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Speaker 1: No, William.

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Speaker 2: Pyse, don't go up with chap. They don't have us

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Speaker 2: keep you itch, they gonna let you do.

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Speaker 3: What U.

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Speaker 1: And playing it on the liquor.

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Speaker 2: Oh forgot they fell silent spoiler think, I don't know

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Speaker 2: about them.

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Speaker 1: Come your shippers, let your favor, but.

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Speaker 2: You say you don't go out that much?

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Speaker 4: Can't you wait?

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Speaker 1: Don't love nobody spending.

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Speaker 2: Time with people that don't respect the awaker. He says,

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Speaker 2: you're going me, but you're heading elsewhere and your friends

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Speaker 2: ain't ship. They mostly known it's right, they cant you wait,

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Speaker 2: don't go nobody entertaining bitches. You said your what you

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Speaker 2: said your girl be you sworn everything you said. Don't

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Speaker 2: have a don't be don't know nobody, Oh don't know nobody. Oh,

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Speaker 2: please don't go out with your friends. They don't have

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Speaker 2: us keep you inches. They ain't gonna let you do

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Speaker 2: it up.

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Speaker 1: And they ain't it on the liquor.

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Speaker 2: Oh forgot they from silence spoiler they I don't know

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Speaker 2: about them. Cups, you got shippers, let your favor out,

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Speaker 2: but you say you don't go out that much.

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Speaker 4: Please don't go with your friends. Baby let a baby

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Speaker 4: d what's up holler at me because I ain't gonna

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Speaker 4: lie you, just like the third time you done got

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Speaker 4: that riff off that runner, like what's up? Man? That

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Speaker 4: struck a chord with struck? What what happened? Because you

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Speaker 4: know the friend too.

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Speaker 1: I felt shorty, because why you keep going out with

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Speaker 1: that nigga that let you get drunk and be like

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Speaker 1: fucking you got one life to live? Like you mean

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Speaker 1: that nigga? Nah cut him off?

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Speaker 4: Cut him off on baby d mm hmm. I know

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Speaker 4: that's right, that that that hit, that hit, the that

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Speaker 4: hit the soft spot baby d that.

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Speaker 5: One line, because you keep going back to that one

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Speaker 5: man Yomi left our pod to give us the best

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Speaker 5: song of the year.

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Speaker 4: I would look up. I was like, it's Jones. What

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Speaker 4: the fuck yoaes my homes before.

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Speaker 5: We get to that though, I had like three people

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Speaker 5: asked me to if I had to work, and I

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Speaker 5: just looked at them with disgust. You know, the only

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Speaker 5: presidents we respect the dead. That's not true. I respect

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Speaker 5: my presidents. That's still a lot.

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Speaker 4: How you cry. Traffic was light, and I was like

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Speaker 4: I wonder why.

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Speaker 5: My mom was like, it's presidents there, Like who the

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Speaker 5: y'all keep every celebrates everybody.

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Speaker 1: Put this raggedy ass podcast for everybody.

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Speaker 4: Keep trying to get you think you get presidents they are, Yeah,

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Speaker 4: keep trying to get this congestion ship off, like, no,

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Speaker 4: this was no traffic. Congestion is back. Want everybody know

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Speaker 4: the streets suggestion everything is congested, the tunnels a little lighter,

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Speaker 4: but the streets of New York are back today. Exacts

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Speaker 4: Now we're just that's all you can cut the ship man,

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Speaker 4: cut this congestion ship. It's it's a rap. New York

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Speaker 4: is back congested. And told everybody it was just the

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Speaker 4: holiday break, New Year. Kids weren't back in school yet.

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Speaker 4: Stuff he knows is back. Yeah, it's back. Everybody got pneumonia.

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Speaker 4: Now that's all good. You got back in the streets.

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Speaker 4: Please don't go, baby, they just call them. All you

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Speaker 4: gotta do is call them and just talk, just talk.

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Speaker 4: In twenty twenty five, we have in them conversations them

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Speaker 4: uncomfortable conversations. I know you don't like to be confrontational.

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Speaker 4: You look like a non confrontational person when it comes

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Speaker 4: to relationships. I know that's bullshit. I know you're like confidence,

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Speaker 4: But I had that conversation, baby, d call him, talk

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Speaker 4: to him, let him know how you feel.

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Speaker 1: We're gonna get into it.

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Speaker 4: I'm gonna cut Darsky Jamaine off. All Dusky Jamay want

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Speaker 4: to do is drink any and you know what I mean. Fight.

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Speaker 4: He don't need that in his life.

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Speaker 1: But what if he is dark skin Jamaine and.

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Speaker 4: Then we have to have another conversation. Baby, it's time

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Speaker 4: to just stop. You just let him go out, Just

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Speaker 4: let him let you know, just let him go, not friends,

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Speaker 4: Just let Daarskin Jamaine go, Baby, d let him go

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Speaker 4: out of your life. Trust me, it's better for you

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Speaker 4: out there, right.

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Speaker 5: Said her Man. Was around people that don't respect their love,

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Speaker 5: felt that ship. Hmm, I need the album from her tomorrow.

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Speaker 4: Yeah, I'm mad that wasn't long. I'm mad that was

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Speaker 4: like an interlude. We needed like another two minutes on that.

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Speaker 1: I'm looking He beat is better than us for sure,

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Speaker 1: but we're gonna get into it. I need to warm

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Speaker 1: up a little bit, like you know, how are y'all?

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Speaker 1: How is y'all? Weekend? I can't get into that emotional

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Speaker 1: ship right now where.

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Speaker 4: I'm good Man. Weekend was cool. A lot of new

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Speaker 4: music came out, so it was good music. Weekend for

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Speaker 4: me personally, y'all watch did y'all watch? Thoughts are weekend?

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Speaker 4: All Star Weekend? I watched regredibly. I watched All Star

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Speaker 4: Weekend because you know, it was a new format this year.

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Speaker 4: So okay, let's see what the NBA mustered up for

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Speaker 4: us this year. And I'm just ready to say here

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Speaker 4: now today on my platform that the NBA is in

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Speaker 4: danger of being almost just as bad as the Pro Bowl.

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Speaker 5: Yo, and they All Star week it was so bad.

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Speaker 5: I told my mom to change the channel to watch

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Speaker 5: Jerry Seinfeld watch Bad Baby. Yeah, that was better than

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Speaker 5: the All Star Weekend.

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Speaker 4: It's bad. And then the report came out that it

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Speaker 4: was actually more time talking and performing in commercials than

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Speaker 4: it was actual game time and players playing. It was

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Speaker 4: like two hours and some change of like performances and

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Speaker 4: interviews and things like that, and it was only like

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Speaker 4: thirty six minutes of actual basketball being played, which is

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Speaker 4: just I mean, I know the NBA is trying to

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Speaker 4: scramble and do things I think that, you know, in

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Speaker 4: order to make it really interesting. You know, I have

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Speaker 4: what I think would help. He rased the three point

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Speaker 4: line in All Star Game. You rased three point line

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Speaker 4: let players just getting their bag. Okay, you know, we

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Speaker 4: gotta who got one on one? Who could break down

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Speaker 4: and play a one on one set some screens, get

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Speaker 4: some picking rolls going, because I mean, everybody's just coming

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Speaker 4: down shooting half court shots. That's everybody's trying to be. Yeah,

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Speaker 4: but that's what I'm the league is trying to be,

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Speaker 4: Steph Curry.

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Speaker 5: It's not O three when fucking Team Mac was throwing

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Speaker 5: it off the backboard, but even Iverson was dunking.

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Speaker 4: But it needs to be. We're talking about All Star game.

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Speaker 4: Let me see your skills, let me see your skill set.

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Speaker 4: I would love for them to implement a one on

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Speaker 4: one competition. We need that, you know, and I don't

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Speaker 4: know how they track that. Maybe you know who has

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Speaker 4: the most isolation points and you know they track everything

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Speaker 4: else in the NBA, So track who has the most

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Speaker 4: isolation points and things like that, and let's get some

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Speaker 4: new competition. Mac mcclun can't do another dunk contest. He

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Speaker 4: could win it every year for the next seven years.

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Speaker 4: I mean, I appreciate what he's done for the Whites. Yeah,

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Speaker 4: I love it. I love it. You're amazing, But we

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Speaker 4: can't have Mac McClung again. Next year, we can't have

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Speaker 4: we I mean, listen, I get it, but like, come on,

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Speaker 4: what are you gonna jump over?

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Speaker 5: Next we have white corners getting picked sixes in the

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Speaker 5: Super Bowl. Three time dunkampion is white. Yes, this is crazy.

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Speaker 5: It's absolutely critic but it speaks to the Lacks did

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Speaker 5: not dye his hair for this.

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Speaker 4: Yeah, but I know a Ja Morant said he wants

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Speaker 4: a million dollars to do it, to do the dunk contest.

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Speaker 4: I mean, if that's if that's what's gonna take to

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Speaker 4: get these guys that they had in a money a

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Speaker 4: money prize, then the NBA is just gonna have to

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Speaker 4: do they have to do. But the fact of the

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Speaker 4: matter is, I'm almost just as bored with NBA All

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Speaker 4: Star Weekend as I am with the NFL Pro Bowl.

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Speaker 4: I haven't watched the NFL Pro Bow in probably seven years.

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Speaker 5: I think it'd be worth giving Jae that money if

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Speaker 5: he's allowed to fire a shot off while he's dunking.

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Speaker 5: If you're not gonna bring this gun yeah to the

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Speaker 5: dunk cont I think that's worth every penny of that millionaire.

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Speaker 4: You're no, we're not gonna do that. We're not gonna

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Speaker 4: put Jah in that position, but I would.

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Speaker 5: Like to see one of the Rockies guns yah yah no.

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Speaker 4: No, I would like to see Jah in the dunk contest.

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Speaker 4: So I like to see the young players, but the

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Speaker 4: NBA has to. I think they almost have to make

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Speaker 4: it to where it's part of your contract, like you

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Speaker 4: have to show up to All Star weekend. Like it's

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Speaker 4: coming to that because now they got the break, which

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Speaker 4: I love if I love the fact that the players

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Speaker 4: get extended break, they get to go on vacation, enjoy

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Speaker 4: some time off, which is why a lot of players

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Speaker 4: don't care for All Star weeking because they look at

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Speaker 4: it like if I don't have to go to All

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Speaker 4: Star week and I really have like more than a

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Speaker 4: week off, yeah, so you know, that's more of an

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Speaker 4: incentive to not go. But I think if they start

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Speaker 4: putting some some money into it, and you know, a

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Speaker 4: million dollar prize here and there, I think we get

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Speaker 4: more of it. But I think if we erase the

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Speaker 4: three point line in the game and just let players,

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Speaker 4: you know, have to like rely on pick and roll

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Speaker 4: and one on one offensive moves, I think that the

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Speaker 4: game is more interesting.

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Speaker 5: Even though I am a zless celebrity. If I'm even

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Speaker 5: in that alphabet, I still feel like I should be

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Speaker 5: in that celebrity game. I think I'm more a fass

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Speaker 5: to some of those people. Yeah, like Rosenberg is my guy,

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Speaker 5: but like this is his seventh season doing the shit, Like,

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Speaker 5: let another white media person get in there.

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Speaker 4: I feel a little left out. Yeah, we got to

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Speaker 4: get you in a who else in there? Who's another

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Speaker 4: white white media person. I like Michael Rappaport, Michael Rappaport,

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Speaker 4: My Michael Rapport used to really though.

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Speaker 5: I know he might go and he used to play

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Speaker 5: in the game, and then you know, guys that happened

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Speaker 5: and everything.

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Speaker 4: So at this point, Rocking Jock might be better than

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Speaker 4: the NBA All Star Weekend. Yeah, hell yeah, that's crazy

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Speaker 4: to say Rocking Jock.

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Speaker 5: The MLB All Star Ship is better, way, way better,

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Speaker 5: which is craziest way better the Pro Bowl used to be.

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Speaker 4: Yeah, it's it's bad. I don't know how many times

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Speaker 4: we're gonna roll Kevin Hart out there and try to

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Speaker 4: entertain us and make us laugh. I get it, but

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Speaker 4: it's like, yo, we need we gotta get something else, man,

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Speaker 4: we gotta I'm just saying, man, it's bad. It's bad

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Speaker 4: to watch keV look exhausted. Man, Let him and Steven A.

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Speaker 4: Smith just get a nap. Yeah, Kevin, Kep Todd of

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Speaker 4: that ship? You keep rolling me out here to talk

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Speaker 4: to these tall ass niggas. I'm over here, five ft

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Speaker 4: two looking up at anybody all starting. Kevin don't want

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Speaker 4: to do that ship. But the bag is good, you know,

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Speaker 4: they giving him a bag for it. But it's like, y'a,

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Speaker 4: I do want to do this ship.

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Speaker 5: Do you think that the pinpoint the change in All

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Speaker 5: Star Weekend? Was it when they allowed Common to wrap

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Speaker 5: all the intros?

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Speaker 4: Was that it? I think it was the year when

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Speaker 4: Lebron and them came out dancing and Derek Rose didn't,

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Speaker 4: when Derek Goes was standing there looking at them like

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Speaker 4: they were stupid. I think that year was it. I

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Speaker 4: think that was the last year where it was like,

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Speaker 4: all right, man, it's over for this shit now. When

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Speaker 4: did they do the live picks? Was it? Who got picked? Last? Yo? Kik?

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Speaker 4: He was tight And this new format I don't like

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Speaker 4: cause it's like nobody can't really go for like forty No,

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Speaker 4: Like Steph got MVP and I think he had like

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Speaker 4: fourteen points or some shit like that, Like, what the

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Speaker 4: fuck is going on here?

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Speaker 5: Below his average in a regular Yeah, Like I'm like, yo.

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Speaker 4: Bro, so Steph can't go for forty no more. I

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Speaker 4: can't see Kadie go for forty. Somebody go for fifty, Yana, somebody.

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Speaker 4: This new format is terrible. I get what they were

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Speaker 4: trying to do, but it's just not This is not it, man,

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Speaker 4: This is this is not it. This is the NBA

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Speaker 4: has to do something. They're in danger of dropping rain.

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Speaker 4: The rains already crazy low compared to what they were,

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Speaker 4: but after this All Star weekend, they're in danger of

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Speaker 4: this shit reaching levels to where it's like it don't

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Speaker 4: even make sense to have the week it anymore. So

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Speaker 4: they gotta do something.

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Speaker 5: I mean, at least they the musical performances. They at

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Speaker 5: least knocked out the park, right.

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Speaker 4: I love to see Tony Tony Tony in Vogue too

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Speaker 4: short e forty, sweetie. I know who youre talking about.

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Speaker 4: I'm gonna name that, gentlemen. I won't name him at all.

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Speaker 4: That was the worst shit I've ever seen. I was

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Speaker 4: so scared of this episode today.

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Speaker 5: One because I liked the Drake album and two because

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Speaker 5: LANs Littleball may have had the worst performance in hip

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Speaker 5: hopiss I tried to tell y'all that was gonna come

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Speaker 5: here with ten and I'm not on ten.

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Speaker 4: I'm not your baby, d I'm not yelling. I promise

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Speaker 4: I'm not yelling. Baby. I'm sorry, I'm not yelling. I

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Speaker 4: just told y'all that that song was trash. It was terrible,

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Speaker 4: and it's disrespectful to the art of hip hop to

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Speaker 4: try to even call that song a hit record.

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Speaker 1: There's been but there's been worse song. I get you

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Speaker 1: what you're saying. There's been way worse songs that were

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Speaker 1: performed better. I don't know what it is with the

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Speaker 1: ice spicification of this new generation where they come out

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Speaker 1: and they feel like.

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Speaker 4: Crassification of this new generation gentrification and everybody know that

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Speaker 4: I wasn't about to get me to my cannabis. My

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Speaker 4: two fair rappers from Sarah. Yeah, he's so people thought

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Speaker 4: I was trolling.

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Speaker 5: It still got a baby on my top two. Who

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Speaker 5: knew QS would have the top two greatest rappers of

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Speaker 5: all top I sorry, baby, go ahead.

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Speaker 1: What I'm saying is they they the newer rappers. They

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Speaker 1: come out and there's no, like they don't. They rap

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Speaker 1: like they're trying to sound just like the record. They

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Speaker 1: don't raise their voice at all. There's no hypeness to it.

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Speaker 1: There's no because they're not artists.

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Speaker 4: They're not performers, because they ain't go through s obs

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Speaker 4: like they ain't going through Santo stated, Yeah, yeah, how

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Speaker 4: highline ballroom because yeah, that's what I'm saying. They ain't

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Speaker 4: know what I'm saying. They ain't them them them stages

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Speaker 4: don't love to have awful hummus in that basement at NB.

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Speaker 4: You need to get booed. That's what niggas don't understands.

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Speaker 4: As an artist, as a performer, you need to get

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Speaker 4: booed a couple of times. You needed for it to

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Speaker 4: be silent once you finished, like thank y'all for coming out.

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Speaker 4: Nobody need to clap. Artists need to feel that moment

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Speaker 4: and be like God, damn Cee l Angelo. He felt

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Speaker 4: that moment this weekend because hunis he finished, that ship

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Speaker 4: was cooling. Niggas wasn't clapping that. Nobody wanted to hear that.

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Speaker 5: Ship, not not even the schedule dapts saved it.

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Speaker 4: Yeah, nobody wanted to hear that. And I get it.

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Speaker 4: The Lonzo Ball introduced LiAngelo Ball. I thought that was cute.

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Speaker 4: I love that. That was cute. But this is All

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Speaker 4: Star Weekend, man, we need we need the best All Stars. Yeah,

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Speaker 4: we need the best of the best to perform, not

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Speaker 4: le Angelo Ball.

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Speaker 5: I'm fine with the song. No You're not death Jam.

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Speaker 5: I have to give them some credit. They are definitely

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Speaker 5: recouping as fast as possible. They gave the small fuck

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Speaker 5: the Lions game and then All Star Weekend and he

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Speaker 5: doesn't even know how to turn a Micael.

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Speaker 4: But it's just it's bad, bro, this ship is I

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Speaker 4: was just sitting there like, I can't be the only one,

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Speaker 4: and I know I'm at that age where I'm starting

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Speaker 4: to hate everything. I accept that there, I embraced that,

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Speaker 4: but I knew I wasn't the only one that watched

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Speaker 4: that performance and was like, all right, man, what is this?

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Speaker 1: You know what?

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Speaker 5: I felt bad for the dancers because they smoked it.

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Speaker 5: They was they was working so hard behind that fucking

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Speaker 5: awful vocal performance.

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Speaker 4: I felt bad for them. Yeah, I felt bad.

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Speaker 5: Parents like Mom, I'm really gonna be on TV All

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Speaker 5: Star Weekend and then their families had to watch them

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Speaker 5: dance for that bullshit.

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Speaker 4: Yeah, they had to learn them transitions in that Little

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Speaker 4: White Girl to work for Leangelo Ball. Get out of

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Speaker 4: here with this shit. Nobody want to see this shit, man.

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Speaker 1: Yeah, he just needs to They need to go back

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Speaker 1: to being like hype because even if you forget lyrics

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Speaker 1: or you're not like get hyped to engage with the

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Speaker 1: crowd like it's a performance. It's not for you to

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Speaker 1: come out there and sound exactly like I'm playing the

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Speaker 1: record on the radio and have the nerve to have

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Speaker 1: the backtrack in the back right like and you.

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Speaker 5: Not even with the backtrack, No, like how you missed

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Speaker 5: the TV.

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Speaker 4: The TV track is there to keep you on point,

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Speaker 4: because he's not an artist. He's not a performer. He

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Speaker 4: just caught a song.

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Speaker 5: Like even when fifty and YAlO missed their queue on

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Speaker 5: Amusing Park whatever that was VMA's. I mean, at least

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Speaker 5: they did a show, like they went in the crowd

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Speaker 5: and actually dap people up and had full conversations when

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Speaker 5: they miss their cue.

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Speaker 4: At least be a performer. But this is why I

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Speaker 4: had an issue with that song, because I knew it

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Speaker 4: was just about name and clickbait. They should have had

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Speaker 4: La Russell's talent to that as performing in that slot

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Speaker 4: Angelo Ball. And that's the problem I have with records

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Speaker 4: like that. When you have this name Jello Ball that

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Speaker 4: people just gonna click because of the Ball brand and

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Speaker 4: shout out to the Ball family, nothing but love and

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Speaker 4: respect for the Ball family. I don't want that to

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Speaker 4: get lost to I'm just talking about a song that

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Speaker 4: I don't feel like it's a hit song. So now

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Speaker 4: you give this song the level or the stage of

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Speaker 4: being an All Star weekend when guys that are really

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Speaker 4: talented and really perform their ass off and really notice

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Speaker 4: craft like L Russell from the Bay and represents represents

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00:15:29,360 --> 00:15:32,920
Speaker 4: the Bay everywhere he goes, sitting at home, and you

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Speaker 4: don't have him come perform. L Russell could have had

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Speaker 4: that spot and had that shit jumping way more than

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00:15:37,760 --> 00:15:41,400
Speaker 4: that record, performed way better Like That's that's the things

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00:15:41,400 --> 00:15:42,880
Speaker 4: that I get mad at when I see things like that,

351
00:15:42,880 --> 00:15:44,560
Speaker 4: because I know what it's about. It's just trying to

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Speaker 4: catch a moment and capitalize off a name that is

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Speaker 4: already clickbait. Yeah, that's what I don't like.

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Speaker 5: L Russell definitely deserved to do his little absolute bunny

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Speaker 5: hop dance like.

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Speaker 4: Let l Russell go out there and rep the Bay

357
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Speaker 4: all weekend. Man, he needed to be on that stage

358
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Speaker 4: and on that level performing. That's what I like to say.

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Speaker 5: I mean, maybe we just didn't get it, Like maybe

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00:16:02,680 --> 00:16:05,720
Speaker 5: he was cause playing bad performers and like there was

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Speaker 5: a deeper meaning to what he was doing.

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Speaker 4: LiAngelo thought he was pocked when he walked out there.

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Speaker 4: If he do this one more time, the gun to

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Speaker 4: the dome, if he do this, ma the head tap,

365
00:16:15,440 --> 00:16:17,320
Speaker 4: if he do this one more time, And you never

366
00:16:17,360 --> 00:16:19,480
Speaker 4: did that. You cried when they had you locked up

367
00:16:19,480 --> 00:16:22,680
Speaker 4: in China for stealing memorabilia or whatever you're stealing over there.

368
00:16:23,440 --> 00:16:26,240
Speaker 4: You wasn't doing this in the jails in China. It

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00:16:26,280 --> 00:16:30,040
Speaker 4: wasn't it was it was it was Trump, Please come

370
00:16:30,080 --> 00:16:33,760
Speaker 4: get me. This thinker's crying. Man, stop all right now

371
00:16:33,920 --> 00:16:37,440
Speaker 4: stop now you don't remember you remember he was crying.

372
00:16:37,680 --> 00:16:39,720
Speaker 4: He was begging for the America to come get him.

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Speaker 5: He saw he saw what we traded for a old girl.

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Speaker 4: It was like you can't get meat.

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Speaker 1: Look, he was.

376
00:16:44,760 --> 00:16:47,120
Speaker 4: Begging for Trump to come get him. Now all of

377
00:16:47,160 --> 00:16:49,160
Speaker 4: a sudden his head tapping, and then you get out

378
00:16:49,200 --> 00:16:51,400
Speaker 4: of it. But swerve being the court. You ain't gonna

379
00:16:51,480 --> 00:16:53,760
Speaker 4: do none of that ship you rapping by you go

380
00:16:53,920 --> 00:16:56,040
Speaker 4: cry in that jail the marriage. Did you see our

381
00:16:56,080 --> 00:16:59,560
Speaker 4: friend Jazz's Instagram? Who's jazz? We love jazz. Friend of

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Speaker 4: the show Jazz.

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Speaker 1: Okay, we have a lot of jazz this baby which

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Speaker 1: fun Joyce Jazz? No, I didn't see.

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00:17:04,960 --> 00:17:08,399
Speaker 5: I think she worked on the whole. Jello thinks somehow.

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00:17:08,400 --> 00:17:11,359
Speaker 5: I think she's involved because she did post which I wanted.

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Speaker 4: I love her to.

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Speaker 5: Death and she's great at her jeal jazz so much

389
00:17:15,000 --> 00:17:19,359
Speaker 5: I stopped myself from replying to her posts. Instead, I'm

390
00:17:19,359 --> 00:17:20,640
Speaker 5: just gonna come on a podcast and say it, which

391
00:17:20,680 --> 00:17:26,280
Speaker 5: is fucking worse. She gave Jello the most fucking did

392
00:17:26,359 --> 00:17:30,679
Speaker 5: She said he's the most improved at basketball camp trophy. Yo,

393
00:17:30,760 --> 00:17:33,000
Speaker 5: it's really hard to get out there and perform in

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Speaker 5: front of people. You're so brave for doing that. I

395
00:17:35,359 --> 00:17:37,919
Speaker 5: was an say Jazz. First of all, you have toured

396
00:17:38,280 --> 00:17:43,440
Speaker 5: with Joyce Anderson, Pact Bruno Mars Kiana Day. She has

397
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Speaker 5: a tour manager for some of the greatest acts we've

398
00:17:46,280 --> 00:17:51,119
Speaker 5: ever follow. Don't you dare fucking say Jello's brave for

399
00:17:51,200 --> 00:17:51,480
Speaker 5: doing that?

400
00:17:51,480 --> 00:17:51,680
Speaker 1: Ship?

401
00:17:51,800 --> 00:17:53,960
Speaker 4: No, He is brave because you know, he wasn't supposed

402
00:17:54,000 --> 00:17:56,040
Speaker 4: to be out there. He's very brave going out there

403
00:17:56,080 --> 00:17:56,800
Speaker 4: doing that ship.

404
00:17:59,560 --> 00:18:01,399
Speaker 1: Stop. So proud of you getting our live TV in

405
00:18:01,400 --> 00:18:03,359
Speaker 1: front of this many people. Being a new artist that

406
00:18:03,440 --> 00:18:05,200
Speaker 1: just started a month ago. It's not an easy task.

407
00:18:05,280 --> 00:18:08,040
Speaker 1: Your desire to want to be better and just started them.

408
00:18:08,080 --> 00:18:12,000
Speaker 1: Commend them, excited for what's commendable and expiring, excited for

409
00:18:12,040 --> 00:18:12,960
Speaker 1: what's to come for You.

410
00:18:14,320 --> 00:18:16,320
Speaker 4: Love Jazz so much front of the show. We love her.

411
00:18:16,440 --> 00:18:18,439
Speaker 4: Not sure what's jazz domo with Jazz. Keep doing what

412
00:18:18,440 --> 00:18:19,399
Speaker 4: you're doing, just don't do it for.

413
00:18:19,440 --> 00:18:23,720
Speaker 5: Je Jello doesn't deserve Jazz.

414
00:18:23,560 --> 00:18:25,560
Speaker 1: But I get what she. I get where she's coming

415
00:18:25,560 --> 00:18:28,840
Speaker 1: from because it isn't Jello's fault that he's getting these

416
00:18:28,880 --> 00:18:31,000
Speaker 1: Big Law's.

417
00:18:30,800 --> 00:18:33,119
Speaker 5: Point still stands even too. What Jazz said, he didn't

418
00:18:33,240 --> 00:18:37,000
Speaker 5: deserve to be there, but he did. That's why it

419
00:18:37,040 --> 00:18:38,600
Speaker 5: went the way it went. Because he didn't deserve to

420
00:18:38,600 --> 00:18:40,240
Speaker 5: be there. He did what he could with the moment

421
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Speaker 5: that he had. He's learning, he's learn.

422
00:18:42,920 --> 00:18:45,199
Speaker 4: Yet, but learn how that nigga go out. You know

423
00:18:45,240 --> 00:18:47,240
Speaker 4: how they used to do like the little activations for

424
00:18:47,280 --> 00:18:49,480
Speaker 4: the NBA where they pull up with the school bus

425
00:18:49,480 --> 00:18:52,399
Speaker 4: with the hoop on it and give the back. Have

426
00:18:52,640 --> 00:18:56,160
Speaker 4: Jello performed there first. Have him do those little activations.

427
00:18:56,200 --> 00:18:59,280
Speaker 4: You don't put him in All Star Weekend, but come

428
00:18:59,320 --> 00:19:01,639
Speaker 4: on with this shit man. Have him get his you know,

429
00:19:02,160 --> 00:19:04,560
Speaker 4: make his bones at the little activations with the kids

430
00:19:04,760 --> 00:19:06,879
Speaker 4: at the schools and ship like that. Have him do

431
00:19:07,040 --> 00:19:09,480
Speaker 4: the hoop busts and all of that. Have Jello stand

432
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Speaker 4: on top of the hoop busts and perform. You don't

433
00:19:11,760 --> 00:19:14,880
Speaker 4: bring him out, Tony, Tony, Tony just got on stage

434
00:19:15,640 --> 00:19:19,240
Speaker 4: the great Rafa Deek and here comes Jello and all black.

435
00:19:19,400 --> 00:19:21,440
Speaker 4: Get the fuck out of here with this ship man.

436
00:19:22,800 --> 00:19:25,399
Speaker 5: You know, you know Rafael Sadek walked on stages, saw

437
00:19:25,480 --> 00:19:26,359
Speaker 5: Jello coming up next to you.

438
00:19:26,400 --> 00:19:29,120
Speaker 4: I'm getting way too a watch this ship he got

439
00:19:29,200 --> 00:19:33,080
Speaker 4: in Vogue Tony Tony, Tony e forty two, short sweety,

440
00:19:33,119 --> 00:19:34,320
Speaker 4: who's always great to look at.

441
00:19:34,359 --> 00:19:38,280
Speaker 5: We not mad people that have changed the world, and Jello.

442
00:19:37,880 --> 00:19:40,200
Speaker 1: Sweedy being one of the people have changed the world

443
00:19:40,280 --> 00:19:40,680
Speaker 1: as killing.

444
00:19:40,720 --> 00:19:44,240
Speaker 4: I mean, we never mad at any time Recentek photos. Yeah,

445
00:19:44,280 --> 00:19:47,000
Speaker 4: I mean, listen, man, change my world. Great All Star

446
00:19:47,080 --> 00:19:47,919
Speaker 4: we can pick right there.

447
00:19:47,920 --> 00:19:49,919
Speaker 1: I'm gonna see that's not fair because just the way

448
00:19:50,000 --> 00:19:52,159
Speaker 1: y'all like looking at Sweetie and don't really like listening.

449
00:19:54,160 --> 00:19:56,400
Speaker 5: First of all, Sweety has records, and Sweety.

450
00:19:56,080 --> 00:19:58,720
Speaker 4: Has profession had a high less effects records.

451
00:19:58,720 --> 00:20:00,520
Speaker 5: Even though I'm joking about how she looks, Sweetie is

452
00:20:00,560 --> 00:20:03,480
Speaker 5: still a great performer and artist. I'm not saying she's

453
00:20:03,560 --> 00:20:07,400
Speaker 5: Rathaela dec but nobody. She's more in a conversation, rafeaelsa deec.

454
00:20:07,440 --> 00:20:10,480
Speaker 5: There she is Jello she was. She's closer to Rafael

455
00:20:10,560 --> 00:20:13,360
Speaker 5: to Jello. Is that's the fact. I'm just we're just

456
00:20:13,400 --> 00:20:16,639
Speaker 5: laying out the fact, which is the wildest sentence. But

457
00:20:16,640 --> 00:20:18,600
Speaker 5: I'm gonna back you up on as wild. But she's

458
00:20:18,640 --> 00:20:22,080
Speaker 5: closer to Raphael the Jello Ball. Let's just be honest here,

459
00:20:22,280 --> 00:20:25,000
Speaker 5: We're just being honest here. Fuck with the Ball family.

460
00:20:25,080 --> 00:20:28,119
Speaker 5: I love with the LaVar Ball. Legend, legendary Dad. He

461
00:20:28,200 --> 00:20:31,480
Speaker 5: need a statue somewhere in California. I totally understand why

462
00:20:31,480 --> 00:20:33,720
Speaker 5: people like Frank Ocean and Jay Electronic and just disappear

463
00:20:33,760 --> 00:20:34,399
Speaker 5: and never come back.

464
00:20:34,240 --> 00:20:35,720
Speaker 4: To Yeah, I get this ship man. Oh before we

465
00:20:35,800 --> 00:20:38,280
Speaker 4: go for the baby, d you have you have.

466
00:20:38,440 --> 00:20:39,080
Speaker 1: A gift for me?

467
00:20:39,960 --> 00:20:40,879
Speaker 4: Unboxing video.

468
00:20:41,480 --> 00:20:42,080
Speaker 1: What's that?

469
00:20:42,480 --> 00:20:46,000
Speaker 4: Oh? Do you first of all come over here and

470
00:20:46,000 --> 00:20:49,400
Speaker 4: get me a hugged the way you gave Ashley. Ah yeah, yeah, yeah,

471
00:20:49,440 --> 00:20:51,280
Speaker 4: ye know, because we're not gonna do this. She was

472
00:20:51,320 --> 00:20:51,720
Speaker 4: just horny.

473
00:20:51,800 --> 00:20:55,199
Speaker 1: You're not gonna they're not gonna present them to me

474
00:20:55,640 --> 00:20:56,800
Speaker 1: like you bought them for me.

475
00:20:56,960 --> 00:20:58,760
Speaker 4: No, no, no, no, no, okay. I hit Joe and I

476
00:20:58,760 --> 00:21:00,760
Speaker 4: told him, I said, Yo, then me seven and a

477
00:21:00,800 --> 00:21:03,000
Speaker 4: half and what men's for? Baby d You did not.

478
00:21:03,520 --> 00:21:04,920
Speaker 4: First of all, I don't wear seven and a half

479
00:21:04,920 --> 00:21:06,280
Speaker 4: in men's and women's.

480
00:21:06,280 --> 00:21:09,240
Speaker 1: I mean, first of all, stop Joe hitting me and

481
00:21:09,280 --> 00:21:10,880
Speaker 1: say yo, I'm gonna send you some sneakers.

