WEBVTT - It’s Luke Just Luke… Mr. Luke Part 2 (S2 E6, "Presenting Lorelai Gilmore")

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<v Speaker 1>I am all in like you. I Am all in

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<v Speaker 1>with Scott Patterson and I Heart Radio Podcast. Hey everybody,

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<v Speaker 1>we're back and we're gonna do the recap and I

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<v Speaker 1>am Scott Patterson and this is the I Am all

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<v Speaker 1>In Podcast with our Heart Radio one eleven productions. Uh,

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<v Speaker 1>we are going to get into presenting Lorele Gilmore season

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<v Speaker 1>to What episode is this? Does anybody know? This is

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<v Speaker 1>episode six six? So most I was one off six

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<v Speaker 1>Season two episodes six. Boy, we're really motoring down that

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<v Speaker 1>Gilmore Highway, aren't we? Oh my god, it's it seems

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<v Speaker 1>like we just started yesterday already, were you know well

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<v Speaker 1>into season two? It's flying by wow? Um anyway, what

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<v Speaker 1>you go think? What you know? You tell us first?

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<v Speaker 1>What did you think? I don't know? You want to

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<v Speaker 1>you want to do the let's do Riley, go ahead

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<v Speaker 1>do the synopsis for us. Riley, thank you. I love

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<v Speaker 1>doing the synopsis. Thank you for queuing me up. This

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<v Speaker 1>is season two, episode six, presenting Laura La Gilmore. Air

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<v Speaker 1>date November six, two thou one. Rory surprises every Rory

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<v Speaker 1>surprises everyone by agreeing to Emily's request that she make

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<v Speaker 1>her debut at a debutante ball, and when Laura Lai

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<v Speaker 1>asked Rory's dad, Christopher to present his daughters to society,

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<v Speaker 1>she finds herself attracted to the new, more responsible man

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<v Speaker 1>that he has become. Scott, you give us your initial

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<v Speaker 1>thoughts of the whole episode, because I have a few

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<v Speaker 1>things that really stood out. No one asked you. My

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<v Speaker 1>initial thoughts of this episode were are um discomfort. It

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<v Speaker 1>was uncomfortable for me to watch Laura Lae giving Christopher

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<v Speaker 1>another chance for purse, no reasons, for character reasons, because

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<v Speaker 1>it's still kind of a part of me, right. I mean,

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<v Speaker 1>you can't separate. You can't. It's hard to separate, and

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<v Speaker 1>you know, you try to put that stuff away, but

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<v Speaker 1>it's like I'm watching these episodes now, so I'm it's

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<v Speaker 1>reigniting a lot of stuff. Um, and I just think,

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<v Speaker 1>you know, after ten years and he's in his early thirties,

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<v Speaker 1>that he's figuring out about responsibility. And you know, the

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<v Speaker 1>one thing that really hit me. I got very sad

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<v Speaker 1>at one point in this episode because Rory didn't have

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<v Speaker 1>a dad, and it made it really hit me. It

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<v Speaker 1>really hit me hard about what could have been and

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<v Speaker 1>how they should have tried to work it out. I mean,

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<v Speaker 1>I kept saying to myself, why couldn't they have worked

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<v Speaker 1>it out? And why couldn't this girl have had her dad?

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<v Speaker 1>And he's such a fantastic guy, you know, it was

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<v Speaker 1>so much potential, and even even when he said he's coming,

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<v Speaker 1>they still were like, yeah, right, that's like trust him.

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<v Speaker 1>And so I related that experience to mine as a father,

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<v Speaker 1>and I just couldn't imagine walking out on my kid

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<v Speaker 1>no matter how. But I mean, I didn't have a

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<v Speaker 1>baby at six. Okay, I wonder does Christopher and his

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<v Speaker 1>relationship with lore bother You clearly have chemistry. I don't

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<v Speaker 1>find it entertaining, and I don't see feel the chemistry.

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<v Speaker 1>And I think it's because you're Luke. I see it,

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<v Speaker 1>feel it? Do you really? Yeah? I feel their chemistry.

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<v Speaker 1>I was bummed for her when he had to say

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<v Speaker 1>I can't stay because there's someone in Boston, and like

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<v Speaker 1>you know, is he felt Rory was happier for him

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<v Speaker 1>because I don't think she realizes how much lore I

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<v Speaker 1>still loves him. But the disappointment that I felt for

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<v Speaker 1>LORELEI just as she sort of really was like crushing

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<v Speaker 1>on him or liking him or you know, I think

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<v Speaker 1>their banter is always like right on point, and I

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<v Speaker 1>wonder if it bothers you because it's like, that's what

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<v Speaker 1>she has with Luke. Look, I'm part of the audience. Now,

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<v Speaker 1>I'm one of them. Okay, So what I'm doing is

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<v Speaker 1>I'm watching this girl, this woman who this character Luke loves,

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<v Speaker 1>and thinking, get your butt to the diner and get

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<v Speaker 1>it going. Let this from Romance begin. Stop f and

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<v Speaker 1>around with these people that are not solid human beings.

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<v Speaker 1>I mean, you've got a guy sitting there on a

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<v Speaker 1>park bench and they're all moony for each other and

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<v Speaker 1>giggily and smiley talking about how at three years old,

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<v Speaker 1>he's finally realized that he has to get a car

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<v Speaker 1>and get off the motorcycle. And yeah, and you know

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<v Speaker 1>what the most telling scene in the whole thing for

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<v Speaker 1>me was is when they on into the Volvo Laurela

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<v Speaker 1>and Christopher and he turned on that horrible music and

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<v Speaker 1>I'm thinking, but what on earth is that? It's but

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<v Speaker 1>but it's like, what are you kidding me? I mean,

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<v Speaker 1>is there even a competition here? You know? Get so again,

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<v Speaker 1>it was like, get your butt out of that car

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<v Speaker 1>and get to Luke's and let that romance start going

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<v Speaker 1>because that girl has a hole in her heart, and

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<v Speaker 1>and it's and it's like biology versus practicality, and and

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<v Speaker 1>what's right for Rory? And another thing that got me

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<v Speaker 1>is when you know who's gonna take me? If it's

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<v Speaker 1>not if Christopher is not going to take her to

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<v Speaker 1>and and she and and and they're sitting at the

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<v Speaker 1>table saying, well, I will who could it possibly be?

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<v Speaker 1>And I'm thinking she said Taylor. Rory said, well, we

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<v Speaker 1>could get Taylor, you know, maybe we get the sanitation guy,

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<v Speaker 1>or you know, I'm like, what do you think that

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<v Speaker 1>it hurts? Couldn't hurt? I was hurt. It was jarring

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<v Speaker 1>for me to say. I think the writers didn't write

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<v Speaker 1>Luke because if they would have said Luke, you were

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<v Speaker 1>the more logical choice than Christopher, it was almost like

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<v Speaker 1>they couldn't say it, like yeah, of course Luke is

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<v Speaker 1>going to do it, but it's still like why I

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<v Speaker 1>even have the storyline with Christopher. So that's that's again

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<v Speaker 1>getting the audience to participate in the piece by leaning

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<v Speaker 1>forward and saying what about Luke? Yeah, that was very

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<v Speaker 1>jarring to me. That was really charring. I was just like,

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<v Speaker 1>I think the part you and I disagree on this.

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<v Speaker 1>I do like the chemistry with Christopher. I always think

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<v Speaker 1>they have a great damswer. They know each other so well.

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<v Speaker 1>What I haven't figured out yet, even though I've seen

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<v Speaker 1>all the episodes of My you know I know, is

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<v Speaker 1>that at this moment, does Laurelai crush on Christopher as

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<v Speaker 1>she's seeing him become what she always wanted him to

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<v Speaker 1>be in the old feelings? You know what I mean? Like,

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<v Speaker 1>does she really love him now or does she just

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<v Speaker 1>love it? He's the dad and they never had their

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<v Speaker 1>shot and blah blah blah. I think he's gonna end

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<v Speaker 1>up being the rebound guy for Max, and I think

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<v Speaker 1>he's going to know that. And I think, I mean,

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<v Speaker 1>I I write, do I do? I not know? I

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<v Speaker 1>do not know what's coming. I don't know what's coming. Well, yeah,

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<v Speaker 1>I remember, you know little bits. But I guess I

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<v Speaker 1>don't understand as much as I hope I would understand

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<v Speaker 1>the human heart because she is so She's bouncing around

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<v Speaker 1>like a pinball machine looking for love and she deserves

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<v Speaker 1>it and she deserves a really solid guy. I don't think.

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<v Speaker 1>I don't I don't want to criticize Christopher I think

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<v Speaker 1>he's a terrific character and a terrific guy, but he's

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<v Speaker 1>not settled. He's not right for them. Now now that

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<v Speaker 1>Rory is is older, now it's going to do less

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<v Speaker 1>damage to Rory and ultimately maybe not so much Laura

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<v Speaker 1>if they do get back together. She goes off to college.

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<v Speaker 1>Christopher and Laura la are together and they're having a

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<v Speaker 1>fabulous time. And if it doesn't work out, it's not

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<v Speaker 1>going to destroy uh, Rory's future any damage John has

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<v Speaker 1>already been done. She's already worked it out, you know

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<v Speaker 1>what I mean, she's already worked it out. She's growing past.

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<v Speaker 1>It's done, sure, you know, but it's not It doesn't

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<v Speaker 1>seem so tragic. Sure, I always notice, you know, Christopher

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<v Speaker 1>pulls up in the volvo, Rory comes out. She's so

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<v Speaker 1>happy to see him. Laura and Christopher always kiss, They

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<v Speaker 1>always kiss hello, and she doesn't do that with other characters.

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<v Speaker 1>And then there was I think there was three kisses

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<v Speaker 1>in this episode. She definitely kisses him on the mouth

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<v Speaker 1>when they're in the in Stars Hollow and she's saying,

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<v Speaker 1>you know, Boston's not that far. It's like they have

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<v Speaker 1>this chemistry connection, but it is physical like they definitely

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<v Speaker 1>he can't such each other and oh yeah, they're worth

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<v Speaker 1>free kisses. She kisses him goodnight, like on the list.

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<v Speaker 1>He can't handle her, He cannot handle Laurelay. He cannot

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<v Speaker 1>exist in that world. He is not able to exist

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<v Speaker 1>in that world. They are not a good couple, okay,

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<v Speaker 1>even though they made a child, they're not right for

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<v Speaker 1>each other. To me, that is clear. She is too

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<v Speaker 1>she is too powerful and and he is too unsettled.

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<v Speaker 1>He's always catching up. You know. It's like it's like

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<v Speaker 1>he's so boyish. It's like he's not emotionally mature enough

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<v Speaker 1>to catch up to where she is in her life.

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<v Speaker 1>You know, she moved on and she made a career

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<v Speaker 1>in a life f rory. What the hell has he

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<v Speaker 1>been doing riding around his motorcycle, you know, starting businesses unsuccessfully,

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<v Speaker 1>you know, searching, searching, searching the law soul. He as her,

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<v Speaker 1>he about Sherry, that they're living together. I don't want

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<v Speaker 1>to I don't want to lead the witness. How did

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<v Speaker 1>you feel? What did you feel when he told her that?

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<v Speaker 1>I didn't understand why he let it get to that

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<v Speaker 1>point where he knew there was all this flirtation and

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<v Speaker 1>he knew there was all this chemistry between them and

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<v Speaker 1>he and obviously she was egging him on and and

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<v Speaker 1>looking at him and you know, being very open to him.

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<v Speaker 1>And he could read those signs very early on in

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<v Speaker 1>the episode. So why did he let it get to

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<v Speaker 1>that point? So to me it seems a little sort

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<v Speaker 1>of passive, aggressive and a little hostile. You know, he

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<v Speaker 1>acknowledge that I was disappointed for her, even though look

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<v Speaker 1>I love Luke and lowrlyon, I was disappointed. I felt

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<v Speaker 1>bad for her, right Yeah, I mean yeah I did too.

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<v Speaker 1>I mean, she's barking up the wrong tree and it's

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<v Speaker 1>so obvious, but you know, we're talking about somebody who

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<v Speaker 1>is working your tail off to being a great mom

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<v Speaker 1>and she wants some love in her life. She deserves it.

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<v Speaker 1>But it's right down the street serving your coffee, okay,

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<v Speaker 1>you know they and in the diner beating the burger.

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<v Speaker 1>Yeah that was good, that was funny. He is so

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<v Speaker 1>well done about this episode is the sprinkling of Jess.

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<v Speaker 1>They are not beating us over the head with Jess there.

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<v Speaker 1>It's not like we met him last week and now

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<v Speaker 1>Worri's falling in love with him. It's just sprinkling, like

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<v Speaker 1>we're getting to know him. We had two great scenes

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<v Speaker 1>with him. Uh, but it's more subtle. Did you notice

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<v Speaker 1>that's banging me over the head? No, it's like he

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<v Speaker 1>what we're seeing now is like, you're not fit for society,

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<v Speaker 1>and you're in boot camp and I'm your drill instructor,

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<v Speaker 1>and this is what's happening. And once you're prepared, you

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<v Speaker 1>will have more scenes with other people. What do you

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<v Speaker 1>think when he's wearing the Luke classic moment, it's it's

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<v Speaker 1>it's like now you know, it's it's still his rebellious self.

