1
00:00:01,600 --> 00:00:04,400
Speaker 1: Live from the Mercedes Benz Interview Lounge.

2
00:00:04,559 --> 00:00:09,039
Speaker 2: Always a party when Shaggy rolls through. Shaggy's here, Shaggy's

3
00:00:09,080 --> 00:00:11,320
Speaker 2: mic on, I don't know how to run this thing.

4
00:00:16,480 --> 00:00:21,040
Speaker 2: You hate it when I try to do it. Oh,

5
00:00:21,200 --> 00:00:25,479
Speaker 2: you gotta get it from the cohomnas. I like, I

6
00:00:25,520 --> 00:00:28,920
Speaker 2: need more of those. I guess, yeah, whole name. Hey,

7
00:00:29,120 --> 00:00:33,200
Speaker 2: so Shaggy is here with Bruce Melody, who, by the way, amazing.

8
00:00:33,240 --> 00:00:36,280
Speaker 2: Oh did I say that? Are you sniffing your guest, Bruce?

9
00:00:36,320 --> 00:00:41,040
Speaker 2: I'm sorry, she sniffs every guy who walks through that door,

10
00:00:41,720 --> 00:00:47,360
Speaker 2: every woman, everyone. A good friend of ours, Vienna who

11
00:00:47,400 --> 00:00:50,000
Speaker 2: lives in the Tanzania. He's like, oh my god, Bruce

12
00:00:50,040 --> 00:00:53,199
Speaker 2: is gonna be on your show? Yeah? Absolutely, yeah, look

13
00:00:53,240 --> 00:00:55,360
Speaker 2: at that. You're in New York for the very first time.

14
00:00:55,400 --> 00:00:58,480
Speaker 2: Funny enough, we did a we did jingle bawl h recently.

15
00:00:58,560 --> 00:01:02,080
Speaker 2: I think it's in Dallas and we were.

16
00:01:01,920 --> 00:01:05,520
Speaker 3: On the show and once we got back, the social

17
00:01:05,600 --> 00:01:08,320
Speaker 3: media person says, this is the most engagement we've had.

18
00:01:08,400 --> 00:01:11,240
Speaker 3: I think all of East Africa was going crazy. Just

19
00:01:11,280 --> 00:01:14,520
Speaker 3: the fact that he was, uh, you know, at the

20
00:01:14,920 --> 00:01:15,960
Speaker 3: our dingle ball.

21
00:01:15,720 --> 00:01:20,800
Speaker 1: That was huge for us. Is it a hurricanes, especially

22
00:01:20,880 --> 00:01:23,440
Speaker 1: for where I come from. I come from Kigali, Rwanda,

23
00:01:24,640 --> 00:01:27,360
Speaker 1: so it was it was very huge seeing me performing

24
00:01:27,360 --> 00:01:31,200
Speaker 1: with Shaggy Life our new song called when She's Around,

25
00:01:31,400 --> 00:01:34,240
Speaker 1: it was very, very huge for every one of us.

26
00:01:34,360 --> 00:01:36,039
Speaker 2: We're gonna play it. We're gonna play in a second.

27
00:01:36,080 --> 00:01:38,479
Speaker 2: Oh yeah, Dallas is what I'm born and raised in Dallas,

28
00:01:38,480 --> 00:01:40,319
Speaker 2: but then somehow I ended up here just like you.

29
00:01:40,600 --> 00:01:42,959
Speaker 2: I'm now I'm in New York, New York. Now, what

30
00:01:43,000 --> 00:01:44,720
Speaker 2: are your impressions of New York.

31
00:01:45,600 --> 00:01:52,960
Speaker 1: Uh, it's very cold out here, and the food is good.

32
00:01:54,720 --> 00:01:58,080
Speaker 1: It's different food, but it's very totally different because for us,

33
00:01:58,160 --> 00:02:01,680
Speaker 1: we have organic food, like only add food in Africa,

34
00:02:01,680 --> 00:02:01,880
Speaker 1: I know.

35
00:02:02,360 --> 00:02:11,680
Speaker 2: So yeah, we eat pure chemicals, we smoke chemicals, we

36
00:02:11,680 --> 00:02:15,200
Speaker 2: eat chemicals. We're not doing well, not doing well. And

37
00:02:15,280 --> 00:02:18,280
Speaker 2: the city is very busy. Well the Christmas time it's

38
00:02:18,360 --> 00:02:18,840
Speaker 2: very busy.