482
00:21:11,359 --> 00:21:12,280
Speaker 4: Why are you thinking hits?

483
00:21:12,320 --> 00:21:15,000
Speaker 1: You been hit me? Bro?

484
00:21:15,640 --> 00:21:17,240
Speaker 4: You want me to show you my text message with

485
00:21:17,240 --> 00:21:17,680
Speaker 4: me and Joe.

486
00:21:18,200 --> 00:21:20,640
Speaker 1: He had already hit me before he hits you. That's

487
00:21:20,640 --> 00:21:21,240
Speaker 1: what I'm telling you.

488
00:21:21,320 --> 00:21:25,719
Speaker 4: He hit me. Go get them sh go get them

489
00:21:25,720 --> 00:21:27,440
Speaker 4: ships from Joe. You goddamn self filled.

490
00:21:28,560 --> 00:21:30,360
Speaker 5: Get it back in blood.

491
00:21:30,680 --> 00:21:31,400
Speaker 4: Can I have a hug?

492
00:21:32,160 --> 00:21:35,119
Speaker 1: I can have a hug, That's what I'm talking about.

493
00:21:35,119 --> 00:21:40,120
Speaker 4: Baby. You smell like send them in girl. See listen, man,

494
00:21:40,160 --> 00:21:43,480
Speaker 4: She said, I don't do nothing for her. I always

495
00:21:43,520 --> 00:21:45,600
Speaker 4: do something for baby. They always do stuff for you, girl,

496
00:21:46,920 --> 00:21:49,960
Speaker 4: she alleged from up top. She alleged from up top.

497
00:21:50,840 --> 00:21:53,040
Speaker 4: You don't do it, but don't do it.

498
00:21:52,960 --> 00:21:54,720
Speaker 1: Because because if Kendrick would have told me I was

499
00:21:54,720 --> 00:21:57,159
Speaker 1: a legend from Syracuse, he hate to see me when

500
00:21:57,280 --> 00:21:57,880
Speaker 1: it came to work.

501
00:21:58,480 --> 00:22:02,479
Speaker 4: That's crazy. And then you can't respond because it's like

502
00:22:02,520 --> 00:22:05,400
Speaker 4: if you respond, that means you to dick suck like

503
00:22:05,880 --> 00:22:08,800
Speaker 4: I can't say nothing, Like what I'm gonna say to

504
00:22:08,840 --> 00:22:11,200
Speaker 4: that he ain't talking to me. I don't suck dick,

505
00:22:11,320 --> 00:22:13,399
Speaker 4: So whatever, That's how I would have lived doing it,

506
00:22:13,440 --> 00:22:15,679
Speaker 4: Like who were talking to? Not met? You see what

507
00:22:15,680 --> 00:22:17,440
Speaker 4: the Jews do with divide and conquer. Yeah, I like

508
00:22:17,520 --> 00:22:19,240
Speaker 4: to move. Oh, I love it. I love it.

509
00:22:20,480 --> 00:22:25,080
Speaker 5: Speaking of which, today I believe is my ten year

510
00:22:25,160 --> 00:22:28,199
Speaker 5: anniversary of this pod shit, I've been doing shit for

511
00:22:28,280 --> 00:22:33,280
Speaker 5: ten fucking years. Rory Like that kind of made my stomach.

512
00:22:33,000 --> 00:22:36,280
Speaker 4: Hurt when I realized that the other day. Yeah, ten years.

513
00:22:37,000 --> 00:22:38,239
Speaker 4: I'm about twelve years in there.

514
00:22:38,840 --> 00:22:42,360
Speaker 5: Yeah, because you when did you start huting you before?

515
00:22:42,960 --> 00:22:46,359
Speaker 4: Yeah? Stop stopped for like two years. I was parting

516
00:22:46,359 --> 00:22:49,440
Speaker 4: before everybody. Let me just be man. I was doing

517
00:22:49,440 --> 00:22:53,920
Speaker 4: this shit in twenty shit twelve.

518
00:22:54,280 --> 00:22:56,200
Speaker 1: What was the name of your original pod.

519
00:22:56,080 --> 00:23:00,320
Speaker 4: In the box office? Yeah tickets, of course. Yeah, we was.

520
00:23:00,400 --> 00:23:02,200
Speaker 4: We was recording as funny as we was recording as

521
00:23:02,200 --> 00:23:07,800
Speaker 4: serious serious section. Oh wow, I remember ships on them

522
00:23:07,840 --> 00:23:09,719
Speaker 4: on Twitter. It's still on SoundCloud the episodes. I think

523
00:23:09,720 --> 00:23:11,439
Speaker 4: it's still on SoundCloud, but no.

524
00:23:11,520 --> 00:23:14,480
Speaker 5: It's it's It's all love and peace to everybody in

525
00:23:14,520 --> 00:23:17,720
Speaker 5: the entire part community. Shout out Rosenberg Madi, Love you, guys.

526
00:23:17,800 --> 00:23:19,399
Speaker 4: Shout out to Madi even though she don't love me

527
00:23:19,440 --> 00:23:22,240
Speaker 4: no more. I don't know why. Yeah, I don't understand

528
00:23:22,240 --> 00:23:24,640
Speaker 4: why Maddy doesn't love me either. I don't know, man,

529
00:23:25,680 --> 00:23:28,440
Speaker 4: what y'all do me? You know, I don't do nothing

530
00:23:28,760 --> 00:23:29,040
Speaker 4: like y'all.

531
00:23:29,080 --> 00:23:30,440
Speaker 1: Don't why somebody don't fuck with y'all.

532
00:23:30,240 --> 00:23:32,119
Speaker 4: What y'all do? I don't, Demeus, I don't even be

533
00:23:32,160 --> 00:23:34,439
Speaker 4: around nobody, so I definitely can't do nothing to nobody,

534
00:23:34,640 --> 00:23:36,240
Speaker 4: only be around.

535
00:23:36,560 --> 00:23:38,440
Speaker 5: The only thing I did for Maddy was went out

536
00:23:38,480 --> 00:23:41,040
Speaker 5: on a limb for her and told somebody else they

537
00:23:41,080 --> 00:23:42,000
Speaker 5: was wrong when they fired her.

538
00:23:42,359 --> 00:23:45,000
Speaker 4: See there you go, there you go well. Shout out

539
00:23:45,040 --> 00:23:48,200
Speaker 4: to Joe Fresh Goods for sending Demarus feats for us

540
00:23:48,560 --> 00:23:50,480
Speaker 4: shout out to my god Joe fresh goods.

541
00:23:50,880 --> 00:23:55,000
Speaker 5: And like to Demarius's point two though like he did

542
00:23:55,000 --> 00:23:56,840
Speaker 5: also hit me for the address to the office, like

543
00:23:57,520 --> 00:23:59,920
Speaker 5: so that's kind of an assist on my end too.

544
00:24:00,119 --> 00:24:02,359
Speaker 1: All think he's out of getting me my sneakers that

545
00:24:02,440 --> 00:24:03,359
Speaker 1: he lost the bet for.

546
00:24:03,520 --> 00:24:06,040
Speaker 4: He's no, I'm not. I'm not trying to get out

547
00:24:06,080 --> 00:24:07,760
Speaker 4: of that. I'm just saying Joe sent some joints. He

548
00:24:07,880 --> 00:24:10,800
Speaker 4: was like, Yo, yeah, appreciate it. Do you go see

549
00:24:11,040 --> 00:24:15,280
Speaker 4: bow roses are red? There you go Valentine's. You know

550
00:24:15,280 --> 00:24:15,760
Speaker 4: what I'm saying.

551
00:24:15,880 --> 00:24:18,080
Speaker 1: I could have ward He's the Dumbo House when I went.

552
00:24:18,280 --> 00:24:20,639
Speaker 4: You can still will go to dumble tonight. Throw them all?

553
00:24:20,680 --> 00:24:21,000
Speaker 4: Right now?

554
00:24:21,119 --> 00:24:23,119
Speaker 5: Did he send us to your cribbage office to my

555
00:24:23,200 --> 00:24:25,520
Speaker 5: crib Okay? So I was a little nervous. This is

556
00:24:25,520 --> 00:24:30,880
Speaker 5: why I'm shady. I feel awful for even admittingless. On Thursday,

557
00:24:30,880 --> 00:24:34,200
Speaker 5: when we were here, I got a package from Joe

558
00:24:34,359 --> 00:24:36,560
Speaker 5: with the new joints, and I thought it was going

559
00:24:36,640 --> 00:24:38,560
Speaker 5: to be a box for everybody, but it was just

560
00:24:38,600 --> 00:24:40,440
Speaker 5: to me. So I quietly put them in my bag

561
00:24:40,680 --> 00:24:42,040
Speaker 5: because I didn't want to offend any.

562
00:24:41,920 --> 00:24:44,440
Speaker 1: You left Matt Early crazy I still haven't.

563
00:24:44,280 --> 00:24:47,280
Speaker 5: Even posted them because I was trying to not offend Yo,

564
00:24:48,200 --> 00:24:49,440
Speaker 5: because I know DeMar is gonna call.

565
00:24:49,359 --> 00:24:50,399
Speaker 4: Me right away, like where the is mine?

566
00:24:50,560 --> 00:24:51,879
Speaker 1: Where see?

567
00:24:51,920 --> 00:24:53,800
Speaker 4: I don't control his post office.

568
00:24:53,800 --> 00:24:57,040
Speaker 1: I don't know Joe Fresh goods Man, thank you, my gosh,

569
00:24:57,480 --> 00:24:58,840
Speaker 1: the best some of my favorite collapse.

570
00:24:58,920 --> 00:25:01,720
Speaker 4: That's basketball all right?

571
00:25:02,320 --> 00:25:04,399
Speaker 5: Music this weekend is that we getting straight too?

572
00:25:04,560 --> 00:25:05,080
Speaker 4: Let's do it?

573
00:25:05,200 --> 00:25:07,200
Speaker 1: Did y'all fuck to sexy songs for you?

574
00:25:07,240 --> 00:25:11,560
Speaker 4: No? No, so sad that I didn't. Oh, I am though.

575
00:25:12,280 --> 00:25:14,639
Speaker 4: Somebody gonna get it. Log I would do anything just

576
00:25:14,680 --> 00:25:17,920
Speaker 4: like a yeah, somebody gonna get it. That sounds like

577
00:25:17,920 --> 00:25:21,080
Speaker 4: a threat, bro, like call it what you want, Like,

578
00:25:21,320 --> 00:25:23,800
Speaker 4: call it what you want, but somebody go get it.

579
00:25:23,920 --> 00:25:26,320
Speaker 4: From track one to track twenty, somebody go get it.

580
00:25:26,760 --> 00:25:28,080
Speaker 4: I was shit at this point.

581
00:25:28,119 --> 00:25:30,000
Speaker 5: I would have fucked to Will Ferrell doing not like

582
00:25:30,080 --> 00:25:32,679
Speaker 5: us in the background anything like how long it's been

583
00:25:32,680 --> 00:25:34,520
Speaker 5: for me? I don't care what's in the background, law

584
00:25:34,520 --> 00:25:34,960
Speaker 5: and order.

585
00:25:35,080 --> 00:25:37,000
Speaker 4: I don't even hear. Yeah, I don't even hear what's

586
00:25:37,000 --> 00:25:39,360
Speaker 4: playing right now, whatever it is, fucking we fucking yeah.

587
00:25:39,400 --> 00:25:41,719
Speaker 5: No, I'm too inexperienced at this one. I'm like a

588
00:25:41,720 --> 00:25:43,719
Speaker 5: new virgin that I would never even want to put

589
00:25:43,840 --> 00:25:45,960
Speaker 5: this party in Drake album on to fuck.

590
00:25:46,040 --> 00:25:47,320
Speaker 4: I don't think I'm there yet. I had to get

591
00:25:47,320 --> 00:25:49,600
Speaker 4: like back in my rhythm. That's not that's nothing. That's

592
00:25:49,600 --> 00:25:52,120
Speaker 4: for an expert. I can't. Yeah, that's like, you gotta

593
00:25:52,160 --> 00:25:53,760
Speaker 4: ease your way back in there. You gotta fuck to

594
00:25:53,800 --> 00:25:56,160
Speaker 4: an EP first. Yeah, I get it, all right, we're

595
00:25:56,160 --> 00:25:57,480
Speaker 4: starting there. Let's do it.

596
00:25:57,560 --> 00:26:00,080
Speaker 1: Let's do it.

597
00:26:00,200 --> 00:26:03,280
Speaker 4: Okay, why'd you breathe like that? Don't say you stay me?

598
00:26:03,320 --> 00:26:05,280
Speaker 4: Whatever you do like that? You see? All right? Man,

599
00:26:05,320 --> 00:26:09,040
Speaker 4: go ahead, man, we're we're gonna have a good conversation.

600
00:26:09,720 --> 00:26:11,200
Speaker 4: We're not gonna talk about the beef.

601
00:26:11,680 --> 00:26:14,280
Speaker 5: I'm just gonna start the conversation with something that may

602
00:26:14,400 --> 00:26:20,080
Speaker 5: break the Internet. I like some sexy songs for you,

603
00:26:20,800 --> 00:26:25,840
Speaker 5: and I like gn X crazy. I know you thought

604
00:26:25,840 --> 00:26:28,879
Speaker 5: it was impossible Internet. You can like both.

605
00:26:30,600 --> 00:26:32,280
Speaker 4: I just hate that you even brought that album up.

606
00:26:32,400 --> 00:26:34,280
Speaker 4: You didn't have to do that. Yeah, like that, that's

607
00:26:34,320 --> 00:26:35,520
Speaker 4: what That's why I'm mad, Baby.

608
00:26:35,359 --> 00:26:38,399
Speaker 5: Delay, Why did actually bring it up? Because the conversation

609
00:26:38,440 --> 00:26:41,480
Speaker 5: before we get into the actual music is what bothered

610
00:26:41,480 --> 00:26:44,400
Speaker 5: me the most this weekend. While enjoying this this people

611
00:26:44,480 --> 00:26:47,560
Speaker 5: jectar was people comparing it, and I think that's super

612
00:26:47,640 --> 00:26:51,360
Speaker 5: unfair to everybody, Like they're too drastically different artists and albums,

613
00:26:51,359 --> 00:26:54,199
Speaker 5: Like why the fun would you even bring those two together?

614
00:26:54,400 --> 00:26:57,640
Speaker 1: Or the fucking losers who their first introduction to music

615
00:26:57,720 --> 00:27:00,640
Speaker 1: was the fucking internet. Is them sitting here saying, oh, now,

616
00:27:00,760 --> 00:27:04,000
Speaker 1: don't like Drake now, y'all, was just this, this and that.

617
00:27:04,280 --> 00:27:07,240
Speaker 1: I can crip walk to GNX and still like some

618
00:27:07,280 --> 00:27:09,399
Speaker 1: sexy songs for you, like music is to be. You

619
00:27:09,400 --> 00:27:10,200
Speaker 1: don't have to pick a side.

620
00:27:10,240 --> 00:27:10,440
Speaker 4: Y'all.

621
00:27:10,440 --> 00:27:12,160
Speaker 1: Don't know these people. None of them pay your bills.

622
00:27:12,520 --> 00:27:13,200
Speaker 1: You don't know them.

623
00:27:13,640 --> 00:27:14,320
Speaker 4: The only.

624
00:27:15,800 --> 00:27:18,760
Speaker 5: I don't even remember them comparing Blueprint too and Stimatic

625
00:27:18,840 --> 00:27:21,119
Speaker 5: like that, and those are more comparable.

626
00:27:21,200 --> 00:27:22,720
Speaker 4: But Rory, I told you I made it. I don't

627
00:27:22,720 --> 00:27:24,040
Speaker 4: know when I said it. I said it a few

628
00:27:24,080 --> 00:27:28,120
Speaker 4: years ago, though, I said beefing with Drake, And again,

629
00:27:28,160 --> 00:27:29,560
Speaker 4: I hate to even talking about this, but beefing with

630
00:27:29,640 --> 00:27:31,840
Speaker 4: Drake is better than getting a feature from Drake. I

631
00:27:31,880 --> 00:27:34,040
Speaker 4: told you this years ago, and this is what I

632
00:27:34,119 --> 00:27:37,359
Speaker 4: meant by that, because here now is an album some

633
00:27:37,400 --> 00:27:39,280
Speaker 4: sexy songs for you to have nothing to do with

634
00:27:39,320 --> 00:27:42,159
Speaker 4: the beef nothing to do with the battle, but people

635
00:27:42,200 --> 00:27:44,840
Speaker 4: are still going to kind of bring it into the

636
00:27:44,880 --> 00:27:48,320
Speaker 4: conversation because the battle was so epic and so big

637
00:27:48,400 --> 00:27:50,879
Speaker 4: and took over the entire twenty twenty four that no

638
00:27:51,000 --> 00:27:53,600
Speaker 4: matter what Drake does this point moving forward, it can

639
00:27:53,680 --> 00:27:57,680
Speaker 4: be an album with straight nursery rhymes for kids. It

640
00:27:57,760 --> 00:28:00,920
Speaker 4: give me a kids album with what's your favorite lady

641
00:28:00,920 --> 00:28:03,600
Speaker 4: on the YouTube Miss Rachel. It could be Miss.

642
00:28:03,560 --> 00:28:06,520
Speaker 5: Rachel, Miss Rachel and she has a version of me

643
00:28:06,720 --> 00:28:07,000
Speaker 5: like us.

644
00:28:07,000 --> 00:28:09,479
Speaker 4: It could be a Miss Rachel and Drake album, and

645
00:28:09,560 --> 00:28:11,959
Speaker 4: people are going to compare it to whatever Kendrick is done.

646
00:28:12,240 --> 00:28:15,080
Speaker 4: That's just where what happens when you have a battle

647
00:28:15,440 --> 00:28:18,760
Speaker 4: that we just witnessed last year, but some sexy songs

648
00:28:18,760 --> 00:28:19,520
Speaker 4: for you came out.

649
00:28:19,920 --> 00:28:26,240
Speaker 5: Yeah, and even something I've been a victim of as well,

650
00:28:27,000 --> 00:28:30,320
Speaker 5: is immediately reacting to an album on the internet right away.

651
00:28:30,720 --> 00:28:34,000
Speaker 5: Because off the first listen on Thursday night, when I

652
00:28:34,080 --> 00:28:37,640
Speaker 5: played it, I was like it was cool, and then

653
00:28:37,680 --> 00:28:40,680
Speaker 5: throughout the weekend it just felt like it got better.

654
00:28:42,440 --> 00:28:44,360
Speaker 5: I see why a lot of people, I think, as

655
00:28:44,360 --> 00:28:46,560
Speaker 5: they were just waiting to either hate on it or

656
00:28:46,560 --> 00:28:49,280
Speaker 5: love it. Called a classical trash It's not one of

657
00:28:49,280 --> 00:28:51,640
Speaker 5: those albums off first listen that you're gonna be like, oh,

658
00:28:51,680 --> 00:28:54,320
Speaker 5: this is this is really really good. It took me

659
00:28:55,080 --> 00:28:57,600
Speaker 5: the whole weekend of multiple multiple listens to get to

660
00:28:57,640 --> 00:29:00,120
Speaker 5: the place that I really do, really really fuck with

661
00:29:00,160 --> 00:29:02,960
Speaker 5: this project. In the beginning, I was like, all right,

662
00:29:03,080 --> 00:29:07,120
Speaker 5: it feels like Drake had to drag Party to the studio.

663
00:29:07,280 --> 00:29:08,960
Speaker 5: And I still kind of have that feeling even in

664
00:29:09,600 --> 00:29:10,400
Speaker 5: enjoying Why project.

665
00:29:11,200 --> 00:29:13,120
Speaker 4: I don't know. It's not even something I can really prove.

666
00:29:13,160 --> 00:29:15,480
Speaker 5: It's more of like a feeling on the records that

667
00:29:16,440 --> 00:29:19,960
Speaker 5: Drake was a little bit more present and excited about

668
00:29:19,960 --> 00:29:23,920
Speaker 5: this project than Party was. It almost felt like Drake

669
00:29:24,000 --> 00:29:26,160
Speaker 5: did these and was like begging Party to fill in

670
00:29:26,200 --> 00:29:29,080
Speaker 5: the blanks on certain shit. To me, it was a

671
00:29:29,160 --> 00:29:32,520
Speaker 5: high caliber Drake on the R and B side and

672
00:29:32,600 --> 00:29:34,880
Speaker 5: a little lower than I usually like Party.

673
00:29:35,480 --> 00:29:37,600
Speaker 1: Really, I don't disagree with you, and I do feel

674
00:29:37,600 --> 00:29:39,480
Speaker 1: like Party kind of like was like in the studio

675
00:29:39,720 --> 00:29:43,160
Speaker 1: just like yo, yeah, participations in Trophy. I don't think

676
00:29:43,200 --> 00:29:46,320
Speaker 1: Party really, which I personally that's one of my favorite

677
00:29:46,360 --> 00:29:48,400
Speaker 1: parts about the album. No shade to Party. I like Party,

678
00:29:48,480 --> 00:29:54,120
Speaker 1: love music, but I would prefer more Drake than Party

679
00:29:54,120 --> 00:29:55,600
Speaker 1: on this album, and that's I think that's why I

680
00:29:55,680 --> 00:29:56,400
Speaker 1: like it so much.

681
00:29:56,720 --> 00:29:59,719
Speaker 4: On my way, like Party smoked that and carried it.

682
00:30:00,240 --> 00:30:02,800
Speaker 5: Energy on that record feels way more present than the

683
00:30:02,800 --> 00:30:05,720
Speaker 5: rest of the project. Like even with a written testimony

684
00:30:05,720 --> 00:30:07,840
Speaker 5: where Hove kind of just filled in the blanks on

685
00:30:07,880 --> 00:30:08,360
Speaker 5: certain shit.

686
00:30:09,200 --> 00:30:10,080
Speaker 4: That's kind of how.

687
00:30:09,960 --> 00:30:12,840
Speaker 5: I felt they treated Party on this like a right,

688
00:30:12,880 --> 00:30:14,520
Speaker 5: just filling a part here so we can make it

689
00:30:14,560 --> 00:30:17,680
Speaker 5: a collab. I still loved what he did, but to me,

690
00:30:17,800 --> 00:30:20,920
Speaker 5: this is more of a Drake project, like he feels

691
00:30:20,960 --> 00:30:24,640
Speaker 5: like the lead on everything, and I don't know, again,

692
00:30:24,680 --> 00:30:25,480
Speaker 5: it's just the theory.

693
00:30:25,560 --> 00:30:26,560
Speaker 4: I really feel like Drake was.

694
00:30:26,520 --> 00:30:28,440
Speaker 5: Blowing Party's phone up with and I think, can you

695
00:30:28,560 --> 00:30:29,400
Speaker 5: finish the shit for me?

696
00:30:29,440 --> 00:30:32,479
Speaker 1: Man like but also Rory when I think about it.

697
00:30:32,520 --> 00:30:34,640
Speaker 1: What I'm gonna go what I'm going to go with

698
00:30:34,880 --> 00:30:37,880
Speaker 1: is that the reason why the collaboration album is that

699
00:30:37,920 --> 00:30:40,760
Speaker 1: Party wrote a lot of it. I think that might

700
00:30:40,920 --> 00:30:43,240
Speaker 1: have been you might not hear a lot of him,

701
00:30:43,320 --> 00:30:45,640
Speaker 1: but I think Party wrote a lot of it. If

702
00:30:45,640 --> 00:30:46,200
Speaker 1: that makes.

703
00:30:46,040 --> 00:30:48,000
Speaker 4: Sense, I'm sure.

704
00:30:48,120 --> 00:30:52,080
Speaker 5: But again, to me, these didn't feel like Party had

705
00:30:52,080 --> 00:30:54,840
Speaker 5: a bunch of records on a hard Drive and then Drake. No,

706
00:30:54,880 --> 00:30:58,240
Speaker 5: definitely the opposite. To me, felt like Drake had these

707
00:30:58,240 --> 00:31:00,560
Speaker 5: songs and then Party got on them. Because in the past,

708
00:31:00,640 --> 00:31:04,240
Speaker 5: like we know with Legend that that was a party

709
00:31:04,280 --> 00:31:07,520
Speaker 5: song and then Drake came in and smoked it. Every

710
00:31:07,520 --> 00:31:10,480
Speaker 5: time they do collab on his projects, they always feel like,

711
00:31:10,560 --> 00:31:12,800
Speaker 5: all right, this was a party record and then Drake

712
00:31:12,840 --> 00:31:16,360
Speaker 5: came in. To me, this feels like Party came in

713
00:31:16,400 --> 00:31:19,040
Speaker 5: and Drake already had all these joints. He has the

714
00:31:19,080 --> 00:31:23,320
Speaker 5: perspective he leads every concept. Like to me, it's it's

715
00:31:23,320 --> 00:31:24,240
Speaker 5: a Drake project.

716
00:31:25,200 --> 00:31:27,880
Speaker 4: Uh, I mean, I don't out. I didn't go into

717
00:31:27,920 --> 00:31:31,120
Speaker 4: it trying to listen for that some sexy songs for you.

718
00:31:31,440 --> 00:31:35,600
Speaker 4: To me, it's uh, wasn't sexy songs for us men.

719
00:31:35,840 --> 00:31:38,000
Speaker 4: I don't think that Party and Drake put together this

720
00:31:38,040 --> 00:31:39,040
Speaker 4: album with men in mind.

721
00:31:40,400 --> 00:31:44,880
Speaker 5: I did love Parties post and delete on his ig

722
00:31:45,080 --> 00:31:48,400
Speaker 5: story with posts he said, this isn't supposed to be analyzed.

723
00:31:48,400 --> 00:31:49,320
Speaker 4: It's supposed to fuck to this.

724
00:31:49,480 --> 00:31:52,160
Speaker 5: Yeah, like no, go get some, but that's what this

725
00:31:52,280 --> 00:31:53,160
Speaker 5: That's what this played like.

726
00:31:53,200 --> 00:31:57,120
Speaker 4: To me, it played like more life. It's like a playlist. Okay,

727
00:31:57,160 --> 00:31:59,000
Speaker 4: I mean it's like to me, it sounded like a

728
00:31:59,000 --> 00:32:03,240
Speaker 4: playlist that they put together for women. Came out Valentine's Day,

729
00:32:04,640 --> 00:32:06,920
Speaker 4: So to me, it played like a playlist. It was

730
00:32:06,960 --> 00:32:09,720
Speaker 4: like some songs that they put together, you know, some

731
00:32:09,760 --> 00:32:11,680
Speaker 4: one of the songs that Pemmy's the Lemmen, which I love,

732
00:32:11,720 --> 00:32:14,560
Speaker 4: they're not even on it, Thank god, leave that. I

733
00:32:14,600 --> 00:32:16,920
Speaker 4: wanted her. I wanted her to get another another minute

734
00:32:16,960 --> 00:32:19,120
Speaker 4: thirty on this, but you know, I take the interlude.

735
00:32:19,120 --> 00:32:21,400
Speaker 4: It's all good. But it played like a playlist.

736
00:32:21,520 --> 00:32:24,080
Speaker 1: Why do y'all feel like these are for women? These

737
00:32:24,120 --> 00:32:26,360
Speaker 1: songs are not for women. Are gonna enjoy them, but

738
00:32:26,400 --> 00:32:28,400
Speaker 1: these songs are not for women. Look at what the

739
00:32:28,520 --> 00:32:29,680
Speaker 1: what is being said in.

740
00:32:29,680 --> 00:32:32,160
Speaker 4: The songs, but who is just being said too?

741
00:32:32,320 --> 00:32:34,640
Speaker 1: It's not because but we don't listen to music for

742
00:32:34,680 --> 00:32:36,600
Speaker 1: people to talk to us. You listen to music to

743
00:32:36,680 --> 00:32:39,040
Speaker 1: identify with it. So granted, women are gonna enjoy this,

744
00:32:39,120 --> 00:32:41,160
Speaker 1: but they weren't right and it's like, oh, the holes

745
00:32:41,200 --> 00:32:43,600
Speaker 1: gonna love this, they write, and it's like, oh, the

746
00:32:43,680 --> 00:32:46,360
Speaker 1: niggas that love holes gonna love this, that's what that's

747
00:32:46,400 --> 00:32:47,160
Speaker 1: who this album is.

748
00:32:47,240 --> 00:32:49,320
Speaker 4: Oh, no, for sure, but it's not used. Yeah, but

749
00:32:49,400 --> 00:32:52,239
Speaker 4: I don't think that they wrote it waiting for like

750
00:32:52,560 --> 00:32:55,000
Speaker 4: men to sit down and break it down, like the

751
00:32:55,160 --> 00:32:58,000
Speaker 4: songs and rating. I don't think that they cared about that.

752
00:32:58,080 --> 00:33:01,360
Speaker 4: Well I did. I know, I know you did, But

753
00:33:01,400 --> 00:33:03,200
Speaker 4: I'm just saying I don't think that when they created this,

754
00:33:03,240 --> 00:33:05,400
Speaker 4: that they even cared about that part of it. Like,

755
00:33:05,600 --> 00:33:07,600
Speaker 4: I think they wanted to put together some dope songs.

756
00:33:08,040 --> 00:33:10,640
Speaker 4: Didn't care about, you know, sequencing any of that. It

757
00:33:10,680 --> 00:33:12,840
Speaker 4: was just like, Yo, this is a playlist. Put out

758
00:33:12,840 --> 00:33:16,440
Speaker 4: this playlist, some sexy songs for you and just let it,

759
00:33:16,520 --> 00:33:18,760
Speaker 4: let it run. I'm you.

760
00:33:18,760 --> 00:33:24,440
Speaker 5: You're the using for you, You're the youit for you? Yes, Phail,

761
00:33:24,480 --> 00:33:26,760
Speaker 5: he said, three drinks and I'm already playing therapist.

762
00:33:27,240 --> 00:33:29,680
Speaker 4: Yeah. Oh, I felt so sick. Don't get it twisted.

763
00:33:29,720 --> 00:33:32,560
Speaker 4: The bars listen, the bars is gonna always be there

764
00:33:32,560 --> 00:33:34,320
Speaker 4: when you have party and drake in the studio. We

765
00:33:34,400 --> 00:33:36,720
Speaker 4: know that they did some of the best at having

766
00:33:36,760 --> 00:33:39,680
Speaker 4: those bars and those lines that I think everybody can

767
00:33:39,720 --> 00:33:40,840
Speaker 4: relate to on some level.

768
00:33:40,880 --> 00:33:42,720
Speaker 1: How you gonna stay with this nigga? How are you

769
00:33:42,720 --> 00:33:45,560
Speaker 1: gonna stay with that nigga? In this economy? In this economy,

770
00:33:45,560 --> 00:33:47,240
Speaker 1: you're gonna stay with that broke ass nigga.

771
00:33:47,320 --> 00:33:49,560
Speaker 4: Yo, I'm not gonna lie when when the song when

772
00:33:49,560 --> 00:33:52,040
Speaker 4: the album came out, I was on my way back

773
00:33:52,080 --> 00:33:55,440
Speaker 4: to the house and I was listening and in the

774
00:33:55,440 --> 00:33:58,680
Speaker 4: first bars, the city is pretty when it's dead, just

775
00:33:58,680 --> 00:34:00,240
Speaker 4: like a fly. Said no, no, no, no, I can't listen

776
00:34:00,280 --> 00:34:02,400
Speaker 4: to this outside. I said, we gotta. I said, yo,

777
00:34:02,480 --> 00:34:04,400
Speaker 4: let me turn this off because I already knew when

778
00:34:04,440 --> 00:34:06,920
Speaker 4: we was going. After that, the city is the city

779
00:34:06,960 --> 00:34:10,080
Speaker 4: is pretty when it's dead, just like a flower. I said, Nah, man,

780
00:34:10,080 --> 00:34:11,640
Speaker 4: I said, I can't be out. You can't be with

781
00:34:11,680 --> 00:34:14,520
Speaker 4: the homies listening to that. I said, yeah, drop me off, man,

782
00:34:14,560 --> 00:34:16,960
Speaker 4: I gotta. I can't listen to this around three dudes,

783
00:34:17,000 --> 00:34:18,799
Speaker 4: like you just can't play that around three other men.

784
00:34:19,239 --> 00:34:21,560
Speaker 1: You said, what color is the scene? Tower is blue tonight,

785
00:34:21,760 --> 00:34:23,240
Speaker 1: just like how I feel about you tonight.

786
00:34:23,560 --> 00:34:25,960
Speaker 4: He getting his ship off, great man, Gone man, his

787
00:34:26,040 --> 00:34:27,840
Speaker 4: ship off, gone man.

788
00:34:28,120 --> 00:34:30,960
Speaker 5: And this is why I feel for the Internet of

789
00:34:31,040 --> 00:34:34,600
Speaker 5: going into this expecting some ship attached to the past.

790
00:34:34,719 --> 00:34:39,080
Speaker 5: Like just enjoy and joy joy the music. Everyone doesn't

791
00:34:39,120 --> 00:34:41,279
Speaker 5: have to take themselves so seriously as well. Even though

792
00:34:41,280 --> 00:34:43,279
Speaker 5: I think that parjury record is probably up there with

793
00:34:43,360 --> 00:34:45,960
Speaker 5: Ratchet happy birthday of one of Drake's worst records. I'm

794
00:34:46,000 --> 00:34:49,000
Speaker 5: happy he's.

795
00:34:48,360 --> 00:34:50,319
Speaker 1: I hated it the first two times out there.

796
00:34:50,360 --> 00:34:53,200
Speaker 4: I'm from town. I know what that. Grew up listening

797
00:34:53,200 --> 00:34:56,480
Speaker 4: to that, what that is, but that was an immediate skip.