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<v Speaker 1>I mean, he's conforming without conforming. You know, there's double

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<v Speaker 1>meaning there, So it's you know, it's another typical clever,

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<v Speaker 1>rebellious Jess move right, I mean without having to say anything.

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<v Speaker 1>So he's a he's a brilliant character. He's a brilliant kid,

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<v Speaker 1>you know. Um, but I think it shows on a

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<v Speaker 1>certain level a lot of respect, you know, an unconscious

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<v Speaker 1>level of respect for Luke. You know, because he went

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<v Speaker 1>into his closet and he put on one of his

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<v Speaker 1>shirts in one of his hats and came downstairs. So

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<v Speaker 1>it's really making nice you know, there's nothing upset about

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<v Speaker 1>for Luke. He's really making nice and it's like, hey,

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<v Speaker 1>I'm gonna make a joke out of this. I see

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<v Speaker 1>Rory watching him. That's what I thought was interesting when

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<v Speaker 1>she's eating the burger in that you know, second to

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<v Speaker 1>last scene, just watching him watching you too. He's not's

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<v Speaker 1>not ignoring him's not. They're both were watching. That's why

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<v Speaker 1>he was cast. You can't you can't ignore that, right, um.

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<v Speaker 1>But yeah, I mean, you know, this episode really framed

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<v Speaker 1>for me, uh you know, looking forward and also framed

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<v Speaker 1>looking back what could have been, what Rory will become,

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<v Speaker 1>and what Laurel I could have been. And it was

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<v Speaker 1>such a poignant moment, such a poignant moment when Emily

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<v Speaker 1>and Laurel are standing there and Emily says, you know

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<v Speaker 1>that that was supposed to be you mm hmm. Following

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<v Speaker 1>up with the final scene of the episode, Laurel goes

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<v Speaker 1>over and just just to hang and I'm I'm here

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<v Speaker 1>if you know, you want to talk. Heartbreaking, absolutely hard.

0:13:49.720 --> 0:13:52.600
<v Speaker 1>Concerned about Richard and Emily, but I'm mostly concerned about

0:13:52.720 --> 0:13:58.280
<v Speaker 1>Richard with you know, he is having a crisis at

0:13:58.320 --> 0:14:04.040
<v Speaker 1>work that he's being phased out and losing his identity.

0:14:05.440 --> 0:14:08.600
<v Speaker 1>I don't know that that moment for me with her

0:14:08.679 --> 0:14:12.559
<v Speaker 1>cutting the trimming her rose bushes or whatever she was doing,

0:14:12.640 --> 0:14:16.280
<v Speaker 1>and Lauraa just like, what are you doing here? Hanging? What?

0:14:16.280 --> 0:14:18.240
<v Speaker 1>What is that? We don't we haven't established that you're

0:14:18.280 --> 0:14:20.400
<v Speaker 1>not my daughter? Really you don't really like me? And

0:14:20.840 --> 0:14:24.640
<v Speaker 1>what are you doing here? And it just for me,

0:14:24.680 --> 0:14:28.080
<v Speaker 1>it took on tragic proportions because that's time, you know,

0:14:28.120 --> 0:14:30.520
<v Speaker 1>that's sixteen seventeen years that you can't get back and

0:14:30.560 --> 0:14:34.040
<v Speaker 1>you can't relive it. And that's a life and that's

0:14:34.040 --> 0:14:37.800
<v Speaker 1>a relationship that just won't be as full and fruitful

0:14:38.000 --> 0:14:42.520
<v Speaker 1>and loving um as it could have been. And I'm

0:14:42.520 --> 0:14:45.280
<v Speaker 1>not blaming anybody for I'm not blaming you, Laura, I'm

0:14:45.320 --> 0:14:49.400
<v Speaker 1>not blaming Emily. It's just life. Life can sometimes be

0:14:49.520 --> 0:14:52.800
<v Speaker 1>very tragic. What do you make of the fact that

0:14:53.000 --> 0:14:56.240
<v Speaker 1>she went to Emily to sort of be there for

0:14:56.280 --> 0:14:59.520
<v Speaker 1>her instead of going to Richard to say, hey, do

0:14:59.520 --> 0:15:01.120
<v Speaker 1>you want to talk about what's going on at work?

0:15:01.200 --> 0:15:06.240
<v Speaker 1>Like she really went to Emily multiple times in this episode,

0:15:06.240 --> 0:15:10.280
<v Speaker 1>which I think she had flashbacks to her own relationship

0:15:10.320 --> 0:15:12.560
<v Speaker 1>with Christopher and the arguments that they were having that

0:15:12.680 --> 0:15:16.200
<v Speaker 1>split them up because they were of a similar nature.

0:15:16.200 --> 0:15:19.280
<v Speaker 1>I mean, all these arguments are pretty much similar. It's

0:15:19.320 --> 0:15:21.400
<v Speaker 1>like you're not spending enough time with the family, you're

0:15:21.440 --> 0:15:24.320
<v Speaker 1>working too hard, and you know, during that kind of relationship,

0:15:24.360 --> 0:15:27.160
<v Speaker 1>and the guy didn't want to talk about it, you know,

0:15:27.240 --> 0:15:30.320
<v Speaker 1>and and and you're not listening to me. I told you,

0:15:30.360 --> 0:15:32.560
<v Speaker 1>and you're not listening to me. And these are common, right,

0:15:32.640 --> 0:15:36.240
<v Speaker 1>everybody has them that's in a relationship. Um, And I

0:15:36.240 --> 0:15:39.440
<v Speaker 1>think it made her just flashback to those moments with Christopher, like,

0:15:39.680 --> 0:15:42.840
<v Speaker 1>what have I lost? Here? It may and I could

0:15:42.920 --> 0:15:45.320
<v Speaker 1>lose my parents and my father's you know, they're getting

0:15:45.440 --> 0:15:50.120
<v Speaker 1>he's getting older now, everybody's getting older, and my daughter

0:15:50.320 --> 0:15:52.880
<v Speaker 1>is going away to college and I am going to

0:15:52.960 --> 0:15:56.240
<v Speaker 1>be alone. And what will I have? What have I

0:15:56.320 --> 0:15:59.440
<v Speaker 1>created in my life that I've detached myself from my

0:15:59.520 --> 0:16:05.360
<v Speaker 1>mother and my father necessarily in her mind right, justifiably

0:16:05.480 --> 0:16:08.960
<v Speaker 1>so in her mind. But now what does she have

0:16:09.400 --> 0:16:12.920
<v Speaker 1>if we so the messages? You know, families everything, We

0:16:12.960 --> 0:16:15.040
<v Speaker 1>have nothing if we don't have our families. And a

0:16:15.120 --> 0:16:17.880
<v Speaker 1>little bit of sliding doors that Gwyneth Paltrow movie Sliding Doors,

0:16:17.920 --> 0:16:20.440
<v Speaker 1>because and I think you pointed it out in our

0:16:20.520 --> 0:16:25.040
<v Speaker 1>last episode when the fan dance is happening behind Laura, like,

0:16:25.520 --> 0:16:28.160
<v Speaker 1>and you do have that moment of like, wow, she

0:16:28.560 --> 0:16:33.320
<v Speaker 1>could have had an entirely different life had these certain

0:16:33.320 --> 0:16:35.400
<v Speaker 1>things not happened. She would have been doing the fan dance,

0:16:35.440 --> 0:16:39.120
<v Speaker 1>and who knows what would have happened, And you see

0:16:39.160 --> 0:16:42.640
<v Speaker 1>them wondering, and then Emily points it out by saying,

0:16:43.200 --> 0:16:46.600
<v Speaker 1>should I think it's high time And I don't know

0:16:46.640 --> 0:16:48.480
<v Speaker 1>if this happens in the episodes, I think it's high

0:16:48.480 --> 0:16:53.640
<v Speaker 1>time that Laura like get some therapy, yes, yeah, and

0:16:53.680 --> 0:16:57.320
<v Speaker 1>talk about and talk and really explore what made her

0:16:58.160 --> 0:17:02.080
<v Speaker 1>rebel so hard against her or family and the country

0:17:02.120 --> 0:17:07.520
<v Speaker 1>club lifestyle and the cotillions and the balls and then

0:17:07.600 --> 0:17:12.920
<v Speaker 1>all of that stuff. What made her move to Stars Hollow,

0:17:13.000 --> 0:17:18.080
<v Speaker 1>What made her behave so rebelliously? What? What was it?

0:17:18.520 --> 0:17:23.040
<v Speaker 1>You know? What's so interesting? Tell me if I'm crazy

0:17:23.119 --> 0:17:26.960
<v Speaker 1>this show were made today. Don't you think the wacky

0:17:27.080 --> 0:17:30.760
<v Speaker 1>therapist would have been a character in Stars Hollow? Like

0:17:30.960 --> 0:17:33.840
<v Speaker 1>twenty years ago that wasn't so like what he did,

0:17:34.200 --> 0:17:36.480
<v Speaker 1>but now like the whole family would have been in

0:17:36.520 --> 0:17:39.159
<v Speaker 1>therapy and or I don't know, I just feel like

0:17:39.280 --> 0:17:42.399
<v Speaker 1>if it was made today, there would be the Kirk

0:17:42.680 --> 0:17:48.200
<v Speaker 1>that was the therapist of stars that or the somebody

0:17:48.280 --> 0:17:51.720
<v Speaker 1>just super I don't know, I could see that because

0:17:51.800 --> 0:17:54.360
<v Speaker 1>that is so logical what you're saying. Why are these

0:17:54.359 --> 0:17:57.600
<v Speaker 1>people all not in massive therapy. Anyone that has a

0:17:57.680 --> 0:18:02.160
<v Speaker 1>kid at sixteen, they all need therapy. Anyone whose dad

0:18:02.760 --> 0:18:05.760
<v Speaker 1>isn't in their life needs therapy. Like, I think made

0:18:05.800 --> 0:18:09.280
<v Speaker 1>a really interesting point. Yeah, I mean, therapy is a

0:18:09.280 --> 0:18:12.199
<v Speaker 1>wonderful thing. And you know, there are a lot of

0:18:12.200 --> 0:18:15.280
<v Speaker 1>people out there that are trained to to to handle

0:18:15.320 --> 0:18:17.320
<v Speaker 1>all kinds of different situations. They have a lot of

0:18:17.359 --> 0:18:19.560
<v Speaker 1>experience in it. And Laura La I need somebody like

0:18:19.640 --> 0:18:22.000
<v Speaker 1>that right now. There's a lot going on in her life.

0:18:22.000 --> 0:18:25.000
<v Speaker 1>She's gonna lose her daughter to college, she has no

0:18:25.240 --> 0:18:28.119
<v Speaker 1>real relationship with her parents. Every time she's at a

0:18:28.160 --> 0:18:30.760
<v Speaker 1>Friday night dinner, she's sarcastic and hostile toward her my

0:18:30.760 --> 0:18:33.520
<v Speaker 1>own mother. The mother just tolerates. And the mother even

0:18:33.520 --> 0:18:35.760
<v Speaker 1>said Emily even said at the top of this episode

0:18:35.760 --> 0:18:38.720
<v Speaker 1>when she came in the first time for Friday night dinner,

0:18:38.720 --> 0:18:40.080
<v Speaker 1>that we didn't see the dinner, but we just saw

0:18:40.119 --> 0:18:43.480
<v Speaker 1>the entrance. And she said Laura, La, you're exhausting. I agreed.

0:18:44.440 --> 0:18:47.879
<v Speaker 1>It's like so much enter energy expended for all this

0:18:48.080 --> 0:18:50.960
<v Speaker 1>verbiage and all the sarcasm, and I san god, the

0:18:51.080 --> 0:18:56.119
<v Speaker 1>level of engagement and doesn't go to therapy like and

0:18:56.200 --> 0:18:58.480
<v Speaker 1>I get it. Twenty years ago. It was a little bit.

0:18:58.480 --> 0:19:03.040
<v Speaker 1>It wasn't so like obvious. But yeah, that would be

0:19:03.080 --> 0:19:07.920
<v Speaker 1>a whole interesting thing to breakfast too. Alright, uh oh,

0:19:08.800 --> 0:19:11.560
<v Speaker 1>I never you know that little clock in that ping,

0:19:11.600 --> 0:19:14.800
<v Speaker 1>I never hear it because we're so involved and that

0:19:14.880 --> 0:19:17.200
<v Speaker 1>clock that timing. Anyway, we got to take a break.