39
00:02:19,000 --> 00:02:24,160
Speaker 1: Yeah. We we listed uh for Square, we just get

40
00:02:24,240 --> 00:02:27,679
Speaker 1: used to it. We visited Fort Square and people are

41
00:02:27,720 --> 00:02:30,120
Speaker 1: moving around. It was my first time seeing a lot

42
00:02:30,120 --> 00:02:33,760
Speaker 1: of people on the road just like that. It's very nice. Screams,

43
00:02:33,840 --> 00:02:35,640
Speaker 1: lights everywhere. It's a good city.

44
00:02:35,639 --> 00:02:37,400
Speaker 2: It's pretty amazing. Have you gotten to see the big

45
00:02:37,440 --> 00:02:43,800
Speaker 2: Christmas tree yet not yet you walk it's a block away. Okay.

46
00:02:43,840 --> 00:02:48,360
Speaker 2: So I'm Shaggy. You always have the best collaborators. You

47
00:02:48,400 --> 00:02:51,160
Speaker 2: always work with the most incredible people. So how did

48
00:02:51,200 --> 00:02:53,919
Speaker 2: you how did you imbruce meat up? And how did

49
00:02:53,919 --> 00:02:56,679
Speaker 2: this merge together? You know what it is? I I

50
00:02:56,880 --> 00:02:58,920
Speaker 2: like if you look at my track record of people

51
00:02:58,960 --> 00:03:01,920
Speaker 2: that I have done laboration. When we did it was me.

52
00:03:01,960 --> 00:03:03,560
Speaker 2: It was with Rick Rock, an unknown.

53
00:03:03,240 --> 00:03:08,600
Speaker 3: Artist uh Angel, was Ravon, another unknown artist Mohammi and

54
00:03:08,639 --> 00:03:10,680
Speaker 3: fated what I need you love, you know what I mean?

55
00:03:10,840 --> 00:03:13,600
Speaker 3: And even recently with Banana with Conkra was also not

56
00:03:13,919 --> 00:03:17,919
Speaker 3: and and during we did Banana with conqraor Steve from

57
00:03:18,120 --> 00:03:21,200
Speaker 3: es Curb, who's that guy right over there, Steve uh

58
00:03:21,240 --> 00:03:24,400
Speaker 3: He we had success with that and he he heard

59
00:03:24,480 --> 00:03:27,560
Speaker 3: this record in Rwanda and he sent it to me

60
00:03:27,600 --> 00:03:30,119
Speaker 3: and it's like, Shaggy, take a listen to this. This

61
00:03:30,160 --> 00:03:32,639
Speaker 3: is smash. I heard it right away. I says, wow,

62
00:03:32,639 --> 00:03:36,760
Speaker 3: it's amazing. But I say, I said, the music was

63
00:03:36,760 --> 00:03:41,840
Speaker 3: more in his traditional uh Rwandan style music and he

64
00:03:41,960 --> 00:03:46,080
Speaker 3: was talking in Swahili right yeah, he was singing, so

65
00:03:46,080 --> 00:03:48,200
Speaker 3: I couldn't understand what but the melodies were beautiful and

66
00:03:48,200 --> 00:03:50,720
Speaker 3: it was very, very catchy, and I said, you might

67
00:03:50,760 --> 00:03:53,480
Speaker 3: have to remix it and give it him more of

68
00:03:53,560 --> 00:03:57,760
Speaker 3: a of a different feel, kind of an afrobeads type feel,

69
00:03:58,240 --> 00:04:03,280
Speaker 3: and he went and got uh I was hr h

70
00:04:03,520 --> 00:04:06,200
Speaker 3: R and have them remix it. And we went back

71
00:04:06,200 --> 00:04:07,560
Speaker 3: and forth and it was like, Wow, I think we

72
00:04:07,640 --> 00:04:08,880
Speaker 3: have something amazing here.