798
00:34:56,480 --> 00:34:58,560
Speaker 4: I was like, all right, man, see Nas, you can't

799
00:34:58,600 --> 00:35:01,680
Speaker 4: let that throw you off. Rory. Now you have that, Yeah,

800
00:35:01,719 --> 00:35:03,480
Speaker 4: you can't let it. Don't be scared to get it

801
00:35:03,480 --> 00:35:06,200
Speaker 4: to your two step. Damn so you scared to get

802
00:35:06,200 --> 00:35:06,959
Speaker 4: it to your two step.

803
00:35:07,160 --> 00:35:10,200
Speaker 5: The problem that nigga said, I be on Steinway WITHAA.

804
00:35:11,760 --> 00:35:13,560
Speaker 1: Take you to son Tho this weekend dance, but shot,

805
00:35:13,680 --> 00:35:17,080
Speaker 1: I take you to Kiki or the Booby Trappa making

806
00:35:17,239 --> 00:35:19,080
Speaker 1: booby Trap fake Spanish.

807
00:35:19,280 --> 00:35:19,960
Speaker 4: I love it.

808
00:35:20,040 --> 00:35:21,160
Speaker 1: Ship killed me.

809
00:35:21,239 --> 00:35:23,440
Speaker 5: That's like how my dad orders at a Mexican restaurant,

810
00:35:23,960 --> 00:35:28,799
Speaker 5: a white to a white waitress, smiling when he says

811
00:35:28,840 --> 00:35:37,800
Speaker 5: glossians grass, Yeah, before we get to giving them flowers.

812
00:35:37,800 --> 00:35:40,839
Speaker 5: On this ship, I do have to clown all Canadian men.

813
00:35:41,400 --> 00:35:43,560
Speaker 5: I don't think I'm the first to say men from

814
00:35:43,600 --> 00:35:44,960
Speaker 5: Toronto are a little sensitive.

815
00:35:45,400 --> 00:35:45,759
Speaker 4: He said.

816
00:35:45,800 --> 00:35:47,919
Speaker 5: After three drinks and I'm already playing therapist. He said,

817
00:35:47,920 --> 00:35:50,040
Speaker 5: why are you acting thirsty for anyone that's American.

818
00:35:51,800 --> 00:35:55,040
Speaker 4: You ain't feel them, No, yo, I felt them on that.

819
00:35:55,800 --> 00:35:58,120
Speaker 4: Niggas from Harling feel that way about niggas from Brooklyn's.

820
00:35:58,120 --> 00:35:59,960
Speaker 4: It's the same ship. Oh no, that's a reason why

821
00:36:00,080 --> 00:36:04,080
Speaker 4: I love Toronto. Yeah, you know exactly what you if

822
00:36:04,120 --> 00:36:07,120
Speaker 4: you have no matter where you're from. London, men in

823
00:36:07,160 --> 00:36:09,719
Speaker 4: New York, they're gonna get way more attention.

824
00:36:09,400 --> 00:36:10,840
Speaker 1: Than they clean up, cleanup.

825
00:36:10,920 --> 00:36:13,120
Speaker 5: But to me, it's just because he talked like he

826
00:36:13,200 --> 00:36:15,359
Speaker 5: got crumpets and tea in his bag.

827
00:36:15,360 --> 00:36:18,759
Speaker 4: He ain't ship that niggas a killer like he ain't ship.

828
00:36:18,960 --> 00:36:21,279
Speaker 5: But to me that does make some sense, Like it's

829
00:36:21,320 --> 00:36:23,640
Speaker 5: a whole different world. I get why girls will be

830
00:36:23,640 --> 00:36:27,840
Speaker 5: attracted to something new like that Toronto is thirty minutes away.

831
00:36:28,600 --> 00:36:30,560
Speaker 4: Yeah, it's not that big as a difference. It's a

832
00:36:30,600 --> 00:36:33,000
Speaker 4: forty minute flight. That Toronto is just a clean New York. Yeah,

833
00:36:33,000 --> 00:36:34,320
Speaker 4: that's all it is. That's a fact.

834
00:36:34,400 --> 00:36:36,319
Speaker 5: So it was London, so all right, so we have

835
00:36:36,360 --> 00:36:38,520
Speaker 5: to call Toronto women hussies, then you're getting you.

836
00:36:38,560 --> 00:36:41,359
Speaker 4: Thirsty over a border. That's just like that's the same

837
00:36:41,400 --> 00:36:45,080
Speaker 4: people called kiatis. Those are katis. Those are not hushies.

838
00:36:45,160 --> 00:36:48,080
Speaker 4: Huskies uptown if you go north through the border.

839
00:36:48,239 --> 00:36:51,839
Speaker 5: Katy, I think all women from Toronto are beautiful and

840
00:36:51,960 --> 00:36:52,520
Speaker 5: not promiscuit.

841
00:36:53,520 --> 00:36:55,880
Speaker 4: It's some permisse. No, no, no, it's somexcuse women to Toronto.

842
00:36:55,840 --> 00:36:57,640
Speaker 4: We ain't gonna do that. Some of my favorites. Yeah,

843
00:36:57,719 --> 00:36:59,880
Speaker 4: there's some's some beautiful, beautiful Katty.

844
00:37:00,440 --> 00:37:01,960
Speaker 1: Oh, I forgot he was on camera.

845
00:37:02,239 --> 00:37:04,680
Speaker 4: What what you're about to say? Go ahead and look

846
00:37:04,680 --> 00:37:06,719
Speaker 4: her cat baby did it's all good? What the fuck

847
00:37:07,200 --> 00:37:09,319
Speaker 4: I thought that's what you just said? Oh my bad,

848
00:37:09,360 --> 00:37:10,200
Speaker 4: I'm sorry. I'm sorry.

849
00:37:10,239 --> 00:37:11,680
Speaker 1: I was about to ask very what happens to that

850
00:37:11,719 --> 00:37:14,879
Speaker 1: one thing? But we gonn We'll talk about Elana, We'll

851
00:37:14,880 --> 00:37:15,680
Speaker 1: talk about it. Lanta.

852
00:37:15,840 --> 00:37:20,960
Speaker 4: That things of the past, things in the past. Somebody

853
00:37:21,040 --> 00:37:23,120
Speaker 4: your white face saying that to me is just doesn't sit.

854
00:37:23,320 --> 00:37:28,160
Speaker 4: I got the things of the past sometime. Are you

855
00:37:28,239 --> 00:37:30,239
Speaker 4: good from time? Nah?

856
00:37:30,320 --> 00:37:30,680
Speaker 1: You know what?

857
00:37:31,800 --> 00:37:33,879
Speaker 5: I might need to center center a little text mess

858
00:37:33,880 --> 00:37:35,719
Speaker 5: just saying time passes, whether we're looking at the clock

859
00:37:35,800 --> 00:37:36,000
Speaker 5: or not.

860
00:37:37,040 --> 00:37:41,200
Speaker 4: Was he talking? Was that Niven talking on that gass

861
00:37:41,200 --> 00:37:43,920
Speaker 4: is whether I'm comping you that watch us? Is he

862
00:37:44,080 --> 00:37:47,560
Speaker 4: lying on that's real talk? That's see, that's the shit.

863
00:37:47,600 --> 00:37:49,240
Speaker 4: I we wanted to say, I just I'm not a rapper,

864
00:37:49,280 --> 00:37:50,960
Speaker 4: I'm not a writer. I can't say shit like that.

865
00:37:51,080 --> 00:37:52,759
Speaker 4: But shit, I understand what he mean by that.

866
00:37:52,880 --> 00:37:55,560
Speaker 5: My god, you know what I've been on here saying

867
00:37:56,080 --> 00:37:58,040
Speaker 5: for years I want the more mature Drake album for

868
00:37:58,320 --> 00:38:01,560
Speaker 5: whatever that. I feel bad he going through it. Man,

869
00:38:02,239 --> 00:38:05,319
Speaker 5: stay this sad, bro. I'm fine with you getting your

870
00:38:05,360 --> 00:38:08,120
Speaker 5: heart broken if you write like that.

871
00:38:08,160 --> 00:38:10,239
Speaker 1: I wanted to ask you, do you like this better

872
00:38:10,520 --> 00:38:11,719
Speaker 1: than for All the Dogs? Yeah?

873
00:38:11,840 --> 00:38:13,800
Speaker 4: I figured you, but definitely.

874
00:38:14,880 --> 00:38:15,279
Speaker 1: You like this.

875
00:38:15,360 --> 00:38:18,120
Speaker 4: I'm better than Fall of Dogs. I don't think it's

876
00:38:18,120 --> 00:38:22,399
Speaker 4: fair to compare. It's two different types of m album.

877
00:38:22,440 --> 00:38:23,200
Speaker 1: It's very similar.

878
00:38:23,480 --> 00:38:26,880
Speaker 4: Nah hell nah, he rapping like he's really rapping on

879
00:38:26,960 --> 00:38:30,279
Speaker 4: Fall of Dogs, like rapping, he's not. He's rapping on this,

880
00:38:30,360 --> 00:38:32,719
Speaker 4: but not like he was on Fall of Dogs. No way,

881
00:38:33,719 --> 00:38:35,399
Speaker 4: This is a whole different vibe. This is a whole

882
00:38:35,440 --> 00:38:38,160
Speaker 4: different energy right here. I can't That's what I'm saying.

883
00:38:38,239 --> 00:38:41,479
Speaker 4: I can't compare that to other to Fall of Dogs,

884
00:38:41,480 --> 00:38:43,080
Speaker 4: even though it might be some RMB joints on all

885
00:38:43,080 --> 00:38:45,400
Speaker 4: of some of my favorite ARMB joints on Fall of Dogs,

886
00:38:45,440 --> 00:38:47,760
Speaker 4: but top to bottom, it is a whole different vibe.

887
00:38:48,400 --> 00:38:50,520
Speaker 4: Some sexy songs for you is exactly what it is,

888
00:38:50,560 --> 00:38:53,759
Speaker 4: some sexy songs. I mean, I don't it wasn't thinking

889
00:38:53,760 --> 00:38:55,799
Speaker 4: about me, but for you, whatever you may be.

890
00:38:56,000 --> 00:38:57,759
Speaker 5: And this is where I have to to backtrack on

891
00:38:57,840 --> 00:39:01,920
Speaker 5: my my thoughts of like I can't get into this

892
00:39:02,000 --> 00:39:04,440
Speaker 5: type of Drake anymore because I'm just not at that

893
00:39:04,480 --> 00:39:06,239
Speaker 5: point in my life anymore. That's what I was saying

894
00:39:06,239 --> 00:39:08,120
Speaker 5: for all the dogs, like I don't need his four

895
00:39:08,200 --> 00:39:09,960
Speaker 5: forty four. But I was still like a little, a

896
00:39:09,960 --> 00:39:12,719
Speaker 5: little mature after he got off Lucky for you. I

897
00:39:12,760 --> 00:39:14,520
Speaker 5: don't just love you for you, I love you for

898
00:39:14,560 --> 00:39:15,720
Speaker 5: who you tell me you're gonna.

899
00:39:15,560 --> 00:39:16,040
Speaker 4: Be one day.

900
00:39:16,640 --> 00:39:18,760
Speaker 5: Never Mind, I'm just as immature as Drake because I felt,

901
00:39:18,800 --> 00:39:21,279
Speaker 5: I felt seen we're in the same boat.

902
00:39:21,280 --> 00:39:23,520
Speaker 4: I'm sorry, Drake, I ain't gonna lie to we're not

903
00:39:23,560 --> 00:39:27,000
Speaker 4: giving Party enough credit for that Deeper record though Deeper,

904
00:39:27,040 --> 00:39:30,000
Speaker 4: oh my god, not Deep. But Party did on Deeper.

905
00:39:30,040 --> 00:39:32,839
Speaker 4: I'm like, all right, this might have been just worth him,

906
00:39:32,880 --> 00:39:35,160
Speaker 4: just like if he only did that on the album,

907
00:39:35,200 --> 00:39:37,080
Speaker 4: I'm like, this is a party in Drake out. That's

908
00:39:37,080 --> 00:39:38,680
Speaker 4: how much. That's how much I fuck with.

909
00:39:38,640 --> 00:39:43,279
Speaker 5: That deeper record, nah, one part deeper and lasers incredible.

910
00:39:43,520 --> 00:39:45,480
Speaker 4: And the way he talking on when when she's gone,

911
00:39:45,480 --> 00:39:47,960
Speaker 4: when he's gone, Oh man, please joe y'all.

912
00:39:48,040 --> 00:39:50,680
Speaker 1: Drake was talking stop because no because my phone. Tap

913
00:39:50,760 --> 00:39:52,880
Speaker 1: y'all got my phone. Tab y'all got my phone. He

914
00:39:53,000 --> 00:39:54,879
Speaker 1: was to see and when you and when he's gone,

915
00:39:54,920 --> 00:39:55,479
Speaker 1: you got my phone.

916
00:39:55,560 --> 00:39:57,279
Speaker 4: Nah, he was in my he was in my jam

917
00:39:57,320 --> 00:39:59,200
Speaker 4: sport with when he's gone, I'm like this nigga that

918
00:39:59,320 --> 00:40:01,920
Speaker 4: found my notebook man that ship he was talking like,

919
00:40:01,920 --> 00:40:03,760
Speaker 4: come with this nigga, I'll get out of my notebook. Man,

920
00:40:04,040 --> 00:40:07,319
Speaker 4: that's me party found your BlackBerry with the sides like, yo,

921
00:40:07,760 --> 00:40:10,120
Speaker 4: that's the host is my balls. I didn't said all

922
00:40:10,120 --> 00:40:10,600
Speaker 4: that before.

923
00:40:10,719 --> 00:40:12,400
Speaker 5: Have you ever stared at a tattoo? Or he was

924
00:40:12,400 --> 00:40:15,160
Speaker 5: sucking it from the back? Absolutely damn.

925
00:40:16,440 --> 00:40:18,560
Speaker 4: Doesn't say my name. But here's where we're at, Like

926
00:40:19,560 --> 00:40:21,920
Speaker 4: I ain't tripping. I know that ain't ain't me, but

927
00:40:21,960 --> 00:40:24,120
Speaker 4: it's all good looking. We're here together. I don't know

928
00:40:24,160 --> 00:40:25,000
Speaker 4: where this niggas at.

929
00:40:25,640 --> 00:40:27,200
Speaker 1: I don't know where this year.

930
00:40:27,239 --> 00:40:28,960
Speaker 4: I don't know where this nigga with your son is at.

931
00:40:29,040 --> 00:40:29,719
Speaker 4: I don't even care.

932
00:40:30,320 --> 00:40:33,160
Speaker 5: I've never been in the predicament where I saw another

933
00:40:33,200 --> 00:40:37,480
Speaker 5: guy's name. Did I ever tell that this Ovio story before?

934
00:40:38,560 --> 00:40:40,200
Speaker 4: Nobody? You're gonna tell it next was a.

935
00:40:40,200 --> 00:40:42,759
Speaker 5: Long, long, long time ago.

936
00:40:42,920 --> 00:40:45,040
Speaker 4: No, seriously, was this was? I swear to guy's over

937
00:40:45,080 --> 00:40:46,600
Speaker 4: ten year Obama was president.

938
00:40:47,480 --> 00:40:53,880
Speaker 5: Yeah, I met a girl. I was, I was double dating.

939
00:40:53,280 --> 00:40:55,560
Speaker 5: I was the friend like I was the plus one.

940
00:40:56,200 --> 00:40:58,880
Speaker 5: Shorty had her friend and you come with me. Of

941
00:40:58,880 --> 00:41:00,840
Speaker 5: course we hit it off because I'm at that point

942
00:41:00,920 --> 00:41:06,719
Speaker 5: witty and charming. I look young, I go to fuck beautiful.

943
00:41:07,520 --> 00:41:11,840
Speaker 5: She started getting naked. She had an ovo owl.

944
00:41:12,760 --> 00:41:13,520
Speaker 4: I'm not joking.

945
00:41:15,800 --> 00:41:22,040
Speaker 5: From here to here, the full calf was an ovo owl.

946
00:41:22,920 --> 00:41:25,440
Speaker 5: Still hit it from the back though, Yeah, why wouldn't you?

947
00:41:25,560 --> 00:41:27,759
Speaker 5: I think I played party while I was doing was washing.

948
00:41:28,719 --> 00:41:31,600
Speaker 1: N If your tattoo is that big, you gotta have

949
00:41:31,680 --> 00:41:34,319
Speaker 1: only fuck Drake, Like you can't, Like, you can't fuck

950
00:41:34,440 --> 00:41:37,400
Speaker 1: Magit and have that big ass Ovo fucking tattoo on you.

951
00:41:37,480 --> 00:41:39,680
Speaker 4: No, we're not doing that. Got a classic guy he do,

952
00:41:39,920 --> 00:41:41,160
Speaker 4: But like, come on.

953
00:41:41,120 --> 00:41:42,799
Speaker 1: Bro, Like, if it's gonna be that big, you gotta

954
00:41:42,840 --> 00:41:46,320
Speaker 1: have fuck Drake or you better have looking chubs and

955
00:41:46,440 --> 00:41:47,480
Speaker 1: having an ovo owl.

956
00:41:47,719 --> 00:41:51,560
Speaker 4: The whole cast I can see it. Bro. Here's my thing.

957
00:41:51,640 --> 00:41:53,960
Speaker 5: This is why you just have to admit you were

958
00:41:54,000 --> 00:41:56,840
Speaker 5: making very poor choices when you were younger. If she

959
00:41:56,880 --> 00:41:59,279
Speaker 5: would have been like with the Ovio click or was

960
00:41:59,280 --> 00:42:02,240
Speaker 5: fucking with one of them him, that would actually be okay.

961
00:42:02,480 --> 00:42:05,440
Speaker 4: She didn't even know them. How you know that?

962
00:42:05,800 --> 00:42:09,080
Speaker 5: After, I mean after we was done, I had some questions.

963
00:42:09,440 --> 00:42:12,120
Speaker 5: I was gonna ask him before at that point, I mean,

964
00:42:12,440 --> 00:42:14,239
Speaker 5: she had jeans on. I didn't see the tattoo until

965
00:42:14,239 --> 00:42:16,239
Speaker 5: it was time to get busy, and it was at

966
00:42:16,239 --> 00:42:16,520
Speaker 5: that point.

967
00:42:16,520 --> 00:42:17,080
Speaker 4: It was too late.

968
00:42:17,600 --> 00:42:18,799
Speaker 1: No, it was, it was not too late.

969
00:42:18,880 --> 00:42:20,319
Speaker 4: I think she lined. I think she. I think she

970
00:42:20,360 --> 00:42:24,080
Speaker 4: definitely did let the homies. It's fine, I don't care.

971
00:42:24,160 --> 00:42:26,879
Speaker 4: I mean, having the tattoo that big on your that's

972
00:42:26,920 --> 00:42:29,160
Speaker 4: not just fan ship. That's like, I mean, y'all ain't

973
00:42:29,200 --> 00:42:29,640
Speaker 4: fu editing.

974
00:42:29,680 --> 00:42:33,480
Speaker 1: And he got that orange and money bag tatting on them.

975
00:42:33,600 --> 00:42:36,799
Speaker 4: Yeah, but that was like he fucked us. But at

976
00:42:36,840 --> 00:42:42,160
Speaker 4: least like ed was Christmas family. She was just here.

977
00:42:42,239 --> 00:42:44,200
Speaker 4: Edon was literally here today. He made them his family,

978
00:42:44,200 --> 00:42:47,520
Speaker 4: like edit his family. Man Chap those speakers though, is different.

979
00:42:48,320 --> 00:42:51,480
Speaker 5: But yes, unfortunately I have been in a similar predicament

980
00:42:51,520 --> 00:42:54,279
Speaker 5: that party was talking about with his crew, so I

981
00:42:54,520 --> 00:42:56,680
Speaker 5: felt I felt lasers listen man.

982
00:42:56,719 --> 00:42:58,920
Speaker 4: The bottom line is I think that this album uh

983
00:42:59,320 --> 00:43:01,600
Speaker 4: was really a playlist that they that they gave us

984
00:43:01,600 --> 00:43:03,160
Speaker 4: for It was the perfect weekend. I know they were

985
00:43:03,200 --> 00:43:05,000
Speaker 4: trying to put this out before Valentine's Day, but I

986
00:43:05,000 --> 00:43:08,839
Speaker 4: think it it lanted perfectly being you know the type

987
00:43:08,840 --> 00:43:10,960
Speaker 4: of music it is, the vibe, the energy. I think

988
00:43:11,000 --> 00:43:12,759
Speaker 4: this was needed. I think we all needed this type

989
00:43:12,800 --> 00:43:16,600
Speaker 4: of switching energy and just some good music. So some

990
00:43:16,680 --> 00:43:19,320
Speaker 4: sexy songs for you one of my favorites of the

991
00:43:19,400 --> 00:43:22,680
Speaker 4: year so far, the past let's say eight months so far.

992
00:43:23,360 --> 00:43:24,800
Speaker 1: I wasn't spending the block.

993
00:43:26,920 --> 00:43:28,640
Speaker 4: Some sexy songs for you? May you spend the block

994
00:43:29,080 --> 00:43:32,560
Speaker 4: some sexy songs? What songs you spent? Ice? Spider Man?

995
00:43:32,600 --> 00:43:36,960
Speaker 4: Did you said the text after you heard Spider Man Superman?

996
00:43:37,280 --> 00:43:41,160
Speaker 1: Nah? Yeah, ain't listen on Greedy, y'all ain't listening on Greedy.

997
00:43:41,239 --> 00:43:43,279
Speaker 4: I ain't listen on Baby Day. I can tell you

998
00:43:43,320 --> 00:43:44,680
Speaker 4: them niggas got my book bag.

999
00:43:44,719 --> 00:43:44,839
Speaker 1: Man.

1000
00:43:44,840 --> 00:43:47,720
Speaker 4: I'm telling you I saved my traffic keeper. Them niggas

1001
00:43:47,719 --> 00:43:51,399
Speaker 4: got not the traffic keyer. Niggas got my traffic Keeper.

1002
00:43:52,040 --> 00:43:54,280
Speaker 5: I would love to read Vulnerable more lyrics.

1003
00:43:54,760 --> 00:43:57,440
Speaker 4: Oh man, listen to some sexy songs for you. I'm

1004
00:43:57,440 --> 00:44:00,520
Speaker 4: trying to tell you, Spider Man, Superman, I'm not gonne. This

1005
00:44:00,640 --> 00:44:03,600
Speaker 4: was the one time, the first time since the beef,

1006
00:44:04,080 --> 00:44:06,960
Speaker 4: that I felt like, damn, I wish Drake in Future

1007
00:44:07,040 --> 00:44:10,560
Speaker 4: was still cool. Okay, this is the one song I'm like,

1008
00:44:11,280 --> 00:44:15,160
Speaker 4: I could definitely hear Future on this record. One million Yeah,

1009
00:44:15,280 --> 00:44:18,200
Speaker 4: I'm with you as much. Huge talk about as much

1010
00:44:18,200 --> 00:44:20,200
Speaker 4: as as much as Future talk about tricking and he

1011
00:44:20,239 --> 00:44:23,240
Speaker 4: don't give up. This would have been the perfect perfect

1012
00:44:23,280 --> 00:44:25,359
Speaker 4: song the Future to be on a party in Drake

1013
00:44:26,000 --> 00:44:26,920
Speaker 4: Spider Man, Superman.

1014
00:44:27,600 --> 00:44:29,920
Speaker 5: As as much as I do love this project, and

1015
00:44:30,080 --> 00:44:31,799
Speaker 5: I'm cool with the timing. Even if people are saying

1016
00:44:31,880 --> 00:44:34,960
Speaker 5: Drake was ducking having to really wrap and address a

1017
00:44:34,960 --> 00:44:36,319
Speaker 5: bunch of shit, I'm cool with that take.

1018
00:44:36,400 --> 00:44:37,560
Speaker 4: But I still like this project.

1019
00:44:38,040 --> 00:44:41,879
Speaker 1: Who's saying that what Rory paid too much as sense

1020
00:44:41,880 --> 00:44:42,320
Speaker 1: to the Internet?

1021
00:44:42,320 --> 00:44:46,080
Speaker 4: You gotta know the Internet? That is true. That's just stupid.

1022
00:44:46,160 --> 00:44:47,839
Speaker 4: What ducking? What are we doing?

1023
00:44:47,880 --> 00:44:50,279
Speaker 1: A lyric breakdown? Which which lyric breakdown we're doing? We're

1024
00:44:50,320 --> 00:44:53,160
Speaker 1: doing Spider Man, Superman, give me a hub man when

1025
00:44:53,200 --> 00:44:58,920
Speaker 1: he's gone. Listen, greedy, my nigga said, I'm you know what,

1026
00:44:59,239 --> 00:45:01,279
Speaker 1: do y'all think? I can't it right now? I can't

1027
00:45:01,320 --> 00:45:01,640
Speaker 1: right now.

1028
00:45:01,680 --> 00:45:03,359
Speaker 5: No, it's good to greed, which I was gonna say.

1029
00:45:03,400 --> 00:45:04,480
Speaker 4: That was the one that made you spend.

1030
00:45:05,280 --> 00:45:07,640
Speaker 1: I have not spun yet. Actually I'm still. I'm not

1031
00:45:07,719 --> 00:45:09,080
Speaker 1: dizzy yet. I'm still.

1032
00:45:09,360 --> 00:45:13,279
Speaker 5: But he said like you was definitely who Drake was

1033
00:45:13,280 --> 00:45:15,400
Speaker 5: talking about. When he said Drake's man was drilling in

1034
00:45:15,480 --> 00:45:17,120
Speaker 5: Marvin's room, that was you he was talking about.

1035
00:45:17,160 --> 00:45:17,640
Speaker 1: Oh for sure.

1036
00:45:17,640 --> 00:45:19,360
Speaker 4: He was definitely spending the block when he said.

1037
00:45:19,160 --> 00:45:21,319
Speaker 1: Don't even know how it feels, can't even imagine how

1038
00:45:21,400 --> 00:45:23,080
Speaker 1: it feels to be in love with me for real?

1039
00:45:23,160 --> 00:45:26,320
Speaker 1: When I disappear for days, you convince yourself yours to blame,

1040
00:45:26,360 --> 00:45:28,080
Speaker 1: when we don't see each other for months on in

1041
00:45:28,239 --> 00:45:29,919
Speaker 1: and you pretend it's okay.

1042
00:45:31,520 --> 00:45:36,320
Speaker 5: And babydig just spend the block. No, strong, just be weak.

1043
00:45:38,560 --> 00:45:40,919
Speaker 5: This is proof of what I've already known forever. She's

1044
00:45:40,960 --> 00:45:44,000
Speaker 5: a manipulator. Yeah, that's the most manipulative shit I've ever

1045
00:45:44,040 --> 00:45:44,920
Speaker 5: for favorite days.

1046
00:45:45,000 --> 00:45:46,360
Speaker 4: Just be weak for a second.

1047
00:45:46,480 --> 00:45:49,160
Speaker 1: When I disappear for days and you convince yourself you

1048
00:45:49,239 --> 00:45:51,360
Speaker 1: to blame, like, I can't even imagine what it's like

1049
00:45:51,400 --> 00:45:53,200
Speaker 1: to be in love with me. I can't I feel

1050
00:45:53,200 --> 00:45:53,440
Speaker 1: for you.

1051
00:45:53,560 --> 00:45:55,520
Speaker 4: Them niggas got to get out my traffic keeper.

1052
00:45:55,560 --> 00:45:55,680
Speaker 2: Man.

1053
00:45:55,719 --> 00:45:58,439
Speaker 4: I'm telling you, man, I've been saying this is since

1054
00:45:58,440 --> 00:46:06,000
Speaker 4: the early nineties. Get out my traffic keeper. Man in

1055
00:46:06,000 --> 00:46:09,400
Speaker 4: the QMS hilarious, Man, Like what you that's me? I

1056
00:46:09,440 --> 00:46:12,480
Speaker 4: didn't said that already, baby, Just be weak. It's all right,

1057
00:46:12,560 --> 00:46:16,400
Speaker 4: I'm cool now. It's love Day, it's live club saying.

1058
00:46:16,160 --> 00:46:17,920
Speaker 1: Give me a hug. First of all, they are my

1059
00:46:17,960 --> 00:46:19,960
Speaker 1: traffic keeper. Because I was over at Aces in the

1060
00:46:20,200 --> 00:46:21,799
Speaker 1: I used to get a strippers dances that they used

1061
00:46:21,840 --> 00:46:25,960
Speaker 1: to hug me. This is my ship. Yet hugs from

1062
00:46:25,960 --> 00:46:30,360
Speaker 1: the strippers that's me. Bottle girls, bartenders, nasty.

1063
00:46:30,640 --> 00:46:34,120
Speaker 4: I ain't gonna lie on when he's gone. That nigga said.

1064
00:46:34,120 --> 00:46:36,600
Speaker 4: All that's left between us at least agreements and jewelry.

1065
00:46:37,400 --> 00:46:37,839
Speaker 1: M hmm.

1066
00:46:38,320 --> 00:46:41,479
Speaker 4: His nigga talking crazy. That's all that's left between us

1067
00:46:41,680 --> 00:46:43,560
Speaker 4: is the fact that that condo you're living in is

1068
00:46:43,560 --> 00:46:45,759
Speaker 4: in my name, and that jewelry you got on I

1069
00:46:45,880 --> 00:46:46,279
Speaker 4: bought it.

1070
00:46:47,840 --> 00:46:49,799
Speaker 5: He gotta get out he got that's my traffic keeper

1071
00:46:49,880 --> 00:46:52,680
Speaker 5: right there, mar you ain't how many condos is under

1072
00:46:52,719 --> 00:46:53,000
Speaker 5: your name?

1073
00:46:53,640 --> 00:46:54,000
Speaker 4: Mine?

1074
00:46:55,160 --> 00:46:57,080
Speaker 1: I was about to say, Mar, I ain't paying no rent.

1075
00:46:58,000 --> 00:46:58,239
Speaker 3: Man.

1076
00:46:59,160 --> 00:47:02,239
Speaker 5: You never paid a check, right, yeah, of course double check.

1077
00:47:02,280 --> 00:47:05,399
Speaker 4: Absolutely. I help out album and not pay. I help out.

1078
00:47:05,440 --> 00:47:08,239
Speaker 4: I help out here and now I help out well,

1079
00:47:08,280 --> 00:47:10,520
Speaker 4: I can't just you know, come change.

1080
00:47:10,280 --> 00:47:12,600
Speaker 5: My It's not like Denzel in Training day before you

1081
00:47:12,880 --> 00:47:14,719
Speaker 5: get old boy kill what bill you pay?

1082
00:47:14,800 --> 00:47:14,840
Speaker 4: Like?

1083
00:47:14,880 --> 00:47:15,759
Speaker 1: What's your goal to bill?

1084
00:47:16,960 --> 00:47:18,960
Speaker 4: I mean, if it's depending on the relationship with the

1085
00:47:19,000 --> 00:47:21,200
Speaker 4: with the girl, the woman, like you know, whatever she

1086
00:47:21,239 --> 00:47:23,239
Speaker 4: needs help with. If we really fuck with each other

1087
00:47:23,280 --> 00:47:24,680
Speaker 4: like that and she needs some help or something, it's

1088
00:47:24,680 --> 00:47:27,359
Speaker 4: like I fuck with you like it's all good. If

1089
00:47:27,360 --> 00:47:28,960
Speaker 4: I got it, you got it. What about some surgery

1090
00:47:30,080 --> 00:47:38,200
Speaker 4: surgery that nigga said ten grand your mind, twenty grand

1091
00:47:38,280 --> 00:47:41,799
Speaker 4: your mind, one hundred grand your mind. That's not that

1092
00:47:42,000 --> 00:47:46,560
Speaker 4: you help mind. If I buy that body, I own it.

1093
00:47:46,880 --> 00:47:49,880
Speaker 4: That's a fact I paid for them. Titties in that ass.

1094
00:47:50,360 --> 00:47:50,920
Speaker 4: You better not.

1095
00:47:51,440 --> 00:47:51,799
Speaker 1: You can't.

1096
00:47:52,120 --> 00:47:54,120
Speaker 4: Kendrick brought up some great points unneath the grounds.

1097
00:47:54,320 --> 00:47:57,960
Speaker 5: You can't go nowhere. That's my I bought that. I

1098
00:47:58,040 --> 00:48:00,080
Speaker 5: purposed that I was singing along it's just the I

1099
00:48:00,200 --> 00:48:03,360
Speaker 5: purch I purchased that. I purchased that ass Oh please,

1100
00:48:03,440 --> 00:48:05,359
Speaker 5: the amount of men that have bought bbls for women

1101
00:48:05,400 --> 00:48:07,640
Speaker 5: that went and fucked another dude as soon as she I.

1102
00:48:07,640 --> 00:48:09,000
Speaker 4: Ain't got nothing to do with that. That ain't that

1103
00:48:09,480 --> 00:48:11,200
Speaker 4: ain't nothing out of me and them dudes, ain't nothing

1104
00:48:11,200 --> 00:48:13,360
Speaker 4: to like. That's a difference. That's the difference between me

1105
00:48:13,400 --> 00:48:15,319
Speaker 4: and them. They buy it and let them run around

1106
00:48:15,360 --> 00:48:16,720
Speaker 4: and go no, no, no, no no no no.

1107
00:48:16,760 --> 00:48:19,280
Speaker 5: What's funny is is Big pun paired that with running

1108
00:48:19,280 --> 00:48:22,600
Speaker 5: into somebody from elementary school, like that was his narrative.

1109
00:48:23,719 --> 00:48:26,880
Speaker 4: Man, you know the elementary school.

1110
00:48:27,400 --> 00:48:30,560
Speaker 5: I don't know you man, and then continued on to

1111
00:48:30,560 --> 00:48:32,359
Speaker 5: tell everyone that his wife's titties with.

1112
00:48:32,800 --> 00:48:34,040
Speaker 4: All right, I don't want to spend too much time

1113
00:48:34,040 --> 00:48:35,120
Speaker 4: on this because I'm gonna say were.

1114
00:48:35,040 --> 00:48:40,000
Speaker 5: Riding, but that overall your finger overall great, great playlist.