0:19:17.240 --> 0:19:20.600
<v Speaker 1>The clock is barking at me right now. Secret when

0:19:20.640 --> 0:19:25.760
<v Speaker 1>we come back. Yeah, if you want to. It's excited

0:19:25.800 --> 0:19:27.879
<v Speaker 1>about no, no, no, I think it's I think. But

0:19:27.960 --> 0:19:30.920
<v Speaker 1>I have a bombshell too, So why don't we compare bombshells? Yes,

0:19:31.000 --> 0:19:32.920
<v Speaker 1>mine will not be as good as I'm ready. Are

0:19:32.920 --> 0:19:35.679
<v Speaker 1>you sure? I'm pretty sure mine will be sort of

0:19:35.720 --> 0:19:39.520
<v Speaker 1>like laugh, It's like a pop gun. It's like, what

0:19:42.000 --> 0:19:46.320
<v Speaker 1>I have a bombshell, can't wait? Okay, okay, mine will

0:19:46.320 --> 0:19:49.520
<v Speaker 1>go first. That way, mine would be a letdown. Right

0:19:49.520 --> 0:19:51.240
<v Speaker 1>then I'll have egg on my face when mine isn't

0:19:51.280 --> 0:19:52.959
<v Speaker 1>such a big deal, right, and you're just setting me up.

0:19:52.960 --> 0:19:56.520
<v Speaker 1>I know you're up right. You're smarter than everybody put together, right,

0:19:56.560 --> 0:19:59.800
<v Speaker 1>got it? I understand. M alright, so all right, let's

0:19:59.800 --> 0:20:02.440
<v Speaker 1>take little break and we will be back and we

0:20:02.480 --> 0:20:10.479
<v Speaker 1>will talk bombshells. Yeah, all right, everybody, we're back. Amy

0:20:10.600 --> 0:20:13.280
<v Speaker 1>has a pop gun of a bombshell. It's not really

0:20:13.320 --> 0:20:17.320
<v Speaker 1>a bombs a little something. Maybe I'll have questions, maybe

0:20:17.320 --> 0:20:22.840
<v Speaker 1>I'll questions. Always. I don't typically admit this. I debated

0:20:22.840 --> 0:20:25.000
<v Speaker 1>whether or not to admit this, but it just seemed

0:20:25.040 --> 0:20:31.400
<v Speaker 1>too obvious. Uh I, it's hard to say. It's hard

0:20:31.520 --> 0:20:39.159
<v Speaker 1>to admit. I'm not gonna by I was a debutant. No, wow,

0:20:40.240 --> 0:20:47.480
<v Speaker 1>that's massive. No, it's not massive. But people wondering is that?

0:20:47.680 --> 0:20:51.879
<v Speaker 1>Isn't that over the top. It's pretty fairly accurate. Now

0:20:52.040 --> 0:20:55.760
<v Speaker 1>where are you? Where were you at debut in California?

0:20:56.080 --> 0:21:00.359
<v Speaker 1>Oh my goodness, the hoity toitus of it all. Wedding

0:21:00.520 --> 0:21:04.160
<v Speaker 1>dress thing is totally accurate, and escort thing is totally accurate.

0:21:04.240 --> 0:21:08.560
<v Speaker 1>The dad part is totally accurate. It was all pretty accurate.

0:21:08.840 --> 0:21:13.960
<v Speaker 1>Other than Emily's part was pretty accurate. We did not

0:21:14.080 --> 0:21:18.200
<v Speaker 1>have any kind of fan dance. Riley is dying. Were

0:21:18.240 --> 0:21:22.400
<v Speaker 1>you a debut at Riley Amy. I'm crying because I

0:21:22.480 --> 0:21:25.600
<v Speaker 1>convinced my parents to not let me be a debutant,

0:21:25.680 --> 0:21:27.879
<v Speaker 1>and I convinced them to give me the number or

0:21:27.920 --> 0:21:30.080
<v Speaker 1>the money that would cost for the wedding dress and

0:21:30.080 --> 0:21:33.080
<v Speaker 1>put it towards something else. Like I was so against

0:21:33.119 --> 0:21:35.520
<v Speaker 1>being a debutant because it was not my thing. And

0:21:35.560 --> 0:21:38.920
<v Speaker 1>so I'm crying that you don't think it was my thing.

0:21:38.960 --> 0:21:42.080
<v Speaker 1>But I was like, yeah, sure, okay, fine, basically just

0:21:42.320 --> 0:21:46.080
<v Speaker 1>like Rory, like it makes other people happy, like it

0:21:46.160 --> 0:21:50.040
<v Speaker 1>made my grandparents happy, it made my parents happy. Sure, fine,

0:21:50.920 --> 0:21:55.520
<v Speaker 1>you know whatever, But yeah, I have a full wedding dress,

0:21:55.720 --> 0:22:00.399
<v Speaker 1>full poof tool Ryan. So I mean almost exactly like

0:22:00.480 --> 0:22:02.639
<v Speaker 1>one of those dresses. You have to share pictures. You

0:22:02.760 --> 0:22:06.560
<v Speaker 1>have to share pictures of this event. Please, we have

0:22:06.760 --> 0:22:09.679
<v Speaker 1>to see these pictures my dad. So the difference was

0:22:09.720 --> 0:22:12.560
<v Speaker 1>you had to waltz and you had a waltz with

0:22:12.640 --> 0:22:15.119
<v Speaker 1>your dad, and then you have to waltz with the

0:22:15.440 --> 0:22:19.240
<v Speaker 1>escort something like that. The waltz is hard. I was

0:22:19.320 --> 0:22:23.520
<v Speaker 1>not a good waltter. That was like Otherwise, yeah, I

0:22:23.520 --> 0:22:29.040
<v Speaker 1>mean it was pretty accurately portrayed. Maybe I'm sure somebody

0:22:29.119 --> 0:22:34.840
<v Speaker 1>was drinking had a flask back there. It's pretty accurate.

0:22:35.960 --> 0:22:39.399
<v Speaker 1>Like you were a debutant, and did you did you

0:22:39.480 --> 0:22:43.920
<v Speaker 1>marry your escort? Fo escorts didn't escort, so a lot

0:22:43.920 --> 0:22:45.879
<v Speaker 1>of people would have like a sibling be their escort.

0:22:45.960 --> 0:22:48.600
<v Speaker 1>Mine was like a childhood friend. There was less of that,

0:22:48.760 --> 0:22:50.960
<v Speaker 1>like you weren't going to marry your escort and you

0:22:51.000 --> 0:22:54.000
<v Speaker 1>weren't like out like who wants to be my husband?

0:22:54.000 --> 0:22:57.600
<v Speaker 1>It was not quite that. And I was a debutant

0:22:57.640 --> 0:23:02.960
<v Speaker 1>in N two that was before this, But yeah, I

0:23:02.960 --> 0:23:06.679
<v Speaker 1>mean pretty accurate. And you were in the paper as

0:23:06.720 --> 0:23:08.840
<v Speaker 1>a result. You were in the San Francisco Herald, in

0:23:08.880 --> 0:23:11.479
<v Speaker 1>the San Francisco examin Or with a photo. I think

0:23:11.520 --> 0:23:14.920
<v Speaker 1>it's a chronicle, the San Francisco Chronicle or one of those. Yeah,

0:23:15.000 --> 0:23:20.560
<v Speaker 1>Amy Amy Sugarman debuts. Yeah, he definitely says that. Like

0:23:20.640 --> 0:23:24.479
<v Speaker 1>I think it was a group photo. It was like

0:23:24.520 --> 0:23:28.520
<v Speaker 1>a little un you were sixteen sixteen, No, you're for

0:23:28.640 --> 0:23:32.840
<v Speaker 1>ours your eighteen, So they want you, they want you

0:23:32.880 --> 0:23:35.760
<v Speaker 1>to be able to drive to the place right, and

0:23:35.760 --> 0:23:37.879
<v Speaker 1>then it kind of happens. I think I think it

0:23:37.960 --> 0:23:43.760
<v Speaker 1>was senior year something like that, and it's a little embarrassing,

0:23:43.840 --> 0:23:48.120
<v Speaker 1>Like it's like not something you know because it's kind

0:23:48.119 --> 0:23:52.800
<v Speaker 1>of fancy or HOI all the same things that embrace said,

0:23:52.920 --> 0:23:56.399
<v Speaker 1>you're lucky, right, it's not going for you. What's interesting

0:23:56.480 --> 0:24:00.000
<v Speaker 1>is like, that's why I thought it was so active,

0:24:00.119 --> 0:24:04.600
<v Speaker 1>really done, some of the reasons for it. You know,

0:24:04.640 --> 0:24:08.560
<v Speaker 1>it's a tradition, sort of an archaic tradition and sort

0:24:08.560 --> 0:24:10.840
<v Speaker 1>of ridiculous, but it's sort of like you get it.

0:24:11.119 --> 0:24:16.399
<v Speaker 1>So you're Rory Gilmore, You're not Laurela. You're Rory. Yeah,

0:24:16.480 --> 0:24:20.560
<v Speaker 1>I was. It's not my thing, but I was cool,

0:24:20.680 --> 0:24:29.760
<v Speaker 1>fine to do it. Riley, you're our resident Laurela. But

0:24:29.880 --> 0:24:33.439
<v Speaker 1>I bring it up just because it was portrayed. It

0:24:33.560 --> 0:24:37.280
<v Speaker 1>was not over the top except for the fan dance,

0:24:37.640 --> 0:24:43.800
<v Speaker 1>right yeah, and kind of like even when so we

0:24:43.920 --> 0:24:45.800
<v Speaker 1>had older dad's do you know what I mean, like

0:24:45.880 --> 0:24:48.959
<v Speaker 1>art because he obviously didn't have weren't born when our

0:24:48.960 --> 0:24:52.600
<v Speaker 1>parents were sixteen. But I love when she says Christopher

0:24:52.600 --> 0:24:56.640
<v Speaker 1>to Christopher like you're a hot dad. He said, you're

0:24:56.640 --> 0:24:59.879
<v Speaker 1>a hot dad. And it's like there was always so

0:25:00.000 --> 0:25:02.359
<v Speaker 1>of like, oh that one girl has the hot dad,

0:25:02.920 --> 0:25:05.119
<v Speaker 1>and where where did this take place? Where did you

0:25:05.160 --> 0:25:07.439
<v Speaker 1>do many of these or did you do just just

0:25:07.520 --> 0:25:10.320
<v Speaker 1>the one on one? And then where did it take

0:25:10.320 --> 0:25:14.720
<v Speaker 1>place in San Francisco? I know, but where at a hotel?

0:25:14.880 --> 0:25:22.400
<v Speaker 1>Ball where the St. Francis Hotel or something like that.

0:25:22.600 --> 0:25:24.199
<v Speaker 1>And then it's just kind of like, was there a

0:25:24.240 --> 0:25:30.919
<v Speaker 1>placard outside the room the Amy Sugarman debuson ball present

0:25:32.080 --> 0:25:37.040
<v Speaker 1>presenting Amy Sugarman. There's like parties leading up to it

0:25:37.480 --> 0:25:43.320
<v Speaker 1>and like a whole thing. Wow, So you were introduced

0:25:44.000 --> 0:25:50.080
<v Speaker 1>into high society San Francisco style in the early nineties. Yeah,

0:25:50.119 --> 0:25:52.879
<v Speaker 1>I guess so I might have been. Not like there's

0:25:52.960 --> 0:25:56.320
<v Speaker 1>two so there was ours and then there's a fancier

0:25:56.320 --> 0:25:59.639
<v Speaker 1>one in San Francisco. I wasn't in the top top

0:25:59.720 --> 0:26:04.159
<v Speaker 1>one was the one that was considered fancier. But it's

0:26:04.200 --> 0:26:07.800
<v Speaker 1>just because I didn't I think, Yeah, whatever, I wasn't

0:26:07.840 --> 0:26:10.719
<v Speaker 1>in the fancy fancy. So here you are. Here you

0:26:10.760 --> 0:26:15.520
<v Speaker 1>are during the beginnings of the dot com boom, right

0:26:16.119 --> 0:26:20.879
<v Speaker 1>a debutant eighteen. This explains all the yachts in the houses.

0:26:21.000 --> 0:26:23.680
<v Speaker 1>Let's explains this explains everything. I have no more questions

0:26:24.480 --> 0:26:27.320
<v Speaker 1>only because I thought I'm not saying it about me

0:26:27.880 --> 0:26:29.920
<v Speaker 1>and saying it because I thought people would think it's

0:26:29.960 --> 0:26:32.359
<v Speaker 1>interesting because some people might know what or some people

0:26:32.440 --> 0:26:35.240
<v Speaker 1>might think like, what is this? It was pretty well

0:26:35.320 --> 0:26:38.240
<v Speaker 1>done the way they didn't And even like when Emily

0:26:38.280 --> 0:26:41.200
<v Speaker 1>gets so mad because he's like, I thought, this is

0:26:41.400 --> 0:26:47.800
<v Speaker 1>in an elegant ballroom, not the shaky's, Like, what was

0:26:47.840 --> 0:26:51.119
<v Speaker 1>the line she had about the flowers. She had a

0:26:51.200 --> 0:26:53.920
<v Speaker 1>great line about the flowers. What did she say when

0:26:53.920 --> 0:26:56.680
<v Speaker 1>she walked in and she saw the flowers? Oh, oh

0:26:56.720 --> 0:27:00.439
<v Speaker 1>my god, she said it was babe on at the

0:27:00.520 --> 0:27:14.800
<v Speaker 1>like hospital. So many funny like, so many funny lore

0:27:14.880 --> 0:27:17.760
<v Speaker 1>Lie with the book on her head, even chicken. I

0:27:17.920 --> 0:27:19.239
<v Speaker 1>was like, I wanted all of us to see if

0:27:19.240 --> 0:27:20.679
<v Speaker 1>we could walk with the book on her head and

0:27:20.720 --> 0:27:22.720
<v Speaker 1>eating Kung Pat chicken and she's like, I can even

0:27:22.800 --> 0:27:25.480
<v Speaker 1>spit the peanuts back in And then at one point

0:27:25.600 --> 0:27:27.760
<v Speaker 1>Rory comes in and she's all, hey, a little Debbie

0:27:28.200 --> 0:27:31.200
<v Speaker 1>because like a little Debbie but then also debut. I mean,

0:27:33.080 --> 0:27:39.000
<v Speaker 1>whoever wrote it this episode definitely knew what they were doing.

