the meantime, if you want to check out other

0:50:29.640 --> 0:50:34.000
<v Speaker 1>episodes of Invention, find us wherever you find podcast wherever

0:50:34.040 --> 0:50:36.319
<v Speaker 1>that happens to be. We're there, We're somewhere in there.

0:50:36.800 --> 0:50:38.600
<v Speaker 1>If you go to invention pot dot com that'll shoot

0:50:38.640 --> 0:50:40.120
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0:50:40.320 --> 0:50:42.480
<v Speaker 1>but you will find us all over the place. Wherever

0:50:42.520 --> 0:50:44.919
<v Speaker 1>you get the show. Just make sure you subscribe, you rate,

0:50:45.160 --> 0:50:48.160
<v Speaker 1>and you review huge. Thanks as always to our excellent

0:50:48.200 --> 0:50:51.200
<v Speaker 1>audio producer Seth Nicholas Johnson. If you would like to

0:50:51.200 --> 0:50:53.520
<v Speaker 1>get in touch with us with feedback on this episode

0:50:53.600 --> 0:50:55.720
<v Speaker 1>or any other, to suggest a topic for the future,

0:50:55.840 --> 0:50:59.000
<v Speaker 1>just to say hello, you can email us at contact

0:50:59.200 --> 0:51:05.360
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0:51:05.360 --> 0:51:08.040
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0:51:08.120 --> 0:51:10.719
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