1115
00:48:40,239 --> 00:48:42,320
Speaker 4: Close the playlist. I feel like this is a this

1116
00:48:42,160 --> 00:48:44,320
Speaker 4: is this feels like more life to me, but just

1117
00:48:44,400 --> 00:48:48,080
Speaker 4: a sexier more life. So great project, A lot of

1118
00:48:48,080 --> 00:48:50,480
Speaker 4: good songs. I think that no Keia record it kind

1119
00:48:50,480 --> 00:48:52,400
Speaker 4: of like you know, came on and it kind of

1120
00:48:52,440 --> 00:48:54,560
Speaker 4: like the vibe was so different. I was like, oh,

1121
00:48:54,640 --> 00:48:57,640
Speaker 4: but after two listeners, I was like, oh, I get it.

1122
00:48:57,800 --> 00:49:00,640
Speaker 4: Some sexy songs for with Nokio.

1123
00:49:00,680 --> 00:49:02,160
Speaker 5: I didn't really understand a lot of people I was

1124
00:49:02,160 --> 00:49:03,480
Speaker 5: talking to. He was like, yeah, I fuck with it,

1125
00:49:03,480 --> 00:49:04,520
Speaker 5: but no kids probably skipped.

1126
00:49:04,520 --> 00:49:06,520
Speaker 4: I was like, man, Le's that is O. I could see.

1127
00:49:06,520 --> 00:49:07,719
Speaker 4: You've got to be able to see the ass is

1128
00:49:07,760 --> 00:49:10,600
Speaker 4: shaken before they shake Rory. Listen, man, they gonna shake

1129
00:49:10,640 --> 00:49:12,959
Speaker 4: ass all summer to that record.

1130
00:49:12,800 --> 00:49:15,279
Speaker 5: I speak for all the Caucaus mountains and saying die

1131
00:49:15,400 --> 00:49:18,200
Speaker 5: Trying is our ship. Oh you gotta make y'all the

1132
00:49:18,280 --> 00:49:19,640
Speaker 5: stranger at a die bar to that ship.

1133
00:49:20,680 --> 00:49:22,879
Speaker 4: Outside of this, young mano y'a, the Mono Warriors, white

1134
00:49:22,920 --> 00:49:24,319
Speaker 4: white boys are y'all love catching Mono?

1135
00:49:24,440 --> 00:49:26,359
Speaker 5: Yeh know, it's just we come with it. Yeah, it's

1136
00:49:26,400 --> 00:49:29,840
Speaker 5: we're a meal. At this point, antibodies everything. The outside

1137
00:49:29,880 --> 00:49:33,239
Speaker 5: of this being misogynistic. The only other misogynistic shit was

1138
00:49:33,320 --> 00:49:36,680
Speaker 5: given him that amount of time, and then Yeba like

1139
00:49:37,360 --> 00:49:40,080
Speaker 5: let her cook. Yeah, I was tight. She was just

1140
00:49:40,080 --> 00:49:43,120
Speaker 5: getting in her bag and we Yeba can keep up

1141
00:49:43,120 --> 00:49:45,880
Speaker 5: with Drake and party on this toxic shit. Don't get

1142
00:49:45,960 --> 00:49:49,520
Speaker 5: Yeba's beautiful voice twisted. She has some toxic fucking records.

1143
00:49:49,520 --> 00:49:52,520
Speaker 5: She's toxic adel to me, Oh absolutely toxic Adele is

1144
00:49:52,600 --> 00:49:56,080
Speaker 5: so I love ye. She's dope funny, which so much

1145
00:49:56,200 --> 00:49:58,759
Speaker 5: over you ship with her and Robert Glasper. One of

1146
00:49:58,800 --> 00:50:02,040
Speaker 5: the best records of last year. Oh yeah, super toxic. Yeah,

1147
00:50:02,040 --> 00:50:05,960
Speaker 5: which track was yebom Died Trying, which I feel like

1148
00:50:06,000 --> 00:50:08,759
Speaker 5: that might have been probably Yea have a joint.

1149
00:50:08,800 --> 00:50:12,040
Speaker 4: You think that she sent Drake. That's kind of what

1150
00:50:12,080 --> 00:50:15,040
Speaker 4: I thought they've done records before. She was on Fall

1151
00:50:15,040 --> 00:50:16,240
Speaker 4: of Dogs, right, Yeah.

1152
00:50:16,080 --> 00:50:21,040
Speaker 5: No, No, she was on Certific She has her legs

1153
00:50:21,080 --> 00:50:26,600
Speaker 5: as Heartbreak. Yes, I feel like that's kind of what

1154
00:50:26,640 --> 00:50:28,560
Speaker 5: I wanted Drake in party to do with, like experiment

1155
00:50:28,600 --> 00:50:30,359
Speaker 5: a little bit. That's why I like Nokia and Die Trying.

1156
00:50:30,880 --> 00:50:32,120
Speaker 5: I like that they're getting in that bag.

1157
00:50:32,200 --> 00:50:35,879
Speaker 4: That's why I like Meare Meet your Patherre Booby Trap,

1158
00:50:35,920 --> 00:50:38,919
Speaker 4: the funny at fuck you felt? But you felt though?

1159
00:50:39,120 --> 00:50:41,479
Speaker 5: That wasn't Drake experiment. That that was him walking around

1160
00:50:41,520 --> 00:50:42,279
Speaker 5: his Houston ranch.

1161
00:50:43,360 --> 00:50:44,839
Speaker 4: You know, he had on his boots while he made

1162
00:50:44,880 --> 00:50:48,759
Speaker 4: this up. I fuck with it. I like shit like that, man.

1163
00:50:48,760 --> 00:50:51,120
Speaker 4: I like when artists, you know, experiment with like that.

1164
00:50:51,200 --> 00:50:53,040
Speaker 4: To me, that type of shit is fun. That's what

1165
00:50:53,040 --> 00:50:55,120
Speaker 4: the ship is about. We do have to have some

1166
00:50:55,160 --> 00:50:56,600
Speaker 4: fun though. We do need to take you to Homie

1167
00:50:56,600 --> 00:50:57,520
Speaker 4: court me.

1168
00:50:58,080 --> 00:51:01,879
Speaker 5: You being in Drake's circle as a friend, you need

1169
00:51:01,960 --> 00:51:03,480
Speaker 5: to tell your friend when to.

1170
00:51:03,440 --> 00:51:05,920
Speaker 4: Read the room. Can you pull up that clip with

1171
00:51:06,000 --> 00:51:09,839
Speaker 4: him in Australia? Oh god, what happened in Australia?

1172
00:51:09,880 --> 00:51:12,160
Speaker 5: And I know when I supposed to laugh about it

1173
00:51:12,160 --> 00:51:12,879
Speaker 5: because he's like.

1174
00:51:12,840 --> 00:51:17,680
Speaker 4: Not the culture and whatever. He was fucking fucking this.

1175
00:51:17,680 --> 00:51:19,880
Speaker 5: This is where you need friends around you to be like, yo,

1176
00:51:19,960 --> 00:51:23,200
Speaker 5: you know what, I kind of know the demographic of Australia.

1177
00:51:23,480 --> 00:51:26,120
Speaker 4: Maybe we should leave this one off. Okay, leave us

1178
00:51:26,120 --> 00:51:34,000
Speaker 4: off the set list? Got you going on? Stop?

1179
00:51:35,719 --> 00:51:38,759
Speaker 5: He's really guiding them through the lyrics too. How does

1180
00:51:38,800 --> 00:51:40,760
Speaker 5: he not know what's about to come at this point?

1181
00:51:41,000 --> 00:51:42,600
Speaker 5: He probably don't think they was gonna lean into it.

1182
00:51:44,160 --> 00:51:46,680
Speaker 5: Even just even Justin Bieber has told his fans to

1183
00:51:46,719 --> 00:51:49,319
Speaker 5: shut the fuck up when they weren't in key or

1184
00:51:49,320 --> 00:51:51,960
Speaker 5: in rhythm at all. Drake is guiding them all the

1185
00:51:52,000 --> 00:51:54,000
Speaker 5: way to the N word. Yeah, Justin Bieber, but he's

1186
00:51:54,080 --> 00:51:56,759
Speaker 5: leaving breadcrumbs. For all the white women of Australia to

1187
00:51:56,880 --> 00:51:57,560
Speaker 5: yell the N word.

1188
00:51:57,640 --> 00:52:00,239
Speaker 4: Yeah. Justin Bieber also made a nigga cake and used

1189
00:52:00,280 --> 00:52:04,719
Speaker 4: to epy forgot his nigga song. Y'all, don't act like

1190
00:52:04,760 --> 00:52:11,080
Speaker 4: you forgot Justin Yeah platinum and he was in key platinum.

1191
00:52:11,360 --> 00:52:29,080
Speaker 4: Play this please boy. That's not holding hold onld up.

1192
00:52:29,360 --> 00:52:32,400
Speaker 4: That's not fair though. Did they show the crowd? I

1193
00:52:32,440 --> 00:52:34,400
Speaker 4: heard the crowd. No, but how you know there ain't no,

1194
00:52:34,680 --> 00:52:36,839
Speaker 4: it ain't no black women in there. Oh, I know

1195
00:52:36,920 --> 00:52:38,600
Speaker 4: they panned to the crowd and other clips.

1196
00:52:39,080 --> 00:52:41,800
Speaker 1: It was all right, it was nothing but the Australian

1197
00:52:41,840 --> 00:52:42,520
Speaker 1: whites for sure.

1198
00:52:42,640 --> 00:52:47,680
Speaker 4: Okay, it may have been some Aboriginal women in there.

1199
00:52:47,719 --> 00:52:49,800
Speaker 4: You know, it's Australia. It may have mis some Aboriginal

1200
00:52:49,840 --> 00:52:51,360
Speaker 4: women in there. We don't know. I'm just saying I

1201
00:52:51,400 --> 00:52:53,239
Speaker 4: didn't see the crowd in that clip. Just speaking off

1202
00:52:53,239 --> 00:52:55,279
Speaker 4: the clip, y'all just show me that Elon Musk's in there.

1203
00:52:55,280 --> 00:52:57,120
Speaker 4: I mean some Aboriginal women, that's all. You know what

1204
00:52:57,120 --> 00:52:58,719
Speaker 4: I mean. It's Australia.

1205
00:52:58,920 --> 00:53:01,000
Speaker 1: The aboriginal woman is why he looked at the DJ,

1206
00:53:01,080 --> 00:53:02,759
Speaker 1: and the DJ looked at him after no.

1207
00:53:02,840 --> 00:53:06,960
Speaker 5: Go back to the DJ's face he was there was like,

1208
00:53:07,040 --> 00:53:09,919
Speaker 5: damn we didn't We didn't think DJ.

1209
00:53:10,640 --> 00:53:12,440
Speaker 4: Yeah, like keep playing it.

1210
00:53:15,960 --> 00:53:18,160
Speaker 1: He knew they already knew, Like.

1211
00:53:18,320 --> 00:53:23,759
Speaker 4: Damn it. We should have done rehearsals. Some sexy songs

1212
00:53:23,760 --> 00:53:26,600
Speaker 4: for you available now. If you have not listened. I'm

1213
00:53:26,600 --> 00:53:28,440
Speaker 4: pretty sure everybody at least heard it by now, but

1214
00:53:28,800 --> 00:53:31,319
Speaker 4: hopefully you enjoyed it. If not, you didn't enjoy it.

1215
00:53:31,320 --> 00:53:34,240
Speaker 4: This is what it is. Yeah, but some other surprise what.

1216
00:53:34,160 --> 00:53:35,799
Speaker 1: I was happy, surprised. I didn't expect it to be

1217
00:53:35,800 --> 00:53:36,560
Speaker 1: as good as it was.

1218
00:53:37,080 --> 00:53:39,040
Speaker 4: I mean it was it was for you, then, it

1219
00:53:39,120 --> 00:53:39,640
Speaker 4: was for women.

1220
00:53:39,760 --> 00:53:42,440
Speaker 5: I do even though we are here to give you

1221
00:53:42,440 --> 00:53:45,080
Speaker 5: your flowers because we liked this project and give me

1222
00:53:45,120 --> 00:53:45,839
Speaker 5: my I had nothing.

1223
00:53:45,880 --> 00:53:47,560
Speaker 4: He was part of it. I had nothing to do

1224
00:53:47,600 --> 00:53:47,839
Speaker 4: with this.

1225
00:53:47,800 --> 00:53:50,319
Speaker 5: Out huge part of it. We have to keep you

1226
00:53:50,400 --> 00:53:53,160
Speaker 5: somewhat honest though. You've admitted your bias, which I appreciate,

1227
00:53:53,280 --> 00:53:54,880
Speaker 5: and it's cool to stand on that bid in battle.

1228
00:53:55,320 --> 00:54:01,280
Speaker 5: If any other rapper after a battle said fuck the battle,

1229
00:54:01,840 --> 00:54:04,200
Speaker 5: I'm trying to get the party lit, you would smoke him.

1230
00:54:04,640 --> 00:54:06,960
Speaker 5: You would come in here and scream louder than anybody

1231
00:54:07,480 --> 00:54:08,240
Speaker 5: after a battle.

1232
00:54:09,160 --> 00:54:10,960
Speaker 4: No wouldn't. What are you talking about.

1233
00:54:11,120 --> 00:54:13,760
Speaker 1: During the battle? I think he would after.

1234
00:54:13,600 --> 00:54:16,200
Speaker 4: During a battle, of course, the battle's over. Fuck that battle.

1235
00:54:16,200 --> 00:54:17,600
Speaker 4: Nobody cared about that after all.

1236
00:54:17,680 --> 00:54:20,520
Speaker 5: The cold shit don't bring Why did you bring it up?

1237
00:54:20,520 --> 00:54:22,120
Speaker 1: Why do you call mine his motherfuckers?

1238
00:54:22,120 --> 00:54:23,680
Speaker 4: You just had such a good conversation. I want to

1239
00:54:23,719 --> 00:54:24,040
Speaker 4: ruin it.

1240
00:54:24,920 --> 00:54:27,160
Speaker 1: Yeah, that's your problem. That's why after drink three you

1241
00:54:27,200 --> 00:54:28,720
Speaker 1: are they you being a therapist.

1242
00:54:29,000 --> 00:54:31,799
Speaker 5: Yeah, but you can't say that's my only that's my

1243
00:54:31,840 --> 00:54:33,560
Speaker 5: only bag at this point.

1244
00:54:34,160 --> 00:54:36,520
Speaker 4: But you're not allow You're not allowed to bring bring

1245
00:54:36,560 --> 00:54:37,600
Speaker 4: cold name up atter battle.

1246
00:54:37,640 --> 00:54:40,920
Speaker 5: You know that if any other rapper lost so and

1247
00:54:40,960 --> 00:54:42,440
Speaker 5: then came back and said, nah, I don't even care

1248
00:54:42,480 --> 00:54:44,160
Speaker 5: about that battleship man, I don't care about the party,

1249
00:54:44,680 --> 00:54:47,640
Speaker 5: you would smoke them. No, I wouldn't listen. I love

1250
00:54:47,680 --> 00:54:50,080
Speaker 5: the record and I sung it along with him. Yeah,

1251
00:54:50,120 --> 00:54:51,760
Speaker 5: I wouldn't call anybody for saying.

1252
00:54:51,520 --> 00:54:53,279
Speaker 4: No, I would not. Bro. I don't care, Bro, I don't.

1253
00:54:53,360 --> 00:54:56,800
Speaker 4: I don't listen. My relationship with Drake doesn't weigh heavily

1254
00:54:56,800 --> 00:54:58,640
Speaker 4: on my opinion as people think it does. I just

1255
00:54:58,680 --> 00:55:00,719
Speaker 4: told y'all, and this is the about it. I just

1256
00:55:00,719 --> 00:55:02,959
Speaker 4: didn't like one song and one performance and people called

1257
00:55:02,960 --> 00:55:06,359
Speaker 4: me a hater. One song, one performance, and I'm a hater.

1258
00:55:06,680 --> 00:55:09,360
Speaker 4: Sadd never minded it. I've said years ago in support

1259
00:55:09,440 --> 00:55:12,400
Speaker 4: of Kendrick. None of that counts anymore. But during the battle,

1260
00:55:12,400 --> 00:55:15,120
Speaker 4: if I don't like one song and one halftime performance,

1261
00:55:15,280 --> 00:55:17,919
Speaker 4: I'm a hater. So it is what it is. Let's

1262
00:55:17,920 --> 00:55:18,759
Speaker 4: stay on music, though.

1263
00:55:19,320 --> 00:55:25,480
Speaker 5: West Side Gun twelve, why we can't call it with it?

1264
00:55:25,480 --> 00:55:29,000
Speaker 4: It's twelve, all right? West Side Gun twelve. West Side

1265
00:55:29,040 --> 00:55:32,560
Speaker 4: Gun dropped twelve twelfth version of Yes Absolutely something or

1266
00:55:32,600 --> 00:55:37,000
Speaker 4: something whatever it is, but I like it to druint again. Man,

1267
00:55:37,080 --> 00:55:39,640
Speaker 4: anytime I could get Wes and Stove God on the

1268
00:55:39,760 --> 00:55:43,200
Speaker 4: track together, I'm happy. Life is great for me. This

1269
00:55:43,320 --> 00:55:46,040
Speaker 4: project I do. I'm not sure to rank it. Yeah,

1270
00:55:46,080 --> 00:55:47,640
Speaker 4: I don't want to rank it yet where it falls

1271
00:55:47,640 --> 00:55:52,200
Speaker 4: in line with the rest of this collection. But I

1272
00:55:52,280 --> 00:55:55,640
Speaker 4: enjoyed it though, he said the Virgil rug say rug yeah.

1273
00:55:56,200 --> 00:55:59,800
Speaker 4: Plug's name in my phone say plug, yeah, yeah, Absolutely.

1274
00:56:00,520 --> 00:56:04,680
Speaker 4: I really made Amara's oatmeal with bacon soda this morning.

1275
00:56:05,760 --> 00:56:09,279
Speaker 4: Why would you do that because of stove? Yeah, but

1276
00:56:09,280 --> 00:56:09,920
Speaker 4: you don't have stove.

1277
00:56:09,960 --> 00:56:11,880
Speaker 5: Really might be I'm not even trying to like do

1278
00:56:11,920 --> 00:56:14,000
Speaker 5: a moment, I actually do believe Stove really might be

1279
00:56:14,000 --> 00:56:14,400
Speaker 5: the best.

1280
00:56:14,280 --> 00:56:17,600
Speaker 4: Rapper out right now. Stove God is one of my favorites.

1281
00:56:19,440 --> 00:56:21,759
Speaker 4: I'm not gonna say he's the best rapper. He needs

1282
00:56:21,800 --> 00:56:22,760
Speaker 4: to be more consistent.

1283
00:56:22,800 --> 00:56:25,399
Speaker 5: I feel like we only really get Stove when West

1284
00:56:25,480 --> 00:56:26,360
Speaker 5: is putting something out.

1285
00:56:26,719 --> 00:56:28,720
Speaker 4: But he's one of my stoves, one of my favorites.

1286
00:56:28,760 --> 00:56:28,880
Speaker 1: Though.

1287
00:56:28,960 --> 00:56:30,560
Speaker 5: To me, this is a Stove God album.

1288
00:56:30,600 --> 00:56:30,920
Speaker 4: Yeah.

1289
00:56:31,040 --> 00:56:35,359
Speaker 5: Yeah, He's on every single record. When he shows up,

1290
00:56:35,400 --> 00:56:37,880
Speaker 5: he is, to me, the best rapper. I don't know

1291
00:56:37,880 --> 00:56:39,960
Speaker 5: if people are really fucking with him when he shows

1292
00:56:40,000 --> 00:56:40,440
Speaker 5: up listen.

1293
00:56:40,480 --> 00:56:42,560
Speaker 4: I'm not I'm not arguing with that. He's definitely one

1294
00:56:42,560 --> 00:56:44,840
Speaker 4: of my favorite rappers. But I just feel like, you know,

1295
00:56:44,960 --> 00:56:50,319
Speaker 4: guys like what Freddy just did, Ship but Ransom has

1296
00:56:50,320 --> 00:56:54,000
Speaker 4: been doing. Uh. Conway still to me is one of

1297
00:56:54,040 --> 00:56:58,680
Speaker 4: the best rappers Benny, but Stove, to me, he's still

1298
00:56:58,680 --> 00:57:00,880
Speaker 4: He's one of my favorites. Anytime you're telling me Stove

1299
00:57:01,000 --> 00:57:03,879
Speaker 4: is putting out something, he's featuring on something, I'm going

1300
00:57:03,880 --> 00:57:06,640
Speaker 4: and I'm listening to it, especially when him and West

1301
00:57:06,960 --> 00:57:09,000
Speaker 4: when they get together. Makami is still one of my

1302
00:57:09,040 --> 00:57:13,719
Speaker 4: favorite rappers. So yeah, that's great company for stove God

1303
00:57:13,760 --> 00:57:16,480
Speaker 4: to be and I'm happy to see his success, to

1304
00:57:16,480 --> 00:57:19,880
Speaker 4: see people start, you know, picking up on the legend

1305
00:57:19,880 --> 00:57:21,920
Speaker 4: that he is. I think that he's already a legend,

1306
00:57:22,800 --> 00:57:25,560
Speaker 4: and he's definitely one of one. Doesn't sound like nobody,

1307
00:57:25,600 --> 00:57:29,680
Speaker 4: doesn't look like nobody, very slick and witty in his bars,

1308
00:57:29,680 --> 00:57:31,840
Speaker 4: the way he constructs his punch lines and things like that.

1309
00:57:32,040 --> 00:57:34,240
Speaker 4: I'm a huge fan of Stove God. I mean, anytime

1310
00:57:34,280 --> 00:57:35,840
Speaker 4: I see him, I give him his flowers and I

1311
00:57:35,920 --> 00:57:38,360
Speaker 4: let him know how much I appreciate his craft. So

1312
00:57:38,560 --> 00:57:41,840
Speaker 4: shout out the Westside Gun twelve. I'm fucking with this

1313
00:57:42,400 --> 00:57:42,760
Speaker 4: all right.

1314
00:57:43,240 --> 00:57:45,880
Speaker 5: I want to give west Side his flowers. One of

1315
00:57:45,880 --> 00:57:48,560
Speaker 5: the best curators in hip hop, without a doubt, just

1316
00:57:48,600 --> 00:57:51,320
Speaker 5: some of my favorites. Fly God, Fly God is an

1317
00:57:51,360 --> 00:57:53,000
Speaker 5: awesome god. To try to do it in like of

1318
00:57:53,160 --> 00:57:55,120
Speaker 5: state accent, ask some God how you do it?

1319
00:57:55,600 --> 00:57:55,920
Speaker 1: Nigga?

1320
00:57:56,000 --> 00:57:57,120
Speaker 4: Awesome, It's awesome.

1321
00:57:58,440 --> 00:57:59,360
Speaker 1: Fucking pissed me off.

1322
00:57:59,400 --> 00:58:05,680
Speaker 5: Yo, who made the Sunshine Supreme Blind? Tell the name

1323
00:58:05,680 --> 00:58:08,840
Speaker 5: we can't say seven eight six.

1324
00:58:09,600 --> 00:58:14,640
Speaker 4: Hitler Whizz seven.

1325
00:58:12,880 --> 00:58:15,320
Speaker 5: And then you pray for me. Pray for Paris.

1326
00:58:15,480 --> 00:58:16,760
Speaker 4: Pray for Paris is classic.

1327
00:58:16,920 --> 00:58:18,840
Speaker 5: I think that's a classic album too.

1328
00:58:19,440 --> 00:58:20,880
Speaker 4: Ten and twelve.

1329
00:58:22,320 --> 00:58:24,680
Speaker 5: Is there a better modern because we had this conversation

1330
00:58:24,720 --> 00:58:27,680
Speaker 5: with Freddy too, Because I think Freddy is just out there.

1331
00:58:27,720 --> 00:58:31,920
Speaker 5: It's crazy the best catalogs of the modern era. I

1332
00:58:31,960 --> 00:58:34,480
Speaker 5: can say the same for Westside Gun. This is the

1333
00:58:34,480 --> 00:58:36,960
Speaker 5: fact that he keeps delivering to and with something that,

1334
00:58:37,480 --> 00:58:40,919
Speaker 5: in theory should start to get annoying, like a lot

1335
00:58:40,960 --> 00:58:44,240
Speaker 5: of the no drum shit or a certain sound like

1336
00:58:44,240 --> 00:58:47,840
Speaker 5: that can get way too redundant. Somehow, him being the

1337
00:58:47,920 --> 00:58:52,080
Speaker 5: least rapper in a crew of the best rappers, continues

1338
00:58:52,120 --> 00:58:54,040
Speaker 5: to put out the best solo projects at all them.

1339
00:58:54,120 --> 00:58:54,320
Speaker 4: Yeah.

1340
00:58:54,320 --> 00:58:57,160
Speaker 5: Absolutely, he West a legendment And I don't want to

1341
00:58:57,200 --> 00:58:59,520
Speaker 5: give him too many flowers because you know he doesn't

1342
00:58:59,560 --> 00:59:04,960
Speaker 5: need them. He plants tom himself right. West will tell

1343
00:59:04,960 --> 00:59:08,240
Speaker 5: you rock himsto his style. Yeah yeah, yeah, But that's

1344
00:59:08,240 --> 00:59:11,680
Speaker 5: supreme confidence. The one thing Wes does not lack is confidence.

1345
00:59:12,320 --> 00:59:16,120
Speaker 5: I will say this. I can't say enough about his

1346
00:59:16,120 --> 00:59:16,800
Speaker 5: his desography.

1347
00:59:16,840 --> 00:59:17,520
Speaker 4: This shit is crazy.

1348
00:59:17,560 --> 00:59:20,480
Speaker 5: I'm actually unreal how good his his catalog.

1349
00:59:20,520 --> 00:59:23,960
Speaker 4: No, I'm gonna go ahead and say it, man. We

1350
00:59:24,000 --> 00:59:26,160
Speaker 4: need Griselda to get back. We need that Griselda bat

1351
00:59:26,160 --> 00:59:29,760
Speaker 4: We need Conway, we need Benny, we need gun We

1352
00:59:29,800 --> 00:59:34,000
Speaker 4: need them three to get back and give us, give

1353
00:59:34,080 --> 00:59:36,160
Speaker 4: us that that feeling that they gave us.

1354
00:59:37,000 --> 00:59:37,080
Speaker 1: Need.

1355
00:59:37,200 --> 00:59:40,200
Speaker 4: We need that back. We need that Griselda energy back.

1356
00:59:40,520 --> 00:59:42,360
Speaker 4: I love what these with the with these three are

1357
00:59:42,400 --> 00:59:45,360
Speaker 4: doing on their own collectively, I mean individually, but what

1358
00:59:45,400 --> 00:59:48,560
Speaker 4: they do collectively, what they do together, what they do

1359
00:59:48,760 --> 00:59:52,560
Speaker 4: as Griselda, is something that I think is unmatched in

1360
00:59:52,680 --> 00:59:58,400
Speaker 4: hip hop. It's just legendary shit. Whenever those three are together,

1361
00:59:58,440 --> 01:00:02,400
Speaker 4: Whenever you let Benny and Conway, you know, go off,

1362
01:00:02,400 --> 01:00:07,480
Speaker 4: whenever you have Darren's you're in there, conductor, bring conductor

1363
01:00:07,520 --> 01:00:11,240
Speaker 4: in the alchemists and let done, let him curate that,

1364
01:00:11,360 --> 01:00:15,040
Speaker 4: let him executive produce that, let him creative direct that.

1365
01:00:16,640 --> 01:00:20,320
Speaker 4: I think that that's that formula that they have is

1366
01:00:20,440 --> 01:00:23,480
Speaker 4: unmatched in hip hop. And again, I know those you know,

1367
01:00:23,520 --> 01:00:28,840
Speaker 4: they're doing their things individually, but we need that. We

1368
01:00:28,880 --> 01:00:32,240
Speaker 4: need that Griselda ship. We need that ship back. Yeah.

1369
01:00:32,680 --> 01:00:34,360
Speaker 4: I do think we talked off Mike about this.

1370
01:00:34,640 --> 01:00:37,360
Speaker 5: Yeah, of course twelve is incredible, but we all feel

1371
01:00:37,400 --> 01:00:39,840
Speaker 5: like the next step for all three of them should

1372
01:00:39,880 --> 01:00:42,120
Speaker 5: be that joint.

1373
01:00:41,520 --> 01:00:43,360
Speaker 4: Yeah, we need that, We need that grisel to ship.

1374
01:00:43,600 --> 01:00:45,400
Speaker 5: All on their own and do great things with their

1375
01:00:45,400 --> 01:00:47,360
Speaker 5: own clasout great solo projects.

1376
01:00:47,400 --> 01:00:49,880
Speaker 4: We need the three of them back for Yeah, man,

1377
01:00:49,920 --> 01:00:53,240
Speaker 4: I need that for self, just for my own selfish reasons.

1378
01:00:53,280 --> 01:00:57,560
Speaker 4: I need that sound and that energy, just that classic

1379
01:00:57,760 --> 01:01:02,600
Speaker 4: you know what what Griselda did with with Darren you

1380
01:01:02,600 --> 01:01:04,600
Speaker 4: you know, I just think that that's something that is

1381
01:01:04,640 --> 01:01:05,640
Speaker 4: missing that we need that.

1382
01:01:07,560 --> 01:01:09,360
Speaker 5: I would drive up to QS if there was like

1383
01:01:09,920 --> 01:01:13,240
Speaker 5: a Baby d Stove God Club hosting like a walk

1384
01:01:13,280 --> 01:01:14,440
Speaker 5: through the two of them.

1385
01:01:14,680 --> 01:01:15,840
Speaker 4: They shutting Q's down.

1386
01:01:15,960 --> 01:01:17,959
Speaker 1: He not even that type of guy. He's not into

1387
01:01:17,960 --> 01:01:18,760
Speaker 1: that type of stuff.

1388
01:01:18,840 --> 01:01:19,080
Speaker 4: I know.

1389
01:01:19,120 --> 01:01:21,000
Speaker 5: But y'all, I mean, y'all are the only two that

1390
01:01:21,040 --> 01:01:22,600
Speaker 5: like really put on for the city. I feel like,

1391
01:01:22,760 --> 01:01:24,640
Speaker 5: So I feel like y'all need to come together and

1392
01:01:24,920 --> 01:01:25,400
Speaker 5: may feel like.

1393
01:01:25,400 --> 01:01:27,400
Speaker 4: The marriage being the only one that put on for Syracuse.

1394
01:01:28,640 --> 01:01:31,840
Speaker 5: I mean Mellow did for a year. You know what,

1395
01:01:31,840 --> 01:01:32,360
Speaker 5: he's still trying.

1396
01:01:32,440 --> 01:01:33,120
Speaker 4: Your son is going.

1397
01:01:33,200 --> 01:01:35,920
Speaker 5: Yeah, we need to put together like the Orangeman Festival

1398
01:01:36,000 --> 01:01:39,040
Speaker 5: or some shiit Mellow co host. First of all, I

1399
01:01:39,040 --> 01:01:40,320
Speaker 5: could do all the hosts.

1400
01:01:40,440 --> 01:01:43,280
Speaker 1: Two c is also from uh is Oh yeah from

1401
01:01:43,360 --> 01:01:45,520
Speaker 1: Syracuse were I didn't know that?

1402
01:01:45,600 --> 01:01:48,040
Speaker 4: Yeah, I like Toucy. He's dope.

1403
01:01:48,120 --> 01:01:50,720
Speaker 1: I like him. But yeah, man, you know, got some

1404
01:01:50,840 --> 01:01:54,520
Speaker 1: legends in the building, no real talent overlooked.

1405
01:01:54,760 --> 01:01:56,640
Speaker 5: And that's why I feel like me and de Marius

1406
01:01:56,680 --> 01:01:59,360
Speaker 5: realize that we've known each other for what eleven years?

1407
01:01:59,400 --> 01:02:02,960
Speaker 5: Eleven years? I sent her a reasonable Drought when it

1408
01:02:03,000 --> 01:02:05,160
Speaker 5: came out, and she was like, oh, yeah, Stephen, that's

1409
01:02:05,200 --> 01:02:08,200
Speaker 5: my guy. I was like, you've been holding this back.

1410
01:02:08,640 --> 01:02:10,520
Speaker 5: You had this type of rapper up there, and you're

1411
01:02:10,640 --> 01:02:14,120
Speaker 5: holding this back. He was gatekeeper stove. God, yes, that's

1412
01:02:14,280 --> 01:02:14,920
Speaker 5: not what happened.

1413
01:02:14,960 --> 01:02:16,520
Speaker 1: I did not say that's my guy, but I was

1414
01:02:16,520 --> 01:02:17,640
Speaker 1: just didn't say Steven.

1415
01:02:17,840 --> 01:02:20,600
Speaker 4: I just assumed stove Guy's name is Stephen either.

1416
01:02:20,680 --> 01:02:22,280
Speaker 1: That's why it's so funny. His name is Aaron.

1417
01:02:23,320 --> 01:02:25,040
Speaker 4: Nah, I don't see. You don't take away the image

1418
01:02:25,040 --> 01:02:27,760
Speaker 4: I have. You don't tell me what ry's not cooking crack,

1419
01:02:27,920 --> 01:02:30,880
Speaker 4: don't tell me his real name is. I don't know

1420
01:02:30,880 --> 01:02:33,560
Speaker 4: how to wi crack rock man Aaron, Like, come on,

1421
01:02:33,680 --> 01:02:36,160
Speaker 4: that's Stove, that's stoveve though, right there, Man, don't call

1422
01:02:36,240 --> 01:02:36,760
Speaker 4: him Aaron.

1423
01:02:36,960 --> 01:02:38,640
Speaker 1: Yeah, it's cook though.

1424
01:02:39,040 --> 01:02:40,760
Speaker 4: Yeah, No, I knew that I knew his real names.