0:27:40.240 --> 0:27:43.040
<v Speaker 1>And the tails there were people on the writing staff

0:27:43.080 --> 0:27:45.720
<v Speaker 1>that had been through that. They definitely what they were

0:27:45.760 --> 0:27:48.200
<v Speaker 1>talking about. They were not writing something they didn't know.

0:27:48.440 --> 0:27:53.439
<v Speaker 1>Because even Dean going tails, which was totally like, oh god,

0:27:53.760 --> 0:27:57.240
<v Speaker 1>like that even worse and like almost like we had fun,

0:27:57.280 --> 0:27:59.480
<v Speaker 1>but a little bit you're dreading and you're like, this

0:27:59.520 --> 0:28:03.000
<v Speaker 1>is bid? What are we doing? Right? And there was

0:28:03.040 --> 0:28:05.080
<v Speaker 1>a great scene between Rory and that other girl, that

0:28:05.160 --> 0:28:07.800
<v Speaker 1>blonde girl who was trying to do her shade of lipstick.

0:28:08.440 --> 0:28:10.520
<v Speaker 1>If I put the wrong color, I look like what

0:28:10.520 --> 0:28:12.679
<v Speaker 1>what did she say? She looks like a teacher or

0:28:13.119 --> 0:28:16.359
<v Speaker 1>a teacher and she's been trying to decide from a

0:28:16.440 --> 0:28:21.200
<v Speaker 1>prostitute or a teacher. Oh my, oh my god. She

0:28:21.920 --> 0:28:29.640
<v Speaker 1>you know, it's so funny, Like Rory was so level

0:28:29.680 --> 0:28:31.920
<v Speaker 1>headed and cool, calm and collected that whole time. She

0:28:31.920 --> 0:28:35.160
<v Speaker 1>couldn't understand why all these this, especially this one girl,

0:28:35.240 --> 0:28:36.960
<v Speaker 1>was flipping out. I only have an hour and a

0:28:37.000 --> 0:28:40.560
<v Speaker 1>half to finish, her goes. Really, I'm ready to go.

0:28:40.640 --> 0:28:42.880
<v Speaker 1>I'm good to go. Even though she was down to

0:28:42.960 --> 0:28:46.040
<v Speaker 1>do it, he wasn't put off by it. She wasn't

0:28:46.080 --> 0:28:49.720
<v Speaker 1>anti right, she just was sort of the children. So

0:28:49.800 --> 0:28:52.320
<v Speaker 1>let's discuss that, because that created a lot of angst

0:28:52.400 --> 0:28:55.520
<v Speaker 1>inside of Laureline, you know, and it really please so

0:28:55.800 --> 0:28:59.800
<v Speaker 1>Rory wants to please her grandmother. She wants to you know.

0:29:00.280 --> 0:29:05.560
<v Speaker 1>So here's the question is is Rory influenced? Obviously, is

0:29:05.680 --> 0:29:10.040
<v Speaker 1>Rory influenced by her decision to actually go through with

0:29:10.080 --> 0:29:13.720
<v Speaker 1>this against her mother's wishes? And Laurel I backed down

0:29:13.760 --> 0:29:16.920
<v Speaker 1>pretty easily. She really did? She really? I thought so too.

0:29:16.920 --> 0:29:19.560
<v Speaker 1>I thought I was surprised by that. Yeah, that she

0:29:19.680 --> 0:29:21.680
<v Speaker 1>was like, all right. I thought that was gonna be

0:29:21.720 --> 0:29:23.720
<v Speaker 1>a point of contention throughout the episode. I thought that

0:29:23.760 --> 0:29:26.480
<v Speaker 1>was gonna be the whole episode. It was like the battle,

0:29:26.520 --> 0:29:29.240
<v Speaker 1>the battle, the battle lines are drawn. Here we go

0:29:29.720 --> 0:29:33.520
<v Speaker 1>and boundaries are being invaded again and crossed without permission,

0:29:33.520 --> 0:29:36.960
<v Speaker 1>and Laura is gonna getting a maserati and head over

0:29:36.960 --> 0:29:39.800
<v Speaker 1>to Emily's and give her what for. My take on

0:29:39.960 --> 0:29:45.680
<v Speaker 1>it is this Rory loves making her grandparents happy. Yes,

0:29:47.240 --> 0:29:51.160
<v Speaker 1>I also don't think she's so anti all of it.

0:29:52.280 --> 0:29:55.760
<v Speaker 1>She likes her fancy school. Remember in episode one she

0:29:55.920 --> 0:29:59.560
<v Speaker 1>was so excited to get into Chiltern. She is not

0:29:59.680 --> 0:30:06.480
<v Speaker 1>as put off by the fanciness of it that Laurela is.

0:30:06.840 --> 0:30:12.320
<v Speaker 1>It's not necessarily Rory's like I must have this or entitlement.

0:30:12.720 --> 0:30:16.200
<v Speaker 1>She just doesn't find it awful. But I think from

0:30:16.280 --> 0:30:18.640
<v Speaker 1>Rory's point of view growing up the way she has,

0:30:19.440 --> 0:30:24.640
<v Speaker 1>she doesn't want to face or experience any more familial battles.

0:30:25.360 --> 0:30:28.440
<v Speaker 1>It's like, Mom, well you just put down your sword.

0:30:28.920 --> 0:30:31.760
<v Speaker 1>This is all good stuff. I don't have to fight

0:30:31.880 --> 0:30:36.120
<v Speaker 1>your battles with you or for you anymore. I'm done.

0:30:36.960 --> 0:30:39.719
<v Speaker 1>I want to do this thing. This is good for me.

0:30:40.200 --> 0:30:43.520
<v Speaker 1>I think it's nice. You know, my grandparents are being

0:30:43.560 --> 0:30:48.480
<v Speaker 1>really great with me, and so this is making creating

0:30:48.520 --> 0:30:52.320
<v Speaker 1>even more anxiety inside of Laurel. You're right, she spelled

0:30:52.360 --> 0:30:55.600
<v Speaker 1>it out pretty clearly, like, hey, I'm I don't have

0:30:55.640 --> 0:30:58.680
<v Speaker 1>any reason like why I wouldn't want to do this,

0:30:58.800 --> 0:31:04.480
<v Speaker 1>and it makes Graham was so happy, Right, well do it? Yeah,

0:31:04.520 --> 0:31:06.760
<v Speaker 1>why don't we just relax? I don't have a bone

0:31:06.800 --> 0:31:10.760
<v Speaker 1>to pick with my grandmother and grandfather. You know, you

0:31:10.760 --> 0:31:14.480
<v Speaker 1>you you keep you know, keeping this hatred alive in

0:31:14.520 --> 0:31:19.640
<v Speaker 1>this this this division alive. But what's so awful about

0:31:19.680 --> 0:31:23.840
<v Speaker 1>the mom? They're pretty great to me, and they they're

0:31:23.880 --> 0:31:26.880
<v Speaker 1>pretty great to her too. They tolerate her. I mean,

0:31:27.000 --> 0:31:32.719
<v Speaker 1>god darn it, what happened? What happened between this family?

0:31:32.800 --> 0:31:36.320
<v Speaker 1>And that's what they don't show, which is so maddening,

0:31:36.400 --> 0:31:39.720
<v Speaker 1>Which is so wonderful about the show. It's like, what happened?

0:31:40.600 --> 0:31:43.720
<v Speaker 1>How bad were those fights? Can you imagine those fights

0:31:43.720 --> 0:31:48.800
<v Speaker 1>that they had when she was sixteen and I'm pregnant,

0:31:48.920 --> 0:31:57.360
<v Speaker 1>or be a nice night and dad can be there

0:31:57.360 --> 0:32:01.720
<v Speaker 1>and we can listen battle box with Deean to get

0:32:01.800 --> 0:32:05.520
<v Speaker 1>him to hold my hand down. Yeah, I think I

0:32:05.560 --> 0:32:11.320
<v Speaker 1>think every child's instinct or every kid's instinct who is uh,

0:32:11.360 --> 0:32:13.440
<v Speaker 1>you know, there's there's not a mother or a father

0:32:13.520 --> 0:32:16.320
<v Speaker 1>in the home or whatever, their instinct if they have

0:32:16.360 --> 0:32:19.840
<v Speaker 1>the opportunity is to bring the family back together. That

0:32:20.080 --> 0:32:24.280
<v Speaker 1>is in the psychology and the psychological makeup of every

0:32:24.320 --> 0:32:28.480
<v Speaker 1>child that comes from a somewhat broken home. If it's

0:32:28.520 --> 0:32:32.240
<v Speaker 1>not a completely horrible person that they're calling forth back

0:32:32.280 --> 0:32:34.840
<v Speaker 1>into the family, right. So it's so, it's so I

0:32:34.840 --> 0:32:37.080
<v Speaker 1>think Rory has a lot of that where she's mature

0:32:37.200 --> 0:32:39.760
<v Speaker 1>enough to see the benefit for this for her and

0:32:39.960 --> 0:32:43.600
<v Speaker 1>for her mom. Pretty great. These people are pretty great.

0:32:43.960 --> 0:32:47.320
<v Speaker 1>It's it's taking you know, the adult view of things

0:32:47.360 --> 0:32:50.040
<v Speaker 1>over time. Mom, this is gonna work out great for me,

0:32:50.080 --> 0:32:51.840
<v Speaker 1>and it's also going to work out great for you.

0:32:52.160 --> 0:32:55.320
<v Speaker 1>So I really see now that Rory is the lead

0:32:55.400 --> 0:32:58.720
<v Speaker 1>character in the show, showing everybody how to live their

0:32:58.760 --> 0:33:01.760
<v Speaker 1>lives and bury the hatchet and come back as a family.

0:33:01.760 --> 0:33:07.440
<v Speaker 1>So this is really a very slow motion revolution, coming

0:33:07.520 --> 0:33:11.560
<v Speaker 1>back to what once was and maybe even making it better.

0:33:11.720 --> 0:33:15.400
<v Speaker 1>And she's carrying the torch for it without really being

0:33:15.520 --> 0:33:17.840
<v Speaker 1>pushy about it, but she's just so mom, this is

0:33:17.880 --> 0:33:22.240
<v Speaker 1>what I want. Yeah, how great did Laura La look

0:33:22.600 --> 0:33:26.560
<v Speaker 1>at the debutmball? Oh, speaking of which we could have

0:33:26.600 --> 0:33:29.200
<v Speaker 1>talked to Brenda about. That was the perfect dress, Like

0:33:29.400 --> 0:33:34.880
<v Speaker 1>she fits in there perfectly with that little bit of edge,

0:33:34.960 --> 0:33:37.760
<v Speaker 1>like you know when the Bartenders and the aim and

0:33:37.880 --> 0:33:40.960
<v Speaker 1>the whole, you know, she's still her but she's not

0:33:41.480 --> 0:33:46.080
<v Speaker 1>awkward or out of place ever at those Oh no, no, no, no,

0:33:46.200 --> 0:33:50.320
<v Speaker 1>she's she's of she's cut from that cloth. With Christopher

0:33:50.920 --> 0:33:54.840
<v Speaker 1>saying with Christopher, yes, with the clever little quick lines,

0:33:55.120 --> 0:33:59.520
<v Speaker 1>and and I just he just I'll say it again.

0:33:59.640 --> 0:34:04.280
<v Speaker 1>He isn't a serious person. He's not a grown up yet,

0:34:04.720 --> 0:34:08.600
<v Speaker 1>he's not a fully formed the part of a grown up. Right.