73
00:04:09,000 --> 00:04:12,440
Speaker 2: And you guys are all performing together at Miami's Jami Yeah,

74
00:04:12,560 --> 00:04:14,880
Speaker 2: Jingle Miami Jingle Ball on the sixteenth. Oh you're gonna

75
00:04:14,880 --> 00:04:19,320
Speaker 2: love Miami. Oh yeah, I'm gonna tell you you're gonna

76
00:04:19,320 --> 00:04:24,279
Speaker 2: loved it as much as Elvis. Yeah, you're gonna do

77
00:04:24,360 --> 00:04:28,200
Speaker 2: Okay there really what happens in Miami's day. It's not

78
00:04:28,240 --> 00:04:36,680
Speaker 2: really Vega. Isn't what they say say. You are always

79
00:04:36,680 --> 00:04:39,760
Speaker 2: on the go. You never it seems like you never stop,

80
00:04:39,839 --> 00:04:41,839
Speaker 2: you never slowly. Love this man, I have the greatest

81
00:04:41,880 --> 00:04:42,480
Speaker 2: job in the world.

82
00:04:42,480 --> 00:04:44,680
Speaker 3: Man, it's like you. Everybody's a ome man. Elvis, You've

83
00:04:44,680 --> 00:04:47,120
Speaker 3: been doing this world. You really get off on this.

84
00:04:47,200 --> 00:04:50,159
Speaker 3: I enjoy this. This is the greatest job. When I

85
00:04:50,200 --> 00:04:52,400
Speaker 3: go out there and I tour and I see, you know,

86
00:04:52,480 --> 00:04:56,200
Speaker 3: two hundred people from Riggers to lights, uh stage, all

87
00:04:56,240 --> 00:04:57,360
Speaker 3: these and I look at all of them.

88
00:04:57,400 --> 00:04:58,119
Speaker 2: That that's all.

89
00:04:58,400 --> 00:05:02,920
Speaker 3: That's over two hundred paychecks, two hundred mortgages, school fees,

90
00:05:03,160 --> 00:05:05,000
Speaker 3: all of that just because I sang a couple of

91
00:05:05,000 --> 00:05:07,400
Speaker 3: songs and people are out there. Come on, dude, how.

92
00:05:07,279 --> 00:05:10,600
Speaker 2: Can you not this? We are dude. You could look

93
00:05:10,600 --> 00:05:13,720
Speaker 2: at Shoty's Grady Road. It wasn't me the right crap bro,

94
00:05:15,920 --> 00:05:18,440
Speaker 2: that was our day to me through somebody else wave.

95
00:05:18,600 --> 00:05:20,400
Speaker 2: If I could write that, I'd write six of them

96
00:05:20,440 --> 00:05:24,560
Speaker 2: every day. Yeah, I mean, but just pleased to do this.

97
00:05:24,600 --> 00:05:26,479
Speaker 2: You don't write, You don't write anything. I do write it.

98
00:05:26,520 --> 00:05:32,920
Speaker 2: But what I'm saying it's ordains. Sorry, I mean yeah,

99
00:05:33,000 --> 00:05:36,159
Speaker 2: and I'm not. I don't really you know something greater

100
00:05:36,240 --> 00:05:38,440
Speaker 2: than that that gives you these magical things. At a

101
00:05:38,440 --> 00:05:41,159
Speaker 2: certain time of your life, you might be in a

102
00:05:41,200 --> 00:05:44,080
Speaker 2: purpose whatever you all her own things here is for

103
00:05:44,200 --> 00:05:45,880
Speaker 2: us to be a purpose, and that will bring happiness

104
00:05:45,920 --> 00:05:48,200
Speaker 2: once you have a purpose, being of service, of service

105
00:05:48,279 --> 00:05:50,640
Speaker 2: to people. We're all servants. If you're just turning turning

106
00:05:50,680 --> 00:05:52,719
Speaker 2: us on. Shaggy's here with Bruce Malady. We're gonna play

107
00:05:52,880 --> 00:05:54,760
Speaker 2: when she's around in just a second. Now, this was

108
00:05:54,800 --> 00:05:58,800
Speaker 2: as say, this was Bruce's song, and now and now,

109
00:05:58,839 --> 00:06:02,640
Speaker 2: how do you feel, Bruce about someone kind of elbowing

110
00:06:02,680 --> 00:06:05,000
Speaker 2: in on your song a little bit? Yeah?

111
00:06:05,279 --> 00:06:05,880
Speaker 1: You know I did that.

112
00:06:06,160 --> 00:06:09,800
Speaker 2: Do you feel Bruce quite?

113
00:06:10,200 --> 00:06:10,800
Speaker 1: I feel good?