1425
01:02:40,960 --> 01:02:44,760
Speaker 1: But yeah, man, like sleep on Syracuse, We really rap

1426
01:02:44,840 --> 01:02:45,480
Speaker 1: over there for real.

1427
01:02:45,640 --> 01:02:46,040
Speaker 4: No Stove.

1428
01:02:46,120 --> 01:02:49,160
Speaker 5: Listen, Stove the only place that wrapped now, listen Stove.

1429
01:02:48,920 --> 01:02:53,520
Speaker 4: Stove God, he'd be rapping, he'd be talking crazy, the

1430
01:02:53,560 --> 01:02:55,760
Speaker 4: ship he be saying. I'm like, I just you know

1431
01:02:55,800 --> 01:02:59,400
Speaker 4: what it is his his, the great MC's, the great

1432
01:02:59,480 --> 01:03:02,760
Speaker 4: rappers have a certain way of, you know, getting to

1433
01:03:02,800 --> 01:03:04,880
Speaker 4: the punchline and getting to the bar, like it takes

1434
01:03:04,920 --> 01:03:08,840
Speaker 4: a certain level of cleverness and wittiness that you know,

1435
01:03:09,000 --> 01:03:13,040
Speaker 4: Jay was great, is great at it, Nas is great

1436
01:03:13,040 --> 01:03:15,720
Speaker 4: at it. All of the greats have this this way

1437
01:03:15,800 --> 01:03:17,680
Speaker 4: of well, you don't you know it's a punch bar

1438
01:03:17,680 --> 01:03:19,840
Speaker 4: obviously because the bar is over. That's the end of

1439
01:03:19,840 --> 01:03:21,840
Speaker 4: the bar. But the way they get to it, Like

1440
01:03:21,960 --> 01:03:25,680
Speaker 4: Stove is so unique in the way he gets to it.

1441
01:03:25,720 --> 01:03:28,720
Speaker 4: Like the first time I heard him spit that dra

1442
01:03:28,880 --> 01:03:32,920
Speaker 4: Mond bar, I say, yeah, this is what makes him different.

1443
01:03:33,000 --> 01:03:34,840
Speaker 4: Like it's almost like he gave you the punch bar

1444
01:03:34,840 --> 01:03:37,560
Speaker 4: in the beginning of the bar. Look like the way

1445
01:03:37,600 --> 01:03:38,080
Speaker 4: he does.

1446
01:03:37,960 --> 01:03:41,080
Speaker 5: It, the way he even does his melodies like Adam Page,

1447
01:03:41,440 --> 01:03:44,400
Speaker 5: I need Stove God on this fucking party in Draco.

1448
01:03:45,440 --> 01:03:47,720
Speaker 5: Stove could like kind of sing and really carry a

1449
01:03:47,760 --> 01:03:48,200
Speaker 5: fucking note.

1450
01:03:48,280 --> 01:03:51,800
Speaker 4: Yeah he could. I could. I could rap melody. He

1451
01:03:51,800 --> 01:03:54,760
Speaker 4: could rap a melody. Now, Stove is one of those.

1452
01:03:55,000 --> 01:03:58,360
Speaker 5: It's funny Jay elect put it very simple to me

1453
01:03:58,880 --> 01:04:02,400
Speaker 5: off a whole bar. You feel the ambiance, y'all. Others

1454
01:04:02,440 --> 01:04:04,520
Speaker 5: just rhyme like some people are really good at just

1455
01:04:04,600 --> 01:04:07,080
Speaker 5: rhyming and shit. The ambiance is what Stove has.

1456
01:04:07,120 --> 01:04:07,200
Speaker 2: Well.

1457
01:04:07,200 --> 01:04:09,040
Speaker 5: It doesn't have to be the most lyrical ship. It

1458
01:04:09,080 --> 01:04:12,360
Speaker 5: could be simplistic, but that is what His delivery is

1459
01:04:12,760 --> 01:04:14,439
Speaker 5: better than thying else And for the people I say

1460
01:04:14,440 --> 01:04:17,240
Speaker 5: that West can't really rap like that. He went crazy

1461
01:04:17,240 --> 01:04:20,440
Speaker 5: on Dumb World outro. That might have been the best

1462
01:04:20,480 --> 01:04:23,280
Speaker 5: verse i've heard him rap rap. Yeah, well he's getting

1463
01:04:23,280 --> 01:04:25,920
Speaker 5: his ship off on that. Yeah, Wes is more braggadocious,

1464
01:04:26,000 --> 01:04:28,840
Speaker 5: more style. It's not he's not gonna, you know, blow

1465
01:04:28,880 --> 01:04:30,880
Speaker 5: you away with bars. But you know he's gonna say

1466
01:04:30,920 --> 01:04:33,920
Speaker 5: some funny shit, some slick shit, some cool shit, and

1467
01:04:34,000 --> 01:04:34,440
Speaker 5: some real shit.

1468
01:04:34,480 --> 01:04:35,720
Speaker 4: He's gonna get you. He gonna tell you what he's

1469
01:04:35,720 --> 01:04:37,400
Speaker 4: really doing, how much you're really making, how much you

1470
01:04:37,480 --> 01:04:40,160
Speaker 4: really spending. Oh, hen he gonna break it down for

1471
01:04:40,200 --> 01:04:43,160
Speaker 4: and he not lying, and he not lying. So yeah, man,

1472
01:04:43,160 --> 01:04:45,880
Speaker 4: I shout out the gun. Anytime he's able to put

1473
01:04:45,880 --> 01:04:47,920
Speaker 4: something together and currate something, it's gonna be at a

1474
01:04:47,960 --> 01:04:50,280
Speaker 4: certain level. It's a certain taste level when you talk

1475
01:04:50,320 --> 01:04:53,000
Speaker 4: about West Side Gun. So west Side Gun twelve available

1476
01:04:53,040 --> 01:04:53,920
Speaker 4: now your DSPs.

1477
01:04:54,080 --> 01:04:56,640
Speaker 5: Do you do you think this wasn't on the list,

1478
01:04:56,640 --> 01:04:58,520
Speaker 5: but fun, let's have a conversation. Do you think Shady

1479
01:04:58,560 --> 01:05:03,360
Speaker 5: will ever apologize us for what? Specifically Paul Rosenberg for

1480
01:05:03,400 --> 01:05:08,160
Speaker 5: what I champion you being one of the first people

1481
01:05:08,200 --> 01:05:12,760
Speaker 5: in media that was putting Griselda on and saying each

1482
01:05:12,760 --> 01:05:15,000
Speaker 5: shit even Benny at first to Prono take, like even

1483
01:05:15,120 --> 01:05:17,080
Speaker 5: when west was cool, when people didn't really know about Bennie,

1484
01:05:17,080 --> 01:05:20,720
Speaker 5: you was talked about Benny. I feel like we've been

1485
01:05:20,760 --> 01:05:24,400
Speaker 5: the only media platform that bigs up Westside Boogie the

1486
01:05:24,400 --> 01:05:28,320
Speaker 5: way we do. And they got so butt hurt because

1487
01:05:28,320 --> 01:05:31,360
Speaker 5: I said one comment at Soho House with Conway that

1488
01:05:31,400 --> 01:05:36,120
Speaker 5: they canceled us hosting Boogie's release party. And then when

1489
01:05:36,120 --> 01:05:39,959
Speaker 5: I seen Rosenberg not Pete Paul at the Boogie show,

1490
01:05:42,080 --> 01:05:44,280
Speaker 5: he giving me fucking nasty stares the whole time, Like

1491
01:05:44,320 --> 01:05:47,280
Speaker 5: do you know me and Maul are the only people

1492
01:05:47,320 --> 01:05:50,280
Speaker 5: in media that pump up your roster. No one else does.

1493
01:05:50,720 --> 01:05:52,880
Speaker 5: You should be giving me a fucking hug, not looking

1494
01:05:52,880 --> 01:05:54,840
Speaker 5: at me fucking crazy because your A and R got

1495
01:05:54,840 --> 01:05:56,880
Speaker 5: butt hurt because I asked Conway it felt like he

1496
01:05:56,880 --> 01:05:58,680
Speaker 5: did the whole rollout and shade he didn't, which was

1497
01:05:58,680 --> 01:06:01,560
Speaker 5: the fucking truth that from his team.

1498
01:06:01,280 --> 01:06:03,960
Speaker 4: Right right? Why are you mad at me for? I mean,

1499
01:06:04,000 --> 01:06:05,960
Speaker 4: you know how it is with this industry, man, It's

1500
01:06:06,000 --> 01:06:08,560
Speaker 4: you know, people, whatever you are, they want you to

1501
01:06:08,600 --> 01:06:12,520
Speaker 4: be truthful, truthful, but not truthful about them. People want

1502
01:06:12,520 --> 01:06:14,560
Speaker 4: the truth as long as it's not about them, like

1503
01:06:14,680 --> 01:06:16,760
Speaker 4: and once you know that about this industry, that's why

1504
01:06:17,280 --> 01:06:18,840
Speaker 4: you know y'all give me shit. Why I don't go out,

1505
01:06:18,880 --> 01:06:20,320
Speaker 4: why I don't be around, why don't go to Vince?

1506
01:06:20,360 --> 01:06:22,960
Speaker 4: It's because everybody is fake and if you honest, And

1507
01:06:22,960 --> 01:06:24,640
Speaker 4: then now I have to sit in this chair, my platform,

1508
01:06:24,640 --> 01:06:27,360
Speaker 4: and I have a duty of being honest to my audience.

1509
01:06:27,680 --> 01:06:30,919
Speaker 4: And if I'm honest, somebody's gonna be offended. But I'm

1510
01:06:30,960 --> 01:06:33,720
Speaker 4: not here to be malicious. I'm not here to be disrespectful.

1511
01:06:34,080 --> 01:06:35,840
Speaker 4: I'm here to be honest. I'm here to tell you

1512
01:06:35,840 --> 01:06:37,360
Speaker 4: how I felt about something. I'm here to give you

1513
01:06:37,440 --> 01:06:39,320
Speaker 4: my point of view on it. And if I'm wrong

1514
01:06:39,320 --> 01:06:41,240
Speaker 4: and I missed the mark, when you see me, we

1515
01:06:41,280 --> 01:06:43,640
Speaker 4: can have that conversation say yo, nah, that's not what happened.

1516
01:06:43,680 --> 01:06:46,000
Speaker 4: This is what happened with that. Then I'll gladly come

1517
01:06:46,040 --> 01:06:49,080
Speaker 4: back and say, Yo, we got that wrong, my bad, whatever, whatever.

1518
01:06:49,160 --> 01:06:52,520
Speaker 4: But I don't care about that. Whenever I see Benny,

1519
01:06:52,720 --> 01:06:55,320
Speaker 4: he know he found me. That It's all love. Benny

1520
01:06:55,360 --> 01:06:57,880
Speaker 4: has been, has given me my flowers, and has credited

1521
01:06:57,920 --> 01:07:01,320
Speaker 4: me for you know, helping people come to know who

1522
01:07:01,360 --> 01:07:03,919
Speaker 4: he is and recognize his music and his talent early

1523
01:07:04,160 --> 01:07:07,280
Speaker 4: in his career. Done know what it is conwait, know

1524
01:07:07,360 --> 01:07:09,480
Speaker 4: what it is like. As long as these guys individually

1525
01:07:10,040 --> 01:07:13,120
Speaker 4: know where we stand and know the respect that I

1526
01:07:13,120 --> 01:07:15,040
Speaker 4: have for them, I don't really care about the labels

1527
01:07:15,040 --> 01:07:17,240
Speaker 4: and you know the who sits in the chairs and

1528
01:07:17,320 --> 01:07:19,920
Speaker 4: accept I'm not here to be to be friends with

1529
01:07:20,240 --> 01:07:22,200
Speaker 4: those guys. I'm just not. You know. It's like, Yo,

1530
01:07:22,280 --> 01:07:24,000
Speaker 4: I respect the artists. I fuck with the artists of me,

1531
01:07:24,040 --> 01:07:25,960
Speaker 4: and the artists happened to connect and build a relationship.

1532
01:07:26,360 --> 01:07:28,320
Speaker 4: So be it. If I never meet the person that's

1533
01:07:28,320 --> 01:07:29,920
Speaker 4: in charge of the label or the head of the label.

1534
01:07:30,120 --> 01:07:32,200
Speaker 4: I could care less. I don't give a fuck about that, man.

1535
01:07:32,440 --> 01:07:35,240
Speaker 5: I was walking into the Universal Building years and years

1536
01:07:35,280 --> 01:07:37,560
Speaker 5: and years ago. Wes and Benny walked out with just

1537
01:07:37,600 --> 01:07:40,000
Speaker 5: the two of them, we and the lobby just chopping

1538
01:07:40,040 --> 01:07:43,560
Speaker 5: it up. I'm assuming that they just signed Benny. I

1539
01:07:43,640 --> 01:07:45,840
Speaker 5: was like, Yo, so you and this deal with Wes.

1540
01:07:45,960 --> 01:07:47,520
Speaker 5: He's like, nah, they don't want to fuck with me.

1541
01:07:47,520 --> 01:07:50,680
Speaker 5: I said, wait, they don't want to fuck with you. Now,

1542
01:07:50,680 --> 01:07:51,360
Speaker 5: look where you sound?

1543
01:07:51,520 --> 01:07:54,640
Speaker 4: Yeah? No, all got it right? I mean listen, that's

1544
01:07:54,680 --> 01:07:56,480
Speaker 4: why you gotta just laugh, man. You gotta just laugh

1545
01:07:56,520 --> 01:07:59,200
Speaker 4: unless shit happened the way it happened, and you know

1546
01:07:59,360 --> 01:08:00,760
Speaker 4: it is what it is is. Man. You can't take

1547
01:08:00,800 --> 01:08:03,160
Speaker 4: none of this ship personally. Everything to the chin, nothing

1548
01:08:03,200 --> 01:08:04,520
Speaker 4: to the heart, my nigga.

1549
01:08:05,880 --> 01:08:08,959
Speaker 5: I do feel like he he pulled one of those

1550
01:08:08,960 --> 01:08:12,120
Speaker 5: moves though, because he stole some of our our serious money.

1551
01:08:13,040 --> 01:08:16,479
Speaker 4: Sorry, though life is beautiful. All I did was big

1552
01:08:16,560 --> 01:08:19,800
Speaker 4: up yards. Life is beautiful. But it's all. It's all good.

1553
01:08:20,600 --> 01:08:21,240
Speaker 4: It's fine though.

1554
01:08:21,280 --> 01:08:22,960
Speaker 5: Shout shout out to all of Shady pull.

1555
01:08:23,640 --> 01:08:27,639
Speaker 4: I think that's the staff. Yeah, yo, you good. I'm

1556
01:08:27,680 --> 01:08:30,800
Speaker 4: fine having fun all right? And it was more music

1557
01:08:30,840 --> 01:08:33,479
Speaker 4: though that came out this weekend. More great music. Before

1558
01:08:33,479 --> 01:08:35,600
Speaker 4: we get to music, I have a gift for you

1559
01:08:35,640 --> 01:08:39,479
Speaker 4: as well a gift for me. Oh hell man, Whenever

1560
01:08:39,479 --> 01:08:41,040
Speaker 4: you say he got a gift for me, I get scared.

1561
01:08:43,479 --> 01:08:50,600
Speaker 4: What's the man? I got you the new joints. Oh okay,

1562
01:08:51,439 --> 01:08:55,519
Speaker 4: SELETI he had hit me and ask for my size too.

1563
01:08:55,600 --> 01:08:59,760
Speaker 4: But she's giving gifts out today. Oh dope. I didn't

1564
01:08:59,800 --> 01:09:02,000
Speaker 4: let the up. I just actually picked up the box

1565
01:09:02,400 --> 01:09:06,000
Speaker 4: in the elevator. He had hit me. I felt like

1566
01:09:06,040 --> 01:09:08,000
Speaker 4: you already gave may sneakers. I felt like I had

1567
01:09:08,040 --> 01:09:10,200
Speaker 4: to do something. No, I shout out to man. He

1568
01:09:10,240 --> 01:09:11,880
Speaker 4: had hit me and asked for my size, like he

1569
01:09:11,920 --> 01:09:15,840
Speaker 4: didn't already have it. But I got the he's on. Yeah,

1570
01:09:16,600 --> 01:09:19,360
Speaker 4: support my guys. These are yeah, the fuck with these

1571
01:09:19,840 --> 01:09:22,360
Speaker 4: slave good look and bro got him. Thank you.

1572
01:09:22,720 --> 01:09:26,479
Speaker 5: Fresh Goods and Sile two of my favorite designers probably

1573
01:09:26,520 --> 01:09:30,960
Speaker 5: by far, absolutely, but yes. Staying on music, Alchemist Larry

1574
01:09:31,040 --> 01:09:34,360
Speaker 5: June two chains. Life is beautiful. Yes, I love hearing

1575
01:09:34,400 --> 01:09:37,880
Speaker 5: some grown man fucking rap yep. Talk about paying your bills,

1576
01:09:37,880 --> 01:09:38,840
Speaker 5: taking care of your kids.

1577
01:09:39,040 --> 01:09:42,040
Speaker 4: This was needed, man, listen man. Larry June had one

1578
01:09:42,080 --> 01:09:46,240
Speaker 4: of my favorite projects last year. This project is already

1579
01:09:46,240 --> 01:09:48,559
Speaker 4: one of my favorite projects of the year. Anytime you

1580
01:09:48,560 --> 01:09:51,960
Speaker 4: got Alchemists and Larry together and then two Chains, who

1581
01:09:51,960 --> 01:09:55,960
Speaker 4: I think is criminally underrated as a rapper, saying having

1582
01:09:55,960 --> 01:09:58,959
Speaker 4: two chains on our beats, this is this is a project.

1583
01:09:59,240 --> 01:10:03,360
Speaker 4: These are some sex songs for me, this is yeah, yeah,

1584
01:10:03,400 --> 01:10:05,320
Speaker 4: this is my type is these are these are the

1585
01:10:05,439 --> 01:10:08,400
Speaker 4: sexy songs that's made for me. But your shout out

1586
01:10:08,400 --> 01:10:11,719
Speaker 4: to Uncle Al Larry June to change Life is beautiful.

1587
01:10:12,200 --> 01:10:15,519
Speaker 4: Love this project. Uh. Anytime I'm not listening to some

1588
01:10:15,560 --> 01:10:17,600
Speaker 4: sexy songs for you, I'm playing Life is Beautiful. But

1589
01:10:17,640 --> 01:10:19,120
Speaker 4: I like the way those two sound back to back.

1590
01:10:19,200 --> 01:10:21,320
Speaker 4: Some sexy songs for you and life is beautiful.

1591
01:10:21,400 --> 01:10:25,479
Speaker 5: Yeah, Generation is my ship. I love to see how

1592
01:10:25,720 --> 01:10:27,439
Speaker 5: they were on. It was falling right, wasn't k.

1593
01:10:27,760 --> 01:10:30,439
Speaker 4: Yeah it fallon or Kimmel, I get them mixed up,

1594
01:10:31,160 --> 01:10:33,000
Speaker 4: fucked up. I'm sorry em racist when it comes to

1595
01:10:33,040 --> 01:10:36,040
Speaker 4: the white whites at night, Yeah, whites at night, whites

1596
01:10:36,040 --> 01:10:37,839
Speaker 4: at night under the lights, they all look at stale,

1597
01:10:38,120 --> 01:10:39,000
Speaker 4: they all look the same.

1598
01:10:40,080 --> 01:10:41,960
Speaker 5: I love to see Al just just eating during the

1599
01:10:41,960 --> 01:10:44,800
Speaker 5: whole performance. That was the greatest ship ever and you

1600
01:10:44,840 --> 01:10:46,519
Speaker 5: know they had to like rehearse and all that, and

1601
01:10:46,560 --> 01:10:49,919
Speaker 5: I'll just that's all I'm doing today. Yeah, that performance

1602
01:10:49,960 --> 01:10:50,400
Speaker 5: was amazing.

1603
01:10:50,560 --> 01:10:52,600
Speaker 4: This project is This project is dope though. Man, this

1604
01:10:52,680 --> 01:10:55,599
Speaker 4: is a really really dope project. I'm happy for everything

1605
01:10:55,680 --> 01:10:58,320
Speaker 4: Larry June is doing. Happy to see him, you know,

1606
01:10:58,800 --> 01:11:00,800
Speaker 4: being received by the by the people, and you know,

1607
01:11:00,880 --> 01:11:03,760
Speaker 4: more people's not just under Larry. Don't feel like he's

1608
01:11:03,840 --> 01:11:05,840
Speaker 4: underground anymore. It don't seem like nah, you know what

1609
01:11:05,840 --> 01:11:07,960
Speaker 4: I mean. It's like it's more and more people starting

1610
01:11:07,960 --> 01:11:09,759
Speaker 4: to fuck with them. The amount of people I see

1611
01:11:10,040 --> 01:11:12,120
Speaker 4: liking Larry's pictures in common, I'm like, how you know

1612
01:11:12,160 --> 01:11:15,200
Speaker 4: about Larry June. If Larry June is underground, I'd love

1613
01:11:15,200 --> 01:11:16,799
Speaker 4: to be under you know one thousand.

1614
01:11:18,000 --> 01:11:19,640
Speaker 5: I thought it was just a Bay thing when his

1615
01:11:19,920 --> 01:11:22,639
Speaker 5: previous project came out. When he showed like fifty thousand

1616
01:11:22,680 --> 01:11:25,000
Speaker 5: people coming out for him, and I was like, you know, hometown,

1617
01:11:25,040 --> 01:11:27,360
Speaker 5: I get it. Then I went to the New York

1618
01:11:27,360 --> 01:11:29,519
Speaker 5: ship that sweet chick. Yeah, same amount of people were

1619
01:11:29,600 --> 01:11:30,080
Speaker 5: fucking love.

1620
01:11:30,320 --> 01:11:33,519
Speaker 4: Yeah. Yeah, it's dope. This is not underground. No, it's

1621
01:11:33,520 --> 01:11:37,280
Speaker 4: dope to see Larry getting the respect that he deserves uh.

1622
01:11:37,400 --> 01:11:39,559
Speaker 4: And then again, like I said, Two Chains on Alchemists beats,

1623
01:11:39,600 --> 01:11:40,840
Speaker 4: I'm not. I'm never mad at that.

1624
01:11:40,800 --> 01:11:43,479
Speaker 5: So I hope this encourages Two Chains to finally put

1625
01:11:43,479 --> 01:11:48,720
Speaker 5: out his project with Statics Selector. That's been over ten years.

1626
01:11:48,720 --> 01:11:50,840
Speaker 5: Snattick has played me some of the craziest Two Chains

1627
01:11:50,840 --> 01:11:54,640
Speaker 5: records I've ever heard in my life. There's even a

1628
01:11:54,680 --> 01:11:58,640
Speaker 5: few legends on that ship that they need to put

1629
01:11:58,640 --> 01:12:02,519
Speaker 5: that shit out. Listen, two Chains, one of your homies

1630
01:12:03,680 --> 01:12:06,080
Speaker 5: nas on that shit like that two Chain Statics select

1631
01:12:06,080 --> 01:12:07,320
Speaker 5: The album is insane.

1632
01:12:07,400 --> 01:12:10,040
Speaker 4: No, I keep I always tell people Two Chains anytime

1633
01:12:10,080 --> 01:12:11,760
Speaker 4: I hear him get his balls off, I'm always like

1634
01:12:11,800 --> 01:12:13,800
Speaker 4: he surprises me every time I hear him rap, like

1635
01:12:14,240 --> 01:12:17,439
Speaker 4: I already know Two Chains could really fucking rap. But

1636
01:12:17,600 --> 01:12:20,160
Speaker 4: anytime I hear new music from two Chains and hear

1637
01:12:20,280 --> 01:12:22,599
Speaker 4: some of some of his bars, I'm just like, it's

1638
01:12:22,640 --> 01:12:24,920
Speaker 4: crazy that he's not mentioned more when you start talking

1639
01:12:24,920 --> 01:12:27,240
Speaker 4: about some of the best rappers, like two Chains, to

1640
01:12:27,280 --> 01:12:29,920
Speaker 4: me is definitely one of the best rappers just ball

1641
01:12:29,920 --> 01:12:31,920
Speaker 4: football when you just listen to the shit that he's saying.

1642
01:12:32,360 --> 01:12:34,360
Speaker 4: But this project, from top to bottom, I enjoyed it.

1643
01:12:34,600 --> 01:12:38,240
Speaker 4: Great music, great vibe, great energy, great bars, talking slick

1644
01:12:38,680 --> 01:12:41,559
Speaker 4: talking fly shit. Yeah. And if you ain't, if you

1645
01:12:41,560 --> 01:12:44,160
Speaker 4: didn't download this shit and you listen to it, life

1646
01:12:44,200 --> 01:12:46,880
Speaker 4: is Beautiful available now in your DSPs. You must listen

1647
01:12:46,880 --> 01:12:48,559
Speaker 4: to this if you are a fan of hip hop.

1648
01:12:49,600 --> 01:12:52,720
Speaker 5: Speaking of the Whites at Night wild Segue because it's

1649
01:12:52,760 --> 01:12:53,759
Speaker 5: the Roots, but they're the band.

1650
01:12:55,479 --> 01:12:57,799
Speaker 4: Can we get more flowers to the Roots? Roots Picnic

1651
01:12:57,840 --> 01:13:02,040
Speaker 4: lineup announced again? Yes? What are they? Ten?

1652
01:13:02,080 --> 01:13:04,719
Speaker 5: For ten at this point of the greatest festival lineups

1653
01:13:04,720 --> 01:13:05,200
Speaker 5: of all time?

1654
01:13:05,439 --> 01:13:06,240
Speaker 4: You like that lineup?

1655
01:13:06,280 --> 01:13:06,439
Speaker 2: Hell?

1656
01:13:06,560 --> 01:13:12,280
Speaker 4: Yeah? Di'angelo and Lenny Cravis with Dreams and Nightmares forget

1657
01:13:12,920 --> 01:13:16,280
Speaker 4: Cram performing together like Danelo's gonna perform Dreams of nightmarees

1658
01:13:16,560 --> 01:13:19,040
Speaker 4: with Meek Lenny Kravitz. Is that be playing the guitar

1659
01:13:19,520 --> 01:13:23,439
Speaker 4: on Dreams of Nightmare? I think why I like this

1660
01:13:23,479 --> 01:13:23,680
Speaker 4: a lot?

1661
01:13:23,760 --> 01:13:27,800
Speaker 5: Damarus, because so many, so many festivals had to either downsize,

1662
01:13:27,880 --> 01:13:31,000
Speaker 5: They've had to be completely canceled done. Clearly, they had

1663
01:13:31,040 --> 01:13:35,800
Speaker 5: to downsize a bit, but still have an incredible lineup compared.

1664
01:13:35,439 --> 01:13:37,040
Speaker 4: To what every festival has had to do.

1665
01:13:37,160 --> 01:13:39,160
Speaker 5: They still, in my opinion, lead when it comes to

1666
01:13:39,200 --> 01:13:42,480
Speaker 5: lineups like GEZ doing TM one on one.

1667
01:13:42,600 --> 01:13:44,960
Speaker 4: I'm going to Philly just for that music. Solch out

1668
01:13:45,000 --> 01:13:46,840
Speaker 4: twenty five years of a I just want to sing,

1669
01:13:47,040 --> 01:13:49,439
Speaker 4: come on, I'm not I'm definitely not mad at that.

1670
01:13:49,880 --> 01:13:52,120
Speaker 5: And my favorite shit the Jay period Black Thought. For

1671
01:13:52,160 --> 01:13:54,479
Speaker 5: those that don't know, they do a live mixtape where

1672
01:13:54,479 --> 01:13:57,360
Speaker 5: whatever artists they have, Black Thought does original verses over

1673
01:13:57,400 --> 01:13:59,760
Speaker 5: those beats did with Rick Ross before he's done it

1674
01:13:59,840 --> 01:14:02,439
Speaker 5: with that and mesing Red, Push a Tea and Two

1675
01:14:02,479 --> 01:14:06,040
Speaker 5: Chains this year makes sense fail Black Thought on some

1676
01:14:06,080 --> 01:14:10,120
Speaker 5: of those pushing joints. Yeah, that that's worth the price

1677
01:14:10,160 --> 01:14:11,439
Speaker 5: of mission out the gate.

1678
01:14:11,320 --> 01:14:13,479
Speaker 4: And just talking about again Two Chains being one of

1679
01:14:13,520 --> 01:14:16,400
Speaker 4: the most underrated rappers and now he's on stage with

1680
01:14:16,439 --> 01:14:18,320
Speaker 4: Black Thought rapp and getting this shit off like.

1681
01:14:18,439 --> 01:14:19,600
Speaker 5: And you come on, you're not coming with me to

1682
01:14:19,600 --> 01:14:20,320
Speaker 5: see Jagged Edge.

1683
01:14:21,560 --> 01:14:24,080
Speaker 4: Anytime we could see Jagged Eds listen, I'm in.

1684
01:14:24,160 --> 01:14:25,800
Speaker 5: They could even do the run DMC remix that I

1685
01:14:25,840 --> 01:14:26,320
Speaker 5: wouldn't care.

1686
01:14:27,120 --> 01:14:29,439
Speaker 4: Then you got Kate Trinada. We're not going to k Trinada.

1687
01:14:29,479 --> 01:14:30,880
Speaker 4: Anytime you see Kate Trinada alive.

1688
01:14:31,680 --> 01:14:33,240
Speaker 1: Let me let me tell you something about how Kate

1689
01:14:33,240 --> 01:14:34,240
Speaker 1: Tren how to bring them out.

1690
01:14:34,960 --> 01:14:37,519
Speaker 5: Listen in Philly. Maybe my type two.

1691
01:14:37,560 --> 01:14:40,000
Speaker 4: What date is this June? What May thirty first to

1692
01:14:40,120 --> 01:14:43,840
Speaker 4: June first year second first, something like that. I might

1693
01:14:43,920 --> 01:14:45,640
Speaker 4: have to be there for that. I might have to

1694
01:14:45,640 --> 01:14:47,120
Speaker 4: go down to Philly for that for that weekend.

1695
01:14:47,280 --> 01:14:48,360
Speaker 1: Are we going as a group.

1696
01:14:48,520 --> 01:14:49,960
Speaker 4: I'm definitely. Now, let's do it.

1697
01:14:50,479 --> 01:14:52,120
Speaker 5: I always go to respecting that you guys don't want

1698
01:14:52,160 --> 01:14:52,360
Speaker 5: to come.

1699
01:14:53,160 --> 01:14:55,000
Speaker 4: That's true. You are there every year. I was, this

1700
01:14:55,439 --> 01:14:55,880
Speaker 4: is my ship.

1701
01:14:56,000 --> 01:14:59,439
Speaker 5: Yeah, and I do my Karen shit I last year,

1702
01:14:59,439 --> 01:15:01,800
Speaker 5: two years I got writing in the fucking festival with

1703
01:15:02,439 --> 01:15:02,880
Speaker 5: the Manza.

1704
01:15:03,120 --> 01:15:04,800
Speaker 4: Yeah, but you want the Trump is in office now,

1705
01:15:04,840 --> 01:15:06,639
Speaker 4: you can't get away with that just driving in the festival.

1706
01:15:06,680 --> 01:15:09,719
Speaker 4: Shit no more. Yeah, blow, They'll blow that fucking Maza.

1707
01:15:09,840 --> 01:15:11,120
Speaker 4: They'll blow that Masa the Smith.

1708
01:15:12,000 --> 01:15:16,439
Speaker 5: I'm a dream chaser, all right, Okay, Now I saw

1709
01:15:16,479 --> 01:15:19,799
Speaker 5: people kind of clowning, like Meek being next to Dangel

1710
01:15:19,840 --> 01:15:23,240
Speaker 5: and Hnny Cravis. Y'all have meet fucked up Philly in

1711
01:15:23,280 --> 01:15:25,519
Speaker 5: the summertime. Meek Mill that said is gonna be crazy.

1712
01:15:25,960 --> 01:15:26,000
Speaker 2: No.

1713
01:15:26,120 --> 01:15:28,559
Speaker 4: Yeah, I don't like how people play with Meek's name

1714
01:15:28,600 --> 01:15:28,760
Speaker 4: like that.

1715
01:15:28,840 --> 01:15:31,559
Speaker 1: Honestly, that was the name I was most excited about.

1716
01:15:31,680 --> 01:15:34,200
Speaker 1: Like that is what would get me to's picnic? Would

1717
01:15:34,240 --> 01:15:37,320
Speaker 1: it would be Meek, not Big Mama, not Lotto. I

1718
01:15:37,439 --> 01:15:42,160
Speaker 1: seen Lotto at Barclay's. I've seen her down the street. Okay, Glory,

1719
01:15:42,640 --> 01:15:44,720
Speaker 1: but if I go, of course, obviously I would love

1720
01:15:44,760 --> 01:15:46,400
Speaker 1: to see Lottle. I would love to see Global. I've

1721
01:15:46,400 --> 01:15:46,920
Speaker 1: never seen.

1722
01:15:46,720 --> 01:15:48,840
Speaker 4: Glow and Miguel. I haven't seen Miguel perform since the

1723
01:15:49,120 --> 01:15:53,240
Speaker 4: leg dropped that unexpected victim many years ago. We need

1724
01:15:53,280 --> 01:15:55,160
Speaker 4: to wear they now, Yeah, like, how is she doing?

1725
01:15:55,160 --> 01:15:56,920
Speaker 4: We don't talk about where that lady is, where she

1726
01:15:56,960 --> 01:16:00,559
Speaker 4: got in her life. Hopefully she's fine and her neck

1727
01:16:00,680 --> 01:16:02,479
Speaker 4: is not still broken.

1728
01:16:03,400 --> 01:16:07,440
Speaker 1: That Layla performing that, damn, that's just not my problem.

1729
01:16:07,479 --> 01:16:09,160
Speaker 1: The kids are gonna fucking lose their mind.

1730
01:16:10,120 --> 01:16:12,639
Speaker 4: And come on the roots doing do you want more this?