0:34:09.320 --> 0:34:12.200
<v Speaker 1>What did you think of their dance? Because I think

0:34:12.239 --> 0:34:15.319
<v Speaker 1>that his father and his mother were really harsh. They

0:34:15.360 --> 0:34:21.279
<v Speaker 1>were praying, they were I mean, they must have crucified him. Yeah,

0:34:21.360 --> 0:34:26.080
<v Speaker 1>they really missed him up. Oh boy, father, what did

0:34:26.120 --> 0:34:29.479
<v Speaker 1>you think of Christopher and laure life dance at Miss

0:34:29.520 --> 0:34:32.800
<v Speaker 1>Patty's Because it was pretty awesome. I thought it was

0:34:32.800 --> 0:34:35.759
<v Speaker 1>pretty nice. Yeah, yeah, I thought, yeah, they rehearsed the

0:34:35.800 --> 0:34:37.759
<v Speaker 1>hell out of that and pulled her off beautiful, and

0:34:37.920 --> 0:34:42.160
<v Speaker 1>they both danced well. And you also, she moves very well,

0:34:42.320 --> 0:34:44.920
<v Speaker 1>she's she's very light on her feet, and she's a

0:34:45.040 --> 0:34:47.080
<v Speaker 1>she's a terrific dancer. And I think it's important to

0:34:47.120 --> 0:34:50.360
<v Speaker 1>the characters because you realize, like, wow, these two have

0:34:50.480 --> 0:34:54.719
<v Speaker 1>danced before. These two were on the path that now

0:34:54.920 --> 0:34:58.320
<v Speaker 1>Rory and Dean are going to actually go to the ball,

0:34:58.719 --> 0:35:05.720
<v Speaker 1>but they knew the aunts. They have that connection. Yeah,

0:35:06.160 --> 0:35:10.480
<v Speaker 1>they have their shot. Get over the diner. I'll show

0:35:10.480 --> 0:35:13.960
<v Speaker 1>you how to dance. You want to dance. You know,

0:35:14.040 --> 0:35:16.160
<v Speaker 1>we're not there yet. But there are so many epic

0:35:18.480 --> 0:35:22.839
<v Speaker 1>there really are, right. I was writing them all down

0:35:22.840 --> 0:35:24.799
<v Speaker 1>and then I just there was they were coming so fast.

0:35:24.880 --> 0:35:26.799
<v Speaker 1>I couldn't write that fast. I was, oh my god,

0:35:26.800 --> 0:35:29.960
<v Speaker 1>I have like a thousand lines. I love it. Here,

0:35:30.239 --> 0:35:32.839
<v Speaker 1>go through, let's go through. Let's go through. Okay, we'll

0:35:32.840 --> 0:35:35.000
<v Speaker 1>go out of order. I'll give you my favorite lines,

0:35:35.040 --> 0:35:37.360
<v Speaker 1>and one will lead us right into the pop culture

0:35:42.800 --> 0:35:47.520
<v Speaker 1>favorite lines. One is obviously Hello Sailor, Hello Sailor, and

0:35:47.640 --> 0:35:50.600
<v Speaker 1>kids all irritated, and Rory says, I think you can

0:35:50.640 --> 0:35:54.080
<v Speaker 1>do it without the Hello Sailor part. I thought that

0:35:54.160 --> 0:35:59.640
<v Speaker 1>was amazing. I love It's Luke, just Luke. Mr Luke

0:36:01.320 --> 0:36:06.279
<v Speaker 1>was right right right. The shakiest line which I mentioned, right,

0:36:06.400 --> 0:36:09.040
<v Speaker 1>what is this a shakyse and these babies breath? What

0:36:09.120 --> 0:36:12.080
<v Speaker 1>are we in a hospital with the book on the

0:36:12.120 --> 0:36:18.319
<v Speaker 1>head spitting? That's back on right right? Um? Oh, I know.

0:36:19.280 --> 0:36:23.920
<v Speaker 1>So Lorelai is talking to those women, which actually I

0:36:23.960 --> 0:36:25.400
<v Speaker 1>do have something I want to ask you about. But

0:36:26.120 --> 0:36:28.840
<v Speaker 1>and Christopher comes up and saves her, and she says,

0:36:28.840 --> 0:36:30.799
<v Speaker 1>you saved me. I love you. I want to have

0:36:30.840 --> 0:36:37.880
<v Speaker 1>your baby. It looks too late, kind of cornball city

0:36:37.960 --> 0:36:41.920
<v Speaker 1>for me. Uh yeah, those are those, you know. I

0:36:41.920 --> 0:36:45.920
<v Speaker 1>thought the whole thing was just dense again too, just

0:36:46.000 --> 0:36:50.960
<v Speaker 1>so it felt a little it just sort of everything

0:36:51.000 --> 0:36:52.480
<v Speaker 1>felt a little off from me in the beginning of

0:36:52.440 --> 0:36:54.680
<v Speaker 1>the episode. It just for me, it just felt it

0:36:55.000 --> 0:36:59.000
<v Speaker 1>got going, yeah, definitely, but it just felt um Riley,

0:36:59.320 --> 0:37:03.840
<v Speaker 1>uh uh can you queue up the bombshell please? Oh god?

0:37:04.000 --> 0:37:08.160
<v Speaker 1>I forgot. Oh yeah, I'm about to deliver. Wait will

0:37:08.200 --> 0:37:11.440
<v Speaker 1>you wait one second before because I have one more question?

0:37:11.960 --> 0:37:14.359
<v Speaker 1>Go ahead. What did you think of the scene on

0:37:14.400 --> 0:37:18.480
<v Speaker 1>the patio in early in the episode, So Emily is

0:37:18.520 --> 0:37:24.720
<v Speaker 1>having tea with her girlfriends and they are gossiping. I

0:37:24.760 --> 0:37:28.439
<v Speaker 1>mean it was aggressive gossip, like about truly bishop and

0:37:28.719 --> 0:37:32.719
<v Speaker 1>finding out that the husband had the other family at

0:37:32.760 --> 0:37:35.840
<v Speaker 1>the Shaper's cocktail party and she threw an ice sculpture.

0:37:36.160 --> 0:37:39.080
<v Speaker 1>I mean that was some you also saw that side

0:37:39.080 --> 0:37:43.680
<v Speaker 1>of it, but there is aggressive gossiping and like very

0:37:43.960 --> 0:37:47.239
<v Speaker 1>the things you don't like. It made me realize and

0:37:47.280 --> 0:37:51.720
<v Speaker 1>also re established how powerful a social force that Emily

0:37:51.800 --> 0:37:57.640
<v Speaker 1>and and Richard are in Hartford. Um, she pretty much rains,

0:37:57.680 --> 0:38:00.680
<v Speaker 1>so she's probably you know, she's the Queen of Hartford,

0:38:01.960 --> 0:38:05.319
<v Speaker 1>the grand dum. If you will even say it, you'll

0:38:05.360 --> 0:38:07.400
<v Speaker 1>be able to get your granddaughter in at the last

0:38:07.400 --> 0:38:11.120
<v Speaker 1>minute because you're Emily Gilness right right. So she says

0:38:11.280 --> 0:38:15.000
<v Speaker 1>she's she's she's a heavy heavyweight in that in that area,

0:38:15.200 --> 0:38:20.360
<v Speaker 1>it was aggressive gossiping. I was like, they definitely depicted

0:38:20.400 --> 0:38:24.359
<v Speaker 1>that accurately too. Whoa these ladies sit around and they're

0:38:24.360 --> 0:38:29.520
<v Speaker 1>talking mad bleep about this other truly bishop. It made

0:38:29.560 --> 0:38:31.759
<v Speaker 1>me want to play a round of golf at a

0:38:31.800 --> 0:38:35.879
<v Speaker 1>Tony country club and then have lunch with a tartan rug.

0:38:36.360 --> 0:38:38.520
<v Speaker 1>I wonder if some people are put off by that,

0:38:38.600 --> 0:38:40.480
<v Speaker 1>like I don't. I would be interested to hear what

0:38:40.520 --> 0:38:43.360
<v Speaker 1>people say. You know, obviously it was funny and entertaining,

0:38:43.400 --> 0:38:50.720
<v Speaker 1>But if some people are like, woof, because it's gossipy, Well, everybody,

0:38:50.800 --> 0:38:53.120
<v Speaker 1>I think everybody gossips. I don't. I don't think that

0:38:53.239 --> 0:38:58.080
<v Speaker 1>is ecology says it's healthy. There's some element of gossip.

0:38:58.760 --> 0:39:00.880
<v Speaker 1>It's why I probably were all fast night with celebrities,

0:39:00.920 --> 0:39:03.520
<v Speaker 1>because there's some element of it that's like healthy for

0:39:03.560 --> 0:39:08.200
<v Speaker 1>our PSYCHEA. Yeah, everybody gossips. Everybody gossips, but everybody else.

0:39:08.239 --> 0:39:11.120
<v Speaker 1>I mean, it's just it's a given. Tell people interact.

0:39:11.560 --> 0:39:14.040
<v Speaker 1>I'm getting ready for the bomb show. All right, let's

0:39:14.080 --> 0:39:19.120
<v Speaker 1>let's queue it up. An alien muffin, which people were like,

0:39:19.200 --> 0:39:22.880
<v Speaker 1>why does she keep calling it an alien muffin? Okay,

0:39:23.080 --> 0:39:26.680
<v Speaker 1>what are we observing here, Amy, We're observing a scene

0:39:27.239 --> 0:39:31.560
<v Speaker 1>where in the episode, let's go ahead and play it. Um,

0:39:33.600 --> 0:39:36.279
<v Speaker 1>hang on, what does she ask for? She x for

0:39:36.360 --> 0:39:39.279
<v Speaker 1>a gum rapper to write down the phone the first

0:39:39.960 --> 0:39:42.719
<v Speaker 1>So this is correct. Now, look there's a notebook, there's

0:39:42.719 --> 0:39:47.640
<v Speaker 1>a note How did that happen? It just appeared? Bombshell boom?

0:39:48.040 --> 0:39:50.319
<v Speaker 1>Where did that come from? Where did that come from?

0:39:53.600 --> 0:40:00.120
<v Speaker 1>Okay was a no no, well maybe, but but she

0:40:00.320 --> 0:40:04.239
<v Speaker 1>was writing down the gum wrapper. What happened? Now she's

0:40:04.239 --> 0:40:10.400
<v Speaker 1>holding out? Yeah, yeah, that's a big deal. That was

0:40:11.239 --> 0:40:16.720
<v Speaker 1>eagle eyes. I don't know that it's it's it's rises

0:40:16.800 --> 0:40:21.319
<v Speaker 1>to the level of I was a debutante too. That's big.

0:40:21.920 --> 0:40:26.239
<v Speaker 1>That's a big one, right, so I think you win

0:40:26.360 --> 0:40:30.480
<v Speaker 1>this round. There was a lot of clown pillow in

0:40:30.560 --> 0:40:35.440
<v Speaker 1>this too. Okay, yeah, there there there there, there was

0:40:35.719 --> 0:40:39.359
<v Speaker 1>there there definitely back. It was almost like, oh my god,

0:40:43.000 --> 0:40:45.040
<v Speaker 1>so what are we taking away from this episode? Why

0:40:45.239 --> 0:40:49.560
<v Speaker 1>was this episode? Oh? Look, who has time? Who's dropped

0:40:49.600 --> 0:40:53.840
<v Speaker 1>into a right fielder? Right fielder Danielle has decided to

0:40:53.960 --> 0:40:57.080
<v Speaker 1>join us. Danielle was at the vet with the dog,

0:40:57.320 --> 0:41:00.920
<v Speaker 1>so we will that's right. I know you don't know

0:41:01.080 --> 0:41:05.439
<v Speaker 1>what has been happening, So just give your thoughts. Yes,

0:41:05.640 --> 0:41:08.520
<v Speaker 1>I have so many thoughts. I did tune in for

0:41:08.760 --> 0:41:11.120
<v Speaker 1>like the last like fifteen minutes so at least I

0:41:11.280 --> 0:41:14.719
<v Speaker 1>heard like some of your blinds and stuff. But I

0:41:14.880 --> 0:41:18.840
<v Speaker 1>will say that this episode and guy and I briefly

0:41:18.920 --> 0:41:22.880
<v Speaker 1>spoke about it a little bit earlier, I loved it

0:41:23.840 --> 0:41:27.399
<v Speaker 1>so much. I thought it was so good to see

0:41:27.400 --> 0:41:30.440
<v Speaker 1>a different side of Laura Lae. And also like for

0:41:31.239 --> 0:41:33.080
<v Speaker 1>a lot of the episode, I was like, oh my god,

0:41:33.200 --> 0:41:36.080
<v Speaker 1>Laura la and Christopher like they need to just be together,

0:41:36.360 --> 0:41:41.920
<v Speaker 1>like their chemistry is fired, Like it's so good. Something

0:41:42.120 --> 0:41:44.720
<v Speaker 1>something wrong with you people, There's something wrong with you people.

0:41:45.440 --> 0:41:48.960
<v Speaker 1>It was so sad for seriously wrong with you people.