114
00:06:11,080 --> 00:06:11,880
Speaker 2: Okay, I feel good.

115
00:06:11,880 --> 00:06:15,200
Speaker 1: You know. I recorded this and I dropped it. People

116
00:06:15,279 --> 00:06:18,640
Speaker 1: liked this song, but I didn't know that someone like

117
00:06:18,720 --> 00:06:21,520
Speaker 1: Shaggy could love my song. So it happened to me.

118
00:06:22,080 --> 00:06:24,360
Speaker 1: It happened to me for the first time. They told

119
00:06:24,440 --> 00:06:27,080
Speaker 1: me that Shaggy is going to jump in your song.

120
00:06:27,080 --> 00:06:29,760
Speaker 1: I was like, nah, that's a lie, you're lieing. So

121
00:06:30,480 --> 00:06:35,080
Speaker 1: it feels very good walking this Shaggy because I'm a

122
00:06:35,160 --> 00:06:38,000
Speaker 1: huge fan. First of all, I really like his music,

123
00:06:38,120 --> 00:06:40,279
Speaker 1: his job and whatever he does sounds good to me.

124
00:06:40,480 --> 00:06:44,400
Speaker 1: So it feels very very good. You know.

125
00:06:44,440 --> 00:06:47,280
Speaker 2: The crazy part is we have history together. And how's that?

126
00:06:47,480 --> 00:06:50,440
Speaker 3: Because I played at the first time I went to

127
00:06:50,839 --> 00:06:52,920
Speaker 3: pi ally when I was in Rwanda.

128
00:06:53,400 --> 00:06:55,280
Speaker 1: It was two thousand and eight, two thousand and eight.

129
00:06:55,320 --> 00:06:59,320
Speaker 3: I did a massive, massive concert there in the stadium.

130
00:06:58,720 --> 00:07:02,520
Speaker 2: And he was there as a kid. Wow. Yeah. So

131
00:07:02,640 --> 00:07:05,359
Speaker 2: you watch Shaggy perform, yeah, and you're like, I should

132
00:07:05,440 --> 00:07:06,560
Speaker 2: I should be upon that stage.

133
00:07:06,560 --> 00:07:09,520
Speaker 1: With Now. I was young, I didn't even have money

134
00:07:09,520 --> 00:07:15,640
Speaker 1: for buying a ticket, so I'm skiddy, and so I

135
00:07:15,680 --> 00:07:20,560
Speaker 1: show me how.

136
00:07:20,520 --> 00:07:22,040
Speaker 2: Much for those tickets? How much does he are you?

137
00:07:22,600 --> 00:07:26,240
Speaker 1: It was? It was it was like five dollars and

138
00:07:26,400 --> 00:07:32,480
Speaker 1: thirty dollars for VIP. So for me, it's really really

139
00:07:32,480 --> 00:07:35,120
Speaker 1: good because I saw him performing and I can't forget

140
00:07:35,160 --> 00:07:40,000
Speaker 1: that you performed but my let song? Yeah, uh no,

141
00:07:40,000 --> 00:07:44,679
Speaker 1: no cry oh yeah yeah. So it was very, very big,

142
00:07:44,720 --> 00:07:47,080
Speaker 1: and I was dreaming about being an artist and do

143
00:07:47,520 --> 00:07:51,480
Speaker 1: such a performance. And right now I'm here with Shaggy himself.

144
00:07:51,840 --> 00:07:55,440
Speaker 2: Crazy crazy, I know. But you know something, Bruce, you

145
00:07:55,440 --> 00:07:59,640
Speaker 2: gotta remember there's a kid that's been watching you. He's

146
00:07:59,680 --> 00:08:01,920
Speaker 2: going to be or she will be a performer one

147
00:08:02,000 --> 00:08:03,920
Speaker 2: day as well. And it's all the full circle thing,

148
00:08:04,120 --> 00:08:07,000
Speaker 2: the circle of life. Yeah, you might have to jump

149
00:08:07,040 --> 00:08:11,440
Speaker 2: on his song, of course. Yeah, you might have to

150
00:08:11,480 --> 00:08:14,440
Speaker 2: jump on his song. It's going to be like, yeah,

151
00:08:14,760 --> 00:08:17,680
Speaker 2: of course, it was just jumped on my song. Do

152
00:08:17,720 --> 00:08:20,480
Speaker 2: you feel about Bruce Bean on your song? Here we

153
00:08:20,680 --> 00:08:26,160
Speaker 2: ask Elvis. I'm here to stir it up. This is

154
00:08:26,200 --> 00:08:27,960
Speaker 2: kind of a weird day. I'll tell you why. Usually

155
00:08:28,000 --> 00:08:30,720
Speaker 2: when Shaggy visits us. We're already like three shots of

156
00:08:32,160 --> 00:08:35,679
Speaker 2: I came with cof That stuff's changing a little bit,

157
00:08:36,160 --> 00:08:37,080
Speaker 2: bringing back the Coco.