1731
01:16:12,640 --> 01:16:15,160
Speaker 4: This is gonna be a great weekend, Rahiem DeVaughn.

1732
01:16:15,360 --> 01:16:17,320
Speaker 1: So we going are we gonna show Josh the ropes?

1733
01:16:17,640 --> 01:16:19,479
Speaker 1: How we get down and we together as a crew.

1734
01:16:19,600 --> 01:16:21,760
Speaker 5: Well, now I can't just drive my fucking card onto

1735
01:16:21,800 --> 01:16:24,360
Speaker 5: the festival ground. So he's gonna get a diet version.

1736
01:16:25,040 --> 01:16:26,760
Speaker 5: You're gonna go wait in line like weirdos.

1737
01:16:27,800 --> 01:16:28,840
Speaker 4: Yeah, no, we can't do that.

1738
01:16:28,920 --> 01:16:31,040
Speaker 1: Rory does not wait in line. Let me tell y'all something.

1739
01:16:31,600 --> 01:16:33,360
Speaker 1: If there's something Roy don't do is wait in line.

1740
01:16:33,800 --> 01:16:35,599
Speaker 5: I'm not a boogie person, but when it comes to lines,

1741
01:16:35,640 --> 01:16:36,280
Speaker 5: I'm not doing that shit.

1742
01:16:36,760 --> 01:16:38,360
Speaker 4: I don't blame I'm not you think I'm going to

1743
01:16:38,360 --> 01:16:40,840
Speaker 4: Philly to wait in the line. Listen, I'm not waiting

1744
01:16:40,920 --> 01:16:44,559
Speaker 4: no line. Listen, Man, call what's his name?

1745
01:16:44,800 --> 01:16:45,240
Speaker 1: What's her name?

1746
01:16:45,360 --> 01:16:47,080
Speaker 4: Yeah, call what's his name? Tell them we out here

1747
01:16:47,080 --> 01:16:47,639
Speaker 4: in the front man.

1748
01:16:47,800 --> 01:16:49,240
Speaker 5: I was on the phone with w on me when

1749
01:16:49,240 --> 01:16:51,000
Speaker 5: they gave me my passes for the other roots ship.

1750
01:16:51,600 --> 01:16:55,439
Speaker 5: I was like, I'm right at the barricades with the cop. Yeah,

1751
01:16:55,479 --> 01:16:56,840
Speaker 5: working on your parking past, and I was gonna run

1752
01:16:56,840 --> 01:16:58,320
Speaker 5: it out to you. I was like, not waiting for

1753
01:16:58,320 --> 01:17:00,960
Speaker 5: the ship, told the cop you I'm induction, and just

1754
01:17:01,080 --> 01:17:03,920
Speaker 5: gasped the fucking Mazda to fifteen miles an hour.

1755
01:17:04,080 --> 01:17:07,919
Speaker 4: There you go, got right through that shit. I'm in production.

1756
01:17:08,600 --> 01:17:10,799
Speaker 4: Pease get the lamb that's going you need.

1757
01:17:10,680 --> 01:17:13,240
Speaker 5: It, because I mean, once you got past that, you

1758
01:17:13,280 --> 01:17:15,679
Speaker 5: were already in. So I was like, he's on foot,

1759
01:17:15,760 --> 01:17:17,559
Speaker 5: like he was gonna chase me down. He has to

1760
01:17:17,600 --> 01:17:18,200
Speaker 5: direct traffic.

1761
01:17:18,560 --> 01:17:20,760
Speaker 4: No, that's so good. We'll be there shout out to

1762
01:17:20,760 --> 01:17:22,479
Speaker 4: the roots picnic. Though that is a good lineup. I

1763
01:17:22,520 --> 01:17:24,000
Speaker 4: do want to see that, so I might have to

1764
01:17:24,080 --> 01:17:26,200
Speaker 4: go down to Philly for that Paramount Park.

1765
01:17:26,600 --> 01:17:29,200
Speaker 5: We brought up Joey Badass before. I believe he puts

1766
01:17:29,200 --> 01:17:29,519
Speaker 5: out a.

1767
01:17:29,439 --> 01:17:30,040
Speaker 4: Record at midnight.

1768
01:17:30,800 --> 01:17:33,439
Speaker 5: I mean, when this comes out, you'd already hear it. Well,

1769
01:17:33,600 --> 01:17:36,840
Speaker 5: I've respected that Joey's been shooting at everyone. That's my guy,

1770
01:17:37,120 --> 01:17:40,280
Speaker 5: stand up for New York. But he's been dissing the

1771
01:17:40,280 --> 01:17:44,200
Speaker 5: wrong person. Man, he shouldn't have smoke for rappers. Man,

1772
01:17:44,280 --> 01:17:48,599
Speaker 5: if somebody start harmonizing about my wife that's pregnant, everybody

1773
01:17:48,720 --> 01:17:51,200
Speaker 5: dying and that's on Flatbush.

1774
01:17:51,240 --> 01:17:54,599
Speaker 4: Listen, wait, what what's happened? To see? Just the part

1775
01:17:54,640 --> 01:17:56,880
Speaker 4: of the internet I don't see because I'm just not

1776
01:17:56,920 --> 01:17:59,160
Speaker 4: clicking on this true, I'm not clicking on servain shit.

1777
01:17:59,640 --> 01:17:59,960
Speaker 4: Go ahead.

1778
01:18:00,160 --> 01:18:04,440
Speaker 1: Jacob Blatimore is currently going viral for singing about allegedly

1779
01:18:04,479 --> 01:18:08,360
Speaker 1: about Joey Badass's current girlfriend and you know, mother of

1780
01:18:08,400 --> 01:18:11,120
Speaker 1: his child, basically saying I think in the song he

1781
01:18:11,200 --> 01:18:13,160
Speaker 1: said like I couldn't give you a baby, or I

1782
01:18:13,240 --> 01:18:15,519
Speaker 1: wasn't ready for a baby, something along those lines. Because

1783
01:18:15,560 --> 01:18:17,840
Speaker 1: she just say or saya, I don't want to, you know,

1784
01:18:18,000 --> 01:18:20,000
Speaker 1: mispronounce her name. She just announced that she's pregnant with

1785
01:18:20,080 --> 01:18:23,160
Speaker 1: Joey badass. Congratulations to them, but her ex, you know

1786
01:18:23,200 --> 01:18:25,200
Speaker 1: he's getting this ship off saying I'm sorry I couldn't

1787
01:18:25,240 --> 01:18:27,320
Speaker 1: give you a baby.

1788
01:18:27,640 --> 01:18:31,320
Speaker 4: I love Jacob Blatimore. I think he's extremely talented. For sure.

1789
01:18:31,439 --> 01:18:35,800
Speaker 4: Everybody dying if he's if somebody singing to your ex,

1790
01:18:36,479 --> 01:18:37,080
Speaker 4: to your girl.

1791
01:18:37,120 --> 01:18:40,160
Speaker 5: The only thing, the only thing aboard is Jacob yo.

1792
01:18:42,000 --> 01:18:43,720
Speaker 4: See you you have that one for free?

1793
01:18:44,000 --> 01:18:44,160
Speaker 3: Far.

1794
01:18:45,000 --> 01:18:46,920
Speaker 4: No, Joey don't want that. He don't want that ball.

1795
01:18:47,360 --> 01:18:49,800
Speaker 4: I promise you the whole that job. Promise you. Joey

1796
01:18:49,840 --> 01:18:52,439
Speaker 4: don't need that bar. No, he's not taking it there. No,

1797
01:18:53,120 --> 01:18:54,920
Speaker 4: but wait, so you wouldn't find that weird?

1798
01:18:55,360 --> 01:18:56,040
Speaker 1: Yes, a little?

1799
01:18:56,160 --> 01:18:57,519
Speaker 4: I mean listen, of.

1800
01:18:57,439 --> 01:18:59,120
Speaker 5: Course I'm joking, but I would still look at that like,

1801
01:18:59,160 --> 01:18:59,519
Speaker 5: but how.

1802
01:18:59,400 --> 01:19:01,479
Speaker 4: Do we let it go? But how do we know? See?

1803
01:19:01,680 --> 01:19:03,320
Speaker 4: And this is why I don't like the internet. How

1804
01:19:03,320 --> 01:19:04,839
Speaker 4: do we know that this is what Jake and Lattimore

1805
01:19:04,920 --> 01:19:06,519
Speaker 4: is doing? We don't know this is And That's what

1806
01:19:06,520 --> 01:19:08,160
Speaker 4: I'm saying. Why are we putting this on his Jack

1807
01:19:08,200 --> 01:19:11,080
Speaker 4: we're pumping. This song could be so old because of

1808
01:19:11,120 --> 01:19:12,760
Speaker 4: the time, and that's what I'm saying. But this song

1809
01:19:12,800 --> 01:19:13,920
Speaker 4: could be so old.

1810
01:19:14,120 --> 01:19:17,959
Speaker 1: Why we release why did he release like that snippet

1811
01:19:18,000 --> 01:19:23,120
Speaker 1: that part this performance hit after right after that information Because.

1812
01:19:23,280 --> 01:19:25,759
Speaker 4: For exactly what we're doing, people will start talking exactly.

1813
01:19:25,800 --> 01:19:27,400
Speaker 1: So if you want people to talk about it, we're

1814
01:19:27,400 --> 01:19:29,000
Speaker 1: gonna talk. And one of the people that's gonna talk

1815
01:19:29,120 --> 01:19:31,040
Speaker 1: is Joey Badass. No nigga, don't sing to my bitch.

1816
01:19:31,040 --> 01:19:33,479
Speaker 4: So wait, the song that Joey Badass is putting out

1817
01:19:33,479 --> 01:19:34,519
Speaker 4: tonight isn't respond Tob.

1818
01:19:34,800 --> 01:19:38,080
Speaker 5: It's not about say Joey going crazy about say Joey.

1819
01:19:39,360 --> 01:19:41,439
Speaker 4: Joey know, I fuck with him. I fuck with Joey,

1820
01:19:41,520 --> 01:19:43,240
Speaker 4: But if that's what he was doing right here, he's

1821
01:19:43,240 --> 01:19:46,040
Speaker 4: going crazy. We can't just respond to everything, joe We

1822
01:19:46,080 --> 01:19:47,400
Speaker 4: can't do that. But people are.

1823
01:19:47,280 --> 01:19:50,240
Speaker 1: On Jacob Blatimore's ass and like saying that it's corny

1824
01:19:50,240 --> 01:19:52,519
Speaker 1: and this, this, this, this and that and I feel

1825
01:19:52,560 --> 01:19:55,599
Speaker 1: like R and B is dying and like this, how

1826
01:19:55,640 --> 01:19:57,120
Speaker 1: you bring it back? We got to go back to the

1827
01:19:57,160 --> 01:19:59,400
Speaker 1: niggas singing about the person they lost, just because we

1828
01:19:59,479 --> 01:20:01,559
Speaker 1: know that him, like that don't mean nothing makes right

1829
01:20:01,640 --> 01:20:02,920
Speaker 1: songs about the people you lost?

1830
01:20:02,920 --> 01:20:04,720
Speaker 4: About how and why don't people say R and B

1831
01:20:04,840 --> 01:20:07,400
Speaker 4: is dying? I hate that because there's some really great R.

1832
01:20:07,320 --> 01:20:10,600
Speaker 5: And B traditional RMB, traditional R and B, which is

1833
01:20:11,360 --> 01:20:15,400
Speaker 5: like by data is a fact unfortunately. But imagine if

1834
01:20:15,439 --> 01:20:17,519
Speaker 5: Jacob wrote this shit about a completely different girl and

1835
01:20:17,520 --> 01:20:20,760
Speaker 5: then saw that pregnancy revealed, was like, fuck, I still

1836
01:20:20,760 --> 01:20:22,280
Speaker 5: got to still gotta roll this record out.

1837
01:20:22,479 --> 01:20:25,200
Speaker 4: Because Jacob probably like y'all, I got bitches like yo,

1838
01:20:26,479 --> 01:20:28,759
Speaker 4: just because y'all know about one, Like I got wild

1839
01:20:28,760 --> 01:20:32,120
Speaker 4: bitches that's pregnant right now, Like Jacob is an R

1840
01:20:32,160 --> 01:20:35,200
Speaker 4: and B dude, you know fairly hands I'm bugging, I

1841
01:20:35,200 --> 01:20:37,240
Speaker 4: got wild bitches pregnant right now. I'm not saying he

1842
01:20:37,280 --> 01:20:39,719
Speaker 4: got I'm just saying, like he got exs that's pregnant

1843
01:20:39,800 --> 01:20:41,160
Speaker 4: right now. Like you know, you got to be about

1844
01:20:41,160 --> 01:20:43,120
Speaker 4: the one girl that y'all want to paint it to

1845
01:20:43,120 --> 01:20:45,760
Speaker 4: be about, Like y'all got Jacob Latimore, you know, he

1846
01:20:46,240 --> 01:20:48,080
Speaker 4: handsome R and B dude, Like he got some women.

1847
01:20:48,160 --> 01:20:51,479
Speaker 4: You got some extras out there, yeah, but not ones

1848
01:20:51,479 --> 01:20:52,360
Speaker 4: that just revealed that ship.

1849
01:20:53,920 --> 01:20:55,840
Speaker 1: Your timing is just a little bit too you know

1850
01:20:56,479 --> 01:20:57,439
Speaker 1: what was too perfect?

1851
01:20:57,720 --> 01:21:00,920
Speaker 5: All right, So what's the Joey Barlin he gotta throw

1852
01:21:01,000 --> 01:21:04,559
Speaker 5: like a little what what Jason Derulo say, only spark

1853
01:21:04,600 --> 01:21:06,000
Speaker 5: I need is to light a blunt or whatever.

1854
01:21:06,000 --> 01:21:09,080
Speaker 4: You gotta give one of those. No, he don't know.

1855
01:21:09,320 --> 01:21:12,000
Speaker 4: Joey does not have to do that. No, there's so

1856
01:21:12,080 --> 01:21:13,920
Speaker 4: much you could do with Latimore. Yeah, but don't, don't

1857
01:21:13,960 --> 01:21:17,400
Speaker 4: he don't. He don't have to do anything. Joey, congrats

1858
01:21:17,439 --> 01:21:18,920
Speaker 4: on your union. You could say you.

1859
01:21:20,520 --> 01:21:22,720
Speaker 1: Want pregnant, but this nigga got more in sickness when

1860
01:21:22,760 --> 01:21:24,160
Speaker 1: you see us, and you know, like.

1861
01:21:25,080 --> 01:21:29,040
Speaker 4: Why No, No, I don't know. Leave this man alone

1862
01:21:29,120 --> 01:21:32,320
Speaker 4: to find something in the book of Jacob to go

1863
01:21:32,560 --> 01:21:36,800
Speaker 4: deep's really take leave Jacob Latimore alone, Joey, whatever song

1864
01:21:36,840 --> 01:21:39,160
Speaker 4: you're putting out, please don't let it be about Jacob Latimore.

1865
01:21:39,400 --> 01:21:41,880
Speaker 4: That's all I ask. Why, you know, because we don't

1866
01:21:41,920 --> 01:21:44,479
Speaker 4: need that ship man, but we want it. No, No,

1867
01:21:44,600 --> 01:21:46,760
Speaker 4: we don't, man know, we don't. We're gonna we're gonna

1868
01:21:46,920 --> 01:21:48,800
Speaker 4: listen to that ship for one day, talk about it

1869
01:21:48,920 --> 01:21:50,559
Speaker 4: and be hard.

1870
01:21:50,560 --> 01:21:52,200
Speaker 1: We're gonna listen to.

1871
01:21:51,760 --> 01:21:55,759
Speaker 4: No man press to press to Joey and and Soria

1872
01:21:55,840 --> 01:22:00,479
Speaker 4: Sorea Saraia, I'm sorry Jacob's too.

1873
01:22:01,080 --> 01:22:03,320
Speaker 1: You know, I'm watching your prayers.

1874
01:22:03,400 --> 01:22:06,200
Speaker 5: Is a crazy thing to say prayers to the what

1875
01:22:06,280 --> 01:22:07,760
Speaker 5: you mean for that baby.

1876
01:22:08,000 --> 01:22:11,360
Speaker 4: I'm not praying for Jacob Latimer. I'm praying for the

1877
01:22:11,680 --> 01:22:13,800
Speaker 4: health in it, in the wealth of the baby. I'm

1878
01:22:13,840 --> 01:22:14,520
Speaker 4: not paying.

1879
01:22:14,600 --> 01:22:16,720
Speaker 1: Always doing that, but like, why he heartbroken?

1880
01:22:16,880 --> 01:22:19,760
Speaker 4: Don't edit Jacob Latimer heart you.

1881
01:22:19,760 --> 01:22:22,280
Speaker 1: Today you found out your favorite bitch got pregnant. Don't

1882
01:22:22,320 --> 01:22:24,120
Speaker 1: do that.

1883
01:22:24,560 --> 01:22:26,760
Speaker 4: I was upset. If we're gonna tell it, tell it all.

1884
01:22:26,880 --> 01:22:29,599
Speaker 4: Was I upset? Or was I like, Yo, that's crazy,

1885
01:22:29,640 --> 01:22:31,679
Speaker 4: like I dodged a bullet if she would do that?

1886
01:22:32,880 --> 01:22:36,519
Speaker 4: Which one was it? I wasn't upset. I was more like, damn,

1887
01:22:36,600 --> 01:22:38,439
Speaker 4: like if that's the type of chick she is, I'm

1888
01:22:38,439 --> 01:22:40,680
Speaker 4: glad it wasn't with me. But I wasn't in here

1889
01:22:40,760 --> 01:22:45,439
Speaker 4: like yo, man, my chest dog. Yeah, but how cool

1890
01:22:45,439 --> 01:22:49,320
Speaker 4: you are? That's your version of saying all my chest hurts. No, no, no,

1891
01:22:50,080 --> 01:22:52,720
Speaker 4: this I know it's a whole it's a whole different thing.

1892
01:22:52,840 --> 01:22:54,240
Speaker 4: It was a whole different thing. It was a chick

1893
01:22:54,280 --> 01:22:57,439
Speaker 4: you gotta crush on or like extra joint. No, I

1894
01:22:57,439 --> 01:23:00,200
Speaker 4: was a chicken. I was fucking with Okay, Yeah he

1895
01:23:00,200 --> 01:23:02,720
Speaker 4: was sick, It's cool. I wasn't sick. I was. I

1896
01:23:02,760 --> 01:23:04,519
Speaker 4: was surprised at the move, but I wasn't sick though.

1897
01:23:04,720 --> 01:23:06,519
Speaker 5: Did the timelines match up? Did you have like a

1898
01:23:06,600 --> 01:23:10,240
Speaker 5: thought like maybe maybe what it could have been yours?

1899
01:23:10,439 --> 01:23:14,200
Speaker 4: Not hell? Nah? No, definitely wasn't mine. No, did you

1900
01:23:14,840 --> 01:23:17,760
Speaker 4: like wish your congrats? Yeah? In the song for him? No,

1901
01:23:17,800 --> 01:23:20,720
Speaker 4: not a song for him, No text for him, that's

1902
01:23:20,840 --> 01:23:22,240
Speaker 4: my song. Will text, y'all text.

1903
01:23:22,120 --> 01:23:24,120
Speaker 5: You See, I don't even do that type of shit.

1904
01:23:24,479 --> 01:23:27,519
Speaker 5: As much as I like X Chicks that I'm still

1905
01:23:27,560 --> 01:23:29,679
Speaker 5: even cool with, I feel like that's.

1906
01:23:29,520 --> 01:23:30,600
Speaker 4: A weird territory.

1907
01:23:30,800 --> 01:23:33,800
Speaker 5: Just say congrats, yeah, man, because that they it's a

1908
01:23:33,800 --> 01:23:37,759
Speaker 5: family now, Like, leave that ship alone, even if it's innocent,

1909
01:23:37,800 --> 01:23:37,960
Speaker 5: you know.

1910
01:23:37,920 --> 01:23:40,680
Speaker 4: And I didn't say what you're doing tonight? I said congrats?

1911
01:23:41,240 --> 01:23:45,760
Speaker 5: Yeah, you can fuck up households. People are sensitive. Yeah,

1912
01:23:45,800 --> 01:23:48,960
Speaker 5: but if you couldn't, why your ex dude texting that ship?

1913
01:23:49,000 --> 01:23:51,479
Speaker 1: See you gotta understand mar Rory's thinking about thinking as

1914
01:23:51,479 --> 01:23:54,000
Speaker 1: somebody who just had the baby, so in his head,

1915
01:23:54,000 --> 01:23:56,640
Speaker 1: he like yo for Nika would have text my bitch congratulations.

1916
01:23:56,680 --> 01:23:58,880
Speaker 4: So I'm sure someone did. I don't know about it.

1917
01:23:58,880 --> 01:24:01,479
Speaker 5: But that's why I don't go through phones, because once

1918
01:24:01,479 --> 01:24:03,559
Speaker 5: I know about it, everybody's aborted.

1919
01:24:04,280 --> 01:24:09,840
Speaker 4: But it's not like if it's a situation where I think,

1920
01:24:09,880 --> 01:24:12,760
Speaker 4: if it's a toxic situation, like y'all broke up and

1921
01:24:12,800 --> 01:24:14,800
Speaker 4: it was like a crazy breakup, and like you know,

1922
01:24:14,840 --> 01:24:17,519
Speaker 4: it was one of those like nasty breakups, and then

1923
01:24:17,560 --> 01:24:19,760
Speaker 4: you reach out to my new Bay models to try

1924
01:24:19,800 --> 01:24:21,920
Speaker 4: to congratulate her, then I can understand. But if like

1925
01:24:22,000 --> 01:24:24,840
Speaker 4: there it was like a healthy breakup. His positive energy

1926
01:24:24,880 --> 01:24:27,800
Speaker 4: between them is no beef, there's no issues, there's no disrespect. Yeah,

1927
01:24:27,840 --> 01:24:28,760
Speaker 4: I don't see nothing wrong with that.

1928
01:24:29,000 --> 01:24:33,320
Speaker 5: And listen, I'm a petty, unhealed human being, So I'm

1929
01:24:33,320 --> 01:24:36,800
Speaker 5: not here saying that I don't do some of those

1930
01:24:36,800 --> 01:24:38,720
Speaker 5: things with a conniving tone. But when it comes to

1931
01:24:38,800 --> 01:24:42,679
Speaker 5: like marriage and babies, I stay away from that. Even

1932
01:24:42,720 --> 01:24:46,040
Speaker 5: with innocent congrats, I keep to myself, I think about it.

1933
01:24:46,439 --> 01:24:50,400
Speaker 4: Congrats. Yeah that's where it's left. Okay, Yeah, that's a

1934
01:24:50,520 --> 01:24:54,040
Speaker 4: little congratulations. Congratulations on the you know, as a chick.

1935
01:24:54,080 --> 01:24:57,280
Speaker 5: Ever told you that you were part of the reason

1936
01:24:57,320 --> 01:25:02,400
Speaker 5: for her breakup, like of her current relationship? Yeah, like

1937
01:25:03,200 --> 01:25:05,360
Speaker 5: she she got out the relationship and then y'all catching

1938
01:25:05,439 --> 01:25:08,120
Speaker 5: up or whatever, and she's like, it'll just let you know.

1939
01:25:08,200 --> 01:25:10,760
Speaker 5: Like my man went through my phone and saw like

1940
01:25:10,800 --> 01:25:12,400
Speaker 5: some of our text message from back in the day,

1941
01:25:12,439 --> 01:25:16,040
Speaker 5: like you was or whatever, like she was faithful, but

1942
01:25:16,120 --> 01:25:19,080
Speaker 5: there was still stuff that like you were part of

1943
01:25:19,080 --> 01:25:19,479
Speaker 5: the reason.

1944
01:25:19,600 --> 01:25:23,759
Speaker 4: Absolutely. Yeah, girl has told me she boy from Brogodo

1945
01:25:23,840 --> 01:25:28,080
Speaker 4: because I had put money bags on the pictures. I

1946
01:25:28,120 --> 01:25:31,479
Speaker 4: didn't even know this girl relationship was fall no, but

1947
01:25:31,520 --> 01:25:35,599
Speaker 4: she touched what I'm saying, like, so yeah, a text. Absolutely, Absolutely,

1948
01:25:35,640 --> 01:25:37,040
Speaker 4: the girls have told me that, Like, yo, he went

1949
01:25:37,080 --> 01:25:39,200
Speaker 4: through my phone saw that we was like you know,

1950
01:25:39,520 --> 01:25:41,519
Speaker 4: and it wasn't like no crazy conversation. It was the

1951
01:25:41,520 --> 01:25:44,080
Speaker 4: fact that we were still in communication with each other,

1952
01:25:44,280 --> 01:25:47,360
Speaker 4: but it would be like real like cool shit like yo,

1953
01:25:48,880 --> 01:25:51,160
Speaker 4: the movie the movie saw Yo, that girl is another

1954
01:25:51,200 --> 01:25:54,400
Speaker 4: movie now and shit like that, Like it wasn't no, yo,

1955
01:25:54,520 --> 01:25:56,800
Speaker 4: you're still with him, damn, Like Yo, it's not y'all

1956
01:25:56,880 --> 01:25:58,960
Speaker 4: y'all happy. I don't be. I'm not one of those

1957
01:25:58,960 --> 01:25:59,760
Speaker 4: type of guys I don't do.

1958
01:26:00,320 --> 01:26:02,400
Speaker 1: So tell me. I need y'all opinion on this. Tell

1959
01:26:02,439 --> 01:26:03,000
Speaker 1: me if I'm.

1960
01:26:02,880 --> 01:26:05,320
Speaker 4: Because that just baby just be weak four minutes.

1961
01:26:05,960 --> 01:26:08,720
Speaker 1: Let's letten. Let's get at one point when I was

1962
01:26:08,720 --> 01:26:12,200
Speaker 1: in a relationship, right there was the y'all remember the

1963
01:26:12,200 --> 01:26:14,680
Speaker 1: Gucci in the what you McCall it battle? That the

1964
01:26:14,720 --> 01:26:17,679
Speaker 1: Gucci and uh gez that made us all like anxious

1965
01:26:17,680 --> 01:26:18,479
Speaker 1: when we were watching it.

1966
01:26:18,760 --> 01:26:20,479
Speaker 4: I'd love to see where this is about to go.

1967
01:26:20,600 --> 01:26:23,160
Speaker 1: No, So I was watching it with my significant other

1968
01:26:23,760 --> 01:26:27,320
Speaker 1: Leon and X of my shut up, and X of

1969
01:26:27,360 --> 01:26:29,879
Speaker 1: mine called me because he knew he knew how passionate,

1970
01:26:30,120 --> 01:26:31,800
Speaker 1: you know, I was about that stuff at the time,

1971
01:26:31,840 --> 01:26:33,479
Speaker 1: and at the time, I didn't have a podcast to

1972
01:26:33,520 --> 01:26:35,760
Speaker 1: talk about those things, so people would just call me

1973
01:26:35,760 --> 01:26:37,880
Speaker 1: and ask me my opinion. So he called me during

1974
01:26:37,960 --> 01:26:40,240
Speaker 1: the battle to talk to me about the battle. So

1975
01:26:40,320 --> 01:26:40,960
Speaker 1: I got up.

1976
01:26:41,000 --> 01:26:42,920
Speaker 4: Wait wait wait, wait, wait, slow down, baby, d Your

1977
01:26:43,120 --> 01:26:46,000
Speaker 4: X called you to talk to you about the verses. Yes,

1978
01:26:46,280 --> 01:26:48,920
Speaker 4: while the verses was happening. Yes, were you in a

1979
01:26:48,960 --> 01:26:49,760
Speaker 4: new relationship?

1980
01:26:50,000 --> 01:26:53,400
Speaker 1: Yes, proceed Okay, So I got up because we were

1981
01:26:53,439 --> 01:26:55,160
Speaker 1: watching the you know, we were watching it on TV.

1982
01:26:55,320 --> 01:26:56,800
Speaker 1: I got up, got up and walked out of the

1983
01:26:56,800 --> 01:26:59,080
Speaker 1: living room not to be rude, and talked on the

1984
01:26:59,080 --> 01:26:59,880
Speaker 1: phone in the kitchen.

1985
01:27:00,200 --> 01:27:04,559
Speaker 4: Nah nah, nah, nah, nah, nah, baby d We not

1986
01:27:04,920 --> 01:27:08,280
Speaker 4: doing that. We not doing that. I'm gonna call you

1987
01:27:08,320 --> 01:27:10,720
Speaker 4: out where you're wrong at. You got up? All right,

1988
01:27:10,840 --> 01:27:12,880
Speaker 4: hold on because I might be jumping to hold on

1989
01:27:12,960 --> 01:27:14,960
Speaker 4: now I'm on Aaron's side and this hold on, yep,

1990
01:27:15,040 --> 01:27:17,760
Speaker 4: hold on, shut up, hold on? You got up? Was

1991
01:27:17,800 --> 01:27:22,280
Speaker 4: you home with your current boyfriend? Yeah, I'm not baby date. Stop.

1992
01:27:22,520 --> 01:27:24,880
Speaker 4: Don't play like that. You know that's disrespectful.

1993
01:27:25,320 --> 01:27:27,240
Speaker 1: So hear me out right, hear me out.

1994
01:27:27,240 --> 01:27:29,880
Speaker 4: No, I'm about to air you out. I'm not. I'm

1995
01:27:29,880 --> 01:27:30,760
Speaker 4: about to hear you.

1996
01:27:30,680 --> 01:27:33,599
Speaker 1: Out me and this Okay, so this was what year?

1997
01:27:33,640 --> 01:27:35,360
Speaker 1: Was that battle twenty twenty one or twenty twenty?

1998
01:27:35,400 --> 01:27:38,800
Speaker 4: I think I saw that pandemic twenty I think it was.

1999
01:27:40,479 --> 01:27:44,960
Speaker 1: Me and this person have not dated since twenty fifteen, right,

2000
01:27:45,040 --> 01:27:47,639
Speaker 1: but we cool, like that's the homie, like we're cool.

2001
01:27:47,960 --> 01:27:50,200
Speaker 1: This person my my, the person I was dating at

2002
01:27:50,240 --> 01:27:53,439
Speaker 1: the time knew like, okay, this person is her ex whatever,

2003
01:27:53,479 --> 01:27:56,559
Speaker 1: that they're cool. Right. He knew this. So when I

2004
01:27:56,600 --> 01:27:59,200
Speaker 1: got up, Yes, I left the room and went into

2005
01:27:59,240 --> 01:28:00,720
Speaker 1: the kitchen. You could still here that I was on

2006
01:28:00,800 --> 01:28:03,880
Speaker 1: the phone. I didn't run, but you're watching something on

2007
01:28:03,920 --> 01:28:07,080
Speaker 1: television I'm not gonna sit up there and be talking

2008
01:28:07,160 --> 01:28:07,719
Speaker 1: on the phone.

2009
01:28:07,800 --> 01:28:09,560
Speaker 4: He was like, well, hold, you need a room. It

2010
01:28:09,640 --> 01:28:12,200
Speaker 4: was about the fact that I pause, pause, paus pause.

2011
01:28:12,400 --> 01:28:15,240
Speaker 4: It was just you and your boyfriend and then watch versus. Yes,

2012
01:28:15,320 --> 01:28:17,000
Speaker 4: so now you get up and he's in the liv

2013
01:28:17,040 --> 01:28:20,240
Speaker 4: room by itself. Yes, you're dead wrong baby, I'm okay,

2014
01:28:20,280 --> 01:28:22,640
Speaker 4: I'm gonna keep it. I'm gonna keep it. You'll take

2015
01:28:22,680 --> 01:28:24,880
Speaker 4: that you left your boyfriend in the living room to

2016
01:28:24,920 --> 01:28:26,520
Speaker 4: watch Jezy and Gucci.

2017
01:28:26,240 --> 01:28:28,640
Speaker 1: Versus the phone for less than three minutes. It was

2018
01:28:28,680 --> 01:28:30,680
Speaker 1: not a long phone conversation. It was so why I

2019
01:28:30,720 --> 01:28:32,760
Speaker 1: get up and go on to the room, because I

2020
01:28:32,800 --> 01:28:35,200
Speaker 1: didn't want to be rude. You're watching something on television.

2021
01:28:35,320 --> 01:28:36,080
Speaker 1: I think that that's room.

2022
01:28:36,120 --> 01:28:37,400
Speaker 4: I don't know why I say, yo, let me call

2023
01:28:37,439 --> 01:28:38,240
Speaker 4: you when the battles over.

2024
01:28:38,720 --> 01:28:40,479
Speaker 1: I could have did that, but I just answered. It

2025
01:28:40,520 --> 01:28:41,880
Speaker 1: was just it wasn't even a thing that I really

2026
01:28:41,880 --> 01:28:43,559
Speaker 1: thought about because I didn't have anything to hide. I

2027
01:28:43,600 --> 01:28:46,000
Speaker 1: literally just answered the phone. But when I started talking

2028
01:28:46,040 --> 01:28:47,920
Speaker 1: and I seen that he wanted to talk about the battle,

2029
01:28:48,000 --> 01:28:49,400
Speaker 1: I'm like, okay, well, let me get up and leave

2030
01:28:49,400 --> 01:28:50,640
Speaker 1: the room because I don't want to talk on the

2031
01:28:50,680 --> 01:28:52,439
Speaker 1: phone with you while you're in the room. But the

2032
01:28:52,479 --> 01:28:54,240
Speaker 1: person I was at a relationship with got pissed, like,

2033
01:28:54,240 --> 01:28:56,439
Speaker 1: why are you leaving the room? That's sneaky as fuck.

2034
01:28:56,439 --> 01:28:58,280
Speaker 1: I'm like, I was trying to be sneaky. The nigga

2035
01:28:58,280 --> 01:29:00,479
Speaker 1: call wouldn't even came through. It would have been how

2036
01:29:00,600 --> 01:29:02,480
Speaker 1: high it alertsip.

2037
01:29:02,600 --> 01:29:03,839
Speaker 4: It's different levels of sneaky.