0:41:49.560 --> 0:41:51.480
<v Speaker 1>And she kind of goes on a limb. It's so

0:41:51.680 --> 0:41:54.879
<v Speaker 1>like every girl's nightmare where you like go and say

0:41:54.960 --> 0:41:57.640
<v Speaker 1>it to the dude and then you're like, oh you

0:41:57.719 --> 0:42:00.399
<v Speaker 1>have a girlfriend. Yeah. She was putting in a big

0:42:00.520 --> 0:42:04.880
<v Speaker 1>effort there to batter eyelashes at him. Did you notice

0:42:04.920 --> 0:42:10.920
<v Speaker 1>that kiss on the lips all the time. Yes. I

0:42:11.120 --> 0:42:14.200
<v Speaker 1>was like like kids on the lips and boom, sorry,

0:42:14.239 --> 0:42:16.759
<v Speaker 1>I'm seeing somebody else from Boston. You know, I need

0:42:16.840 --> 0:42:18.880
<v Speaker 1>to I need to take a break. I'm sorry. You

0:42:19.000 --> 0:42:22.320
<v Speaker 1>guys just talk about this stuff and again stops like

0:42:22.400 --> 0:42:28.760
<v Speaker 1>getting hurt feelings. I know there is anyway, Daniel, go ahead,

0:42:28.760 --> 0:42:31.480
<v Speaker 1>I don't mean to interrupt you, please, And I know

0:42:31.640 --> 0:42:35.080
<v Speaker 1>those were my thoughts. And then I just for for

0:42:35.160 --> 0:42:38.080
<v Speaker 1>the first not the first time, but like this this

0:42:38.239 --> 0:42:41.239
<v Speaker 1>episode in particular, I just thought it was very fascinating

0:42:41.280 --> 0:42:44.440
<v Speaker 1>the dynamic between Emily and Richard. And then I just

0:42:44.600 --> 0:42:49.560
<v Speaker 1>got like heart wrenched with Richard realizing he's getting old,

0:42:49.760 --> 0:42:53.000
<v Speaker 1>he's being phased out, like it's time for him for

0:42:53.120 --> 0:42:55.960
<v Speaker 1>his identity not to be about work anymore, you know

0:42:56.040 --> 0:42:58.520
<v Speaker 1>what I mean. And he's just having that like self

0:42:58.640 --> 0:43:01.760
<v Speaker 1>crisis moment where he's going to tell you all what happens.

0:43:01.920 --> 0:43:08.040
<v Speaker 1>But but I got I got really sad. I was like,

0:43:08.520 --> 0:43:11.000
<v Speaker 1>you know, like his identity has been all about work

0:43:11.160 --> 0:43:15.239
<v Speaker 1>for so long and now that's not going to be

0:43:15.680 --> 0:43:18.719
<v Speaker 1>his identity anymore, and like what that means for their

0:43:18.800 --> 0:43:22.240
<v Speaker 1>relationship because his identity is what gives him their social status,

0:43:22.480 --> 0:43:25.680
<v Speaker 1>you know, so wow, we can spend they can spend

0:43:25.719 --> 0:43:29.880
<v Speaker 1>more time together, you know he can. But he's obviously

0:43:29.960 --> 0:43:33.040
<v Speaker 1>a workaholic. He's that type a workaholic, and look at

0:43:33.080 --> 0:43:36.040
<v Speaker 1>look at what he's built up. It fulfills him, it's

0:43:36.080 --> 0:43:40.920
<v Speaker 1>what makes him feel like a contributing member of society.

0:43:42.400 --> 0:43:44.640
<v Speaker 1>You gotta have it. I mean I always felt like, boy,

0:43:44.680 --> 0:43:46.160
<v Speaker 1>I need to work. I have to have a job.

0:43:46.239 --> 0:43:48.920
<v Speaker 1>I can't lay around every time. I don't vacation well

0:43:49.000 --> 0:43:52.480
<v Speaker 1>unless i'm skiing, because I feel like I'm working, right,

0:43:52.600 --> 0:43:56.160
<v Speaker 1>I'm working. Takes your mind away from it. Yeah, I'm hiking.

0:43:57.080 --> 0:44:00.800
<v Speaker 1>He's rejecting the cocktail party and rejecting the umball like

0:44:01.320 --> 0:44:05.560
<v Speaker 1>because his like, you know, identity is kind of starting

0:44:05.600 --> 0:44:11.080
<v Speaker 1>to like too bad, too bad. He can't take the

0:44:11.160 --> 0:44:14.440
<v Speaker 1>time to enjoy his success with Emily and go to

0:44:14.520 --> 0:44:18.719
<v Speaker 1>these cocktail parties and you know, but he can't. He's

0:44:18.760 --> 0:44:23.880
<v Speaker 1>busy because he feels he's busy worthless if he's not working,

0:44:24.360 --> 0:44:27.960
<v Speaker 1>or he feels the pressure. It's like, now you know

0:44:28.080 --> 0:44:29.360
<v Speaker 1>you're over six, do you go to the gym? You

0:44:29.440 --> 0:44:31.240
<v Speaker 1>gotta work twice as hard to get a half the results.

0:44:34.400 --> 0:44:37.279
<v Speaker 1>It's the reality. That's what That's what that's in in

0:44:37.440 --> 0:44:43.759
<v Speaker 1>work parlance, that's what ED is experiencing. Don't fall, don't fall.

0:44:48.320 --> 0:44:59.640
<v Speaker 1>What what were you with deputime? Hell no, no? Did

0:44:59.719 --> 0:45:02.839
<v Speaker 1>you o? People that were yes? And I would say

0:45:02.960 --> 0:45:05.800
<v Speaker 1>like during that time, I was like, oh, you know,

0:45:05.960 --> 0:45:09.319
<v Speaker 1>so and so from schools, you know, doing that gets

0:45:09.440 --> 0:45:11.640
<v Speaker 1>dressed up in the white dress. But it was just

0:45:11.800 --> 0:45:13.840
<v Speaker 1>never my thing, never my thing. But a lot of

0:45:13.920 --> 0:45:16.640
<v Speaker 1>friends of mine were. Do you hear that Riley was

0:45:16.719 --> 0:45:21.480
<v Speaker 1>a debutante? No, you were. That is the fattest lie

0:45:21.800 --> 0:45:24.719
<v Speaker 1>I've ever heard. I was absolutely not a de wu tan.

0:45:24.920 --> 0:45:26.920
<v Speaker 1>I did everything in my power to not be a

0:45:27.120 --> 0:45:29.799
<v Speaker 1>w T right right, you made the deal to get

0:45:29.880 --> 0:45:36.360
<v Speaker 1>the cash. You took the cash. Ope, my parents. What

0:45:36.520 --> 0:45:39.680
<v Speaker 1>you'd spent on the dress, I'll take into my account,

0:45:40.120 --> 0:45:43.200
<v Speaker 1>you know, but it towards school or something else. That's

0:45:43.239 --> 0:45:47.879
<v Speaker 1>so interesting. None of us me. I would have thought

0:45:48.000 --> 0:45:51.279
<v Speaker 1>you might have been. I would have maybe, but you were.

0:45:52.320 --> 0:45:56.000
<v Speaker 1>You missed that bar Oh, she was a big time

0:45:58.400 --> 0:46:01.560
<v Speaker 1>to find. I don't know. Headlines in the San Francisco Chronicle.

0:46:02.600 --> 0:46:04.440
<v Speaker 1>I mean there were huge stories that day, and they

0:46:04.520 --> 0:46:09.800
<v Speaker 1>just bumped them all like Sugarman, very like back page

0:46:09.840 --> 0:46:16.359
<v Speaker 1>of the calendar section or something. Yeah, I don't think

0:46:16.400 --> 0:46:20.879
<v Speaker 1>so anyway, what else? What else should we on Earth

0:46:20.960 --> 0:46:22.920
<v Speaker 1>about this episode? I know I was going to lead

0:46:23.000 --> 0:46:25.200
<v Speaker 1>us into the pop culture with one of the best

0:46:25.320 --> 0:46:27.920
<v Speaker 1>lines in the whole thing. So Riley, you'll have to

0:46:27.960 --> 0:46:33.120
<v Speaker 1>go out of order. But it is when Laurlize says,

0:46:33.920 --> 0:46:37.080
<v Speaker 1>nobody puts baby in a corner. And we all know

0:46:37.440 --> 0:46:46.000
<v Speaker 1>why this line means so much because Kelly Bishops in

0:46:46.120 --> 0:46:50.440
<v Speaker 1>the corner in Dirty Dancing, when that line is delivered

0:46:50.840 --> 0:46:58.680
<v Speaker 1>by the most iconic Patrick Swayzy, most iconic that movie is.

0:46:58.840 --> 0:47:04.240
<v Speaker 1>So I worked with him on a movie, Three Wishes.

0:47:04.840 --> 0:47:09.320
<v Speaker 1>He I heard he was the nicest guy, and he was,

0:47:09.520 --> 0:47:15.200
<v Speaker 1>but he was like it was bizarre how it was.

0:47:15.360 --> 0:47:18.640
<v Speaker 1>It was. It was not just nice, it was he

0:47:18.840 --> 0:47:22.040
<v Speaker 1>was just he came off like some kind of I

0:47:22.080 --> 0:47:26.560
<v Speaker 1>don't know, almost yogic figure, like a yogi. I mean

0:47:26.640 --> 0:47:30.920
<v Speaker 1>he was so centered and yes, yeah, I mean and

0:47:31.160 --> 0:47:34.000
<v Speaker 1>and any time, and he wanted to get to know everybody.

0:47:34.080 --> 0:47:37.959
<v Speaker 1>And I mean, you know, stars of that stature don't

0:47:38.000 --> 0:47:42.960
<v Speaker 1>sit down and have lunch with people like me, and

0:47:43.080 --> 0:47:45.960
<v Speaker 1>he did not just on one occasion. I was on

0:47:46.040 --> 0:47:50.600
<v Speaker 1>that film for three or four months, and we sat

0:47:50.680 --> 0:47:55.239
<v Speaker 1>down and had lunch frequently, and it was I mean,

0:47:55.320 --> 0:47:57.640
<v Speaker 1>he was just the nicest, giving me all this guidance,

0:47:57.719 --> 0:47:59.880
<v Speaker 1>and I'd ask him a ton of questions and he

0:48:00.080 --> 0:48:02.680
<v Speaker 1>smile and he laughed. I mean, what a nice guy.

0:48:04.040 --> 0:48:06.480
<v Speaker 1>Um and marry Elizabeth mastro Antonio was on that phone,

0:48:06.520 --> 0:48:08.439
<v Speaker 1>so she was the same way. She was the same way.

0:48:09.280 --> 0:48:11.320
<v Speaker 1>So you had these two people that were just like

0:48:11.520 --> 0:48:14.000
<v Speaker 1>these I don't know, they were just like more highly

0:48:14.080 --> 0:48:17.640
<v Speaker 1>evolved beings. You know what's crazy about Dirty Dancing is

0:48:17.760 --> 0:48:21.440
<v Speaker 1>like it wasn't such a big movie when it first opened.

0:48:21.840 --> 0:48:27.239
<v Speaker 1>It was over time, it's become this massive movie. And

0:48:27.400 --> 0:48:31.040
<v Speaker 1>then he had another one with ghosts, so you're like, God,

0:48:31.160 --> 0:48:36.160
<v Speaker 1>this guy is like just a massive movie star, oh,

0:48:36.560 --> 0:48:38.560
<v Speaker 1>massive movie star. And you know he was playing that

0:48:38.600 --> 0:48:41.800
<v Speaker 1>type of a character anyway, like a magical man that

0:48:41.920 --> 0:48:44.799
<v Speaker 1>comes like some kind of traveler who comes into their

0:48:44.880 --> 0:48:52.520
<v Speaker 1>lives and um in, oh god, I know, what a

0:48:52.640 --> 0:48:54.719
<v Speaker 1>what a great guy, what a great guy. You just

0:48:54.800 --> 0:48:57.400
<v Speaker 1>fall in love with him right away, right away. That's

0:48:57.440 --> 0:49:08.840
<v Speaker 1>my favorite here. He's just so dream body movie mm hmm.

0:49:10.080 --> 0:49:12.920
<v Speaker 1>But I mean to use whoever thought of doing this,

0:49:13.520 --> 0:49:17.640
<v Speaker 1>use the line nobody puts baby in a corner with

0:49:18.239 --> 0:49:20.959
<v Speaker 1>the person that was in that movie in that scene.

0:49:21.000 --> 0:49:24.279
<v Speaker 1>I mean, Kelly, I know we've talked about it before.