158
00:08:37,160 --> 00:08:39,520
Speaker 3: Yet I hope I wish it, you know, I still

159
00:08:39,520 --> 00:08:41,560
Speaker 3: have the formula for it. The funniest thing is that

160
00:08:41,600 --> 00:08:43,920
Speaker 3: when we just as we launched, we were going through

161
00:08:43,920 --> 00:08:47,800
Speaker 3: Sydney frank Imports, and they got like a huge offer

162
00:08:48,400 --> 00:08:50,920
Speaker 3: to buy the whole company. Wow, and it just took it.

163
00:08:51,000 --> 00:08:53,320
Speaker 3: But then we carved that out. So now I have it,

164
00:08:53,360 --> 00:08:56,200
Speaker 3: but I haven't decided. I've been to do it into

165
00:08:56,440 --> 00:08:57,000
Speaker 3: music still.

166
00:08:57,080 --> 00:08:59,080
Speaker 2: I don't think you've ever been around Shaggy while sober.

167
00:09:00,160 --> 00:09:03,000
Speaker 2: This morning is young. It's like Domino's pizza. You don't

168
00:09:03,080 --> 00:09:05,520
Speaker 2: order it if you're sober. Well, you know what was that?

169
00:09:05,520 --> 00:09:07,520
Speaker 2: That was like a vacation though you just smells like

170
00:09:07,520 --> 00:09:09,680
Speaker 2: a vacation when you open it? Does it smells like

171
00:09:09,720 --> 00:09:11,839
Speaker 2: sometime we could use it for something. I don't have

172
00:09:11,840 --> 00:09:13,760
Speaker 2: my full bottle at home because it's so pretty. Oh

173
00:09:14,160 --> 00:09:16,719
Speaker 2: thank you. It's like a perfume boat, you know. A

174
00:09:16,800 --> 00:09:21,720
Speaker 2: Gandhi's her birthday today, Hi birthday today, So what are

175
00:09:21,720 --> 00:09:27,240
Speaker 2: you gonna do about? Happy birthday? Happy birthday, Happy birthday?

176
00:09:27,320 --> 00:09:27,640
Speaker 1: To you.

177
00:09:28,320 --> 00:09:33,040
Speaker 2: Happy birthday. Go short, it's day. We're going party like

178
00:09:33,720 --> 00:09:36,720
Speaker 2: day maccone, like it's birth and we don't care if

179
00:09:36,720 --> 00:09:41,600
Speaker 2: it's too early. It's your birthday.

180
00:09:42,240 --> 00:09:44,760
Speaker 3: So it's is it you want to have lobster outside

181
00:09:44,840 --> 00:09:46,480
Speaker 3: because normally I don't get anything up here.

182
00:09:46,760 --> 00:09:50,640
Speaker 2: For sure, Birthday, the oh and everything.

183
00:09:50,920 --> 00:09:53,840
Speaker 3: It's a real thing. I see people who normally never

184
00:09:53,880 --> 00:09:55,600
Speaker 3: come to Elvis Darrell lined up outside.

185
00:09:55,640 --> 00:09:58,480
Speaker 2: That's amazing. Yeah, I have I get It's like how

186
00:09:58,520 --> 00:10:02,400
Speaker 2: you get the cats dog? I just feel, you know,

187
00:10:02,559 --> 00:10:04,319
Speaker 2: I told Tracy was the last time I was here,

188
00:10:04,400 --> 00:10:07,400
Speaker 2: there was a some I think from the from the

189
00:10:07,440 --> 00:10:12,000
Speaker 2: local shelter that brought up like fifteen dogs or something. Yeah. Yeah, yeah.