2038
01:29:04,920 --> 01:29:06,639
Speaker 1: I just don't feel like that's sneaky at all. Answering

2039
01:29:06,680 --> 01:29:09,799
Speaker 1: a nigga phone call, having his name pop up, answering

2040
01:29:09,800 --> 01:29:10,400
Speaker 1: the call, No.

2041
01:29:10,360 --> 01:29:10,880
Speaker 3: You know what it is.

2042
01:29:10,920 --> 01:29:13,080
Speaker 4: It's just leaving. It's just leaving the room. Now I'm

2043
01:29:13,080 --> 01:29:15,120
Speaker 4: in the living room by myself. We was watching this together.

2044
01:29:15,240 --> 01:29:16,840
Speaker 4: Now I'm in the room by myself. You in the

2045
01:29:16,840 --> 01:29:19,080
Speaker 4: other room on the phone with your ex.

2046
01:29:19,360 --> 01:29:20,880
Speaker 1: Less than three minutes, though, that's.

2047
01:29:20,720 --> 01:29:22,479
Speaker 4: All it takes. What is the time after do? Yeah?

2048
01:29:22,520 --> 01:29:22,960
Speaker 4: All it takes.

2049
01:29:23,400 --> 01:29:24,920
Speaker 1: I would have sat on the phone for twenty minutes.

2050
01:29:24,960 --> 01:29:25,479
Speaker 1: I get that.

2051
01:29:25,960 --> 01:29:27,559
Speaker 4: If you would have sat on the phone for twenty minutes,

2052
01:29:27,600 --> 01:29:28,960
Speaker 4: I'd be in jail for twenty years.

2053
01:29:29,200 --> 01:29:31,840
Speaker 5: That's what That's what everybody aboard it.

2054
01:29:32,120 --> 01:29:33,960
Speaker 4: Yeah, yeah, like if my girl go to the other

2055
01:29:34,000 --> 01:29:35,800
Speaker 4: room for twenty minutes like we not to come on

2056
01:29:35,840 --> 01:29:36,360
Speaker 4: stop playing.

2057
01:29:36,439 --> 01:29:39,200
Speaker 5: What do you think was more attention when Gucci told Jeezi,

2058
01:29:39,360 --> 01:29:41,840
Speaker 5: come dig your partner up to his face, or when

2059
01:29:41,880 --> 01:29:43,400
Speaker 5: Dema started giggling in the kitchen.

2060
01:29:43,640 --> 01:29:45,840
Speaker 1: Yep, I was not giggling. I was.

2061
01:29:45,880 --> 01:29:47,599
Speaker 5: You definitely started giggling.

2062
01:29:47,600 --> 01:29:48,479
Speaker 1: We was talking about you.

2063
01:29:48,920 --> 01:29:49,120
Speaker 4: Shit.

2064
01:29:49,200 --> 01:29:51,640
Speaker 1: I talked to him like I talked to y'all, like

2065
01:29:51,680 --> 01:29:54,160
Speaker 1: that's how we were talking. It wasn't like nothing like that.

2066
01:29:54,439 --> 01:29:57,120
Speaker 1: It was right after all that tention shit, because he

2067
01:29:57,240 --> 01:29:59,400
Speaker 1: had guessed that that was gonna happen. He called me like, yo,

2068
01:29:59,479 --> 01:30:00,800
Speaker 1: I told youiggas about get into.

2069
01:30:00,680 --> 01:30:03,360
Speaker 4: I still can't believe that battle happened, and fam I

2070
01:30:03,479 --> 01:30:06,519
Speaker 4: was tot tale. I was watching that battle and I

2071
01:30:06,640 --> 01:30:09,000
Speaker 4: was like, I was like, yo, somebody, We're gonna watch

2072
01:30:09,080 --> 01:30:12,080
Speaker 4: somebody die. That's what I thought to like that shit

2073
01:30:12,160 --> 01:30:14,639
Speaker 4: felt like, Yo, it's something that's gonna happen in this room.

2074
01:30:14,640 --> 01:30:16,680
Speaker 4: I don't care if they search niggas to get it.

2075
01:30:16,680 --> 01:30:19,200
Speaker 4: I don't care about this little gap that got between

2076
01:30:19,200 --> 01:30:22,200
Speaker 4: these two niggas on the stage. Like that gap wasn't

2077
01:30:22,200 --> 01:30:24,559
Speaker 4: big enough. They should have these niggas and two separate

2078
01:30:24,560 --> 01:30:25,759
Speaker 4: parts of Atlanta battling.

2079
01:30:26,280 --> 01:30:29,840
Speaker 5: No, they should have went back to the zoom. Yeah

2080
01:30:29,840 --> 01:30:30,839
Speaker 5: they Instagram.

2081
01:30:30,960 --> 01:30:31,120
Speaker 1: Yeah.

2082
01:30:31,160 --> 01:30:32,960
Speaker 4: I still can't believe that battle went off.

2083
01:30:32,800 --> 01:30:36,880
Speaker 5: But glad everything was safe. But yeah, baby, you cannot

2084
01:30:36,920 --> 01:30:37,839
Speaker 5: believe people even.

2085
01:30:37,680 --> 01:30:40,400
Speaker 1: Like, well, I just wanted you'all opinion because that was

2086
01:30:40,400 --> 01:30:43,160
Speaker 1: that was a very big argument in my relationship. And

2087
01:30:43,200 --> 01:30:45,519
Speaker 1: I think at the time, I mean, obviously I've grown.

2088
01:30:45,560 --> 01:30:47,000
Speaker 1: That's why I can ask y'all if y'all think that

2089
01:30:47,040 --> 01:30:48,479
Speaker 1: I was wrong, But at the.

2090
01:30:48,400 --> 01:30:50,400
Speaker 4: Time, you was wrong. And I bet you was arguing

2091
01:30:50,439 --> 01:30:50,960
Speaker 4: with your boyfriend.

2092
01:30:51,000 --> 01:30:54,800
Speaker 1: No, I just I and when I get irritated, I

2093
01:30:54,800 --> 01:30:56,960
Speaker 1: start like telling the truth. So I automatically was like,

2094
01:30:57,160 --> 01:30:59,120
Speaker 1: I'm not about to argue with you about a nigga

2095
01:30:59,160 --> 01:31:00,639
Speaker 1: you really ain't got to worry about. If you want

2096
01:31:00,680 --> 01:31:02,479
Speaker 1: to argue me, we argue about a nigga you got

2097
01:31:02,520 --> 01:31:04,120
Speaker 1: worried about. I'm not arguing with you at a nigga

2098
01:31:04,120 --> 01:31:05,760
Speaker 1: you ain't got worry about. That's a waste of meeting

2099
01:31:05,920 --> 01:31:06,280
Speaker 1: your time.

2100
01:31:07,920 --> 01:31:09,840
Speaker 4: How do baby d not come in here with like,

2101
01:31:10,040 --> 01:31:11,000
Speaker 4: don't I know we.

2102
01:31:10,960 --> 01:31:15,000
Speaker 5: Don't realize, please please, because we've been doing good.

2103
01:31:15,120 --> 01:31:23,040
Speaker 4: Now she'd be getting some sick shit off with these niggas. Man,

2104
01:31:23,200 --> 01:31:24,519
Speaker 4: I wish the girl would tell me you want me

2105
01:31:24,520 --> 01:31:26,040
Speaker 4: to argue about the nigga you should worry about or

2106
01:31:26,080 --> 01:31:29,200
Speaker 4: the nigga. Now imagine you sitting down Roy your girl

2107
01:31:29,280 --> 01:31:31,320
Speaker 4: be like, we're gonna waste time arguing about the nigga

2108
01:31:31,320 --> 01:31:33,439
Speaker 4: you shouldn't worry about, or we're gonnaargue about the nigga

2109
01:31:33,439 --> 01:31:34,200
Speaker 4: you should be worried about.

2110
01:31:34,240 --> 01:31:36,759
Speaker 5: I'm going out to get fresh air in twenty degrees

2111
01:31:36,760 --> 01:31:38,840
Speaker 5: and a T shirt. At that point, I'm walking around

2112
01:31:38,880 --> 01:31:39,240
Speaker 5: the block.

2113
01:31:42,320 --> 01:31:44,240
Speaker 4: Oh man, Yeah, you was wrong in that case.

2114
01:31:44,400 --> 01:31:46,840
Speaker 1: Okay, well I would never do that again. But at

2115
01:31:46,840 --> 01:31:49,599
Speaker 1: the again, I just I was learning. Because my thing

2116
01:31:49,680 --> 01:31:50,920
Speaker 1: is sometimes because you will feel.

2117
01:31:50,760 --> 01:31:51,760
Speaker 4: Some type of way if he did that to you,

2118
01:31:51,800 --> 01:31:53,240
Speaker 4: if he got on another room to talk to his

2119
01:31:53,280 --> 01:31:55,880
Speaker 4: ex girl. I know you want to be strong, but

2120
01:31:55,960 --> 01:31:56,799
Speaker 4: like I don't care about.

2121
01:31:56,600 --> 01:31:58,800
Speaker 1: That because I don't even know. Because if no, because

2122
01:31:58,800 --> 01:32:00,679
Speaker 1: if I'm sitting here watching something that you're gonna answer

2123
01:32:00,720 --> 01:32:03,320
Speaker 1: the phone for somebody, get the fuck out the room.

2124
01:32:03,360 --> 01:32:06,920
Speaker 4: No, no, not for somebody, not for somebody for his girl.

2125
01:32:06,880 --> 01:32:08,519
Speaker 1: I don't want. And first of all, he could still

2126
01:32:08,560 --> 01:32:10,479
Speaker 1: hear what I was saying, like it wasn't like he

2127
01:32:10,479 --> 01:32:11,080
Speaker 1: couldn't hear that.

2128
01:32:11,200 --> 01:32:14,840
Speaker 4: But I can't hear what he's saying. I know morse code,

2129
01:32:14,960 --> 01:32:16,400
Speaker 4: so he can be in there, like what you're wearing?

2130
01:32:16,400 --> 01:32:19,080
Speaker 4: You be like, yo, jeez, going crazy right now? What

2131
01:32:19,680 --> 01:32:20,600
Speaker 4: baby D? What you got on?

2132
01:32:20,680 --> 01:32:20,840
Speaker 1: Yo?

2133
01:32:20,920 --> 01:32:22,760
Speaker 4: Jiz? I don't know. I think j Z up three

2134
01:32:22,840 --> 01:32:24,760
Speaker 4: to one. No, no, no, no no, let me hear

2135
01:32:24,800 --> 01:32:27,120
Speaker 4: we put that shit on speaking, let me hear what

2136
01:32:27,160 --> 01:32:29,320
Speaker 4: that nigga saying. No be yelling jez at three to one,

2137
01:32:29,479 --> 01:32:31,080
Speaker 4: and this nigga tryna figure out what you got what

2138
01:32:31,080 --> 01:32:32,600
Speaker 4: you're wearing? No, no, no, we're not doing that. What you

2139
01:32:32,640 --> 01:32:37,479
Speaker 4: mean put on? Yeah? Like what you're putting on? Yeah? Nah,

2140
01:32:37,479 --> 01:32:38,320
Speaker 4: you was wrong, baby D.

2141
01:32:38,400 --> 01:32:41,240
Speaker 1: Don't Sometimes intent is not that. I just think if

2142
01:32:41,240 --> 01:32:43,000
Speaker 1: I'm innocent, like I don't like arguing when.

2143
01:32:42,880 --> 01:32:44,800
Speaker 4: I'm I feel that when you know you ain't doing nothing,

2144
01:32:44,840 --> 01:32:45,080
Speaker 4: that's like.

2145
01:32:45,600 --> 01:32:47,799
Speaker 1: But I can understand how it can look from another perspective.

2146
01:32:48,040 --> 01:32:49,719
Speaker 1: At the time, I was younger and I just didn't

2147
01:32:49,720 --> 01:32:51,120
Speaker 1: feel that way. That's all right, but thank you for

2148
01:32:51,160 --> 01:32:51,719
Speaker 1: your opinion.

2149
01:32:52,000 --> 01:32:54,640
Speaker 5: But that's why I'm saying I leave that type of

2150
01:32:54,640 --> 01:32:56,640
Speaker 5: shit alone. For situations like that. Back in the day,

2151
01:32:56,680 --> 01:32:59,400
Speaker 5: I didn't. But even an innocent text could ruin the

2152
01:32:59,439 --> 01:33:00,639
Speaker 5: home that I'm not trying to ruin.

2153
01:33:01,080 --> 01:33:03,160
Speaker 4: Yeah, but I mean just leaving it alone. If we

2154
01:33:03,200 --> 01:33:05,320
Speaker 4: if we was cool and we had real love between us,

2155
01:33:05,320 --> 01:33:06,960
Speaker 4: and now we're not together and you have a kid,

2156
01:33:07,120 --> 01:33:08,320
Speaker 4: like is.

2157
01:33:08,360 --> 01:33:11,880
Speaker 5: Not going to do anything for what's going on, but.

2158
01:33:11,960 --> 01:33:13,800
Speaker 4: Just about like yo, that's it's a friend, like yo,

2159
01:33:13,880 --> 01:33:16,400
Speaker 4: congrats on you know, having having a healthy baby like

2160
01:33:16,560 --> 01:33:19,400
Speaker 4: ingrats it's beautiful. Yeah, it's not wrong, that's very mature.

2161
01:33:21,240 --> 01:33:22,639
Speaker 4: I don't know if I want to go down this route.

2162
01:33:23,200 --> 01:33:25,960
Speaker 4: Oh God, whenever you said then no, then don't because

2163
01:33:26,000 --> 01:33:27,400
Speaker 4: whenever you say I don't know if I want to

2164
01:33:27,640 --> 01:33:30,320
Speaker 4: let me just help you don't go down mall. Here

2165
01:33:30,360 --> 01:33:33,840
Speaker 4: we go, Here we go mall. And if some ship

2166
01:33:34,200 --> 01:33:37,120
Speaker 4: now I mean have it. No, you've I feel like

2167
01:33:37,160 --> 01:33:38,080
Speaker 4: I told you this a long time.

2168
01:33:38,120 --> 01:33:42,320
Speaker 5: Okay, you know you and I both were a reason

2169
01:33:42,439 --> 01:33:45,240
Speaker 5: for a breakup, both of us.

2170
01:33:45,320 --> 01:33:46,919
Speaker 1: Matter of it. It's called our live show.

2171
01:33:48,280 --> 01:33:51,320
Speaker 5: Where what was just said it was a joint I

2172
01:33:51,439 --> 01:33:53,400
Speaker 5: used to actually mess with, but I wasn't Like when

2173
01:33:53,400 --> 01:33:54,960
Speaker 5: she got a new relationship I was in. It was

2174
01:33:54,960 --> 01:33:57,400
Speaker 5: cool whatever, but it wasn't nothing like that you had

2175
01:33:57,439 --> 01:33:59,599
Speaker 5: thrown some money bags or it was like in some

2176
01:33:59,720 --> 01:34:00,360
Speaker 5: dm ms.

2177
01:34:01,080 --> 01:34:03,360
Speaker 4: And his insecure ass was like, yo, I.

2178
01:34:03,320 --> 01:34:05,320
Speaker 5: Know you fucked Rory, but you fucked with mal two

2179
01:34:05,840 --> 01:34:09,479
Speaker 5: like we were the direct reason for a breakup. Really,

2180
01:34:09,640 --> 01:34:12,559
Speaker 5: he thought that she fucked me and you, And I

2181
01:34:12,600 --> 01:34:16,000
Speaker 5: was like, tom, no, I don't think. I don't think that.

2182
01:34:17,320 --> 01:34:20,200
Speaker 5: And mind you, she is a super good girl, super faithful.

2183
01:34:20,240 --> 01:34:23,400
Speaker 5: I was like, that's how he views you. He thought

2184
01:34:23,720 --> 01:34:26,719
Speaker 5: that she was fucking both of us, type a nasty,

2185
01:34:26,800 --> 01:34:28,559
Speaker 5: fucking pod three way do you think this is?

2186
01:34:28,640 --> 01:34:31,519
Speaker 4: Damn man, that's crazy. I'm sorry for sucked up relations.

2187
01:34:31,640 --> 01:34:32,040
Speaker 4: I don't know.

2188
01:34:32,200 --> 01:34:35,920
Speaker 5: She's a much healthier and amazing one. Oh no, no, no,

2189
01:34:36,439 --> 01:34:37,760
Speaker 5: we I think we did God's work.

2190
01:34:37,840 --> 01:34:38,320
Speaker 4: Yeah we did.

2191
01:34:38,479 --> 01:34:40,280
Speaker 5: That's what she didn't need to be with that guy. Okay,

2192
01:34:40,360 --> 01:34:43,160
Speaker 5: especially if he's going you fucking both of them? She's like,

2193
01:34:43,240 --> 01:34:44,679
Speaker 5: what what goes through your brain?

2194
01:34:44,800 --> 01:34:46,559
Speaker 4: Yeah? That's crazy. I would never ask. I would even

2195
01:34:46,560 --> 01:34:47,639
Speaker 4: if I had. I felt like I had to ask

2196
01:34:47,680 --> 01:34:49,960
Speaker 4: my girl that that would be my girl. Like if

2197
01:34:49,960 --> 01:34:53,120
Speaker 4: I even had to ask, like you fucked both of them?

2198
01:34:53,640 --> 01:34:55,200
Speaker 5: You know how crazy that is to get that and

2199
01:34:55,240 --> 01:34:57,280
Speaker 5: go on to your girl, Gilly and wallow.

2200
01:34:57,280 --> 01:35:00,120
Speaker 4: Like like why you hid and if you felt like

2201
01:35:00,160 --> 01:35:02,320
Speaker 4: that's even a possibility, Like why are you sitting here

2202
01:35:02,360 --> 01:35:04,880
Speaker 4: right now? That's just I don't know how to ask.

2203
01:35:04,800 --> 01:35:06,600
Speaker 1: My man, you fucked Mandy and what is it?

2204
01:35:07,000 --> 01:35:09,040
Speaker 4: I mean, but that checks out? Yeah, But that, I mean,

2205
01:35:09,040 --> 01:35:11,320
Speaker 4: that's that's on brand for them, Like that's like content.

2206
01:35:12,160 --> 01:35:14,120
Speaker 4: He I mean, that's probably the man you need to

2207
01:35:14,120 --> 01:35:17,320
Speaker 4: be with. Yeah, because they, like, you know, make sure

2208
01:35:17,320 --> 01:35:20,679
Speaker 4: he was ready for a woman like you. They put

2209
01:35:20,720 --> 01:35:26,400
Speaker 4: him through the decisions decisions, decisions, decisions.

2210
01:35:26,920 --> 01:35:33,000
Speaker 5: Damn, Angela Yee and y j mvyay.

2211
01:35:30,920 --> 01:35:37,400
Speaker 4: Hold on, that's wow. Wow's Charla watches like.

2212
01:35:38,240 --> 01:35:40,000
Speaker 5: I knew he was nasty.

2213
01:35:40,520 --> 01:35:46,120
Speaker 1: Yo. I revisited somebody reposted that fucking Webby video of

2214
01:35:46,200 --> 01:35:47,599
Speaker 1: him pronouncing the names wrong.

2215
01:35:48,000 --> 01:35:49,720
Speaker 4: Oh my god, that's one of my favorite videos of

2216
01:35:49,760 --> 01:35:50,160
Speaker 4: all time.

2217
01:35:50,280 --> 01:35:53,800
Speaker 1: You never saw that, Angela McGee, Charlotte macgae, you never

2218
01:35:53,920 --> 01:35:54,639
Speaker 1: saw that video.

2219
01:35:55,320 --> 01:35:57,240
Speaker 4: You never saw Webby trying to say their names.

2220
01:35:57,479 --> 01:36:00,840
Speaker 5: No, no, I remember when they did that corny some

2221
01:36:01,360 --> 01:36:04,839
Speaker 5: whether they're trying to do ads no, Josh, please google

2222
01:36:05,080 --> 01:36:07,960
Speaker 5: Webby fucking Breakfast Club drops you.

2223
01:36:08,080 --> 01:36:11,920
Speaker 1: I cannot believe you've never seen that video video that

2224
01:36:12,000 --> 01:36:15,599
Speaker 1: Nigga says Charlotte Mgay Angelot. He could not he could

2225
01:36:15,720 --> 01:36:17,719
Speaker 1: not pronounce anybody's name, yo.

2226
01:36:17,880 --> 01:36:20,280
Speaker 5: Wi while he looks for that just reminded me because

2227
01:36:20,320 --> 01:36:23,760
Speaker 5: Breakfast Club RAYJ legends. Have y'all watched any of the

2228
01:36:23,840 --> 01:36:25,400
Speaker 5: Vlad and ray J clips?

2229
01:36:25,479 --> 01:36:26,040
Speaker 1: Yet No?

2230
01:36:26,920 --> 01:36:29,479
Speaker 5: He up there saying his name is Tron now because

2231
01:36:29,479 --> 01:36:31,840
Speaker 5: we in the digital era, he mad at his team,

2232
01:36:31,880 --> 01:36:34,320
Speaker 5: they keep calling him ray ray J is the greatest.

2233
01:36:34,360 --> 01:36:37,120
Speaker 5: I'm sorry, Tron is the greatest of all time? Tron

2234
01:36:37,240 --> 01:36:38,920
Speaker 5: is he looking at his own team over the camera

2235
01:36:39,000 --> 01:36:40,720
Speaker 5: like they keep calling me fucking ray I hate this ship.

2236
01:36:40,720 --> 01:36:42,679
Speaker 5: We in the AI era. My name is Tron now,

2237
01:36:42,840 --> 01:36:43,679
Speaker 5: I'm not Raymond.

2238
01:36:44,040 --> 01:36:49,559
Speaker 1: This is the first video. Mm hmm. I cannot believe

2239
01:36:49,560 --> 01:36:50,920
Speaker 1: you never saw this. You had to.

2240
01:36:51,080 --> 01:36:54,840
Speaker 4: This is a classic. I think I probably have know

2241
01:36:54,880 --> 01:36:55,320
Speaker 4: what it is.

2242
01:36:56,360 --> 01:37:01,600
Speaker 3: Thank you DJ DJ and mame my God, let me

2243
01:37:01,760 --> 01:37:05,400
Speaker 3: let me read that God, damn gird y'all got some names?

2244
01:37:07,000 --> 01:37:08,720
Speaker 4: What I what I you ody know? What is is

2245
01:37:08,760 --> 01:37:11,759
Speaker 4: me wabing the tree. I'm going said the sweet John' doing.

2246
01:37:11,600 --> 01:37:12,479
Speaker 1: You doing what I do?

2247
01:37:12,600 --> 01:37:14,000
Speaker 3: When I do what I do, when I'm doing it

2248
01:37:14,240 --> 01:37:19,280
Speaker 3: with my girl, d J Henvy answer ye, damn hello,

2249
01:37:19,840 --> 01:37:28,880
Speaker 3: d J Envy anything as Charlote McGain, Charlote McGain, crazy, Charlot,

2250
01:37:30,400 --> 01:37:34,280
Speaker 3: d J Envy, hands of Ye and Solomon the Guard

2251
01:37:35,040 --> 01:37:38,000
Speaker 3: d J d J Lee A DJ mby hands of

2252
01:37:38,200 --> 01:37:40,960
Speaker 3: Lee and Charlomagne mcgang what.

2253
01:37:41,040 --> 01:37:42,360
Speaker 4: I what I you oudy know what it is?

2254
01:37:43,000 --> 01:37:43,400
Speaker 5: On the rail?

2255
01:37:44,400 --> 01:37:47,920
Speaker 3: Drop sweet, don't and you're rocking with DJ Envy Angela

2256
01:37:48,040 --> 01:37:49,759
Speaker 3: yee and slow your mate.

2257
01:37:50,840 --> 01:37:57,120
Speaker 4: Your marry turn them into a lizard, your maid, Charlote mcgaine, Charlotmay.

2258
01:37:58,360 --> 01:38:00,559
Speaker 1: That's hilarious, he said, got some names.

2259
01:38:00,800 --> 01:38:04,880
Speaker 4: Y'all got some names. It's three individuals, three different names,

2260
01:38:05,840 --> 01:38:09,960
Speaker 4: envy Ye and Charlemagne Charlamagne. You don't know who you're

2261
01:38:10,000 --> 01:38:11,400
Speaker 4: talking to. You ain't even to read it. You know

2262
01:38:11,560 --> 01:38:13,840
Speaker 4: his name, you don't heard it? A million's Charlamagne? What

2263
01:38:13,880 --> 01:38:16,639
Speaker 4: the hell that ship is? Classic? That's such an old

2264
01:38:16,720 --> 01:38:18,720
Speaker 4: Southern thing to say to y'all. Got some names on you?

2265
01:38:19,360 --> 01:38:21,760
Speaker 4: Y'all got some names on you? What's your mama name?

2266
01:38:21,840 --> 01:38:22,519
Speaker 2: You? Yo?

2267
01:38:24,080 --> 01:38:26,920
Speaker 4: It's cool because Charlamage be adding fucking k's where ours

2268
01:38:26,960 --> 01:38:27,280
Speaker 4: should be?

2269
01:38:28,160 --> 01:38:30,200
Speaker 5: He'd be saying streets all. He'd be saying weird. Ship,

2270
01:38:30,280 --> 01:38:32,400
Speaker 5: the South just needs to get their vocabulary together.

2271
01:38:32,439 --> 01:38:35,439
Speaker 1: I finally realized that y'all are right. Y'all are right

2272
01:38:35,520 --> 01:38:37,240
Speaker 1: about the way that upstate people say no.

2273
01:38:37,360 --> 01:38:39,519
Speaker 4: Say it again, don't try to make it when you

2274
01:38:39,560 --> 01:38:40,200
Speaker 4: say ours.

2275
01:38:40,280 --> 01:38:42,080
Speaker 1: I get it. We sound like you said, we sound

2276
01:38:42,120 --> 01:38:56,800
Speaker 1: like pirates, and well it's it's cool.

2277
01:38:57,000 --> 01:38:57,720
Speaker 4: I'm sorry, I'm sorry.

2278
01:38:57,920 --> 01:38:59,600
Speaker 5: Can you say you ever cooked half a break in

2279
01:38:59,640 --> 01:39:01,920
Speaker 5: the air? For I just wanted I wonder how you said?

2280
01:39:02,000 --> 01:39:06,800
Speaker 4: Can you say it? Can you say that our friar

2281
01:39:07,479 --> 01:39:08,000
Speaker 4: r a friar?

2282
01:39:08,200 --> 01:39:10,320
Speaker 1: But yeah, we do say our rs mahar and we do.

2283
01:39:10,920 --> 01:39:13,920
Speaker 1: We have the elementary instead of the elementary thing, we

2284
01:39:14,000 --> 01:39:18,400
Speaker 1: say terry, and then the obviously the instead of like

2285
01:39:18,479 --> 01:39:21,200
Speaker 1: where it's like crayon, we don't say crayon. We say kran.

2286
01:39:21,960 --> 01:39:23,280
Speaker 4: Kran like cranberry.

2287
01:39:23,479 --> 01:39:24,000
Speaker 1: Yeah, kran.

2288
01:39:28,760 --> 01:39:32,439
Speaker 4: Sirih, Hey, sirih, you're not the only one serious. Like

2289
01:39:32,520 --> 01:39:37,400
Speaker 4: I didn't get that. I didn't get that either, Siri.

2290
01:39:37,479 --> 01:39:38,920
Speaker 4: I don't know what part of the diction that the

2291
01:39:39,040 --> 01:39:43,880
Speaker 4: fact that that just happened, Hey, Sirih, I didn't get

2292
01:39:43,920 --> 01:39:49,000
Speaker 4: that either. I'm sorry, Ship, I didn't get that. Y'all

2293
01:39:49,040 --> 01:39:51,320
Speaker 4: got some r's on you. You got some r's on you,

2294
01:39:51,439 --> 01:39:53,560
Speaker 4: don't you? Oh my god? What else do we have

2295
01:39:53,640 --> 01:39:55,479
Speaker 4: on the list before we get to voicemails? Is there

2296
01:39:55,479 --> 01:39:59,000
Speaker 4: anything else we quickly just broke.

2297
01:39:59,040 --> 01:40:01,439
Speaker 5: I'm sorry, but off air, which this footage will be

2298
01:40:01,520 --> 01:40:05,160
Speaker 5: on Patreon demarus things is fine if Chloe kardashiy And

2299
01:40:05,240 --> 01:40:05,960
Speaker 5: uses the heart yark.

2300
01:40:06,080 --> 01:40:08,280
Speaker 1: Oh my god, I hate when white men lie on

2301
01:40:08,360 --> 01:40:10,439
Speaker 1: black women have Black History Month.

2302
01:40:10,320 --> 01:40:13,400
Speaker 4: Mm and brand and we only got two weeks left

2303
01:40:14,640 --> 01:40:18,960
Speaker 4: not to leap you, right, yeah, two weeks? What's today?

2304
01:40:19,000 --> 01:40:21,120
Speaker 4: The sixty seventeen something like that.

2305
01:40:21,280 --> 01:40:24,080
Speaker 5: No, with less than two weeks, speaking of a timeline,

2306
01:40:24,960 --> 01:40:27,760
Speaker 5: I'll take more more flowers, Danny Lions at this point,

2307
01:40:28,720 --> 01:40:31,320
Speaker 5: that push your tea snippet, which I think they're mislabeling.

2308
01:40:31,320 --> 01:40:34,559
Speaker 5: I think that's from the Clips album. I said Clips

2309
01:40:34,560 --> 01:40:35,840
Speaker 5: is gonna have the best rap album of the year.

2310
01:40:36,320 --> 01:40:38,679
Speaker 5: Already sounded that way. We've heard two songs plus the snippet.

2311
01:40:39,080 --> 01:40:39,759
Speaker 4: It's a classic.

2312
01:40:40,240 --> 01:40:43,040
Speaker 5: Should have went triple off of two snippets. Yeah, it

2313
01:40:43,040 --> 01:40:43,799
Speaker 5: should be platinum.

2314
01:40:43,840 --> 01:40:46,080
Speaker 4: Now. I do want to hear that. I'm excited. I

2315
01:40:46,479 --> 01:40:48,559
Speaker 4: do want to hear this album. Anytime we can get

2316
01:40:48,600 --> 01:40:50,800
Speaker 4: to hear the clips together like we got to listen

2317
01:40:50,840 --> 01:40:51,000
Speaker 4: to it.

2318
01:40:51,080 --> 01:40:52,840
Speaker 5: So, but why do you think people are labeling this

2319
01:40:52,960 --> 01:40:55,479
Speaker 5: as push your tea in Pharrell and not the clips?

2320
01:40:55,560 --> 01:40:58,719
Speaker 5: Like they put out two records through the fashion showhit

2321
01:40:58,720 --> 01:40:59,439
Speaker 5: they said they're.

2322
01:40:59,240 --> 01:40:59,880
Speaker 4: Putting album out.

2323
01:40:59,920 --> 01:41:02,880
Speaker 5: I don't think Push would randomly put a Lucy solo

2324
01:41:03,320 --> 01:41:04,160
Speaker 5: in the middle of that.

2325
01:41:04,720 --> 01:41:06,840
Speaker 1: I think they're just using the bigger name that's all

2326
01:41:07,040 --> 01:41:07,599
Speaker 1: of the brothers.

2327
01:41:08,360 --> 01:41:10,479
Speaker 4: I guess that's fair. That's fucked up.

2328
01:41:10,920 --> 01:41:13,320
Speaker 5: Yeah, well, I mean Malice took time off and ship

2329
01:41:13,400 --> 01:41:16,160
Speaker 5: that still Push did his solo said clips and for

2330
01:41:16,479 --> 01:41:17,479
Speaker 5: who do you think? Who do you think is a

2331
01:41:17,520 --> 01:41:17,960
Speaker 5: better rapper?

2332
01:41:18,120 --> 01:41:22,760
Speaker 4: Push? It depends. I think it changes from songs to

2333
01:41:22,760 --> 01:41:25,479
Speaker 4: the song, But overall I'm gonna push it.

2334
01:41:25,920 --> 01:41:26,120
Speaker 5: Yeah.

2335
01:41:26,200 --> 01:41:28,360
Speaker 4: I used to like Lord Willing.

2336
01:41:28,400 --> 01:41:30,920
Speaker 5: I used to think Malice but Pushed to me as

2337
01:41:31,000 --> 01:41:35,360
Speaker 5: surpassed that with his solo Ship but Push on Uh

2338
01:41:35,720 --> 01:41:39,000
Speaker 5: it's almost dry. The Malices outro that was one of

2339
01:41:39,040 --> 01:41:40,880
Speaker 5: the best verses of year. Malice is still no.

2340
01:41:41,000 --> 01:41:43,679
Speaker 4: He's still in shape. He's still in shape for sure,

2341
01:41:44,120 --> 01:41:47,160
Speaker 4: but the Push is just he'said have more repetition.

2342
01:41:48,439 --> 01:41:50,639
Speaker 5: Verse with what did I really miss all these designer

2343
01:41:50,720 --> 01:41:53,160
Speaker 5: drugs and feelings that don't exist.

2344
01:41:53,240 --> 01:41:55,639
Speaker 4: He went fucking crazy. Yeah nah, I mean they both

2345
01:41:55,680 --> 01:41:57,040
Speaker 4: could rap, but Push is the better rapper.

2346
01:41:57,160 --> 01:41:58,360
Speaker 1: What did you guys think of the snippet?

2347
01:41:58,960 --> 01:42:02,280
Speaker 4: I liked it. I liked it. I just don't. I'm

2348
01:42:02,320 --> 01:42:03,880
Speaker 4: one of those people. I'm gonna be honest. I don't

2349
01:42:04,040 --> 01:42:06,439
Speaker 4: listen to snippets. I try not to. One thing I

2350
01:42:06,439 --> 01:42:09,200
Speaker 4: don't I try. I hate don't invite me to those

2351
01:42:09,200 --> 01:42:10,960
Speaker 4: studio session. I don't want to hear this song on

2352
01:42:11,080 --> 01:42:13,519
Speaker 4: lup for three hours while you try to create it

2353
01:42:13,520 --> 01:42:15,200
Speaker 4: because I'm gonna hate it by the time it comes out.