0:49:24.320 --> 0:49:28.040
<v Speaker 1>It was amazing and Dirty Dancing too well, and everything

0:49:28.160 --> 0:49:38.200
<v Speaker 1>she does very gifted, very very gifted, all right, Rady

0:49:38.280 --> 0:49:42.239
<v Speaker 1>time for a little pop culture once and a guitar accompaniment,

0:49:42.320 --> 0:49:44.960
<v Speaker 1>acoustic accompaniment or no this time. I don't think it

0:49:44.960 --> 0:49:52.560
<v Speaker 1>would be complete without right answer, um and going straight

0:49:52.600 --> 0:49:55.960
<v Speaker 1>into that beautiful segue Loria I says, nobody puts baby

0:49:55.960 --> 0:49:58.520
<v Speaker 1>in a corner and a couple of facts. Um. Actually,

0:49:58.520 --> 0:50:01.319
<v Speaker 1>at thirty five years old, Patrick Swayze was older than

0:50:01.360 --> 0:50:03.399
<v Speaker 1>the role of Johnny by ten years and was only

0:50:03.520 --> 0:50:06.640
<v Speaker 1>eight years younger than Kelly Bishop at the time, which

0:50:06.680 --> 0:50:11.040
<v Speaker 1>is really interesting. And Patrick Swayze insisted on doing his

0:50:11.080 --> 0:50:13.800
<v Speaker 1>own stunts. During the log scene. He kept on falling

0:50:13.840 --> 0:50:16.000
<v Speaker 1>off the log and injured his knee so badly that

0:50:16.080 --> 0:50:18.040
<v Speaker 1>they had to drain the fluid from his knee from

0:50:18.080 --> 0:50:24.960
<v Speaker 1>the swelling, and that wonderful Kellerman result result That wonderful

0:50:25.120 --> 0:50:28.880
<v Speaker 1>Klerman resort is now the Mountain Lake Lodge Hotel and

0:50:29.040 --> 0:50:31.759
<v Speaker 1>many fans make the trip up to this hotel every year.

0:50:32.680 --> 0:50:34.960
<v Speaker 1>And the lake at the hotel at Mountain Lake Lodge

0:50:35.080 --> 0:50:38.040
<v Speaker 1>dried up in two thousand two and has been dry

0:50:38.120 --> 0:50:40.160
<v Speaker 1>ever since. But if you visit the lake today you

0:50:40.200 --> 0:50:42.759
<v Speaker 1>will see a stone in memory of Patrick Swayze, which

0:50:42.800 --> 0:50:46.480
<v Speaker 1>is kind of cool. I know, Um, the song She's

0:50:46.560 --> 0:50:48.920
<v Speaker 1>like the Wind was co written by Patrick Swayze and

0:50:49.120 --> 0:50:54.400
<v Speaker 1>sung by Patrick And actually Val Kilmer was initially offered

0:50:54.400 --> 0:50:57.480
<v Speaker 1>the lead but declined that's crazy. By the way, That's

0:50:57.480 --> 0:51:00.319
<v Speaker 1>so crazy. Would not be the same movie with Val Kilmer. Yeah,

0:51:00.360 --> 0:51:03.200
<v Speaker 1>but he was offered. Val Kimmel was offered everything. He

0:51:03.400 --> 0:51:05.640
<v Speaker 1>was like it was it went to Tom Cruise Forest.

0:51:05.680 --> 0:51:07.239
<v Speaker 1>If Tom Cruise said no, it might have gone to

0:51:07.360 --> 0:51:09.640
<v Speaker 1>Val Kilmer. And you know what I mean, there was

0:51:09.719 --> 0:51:12.320
<v Speaker 1>like a Top five was Val Kilmer's call sign and

0:51:12.360 --> 0:51:17.920
<v Speaker 1>Top Gun iceman He'll always be yes. I can't wait

0:51:18.040 --> 0:51:19.920
<v Speaker 1>till that Top Gun movie comes out. Is that thing

0:51:20.000 --> 0:51:22.360
<v Speaker 1>ever coming out? Top Gun too? You know I was

0:51:22.360 --> 0:51:26.000
<v Speaker 1>supposed to come out in like got moved because of

0:51:26.000 --> 0:51:29.520
<v Speaker 1>the pandemic. Got moved. I'm like, come on, I'm dying

0:51:29.680 --> 0:51:33.719
<v Speaker 1>to see it. Anyway. I removed my secret microphone from

0:51:33.840 --> 0:51:36.319
<v Speaker 1>the Tom Cruise communicates with me from my fireplace. It's

0:51:36.320 --> 0:51:39.560
<v Speaker 1>not there anymore. I moved. I haven't had it installed again.

0:51:40.800 --> 0:51:43.000
<v Speaker 1>You guys are just setting these up, these pop cultures

0:51:43.080 --> 0:51:46.560
<v Speaker 1>up for me just to transition right in. Because that's

0:51:46.560 --> 0:51:49.680
<v Speaker 1>what you're doing. I just make my job so much easier.

0:51:51.160 --> 0:51:55.319
<v Speaker 1>Minds the strobe lights every once a while, Laura I says,

0:51:55.800 --> 0:51:58.000
<v Speaker 1>now I know you would rather sit through Endless Love

0:51:58.680 --> 0:52:00.480
<v Speaker 1>then be a part of this scene again when she's

0:52:00.480 --> 0:52:03.040
<v Speaker 1>talking to Christopher about the debut Tom Ball So Endless

0:52:03.080 --> 0:52:07.759
<v Speaker 1>Love American romantic drama film starring Brookshields and Martin Hewitt Um.

0:52:07.920 --> 0:52:10.799
<v Speaker 1>This is the movie debut for Tom Cruise and Tom

0:52:10.880 --> 0:52:13.960
<v Speaker 1>Cruise is very brief appearance in this movie is critical

0:52:14.080 --> 0:52:21.000
<v Speaker 1>to the movie's plot m hm. And during the sexy

0:52:21.080 --> 0:52:26.520
<v Speaker 1>love making scene the not very the director squeeze brookshields

0:52:26.560 --> 0:52:29.040
<v Speaker 1>big toe off camera to provoke a reaction that would

0:52:29.200 --> 0:52:32.600
<v Speaker 1>look like she was having a good time. Wink wink um.

0:52:32.840 --> 0:52:35.719
<v Speaker 1>Terry Shields was very protective of her daughter, always keeping

0:52:35.800 --> 0:52:37.920
<v Speaker 1>near and she appears as one of the nurses in

0:52:37.960 --> 0:52:40.960
<v Speaker 1>the mental hospital. And the film was also noted to

0:52:41.000 --> 0:52:43.680
<v Speaker 1>have one of the most spectacular one man stunt displays

0:52:43.719 --> 0:52:46.000
<v Speaker 1>when Hugh Butterfield gets hit by a car in New

0:52:46.120 --> 0:52:48.839
<v Speaker 1>York City and goes feed over feet over head, feet

0:52:48.880 --> 0:52:52.000
<v Speaker 1>over feet, head over feet, girl, head over feet, there

0:52:52.040 --> 0:52:58.000
<v Speaker 1>we go mass overt coot wait Riley was this also

0:52:58.080 --> 0:53:00.600
<v Speaker 1>the movie with Iron zerring or am I sing that up?

0:53:00.680 --> 0:53:03.120
<v Speaker 1>And that's a different movie that we're talking about this week.

0:53:03.920 --> 0:53:06.319
<v Speaker 1>So it was rumored and I double checked and iron

0:53:06.400 --> 0:53:09.200
<v Speaker 1>Zering did have something else previously, but he was in this.

0:53:09.480 --> 0:53:12.120
<v Speaker 1>He was it wasn't his debut and I was there,

0:53:12.160 --> 0:53:15.480
<v Speaker 1>but it wasn't Steve Sanders. Iron Zering was also an

0:53:15.640 --> 0:53:19.359
<v Speaker 1>Endless Love crazy. Has anyone in this group ever seen

0:53:19.480 --> 0:53:23.360
<v Speaker 1>Endless Love? Who's in it? Brook Shields? It was like

0:53:23.400 --> 0:53:26.560
<v Speaker 1>a big brook Shields movie. It was not where she

0:53:26.640 --> 0:53:31.359
<v Speaker 1>gets on the island with Christopher Atkins. I know that. Yeah,

0:53:31.440 --> 0:53:34.200
<v Speaker 1>I didn't see that one either. Uh, Endless Love. There's

0:53:34.239 --> 0:53:39.319
<v Speaker 1>a big song associated with that. Hello. Yeah and all right,

0:53:39.600 --> 0:53:41.520
<v Speaker 1>all right, yeah I used to drive by his house

0:53:41.560 --> 0:53:45.279
<v Speaker 1>every day. Oh my god, I love him so much. Alright. Um,

0:53:46.960 --> 0:53:52.839
<v Speaker 1>so Rory asked Laura life know, I don't. I didn't

0:53:52.920 --> 0:53:57.920
<v Speaker 1>watch brook Shields movies. I didn't watch Endless Love. And

0:53:58.400 --> 0:54:01.480
<v Speaker 1>actually it's gonna come out with on YouTube. There's gonna

0:54:01.480 --> 0:54:03.560
<v Speaker 1>be people gonna go back get archival footage of me

0:54:03.719 --> 0:54:05.719
<v Speaker 1>weeping with a box of tissues down of the slap

0:54:05.880 --> 0:54:10.239
<v Speaker 1>right in my tuxedo. No, it didn't happen. I just

0:54:10.360 --> 0:54:16.760
<v Speaker 1>not just not really excited. Interrupted. Um I'm very excited

0:54:16.800 --> 0:54:18.480
<v Speaker 1>for this one. We're going back to to the top.

0:54:19.160 --> 0:54:21.040
<v Speaker 1>Laura Lee says, we didn't know we were walking in

0:54:21.160 --> 0:54:23.120
<v Speaker 1>on The Lion King without the puppet heads when they

0:54:23.160 --> 0:54:25.680
<v Speaker 1>walk in on. Emily and Richard and The Lion King

0:54:25.760 --> 0:54:28.680
<v Speaker 1>is American animated musical film, as well as a very

0:54:28.719 --> 0:54:32.839
<v Speaker 1>successful Broadway play starting in. The show features over two

0:54:32.920 --> 0:54:35.759
<v Speaker 1>hundred puppets, and it took over thirty seven thousand hours

0:54:35.840 --> 0:54:38.880
<v Speaker 1>to create the show's puppets and masks for the film.

0:54:39.120 --> 0:54:43.200
<v Speaker 1>The actual animated film, Frank Welker provided all the lion roarers.

0:54:43.440 --> 0:54:45.920
<v Speaker 1>Not a single recording of an actual lion roaring was

0:54:46.040 --> 0:54:49.600
<v Speaker 1>used because the producers wanted specific sounding roars to each lion.

0:54:50.560 --> 0:54:54.400
<v Speaker 1>Final fact wrapping this out, Jonathan Taylor Thomas voiced the

0:54:54.480 --> 0:54:59.200
<v Speaker 1>character of young Simba moving on Laura Line, Christopher sit

0:54:59.320 --> 0:55:01.600
<v Speaker 1>in his new car, are and more Lisas. George Lucas

0:55:01.680 --> 0:55:05.200
<v Speaker 1>wishes he had this sound system. George Walton Lucas Jr.

0:55:05.239 --> 0:55:09.360
<v Speaker 1>Is American film director, producer, screenwriter, and entrepreneur. George Lucas

0:55:09.520 --> 0:55:12.000
<v Speaker 1>is most known for creating Star Wars and to assure

0:55:12.080 --> 0:55:15.840
<v Speaker 1>the proper presentation of his work, lucasfilm Mr. Lucas's production

0:55:15.920 --> 0:55:20.520
<v Speaker 1>company created THX for the Perfect Sound and Video um.

0:55:20.600 --> 0:55:23.359
<v Speaker 1>George Lucas's dog was a major influence on his work.

0:55:23.440 --> 0:55:26.240
<v Speaker 1>The dog's name, Indiana, became the name of Harrison Ford's

0:55:26.320 --> 0:55:29.759
<v Speaker 1>character in the Any R. Jones series, and the look

0:55:29.840 --> 0:55:32.959
<v Speaker 1>of Chewbacca, Han Solo's faithful sidekick in the Star Wars

0:55:33.000 --> 0:55:35.960
<v Speaker 1>series was based on Lucas's dog as well. That George

0:55:36.080 --> 0:55:42.800
<v Speaker 1>Lucas he just keeping it real. Rory is trying to

0:55:42.840 --> 0:55:47.160
<v Speaker 1>convince Dean into coming to the ball. As Amy continues,

0:55:48.520 --> 0:55:51.440
<v Speaker 1>Rory says, remember that I'll be watching battle Boats with

0:55:51.520 --> 0:55:55.400
<v Speaker 1>you for a month, which Amy also referenced earlier. Battle

0:55:55.440 --> 0:55:59.600
<v Speaker 1>Bots is American robot combat television series. Comedy Central's first

0:55:59.640 --> 0:56:02.040
<v Speaker 1>season premiered in two thousand and it's fifth and last

0:56:02.120 --> 0:56:04.839
<v Speaker 1>season ended in two thousand two. The bots can way

0:56:04.920 --> 0:56:07.399
<v Speaker 1>up two or fifty pounds, and battle Bots still exist today,

0:56:07.520 --> 0:56:10.040
<v Speaker 1>and the world championship was held in Las Vegas this year.