190
00:10:12,120 --> 00:10:14,679
Speaker 2: By the way, we don't eat them if they were

191
00:10:14,800 --> 00:10:17,839
Speaker 2: cute and just And I wasn't really a dog person,

192
00:10:17,880 --> 00:10:21,320
Speaker 2: but now I am. You know, you know I have

193
00:10:22,559 --> 00:10:24,560
Speaker 2: a little dog. Well it was not mine, it's my daughter's.

194
00:10:24,559 --> 00:10:26,040
Speaker 3: But you know, when you go home, your kids get

195
00:10:26,040 --> 00:10:28,160
Speaker 3: excited to see you for about one hour and then

196
00:10:28,160 --> 00:10:29,520
Speaker 3: it's you, the dog and the remote.

197
00:10:29,640 --> 00:10:30,360
Speaker 2: That's how it works.

198
00:10:30,520 --> 00:10:33,760
Speaker 3: So he's he's become my best friend. Roscoe shout out

199
00:10:33,800 --> 00:10:34,400
Speaker 3: the Roscoe.

200
00:10:35,280 --> 00:10:37,520
Speaker 2: So Shank Shane, you and Bruce. You're out doing what

201
00:10:37,559 --> 00:10:39,680
Speaker 2: they call promo. We're doing a lot promo right now. Yeah,

202
00:10:39,679 --> 00:10:41,400
Speaker 2: so you have more interviews today.

203
00:10:41,440 --> 00:10:44,680
Speaker 3: Tons of interviews today, tons of things to do. But

204
00:10:44,760 --> 00:10:46,679
Speaker 3: we had to stop by you first, man, because you're

205
00:10:46,760 --> 00:10:47,080
Speaker 3: the man.

206
00:10:48,200 --> 00:10:49,120
Speaker 2: I gotta play the song.

207
00:10:49,360 --> 00:10:53,480
Speaker 3: Thank you, Elvis. You've always been a super super supporter

208
00:10:54,080 --> 00:10:57,320
Speaker 3: of us and even my charity. Elvis was when we

209
00:10:57,360 --> 00:10:59,280
Speaker 3: did the hospital, was one of the first ones to

210
00:10:59,320 --> 00:11:03,000
Speaker 3: come on air and donate. And I've never forgotten that.

211
00:11:03,000 --> 00:11:04,600
Speaker 2: You're doing that again. And you and and you and

212
00:11:04,679 --> 00:11:08,760
Speaker 2: Alex are just the cutest and just you know, the greatest.

213
00:11:08,960 --> 00:11:10,880
Speaker 2: Alex took my whole family to the zoo by the way,

214
00:11:11,760 --> 00:11:13,840
Speaker 2: and it was it was an amazing time to talk

215
00:11:13,880 --> 00:11:15,640
Speaker 2: about that to this day. So shout out to Alex.

216
00:11:15,640 --> 00:11:17,480
Speaker 2: Anywhere is it You're supposed to be here for dinner

217
00:11:17,480 --> 00:11:21,920
Speaker 2: and he screwed us over. Yeah, I gotta get it

218
00:11:21,960 --> 00:11:23,680
Speaker 2: into that. I gotta play this song. You gotta play.

219
00:11:23,720 --> 00:11:25,400
Speaker 2: Let's do it. Let's do it. You guys have places

220
00:11:25,440 --> 00:11:28,040
Speaker 2: to go. Yeah, and you're still sober, Yes we are.

221
00:11:28,840 --> 00:11:36,040
Speaker 2: But again, the morning is young, young, and it's your birthday, Shaggy.

222
00:11:36,280 --> 00:11:39,079
Speaker 2: Thank you for the gift of introducing us to Bruce Melody.

223
00:11:39,280 --> 00:11:42,439
Speaker 2: It's so nice to me. Welcome to New York. Thank

224
00:11:42,480 --> 00:11:44,040
Speaker 2: you someone. And then you're gonna end up so so

225
00:11:44,040 --> 00:11:46,480
Speaker 2: which you're doing New York, but you're gonna end up

226
00:11:46,480 --> 00:11:48,000
Speaker 2: in Miami and is that it? Are you? Are you

227
00:11:48,040 --> 00:11:50,000
Speaker 2: done for this this leg of the tours?

228
00:11:50,000 --> 00:11:53,560
Speaker 1: They said, we still have more performances and I have

229
00:11:53,600 --> 00:11:58,160
Speaker 1: a performance in Portland, Maine, so it's gonna be late.