2354
01:42:15,720 --> 01:42:19,080
Speaker 4: Don't send me a song that's not done yet, and

2355
01:42:19,680 --> 01:42:22,120
Speaker 4: don't I don't want to listen to the snippet. I've

2356
01:42:22,160 --> 01:42:25,600
Speaker 4: been heartbroken by snippets plenty of times. Yeah I have to,

2357
01:42:26,000 --> 01:42:28,679
Speaker 4: you know what I'm saying. Snippet is like Instagram selfie

2358
01:42:28,680 --> 01:42:33,320
Speaker 4: would filter. Sometimes she do look like that, sometimes she don't.

2359
01:42:34,120 --> 01:42:36,200
Speaker 4: I'm kind of the opposite with the studio shit on lup.

2360
01:42:36,360 --> 01:42:38,320
Speaker 5: Don't do that because I'm gonna start to like it

2361
01:42:38,680 --> 01:42:41,479
Speaker 5: and then later on I'm and realize it's trash because

2362
01:42:41,479 --> 01:42:42,800
Speaker 5: I heard it so much. I'm not gonna hate and

2363
01:42:42,840 --> 01:42:44,599
Speaker 5: be like, all right, I'm starting to feel this. Then

2364
01:42:44,680 --> 01:42:46,320
Speaker 5: two days later I'll listen to about was like, this

2365
01:42:46,439 --> 01:42:48,640
Speaker 5: is the worst shit. We only like this because we

2366
01:42:48,680 --> 01:42:49,760
Speaker 5: had it on loop for three hours.

2367
01:42:49,960 --> 01:42:52,880
Speaker 4: Yeah, like you become accustomed just hearing it, and by

2368
01:42:52,920 --> 01:42:57,320
Speaker 4: the time you hear the song, it's like. One song

2369
01:42:57,520 --> 01:42:59,160
Speaker 4: I'm not gonna lie. One song that I did hear

2370
01:42:59,240 --> 01:43:02,200
Speaker 4: on lup that still I still loved was you don't

2371
01:43:02,240 --> 01:43:05,000
Speaker 4: know when Jay did put out you don't know? Oh

2372
01:43:05,120 --> 01:43:08,160
Speaker 4: my god, they played that shitting base line, so goddamn.

2373
01:43:08,320 --> 01:43:09,880
Speaker 4: I mean, I would imagine it's like one of the

2374
01:43:09,920 --> 01:43:12,919
Speaker 4: greatest beats of all time, but imagine being in baseline

2375
01:43:12,960 --> 01:43:14,920
Speaker 4: hearing it and then hearing it when it came out,

2376
01:43:15,000 --> 01:43:16,760
Speaker 4: like when it premiered on Hot ninety seven.

2377
01:43:16,880 --> 01:43:18,880
Speaker 5: I can tell you what it sounded like in a

2378
01:43:18,880 --> 01:43:19,679
Speaker 5: sixth grade class.

2379
01:43:20,400 --> 01:43:22,800
Speaker 4: You know, it's still hit. That's one of the few

2380
01:43:22,880 --> 01:43:24,080
Speaker 4: songs I'm like those.

2381
01:43:24,160 --> 01:43:27,560
Speaker 5: We don't even care about the towers that's full say that.

2382
01:43:28,320 --> 01:43:30,479
Speaker 4: Yeah, but that's one song that I thought that I

2383
01:43:30,640 --> 01:43:31,960
Speaker 4: was like, you by the times come out, I'm not

2384
01:43:31,960 --> 01:43:33,720
Speaker 4: gonna like it. It's still hit the same though, Yeah,

2385
01:43:34,360 --> 01:43:37,840
Speaker 4: I sent you guys almost close to dune record the

2386
01:43:37,920 --> 01:43:41,519
Speaker 4: Mago jump and uht a lot. I mean you already

2387
01:43:41,560 --> 01:43:43,680
Speaker 4: said Masago and Gibbs. I mean you could clear you

2388
01:43:43,720 --> 01:43:45,439
Speaker 4: can cut it out if you want to. Well, no,

2389
01:43:45,560 --> 01:43:46,880
Speaker 4: now we put the pressure on. Now it has to

2390
01:43:46,960 --> 01:43:47,240
Speaker 4: come out.

2391
01:43:49,200 --> 01:43:52,080
Speaker 5: That's how university can't block me again. We said it

2392
01:43:52,160 --> 01:43:54,880
Speaker 5: on the fire. No it sounds good though, Yeah, no,

2393
01:43:55,040 --> 01:43:56,880
Speaker 5: it definitely got to a really cool place. I'm excited

2394
01:43:56,880 --> 01:43:57,519
Speaker 5: about that record.

2395
01:43:57,880 --> 01:44:00,200
Speaker 4: I heard the changes on it. Yeah, Themarris was used

2396
01:44:00,240 --> 01:44:02,960
Speaker 4: to do my verse challenge for who are you anyway?

2397
01:44:03,000 --> 01:44:08,439
Speaker 5: I can't catch she too intimidated. I overestimated her ability

2398
01:44:08,520 --> 01:44:15,000
Speaker 5: as this nigga really think I'm like Benny. I can't

2399
01:44:16,200 --> 01:44:22,000
Speaker 5: apologies for overestimating their skills. For overestimated like maybe maybe

2400
01:44:22,000 --> 01:44:23,479
Speaker 5: I see more in you than you see in yourself.

2401
01:44:23,520 --> 01:44:24,320
Speaker 4: I was just trying to help you.

2402
01:44:24,320 --> 01:44:26,439
Speaker 5: Out as a friend, change the world until we change out. Yeah,

2403
01:44:26,960 --> 01:44:28,720
Speaker 5: I see it, and you maybe one day you'll see that, Like.

2404
01:44:28,760 --> 01:44:30,600
Speaker 1: Now, I just you know, I was really vibing with

2405
01:44:30,760 --> 01:44:33,000
Speaker 1: the with the Masago and gives more, Like I could

2406
01:44:33,040 --> 01:44:35,040
Speaker 1: hear me talking on that. I can hear the pocket.

2407
01:44:35,080 --> 01:44:37,240
Speaker 5: Because that's a cheat code because they already put the pocket.

2408
01:44:37,640 --> 01:44:42,519
Speaker 5: Both of them were super in pocket rapping. Just yeah,

2409
01:44:42,560 --> 01:44:44,000
Speaker 5: so now see that's a cheat, Coote. Now you got

2410
01:44:44,040 --> 01:44:44,400
Speaker 5: the pocket.

2411
01:44:44,520 --> 01:44:46,400
Speaker 1: Listen, I'm trying to make it easier for the for

2412
01:44:46,520 --> 01:44:48,880
Speaker 1: the other beginning rappers that want to come out.

2413
01:44:48,800 --> 01:44:52,640
Speaker 4: In the beginning rappers. You are wanted the beginning rap.

2414
01:44:52,880 --> 01:44:57,400
Speaker 1: I'm a legend in this game. Niggas say, Kobe, when

2415
01:44:57,400 --> 01:45:03,599
Speaker 1: they shoot at me, know that niggas said they shot yo, babe,

2416
01:45:03,600 --> 01:45:04,439
Speaker 1: they cut the ship.

2417
01:45:04,800 --> 01:45:07,960
Speaker 4: Get my bat, No, don't get don't get in your back,

2418
01:45:08,120 --> 01:45:09,479
Speaker 4: just chill, stay right there where you at.

2419
01:45:09,960 --> 01:45:10,240
Speaker 1: Pussy.

2420
01:45:10,280 --> 01:45:11,800
Speaker 4: She went to the kitchen when she answered that call.

2421
01:45:12,320 --> 01:45:14,880
Speaker 4: I'm not believing sh it. You had a call and

2422
01:45:14,920 --> 01:45:17,600
Speaker 4: went to the kitchen. Oh you're talking about like just

2423
01:45:18,360 --> 01:45:20,000
Speaker 4: just down. I'm about to be like, yo, who's that?

2424
01:45:20,120 --> 01:45:22,040
Speaker 4: You gotta go away out there to take a call? Nah,

2425
01:45:23,479 --> 01:45:25,880
Speaker 4: before we get to voicemails. My last thing, since we're

2426
01:45:26,040 --> 01:45:29,599
Speaker 4: talking about you know some of my amazing music. Are

2427
01:45:29,640 --> 01:45:30,280
Speaker 4: you guys? Okay?

2428
01:45:30,360 --> 01:45:33,760
Speaker 5: If I give the office address to everyone that put

2429
01:45:33,920 --> 01:45:37,320
Speaker 5: who are you anyway? Over cassidy making beats because I

2430
01:45:37,600 --> 01:45:39,000
Speaker 5: want the fair one outside our office.

2431
01:45:39,720 --> 01:45:41,639
Speaker 4: Everybody in like just get in line of the people

2432
01:45:41,680 --> 01:45:43,880
Speaker 4: that do you had like a house, you got two houses? Like, yeah,

2433
01:45:43,880 --> 01:45:45,160
Speaker 4: but let's do it. Let's do in the streets.

2434
01:45:45,439 --> 01:45:46,360
Speaker 1: You want to help, we can help you.

2435
01:45:47,400 --> 01:45:49,439
Speaker 4: You'll can watch them the window, give them the address

2436
01:45:49,479 --> 01:45:51,559
Speaker 4: to like your the studio you record, not the pod

2437
01:45:51,640 --> 01:45:54,479
Speaker 4: like your music. No, no, we're gonna do it right here. Separate, Yeah, don't, don't.

2438
01:45:54,479 --> 01:45:58,000
Speaker 4: Don't have nobody else put it on the black magic cameras. No, no, no, no, no,

2439
01:45:58,160 --> 01:46:01,280
Speaker 4: it's gonna be a Casidy beat on your face. I

2440
01:46:01,439 --> 01:46:02,679
Speaker 4: was dying. I was dying laughing.

2441
01:46:03,160 --> 01:46:04,800
Speaker 5: I was funny for everyone that did that. It was

2442
01:46:04,880 --> 01:46:08,080
Speaker 5: fucking hilarious. I kept watching this ship like, damn, just

2443
01:46:08,240 --> 01:46:11,400
Speaker 5: does it sound like I didn't hear it? Now, remember

2444
01:46:11,439 --> 01:46:14,320
Speaker 5: those those clips of Cassidy making beats when you feel nuts?

2445
01:46:14,360 --> 01:46:17,280
Speaker 5: So they put who are you anyway over Cassidy doing

2446
01:46:17,360 --> 01:46:18,760
Speaker 5: that and now like.

2447
01:46:19,000 --> 01:46:22,240
Speaker 4: Now okay, okay, okay, I got you, I got you, gotcha,

2448
01:46:23,320 --> 01:46:25,160
Speaker 4: Like at this point, a pair one, that's the only

2449
01:46:25,240 --> 01:46:30,800
Speaker 4: way to solve this. Yeah, yeah, okay, I get it.

2450
01:46:30,840 --> 01:46:32,479
Speaker 4: I get the job. I was so mad at how

2451
01:46:32,560 --> 01:46:33,920
Speaker 4: clever well I wish I would have done it for

2452
01:46:34,000 --> 01:46:41,280
Speaker 4: my rollout the internet. He was in there getting busied

2453
01:46:41,320 --> 01:46:42,240
Speaker 4: in some shit.

2454
01:46:46,320 --> 01:46:49,040
Speaker 1: I think that's what's so like funny, like not to

2455
01:46:49,080 --> 01:46:51,360
Speaker 1: be emotional, but I think that that's very beautiful that

2456
01:46:51,560 --> 01:46:54,240
Speaker 1: you've built a podcast fan base who do want to

2457
01:46:54,280 --> 01:46:56,560
Speaker 1: support you, and they do and when it comes to

2458
01:46:56,640 --> 01:46:58,680
Speaker 1: your music, even though they're very willing and open to

2459
01:46:58,720 --> 01:47:00,439
Speaker 1: make funny you or you know, tell you when some

2460
01:47:00,520 --> 01:47:02,720
Speaker 1: shit not and like a lot of artists come out

2461
01:47:02,760 --> 01:47:04,960
Speaker 1: and they don't have that, Like I cann't imagine building

2462
01:47:05,000 --> 01:47:06,960
Speaker 1: a fan base from scratch, like from nothing.

2463
01:47:07,240 --> 01:47:10,599
Speaker 5: Yeah, no, I should just fucking damn near impossible these days. Yeah,

2464
01:47:10,720 --> 01:47:11,840
Speaker 5: that's just is super rough.

2465
01:47:12,120 --> 01:47:17,040
Speaker 4: You have got male, I'm just reached is a mall

2466
01:47:17,120 --> 01:47:20,120
Speaker 4: and rory. Uh. I'm the caller that call for the

2467
01:47:20,240 --> 01:47:23,120
Speaker 4: Valentine Day shit, and I feel like I got played

2468
01:47:23,120 --> 01:47:26,080
Speaker 4: out in my position. I definitely deserve a date, Like

2469
01:47:26,240 --> 01:47:29,880
Speaker 4: I definitely want from the weird ass niggas who was

2470
01:47:29,960 --> 01:47:32,360
Speaker 4: on that creepy shit like all that word play like

2471
01:47:32,439 --> 01:47:33,880
Speaker 4: that shit trifling.

2472
01:47:33,560 --> 01:47:34,479
Speaker 2: Like we don't play that.

2473
01:47:34,640 --> 01:47:36,760
Speaker 4: But like I was trying to make jokes like you

2474
01:47:36,840 --> 01:47:38,599
Speaker 4: make the ass you. I was like, make you want

2475
01:47:38,640 --> 01:47:40,920
Speaker 4: to laugh, you know, And plus you gotta make it jiggle,

2476
01:47:41,000 --> 01:47:43,280
Speaker 4: like if I'm about it, I ain't even trying to

2477
01:47:43,280 --> 01:47:46,400
Speaker 4: get that far. But I'm not on im. On twenty five,

2478
01:47:46,520 --> 01:47:49,040
Speaker 4: I fuck with the pie and I got an old soul,

2479
01:47:49,160 --> 01:47:52,200
Speaker 4: So like, hit me back, you know, call email me,

2480
01:47:52,320 --> 01:47:54,320
Speaker 4: whatever y'all got to do, and let's let's make this

2481
01:47:54,360 --> 01:47:54,960
Speaker 4: shit happen.

2482
01:47:55,120 --> 01:47:58,760
Speaker 5: You know, miss you, baby D love to everybody, not

2483
01:47:58,960 --> 01:48:02,439
Speaker 5: just you know, I love you, baby D love you baby.

2484
01:48:02,520 --> 01:48:04,200
Speaker 4: That might be Jello. He love you, baby D.

2485
01:48:05,360 --> 01:48:07,640
Speaker 1: He love you, but why should I love him?

2486
01:48:07,760 --> 01:48:07,880
Speaker 4: Well?

2487
01:48:07,920 --> 01:48:10,080
Speaker 5: First, the listeners did call you out because you you

2488
01:48:10,200 --> 01:48:11,960
Speaker 5: did backtrack it. What's supposed to be two winners.

2489
01:48:12,800 --> 01:48:14,600
Speaker 4: Yeah, baby's trying to get out of that because she

2490
01:48:14,640 --> 01:48:16,920
Speaker 4: wanted to spend the block ahead and be weak do it.

2491
01:48:17,400 --> 01:48:20,800
Speaker 1: Damn Like that's not like love like you're supposed to give,

2492
01:48:20,880 --> 01:48:23,559
Speaker 1: like love first, like lee with love before you just bet.

2493
01:48:23,680 --> 01:48:25,280
Speaker 4: He he love with love? He said he loved you,

2494
01:48:25,640 --> 01:48:28,760
Speaker 4: trying to see he's trying to fuck me okay, and

2495
01:48:28,880 --> 01:48:32,360
Speaker 4: didn't love you. See how that work? Sometimes you gotta

2496
01:48:32,560 --> 01:48:34,200
Speaker 4: the fast way to love is through her. You know

2497
01:48:35,080 --> 01:48:39,760
Speaker 4: you gotta fuck nurs what nothing he said? You want

2498
01:48:39,800 --> 01:48:40,680
Speaker 4: to know if you're gonna fuck that.

2499
01:48:40,720 --> 01:48:41,720
Speaker 1: Nurse that you picked over me.

2500
01:48:44,080 --> 01:48:45,960
Speaker 4: I know, Rory, I'm not. I don't even know.

2501
01:48:46,080 --> 01:48:48,280
Speaker 1: It ain't funny, It ain't funny. But you gotta fuck somebody, right,

2502
01:48:48,360 --> 01:48:51,519
Speaker 1: But up, heybody fucking gig No, no, no.

2503
01:48:51,560 --> 01:48:53,679
Speaker 4: But the nurse didn't say she wanted to But the nurse,

2504
01:48:54,080 --> 01:48:55,760
Speaker 4: the nurse didn't say she wanted me. She ain't say

2505
01:48:55,800 --> 01:48:57,840
Speaker 4: she wanted me to make her ass jiggle. He wanted

2506
01:48:57,840 --> 01:48:59,800
Speaker 4: to make your ass jiggle. He let you know what

2507
01:48:59,840 --> 01:49:01,160
Speaker 4: it is is that gonna go out have a good

2508
01:49:01,200 --> 01:49:02,800
Speaker 4: time at the end of the night. He wonder. You

2509
01:49:02,800 --> 01:49:03,320
Speaker 4: know what I'm saying.

2510
01:49:03,520 --> 01:49:05,560
Speaker 1: If I have to pick somebody, then I'm picking the

2511
01:49:05,600 --> 01:49:06,960
Speaker 1: guy that wrote me a nice poem.

2512
01:49:08,120 --> 01:49:10,479
Speaker 4: That man is a serial killer. That's true. That's the

2513
01:49:10,479 --> 01:49:12,240
Speaker 4: same way Ted Bundy got all of those women. He

2514
01:49:12,280 --> 01:49:14,560
Speaker 4: wrote a nice poem, put on some good colone in

2515
01:49:14,600 --> 01:49:16,600
Speaker 4: to the bar, and then they fucking headed in a

2516
01:49:16,640 --> 01:49:20,240
Speaker 4: deep freezer. Yeah you know what I'm saying. You know, God, Yeah,

2517
01:49:20,320 --> 01:49:22,560
Speaker 4: God forbid. But that's that's where you dded with holl me.

2518
01:49:22,680 --> 01:49:25,400
Speaker 4: Have you seen that gentleman? Nice poemman? Have you seen

2519
01:49:25,840 --> 01:49:26,800
Speaker 4: all Jeffrey damar to do?

2520
01:49:26,880 --> 01:49:27,000
Speaker 1: Is it?

2521
01:49:27,080 --> 01:49:27,200
Speaker 5: Yo?

2522
01:49:27,240 --> 01:49:30,839
Speaker 4: I'm gay. Have you seen everyone's organs just be in front.

2523
01:49:30,640 --> 01:49:33,120
Speaker 1: Of him saying he not a y n and it's

2524
01:49:33,120 --> 01:49:35,040
Speaker 1: saying he twenty five baby.

2525
01:49:35,479 --> 01:49:36,040
Speaker 4: Her old soul?

2526
01:49:36,120 --> 01:49:36,800
Speaker 1: He tea baby.

2527
01:49:37,640 --> 01:49:40,240
Speaker 4: Yeah, he not a y n though twenty five is

2528
01:49:40,360 --> 01:49:40,560
Speaker 4: y in.

2529
01:49:40,840 --> 01:49:43,320
Speaker 5: Yes, Yeah, he's an old soul. He listens to cold

2530
01:49:43,360 --> 01:49:45,080
Speaker 5: They gave us the chart was twenty five years old

2531
01:49:45,120 --> 01:49:49,360
Speaker 5: on old. He's to a twenty five year old. That's

2532
01:49:49,400 --> 01:49:52,599
Speaker 5: an old soul. I listen to so far gone twenty five.

2533
01:49:52,640 --> 01:49:55,840
Speaker 4: Being an old soul is hilarious, My old soul twenty five.

2534
01:49:56,080 --> 01:49:57,479
Speaker 4: I might have said that when I was twenty five.

2535
01:49:57,479 --> 01:49:58,240
Speaker 4: That's why that's funny.

2536
01:49:58,439 --> 01:50:02,040
Speaker 1: Somebody tweeted, you can't call anybody over thirty fine ship,

2537
01:50:02,080 --> 01:50:03,600
Speaker 1: you gotta call them a bad mammajima.

2538
01:50:04,479 --> 01:50:09,000
Speaker 4: Alright, See see thirty is not that old. It just

2539
01:50:09,080 --> 01:50:13,680
Speaker 4: gets disrespectful, man, It just gets disrespectful. The older you

2540
01:50:13,760 --> 01:50:16,160
Speaker 4: get to get more disrespectful of here, man, I'm rocking

2541
01:50:16,240 --> 01:50:17,759
Speaker 4: with disrespect.

2542
01:50:17,880 --> 01:50:18,599
Speaker 1: That is wow.

2543
01:50:19,080 --> 01:50:20,600
Speaker 4: Josh, did you reach out to the nurses like we

2544
01:50:20,680 --> 01:50:24,439
Speaker 4: do need to set up this this whole date. Okay,

2545
01:50:24,880 --> 01:50:26,679
Speaker 4: she lived in New York, but she lives in Toronto.

2546
01:50:27,400 --> 01:50:29,320
Speaker 4: She lives in Toronto. Okay, I thought she lived in

2547
01:50:29,360 --> 01:50:31,599
Speaker 4: New York. What was from Toronto? Why she's so thirsty

2548
01:50:31,680 --> 01:50:32,440
Speaker 4: for the Americans?

2549
01:50:33,240 --> 01:50:37,240
Speaker 1: Here we go here, That's what Drake was talking about.

2550
01:50:37,400 --> 01:50:41,719
Speaker 4: Yeah, that's funny. It's a real thing though, Like as

2551
01:50:41,880 --> 01:50:45,320
Speaker 4: as an American that spent a lot of years in Canada,

2552
01:50:45,960 --> 01:50:49,000
Speaker 4: Yo to makens be mad when we pull up because

2553
01:50:49,000 --> 01:50:50,640
Speaker 4: they know the girl. But it's the same thing for

2554
01:50:50,800 --> 01:50:53,519
Speaker 4: any no matter where you're from. If somebody with an

2555
01:50:53,600 --> 01:50:56,840
Speaker 4: accent from another country whatever comes to the city, girls

2556
01:50:56,840 --> 01:50:58,800
Speaker 4: are just gonna be even if it's not a They're

2557
01:50:58,840 --> 01:51:01,599
Speaker 4: just gonna give that person attention because you know, it's

2558
01:51:01,600 --> 01:51:03,840
Speaker 4: a different accent. It's different way of talking with dudes

2559
01:51:03,880 --> 01:51:06,559
Speaker 4: from like anywhere you can from a.

2560
01:51:07,200 --> 01:51:11,559
Speaker 1: People love and same ship because a Southern nigga will

2561
01:51:11,600 --> 01:51:14,040
Speaker 1: fall madly in love with me because I'm different from

2562
01:51:14,080 --> 01:51:14,639
Speaker 1: the women.

2563
01:51:14,439 --> 01:51:16,439
Speaker 4: And YouTube you still about how you love New Orleans

2564
01:51:16,479 --> 01:51:19,439
Speaker 4: accents every day. Baby, you can't wait for a New

2565
01:51:19,520 --> 01:51:21,839
Speaker 4: Orleans nigga with two felonies and three years.

2566
01:51:21,920 --> 01:51:24,920
Speaker 1: You have two felonies boxing me. That's not my time.

2567
01:51:25,040 --> 01:51:26,040
Speaker 4: You said that your time.

2568
01:51:26,080 --> 01:51:28,800
Speaker 1: I did not say that. That's on air. That's you

2569
01:51:28,880 --> 01:51:31,800
Speaker 1: all have always ran with that narrative, and that's not true.

2570
01:51:32,600 --> 01:51:34,200
Speaker 1: I do not like men with felonies.

2571
01:51:34,439 --> 01:51:36,760
Speaker 4: Baby, how many homewave accounts you got on your you

2572
01:51:36,840 --> 01:51:37,799
Speaker 4: got the homewave app.

2573
01:51:37,640 --> 01:51:40,439
Speaker 1: On your phone? No, and you definitely I have JPay,

2574
01:51:40,600 --> 01:51:45,000
Speaker 1: but that's because I save ship wave. No, I got

2575
01:51:45,040 --> 01:51:47,559
Speaker 1: homies from my hometown. I got cousins and ship that's

2576
01:51:47,640 --> 01:51:50,160
Speaker 1: locked up. I'm not writing you think I'm putting money

2577
01:51:50,200 --> 01:51:52,080
Speaker 1: on a motherfucking phone to talk to a nigga.

2578
01:51:52,080 --> 01:51:54,080
Speaker 4: Alright, so have you ever seen me pay for any

2579
01:51:54,120 --> 01:51:56,559
Speaker 4: all right, So we're gonna keep it. Your men sneak

2580
01:51:56,600 --> 01:51:57,840
Speaker 4: the phone in. You don't need to do that, So

2581
01:51:57,880 --> 01:51:59,320
Speaker 4: we're gonna keep it all the way. Honey. How many

2582
01:51:59,479 --> 01:52:01,479
Speaker 4: how many new pictures you sent through J? Never mind?

2583
01:52:01,520 --> 01:52:04,120
Speaker 1: Fucking like, don't violate me. I don't violence, Jack, don't

2584
01:52:04,200 --> 01:52:06,560
Speaker 1: violate me. I'm not listening to the baby that that

2585
01:52:06,600 --> 01:52:08,720
Speaker 1: ship not funny. I don't play that ship. You never

2586
01:52:09,000 --> 01:52:11,000
Speaker 1: you never, you never se my fucking life, bro, I

2587
01:52:11,040 --> 01:52:11,760
Speaker 1: don't play that ship.

2588
01:52:11,960 --> 01:52:14,280
Speaker 4: You never sent the new picture in my life.

2589
01:52:14,960 --> 01:52:17,320
Speaker 1: My ex boyfriend went to jail and he didn't hear

2590
01:52:17,360 --> 01:52:19,280
Speaker 1: from me until he got out years later.

2591
01:52:19,360 --> 01:52:20,320
Speaker 4: How long he was locked up?

2592
01:52:20,600 --> 01:52:21,400
Speaker 1: Like three years.

2593
01:52:21,600 --> 01:52:22,559
Speaker 4: You ain't send him no news.

2594
01:52:22,960 --> 01:52:25,519
Speaker 1: I didn't send a nigga a letter, but I'm not

2595
01:52:25,720 --> 01:52:28,320
Speaker 1: you had sent him a letter. I'm not that girl, bro,

2596
01:52:28,600 --> 01:52:30,439
Speaker 1: I'm not that great. When he got locked up with

2597
01:52:30,520 --> 01:52:32,920
Speaker 1: y'all together, No, we were dating, But I'm not that

2598
01:52:33,120 --> 01:52:35,400
Speaker 1: girl that y'all was dating when he got locked up,

2599
01:52:35,400 --> 01:52:36,479
Speaker 1: and you didn't send him a letter.

2600
01:52:36,720 --> 01:52:40,840
Speaker 5: No, you know what said. Sometimes it's hard to say

2601
01:52:40,920 --> 01:52:41,880
Speaker 5: keep your head up through mail.

2602
01:52:42,200 --> 01:52:44,760
Speaker 1: I don't play that ship. That ain't me. That's not me,

2603
01:52:45,360 --> 01:52:47,960
Speaker 1: nah baby, And I tell niggas, I tell niggas from

2604
01:52:48,000 --> 01:52:50,240
Speaker 1: the jump that's date street niggas. No more. I'm not

2605
01:52:50,680 --> 01:52:51,360
Speaker 1: I'm not doing that.

2606
01:52:51,960 --> 01:52:53,760
Speaker 4: I'm not doing that a letter.

2607
01:52:53,800 --> 01:52:55,720
Speaker 5: I'm so happy you didn't come to New Orleans because

2608
01:52:55,760 --> 01:52:58,400
Speaker 5: I know all of Jay's nephews that we were with

2609
01:52:58,640 --> 01:53:02,280
Speaker 5: that are woar tom Felons at this point that was

2610
01:53:02,360 --> 01:53:04,160
Speaker 5: running around with us. Demarrius would have just moved down

2611
01:53:04,160 --> 01:53:04,360
Speaker 5: there and.

2612
01:53:04,360 --> 01:53:07,240
Speaker 1: Stay, yo, I don't date. You know what, I give up.

2613
01:53:08,000 --> 01:53:08,439
Speaker 1: I give up.

2614
01:53:10,920 --> 01:53:13,080
Speaker 5: Jay's nephew is so crazy. They took me to Magnolia.

2615
01:53:13,120 --> 01:53:14,479
Speaker 5: This ship not there no more. They like we just

2616
01:53:14,720 --> 01:53:15,840
Speaker 5: we just standing here.

2617
01:53:15,920 --> 01:53:16,040
Speaker 4: Now.

2618
01:53:18,000 --> 01:53:23,280
Speaker 5: The building's not even projects, like a whole new condo

2619
01:53:24,000 --> 01:53:25,519
Speaker 5: and they're like, no, it's still our block.

2620
01:53:26,360 --> 01:53:27,320
Speaker 1: That's fucking insane.

2621
01:53:28,640 --> 01:53:29,920
Speaker 4: All right, man, let's get out of here.

2622
01:53:30,000 --> 01:53:30,200
Speaker 2: I was.

2623
01:53:30,240 --> 01:53:31,960
Speaker 4: I was on Canal Street like you could walk around

2624
01:53:32,000 --> 01:53:38,920
Speaker 4: with that like, nah, that's crazy. Well be good you.

2625
01:53:39,200 --> 01:53:41,200
Speaker 5: You definitely have to take that nurse out because she's

2626
01:53:41,240 --> 01:53:43,040
Speaker 5: a nurse in a place that has free healthcare.

2627
01:53:43,640 --> 01:53:45,920
Speaker 4: That's a saint. I mean, you know, we can go

2628
01:53:45,960 --> 01:53:48,000
Speaker 4: get lunch or something. It don't gotta be nothing too sexy,

2629
01:53:48,080 --> 01:53:50,680
Speaker 4: too intimate, just a nice little icebreaker. Get to know you,

2630
01:53:50,800 --> 01:53:51,320
Speaker 4: get to say.

2631
01:53:51,200 --> 01:53:55,439
Speaker 5: Hello, Josh, reach out, fuck the ram account my own dollar.

2632
01:53:55,479 --> 01:53:56,720
Speaker 5: I will fly her out here for that day.

2633
01:53:57,280 --> 01:53:57,960
Speaker 4: Damn, why you?

2634
01:53:58,479 --> 01:54:02,560
Speaker 1: Because I think that we did promise people, fucking you

2635
01:54:02,640 --> 01:54:03,799
Speaker 1: know so a flyout.

2636
01:54:04,240 --> 01:54:06,800
Speaker 4: We promised a fly I promise the fly We ain't

2637
01:54:06,800 --> 01:54:08,880
Speaker 4: PROUDNT know if we promised the fly I promise to day.

2638
01:54:10,760 --> 01:54:12,080
Speaker 4: How about we do this? Can we can we have

2639
01:54:12,200 --> 01:54:14,799
Speaker 4: a peach? Can we have a zoom in next episode?

2640
01:54:15,400 --> 01:54:18,840
Speaker 5: No, I'm putting a fucking go pro in my car

2641
01:54:18,960 --> 01:54:22,160
Speaker 5: and I'm driving you all around city anyhow.

2642
01:54:22,560 --> 01:54:25,680
Speaker 4: That's cool saying project, Okay, that's cool, but Peach. Can

2643
01:54:25,760 --> 01:54:27,439
Speaker 4: we have her? Can we have a zoom in to

2644
01:54:27,520 --> 01:54:31,080
Speaker 4: let her know that you know, we'll be going out

2645
01:54:31,560 --> 01:54:34,760
Speaker 4: to lunch and dinner soon, a little ice breaking. Yeah,

2646
01:54:34,840 --> 01:54:36,200
Speaker 4: let's have a zooming. I would like to see her.

2647
01:54:36,640 --> 01:54:38,120
Speaker 4: And you used to be a nurse too, so like

2648
01:54:38,680 --> 01:54:40,760
Speaker 4: I was not a nurse. I worked in the hospital. Motherfucker.

2649
01:54:41,360 --> 01:54:44,800
Speaker 4: I wasn't a fucking motherfucker. I wasn't no nurse. Fuck you,

2650
01:54:45,240 --> 01:54:46,400
Speaker 4: Mall's anatomy.

2651
01:54:50,200 --> 01:54:50,600
Speaker 1: Episode.

2652
01:54:52,520 --> 01:54:54,720
Speaker 4: I loved working in the hospital. That ship was fun, man,

2653
01:54:55,120 --> 01:54:56,680
Speaker 4: that was a lot of fun because you was drugging

2654
01:54:56,760 --> 01:55:01,720
Speaker 4: old people. Nah, man, I wasn't doing that experiment. We're

2655
01:55:01,760 --> 01:55:04,120
Speaker 4: not even put We're not even putting that narrative out there.

2656
01:55:04,320 --> 01:55:06,080
Speaker 4: We're not putting that narrative out there. Nor was not

2657
01:55:06,680 --> 01:55:08,920
Speaker 4: if I mixed these two, I was not charge. I

2658
01:55:09,000 --> 01:55:10,800
Speaker 4: was not a charge of no drugs. No, it was that.

2659
01:55:11,400 --> 01:55:12,840
Speaker 4: All right, Well, we get out of here. We'll talk

2660
01:55:12,880 --> 01:55:15,640
Speaker 4: to y'all soon. Be safe, be blessed. Do remember I'm

2661
01:55:15,640 --> 01:55:17,240
Speaker 4: that nigga. He's just ginger Peace.