0:56:11.560 --> 0:56:14.960
<v Speaker 1>We're seeing it now Chicago. Dean is gone and we

0:56:15.120 --> 0:56:22.040
<v Speaker 1>have stars hollows. He's fully fully stars hollowed. Yes, Rory

0:56:22.160 --> 0:56:24.479
<v Speaker 1>is chatting with the other debutant as she gets ready

0:56:24.520 --> 0:56:27.080
<v Speaker 1>and Rory says it could be a real circus kind

0:56:27.080 --> 0:56:32.360
<v Speaker 1>of night. San Canadian entertainment company and as largest contemporary

0:56:32.400 --> 0:56:36.080
<v Speaker 1>circus producer in the world. Some costume pieces and circles

0:56:36.160 --> 0:56:39.400
<v Speaker 1>oh are made out of shower curtains, and one traveling

0:56:39.440 --> 0:56:43.160
<v Speaker 1>show uses fifteen semi trucks for transportation of equipment. Many

0:56:43.239 --> 0:56:45.760
<v Speaker 1>Olympians actually go on to be part of the different shows,

0:56:45.800 --> 0:56:49.920
<v Speaker 1>whether it's synchronized swimming or gymnastics and circus. Lay has

0:56:50.000 --> 0:56:53.640
<v Speaker 1>also incorporated shows from Michael Jackson and the Beatles. You know,

0:56:53.719 --> 0:56:57.040
<v Speaker 1>the Rolling Stones use more trucks than that, these forty trucks,

0:56:57.160 --> 0:57:00.759
<v Speaker 1>fifty trucks one day tour. Yeah, I also feel like

0:57:00.880 --> 0:57:06.000
<v Speaker 1>Riley say, so you're really going to do? But that's it?

0:57:06.960 --> 0:57:12.239
<v Speaker 1>Is it? Duck? I don't know do Rorygine and Lena

0:57:12.280 --> 0:57:14.640
<v Speaker 1>are watching TV on the couch and lower Lias. Neil

0:57:14.719 --> 0:57:18.000
<v Speaker 1>Young has got a thing on you? Got nothing on you? Sorry,

0:57:18.160 --> 0:57:20.080
<v Speaker 1>my bad. Neil Young has got nothing that would be

0:57:20.080 --> 0:57:23.360
<v Speaker 1>a different meaning, how dare you has a thing on you?

0:57:23.640 --> 0:57:29.400
<v Speaker 1>What piece of information? Maybe? Neil Young is a Canadian

0:57:29.400 --> 0:57:33.040
<v Speaker 1>American singer, songwriter, musician, and activists. Neil is widely regarded

0:57:33.080 --> 0:57:35.280
<v Speaker 1>as the godfather of grunge, in part due to his

0:57:35.400 --> 0:57:38.680
<v Speaker 1>pioneering use of feedback and distortion, not to mention his

0:57:38.840 --> 0:57:44.320
<v Speaker 1>love for flannel shirts. Oh yes, Neil has offered one

0:57:44.360 --> 0:57:47.120
<v Speaker 1>million dollars to headline Woodstock at ninety four, but turned

0:57:47.160 --> 0:57:51.120
<v Speaker 1>it down for the best becoming too commercial. What am

0:57:51.120 --> 0:58:00.080
<v Speaker 1>I playing right now? Neil Young song? Now? Want to so?

0:58:00.200 --> 0:58:02.720
<v Speaker 1>I wasn't dinner last Friday, and I learned that Neil

0:58:02.800 --> 0:58:05.880
<v Speaker 1>Young is married to Darrell Hannah. I had no idea,

0:58:07.560 --> 0:58:13.600
<v Speaker 1>no idea for a while. Yeah, they're making it work.

0:58:16.520 --> 0:58:18.840
<v Speaker 1>Laura I tells Rory she's lucky to have someone to

0:58:18.920 --> 0:58:22.240
<v Speaker 1>complain to. After seeing Luke and Jess argue, Laura said,

0:58:22.360 --> 0:58:25.320
<v Speaker 1>Laura I says, oh, check you kill me. Checky Green

0:58:25.440 --> 0:58:28.960
<v Speaker 1>born Fred Sheldon Greenfield is an American comedian. Checky was

0:58:29.160 --> 0:58:33.680
<v Speaker 1>well medicated when he crashed his Oldsmobile into the Caesar's

0:58:33.720 --> 0:58:37.560
<v Speaker 1>Palace fountains. As his car was drenched under geishers of water,

0:58:37.680 --> 0:58:40.960
<v Speaker 1>Shacky merely turned to the windshield turned on the windshield wipers.

0:58:41.360 --> 0:58:43.640
<v Speaker 1>When the cops arrived, he rolled down his window and asked,

0:58:43.800 --> 0:58:47.520
<v Speaker 1>what no spray wax. Shacky's passion for horse racing a

0:58:47.600 --> 0:58:50.720
<v Speaker 1>horse named Shacky Green was the front runner in nineteen

0:58:50.760 --> 0:58:56.959
<v Speaker 1>seventy three Kentucky Derby. Fascinating name a horse? Check Green?

0:58:57.440 --> 0:59:03.040
<v Speaker 1>Okay wow uh. Rory tells Lorela she talked to Emily

0:59:03.160 --> 0:59:05.960
<v Speaker 1>and she's going to be a debutante. Lorelie says Roy.

0:59:06.160 --> 0:59:08.840
<v Speaker 1>That's like accepting the position as the drummer in Spinal Tap.

0:59:09.760 --> 0:59:13.840
<v Speaker 1>This is Spinal Tap, American mockumentary film co written and

0:59:14.040 --> 0:59:18.640
<v Speaker 1>directed by Rob Reiner in his directorial debut, I did

0:59:18.720 --> 0:59:22.800
<v Speaker 1>a recording with the original drummer, the drummer and spinal

0:59:22.880 --> 0:59:27.520
<v Speaker 1>taps his name, Rick Something, British guy, fan, fabulous drummer,

0:59:27.520 --> 0:59:29.800
<v Speaker 1>who's the jam with him every Sunday night at the

0:59:29.920 --> 0:59:35.040
<v Speaker 1>Kiddet's room and Cancer Stallion. It's pretty cool in Hollywood.

0:59:35.080 --> 0:59:37.840
<v Speaker 1>You what's his name? Rick? What's his name? Rick? Look

0:59:37.880 --> 0:59:43.080
<v Speaker 1>it up cast of spinal Tap. Rick Something, just a

0:59:43.240 --> 0:59:47.160
<v Speaker 1>fabulous doing it drummer. I did. I did like three

0:59:47.280 --> 0:59:48.840
<v Speaker 1>or four songs with him back in the night. Now,

0:59:49.560 --> 0:59:54.080
<v Speaker 1>Rick Parnell, Yes, Jerry, that was the name of the guy.

0:59:56.160 --> 1:00:00.280
<v Speaker 1>Don't don't, I didn't look it up. Don't play baby

1:00:00.320 --> 1:00:05.200
<v Speaker 1>in the Corner's dad? Oh, thank you? Laura, Emily and

1:00:05.280 --> 1:00:07.280
<v Speaker 1>Laura la Are talking about the deb tom Paul, Laura

1:00:07.320 --> 1:00:09.480
<v Speaker 1>la I says, I'm still convince she had something to

1:00:09.560 --> 1:00:12.560
<v Speaker 1>do with Lily Tomlin doing that movie with Tronda John Travolta,

1:00:13.000 --> 1:00:16.720
<v Speaker 1>which with this one, Yes, this is the movie Moment

1:00:16.840 --> 1:00:20.840
<v Speaker 1>by Moment, n American romantic drama film written and directed

1:00:20.880 --> 1:00:23.760
<v Speaker 1>by Jane Wagner and Starry Lilily Tomlin and John Travolta

1:00:24.360 --> 1:00:28.200
<v Speaker 1>is widely considered a catastrophe, catastrophe of a film history,

1:00:28.720 --> 1:00:31.320
<v Speaker 1>and has been blamed for nearly sinking the movie claters

1:00:33.240 --> 1:00:38.600
<v Speaker 1>assisted until this what's her name of the movie? Who's

1:00:38.640 --> 1:00:42.360
<v Speaker 1>the movie? Moment by Moment and Travolta and Tomlin together,

1:00:43.240 --> 1:00:46.640
<v Speaker 1>Was it a rom romantic thing? Or yes? The movies

1:00:46.720 --> 1:00:49.919
<v Speaker 1>like she lives in some town and he's the young

1:00:50.160 --> 1:00:53.880
<v Speaker 1>sort of never do well. I don't know, and then

1:00:54.040 --> 1:00:59.520
<v Speaker 1>right right they have a play and it almost ruined

1:00:59.560 --> 1:01:01.240
<v Speaker 1>both their rors before they get off the ground. You

1:01:01.320 --> 1:01:03.560
<v Speaker 1>can find that thing on story. How are you going

1:01:03.640 --> 1:01:06.600
<v Speaker 1>to ruin the career of a Lily Tomlin? She's hysterically

1:01:06.720 --> 1:01:12.600
<v Speaker 1>funny and brilliant. You can't ruin her career with a B. Yeah.

1:01:12.640 --> 1:01:15.320
<v Speaker 1>But but but there's so many other avenues that she

1:01:15.440 --> 1:01:18.560
<v Speaker 1>can take. I mean, she's a comedian, right, she's a

1:01:19.120 --> 1:01:22.440
<v Speaker 1>she's a comedic actress, and she's okay after this, But

1:01:22.520 --> 1:01:25.720
<v Speaker 1>who even did this movie existing? Did Lily Tomlin do

1:01:25.880 --> 1:01:30.000
<v Speaker 1>stand up? Probably? Yeah, But I mean she's this genius,

1:01:30.080 --> 1:01:33.080
<v Speaker 1>incredible shrinking woman nine to five and now, Grayson Frankie

1:01:33.760 --> 1:01:38.080
<v Speaker 1>love Lily Tomlin. One ring a danging toe ring a

1:01:38.240 --> 1:01:43.840
<v Speaker 1>dang it. Hear me in that chair on electric That

1:01:44.080 --> 1:01:48.120
<v Speaker 1>was scary with a huge chair, little girl, an incredible

1:01:48.160 --> 1:01:51.960
<v Speaker 1>shrinking woman. Fully breaked me out, fully creaked me out,

1:01:52.120 --> 1:01:54.920
<v Speaker 1>but she's still danking. Grayson Frankie. If you haven't watched it,

1:01:56.320 --> 1:02:00.200
<v Speaker 1>Netflix it right now. Have to gilmore girls, Grayson Frankie. Really,

1:02:01.120 --> 1:02:04.280
<v Speaker 1>this episode was probably one of our best ever. Probably

1:02:04.320 --> 1:02:08.800
<v Speaker 1>twenty minutes too long, but still real good guys. You

1:02:08.880 --> 1:02:14.280
<v Speaker 1>can't cut anything out. It's it's like there are different

1:02:14.440 --> 1:02:18.760
<v Speaker 1>forms of gold. Right. Yeah, this is like a Bonzie one.

1:02:25.200 --> 1:02:27.280
<v Speaker 1>But I do feel like we're all all on her

1:02:27.400 --> 1:02:34.440
<v Speaker 1>game today. All right, So that's it. What are we

1:02:34.480 --> 1:02:38.720
<v Speaker 1>watching next? We have episode seven like Mother Like Daughter,

1:02:41.440 --> 1:02:44.240
<v Speaker 1>No great job, guys, huh, we're back. We have a

1:02:44.480 --> 1:02:48.080
<v Speaker 1>starting right fielder back from the Dane really contributed and

1:02:48.160 --> 1:02:51.040
<v Speaker 1>we missed her when she's not here anyway, everybody, thank

1:02:51.120 --> 1:02:55.160
<v Speaker 1>you so much, best fans in the world. Uh, and

1:02:55.240 --> 1:02:59.200
<v Speaker 1>I want to thank my my ball club here, Danielle

1:02:59.280 --> 1:03:08.400
<v Speaker 1>Romo right field shotgun, arm Riley pelusis shortstop Amy, Amy Sugarman.

1:03:09.560 --> 1:03:12.440
<v Speaker 1>She's my battery mate. She's she's, she's calling the pitches.

1:03:12.480 --> 1:03:15.280
<v Speaker 1>I'm throwing the pitches. You know. She's, she's, she's, she's

1:03:15.440 --> 1:03:19.360
<v Speaker 1>Johnny to the Johnny Bench of podcasts. Okay, there you go.

1:03:20.000 --> 1:03:23.960
<v Speaker 1>Uh and I am Scott Patterson and thanks for down loading.

1:03:24.520 --> 1:03:57.240
<v Speaker 1>We will see everybody next time. Stay safe, hey, everybody,

1:03:57.240 --> 1:04:00.560
<v Speaker 1>and don't forget follow us on Instagram at I am

1:04:00.640 --> 1:04:04.600
<v Speaker 1>all In podcast and email us at Gilmore at I

1:04:04.840 --> 1:04:08.200
<v Speaker 1>heart radio dot com. Oh you Gilmore fans. If you're

1:04:08.200 --> 1:04:10.000
<v Speaker 1>looking for the best cup of coffee in the world,

1:04:10.080 --> 1:04:13.960
<v Speaker 1>go to my website for my company scott EP dot com,

1:04:14.160 --> 1:04:16.280
<v Speaker 1>s C O T T Y P dot com, scott

1:04:16.320 --> 1:04:27.240
<v Speaker 1>EP dot com Grade one Specialty Coffee. Yeah.