230
00:11:59,320 --> 00:12:01,280
Speaker 2: How much times you guys have I mean, this is

231
00:12:01,320 --> 00:12:02,760
Speaker 2: your first time in the US. Is there stuff that

232
00:12:02,760 --> 00:12:03,600
Speaker 2: you're trying to go see?

233
00:12:03,920 --> 00:12:06,960
Speaker 1: This is not my first time, my second time week

234
00:12:07,040 --> 00:12:10,680
Speaker 1: that's last that's when they did that list. So we're

235
00:12:10,679 --> 00:12:11,120
Speaker 1: still here.

236
00:12:11,679 --> 00:12:13,200
Speaker 2: Yeah. So no place you want to see?

237
00:12:13,679 --> 00:12:17,079
Speaker 3: Nothing in the mind, nothing on the books, statue of Liberty,

238
00:12:17,160 --> 00:12:18,840
Speaker 3: no something I think.

239
00:12:18,679 --> 00:12:23,880
Speaker 1: I need to see wall style? Fam Is that correct?

240
00:12:23,440 --> 00:12:25,079
Speaker 2: World? It is it?

241
00:12:25,280 --> 00:12:25,439
Speaker 1: Star?

242
00:12:26,240 --> 00:12:27,280
Speaker 2: What do they do like that?

243
00:12:27,400 --> 00:12:31,000
Speaker 1: There's there's a artist names.

244
00:12:32,040 --> 00:12:37,840
Speaker 2: Fame. Yeah, to California. He's got a start there, the

245
00:12:37,880 --> 00:12:41,800
Speaker 2: star fame. Yeah, some of us aren't privileged to have stars.

246
00:12:41,960 --> 00:12:45,400
Speaker 2: We have stars. Do you have a star star? No?

247
00:12:46,720 --> 00:12:49,960
Speaker 2: I don't have. It's coming, are you?

248
00:12:49,080 --> 00:12:50,840
Speaker 1: We know?

249
00:12:50,920 --> 00:12:53,560
Speaker 2: Something. Do you know somebody else? Yeah, you know the

250
00:12:53,600 --> 00:12:55,760
Speaker 2: long story. I really don't like you flexing on me

251
00:12:55,840 --> 00:12:59,000
Speaker 2: all the time. I mean, you know you've mentioned it

252
00:12:59,080 --> 00:13:01,880
Speaker 2: quite a few times. Well, yeah, it's right across the

253
00:13:01,880 --> 00:13:04,520
Speaker 2: street from the Hustler store. I'm gonna make sure. I'm

254
00:13:04,520 --> 00:13:07,480
Speaker 2: going to make sure go there and step on it.

255
00:13:09,120 --> 00:13:11,400
Speaker 2: I was you, I did. I took wipe so it

256
00:13:11,440 --> 00:13:11,960
Speaker 2: was gold.

257
00:13:12,360 --> 00:13:14,200
Speaker 3: I think it's Mohammed Dalad that has his on the

258
00:13:14,240 --> 00:13:16,920
Speaker 3: side because he says one should walk on him. Oh,

259
00:13:17,920 --> 00:13:20,280
Speaker 3: it's it's actually on if you go out there, it's

260
00:13:20,320 --> 00:13:22,600
Speaker 3: like right on the building. Yeah, right where the space

261
00:13:23,080 --> 00:13:24,720
Speaker 3: on the side. That was not an option for me.

262
00:13:25,160 --> 00:13:27,120
Speaker 3: It was pole walk off. I guess you didn't know

263
00:13:27,160 --> 00:13:27,680
Speaker 3: people there.

264
00:13:27,679 --> 00:13:34,600
Speaker 2: I guess I want to play when she's around, Shaggy.

265
00:13:34,640 --> 00:13:36,559
Speaker 2: Thanks for coming in, Bruce. It's a pleasure meeting you.

266
00:13:36,720 --> 00:13:40,240
Speaker 2: Thank you for having him having me well, thanks for

267
00:13:40,280 --> 00:13:42,400
Speaker 2: being had. And I tell you, I wish I had

268
00:13:42,400 --> 00:13:44,040
Speaker 2: a camera on you in Miami. I think you're gonna

269
00:13:44,280 --> 00:13:48,400
Speaker 2: you may not leave when she's around.